Podcasts about ecam

Send us a textAuf Flug LH77X verlor der Erste Offizier im Reiseflug plötzlich das Bewusstsein – während der Kapitän gerade das Cockpit verlassen hatte. Erst nach Eingabe des Notfallcodes konnte er zurück ins Flugdeck. Der Zwischenfall endete glimpflich mit einer sicheren Notlandung in Madrid. Der Abschlussbericht zeigt: Für Minuten flog der A321 nur noch unter Autopilot – trotz Master Alarm im Cockpit.#Lufthansa, #LH77X, #A321, #Notfallcode, #Cockpitsicherheit, #Pilotenausfall, #Madrid, #Notlandung, #Flugsicherheit, #CIAIAC, #ECAM, #SEC3Fault, #AviationIncident, #airlinenews 00:00 Willkommen zu Frequent Traveller TV01:40 Einreiseerfahrungen in die USA03:30 Lufthansa Umbau zur Matrix Next Level07:15 Einreiseprobleme und Statistiken12:50 Global Airlines und ihre Flüge16:00 Skywards und Emirates18:00 Fragen des TagesTake-OFF 16.05.2025 – Folge 101-2025Stammtisch Termine: https://FQTWorld.as.me/meetupKanalmitglied werden und exklusive Vorteile erhalten:https://www.youtube.com/channel/UCQyWcZxP3MpuQ54foJ_IsgQ/joinHier geht es zu eurem kostenlosen Consulting Link - https://FTCircle.as.me/Damit Du von unserem Wissen profitieren kannst, kannst du ein mindestens 60 minütiges und vor allem auf dich zugeschnittenes Punkte, Meilen, Status Coaching buchen. Nach dem Call bekommst du ein Jahr Zugang zu dieser Gruppe und zahlst so nur 10 Euro pro Monat und kannst sofort profitieren. Hier ist nun der Link zu deinem neuen Punkte, Meilen und Status Deals.MY SOCIALSWhatsApp - https://wa.me/message/54V7X7VO3WOVF1FACEBOOK | Lars F Corsten - https://www.facebook.com/LFCorsten/FACEBOOK | FQT.TV - https://www.facebook.com/FQTTVFACEBOOK | FTCircle - https://www.facebook.com/FTCircleTWITTER | Lars F Corsten - https://twitter.com/LFCorstenINSTAGRAM | Lars F Corsten - https://www.instagram.com/lfcorsten/LINKEDIN - https://www.linkedin.com/in/lfcorsten/Clubhouse - @LFCorsten

¡OJO, ESTE EPISODIO TIENE SITUACIONES DRAMATIZADAS (FICTICIAS) DE MALTRATO ANIMAL! ¡Vecinos! Venga todos a celebrar la fiesta grande de El Borrao: ¡El día de la matanza! Charanga, atracciones para los más pequeños y mucha, mucha sangre... -------------------------------------------------------------- “Voces en la caja” es una producción original de “Pizza Fría Producciones”. En el episodio han participado, por orden de aparición: Roberto Márquez Bonilla: Voz de El Borrao, José María José y el Curador del Múseo de El Borrao. Daniel Toledo: DJ Todorov. Marina Bernabé: Operadora del 112. Álvaro Valmorisco: El dueño de Rufo y Manifestante. Cari Alcazar: Secretaria del Alcalde. Armando Mateo: Profesor Escobedo. Sandra Camacho: La Psicóloga Ernesto. Andrés Iglesias: Joan, el carnívoro bien. Fran Navarro: Agente Sabino. Eva Saiz: Irene y Manifestante. Ana Belén Serrano: La Señora de los Pájaros. Marina Martín Laguna: Valeria Benavides y el Titiritero. Anais González como Belén Serrano. Beatriz Gayá: Anciana Que Fríe Pollitos. Sara de la Fuente, Efren Tarifa: Manifestantes. Alberto Martinez: Albert, el Mono Telépata. Aleix Valverde: Capataz y Operario de las Alcantarillas. Javier Marcos Cobaleda: Vecino Moribundo. Con la colaboración especial de: Aleix Valverde, de los podcast “Transmitiendo a Ciegas” y “Narrando a Oscuras”, Andrés Iglesias del podcast [REDACTED] y Alberto Martínez de Noviembre Nocturno. Podéis seguirles y escuchar su trabajo en los siguientes enlaces: Narrando a Oscuras y Transmitiendo a Ciegas: https://go.ivoox.com/sq/1393653 https://go.ivoox.com/sq/1533521 https://twitter.com/narrador_oscuro [REDACTED] https://go.ivoox.com/rf/124313222 https://podcasters.spotify.com/pod/show/redactedpodcast Noviembre Nocturno: https://noviembrenocturno.es/ https://www.ivoox.com/podcast-podcast-noviembre-nocturno_sq_f111421_1.html https://www.instagram.com/noviembrenocturno/ La canción del episodio ha sido “Injustice For All” de Sartenazo Cerebral (Con Evaristo de La Polla Records, Tropa Do Carallo y Gatillazo). Puedes escuchar su discografía, descargar todos sus discos y seguirles en redes en los siguientes enlaces: https://sartenazocerebral.bandcamp.com/ https://www.instagram.com/sartenazocerebral/ https://www.youtube.com/user/sartenazocerebral https://open.spotify.com/intl-es/artist/4UIGa1G6fmJ74FheT3qszX https://www.facebook.com/sartenazocerebral Grabado en los estudios de la Escuela de la Cinematografía y el Audiovisual de la Comunidad de Madrid – ECAM y de la Casa de la Juventud de Soto del Real. Montaje y postproducción por Marina Martín Laguna y Roberto Márquez Bonilla. Sigue a los autores en redes sociales: Roberto Márquez es @EscribeMaldito en Bluesky.

Segunda parte de nuestra charla con este gran ilustrador, creador, guionista y experto en storyboard. Ha trabajado en empresas como Walt Disney, Turner, Warner Bros, B.R.B Internacional, Ilion Animation Studios, Lightbox Animation, la Casa Real española, Nickelodeon, Cartoon Network, entre muchos otras. Lleva más de 30 años trabajando en el mundo de la animación y el cine. Ha ganado un premio Goya por el mejor cortometraje de animación “Madrid 2120”. También ha sido profesor en centros como ECAM, ESDIP, Universidad de Salamanca, Universidad de Cádiz, Universidad de Valencia, Universidad ANAHUAC (México), y actualmente es profesor en Universidad ESNE y Lightbox Academy.

Este ilustrador, creador, guionista y experto en storyboard español, estudió en escuela de arte superior de diseño de Orihuela, Alicante. Ha trabajado en empresas como Walt Disney, Turner, Warner Bros, B.R.B Internacional, Ilion Animation Studios, Lightbox Animation, la Casa Real española, Nickelodeon, Cartoon Network, entre muchos otras. Lleva más de 30 años trabajando en el mundo de la animación y el cine. Ha ganado un premio Goya por el mejor cortometraje de animación “Madrid 2120”. También ha sido profesor en centros como ECAM, ESDIP, Universidad de Salamanca, Universidad de Cádiz, Universidad de Valencia, Universidad ANAHUAC (México), y actualmente es profesor en Universidad ESNE y Lightbox Academy.

In this episode of InTechnology, Camille gets into electrochemical additive manufacturing with episode co-host Jennifer Ard, Managing Director and Head of Investment Operations at Intel Capital, and guest Ian Winfield, Vice President of Product & Applications at Fabric8Labs. They talk about Fabric8Labs' unique liquid-based approach to additive manufacturing, the scalability of their printers, the variety of industry applications for this technology, how AI and machine learning are driving the need for custom liquid cooling solutions, the sustainability benefits of their ECAM process, why Intel Capital chose to invest in Fabric8Labs, the company's future goals, and more.   Learn more about Intel Capital: https://www.intelcapital.com/ The views and opinions expressed are those of the guests and author and do not necessarily reflect the official policy or position of Intel Corporation.

ROMA (ITALPRESS) - Conoscere e far conoscere l'Africa, le sue opportunità in termini di sviluppo, ma anche le sue necessità, come quelle sanitarie e formative. Questa la mission di Ecam - European Corporate Council on Africa and the Middle East - e del suo segretario generale, Ettore Sequi, intervistato da Claudio Brachino per la rubrica Primo Piano dell'agenzia Italpress, per fare il punto sui progetti in via di sviluppo nei vari Paesi africani e fornire un quadro completo fatto di opportunità, criticità e sfide in seno allo stesso continente. Uno sviluppo, quello portato avanti da Ecam, che parte da lontano, andando a coinvolgere le fondamenta di Stati in cui situazioni di profonda criticità interna - sotto molteplici ottiche - rendono preziose anche delle opportunità che in Europa potrebbero essere concepite come scontate o di facile accesso. “Conoscere Ecam significa capire quali opportunità porta con sé il continente africano - ha esordito l'ambasciatore Sequi -. La cooperazione tramite soggetti quali l'Europa, nord e centro Africa e il golfo ha in sé una serie di opportunità, dallo sviluppo del business agli aspetti riguardanti salute, agricoltura e formazione. Ecam ha una vocazione naturale per favorire dialogo e conoscenza, con le proprie risorse rivolte al settore umanitario, fondamentale per assistere popolazioni spesso colpite in maniera grave - parlando della situazione a Gaza -. Dal punto di vista sanitario abbiamo raggiunto risultati importanti. È stato creato un importante centro di cardiochirurgia infantile in Tunisia, dove abbiamo anche fornito ossigeno e ventilatori. Quando vi fu il terremoto che colpì Turchia e Siria - ha proseguito Sequi - abbiamo inviato attrezzature di emergenza, ambulanze, medicinali e kit sanitari di assistenza per la popolazione”.sat/mrv

ROMA (ITALPRESS) - Conoscere e far conoscere l'Africa, le sue opportunità in termini di sviluppo, ma anche le sue necessità, come quelle sanitarie e formative. Questa la mission di Ecam - European Corporate Council on Africa and the Middle East - e del suo segretario generale, Ettore Sequi, intervistato da Claudio Brachino per la rubrica Primo Piano dell'agenzia Italpress, per fare il punto sui progetti in via di sviluppo nei vari Paesi africani e fornire un quadro completo fatto di opportunità, criticità e sfide in seno allo stesso continente. Uno sviluppo, quello portato avanti da Ecam, che parte da lontano, andando a coinvolgere le fondamenta di Stati in cui situazioni di profonda criticità interna - sotto molteplici ottiche - rendono preziose anche delle opportunità che in Europa potrebbero essere concepite come scontate o di facile accesso. “Conoscere Ecam significa capire quali opportunità porta con sé il continente africano - ha esordito l'ambasciatore Sequi -. La cooperazione tramite soggetti quali l'Europa, nord e centro Africa e il golfo ha in sé una serie di opportunità, dallo sviluppo del business agli aspetti riguardanti salute, agricoltura e formazione. Ecam ha una vocazione naturale per favorire dialogo e conoscenza, con le proprie risorse rivolte al settore umanitario, fondamentale per assistere popolazioni spesso colpite in maniera grave - parlando della situazione a Gaza -. Dal punto di vista sanitario abbiamo raggiunto risultati importanti. È stato creato un importante centro di cardiochirurgia infantile in Tunisia, dove abbiamo anche fornito ossigeno e ventilatori. Quando vi fu il terremoto che colpì Turchia e Siria - ha proseguito Sequi - abbiamo inviato attrezzature di emergenza, ambulanze, medicinali e kit sanitari di assistenza per la popolazione”.sat/mrv

BIST Bülten, yeni bölümüyle yayında! Bugünkü bültenimizin menüsünde; Türkiye İstatistik Kurumu'nun açıkladığı yeni enflasyon rakamları, Şişecam'ın yeni yatırım hamlesi, MOGAN'ın talep toplama sürecinin başlaması, Mia Teknoloji'nin yeni anlaşması ve yerel piyasalara yönelik güncel haberler yer alıyor. İyi dinlemeler. Midas uygulamasını indir: https://app.getmidas.com/gmih/mie6gpeu Midas'ın Kulakları: https://www.getmidas.com/midasin-kulaklari Twitter: https://twitter.com/getmidas Instagram: https://www.instagram.com/get_midas/ Not: Bu içerik, içeriğin yayınlandığı günkü veriler ve haberler baz alınarak hazırlanmıştır. Eğer varsa içerikte geçen hedef fiyat tahminleri, uzman ve analist yorumları bu içeriğin yayınlandığı tarihte geçerlidir. Bu tahmin ve yorumlar zaman içinde değişkenlik gösterebilmektedir. Bu podcast'te yer alan haberler ve haberlerin içerdiği şirketler hakkındaki bilgiler yatırım danışmanlığı kapsamında değildir. Bahsi geçen hisselerdeki; hisse adı, fiyatı ve grafikleri de dahil temsilidir, yatırım tavsiyesi değildir.

ROMA (ITALPRESS) -"L'Africa è un Paese con il 70% della popolazione Under 30" ma "non è più quello di 10 anni fa": bisogna "prepararsi ai prossimi trent'anni", quando "ci sarà un profilo della popolazione molto simile a quello europeo". Per questo, "l'obiettivo di oggi è cogliere un'opportunità: in tema di salute c'è una nuova sfida, quella della prevenzione". Lo ha detto Paolo Rotelli, vicepresidente del Gruppo San Donato e presidente dell'Università Vita-Salute San Raffaele, a margine del 5° Summit ECAM organizzato a Roma. "L'obiettivo è preparare il sistema sanitario africano alla sfida del futuro invecchiamento della popolazione, grazie alle nuove tecnologie, a partnership e collaborazioni", ha spiegato. Investire nella formazione "è essenziale, perché costruire un ospedale è facile, ci vogliono un paio d'anni. Per 'costruire' un medico ce ne vogliono 12, per un infermiere ce ne vogliono 5 o 6. È importante investire in formazione e ricerca per creare nuovi strumenti che aumentino la produttività dei medici e che permettano loro di proporre terapie più efficaci e mirate".f04/sat/red

ROMA (ITALPRESS) - "L'Africa presenta ancora problemi seri", ma "è il continente del futuro, un continente giovane che ha un capitale umano straordinario che deve essere valorizzato. Per questo abbiamo lanciato un fondo che mira a sostenere queste iniziative e firmeremo un accordo per la formazione nel settore agricolo: tutto questo si deve alla lungimiranza del presidente di Ecam, Kamel Ghribi, che è un uomo che sa dare gambe alle idee". Lo ha detto il segretario generale del Consiglio Ecam, Ettore Sequi, a margine del 5° Summit ECAM organizzato a Roma da Gruppo San Donato e GKSD Investment holding, un evento di "grandissimo interesse", come testimonia la presenza di diversi rappresentanti dei Paesi africani, tra cui "due primi ministri e di una quindicina di ministri". Per il futuro dell'Africa, "il ruolo della salute è fondamentale perché si tratta di migliorare la qualità della vita. L'Africa ha bisogno di sviluppare la capacità di curare", ma anche di formare "personale che può somministrare queste cure".f04/sat/gsl

ROMA (ITALPRESS) - "L'Africa presenta ancora problemi seri", ma "è il continente del futuro, un continente giovane che ha un capitale umano straordinario che deve essere valorizzato. Per questo abbiamo lanciato un fondo che mira a sostenere queste iniziative e firmeremo un accordo per la formazione nel settore agricolo: tutto questo si deve alla lungimiranza del presidente di Ecam, Kamel Ghribi, che è un uomo che sa dare gambe alle idee". Lo ha detto il segretario generale del Consiglio Ecam, Ettore Sequi, a margine del 5° Summit ECAM organizzato a Roma da Gruppo San Donato e GKSD Investment holding, un evento di "grandissimo interesse", come testimonia la presenza di diversi rappresentanti dei Paesi africani, tra cui "due primi ministri e di una quindicina di ministri". Per il futuro dell'Africa, "il ruolo della salute è fondamentale perché si tratta di migliorare la qualità della vita. L'Africa ha bisogno di sviluppare la capacità di curare", ma anche di formare "personale che può somministrare queste cure".f04/sat/gsl

ROMA (ITALPRESS) -"L'Africa è un Paese con il 70% della popolazione Under 30" ma "non è più quello di 10 anni fa": bisogna "prepararsi ai prossimi trent'anni", quando "ci sarà un profilo della popolazione molto simile a quello europeo". Per questo, "l'obiettivo di oggi è cogliere un'opportunità: in tema di salute c'è una nuova sfida, quella della prevenzione". Lo ha detto Paolo Rotelli, vicepresidente del Gruppo San Donato e presidente dell'Università Vita-Salute San Raffaele, a margine del 5° Summit ECAM organizzato a Roma. "L'obiettivo è preparare il sistema sanitario africano alla sfida del futuro invecchiamento della popolazione, grazie alle nuove tecnologie, a partnership e collaborazioni", ha spiegato. Investire nella formazione "è essenziale, perché costruire un ospedale è facile, ci vogliono un paio d'anni. Per 'costruire' un medico ce ne vogliono 12, per un infermiere ce ne vogliono 5 o 6. È importante investire in formazione e ricerca per creare nuovi strumenti che aumentino la produttività dei medici e che permettano loro di proporre terapie più efficaci e mirate".f04/sat/red

ROMA (ITALPRESS) - Il ruolo cruciale della salute e degli investimenti per creare le basi per un futuro migliore per l'Africa. È il tema al centro del 5° Summit dell'Ecam, European Corporate Council on Africa and Middle East, ideato e presieduto da Kamel Ghribi, presidente di GKSD Investment Holding Group e vicepresidente del Gruppo San Donato, che si è svolto a Roma. Tra gli argomenti principali del Summit, le nuove relazioni tra Italia e Africa, gli investimenti, la formazione e la cooperazione tra pubblico e privato. col/sat/gsl

ROMA (ITALPRESS) - Il ruolo cruciale della salute e degli investimenti per creare le basi per un futuro migliore per l'Africa. È il tema al centro del 5° Summit dell'Ecam, European Corporate Council on Africa and Middle East, ideato e presieduto da Kamel Ghribi, presidente di GKSD Investment Holding Group e vicepresidente del Gruppo San Donato, che si è svolto a Roma. Tra gli argomenti principali del Summit, le nuove relazioni tra Italia e Africa, gli investimenti, la formazione e la cooperazione tra pubblico e privato. col/sat/gsl

In this episode of Partnering Leadership, Mahan Tavakoli speaks with Steven Sasson who invented the digital camera while working at Kodak, earning him The National Medal of Technology and Innovation award. Steven Sasson shares the story of how digital photography came to be, the many inventions that made it more accessible to eventually take the place of film photography.  Steven Sasson also talks about the support for the invention at Kodak and the many cultural and leadership challenges that got in the way of Kodak taking full advantage of the technology.   Some highlights:- Steven Sasson's love for tinkering with technology- Why Steven Sasson chose to work at Kodak- Conceptualizing and envisioning the first handheld electronic camera- The first image taken with the first prototype of the portable digital camera- Kodak's initial reaction to Steven Sasson's invention and questions for the future of digital technology- How the support and belief of Steven Sasson's supervisor motivated him to push his idea forward despite doubts from Kodak executives- Why Steven Sasson's project was kept secret by Kodak for many years- The story behind ECAM, the first operational DSLR camera - The story behind QuickTake 100, Kodak's collaboration with Apple - Cultural and leadership challenges preventing Kodak from being able to take full advantage of digital photography- How internal struggles, and short-sighted decisions impacted Kodak- Steven Sasson's experience receiving The National Medal of Technology and Innovation award from President Barack Obama in 2009 Mentioned:Don Reinertsen, authorGareth Lloyd, former supervisor at KodakJim Sheckler, former technician at KodakGilda Radner, actress and comedianJoy Marshall, former laboratory technician at KodakSteve Jobs, co-founder and former chairman and CEO of AppleSteve Wozniak, co-founder of AppleDr. Majid Rabbani, former fellow at KodakDr. Brad Paxton, former director at KodakRobert Hills, co-inventor of the first DSLR cameraJim McGarvey, former lead engineer at KodakGeorge M. C. Fisher, former CEO of KodakDaniel Allen Carp, former chairman and CEO of KodakAntonio M. Pérez, former CEO of KodakBarack Obama, 44th U.S. PresidentPete Souza, former Chief Official White House Photographer Connect with Steven Sasson:Steven Sasson on LinkedIn Connect with Mahan Tavakoli: Mahan Tavakoli Website Mahan Tavakoli on LinkedIn Partnering Leadership Website

You never know what you're going to get when we start a show with a live audience. We are rounding out the end of the year and start talking about cleaning up things for 2024, while eye-balling black Friday specials.  JOIN THE SCHOOL OF PODCASTING Join the School of Podcasting worry-free using the coupon code " coach " and save 20%. Your podcast will have you sounding confident, sound great (buying the best equipment for your budget), and have you syndicated all over the globe. There is a 30-day worry-free money-back guarantee Go to https://www.schoolofpodcasting.com/coach Sponsor: PodcastBranding.co If you need podcast artwork, lead agents or a full website, podcastbranding.co has you covered. Mark is a podcaster in addition to being an award-winning artist. He designed the cover art for the School of Podcasting, Podcast Rodeo Show, and Ask the Podcast Coach. Find Mark at  podcastbranding.co  Mugshot: Based on a True Story Podcast Ever wonder how much of those "Based on a true story" movies are real? Find out at www.basedonatruestorypodcast.com Timeline 00:03:37 - 2024 is Around the Corner 00:06:06 - Just Try It 00:06:49 - FTC Violations 00:09:01 - More Money Less Work 00:13:33 - Reactions on a Mac 00:17:47 - Bcast Vs Captivate https://supportthisshow.com/captivate  00:19:43 - Dave's New Stand https://supportthisshow.com/productionstand  00:21:34 - Elgato Prompter https://supportthisshow.com/elgatoprompter  00:22:18 - The Listener Experience  00:32:07 - AI Voice Examples https://supportthisshow.com/eleveblabs  00:35:04 - Chat Room Catch Up 00:37:17 - Is TEMU Legit? https://supportthisshow.com/temu  00:40:25 - One Video Per Day?  00:44:52 - 150 People Watch This  00:48:20 - We Got Flagged  00:49:53 - Seasons Displaying Weird  00:53:07 - Celebrating Landmark Episodes  01:03:25 - JLD and Kate are Parents  01:07:15 - THANK YOU! https://www.askthepodcastcoach.com/awesome  01:09:26 - Ecamm Costs https://supportthisshow.com/ecamm  01:10:37 - Zoom Podtrac P4 https://supportthisshow.com/zoomp4  01:11:56 - Discord Server For Show?  01:14:39 - Patreon Politics  01:15:49 - Best Clip on Mic https://supportthisshow.com/wirelesspro  01:19:20 - Podcast Clothes http://www.podcastclothes.com  01:20:04 - Printful https://supportthisshow.com/printful  01:23:51 - When Do I Make Merch?  01:24:25 - Industry Solution for Volume Issues    Mentioned In This Episode Podpage www.trypodpage.com Home Gadget Geeks www.homegadgetgeelks.com  The School of Podcasting www.schoolofpodcasting.com/coach  Become an Awesome Supporter www.askthepodcastcoach.com/awesome  TEMU https://supportthisshow.com/temu  PodPage  http://www.trypodpage.com  ECAM https://supportthisshow.com/ecamm  StreamYardhttps://supportthisshow.com/streamyard  Zoom PodTrak P4 https://supportthisshow.com/zoomp4  Eleven Labs AI Voice Tool https://supportthisshow.com/elgatoprompter  Printful https://supportthisshow.com/printful  El Gato Prompter  https://supportthisshow.com/elgatoprompter Castmagichttps://supportthisshow.com/castmagic  Captivate  https://supportthisshow.com/captivate Apple https://supportthisshow.com/apple  Music Radio Creatihttps://supportthisshow.com/printfulve  https://supportthisshow.com/musicradiocreative  Cirkul Water Drinking System https://supportthisshow.com/cirkul Ingles Podcast https://www.inglespodcast.com/ Ask the Podcast Coach Leave a question www.askthepodcastcoach.com/ask Patreon https://supportthisshow.com/patreon  Supercast https://supportthisshow.com/supercast  Go Wireless Pro https://supportthisshow.com/wirelesspro  Podcasting Shirts PodcastClothes.com Buzzsprout https://supportthisshow.com/buzzsprout Auphonic https://supportthisshow.com/auphonic  

In this engaging conversation, we delve into Doc Rock's remarkable life journey, which took him from being an army paramedic to becoming a DJ in vibrant Honolulu. We uncover the pivotal moments that led him to embrace technology, content creation, and the thriving world of streaming. As a dedicated Ecam user, Doc Rock shares his expert insights on streaming content, offering valuable advice to aspiring creators. He emphasizes that success is not a linear path but rather a collection of stepping stones, challenging the notion that it should follow a predictable trajectory. --- Send in a voice message: https://podcasters.spotify.com/pod/show/solomon-thimothy/message

BIST Bülteni, yeni bölümüyle yayında! Bugünkü bültenimizin menüsünde; #SISE'nin bilançosu, #ALARK'ın yeni satın alımı, #ZOREN'in başvurusu ve yerel piyasalara yönelik güncel haberler yer alıyor. İyi dinlemeler. Midas uygulamasını indir: https://app.getmidas.com/gmih/mie6gpeu Midas'ın Kulakları: https://www.getmidas.com/midasin-kulaklari Twitter: https://twitter.com/getmidas Instagram: https://www.instagram.com/get_midas/ Not: Bu içerik, içeriğin yayınlandığı günkü veriler ve haberler baz alınarak hazırlanmıştır. Eğer varsa içerikte geçen hedef fiyat tahminleri, uzman ve analist yorumları bu içeriğin yayınlandığı tarihte geçerlidir. Bu tahmin ve yorumlar zaman içinde değişkenlik gösterebilmektedir. Bu podcast'te yer alan haberler ve haberlerin içerdiği şirketler hakkındaki bilgiler yatırım danışmanlığı kapsamında değildir. Bahsi geçen hisselerdeki; hisse adı, fiyatı ve grafikleri de dahil temsilidir, yatırım tavsiyesi değildir.

Cocoa is an important export crop for West African countries. Yet, many of the smallholder cocoa farmers struggle to earn a decent livelihood. Assata Doumbia, president of the ECAM cooperative in Côte d'Ivoire, applies a mix of strategies to obtain higher and more predictable incomes for her fellow farmers. The cooperative works with trusted international partners, invests in improving productivity and enables women to join the workforce. Assata even tackles the challenge of moving up the cocoa value chain through a cacao-processing business. In this podcast episode, she is joined by Kobby Bandoh, Economic Affairs Officer in the Agriculture and Commodities Division of the WTO.  In the podcast:- Assata Doumbia, President of the ECAM cooperative (Entreprise Coopérative des Agriculteurs de Méagui) and founder of "La Paysanne" - Kobby Bandoh, Economic Affairs Officer in the Agriculture and Commodities Division of the WTO- Kimonique Powell, Podcast Host, WTO Young Professional Links :Website of the ECAM Cooperative (in French)https://www.ecam-meagui.com/ Tony's Chocolonely, a Netherlands-based chocolate producer, and a major business partner of ECAMhttps://tonyschocolonely.com/nl/en/strong-farmers-professional-cooperatives The chapter on "Cacao" is co-authored by podcast host Kimonique PowellSustainable Production and Trade: Perspectives from the Commonwealth A report about how voluntary sustainability standards (VSSs) can enhance farmers' livelihoods, promote trade, and provide price transparency across value chains.Global Market Report: Cocoa prices and sustainability | International Institute for Sustainable Development (iisd.org) Reorganizing the cocoa farming business to enable farmers to obtain higher prices:Cocoa Industry: Integrating Small Farmers into the Global Value Chain | UNCTAD One example of a certification scheme that monitors social, economic, and environmental standards in the cocoa sectorCocoa - (fairtrade.net) 

Today we are diving into the strategy of "feed drops" in podcasting. Some special guests are joining us, including York Campbell, Randy Black, and Zoe Richardson. In this episode, we'll explore the concept of feed drops, where a show drops an episode into the feed of another show to gain new listeners. Our guests will discuss their experiences with feed drops and share their perspectives on whether it's an effective strategy. Join the School of Podcasting Community Risk-Free Are you looking to start your podcast but don't know where to begin? Look no further than the School of Podcasting. Our comprehensive online courses and one-on-one coaching will teach you everything you need to know, from equipment and editing to marketing and monetization. With our proven methods and unlimited one-on-one consulting, you'll be creating high-quality, engaging content in no time. Say goodbye to the frustration and uncertainty and hello to a successful podcasting career with the School of Podcasting. Use the coupon code schoolofpodcasting.com/listener to save on a monthly or yearly subscription.  Feed Drops:  Feed drops can be a powerful strategy to gain new listeners and broaden your reach in the podcasting realm. By dropping an episode into the feed of another show, you not only introduce your content to a new audience but also establish connections with other podcasters. Just make sure the dropped episode aligns with the tone and subject matter of the host show to keep your listeners engaged. Participants: Randall Black from Work From The Weight Zo Richardson from Backlook Cinema York from Welcome to Earth Stories Consider Your Source: There are a number of different types of podcasters. Here are just a couple: Fun Seekers Serious Hobbyist The Side Hustle-ist There are also many ways to monetize your show. The Value Four Value model is gaining steam, and everyone talks about podcast advertising. With the above types of podcasters they have different motivations and metrics.  People who work in the advertising end of podcasting focus on making sure advertisers are happy.  With this in mind, when you hear news, insights, and ideas about podcasting you might consider evaluating what persepctive they are coming from. There is no "wrong" perspective as there are many ways to plan, launch, grow, and monetize your show.  For example one recent written by Steve Goldstein on the Three Eras of Podcasting seemed to hint that podcasting started when advertising arrived. This makes sense coming from Steve who works in the advertising side of podcasting.  Podcast Rewind I appeared on The Flow by Ecam, talking about how to start a podcast. I shared a story about the gear I used when I first started podcasting. QUESTION OF THE MONTH Each month I ask you to chime in on the show so we all can learn together. Be sure to tell use about your show, and mention your website. Leave Your Answer at  www.schoolofpodcasting.com/question Mentioned In This Episode Join the School of Podcasting Community Profit From Your Podcast Book Power of Podcasting Network Dave's YouTube Channel Dave's Podcasting Newsletter Buy Dave a Coffee Put Dave In Your Pocket Where Will Dave Be? Question of the Month   Follow the Show and Never Miss an Episode on: Apple - Google - Spotify - Amazon Check out New Podcast Apps for apps to stream bitcoin to podcasters. Did You Get Value From This Episode? Enjoy the Show? Buy Dave a Coffee and give some of that value back.   

BIST Bülteni, yeni bölümüyle yayında! Bugünkü bültenimizin menüsünde; #SISE'nin yatırımı, #TKFEN'in 3 yeni şirket kurmaya karar vermesi, #EUPWR'ın yeni siparişi ve yerel piyasalara yönelik güncel haberler yer alıyor. İyi dinlemeler. Midas uygulamasını indir: https://app.getmidas.com/gmih/mie6gpeu Midas'ın Kulakları: https://www.getmidas.com/midasin-kulaklari Twitter: https://twitter.com/getmidas Instagram: https://www.instagram.com/get_midas/ Not: Bu içerik, içeriğin yayınlandığı günkü veriler ve haberler baz alınarak hazırlanmıştır. Eğer varsa içerikte geçen hedef fiyat tahminleri, uzman ve analist yorumları bu içeriğin yayınlandığı tarihte geçerlidir. Bu tahmin ve yorumlar zaman içinde değişkenlik gösterebilmektedir. Bu podcast'te yer alan haberler ve haberlerin içerdiği şirketler hakkındaki bilgiler yatırım danışmanlığı kapsamında değildir. Bahsi geçen hisselerdeki; hisse adı, fiyatı ve grafikleri de dahil temsilidir, yatırım tavsiyesi değildir.

Del cuento y la leyenda a la gran pantalla, inspirada en un hecho real acaecido en un pueblo de Almería, Gador, llega a las salas, El hombre del saco de Ángel González Hernández. Es su segundo largo de terror y suspense, recordemos debutó en el largo con "voces".El hombre del saco toma cuerpo dando un giro muy peculiar a su historia. Con Ángel González Hernández hemos hablado y con dos de los actores: Macarena Gómez y Javier Bottet.Nos metemos de lleno en una exposición que les invitamos a visitar si pasan por Madrid, Top Secret. Cine y espionaje. Los espías del cine han tomado la sala de exposiciones de Caixaforum: aparatos indescifrables, documentos falsos. Un paraíso para los amantes de los agentes y espías.Pedro Calvo nos acerca las mejores series y dedicamos la última hora del programa, para hablar de uno de los proyectos más importantes para los jóvenes del mundo del audiovisual. La Incubadora, un programa de la ECAM de desarrollo de largometrajes dirigido a productores, directores y guionistas emergentes a través de mentorías. Con ellos, con todos los protagonistas charlamos.Escuchar audio

ROMA (ITALPRESS) - In questo numero:- Alzheimer, si studiano nuove terapie per rallentare il decorso- Malaocclusione, si cura con il digitale e gli allineatori trasparenti- Le sfide della sanità e della sicurezza alimentare al Summit ECAM- Gli psicologi chiedono la parificazione con la dirigenza medicamgg/abr/mrv

ROMA (ITALPRESS) - Le sfide e le opportunità per la sanità e la sicurezza alimentare in Europa, Africa e Medio Oriente sono state al centro del 4° Summit ECAM organizzato a Roma dal Gruppo San Donato e GKSD Investment holding. xb1/mgg/gsl

ROMA (ITALPRESS) - Le sfide e le opportunità per la sanità e la sicurezza alimentare in Europa, Africa e Medio Oriente sono state al centro del 4° Summit ECAM organizzato a Roma dal Gruppo San Donato e GKSD Investment holding. xb1/mgg/gsl

Join Becky Reback as she discusses the assessment suite at Evolved Education and what parents and students can learn by booking assessments with us. Becky discusses the QRI, ECAM, Mindprint Learning Assessment, Career Lift Off, 16 Personalities, and Mock Testing. This is a great episode for families wondering if assessment services are best for their families and what they will learn from the experience. Please click the button to subscribe so you don't miss any episodes and leave a review if your favorite podcast app has that ability. Thank you! For more information, visit the Evolved Education website at: https://evolvededucationcompany.com/category/podcast/ © 2021 - 2023 Mary Miele

David Muñoz (Madrid, 1968) estudió Bellas Artes y, como tantos otros guionistas, es un dibujante de cómic frustrado. Aún hoy, sueña con publicar algún día un cómic dibujado por él mismo. Ha trabajado en películas como El espinazo del diablo o La posesión de Emma Evans; en series La valla o La embajada, en los cómics La casa de los susurros y Trackers (ambos en Yermo Ediciones), Miedo (Glénat), y, en el manual de escritura de guion de cómic, Escribir en viñetas, pensar en bocadillos (Es Pop ediciones). El desastroso estudiante que fue durante su adolescencia jamás habría pensado que fuera posible, pero además de guionista también es profesor de guion y da clases en la ECAM y en varios másteres universitarios. Junto con Rayco Pulido es autor de Sordo (De Ponent, 2008; Astiberri, 2018), también trasladada al cine. Sus últimas novelas gráficas son 15, con dibujos de Andrés G. Leiva, e Infectado, realizado junto con Manuel Meseguer, las dos publicadas en 2021 en Astiberri. Además Novedades Moviola + Expediente Z. En candilradio.com .

Interrumpimos la programación habitual y nos acercamos a las minas de El Borrao donde un derrumbamiento ha atrapado a catorce mineros. Sigue en directos los esfuerzos del equipo de rescate en este Programa Especial Informativo. -------------------------------------------------------------- “Voces en la caja” es una producción original de “Pizza Fría Producciones”. En el episodio han participado, por orden de aparición: Roberto Márquez: Voz de El Borrao / Nerón García. Marina Martín Laguna: Valeria Benavides. Anai González: Belén Serrano. Ángel Asensio: Luiso Barbossa. Álvaro Aparicio: Doctor Revilla. Sauce Laguna: Camila Cortés. Roberto Nacar: Juanma Barbossa. Daniel Toledo: DJ Todorov. Javier Rascón: El Señor Alcalde. Armando Mateo: Doctor Escobedo. Fran Navarro: Periodista. Narrador oscuro: Melerón. Con la colaboración especial de: Álvaro Aparicio, escritor, podcaster, game designer, fuerza del bien. https://twitter.com/vuelodelcometa https://alvaroaparicio.net/ https://www.patreon.com/vuelodelcometa Vuelo del Cometa (Podcast). https://go.ivoox.com/sq/1049191 Catabasis (Podcast). https://go.ivoox.com/sq/1538614 Night Council Studio. https://nightcouncilstudio.com/es Armando Mateo, de Grab-arte.com y autor del podcast “Hoy”. http://grab-arte.com/ HOY. https://go.ivoox.com/sq/1607984 El Narrador Oscuro, de los podcast “Transmitiendo a Ciegas” y “Narrando a Oscuras”. Narrando a Oscuras y Transmitiendo a Ciegas: https://go.ivoox.com/sq/1393653 https://go.ivoox.com/sq/1533521 https://twitter.com/narrador_oscuro La canción del episodio ha sido “Vuelve a la luz” de Silva de Alegría. Puedes escuchar su discografía siguiendo el siguiente enlace: https://silvadealegria.com/album/primavera-en-la-guerra-del-sonido-2019 Grabado en los estudios de la Escuela de la Cinematografía y el Audiovisual de la Comunidad de Madrid – ECAM y de la Casa de la Juventud de Soto del Real. Montaje y postproducción por Marina Martín Laguna y Roberto Márquez Bonilla. Sigue a los autores en redes sociales: Roberto Márquez @EscribeMaldito en Twitter. Visita nuestra página web en vocesenlacaja.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Şirket Hikayeleri'ne tam gaz devam! Bu bölümde sevgili Tuncay Turşucu ile birlikte Şişecam'ın geniş ürün gamını, cam sektörünün dinamiklerini ve bilançosunu enine boyuna konuştuk. İyi dinlemeler. Midas uygulamasını indir: https://app.getmidas.com/gmih/mie6gpeu Midas'ın Kulakları: https://www.getmidas.com/midasin-kulaklari Twitter: https://twitter.com/getmidas Instagram: https://www.instagram.com/get_midas/ Not: Bu içerik, içeriğin yayınlandığı günkü veriler ve haberler baz alınarak hazırlanmıştır. Eğer varsa içerikte geçen hedef fiyat tahminleri, uzman ve analist yorumları bu içeriğin yayınlandığı tarihte geçerlidir. Bu tahmin ve yorumlar zaman içinde değişkenlik gösterebilmektedir. Bu podcast'te yer alan haberler ve haberlerin içerdiği şirketler hakkındaki bilgiler yatırım danışmanlığı kapsamında değildir. Bahsi geçen hisselerdeki; hisse adı, fiyatı ve grafikleri de dahil temsilidir, yatırım tavsiyesi değildir.

El nuevo párroco del pueblo oficia una boda apocalíptica, una vecina del pueblo se ve obligada a participar en un juego enfermizo y se hace un homenaje a la última superviviente del campo de concentración de El Borrao. -------------------------------------------------------------- “Voces en la caja” es una producción original de “Pizza Fría Producciones”. En el episodio han participado, por orden de aparición: Roberto Márquez: Voz de El Borrao / El novio/Trabajador hamburguesería/Hombre marioneta. Narrador Oscuro: Don Ismael/ Voz de ultratumba. Marina Bernabé: La novia. Marina Martín Laguna: Valeria Benavides/ Titiritero. Francisco Navarro: Sabino. Nere Chapinal: Anita. Sauce Laguna: Camila Cortés. Marta Salvador Tato: Nuria. Efrén Tarifa: Cliente de la hamburguesería. Eva Saiz: Clara. Carla Sartre: Marta. Daniel Toledo: Dj todorov. Javier Rascón: Presentador del programa de historia. Anai Gonzalez: Nieta. Ángel Asensio: Forense. Con la colaboración especial de: El Narrador Oscuro, de los podcast “Transmitiendo a Ciegas” y “Narrando a Oscuras”. Puedes seguirle en los siguientes enlaces: Narrando a Oscuras y Transmitiendo a Ciegas: https://go.ivoox.com/sq/1393653 https://go.ivoox.com/sq/1533521 https://twitter.com/narrador_oscuro Marta Salvador Tato de la distribuidora de cine en festivales "Distribution with Glasses" www.distributionwithglasses.com La canción del episodio ha sido “Bad Nostalgia” de Anthem of the rain. Puedes escuchar su discografía siguiendo el siguiente enlace: https://freemusicarchive.org/music/anthem-of-rain/ Grabado en los estudios de la Escuela de la Cinematografía y el Audiovisual de la Comunidad de Madrid – ECAM y de la Casa de la Juventud de Soto del Real. Montaje y postproducción por Marina Martín Laguna y Roberto Márquez Bonilla. Sigue a los autores en redes sociales: Roberto Márquez @EscribeMaldito en Twitter. Visita nuestra página web en vocesenlacaja.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Revisamos el menú de la Hamburguesería "Niños Perdidos", Camila nos habla sobre la asertividad y estrenamos un nuevo programa de radio para todes les amigues del pueblo con gustos... peculiares. -------------------------------------------------------------- “Voces en la caja” es una producción original de “Pizza Fría Producciones”. En el episodio han participado, por orden de aparición: Roberto Márquez: Voz de El Borrao / Presentador de Noticias/Trabajador hamburguesería/Hombre marioneta. Marta Salvador Tato: Clienta hamburguesería. Francisco Navarro: Sabino. Álvaro Valmorisco: Policía/Hater. Beatriz Gayá: María la soñadora. Sauce Laguna: Camila Cortés. Sandra Camacho: Marina. Eva Saiz: Clara. Narrador oscuro: Voz de ultratumba. Carla Sartre: Marta. Marina Bernabé: Operadora del 112. Judith Bachiller: Renata. DJ Todorov: Daniel Toledo. Roberto Nácar: Presentador. Nerea Chapinal: la fetichista Marianita. Efrén Tarifa: el fetichista del HIIT. Valeria Surcis: la fetichista de los huesos. Marina Martín Laguna: Titiritero. Ana Belén Serrano: Central. Con la colaboración especial de: El Narrador Oscuro, de los podcast “Transmitiendo a Ciegas” y “Narrando a Oscuras”, Valeria Surcis, del podcast “Quiero contar tu historia” y Judith Bachiller de “Con Suma Ficción”. Podéis seguirlos a ellos y su trabajo en los siguientes enlaces: Narrando a Oscuras y Transmitiendo a Ciegas: https://go.ivoox.com/sq/1393653 https://go.ivoox.com/sq/1533521 https://twitter.com/narrador_oscuro Quiero contar tu historia: https://go.ivoox.com/sq/584576 Con Suma Ficción: @ConSumaFiccion https://go.ivoox.com/sq/1382145 La canción del episodio ha sido “Distress call” de Last Light Within, un proyecto musical de @narrador_oscuro. Puedes escuchar su discografía siguiendo el siguiente enlace: https://www.youtube.com/channel/UCuJGydLXoq5-Y94_7DmPYGg Grabado en los estudios de la Escuela de la Cinematografía y el Audiovisual de la Comunidad de Madrid – ECAM y de la Casa de la Juventud de Soto del Real. Montaje y postproducción por Marina Martín Laguna y Roberto Márquez Bonilla. Sigue a los autores en redes sociales: Roberto Márquez: @EscribeMaldito en Twitter. Visita nuestra página web en vocesenlacaja.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Los Buhos de El Borrao celebran su gran gymkana en el bosque, a una mujer en la ruina le venden un seguro peculiar y una vecina nos advierte que no compremos en un negocio local. -------------------------------------------------------------- “Voces en la caja” es una producción original de “Pizza Fría Producciones”, escrito y dirigido por Roberto Márquez y Marina Martín Laguna. En el episodio de hoy han participado, por orden de aparición: Voz de El Borrao / Presentador de Noticias: Roberto Márquez. Buho Real: Armando Mateo. Nerea Chapinal: Mochuela. Álvaro Valmorisco: Mochuelo. Efrén Tarifa: Mochuelo. Susana González Calleja: Julia Carranza. Roberto Nácar: Agente de Seguros. Bricópata / Víctima: Narrador Oscuro. Chusa Leal: Marina Martín Laguna. Sandro: Adrián Zambrano. Mª del Carmen, la aficionada a las antigüedades: Cari Alcazar. Testigo del burrito: Eva Saiz. Víctima del Burrito: Javier Marcos Cobaleda. DJ Todorov: Daniel Toledo. Con la colaboración especial de: Armando Mateo, del estudio de locución grab-arte, el Narrador Oscuro, de los podcast “Transmitiendo a Ciegas” y “Narrando a Oscuras” y Adrián Zambrano, de los podcast “Valle de Cielo Gris” y “Ciencia Pelada”. Podéis seguirles a ello y su trabajo en los siguientes enlaces: Estudio de locución “Grab-Arte”. www.grab-arte.com Narrando a Oscuras y Transmitiendo a Ciegas: https://go.ivoox.com/sq/1393653 https://go.ivoox.com/sq/1533521 https://twitter.com/narrador_oscuro Valle de Cielo Gris y Ciencia Pelada: https://www.cielogris.com/ https://open.spotify.com/show/1zL9D0T1rbBaMOuEVzGO08?si=11fac43bc23e435e https://open.spotify.com/show/7AhGNrwOk0L95z3Q7Zy1vl?si=437b2a5c22124892 https://twitter.com/vallecielogris La canción del episodio ha sido “”Every Time” de Katy Kirby. Puedes escuchar su discografía siguiendo el siguiente enlace: https://www.kirbykaty.com/ Grabado en los estudios de la Escuela de la Cinematografía y el Audiovisual de la Comunidad de Madrid – ECAM y de la Casa de la Juventud de Soto del Real. Montaje y postproducción por Marina Martín Laguna y Roberto Márquez Bonilla. Sigue a los autores en redes sociales: Roberto Márquez @EscribeMaldito en Twitter. Visita nuestra página web en vocesenlacaja.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

El pueblo sufre una inesperada invasión, Camila aconseja a una oyente angustiada por sus sueños y, en algún lugar, se celebra una asamblea muy importante. -------------------------------------------------------------- Si te gusta nuestro programa y quieres apoyar la producción de nuevos episodios, puedes ayudarnos a través del botón “apoyar” de nuestra página de iVoox. Búscanos en nuestras redes sociales: @vocesenlacaja en Twitter, Instagram y Facebook y deja comentarios, likes y comparte nuestros contenidos. “Voces en la caja” es una producción original de “Pizza Fría Producciones”. En el episodio de esta semana han participado, por orden de aparición: Voz de El Borrao: Roberto Márquez. Voz del contestador: Marina Martín Laguna. Exterminador: Javier Rascón. Juliana: Ana Belén Serrano. Clara: Eva Saiz. Marta: Carla Sarte. Doctora Camila Cortes: Sauce Laguna. María, la soñadora: Beatriz Gayá. Magdalena: Judith Bachiller. DJ Todorov: Daniel Toledo. El gilipollas al teléfono: Álvaro Valmorisco. Madre del gilipollas: Pilar Blanco. Voz misteriosa: el Narrador Oscuro. Con la colaboración especial de Carla Sarte de la compañía “Fila 8 Producciones”, Judith Bachiller del podcast “Con Suma Ficción” y el Narrador Oscuro, de los podcast “Transmitiendo a Ciegas” y “Narrando a Oscuras”. Podéis seguirles a ello y su trabajo en los siguientes enlaces: Narrando a Oscuras y Transmitiendo a Ciegas: https://go.ivoox.com/sq/1393653 https://go.ivoox.com/sq/1533521 https://twitter.com/narrador_oscuro Con Suma Ficción: https://go.ivoox.com/sq/1382145 https://twitter.com/ConSumaFiccion Nüshu, en Off La Latina: https://offlatina.com/espectaculo/nushu/ La canción del episodio ha sido “Mundo Canibal” de la Freak Fandango Orchestra. Puedes escuchar su discografía siguiendo el siguiente enlace: https://freakfandango.bandcamp.com/ Grabado en los estudios de la Escuela de la Cinematografía y el Audiovisual de la Comunidad de Madrid – ECAM y de la Casa de la Juventud de Soto del Real. Montaje y postproducción por Marina Martín Laguna y Roberto Márquez Bonilla. Sigue a los autores en redes sociales: Roberto Márquez @EscribeMaldito en Twitter. Visita nuestra página web en vocesenlacaja.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

On connaissait déjà le vélo électrique, le vélo cargo, le vélo pliant, ou le vélo pour personne à mobilité réduite.... Voici, à présentj le vélo évolutif ! Un vélo appelé à se transformer en fonction de votre âge, vos besoins, voire même de vos goûts... Deux jeunes ingénieurs INSA et ECAM se sont associés pour créer Ref Bikes. Cette startup conçoit, fabrique et assemble un vélo quelque peu novateur, mais aussi et surtout éco-responsable. Avec un Ref Bikes, on ne jette plus sa bicyclette, on la fait évoluer... ça coute moins cher et c'est plus écolo. Nous avons rencontré Romain Segura, président de REF BIKES. Ecoutez son interview en podcast Romain Segura, associé avec David et Alain Carneiro, annonce pouvoir sortir les premiers vélos évolutifs au printemps 2023.

I am an Integrative Fertility Expert with a background in Chinese medicine so obviously, I talk about it quite a bit.  It is not the mainstream medical system in the United States, and there are lots of skepticism around it.  Is it real?  Is it woo-woo or is there evidence supporting its effectiveness?  Those are the big questions that you are probably wondering about before embracing this system that is a few thousand years old to help you get pregnant.  Today, I am going to present some of the evidence behind Chinese medicine and you can decide if it's legit or if it's too new agey for you. To follow me on Instagram, TikTok, and Facebook: @dradriennewei Reference: Feng, J., Wang, J., Zhang, Y., Zhang, Y., Jia, L., Zhang, D., Zhang, J., Han, Y., & Luo, S. (2021). The efficacy of complementary and alternative medicine in the treatment of female infertility. Evidence-based Complementary and Alternative Medicine : eCAM, 2021, 6634309. https://doi.org/10.1155/2021/6634309 Johansson, J., & Stener-Victorin, E. (2013). Polycystic ovary syndrome: effect and mechanisms of acupuncture for ovulation induction. Evidence-based Complementary and Alternative Medicine : eCAM, 2013, 762615. https://doi.org/10.1155/2013/762615 Liu, H., Xu, J. Y., Li, L., Shan, B. C., Nie, B. B., & Xue, J. Q. (2013). FMRI evidence of acupoints specificity in two adjacent acupoints. Evidence-based complementary and alternative medicine : eCAM, 2013, 932581. https://doi.org/10.1155/2013/932581 Liu, L., Liu, Y., Yang, M., Xu, G., Li, R., Xu, X., Pan, X., & Liang, J. (2020). Effectiveness of tonifying-kidney and regulating-liver therapy on diminished ovarian reserve: a systematic review and Meta-analysis of randomized controlled trials. Journal of Traditional Chinese Medicine = Chung i tsa chih ying wen pan, 40(3), 343–354. https://doi.org/10.19852/j.cnki.jtcm.2020.03.001 Maciocia, G. (2015). The foundations of Chinese medicine. Elsevier. Ried, K. (2015). Chinese herbal medicine for female infertility: an updated meta-analysis. Complementary Therapies in Medicine, 23(1), 116-128. https://doi.org/10.1016/j.ctim.2014.12.004 Zhang, C., & Xu, X. (2016). Advancement in the treatment of diminished ovarian reserve by traditional Chinese and Western medicine. Experimental and Therapeutic Medicine, 11(4), 1173–1176. https://doi.org/10.3892/etm.2016.3025

Programa Vivir Rodando 142 (11 Enero 2022) Invitado: David Romera La historia del cine generalmente se centra en nombres famosos de directores, actores o productores. Afortunadamente salen obras que nos recuerdan que el cine se construye con figuras que suelen estar en un segundo plano. David Romera ha querido homenajear a su amigo y exprofesor de guion en la ECAM, Juan Miguel Lamet, con el libro 'Juan Miguel Lamet: El cine o la vida', editado por Libros Indie. Lamet hizo de todo dentro del cine español: productor, guionista, director del ICAA, divulgador e, incluso, censor. Gracias a conocer su vida a través del libro podemos constuir la historia tanto de Lamet como del cine español que va de los sesenta a los principios del siglo XXI. El programa 142 de Vivir Rodando, y con la colaboración del guionista, escritor y músico David Romera, está dedicado a la figura de Juan Miguel Lamet.

Valère commence ses études d'ingénieur à l'ECAM et va jusqu'au Bachelier; il y a appris la rigueur et le calcul. Il n'imaginait pas cependant que son futur métier incluait tant d'administration, c'est sa première surprise.Il décide ensuite de s'orienter à l'UMONS vers l'architecture laissant ainsi place à sa créativité car c'est cet aspect en particulier qui l'attire le plus.En troisième année il fait un stage chez Thomas & Piron, sur chantier, il y découvre le monde de la construction avec la casquette de "gestionnaire de chantier".L'année suivante, un stage chez CIT blaton lui a permis, dans un bureau d'études, de faire plus du calcul, de la conception et du dimensionnement.Dans les deux cas, il est considéré et la confiance lui est rapidement accordée.  Certes la crise sanitaire a rendu sa recherche de stage difficile, mais c'est pourtant ces deux périodes en entreprises qui lui permettent d'identifier le métier qui l'attire : gestionnaire de chantier ou ingénieur stabilité en bureau d'études.Nous le questionnons sur la parité hommes-femmes, les préoccupations environnementales mais aussi sur la diversité, l'inclusion. Ici Valère met en lumière un paradoxe rarement sous les projecteurs quand on parle d'égalités des chances... En effet, une société peut être désireuse de favoriser l'inclusion, mais quid des lois et des administrations qui sont lourdes et finissent par désavantager les candidats issus de l'immigration ? Ne sommes-nous là pas face à une aberration ? Si le Visa devient l'élément qui finit par discriminer dès les études.... ne faut-il pas revoir un système obsolète face aux besoins de talents du secteur ? Nous parlerons même des salaires miniums imposés par l'État...De temps en temps, même si Valère apporte beaucoup de positif dans son témoignage, nous nous devons de pointer des choses qui ne peuvent que / doivent s'améliorer. À condition, d'abord, d'en prendre conscience.... la parole est à vous !La ligne du temps de ce podcast  (via Youtube):00:40 Introduction00:47 Salutations à la ville de Mons (on mentionne la friterie Chez Bily)01:10 Questions Vrai / Faux02:12 Pourquoi as-tu répondu "faux" à la question "mes études, mon métier c'est tel que je l'imaginais"03:06 Michaël va contextualiser en précisant que Valère a fait une partie à l'ECAM, puis est allé à l'UMONS; peux-tu nous expliquer les grandes différences entre les deux ?04:13 Allons-nous voir des fonctions s'ouvrir pour alléger ce métier en reprenant la partie administrative ?04:46 Deux stages, l'un chez Thomas & Piron, l'autre chez CIT Blaton, quelles différences entre les deux entreprises ?05:48 Est-ce que cela t'a permis de t'ouvrir les yeux sur le type de fonction et département où tu souhaites évoluer ?06:11 Pourquoi as-tu répondu par l'affirmatif quand nous avons demandé si tu t'es senti accompagné dans ton intérêt lors de tes stages ?07:25 As-tu déjà une vision sur le type d'entreprises qui te plairait pour la suite ? Déjà été contacté ?07:55 Si on devait décrire en un mot ce qui te passionne le plus ? ce serait lequel ?08:14 Comment as-tu vécu la crise sanitaire en tant que jeune ?09:27 Les hommes et les femmes dans le secteur : pas de différence ?10:40 L'environnement : une réelle préoccupation ?12:09 Les valeurs dans les sociétés sont-elles réellement assumées sur le terrain ?12:52 Une question brutale de Michaël : "en tant que noir, est-ce que tu t'es déjà senti, durant tes études et même durant tes stages, observé avec un regard différent ? Est-ce que tu sens que tu dois peut-être faire deux fois plus qu'un autre ?"13:27 Est-ce que tu recommandes le secteur aux jeunes et qu'est-ce qui t'y a attiré, quels messages souhaites-tu leur passer ?14:52 Pour toi c'est un objectif de retourner au Cameroun, d'avoir un impact local et de ramener les compétences acquises ici ?15:40 Qu'est-ce qui te fait hésiter quand il s'agit d'affirmer que tout le monde à sa chance dans le secteur ?18:04 Face à la robotisation, le digital : comment perçois-tu les choses ?18:01 Clôture de l'interview et remerciements19:05 Un message pour les étudiants qui nous écoutent.

Hablamos con Ángela Armero, guionista de ‘Cuentame' en el Grupo Ganga y otras series como ‘Velvet', ‘Ana Tramel', ‘Hospital Central' o ‘La Valla', y novelista, sobre series, las diferencias de escribir guion o novela, la paciencia de los escritores o los designios de la familia Alcántara. Repasamos la campaña de Blood Equality, el branded content de Balenciaga, jugamos a adivinar anuncios y tratamos de acabar con los mensajes copiapega de cumpleaños.The Dumb Law Paradox: https://www.blood-equality.com/the-dumb-law-paradox/Balenciaga: https://www.youtube.com/watch?v=PZHESOq-GkwIMDB Ángela Armero: https://www.imdb.com/name/nm1409606/?ref_=fn_al_nm_1Puedes seguirnos en Instagram en @concdecopy y en Twitter en @somosconcdecopy y mandarnos un DM con tu opinión, sugerencias, preguntas o insultos. Respondemos a todo con la misma intensidad.

Karen es Un retrato íntimo de los últimos tiempos en África de la colona danesa Karen Blixen. Y en especial, de la particular relación con su criado somalí Farah Aden. Una extraña amistad en la que diferencias que parecen insalvables se diluyen ante un entendimiento ancestral.María Pérez Sanz es una joven cineasta extremeña, licenciada en Comunicación Audiovisual y Diplomada en Dirección cinematográfica por la ECAM. Sus cortometrajes han sido seleccionados y premiados en numerosos festivales de todo el mundo.

In this episode of Partnering Leadership, Mahan Tavakoli speaks with Steven Sasson who invented the digital camera while working at Kodak, earning him The National Medal of Technology and Innovation award. Steven Sasson shares the story of how digital photography came to be, the many inventions that made it more accessible to eventually take the place of film photography.  Steven Sasson also talks about the support for the invention at Kodak and the many cultural and leadership challenges that got in the way of Kodak taking full advantage of the technology.  Some highlights:Steven Sasson’s love for tinkering with technologyWhy Steven Sasson chose to work at KodakConceptualizing and envisioning the first handheld electronic cameraThe first image taken with the first prototype of the portable digital cameraKodak’s initial reaction to Steven Sasson’s invention and questions for the future of digital technologyHow the support and belief of Steven Sasson’s supervisor motivated him to push his idea forward despite doubts from Kodak executivesWhy Steven Sasson’s project was kept secret by Kodak for many yearsThe story behind ECAM, the first operational DSLR camera The story behind QuickTake 100, Kodak’s collaboration with Apple Cultural and leadership challenges preventing Kodak from being able to take full advantage of digital photographyHow internal struggles, and short-sighted decisions impacted KodakSteven Sasson’s experience receiving The National Medal of Technology and Innovation award from President Barack Obama in 2009Mentioned:Don Reinertsen, authorGareth Lloyd, former supervisor at KodakJim Sheckler, former technician at KodakGilda Radner, actress and comedianJoy Marshall, former laboratory technician at KodakSteve Jobs, co-founder and former chairman and CEO of AppleSteve Wozniak, co-founder of AppleDr. Majid Rabbani, former fellow at KodakDr. Brad Paxton, former director at KodakRobert Hills, co-inventor of the first DSLR cameraJim McGarvey, former lead engineer at KodakGeorge M. C. Fisher, former CEO of KodakDaniel Allen Carp, former chairman and CEO of KodakAntonio M. Pérez, former CEO of KodakBarack Obama, 44th U.S. PresidentPete Souza, former Chief Official White House PhotographerConnect with Steven Sasson:Steven Sasson on LinkedInConnect with Mahan Tavakoli:MahanTavakoli.comMore information and resources available at the Partnering Leadership Podcast website: PartneringLeadership.com

Enrique Urbizu (Bilbao, 1962) es el primer anfitrión del podcast ‘Estamos dentro'. En el salón abuhardillado de su domicilio madrileño, el cineasta vasco nos habla de su infancia entre libros, cómics y películas Super-8; de sus primeros trabajos de encargo; de la violencia en el cine; de la inquietante atracción del público por los personajes malvados; de sus muchos proyectos frustrados; de la reciente serie ‘Libertad'; y de su papel como profesor de cine en la ECAM.  

Enrique Urbizu (Bilbao, 1962) es el primer anfitrión del podcast ‘Estamos dentro'. En el salón abuhardillado de su domicilio madrileño, el cineasta vasco nos habla de su infancia entre libros, cómics y películas Super-8; de sus primeros trabajos de encargo; de la violencia en el cine; de la inquietante atracción del público por los personajes malvados; de sus muchos proyectos frustrados; de la reciente serie ‘Libertad'; y de su papel como profesor de cine en la ECAM.  

Hablamos con Iñaki Sánchez Arrieta, director de 'Zero' y Gemma Vidal, de La incubadora de la ECAM Gemma Vidal, Program Manager de La incubadora de ECAM, nos habla de los cinco nuevos proyectos del programa. Además, el director Iñaki Sánchez Arrieta nos habla de su película 'Zero' que llega a los cines el próximo 23 de abril.

Nous avons souhaité donner la parole à deux étudiants, Maud et Benoit, en formation dans une école d'ingénieurs de Strasbourg :l'ECAM. Pourquoi ont ils choisi de s'engager dans cette voie, quelles sont leurs premières expériences du monde économique et plus particulièrement du monde de l'entreprise qu'ils ont découvert lors de leurs stages? Quelles sont leurs projets aujourd'hui, leurs rêves mais peut être aussi leurs inquiétudes dans la crise que nous affrontons actuellement.

Nous avons souhaité donner la parole à deux étudiants, Maud et Benoit, en formation dans une école d'ingénieurs de Strasbourg :l'ECAM. Pourquoi ont ils choisi de s'engager dans cette voie, quelles sont leurs premières expériences du monde économique et plus particulièrement du monde de l'entreprise qu'ils ont découvert lors de leurs stages? Quelles sont leurs projets aujourd'hui, leurs rêves mais peut être aussi leurs inquiétudes dans la crise que nous affrontons actuellement.

In this week's episode, I am going to be talking all about is the systems I use in my business, why I use them, how they save me time and why you may want to consider using those systems or something similar. KEY TAKEAWAYS COVERED IN THE PODCASTZapier is a system that gets one system to talk to another system and makes a task happen. Kajabi allows you to have everything all in one place and build automation. Agorapulse allows you to separate your content into lots of categories and reshare your content. I use captivate to host my podcast and adobe auditions to record. Systems such as Ecam, Live, Evernote, Zoom and Dropbox are great for webinars and Facebook lives. THE ONE THING YOU NEED TO REMEMBER ABOVE ALL ELSE…Systems can really help you save time and build automation into your business so you can focus on other tasks!HIGHLIGHTS YOU SIMPLY CAN'T MISSThe system that does everything – Kajabi – 02:40 Scheduling content – Agorapulse – 08:40 Hosting a podcast – Captivate – 12:50 Designing elements – Canva – 13:35 Managing your team – Trello, Loom and Slack – 16:05 Recording a podcast – Adobe Auditions 19:30 Webinars & Facebook lives – Ecamm Live – 19:40 LINKS TO RESOURCES MENTIONED IN TODAY'S EPISODEhttp://www.teresaheathwareing.com/academy (Join the waitlist for my academy!) https://app.kajabi.com/r/P8rpomrR/t/quskasyl (Kajabi) https://zapier.com/ (Zapier) http://www.agorapulse.com/Teresa (Agorapulse – Get 2 months free!) https://www.captivate.fm/?ref=teresaheathwareing3 (Captivate) https://teresaheathwareing.com/captivate-podcast/the-power-of-starting-a-podcast-with-mark-asquith/ (Podcast with the owner of Captivate – Mark Asquith) https://canva.7eqqol.net/DxB7G (Canva) https://trello.com/en (Trello) https://www.loom.com/ (Loom) https://slack.com/intl/en-gb/ (Slack) https://www.ecamm.com/mac/ecammlive/?fp_ref=teresa15 (Ecamm Live) https://www.dropbox.com/ (Dropbox) https://evernote.com/ (Evernote) https://zoom.us/ (Zoom) Want the transcript – https://teresaheathwareing.com/wp-content/uploads/2020/10/Podcast-Transcript-141.pdf (click here!)

Top Virtual Keynote Speaker Photography James Taylor interviews John DeMato who specialises in portrait, event and headshot photography for top virtual keynote speakers. In today's episode John DeMato talks about Top Virtual Keynote Speaker Photography. John DeMato is a portrait and virtual photographer who serves speakers, authors and expert-based business owners to create persuasive visual storytelling that motivates their audiences to care, connect and take action. What we cover: Shooting photos of virtual keynote speakers including Sylvie Di Giusto, Phil M. Jones, Vinh Gianh and Ty Bennett. National Speakers Association Creating an experience Pre-session strategy call for virtual keynote speakers Virtual speaker wordrobes The challenges of green screen spill Photographing 80 virtual events DSLR vs Webcam Working with the camera Tools: Google Drive Book: Badass Your Brand by Pia Silva   Please SUBSCRIBE ►http://bit.ly/JTme-ytsub ♥️ Your Support Appreciated! If you enjoyed the show, please rate it on YouTube, iTunes or Stitcher and write a brief review. That would really help get the word out and raise the visibility of the Creative Life show. SUBSCRIBE TO THE SHOW Apple: http://bit.ly/TSL-apple Libsyn: http://bit.ly/TSL-libsyn Spotify: http://bit.ly/TSL-spotify Android: http://bit.ly/TSL-android Stitcher: http://bit.ly/TSL-stitcher CTA link: https://speakersu.com/the-speakers-life/ FOLLOW ME: Website: https://speakersu.com LinkedIn: http://bit.ly/JTme-linkedin Instagram: http://bit.ly/JTme-ig Twitter: http://bit.ly/JTme-twitter Facebook Group: http://bit.ly/IS-fbgroup Read full transcript at https://speakersu.com/top-virtual-keynote-speaker-photography-sl069/ James Taylor Hey there, it's James Taylor and I'm delighted today to have on the show John DeMato. John DeMato is a portrait and virtual photographer who serve speakers, authors and expert based business owners to create persuasive visual storytelling that motivates their audiences to care, connect and take action. I am a huge fan of john and his work, as are many of many top speakers from all over the world. And I'm really excited to have him on today to talk about the work that he does and how he basically helps other speakers tell better stories about ourselves and what and what we what we actually do is living. So john, welcome onto the show. John DeMato Thank you for having me, James. Always a pleasure talking to you, my friends. So James Taylor shame is a what's happening in your world at the moment. John DeMato Well, uh, despite the fact that the world's been a little upside down and sideways, we've been managing to figure some things out and kind of roll with the punches. My lifestyle portrait business took a bit of a header over the past couple of months and fortunately, I was able to spark some inspiration and create something that still allows me to be useful and serve the speakers that I work with. So I'm very fortunate for that. James Taylor That unit you and I met I think it was 2018 I'm gonna say 2017 2018 when we did a shoot together in New York City, I been working there and then I I reached out to you, I can't remember there was no speaker. I think it told me about you, maybe Geoffrey shore, and we got together and I was you know, I'm used to like doing photo shoots and speaker with with photographers, and you get maybe three, or maybe four usable shots from from a day. I was blown away. I mean, I think in the shoot that we did, we almost had like 100 shots or something. It was incredible. And that's kind of what you're known for in terms of your portrait work with photographers is just basically creating enough content content for them to use over the course of a year. John DeMato Yeah, yeah. I mean, the fact is, is that a speaker's life, you know, although many of us are grounded now. But despite that, you know, when things are normal travel, you're busy, you have multiple tentacles to your business, you don't have a lot of time to continuously invest. So it's important that when you do get in front of the camera, how many ever times you do that you maximize that value by getting as much out of it as you can. James Taylor And I think after we did that, I started seeing your work because you have a style, you know, in terms of photographer, and I thought, Oh, that looks like John's work. Oh, that looks like you know, there were there was there was something about it, there's, there's a certain thing with lighting and a certain kind of feel and emotion as well. So tell tell us about some of the speakers that you've worked with many, many, many of them, we would actually know ourselves. John DeMato Yeah. Well, I've been fortunate enough to be interested. Do the into the speaker community through people such as yourself and Sylvia, did you so she introduced me to the National Speakers Association here in the United States and that pretty much opened the door to me to meet a lot of amazing speakers like her and Phil Jones is also a an amazing human being and a great clients. I've worked with other people, like just pet it also within the community. I've also done a lot of virtual work recently with some other speakers such as Vin Jang, and Aaron Kane, Ty Bennett, people that just really blow me away in terms of their presentation and it just makes my life easier photographing them because they're so awesome at what they do. James Taylor So I'm not very good at it because I was having a conversation with a speaker the other day and I said, You've got to the speaker had made a real pivot from doing a lot of in person keynotes all around the world and suddenly, like many of us can stuck at home. And they're doing lots of virtual keynotes, lots of virtual workshops as well. I solicit you've got to have a conversation with john and work with john, to get a visual representation of what you're doing. I mean, he's at the moment he's doing like little screenshots and, and I think maybe using little clips of things didn't look great. So I was trying to explain to him what you do when it comes to the virtual so we all know that the kind of photoshoots that speakers we get, you know about speaking on stages or, or you know, in some kind in our offices or whatever. But describe that the virtual thing. First of all, tell us how did it come about? How did that first gig come from, for being a virtual photographer? And then tell us about when you start having conversations with speakers? what they see how you describe what you do, John DeMato right? Well, the reason that it was even born in the first place was because I was I was sick. I was getting over Coronavirus. I wasn't feeling great. I hadn't picked up the camera in about four weeks. And the NSA, New York City chapter was putting on its first virtual event. And quite frankly, I wanted to feel useful in a little bit more like myself. So I just picked up the camera and I was in my office watching the presentation, Jill shuffle bind was speaking at the time. And I'm like, you know what, let me get a couple shots to Jill just for the hell of it. And I snapped the couple I looked at the camera the back of the camera, I'm like, wow, these these actually don't suck as much as I am and so I decided to shoot the entire program. And I think Chad highness was on that one. There was a couple of other there was another speaker I think I don't hundred percent remember, but either way, I shot the whole program. And the next day, I've wanted to again feel like kinda like myself, so I decided to write a social post, which I hadn't done in weeks. I put it out. And the next thing you know, I got a ton of reaction from a lot of speakers. And I thought to myself, this might be something. And from that I kind of consulted with some other speakers just pet it was actually one of them. She was one of the first ones I want to talk to about this. And she gave me some ideas on what would be important for speakers to have why these photos are important. And the biggest takeaway from that conversation was, it's about creating image content that speakers can share with meeting planners and organization heads and people who book keynotes or facilitators of any type. And basically what they want to see is the experience that the speaker will create for their audience. And that's how the whole thing was born. And then that's how the whole thing kind of steamrolled and developed from there. And the way that I present it to speakers when I talk to them is about the experience, but it's also the reality of your situation right now, if you're migrating to online and doing virtual presentations, these photos serve the same exact functions as your branded lifestyle portraits, and your live event stuff. Because this is what your business is now and to a certain extent to the future when people, you know, keep this within their repertoire. But either way, the point being is that you need to put out photos that represent who you are and who you serve, and why you do what you do and still have that expression and still have that artistry and still have that ability to capture your audience's attention. James Taylor I think the interesting thing about you as well is something we've worked together, we can start off talking about like brand, you know, what you want the brand to say what there's a whole series of quite strategic decisions being made along the way as we were kind of going back and forth, which is not frankly You know we've all been in this if you had to do photo shoots you you can turn up the photographer okay stand there maybe change that shirt and but you can have i do i think you call them as a strategy calls or I don't what you call those, those discussions you go into with the speaker or the thought leader, where you really start to kind of drill into like, What are you trying to say? What is the story that you're trying to say with images? Yeah, John DeMato yeah, it's a precession strategy calling it manifests itself in different ways depending upon how I work with a particular client and from where they're coming from in terms of what service they work with me on but But the main point to all of that is there is no show up and shoot or even with virtual there is no here's the zoom link and go make it happen. There is lengthy conversation beforehand because I need to know who you are in order to know what types of expressions I need to capture on your face. What level of artistry I need to include into these photos and how interesting they need to be based on, you know, the the quirks that make you you and yeah, wardrobe is important. By the way, it's not it's not something that should be dismissed. But it is. It is one piece of the puzzle much like vanity overall is a piece of the puzzle. We need you to look good. But that's not the most important part. That's a foundational element. That's a given not a goal. The goal is to create an image content that will visually punctuate the sentiment of every single story you want to share, whether it's the copy on your website, whether it's social posts, blog posts, whether it's a slide in your presentation of a photo for your book, whatever the case may be, whatever, wherever you put your story, your message, your insights part of your framework, you need to have image content that will punctuate visually that sentiment in order to drive people to get people's attention. So that they care, connect, and ultimately take action with you. James Taylor Now you have an interesting role in doing that, because you work with so many different thought leaders and speakers and you're, you're inside of those, whether it's the zoom webinars, or those online conferences, virtual conferences that are going on, as well. So you're also seeing probably from a from a photography standpoint, and from an audio standpoint, what looks good on the in the camera, and I'm gonna put my hand up here, I'm not a big fan of green screen. And, and I love it for certain things. By I feel there's a real danger that we've got so focused on the tech stuff that we've put the aesthetic out of the window a little bit, or you can feel jarring at times if it was being it's being used for just the sake of using it. So from your perspective, as someone who has to shoot these, these sessions, what are you finding is working with Once you take those shots, you can look back and think, ah, this is interesting, these kind of backgrounds or this kind of setting or, or this type of setup what what's working for you? John DeMato Well, well, from my vantage point green, the virtual background can either be really cool when it's lit well, and there's separation between the speaker and the background so that there's no, there's no spill of the green screen on the person. So they look like the Incredible Hulk, which I've seen a million times or when they move their arms. It's not lit well, so anytime they move their arms, you can see the aliasing around their arms, and you could see where they're what the actual background looks like. So that looks crazy. And it is jarring and you're right. So it's a dicey proposition if you don't really have the proper lighting to do it. But what has worked, I mean, I've seen over 80 of these events, and I've seen some amazing stuff and a lot of it is that simple. As dressing up your office decluttering the background behind your head, creating contrast between what you're wearing and what the color of your background is so that you pop off the background. The bookshelf thing is great. A clean wall is great. I mean, I've seen people just use plain blue walls or plain blue seamless paper or plain white, seamless paper. I've seen people go all the way above and beyond with neon and colors and digital writing boards and all of this stuff. But the most important thing to keep in mind is that what you want to do as a speaker is stand out in the frame 100% of the time, which means whatever you do in that background needs to support that ultimate goal. Because at the end of the day, if it's just you talking about the lighting on your face is clean. You look good. There's no any weird distraction That's the most important thing, start from there and then build out. James Taylor And then what about, you know, obviously, many of the speakers, they're using webcams, some of them may have nice kind of DSLR, high quality kind of cameras with nice lenses that they're using to get little bit of depth of field as well. If someone's just kind of starting on this process, and they're doing more presentations, and they know, let's say they're gonna be working with you, and in a month's time on a project, any advice you would give them in terms of the technical at the camera that they use, for example? John DeMato Yeah, sure. Jeff Shaw, Phil Jones, they use DSLRs. It looks great. I saw them prior to using it and the quality differences definitely there. But what I would say is this, don't invest. If you're going to do virtual photos, don't invest in the technology. It's just for the photos. It's not worth it. If this is something that is bigger. That eye you know, you want to present yourself with a little higher resolution with a little depth of field you know or blurry background as you guys say with the blurry background. Yeah, yeah, I'll simplify. Yeah. So if you want if you want the blurry background, you know, then you then and you plan on being on getting paid speaking virtual gigs, yeah, I'll give you the tips. You know, I'll give you the, the HDMI cable you need the DSLR camera that works best in auto and how to frame it and what to frame out and all of that jazz and I go over that with some of the speakers prior to I've had several of those kind of sessions but here's the thing, if it's not that big of a deal for you, and you maybe just want to upgrade to say a couple hundred dollar Logitech that's cool to the point is this. You just need to feel comfortable about the way you're presenting yourself. And then however that looks, that's when you call someone like me to photograph you. Yeah, that's one. James Taylor Yeah, it was interesting. I mean, I remember when I was done, we obviously I've been doing the virtual thing for cloud too many years. But I remember when we started doing things while I was using more multi cameras, I just knew I wanted to have a little bit more movement and just, you know, make it more especially the longer sessions. I liked having like maybe three cameras, I could go between a wide shot and an up close and maybe something or even an overhead shot. Yeah. Yeah. And, and I was thinking, God, this is gonna cost me a fortune here. I buy like three digit DSLR you know, I only had one DSLR but let's say I get another. They were like 1500 dollars or $2,000. By the time you had lenses, and in the end, I had a conversation with one of my speakers. You remembers Tom, Tom lightning, and he's even a lot of video stuff in the past. And he gave me a great little tip. You know, this is a kind of hackers tip. He said, go on to eBay and buy two cameras like a handycam cameras that like almost the prosumer versions, like five years ago, they would have been the top cameras. And he said, you can get them, you get like three of them for like a couple hundred bucks. And just get them like color and color match them and things or something can give you that without having to spend an absolute fortune, and have your one main nice establishing shot with all the depth of field stuff. He said, but a lot of the things that we do, we don't need a big, you know, fuzzy backgrounds or depth of field, because of the rooms that we're shooting in a lot of times when we're doing virtual. John DeMato Yeah, if you're doing if you're doing a solid background, the narrow depth of field with the blurry background, it's some consequence, you're not going to see it, it's gonna be useless. In fact, it'll it'll cause problems potentially with the focus on you as you're talking. Yeah, but in terms of the multi camera, I mean, the thing about the multi camera that I've seen that's been very successful is a getting back to the technical piece, just make sure that the two that you buy are in fact the same because when you switch between three that are all completely different, it's going to look weird and all the matching in the world isn't going to match, just FYI. And if if one of those chips in one of those sensors is older than the other, you might have to work harder to match those two. Just keep that in mind. I think that's a good point. James Taylor I had that with what I was trying to figure out between I use ECAM and also an ATM switcher for switching and for the email I figured you know what would be because I couldn't get one of the lenses just to match and it always looked off and actually thought you know, I'm going to try and do I'm going to try and make that lens black and white and I'm going to strip all the color from and so I'm not going to try and make it look the same thing. And I kind of experimented with that and I almost going to use it now as my at the side camera like when I'm kind of talking off camera like it's like a like a TV now because you obviously your bank For the people that don't know, you worked in TV for many years as well. So some of the stuff you've maybe done in the past is now coming probably pretty useful for you as well. John DeMato Well, while having these conversations with people now that now I get to dust off the producing skills, yeah. And here, but here's the thing, though, with that multi camera where I was getting pointing to before was the fact that when you have multi cameras, yes, doing what you do, when you change the vantage point on you from wide to medium to close to three shots or overhead, it creates that visual variety that you want, and that impulse of people getting bored gets lost when you switch switch switch, that's great. But one of the most effective things that I've seen a lot of folks do a multi cam is to they'll have a sitting, they'll have a sitting camera whether whether in front of the just sitting and talking, maybe sharing slides, then they'll cut to a second camera that has a flip chart. You know James Taylor This Vin, I think Vin does that Vin Jang John DeMato yeah Vin Vin does that yes. And also Clint Pulver did that the other day. He had a he had a, I think it was three cameras. He had one where he was standing in front of a backdrop. The second one was on his, he's a drummer. So he had one on his drum kit straight on. And then he had an overhead that was straight down on the drum kit. And it's just, I mean, listen, like I said, you don't have to start off with like, you know, bells, whistles, confetti, all this crazy stuff. The fact is, is that you just need to look like a badass and confident and know what your stuff and then you start from there and build out. But there's a lot of flexibility with multicam. James Taylor And I think one thing that's interesting getting going where we're kind of starting to move from, you know, from us being a speaker on stage where you had that quite a big canvas to work on. So your body movements are much larger generally, than when you come to a studio In a small camera, they're all those little small facial movements like it's like going from being a theatre actor to a film or TV actor, where you suddenly have to go like slightly kind of smaller and more more focused. I remember working with actors some actors before, and they might have a three cam, three cameras in the room shooting a scene. And and it's, I would say this especially the case of female actors, is they would know exactly what lens was on a certain camera. And they knew which lens worked particularly well for them for certain close ups. Oh, is that the such and such camera is that such a such lens, because they knew they had enough. And I'm almost thinking now for other speakers as we have to get. Obviously we're in we're in version 1.0 of this just now. I can see very quickly getting to the stage where speakers not only know like how to do it on stage and that way, but how to use some of those devices that an actor would use and playing with the camera and having a conversation and treating that how that camera was like your best friend. As well, John DeMato yes, that's a very good point. And it's something that I've had to actually coach through some of the stuff that I'm doing not not the real in person real audience events, but the stage events that I photographed with clients a lot. And it it really starts with this number one are what are you presenting? Is this a keynote to an audience? Is this a webinar where you're just basically talking to yourself record pre recording it and sharing it? Is it a mastermind group where it's more of a conversation, hotseat kind of thing, those that dictates immediately what you need, how you need to play with the camera. Because if it's if it's like a mastermind conversation thing, just be yourself just be normal. But if it's something that's going to be in front of an audience whether or a live audience watching in or an audience that's going to watch this purchase it or sign up for it or whatever. You need to be on. And a lot of the times when I work with clients to do their full screen speaker shots, you know, and there's nobody here and it's just us. I in fact, I did this yesterday, I prompt my clients to pull up sections of their keynote, and to be cognizant of the fact that your body language still matters. Even if you're sitting. Yeah, you need to move those hands, you need to move that face, you need those pauses, I need to see all of those things. Because again, as I said earlier, these photos are a representation of what your business looks like right now. And you need to do the same exact things as if you were in front of a room of 700 people. James Taylor Now I'm conscious that because this is a audio podcast, people can actually see your work. So we're gonna have links in here as well, but to take us through, let's say if I'm someone listening to this just now, they're a speaker, maybe they've got an upcoming keynote or they're giving a workshop and they really want to use that to be able to do a photo shoot photo shoot Photoshop, or maybe they've got some really want to start promoting their virtual but you don't really need to maybe almost like fake it till you make it and do it do a live type of shoot. Take us through the process of when you work with a speaker, where does it? Where does it start? And what are the stages that you generally go through and speaking? John DeMato Well, the first step is I just admit, yeah, this is weird. It's gonna be weird. And it's not the same as doing it live. But it's important. We go, we talk, I, the first part of the strategy that I have with a client is I start with, you know, what, what are they trying to do with these things? Are they just looking to create a landing page and just let people know, hey, speaker, bureau person, hey, meeting planner, this is what I do. And that said, or are they looking to dive a little deeper and create a social strategy? If they're looking to create a social strategy, then we get a little more meaty. Basically what I want to know is, what are the types of presentations that they do is that is the audience usually locked out or brought into these things because that will dictate Whether or not I shoot the Brady Bunch shots, the gallery view all the faces the collection, because my goal in the strategy calls is to kind of identify the key elements in their presentation, whether it's audience, are they using slides? Are they doing live drawings using a tablet? Today? How many cameras do they have? What are the Today's a flip chart, I'm trying to figure out what that presentation looks like so that I make sure that I capture images, fullscreen speaker, speaker with the filmstrip of people on the side filmstrip of the people on the top the audience if the audience is available, and side by side mode with the speaker or the tablet live drawing while they're working. Because my goal much like the branded lifestyle portrait photos or the live event stuff that shoot is to capture that visual variety because we want to be able to sustain them for you know other a sizable amount of time with images of the same event, but from different vantage points, because that's when once I have the elements on their end of what their presentation looks like, if there's an audience, all those things, that's when I take my laptop, get my folding table roll around on the floor and shoot them in different parts of my apartment. James Taylor And that's actually important because I think it'd be quite easy to say, Okay, well, so you just take take photos of the Zoom Room or something. John DeMato But yeah, James Taylor but actually the device, let's say iPad, talk about actually the room this the spacing in which you shoot that because I think it's really important cuz for me as I'm not a speaker, if I'm a client or event professional, and I'm looking at that is suddenly has a more realistic feel. I feel I can imagine myself, you know, so I'm saying this is a vegan now but sell the sizzle, not the steak. It feels like it feels real. Feels like, Oh, I can imagine myself watching that presentation. So you could just briefly describe because you went through that very quickly, like in filming different parts of your room. What in your apartment? Why is that important? John DeMato It's, well, it harkens. Well, first of all, you just confirmed what I had said earlier. It's about creating image content that illustrates the experience the viewer would feel if they were tuning in to your presentation at home. Right? So for me, at first, when I first shot those initial shots for NSA, my camera, my computer was tethered to my my office on the desk just the way I work, there was nothing and then the thought of experience, experience experience create the experience Well, they're not going to just watch it on that that's why I include my windows and and my French doors and you know the blinds and shooting on different surfaces and all of that kind of stuff because what that does is it creates that whole vibe, that kind of the scenario. And also, instead of just shooting it against like a white wall or a gray wall, which I could also do, that's not as interesting yet, but when you incorporate outside elements, it adds dimensionality and artistry to the images that captures people's attention. And by the way, it's because of this virtual session that I think I have the most famous apartment in the speaker community now. So many people's photos. James Taylor Well, at some some point, I'm going to come and hang out with you. I think the last time we were together, I think we possibly broke a few laws in terms of when we were doing that in person photo shoot of. John DeMato Yeah, private property. Yeah. Credit property. Yes. Yes. We're fine. We finally the photos are James Taylor so fantastic. So so people, obviously, and it's difficult with it with obviously a podcast interview like this, to really get across what these things look like. So please, we're gonna have a link CEUs people head over to your site and can see what you do. But before we can talk about that Usually a question I asked all of the speakers isn't normally speakers that we have on the show is I asked them what's in their speaker bag? What isn't that bag that they carry with them to all of their speaking engagements. So your your bag, you know, when we get back to doing live events again, it's going to be a little bit different. So what is in that bag of tricks that you take with you apart from obviously your one movie camera and lens, what the other things that you take with you that maybe speakers don't necessarily think about? John DeMato I can't wait to get back to live events. So my mic, my bag actually has two camera bodies for lenses. And I think now we're going to be That's going to be in my bag now moving forward. When James Taylor And what about resources or apps or tools are there any in terms of your we have Really can talk about your your mobile kind of creative process in your own role as a creative a thought leader. But are there any online resources or tools or apps that you find particularly useful for the creative work that you did? John DeMato The app that I live in? Well first of all, Google Drive is my that's it's my lifeblood, I work off my phone with it. I work off my Chromebook, my laptop, it has everything. Another app that I have found to be extremely useful is my notebook app. That's the one where I write down idea nuggets that popped into my mind throughout various times of the day. And that one really helps kind of fuel my creativity because when I'm in the mood to write something or find I'm working out a an idea for adding to my services, I just jot it down in there. And then when I'm ready to actually entertain the thought of taking action on it, I go right to that app. James Taylor So is that is that Just the one that comes with the phone like the iPhone Oh, John DeMato no, no, no, it's, it's, it's an outside app that you pay for. It has interesting ways to chapter and Chronicle stuff. And it's, it's more flexible than the regular one on the iPhone. James Taylor And then, if you were to recommend, you know, our listeners just now, obviously, most most of our speakers, but we kind of touched on a little bit in terms of thinking about branding about visual identity, visual storytelling as well. If you can recommend maybe one book to our listeners that can maybe just kind of help them. Think about their brand, you know, visually, it could be a booking of photography, or it could be just a book that's just gonna like maybe take their mind in a different place. In terms of visuals, what would that book be? John DeMato You know, I would probably say the one the one that started at all for me and the young woman that helped me with my niche and discovering this whole, this whole thing. It's bad A brand by Pierre Silva. Um, it's it. She doesn't talk necessarily about visuals, but the way that she talks about brands. It Well, there is a section on on photography. But the point is, is that that book really gets you thinking about putting yourself out there in a unique way and the colorful way she presents herself she's New Yorker. So it really it helps kind of help you see where you are and where you want to go. And from all that good things come, James Taylor and I'm suddenly remembered it was clear that is how I first learned about your work. You did amazing shot over. I can see it now. She's wearing a red top. She has quite a John DeMato stress like James Taylor yes. Yeah. And it was such an iconic type of shot. I thought he answered on the interview that I did for my creative life. I said, Who was that photographer, I want to work with that photographer. And that's how your name came up. So that's when it all kind of coming back round to things. Full Circle, John DeMato we made it. What we made came James Taylor back around the other end as well. JOHN, let's imagine you woke up tomorrow morning, a New York City there, and you have to start from scratch. So you've got all the tools, your trade, all the knowledge that you've acquired over the years, but I'm gonna take away your address book, you know, no one, no one knows you. What would you do? How would you restart things? John DeMato Well, I would probably start to listen, I would go on LinkedIn, I would look up the types of people in which I want to serve. So keynote speakers, facilitators, expert based business owners, look up who is in the New York City tri state area, and start to connect with them and engage their stuff and don't ask them for anything until they respond back and then have an actual conversation and see where it goes. James Taylor While talking about connecting where's the best place for people to go so they can connect with you See some of your work the great work you've done with lots of other other speakers and they reach out to you by getting a virtual getting a photoshoot done soon where's the best place for them to go and do that John DeMato that's place is my website. JohnDeMato.com from there you can sign up for my social sign up for my newsletter. You could also follow me there just you know email me from there you can James Taylor do that. Well john, it's been a pleasure speaking as always I always love hanging out and I can almost smell the cigar smoke. Are you a big cigar smoker, so I can almost feel feel the New York City vibe with a cigar smoke. Just now please stay safe. Stay. Well, thank you so much for coming on the speakers live and please continue doing the beautiful creative work that you do as well. John DeMato Thank you, my friend. I look forward to seeing you in New York soon. Website of John Demato #speakersU #speakerslife

Heute gab es aufbauende Neuigkeiten rund um das alles beherrschende Thema weltweit. Wir berichten von einer Allianz der Supercomputer, vereint im Kampf gegen den Coronavirus und sind begeistert und ergriffen vom #WirvsVirus Hackathon, in dem die Zivilgesellschaft Lösungen für die Herausforderungen im Zusammenhang mit dem Coronavirus gesucht hat und weiterhin sucht. Und zum Schluss erzählt Gunnar von neuen Erfahrungen mit der Streaming-Software Ecam, über die wir auch dieses kleine Projekt hier produzieren.

There are two new system developments discussed in this episode,   TOS (Take off surveillance) which comprises of TOS1 and TOS2, and,   TOM (Take off monitoring) which currently isn't available on the A320 but is being evaluated for possible installation.   TOS1 checks flaps and trim settings and does a check of the performance parameters entered in the FMS (aircraft weight and takeoff speeds). This then compares actual performance settings with that entered in the FMS. TOS2 makes the same checks as TOS1, but additionally, checks that the aircraft is positioned on the intended runway and that the expected takeoff performance – based on data entered in the FMS by the crew,  is compatible with the runway distance available. If any of these checks compute an error, various ECAMs can be triggered.   TOM monitors the acceleration of the aircraft during the takeoff phase and warns you if a lower-than-expected acceleration is detected. From 30 kt, it compares the expected acceleration with the real acceleration of the aircraft. If the difference between the real aircraft acceleration and its expected acceleration is more than 15 % when the aircraft reaches 90 kt, TOM will trigger the red ECAM warning T.O ACCELERATION DEGRADED   Airbus recommends rejecting a takeoff if you get any of these uninhibited ECAMs on the takeoff roll.

Dariusz Marchewka opowiada o wyglądzie i możliwościach tego ciśnieniowego ekspresu.

This week Matt & Andy take a look at the ECAM system and how to run failures. They discuss the system itself and how it works, how airbus expect us to run a failure using it and then finally, how to use ECAM if it fails. More info can be found in the FCTM OP-040 ECAM We also recommend using 'Read ECAM' which can be found at www.ipadecam.co.uk for practicing using ECAM and going through difference scenarios. www.A320Podcast.com www.facebook.com/A320Podcast https://twitter.com/a320podcast  info@A320podcast.com 

It's the NEO Trio (see what we did there!)   Engine starting. This is the most common thing we do with them so seems like a good place to start. The sequence is still the same but helpfully, Airbus have decided to change the names of the controls, so, the ENG MASTER switch' is now called ‘ENG MASTER lever' And the ‘ENG MODE selector' is now called ‘ENG START selector' So as you do with the CEO, you turn the ENG START selector to IGN/START and this brings up the engine system page and closes off the pack valve. When the engine master Lever is set to 'on' the start sequence begins. On the CEO, the sequence runs like this, The LP fuel valve opens Start valve is opened APU speed is increased (if that's being used for start) If starting in the ground, When N2> 16% ignitions starts. In the air it's immediate On the ground, when N2> 22% the HP Fuel valve opens. In flight it's when N2> 15% Once the N2 gets above 50% the start valve closes, the igniter goes off unless in the air, the APU speed reduces to normal speed and the pack valve remains closed for 30 seconds (which you will already know of course because we discussed that a few months ago in our air conditioning episode!) So what does the LEAP engine do? Well for a start (no pun intended), the FADEC will initiate ignition and fuel flow at an optimal point during the start process instead of at defined N2 values like the CEO. The numbers stated in the FCOM are pretty much the same, >15% N2 for ignition start (immediately if airborne) and >20% N2 for the HP fuel valve to open both on the ground and in the air. As you can see, the procedure is the same, turn the engine start selector to ignition and then move the desired engine master lever to on. Now, after starting, we normally do the approximate check of the engine parameters saying 2,4,6 and 3 Representing N1 / EGT / N2 / FF are 20% / 400°C / 60% / 300kg/hr On the NEO, the Basic check of idle parameters is slightly different. The middle two figures have increase by one so it's 2,5,7 and 3 representing N1 / EGT / N2 / FF are 20% / 500°C / 70% / 300kg/hr The biggest difference with the start is a new function performed by FADEC called pre-start motoring or dry cranking. Depending on the thermal state of the engine, FADEC will dry crank for up to 60 seconds prior to initiation of the start sequence. This can happen on both automatic and manual starts. During this motoring, FADEC will limit the N2 to a maximum of about 30%. Just for some additional, geeky, background information the reason for this is because After shutting down, the engine components cool at different rates because of natural convection, and this leads to varying thermal gradients across the shaft section of the engine which can cause vibration. So this cranking protects the engine, Airbus' term is Bow Rotor Protection by spinning the engine up getting airflow through it and makes the heat dissipate evenly throughout the hot section components prior to engine start. Airbus have also changed some of the terminology around the engines idle states. IDLE What was 'modulated idle' on the CEO is now called ‘Minimum Idle' on the NEO. Approach Idle, which is a higher thrust setting than Minimum Idle to allow the engines to accelerate from Idle to TOGA thrust in the required regulatory time is now set when landing flap is selected (CONF 3 or FULL) or if the gear is selected down. For the CEO, Approach Idle is set when the flap lever is not in the zero position, basically with selection of Flap 1.   Max oil quantity is increased from 22QTS to 24.25QTS. Minimum QTY increased from 9.5qt + 0.5qt/hour to 10.6qt + 0.45qt/hour. Minimum oil temperature for start increased from -40°C to -29°C Minimum oil temperature for take-off increased from -10°C to +19°C, so quite a difference there. Starter limits are now as follows, Starter: Maximum number of start attempts reduced from four to three. Pause between start attempts increased from 20s to 60s Maximum running engagement of starter increased from 20% N2 to 59% N2 The EGT limits have changed and the amber and red bands reflect this. The operation is the same so we're not going to read off all these figures and they'll just get lost in our minds. N1 Max has been reduced from 104% to 101% and N2 MAX has increased from 105% to 116.5% The vibration displays have changed giving three options now, green, pulsing green and amber. The amber indication isn't available on the CEO. This also come with a new ECAM alert which triggers when the high vibration threshold is reached on N1 or N2. Crew are then directed to action the High Engine Vibration Checklist. The ECAM will say, HI ENG VIB PROC...................................................................................................APPLY Of course on the CEO you just get the advisory pulsing. Next, wind limitations, yep, they've changed those too! Wind limitation for starting: Max crosswind 45kts. The crosswinds are different for take off and landing like they used to be with A max of 35kts for T.OFF and 38kts for Landing. For automatic landing and roll-out: Max Headwind 20kts Max Tailwind 5kts - Max Crosswind 15kts Turbulence Penetration Speeds have been increased from 250kts to 260kts (below FL200) and from 275kts to 280kts (above FL200). An Engine run-up is only required on the NEO if icing conditions exceed 60mins (it is 30mins on the CEO). After the 60 minutes, the engines should be increased to 70% for at least 5 seconds. When operating in ground fog icing conditions, an engineering inspection should be performed on the engine if take-off not performed with 120mins Something that's worth mentioning for those of you operating outside of Europe, the NEO has a restriction in the landing flap at high altitude airports. If the airport pressure altitude >2000ft, you have to use Flap 3 for approach if a minimum go around gradient of 4% can't be achieved. Theres a table in the FCOM-LIM section where you can check the restricting weight - most are well above MLW. This flap restriction will only occur below MLW at very high temperatures or very high pressure altitudes).   Probably the most noticeable difference for the crew is the automatic anti icing system. Within the engine, the NEO will automatically introduce hot air to the engine core when required to prevent ice crystal formation in the CORE of the engine, 'CORE ICE PROT' is displayed on the ENG SD when it's active. It Also has a Booster Anti-Ice for prevention of ice in the booster section of the engine (‘BOOST ICE PROT' is indicated on ENG SD Page when it's active. Remember though, these new features are only for internal anti-icing and don't remove the requirements for us to use engine anti ice Another feature that's been added is protection against uncontrolled high thrust during critical phases of flight. This is called Thrust Control Malfunction Accommodation (TCMA) and is active on the ground and during takeoff and the approach phase. The TCMA protection logic will reduce fuel flow in flight or shutoff fuel on the ground, whenever an over-thrust condition is detected. There's also something called a Transient Bleed Valve (TBV) which reduces the risk of engine stall during acceleration or deceleration of the engine. There are some new memos which appear on the E/WD which are only available when the thrust levers are in TOGA or FLX/MCT detent. They are all displaying in a line above the N1 gauges. With PACK pb-sw selected ON, 'PACKS' (MEMO) When WAI is selected ON, 'WAI' (MEMO) When EAI is selected ON, 'NAI' (MEMO) FADEC has some new features too. Transmission of vibration information to cockpit indicators Protection against engine stall and engine flame-out Thrust Control Malfunction Accommodation Protection against bowed rotor during engine start on ground Terminology difference: The CEO FADEC is also referred to as the ECU (Engine Control Unit). The NEO FADEC is referred to as the EEC (Electronic Engine Control).    

This week we take a more detailed look at an AC BUS 1 FAULT, firstly having a quick review of the system, the ECAM procedure and status page, and finally a discussion on how to handle it and some of the pitfalls! 

  This system supplies high pressure air for air conditioning, engine starting, wing anti - icing, water pressurisation and hydraulic reservoir pressurisation. There are quite a few differences between the CEO and NEO aircraft so we will try and cover them in this episode.    There are 3 high pressure sources: Engine bleed systems, APU load compressor and the HP ground connection. A crossbleed duct interconnects the engine bleed systems and receives air from the APU and ground sources when required. There is a valve mounted in this duct which allows the left and right side of the system to be interconnected.    The system is controlled by 2 bleed management computers, BMC1 and BMC2.    A leak detection system detects any overheating in the hot air ducts.  Scenario of the week - You get an ECAM caution AIR L WING LEAK. What actions will you have to take? can you continue to destination or do you need to divert? Have a think about it, consult the FCOM and let us know your thoughts on our Facebook page or via twitter.   

In this weeks episode we cover the last few items of our abnormal electrical system. These are AC ESS BUS FAULT, DC ESS BUSS FAULT, DC 1 and 2 BUS FAULT and the EMERGENCY ELECTRICAL CONFIG.   All the ECAM items can be found in the FCOM.   For the scenario of the week we want you to have a look at the Emer Elec Config pages in the QRH and think about how you will deal with it and what considerations you have to make before attempting an approach.

Generator Failure   If one engine generator fails, the system will automatically replace the failed generator with the APU generator, if it is available, or the other engine generator. Part of the galley load will be shed automatically and, if fitted, the DC entertainment bus will also be shed.    So if an engine generator is lost the entire system can be supplied by the remaining engine generator or the APU so the entire system remains powered.   Failure of AC Bus   If AC BUS 1 fails AC BUS 2 can supply the AC ESS BUS and the ESS TR can supply  the DC ESS BUS.  Depending on the MSN of the aircraft this either occurs automatically or can be recovered by switching the AC ESS FEED to ALTN on the overhead panel. If manual switching is required both the AC and DC ESS BUS FAULTS will show on the ECAM. DC BUS 2 supplies DC BUS 1 and DC BAT BUS automatically after 5 seconds.  TR failure TR1 or TR2 can supply both DC BUS1 and DC BUS2 via the DC BAT BUS. so if TR 2 fails to slack is taken up by TR1 and DC BUS 2 is supplied via the DC BAT BUS and vice versa.   A TR 1 or 2 FAULT ECAM caution is for crew awareness. The status page states the aircraft is now cat 3 single and the inop systems are the associated TR and cat 3 dual.    If TR1 fails the DC ESS BUS looses its power source so in this case the ESS TR via the AC ESS bus, will power the DC ESS bus.    Failure of a DC BUS DC BUS 1 Fault  The system display will show DC 1 in amber and, as with a TR 1 fault the DC ESS BUS is now powered via the ESS TR.  DC BUS 2 FAULT AIR DATA SWTG - F/O 3. as the First officers side has lost air data this is self explanatory.  BARO REF CHECK - SINCE FCU CHANNEL 2  is lost the barometer settings need to be crosschecked on the FCU and PFD.    Secondary systems CAB PRESS - SYS 2 in amber FUEL - L+R tank and Centre tank pump 2 inop WHEEL - gear indications missing due to LGCIU 1 + 2 in op F/CTL - SPOILERS 1 2 AND 5 INOP ELAC 2 AND  SEC 2 AND 3 IN OP   Read ECAM source: https://www.facebook.com/A320-IPAD-ECAM-1849879165252506/

vionics Smoke - One smoke detector is fitted in the air extraction duct of the avionics ventilation system. When this detector senses smoke for longer than 5 seconds it signals the ECAM to display a warning, A single chine sounds The master caution lights on the glare shield light up The ECAM displays a caution The smoke light on the EMER ELEC PWR panel lights up, And The blower and extract fault lights illuminate on the ventilation panel. If the smoke is detected for longer than 5 minutes, the caution can be cleared but it remains latched and can be recalled. When on the ground a dual Flight Warning Computer reset will unlatch the condition.   Each lavatory has a single smoke detector in each compartment and it is fitted in the extraction duct grille. When the detector finds smoke, it sends a signal to the CIDS which then transmits it to the FWC to produce an ECAM warning in the flight deck. The CIDS system generates an indication in the cabin to alert the crew. In each waste bin there is an automatic fire extinguishing system, these operate automatically when triggered by heat. There are no controls or indications for these extinguishers. The only way to check if they have discharged is by looking at the bottle pressure gauge.   Cargo Compartments - Cavities in the cargo compartment ceiling panels each hold 2 smoke detectors. Each detector is linked to one of the 2 detection loops. The forward cargo compartment has one cavity and the aft cargo hold has 2 cavities. The CIDS receives signals from the detectors and transmits them to the ECAM which displays a warning in the cockpit. the CIDS system has dual channels. Smoke in 1 cavity activates the cargo smoke warning if; Both smoke detectors detect it, or one smoke detector detects it and the other is inoperative. If the aircraft is fitted with Cargo ventilation and the smoke warning is activated in either compartment the associated isolation lives automatically close and the extraction fan stops. A fire extinguisher system protects the FWD and AFT cargo compartments. One fire bottle supplies 3 nozzles, one in the FWD compartment and 2 in the AFT compartment. The bottle has 2 discharge heads, one for each compartment. In essence this means 2 pipes leave the fire bottle, one to the FWD and AFT compartment. The pipe in the AFT then splits to discharge in 2 different areas while the pipe in the FWD compartment can only discharge in 1 area. When the DISCHARGE pushbutton is pressed for either compartment that action ignites the corresponding squib on the fire bottle, which then discharges the agent into that compartment. If you fire the bottle in the AFT compartment and subsequently receive a warning for the FWD compartment the bottle will be empty. Only 1 compartment can be extinguished. When the bottle has discharged, the amber DISCHARGE light comes on.   A summary of the QRH smoke paper checklist - As soon as smoke is perceived, call for the paper checklist and do the initial actions. - initiate a diversion and start descending to FL100 or MEA - Re-enter the paper checklist and work through though procedure while descending. - at anytime necessary, apply the REMOVAL OF SMOKE/FUMES checklist. - If the Fire become out of control, land asap.

Aircraft Fire Protection Systems for the Engines and APU provide Fire and overheat detection and extinguishing systems (as opposed to just fire or smoke detection like in other systems). The engines and the APU each have their own fire and overheat detection systems. These consist of: Two identical fire detection loops (A and B) which are mounted in parallel and a Fire Detection Unit or FDU. The fire detection loops have three sensing elements for each engine. They are found in the pylon nacelle, in the engine core and in the engine fan section There is one sensing element in the APU compartment.   The Fire detection unit processes all the warnings and cautions originating in the sensing elements. There are 4 things that will cause a fire warning to appear: - a fire signal from both loop A and B, - a fire signal from one loop when the other is faulty, - a break in both loops occuring within 5 s of each other (flame effect), or - a test performed using the control panel. We get a loop-fault caution if : - one loop is faulty, - both loops are faulty or, the fire detection unit fails.   Scenario of the week Imagine that as you taxi out you get the engine fire warning. Run through the ECAM we've just read out and then think about all the different things you need to consider. You've got ATC, Fire crews, cabin crew, passengers, the company and of course each other to sort out. How will you prioritise them all and what can you ask each group to help you make your decision?

Hydraulic systems can suffer from a number of abnormal situations. Pump low pressure, reservoir overheat, Reservoir low air pressure and reservoir low level. The electric pumps on the blue and yellow systems can also overheat. All of these will lead to the ECAM requesting that you switch off the pump. If this occurs to the green or yellow systems the PTU, if it is available, will transfer power, not fluid, between the systems recovering the affected system. The blue system can not be powered by the PTU. If the PTU is not available or the procedure ask you to turn it off, the failed system will not be powered. This leads to a single system failure.   In the case of a single system failure the aircraft will remain in normal law so all the associated protections are available. Certain flight controls will be affected based on which system has failed but ultimately Aileron, elevator and Rudder control surfaces will remain powered so controlling the aircraft will be conventional. Flaps and or slats will be slow depending on which of the systems has failed, we covered these in the original hydraulics podcast so it maybe worth having a listen again to refresh your memory. Certain spoilers will be unserviceable.   Things start to become more interesting when 2 hydraulic systems fail. When this occurs the Autopilot will be lost so priority must be given to flying the aircraft and stabilising the flight path, the aircraft will also revert to alt law in 2 of the cases, so this, as usual, means direct law once the gear is extended. The ECAM will display LAND ASAP red, this is a timely reminder that you are now operating on a single hydraulic system, why have we lost 2? what happens if we lose the last system? We will cover all 3 cases of Dual hydraulics failure in some detail shortly but lets just broadly go over what you can expect for each case. If you remember these as a guide. G+B = Handling Problem G+Y = Braking Problem B+ Y = As the green system is available this is the least demanding of the 3 scenarios   Airbus designed the summary pages to give us all of the information we need to help us during the cruise, approach, landing and if necessary the Go around. in the FCOM Pro-ABN-01- Use of Summaries section, more background information is provided. it states that the summaries are QRH procedures created to help the flight crew to perform actions. In ANY case the flight crew should apply the ECAM first, this includes the STATUS page. This is an important point, it is all too easy in a high workload situation to divert our attention to performance calculations and other tasks before completing the ECAM. The ECAM's for dual hydraulics are not actually that long and the status page will give you valuable information as to the state of the aircraft increasing your situational awareness.    

Flight Control Laws The flight control law is basically the relationship between the pilot's input on the side stick and the resulting aircraft or flight control surface response. There are 3 flight control laws Normal Law, Alternate Law and Direct Law   As a general rule, normal law deals with single failures of a system and alternate law deals with double failures. Within Normal Law we have three sub categories, Ground Mode Flight Mode Flare Mode Ground Mode was designed to make the aircraft behave more naturally when rotating at liftoff. The relationship between the side stick and the aircrafts response is much more like a conventional aircraft. For pitch control - there is a direct relationship between Side stick deflection and elevator deflection. Once the aircraft reaches 75kts the maximum elevator deflection is reduced from 30 degrees to 20 degrees. If we haven't manually set a trim position using the trim wheel then the THS or trimmable horizontal stabiliser will automatically set to 0. For lateral control - The side stick demands aileron and spoiler deflection as opposed to a roll rate but its not a direct relationship, the amount of deflection is dependant on the aircraft speed. As a extra bit of information for you, only spoilers 2 to 5 and the ailerons are used for roll. The rudders being a mechanical linkage aren't affected so you just have to remember that they become more sensitive the faster you go. There are no protections at all when in ground law. Flight Mode The aircraft will then start to blend smoothly from ground mode into flight law once the pitch attitude reaches 8 degrees. In roll this takes half a second and for pitch it takes five seconds. There's a good graphic in the FCOM with this information on. Its in Descriptions - Flight Controls - Flight control System - Normal Law - General   once the aircraft has been airborne for more than 5 seconds we are then in flight mode. This is obviously the one we are exposed to 99% of the time we are operating. As we mentioned a minute ago, normal law keeps us within the aircraft envelope and prevents us from doing manoeuvres that could potentially endanger the flight. It also gives the aircraft certain characteristics when manually flying. In pitch the sidestick demands a load factor as opposed to an elevator deflection. So an input on the sidestick will give a pitch rate at low speed or a g-load at high speed. This is designed to give an aircraft response that the pilot would naturally expect. One of the first things you notice about the Airbus is the lack of trimming which is for me one of the best features. Therefore if there is no input on the stick the aircraft will maintain its flightpath even if the speed changes. In fact even if you change the thrust or the configuration, the aircraft will compensate for the pitching moments. This makes manual flying very easy and frees up lots of capacity. With Roll, Again, unlike a conventional aircraft, lateral inputs on the side stick don't demand aileron deflection directly. They demand a roll rate and full side stick deflection will demand 15 degrees per second. Just like with pitch, the aircraft will auto trim so the bank angle will be maintained when you let go of the stick up to 33 degrees, and will also automatically provide a pitch compensation and perform a coordinated turn using yaw. The maximum bank angle the aircraft will allow you to do is 67 degrees. Beyond 33 degrees, the aircraft won't auto trim and if the side stick is then released it will return back to 33 degrees. In addition to this, above the 33 degrees, spiral stability is introduced and pitch compensation isn't available. The reason they've written this into the software is because there is no reason to fly at such high bank angles for a prolonged period. Protections Angle of Attack - Autopilot out at Alpha prot, then from Alpha prot to alpha max side stick demands Alpha directly. Alpha floor trigger TOGA thrust and speed continues to decrease until we get back to Alpha max which the speed won't go below. Load Factor - +2.5G to -1G clean +2G to 0G in any config other than clean Pitch Attitude- -15 degrees all configs +30 degrees config 1, 2 and 3 +25 degrees config Full High Speed Protection- Autopilot out at VMO/MMO, master caution and overspeed ECAM at VMO/MMO +4 kts, then at VMO/MMO +6 kts, pitch trim is frozen, max bank angle is reduced and a nose up demand is triggered. Bank Angle - Max 67 degrees Reduced to 45 degrees in Alpha protection and 40 degrees in high speed protection Side stick pressure required to maintain bank angles greater than 33 degrees unless in high speed protection when its zero.   Alternate Law is generally for situations where there has been a double failure of a system which results in either lack of redundancy or integrity of the protections found in normal law. Auto pilot and auto thrust are still available. You can get alternate law with protections and alternate law without protections. With protections - has the following characteristics and protections, Load Factor still has the same protections as normal law (+2.5G to -1G clean and +2 to 0G configured). Pitch has no protections, the green equals symbols are replaced by amber ones. Roll is now a direct stick-to-surface relationship. To help reduce the roll rate, in alternate and direct law only ailerons and spoilers 4 & 5 are available. As a note, if spoiler 4 has failed number three will replace it and if the ailerons have failed, all roll spoilers (2 to 5) become available. There are no bank angle protections and the green equals signs are replaced by amber crosses. Yaw control, as its a mechanical linkage isn't changed although only yaw damping is available. Angle of Attack protection is no longer available and is now replaced by low speed stability. It's available for all configurations and is active from 5 to 10 knots above the stall speed. Somewhere in this range (as it depends on weight and config) a gentle nose down signal is introduced but this can be overridden. The speed scale now shows VLS followed by a black and red barber pole below V Stall Warning. At V Stall Warning, you get....... the stall warning! which is the words STALL STALL STALL repeated until the speed is back above V stall warning. With this you will also get the associated master warning. The warning can't be cancelled by pressing the master warning button on the glareshield Its important to remember that the aircraft can be stalled. High Speed Protection is replaced by high speed stability instead. The speed tape looks the same and has the same warnings and sounds as normal law. The only difference is that there's no protection to stop the overspeed. Instead we have a nose up demand from the aircraft but this can be overridden. It's worth noting that VMO is reduced from 350 to 320 knots. I was once asked by a trainer what speed would I select for an emergency descent. There's no right answer here but he said he always selects 320kts because if then for some reason you go into alternate law, you won't have an overspeed to deal with on top of everything else which I thought was a good little tip. Alternate law with protections lost is the same as alternate law but you don't get the high speed and low speed stability. So basically you only have the load factor limitation which I'll say again as repetition is the key to remembering things, +2.5 to -1G clean and +2 to 0G in any other config. Alternate law then automatically downgrades to Direct Law when the landing gear is selected down. Once in Direct Law, all protections and stabilities are lost. We are now essentially flying a conventional aircraft. Pitch now joins Roll and Yaw in having a direct stick-to-surface relationship. Overspeed and stall warnings are still exactly the same as Alternate Law. The most noticeable difference when going into direct law is the lack of autotrim. 'USE MAN PITCH TRIM' is displayed in amber on the PFD. This is why many of the procedures advise taking flap 3 before gear down if flap 3 is the landing config because then the autopilot will get the aircraft correctly trimmed before it has to be done manually. Any trim adjustments will have to be made using the trim wheels either side of the thrust levers.   Remembering how to draw the speed tapes in each configuration Firstly, the high speed barbers pole is the same in all cases, so just remember its black and red - easy At the slow end of the speed scale, every case has VLS, its always there, whatever - again, easy Normal Law has alpha prot (the tiger tail) and then you can't go slower than the bottom of that so its a solid red bar (think of as signifying stopping) Alternate and direct law look exactly the same as each other, they both just go from VLS to a barbers pole just like the high speed one. All the equals signs are only green in Normal law, they are amber in alternate and direct.   And that's it. If you can remember those simple rules, next time you're asked to draw the speed scale you will be ahead of most of your colleagues.   Mechanical Backup. Although its mentioned in the same section in FCOM and the flight crew training manual, its not actually a programmed control law. It is used to manage a temporary total loss of electrics, a loss of all 5 fly-by-wire computers, a loss of both elevators or a total loss of both ailerons and spoilers. It's worth mentioning here that this is extremely unlikely and that even in emergency electrical config or a double engine failure, alternate law is still available. This is designed to be a temporary situation just until the affected systems can be restored. Pitch is controlled by the trim wheel and lateral control is done using the rudder pedals, both of which have mechanical linkages (hence the name!). When using the rudder like this there is a significant delay in getting  roll. You will also have to anticipate rolling out as this will be delayed too. You're not going to be able to fly this accurately but its just to keep you safe and stabilised. Unlike Direct law which says USE MAN PITCH TRIM in amber, the PFD will display MAN PITCH TRIM ONLY in red.