Podcast appearances and mentions of scott woods

Fr. Scott Woods' family wasn't Catholic, but because they sent him to Catholic school, he developed some strong associations with Catholicism, and especially the priesthood. He began telling everyone that he wanted to be a priest, even though he wasn't yet a Catholic. He began attending daily Mass in high school, and his parents, seeing that he was so serious, allowed him to enter the Catholic Church. He continued to pursue that vocation, and eventually was ordained for the Archdiocese of Washington.

Listen to Scott Woods, Michael Bolan and Simon Hart discuss the current state of the private credit landscape in the United Kingdom.

Special guest Scott Woods joins us in the studio to make our lists the most frightful descents into madness!

In this episode of 5G Talent Talk, Carrie Charles interviews Scott Woods, President of Public Private Partnerships at Ready.net. They discuss Scott's transition from a private practice attorney to a key figure in telecommunications, emphasizing his work at the National Telecommunications and Information Administration (NTIA). Scott explains the NTIA's role in managing the Broadband Equity and Access Deployment (BEAD) program, a $50 billion initiative aimed at bridging the digital divide in underserved communities.Scott details how Ready.net supports broadband professionals in expanding services and highlights the importance of digital equity. He emphasizes the need for diverse partnerships and outlines the significance of BEAD funding, noting it as a catalyst for long-term broadband expansion and digital equity. Scott encourages companies to engage with state broadband offices and utilize resources like Broadband.io for collaboration and knowledge exchange. He concludes by stressing the critical nature of broadband connectivity for economic and social development.  Join the 5G Talent Talk community today: broadstaffglobal.comInstagramLinkedInFacebookYouTube

It's National Poetry Month and we are joined by the Nebraska State Poet, Matt Mason who has run poetry workshops in Botswana, Romania, Nepal, and Belarus for the U.S. State Department. Matt's poetry has appeared in The New York Times and he is a recipient of a Pushcart Prize as well as fellowships from the Academy of American Poets and the Nebraska Arts Council. His work can be found in Rattle, Poet Lore, Prairie Schooner, and in hundreds of other publications. Matt serves as our poetry tour guide through a pantheon of poets as we showcase work from Scott Woods, Aliyah American Horse, Denise Duhamel, Deb Carpenter-Nolting, Sean Patrick Mulroy, Nicholle Laffer & Mighty Mike McGee. The Nebraska State Poet, Matt Mason, serves as our sherpa guide through a pantheon of poets: Scott Woods, Aliyah American Horse, Denise Duhamel, Deb Carpenter-Nolting, Sean Patrick Mulroy, Nicholle Laffer & Mighty Mike McGee.

In this episode Dr. Molly & Todd speak with industry professionals Patsy Tallant and Scott Woods, co-founders of The Grooming Loop. We discuss the history of The Million Dollar Mobile, The Grooming Loop, why correct insurance is important, the pros/cons of different types of mobile units and being prepared, why groomers shouldn't just jump into mobile, the WagnTails Clean Power System, and more! Click the links below for more information.(6) Facebook The Pawcast(6) The Grooming Loop LLC | Facebook

Listen to our latest episode, which features Scott Woods and Sam Riesenberg, Credit Tax practice leaders, and Kyle Phillips, managing director in the international tax group, to learn more about treaties, independent agents, and the economic consequences for credit funds.

Grace and compassion are key to connection.  Karen Hewitt, author of Culture Impact, discusses this plus how to build an intentional culture.Buy Culture Impact#SponsoredBookLinkConnect with Karen:LinkedInKaren's Bio:Culture Creator. Community Builder. Leader. Author. Poet. Artist. Voice. Karen is an invitation.Her work and presence compels others to journey inward, and encourages them to see the world in more expansive and hopeful ways. Karen earned her MS in Mathematics at St. Francis University (PA) and her Master of Arts in Educational Policy and Leadership at The Ohio State University. Ze has been speaking, facilitating, and coaching since 2005. Her career began as a collegiate Women's Basketball Coach and evolved into a Workforce Development focus. Karen is an Executive DEI Director, co-founder of The Ohio REST Collective and Founder of the podcast and platform the Culture of You. Her areas of expertise are: Culture and Diversity Management, Leadership Development, Intersectionality and Gender and Sexuality. Through hir lived experience, Karen exudes atypical wisdom and lived experience. She is seen as a necessary contribution at various community tables and conversations and is both celebrated and respected for her ability to be strategic in navigating difficult and nuanced conversations and barriers in a brave and productive way. Karen is a creative. She is an improv comedian and improv poet and singer. Ze is a 2020 recipient of the Create Columbus Visionary Award, a 2022 CEO Columbus Future 50 fellow, a 2023 African-American Leadership Academy (AALA) fellow, a 2021 Cohort Poet in Scott Woods' Rhapsody and Refrain, and an ensemble member in Counterfeit Madison's Aretha Franklin Tribute; which performed in front of a sold out Lincoln Theatre (Columbus, Ohio) in February 2020. In 2019, Karen published hir first book of poetry, Grounded: A Collection of Healing Spoken Word Poetry; and released: Fire: Poetic Memoirs of a Movement in August of 2021. They are also a contributing author with their top five lessons in love and business chapters in the April 2021 released anthology, The Black Woman's Guide To Love and Business: A Blueprint To Self-Mastery. Their latest release of a chapter in Culture Impact: Strategies to Create World-changing Workplaces is available as of 6.9.23. Find out how to move from Vision to Implementation in her chapter: Intentional Culture Creation. Support the show

Dans l'épisode, il y a..Un extrait du livre Ghost, de Maude Veilleux.Un extrait du court-métrage de Sylvie Laliberté, "L'artiste surprise".Je parle du podcast "Artist Residency", Momus.J'ai consulté ce texte de Scott Woods, "The Arts Industrial Complex"Merci à Rhizome pour le soutien, le matériel, l'hébergement.

Hope, George and special guest Scott Woods debate the best of Dario Argento. Join in!

Scott Woods, vice president of community engagement at Ready, and former director of the Office of Minority Broadband Initiatives at the NTIA, joins the show to discuss the NTIA's notices of funding opportunity for the Broadband Equity, Access, and Deployment (BEAD) and Digital Equity Act programs. He explains what the agency got right and where its rules "missed the mark." We also discuss his current role at Ready and how the software company is helping ISPs and other broadband stakeholders prepare for funding opportunities. See acast.com/privacy for privacy and opt-out information.

Jack Marchbanks sits down with Dionne Custer Edwards, Scott Woods, and Is Said for a discussion about Black poetry using James Weldon Johnson's groundbreaking anthology The Book of American Negro Poetry as a springboard. Dionne Custer Edwards is a writer, educator, and the Director of Learning & Public Practice at the Wexner Center for the Arts, Scott Woods is a poet, writer, and the founder and director of the performing arts organization Streetlight Guild, and Columbus poetry legend Is Said, has received the King Arts Complex Legends & Legacies Award and was inducted into the Lincoln Theater Hall of Fame.  This program is generously funded by Jack Marchbanks and The Kridler Family Fund at The Columbus Foundation. Special thanks to fo/mo/deep for lending us their song, "Bourbon Neat" for the podcast! Find out about upcoming Bexley Public Library events at https://www.bexleylibrary.org Follow Bexley Public Library across platforms @bexleylibrary

The flesh is weak, Johnny. Only the pod is immortal. Take the elevator down to the bottom and join us and author Scott Woods for a comfort horror episode on Alan Parker's Angel heart. It will scare you to your very soul. Research Links: Black Magic and White Guilt: Voodoo in Angel Heart Scott Woods Writes Follow us on Facebook | Twitter | Instagram Psychoanalysis Patreon Music notes: "Infinite Perspective" by Kevin MacLeod "Long Note Three" by Kevin MacLeod "Emotion Picture" by Bill Ironfield Logo artwork by Jess Snively

In this episode we chat with Emmy winning poet, linguistic supervillian, sports announcer and cultural critic Jugga Levert. We talk about how poetry is what makes JG survive (8:45) his family and sports (11:45) who's tougher Urban Meyer or Scott Woods (17:00) Jay Ward uses "poet voice" reluctantly at first (24:40) We discuss JG's broadcasting career and winning an Emmy (29:00) Bluz forgets Jay Ivy (39:10). We talk about JG wanting to do a one man show (43:20) discuss if poetry slams should have professional judges (46:10) JG makes comparisons of poets to rappers (55:20) Moody love the kids (58:50) and of course we freestyle (61:15) JG Info: Using the stage name JG The Jugganaut, John Gibson is a 2013 National Poetry Award winner. Through his work, John gives vivid and insightful accounts of life as a black American without shying away from the painful or the humorous. JG has represented the city of Columbus three times at The National Poetry Slam, making it to the semifinals of the competition in 2013. John is a graduate of Bowling Green State University and currently serves as host and curator of The Ness Open Mic Experience poetry show in Columbus, Ohio. Follow JG on IG and Twitter: @blamejg and on Facebook: Jugga Levert Freestyle Beat by @mallchi PoetUp Crew: Twitter: @PoetUpPodcast @mallchi @MrBluz @jayward2030 IG: @PoetUpPodcast @mallchi @bluzbluzbluz @jward2030 Facebook: @PoetUpPodcast Email us at thepoetuppodcast@gmail.com Visit our website: www.poetuppodcast.com Rate us, Review us tell a friend about us. Thank you for listening. --- Send in a voice message: https://anchor.fm/poetup/message

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In a bustling café, Mary Anne sits down with writer, poet, and community organizer Scott Woods to talk about the importance of creative space and culture in a community. They also touch on Woods' Streetlight Guild space in Columbus, Ohio, as well as the importance of persistence in aiming for success. For show notes and a transcription of the interview, visit www.speculativeliterature.org/episodes/#ep-28

NTIA's $285-million CMC pilot program provides grants to eligible Historically Black Colleges or Universities (HBCUs), Tribal Colleges or Universities (TCUs), and minority serving institutions (MSIs). NTIA is funding not only broadband for anchor institutions but digital programs that drive adoption (some agencies mostly fund network infrastructure). NTIA also is encouraging pilots to create 15-mile broadband umbrella around the institutions. Nationwide, broadband and telehealth deployments are only as good as the maps that guide them. LightBox create maps by combining granular location data with information from 2 billion Wi-Fi access points. Communities get a more detailed, accurate picture of broadband connectivity. Today's digital equity warriors are: A graduate of HBCU undergrad and law schools, Scott Woods currently leads the Connecting Minority Communities (CMC) Pilot Program, and serves as a principal liaison between the CMC and BroadbandUSA program. Mr. Wood's career of government service includes a 4-year stint at the US Department of Justice. At LightBox, Bill Price is responsible for providing government organizations with consulting services, valuable information, and data to plan and implement broadband programs. As a senior strategy analyst at the Georgia Technology Authority, Price was the lead architect and manager of the state's broadband plan and mapping.  ---------------- Get info about telehealth services that help save lives, reduce cost, and improve efficiency of public health.

As promised/threatened, we're back to a monthly schedule on the D / M / S / R podcast! For this month's episode, it was my pleasure to speak to music writer Jack Riedy (Pitchfork, GQ, VIBE) about his new book Electric Word Life: Writing on Prince 2016-2021. It was a really fun conversation, running through each of the pieces collected in his book and covering everything from Prince's influence on Chicago house to the degree to which the Batman album goes (spoiler: it's hard). Check it out, and if you're so inclined, get yourself a copy of Jack's book! It's a great read and highly recommended. By the way, I caught this too late to mention it "on air," but thanks so much to cittalente for their review on Apple Podcasts! If you're interested in reviewing D / M / S / R on your podcast service of choice, please do, and I will read it on the next episode--which, if all goes to plan, should be dropping next month. 00:00:00 "The Future” (from Batman, 1989) 00:14:59 "We All Wanna Be Prince" by Felix da Housecat (2009 single) 00:17:09 Michaelangelo Matos: "We All Wanna Be Prince: Exploring The Purple One's Impact on Dance Music" 00:18:22 "Music is the Key (House Key)" by J.M. Silk (1985 single) 00:19:29 Cat Glover recycles the "Music is the Key" rap on "Cindy C” (from The Black Album, 1987) 00:21:29 "Gett Off (Houstyle Remix)" by Steve "Silk" Hurley (1991 single) 00:23:56 Chuck Zwicky's Keynote at the Batdance30ATL Symposium https://youtu.be/XPQQKHwGch0 00:25:31 "All the Critics Love U in New York” (from 1999, 1982) 00:29:23 Ethan Hawke explains the "Black Album" in Boyhood (Richard Linklater, 2014) https://youtu.be/zMYBOpmWHEc 00:31:32 Zach's Take on Purple Rain as a Double Album 00:36:09 "Nothing Compares 2 U” (from Originals, 2019) 00:38:01 Chris Stapleton's 2016 cover of "Nothing Compares 2 U" https://youtu.be/B56NQ2TC5xo 00:39:01 Girl Talk samples Sinead O'Connor's "Nothing Compares 2 U" on "Play Your Part (Pt. 1)" (from Feed the Animals, 2008) 00:39:34 The tweet Jack references in his book https://twitter.com/jackriedy/status/1424084517543944196?s=20 00:41:33 "Four" by Madhouse (from 8, 1987) 00:45:26 "Batdance” (from Batman) 00:50:41 Simon Pegg and Nick Frost use Batman as a projectile in Shaun of the Dead (Edgar Wright, 2004) https://youtu.be/uLquz4Iz-30 00:52:17 "Batdance" in Tom Breihan's The Number Ones 00:54:43 "Dance with the Devil" (1989 recording) 00:57:48 The mysterious bubbling noise in "Lady Cab Driver” (from 1999) 01:00:39 "F.U.N.K.” (2007 single) 01:10:24 "Sometimes It Snows in April” by D'Angelo featuring Princess (Live on The Tonight Show Starring Jimmy Fallon, 2016) 01:17:24 Scott Woods' Prince and Little Weird Black Boy Gods 01:18:35 Mary Gring (who illustrated Jack's book) 01:19:10 Cereal Box Studio (who designed it) 01:20:30 "Welcome 2 America” (from Welcome 2 America, 2021) 01:20:40 Daniel Bromfield's Pitchfork review of Welcome 2 America 01:21:53 Zach also wasn't a huge fan of "Hot Summer" 01:26:12 Buy Jack's Book 01:26:52 "The Dance Electric” (from Purple Rain: Deluxe Expanded Edition, 2017)

Few people have ever planned their own legacy as obsessively as the superstar musician Prince did. We talk with two people who visited Prince's mansion following his death: Immortalized co-host Linnea Crowther and superfan critic Scott Woods.

Hi friends! Welcome back to the Composer Happy Hour. If you are reading this, you are likely a fan of the show and/or an avid supporter of whateverandeveramen. Thank you so much for your ongoing support - we really do appreciate it. If you haven't already, please rate and review the podcast here or on your chosen streaming platform (or both!). This is most appreciated. Our guest this episode is Jennifer Jolley. I had a chance to work with Jenn back in 2016 when she was in a residency with my choirs. I was quickly impressed with her as a composer, but also as a human. She is very kind and supportive of young musicians, and incredibly humble. So humble, in fact, that she has an entire blog dedicated to her own musical rejections. Her choral music often sets texts that address a fairly specific moment in time or experience. This is in stark contrast to the "tradition" of setting pretty poetry by dead white people, that seems to aim for timelessness, but too often ends up not being very good even in the moment. In this episode we discuss baseball, how to give directions in California, and why f*ck is such a great word for choral music. As always, if you like what you hear - buy us a beer! Your contributions will help to fund future projects by whateverandeveramen. Jennifer Jolley (b. 1981) is a composer, blogger, and professor person. She is also a cat lover and part-time creative opera producer. ​ Jennifer's work draws toward subjects that are political and even provocative. Her collaboration with librettist Kendall A, Prisoner of Conscience, has been described as “the ideal soundtrack and perhaps balm for our current ‘toxic… times'” by Frank J. Oteri of NewMusicBox. Her piece, Blue Glacier Decoy, written as a musical response to the Olympic National Park, depicts the Pacific Northwest's melting glaciers. Her partnership with writer Scott Woods, You Are Not Alone, evokes the fallout of the #MeToo Movement. ​ Jennifer's works have been performed by ensembles worldwide. She has received commissions from the National Endowment for the Arts, the MidAmerican Center for Contemporary Music, the Left Coast Chamber Ensemble, Quince Ensemble, and many others. Jennifer deeply values the relationship that is created between composers and the communities with whom they collaborate. She has been composer-in-residence at multiple institutions. She promotes composer advocacy through her opera company NANOWorks Opera and her articles for NewMusicBox & I CARE IF YOU LISTEN. Also, she is on the Executive Council of the Institute for Composer Diversity and the New Music USA Program Council. Jennifer joined the Texas Tech School of Music composition faculty in 2018 and has been a member of the composition faculty at Interlochen Arts Camp since 2015. www.jenniferjolley.com All Recordings Used by Permission of the Composer: "Prisoner of Conscience" (2015) Quince Ensemble "Drei Brücken" (2012) I. Roebling - Premiere Performance, Commissioned by the Contemporary Arts Center for their 2012 Gala, Drew Klein, Performance Curator III. Brent Spence - University of Toledo Chamber Singers "Her Speed Left the Winds Behind" (2020) Voices of Ascension and Trio Triumphatrix

For 50 years, footage of the Harlem Cultural Festival – a summer-long fête featuring the likes of Nina Simone, Sly and The Family Stone, and Stevie Wonder – was buried in the archives. And the story of the Harlem Cultural Festival was buried along with it. Finally, the footage is being brought to light by Questlove in the new film ‘Summer of Soul' a powerful testament to the artists of that era, and an energetic ride into the styles, sounds and politics of 1969. In this episode, our exclusive interview with Questlove on what it takes to correct the historical record, and why we need this film now in 2021. For this episode's custom playlist curated by Hanif, visit https://bit.ly/oos-questlove/Music In This Week's Episode/You Caught Me (Smilin'), Sly and the Family StoneBlack Woman, Sonny SharrockThe Weight, The Staple SingersMy Bed of Thorns, Gladys Knight and The PipsTo Love Somebody, Nina SimoneA Mighty Fortress Is Our God, Mahalia JacksonAlmost Seedless, Hugh MasakelaLove's In Need Of Love Today, Stevie Wonder/Show Notes/Questlove's directorial debut is Summer of Soul (...Or, When the Revolution Could Not Be Televised). You can find a list of the festival's full lineup here. Hanif and Questlove reference the documentary Amazing Grace, on Aretha Franklin. The art festival in Columbus was called Holler and organized by the poet and cultural worker Scott Woods./Credits/ This show is produced by work by work: Scott Newman, Jemma Rose Brown, Babette Thomas, Mayari Sherina Ong and by Hanif Abdurraqib. The show is mixed by Sam Bair.   

Father Scott Woods joins Bill Wannall, Father Larry Swink, and Father Jack Berard to introduce himself tot eh La Plata community and discuss the importance of spiritual direction on vocations and you! --- Support this podcast: https://anchor.fm/william-wannall/support

This episode is Field focused! We are joined by Scott Woods, VP of Field Sales, to talk about the evolution of LineDrive's Solutions Consultant team and what he sees as the path to continued growth. Then we are joined by Ryan McNelly for another segment of "Get to Know a Noob"!

“You can't be as critical as I am about a city unless you love it first.” This week, we speak with one of Columbus' cultural icons and fiercest critics, Scott Woods. Scott is an Emmy-winning writer, poet and librarian. He writes regularly for LEVEL and has a weekly column for Columbus Alive called "The Other Columbus." . Scott's books include "Prince and Little Weird Black Boy Gods" (2018, Brick Cave Books), "Urban Contemporary History Month" (2016, Brick Cave Books) and "We Over Here Now" (2013, Brick Cave Books). He has been featured multiple times in national press, including multiple appearances on National Public Radio. He was the President of Poetry Slam Inc. and pre-Covid, emceed the Writers' Block Poetry Night, an open mic series in Columbus. . In June 2019, Scott opened Streetlight Guild, an arts venue in Olde Towne East, after enormous response to his Holler: 31 Days of Black Columbus Art events series, and in pursuit of an answer to the question of what Columbus culture is. Website: scottwoodswrites.net IG: @scottwoodsrules Twitter: @scottwoodssays Facebook: @scott.woods.587 Streetlight Guild: streetlightguild.org Columbus Alive Column - The Other Columbus --- Send in a voice message: https://anchor.fm/columbus-cant-wait/message

President and CEO of South Carolina Federal Credit Union, Scott Woods, comes back on the show for a follow up appearance on #beyondthebusiness. Prior to accepting this role, he served as Chief Financial Officer of SCFCU, Chief Financial Officer of SRP Federal Credit Union, Chief Financial Officer of S.C. Telco Federal Credit Union and as a Senior Financial Institution Auditor with KPMG Peat Marwick, CPAs. Woods received his Bachelor of Science degree from the College of Charleston and hisMBA in Finance from Auburn University. Woods is also a graduate of the Southeast Regional Credit Union Management School, the Credit Union National Association Financial Management School and holds both Certified Public Accountant and Certified Internal Auditor certificates. Woods currently serves on the Board of Vizo Financial Corporate Credit Union as well as on the boards of the Credit Union National Association, the Charleston Metro Chamber of Commerce, PaymentsFirst, Inc. and South Carolina Financial Solutions. In this episode, we dive deep into the career transitions and experiences of Scott. Humility and leadership are highly correlated and Scott embodies this philosophy through his work and methods of communication.

President and CEO of South Carolina Federal Credit Union, Scott Woods joins Eric and Leslie in this episode of #beyondthebusiness.  Getting to know Scott, we see the early events and formative conditions that led to his eventual success and growth in leadership. This has episode has a great collection of stories, lessons, and conversations leading into next week's episode. 

The “super-formative” high school years are challenging to all teenagers, but for those who are also recognizing an emerging identity of being gay or bisexual, the anxiety can be significantly increased. During a Zoom webinar with faculty and staff in late February 2021, Alumni Alex Hostetler ’09, of New York, Boyd Jackson ‘09 and Scott Woods ’02, both of Washington, discussed their experiences of being gay at McCallie. They shared their struggles to reconcile their sexual identity with their religious faiths, their families, their fellow McCallie students, and their teachers. This panel discussion was part of McCallie’s “Belonging at McCallie” initiative which is designed to ensure that all students, regardless of their sexual orientation, can experience and participate in the fullness of the McCallie brotherhood. They also offer advice to current students on how to live full, happy, and successful lives at McCallie and beyond.

We check in with Greg Mittman to break down the evolution of the Inside Sales Team and how their go-to-market strategy has changed. Then Jason Nida, Scott Woods, and J Schneider join to review LineDrive's construction focus. Finally, Jenny Mohr gives us insight on her work with RS Hughes and how to engage their locations.

Local writer, poet, and community organizer Scott Woods discusses Streetlight Guild, a Columbus cultural venue he founded in 2019, as well as his work on the New Black Eastside Songbook project. Scott also offers his insights on the arts scene, public libraries, and more.  ----more---- Find more information about Streetlight Guild here: https://streetlightguild.wpcomstaging.com/

This episode focuses on learning how to talk to your white teen about racism. The talking points include:  We need to talk about racism and white privilege Racism is bigger than conscious hate Talking about race with our teen girls gives them the ability to filter their world All whites have white privilege Tips for keeping the conversation open Avoid either/or and good/bad talking when discussing racism Be an example and talk about race in culture and media Encourage activism Resource ideas for educating yourselves Talk with your daughter about ways you are going to educate yourselves List of resources that we're starting with Don't stop here!   RESOURCES:  Will Smith: Racism is Not Getting Worse, It's Getting Filmed https://www.hollywoodreporter.com/news/will-smith-colbert-race-relations-obama-politics-sings-summertime-916816 How To Talk To Your Children About Protests and Racism https://www.cnn.com/2020/06/01/health/protests-racism-talk-to-children-wellness/index.html Scott Woods Articles https://scottwoodsmakeslists.wordpress.com Scott Woods' Definition of Racism https://scottwoodsmakeslists.wordpress.com/2014/01/03/5-things-no-one-is-actually-saying-about-ani-difranco-or-plantations/ Dr. Robin Silverman (Interviewing Dr. Margaret Hagerman), How to Talk To Kids About Anything Podcast, Talking to White Kids About Race & Racism, https://safespaceradio.com/talking-to-white-kids-about-race-racism/ How to Be an Antiracist, Ibram X. Kendi, https://www.amazon.com/How-Be-Antiracist-Ibram-Kendi/dp/0525509283/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1591157704&sr=8-1 White Fragility: Why It's So Hard for White People to Talk About Racism , Robin DiAngelo, https://www.amazon.com/White-Fragility-People-About-Racism/dp/0807047414/ref=sr_1_1?crid=99W8UKXLT0R1&dchild=1&keywords=white+fragility&qid=1591157823&sprefix=white+frag%2Caps%2C185&sr=8-1 37 children's Book About Racism, https://coloursofus.com/37-childrens-books-to-help-talk-about-racism-discrimination/ Just Mercy, Bryan Stevenson, https://www.amazon.com/Just-Mercy-Story-Justice-Redemption/dp/081298496X/ref=sr_1_1?dchild=1&keywords=just+mercy&qid=1591157895&sr=8-1 Instagram Accounts:  @Therapyforblackgirls @Ethelsclub @Equalitylabs @Colorofchange @Blacknationapp @blklivesmatter @eji_org

Det pågår ett krig mot svarta och vi är alla delaktiga. Rasism är en folksjukdom och redan från sekunden vi föds infekteras vi. Det är en omfattande hjärntvätt med rötter som är tusentals år gamla och vi kan inte värja oss. Men kan vi göra nåt? Med “vi” menar jag såklart vi som inte är svarta. Vi måste göra nåt. Det är bara vi som kan sluta förtrycka. Men var börjar man? Hur pratar man med barnen? Kan man applicera kompensatoriskt tänk likt det som man använder sig av inom det genusmedvetna föräldraskapet eller finns det en risk att det slår över till exotifiering och en annan typ av rasism? Var går gränsen för rasbiologi? När bör vita prata och när bör vi vara tysta? Er favoritduo stapplar sig fram på okänd mark. Det är läskigt men ännu läskigare är det att låta bli---------------------------------. Podcasts att lyssna på:Raseriet https://open.spotify.com/show/5aA0FFxjNiBdVbAHteC6te Power meeting podcasthttps://open.spotify.com/show/3xhdetUEUnAPwpRqo0es6dViktiga instagramkonton att följa:@action4humanity_sehttps://www.instagram.com/action4humanity_se/ @fjaugenhttps://www.instagram.com/fjaugen/@svarthistoriahttps://www.instagram.com/svarthistoria/@polisbrutalitetiortenhttps://www.instagram.com/polisbrutalitetiorten/@yesimhotinthishttps://www.instagram.com/yesimhotinthis/@bbcafricahttps://www.instagram.com/bbcafrica/På facebook:Kinfolk Kollectivehttps://www.facebook.com/kinfolkkollective/Scott Woods blogg och artikel:https://scottwoodsmakeslists.wordpress.com/2014/01/03/5-things-no-one-is-actually-saying-about-ani-difranco-or-plantations/ See acast.com/privacy for privacy and opt-out information.

Journey_Through_Philippians-Living_A_Life_Worthy_of_the_Gospel-Scott_Woods

This episode we’re talking to portfolio managers Dave Dudding and Scott Woods from the Global Equities desk. They take a deep dive into the world of global equities, both small and large cap; talk us through their investment philosophies; discuss the benefits of competitive moats; and why company visits are so important. We also get into their favourite books and films and a north/south London football rivalry ...

Who should be taking ownership over the uniqueness that is Columbus culture? Scott Woods has some ideas about that and how we should be defining it. Among his many hats (poet, organizer, journalist, etc), he's working to curate and develop what Columbus has to offer with his biggest project to date, Streetlight Guild. The post Streetlight Guild & Scott Woods appeared first on The Confluence Cast.

Who should be taking ownership over the uniqueness that is Columbus culture? Scott Woods has some ideas about that and how we should be defining it. Among his many hats (poet, organizer, journalist, etc), he's working to curate and develop what Columbus has to offer with his biggest project to date, Streetlight Guild. The post Streetlight Guild & Scott Woods appeared first on The Confluence Cast.

Scott Woods, an artist, writer, and organizer in Columbus, Ohio discusses the work that led to his founding Streetlight Guild: an arts non-profit showcasing Columbus talent, with an emphasis on underrepresented voices.Scott talks about upcoming Guild shows, as well as past ones like Holler, Wrecka Playa, The New Black Eastside Songbook, GentriFried, Stephen King's Magical Negroes, and more amazing art and performance.Their brand new venue opens Saturday, June 22 with an art showing and two live jazz shows in the evening. Information on SG can be found on their website.Support the show (https://patreon.com/lilykunning)

Scott Woods Fiddle, Drums, Bass, Piano, Guitar, Saxophone, and Clarinet Scott's love of fiddling has been passed down through six generations. He studied classical violin from age four and plays several instruments: drums, bass, piano, guitar, saxophone and clarinet. Scott is a multiple winner of the Canadian Open Fiddle Contest, the Canadian Grand Masters Fiddling Championships and a Canadian Fiddle Entertainer of the Year. Scott's famous trick fiddling routine where he turns somersaults and walks on a barrel while playing his fiddle has earned him the nickname "the Flippin' Fiddler" and three consecutive Canadian Novelty Fiddle Championship titles. For seven years Scott was the musical director of Memories of Don Messer's Jubilee, which toured extensively in Canada. Scott lives in Fergus, Ontario, enjoys riding his Harley Davidson motorcycle and travelling with his Airstream trailer.

Bay Area music critic and culture historian, Greil Marcus, discusses The Slits and former Slits guitarist Viv Albertine's new memoir as well as his fascination with The Manchurian Candidate.Transcript:Lisa Kiefer:Method to the Madness is next. You're listening to Method to the Madness, a biweekly public affairs show on KALX Berkeley, celebrating Bay Area innovators. I'm your host, Lisa Keifer, and today I'll be speaking with Bay Area native and resident Greil Marcus. Greil's has been writing about music and culture for the last 40 plus years, and today we're going to be talking about an event coming up as part of the Bay Area Book Festival. He'll be speaking with Viv Albertine, formerly of the seminal girl punk band, the Slits, on Sunday, April 29th at 3:15 PM at the David Brower Center, Goldman Theater, right here in Berkeley at 2150 Allston Way. Viv Albertine wrote a debut memoir in 2014 that was shortlisted for the National Book Award. Her new book is called To Throw Away Unopened. We'll be talking about that and much, much more.Did you ever see The Slits live?Greil Marcus:Nope.Lisa Kiefer:When did you first hear the Slits?Greil Marcus:You know, I heard the Slits, I was in England in 1980, and I went over there to do a story about the Raincoats and the Gang of Four and Essential Logic early in 1980, and met everybody, and in some cases had formed lifelong friendships out of that trip. And somebody handed me a record there. Yeah, it was called Once Upon a Time in a Living Room. It was the Slits official bootleg, or maybe, I don't know how official it was. It was on Y Records, and it was just the rawest stuff I'd ever heard in my life. I knew who the Slits were, I was aware of them. I heard their first album and it didn't knock me out, but this destroyed me.The first song, Once Upon a Time in a Living Room, starts off with one of them saying, "You're ready?" And someone else is, "Ready?" And then they just burst into laughter, and then there's this tremendous guitar chord coming down and that's it. There is just this storm of guitar noise with the most joyous back and forth, up and down yelping all through. It really is a song, even though at any given moment you, depending on how you're hearing it, it absolutely is noise. But there is a song, there is a musical theme. There are words, not that you could ever make them out. And I just thought it was the purest expression of punk I'd ever heard and I still do.Speaker 3:You're ready? Ready! Oh, no. (singing)Greil Marcus:I just fall over. How could anybody have the nerve to do this?Lisa Kiefer:They had no role models. It was so fresh. And I wonder, has there been anything so fresh as that period of time where the Sex Pistols emerged? They came on the scene, it was a short time, then they're gone. Do you think there's been anything quite like that?Greil Marcus:Yeah, there are analogies. There are parallels, maybe. Elvis at Sun Records in 1954 and '55. It was a similar explosion of creativity, and it brought people from all over the south to knocking on that same door saying, "Let me in. I want to make records too." And a lot of those people became legends, and there's creativity going on in hip hop, just unlimited. There are no borders. There's no bottom, there's no top. It's not just Kendrick Lamar, it's not just Kanye West. There is a group in Edinburgh called the Young Fathers, which is just tremendously playful and experimental, and at the same time, dead serious.Speaker 4:(singing)Greil Marcus:And I'm just talking about the few things I know, but in terms of coherence, with punk in England you have a time, you have a place, you have a scene, you have all different kinds of people who know each other, who are topping each other, who are learning from each other. Viv Albertine of the Slits, I want to be a guitarist. Well, she finds people who can show her how to be a guitarist, and there isn't envy and there isn't fear. I don't want to teach her, you know, she may end up outshining me. There isn't that spirit and it doesn't last very long. None of them. And yet that kind of camaraderie and a desire to speak and a desire to be heard, that was really what punk was all about, at least as I hear it. That was replicated all over the world and still is.One of the best stories about punk I ever heard was from a friend of mine who was spending time in Andalusia in Spain, and she's fluent in Spanish, and she was sitting in a cafe, and these kids came up to her and they said, "You're American, right?" And she said, "Yes." "But you speak Spanish." And she said, "Yes." And they said, "Well, we're punkies, and we have the Sex Pistols album, but we don't understand any of the words. Could you translate these songs for us?" So she did. And that led them, this little group of people who were trying, they didn't know if they wanted to form a band, if they wanted to put out a magazine, if they just wanted to do disruptive things in public, put on hit and run plays.That led them to rediscovering the history of their own town. The anarchist history of their own town, which had been completely erased and buried. And they started talking to older people, and they started digging into the libraries, and they realized that they were the heirs of a tradition that was being reenacted on this Sex Pistols record. And it gave them this tremendous sense of pride and identity. Now they didn't form a band, they didn't make any records, and yet that is a punk story. That is a story about a punk band, band of people as true and as inspiring as any other.Lisa Kiefer:It's a way of being, like as you've pointed out in many examples in Lipstick Traces, one of my favorite of your books.Greil Marcus:Oh, thank you.Lisa Kiefer:And I find myself going back to that. I mean I bought it when it came out, and the Lester Bangs collection that you edited.Greil Marcus:Sure.Lisa Kiefer:That I continue to go to, and that really opened my eyes. I was listening to this kind of music and I saw the cover and I thought, oh, this is a book about the Sex Pistols. So I start reading it and really it wasn't, but it educated me on the history, all the movements that I considered to be punk. From the Priests going up on Easter Sunday in 1950 and saying, "God is dead."Greil Marcus:In Notre Dame.Lisa Kiefer:Somewhere in France.Greil Marcus:Easter Mass in Notre Dame.Lisa Kiefer:And then, 10 years later, and John Lennon saying, "We're more popular than Jesus." I mean, this has been happening along the way.Greil Marcus:Yeah. And what was so fascinating to me, and the stories I end up trying to tell in Lipstick Traces was that it involved all sorts of people who were not unaware of each other, but are doing the same work, speaking the same language in different formal languages, whether it's English or French or German or whatever it might be.These are people who never met, who, if you told them, if you told the Dadaist Richard Huelsenbeck in the 1970s just before he died, that his real inheritors, his real soulmates were these people across town, he was living on the Upper West Side in Manhattan, people across town called the Velvet Underground, he might say, "I have all their albums." Or he might say, "Leave me alone. I'm a serious psychoanalyst." Who knows? But these people weren't aware of each other, and yet they are following in each other's footsteps and taking inspiration from other, whether they know it or not.Lisa Kiefer:Let's talk a little bit about what's going on Sunday and your conversation with Viv, her first memoir, and now I want to talk a little bit about musician memoirs. I love literature deeply and it's kind of my guilty pleasure to read all of these rock memoirs or whatever, whether it's Keith Richards, Kim Gordon. Have you read Kim Gordon's?Greil Marcus:Sure.Lisa Kiefer:Viv's first one, which is called Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys, it was so entertaining. I was so engaged and I didn't expect to be.Greil Marcus:You know, it's a marvelous book.Lisa Kiefer:You called it the best punk book ever.Greil Marcus:I think it is. I think if you want to get a sense of what impelled people, what drove people to step out of their shells, their shyness, their manners, their politeness and reinvent themselves and the joy they felt in doing so for a very brief period of time, this book will show you that, not just tell you, but show that to you, like no other book or film that I'm aware of. But you know, the title really sums up Viv Albertine, I think. Clothes, Clothes, Clothes, Boys, Boys, Boys, Music, Music, Music, which is what her mother once said. "That's all you care about. Clothes, clothes, clothes and boys, boys, boys and music, music, music." And she's, "Yeah, that's right." And there's a wonderful scene at the end of the book. She's in her fifties, she's been married and divorced, she has a daughter, she has this boyfriend and their relationship is not working.And at one point he just explodes, and he grabs her by the neck, and he's shoving her face into the carpet on the floor and she really feels he's trying to kill her, and she's struggling and she's thinking, but she takes you right into her head at that moment. And she says, "Here's a man who I've introduced to my mother and my daughter, who I've cooked for, who I've dressed. I've done everything for this person. And here I am wearing an applique blouse." And she goes and tells you exactly what clothes she's wearing at this moment. And he's pounding my face into the carpet. And she says, "You know, there's just no pleasing some people," and she has that sardonic attitude. But what have you got here? While there's no music in that scene, but you got the boys and you got the clothes, and there's an appendix that tells you what she was wearing and what she was listening to and who she was involved with in any given point of time in the many years covered by this book.The only analogy to that is a Jan and Dean album, the wonderful surf doo-wop group from the 50s and 60s, and it's a collection, and on the back of the album there's a concordance matching the car and girlfriend that Jan or Dean had at the time any given record was released. And what's really fascinating as you read through this is that both the cars and the girlfriends are constantly shifting back and forth between the two of them. They both have Corvettes. One gets a Porsche, the other gets a Maserati. One is going out with Jill, the other's going out with Debbie, and then Debbie is going out with the other one. It's just so funny to read. And so is Viv Albertine's book.Lisa Kiefer:Yeah, she starts her book saying, "I don't masturbate and I never had a desire to masturbate." That's how she starts the book. Later she's talking about Ari Up, who is their vocalist, that she takes a wee right on the stage. I mean, that had to be the first time ever for a girl band to, she had to go and that's where she did it. She was stabbed a couple of times. Really vivid, and you just get this idea that she was so courageous and brave and honest. She's talking about when she first started listening to T. Rex. And why? Because he was a little less aggressively masculine. And I can remember the same thing happened to me in my little town in the Midwest. No one was listening to T. Rex. They did not understand what I liked about Marc Bolan and I loved him, so I've really connected with this book on many levels.Greil Marcus:Yeah, and one of the things that I find so moving in her new book, it's called To Throw Away Unopened, which is another book. I hate to think of them as memoirs because both of these books are so imaginatively constructed, and they really are about things outside the writer's life. The writer is living in a world. The world is present in these books. I think of them as much more ambitious intellectually than memoirs. What happened to me, this all really happened. You should care about it. Why should I care about this? I don't care about this. You have to make me care.This is a book revolving around the death of her mother in 2014, which was at the time that she published her first book, and her conflicts with her sister, and the mystery of her parents' marriage and why it broke up, and who her parents really were. Things that she began to find out after her mother died. Putting all this stuff together, and yet you are always aware of a particular individual fighting to maintain her sense of self, which is constructed, which is self-conscious, which is real, but which could disappear and shatter at any time.There's one incident early on in the book, where she's talking about going to pubs, playing her songs. You know, she's got her guitar, she goes to places, she plays songs because she wants to be heard. She's not making money doing this. She's not supporting herself doing this. It's something she absolutely has to do. And she's in one pub, and there's a bunch of guys right up front who are really drunk and loud-mouthing and shouting and paying no attention to her at all, making it impossible for anybody else to pay attention to her. And there are people there who want to, and impossible for her to pay attention to what she's supposedly doing. So she asked him, "Could you maybe go to the back, maybe go to the bar. I'm trying to get these songs across." And they ignore her. They didn't even say (beep) you. Sorry, we're on the radio.Lisa Kiefer:I'll bleep.Greil Marcus:They don't say a word to her, they just ignore her. And so she gets up, she puts her guitar down, she gets up, she walks over to their table, she picks up a mug of ale, which is the closest thing to her, and she simply sweeps it across the faces of these four guys sitting at the table, and they look at her, absolutely stunned. And then she picks up another mug and she says it was a Guinness, which, this is Viv Albertine as a writer. Every detail is important. It's a Guinness. That's interesting. It's going to be thicker. It's going to stay in clothes more. It's actually going to be more unpleasant to have that thrown in your face.And she throws that in their face and she says, "Your punk attitude, it comes back to you when you need it." And there's a way in which that is sort of the key as I read it anyway, to this new book, as it comes back to you in terms of the the responsibility you have to not back down, to stand up for yourself, but also to stand up for things you believe are right and in jeopardy, to fight when you have to. And to be relentlessly honest, and not pretend you don't care when you do or that you do care when you don't.Lisa Kiefer:I've read her first book. The second isn't out yet. So are they going to be selling it on Sunday?Greil Marcus:Well, she's on a book tour.Lisa Kiefer:So I assume it'll be there.Greil Marcus:So presumably, you don't go on a book tour unless you've got a book that people can go out and get.Lisa Kiefer:And it is the Bay Area Book Festival.Greil Marcus:Yeah.Lisa Kiefer:So, it sounds like you think it's as strong as the first book, which was nominated for a National Book Award.Greil Marcus:It's very different. It's very different, and as writing, it certainly is strong. Whether the story is smaller in terms of the room that makes for the reader, maybe it is, I'm not sure. Viv Albertine is a remarkable person who's done exceptional things in her life, who has a tremendous sense of humor, who has a sense of jeopardy and danger.You can hear it in her music and you can feel it coming off the pages that she writes. I don't know what we're going to talk about. I don't know what this will be like. I just know that as someone listening to the record she made, seeing her play live, reading her books, that she is just a person who can go in any direction at any time. I saw her in 2009 at the Kitchen in Brooklyn, at a show with the Raincoats. She was opening for them, just herself and her electric guitar. Most of what she did was tell stories on stage, was talk. She played songs, but she was mainly telling stories, and it was the most entertaining and diverting and compelling stuff I'd seen in a long time. I was just hanging on every word, and she was both funny and sardonic and cruel to herself and anybody she might be talking about.And at one point she made some reference to how she looks. She was, I think, 54 then. She looked about 30. There was just no question. You say, "Is this real? Is this happening?" And she said, "Yeah, yeah, I know, it's the curse of the Slits." Well, one thing I'm going to ask her is, "What do you mean by that?" You know, the Fountain of Youth? What's going on here? You know, I met her once in, I think, 1991 in England.Lisa Kiefer:When she was doing films. She's a director.Greil Marcus:Yeah, she was a TV director. We were introduced and I said, "My God, you're Viv Albertine?" I'm like, wow. And she was saying, "No, I just, you know, I'm just doing this little TV crew." And I said, "No, this is a big deal for me to meet you." Well, it will be a big deal for me to meet her again.Lisa Kiefer:If you're just tuning in, you're listening to Method to the Madness, a biweekly public affairs show on KALX Berkeley, celebrating Bay Area innovators. Today I'm speaking with Greil Marcus, music critic and culture historian.You've written a monogram on The Manchurian Candidate sometime ago, and you introduced it as part of a film series at the Pacific Film Archive this week. What is your fascination with this Frankenheimer film?Greil Marcus:Well, I saw it when it came out in 1961, saw it at the Varsity Theater in Palo Alto with my best friend. I was 16 and came out of that movie shellshocked. I had never seen anything like it. The only analogy was, I guess the year before seeing Psycho in a theater across the street in Palo Alto. And when that chair turns around at the end of the movie, and you see this mummy, I think you could have peeled me off the ceiling of the theater. But that movie, ultimately it was a puzzle. It was a game. It was a tease for the audience. It wasn't about anything real. You didn't carry it with you. It wasn't like a waking bad dream. It wasn't like a bad conscience that this movie was passing onto, and that's what The Manchurian Candidate was. It was shocking in every way I could possibly account for, and at 16 couldn't begin to account for.I realize now that I had never seen a movie that so completely went to the edges of possibility of the medium itself. What I mean by that is I understood what movies could be after seeing The Manchurian Candidate, and I had never even thought the movies could or couldn't be anything before. The question wasn't even there. The only comparable experience was seeing Murnau's Sunrise quite a few years later and say, "Ah, now I understand this is what movies were meant to be, but almost never are."Lisa Kiefer:With Trump as our president, it's almost like he could be the Manchurian Candidate.Greil Marcus:Well, you know, since John McCain was first running for president and he was, you know, remember he was a prisoner of war and he was beaten and he was tortured. He was filmed, essentially confessing. And there were many people who began to spread rumors about him that he was, and this phrase was used, the Manchurian Candidate, that he had been brainwashed in Vietnam.And he had come back here as a kind of sleeper agent. And somebody once said to him, "How do you make decisions?" And he said, "Well, I just turn over the Red Queen," which is one of the clues in The Manchurian Candidate.Lisa Kiefer:Yeah, I brought one with me. I was going to try and brainwash you.Greil Marcus:Yes, exactly. The Queen of Hearts. That is a crucial marker in the film. But it wasn't that it was showing us a conspiracy to destroy our country, which is part of what the movie is about. And that we would then say, "Oh my God, this could happen. This is so scary. This is so terrible." Over the years, this is 1961 or '62, Kennedy, John F. Kennedy was involved in the making of the movie. He and Sinatra discussed it. Kennedy wanted Lucille Ball to play the role of the mother that Angela Lansbury ended up playing. Kennedy was weighing in on the casting.He and Sinatra were close at that time. Sinatra's the lead in the movie. Kennedy is assassinated in 1963, Malcolm X was later. It was Malcolm X who said that with Kennedy's assassination, the chickens had come home to roost. And then we just go through the decades, it's just a panoply of disaster, whether it's Wallace, whether it's Reagan, whether it's Malcolm X, whether it's Martin Luther King, whether it's RFK, and going on and on to Gerald Ford, two assassination attempts on him, and into the present.As each of these things happened, the movie comes back to people with more and more reverberation because the story, the sense that our politics don't make sense. This is that everything is happening in a world beyond our control, knowledge or even our abilities to comprehend.Lisa Kiefer:And there are so many secrets that we aren't able to know about.Greil Marcus:Yeah, this gets more and more present. So when you end up with a president, a candidate, and then a president who is at the very least beholden to, and at the very worst, under the control of another country, it's almost as if you can't make the Manchurian Candidate argument because it's too trivial. Well, this movie said, but that's what we carry around our heads.But what's shocking about the movie? I want to get back to that because if people haven't seen it, it was unavailable for many years. It was essentially, it wasn't banned in any legal sense, of course, but you couldn't see it for many, many years. It just felt wrong after Kennedy's assassination and it played on TV after Kennedy was assassinated, but then Sinatra controlled the movie. He pulled it. It didn't come out in video. It didn't show on late night TV. It didn't show in revival screenings. It just wasn't there.You could tell people about it as a kind of legend. Now it's available. People can watch it in any way they want, at any time they want. And one of the things that happens in this movie is violence. Violence that from the very first moment is wounding, is disturbing, is hard to take, and it's absolutely in your face. I mean that literally, the movie puts blood splatters in your face. It happens in a way that you're just desperate, as the movie is going on, for it not to go where you know it's going to go. This is not a movie with a happy ending. This has one of the most awful endings that I know. It is an ending of complete despair and self-loathing and hopelessness. The last words of the movie is Sinatra. "Hell, hell, hell!" That's how the movie ends. And there's a thunderclap. Bang. That's it. And you just walk out of there...Lisa Kiefer:Stunned.Greil Marcus:... and it's like your world has been taken away from you. None of this would matter if this movie wasn't made with tremendous glee and excitement on the part of the director and the writer and the editor and the cinematographer and Lawrence Harvey and Frank Sinatra...Lisa Kiefer:Great cast.Greil Marcus:... and Angela Lansbury and Janet Leigh and on and on and on. All these people are working over their heads. They've never been involved in anything that demanded so much of them, that is making them feel, this is what I was born to do. Can I pull this off? Can I make this work? Can I convince people this is who I really am, that I actually would do these terrible things, and going past themselves. None of the people in this movie, to my knowledge or the way I see it, ever did anything as good before or after.They never did anything as innovative. They never did anything as radical. They never did anything as scary. And whether or not they felt that way about their own work in their own lives, don't have any idea, but I don't think so.Lisa Kiefer:I do want you to mention your website, which I have found to be very interesting. What is that?Greil Marcus:Well, there's a writer named Scott Woods who lives in Canada, and he approached me a number of years ago and asked if he could set up a website to collect my writing and just be a gathering place. And I said, "Sure." It's greilmarcus.net, and he just immediately began putting up articles, old things I'd written, recent things I'd written in no particular order, no attempt to be comprehensive, at least not right away. He did it with such incredible imagination and flair, but he started a feature a few years ago. It has the rather corny title of Ask Greil where people write in and ask me questions, and it could be about a song, or a band, or politics, or history or anything, or novels, movies. And I just answered them. I answered them all immediately because if I didn't, they'd pile up and I'd never get back to them. Is Donald Trump a Russian agent? Well, here's why he might be, and that's a complicated argument. So I take some time to talk about it.Lisa Kiefer:Thank you for coming onto Method to the Madness and being our guest here at KALX.Greil Marcus:Well, thank you. It's a thrill to be on your show.Lisa Kiefer:That was musicologist Greil Marcus. He'll be in conversation this Sunday, April 29th at 3:15 with Viv Albertine, formerly of the Slits. This is part of the Bay Area Book Festival in partnership with the San Francisco Chronicle. They'll be speaking at the Goldman Theater of the David Brower Center at 2150 Allston Way. Tickets are $10 ahead.You've been listening to Method to the Madness. You can find all of our podcasts on iTunes University. We'll be back in two weeks. See acast.com/privacy for privacy and opt-out information.

Stefan Posthuma chats with Ruby's chef/ owner Scott Woods about his menu, the history of the heritage building and his journey from dishwasher to Chef/Owner at Ruby's. See acast.com/privacy for privacy and opt-out information.

Stefan Posthuma chats with Ruby's chef/ owner Scott Woods about his menu, the history of the heritage building and his journey from dishwasher to Chef/Owner at Ruby's. The post The Illawarra Cookbook: Ruby's Mt Kembla appeared first on Quicksand Food.

With Lethbridge Police Service Staff Sgt. Scott Woods. 

The art community in Columbus is a strong one. But there's a large portion of it that you don't see; specifically black art. Scott Woods created Holler to showcase the work of black artists across disciplines. In this week's episode, Scott discusses Holler and the impetus for it, the Columbus art scene as a whole, and the importance of having a space to work. The post Holler appeared first on The Confluence Cast.

The art community in Columbus is a strong one. But there's a large portion of it that you don't see; specifically black art. Scott Woods created Holler to showcase the work of black artists across disciplines. In this week's episode, Scott discusses Holler and the impetus for it, the Columbus art scene as a whole, and the importance of having a space to work. The post Holler appeared first on The Confluence Cast.

Today on the Public Morality, we speak with Winston Salem Mayor Allen Joines. And following that conversation, writer Scott Woods joins me for a dispassionate discussion about racism. What is it; and perhaps more importantly, what it isn't.

While Anthony is off being a general no-goodnick, Austin and Adam are joined by Scott Woods from Race Against The Machine (http://raceagainstthemachine.podomatic.com/). To celebrate the release of Joe Hill and Gabriel Rodriguez's "Tales From The Darkside" we dissect their previous collaboration, "Locke & Key". We talk less about plot and more about the social constructs in this series. 05:00 - It's vaguely Lovecraftian. 09:25 - The kids act like kids. Everything has purpose. 13:50 - The art makes us cry in a good way. 17:00 - Disabled children as magical characters. 19:50 - The handling of queer characters in the story. 21:30 - The handling of non-White characters. 27:35 - Sexual violence against women in horror literature and films. which leads us to 29:36 - A tangent on Jessica Jones and adaptations. 35:40 - Tales From The Darkside, DC's Rebirth continues, Marvel's Civil War II continues, plus Year Of Marvels and Vote Loki.

About the Book: Scott Woods' major collection of poetry and first book with Brick Cave Books. Tackling subjects from race to pop culture, religion, love and beyond, Scott's raw and tenured language immediately connects with the Reader's sense of the world and Readers find themselves gently nodding in understanding and awe as you explore this book. About the Author: Scott Woods has published work in a variety of publications, presented his work to audiences across the country, and has been featured multiple times in national press, including World Literature Today, Rattle, Paste, and on national Public Radio. He was inducted into the Thompson-Gale Contemporary Black Biography encyclopedia and writes a monthly poetry column entitled "Poetry Is Doomed" for GotPoetry.com. He served as the president of Poetry Slam, Inc. for seven years and continues to slam competitively. In 2006, Scott Woods became the first poetry ever complete a 24 hour solo poetry reading, a feat repeated for seven years without ever repeating a poem from any of the seven years. Links Author's Website: http://secure.hostmonster.com/~blackair/index.html Author's Facebook: https://www.facebook.com/scott.woods.587 Link to the Page with the following URL: http://woods.brcave.com

Scott Woods and the boys joined me for a great set of music. Aurora based singer/songwriter, Scott with Eric, and Bobby on guitar and piano, James on bass, and Eric on drums kicked some butt and we had a great time.Hereand#39;s some pics from the show.