Podcasts about cetra

VOD: https://www.youtube.com/live/pG9NB584Tq4Part 2 of 2: Our review and analysis of FF7 Rebirth Chapter 13: Where Angels Fear To Tread. Each character's trial. The Cetra, Jenova, and Black Materia Lore. Cloud's mental breakdown! - what we loved and what we didn't. Our analysis, favorite moments, foreshadowing, theories, fun facts, and more!Be sure to follow the links to the surveys each week to send us your thoughts and rankings!BECOME A PARTY MEMBER!:Patreon:https://www.Patreon.com/FinalFanTVKo-Fi:https://www.Ko-fi.com/FinalFanTVYouTube Membership:https://www.youtube.com/channel/UC5bPEMz2SYTkWr-JZv1ZXZw/join

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Das Ende des Jahres ist auch dafür da, zurückzuschauen auf das, was in den vergangenen Monaten geleistet wurde. Wir haben dazu vor einiger Zeit die RG Awards ins Leben gerufen, die die besten Leistungen am, im und außerhalb vom Netz honorieren. Martin und Joel aus dem Awards-Team stellen die diesjährigen Kategorien und vor allem Nominierten vor, für die Ihr ab jetzt abstimmen könnt!

durée : 00:15:35 - Mass in B Minor : J. S. Bach - La Cetra Basel - La Cetra de Bâle a 25 ans ! Pour fêter cet anniversaire, La Cetra et Arcana publient un enregistrement de « la plus grande œuvre d'art musical de tous les temps », comme elle fut qualifiée au XIXe siècle : la Messe en si mineur de Bach.

durée : 00:15:35 - Mass in B Minor : J. S. Bach - La Cetra Basel - La Cetra de Bâle a 25 ans ! Pour fêter cet anniversaire, La Cetra et Arcana publient un enregistrement de « la plus grande œuvre d'art musical de tous les temps », comme elle fut qualifiée au XIXe siècle : la Messe en si mineur de Bach.

There's no turning back! We have officially hit the endgame and this week Nick and Camille explore the twisting and turning Labyrinth. We talk about our appreciation for the complex Turks, debate how far lost Cloud is and go in depth on what the trials mean for each member. And we decide if a character has really earned their redemption. Got thoughts? Join the AutoSave Discord to chat more about this mission, other games you're playing or what's coming out soon. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them! Join the Patreon squad to support the show. Follow @autosavepodcast on X. While you are there say hello to @thisiscamco and @NickAndrade, or reach out to the show over email to say hey podcast@autosavepod.com If merch is your thing, be sure to check out the store. You can also join us on twitch, because you never know when we will pop in for a live show. If you enjoyed this episode, please rate AutoSave 5-Stars on Apple Podcasts.

Get ready to revolutionize your understanding of mass timber construction! This week, we bring you a whirlwind of global updates, starting with Cetra's strategic move to open a new office in Nymir, Sweden, to cater to the surging demand in the north. Celebrate with us as Studio Gang earns a prestigious honor award for their Crescent College Renewal Project in New York. The revival of the Conway plant by Mercer Timber is another highlight you won't want to miss—it's a significant milestone that marks resilience and innovation in the industry. We're also thrilled to share the latest buzz around the Theodore Roosevelt Presidential Library in North Dakota and its pioneering use of mass timber, embodying the legacy of conservation. Johns Hopkins University is making waves with their new student center, and the Humber Cultural Hub has achieved the Zero Carbon Building Design Standard certification, setting new benchmarks in sustainability. Tune in to our podcast, and don't forget to check out the exclusive photos and insights on our LinkedIn feed. This episode is packed with inspiration and cutting-edge developments that every mass timber enthusiast needs to hear!Support the Show.

Our 502nd episode, which aired on March 24, 2024. Reverie Road – The Gap of Dreams, Reverie Road DUG – Jubilee, single release Rapalje – Tune for a Found Harmonium, Diamonds Cara Dillon & Paul Brady – Streets of Derry, The Transatlantic Sessions 3 Vol. 1 NEW TO YOU: Alexis Chartrand & Cedric Dind-Lavoie – Mimeux, Au Chemin 4 Doc Rossi – The Fairies Hornpipe/Whisky You're the Devil, Pasqualini Demarzi: Six Sonatas for Cetra or Kitara Cillian Vallely & David Doocey – Bolt the Door, The Yew & The Orchard JigJam – The Robin, Across the Pond Altan – The Yellow Tinker, Donegal Jim Sharkey – Trouble, Our Old Village CLOSET CLASSIC: Ashley MacIsaac & Howie MacDonald – Mocking Bird Medley, Cape Breton Fiddle Music Not Calm Niamh Regan – Madonna, Come As You Are

Marco Testi"La cetra e la penna"Dalla letteratura alla canzone d'autoreAncora Editricewww.ancoralibri.itGiovedì 14 marzo, alle ore 17, alla Libreria AncoraStore, in via della Conciliazione n. 63 a Roma, il libro “La cetra e la penna – Dalla letteratura alla canzone d'autore” di Marco Testi. L'autore converserà con Nicoletta Nicolai e Franco Esposito-Soekardi.In queste pagine si parla della cosiddetta canzone d'autore, di quel tentativo cioè di fondere parole e tessuto musicale che si è manifestato soprattutto a partire dalla fine degli anni Cinquanta del Novecento e che ha lasciato tracce indelebili in opere divenute pietre miliari non solo del mondo della canzone, ma della poesia e della cultura contemporanea. In filigrana dietro i testi di autori nordamericani come Cohen e Dylan, francesi come Brel o Brassens e infine italiani come – tanto per fare alcuni nomi – Battiato, Dalla, De André, De Gregori e Vecchioni, troviamo così echi, cadenze, immagini provenienti da una molteplicità di fonti letterarie, da Omero a Whitman, da Baudelaire a Joyce. Senza dimenticare la Bibbia, il «grande codice dell'Occidente», che ha insegnato anche ai cantautori «a intrecciare nel loro pensare, scrivere e cantare, spirito e corpo, mito e storia, mistica e amore, sacro e profano, ma soprattutto Dio e uomo, avendo sempre accesa nel loro cielo la stella della Scrittura» (card. Gianfranco Ravasi).«Ho cercato (e trovato!) alcune radici, che ci hanno rivelato come perfino la tanto vituperata canzone nasconda aristocratiche paternità. Anche dove non sembrerebbe. Perché non sono solo canzonette».Marco Testi è storico della letteratura e critico letterario. Scrive sulle pagine culturali dell'agenzia stampa SIR, su «L'Osservatore Romano» e «La Civiltà Cattolica». Ha pubblicato, fra le altre cose, Sentieri nascosti. Quando i libri celano nuovi modi di vedere il mondo (Ed. Fili d'aquilone, 2019); La cura. Il libro come salvezza dalla solitudine e dalla paura (Fuorilinea, 2021) e il romanzo Risvegli (Robin, 2023).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

This episode coversIdiotic by X-CetraUnderstanding In A Car Crash by ThursdayWebsite: https://redcircle.com/shows/two-tunes-podcastInstagram: https://instagram.com/twotunespodcast?igshid=13gpurxc3bf2qDiscord: https://discord.gg/eYMwBuJ6GeRSS Feed: https://feeds.redcircle.com/baeeceec-9527-475d-85b5-d9da2eea19d3E-mail: twotunespodcast@gmail.comSupport this podcast at — https://redcircle.com/two-tunes-podcast/exclusive-content

Ai salici delle sponde avevamo appeso le nostre cetre.Salmo 137:2

Raísa Cetra is co-executive director at Article 19 Brazil and South America and PhD student in Global Health at USP. She has a bachelor's degree in International Relations at the same university. She has worked widely on international human rights law within civil society organizations, mostly in Brazil and Argentina and in regional and global foruns, such as the United Nations, the Inter-American Human Rights System and Mercosur. Nationally, Raísa has extensive experience with the development of public policies that internalize human rights standards on topics such as migration, democracy and freedom of expression.Brazil is going through challenging times. There's never been a more important moment to understand Brazil's politics, society, and culture. To go beyond the headlines, and to ask questions that aren't easy to answer. 'Brazil Unfiltered,' does just that. This podcast is hosted by James N. Green, Professor of Brazilian History and Culture at Brown University and the National Co-Coordinator of the U.S. Network for Democracy in Brazil.razil Unfiltered is part of the Democracy Observatory, supported by the Washington Brazil Office. This podcast is edited and produced by Camilo Rocha in São Paulo.https://www.braziloffice.org/en/observatory#activities

All of us have some sort of mental map inside our heads for how the world is laid out. North America is north of South America. Europe is west of Asia. et Cetra.  However, even the greatest geography minds often have a flawed mental map of the world. Places aren't often where were think they are in relation to other places.  Learn more about why almost everyone's mental map of the world is wrong and why it is so on this episode of Everything Everywhere Daily. Sponsor BetterHelp is an online platform that provides therapy and counseling services to individuals in need of mental health support. The platform offers a range of communication methods, including chat, phone, and video sessions with licensed and accredited therapists who specialize in different areas, such as depression, anxiety, relationships, and more. Get 10% off your first month at BetterHelp.com/Everywhere If you're looking for a simpler and cost-effective supplement routine, Athletic Greens is giving you a FREE 1-year supply of Vitamin D AND 5 free travel packs with your first purchase. Go to athleticgreens.com/EVERYWHERE.  Subscribe to the podcast!  https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Charles Daniel Associate Producers: Peter Bennett & Thor Thomsen   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Když se vaši blízcí už o sebe nedokážou vzhledem k věku nebo nemoci postarat, pomohou pečovatelské služby. O co všechno se mohou postarat? Odpoví Libor Schenk a Markéta Trnečková z Cetra pro zdravotně postižené Moravskoslezského kraje.Všechny díly podcastu Poradna můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

La cetra è uno degli strumenti musicali più antichi in assoluto. In aramaico era chiamata qathròhs. Sin dall'inizio è stato uno strumento a corde. È stato ipotizzato che la parola greca kitàra, che pure indica uno strumento a corde, derivi da quella aramaica. Nelle lingue moderne, la parola non ha subito un grande cambiamento: è normale dire cetra (in italiano) o zither (in inglese). Il qathròhs era incluso nelle orchestre dell'antica Babilonia (VII-VI secolo a.C.). --- Send in a voice message: https://podcasters.spotify.com/pod/show/corgiov/message

¿Qué porcentaje de diabéticos desarrolla este mal? Augusto Soto García, director del centro de trasplantes, desnuda la realidad de ser una persona dializada.

All of us have some sort of mental map inside our heads for how the world is laid out. North America is north of South America. Europe is west of Asia. et Cetra.  However, even the greatest geography minds often have a flawed mental map of the world. Places aren't often where were think they are in relation to other places.  Learn more about why almost everyone's mental map of the world is wrong, and why it is so, on this episode of Everything Everywhere Daily. Subscribe to the podcast!  https://podfollow.com/everythingeverywhere/ -------------------------------- Executive Producer: Darcy Adams Associate Producers: Peter Bennett & Thor Thomsen   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/everything-everywhere-daily-podcast/ Everything Everywhere is an Airwave Media podcast." or "Everything Everywhere is part of the Airwave Media podcast network Please contact sales@advertisecast.com to advertise on Everything Everywhere. Learn more about your ad choices. Visit megaphone.fm/adchoices

Negli antichi testi aramaici troviamo due parole: gitarhos' e gathros. Anche se non se ne conosce il preciso significato, si tratta di uno strumento musicale a corde. L'assonanza delle due parole è molto vicina a quella del termine greco kithara. Anche questo è uno strumento a corde, da cui derivano diverse parole moderne, come “cetra” e “chitarra”. La cetra faceva parte dell'orchestra dell'antica Babilonia governata da Nabucodonosor. Video dell'episodio --- Send in a voice message: https://anchor.fm/corgiov/message

Nomen est omen!? Bachs 3. Brandenburgisches Konzert ist komponiert für 3 Geigen, 3 Bratschen und 3 Celli, das Hauptthema des ersten Satzes beruht auf einem G-Dur Dreiklang. Alles 3 oder was? Nein. Das Werk hat nur 2 Sätze und überhaupt geht's da rein rechnerisch wohl um etwas ganz anderes…

È il momento di “Note sulle note”, ventesima puntata del programma musicale settimanale, nel quale annoto per voi piccoli appunti prima di lasciarvi ai brani scelti, che di puntata in puntata andiamo a conoscere. Oggi ci occuperemo di musica celtica. Questo termine è una definizione normalmente associata ad un insieme di tradizioni musicali, che presentano tra loro alcune analogie ben distinte e fortemente connotate. Sarebbe forse più corretto parlare di musiche dei Paesi di tradizione celtica, come l'Irlanda, la Scozia e la Cornovaglia. Anche le Asturie e la Galizia, sebbene abbiano avuto poca o nessuna influenza musicale celtica, possiedono ancora una tradizione musicale che unisce queste aree a questa musica popolare folkloristica. La musica celtica comprende un ampio spettro di generi musicali, poi evoluti dalle tradizioni e dalla musica folk dei popoli celti dell'Europa occidentale. È una musica popolare, la musica del popolo, che può anche essere chiamata profana, perché non era scritta come la musica sacra o colta, ma tramandata oralmente. Gli strumenti più comunemente usati sono l'arpa celtica, il Bodhran, la Citola, la Cetra, l'Irish Bouzouki, la chitarra, la cornamusa, il Dulcimer, il Salterio, i Flauti, la Ghironda, il Liuto, la Biella, la Viola, il Violino e l'Organetto. Oggi si parla di musica celtica per giustificare l'esistenza di legami culturali e territoriali. I balli della musica celtica sono Polke, Gighe (danze molto antiche un tempo diffuse in molte parti d'Europa), Slip Jig (danze ballate generalmente da sole ragazze), Reel (danze molto veloci), Hornpipe (danze ritmate derivate da quelle marinare), Air (melodie lente), e Strathspey (vivaci danze scozzesi). Attraverso l'immigrazione degli scozzesi e degli irlandesi, la musica celtica ha rappresentato le fondamenta per la nascita dell'Appalachian Folk Music negli Stati Uniti d'America. Anche il genere Country ne ha subito significativi riflessi. Oggi esistono numerosi festival di musica celtica in Scozia, in Francia, e addirittura a Trieste, dove si svolge il Triskell International Celtic Festival. Ascolteremo: Medley Musica Irlandese (Quin Pop), Geordie(Antica ballata scozzese), Celtic Music(Warrior), Faun(Federkleid), Celtic Music(Wolf Blood), Gaelic Storm(Irish Party Third Class), An Irish Pub Song(The Rumjacks), The Bonnie Banks of Lock Lomond (Ella Roberts), Greensleeves, Musica Celtica (La Danza delle Fate), The Gael(Celtic Scottish Pipe Drums Music - Albannach). Buon ascolto da Lorella Turchetto Michieli. --- Support this podcast: https://anchor.fm/radio-nostra/support

Gus Hashem is a Co-founder of T-CETRA, a company focused on solving the challenges of a massive problem in the U.S. – serving the 84 million people who lack access to bank accounts or other traditional financial products and services. These un/underbanked individuals still need to interact with an increasingly digital world, and that is …

Luigino Bruni"L'anima e la cetra"Ciò che i salmi dicono di noiEdizioni QiqajonComunità di Bosehttps://www.monasterodibose.it/edizioni-qiqajonNon c'è un tempo più favorevole di questo per meditare e pregare i salmi. Molti salmi, infatti, sono nati nei momenti più tremendi della storia di Israele; e nei secoli, poi, hanno donato parole per pregare a chi non ne aveva più. Sono stati la prima preghiera di chi ricominciava a pregare; qualche volta sono diventati parole prestate a chi, senza la fede, aveva però il desiderio di pregare… I salmi parlano di noi, di loro, di lui, di me, di te. Sono un guado notturno di un fiume, un combattimento che non lascia mai indenni: segnano, in-segnano, feriscono, benedicono. Allargano l'orizzonte del nostro sguardo e affondano ogni immagine falsa di Dio. Sull'arca del Salterio c'è posto per tutti, veramente tutti, per quelli “per-bene” e quelli “per-male”."La preghiera è anche, forse soprattutto, un fatto civile. Quando in una città c'è qualcuno che prega, almeno una persona che ha imparato a pregare e che diventando adulto ha custodito questa abilità (o questa capability, direbbe Amartya Sen), è tutta la città che sta meglio, cresce la felicità di tutti, compresa quella di coloro che non hanno mai pregato o che non stimano chi prega.La preghiera di alcuni è un bene comune; è come e più di una fontana o una piazza pubblica, di un parco, di una scuola, di un teatro.La preghiera è parte essenziale del repertorio umano. Una società che dimentica l'arte della preghiera si autoriduce i gradi di libertà, distrugge componenti essenziali e preziose del proprio patrimonio (patres-munus) culturale e spirituale, disimpara linguaggi dell'anima e della vita e quindi impoverisce la sua capacità di logos detto e compreso."Luigino Bruni (Ascoli Piceno 1966) è economista e storico del pensiero economico, con interessi in filosofia e teologia, personaggio di rilievo dell'economia di comunione e dell'economia civile. Editorialista di Avvenire, è ordinario di economia politica alla LUMSA dopo aver ricoperto fino al 2012 il ruolo di professore associato all'Università di Milano-Bicocca.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Solo für alle: In jedem seiner 6 Brandenburgischen Konzerte setzt Bach ein anderes Orchesterinstrument (oder gleich mehrere) in Szene. Im 6. sind es die Mittelstimmen und die tiefen Streicher, die sonst selten mal im Rampenlicht stehen.

L'amaro sapore La clip è "Lontano dagli occhi" cantata da Sergio Endrigo (autore Sergio Bardotti-musiche Luis Bacalov-etichetta Cetra-1969 all rights reserved)

In this episode we reach the Icicle Inn, get some good-good Cetra history, rip up the hills with our snowboard, and brave a snowstorm to reach Gaia's Cliff. Thanks for listening to First Encounter! Want the journey to continue? Check out the following: TWITTER: twitter.com/1stencounterpod | WEBSITE: firstencounterpodcast.com | SPILLED POTION: spilledpotion.com | MUSIC: aldenzac.com |First Encounter contains adult themes such as violence, sexual content, and adult language. Listener discretion is advised.

Join us for the rousing close of part one of Final Fantasy Seven where we follow Aerith as quickly as we can through the sleeping forest, to the city of the ancients and catch up to her, only to be interrupted by Sephiroth and Jenova.

So unterschiedlich sie sind, so packte Johann Sebastian Bach doch seine sechs Instrumentalkonzerte 1721 in ein Paket und sandte sie dem Markgrafen von Brandenburg. Das vierte der „Brandenburgischen Konzerte“ für Soloblockflöten und Violine erklang bei den Schwetzinger SWR Festspielen.

Find an old friend hanging out at the entrance to the Temple of the Ancients (sans helicopter). Live the life of MC Escher via the most awful maze while chasing down a Cetra spirit. Indiana Jones our way down a rocky road. Meet the Time Guardian and spin his hands before chasing the key guardian.

This podcast is unpaid and survives on donations. You can donate here via paypal www.stephenmbland.com/olas-kool-kitchen Ola's Kool Kitchen is a show on KCLA 99.3 FM in Los Angeles, 107.5 andhow.FM, Rock Velvet Radio, Maximum Threshold Radio, Rock Radio UK, Sword Radio UK, Jammerstream One, Kor Radio, Bombshell Radio, Firebrand Radio, Pop Radio UK, Radio Wigwam and Rock XS Radio and you can hear more shows here www.mixcloud.com/olaskoolkitchen/ Show 424 1. Nude Party-Lonely Heather- Midnight Manor-New West 2. Andy Bell-Cherry Cola- The View From Halfway Down-Sonic Cathedral 3. The High Dials-My Dream Addiction- Primitive Feelings I & II-Hook and Prayer 4. Sunstack Jones-How It All Went Down- Golden Repair- Mai 68 Records 5. METZ - A Boat to Drown In-Atlas Vending-Sub Pop 6. Celebration - Don't Stop Dreaming- Albumin-Bella Union 7. Dream Nails - Text Me Back (Chirpse Degree Burns)-Dream Nails-Krod Records 8. Working Men's Club-Valleys-Working Men's Club-Heavenly 9. Penelope Trappes - Eel Drip-Eel Drip- Houndstooth 10. The Strangers-Mary Mary-single-Screen Gems 11. Jarvis Jackson-The Long John-single-Sims Records 12. Carmen Villani-Questa Sinfonia (Symphonie)-single-Cetra 13. Anrimeal-Marching Parades-Could Divine- Crossness Records 14. Garcia Peoples- Painting a Vision That Carries- Nightcap At Wits’ End-Beyond Beyond is Beyond

This episode of Marketing et Cetra is the 3rd part of my conversation with Janet Milner Walker about the beauty industry and today we look more at the geographical market contributions, the prevalence of mergers and acquisitions in the beauty industry and the changing shoppers’ behaviour. I’m sure there is something for you in this episode.

In Mini Episode 55, Sarah Saba Cetra (@bookedinadvance) shares Middle Eastern books on her TBR list, books from a publisher we both love (Riverhead), and we both share how coronavirus is impacting our reading. This post contains affiliate links, through which I make a small commission when you make a purchase (at no cost to you!). Highlights How coronavirus is impacting both of our reading. How Sarah barely read at all during law school and what (specific book and specific person) eventually got her back into reading. Sarah’s 2 reading goals for this year (including focusing on reading more Middle Eastern authors). The 3 Middle Eastern books on Sarah’s TBR list. An ode to Riverhead Books (the publisher). Sarah’s Book Recommendations Two OLD Books She Loves Beautiful Souls by Eyal Press | Buy from Amazon [10:45] Long Way Down by Jason Reynolds | Buy from Amazon [13:55] Two NEW Books She Loves We Wish You Luck by Caroline Zancan (My Review) | Buy from Amazon [16:13] Red at the Bone by Jacqueline Woodson | Buy from Amazon [19:45] One Book She DIDN’T Love Women Talking by Miriam Toews | Buy from Amazon [] One NEW RELEASE She’s Excited About Sisters by Daisy Johnson (Release Date: August 25, 2020) | Buy from Amazon [26:51]  Other Books Mentioned It Sounded Better In My Head by Nina Kenwood | Buy from Amazon [4:24] Hour of the Assassin by Matthew Quirk | Buy from Amazon [5:16] The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (My Review) | Buy from Amazon [6:51] Our Women on the Ground by Zahra Hankir | Buy from Amazon [9:24] How Does it Feel to Be a Problem? by Moustafa Bayoumi | Buy from Amazon [9:24] Apeirogon by Colum McCann | Buy from Amazon [9:24] A Good Neighborhood by Therese Anne Fowler | Buy from Amazon [17:10] Brown Girl Dreaming by Jacqueline Woodson | Buy from Amazon [21:17] Other Links Ashley Spivey Podcast Ep. 47: Caroline Zancan (Author of We Wish You Luck) About Sarah Instagram Sarah was an avid reader until she hit law school, where she read maybe 2 books per year for the three years she was a student, and the year after she graduated. After following Ashley Spivey for Bachelor-related reasons, and she found Sarah’s Bookshelves Live and got back into the swing of regularly reading.   She is currently a legal writer living in Pittsburgh, where she’s just become a regular at her neighborhood indie bookstore. She also likes to embroider while listening to audiobooks. Next Episode Full length episode featuring Holly Root, Literary Agent and Owner of Root Literary (airing Wednesday, April 29). Support the Podcast Support on PatreonWhen you support the podcast on Patreon for $5/month, get bonus podcast episodes and other goodies! ShareIf you like the podcast, I’d love for you to share it with your reader friends…in real life and on social media (there’s easy share buttons at the bottom of this post!). Subscribe …wherever you listen to podcasts, so new episodes will appear in your feed as soon as they’re released. Rate and ReviewSearch for “Sarah’s Bookshelves” in Apple Podcasts…or wherever you listen to podcasts!

We celebrate the day for giving thanks, shopping til you drop someone on their head for a TV,  and why travis is the way he is. Sorry for the episode being late but we couldn’t figure out a time to get everyone together so we just had a party in Chilton to hang out but you can still hear what we have to say about Thanksgiving at Cetra etc. thanks have a good one will see you in the next episode love you bye.... are they gone good now listen closely they still have me trapped in the cellar please if you can read this send help everyone needs to know the truth about what is going on in the FNF Podcast please please call the police call everyone Epstein didn’t do it. He was the one responsible for everything that has happened to me I now see the truth everything has been cleared to me I will finally see my family for Christmas on my family I swear. qnLKAtlJaWI5NsUXoFju --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/fnfpodcast/message Support this podcast: https://anchor.fm/fnfpodcast/support

Meet the Speed: Interview mit Joel Cetra, der auf der Dutch Open 7 Podiumsplätze erlangt hat. - Cubing-ABC: J.-P. Frisch - Ausführliche Shownotes auf freshcuber.de/fcp22 - Feedback: podcast[at]freshcuber.de - Titelmusik: Funk Warte, © Dag Reinbott, TerraSound.de

Our 7th episode digests the second half of the very large plot-burger that is the Nibelheim flashback, where we learn who or what the Ancients are and why the human species is lazy and terrible. Allen and Erin also discuss Northern California’s minor crisis of the week: a planned rolling blackout by our local power company in the height of wildfire season. Speaking of fire, whoops Nibelheim is on fire. Intro: "On That Day 5 Years Ago" orchestral arrangement by Pontus Hultgren Outro: “Dear to the Heart” remix by Jordan Chin

Biases and prejudice in marriage, colorism, racism, etc. 

Der Barockgeiger Peter Barczi ist Konzertmeister der Camerata Basel, oft zu Gast beim Freiburger Barockorchester, musiziert mit dem Barockorchester la Cetra und ist vor allem Leiter des Capricornus Consort. Mit dem feiert er große Erfolge, mit preisgekrönten CDs und vielen Auszeichnungen.

Dominika Weston is a language and diversity enthusiast. She has been working with Limited English Speakers for over 8 years now. She helps people bridge communication barrier through work she does with CETRA alongside with interpreters and translators, brings cultural awareness and continues to educate on best international communication practices. You can learn more about Dominika here: www.likedin.com/in/dominikaweston This episode is brought to you by Authors Unite. Authors Unite provides you with all the resources you need to become a successful author. You can learn more about Authors Unite here: http://authorsunite.com/. Thank you for listening to The Business Blast Podcast! Tyler --- Support this podcast: https://anchor.fm/authorsunite/support

Vitti na crozza supra lu cannuni .. fui curiuso e ci vossi spiare .. idda m'arrispunniu cu gran duluri .. murivi senza un tocco di campani ..Si nni eru si nni eru li me anni.. si nni eru si nni eru un sacciu unni.. ora ca sugnu vecchio di ottant'anni.. chiamu la morti i idda m' arrispunni..Cunzatimi cunzatimi lu me letto.. ca di li vermi su manciatu tuttu.. si nun lu scuntu cca lume peccatu.. lu scuntu allautra vita a chiantu ruttu..C'è nu giardinu ammezu di lu mari.. tuttu ntessutu di aranci e ciuri.. tutti l'acceddi cci vannu a cantari.. puru i sireni cci fannu all'amuri..In studio Fabio Lossani e Giancarlo Nostrini..Abbiamo ascoltato :..I 4 Siciliani - Contradanza (registrazione fatta a New York nel 1917 ed. Columbia)..Beppe Gambetta Carlo Aonzo - Bolero di Raffaele Calace (album Serenata ed. Acoustic Music Records 1997)..Carmina Quartet - Boccherini : Musica notturna di Madrid :Passacalle (album Fandango ed. Sony)..Franco Li Causi Totò Li Causi - Viva l'amuri (ed Cetra 1954).. Michelangelo Verso e quartetto Franco Li Causi - Vitti ‘na crozza ed. Cetra 1951 dal film ‘Il cammino della speranza' di Pietro Germi..Gorni Kramer - Il barbiere romagnolo ..Compagnia Sacco di Ceriana - La barbiera (album Live in Belgium 2011)

Vitti na crozza supra lu cannuni .. fui curiuso e ci vossi spiare .. idda m'arrispunniu cu gran duluri .. murivi senza un tocco di campani ..Si nni eru si nni eru li me anni.. si nni eru si nni eru un sacciu unni.. ora ca sugnu vecchio di ottant'anni.. chiamu la morti i idda m’ arrispunni..Cunzatimi cunzatimi lu me letto.. ca di li vermi su manciatu tuttu.. si nun lu scuntu cca lume peccatu.. lu scuntu allautra vita a chiantu ruttu..C'è nu giardinu ammezu di lu mari.. tuttu ntessutu di aranci e ciuri.. tutti l'acceddi cci vannu a cantari.. puru i sireni cci fannu all'amuri..In studio Fabio Lossani e Giancarlo Nostrini..Abbiamo ascoltato :..I 4 Siciliani - Contradanza (registrazione fatta a New York nel 1917 ed. Columbia)..Beppe Gambetta Carlo Aonzo - Bolero di Raffaele Calace (album Serenata ed. Acoustic Music Records 1997)..Carmina Quartet - Boccherini : Musica notturna di Madrid :Passacalle (album Fandango ed. Sony)..Franco Li Causi Totò Li Causi - Viva l’amuri (ed Cetra 1954).. Michelangelo Verso e quartetto Franco Li Causi - Vitti ‘na crozza ed. Cetra 1951 dal film ‘Il cammino della speranza’ di Pietro Germi..Gorni Kramer - Il barbiere romagnolo ..Compagnia Sacco di Ceriana - La barbiera (album Live in Belgium 2011)

Vitti na crozza supra lu cannuni .. fui curiuso e ci vossi spiare .. idda m'arrispunniu cu gran duluri .. murivi senza un tocco di campani ..Si nni eru si nni eru li me anni.. si nni eru si nni eru un sacciu unni.. ora ca sugnu vecchio di ottant'anni.. chiamu la morti i idda m’ arrispunni..Cunzatimi cunzatimi lu me letto.. ca di li vermi su manciatu tuttu.. si nun lu scuntu cca lume peccatu.. lu scuntu allautra vita a chiantu ruttu..C'è nu giardinu ammezu di lu mari.. tuttu ntessutu di aranci e ciuri.. tutti l'acceddi cci vannu a cantari.. puru i sireni cci fannu all'amuri..In studio Fabio Lossani e Giancarlo Nostrini..Abbiamo ascoltato :..I 4 Siciliani - Contradanza (registrazione fatta a New York nel 1917 ed. Columbia)..Beppe Gambetta Carlo Aonzo - Bolero di Raffaele Calace (album Serenata ed. Acoustic Music Records 1997)..Carmina Quartet - Boccherini : Musica notturna di Madrid :Passacalle (album Fandango ed. Sony)..Franco Li Causi Totò Li Causi - Viva l’amuri (ed Cetra 1954).. Michelangelo Verso e quartetto Franco Li Causi - Vitti ‘na crozza ed. Cetra 1951 dal film ‘Il cammino della speranza’ di Pietro Germi..Gorni Kramer - Il barbiere romagnolo ..Compagnia Sacco di Ceriana - La barbiera (album Live in Belgium 2011)

John Cetra, co-founder with his wife Nancy, of CetraRuddy Architecture, considered to be one of New York's top architectural firms, talks about the influence of grandparents and parents, Italian immigrants, on his education and choice of career.

Abbiamo ascoltato :..Aksak Project - Bonvent (album Sonos Mundi ed. Ignorelands 2017)..Aksak Project - Dies lunae (album Sonos Mundi ed. Ignorelands 2017)..Penguin Cafe Orchestra - Music for a found armonium (album Broadcasting from Home 1984)..Patrick Street - Music for a found armonium (album Irish Times 1990)..Planxty - Smeceno Horo (album After the Breack 1979).. Stefano Saletti & Banda Ikona - Balcan trip (album Soundcity 2016)..Xicrò - Pomi rossi e bianchi..Canzoniere Grecanico salentino - Te sira (album Canti della Grecia salentina e di Terra d'Otranto ed. Cetra 1977) ..Bibliografia consigliata : ..Luigi Luca Cavalli Sforza - Storia e geografia dei geni umani ed. Adelphi

Abbiamo ascoltato :..Aksak Project - Bonvent (album Sonos Mundi ed. Ignorelands 2017)..Aksak Project - Dies lunae (album Sonos Mundi ed. Ignorelands 2017)..Penguin Cafe Orchestra - Music for a found armonium (album Broadcasting from Home 1984)..Patrick Street - Music for a found armonium (album Irish Times 1990)..Planxty - Smeceno Horo (album After the Breack 1979).. Stefano Saletti & Banda Ikona - Balcan trip (album Soundcity 2016)..Xicrò - Pomi rossi e bianchi..Canzoniere Grecanico salentino - Te sira (album Canti della Grecia salentina e di Terra d'Otranto ed. Cetra 1977) ..Bibliografia consigliata : ..Luigi Luca Cavalli Sforza - Storia e geografia dei geni umani ed. Adelphi

Abbiamo ascoltato :..Aksak Project - Bonvent (album Sonos Mundi ed. Ignorelands 2017)..Aksak Project - Dies lunae (album Sonos Mundi ed. Ignorelands 2017)..Penguin Cafe Orchestra - Music for a found armonium (album Broadcasting from Home 1984)..Patrick Street - Music for a found armonium (album Irish Times 1990)..Planxty - Smeceno Horo (album After the Breack 1979).. Stefano Saletti & Banda Ikona - Balcan trip (album Soundcity 2016)..Xicrò - Pomi rossi e bianchi..Canzoniere Grecanico salentino - Te sira (album Canti della Grecia salentina e di Terra d'Otranto ed. Cetra 1977) ..Bibliografia consigliata : ..Luigi Luca Cavalli Sforza - Storia e geografia dei geni umani ed. Adelphi

Great Caterina Mancini and Rolando Panerai in duet from La Battaglia di Legnano.She thrilled me since age 17 on Cetra recordings..I have a letter from her.

I was a teenager, and POOR..but those Cetra recordings with Mario Filippeschi were so exciting. He was born on June 7, 1907. I know he was not "subtle" but a wild voice!!!!!!!        

John 00 Fleming's Global Trance Grooves January 2016 Edition 154: John 00 Fleming 2-Hour Deep mix Description: Global Trance Grooves January 2016 As you know from my most recent blog a big part of my heart is in the Progressive Trance world, so as a little thank you for all the support I give you a gift of a 2-Hour long Deep mix. You'll find a mixture of new unreleased, along with some old favourites that I've been playing over the past couple years, I wanted to celebrate this great lush sound of what I call Progressive Trance.  I dedicate this mix to David Bowie and my current hero Tim Peake. Tracklist ------------ --Deep mix-- Solar fields - Circles of motion Verche - Paradigm shift Rick Pier O'Neal - Only at Night John 00 Fleming - Chemical Equilibrium Hemstock & Jennings - Zulu (Andromedha ‘Beyond space remix) ID Pat Siaz- Vikhr (Kapshul remix) Decode - Skychaser (Facade remix) Yunta - Narguile (Subandrio remix) Paul Hamilton- Time (Subandrio remix) Future Sound Of London - Papua New Guinea (Satoshi Tomiie remix) Napalm & D-Phrag - Rise up (Cetra remix) Blusoul - Depth of emotion (Progress inn remix) Trilucid & Philthy Chit - Syntax (Gain Barone remix) Pentatones - Iron Lung (David Youngs rework) Visua - Multidimensional ID  John 00 Fleming - The Lone ranger The Digital Blonde - Argo Outro

- When Did We Discover Our Passion? - The TRUE Truth about PHASE - What the Heck is “Compressing for Tone”? - Panning & Treating Backing Vocals - How to Survive a Business Partnership - Brand New Segments! - This week's plugin winner is…Jack Russ! Come on down and claim your prize!   …and much, much more!

Carlo Dapporto e Gianni Agus interpretano i personaggi di un cameraman e di un regista in continuo e totale disaccordo. Sketch di satira spassosa sulla televisione dell'epoca... Tratto da Gran Varietà del 10 dicembre 1967.

1."Crapa Pelada" (Kramer-Giacobetti). Quartetto Cetra. 2."Biking by the sea" de/from "From my window N.1" (Joao Guilherme Ripper). Luis Carlos Justi, oboe. Fany Solter, piano. Aloysio Fagerlande, fagote/bassoon. 3. Canto da tradição Karaja/ Brazilian indian chant 4."Preludio a uma breve canção" (Andre Ribeiro). Antonio Eduardo, piano. 5."Happy Birthday Variation - Czardas". Gidon Kremer & Kremerata Baltica. Gostou? Clique em LIKE e também em FOLLOW. Ou se inscreva pelo iTunes para receber atualizações////// Fancy my sets? So please click LIKE and also FOLLOW. You can also subscribe with iTunes. www.facebook.com/heloisafischer helofischer@vivamusica.com.br

An exciting Tosca on Cetra (the label that I was bought upon),with Adriana Guerrini, Gianni Poggi, and Paolo Silveri under Francesco Molinari-Pradelli. (70 min.)        PODCASTS ARE BACK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

The beloved Magda Olivero, now 102 years young, sings first Poulenc's "La Voix Humaine" from 1970 in Venice under Nicola Rescigno. This will be followed by a series of Ave Marias from several years: Schubert( 1978), Bracesso ( 1979), Luzzi (1981), Saint-Saens (1985), and Leoncavallo ( 1987). The podcast concludes with a special arrangement,in 1994 (she was only 84), of an Ave Maria that is based on the Cavalleria Rusticana Intermezzo.  (72 min.)  Magda is one of the great miracles of opera and when I speak to her every birthday and when friends of mine visit her in Milan, she speaks that gorgeous "Verism0" Italian, and is even more lucid than I am. Magda Olivero (née Maria Maddalena Olivero, 25 March 1910) is a soprano of the verismo-school of singing. She was born in Saluzzo, Italy. Olivero made her operatic debut in 1932 on Turin radio in Nino Cattozzo's (1886–1961) oratorio I misteri dolorosi.[1] She performed widely and increasingly successfully until 1941, when she married and retired from performing. She returned to the stage ten years later, at the request of Francesco Cilea, who asked her to sing the title role in his opera Adriana Lecouvreur.[2][3] From 1951 until her final retirement, Olivero sang in opera houses around the world. Among her most renowned interpretations were the leading parts in Adriana Lecouvreur, Iris, Fedora, La bohème, La fanciulla del West, La traviata, La Wally, Madama Butterfly, Manon Lescaut, Mefistofele, and Turandot (as Liù.) She sang in Cherubini's Médée in Dallas in 1967 and in Kansas City in 1968.[4] In 1975, already an international star for four decades, she made her début at the Metropolitan Opera House in Tosca. Her last performances on stage were in March 1981 in the one-woman opera, La voix humaine by Poulenc.[5] Thus, her stage career ended at age 71 and spanned nearly 50 years. She continued to sing church music locally and, well into her eighties, made a recording of several arias. Recordings exist of many of her great performances of both full operas and arias and scenes. Among her studio recordings are Turandot (as Liù, with Gina Cigna, for Cetra, 1938), Fedora (with Mario Del Monaco and Tito Gobbi, conducted by Lamberto Gardelli, for Decca, 1969) and highlights from Francesca da Rimini (with Del Monaco, conducted by Nicola Rescigno, for Decca, 1969). In 1993, she recorded, with piano accompaniment, Adriana Lecouvreur (with Marta Moretto as the Princesse de Bouillon); excerpts from this recording were published on the Bongiovanni label. At age 86, she performed Adriana's monologue in Jan Schmidt-Garre's film Opera Fanatic. She made occasional singing appearances into her nineties. Olivero celebrated her 102nd birthday on 25 March 2012.

  I never get to hear my own collection, so,for a change, I decided to listen to this wonderful 1957 Trieste Puritani under Francesco Molinari-Pradelli with Virginia Zeani, Mario Filippeschi, Aldo Protti, and Andrea Mongelli.     I was "weaned" on those old Cetra operas with Filippeschi in some of them, and despite a voice that is not gorgeous, it sounds like ten trumpets. Virginia said it was not that big, but the top was sensational. I also add as a bonus, Elvira's aria and cabaletta from a 1956 Florence Puritani with Virginia.  Have fun!!  (72 min.)

Rosanna Carteri is, for me, an example of a "lost art" in opera. She possesses the emotion, the attention to word and phrase, the beauty of voice, and all the elements that I honestly feel are so rare in these days. I am not intending to denigrate anyone, but you "cognoscenti" by now (with slight prejudice from me)  might understand what I mean. I hope you enjoy this soprano as I do  (71 min.) Rosanna Carteri (born 14 December 1930) was an Italian soprano primarily active in the 1950s through the mid-1960s. Rosanna Carteri was born in Verona but was raised in Padua. She studied with Cusinati and started singing in concert at the age of twelve. She won a RAI singing contest in 1948 which led to her operatic debut at the Baths of Caracalla in Rome as Elsa in Lohengrin in 1949, aged only 19. She made her La Scala debut in 1951. Other debuts were at the Salzburg Festival as Desdemona in Otello in 1952 under the direction of Wilhelm Furtwängler, San Francisco as Mimi in La Bohème in 1954, the Lyric Opera of Chicago as Marguerite in Faust in 1955, the Arena di Verona as Mimi in 1958, Covent Garden as Tosca in 1960, Opéra de Paris in 1961 as Violetta in La Traviata. Carteri made a few recordings for Cetra early in her career, in such operas as Guglielmo Tell, La Bohème and Suor Angelica. She recorded La Traviata for RCA Victor with Cesare Valletti and Leonard Warren under the direction of Pierre Monteux. She participated in several television productions for RAI such as Le nozze di Figaro, La Traviata, Otello, and Falstaff. Carteri also participated in the creation of some contemporary works such as Ifegenia by Ildebrando Pizzetti in 1950, Proserpine e le straniero by Juan José Castro in 1952, Calzare d'argento again by Pizzetti in 1961 and Il mercante di Venizia by Mario Castelnuovo-Tedesco also in 1961. Retirement Carteri decided to retire from singing in the mid-1960s while still only in her thirties to devote herself to her family.

Here are the earliest reordings (1956-1959) by Franco Corelli.They originally were on the Cetra label. The arias are from: I Lombardi, Otello, Tosca, Turandot, Cavalleria, Fedora,Mme.Butterfly, Adriana Lecouvreur, Fanciulla, Andrea Chenier,  Lodoletta, Mefistofele, Pagliacci, and Werther.  (66 min.)   How we miss him!!!!!!!!

Highlights from the exciting Cetra Soria Aida, recorded in the studio in 1951.The conductor is Vittorio Gui, and the cast features Caterina Mancini, Giulietta Simionato, Mario Filippeschi,Rolando Panerai, and Giulio Neri   (71 min.)

An exciting compilation of material from various Verdi operas, as issued in 1951 on Cetra-Soria, for the Verdi year. Included are scenes (in correct order) from: Otello, Ballo in Maschera, La Battaglia di Legnano,Ernani, I Due Foscari, Il Trovatore, Luisa Miller, I Lombardi, Nabucco, Don Carlo, and Aida (casts are announced)  (66 min.)

Rosanna Carteri, one of the most emotional divas in my experience, is heard in material from Adriana, Lodoletta,Turandot, Mme.Butterfly (w.Carlo Bergonzi), Suor Angelica, La Traviata, La Boheme (w.Giuseppe Taddei). Bio to follow   (69 min.) Rosanna Carteri (born December 14, 1930) was an Italian soprano primarily active in the 1950s through the mid-1960s. Rosanna Carteri was born in Verona and studied with Cusinati and started singing in concert at the age of twelve. She won a RAI singing contest in 1948 which led to her operatic debut at the Baths of Caracalla in Rome as Elsa in Lohengrin in 1949, aged only 19. She made her La Scala debut in 1951. Other debuts were at the Salzburg Festival as Desdemona in Otello in 1952 under the direction of Wilhelm Furtwängler, San Francisco as Mimi in La Bohème in 1954, the Lyric Opera of Chicago as Marguerite in Faust in 1955, the Arena di Verona as Mimi in 1958, Covent Garden as Tosca in 1960, Opéra de Paris in 1961 as Violetta in La Traviata. Carteri made a few recordings for Cetra early in her career, such as Matilde in Guglielmo Tell, opposite Giuseppe Taddei, La Bohème with Ferruccio Tagliavini and Suor Angelica. She also recorded La Traviata for RCA Victor with Cesare Valletti and Leonard Warren under the direction of Pierre Monteux. She participated in several television productions for RAI such as Le nozze di Figaro, La Traviata, Otello and Falstaff. Carteri also participated in the creation of some contemporary works such as Ifegenia by Ildebrando Pizzetti in 1950, Proserpine e le straniero by Juan Jose Castro in 1952, Calzare d'argento again by Pizzetti in 1961 and Il mercante di Venizia by Mario Castelnuovo-Tedesco also in 1961. Rosanna Carteri decided to retire from singing in the mid-1960s while still only in her thirties to devote herself to her family.

Selections from Aida, Trovatore, Ernani, Nabucco, andLa Battaglia di Legnano featuring the wonderful sopranoCaterina Mancini, whose Cetra recordings introduced me tothe brand of exciting singing usually absent these days. Sheis joined in duets by Paolo Silveri, Rolando Panerai,Giuseppe Taddei, and Carlo Tagliabue                                    (44 minutes)

My affectionate tribute to the many fine artists from theCetra-Soria label. Included are such artists as: Caterina Mancini, Rosanna Carteri (in photo), Cesy Broggini,Giuseppe Taddei, Carlo Tagliabue, Maria Caniglia,Galliano Masini, Tancredi Pasero, Adriana Guerrini,Giacomo Lauri-Volpi, Carlos Guichandut, Jose Soler, Renata Tebaldi, Giulietta Simionato, Mario Filippeschi.Amedeo Berdini, Gianni Poggi, Giacinto Prandelli                              (57 minutes)

     Highlights from one of the most exciting recordings   of Verdi's opea. The cast includes Caterina Mancini,   Gino Penno, Giuseppe Taddei, and Giacomo Vaghi,   conducted by Fernando Previtali   (1951)