Podcast appearances and mentions of Mark Mangini

CLEARANCE GRANTED... WELCOME, AUTHORIZED PERSONNEL... SCRIPT BASED ON ORIGINAL ENTRY BY The Raven, A Random Day, and Decibelles: www.scp-wiki.net/scp-150 License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of Dr. Harlan Sun was provided by Brittany Carlton. The voice of Dr. Wendy Robin was provided by Spera Crinis. The voice of Dr. Alex Harlow was provided by Romeo Rosales, Jr. The voice of D-016002 was provided by Lisa Hogan. ---- Sound Credits "Abstract Ambiences 04-Layer 01 Hollow-Rumble-Telemetry.wav" by SoundBits / PSE "Glass-ThickGlassBeakerMugCu.wav" by SoundStorm / PSE "GOREOoze_Slimey through Pulsating Goo Movements Goop_PSE_GEN_539381E1.wav" by Colin Lechner / PSE "Knife Pick Up BW.14847.wav" by Blastwave FX / PSE "Machines-HospitalHeartMonit.wav" by SoundStorm / PSE "MACHMed_Dentists Drill_PSE_OE_jRFNe.wav" by Mark Mangini, Richard L Anderson / PSE "MonsterEatFlesh SFXB.1410.wav" by Blastwave FX / PSE "Oxygen Tank Mask BW.4538.wav" by Blastwave FX / PSE "SurgeryInstruments SFXB.550.wav" by Blastwave FX / PSE "Tools-KnifePickUp&ThrownDow.wav" by SoundStorm / PSE "zombie_slurp_brains_03.wav" by Soundrangers / PSE ---- The outro music was written by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-150 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

This episode was requested by Patreon patron, MusicalGolfBall. To join them in their support of the show, and to gain access to a number of patron-exclusive benefits, visit www.patreon.com/thescpfoundationdatabase. ---- CLEARANCE GRANTED... WELCOME, AUTHORIZED PERSONNEL... SCRIPT BASED ON ORIGINAL ENTRY BY Michael Atreus: www.scp-wiki.net/scp-2718 License: creativecommons.org/licenses/by-sa/3.0/ The adapted audio play was written by Joshua Alan Lindsay. ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of the MTF Operative was provided by Oktober Crow. The voice of Agent Jackson was provided by Christian Jasper. The voice of Agent Andrews was provided by Joshua Alan Lindsay. The voice of the Technician was provided by Romeo Rosales, Jr. The voice of O5-7 was provided by Dr. Sharon Mabry. The voice of O5-11 was provided by Joshua Alan Lindsay. The voice of the Sergeant was provided by Martin Taylor. The voice of the Specialist was provided by Lisa Hogan. The voice of the Captain was provided by Dr. George Mabry. ---- Sound Credits "air-conditioning_hotel-room.mp3" by geodylabs of Freesound.org [CC BY 3.0] "AMBRoom_Basement Room Tone Small Ventilation Low Tone_PSE_GEN5_dYMCv.wav" by Sonomar Inc. / PSE "AMBRoom_Commercial Office Hallway Room Tone_PSE_GEN5_j8ArX.wav" by Eric Mooney / PSE "Battering Ram - Impact 4.wav" by SoundMorph / PSE "be advised.wav" by tim.kahn of Freesound.org [CC BY 4.0] "BLLTShel_Bullet Casings Drop_PSE_OE_VlhPW.wav" by Mark Mangini, Richard L Anderson / PSE "Bullet Impact Body BW.54393.wav" by Blastwave FX / PSE "BulletImpactHuman S08WA.575.wav" by Blastwave FX / PSE "Diana F+.wav" by floriangeyer of Freesound.org [CC BY 3.0] "Energy - small device on-off-03.wav" by SoundMorph / PSE "Gear - movement_walking_01.wav" by SoundMorph / PSE "Home Phone Keypad Sound.aiff" by JZProductions of Freesound.org [CC BY 4.0] "M4A1 - Burst Shot - Long - Interior.wav" by SoundMorph / PSE "M4A1 - Burst Shot - Medium - Interior.wav" by SoundMorph / PSE "M4A1 - Burst Shot - Short - Interior.wav" by SoundMorph / PSE "M4A1 - Single Shot - Interior 01.wav" by SoundMorph / PSE "METLImpt_Bullet Shells Drop on Floor Multiple_PSE_GEN_C2EF912D.wav" by Saro Sahihi / PSE "Multiple_Swishes_Very_Fast_Airy_Whooshes_OCP-1506-075-04.wav" by Mark Mangini, Richard L. Anderson / PSE "Scifi Alarm x3.wav" by Cell31_Sound_Productions of Freesound.org [CC BY 4.0] "snare police radio over beep.wav" by FlyinEye of Freesound.org [CC BY 3.0] All other sounds are original to this production or in the Public Domain. ---- The outro music was written by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-2718 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

We asked our listeners to submit their favourite field recordings and tell us the stories behind how they were captured, and we got some really great submissions. These stories prove that sound design is not for the weak of heart, as people are mauled by dogs or accidentally lit on fire. Other stories are tales of pure luck, by being in the right place at the right time. Listen to these adventures in sound submitted by Brad Nayman, Mark Mangini, Katrine Amsler, Ken Cain, Florian Abou Yehia, Jak Melvin, Frank Colburn, David W. Mika and David Thomas. Show Notes: https://tonebenderspodcast.com/270-listener-field-recording-stories/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

Have you ever been watching a stand-up comedy special and felt like you were in the room the day it was recorded? A lot of that energy relies on the sound of the crowd as they laugh and react to what the performer is doing on stage. Vinny Alfano has worked on the audio post-production on stand-up specials from Mike Birbiglia, Sarah Silverman, Iliza Shlesinger, Louis C.K, David A. Arnold and more. He talks us through how to translate that energy from the live performance to the screen by making crowd reactions immersive, and the performer crisp and clear. Also.... Attention Sound Designers and Mic Lovers! The Field Recording Slack is currently running a MACHINE themed crowdsource library. Whether you're just getting started or already sleep with a mic under your pillow, your sounds are needed!  There are some serious prizes  up for grabs from Pole Position, Aftertouch Audio, Penguin Grenade, Tonsturm, Sonorous Objects, Articulated Sounds, Thomas Rex Beverly, Shaping Waves, Axl Sound, Western Tiger, JSE, Surround Sound Lab and more. Mark Mangini and Ezra Dweck will choose the winning sounds after the June 30th deadline. For details on how to take part go to: https://docs.google.com/document/d/1cwXn-h6YBOaKaA9QSOofII_hkQLgX9OlYUKj-xDvFtc/edit There have already been 130 machines recorded and submitted, so lets get your sounds in too—You Don't miss this one! Show Notes: https://tonebenderspodcast.com/266-audio-post-for-comedy-specials-with-vinny-alfano/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

Today marks the opening weekend for Furiosa: A Mad Max Saga, a prequel for the character first introduced in MadMax: Fury Road.  So it seemed like a perfect time to reach into our archives and go back to May of 2015, when we did an episode with Oliver Machin about his work on Fury Road. Hear his amazing story of how the sounds of the vehicles used in the film, were recorded in the African desert days before they were destroyed in principle photography. It is one of my all time favourite Tonebenders episodes. As a bonus, Mark Mangini makes a short appearance discussing how important these recordings were to the final soundscape of the film. Make sure to go to our website to this episode's homepage (link below) to see dozens of fascinating pictures of Oliver recording the vehicles. Show Notes: https://tonebenderspodcast.com/262-mad-max-fury-road-with-oliver-machin-re-podcast/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Hosts This Episode: Timothy Muirhead & René Coronado

In this episode we welcome Mark Mangini, sound designer of films such as Blade Runner 2049, The Fifth Element, and Gremlins in conversation with film producer Matt DrakeMark Mangini has made it his life's work to create the unimagined worlds and fabricated sonic realities of the most epic films you can imagine. Known for films including Blade Runner 2049, Star Trek I, IV and V, The Fifth Element, and Gremlins, Mark is a six-time Oscar nominated sound designer, winning twice for Dune and Mad Max Fury Road.We go behind-the-scenes as Mark shares the secrets behind creating the most memorable sound art of these monumental films.This conversation was recorded during the 2023 Vancouver International Film Festival.–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations. The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what's playing now at viff.org.

Content Warning: Castration, cannibalism, harm to an infant, and mass casualties due to natural disaster. ---- This episode was requested by Patreon patron, Dalunamastero. To join her in her support of the show, and to gain access to a number of patron-exclusive benefits, visit www.patreon.com/thescpfoundationdatabase. ---- CLEARANCE GRANTED... WELCOME, AUTHORIZED PERSONNEL... SCRIPT BASED ON ORIGINAL ENTRY BY Djoric: www.scp-wiki.net/scp-2845 License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of ██████ ████████ was provided by Oktober Crow. ---- Sound Credits "Alert4.mp3” by RICHERlandTV of Freesound.org [CC BY 3.0] "Crowd Reaction Adults OCP-1317-021.wav" by Mark Mangini, Richard L. Anderson / PSE ---- The outro music was written by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-2845 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

Get ready to celebrate our 300th episode with a bang as we sit down with Academy Award-winning sound designer Mark Mangini! With a jaw-dropping resume including iconic films like Raiders of the Lost Ark, Gremlins, Dune, Blade Runner 2049 and Mad Max: Fury Road, Mark joins host Mike Pecci for an electrifying discussion on all things sound. From the subtle art of storytelling through sound to the legendary techniques of filmmakers like George Miller and Denis Villeneuve, this episode is a must-listen for any cinephile. Join us as we mark this milestone and dive into the world of cinematic sound! --------------------------------- Go to inlovewiththeprocess.com to see trailers and clips! ►Mark's Website: https://markmangini.com/Mark_Mangini/Home.html ►Mark's Blog: https://markmangini.com/Mark_Mangini/Blog/Blog.html ►Mike Pecci's IG: instagram.com/mikepecci ►ILWP's IG: instagram.com/inlovewiththeprocesspod -------------> Featuring Music from: ► L'Avenue ►Code Elektro The Episode is Sponsored by ► Black Magic Design www.blackmagicdesign.com/ ► Puget Systems: puget.systems/go/ILWTP ►INDIPRO

Mark Mangini is the legendary two-time Oscar winner and six-time Oscar-nominated sound editor and designer of some of the best-sounding movies in history, such as Mad Max: Fury Road, Dune, Blade Runner 2049, and Teenage Mutant Ninja Turtles: Mutant Mayhem. In this episode, we talk about his success story, life, career, failure, and winning two Oscars. We also talk about many of his great films and his favorites.Wassup Conversations podcast is available on YouTube and all the major podcast streaming services. https://www.nikoofarmusic.com/wassupMark Mangaini: https://markmangini.com/https://www.instagram.com/markmanginisoundHamidreza Nikoofar: https://twitter.com/HRNikoofarSupport the show

Friend of the podcast Mark Mangini invites us into his studio to talk about his work on the new documentary 32 Sounds. He tells us about his experience learning how to mix for headphones, what his personal "ghost sounds" are and lots more. Show Notes: https://tonebenderspodcast.com/238---32-sounds-with-mark-mangini/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

Content Warnings: Body horror, gore, torture, and violence; mention of child molestation and mutilation (no details); and Ronald Reagan. ---- This episode was requested by Patreon patron, Gregg. To join them in their support of the show, and to gain access to a number of patron-exclusive benefits, visit www.patreon.com/thescpfoundationdatabase. ---- CLEARANCE GRANTED... WELCOME, AUTHORIZED PERSONNEL... SCRIPT BASED ON ORIGINAL ENTRY BY Digiwizzard: www.scp-wiki.net/scp-1981 License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of Ronald Reagan was provided by Lee Daniel. ---- Sound Credits "Alert4.mp3” by RICHERlandTV of Freesound.org [CC BY 3.0] "Analog Tape Noise 10.wav" of Debsound of Freesound.org [CC BY-NC 4.0] "auditorium audience applause big 01.wav" by Soundrangers / PSE "auditorium audience applause big 02.wav" by Soundrangers / PSE "auditorium audience applause big 03.wav" by Soundrangers / PSE "BloodDrips BW.11667.wav" by Blastwave FX / PSE "BloodDrips ZA01.55.wav" by Blastwave FX / PSE "Drip_Spill_Splash_25.wav" by SoundBits / PSE "FoleyFootsteps-Linoleum-_26.wav" by SoundStorm / PSE "FoleyFootsteps-Linoleum-_27.wav" by SoundStorm / PSE "FoleyFootsteps-Linoleum-_28.wav" by SoundStorm / PSE "Gore slush slime sounds.wav" by VlatkoBlazek of Freesound.org [CC BY 4.0] "Neck Bone Break BW.80199.wav" by Blastwave FX / PSE "Real VHS/VCR intense distortion and interference VFX with sound (16:9 widescreen) [Free to use].mp3" by RC-TV Video Europe of YouTube.com (https://youtu.be/CHp9rL8Y6yQ) "Roomtone,TACF,Auditorium,Light Hum.wav" by JR Fountain / PSE "small_audience_laughter_21.wav" by Soundrangers / PSE "Tearing flesh.wav" by aworldwhere of Freesound.org [CC BY 3.0] "Tearing Sinews, Breaking Bones.flac" by qubodup of Freesound.org [CC BY-NC 4.0] "theater audience laughter 02.wav" by Soundrangers / PSE "theater audience laughter 03.wav" by Soundrangers / PSE "theater audience laughter 04.wav" by Soundrangers / PSE "VCR_Rewind_Idle_Play_Rewind_Stop_ODY-1717-31.wav" by Mark Mangini, Richard L. Anderson / PSE "VCRFastForwardTape SFXB.4171.wav" by Blastwave FX / PSE "Very quick Splash and squishy sound.wav" by aarrnnoo of Freesound.org [CC BY 4.0] "VCR Tape Hiss Sound Effect VHS Camera Buzz 80's & 90's Home Video.mp3" by audioman5000 of YouTube.com (https://youtu.be/aYaafk74CZU) "Water drips hvy splat.wav" by Sound Control SE / PSE ---- The outro music was written by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-1981 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

Scooby Panel #67 - in this episode, we talk to Mark Mangini, Oscar Winning Sound Designer, who worked on movies like Dune, Mad Max: Fury Road, The Green Mile, Poltergeist, 48 Hours, Gremlins and Star Trek and animated series like The Scooby-Doo/Dynomutt Hour, Scooby Goes Hollywood and The Scooby-Doo and Scrappy-Doo Show. #scoobydoo #Podcast #Interview  

Mark Mangini is one of the most prolific sound designers of all time. He's been credited on over 150 films, including Indiana Jones, Star Trek, Aladdin, Space Jam, The Green Mile, Anchorman, Mad Max: Fury Road, Dune, and tons more. In this episode, Mark joins us to count down six of our favorite sonic moments from his career, and reveals the secrets behind how these iconic sounds were made. This episode was made in partnership with Pro Sound Effects. Share your sound stories with us! Record a message at hi.20k.org or email us your recording at hi@20k.org. Watch our video shorts on Youtube, Instagram, and TikTok. Follow us on Reddit, Twitter, and Facebook. Sign up for Twenty Thousand Hertz+ to get our entire catalog ad-free. If you know what this week's mystery sound is, tell us at mystery.20k.org Visit prosoundeffects.com/20k to explore one of the world's best sound effects libraries, and get your first five sounds for free. Subscribe to INDEPTH Sound Design on Youtube and Instagram. Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/markmangini Learn more about your ad choices. Visit megaphone.fm/adchoices

If you're interested in sound design audio work for feature and scripted content, this is the episode for you! Hear from this Emmy-nominated team.  Anthony Vanchure is an Emmy-nominated Supervising Sound Editor who has strengthened a variety of projects in television and film with his unique talents and precise creative approach. Most recently, Anthony has been celebrated for his work on Roku's Weird: The Al Yankovic Story directed by Eric Appel and starring Daniel Radcliffe, which he spearheaded with his regular collaborator Mike James Gallagher. In addition, Anthony earned an Emmy nomination for Outstanding Sound Editing in Amazon's acclaimed documentary Lucy and Desi, directed by Amy Poehler. Anthony is also serving as supervising sound editor on Apple's upcoming original film Selena Gomez: My Mind and Me, which is set to open AFI Fest 2022. Mike James Gallagher is an Emmy-nominated sound designer who has elevated many films and television shows with his wide-ranging talents. Mike began his professional sound design career on the short film, Verbatim, which was an official selection at Sundance Film Festival. He went on to work on Netflix's 1922, an adaptation of a Stephen King novella, Netflix's Song Exploder, a series based on the popular podcast, HBO's Phoenix Rising, and Hulu/FX's Hysterical. He is also extremely passionate about sound design education, having produced and directed masterclasses for Oscar-winning sound designers Richard King and Mark Mangini.

The hushed thrum of the womb. The warble of the last living species of a now-extinct bird. The fury and thrust of a jet engine in flight. These are some of the sounds that populate filmmaker Sam Green's immersive documentary “32 Sounds.” The movie is not just a collection of sounds, but rather a meditation on the strange power that sound has on us, whether it is voices, music, the natural world or sounds that we are trying to tune out. Watching the movie, even on a tiny screen, can be a full-body experience in which you're encouraged by Green, who narrates the film, to feel the sound. We'll talk to Green and his Oscar-winning sound designer, Mark Mangini, about how sound can literally move us. 32 Sounds will be screened at the Exploratorium on July 27, at the Smith Rafael Film Center July 28-30, the San Francisco Roxie Theater, July 29 and Berkeley's Rialto Theater, July 30. Guests: Sam Green, filmmaker; his film,"32 Sounds" will be screened at the Exploratorium on July 27, at the Smith Rafael Film Center July 28-30, the San Francisco Roxie Theater, July 29 and Berkeley's Rialto Theater, July 30. Mark Mangini, sound designer, "32 Sounds"

CLEARANCE GRANTED... WELCOME, AUTHORIZED PERSONNEL... SCRIPT BASED ON ORIGINAL ENTRY BY AN UNKNOWN AUTHOR: www.scp-wiki.net/scp-110 License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of Stephen Kolsnik was provided by Martin Taylor. ---- Sound Credits "Alien Computer Alarm Sci Fi OCP-1141-03.wav" by Mark Mangini, Richard L. Anderson / PSE "Impacts-Debris-MCU-Dirt&Roc.wav" by SoundStorm / PSE "LFETremor LF02.7.wav" by Blastwave FX / PSE "Tremor Rumble ODY-0345-032-01.wav" by Mark Mangini, Richard L. Anderson / PSE "ventilation duct 02 30 loop.wav" by Soundrangers / PSE ---- The outro music was written by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-110 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

Content Warning: Gore; mention of sexual assault and implied child rape (no details). ---- An SCP Tale by Dr Gears: www.scp-wiki.net/the-young-man Features SCP-106 - The Old Man: www.scp-wiki.net/scp-106 License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Narrator was provided by Joshua Alan Lindsay. ---- Sound Credits This episode uses audio samples from the PC game "SCP - Containment Breach" by Undertow Games and Third Subdivision Studios [CC BY 3.0], in addition to the following: "AbandonedChurch BW.11596.wav" by Blastwave FX / PSE "AIRCRAFT 1916 SOPWITH PUP REPLICA PASS04 STEREO.wav" by Stephan Schutze / PSE "Alert4.mp3" by RICHERlandTV of Freesound.org [CC BY 3.0] "ArmyMovements.BBC.EC83Ga.wav" by BBC / PSE "ArmyMovements.BBC.EC83Gb.wav" by BBC / PSE "Artillery Distant ODC-0055-256" by Mark Mangini, Richard L. Anderson / PSE "dragging of telescope on crunchy grass.wav" by sjturia of Freesound.org [CC BY 3.0] "Gear Movement Cop or Soldier OCP-1642-11.wav" by Mark Mangini, Richard L. Anderson / PSE "Heavy metal door_3-1.Squeak.Impact.Lock clicks.Lock the bolt(10lrs,mltprcssng,rvrb3).wav" by newlocknew of Freesound.org [CC BY 4.0] "JailDoorCell S08ER.296.wav" by Blastwave FX / PSE "Military Base ODY-0269-041.wav" by Mark Mangini, Richard L. Anderson / PSE "Soldiers Gear Rattle OCM-0055-248.wav" by Mark Mangini, Richard L. Anderson / PSE "Soldiers Gear Rattle OCM-0055-252.wav" by Mark Mangini, Richard L. Anderson / PSE "Tension - post modern technology tone low frequency sinister or peaceful depending on context.wav" by SoundMorph / PSE "Weapon and Gear Movement OCP-1583-33.wav" by Mark Mangini, Richard L. Anderson / PSE "WIND_Blowing Desolate Constant Whir_PSE_GEN_A29B033D.wav" by Colin Lechner / PSE "WINDVege_Desert Wind Through Dead Desert Shrub Bush Gust_PSE_GEN_47CC5626.wav" by Chris Diebold / PSE ---- The outro music was written by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/the-young-man Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

Larry Mantle and LAist film critics Lael Loewenstein, Tim Cogshell and Charles Solomon review this weekend's new movie releases in theaters, streaming, and on demand platforms. FilmWeek: ‘Fast X,' ‘Wanda Sykes: I'm An entertainer,' ‘Astérix & Obélix: The Middle Kingdom,' and more “Fast X” Wide Release  “Wanda Sykes: I'm An Entertainer” Streaming on Netflix  “Astérix & Obélix: The Middle Kingdom” Streaming on Netflix  “The Thief Collector” In Select Theaters “Chile ‘76” Laemmle Royal [West LA]  “Sanctuary” In Select Theaters “White Men Can't Jump” Streaming on Hulu  “Master Gardener” In Select Theaters “32 Sounds” Laemmle NoHo[North Hollywood] “Love To Love You, Donna Summer” Streaming on HBO  “Victim/Suspect” Streaming on Netflix   Larry Mantle's Interview With Sound Designer Mark Mangini ‘32 Sounds' is an immersive documentary that explores the phenomenon of sound. From bird calls to voice memos, to the crackle of a falling tree, the film takes the audience on a number of sonic journeys. The sound designer and re-recording mixer for this documentary is Mark Mangini. He is a two-time Academy Award Winner for Dune and Mad Max Fury Road. Larry Mantle sits down with Manginito to discuss how sounds bring movies alive. 

This episode was requested by Patreon patron, Ketill. To join them in their support of the show, and to gain access to a number of patron-exclusive benefits, visit www.patreon.com/thescpfoundationdatabase. ---- CLEARANCE GRANTED... WELCOME, AUTHORIZED PERSONNEL... SCRIPT BASED ON ORIGINAL ENTRY BY WarpZone: www.scp-wiki.net/scp-2063 License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of O5-9 was Lee Daniel. ---- Sound Credits "Alert4.mp3” by RICHERlandTV of Freesound.org [CC BY 3.0] "COMTelph_Telephone Hit Handset on Body_PSE_OE_twBN4.wav" by Mark Mangini, Richard L. Anderson / PSE "Desk Activity Open and Close Drawers OCP-1096-25.wav" by SoundStorm / PSE "Telephones-SonySpp190Cor_10.wav" by SoundStorm / PSE "Telephones-SonySpp190Cor_11.wav" by SoundStorm / PSE ---- The outro music was written by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-2063 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

A new documentary explores the power of sound in various aspects of our lives, and provides a unique theater viewing experience complete with personal sets of headphones. Director Sam Green and sound mixer Mark Mangini join us to discuss their film, "32 Sounds," which opens in New York theaters today.

This episode was requested by Patreon patron, Melvin shermen. To join him in his support of the show, and to gain access to a number of patron-exclusive benefits, visit www.patreon.com/thescpfoundationdatabase. ---- CLEARANCE GRANTED... WELCOME, AUTHORIZED PERSONNEL... SCRIPT BASED ON ORIGINAL ENTRY BY AnActualCrow: www.scp-wiki.net/scp-5655 License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of Researcher Alami was provided by Brittany Carlton. The voice of SCP-5655-1 was provided by Martin Taylor. ---- Sound Credits "air-conditioning_hotel-room.mp3 by geodylabs of Freesound.org [CC BY 3.0] "Magic Poofs Short Breathy Bursts Wheezy Exhale OCP-1520-042-02.wav" by Mark Mangini, Richard L. Anderson / PSE ---- The outro music was written by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-5655 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

Content Warnings: Mention of child rape and forced pregnancy. Brief gore and torture. Brief, negative language against Arabic-speaking cultures. Genocide of a fictional race. ---- An SCP Tale by AdminBright: www.scp-wiki.net/scp-001-o5 License: creativecommons.org/licenses/by-sa/3.0/ Audio play by Joshua Alan Lindsay. ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of Dr. Everett Mann was provided by Bradley Moore. The voice of O5-1 was provided by Joshua Alan Lindsay. The voice of the MTF-Alpha-1 Operative was provided by Oktober Crow. ---- Special thanks to our top patrons: Abe, Aikenova, Angelica Herrera, Aquarius Peters, Biscus, Brittany Mittler, Chitoo120, Corbin Azure, Dagen, Dalunamastero, Denux the Shork, Disownedbook16, Doc white lowpelt, DojaDeath, Eearslya Sleiarion, EnbyRights, Four, Grant Bell, Gregg, HaroldTheIdiot, Irokutara, James Gabbard, JonEvan Pomeroy, Jordan Scheuermann, Joshua Dale, Jude McKenna, Kate, Kay MacKenzie, Kaynamoo, Kaz, Ketill, Kieran Luke Miller, Kyle McCartney, Libby McGahee, L Maurice, Local Vampyre, Logan Stromberg, Lorenzo Serox, Lukas Simler, Luke Shackleford, Lukesquatch, Maritza Rasnick, Melvin shermen, Mental Doomsday, Michael Loster, Michael Y, Miettispaghetti, Nick Mita, NineZeroNine, Philip Rauch, Pixel VI, Psionicon, Qc Lion, ragafragamagawaga, Rj Reid, Robert Curry, Salty Buckets, Samoht, SewingWithFire25, SirFoxx, Spencer Perry, spikefire, Stripey1999, Tanner Kelley, TheDefectivePawn, The faceless old woman who secretly lives in your home, The Phantom Eyes, Tobias Jackson, Trinity, Vizman-7, and Von Bright. ---- Sound Credits "air-conditioning_hotel-room.mp3 by geodylabs of Freesound.org [CC BY 3.0] "Alert4.mp3” by RICHERlandTV of Freesound.org [CC BY 3.0] "Door Knocks Heavy Door Various Versions ODY-1186-050-01.wav" by Mark Mangini and Richard L. Anderson / PSE "Drones-DesignStatic-Mediu_5" by SoundStorm / PSE "Energy - small device on-off-03.wav" by SoundMorph / PSE "Machines-HospitalHeartMonit.wav" by SoundStorm / PSE "SCIMach_Noise Electro Magnetic SciFi Energy Short_PSE_GEN_388DD212.wav" by Saro Sahihi / PSE "Sensor Beeps.wav" by nebyoolae of Freesound.org [CC BY 3.0] "Tonal beep signals.Warning.Alert(12osc,no fx).wav" by newlocknew of Freesound.org [CC BY-NC 3.0] ---- The outro music was written by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-001-o5 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

Director Ryan White and Academy Award-winning sound designer Mark Mangini join us today to discuss the making of “Good Night Oppy.” This charming new documentary tells the story of the two Mars rovers, Spirit and Opportunity, which were sent to the red planet back in 2003 and were expected to survive long enough to collect data for — hopefully — 90 days. Instead, they blew everyone's expectations away and one of them, nicknamed “Oppy,” lasted over 15 years. The filmmakers had the advantage of almost a thousand hours of archival material from NASA, but since much of the film takes place “on Mars,” that came with its own unique challenges.“I didn't want it just to be an earthbound story. I wanted it to also take place on Mars. And I didn't want that just to be like grainy black and white photos. And so I asked [our production company] Amblin, ‘is it possible to put the audience on Mars, almost as if I could be there with my documentary crew during this adventure, in a way that is photoreal?' And Amblin said, ‘we don't know, but luckily our best friends are Industrial Light and Magic.” … Spirit and opportunity each had nine cameras. We know what every day of their journeys looked like. And so we were able to supply all of that photography and all of the data that NASA could give us. So for instance, the weather, where the sun rose and sun set on a day, or how much dust was in the air on a certain day that Spirit was going through. And we asked Industrial Light and Magic, ‘can you take all of this information, all of this data, and create a photoreal Mars?' And they said, ‘we've never done that before, but we love a challenge. We will build Mars from the ground up for you.'”— Ryan White, Director, “Good Night Oppy”Mark Mangini, who worked as the film's sound designer, supervising sound editor, and re-recording mixer, then had the unique challenge of “recreating” what exactly those machines and environment might have sounded like on Mars… but without the benefit of microphones on any of the rovers. But as always, he was able to craft an incredible soundtrack and mix in Dolby Atmos®.Be sure to check out “Good Night Oppy,” now streaming on Prime Video in Dolby Atmos®.Please subscribe to The Dolby Institute Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

This episode is about minutes 6-10 of The Empire Strikes Back with composer-artist Christina Ward. The YouTube version of this episode is here: https://youtu.be/xHuhO51iYuc  TIMESTAMPS: 00:00 - Hello there! 02:15 - Listening to the beginning of these minutes. 08:17 - Assessing the feelings behind Han and Leia's dialogue. 12:28 - Slow, awkward waltz. 16:41 - Threepio slander. 24:32 - Irvin Kershner wanted the ESB score to be spare. 29:44 - Talking through a part of the score. 36:47 - Reverse-engineering the Wampa based on how the Wampa sounds. 41:07 - Swarming, swirling strings rise up. Reminiscent of the Moldau (by Smetana). 49:27 - Getting the notes exactly right vs. "this is an effect." 55:55 - Conductors as Jedi Masters. 1:02:17 - Esa Pekka Salonen and kung fu masters. 1:10:53 - Tauntaun sounds. 1:13:53 - Quickie topic: Dynamics. 1:23:40 - SWMM Questionnaire. Things Mentioned: Smetana - The Moldau - https://youtube.com/watch?v=BhAwqPBPIEM&t=110 The Soundtrack Show: The Empire Strikes Back: the Music Part I: https://www.iheart.com/podcast/105-the-soundtrack-show-29021108/episode/the-empire-strikes-back-the-music-30719133/  Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Check out Dominic Sewell Music 's YouTube channel for a more in-depth cue analysis of the following cues: 1m3/2m1 "Luke's Escape" - https://youtu.be/xKysHgjNtmk 1m2B "The Imperial Probe" Part 2 - https://youtu.be/29teKKgKNm8 Musical Themes: 4. Leia 11a. Han & Leia (A Section) 13. Droids 3. Force 1a. Main Theme (A Section) Where are we in the soundtrack(s)?: "Main Title/The Ice Planet Hoth" "The Wampa's Lair/Vision of Obi-Wan/Snowspeeders Take Flight" Cue Numbers and Names: 1M2B "The Imperial Probe - Part 2" aka "New Start" 1M3/2M1 "Luke's Escape" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Old answer: Heartfelt. Direct. Dramatic. New answer: Droids. Hopeful. Dramatic. 2. What's something related to Star Wars music or sound that you want to learn more about? Old answer: What are the thematic relationships that tie the dark side with Imperialism, musically speaking? Similarly, what musical relationships tie the light side with rebellion and goodness? New answer: What the aural representation of Chiss brainwaves, particularly Sky-walkers, would be. 3. What's a score or soundtrack you're fond of besides anything Star Wars? Old answer: Dune (music composed by Hans Zimmer, sound team led by Mark Mangini and Theo Green) New answer: Ms. Marvel (composed by Laura Karpman) and Moon Knight (composed by Hesham Nazih) --------------- Guest: Christina Ward Instagram: https://www.instagram.com/xtverse.studio/ Twitter: https://twitter.com/ChristinaWard00  Solo 15: Do You Like It? (Minutes 71-75 with Christina Ward) - https://youtu.be/YkMiwQzrteY Christina joined The Band Batch for music commentary on ANDOR season 1: https://youtube.com/playlist?list=PLE4n8ygyS0MIkTsWhhs7gBmLFiQtjzAjT  ------------------ If you want to support the show and join the Discord server, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

Content Warnings: Body horror, car accident, cancer, childbirth, death, gore, torture, and violence; in addition to force-feeding, non-human birth, oral violation (non-sexual), physical restraint, skinning, stomach rupture, mutation, and Margaret Thatcher. ---- CLEARANCE GRANTED... WELCOME, AUTHORIZED PERSONNEL... SCRIPT BASED ON ORIGINAL ENTRY BY PeppersGhost: www.scp-wiki.net/scp-2030 License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of SCP-2030-1 was provided by Lee Daniel. The voices of the studio audience were provided by Patreon patrons Adam Cooper, Breanna, claire, Fly Purgatorio, Joseph valdespino-iraheta, Patrick Williams, ThatBlazinInferno, and That one crazy dude, with assistance from Breck Wilhite, Brittany Carlton, Ch0c0lateLuna, Darius Lewis, and PseudoSamurai. Thank you all! ---- Sound Credits "Alert4.mp3” by RICHERlandTV of Freesound.org [CC BY 3.0] "Crowd_Laughing_ODY-1379-012.wav" by Mark Mangini, Richard L. Anderson / PSE "CrowdIntLaughter.BBC.ECD7a.wav" by BBC / PSE "nightclub_audience_applause_cheers_03.wav" by Soundrangers / PSE "nightclub_audience_applause_cheers_04.wav" by Soundrangers / PSE "small_audience_laughter_21.wav" by Soundrangers / PSE ---- The outro music was written by Joshua Alan Lindsay. ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-2030 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

Composer Christina Ward joins Xanthe for a detailed listen and analysis of minutes 71-75 of Solo: A Star Wars Story, which starts with the crew landing on Kessel and ends with L3 liberating a droid. TIMESTAMPS: 00:00 - Hello there! 05:39 - All roads lead back to the Empire. 11:15 - Where the music abruptly changes, Baroque vibes, Enigma Variations, Britten, large interval leaps, unified instrument sections 22:02 - Qi'ra and the gang walk out to greet the Pykes. Music leaves space for dialogue. 24:53 - Jaws-esque half steps. 27:49 - Sparkly Main Theme for chance cubes shot. 29:30 - Rooting (but not rooting) for Han and Qi'ra. 33:48 - Buildup before they break their disguises. Contrary motion. 42:38 - The droid that steals the show! 47:35 - Composers conveying instructions to performers. How would we notate this droid sound? 55:02 - Humor, Qi'ra, "murder complete." 1:00:35 - The beginning of "Mine Mission" is curious, hopeful. 1:07:48 - Listeners with good droid ears, what do you think the droid is saying? 1:08:40 - Liberation, liberation, liberation, liberation! 1:10:45 - Final thoughts about minutes 71-75 of Solo. 1:14:49 - SWMM Questionnaire Things to Check Out: Benjamin Britten - The Young Person's Guide to the Orchestra | Saraste | WDR Symphony Orchestra - https://youtu.be/4vbvhU22uAM Elgar: Enigma Variations / Boian Videnoff - Mannheimer Philharmoniker - https://youtu.be/6bkCEKD_Hhg Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Musical Themes: 5. The Gang 9. Fakery 1a. Main Theme (A Section) 1. Young Han Solo (Heroic, comp. JW) 8. L3-37 Where are we in the soundtrack?: "Oksana Floren, yadda yadda yadda (4M30A)" - pretty much the whole track "Mine Mission" - first 40 seconds "Extra Deluxe Mine Mission (4M30B-5M30C-31)" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Heartfelt. Direct. Dramatic. 2. What's something related to Star Wars music or sound that you want to learn more about? What are the thematic relationships that tie the dark side with Imperialism, musically speaking? Similarly, what musical relationships tie the light side with rebellion and goodness? 3. What's a score or soundtrack you're fond of besides anything Star Wars? Dune (music composed by Hans Zimmer, sound team led by Mark Mangini and Theo Green) --------------- Guest: Christina Ward Instagram: https://www.instagram.com/xtnaaastina/ Kyvi the Water Nymph: https://www.instagram.com/kyvi_waternymph/ ------------------ If you enjoyed this episode and want to show extra appreciation, feel free to buy me a coffee and shout out the guest! https://buymeacoffee.com/starwarsmusmin Consider becoming a patron! https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Twitter: https://twitter.com/StarWarsMusMin Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com

CLEARANCE GRANTED... WELCOME, AUTHORIZED PERSONNEL... SCRIPT BASED ON ORIGINAL ENTRY BY Henzoid: www.scp-wiki.net/scp-4252 License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of Humanoid Figure was provided by Joshua Alan Lindsay. The voice of SCP-4252 was provided by Joshua Alan Lindsay ---- Sound Credits "Alert4.mp3” by RICHERlandTV of Freesound.org [CC BY 3.0] "Body Kicks Kick into Head Leather Boots OCP-1207-052-01.wav" by Mark Mangini, Richard L. Anderson / PSE "Body Kicks Kick into Head Leather Boots OCP-1207-052-02.wav" by Mark Mangini, Richard L. Anderson / PSE "Gore slush slime sounds.wav" by VlatkoBlazek of Freesound.org [CC BY 3.0] "Magic Burst Hissy Searing Burst Chimey OCP-0159-17.wav" by Mark Mangini, Richard L. Anderson / PSE "Magic Poofs Short Breathy Bursts Wheezy Exhale OCP-1520-042-02.wav" by Mark Mangini, Richard L. Anderson / PSE "Magic Poofs Short Breathy Bursts Wheezy Punchy OCP-1520-043-02.wav" by Mark Mangini, Richard L. Anderson / PSE "Magic Poofs Short Breathy Bursts Wheezy Punchy OCP-1520-043-07" by Mark Mangini, Richard L. Anderson / PSE "SFX - person falling on wooden floor.wav" by blouhond of Freesound.org [CC BY 3.0] ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-4252 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

On this episode, I spoke with 6x Oscar nominee (2x winner) and 3x BAFTA nominee (1x winner) Mark Mangini about his work on Dune. Theo Green, sound designer and supervising sound editor for Dune, also joined us at the beginning of the chat.

The Oscar Special Edition Mashup Academy Awards Extravaganza featuring a plethora of ridiculously talented folks responsible for creating Dune, Nightmare Alley, Licorice Pizza, No Time Die, Belfast… In this episode, we talk about… Editing choices in Licorice Pizza and knowing when you've got it right  Navigating different directors and working with Paul Thomas Anderson  Sir Kenneth Branagh explains why Belfast is filmed from the perspective of a child Sir Kenneth's inspiration and the emotional truth of his family's experience   Nightmare Alley's artistic influences and how it's an original noir vs. an artifact or art movie  Tapping into 13 year old Denis Villeneuve to create the newest version of Dune Joe Walker and the challenge of cutting a film that stays true to the original 600+ page story    Greig Fraser and what it was like being trusted as the DP for Dune   Chris Corbould's Insight to shooting No Time to Die on film vs. preparing scenes for IMAX   Camera testing and approaching different angles for so many different actors How Tamara Deverell's research and Luis Sequeria's costumes made Nightmare Alley a time machine   Theo Green and Mark Mangini and the intricate process of creating languages, sound, and the Bene Gesserit voice for Dune     Links to Resources:  https://www.nofilmschool.com/money-survey Find No Film School everywhere: On the Web https://nofilmschool.com/   Facebook  https://www.facebook.com/nofilmschool   Twitter  https://twitter.com/nofilmschool   YouTube  https://www.youtube.com/user/nofilmschool  Instagram https://www.instagram.com/nofilmschool   Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit podcastchoices.com/adchoices

24 de marzo | Nueva YorkHola, maricoper. Te escribo mientras me bebo un café y me como un quesito, un dulce de hojaldre puertorriqueño. Tengo muchas ganas de escribir esta newsletter porque es el clímax de la temporada de premios y porque estos días soy muy feliz de hacer mi trabajo y de que me leas con atención. Gracias por estar ahí.Bienvenido a La Wikly diaria. Esta vez, te traigo una edición especial con mi quiniela de los Premios Oscar en exclusiva antes de desvelar mis opiniones en el stream del viernes. Volveremos con titulares y una sorpresita más mañana viernes.Si quieres comentar las noticias en nuestro servidor de Discord, usa este enlace.Y si quieres acceso a los canales exclusivos para suscriptores premium, responde directamente a este email con tu nombre de usuario en Discord.Comparte esta newsletter con familiares y amigos para que se pongan al día:Leer esta newsletter te llevará 7 minutos y 2 segundos.¡Anakin! Bienvenido a La Wikly.🏆 ¿Sorpresa en Hollywood?Por Emilio DoménechLo importante: la gala de los Oscar tiene previsto celebrarse este domingo y la expectación es que la gran favorita desde hace meses puede acabar perdiendo la estatuilla a Mejor Película.Sí, El poder del perro iba encaminada a darle el primer Oscar a Mejor Película a Netflix, pero las tornas han cambiado a favor de CODA en apenas una semana.Pero no nos adelantemos a los acontecimientos. A continuación, un repaso a todas las categorías de los Oscar con mis predicciones de las ganadoras, mis favoritas de las nominadas y las menciones que creo que se han olvidado este año.Aviso 1: tengo pendientes varias películas y por eso me reservaré mi opinión en algunas categorías para cuando ponga todo al día, que será el domingo a ultimísima hora antes de empezar el stream especial de la ceremonia.Aviso 2: en algunas categorías no he incluido la opción ‘debería estar nominada’ porque no tengo nada mejor que ofrecer.Aviso 3: las explicaciones de las categorías las desarrollo en el podcast, que si no esto habría sido una maldita Biblia.💥 Efectos visualesDUNEPaul Lambert, Tristan Myles, Brian Connor y Gerd NefzerFree GuySwen Gillberg, Bryan Grill, Nikos Kalaitzidis y Dan SudickNo Time to DieCharlie Noble, Joel Green, Jonathan Fawkner y Chris CorbouldShang-Chi and the Legend of the Ten RingsChristopher Townsend, Joe Farrell, Sean Noel Walker y Dan OliverSpider-Man: No Way HomeKelly Port, Chris Waegner, Scott Edelstein y Dan SudickGANARÁ: DuneDEBERÍA GANAR: Dune🔊 SonidoDUNEMac Ruth, Mark Mangini, Theo Green, Doug Hemphill y Ron BartlettBelfastDenise Yarde, Simon Chase, James Mather y Niv AdiriNo Time to DieSimon Hayes, Oliver Tarney, James Harrison, Paul Massey y Mark TaylorThe Power of the DogRichard Flynn, Robert Mackenzie y Tara WebbWest Side StoryTod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson y Shawn MurphyGANARÁ: DuneDEBERÍA GANAR: West Side StoryDEBERÍA ESTAR NOMINADA: The Last Duel💄 Maquillaje y peluqueríaTHE EYES OF TAMMY FAYELinda Dowds, Stephanie Ingram y Justin RaleighComing 2 AmericaMike Marino, Stacey Morris y Carla FarmerCruellaNadia Stacey, Naomi Donne y Julia VernonDuneDonald Mowat, Love Larson y Eva von BahrHouse of GucciGöran Lundström, Anna Carin Lock y Frederic AspirasGANARÁ: Los ojos de Tammy FayeDEBERÍA GANAR: Dune👗 Diseño de vestuarioDUNEJacqueline West and Robert MorganCruellaJenny BeavanCyranoMassimo Cantini Parrini y Jacqueline DurranNightmare AlleyLuis SequeiraWest Side StoryPaul TazewellGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Mark Bridges por Licorice Pizza🏰 Diseño de producción DUNEDiseño de producción: Patrice Vermette; Decoración de set: Zsuzsanna SiposNightmare AlleyDiseño de producción: Tamara Deverell; Decoración de set: Shane VieauThe Power of the DogDiseño de producción: Grant Major; Decoración de set: Amber RichardsThe Tragedy of MacbethDiseño de producción: Stefan Dechant; Decoración de set: Nancy HaighWest Side StoryDiseño de producción: Adam Stockhausen; Decoración de set: Rena DeAngeloGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADAS: Sarah Greenwood y Katie Spencer por Cyrano🎼 Canción original“NO TIME TO DIE” DE NO TIME TO DIEMúsica y letras de Billie Eilish y Finneas O’Connell“Be Alive” from King RichardMúsica y letras de DIXSON y Beyoncé Knowles-Carter“Dos Oruguitas” from EncantoMúsica y letras de Lin-Manuel Miranda“Down To Joy” from BelfastMúsica y letras de Van Morrison“Somehow You Do” from Four Good DaysMúsica y letras de Diane WarrenGANARÁ: “No Time To Die” de No Time To DieDEBERÍA GANAR: “Dos Oruguitas” de EncantoDEBERÍA ESTAR NOMINADA: “Every Letter” de Cyrano🎻 MúsicaDUNEHans ZimmerDon’t Look UpNicholas BritellEncantoGermaine FrancoMadres ParalelasAlberto IglesiasThe Power of the DogJonny GreenwoodGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Jonny Greenwood por Licorice Pizza🎞 MontajeDUNEJoe WalkerDon’t Look UpHank CorwinKing RichardPamela MartinThe Power of the DogPeter SciberrasTick, Tick…Boom!Myron Kerstein and Andrew WeisblumGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADOS: Sarah Broshar y Michael Kahn por West Side Story📸 FotografíaTHE POWER OF THE DOGAri WegnerDuneGreig FraserNightmare AlleyDan LaustsenThe Tragedy of MacbethBruno DelbonnelWest Side StoryJanusz KaminskiGANARÁ: The Power of the DogDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADOS: Paul Thomas Anderson y Michael Bauman por Licorice Pizza🦊 Película animadaENCANTOJared Bush, Byron Howard, Yvett Merino y Clark SpencerFleeJonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen y Charlotte De La GournerieLucaEnrico Casarosa y Andrea WarrenThe Mitchells vs. the MachinesMike Rianda, Phil Lord, Christopher Miller y Kurt AlbrechtRaya and the Last DragonDon Hall, Carlos López Estrada, Osnat Shurer y Peter Del VechoGANARÁ: EncantoDEBERÍA GANAR: Raya y el último dragónDEBERÍAN ESTAR NOMINADA: Belle de Mamoru Hosoda📹 Película documentalSUMMER OF SOUL (…Or, When the Revolution Could Not Be Televised)Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent y David DinersteinAscensionJessica Kingdon, Kira Simon-Kennedy y Nathan TruesdellAtticaStanley Nelson y Traci A. CurryFleeJonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen y Charlotte De La GournerieWriting with FireRintu Thomas y Sushmit GhoshGANARÁ: Summer of Soul🌍 Película internacionalDRIVE MY CAR (Japón)Ryûsuke HamaguchiFlee (Dinamarca)Jonas Poher RasmussenThe Hand of God (Italia)Paolo SorrentinoLunana: A Yak in the Classroom (Bután)Pawo Choyning DorjiThe Worst Person in the World (Noruega)Joachim TrierGANARÁ: Drive My CarDEBERÍA GANAR: The Worst Person in the WorldNOTA: No he visto Flee ni Lunana✍️ Guion originalLICORICE PIZZAEscrita por Paul Thomas AndersonBelfastEscrita por Kenneth BranaghDon’t Look UpGuion de Adam McKay; Historia de Adam McKay y David SirotaKing RichardEscrita por Zach BaylinThe Worst Person in the WorldEscrita por Eskil Vogt y Joachim TrierGANARÁ: Licorice PizzaDEBERÍA GANAR: Licorice PizzaDEBERÍA ESTAR NOMINADA: Emma Seligman por Shiva Baby📚 Guion adaptadoTHE POWER OF THE DOGEscrita por Jane CampionCODAEscrita por Siân HederDrive My CarEscrita por Ryusuke Hamaguchi y Takamasa OeDuneEscrita por Jon Spaihts, Denis Villeneuve y Eric RothThe Lost DaughterEscrita por Maggie GyllenhaalGANARÁ: The Power of the DogDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Tony Kushner por West Side StoryNOTA: No he visto The Lost Daughter🎭 Actor secundarioTROY KOTSURCODACiarán HindsBelfastJesse PlemonsThe Power of the DogJ.K. SimmonsBeing the RicardosKodi Smit-McPheeThe Power of the DogGANARÁ: Troy KotsurDEBERÍA GANAR: Troy KotsurDEBERÍA ESTAR NOMINADO: Mike Faist por West Side StoryNOTA: No he visto Being the Ricardos🎭 Actriz secundariaARIANA DEBOSEWest Side StoryJessie BuckleyThe Lost DaughterJudi DenchBelfastKirsten DunstThe Power of the DogAunjanue EllisKing RichardGANARÁ: Ariana DeBoseDEBERÍA GANAR: Ariana DeBoseDEBERÍA ESTAR NOMINADA: Marlee Matlin por CODANOTA: No he visto The Lost Daughter🎭 Actor protagonistaWILL SMITHKing RichardJavier BardemBeing the RicardosBenedict CumberbatchThe Power of the DogAndrew Garfieldtick, tick…Boom!Denzel WashingtonThe Tragedy of MacbethGANARÁ: Will SmithDEBERÍA ESTAR NOMINADO: Peter Dinklage por CyranoNOTA: No he visto Being the Ricardos ni The Tragedy of McBeth🎭 Actriz protagonistaPENÉLOPE CRUZMadres paralelasJessica ChastainThe Eyes of Tammy FayeOlivia ColmanThe Lost DaughterNicole KidmanBeing the RicardosKristen StewartSpencerGANARÁ: Penélope CruzDEBERÍAN ESTAR NOMINADAS: Renate Reinsve por The Worst Person in the World, Alana Haim por Licorice Pizza y Jodie Comer por The Last Duel. Esta categoría es un puto desastre.NOTA: No he visto ni The Lost Daughter, ni Being the Ricardos, ni The Eyes of Tammy Faye. Vale, soy un ignorante hipócrita.🎥 DirecciónJANE CAMPIONThe Power of the DogKenneth BranaghBelfastRyusuke HamaguchiDrive My CarPaul Thomas AndersonLicorice PizzaSteven SpielbergWest Side StoryGANARÁ: Jane CampionDEBERÍA GANAR: Paul Thomas AndersonDEBERÍA ESTAR NOMINADO: Denis Villeneuve por Dune🎬 PelículaCODAPhilippe Rousselet, Fabrice Gianfermi y Patrick WachsbergerBelfastLaura Berwick, Kenneth Branagh, Becca Kovacik y Tamar ThomasDon’t Look UpAdam McKay y Kevin MessickDrive My CarTeruhisa YamamotoDuneMary Parent, Denis Villeneuve y Cale BoyterKing RichardTim White, Trevor White y Will SmithLicorice PizzaSara Murphy, Adam Somner y Paul Thomas AndersonNightmare AlleyGuillermo del Toro, J. Miles Dale y Bradley CooperThe Power of the DogJane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning y Roger FrappierWest Side StorySteven Spielberg y Kristie Macosko KriegerGANARÁ: CODADEBERÍA GANAR: Licorice PizzaDEBERÍAN ESTAR NOMINADAS: The Worst Person in the World y The Last Duel👾 En el DiscordUn retazo de Maricopa Land@Lady Blue y @Alirp han hecho una quiniela de los Oscars para quien quiera participar. Te dejo el enlace por aquí para que hagas tus votaciones. Y que sepas que puedes pasarte por el canal específico de #Oscars en el que estaremos siguiendo todo sobre la ceremonia en los próximos días.La Wikly es una newsletter joven e independiente que se mantiene con el apoyo de los suscriptores de pago. Súmate al proyecto:Feliz jueves, This is a public episode. Get access to private episodes at www.lawikly.com/subscribe

Mark Mangini and Theo Green dive into the intricate layers of building the sound for Dune and how they helped create a science-fiction universe grounded in reality… In this episode, we talk about… Getting the Blade Runner band back together  What it was like experiencing sand dunes for the first time   Running reconnaissance for sound team members and resources The multiple layers of editing production sound and actors' dialogue  Creating the structure of language and sound palette for Dune  The process of building the ancestral skill of the Bene Gesserit voice  Beauty of discovery and finding balances for clouds of voices  Documentary realism and a universe that we acoustically recognize  Creating 3200 bespoke sounds to achieve analog reality Thematic approach to universe building and communication  How worm vocalizations were born and developed   Links to Resources:  Previous Mark Mangini Episode: https://megaphone.link/NNLLC2924908228 Episode with Greig Fraser and Joe Walker (dp and editor of Dune) https://megaphone.link/BLU5444028269 Find No Film School everywhere: On the Web https://nofilmschool.com/   Facebook  https://www.facebook.com/nofilmschool   Twitter  https://twitter.com/nofilmschool   YouTube  https://www.youtube.com/user/nofilmschool  Instagram https://www.instagram.com/nofilmschool   Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to our continuing coverage of this year's Academy Awards. Like last year, we have compiled interviews from each of the nominees in the Best Sound category. So, if you are an Oscar voter — either as an Academy member or as a fan participating in your annual office pool — you'll have a much better idea of what to watch for and (more importantly) what to listen for as you get to the Best Sound category on your ballot! Here are the nominees, in alphabetical order: BELFAST: Denise Yarde, Simon Chase, James Mather and Niv Adiri DUNE: Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett NO TIME TO DIE: Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor THE POWER OF THE DOG: Richard Flynn, Robert Mackenzie and Tara Webb WEST SIDE STORY: Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy Each of these interview excerpts is taken from our full episodes dedicated to the sound design of each of these incredible films. Here's a table of contents, in case you'd like to jump around, as well as links to the full episodes from our back catalogue: 0:01:33 - BELFAST - https://www.youtube.com/watch?v=nvNkqKN7B4c (from episode 104, December 9, 2021) Sir Kenneth Branagh — Director, Writer, and Producer  Simon Chase — Sound Supervisor and Re-recording Mixer Niv Adiri — Academy Award-Winning Re-recording Mixer James Mather — Sound Supervisor 0:16:56 - DUNE - https://www.youtube.com/watch?v=eWV3Om6oHCM (from episode 99, October 26, 2021) Denis Villeneuve — Director, Writer, and Producer Mark Mangini — Supervising Sound Editor Theo Green — Sound Designer / Supervising Sound Editor Ron Bartlett — Re-recording Mixer 0:33:02 - NO TIME TO DIE - https://www.youtube.com/watch?v=ATB8ieuq1WI (from episode 101, November 10, 2021) Oliver Tarney — Supervising Sound Editor Paul Massey — Re-recording Mixer Mark Taylor — Re-recording Mixer 0:46:04 - THE POWER OF THE DOG - https://www.youtube.com/watch?v=o7tHu7hW370 (from episode 105, December 13, 2021) Jane Campion — Director, Writer, and Producer Robert Mackenzie — Supervising Sound Editor Dave Whitehead — Sound Designer Tara Webb — Re-recording Mixer (1st nom) 0:57:39 - WEST SIDE STORY - https://www.youtube.com/watch?v=VjubJvkMG6U (from episode 114, February 22, 2022) Gary Rydstrom - Re-recording Mixer, Supervising Sound Editor, Sound Designer Shawn Murphy - Scoring Mixer Brian Chumney - Supervising Sound Editor Tod A. Maitland - Sound Mixer Andy Nelson - Re-recording Mixer Many thanks to all the studios for helping us pull these interviews together! Be sure to check out https://www.focusfeatures.com/belfast (BELFAST), https://www.dunemovie.com/ (DUNE), https://www.unitedartistsreleasing.com/007-no-time-to-die/ (NO TIME TO DIE), https://www.netflix.com/title/81127997 (THE POWER OF THE DOG), and https://www.20thcenturystudios.com/movies/west-side-story (WEST SIDE STORY) before Oscars voting ends! We have two more episodes just like this one — for the Best Cinematography and Best Animated Feature categories —  coming up. So if you haven't already, please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

Mark Mangini and Theo Green join us to talk about their work on Dune Dune Trailer: https://www.youtube.com/watch?v=8g18jFHCLXk Executive Produced by Daniel Miller and Monika Ditton Artwork Designed by Piotr Motyka Music by ELPHNT Contact: creativeindustryinsight@gmail.com

The Supervising Sound Editors and Re-recording Mixers for 'Dune' share how they brought the sounds of Arrakis to life using interesting recording and mixing techniques. 'In this podcast series, Carolyn Giardina, Tech Editor for The Hollywood Reporter, extends her coverage of the filmmaking crafts. She will be talking with the cinematographers, editors, production designers, composers, visual effects supervisors, and other leading artists that bring the magic of motion pictures to theaters. Subscribe now to receive episodes of this inspired new series that shines a light on the artists that spend most of their time behind the screen. Hosted by: Carolyn Giardina Produced by: Matthew Whitehurst Learn more about your ad choices. Visit megaphone.fm/adchoices

For this episode, number 37, November 2021, I have a real treat. You will not have failed to notice that Denis Villeneuve's Dune has finally arrived. Back on episode 16 interview sound designer Mark Mangini about his career and his work on Blade Runner 2049. We stayed in touch and I asked if he'd be willing to come back to talk about his new work on Dune. He then introduced me to his colleague Theo Green, also a sound designer and we set a date to talk all this Dune. So this is the first time I've done a podcast about a new movie and I got quite a buzz. So i'll be doing this from time to time.Just so you know, Mark is the American voice, Theo is the British voice. We did have some technical difficulties at the beginning, which I've left in, because if I cut it out it wouldn't make much sense as we refer back to it a couple of times later on in the conversation. And you know, this is a warts and all kind of podcast. So you'll hear Theo's young family in the background at times, but that's all part of the rich aural tapestry of this sound design episode.Huge thanks to Mark and Theo as well as Emilie Erskine of Erskine PR who organised the interview and was able to provide me with those wonderful sound clips from Dune (2021).Support the show (https://www.patreon.com/jamiebenning)

Go behind the incredible sound design for Dune, in this in-depth interview with Supervising Sound Editors / Sound Designers Mark Mangini and Theo Green. Learn much more about the sound for Dune at asoundeffect.com/dune-film-sound Interview by Jennifer Walden, hosted by Asbjoern Andersen and Christian Hagelskjaer. Find more episodes at asoundeffect.com/podcast

The incredible new adaptation of "Dune," from director Denis Villeneuve, has some astonishing sound work, fully embracing the immersive capabilities of Dolby Atmos®. Creating this soundtrack was a long and painstaking process, which began in pre-production, as Denis took a novel approach by bringing his sound team and composer on board very early in the process. This gave them extra time and creative freedom to unlock some truly next-level artistry on this film. We recently sat down with Denis and his all-star sound team of Mark Mangini, Theo Green, and Ron Bartlett, to discuss this and their approach to this very ambitious project.  "[A]t the end of the day, you're not mixing sound, you're mixing an image. It's storytelling. And everything that pulls you away from the screen is bad for me. But with the sound of Atmos, what I like is that I just have the impression that I'm diving INTO the image." — Denis Villeneuve, Director, "Dune" In the US, https://www.dunemovie.com/ ("Dune" is available to watch in a Dolby Cinema near you and on HBO Max). Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

We are joined by Mark Mangini, Theo Green and Dave Whitehead to talk about their work on the new Denis Villeneuve film, DUNE. They talk about designing the sounds for the personal shields, Ornithopters, the ambiences of all the planets and the sand worm! Plus lots, lots more. Show Notes: https://tonebenderspodcast.com/177-the-sound-of-dune/ Podcast Homepage: https://tonebenderspodcast.com

EPISODE 157- MARK MANGINI- Sound Designer Team Deakins converses with sound designer Mark Mangini (DUNE, BLADE RUNNER 2049, MAD MAX: FURY ROAD, STAR TREK) about the world of sound. In this episode, Mark explains that his job is to tell stories with sound and to create universes that sonically don't exist. He walks us through designing the sound for the war rig in MAD MAX: FURY ROAD as well as his close collaboration with director Denis Villeneuve on BLADE RUNNER 2049, and Tom Holkenborg on BLACK MASS. We discuss how Mark decides when to use a music cue or sound effect cue, how you can earn loud sounds by buying silence early on in a film, and the creative necessity and financial incentive to capture production sound on set instead of recreating it in post. We learn a lot in this episode!! You don't want to miss it!  BONUS: Use this link to download a sound file that Mark makes reference to when speaking of "Bladerunner 2049".

We're taking a few weeks off of our regular posting schedule to put together some exciting new episodes for you. We will be back to our regular schedule at the end of October with our special coverage of "Dune." We recently sat down with director Denis Villeneuve and his all-star sound team, Mark Mangini, Theo Green, and Ron Bartlett, to discuss their approach to this unbelievably ambitious project. This was our first in-person podcast in well over a year and we can't wait to share it with you upon our return.  So make sure you are subscribed. You won't want to miss this episode.  Also coming up, we have our 100th episode! So, we'll be doing something special to mark that occasion, as well.  And in the coming weeks and months, we will have even bigger episodes of the Dolby Institute podcast, including more deep dives into the careers of legendary sound artists and some explorations into a some new terrain for us. We are in the planning stages of our first-ever episodes about some very exciting new video game releases. As you may already know, there is some truly incredible sound work being done in that world, and we can't wait to explore it further with you.  So stay tuned for all of that. See you again in late October! And thank you, as always, for listening.

An Out-of-Character Announcement: --093 is coming! It's taking so long because it'll be a two-hour episode or bigger when it is finally complete and will include fully transformed logs featuring 80 pages of original dialog. I don't know when it will be done, but we're shooting for this month. We'll see what happens. --We also have an episode for Pride Month in the works that WILL go out this month. --100% of my Patreon earnings for June will go to the Transgender Law Center (TLC). Learn more about the TLC and find ways to donate to/support them at www.transgenderlawcenter.org. To support us on Patreon, visit patreon.com/thescpfoundationdatabase. --Finally, a one minute clip from the Blue Test in the still upcoming SCP-093 episode: SCRIPT INSPIRED BY ORIGINAL ENTRY BY NekoChris: www.scp-wiki.net/scp-093-blue-test License: creativecommons.org/licenses/by-sa/3.0/ AUDIO PLAY BY Joshua Alan Lindsay. ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of D-20384 was provided by Martin Taylor. The voice of Control was provided by Brittany Carlton. The voices of the Technicians were provided by Xtina Pierstomlin, Russell Forbes, and Lisa Hogan. ---- Sound Credits "BodyDrag1.aiff" by bennychico11 of Freesound.org [CC BY 3.0], altered "Cable_Zuzz_Constant_Sliding_Bys_Elevator_Cable_OCP-0409-54-07.wav" by Mark Mangini & Richard L. Anderson / PSE, altered "CABLES_CREAK02.wav" by Stephan Schutze / PSE, altered "Clothing_ShirtsandPants_Rustling.wav" by duckduckpony of Freesound.org [CC BY 3.0], altered "dragging of telescope on crunchy grass.wav" by sjturia of Freesound.org [CC BY 3.0], altered "Footsteps_Dirt_ODY-1559-029.wav" by Mark Mangini & Richard L. Anderson / PSE, altered "Gun Cock.wav" by SmartWentCody of Freesound.org [CC BY 3.0], altered "GunMovement.aiff" by bennychico11 of Freesound.org [CC BY 3.0], altered "Servo_Motor_Simulator_Quick_Jerky_Bursts_OCP-1476-039-01.wav" by Mark Mangini & Richard L. Anderson / PSE, altered ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/ooc-03 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

Way back in January, the great Mark Mangini penned a little blog post outlining some audio tropes that he was hoping to put to rest. That post inspired some slack threads, facebook posts, and a good general discussion about how we can be more original and creative when tasked with designing sounds and situations that can have quick and easy answers. In this not-so-serious conversation Mark gets together with Tim, Teresa and René to break down some tropes, spell out some reasons for going there anyway, and maybe…just maybe…we retire the now infamous Wilhelm.

Way back in January, the great Mark Mangini penned a little blog post outlining some audio tropes that he was hoping to put to rest. That post inspired some slack threads, facebook posts, and a good general discussion about how we can be more original and creative when tasked with designing sounds and situations that can have quick and easy answers. In this not-so-serious conversation Mark gets together with Tim, Teresa and René to break down some tropes, spell out some reasons for going there anyway, and maybe…just maybe…we retire the now infamous Wilhelm.

In the exclusive conversation we chat with sound designer and sound supervisor Mark Mangini about the new Pro Sound Effects, Odyssey Creatures library. Sonify the beasts and critters of your wildest dreams with The Odyssey Collection: Creatures. Add life and energy to any project with characterful animal recordings ranging from rare and exotic to common and domesticated – plus designed beasts and mythical beings. Create realistic scenes and otherworldly soundscapes with animal sounds from around the globe, including leopard growls, lion roars, horse whinnies, rhinoceros bellows, bird calls, monkey vocals, dog barks, insect swarms and more. This library features thorough coverage of more common creatures like birds, dogs, horses and insects – as well as many obscure animals. Developed in exclusive collaboration with Academy Award®-winners Mark Mangini & Richard L. Anderson, Odyssey Creatures delivers a huge variety of natural, high-quality, one-of-a-kind animal recordings and masterfully designed creature sounds – so you can stay creative and deliver your best sound. www.prosoundeffects.com/odyssey AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND INDUSTRY NEWS: https://www.SoundWorksCollection.com

For episode 16 I spoke to the wonderful, talented Mark Mangini. Academy Award winning Supervising Sound Editor for Mad Max: Fury Road and the talent behind the sounds of so many of our favourite films including Gremlins, Innerspace, Blade Runner 2049, Poltergeist, Star Trek The Motion Picture... The list goes on! Check IMDB and you'll see what I mean.The Kuleshov Experiment - http://filmmakersfans.com/the-kuleshov-filmmaking-experiment-in-editing/ Mark's blog and site can be found here. Be sure to check out the blog and the amazing behind the scenes photos - https://markmangini.com/Mark_Mangini/Home.html He's also on Twitter @mark_mangini and on facebook at https://www.facebook.com/markmanginiofficial Also do check out this great in-depth video about the sound department's work on BR 2049 - https://vimeo.com/237369956Support the show (https://www.patreon.com/jamiebenning)

Have you ever wondered what a supervising sound editor is? What their job is and how they pull it off? Let one of the masters of the profession explain. Mark Mangini is the maestro behind films like Mad Max: Fury Road, Blade Runner 2049, Aladdin, Gremlins, several Star Trek films and many, many others. He's a veteran in the field, starting with cartoons and working his way to winning an Oscar, and beyond. Mangini goes in depth on his craft and his experience, with great insights to share, such George Miller's pyramid of importance for each given shot and moment. When discussing Blade Runner 2049, Mangini describes his and Denis Villeneuve's strategy of melding the sound design and the music until they are indistinguishable from one another. If you want to take your knowledge of filmmaking to the next level, you will want to be familiar with the concepts discussed here. Don't miss out. Learn more about your ad choices. Visit podcastchoices.com/adchoices

CLEARANCE GRANTED... WELCOME, AUTHORIZED PERSONNEL... SCRIPT BASED ON ORIGINAL ENTRIES BY Zaeyde: www.scp-wiki.net/scp-087 www.scp-wiki.net/document-087-i www.scp-wiki.net/document-087-ii www.scp-wiki.net/document-087-iii License: creativecommons.org/licenses/by-sa/3.0/ ---- The voice of the Database was provided by Joshua Alan Lindsay. The voice of the Dr. ██████ was provided by Breck Wilhite. The voice of D-8432 was provided by Romeo Rosales, Jr. The voice of D-9035 was provided by Christian Jasper. The voice of D-9884 was provided by Brittany Carlton. The voice of the Child was provided by Spera Crinis. ---- Sound Credits "Bigfoot Heart.wav” by InSintesi of Freesound.org [CC BY 3.0], altered "Cracking/Crunching, A.wav" by InspectorJ of Freesound.org [CC BY 3.0], altered "Demon_Mirror_Stress_with_Deep_Groan_Cracking_ODY-1391-039" by Mark Mangini & Richard L. Anderson / PSE, altered "Rock_Movement_ODY-0233-074.wav" by Mark Mangini & Richard L. Anderson / PSE, altered ---- Enjoy the podcast? Consider supporting us on Patreon! Patrons get access to bonus Joke episodes, outtakes, exclusive merch, and can even request episodes on specific SCP objects. www.patreon.com/thescpfoundationdatabase Listen and read along in one place on our website: www.scpdatapodcast.com/episodes/scp-087 Follow us on Twitter: twitter.com/SCPDataPodcast Like us on Facebook: www.facebook.com/scpdatapodcast Questions or comments? Email us at SCPDataPodcast@gmail.com

On this episode, Ted and Dan are once again joined by Mix Magazine’s content director, Tom Kenny. During this second part of their three part conversation, they discuss Tom’s passion for the Mix Sound for Film & TV event, A star-studded surprise show at the Bluebird Café in Bloomington Indiana, Paul Rothchild inviting Tom to Hollywood to write a feature on The Doors movie, and a whole lot more!

Get ready because this is the biggest and one of the best BEHIND THE LENS shows ever! Two hours of guests coming at you! First up is JASON AXINN, director/editor of the killer graphic novel style animated TO YOUR LAST DEATH. Calling live from London fresh off the film's World Premiere, Jason talks about everything from the 2D hand-drawn animation to voice casting (William Shatner!!), to creating the visual look and meld of animated graphic novel styles, developing character and more. Not only Jason's first feature directorial, but first animated feature, Jason is candid about the journey to bring TO YOUR LAST DEATH to life. Next up is writer/director JUSTIN WARD who talks about his charming and fun new film RELISH. Known for his outstanding documentary work over the years (particularly "Inside the UFC", "UFC TV", and over 400 hours of sports programming), you'll be as amazed as I to hear Justin talk about completing principal shooting in only NINE DAYS! Justin goes in-depth talking about cinematographer Bryan Koss and the development of the film's visual tonal bandwidth and suiting it to the story themes; casting an incredibly talented ensemble of young actors and developing individual traits while defying character tropes, Eric Swanson's editing, and the talented Rio Mangini doing double duty as one of the film's ensemble leads and composer of the film's score. At the midpoint of the show, STEVE LEE, sound editor/guru and founder of the HOLLYWOOD SOUND MUSEUM, is back with us for the third or fourth time filling us in on the upcoming "Movie Sound Appreciation Event" in support of the Museum being held on September 8th at Scum & Villany Cantina in Hollywood, California. And how about this bit of irony for you - Academy Award winning sound editor Mark Mangini (and a former guest on #BTLRadioShow) will be doing a Q&A at the September 8th event. And if the name "Mangini" sounds familiar, it's because we just finished talking about Mark's son Rio and his work on RELISH! Second half of the show finds writer/director /documentarian JANICE ENGEL on hand talking about her latest documentary, the kick-ass, RAISE HELL: THE LIFE AND TIMES OF MOLLY IVINS. For those unfamiliar with Ivins, get ready for a real ride with the documentary and hearing about Janice's journey in telling Molly's story. Wrapping up the show is our exclusive interview with ANGEL HAS FALLEN director RIC ROMAN WAUGH as he talks about turning the franchise on its ear and taking a new tact with the story and character development, while almost doubling the action sequences! Plus, hear some thoughts from Gerard Butler, Nick Nolte, 2nd Unit Director Vic Armstrong, and Stunt Coordinator Greg Powell on Ric and the AHF franchise. http://behindthelensonline.net http://eliasentertainmentnetwork.com

Get ready because this is the biggest and one of the best BEHIND THE LENS shows ever! Two hours of guests coming at you! First up is JASON AXINN, director/editor of the killer graphic novel style animated TO YOUR LAST DEATH. Calling live from London fresh off the film's World Premiere, Jason talks about everything from the 2D hand-drawn animation to voice casting (William Shatner!!), to creating the visual look and meld of animated graphic novel styles, developing character and more. Not only Jason's first feature directorial, but first animated feature, Jason is candid about the journey to bring TO YOUR LAST DEATH to life. Next up is writer/director JUSTIN WARD who talks about his charming and fun new film RELISH. Known for his outstanding documentary work over the years (particularly "Inside the UFC", "UFC TV", and over 400 hours of sports programming), you'll be as amazed as I to hear Justin talk about completing principal shooting in only NINE DAYS! Justin goes in-depth talking about cinematographer Bryan Koss and the development of the film's visual tonal bandwidth and suiting it to the story themes; casting an incredibly talented ensemble of young actors and developing individual traits while defying character tropes, Eric Swanson's editing, and the talented Rio Mangini doing double duty as one of the film's ensemble leads and composer of the film's score. At the midpoint of the show, STEVE LEE, sound editor/guru and founder of the HOLLYWOOD SOUND MUSEUM, is back with us for the third or fourth time filling us in on the upcoming "Movie Sound Appreciation Event" in support of the Museum being held on September 8th at Scum & Villany Cantina in Hollywood, California. And how about this bit of irony for you - Academy Award winning sound editor Mark Mangini (and a former guest on #BTLRadioShow) will be doing a Q&A at the September 8th event. And if the name "Mangini" sounds familiar, it's because we just finished talking about Mark's son Rio and his work on RELISH! Second half of the show finds writer/director /documentarian JANICE ENGEL on hand talking about her latest documentary, the kick-ass, RAISE HELL: THE LIFE AND TIMES OF MOLLY IVINS. For those unfamiliar with Ivins, get ready for a real ride with the documentary and hearing about Janice's journey in telling Molly's story. Wrapping up the show is our exclusive interview with ANGEL HAS FALLEN director RIC ROMAN WAUGH as he talks about turning the franchise on its ear and taking a new tact with the story and character development, while almost doubling the action sequences! Plus, hear some thoughts from Gerard Butler, Nick Nolte, 2nd Unit Director Vic Armstrong, and Stunt Coordinator Greg Powell on Ric and the AHF franchise. http://behindthelensonline.net http://eliasentertainmentnetwork.com

Filmmakers and Movie Goers, this is the biggest interview we'd had yet! We got to sit down with Oscar Winning Sound Artist, Mark Mangini. Mark has worked on incredible films including Raiders of the Lost Ark, Gremlins, Star Trek: The Motion Picture, Blade Runner 2049, and Mad Max: Fury Road, which he won an Oscar for alongside David White. This interview is filled with some awesome stories, insight, and how to bring more into sound than just filling dead air. You can find Mark Mangini online at MarkMangini.com His Odyssey Sound Collection is available online. Check out Mark's Blog for more great insight. We also talked about his film, "Cages" that is about the prison system in the US. This is an amazing project that is currently looking for funding to become a feature film. This is a great cause and we can't wait to see what Mark does with it. The EZ Podcast on Twitter and Instagram @theEZpodcast Email us at TheEZPodcastShow@gmail.com Erik on Twitter and Instagram @ErikThureson Zak on Instagram If you liked the episode, please subscribe on your favorite streaming platform! It helps us to create more content. If you really liked it, please consider writing a review! If you'd like to support the podcast, head over to anchor.fm/theEZpodcast and click "Support this Podcast" --- Support this podcast: https://anchor.fm/antifilmfilmclub/support

Life Death and a Box of Sound Effects! René, Teresa & Timothy sit down with Mark Mangini to listen to clips sent in by some of our favorite past guests. Ai-Ling Lee, David Whitehead, Erik Aadahl, Ethan Van Der Ryn, John Warhurst, Mildred Iatrou Morgan, Nina Hartstone, Paul Davies, Richard King and Sylvain Bellemare, all contribute stories about some of their best days on the job. We also announce our greatest give-a-way ever! Thanks to Sound Radix, iZotope and ProSoundEffects for providing the amazing prizes.

Life Death and a Box of Sound Effects! René, Teresa & Timothy sit down with Mark Mangini to listen to clips sent in by some of our favorite past guests. Ai-Ling Lee, David Whitehead, Erik Aadahl, Ethan Van Der Ryn, John Warhurst, Mildred Iatrou Morgan, Nina Hartstone, Paul Davies, Richard King and Sylvain Bellemare, all contribute stories about some of their best days on the job. We also announce our greatest give-a-way ever! Thanks to Sound Radix, iZotope and ProSoundEffects for providing the amazing prizes.

Cartoon sound effects are some of the most iconic sounds ever made. Even modern cartoons continue to use the same sound effects from decades ago. How were these legendary sounds made and how have they stood the test of time? Featuring Oscar-winning sound designer Mark Mangini of the Formosa Group, and Advantage Audio’s Heather Olsen.  20K is made out of the studios of Defacto Sound and hosted by Dallas Taylor.  Help us make 20k - become a sustaining, recurring contributor.   Sign up for Musicbed's new subscription service.   Get a trial month of hims for $5.  Try ZipRecruiter for free.  Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/cartoon

For more than four decades, Academy Award-winning sound editor Mark Mangini has worked with some of the biggest names in the business on some of the highest-profile projects of our time. With over one hundred twenty-five film credits to his name (including Aladdin, The Fifth Element, Mad Max: Fury Road, and Blade Runner 2049), Mangini’s sound work has become an indelible part of our moviegoing lives. In this impassioned interview, Mangini takes Patrick and JM on a sonic field trip they’ll never forget. Along the way, they learn the backstories behind some of the most unforgettable moments in the film—and gain amazing firsthand insights into the spur-of-the-moment decisions that shaped the movie into the transcendent document it became. It’s one of the best conversations we’ve ever had. // For more on this and our other projects, please visit www.perfectorganism.com. // If you'd like to join the conversation, find us on our closed Facebook group: Fields of Calantha. // To support the show, please consider visiting www.perfectorganism.com/support. We've got some great perks available! // And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.

We've got an action packed episode this week. Ricky welcomes back his former Wham Bam Pow co-host Rhea Butcher to discuss female protagonists in sci-fi films, the overall theater going experience, and the new psychedelic Natalie Portman joint, Annihilation. The crew also welcomes Academy Award winning Sound Editor Mark Mangini to talk about the use of sound in film, his work on Blade Runner 2049, and how he got his start working on Hanna-Barbera cartoons. This one is not to be missed! In news, Willem Dafoe lists a bunch of ways his characters have died, you can now stay overnight at Camp Crystal from Friday the 13th, and a Flamin' Hot Cheetos movie is in the works. Weekly Movie Recommendations: April - Mohawk Alonso - All Monsters Attack Rhea - Battle of the Sexes and Only The Brave Ricky - The Ritual PLUS, we have two Spotify playlists. One is for Movie Soundtracks and the other is for Movie Scores. Check 'em out! Next week we're discussing Game Night with Inkoo Kang. With Rhea Butcher, Mark Mangini, Alonso Duralde, April Wolfe, and Ricky Carmona. You can let us know what you think of Who Shot Ya? at @WhoShotYaPod on Twitter. Or email us at whoshotya@maximumfun.org Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

The team behind Blade Runner 2049 talks about how they paid homage to the iconic original film while breaking new sonic ground. They explore the film’s distinctive blend of sound design and musical score, and discuss the producers’ wise decision to start the sound design while the shoot was still going on. They then examine key scenes, including the fight among malfunctioning holograms, and how K’s walk in the desert evolved from full score to playing in almost silence. Oscar nominees: Ron Bartlett, Theo Green, Doug Hemphill, Mark Mangini, Mac Ruth

Hello! Welcome back to episode fifteen of our monthly podcast about games and game audio. We're incredibly excited to be bringing this month's episode to you with the help of Pro Sound Effects, who are very kindly sponsoring us. They provided us with a couple of copies of the fantastic Odyssey Collection: Essentials library, which we checked out and discuss in this episode. Barney also dived in and had a go at using the library to design a cool gunshot sound, which you can hear in the episode. Additionally, we talk audio tests for sound design gigs. A big thanks to Pro Sound Effects for supporting us - we had a lot of fun exploring this fantastic library. The Odyssey Collection: Essentials is an amalgamation of the 30+ years of recordings made by Hollywood legends Richard L. Anderson and Mark Mangini, who have worked on titles like; Blade Runner 2049, Mad Max: Fury Road, Transcendence, Anchorman, Madagascar, Edward Scissorhands, Raiders of the Lost Ark, Gremlins ... and many, many more. It's an honour to be able to dip into this incredible legacy of sound, and share our thoughts on the podcast.  The Odyssey Collection: Essentials is a fantastic first generalist library for professionals, newcomers and freelancers alike, and Pro Sound Effects also support freelancers with their Freelancer Program, which offers benefits like up to 60% off on libraries and software, and sound tutorials - and it's free to join. If you like what you hear of The Odyssey Collection, you can pick up a surround explosions library from Mark Mangini and Richard L. Anderson called Detonate for just $19 - only through the Freelancer Program. Hosted by: Derek Brown - @subwoofersubBarney Oram - @BarneyOram1 Follow Soundbytes on Twitter: @soundbytes_p Here's a bunch of cool stuff to read and listen to about Mark, Richard and The Odyssey Collection: Why An Award-Winning Sound Designer is Releasing His Life's Work Setting The Studio on Fire: Recording Sounds for Raiders of the Lost Ark The Sound of Blade Runner 2049 Building Sonic Worlds: Mark Mangini on the dynamic, immersive sound of Blade Runner 2049 Mark Mangini's Blog: The Alcehmy of Sound SoundWorks Collection Podcast: Mark Mangini - Sound Designer of Mad Max: Fury Road and Black Mass Pensado's Place: Academy Award Winning Sound Designer Mark Mangini LA Sound Group Presents: Mark Mangini

In this episode Teresa and Timothy talk with Mark Mangini about some of the great films he has worked on (5th Element, Mad Max: Fury Road, BladeRunner 2049), and his thoughts on the sound departments role in the film making process. Mark also has a new SFX library called The Odyssey Collection that you can get now.

In this episode Teresa and Timothy talk with Mark Mangini about some of the great films he has worked on (5th Element, Mad Max: Fury Road, BladeRunner 2049), and his thoughts on the sound departments role in the film making process. Mark also has a new SFX library called The Odyssey Collection that you can get now.

Academy Award-winning sound supervisor Mark Mangini visited Dolby world headquarters in San Francisco for a special screening of Blade Runner 2049. This podcast is a recording of his pre-show conversation with Glenn Kiser, Director of the Dolby Institute about the film.

In this exclusive audio profile we feature the sound team behind Director Denis Villeneuve's, Blade Runner 2049 featuring supervising sound editor Mark Mangini, sound designer Theo Green, re-recording mixer Doug Hemphill and Ron Bartlett, picture editor Joe Walker and Composer Hans Zimmer and Benjamin Wallfisch. Officer K (Ryan Gosling), a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who's been missing for 30 years.

It's a true sonic experience this week on BEHIND THE LENS with Formosa Group's Oscar-winning sound editor MARK MANGINI live in-studio as we talk sound, sound and more sound; from creativity to technology and beyond! http://behindthelensonline.net http://eliasentertainmentnetwork.com

What could possibly justify two guest episodes in a row?? We are constantly opining that sound is one of the most important factors in creating the rich world of FURY ROAD, and if you don't agree with us already, you will by the end of this episode! We are lucky to have been able to discuss the process of working on MMFR and sonic storytelling with a master of his craft, Mark Mangini. Check his resume. From RAIDERS OF THE LOST ARK to THE FIFTH ELEMENT, this guy's got both talent and stories. Not the least of which being the time he dropped an F-bomb at the Oscars this year. Oh, you didn't catch that? Listen on, Warboys and Wargirls... Yuri Lowenthal and Travis Sentell love MAD MAX: FURY ROAD. Almost as much as they love each other. Listen as they joyfully dissect the film 4 minutes at a time!

Pensado's Place - Audio 1:01:21 info@pensadosplace.tv (Pensado's Place)noPensado's Place Audio PodcastGrammy winning mix engineer Dave Pensado and veteran manager/executive producer Herb Trawick are the host and co-host of Pensado’s Place. A weekly talk show covering the audio and music spectrum, its craftsman and the business of. Pensado’s Place has been called the “Charlie Rose of audio”, a description that sits fine with both Herb and Dave. Pensado’s Place segments cover include interviews, technique application, interactive audience participation, speed rounds and more. Along with location shoots, sweepstakes, gear and career opportunities, thought leader analysis of the challenges and evolution in the audio and music space, Pensado’s place is the tv show for the casual enthusiast up to the long term professional. With mix credits including Michael Jackson, Kelly Clarkson, AfroJack, Beyonce, Elton John, Christina Aguilera and Jill Scott, Dave is acknowledged as one of the leading online educators for all things audio. Trawicks experience as a successful manager makes him the resident expert on intellectual property, business affairs, career consul

Pensado's Place - Video 1:01:21 info@pensadosplace.tv (Pensado's Place)noPensado's Place - VideoGrammy winning mix engineer Dave Pensado and veteran manager/executive producer Herb Trawick are the host and co-host of Pensado’s Place. A weekly talk show covering the audio and music spectrum, its craftsman and the business of. Pensado’s Place has been called the “Charlie Rose of audio”, a description that sits fine with both Herb and Dave. Pensado’s Place segments cover include interviews, technique application, interactive audience participation, speed rounds and more. Along with location shoots, sweepstakes, gear and career opportunities, thought leader analysis of the challenges and evolution in the audio and music space, Pensado’s place is the tv show for the casual enthusiast up to the long term professional. With mix credits including Michael Jackson, Kelly Clarkson, AfroJack, Beyonce, Elton John, Christina Aguilera and Jill Scott, Dave is acknowledged as one of the leading online educators for all things audio. Trawicks experience as a successful manager makes him the resident expert on intellectual property, business affairs, care

Oscar®-nominated sound artists Mark Mangini and David White, talk about the challenges of managing such an epic production, and the use of silence in chaos. https://linktr.ee/dolbyinstitute (Subscribe) to the Dolby Institute Podcast. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). Movie buff? Follow Dolby Cinema on https://www.instagram.com/dolbycinema/?hl=en (Instagram).

Mark Mangini and David White, nominated this year for Mad Max: Fury Road, talk about the challenges of managing such an epic production, how they used ADR to achieve emotional intimacy, the use of silence in chaos, and how director George Miller (who trained as a doctor) can cure common maladies.

This week we had the pleasure to speak with the executive and creative team behind the recently formed post-production sound company Formosa Group. Joining me in this roundtable discussion include President and COO, Bob Rosenthal, SVP Business Development & Operations Matt Dubin and a fantastic mixture of re-recording mixers, sound designers, and editors including Mark Mangini, Julian Slater, Greg Hedgepath, and Todd Toon.