Podcasts about On Kawara

Renée Green talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work.Green was born in 1959, in Cleveland, Ohio, and lives today between Somerville, Massachusetts, and New York. She brings together a wealth of cultural forms in complex and layered works that manifest as installations, video pieces and texts, among other media. Through what has been described as a “methodology of citation”, in which she overtly names and synthesises the language and forms of the disparate individuals she references, Renée reflects on the nature of ideas, on subjectivity and perception, on fiction and reality, and on memory—personal and collective. Just as she is generous in her allusions, so her art is an invitation to the viewer, to witness the connections she assembles, and help shape the works' meaning. She discusses how her work is concerned with “perception and sensation” and how drawing is a daily activity alongside reading and research. She reflects on her ongoing fascination with On Kawara and how her interest in particular artists “has to do with their physical location, the material aspects of what their existences might have been like, and then what kinds of questions emerge from those conditions”. She discusses the references in her work to the writing of Muriel Rukeyser and Laura Riding, and the friendship and dialogue she had with the film-maker Harun Farocki. Plus, she gives insight into life in the studio, and answers our usual questions, including the ultimate, “What is art for?”Renée Green: The Equator Has Moved, Dia Beacon, from 7 March and will be on long term view. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Joana P. R. Neves and co-host Liberté Nuti look back on On Kawara's exhibition at David Zwirner Gallery London, Date Paintings (21 November 2024 to 25 January 2025 ).To know more about Liberté Nuti:https://www.haerbnuti.com/Follow her on Instagram: @libertenutiFor more information on the show:https://www.davidzwirner.com/exhibitions/2024/on-kawara-londonFor more information on On Kawara and One Million Years Foundation:https://www.onemillionyearsfoundation.org/They explore the life and work of On Kawara, a significant figure in contemporary art known for his repetitive and conceptual Date Paintings (1966 - 2012).How do you deal with an artist who did everything he could to reduce life to art, and thus preserve life's unique intangibility? How do you experience a series of works dedicated to the obsessive recording of time through craft?"It was quite the experience""On Kawara is a concept, in himself""What else do you want?"Music by Sarturn.Support us on:https://exhibitionistaspodcast.com/ and go to the DONATE page.

On Kawara war ein japanischer Konzeptkünstler, bekannt für seine intensive Erforschung von Zeit und Existenz. Seine Serie "One Million Years" dokumentiert akribisch Datumsangaben, von einer Million Jahren Vergangenheit bis eine Million Jahre in die Zukunft. 1969 begann er mit „One Million Years“ und füllte dutzende, dicht mit Schreibmaschine beschriebene Bände mit den Jahreszahlen. Später folgte mit „One Million Years: Future“ sein Blick nach vorn. Auch wenn sein mehreres tausend Arbeiten umfassendes Werk in Galerien und Museen auf der ganzen Welt zu finden ist, bliebt der Künstler selbst der Kunstszene fern und mied seine eigenen Ausstellungen und gab keine Interviews. Teile von „One Million Years“ wurden an verschiedenen Orten auf der ganzen Welt vorgelesen. Regie: Christoph Korn und Oliver Augst (Audio verfügbar bis 24.02.2025)

200 episodes! The Full PreFrontal Podcast has reached a significant milestone, and what does that mean to us? We're “in it for the long haul!” We find inspiration from Japanese artist, On Kawara, known for his work that illustrates the beauty, structure, and discipline in doing something over a long period of time with persistence and care. A milestone often not only marks the start of a new chapter, but also serves as a reward for past accomplishments, both big and small. Achievements are precious and timeless, and what better way to commemorate them than with precious guests. On today's podcast, Sucheta celebrates this 200th episode with her two sons who flip the script by taking a look back at the podcast's journey through time. Kunal Kamath is a graduate of Columbia University and an Engagement Manager at McKinsey & Company who lives and breathes executive function principles. In his spare time, Kunal loves the performing arts, crossword puzzles, and cultivating an indoor jungle of houseplants in his Brooklyn apartment. Rahil Kamath is also a graduate of Columbia University and is working toward his doctorate in Clinical Psychology at Rutgers University—he is a firm believer of the deep connection between executive function and psychological well-being. Rahil loves reading novels, is an avid soccer fan, and, much like his mom, enjoys nerding out on all things psychology.Sucheta would like to invite all listeners and followers of the podcast to join in on the celebrations as she continues to explore the mysteries of Executive Function while translating the art and science of self-regulated transformation for personal growth.About Host, Sucheta KamathSucheta Kamath, is an award-winning speech-language pathologist, a TEDx speaker, a celebrated community leader, and the founder and CEO of ExQ®. As an EdTech entrepreneur, Sucheta has designed ExQ's personalized digital learning curriculum/tool that empowers middle and high school students to develop self-awareness and strategic thinking skills through the mastery of Executive Function and social-emotional competence.Support the show

Comment utiliser l'intelligence artificielle comme outil de production artistique ? C'est une question à laquelle Arthur et Paul ont longuement réfléchi. Pour leur donner des pistes de cheminement intellectuel, le talentueux Paul Mouginot, ingénieur de formation, vient livrer ses plus profondes réflexions dans un épisode aux frontières entre réel et virtuel. Entrepreneur et artiste dans l'âme, Paul lance en 2019 son studio de production artistique reposant sur des modèles d'intelligence artificielle : ⁠Aurèce Vettier⁠ après plusieurs expériences comme fondateur dans l'écosystème Tech, notamment via sa première entreprise revendue en 2018.L'épisode s'articule autour de plusieurs thématiques clés : Paul commence par revenir sur les définition d'un algorithme et met le doigt sur les différences entre IA, Machine Learning, E-Learning et Deep Learning. Puis, il détaille comment il a mis ces différentes technologies au service de sa vie, d'abord avec ⁠Daco.io⁠ et ⁠Stabler.Tech⁠ (une de ses nouvelles entreprises), puis au service de son studio artistique Aurèce Vettier. Il nous explique comment la technologie peut influencer différents types d'art, ajouter du chaos et comment passer du virtuel au réel... Sans jamais remplacer l'artiste, les algorithmes ont ainsi servi d'aide de camp, générant une matière première qui a été par la suite assemblée artisanalement. S'ensuit une discussion sur les enjeux éthiques, juridiques et écologiques de cette nouvelle technologie, où Arthur et Paul questionne la légitimité de l'IA pour produire de l'art (ce qui semble être le propre de l'humain), de la propriété intellectuelle et matérielle des œuvres générées par l'IA, de la propriété des algorithmes, de la rémunération des artistes, de l'impact environnemental de l'IA et de l'impact des data centers. Pour terminer, Paul nous livre ses questionnements métaphysiques sur ces sujets, que vous pourrez découvrir dans l'épisode.On peut suivre les avancées d'Aurèce Vettier et de Paul : Paul : https://www.linkedin.com/in/paulmouginot/ & https://www.instagram.com/paulmouginot/ Aurèce Vettier : http://aurecevettier.com/Les références citées dans l'épisode : Sabrina Gismondi Ether poems : http://aurecevettier.com/ Manifold Studio pour produire des NFT : https://studio.manifold.xyz/ Joanie Lemercier : https://joanielemercier.com/ Kubernetes : https://kubernetes.io/fr/ Interview Claude Viallat Vera Molnár : https://fr.wikipedia.org/wiki/Vera_Molnár Jorge Luis Borges La Bibliothèque de Babel : https://fr.wikipedia.org/wiki/La_Bibliothèque_de_Babel Les Ruines circulaires : https://www.laparafe.fr/2013/05/les-ruines-circulaires-de-jorge-luis-borges-nouvelle/ On Kawara : https://fr.wikipedia.org/wiki/On_Kawara Avant Gallery : https://avantgallery.com/Sources d'information de Paul : https://jack-clark.net/ https://www.themagma.co/signup/ La Théorie de l'information, roman d'Aurélien BellangerMerci d'avoir écouté cet épisode jusqu'au bout. Pour suivre les actualités de la Gallery et tenter de rejoindre la communauté :https://thethinkinggallery.substack.com/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Vanaf het moment dat ik in tegenlicht een bouwterrein zag deformeren tot een abstract ritmisch geheel, wist ik dat ik schilder wilde worden. Ik was 8 jaar. Het was het perfecte moment geweest waarop alles samenkwam. Kun je een moment vastleggen in een schilderij? Sprekers in deze aflevering zijn kunstenaar Michel Huisman en componist, dirigent en presentator NPO Klassiek Leonard Evers. Een idee maak je niet, een idee krijg je. “Het kunstwerk is niet van de kunstenaar, het is een creatie die via de handen van de kunstenaar tot stand moest komen”, stelt kunstenaar Michel Huisman. Hij ontwierp oa Het Maankwartier in Heerlen. Een haastig geknutselde maquette bleek de oplossing voor de grootste probleemwijk in zijn stad Heerlen. Huisman stuurde het bouwproject aan als kunstenaar. Hoe kreeg hij dit voor elkaar, zonder enige ervaring in de bouwsector? “Maak je zo klein, dat het grotere jou bereiken kan”, zo haalt hij Plato aan tijdens ons gesprek. Hij probeert ‘leeg' te blijven om te kijken wat er komen moet. Michel Huisman is niet bang voor het witte doek. Hij knalt er gewoon wat op. Hij vertelt over de mentaliteit van tachtiger Lodewijk van Deyssel die uren kon wachten tot iets zich op het papier aandiende. De angst voor het witte papier werkte verlammend. We spreken over jezelf herhalen en voorkomen dat dit een foefje wordt. Hierbij komt de Japanse kunstenaar On Kawara ter sprake die dagelijks met een bootje hetzelfde meer opging en de datum van de dag op een paneeltje schilderde. Michel Huisman riskeerde een gevangenisstraf toen hij weigerde zich in te schrijven in de Kamer van Koophandel. Hij verdroeg het niet zich in te schrijven in een register dat stelt dat hij ”werk maakt met het oogmerk er materieel op vooruit te gaan.” Hij vertelt over de rechtszaken die hierop volgden. Leonard Evers legt uit waarom herhaling en imitatie hem altijd al gefascineerd hebben. Het herhalen van wat ooit al gemaakt is brengt kennis en vaardigheden met zich mee die de geheimen van componisten blootleggen die hij van kinds af aan al bewonderde, zoals die van Rogier van Otterloo. Is een herhaling een imitatie? En is een imitatie zwakker dan een nieuwe creatie? Bestaat er wel pure imitatie? Bestaan er eigenlijk wel geheel nieuwe creaties, zonder enige vorm van imitatie? Zijn hierin verschillen als je ze beziet vanuit schilderkunst en muziek? Ik geef toe dat ik schilder in de stijl van het impressionisme en leg uit vanuit welke beweegreden dit gebeurt. titusmeeuws.com contact: info@portretvanmijnhuis.nl

Episódio 10 da temporada especial do Appleton Podcast - 15 anos MACE - Aqui somos rede - numa parceria com a Colecção António Cachola José Carlos Santana PintoColeção com carácter de enfoque, onde a palavra sobressai e convida ao questionamento, nela convivem artistas portugueses (entre outros, Pedro Cabrita Reis, Julião Sarmento, António Sena, Joaquim Rodrigo), dispostos paredes meias com autoresinternacionais (Carl Andre, On Kawara, Josef Kosuth, Lawrence Weiner, Daniel Buren, Christian Boltanski, Niele Noroni, Haim Steinback, Allan MacCollum, Alfredo Jarr, Antoní Muntadas, Hans-Peter Feldmann...). Também a produção mais recente tem despertado a sua atenção, incorporando, por exemplo, obras deDetanico e Lain, Jonathan Monk, Haris Epaminonda, João Onofre, Carla Filipe, Leonor Antunes, Délio Jasse, Carlos Bunga, João Louro, André Guedes, Filipa César.Uma característica singular da coleção reside no sentido criterioso com que o colecionador estuda e escolhe as suas obras. Fernando Figueiredo RibeiroTrabalha no setor financeiro há 28 anos, dos quais cerca de 11 passados em Londres. Licenciado em economia pela Universidade Católica Portuguesa e um MBA pela Universidade Nova de Lisboa. Adquiriu a sua primeira obra de arte aos 21 anos. Da arte, diz que é uma paixão pelo que fica.A colecção de arte contemporânea portuguesa de Fernando Figueiredo Ribeiro passa da esfera privada para a fruição pública. Em Junho de 2016, na inauguração de uma exposição com obras da colecção, assinou um contrato de comodato de dez anos, para que o acervo, que inclui muitos dos nomes mais relevantes da arteportuguesa das últimas décadas (José Pedro Croft, Rui Chafes, Pedro Cabrita Reis, Ana Hatherly, Ana Jotta, António Júlio Duarte, Helena Almeida) e muitos artistas em início de carreira, possa ser instalado no Quartel, antiga sede dos bombeiros locais que passa a acrescentar ao seu nome Galeria de Arte Contemporânea de Abrantes/Colecção Figueiredo Ribeiro. No final deste ano fechapara obras de ampliação. Passará a ter 1100 metros quadrados de área útil e deverá reabrir no final de 2018. São cerca de 1800 obras que ficarão à guarda do Quartel em Abrantes. Links: https://contemporanea.pt/edicoes/09-10-2019/entrevista-jose-carlos-santana-pinto https://www.publico.pt/2017/02/20/culturaipsilon/noticia/uma-coleccao-de-arte-que-vai-passar-de-casa-para-o-quartel-1761995 https://www.tsf.pt/portugal/cultura/arte-em-sao-bento-mostra-expressao-portuguesa-da-colecao-figueiredo-ribeiro-12878778.html Episódio gravado a04.07.2022 http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral Financiamento:República Portuguesa - Cultura / DGArtes Apoio:Câmara Municipal de Lisboa

Du 19 février au 30 avril, La Maison des Arts de Schaerbeek accueille l'exposition ‘En quelques mots…', un dialogue entre 12 artistes plasticien·ne·s aux pratiques singulières, ancrées dans une recherche autour du texte et des mots, portée par la plasticienne Lucile Bertrand : avec Daniel Locus, Stefana McClure, Chantal Maes, Florian Kiniques, On Kawara, Barbara Geraci, Godelieve Vandamme, Pierre Buraglio… (Photo Stefana McClure, Silenced Voices Forough Farrokhzad (detail), 2021) Le collectif bruxellois LAb[au] a été retenu pour réaliser une intervention artistique sur la nouvelle passerelle Loredana Marchi du canal ABC. Kontexte est un projet modulaire qui consiste en une série d'éléments lumineux qui génèrent des mots grâce aux afficheurs à 16 segments. (Photo Veerle Vercauteren) Réalisation Christine Van Acker

Angela Westwater at 257 Bowery, 2020, photo by Alexei Hay Angela Westwater co-founded Sperone Westwater Fischer in 1975 with Italian art dealer Gian Enzo Sperone and German gallerist Konrad Fischer, opening a space at 142 Greene Street in SoHo, New York. (The gallery's name was changed to Sperone Westwater in 1982.) An additional space was later established at 121 Greene Street. The founders' original program showcased a European avant-garde alongside a core group of American artists to whom its founders were committed. Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of Bruce Nauman's seminal early shows; six early Gerhard Richter shows; two Cy Twombly exhibitions in 1982 and 1989; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 -- part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti. Other early historical exhibitions at the Greene Street space include a 1989 group show, "Early Conceptual Works," which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled "Gold: Gothic Masters and Lucio Fontana"; and selected presentations of work by Piero Manzoni. From May 2002 to May 2010, the gallery was located at 415 West 13 Street, in a 10,000-square foot space in the Meatpacking District. In September 2010, Sperone Westwater inaugurated a new Foster + Partners designed building at 257 Bowery. Today, over 45 years after its conception, the gallery continues to exhibit an international roster of prominent artists working in a wide variety of media. Artists represented by Sperone Westwater include Bertozzi & Casoni, Joana Choumali, Kim Dingle, Shaunté Gates, Jitish Kallat, Guillermo Kuitca, Wolfgang Laib, Helmut Lang, Amy Lincoln, Richard Long, Emil Lukas, David Lynch, Heinz Mack, Mario Merz, Katy Moran, Malcolm Morley, Bruce Nauman, Otto Piene, Alexis Rockman, Susan Rothenberg, Tom Sachs, Peter Sacks, Andrew Sendor, and William Wegman. Past exhibitions, press, and artworks can be found on the gallery website. Born in Columbus, Ohio, Westwater received her BA from Smith College and her MA from New York University. She arrived in New York City in 1971 and landed her first job as a “gallery girl” at the John Weber Gallery at 420 West Broadway. From 1972 to 1975, she served as Managing Editor of Artforum magazine. In 1975, the same year the gallery was founded, Westwater was appointed to the Board of Trustees of The Louis Comfort Tiffany Foundation, where she has served as President since 1980. The books mentioned in the interview are The Free World, Art and Thought in the Cold War by Louis Menand and A Life of Picasso, The Minotaur Years by John Richardson. Joana Choumali, Untitled (Ça Va Aller), 2019, mixed media, 9 1/2 x 9 1/2 inches (24 x 24 cm), 16 1/4 x 16 1/4 inches (41,3 x 41,3 cm) Joana Choumali, WE ARE STILL NOW, 2022, mixed media, 4 parts; 38 1/2 x 78 inches (97,8 x 198,1 cm)

Sie selbst müssen gar kein Kunst-Aficionado sein oder permanent durch Ausstellungen tingeln, um Johann König zu kennen. Es gibt einen Komiker gleichen Namens und es gibt ihn, den - wie es in den Medien gerne heißt - Popstar unter den Galeristen, den „blinden Galeristen“, so jedenfalls nannte er, der durch einen furchtbaren Unfall in seiner Kindheit fast sein komplettes Sehvermögen verlor, das Buch über sein Leben, das 1981 in Köln begann. Es waren die großen und wichtigen männlichen Künstler ihrer Zeit, die in seinem Elternhaus ein und aus gingen: Richter, Polke, Baselitz, Penck. Joseph Beuys, Herrmann Nitsch, On Kawara. Vielleicht ist das eine der Antworten, wenn man Johann König fragt, warum er unbeirrt diesen Weg wählte. Wenn die Kunst nämlich so selbstverständlich zu deinem Leben gehört, im Guten wie im Schlechten, dann ist der Blick darauf auch mit fast blinden Augen wohl ein ganz sicherer, vertrauter. Welchen Platz dieses Handicap wohl bei einem Gespräch über Essen einnehmen wird? Sie werden es erfahren. Viel Spaß jetzt mit Johann König. *** WERBUNG Toast Hawaii wird unterstützt von dmBio, die Bio-Lebensmittelmarke von dm-drogerie markt. Ganz nach dem Motto „Natürlich lecker erleben“ bietet dmBio mit mehr als 550 Produkten eine vielfältige Auswahl – von leckeren Snacks für zwischendurch bis hin zu original italienischen Tomatensaucen. Haben auch Sie eine dmBio-Geschichte, die im Podcast erzählt werden soll? Dann schreiben Sie uns gerne unter toasthawaii@studio-bummens.de ÖKO-Kontrollstelle: DE-ÖKO-007

This week I was really excited to have Sharon Butler on the podcast for the second installment of my "Interview the Interviewer" series. Sharon is a painter, writer and founder of the Two Coats of Paint Blog-azine which offers a space for alternative critical writing for the arts in the New York/Tri-State area. We nerd-ed out about paint brushes, spoke about her "Good Morning" drawings, and about allowing "bad" compositions into your work. We also talked about Two Coats of Paint's role in the NY art world and how to get started art writing. Check out the links below for more info about her projects: Sharon Butler Website: https://www.sharonlbutler.com/ Two Coats of Paint: https://www.twocoatsofpaint.com/ Norte Maar at the Brooklyn Ballet: http://www.brooklynballet.org/brooklyn-ballet-presents/counterpointe Curating Conteporary: http://www.curatingcontemporary.com/ Figure/Ground Interview w/ Sharon Butler: http://figureground.org/a-conversation-with-sharon-butler/ Review of Sharon's show by artist, Paul D'Agostino in Hyperallergic: https://hyperallergic.com/461289/sharon-butler-new-paintings-theodore-art/ Artists mentioned: On Kawara, Kazimir Malevich, Arte Povera movement, Alberto Burri at the Guggenheim, Piero Manzoni's Artist's Sh*t, Charles Burchfield's secret symbols, Holly Coulis at Klaus von Nichtssagend, Susan Carr, Julie Torres & Ellen Letcher of Labspace, Brian Edmonds of Curating Contemporary, Julia Gleich, Choreographer, Two Coats residents: Deborah Zlotsky & Afarin Ramanifar, Martin Puryear prints This talk originally aired as a live event on the Clubhouse App, Jan 10, 2021. Please subscribe to get new episodes as soon as they release, and also please connect with the podcast on Instagram at @peptalksforartists and check out the bonus images that go with this episode. Thanks for listening! --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

South African artist Candice Breitz talks to Ben Luke about the artists, writers, musicians, film-makers and other figures that have influenced her and inspire her today, and the cultural experiences that have defined her life and work. Breitz is a film-maker whose work, mostly in the form of video installations, explores selfhood and identity, community, race and gender, and reflects on how mass media like television, cinema and music shape our response to them. Among much else, she discusses her recent work Digest, and how it was influenced by the Middle Eastern folk tales One Thousand and One Nights and On Kawara's Today series, or date paintings. She reflects on the power of Octavia Butler's speculative fiction and her complex response to the South African novelist JM Coetzee. She talks about her video works telling the stories of refugees and sex workers. And she discusses growing up in Apartheid South Africa and its bearing on her choice of subjects and media. This episode is sponsored by Bloomberg Connects. See acast.com/privacy for privacy and opt-out information.

Ich hatte diesmal das Glück, dass ich vor meinem Interview mit dem Galeristen Johann König schon ein paar Tage in Berlin mit meiner Freundin hatte. Und in der Zeit habe ich sie dann schon mal in Johanns Galerie geschleppt, um die gerade aktuelle Ausstellung von Daniel Arsham zu sehen – der ist nämlich einer meiner Lieblingskünstler. Das war das erste Mal, dass ich den Raum gesehen habe und ich muss sagen, Johann hat die alte Kirche Sankt Agnes in eine wirklich einmaligen Galerie verwandelt. Der brutalistische Bau wirkt jetzt, als wäre er genau für diesen Zweck gebaut worden. Ich könnte jetzt noch weiter darüber schwärmen, aber schau dir lieber ein paar von den Bildern auf meinem Instagram-Account an, oder noch besser, schau selber mal in Kreuzberg vorbei.Johann hatte als Kind einen Unfall mit Schwarzpulverkügelchen, bei dem er fast komplett blind wurde. Heute, nach etlichen Operationen, hat er etwa 20 bis 30 % Sicht, aber das ist auch ein Auf und Ab, wie er nebenbei erwähnte. Ich wollte bewusst das Gespräch nicht zu sehr darauf lenken, weil ich lieber darüber sprechen wollte, was Johann aufgebaut hat, statt einen Unfall aus seiner Jugend, auch wenn der ein sehr dramatisches Erlebnis in seinem Leben war. Aber falls du mehr darüber erfahren möchtest, kann ich dir sein Buch „Der blinde Galerist“ sehr empfehlen, in dem er den Unfall und sein ganzes Leben bis 2019 sehr eindrücklich beschrieben hat.Wir sprachen über seine Anfänge und darüber, dass er eigentlich noch nie etwas anderes gemacht hat, über seine Experimente mit MISA, der Kunst-Messe, die er in Sankt Agnes gegründet hat, über E-Commerce und NFTs, darüber, warum man nicht immer alles kaufen darf, was man gern haben möchte, und über Johanns unternehmerisches Talent. Ausserdem darüber, was Kunst bewirken kann und über den Künstler und Familienfreund der Königs On Kawara, dank dem sich mir das Prinzip Konzeptkunst überhaupt erst eröffnet hat.Mein Gast heutehttps://www.instagram.com/johann.koenig/https://www.instagram.com/koeniggalerie/Jetzt Supporter werdenhttps://patreon.com/ohnedenhypeWunschgäste bitte hier in die Kommentarehttps://apple.co/3cdoMZLInstagramhttps://www.instagram.com/ohnedenhypeFacebookhttps://www.facebook.com/ohnedenhypeYouTubehttp://youtube.ohnedenhype.com

We find out that artist and Assistant Chair at Pratt Digital Arts & Social Media, Carla Gannis' mom was a Cher impersonator. And artist Eric Doeringer, (represented by Katherine Mulherin Gallery), talks us through what it was like recreating On Kawara's life and work during the 3 month exhibition of On Kawara's work at the Guggenheim Museum

Per l'antropologo francese Marc Augé, gli alberghi (come gli aeroporti e le stazioni) sono dei non-luoghi: eterne zone di passaggio, onnipresenti nella nostra società, ma in cui non mettiamo radici. Forse, proprio per questa loro ambiguità, gli alberghi non hanno mai smesso di stimolare artisti e teorici come David Hockney, Sophie Calle e Beatriz Colomina. Una puntata sorprendente, in cui scopriremo le rivoluzionarie teorie di Costantino sulla ceretta per naso e orecchie, il rapporto tra non-luogo e non-cazzo nella filosofia di Francesco, un'inedita e struggente storia di Massimo Gramellini e la cronaca di una notte da incubo all'Hangar Bicocca, tra dentifrici allucinogeni e letti semoventi.In questa puntata si parla di Marc Augé, Hans Ulrich Obrist, Maurizio Cattelan, Alighiero Boetti, Christian Boltanski, Gilbert & George, Felix Gonzalez-Torres, Lawrence Wiener, Rikrit Tiravanija, Otto Muhl, Michelangelo Pistoletto, On Kawara, Fischli und Weiss, Banksy, Caravaggio, Claude Monet, Hiroshi Sugimoto, Tadao Ando, James Turrell, Charles Ray, Beatriz Colomina, Zadie Smith, Toni Morrison, Andrea Fraser, Sophie Calle, Carsten Höller, David Hockney, Massimo Gramellini, Walid Raad, Hans Haake, Naeem Mohaiemen, Kerry Hill, Geoffrey Bawa e Hauser & Wirth.

Nel 1977, il critico Douglas Crimp organizza a New York “Pictures”, una mostra che darà voce ad artisti post-ideologici come Jack Goldstein, Sherrie Levine e Robert Longo. In breve tempo, nella scena dell'arte contemporanea americana, emergono altri artisti con ispirazioni simili: Louise Lawler, Sarah Charlesworth, Richard Prince e Cindy Sherman. Ad accomunarli c'è il loro interesse per l'immagine fotografica e pubblicitaria: tutti troppo giovani per aver vissuto l'attivismo degli anni '60, troppo disillusi per cadere nella seducente trappola del consumismo. Nel 2009, saranno consacrati al Metropolitan Museum di New York nella mostra “The Pictures generation”.In questa puntata si parla di Douglas Crimp, Troy Brauntuch, Jack Goldstein, Sherrie Levine, Robert Longo, Philip Smith, Barbara Krueger, Elizabeth Taylor, Montgomery Clift, Sherrie Levine, Walker Evans, Marcel Duchamp, Lilli Gruber, Elaine Sturtevant, Louise Lawler, Hans Haacke, Benjamin Buchloh, On Kawara, Cindy Sherman, David Robbins, Julian Schnabel, William Gibson, Justin Trudeau, Diana Ross, Angela Merkel, Emmet Miller, Nick Tosches, Bob Dylan, Van Halen, Pete Molinari, Maria Goretti, Giordano Bruno Guerri, Jack Goldstein, Sarah Charlesworth, John Baldessari, David Salle, Francis Picabia, Peter Arno, Mickey Rourke, Mary Boone, Leo Castelli, Richard Prince, Clint Eastwood, Brooke Shields, Garry Gross, Alfred Stieglitz, Stefan Edlis, Gloria Guida, Lilli Carati e Greta Thunberg.

L'arte contemporanea e la spiritualità hanno più punti in comune di quanto non si creda. In fin dei conti, gli spazi bianchi e silenziosi delle gallerie e dei musei ricordano sempre più la sacralità di un tempio e molti artisti hanno fatto il possibile per creare attorno a sé una vera e propria aura mistica. Costantino e Francesco parlano di asceti come John McCracker e Agnes Martin, di sciamani come Joseph Beuys e James Lee Byers e di artisti contemplativi come James Turrell e Hilma Af Klint. Inoltre, conosceremo Desirée, la cagnolina di Francesco, massima espertadi reincarnazione.In questa puntata si parla di Bruce Nauman, John McCracken, Stanley Kubrick,Arthur C. Clarke, David Zwirner, James Hayward, Desirée (detta Desi), JamesTurrell, Pippo Baudo, Giambattista Tiepolo, Vittorio Sgarbi, Philippe Daverio,James Lee Byars, Harald Szeemann, Joseph Beuys, Ötzi, Arlecchino, Pulcinella,Gino De Dominicis, Urvasi, Gilgamesh, The Blues Brothers, Kenneth Anger,Lucifero, Louise Bourgeois, Martin Scorsese, David Lynch, Hilma Af Klint,Rudolph Steiner, Carl Gustav Jung, Vasilij Kandinskij, Kenneth Noland,Wojciech Fangor, Ugo Rondinone, On Kawara, Agnes Martin, Ralph WaldoEmerson, Henry David Thoreau, Walt Whitman e Richard Tuttle.

Benjamin versucht die seltsame Faszination zu ergründen, die von den Bilder des japanisch-amerikanischen Konzeptkünstlers On Kawara ausgehen, und die nichts weiter zeigen, als das tagesaktuelle Datum. Sind es Meditationsobjekte oder ‚Ereignisbilder der Postmoderne’? Im zweiten Teil (ab 59:45) geht es um die außerhalb der USA wenig bekannte Schriftstellerin Ayn Rand, deren Werke bis heute von … Folge 085 – On Kawara & Ayn Rand weiterlesen

On Kawara 河原 温 got up.

Conversa deliciosa com Lara: artista visual, professora de alma inquieta e revolucionária, amiga de sotaque delicioso, nascida em Natal, no Rio Grande do Norte. Falamos sobre sua trajetória no caminho das artes, "causos" durante sua especialização no México, o Mestrado em Belas Artes pela UFRJ, as dificuldades do setor público de ensino e os embates em torno da criação. Dentre as referências citadas: os artistas Francis Alys, Tehching Hsieh, On Kawara, Sophie Calle; os filmes Fitzcarraldo de Werner Herzog e Stalker de Andrei Tarkovski; as leituras de Só Garotos de Patti Smith e de Vida de Paulo Leminski. Quem quiser conhecer o trabalho da Lara, pode acessar http://www.laraovidio.com/ e seu perfil no Instagram @somosjovenesyhaysol Trilha sonora: 1 - Madness is everywhere by Lobo Loco / 2 - Spencer Blues by Lobo Loco --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/interludica/message

Alistair Coleman was inspired by paintings of On Kawara on display at the Glenstone Museum in Potomac, MD. The artwork is a series of "date paintings" that were created on the days of the Apollo 11 launch, moon landing, and return journey. In this episode, the Abeo Quartet performs this new work by Coleman, Moonshot, commissioned by the Glenstone Museum. After the performance we talk about how the quartet put this piece together, new performance techniques required, and who would dare to go to space. 

Pour sa dernière émission de la saison, En Pleines Formes prépare ses valises estivales, et vous propose de partir sur la route des vacances et de réfléchir sur un objet si familier de nos vacances et détourné par les artistes: la carte postale.    La carte postale, pour son rapport texte image, sa dimension intime, vernaculaire, sa circulation entre des espaces privés et publics, fascine bien entendu les historiens de l’art, (si l’on pense à la fameuse photo de Malraux devant son impressionnante collection de carte postale), les écrivains (évoquons les '243 cartes postales' de Georges Perec) ; et bien sûr, les artistes, dont les saisissements de la carte postale recoupent une grande variété de pratiques : collections, écriture poétique à leur verso, appropriation, création sur un format carte postale, pratiques épistolaires à plusieurs... [caption id="attachment_85422" align="aligncenter" width="1682"] © Martin Parr, "Boring Postcard USA", 1999[/caption]   Citons par exemple la New York Correspondance School fondée par Ray Jonshon, les correspondances entre les membres de Fluxus, les cartes postales pour le moins minimalistes envoyées par On Kawara à ses collectionneurs, et ce sans mentionner les artistes qui créent eux même des carte postales, se saisissant du défi du petit format et de la finesse du support, comme Françoise Janicot, Bernard Quentin ou Hervé Fischer. Citons aussi les cartes postales compilées par Martin Parr dans son ouvrage Boring Postcards USA, ou celles photographiées dans les kiosques par Luigi Ghiri. Quelles sont les potentialités esthétiques de la cartes postales ? De quelles manières les artistes s’en servent-ils aujourd’hui ? Dans quelle mesure la carte postale se situe-t-elle à mi-chemin entre l’archive et la fiction, entre l’œuvre et le document ? Trois invitées viennent aujourd'hui nous parler de la carte postale et ses affinités avec la création contemporaines : Marie Boivent, maître de conférence à Rennes 2, et auteur de plusieurs textes sur la carte postale et le mail art; Magali Nachtergael, maître de conférence à Paris 13 et commissaire avec Anne Reverseau de l'exposition "Cartes postales, nouvelles d'un monde rêvé", à Arles dans le cadre des Rencontres de la photographie, et Valérie Mrejen, dont le travail questionne depuis longtemps la carte postale comme archive, comme trace de récit intime et comme objet singulier, notamment dans sa récente exposition "Lettre à un inconnu" à la galerie Anne-Sarah Bénichou. Côté chroniques, il était encore question de cartes postales, telles que mobilisées dans la somme graphique et éditoriale d'Irma Boom.  Enfin, nous avons vogué au gré des conseils de lecture et d'exposition : rendez-vous à Bétonsalon pour l'exposition Jean-Charles de Quillacq, ainsi qu'en librairie pour consulter l'ouvrage de Marie-José Mondzain, Confiscations, des mots des images et du temps.  --- Animation et Interview : Flore Di Sciullo, Henri Guette Chroniques : Odilon Coutarel, Julie Ackerman, Fériel Boushaki Réalisation : Lorna Bihi  

Cette semaine avec Paul Mouginot de Daco (récemment racheté par Vente Privée) on parle d’Art et bien sur d’AI. REFERENCES DANS L’EPISODEFIAC http://www.fiac.com/Art numérique https://fr.wikipedia.org/wiki/Art_num%C3%A9riqueArt algorythmique https://fr.wikipedia.org/wiki/Art_algorithmiqueFrançois Morellet https://francoismorellet.wordpress.com/oeuvres/Miguel Chevalier http://www.miguel-chevalier.com/frLouise Bourgeois https://fr.wikipedia.org/wiki/Louise_Bourgeois_(plasticienne)1ere oeuvre généré par l’AI vendue chez Christies https://culturebox.francetvinfo.fr/arts/numerique/un-tableau-produit-par-intelligence-artificielle-en-vente-chez-christie-s-281039Sol LeWitt https://fr.wikipedia.org/wiki/Sol_LeWittManfred Mohr https://www.emohr.com/On Kawara https://fr.wikipedia.org/wiki/On_Kawara

A new, original, unusual, fresh, unfamiliar, unconventional, imaginative, innovative episode of Good Point. Mega Gallery Podcasts https://news.artnet.com/opinion/mega-gallery-podcasts-1311104 New Models Podcast https://newmodels.io/ The Essential Phone 2 Cancelled https://www.theverge.com/2018/5/24/17391734/essential-cancels-phone-development-considers-sale-report Marina Abromovic https://en.wikipedia.org/wiki/Marina_Abramovi%C4%87 Richard Serra https://en.wikipedia.org/wiki/Richard_Serra Mies Van Der Rohe https://en.wikipedia.org/wiki/Ludwig_Mies_van_der_Rohe Tabor Robak http://www.taborrobak.com/2017/ Supreme store line https://www.youtube.com/watch?v=ZQdp5tFMy-o Diddy “I never wear the same pair twice” https://www.youtube.com/watch?v=Lsrrc_ru4CM Peter Halley https://www.peterhalley.com/ Sol Le Witt https://en.wikipedia.org/wiki/Sol_LeWitt Jeremy’s bad review https://canadianart.ca/reviews/jeremy-bailey/ Pipilotti Rist https://pipilottirist.net/ On Kawara https://paddle8.com/work/on-kawara/114005-thanatophanies-complete-portfolio Laurie Anderson interview where she talks about audiences https://soundcloud.com/designmatters/design-matters-with-debbie-millman-laurie-anderson Top 100 Artists (many have a diverse body of work) https://artfacts.net/en/artists/top100.html  Nam June Paik’s birth of video art myth http://www.experimentaltvcenter.org/sites/default/files/history/pdf/ShermanThePrematureBirthofVideoArt_2561.pdf

Topics: 15:00-19:47, against representation, PhD, Georges Perec, tracking, alcohol, pure marks, emerging patterns, obliterating days, I am here, Year Planners, Actiwatch, intentionality/agency, putting down some red, recording in the dark, intermittences of the heart, sampling, data, gaps, truer traces, tapestries, Jacquard loom, totality, scattered subject, the „I“, On Kawara, indexicals, pigs Links: [1] http://susanmorris.com [2] http://hyperallergic.com/199012/artists-pick-artists-susan-morris/

In this week’s episode of the ArtTactic Podcast, we’re joined by prominent California-based art collector, Dr Robert Shimshak. First, Robert shares his evolution as an art collector, acquiring along the way several works by Ed Ruscha, Sol Lewitt, On Kawara, Bruce Conner and others. Then, he offers advice for new collectors that he wished he had received when he first started collecting. Also, Robert gives his perspective on the current state of the art market and reveals some significant buying opportunities that currently exist. Lastly, having lived primarily on the west coast, Dr Shimshak compares the art scenes in San Francisco and Los Angeles to New York City.

Nina and Erik carefully document each moment as it passes during a conversation about the career of conceptual artist On Kawara.

Jan. 16, 2015. Recorded Podcast. In honor of the passing of On Kawara and the New Year 2015, Erik and Nina perform one hour's worth of subtitles from On Kawara's Today series.

This is a throwback to Kunstcapades Ep. 3 when Tantum makes a very good guess at the price of the Jeff Koons retrospective. We ask some very stupid questions to "the art world's patron Satan" Stefan Simchowitz, and pay our respects to On Kawara. Enjoy!