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Hosted by Jonathan Freeman
3 episodes with Jonathan Freeman
7 episodes with Jonathan Freeman
3 episodes with Jonathan Freeman
2 episodes with Jonathan Freeman
2 episodes with Jonathan Freeman
2 episodes with Jonathan Freeman
3 episodes with Jonathan Freeman
2 episodes with Jonathan Freeman
Send us a textKatie and Bridget go on a magic carpet ride as they re-watch the Disney classic: Aladdin! It's a story all about how if you're a riff raff, street rat, and you don't wanna buy that, then you can just go be a diamond in the rough, find a magic lamp, enslave a magical genie, and get whatever you wanttttt in lifeeee!!! Come along as we meet Aladdin, a homeless/shoeless street rat who wants more out of life! Well so does Jasmine, a princess who's not homeless/shoeless but she feels like her life is just as hard as Aladdin's... We know, we know - she should really just get some hobbies and figure it out already! When the evil Jafar tricks Aladdin into the Cave of Wonders (run by a cool Tiger with an earring, by the way...), it sets off a chain of events that most importantly involves meeting the magic carpet and Genie! With the help of Genie, Aladdin pretends to be a prince and lots of singing and dancing ensues! Will Aladdin find the courage to tell everyone the truth and be himself? Did A Whole New World win a shit ton of awards in 1992 including best Album of the Year at the Grammys!? Released in 1992, this Disney movie stars Scott Weinger, Robin Williams, Linda Larkin, Jonathan Freeman, and Gilbert Gottfried.
To all who come to this happy podcast, welcome! In this Season 4 Trailer, The Mouse and Me creator and host, Scott Jacobs, recaps the incredible Guests he's interviewed including Jonathan Freeman (the voice of Jafar from the Aladdin movies and from Aladdin on Broadway), Chris Gattelli who won the Tony award for Best Choreography for Newsies, Jen Cody (the voice of Charlotte Le Bouff from The Princess and the Frog), Don Darryl Rivera who was the original and is still Iago in Aladdin on Broadway, Sam Strasfeld and Nic Dromard from Broadway's Mary Poppins, Nick LaMedica who played Zazu on Broadway in The Lion King and is currently playing Zazu on the US national tour. Scott also spoke with Thomas Schultheis, Rory Donovan, Andy Grobengieser, Michael “Koz” Kosarin, Linda Griffin, Angie Schworer, Dennis Stowe, Jared Bradshaw, Meredith Patterson, Robert Creighton, Victor Amerling, Jess LeProtto, Patrick Wetzel, Aaron Kaburick, Roz Ryan who was the voice of Thalia from Hercules, and more if you can believe it! subscribe to The Mouse and Me, rate the show, and leave a review. Doing those three quick things really helps with the discoverability and credibility of The Mouse and Me and Scott would really appreciate it! Also, you can support the show by visiting patreon.com/themouseandme. All donations will be put towards advertising so Scott can continue to produce exciting content for you. And finally, follow the show on Facebook and Instagram by searching The Mouse and Me. There, you'll see questions, pictures, information about past, current, and upcoming Guests, fun facts, and other neat things. We hope you have the best day ever and we'll see ya real soon…for Season 4 of The Mouse and Me! Email: TheMouseAndMePodcast@gmail.com Support: www.patreon.com/themouseandme FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from https://incompetech.filmmusic.io
What a year it's been for The Mouse and Me! In this final episode of 2024, Scott talks about the amazing Guests he had on the show - Jen Cody, Lisa Leonard, Jonathan Freeman, Patrick Wetzel, Aaron Kaburick, Victor Amerling, Angie Schworer, Michael "Koz" Kosarin, Meredith Patterson, and Christy Lewis. Scott also talks about his Disney trip recaps and the four Magical Moments episodes he did - Kachow! (all about Cars Land in Disney California Adventure), Reach for the Sky (the tallest structures at Walt Disney World), it's a small world - 60 Years and Counting (in honor of the attraction's 60th anniversary year), and Boo! Halloween is Materializing (fun facts and history of the Haunted Mansion.) Finally, Scott talks about the plans for The Mouse and Me in 2025 and his wishes for you. Merry Christmas, Happy Hanukkah, Happy Kwanza, and Happy New Year! Email: TheMouseAndMePodcast@gmail.com Support: www.patreon.com/themouseandme FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from https://incompetech.filmmusic.io --- Support this podcast: https://podcasters.spotify.com/pod/show/themouseandme/support
Daniel and Erwin review the 2024 HBO MAX Original "The Penguin" They discuss the shocking events in it, the unpredictable plot twists, the incredible performances from Colin Farrell, Cristin Milioti, Rhenzy Feliz. Whether Batman needed to be in it, AND MORE! Did they love it? Did they hate it? Or are they Somewhere Between? Listen to find out!Description: The transformation of Oz Cobb from a disfigured nobody to a noted Gotham gangster. First episode date: September 19, 2024 (USA) Based on: Characters; by Bill Finger with Bob Kane Cinematography: Darran Tiernan; Jonathan Freeman; David Franco; Zoë White Created by: Lauren LeFranc Genre: Crime drama; Gangster; Superhero; Network: HBO
Internet funnyman Jonathan Wayne Freeman sits in for the vacationing Ryan Engle and discusses with Adam Hawk his intentional change-up with his content, coaching youth sports and what Rambo can teach kids this Fall season. See omnystudio.com/listener for privacy information.
Lisa sits down with the creative team for “Brooklyn's Way” a play she cast that is premiering at Theatre 68 in North Hollywood starting SATURDAY SEPT 7th, running through October 13th. “Brooklyn's Way” is a funny, sharp, painfully romantic story based on Sam Henry Kass' real life as a jaded television writer who is blindsided when he meeds a young, smart writer's assistant on her way up in the world while he is determined to spiral down. Director Ronnie Marmo talks about why he wanted to producer this play. Sam talks about why he wrote it, and actor Jonathan Freeman talks about what it is like to play such an indelible role based on the actual playwright. Please come see this special show! Details below. Tickets online at: www.theatre68.com Theatre 68 and Brooklyn's Way on NohoArtsDistrict.com! @nohoartsdistrict https://nohoartsdistrict.com/noho-theatres/brooklyns-way/ Written by Sam Henry Kass Directed by Ronnie Marmo ✨️Theatre 68 presents BROOKLYN'S WAY… A world premiere production by critically acclaimed playwright Sam Henry Kass. Ronnie Marmo will be directing the irreverent dramedy that opens September 7 - October 13, 2024.
How can alumni lead with purpose and authenticity? Hear the successes and challenges of Southern Cross University alumni at our inaugural Alumni Lunch Series. Panellists included Jules Allen, motivational speaker and youth advocate; Jonathan Freeman, Chief Executive Officer and Founder of Club Active; Sharon Styman, Company Strategist and Deputy Chair, Twin Towns Club & Resorts; Professor David Heilpern (Moderator), former magistrate and Chair of Discipline (Law), Southern Cross University. This is a recording of a panel discussion. The musical introduction to this podcast was written and performed by Alako Myles.
On March 20th, 2024, Disney's ALADDIN marked a monumental achievement: 10 years captivating audiences on Broadway. This episode takes us behind the scenes of the unforgettable anniversary celebration performance, a magical reunion for the original and current cast and creatives. We'll relive the excitement of the exclusive performance with special guests Jonathan Freeman, who originated Jafar in both the animated film and the Broadway production of ALADDIN, Dennis Stowe, the original Jafar understudy who now commands the stage as the iconic villain himself on Broadway, and Don Darryl Rivera, who continues to portray the hilariously conniving Iago after originating the role on Broadway. Also, you'll hear from Casey Nicholaw, Michael James Scott, and more as they relive the moments from the 10th anniversary performance. This is one big finish you won't want to miss!
Jonathan Freeman, ASC faced a unique challenge on Netflix's sci-fi series 3 Body Problem. The books, written by Cixin Liu, are extremely intellectually dense novels. Translating them into visually compelling television seemed like a daunting task. Show creators DB Weiss and David Benioff had worked with Jonathan previously on Game of Thrones, and they leaned into filmmaking that was motivated by impactful storytelling rather than just "cool shots." A key reveal moment in particular was achieved simply by pushing in on a photo of one of the characters in the first episode, revealing how the stories were interconnected. Together, they decided on the look of the show and chose three distinct visual styles for 1960s China, modern London, and the virtual world of a videogame. The 2:3:5 aspect ratio and ARRI ALFA lenses helped differentiate these environments. The lenses were prototypes that Greig Fraser was developing on The Batman. “They had exactly all that beautiful bokeh that you would expect, but the center was optically pure,” says Jonathan. “They also had these chromatic aberrations to them. These distorted, stretchy little bits in the edges of the frame just looked funky and kind of otherworldly. I just like the idea that it could be interpreted as sort of an alien's point of view.” Filming the virtual world within a limited physical space required innovation. Jonathan's "low-res volume" stage concept used a massive wall of SkyPanels and strategically placed lighting to create a realistic, immersive environment for actors. “Each (panel) was almost like a pixel, so we created an array of 110 feet by 45 wide wrapped around 180 degrees.” says Jonathan. “It was a very complex system, but overall the intent was to recreate these live environments the way you might be able to do in a regular volume. Then, there was the lighting on top, similar to the skylight, where we programmed animated lights to recreate sunrise, sunset, dusk, and dawn. It was quite complicated, but we were able to use a real space and transition in camera. It took a lot of minds to put it together, but I thought it was really successful.” Find Jonathan Freeman: http://freemandp.com/ Sponsored by Hot Rod Cameras www.hotrodcameras.com Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
In this mini-season of the Roundup Podcast, we're featuring every breakout session from Roundup 2024. Enjoy this episode on Leveraging Adult Leaders to Make Disciples with Jonathan Freeman.
Jonathan Freeman, the voice of the Disney villain Jafar, returns to The Mouse and Me this week! In addition to the 1992 animated “Aladdin” movie, Jonathan went on to sneer in the subsequent Aladdin films and originated the role of Jafar in the Broadway production in 2014, where he wielded his cobra staff in thousands of performances, having played the role for nearly eight years. Disney on Broadway Credits: Beauty and the Beast (Cogsworth) The Little Mermaid (Grimsby, original Broadway cast) Mary Poppins (Admiral Boom and the Bank Chairman) Other Broadway credits: She Loves Me (Tony Award Nomimation), How To Succeed In Business Without Really Trying, On the Town, 42nd Street (Revival), and The Producers. Last week, Jonathan shared stories about how he got into theatre, his experiences working on the original Aladdin movie, and what it was like bringing the role of Jafar to the Broadway stage. This week, Jonathan talks about what production(s) he'd like to go back in time and see, the time he rode a camel down Main Street USA at Walt Disney World, and so much more! We hope you enjoy the rest of Scott's conversation with the incredible Jonathan Freeman! Email: TheMouseAndMePodcast@gmail.com Support: www.patreon.com/themouseandme FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from https://incompetech.filmmusic.io --- Support this podcast: https://podcasters.spotify.com/pod/show/themouseandme/support
Jonathan Freeman voiced the Disney villain Jafar in the 1992 animated “Aladdin” movie and he continued to sneer in the subsequent films. Jonathan then went on to originate the role of Jafar in the Broadway production in 2014, where he wielded his cobra staff in thousands of performances, having played the role for nearly eight years. Some of Jonathan's other Broadway credits include She Loves Me (where he was nominated for a Tony Award for Best Featured Actor in a Musical), How To Succeed In Business Without Really Trying, On the Town, the revival of 42nd Street (during which his caricature was drawn for Sardi's restaurant), and The Producers, where he played the role of Roger De Bris. Also for Disney on Broadway, Jonathan played Cogsworth in Beauty and the Beast, he originated the role of Grimsby in The Little Mermaid, and was Admiral Boom and the Bank Chairman in Mary Poppins. And that's just some of his theatre work! He has an impressive list of television, movie, and soundtrack credits as well. Scott rubbed the Genie's lamp and wished to talk with him and here he is for your listening pleasure. Enjoy Jonathan Freeman - Part 1! Email: TheMouseAndMePodcast@gmail.com Support: www.patreon.com/themouseandme FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from https://incompetech.filmmusic.io --- Support this podcast: https://podcasters.spotify.com/pod/show/themouseandme/support
American Fiction is pretty awesome. 0:08:00 - Box Office and upcoming releases. 0:20:15 *** What's Streaming *** DISNEY+ REMEMBER THE TITANS, Dir. Boaz Yakin – Denzel Washington, Will Patton, Ryan Hurst, Ethan Suplee, Ryan Gosling, Wood Harris, Donald Faison, Kip Purdue, Craig Kirkwood, Hayden Panettiere, Kate Bosworth, 2000. ALADDIN, Dir. Ron Clements / John Musker – Scott Weinger, Robin Williams, Linda Larkin, Jonathan Freeman, Golbert Gottfried, Douglas Seale, 1992. X2, Dir. Bryan Singer – Patrick Stewart, Hugh Jackman, Halle Berry, Ian McKellen, Famka Janssen, James Marsden, Anna Paquin, Rebecca Romjin, Bran Cox, Alan Cumming, Bruce Davison, Shawn Ashmore, 2003. 0:29:30 - Trailers: TWISTERS – Glenn Powell, Kiernan Shipka, Maura Tierney, Anthony Ramos, Katy Obrien, Feature. DEADPOOL & WOLVERINE – Ryan Reynolds, Hugh Jackman, Morena Baccarin, Jennifer Garner, Matthew Macfadyen, Patrick Stewart, Feature? GODZILLA X KONG: THE NEW EMPIRE – Dan Stevens, Rebecca Hall, Brian Tyree-Henry, Feature. 0:44:30 - AMERICAN FICTION, Dir. Cord Jefferson ( Grayson 8.5 / Roger 8.5 / Chris 7.5 ) Hosted, produced and mixed by Grayson Maxwell and Roger Stillion. Guess appearance by Christopher Boughan. Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions. Roger wears aviators! Please give a like and subscribe if you enjoy it. Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates. Rate, subscribe and leave a comment or two. Every Little bit helps. Send us an email to fortheloveofcinemapodcast@gmail.com
For his tenth album of music for trumpet and piano in the ‘re-imagined' series for Linn, Jonathan Freeman-Attwood has turned to a composer right at the centre of the period he's most associated with, the Baroque – and George Frideric Handel. ‘Handel for Trumpet' features transcriptions of arias as well as theoretical ‘sonatas', created from concertos and other works. As well as being a contributor to Gramophone, Jonathan is also Principal of the Royal Academy of Music, a record producer, teacher – and trumpeter. Gramophone's James Jolly spoke to him about the new album, how he maintains his technique amid a busy schedule and how being a recorded musician helps his role as the leader of one of the world's great music conservatories.
With companies shifting to a hybrid work environment, it has become challenging to maintain a strong corporate culture, attract top talent, and build high-performing teams. In this episode, Derek Myron, CEO, and Jonathan Freeman, COO, share actionable ideas to build a thriving corporate culture. They tap into best practices that have helped Centura Wealth Advisory … Read More Read More
In 2054 the only hope for escaping a life lived under thumb of the global corporatocracy dominated by U.R. Products Inc. is death…. or winning the Global Early Retirement Lottery. AKA G.E.R.L. AKA the weekly drawing sponsored by the Consortium of Productive Countries which transports its lucky winners from their soul crushing slog through life to the retirement of their dreams. So it's not surprising Elliot Pilgrim is deeply dismayed upon learning his misogynist, conspiracy-spewing, U.R. Products Inc. workmate, Jerry Dingle (who believes the lottery is "a feminist conspiracy to rid the world of men"), has somehow procured a winning ticket for this most coveted prize. Determined to ensure the reward goes to a much more deserving citizen, namely himself, Elliot decides to stop at nothing to secure the winning ticket only to discover the prize is not exactly as advertised. Goodbye Blue Mondays is a LovelyMachine & Story Engine Production. Created and Written by Gregory Bayne. Produced and Directed by Gregory Bayne and Logan Donovan. Starring Logan Donovan, Jennifer Lafleur, Travis Swartz, and Jonathan Freeman. Learn more at: http://goodbyebluemondayspod.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Elliot's triumph is interrupted by a visit from his past. Jerry Dingle wakes to a dismal reality. The star of Conflict Survival: Honduras! embraces his role as "The Winner," but has his own designs on the shows narrative. The security team at G.E.R.L. Lottery Transition Center No. 3 pitches their plan to root out the lottery infiltrators to the Giant Heads. Monica discovers a dark secret Elliot's been hiding. Blade Johnson readies the launch of his revolution.Warning: This episode contains adult content, adult language, and juvenile jokes.//A LovelyMachine & Story Engine Production. Created and Written by Gregory Bayne. Produced and Directed by Gregory Bayne and Logan Donovan. Starring Logan Donovan, Jennifer Lafleur, Travis Swartz, and Jonathan Freeman.For more information visit: goodbyebluemondayspod.com
Filming of the CPC streaming show "Conflict Survival!: Honduras" gets off to a rocky start. The security team at G.E.R.L. Lottery Transition Center No. 3 uncovers evidence of a plot to infiltrate the lottery. Meanwhile Monica searches for Elliot who is happily preparing for his retirement after absconding with Jerry's ticket.Warning: This episode contains adult content, adult language, violence, and juvenile jokes.//A LovelyMachine & Story Engine Production. Created and Written by Gregory Bayne. Produced and Directed by Gregory Bayne and Logan Donovan. Starring Logan Donovan, Jennifer Lafleur, Travis Swartz, and Jonathan Freeman.For more information visit: goodbyebluemondayspod.com
My guest is a veteran actor who is perhaps best known for voicing the villain, Jafar, in the Aladdin films, and then playing him on stage. We discuss his career, his desire to play the villain, his love for the stage, and much more.
The Consortium of Productive Countries & U.R. Products Inc.'s "Conflict Country" ticket drop in Honduras goes terribly awry. Meanwhile, Elliot's plan for securing Jerry's winning lottery ticket doesn't go to plan, and Monica's lotto watch part takes an unexpected turn.Warning: This episode contains adult content, adult language, violence, and juvenile jokes.//A LovelyMachine & Story Engine Production. Created and Written by Gregory Bayne. Produced and Directed by Gregory Bayne and Logan Donovan. Starring Logan Donovan, Jennifer Lafleur, Travis Swartz, and Jonathan Freeman.For more information visit: goodbyebluemondayspod.com
It's lottery day! Jerry ditches work to pre-funk at The Man Hole. Monica Levy invites Elliot to her lotto watch party, but his obsession with Jerry's supposedly winning lottery ticket get the better of him, pushing him to make a life altering decision.Warning: This episode contains adult content, adult language, and juvenile jokes.//A LovelyMachine & Story Engine Production. Created and Written by Gregory Bayne. Produced and Directed by Gregory Bayne and Logan Donovan. Starring Logan Donovan, Jennifer Lafleur, Travis Swartz, and Jonathan Freeman.For more information visit: goodbyebluemondayspod.com
Elliot tracks down Jerry at The Man Hole. Monica agonizes over what has become of Elliot after he doesn't show at her party and stops answering her messages – to the dismay of her wife Angelica. Meanwhile the Global Early Retirement Lottery, presented by the Consortium of Productive Countries and U.R. Products Inc., has something very special in store for this week's lottery drawing.Warning: This episode contains adult content, adult language, violence, and juvenile jokes.//A LovelyMachine & Story Engine Production. Created and Written by Gregory Bayne. Produced and Directed by Gregory Bayne and Logan Donovan. Starring Logan Donovan, Jennifer Lafleur, Travis Swartz, and Jonathan Freeman.For more information visit: goodbyebluemondayspod.com
In the pilot episode, Elliot Pilgrim learns his misogynist, conspiracy-spewing U.R. Products Inc. workmate, Jerry Dingle, has secured a supposedly “winning” ticket for the most coveted prize on earth – The Global Early Retirement Lottery.Warning: This episode contains adult content, adult language, and juvenile jokes.//A LovelyMachine & Story Engine Production. Created and Written by Gregory Bayne. Produced and Directed by Gregory Bayne and Logan Donovan. Starring Logan Donovan, Jennifer Lafleur, Travis Swartz, and Jonathan Freeman.For more information visit: goodbyebluemondayspod.com
Coming to your ears May 30th, 2023, the first 6-episode season of Goodbye Blue Mondays. A scripted podcast about masculinity. Toxic, and otherwise.In 2054 the only hope for escaping a life lived under thumb of the global corporatocracy dominated by U.R. Products Inc. is death…. or winning the Global Early Retirement Lottery. AKA G.E.R.L. AKA the weekly drawing sponsored by the Consortium of Productive Countries which transports its lucky winners from their soul crushing slog through life to the retirement of their dreams. So it's not surprising Elliot Pilgrim is deeply dismayed upon learning his misogynist, conspiracy-spewing, U.R. Products Inc. workmate, Jerry Dingle (who believes the lottery is "a feminist conspiracy to rid the world of men"), has somehow procured a winning ticket for this most coveted prize. Determined to ensure the reward goes to a much more deserving citizen, namely himself, Elliot decides to stop at nothing to secure the winning ticket only to discover the prize is not exactly as advertised.A LovelyMachine & Story Engine Production. Created and Written by Gregory Bayne. Produced and Directed by Gregory Bayne and Logan Donovan. Starring Logan Donovan, Jennifer Lafleur, Travis Swartz, and Jonathan Freeman.
When financial advisors collaborate with fellow professionals (EPAs, CPAs, other advisors, etc.), it helps them improve their client service and simultaneously accelerate their own growth. This is the rationale behind Centura Wealth Advisory's Elite Advisor Collaboration Program (EACP), where radically transparency is the cornerstone. In this episode, Jonathan Freeman and Derek Myron explain what EACP … Continue reading Bringing Exponential Value to Clients With the Elite Advisor Collaboration Program (Ep. 71) →
Friends, Fights, and Funny videos with Ashley Evans-Smith and Jonathan Wayne Freeman in today's episode of The Jason Ellis Show. Website: https://www.theJasonEllis.com Patreon: https://www.patreon.com/ellismate -- Jason Ellis @wolfmate Katie Ellis @underwearwolf Michael Tully @tullywood Learn more about your ad choices. Visit megaphone.fm/adchoices
Merry Swankmas to you and yours! Come drink some Smoking Nogs with us and enjoy the musings of Jonathan Wayne Freeman, Lars Lewis, Craig Dunlap, and the Nation gang!See omnystudio.com/listener for privacy information.
Jonathan Freeman joined Centura Wealth Advisory in July 2018 as Chief Operating Officer and became Chief Compliance Officer in December 2019. Jonathan has a diverse background across a variety of industries that span technology, professional services, consulting practices, real estate, and healthcare. He has been a client of the firm for over 5 years and is passionate about building sustainable companies in high growth periods. His North Star is to be the guide and teacher for others to achieve their ultimate potential in life, and to serve his community by sharing how everyone's responsibility is to care for our natural environment so we can benefit from it for millennia. Jonathan received his MBA from UCLA Anderson School of Business and a Bachelors Degree in Environmental Studies from UCSB. He, his wife Joelle, and their three boys live in North San Diego County. Listen to this insightful RIA episode with Jonathan Freeman about growing operations and compliance with Centura Wealth. Here is what to expect on this week's show: - How it's important for financial planners to always have their customer's goals in mind. - Why you must have a strong team and know what hat you wear on a day-to-day basis. - How the biggest limitation to growth can be finding talented and experienced people. - Why you should work with people who are intellectually curious and ready to adapt, learn, and grow. - How you can get the best ROI by cutting dollars out of your tax bill. Connect with Jonathan: Links Mentioned: https://centurawealth.com/ Guest Contact Info: Twitter @CenturaWealth Instagram @centurawealth Facebook facebook.com/centurawealth LinkedIn linkedin.com/company/centura-wealth-advisory Learn more about your ad choices. Visit megaphone.fm/adchoices
For 30 years the animated Disney classic "Aladdin" had dazzled and entertained audiences around the world, launching a franchise that includes sequels, animated series, spin-off's, video games, a live action remake and a Broadway adaptation. Chris and Taylor bring you a special episode filled with childhood memories, lots of laughs and a very special guest, the original voice actor and Broadway performer of Jafar, Jonathan Freeman! We get insight to how he landed the role of Jafar, the process of making the movie, the Broadway adaptation and the long lasting legacy of the franchise. Follow us on:Instagram: https://www.instagram.com/thepotentialpodcast/Facebook: https://www.facebook.com/thepotentialpodcast/?ref=pages_you_manageTwitter: https://twitter.com/thepotentialpodThanks to our sponsor Keen! Get your first 10 minutes of tarot reading for only $1.99 at trykeen.com/potential
Sexy sax, keeping the romance alive, pets and OnlyFans, advanced wiping techniques, peeing in the wild, fecal transplants, octopus hands, getting murdered by your pets, robot limbs, voodoo curses, if cars were equipped with weapons, Droopy's Bad News, and MORE! -- Thank you to our sponsors: BetterHelp: Our listeners get 10% OFF their first month at BetterHelp.com/ELLIS ShipStation: Sign up using promo code: ELLIS for a FREE 60-day trial today at ShipStation.com and start breathing easier with every shipment! Dave: Download the Dave app from the App store right now. Sign up for an Extra Cash account and get up to 500 dollars instantly. For terms and conditions go to Dave.com/legal. Instant transfer fees apply. Banking provided by Evolve. Member FDIC. YoKratom: Go to YoKratom.com to get your $60 kilo! Onnit: Go to Onnit.com/ELLIS for 10% OFF your order now! -- To watch this episode in video subscribe here: https://www.youtube.com/channel/UCioxyKNRYJhYFCi85Nvnn3g Website: www.theJasonEllis.com Patreon: www.patreon.com/ellismate -- Jason Ellis @wolfmate Jon Wayne Freeman @jonathanwaynefreeman Katie Ellis @underwearwolf Michael Tully @tullywood Kevin Kraft @kevinkraftSee omnystudio.com/listener for privacy information.
The first episode of our season on the awesome movie year of 1992 features the highest-grossing film at the box office, Disney's Aladdin. Directed and co-written by John Musker and Ron Clements and starring the voices of Scott Weinger, Linda Larkin, Robin Williams, Jonathan Freeman, Douglas Seale and Gilbert Gottfried, Aladdin grossed $504.1 million and won two Oscars. The post Aladdin (1992 Box Office Champ) appeared first on Awesome Movie Year.
The anti-aging market sure is huge right now. Is your business missing out? Doesn't it blow your mind to think of how much money people invest into botox, fillers, plastic surgery and more to look younger? (p.s. no judgements here) But what about… feeling better? Fitness and wellness is the true bio-hack to ant-aging, right? Today on The Business Side of Fitness, Jonathan Freeman, the Founder and CEO of Club Active, a chain of fitness clubs dedicated to the 50+ over population shares how he's changing the way we age. Jonathan shares: -The huge opportunity to get more people moving -Why there's such a big disconnect between the worlds of fitness and medical -How to appeal to baby boomers -His big plans to open 5,000 clubs in the next 10 years Listen to the full episode by visiting: https://www.vanessaseveriano.com/podcast ABOUT THE HOST Vanessa Severiano has two decades of experience creating, developing and growing brands in the fitness & wellness industry. Learn more about working with Vanessa: https://www.vanessaseveriano.com ABOUT TODAY'S GUEST Jonathan Freeman is the Founder and CEO of Club Active. Jonathan is an Exercise Physiologist with a bachelor of exercise science and a masters degree in exercise rehabilitation . Founded in 2017, with a purpose to change the way we age, Club Active is a chain of wellness centers dedicated for the over 50s population. Jonathan is on a mission to improve the lives of our active baby boomers with a goal of growing 5000 clubs in the next 10 years. He wants to change the way we age by providing a safe, fun and non intimidating environment with clinical exercise advice. Jonathan has worked with international athletes, Olympians and most well known for his rehabilitation work with celebrity Chris Hemsworth, Zac Efron and many more. His email is jonathan.freeman@clubactive.com.au Learn about Club Active here: https://clubactive.com.au/ **SPREAD THE WORD Please make sure to rate, review and subscribe to The Business Side of Fitness wherever you listen to podcasts. Your support means so much and helps more than you know!
Recently, we had a great addition to our team! In January 2022, Seth Meisler, CFA, CFP®, CPA/PFS, MBA, joined Centura Wealth Advisory as a Senior Wealth Advisor, bringing in 15 years of experience as a financial advisor and Chief Investment Officer. In this episode, Jonathan Freeman, Chief Operating Officer, interviews Seth about his personal and … Continue reading Get To Know Our New Senior Wealth Advisor Seth Meisler (Ep. 53) →
Fresh off (just barely) making two sport action sports athletes of Kevin and Tully, Jonathan Freeman visits to discuss the Ellis Show's surfing excursion, assorted dangers of the deep, more of Jonathan's EMT horror stories, and much more! -- Thank you to our sponsors: FitBod: Get 25% off your subscription or try out the app for free when you sign up now at Fitbod.me/ELLIS Manscaped: Get 20% off + free shipping with the code [ELLIS] at Manscaped.com BuckMason: Head over to BuckMason.com/ELLIS and get a free t-shirt with your first order! ShipStation: Sign up using promo code: ELLIS for a FREE 60-day trial today at ShipStation.comand start saving with every shipment! Onnit: Go to Onnit.com/ELLIS for 10% OFF your order now! -- To watch this episode in video subscribe here: https://www.youtube.com/channel/UCioxyKNRYJhYFCi85Nvnn3g Website: www.theJasonEllis.com Patreon: www.patreon.com/ellismate -- Jason Ellis @wolfmate Jon Freeman @jonathanwaynefreeman Katie Ellis @underwearwolf Michael Tully @tullywood Kevin Kraft @kevinkraft See omnystudio.com/listener for privacy information.
In just nine years, Jonathan Freeman and Brian McCarver built Stonebridge Financial Group in central Pennsylvania to $1.3 billion in assets — largely through their retirement plan business. We split this interview into two parts. In the first episode the two described how team management is the bedrock of their business, how they've leveraged centers of influence (COIs) and why spending resources on marketing helps fuel organic growth. Now let's hear how they built a corporate retirement plan business, and how its helped expand the roster of the firm's wealth management clients. They'll also speak about why they created an advisory board, and how having one helped shape their practice. For more, visit PracticeLab.
Jonathan Freeman and Brian McCarver of Stonebridge Financial Group began their careers when cold-calling and a focus on commissions dominated financial services. When they first met 20 years ago, they agreed that the industry's future lied instead in emphasizing teams and personalized client services — important common ground between two founders with otherwise opposite personalities. Founded in 2013, their firm now has 19 people in two offices in central Pennsylvania, managing $1.3 billion in assets. In this epiode, they talk about why team management is the bedrock of their growth, how they've leveraged centers of influence (COIs) to create a robust client referral pipeline and why spending resources on marketing helps fuel organic and sustainable growth. For more, visit PracticeLab.
We all have theater kid energy! Broadway News: Starting this season, Tony Awards voters must complete unconscious bias training in order to vote in any categories. The news, sent to voters last Friday, requires members to take a free, online training session led by inclusion strategist Vernā Myers. The course is meant to teach viewers how to identify unconscious or implicit bias in their own decision-making processes and how to correct it, according to the course description. Producers Stephen Byrd and Alia Jones-Harvey announced that a new musical stage adaptation of Black Orpheus, featuring a book by Pulitzer Prize winner Nilo Cruz, original music by Grammy Award winner and Brazilian icon Sergio Mendes, and direction and choreography by Tony Award winner Sergio Trujillo, is being readied for its world premiere production on Broadway during the 2022-2023 season. A developmental workshop and an out-of-town regional theatre run are being planned for 2022 before heading to Broadway in 2023. James Snyder, who has been playing the role of Harry Potter in Harry Potter and the Cursed Child since a new, shorter version of the production reopened on Broadway on November 12, 2021, has had his contract terminated. The termination follows a complaint from fellow cast member Diane Davis, who has since also left the production by her own accord, regarding his conduct. The Broadway revival of Ntozake Shange's for colored girls who have considered suicide/ when the rainbow is enuf, directed and choreographed by Tony Award nominee Camille A. Brown will begin performances on Friday, April 1, 2022 at the Booth Theatre. The fully reimagined production will open on Wednesday, April 20, 2022. Casting: Dennis Stowe steps into the role of Jafar in the Broadway production of Aladdin beginning this week at the New Amsterdam Theatre. He succeeds fellow original cast member Jonathan Freeman, who created the role on Broadway after voicing the part in the 1992 animated film. Freeman played his final performance on January 23. NaTasha Yvette Williams will succeed Dawnn Lewis as Zelma, Tina Turner's mother, in Broadway's Tina: The Tina Turner Musical beginning February 4. Lewis is scheduled to play her final performance on January 30. Williams was last seen on Broadway in Chicken and Biscuits and has been a long-time Matron "Mama" Morton in Chicago. She starred as Becky during the original run of Waitress, and also appeared on Broadway in A Night With Janis Joplin, Porgy and Bess, and The Color Purple. Follow @BwayPodNetwork on Twitter. Find co-hosts on Twitter at @AyannaPrescod, @CLewisReviews, and @TheMartinAcuna. Subscribe To BPN's newsletter HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jonathan Freeman is the Chief Operating Officer and the Chief Compliance Officer of Centura Wealth Advisory, a fast-growing wealth management firm based in San Diego, California. Throughout his career, Jonathan has held leadership positions for companies in a variety of industries, including technology, professional services, consulting practices, real estate, and healthcare. His passion is to help companies grow and succeed in terms of people, processes, and culture. In this episode: Has your company been experiencing rapid growth? Have you been facing some challenges while navigating that growth? If so, how do you ensure that your company continues scaling successfully as it grows? Some of the major challenges companies face due to high growth include maintaining the culture, managing employees, and hiring effectively. While scaling Centura Wealth Advisory, Jonathan Freeman has focused on building dynamic systems and encouraging employees to document their routine processes. This has made the company's operations more efficient, seamless, and high-quality. It has also made it easier to onboard new employees as the company grows — all while maintaining a great team and culture. In this episode of the Systems Simplified podcast, Adi Klevit interviews Jonathan Freeman, the Chief Operating Officer and the Chief Compliance Officer of Centura Wealth Advisory, about his tips for building systems and processes to manage accelerated growth. Jonathan explains how a company's culture plays a key role in implementing processes, talks about the benefits of the Entrepreneurial Operating System (EOS), and explains why leaders should focus on creating a vision. Stay tuned.
Entrepreneurs, are you struggling to articulate your vision in a way that resonates with every member of your company? In this episode, Jonathan Freeman speaks with Lois Weinblatt, international vision coach, facilitator, and speaker at True North Visionaries. They break down the visioning process and help you find clarity, so that you can make better … Continue reading 43. Articulate Your Vision With Lois Weinblatt →
In this month's episode, we take a look at the upcoming holiday season and the importance of recognizing and celebrating the holidays of diverse cultures. Jonathan Freeman, Director of the Department of Spiritual Care and Wholeness, discusses the value of uplifting and respecting people of all backgrounds while finding what we share in common. He also reflects on the ways that dialogue can break down barriers as well as how honoring different holidays serves Cone Health's mission to treat the whole person.
Aloha Everyone, welcome to a new episode of The Temple of Surf - The Podcast. We will give you full access to the best surfers, skaters, shapers, surfboards collectors, shop owners in the world! Discover with me their stories, their greatest successes, amazing behind the scenes and much more! Today with us, from California, comedian, surfer and paramedic Jonathan Freeman. We discussed with him about surf, surfboards and much more!
Whether you want to recruit the best talent, motivate your current team, or boost business performance, success boils down to one key element –– leadership. In this episode, Jonathan Freeman speaks with Mitch Simon, the founder of Simon Leadership Alliance, and a master business and leadership coach. Jonathan and Mitch reveal their strategies to enhance … Continue reading 41. How To Become a Master Business Leader With Mitch Simon →
Jonathan Freeman introduces us to https://www.swatmaps.com/swat-water (SWAT WATER) and the significance of this tool - especially in irrigated agriculture. Before joining https://www.swatmaps.com/croptimistic (Croptimistic), Jonathan worked as an inhouse agronomist for a large sugar company where he also managed their precision ag program. He has nearly two decades of experience in water resource management, and has worked in multiple countries in southern Africa as well as New Zealand and Australia. We will explore the ins and outs of irrigated agriculture including some specialty crops like sugar, avocados, and macadamia nuts. Irrigation goes beyond just moisture monument Irrigation contributes greatly to nutrient movement and ultimately a crops success “I think the consensus at the end of the day is that your soil moisture level, and also how that soil moisture interacts with your various soil types and soil conditions is really what is driving, your crop productivity. ...So that really was the segue from SWAT MAPS to then include SWAT WATER as a measure of saying how much water is available.” - Jonathan Freeman, precision agronomist and soil water specialist with https://www.swatmaps.com/croptimistic (Croptimistic Technology) On Today's Episode: 2:16 - Discover the variation between the agriculture industry in Southern Africa versus North America 4:06 - Explore the origin of SWAT WATER and how Jonathan was introduced to and eventually joined SWAT MAPS 5:40 - Learn about SWAT WATER's process and capabilities 7:13 - Jonathan explains the value in adding soil texture data and organic matter data to soil sampling analysis 8:36 - Discover the practical application and impact of SWAT WATER for producers 12:44 - Learn about the irrigation management options SWAT WATER offers 14:20 - Understand the significance of water management as being closely tied to nutrient management 18:50 - Explore the different inputs and how they can be tailored to the soils needs based on water movement 20:56 - Jonathan shares the frequently asked questions in regards to SWAT WATER and maximizing its benefits 22:57 - Learn how the data acquired from SWAT WATER can help in irrigation design 26:38 - Understand how introducing mapping to an operation can focus on the individual concerns of that operation and allow for more efficient production https://www.youtube.com/watch?v=HQr9dc0X19c&t=663s (SWAT WATER Global Launch Video) Make sure you subscribe to this show on your podcast platform of choice. You'll find the SWAT Agronomy Podcast on all of them: iTunes, Spotify, Stitcher, etc. If you have a question you want answered on a future episode, send it to us on Twitter using the hashtaghttps://docs.google.com/document/d/1tS63ekYkdHd1uOk5e5pyJak-rRrh5jTbp28qxcdPOvU/edit#SWATAgronomy ( #SWATAgronomy). The SWAT Agronomy Podcast is brought to you byhttps://www.swatmaps.com/ ( SWAT MAPS), and hosted byhttps://www.linkedin.com/in/timhammerich/ ( Tim Hammerich).
We love to build deep connections with our clients! So, this episode is dedicated to helping you get to know our team a little better. In this episode, Jonathan Freeman, Chief Operating Officer, introduces you to Centura Wealth Advisory's new Senior Wealth Advisor Roby Kotcamp, CFP®, PMP®. Roby shares his professional and personal background, his … Continue reading 39. Get To Know Our New Senior Wealth Advisor Roby Kotcamp →
Just when you think the health and fitness industry is saturated, along comes an out of the box thinker who finds a gap in the market. Jonathan Freeman is an accredited Exercise Physiologist who create Club Active - a chain of health gyms for the over 50's. In this episode we talk about business, fatherhood and taking on the competitive space of health, fitness and rehab and going global. https://clubactive.com.au LinkedIn: Jonathan Freeman IG: jono.freeman ( https://www.instagram.com/jono.freeman/?hl=en)
Broadway's Jasmine, Courtney Reed, joins David for this episode of "E-Ticket to Broadway" for a thrilling chase through her Disney life. Courtney describes how as a child she was obsessed with the Renaissance of Disney animated films, specifically watching "The Lion King," "Beauty and the Beast," "The Little Mermaid," and, coincidentally, "Aladdin"; and how she loved Jasmine from a young age--for she was iconic, and also seeing that kind of representation in a Disney film had an enormous, important impact on her life. Listen as Courtney recalls her first trip to Walt Disney World in college, and having the absolutely best time--enjoying those Mickey Waffles (iconic) and being in total awe of walking down Main Street to see Cinderella Castle (truly, Courtney could be a travel agent, she has such a wonderful point of view of why going to the Disney Theme Parks is so magical and...iconic). Of course she and David talk about her journey of bringing Jasmine to the Broadway stage--fan girling when she met "Jasmine in real life" (Linda Larkin, the voice from the film), flying on the Magic Carpet for the first time, and working with the original voice of Jafar (and former "E-Ticket to Broadway" guest) Jonathan Freeman. Courtney shares her first trip to Disneyland, when she learned that she prefers the charm of the OG Park--which involved going to Club 33, loving Peter Pan's Flight & Radiator Springs Racers, meeting Aladdin & Jasmine, and spending the day with the one and only Susan Egan! Play along as Courtney and David play "These Palace Walls," a game involving the Disney Castles across the world. This episode also features a chat with Craig K., a member of the "E-Ticket to Broadway" Patreon. Follow on Instagram: @etickettobroadway Courtney's Instagram: @rhodesreed David's Instagram: @directedbydavidalpert Learn more at www.eticketpodcast.com Part of the Broadway Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
In the 1st episode of season 2, I talk with actor Jonathan Freeman, perhaps best known as Jafar from Disney's Aladdin. What it's like to voice a character for over 30 years-- plus now playing the villain on-stage on Broadway.Video version available at: youtube.com/andrewkozaktv
The one and only Jonathan Freeman "Jafar" joins Carey for a fascinating conversation on being known for the voice of one of Disney's greatest villains. From the original film "Aladdin" to Broadway to other wonderful stories from his amazing career, sit back and enjoy a wonderful episode of Purple Roads.
Insurance is a necessary risk management tool, but many business owners struggle with finding the right coverage, carrier, and riders, to meet their unique business. But when a claim happens, who is on your side to navigate the complex and often misunderstood claims process? In this episode, Jonathan Freeman is joined by Pamela Holden, Vice … Continue reading Episode 28 – Finding the Right Insurance P&C Coverage for Your Business –– With Pamela Holden of Alliant Insurance Services →
Broadway’s Ariel, Sierra Boggess (“The Little Mermaid,” “School of Rock,” “The Phantom of the Opera,” “It Shoulda Been You”), is the guest on this episode of “E-Ticket to Broadway” and shares just how much she’s always loved Disney, especially the sidekicks. As a kid Sierra never wanted to be Cinderella—she wanted to be Gus Gus, and has always loved “The Sword in the Stone” and Madam Mim and is ready to bring her to Broadway. Listen as she recalls going to Walt Disney World for the first time when she was six years old and loving the Haunted Mansion and taking a photo with Goofy—to then going to Toyko Disney Sea and Disneyland Paris as an adult. Sierra beautifully explains what makes a Disney Park so magical and “how they do everything they can to keep you invested in the magic," and shares a really wonderful observation that the Parks may be more deeply appreciated by the "young at heart." Sierra has a lot of love--from her must-do attractions including the Haunted Mansion, Indiana Jones, The Matterhorn and/or Expedition Everest; to her memories of her Broadway debut in "The Little Mermaid"; to "Brave" and learning about never giving up from watching Disney movies." She recounts stories with Jodi Benson, Jonathan Freeman, and Sherie Rene Scott, and shares her dream of performing in "Disney on Ice." This episode features a very intense conversation on Mouse Ears, and a very strong opinion of "It's a Small World," and the sounds of Britney Spears singing classic Disney tunes as only Sierra Boggess can do. Follow on Instagram: @etickettobroadway Sierra's Instagram: @officialsierraboggess David's Instagram: @directedbydavidalpert Learn more at www.eticketpodcast.com Part of the Broadway Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
Peter Taras is an icon in the world of surf photography, starting in the profession at a young age. With his magazine days behind him, Peter continues to tell stories with his amazing pictures on Stellar Storytellers, and has fun with his wine reviews on his Instagram. He has collaborated with Jonathan Freeman on the Ultra Core Surf Hour. Hilarious. He's also part of the Kook of the Day series. Also hilarious. Go check him out! Thanks everyone! www.steller.co/petertaras www.instagram.com/petertaras/ www.instagram.com/jonathanwaynefreeman/ www.christophertallon.com www.instagram.com/christopher_tallon/ www.twitter.com/TallonWrites www.buymeacoffee.com/creativeops
Kicking off Season 3 of "E-Ticket to Broadway" is the Tony Award-nominated Disney Legend that is Jonathan Freeman. Listen as Jonathan shares his memories of going to Disneyland and Walt Disney World as a kid and being "over-stimulated," and his absolute love of the Disney Villains (Captain Hook being his fantasy boyfriend, Malificent, his fantasy girlfriend, naturally). In fact, Jonathan shares on the episodes how he always dreamt of giving voice to a Disney Villain, and how he made connections as a kid when he heard Disney voice actors. He and David discuss some of his incredible memories from his days recording the voice of the Grand Vizier--from hearing the work of Howard Ashman & Alan Menken for the first time, to working with his fellow cast members including Robin Williams, to seeing how Jafar has become so iconic over the last 30 years. In addition to his work as a voice-actor, Jonathan has appeared in four Disney on Broadway productions including "Beauty and the Beast," "Mary Poppins," "The Little Mermaid," and, of course, "Aladdin" and discusses his experiences performing Disney characters on Broadway. As a special treat to the listeners, listen to a fun story about Disney on Ice, and delight in some iconic Disney speeches...as voiced by Jafar. Follow on Instagram: @etickettobroadway Jonathan's Instagram: @thejonathanfreeman David's Instagram: @directedbydavidalpert Learn more at www.eticketpodcast.com Part of the Broadway Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
Who doesn't love "Aladdin!" Join the stars of the Disney Smash-Adam Jacobs, Telly Leung, Tony Winner James Monroe Inglehart, Arielle Jacobs, Jonathan Freeman, and Darryl Don Rivera as we celebrate the story of Aladdin. Talk about "A WHOLE NEW WOLRD!" Hear how the stars are coping in quarantine! This was a special one!
Optima Office provides their clients with fractional CFOs, accounting services and HR services to help drive profits and reduce risks with their tailored business solutions. In this episode, Jonathan Freeman speaks with Jennifer Barns, CEO and Founder of Optima Office to discuss her inspiring story of how she started her business, the growth she’s experienced … Continue reading Episode 22 – How Small to Medium Businesses can Leverage Fractional CFO/Accounting Services to Help Their Business Grow – with Guest Jennifer Barnes, CEO of Optima Office →
Day 83 of Bob's retirement and he hasn't been able to get rid of us yet! For today's guest we have:Friend of Cece - Jonathan Freeman Voice Actor for Jafar in Disney's AladdinWe welcome a very special guest to the show, Jonathan Freeman! He sends his well wishes for Bob's retirement. My husband Steve wanted to contribute to the show so he invited Jonathan to say happy retirement to Bob and congrats to us for our wedding. Get this pandemic done, we got a retirement party to get to!
Jonathan FreemanLeila is joined by Jonathan Freeman FRSA - Chief Executive Officer at CareTech Foundation and Managing Director at Earlsbrook Consulting Limited.IN THIS EPISODE YOU WILL LEARN ABOUT· Jonathan’s career journey in the voluntary sector to date· Jonathan’s experience of the 1992 racial riots in Los Angeles· The exciting, powerful and unique contributions that the charity sector can make to further progressive causes which governments and companies cannotRESOURCES & INFORMATION MENTIONEDhttps://www.linkedin.com/in/mrjonathanfreeman/
Tim is amazed to realise that he has written around 50 songs with the great American composer Alan Menken, 8-time Oscar winner and fellow EGOT. So Podcast 32 features five of their joint compositions, including a song that never made it into Aladdin and a couple of items from King David. Judy Kuhn, Dan Stevens, Jonathan Freeman, Brad Kane and Alan himself vocalise. Learn more about your ad choices. Visit megaphone.fm/adchoices
is an American actor and puppeteer, known for puppetering and voicing Tito Swing in Shining Time Station and for voicing Jafar in Disney's Aladdin franchise, as well as the Kingdom Hearts franchise and the 2011 Aladdin musical. Jonathan Freeman's New York City stage credits include Mary Poppins, The Little Mermaid, Beauty And The Beast, The Producers, 42nd Street, On The Town, How To Succeed…, She Loves Me (Tony® Nomination), Platinum, Sherlock Holmes, Finian’s Rainbow (Irish Rep.), A Class Act (MTC), Lil’ Abner and Of Thee I Sing (City Center Encores), Sail Away and The Mikado (Carnegie Hall). TV and film appearances include Elementary, Too Big To Fail, Law And Order, Gossip Girl, Shining Time Station, Remember Wenn, The Ice Storm, Life Animated (Oscar nomination 2017). Jonathan is the voice of Jafar in Disney’s animated feature Aladdin. Follow @thejonathanfreeman Read article mentioned in episode #AwayFromHome from Broadway.com #broadway #aladdin #jafar #musical #disney #disneyclassics #livetheatre #disneyfan #disneyvillian #jonathanfreeman #new #podcast #instagood @disney @aladdinmusical @broadwaycom @confessionsofanactress @playbill --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support
Too many new business owners overlook the importance of having a buy-sell agreement. If a business partner becomes disabled, passes away, or departs the business, they leave the future of their business on shaky ground and open to costly disputes with the remaining partners. Today, Jonathan Freeman is joined by John Parise and Michael Parise … Continue reading Episode 17 – Your Guide to Buy-Sell Agreements in 30 Minutes –– With John Parise and Michael Parise →
This episode with Tony Nominee Brad Oscar is simply a love letter to the greats of Broadway like Madeline Kahn and Jonathan Freeman. We don't talk much about multi-hyphenating, but if you like two Jewish boys connecting over musical theatre, Broadway debuts, and Beshert moments... this episode is for you. Plus, Brad gives amazing advice for younger artists starting in the industry and Michael talks about the importance of creating your own work, like 54 Celebrates Mel Brooks, which Michael & Brad worked on together. Connect with Michael: @themichaelkushner @thedressingroomproject dressingroomproject.com Produced by Alan Seales and the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Businesses of all sizes face risk in the best (and worst) of economic times, and it’s important as a business owner to make sure that you are covered. In this episode, Jonathan Freeman is joined by Mark Sims from Captive Alternatives to discuss alternative insurance options for risk management and how business owners and entrepreneurs … Continue reading Episode 12 – Manage Business Risk with Potential for Financial Upside – With Guest Mark Sims of Captive Alternatives →
The most notable business partnerships strike a balance between personalities, methodologies, and work styles, resulting in an alignment of goals and vision to achieve ultimate success. In a thoughtful discussion on the first-hand tips and insights that make a practice partnership excel, Elite Consulting Partners CEO Frank LaRosa hosts a conversation with the team of Brian McCarver and Jonathan Freeman of Stonebridge Financial Group who divulge their secrets as to the communication, decision-making, and collaborative processes which have allowed them to lead their firm to envied levels of achievement.
Learn how cinematographer Jonathan Freeman ASC created the cool, dramatic shots of DEFENDING JACOB for Apple TV+ and filmed classic episodes of GAME OF THRONES. Jonathan and Go Creative Show host, Ben Consoli, discuss what he looks for when reviewing scripts, his visual and lighting approach to DEFENDING JACOB, using VR technology for GAME OF THRONES, the infamous Starbucks coffee cup shot, and more! Subscribe Now! What you will learn in this episode Becoming the cinematographer of DEFENDING JACOB (01:37) What to look for in a script (03:29) Benefits of working with one director the entire series (06:35) Visual approach of contemporary vs period pieces (08:22) Approach to lighting for DEFENDING JACOB (11:26) What it’s like working for Apple TV+ (15:51) Jonathan’s experience filming in Boston (17:47) The show’s cool visual approach (20:40) Approach to lighting the knife reveal scene (31:36) Camera and lens package (37:16) Discussing the color science of using blue tones (42:59) Jonathan’s work on GAME OF THRONES (44:32) His favorite scenes he shot in Game of Thrones (51:23) The infamous Starbucks coffee cup (58:55) And more! Go Creative Show is supported by: MZed - Education for Creatives Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links Defending Jacob IMDb Follow Our Guest Jonathan Freeman’s website Jonathan Freeman’s IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram Follow Matt Russell Gain Structure Sound Twitter
Telly Leung is an actor, singer and songwriter. He is known for his work in musical theatre on Broadway and for his role as Wes, a member of the Dalton Academy Warblers on the Fox comedy-drama series Glee. Most recently, Telly starred as Aladdin in Aladdin on Broadway. Jonathan Freeman is an actor, voice actor, singer, and puppeteer, known for puppetering and voicing Tito Swing in Shining Time Station and for voicing Jafar in Disney's Aladdin franchise, as well as the Kingdom Hearts franchise and the 2011 Aladdin musical..He is currently starring as Jafar in Aladdin on Broadway. Thank you for taking the time to listen to this episode. We appreciate your support! Thank you to our guests, producers, and Broadway Podcast Network! @tellyleung Want more of My Broadway Memory?! Follow us on Social! @MyBroadwayMemory on Instagram and Facebook and @MyBwayMemory on Twitter MICHAEL KUSCHNER: Instagram or The Dressing Room Project Dear Multi-Hyphenate Podcast BRIAN SEDITA: Instagram, Website, Page to Stage Podcast BROADWAY PODCAST NETWORK: Website or Instagram #MyBroadwayMemory Learn more about your ad choices. Visit megaphone.fm/adchoices
Don Darryl Rivera chats with Broadway.com's Paul Wontorek, Beth Stevens and Caitlin Moynihan in a new episode of #LiveatFive: Home Edition! Don Darryl has been with ALADDIN on Broadway since the very beginning having originated the role of Iago. He has also appeared on the national tour in the same role. Hear him talk all about the science behind being the perfect sidekick and working with Jonathan Freeman, who has been playing Jafar since voicing the character in the 1992 animated movie.
Tony Award winner James Monroe Iglehart is perhaps best known as the Genie in the original cast of Disney's Aladdin the Broadway Musical, but his portfolio spans well beyond this role to a number of impressive performances. James has also performed as Marquis de Lafayette and Thomas Jefferson in Hamilton: An American Musical, Bobby in the original cast of Memphis, Lance Strongbow in Rapunzel's Tangled Adventure (available on Disney Channel and Disney+), Coriolanus Burt in Unbreakable Kimmy Schmidt (available on Netflix), and so much more. He's also a Disney and Marvel geek at heart who has now written three issues for Marvel Comic Presents. In this episode, we'll discuss James's expansive career; his love of all things Disney; his work with the likes of Alan Menken, Lin-Manuel Miranda, Jonathan Freeman and beyond; and of course his advice for aspiring performers. It was a pleasure chatting with him and I cannot wait to share this episode with all of you! Which of James Monroe Iglehart's roles do you love most? Send me your feedback via email or through direct or public message at any of the following and [with your permission] I'll include your message in a future show: Facebook: www.facebook.com/ImagineerPodcast Instagram: www.instagram.com/ImagineerPodcast Twitter: www.twitter.com/ImagineerNews Facebook Group (ImagiNation): https://www.facebook.com/groups/imagineerpodcast/ Share your feedback via voicemail: 516-406-8376 Also be sure to follow James on Social Media: Instagram: https://www.instagram.com/jmiglehart/ Twitter: https://twitter.com/jamesmiglehart And watch him on Disney+, Hamilton, Marvel Voices and beyond! Disney news and travel tips: Be sure to visit our Disney news partner, The Kingdom Insider: Website: https://thekingdominsider.com Facebook: https://facebook.com/KingdomInsider Instagram: https://www.instagram.com/thekingdominsider/ Twitter: https://twitter.com/tkidisneynews YouTube: https://www.youtube.com/channel/UCfNy6LP8uPSjsktoPBr5JTQ Pinterest: https://www.pinterest.com/TKIDisneyNews/ Vacation Planning: Planning a trip to Walt Disney World, Disneyland, Disney Cruise Line, Adventures by Disney, or another Disney destination? Visit our trusted partner, Academy Travel: Walt Disney World: https://apps.itams.com/AcademyCRM/form/waltdisney/IP Disneyland: https://apps.itams.com/AcademyCRM/form/disneyland/IP Disney Cruise Line: https://apps.itams.com/AcademyCRM/form/disneycruise/IP Aulani: https://apps.itams.com/AcademyCRM/form/Aulani/IP Adventures by Disney: https://apps.itams.com/AcademyCRM/form/DisneyAdventure/IP How to Support the Show Share the podcast with your friends Rate and review on iTunes - https://itunes.apple.com/us/podcast/the-imagineerpodcasts-podcast/id1244558092 Join the Imagineer Society - https://www.patreon.com/imagineerpodcast Purchase merchandise - https://www.teepublic.com/stores/imagineer-podcast?ref_id=8929 Special thanks to our Imagineer Society "Hero" Members: Jesse Park Jessica Entwistle Enjoy the show!
TSgt Jonathan Freeman from the 324th discusses training.CONNECT on Facebook and SUBSCRIBE ON Apple Podcasts:
If you missed Episode 2 of Cats and Dogs, make sure to tune in before getting a sneak peek of this deleted scene... Director Jenny Shakeshaft works with actors, Cooper Johnson and Jonathan Freeman, to try another take on the coffee shop scene. While this edit did not make the final cut of the show, we hope you enjoy! Subscribe to Lately in La-La Land on Soundwise
This is the week we’re Ash & Avi got to sit down with Jonathan Freeman-Attwood, principal of The Royal Academy of Music. You don’t want to miss this one. Also this is the first episode of season 2 !!!
This week we celebrate the release of Disney+ by running back Jason's favorite Disney movie, Aladdin from 1992! We discuss all of the nostalgia on Disney+, what our three wishes would be, and remember Robin Williams. ** NOT FOR KIDS **InstagramTwitterFacebook
Hello Guys, today's episode is a masterclass in how to live a balanced healthy life whilst maintaining a formidable drive to succeed from world-renowned exercise physiologist turned entrepreneur Jonathan Freeman. We delve into how to balance health, business & family life, we also speak about the importance of keeping an active mobility practice alongside your regular health and fitness training.
Animé par Victoire Bocquillon, Laurent Armand-Zuniga, Franck Armand-Zuniga, Karl Derisson et Frédéric Julien Le Liard Marâtres, scélérats, gredins, bandits, mégères, usurpateurs et sorcières : s'ils ne sont pas les personnages centraux des films d'animations Disney, les Méchants sont indispensables à l'intrigue incontestablement. Pour évoquer ces personnages que le public adore détester, Victoire réunit autour de la table quelques membres de l'équipe pour que chacun rende hommage à son antagoniste préféré. Avant de commencer, et sans dévoiler son choix, chaque chroniqueur donne sa définition des caractéristiques d'un méchant réussi. Les traits de caractère, le charisme, l'animation, le design, le doublage, les intentions ou encore les numéros musicaux sont autant de composantes qui définissent le personnage parfait selon eux. Des plus hautes tours de Notre-Dame aux profondeurs de l'océan, du désert d'Agrabah aux rives du Styx en passant par le Londres du milieu du XXème siècle, chacun expose celui ou celle qui l'effraie, le fait rire et tout simplement le fascine. Édile consumé par le pouvoir et le désir, dieu au débit d'enfer, hystérique accro à la fourrure, cecaelia rancunière, ou vizir qu'Iznogoud n'aurait pas renié, chaque portrait est brossé à travers l'histoire et le contexte de la conception du personnage, de son animation, de ses voix françaises comme originales, de l'analyse de ses desseins et de son destin dans le long-métrage, mais aussi de ses apparitions dérivées dans les séries et les films en prises de vues réelles notamment. Enfin, dans une dernière partie, l'équipe commente les résultats du sondage réalisé sur Facebook et Instagram sur les préférences du public pour ces icônes malfaisantes. Si chaque intervenant a déjà défendu son choix, c’est l’occasion pour chacun de revenir sur les confrères et consœurs de ces personnages mal-intentionnés qui n'ont pas encore été évoqués, dressant en conclusion dans une jovialité bon enfant un glossaire assez complet des Méchants de l'univers Disney. Crédits : Extrait de Hocus Pocus - Les Trois Sorcières de Kenny Ortega © 1993 - Walt Disney Pictures - Tous droits réservés Kidnap the Sandy Claws (instrumental) par Danny Elfman - bande originale de L'Étrange Noël de Monsieur Jack © 1993 - Walt Disney Records - Tous droits réservés Extrait de Le Bossu de Notre-Dame de Gary Trousdale et Kirk Wise © 1996 - Walt Disney Animation Studios - Tous droits réservés Extrait de Hercule de Ron Clements et John Musker © 1997 - Walt Disney Animation Studios - Tous droits réservés Extrait de Les 101 Dalmatiens de Wolfgang Reitherman © 1961 - Walt Disney Animation Studios - Tous droits réservés Extrait de La Petite Sirène de Ron Clements et John Musker © 1989 - Walt Disney Animation Studios - Tous droits réservés Extrait de Aladdin de Ron Clements et John Musker © 1992 - Walt Disney Animation Studios - Tous droits réservés Villain's Medley interprété par Jonathan Freeman et le Aladdin Broadway Musical Cast (Prince Ali (reprise) de Tim Rice et Alan Menken, Poor Unfortunate Souls de Howard Ashman et Alan Menken, Cruella De Vil de Mel Leven, Oogie Boogie's Song de Danny Elfman) @ 2015 - Oh my Disney et The Walt Disney Company - Tous droits réservés
Sarah Evans joins us for another loose, off-the-cuff discussion about various Disney topics. We'll sit down and have an informal Disney discussion and talk about various topics that just happen to come up organically including seeing Jonathan Freeman in the role of Jafar in the Broadway production of "Aladdin", extinct attractions, and changes in the parks.
Frank Henry Loesser abandonó la universidad tras un año de estudios y probó fortuna en diferentes trabajos hasta que en 1935 conoció a una cantante a la que acompañaba al piano en sus actuaciones con la que terminó casándose en 1936. Se marchó a Hollywood donde comenzó escribiendo letras para canciones de películas de Universal y Paramount hasta que el estallido de la segunda guerra mundial le hizo alistarse en la armada, si bien siguió escribiendo letras para composiciones musicales de otros músicos. En 1944 escribió las letras del musical “HI YANK”, producido por el ejército para ser interpretado por y para los soldados desplazados fuera del país. La música la escribió nada menos que Alex North, el genial músico que más tarde escribiría las bandas sonoras de películas como "Espartaco", "Cleopatra", "Un tranvía llamado deseo" o la serie televisiva "Hombre rico, hombre pobre". Recibió el encargo de adaptar a musical la obra de Brandon Thomas “La tía de Carlos”, que con el título de “WHERE’S CHARLEY” se convertiría en todo un éxito, aunque Loesser siguió escribiendo letras de canciones para el cine, llegando a ser nominado al Oscar hasta en cinco ocasiones de las que sólo ganó el premio con la famosa “Baby, it’s cold outside”, para la película “La hija de Neptuno” (1949). Su siguiente trabajo fue su mayor éxito, “GUYS AND DOLLS” (1950), el musical que llevaría al cine Joseph L. Mankiewicz, titulado en España “Ellos y ellas”. "THE MOST HAPPY FELLA" (1956) fue su siguiente musical, centrado en la relación de un hombre mayor con una chica más joven que fue calificado por muchos más como una ópera que como un musical. A este le seguiría GREENWILLOW (1966) que dirigió George Roy Hill, con Anthony Perkins de protagonista, que no tuvo el éxito de sus anteriores obras. “HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING” (1961), sería su último gran éxito, del que nos hemos ocupado en el podcast de “Cuentame un musical” de este mes, ya que sus posteriores trabajos PLEASURES AND PALACES (1965) no llegó a estrenarse en Broadway y SEÑOR DISCRECTION HIMSELF (1966) fue un musical que no llegó a terminar ya que murió en 1969. Aquí os dejamos una selección de canciones suyas, en la que mientras no se indique otra cosa, la música y letras son de Frank Loesser. Espero os gusten 00h 00'00" Presentación 00h 02'22" Cabecera 00h 02'58" Luck be a lady (Seal) 00h 07'30" Adelaide (Frank Sinatra) 00h 10'41" Anywhere I wander (Liz Callaway) 00h 16'02" Let's get lost (Van Morrison) - música de Jimmy McHugh 00h 19'40" Adelaide's lament (Barbra Streisand) 00h 22'54" I said no (Judy Khun) - música de jule Styne 00h 25'23" I've neveer beein in love before (Bing Crosby) 00h 28'23" My heart is so full of you (Liz Callaway) 00h 35'51" Once I love with Amy (Barry Manilow) 00h 39'19" A woman in love (Marlon Brando) 00h 41'53" Brotherhood of man (Matthew Broderick) 00h 47'39" A bushel and a peck (Doris Day) 00h 50'25" Can't get out of this mood (Nina Simone) - música de Jimmy McHugh 00h 52'54" Heart and soul (Bea Wain) - música de Hoagy Carmichael 00h 56'48" A secretary is not a toy (Jonathan Freeman) 00h 59'58" Guys and dolls (Frank Sinatra & Dean Martin) 01h 02'44" I wish I didn't love you so (Kd lang) 01h 05'50" Joey, Joey, Joey (Leslie Odom, jr.) 01h 10'00" Marry the man today (Julia McKenzie & Julie Covington) 01h 12'36" Dolores (Frank Sinatra) - música de Louis Alter 01h 15'29" Baby, it's cold outside (Vanessa Williams & Bobby Caldwell) 01h 20'08" How to succeed / I believe in you (Liz Callaway) 01h 23'52" I'll know (Julie Covington & Ian Charleston) 01h 27'03" Never will I marry (Liz Callaway) 01h 31'59" Sit down, you're rockin' the boat (Sammy Davis Jr.) 01h 35'29" Rosemary (Daniel Radcliffe) 01h 39'20" What are you doing New Year's eve? (Diana Krall) 01h 43'26" On a slow boat to China (Liza Minnelli) 01h 46'42" Song of a summer night (Elaine Paige) 01h 49'10" Standing on the corner (Jerry Hadley) 01h 51'41" If I were a bell (Liz Callaway) 01h 55'41" Somebody somewhere (Doris Day) 01h 58'28" More I cannot wish you (Liz Callaway) 02h 01'44" Spring will be a little late this year (Carly Simon & Jimmy Webb) 02h 05'10" The ugly duckling (Mandy Patinkin) 02h 08'52" Sue me (Frank Sinatra & Vivian Blane) 02h 11'38" They're either too young or too old (Kitty Kallen) - música Arthur Schwartz 02h 14'41" Two sleepy people (Seth MacFarlane & Norah Jones) - música Hoagy Carmichael 02h 19'05" Take back your mink (Debbie Reynolds) 02h 21'49" Inchworm (Rachelle Ferrell) 02h 24'15" Three-cornered tune (Sarah Brightman) 02h 26'24" Sing a tropical song (Andrews Sisters) - música de Jimmy McHugh
Frank Henry Loesser abandonó la universidad tras un año de estudios y probó fortuna en diferentes trabajos hasta que en 1935 conoció a una cantante a la que acompañaba al piano en sus actuaciones con la que terminó casándose en 1936. Se marchó a Hollywood donde comenzó escribiendo letras para canciones de películas de Universal y Paramount hasta que el estallido de la segunda guerra mundial le hizo alistarse en la armada, si bien siguió escribiendo letras para composiciones musicales de otros músicos. En 1944 escribió las letras del musical “HI YANK”, producido por el ejército para ser interpretado por y para los soldados desplazados fuera del país. La música la escribió nada menos que Alex North, el genial músico que más tarde escribiría las bandas sonoras de películas como "Espartaco", "Cleopatra", "Un tranvía llamado deseo" o la serie televisiva "Hombre rico, hombre pobre". Recibió el encargo de adaptar a musical la obra de Brandon Thomas “La tía de Carlos”, que con el título de “WHERE’S CHARLEY” se convertiría en todo un éxito, aunque Loesser siguió escribiendo letras de canciones para el cine, llegando a ser nominado al Oscar hasta en cinco ocasiones de las que sólo ganó el premio con la famosa “Baby, it’s cold outside”, para la película “La hija de Neptuno” (1949). Su siguiente trabajo fue su mayor éxito, “GUYS AND DOLLS” (1950), el musical que llevaría al cine Joseph L. Mankiewicz, titulado en España “Ellos y ellas”. "THE MOST HAPPY FELLA" (1956) fue su siguiente musical, centrado en la relación de un hombre mayor con una chica más joven que fue calificado por muchos más como una ópera que como un musical. A este le seguiría GREENWILLOW (1966) que dirigió George Roy Hill, con Anthony Perkins de protagonista, que no tuvo el éxito de sus anteriores obras. “HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING” (1961), sería su último gran éxito, del que nos hemos ocupado en el podcast de “Cuentame un musical” de este mes, ya que sus posteriores trabajos PLEASURES AND PALACES (1965) no llegó a estrenarse en Broadway y SEÑOR DISCRECTION HIMSELF (1966) fue un musical que no llegó a terminar ya que murió en 1969. Aquí os dejamos una selección de canciones suyas, en la que mientras no se indique otra cosa, la música y letras son de Frank Loesser. Espero os gusten 00h 00'00" Presentación 00h 02'22" Cabecera 00h 02'58" Luck be a lady (Seal) 00h 07'30" Adelaide (Frank Sinatra) 00h 10'41" Anywhere I wander (Liz Callaway) 00h 16'02" Let's get lost (Van Morrison) - música de Jimmy McHugh 00h 19'40" Adelaide's lament (Barbra Streisand) 00h 22'54" I said no (Judy Khun) - música de jule Styne 00h 25'23" I've neveer beein in love before (Bing Crosby) 00h 28'23" My heart is so full of you (Liz Callaway) 00h 35'51" Once I love with Amy (Barry Manilow) 00h 39'19" A woman in love (Marlon Brando) 00h 41'53" Brotherhood of man (Matthew Broderick) 00h 47'39" A bushel and a peck (Doris Day) 00h 50'25" Can't get out of this mood (Nina Simone) - música de Jimmy McHugh 00h 52'54" Heart and soul (Bea Wain) - música de Hoagy Carmichael 00h 56'48" A secretary is not a toy (Jonathan Freeman) 00h 59'58" Guys and dolls (Frank Sinatra & Dean Martin) 01h 02'44" I wish I didn't love you so (Kd lang) 01h 05'50" Joey, Joey, Joey (Leslie Odom, jr.) 01h 10'00" Marry the man today (Julia McKenzie & Julie Covington) 01h 12'36" Dolores (Frank Sinatra) - música de Louis Alter 01h 15'29" Baby, it's cold outside (Vanessa Williams & Bobby Caldwell) 01h 20'08" How to succeed / I believe in you (Liz Callaway) 01h 23'52" I'll know (Julie Covington & Ian Charleston) 01h 27'03" Never will I marry (Liz Callaway) 01h 31'59" Sit down, you're rockin' the boat (Sammy Davis Jr.) 01h 35'29" Rosemary (Daniel Radcliffe) 01h 39'20" What are you doing New Year's eve? (Diana Krall) 01h 43'26" On a slow boat to China (Liza Minnelli) 01h 46'42" Song of a summer night (Elaine Paige) 01h 49'10" Standing on the corner (Jerry Hadley) 01h 51'41" If I were a bell (Liz Callaway) 01h 55'41" Somebody somewhere (Doris Day) 01h 58'28" More I cannot wish you (Liz Callaway) 02h 01'44" Spring will be a little late this year (Carly Simon & Jimmy Webb) 02h 05'10" The ugly duckling (Mandy Patinkin) 02h 08'52" Sue me (Frank Sinatra & Vivian Blane) 02h 11'38" They're either too young or too old (Kitty Kallen) - música Arthur Schwartz 02h 14'41" Two sleepy people (Seth MacFarlane & Norah Jones) - música Hoagy Carmichael 02h 19'05" Take back your mink (Debbie Reynolds) 02h 21'49" Inchworm (Rachelle Ferrell) 02h 24'15" Three-cornered tune (Sarah Brightman) 02h 26'24" Sing a tropical song (Andrews Sisters) - música de Jimmy McHugh
Happy Tuesday, February 5th Everyone! And Happy Lunar New Year! Wishing you All Joy, Inspiration & Plenty of Good Luck! Weather in the parks today is Cloudy with a slight chance of Rain and a High of 54 degrees. Happy Birthday to the Voice of Jafar in Disney's Aladdin, The Tony Nominated Actor, Jonathan Freeman was born on this day in the year 1950. In Disneyland History, on this day in the year 2001 - The Rancho del Zocalo Restaurante opened in Frontierland at Disneyland. New Pixar Short “ PURL” was released yesterday as a Promotion for Disney's New Streaming Service that launches in late 2019. You can view the Short online in its entirety. Speaking of Pixar, the New International Teaser Poster for Toy Story 4 was just released. Reminder, Lunar Year Festivities are still going on in DCA & AP holders, don't forget to check out the AP Corner for your fun Photo Op as well as an AP Button. You can find the AP Corner under the Silly Symphony Swings. For More Minnie Mice Minute Updates, Subscribe on Itunes, SoundCloud or Google Play! Again, I'm Mama Mouse Cynthia, co-host of The Minnie Mice Show, Make sure you check us out at @TheMinniemice Thanks for listening…. This is the Minnie Mice sounding off! Until Next time, Be Kind & Spread Some Magic!
The love, sex and relationship guru and host of the Savage Lovecast gives us his thoughts and tips!Note: this episode is very Not Safe For Work – save for later if that's relevant!Also, co-host Jonathan Freeman is leaving us and signs off!Finally, The Gender Knot is on hiatus until 15th October. We'll be back with a new season then.Guest:Dan Savage, sex and relationship advice columnist and Savage Lovecast host Host and producer:Nas aka Nastaran Tavakoli-FarCo-host:Jonathan FreemanCo-producers:Sam Baker and Jonathan Blackwell Additional links:Gender Knot merch available at TeePublicThe Gender Knot podcast and Facebook GroupMusic: Government Funded Weed by Black Ant (used under Creative Commons)
‘Transformative' is a word we've heard from so many men who've benefitted from men's groups. It's a topic that's comes up on this podcast a lot. Why are so many men getting together with other men to talk about their lives and experiences? How do these groups work and what do they talk about in them? And can they provide men with the support that they need?Guests:Kenny Mammarella D'Cruz 'The Man Whisperer', men's group founder and personal development consultant http://www.kennydcruz.com/Chad Howse, fitness and lifestyle blogger and host of the podcast Man Up with Chad Howse podcast http://chadhowsefitness.com/Anonymous member of a men's groupRowan Andrews, men's group coach and facilitator and a business coach https://www.meetup.com/Mens-group-NoMoreMrNiceGuy-UK/Host and producer: Nas aka Nastaran Tavakoli-FarCo-hosts: Jonathan Freeman and Jonathan BlackwellCo-producers: Sam Baker and Jonathan BlackwellSponsor: Beer52 – head to https://www.beer52.com/gender for a free case of British craft beerAdditional links:The Gender Knot podcast https://www.thegenderknot.com/ and Facebook Group https://www.facebook.com/groups/182851532302085/The Gender Knot: Mark Manson on men's groups https://radiopublic.com/the-gender-knot-Wk23py/ep/s1!4ccadThe Gender Knot: Women's groups, Men's groups https://radiopublic.com/the-gender-knot-Wk23py/ep/s1!b483fMusic: Government Funded Weed by Black Ant (used under Creative Commons)5 Pieces by Black Ant (used under Creative Commons)
Story: Nichts macht Aladdin lieber, als über Dächer zu springen und gemeinsam mit seinem lustigen Äffchen Abu griesgrämige Händler auszutricksen. Er kennt die Gassen der Basare wie seine Westentasche und trotzdem träumt er von einem anderen Leben, seit er Jasmin, die Tochter des Sultans kennengelernt hat. Eines Tages ändert sich Aladdins Leben schlagartig, denn er gelangt in den Besitz einer Wunderlampe und die hat es wirklich in sich: einen gigantischen, unendlich ausgeflippten Flaschengeist namens Dschinni, der seinem Besitzer drei Wünsche erfüllen kann. Aber auch der hinterhältige Großwesir Dschafar kennt die Macht der Lampe und will mit ihrer Hilfe seine finsteren Pläne verwirklichen. DVD-Release: 15.06.2017 (Walt Disney) Aladdin Genre: Komödie, Abenteuer, Fantasy, Familie, Animation Land: USA 1992 Laufzeit: ca. 90 min. FSK: 0 Regie: Ron Clements, John Musker Drehbuch: Ron Clements, Ted Elliott, John Musker, Terry Rossio Buch: Hanna Diab, Antoine Galland Animation: Aaron Blaise, Robert Walker, Glen Keane Musik: Alan Menken, Robin Williams Produzenten: Ron Clements, John Musker Mit Robin Williams, Jonathan Freeman, Scott Weinger, Linda Larkin, Frank Welker, Gilbert Gottfried, Jim Cummings, Charlie Adler, ... Synchronsprecher: Peer Augustinski, Joachim Kemmer, Michael Deffert, Maud Ackermann, Gerry Wolff, Wolfgang Kühne, Santiago Ziesmer, Wolfgang Ziffer, Jürgen Kluckert, ... https://youtu.be/WlQbdYLEU_c
Story: Nichts macht Aladdin lieber, als über Dächer zu springen und gemeinsam mit seinem lustigen Äffchen Abu griesgrämige Händler auszutricksen. Er kennt die Gassen der Basare wie seine Westentasche und trotzdem träumt er von einem anderen Leben, seit er Jasmin, die Tochter des Sultans kennengelernt hat. Eines Tages ändert sich Aladdins Leben schlagartig, denn er gelangt in den Besitz einer Wunderlampe und die hat es wirklich in sich: einen gigantischen, unendlich ausgeflippten Flaschengeist namens Dschinni, der seinem Besitzer drei Wünsche erfüllen kann. Aber auch der hinterhältige Großwesir Dschafar kennt die Macht der Lampe und will mit ihrer Hilfe seine finsteren Pläne verwirklichen. DVD-Release: 15.06.2017 (Walt Disney) Aladdin Genre: Komödie, Abenteuer, Fantasy, Familie, Animation Land: USA 1992 Laufzeit: ca. 90 min. FSK: 0 Regie: Ron Clements, John Musker Drehbuch: Ron Clements, Ted Elliott, John Musker, Terry Rossio Buch: Hanna Diab, Antoine Galland Animation: Aaron Blaise, Robert Walker, Glen Keane Musik: Alan Menken, Robin Williams Produzenten: Ron Clements, John Musker Mit Robin Williams, Jonathan Freeman, Scott Weinger, Linda Larkin, Frank Welker, Gilbert Gottfried, Jim Cummings, Charlie Adler, ... Synchronsprecher: Peer Augustinski, Joachim Kemmer, Michael Deffert, Maud Ackermann, Gerry Wolff, Wolfgang Kühne, Santiago Ziesmer, Wolfgang Ziffer, Jürgen Kluckert, ... https://youtu.be/WlQbdYLEU_c
Many people have expressed concern about what behaviour is or isn't appropriate when it comes to dating, including dating in the workplace. We explore the nuances.We also welcome our co-host for season 2: Jonathan Freeman.Host & producer: Nas aka Nastaran Tavakoli-FarCo-host: Jonathan FreemanCo-producers: Sam Baker, Jonathan BlackwellGuest: Daniel Carroll, co-host of the podcast Fine and Dandy with Dan and Andy https://fineanddandypod.com/Related links: The Gender Knot https://www.thegenderknot.com/Music: Government Funded Weed by Black Ant (used under Creative Commons)
Roger Ross Williams' latest feature documentary is about a 23-year-old autistic man who's obsessed with Disney movies - basically, me, if you just wind his age back two years, move him from America to Australia and rotate his sexuality 180 degrees. In light of that, you'll have to forgive me since I can't exactly distance myself from what is pretty much my own biography. Mostly, I was just overjoyed to see a real person that I can relate to standing on the screen in front of me. I feel like I've earned that given how much of my life I've been looking at that screen. Not only is he obsessed with something that is neither maths or IT, he is also not a little kid: he is a self-aware adult, and fortunately Williams knows how to treat him as such. Unlike the subjects of most other autism documentaries, he is old enough to reflect on his own past and current experiences of friendship, love, and coming of age, and he is actually given the space here to share his reflections. Owen Suskind, the man in question, has watched every single animated film that Disney has ever made, and memorised every single line of dialogue. Most of these stories and characters have been a part of his life for as long as he can remember. They have a place in his heart and mind that goes far beyond their nostalgic value. Why does he love Disney so much? This is probably the only question he never answers for us. Not that I blame him, I wouldn’t really know where to start with that one. It’s just such an integral part of my psyche, of my personality and identity that it really would require me to step outside of myself to explain where that obsession came from and why it has endured. Owen’s parents talk about the comforting predictability in watching these same movies over and over, not only in that individually they never change but also that there are certain things you can always expect from a Disney animation, such as a happy ending. They also think it might be that the softness of the animation gels well with his sensory hypersensitivities, or the fact that the characters are, ironically, both very colourful and very black and white in their design. It’s a pretty clinical and simplistic explanation, but it’s not a bad start. What the film itself suggests, even if no one explicitly says it, is that these movies are a thrilling escape into a very different universe, a “whole new world” if you like, filled with endless possibility. The life of an autistic kid in a non-autistic world can be painfully lonely. Of course, Owen himself describes better than anyone else just how crushingly isolating it is. You want to make friends as much as anyone else does, but everyone you meet just dismisses you as the “weird” kid. By the end of primary school, the word “weird” can start to feel like a hateful slur. Everything about you that is unique, everything you love, everything you do, your entire identity is pushed aside and pigeon-holed into this single, meaningless category that no child wants to be a part of. Both Owen and I eventually gave up trying to play with other children and would play with the Disney characters instead. You still have fun that way and enjoy being a child. They can actually feel like good substitutes for friends. Up to a certain point, they fill that gaping hole. Even when you leave the house, you can spend ages revisiting them in your mind. Owen still likes to recite some of their best lines to himself when he’s out and about, in the way that most other people might sing to themselves. It’s also satisfying to make your up your own stories about them in your head. It’s the closest you can get to actually bringing them to life, and, until you finally learn to accept yourself and start to be accepted by others, this is the closest you can come to being a hero. At about the age of ten, Owen had written and illustrated a hundred-page story about all of the wise and quirky Disney sidekick characters, naming himself the “protector of the sidekicks” who kept them safe from the monster terrorising the forest that was their home. It’s easy to see why Owen identifies so strongly with these funny or sage-like side characters. As someone with unusual mannerisms and very specific interests, if this was any other movie he would most likely be a side character. He would be cast as the helping hand to the ‘relatable’ hero, put there to provide laughter when things got tense, wise words when things got rocky, and hi-fives when things turned out well for them, but his own aspirations, fears, goals and longings for companionship would never be considered. You can tell a lot about a person by the characters they identify with the most, especially when they’re not the ones you’re supposed to feel represented by. In this production, Owen’s story of the sidekick is brought to life in some dazzling animation sequences by the team of Matthieu Betard, Olivier Lescot and Philippe Sonrier. I can easily imagine just how excited Owen must have been to get that rare opportunity of seeing his childhood fantasies on screen. Equally, the scenes showing the Disney club he started with his fellow Neurodivergent friends are some of the most moving and satisfying moments in the film. I am happy to say that Owen has definitely not been made the sidekick in his own story. One of the many benefits of choosing an adult subject for an autism documentary is that you can show them taking their life into their own hands and making it better. Owen turns what used to be his sorry substitute for friends into a way to meet and connect with like-minded people, real people who will always be there for him. It also turns out to be a way for him to meet Jonathan Freeman and Gilbert Godfried, who pay the group a surprise visit and do a live reading of Jafar and Iago, their respective parts in Aladdin. Of course, the other important opportunity given by Williams’ choice of subject is that of exploring romantic relationships. Owen’s conversations with his girlfriend, Emily, who is also Neurodivergent, sound unhealthily strained. In many ways autistic people can be said to have their own language, and their own way of communicating. This is why an autistic person who is asked to communicate the way non-autistic people do will sound a bit like someone who is speaking in a language that is not their native tongue. It is quite strange that Owen and Emily would feel the need to speak in a neurotypical way when it is just the two of them, but there is obviously a force of habit at play. It is interesting that Life, Animated focuses quite a lot on the movie Peter Pan, seeing as there is this tendency view autistic people as children who never grow up, just like the lost boys. Certainly, on the surface, people like Emily and Owen might sound and look like children, but it is hard to know whether that is just the way they naturally carry themselves, or whether it is because they are usually spoken to as if they were children, which leads them to think that that is how other people like to be spoken to. In this manner, a lot of the medical and clinical studies of autism are very chicken and egg. The only trap of infantilisation that this film really falls into is its suggestion that Owen basically doesn'tknow what sex is. Sex is another thing that can be especially complicated for autistic people, but, unlike friendships at school, it is surprisingly easy, at least to a certain point, to convince yourself that it doesn't exist (after all, non-autistic people pretend that's true all the time when they talk to each other). His older brother and close mentor thinks that Owen actually doesn't understand it at all, mostly because he could never have learned it from watching Disney and because Owen's been very unresponsive any time he's brought it up. However, just because he doesn't like to talk it about with his brother, or on camera (which is far enough) doesn't mean he knows nothing about it. Nevertheless, Williams does give Owen ample opportunity to speak for himself on camera, and also to express himself through his impressive illustrations, as well as, of course, his favourite Disney scenes. He rounds off the film with some footage of Owen opening an international autism conference: a powerful reflection of the social progress of the past several decades. I can certainly understand how strange it must have felt, to be a 23-year-old who has fast-tracked their way to the big time thanks to their exotic brain. Unsurprisingly, Owen finds it hard to pen down everything he has to share into just one little speech, and asks his father, Ron, what he should say. Ron tells him that it is all up to him, that it's his story to tell, which is ironic, considering this film is technically based on the book that he wrote about his son's life with autism. Even so, by the time he is able to stand up there and present himself as a proudly autistic adult, his family has finally realised that he is not a lost boy, he is a man who has found himself. Written by Christian Tsoutsouvas
Roger Ross Williams' latest feature documentary is about a 23-year-old autistic man who's obsessed with Disney movies - basically, me, if you just wind his age back two years, move him from America to Australia and rotate his sexuality 180 degrees. In light of that, you'll have to forgive me since I can't exactly distance myself from what is pretty much my own biography. Mostly, I was just overjoyed to see a real person that I can relate to standing on the screen in front of me. I feel like I've earned that given how much of my life I've been looking at that screen. Not only is he obsessed with something that is neither maths or IT, he is also not a little kid: he is a self-aware adult, and fortunately Williams knows how to treat him as such. Unlike the subjects of most other autism documentaries, he is old enough to reflect on his own past and current experiences of friendship, love, and coming of age, and he is actually given the space here to share his reflections. Owen Suskind, the man in question, has watched every single animated film that Disney has ever made, and memorised every single line of dialogue. Most of these stories and characters have been a part of his life for as long as he can remember. They have a place in his heart and mind that goes far beyond their nostalgic value. Why does he love Disney so much? This is probably the only question he never answers for us. Not that I blame him, I wouldn’t really know where to start with that one. It’s just such an integral part of my psyche, of my personality and identity that it really would require me to step outside of myself to explain where that obsession came from and why it has endured. Owen’s parents talk about the comforting predictability in watching these same movies over and over, not only in that individually they never change but also that there are certain things you can always expect from a Disney animation, such as a happy ending. They also think it might be that the softness of the animation gels well with his sensory hypersensitivities, or the fact that the characters are, ironically, both very colourful and very black and white in their design. It’s a pretty clinical and simplistic explanation, but it’s not a bad start. What the film itself suggests, even if no one explicitly says it, is that these movies are a thrilling escape into a very different universe, a “whole new world” if you like, filled with endless possibility. The life of an autistic kid in a non-autistic world can be painfully lonely. Of course, Owen himself describes better than anyone else just how crushingly isolating it is. You want to make friends as much as anyone else does, but everyone you meet just dismisses you as the “weird” kid. By the end of primary school, the word “weird” can start to feel like a hateful slur. Everything about you that is unique, everything you love, everything you do, your entire identity is pushed aside and pigeon-holed into this single, meaningless category that no child wants to be a part of. Both Owen and I eventually gave up trying to play with other children and would play with the Disney characters instead. You still have fun that way and enjoy being a child. They can actually feel like good substitutes for friends. Up to a certain point, they fill that gaping hole. Even when you leave the house, you can spend ages revisiting them in your mind. Owen still likes to recite some of their best lines to himself when he’s out and about, in the way that most other people might sing to themselves. It’s also satisfying to make your up your own stories about them in your head. It’s the closest you can get to actually bringing them to life, and, until you finally learn to accept yourself and start to be accepted by others, this is the closest you can come to being a hero. At about the age of ten, Owen had written and illustrated a hundred-page story about all of the wise and quirky Disney sidekick characters, naming himself the “protector of the sidekicks” who kept them safe from the monster terrorising the forest that was their home. It’s easy to see why Owen identifies so strongly with these funny or sage-like side characters. As someone with unusual mannerisms and very specific interests, if this was any other movie he would most likely be a side character. He would be cast as the helping hand to the ‘relatable’ hero, put there to provide laughter when things got tense, wise words when things got rocky, and hi-fives when things turned out well for them, but his own aspirations, fears, goals and longings for companionship would never be considered. You can tell a lot about a person by the characters they identify with the most, especially when they’re not the ones you’re supposed to feel represented by. In this production, Owen’s story of the sidekick is brought to life in some dazzling animation sequences by the team of Matthieu Betard, Olivier Lescot and Philippe Sonrier. I can easily imagine just how excited Owen must have been to get that rare opportunity of seeing his childhood fantasies on screen. Equally, the scenes showing the Disney club he started with his fellow Neurodivergent friends are some of the most moving and satisfying moments in the film. I am happy to say that Owen has definitely not been made the sidekick in his own story. One of the many benefits of choosing an adult subject for an autism documentary is that you can show them taking their life into their own hands and making it better. Owen turns what used to be his sorry substitute for friends into a way to meet and connect with like-minded people, real people who will always be there for him. It also turns out to be a way for him to meet Jonathan Freeman and Gilbert Godfried, who pay the group a surprise visit and do a live reading of Jafar and Iago, their respective parts in Aladdin. Of course, the other important opportunity given by Williams’ choice of subject is that of exploring romantic relationships. Owen’s conversations with his girlfriend, Emily, who is also Neurodivergent, sound unhealthily strained. In many ways autistic people can be said to have their own language, and their own way of communicating. This is why an autistic person who is asked to communicate the way non-autistic people do will sound a bit like someone who is speaking in a language that is not their native tongue. It is quite strange that Owen and Emily would feel the need to speak in a neurotypical way when it is just the two of them, but there is obviously a force of habit at play. It is interesting that Life, Animated focuses quite a lot on the movie Peter Pan, seeing as there is this tendency view autistic people as children who never grow up, just like the lost boys. Certainly, on the surface, people like Emily and Owen might sound and look like children, but it is hard to know whether that is just the way they naturally carry themselves, or whether it is because they are usually spoken to as if they were children, which leads them to think that that is how other people like to be spoken to. In this manner, a lot of the medical and clinical studies of autism are very chicken and egg. The only trap of infantilisation that this film really falls into is its suggestion that Owen basically doesn'tknow what sex is. Sex is another thing that can be especially complicated for autistic people, but, unlike friendships at school, it is surprisingly easy, at least to a certain point, to convince yourself that it doesn't exist (after all, non-autistic people pretend that's true all the time when they talk to each other). His older brother and close mentor thinks that Owen actually doesn't understand it at all, mostly because he could never have learned it from watching Disney and because Owen's been very unresponsive any time he's brought it up. However, just because he doesn't like to talk it about with his brother, or on camera (which is far enough) doesn't mean he knows nothing about it. Nevertheless, Williams does give Owen ample opportunity to speak for himself on camera, and also to express himself through his impressive illustrations, as well as, of course, his favourite Disney scenes. He rounds off the film with some footage of Owen opening an international autism conference: a powerful reflection of the social progress of the past several decades. I can certainly understand how strange it must have felt, to be a 23-year-old who has fast-tracked their way to the big time thanks to their exotic brain. Unsurprisingly, Owen finds it hard to pen down everything he has to share into just one little speech, and asks his father, Ron, what he should say. Ron tells him that it is all up to him, that it's his story to tell, which is ironic, considering this film is technically based on the book that he wrote about his son's life with autism. Even so, by the time he is able to stand up there and present himself as a proudly autistic adult, his family has finally realised that he is not a lost boy, he is a man who has found himself.Written by Christian TsoutsouvasSee omnystudio.com/listener for privacy information.
Let's get down to business and show you the world. In this episode of the Spiraken Movie review, Xan and Jacqie finish off the theme month of Family, Fantasy, and Fantastic Pixie Dust with not one but two great films from Walt Disney. Both of these movies have action, adventure, romance and an unlikely hero. The first is the great chinese biography "Mulan" directed by Barry Cook and starring Ming-Na Wen, Eddie Murphy, BD Wong, Miguel Ferrer, Harvey Fierstein, June Foray, George Takei & Pat Morita. ----more----The other is a personal favorite of Xan's based on the famous arabic folktale One Thousand and One Nights. So also enjoy as Jaxie and Xan review Disney's "Aladdin"directed by Ron Clements and starring Scott Weinger, Robin WIliams, Linda Larkin, Jonathan Freeman, Frank Welker, Gilbert Gottfried and Douglas Seale There is discussion on the original source material of these films, the addictive nature of the songs and how much we miss Robin Williams. Xan also pimps out what panels he will be doing at Anime Boston. Hope you enjoy Please send us any comments concerns and ideas on how to make this podcast better. Let us know so we can do something about it. Rate us on iTunes, check out the facebook fangroup Spiraken Movie Review, purchase some stuff from our amazon store in order to fund this podcast, Check out White Duck's BBC Tea Party Event and finally, listen to the primary podcast, The Spiraken Manga Review Music For Episode: Intro Music -男子漢 Nan Zi Han by Chan Kong-sang, 陳港生 (Mulan OST Mandarian Version),Background Music -When You Wish Upon A Star ( Walt Disney OST),g>Background Music -I'll Make A Man Out Of You by Donnie Osmond & Chorus(Mulan OST), Background Music -Reflection by Lea Salonga (Mulan OST), Background Music -A Girl Worth Fighting For by Harvey Fierstein, James Hong, Jerry Tondo, Lea Salonga & Matthew Wilder (Mulan OST),Background Music -Reflection by Coco Lee (Mulan OST Mandarian Version), Background Music -Arabian Nights by Bruce Adler (Aladdin OST), Background Music -One Jump Ahead by Brad Kane (Aladdin OST), Background Music -Friend Like Me Robin Williams (Aladdin OST),Background Music -Prince Ali by Robin Williams (Aladdin OST),Ending Music -A Whole New World by Lea Salonga and Brad Kane(GMA 2015) Our Website http://www.spiraken.com Our Email Spirakenmovie@gmail.com My Email xan@spiraken.com Co Host's Email lunabotan007@gmail.com Our Twitter Spirakenmovie Our facebook fangroup Spiraken Movie Review Our Amazon Store www.amazon.com/shops/Spiraken Xboxlive Gamertag Xan Spiraken Random Question of the Week: What is your all time favorite Disney Film?
November's Interview: Jonathan Freeman - the voice of Jafar in Disney's Aladdin! Jafar is easily one of the BEST DISNEY VILLAINS OF ALL TIME. Come join Tim as he interviews the man behind the voice...Don't forget to donate to help keep us going - even if it's a dollar: DONATEPlease rate us on iTunes: iTunesVisit our website: www.SaturdayMorningRewind.comFollow us on Twitter: @SaturdayRewindFollow us on Facebook: Facebook
Following the obvious round up of WWDC, Scotty & John take a look a rather more serious aspect of Indie life with Jonathan Freeman.
In amongst the banter Scotty & John still manage to extract some meaningful content from Jonathan Freeman's experience as an exhibitor at Mac World & Danny Greg's thoughts on NSCell.
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