Podcasts about Appian Way

The port of Brindisi, end of the Appian Way at five in the afternoon, along the steps at the foot of the Roman columns. Two stretches of still and silent sea, the engine of the boat that connects the shores of the port, the bar and its cheerful customers, birds singing in spring, a sudden plane that takes flight from the nearby airport. Recorded by Giuseppe Schirone.  IMAGE: Freccia53, CC BY-SA 4.0 , via Wikimedia Commons

"The port of Brindisi, end of the Appian Way at five in the afternoon, along the steps at the foot of the Roman columns. "Two stretches of still and silent sea, the engine of the boat that connects the shores of the port, the bar and its cheerful customers, birds singing in spring, a sudden plane that takes flight from the nearby airport. "A counterpoint with an insistent rhythm that melts and drops a semitone at the moment of takeoff and detachment before nostalgia. An instant in a place of transit for centuries, voices and travellers who went." Brindisi port reimagined by Giuseppe Schirone. IMAGE: Freccia53, CC BY-SA 4.0 , via Wikimedia Commons

What makes a travel experience unforgettable? In this episode of Revolutionizing Your Journey, host DeAndre Coke sits down with Angelo, a dynamic entrepreneur who leaped from the performing arts to crafting bespoke travel experiences across Europe. Angelo shares how his background shaped his approach to building personal, intimate tours that focus on emotional connections rather than just checking off sights. The conversation takes listeners through hidden gems of Rome, like the stunning Santa Maria Maggiore Basilica, the ancient Appian Way, and secret Caravaggio masterpieces tucked away in local churches. They also discuss the evolving world of luxury travel, highlighting unique experiences such as the Keymaster Experience at the Vatican and vintage Vespa sidecar tours. Plus, they offer tips for visiting Italy, including the best times to go and why early or late access tours can make a big difference in your trip. This episode is perfect for travelers looking to deepen their experiences, independent explorers, and anyone dreaming of a more meaningful journey across Europe.   Key Highlights: Angelo's Background: His performing arts experience shapes how he designs travel experiences. Personalized Travel: The industry is shifting toward curated, emotionally driven trips. Small Groups Matter: Intimate group sizes lead to better engagement and customer loyalty. Rome's Hidden Gems: Santa Maria Maggiore, the Appian Way, and Caravaggio's art are must-sees. Luxury Travel in Rome: Unique options like the Vatican Keymaster Experience add exclusive value. Timing is Key: October is one of the best times to visit Italy for fewer crowds and better experiences. Local Connection: Engaging with locals deepens and authenticates your travel experience. Physical Exploration: Walking and biking can uncover sides of a city that tourists often miss. Emotional Travel: Travel is not just about sightseeing, but also about creating emotional connections with places       Resources: Start here to learn how to unlock nearly free travel Sign up for our newsletter! This month's best current card offers LTH Online Points & Miles In Depth Course:  Use coupon code "BOLDYGO" for a 50% discount! BoldlyGo Travel With Points & Miles Facebook Group Truicity Wealth Management   Connect with DeAndre Coke:  Instagram: BoldlyGo.world Website: BoldlyGo.world YouTube: BoldlyGoWorld   Connect with Angelo: Website: LivTours.com Instagram: @liv.tours Facebook: LivTours YouTube: @LivTours      

 Audio recordingSermon manuscript:When we use the word “peace” we often think of calmness, tranquility, the lack of fighting. There are different ways to achieve such a condition. For example, a graveyard is quite peaceful in its own way. Even though there are many people in close proximity, there is little fighting. There is also little love, little joy, but there is a kind of stillness and calmness. Another way calmness can be achieved is through the establishment of such severe law and order that everyone becomes too scared to step out of line. Totalitarian governments come up with punishments and displays of power that intimidate the people they rule over. Almost all of the great empires of history have used these tactics.   The Roman government, for example, once crushed a slave revolt and sent a powerful message afterwards. They crucified 6,000 captured slaves along the Appian Way. For 120 miles one person after another hung there dead on crosses. The message was clear: Don't mess with those in power. It worked. People were frightened. There was a kind of peace. This is one way you could understand the events of Holy Week that we have entered into today with Palm Sunday. The Jewish leaders wanted a kind of peace. Jesus had been disturbing their peace. So they solved a problem. Jesus had been getting too popular. He had raised Lazarus from the dead. Upon entering Jerusalem he went to the temple and made quite a scene. He flipped over tables and let animals loose. The Jewish leaders wanted to know who had given him such authority. Jesus was obviously out of control. He needed to be dealt with. The usual measures of getting dirt on someone wouldn't work with him. Nor could they turn the people against him. The people loved him more than they loved the Jewish leaders. There was only one sensible course to take, and they took it. They arrested him in the middle of the night. They immediately convicted him in their kangaroo court. They applied pressure to Pontius Pilate. By the time the people of Jerusalem were hardly finished with their breakfast Jesus was already nailed to the cross! It was already too late. Efficiency like that would make any dictator tip his beret with respect. For some of us, though, this kind of thing really makes our blood boil. It was so unjust! The leaders were supposed to be the best of the people, but in fact they were the worst. They were vain. They were vindictive. They were cowards. They purposely engaged Jesus in an unfair fight. They didn't dispute with him in the open. It was all arranged behind closed doors. Their dirty deeds were done with the cover of darkness. Some of us might like to take our clubs and swords and give them a taste of their own medicine. This might have been how Peter felt. We've been studying Peter in our Adult Bible Study. When the Jewish leaders came to arrest Jesus in the middle of the night, Peter took out his sword and cut off the right ear of the high priest's servant. I can't help it: a part of me says, “Hurray for Peter!” At least one of those scoundrels felt a little pain! But that sets me at odds with Jesus himself. Perhaps you remember how Jesus rebuked Peter. He told him to put away his sword. He said, “Shall I not drink the cup the Father has given me to drink?” He also said, “All who take the sword shall perish by the sword.” Indeed, that is how it goes. History tells this story over and over. The story goes like this: The oppressors oppress until those they oppresse rise up and take away their power. But without fail, those who were formerly oppressed, when it's their turn, also oppress whomever they can take advantage of. They, then, become the target until one day a knife is found sticking out of their backs. The situation is always unstable because hatred is just below the surface. Power is maintained only with the utmost vigilance. Knowing that they hate you, you must strike first, before they strike you. It's kill or be killed. “Whoever takes the sword, perishes by the sword.” The best peace to be hoped for is the peace of the graveyard. If all goes well you eliminate your opponents before they eliminate you. Then you live happily ever after. That was the Jewish leaders' theory of peace, and they dealt with Jesus accordingly. However, this theory did not originate with them. It is much older. It goes back all the way to the gray mists of the earliest recorded history. The first human being born in the natural way was named Cain. He had a brother named Abel. One day Cain became annoyed with his brother Abel. Abel was disturbing his peace. So Cain bashed his head in, and reestablished the peace. Problem solved. No more Abel; no more annoyance. He lived happily ever after… Except he didn't. Maybe you remember the story. He thought that he would live happily ever after, but in fact he was haunted for the rest of his life by the dirty deeds he did in secret. This is some kind of peace, but it leaves much to be desired. Is there another kind of peace? Most do not believe so. Jesus says, “Broad is the gate and easy is the way that leads to destruction, and many enter thereby. Narrow is the gate and hard is the way that leads to eternal life, and few there are who find it.” Most people believe what simply comes naturally to all of us: We will be better off if we are in control. We will be richer if we take what someone else has. We will be happier if we eliminate those who annoy us. Kill or be killed. This world is made up of winners and losers. See to it that you are like the Jewish leaders, who obviously won, instead of like Jesus, who obviously lost. But did he? That is the question! This is why the resurrection is so important. If Jesus rose from the dead, then he was right and his ways are best. If he did not rise from the dead, then the Jewish leaders were right. The message would be: Let no scruples get in the way of your ambitions. If Abel didn't want to get killed, he should have killed Cain before Cain killed him. If Jesus didn't want to get arrested and killed, he should have dismissed Judas long ago, armed his supporters, and stormed the chief priest's palace. The strategy is not hard to understand. Do whatever is beneficial to you, and don't do whatever might be beneficial to others. What is hard to understand and to learn is Jesus's peace. To learn Jesus's peace you have to change your mind, which is what the word “repent” means. You have to think so differently that the Bible speaks of this change as being born again, or that we must be crucified with Christ and raised with him. So much must change that it is beyond our powers. Faith is a miracle worked by the Holy Spirit. But what comes at the end is worth it. What comes at the end is peace. Jesus spoke about this peace in those chapters in John that we talked about during our midweek series. Jesus said, “In me you have peace. In the world you will have trouble, but take heart: I have overcome the world.” Again, Jesus said, “Peace I leave with you. My peace I give to you. Not as the world gives do I give to you. Let not your hearts be troubled, neither let them be afraid.” Those are words of quiet confidence. Although he knows that is death is but hours away, he is not like a drowning rat, desperate to survive. Jesus said, “You trust in God. Trust also in me.” Trust in Jesus because his resurrection happened. The resurrection and judgment that is coming at the end of this world is real too. This is what all those who live only for their own ambitions deliberately ignore. The resurrection is coming! When that happens, those who appeared to have won will lose. Those who appeared to have lost will win. “The first shall be last, and the last shall be first. There is nothing that is secret that won't be revealed, and there is nothing that is hidden that won't be exposed.” These are clear teachings of Jesus. Now if you are like me, then you probably have your own dirty deeds done in darkness, the exposure of which would bring about intense embarrassment or perhaps even fear. To you I say, “Do not be afraid so long as your peace is in Jesus.” Your peace in Jesus will be stronger than your sins. Jesus's righteousness speaks louder than our failings. But don't go on thinking that your dirty deeds of darkness will get you ahead in life. They won't. They harm you; they don't bless you. Even if you managed to gain the whole world by unrighteousness, the time would come when you would regret it—even if you somehow managed to make it into heaven. Change your mind; change your ways. Light, truth, life, and all other good things come from Jesus. Repent and believe the good news that Jesus has overcome the world, and his peace will reign forever and ever!

Have you ever heard of the Emperor who made his horse a senator? Seems like a top bloke, right? Today on Betwixt the Sheets we're going to meet (possibly) the most debauched Roman Emperor.From stealing brides from their wedding days to an unhealthy obsession with his sister, who was Caligula and was he a f*ckboy? Kate is joined by historian Alexander Meddings to find out. Alexander is a Rome-based historian and travel writer. He leads tours of the Appian Way - one of the most important roads of Ancient Rome.This episode was edited by Tom Delargy and produced by Sophie Gee. The senior producer was Charlotte Long.If you'd like to get in touch with the show you can contact us at betwixt@historyhit.com.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast.

I dive into a fascinating conversation with Caleb Applegate, a unique individual who is bridging the gap between the tech world and health and wellness. Caleb's journey is nothing short of extraordinary—starting from a gig with Leonardo DiCaprio's company, Appian Way, in the entertainment industry, to working shoulder to shoulder with titans like Microsoft in building Minecraft's marketplace. But when health issues struck, Caleb turned his tech-savvy superpowers to tackling the complexities of wellness. Alongside the health guru, Ben Greenfield, Caleb co-founded Life Network—a groundbreaking platform that brings together diverse healthcare experts and cutting-edge tech to offer you an uncensored, all-encompassing health discussion space. Picture this: a community where every health-related question meets a credible expert's answer; a platform that curates not just the information, but also the products we need. With Life Network, you're not deluged with conflicting information, but instead get straightforward, vetted advice and recommendations from people who genuinely care about your well-being. Caleb's vision centers around creating a democratized, accessible hub rooted in meaningful education, powerful community conversations, and the best resources available—backed by science and compassion. Trust me, you don't want to miss out on this opportunity to navigate your health journey alongside the very best in the biz. Jump into this enriching episode to hear how this platform is set to revolutionize the way you think about and engage with wellness. Life Network: https://www.golifenetwork.com/ Life Market: https://golifemarket.com/ WHAT DO MY LABS MEAN?! Try the ultimate tool to Decode Your Labs: Understand your thyroid, hormones, and blood sugar numbers to transform your health https://dramie.com/labs/ We prescribe to all 50 states!  When you're ready to FINALLY get the help you deserve… Book a free application call: https://dramie.com/book-a-call/ Shop ALL of Dr. Amie's Fixxr® Supplements: https://betterlifedoctor.com/ EARN CE Credits: "Nurses, hold-on  – here comes the exciting part: you can earn nursing CE credits by listening to our podcasts! That's right—RNegade has teamed up with podcast hosts like me who are delivering amazing content that doesn't limit you to “thinking outside-the box,” it challenges you to BLOW-UP the box by learning from innovators, pioneers, and RENEGADES in the field of health and medicine WHILE EARNING YOUR CEs!” https://rnegade.thinkific.com/?ref=4d98d0 RATE, REVIEW AND FOLLOW ON APPLE PODCASTS If you made it this far I'm impressed! That means you really love the show and I love you for that!  So I'm going to ask you for a favor. Would you please leave a quick review or even 5⭐️. I DO read them and can't tell you how much I appreciate it! Thank you in advance!❤️  Just click here it's quick and easy : https://podcasts.apple.com/us/podcast/the-thyroid-fixer/id1529800263,  Ok ONE MORE favor…would you please subscribe and follow the show? This is a win-win! It tells the podcast powers that be that you like The Thyroid Fixer Podcast AND it lets you catch all the new episodes that come out every week. Follow with this link: https://podcasts.apple.com/us/podcast/the-thyroid-fixer/id1529800263 and never miss out on a moment of the journey! CONNECT WITH ME ON SOCIAL MEDIA: Want to get your labs reviewed and your questions answered LIVE by me? Join my exclusive Facebook group, Just Fix Your Thyroid – a supportive and empowering community designed to give you the tools, guidance, and HOPE you need on your thyroid and hormone journey.

Screenwriter, producer, and podcaster Adam “Tex” Davis is best known for writing the screenplay of the cult rom-com classic Just Friends, which stars Ryan Reynolds, Amy Smart, and Anna Faris. He also wrote the screenplay for the drama Gardener of Eden, which stars Lukas Haas and was produced by Leonardo DiCaprio's Appian Way.  A graduate of NYU's Tisch School of the Arts, Tex has contributed to over 25 feature film scripts and served as Co-Executive Producer and Head Writer for the Emmy-nominated series Brain Games.  Tex is also a co-founder of Atomic Entertainment, overseeing projects like the Netflix educational series, Brainchild, and a growing slate of podcasts that he writes or stars in such as Slaycation, Mysteries About True Histories, The Oscars: What Were They Thinking? and Who Smarted?! 

Mar 2, 2025  GRAND PARKWAY BAPTIST CHURCHNeil McClendon, Lead PastorHow To Endure A Long JourneyActs 28:1-161. Kindness helps, v. 1-2“Kindness is a language which the non-verbal can speak and the deaf can understand.”                           -C.N. BoveeRomans 2:1-52. No karma in the Kingdom, v. 3-6 Luke 13:1-5 Four core problems with karma… a) You are responsible for everything that happens in your life both good and bad b) You need neither prayer nor worship c) You have no explanation for trauma or tragedy d) Karma nullifies the reality of gracePsalm 103:8-143. The Kingdom comes, v. 7-10Luke 10:1-12Four reasons for miracles in the New Testament... a) demonstrate God's power and authority b) validate the messengers c) immediately piqued people's interest in the Kingdom of God d) established a platform for the Gospel 4. The Kingdom is communal by nature, v. 11-16Three Taverns was a real place some two thousand years ago on the Appian Way,  just outside of Rome. It was a traveler's rest and is mentioned in the book of Acts. We don't know much about it, but from stories we're told it was a place of thanksgiving and communal hospitality. We imagine Three Taverns as a place weary travelers in the ancient world found rest, community, and conversation—centered around food and drink at the table. Though the world has changed immensely since days of the Roman Empire, the culture of the table has been a constant throughout the ages. At Three Taverns, we believe, as we gather at the table and share our lives together over good food and drink, we are formed at our best as humans. Mental worship… 1 What questions is your soul asking after hearing this sermon today? 2 What was your last experience with kindness that really hit the mark? 3 Are you a functional believer in karma? 4 When the Bible says of God that, “He does not deal with us according to our sins” what does that make you think, feel or want to do? 5 What about your life makes people curious about the Kingdom? 6 Where do you experience rest, community and conversation?

Cinema Drive welcomes screenwriter/director/producer Adam "Tex" Davis to the show! Tex is the inspiration and screenwriter for the romcom Just Friends (2005), starring Ryan Reynolds, Amy Smart, and Anna Faris, he's sold screenplays to the likes of Leonardo DiCaprio's Appian Way, and written, rewritten, or punched up over 25 feature film scripts for every major studio in Hollywood!Tex shares his behind-the-scenes stories and terrific insights into the ups and downs of screenwriting, and dives into the Coen brothers' classic Raising Arizona (1987) with Jason and Ryan. It's a Cinema Drive episode you won't want to miss!The Deep Question: You're tasked with creating a movie similar to Hitchcock's The Birds. What animal do you choose instead? And why?This Week's Features:Raising Arizona (1987)Check out Tex's show with Oscar-aficionado Bruce Vilanch!:The Oscars: What Were They Thinking?oscars.wtfatomicentertainment.comMessage Jason and Ryan

Full Text of ReadingsMonday of the Second Week in Ordinary Time Lectionary: 311The Saint of the day is Saint SebastianSaint Sebastian's Story Almost nothing is historically certain about Sebastian except that he was a Roman martyr, was venerated in Milan even in the time of Saint Ambrose and was buried on the Appian Way, probably near the present Basilica of St. Sebastian. Devotion to him spread rapidly, and he is mentioned in several martyrologies as early as 350. The legend of Saint Sebastian is important in art, and there is a vast iconography. Scholars now agree that a pious fable has Sebastian entering the Roman army because only there could he assist the martyrs without arousing suspicion. Finally he was found out, brought before Emperor Diocletian and delivered to Mauritanian archers to be shot to death. His body was pierced with arrows, and he was left for dead. But he was found still alive by those who came to bury him. He recovered, but refused to flee. One day he took up a position near where the emperor was to pass. He accosted the emperor, denouncing him for his cruelty to Christians. This time the sentence of death was carried out. Sebastian was beaten to death with clubs. He was buried on the Appian Way, close to the catacombs that bear his name. Reflection The fact that many of the early saints made such a tremendous impression on the Church—awakening widespread devotion and great praise from the greatest writers of the Church—is proof of the heroism of their lives. As has been said, legends may not be literally true. Yet they may express the very substance of the faith and courage evident in the lives of these heroes and heroines of Christ. Saint Sebastian is the Patron Saint of: Athletes Saint of the Day, Copyright Franciscan Media

Creativity through the lens of a screen writer, Emmy nominated producer and podcaster"Creativity is just creating something that wasn't there."Adam “Tex” Davis graduated from NYU's Tisch School of the Arts in 1993. A scant three years later he'd achieved great success -- as the night manager of Shaun's Bagels in Manhattan. But soon after, "Tex" sold his first screenplay, Sunburned, to Miramax and his second screenplay Just Friends to New Line Cinema. Just Friends went on to become a cult, rom-com classic starring Ryan Reynolds and Anna Farris. Other produced credits soon followed including Spring Break Lawyer, a made-for-cable comedy for MTV; and Gardener of Eden, a dark indie-comedy produced by Leonardo Dicaprio's Appian Way and directed by Entourage's Kevin Connolly.For nearly 20 years, Adam has written, rewritten, or punched-up over 25 feature film scripts for every major studio in Hollywood... and Bachelor Party 2. In addition, Adam has sold original comedy television series to the WB Network, CBS, and Comedy Central.Adam served as Co-Executive Producer and Head Writer for the Emmy nominated, genre-defining, global hit series Brain Games, for the National Geographic Channel. The success of Brain Games led Adam to co-form Atomic Entertainment, a full-service film & TV production company, for which Adam oversees creative content. Along with long-time friend, fellow NYU graduate, and collaborator Jerry Kolber, Atomic created the darkly-comic docu-series, The Internet Ruined My Life (SyFy) and Brainchild, a high-concept, kids' science/variety show, co-produced by Pharrell Williams for Netflix. Adam has also produced/ directed branded projects for Google, GE, IBM, Drone Racing League, Top Golf, Headspace & Conde Nast.With dozens of original projects airing or in the works, including What's Your Problem? and Making Magic -- Atomic continues its quest for global dominance.In his spare time, Adam continues to write original screenplays and create series ideas. He lives in Brooklyn with his wife, daughter, dog, cat, and fish.https://www.linkedin.com/company/atomic-entertainment-group/https://www.instagram.com/atomicent/https://www.atomicentertainment.com/Send us a text

Jo is refreshed by Trouble in the Cotswalds by Rebecca Tope but Charlotte quickly ruins their peace by connecting the sex in Heather Lewis's violent novel Notice with Miranda July's NBA-shortlisted All Fours. The effervescent Emma Robinson joins to share her love for Dianne Brill's Boobs, Boys, and High Heels, which inspires further reflection on 90s era beauty books and instruction manuals.Other books mentioned in this episode: Steven Saylor's Murder on the Appian Way, Rachel Cusk's Aftermath, Gemma Hartley's Fed Up, Shelia Heti's Motherhood, Bobbi Brown's Teenage Beauty, Amanda Brooks' Internet Escort's Handbook, and Sydney Barrow's Mayflower Madam and Just Between Us Girls.Charlotte's review of All Fours and Gemma Hartley's Fed Up, both in Bookforum. Inspired at once by radical philosophers and tulips, Emma Cager Robinson is looking for beauty. As a mechanism for change and source of inspiration, Emma uses beauty as the driving force behind her activism. With a focus on Consciousness Raising and creating “Insurgents,” Emma uses media of all forms to shift the way we interrogate culture and the systems we interact with on a daily basis. A Texan at heart, she's especially impassioned about spreading this energy through the South; as a means of completing ancestral business, and working in a long line of women committed to making the world suck less for their families and communities.Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte's most recent book is An Honest Woman: A Memoir of Love and Sex Work. Learn more at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.com. Hosted on Acast. See acast.com/privacy for more information.

Welcome to another insightful episode of Kimberly's Italy, where we aim to enhance your travel experiences by alleviating trip planning anxiety and increasing your excitement for exploring Italy. I'm Kimberly, and alongside my co-host Tommaso, we share the latest updates and essential travel information to make your journey memorable. Listener Reviews and Engagement We've received wonderful feedback from listeners like Vicki and Ron, who appreciate the valuable insights we provide on both popular and lesser-known Italian regions. We encourage you to follow our podcast and connect with us on social media for the latest updates and travel tips. Travel Regulations and Advisories for 2025 Travelers to Italy in 2025 will need to comply with the Entry Exit System (EES) and the European Travel Information and Authorization System (ETIAS). The EES is expected to be operational by mid-2025, while the ETIAS start date is yet to be announced. The U.S. Department of State has issued a Level 2 travel advisory for Italy due to potential terrorist threats. France has temporarily reintroduced Schengen border checks from November 1,2024 to April 1, 2025 over immigration and potential terrorism concerns. Tourism and Cultural Updates Italy has proposed to increase its tourist tax to €25 per night for luxury hotels, with the revenue aimed at supporting lesser-visited areas and addressing waste management issues. Rome's Appian Way has been recognized as a UNESCO World Heritage Site for its historical and engineering significance. We also touch on the historical context of slavery in Rome, noting that even educated individuals could be enslaved. The construction of an elevated glass walkway around the Trevi Fountain is underway to manage overcrowding, although it's met with skepticism due to its narrow design. Local Concerns and Urban Developments A significant amount of Romans are calling for caps on short-term rental properties like Airbnb, which locals argue affect long-term housing availability. The government now requires identification codes for these rentals. In Naples, the new Centro Nazionale metro station is lauded for its unique design and technology, and encouraging exploration of Naples' metro system. Travel Tips and Resources We discuss the necessity of an international driver's license for car rentals in Italy, sharing client experiences from just this past month. U.S. citizens traveling to Italy are advised to enroll in the Smart Traveler Enrollment Program (STEP) for safety reasons. Looking Ahead We will not launch an episode next week due to the U.S. election, and some personal travel. However, Episode 171 will be live on Wednesday, November 13, 2024. Thank you for tuning in to Kimberly's Italy. We hope our insights continue to enhance your travel experiences. Be sure to join us next time for more exciting updates and tips on exploring the beautiful regions of Italy. Follow us on Social Media Instagram Facebook 

For this week's travel segment, Michael talks to tourism specialist and Roman Histroy expert, Alexander Meddings about the Appian Way.See omnystudio.com/listener for privacy information.

Con đường Appian huyền thoại của Rome, được xây dựng vào năm 312 trước Công nguyên, hiện là một công viên khảo cổ được bảo vệ. Với chiều dài 500 km, đây là một trong những con đường cổ xưa nhất thế giới và hiện UNESCO đang xem xét đưa vào Danh sách Di sản Thế giới. Appian Way cung cấp thêm một minh chứng sống nữa cho sức mạnh của Đế chế La Mã.

One of the world's most ancient roads is being considered for inclusion on the UNESCO World Heritage List. Rome's venerable Appian Way, built in 312 BCE, is now a protected archaeological park. At 500-kilometers it is another surviving testament to the might of the Roman Empire.

Saturday, 15 June 2024   And from there, when the brethren heard about us, they came to meet us as far as Appii Forum and Three Inns. When Paul saw them, he thanked God and took courage. Acts 28:15   The Greek is much more literally translated as, “And from there, the brothers, having heard these concerning us, came out to our meeting unto Appii Forum and Three Taverns – whom, Paul having seen, having thanked God, took courage” (CG).   In the previous verse, Paul and his companions stayed in Puteoli for seven days and then came to Rome. Now, in explanation of that, it says, “And from there, the brothers, having heard these concerning us.”   Apparently, notification had been sent during their stay at Puteoli about the coming of Paul with details as to when he would arrive. In what is obviously eager anticipation, the church at Rome came out en masse as if welcoming a great hero of battle or government. Paul and those with him arrived in the outskirts of Rome and those awaiting him “came out to our meeting unto Appii Forum and Three Taverns.”   The reason why they would have gone no further than this is that he could have arrived by either canal or by road. Without being certain, this would be the point where the two met and they were sure to meet up with him.   This spot is said to be around 50 miles from Rome and is called this because of Appius Claudius who made the route from Rome to there. Hence, it is called the Appian Way. At that spot, there was a statue set up in his honor.   Such a place which had a statue set in this manner would be called by the Romans fora. Hence, we use the term Appii Forum. Others came as far as the Three Inns, or the Three Taverns.   This was a bit closer to Rome, about 33 miles from it. It could be that these came less distance because of age, because of work, or because of some other reason. However, all of them came a full day's travel to welcome the man who had written to them the “Constitution of Christianity” about three years earlier. Because of this reception, Luke next records, “whom, Paul having seen, having thanked God, took courage.”   Paul probably had no idea that such a greeting would meet him. In their appearance so far from Rome, it indicated that they felt a fraternal bond of love for him which was in no way diminished by his chains. The flock was there to welcome this shepherd of the faith without regard to any of the lies he had been subjected to by his false accusers.   A word found only here in Scripture is seen, tharsos. It signifies confidence or courage. It is derived from thrasus, bold. Luke continues to fill the pages of Scripture with rare or unique words.   Life application: Imagine the happiness that Paul must have felt at the reception he received. He was still a day's travel from where the congregation lived within the city, and yet they had made the extraordinary measure of coming a full day's journey out to receive him.   He and those with him had been on an exceptionally long and difficult journey. To have a reception such as was given him would have given him even more confidence than he could have imagined. Luke, too, would have been completely encouraged by this gesture.   Should you have the opportunity to welcome others in such a manner, or tend to them in an unusual way, your kindness will not go unnoticed, both with those you are tending to and to the Lord Himself. Think of ways you can extend yourself to others.   If someone is in the hospital, be sure to visit. If someone is ailing, check on him through a phone call or email. Letting people know you are thinking of them is letting them know you care about them. So, take the time to reach out to them.   Lord God, thank You for those who are especially aware of the needy state of others and who extend themselves in various ways to tend to them. Help us to be more like this as well. May we be willing to show that others are important to us through the things we do and the assistance we provide. Amen.  

Our culture is starving for kindness. But is it still possible to find common ground in a polarized and divided society? Let's find some clues together in a crazy story from the life of the 1st century church. God can show up in very unexpected ways -- if we're open to following his lead.

Killers of the Flowers Moon, regia Martin Scorsese, con Leonardo Di Caprio, Robert De Niro e Lily Gladstone, prodotto da Appian Way e Apple Tv+, disponibile su Prime Video. Mi trovi anche su Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/fumetti.e.dintorni/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ E qualcosa la trovi anche su TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@fumettiedintorni⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Se ti piace il mio podcast, offrimi un caffè ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/fumettiedintorni⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/fumetti-e-dintorni/message

Our journey today will take us to one of the largest and most important underground cemeteries in Rome, The Catacombs of St. Callixtus. They originated in about the middle of the second century. There are more than sixty catacombs in the city of Rome composed of miles of underground tunnels in which thousands of tombs are found. Currently, only 5 of them are open to the public.  On today's journey, you will: Discover the ancient Christian symbols marked on many of the tombs Find out who was buried there, including Popes, Saints, and Martyrs Learn about two types of martyrdom, red and white Click here to visit the official webpage for this episode. Jewel for the Journey: "Cast your care upon God for you are His and He will not forget you. Do not think that He is leaving you alone, for that would be to wrong Him." - St. John of the Cross Would you like to support Journeys of Hope? Become a Missionary of Hope by sponsoring a month of Journeys of Hope 2024 Radio Broadcast & Podcast! Click here to get started. Learn more at PilgrimCenterOfHope.org/Journeys Help us spread hope! PilgrimCenterOfHope.org/Donate

Acts 28 NLT read aloud by Simon MacFarlane. 1 Once we were safe on shore, we learned that we were on the island of Malta. 2 The people of the island were very kind to us. It was cold and rainy, so they built a fire on the shore to welcome us. 3 As Paul gathered an armful of sticks and was laying them on the fire, a poisonous snake, driven out by the heat, bit him on the hand. 4 The people of the island saw it hanging from his hand and said to each other, “A murderer, no doubt! Though he escaped the sea, justice will not permit him to live.” 5 But Paul shook off the snake into the fire and was unharmed. 6 The people waited for him to swell up or suddenly drop dead. But when they had waited a long time and saw that he wasn't harmed, they changed their minds and decided he was a god. 7 Near the shore where we landed was an estate belonging to Publius, the chief official of the island. He welcomed us and treated us kindly for three days. 8 As it happened, Publius's father was ill with fever and dysentery. Paul went in and prayed for him, and laying his hands on him, he healed him. 9 Then all the other sick people on the island came and were healed. 10 As a result we were showered with honors, and when the time came to sail, people supplied us with everything we would need for the trip. 11 It was three months after the shipwreck that we set sail on another ship that had wintered at the island—an Alexandrian ship with the twin gods as its figurehead. 12 Our first stop was Syracuse, where we stayed three days. 13 From there we sailed across to Rhegium. A day later a south wind began blowing, so the following day we sailed up the coast to Puteoli. 14 There we found some believers, who invited us to spend a week with them. And so we came to Rome. 15 The brothers and sisters in Rome had heard we were coming, and they came to meet us at the Forum on the Appian Way. Others joined us at The Three Taverns. When Paul saw them, he was encouraged and thanked God. 16 When we arrived in Rome, Paul was permitted to have his own private lodging, though he was guarded by a soldier. 17 Three days after Paul's arrival, he called together the local Jewish leaders. He said to them, “Brothers, I was arrested in Jerusalem and handed over to the Roman government, even though I had done nothing against our people or the customs of our ancestors. 18 The Romans tried me and wanted to release me, because they found no cause for the death sentence. 19 But when the Jewish leaders protested the decision, I felt it necessary to appeal to Caesar, even though I had no desire to press charges against my own people. 20 I asked you to come here today so we could get acquainted and so I could explain to you that I am bound with this chain because I believe that the hope of Israel—the Messiah—has already come.” 21 They replied, “We have had no letters from Judea or reports against you from anyone who has come here. 22 But we want to hear what you believe, for the only thing we know about this movement is that it is denounced everywhere.” 23 So a time was set, and on that day a large number of people came to Paul's lodging. He explained and testified about the Kingdom of God and tried to persuade them about Jesus from the Scriptures. Using the law of Moses and the books of the prophets, he spoke to them from morning until evening. 24 Some were persuaded by the things he said, but others did not believe. 25 And after they had argued back and forth among themselves, they left with this final word from Paul: “The Holy Spirit was right when he said to your ancestors through Isaiah the prophet, 26 ‘Go and say to this people:When you hear what I say,    you will not understand.When you see what I do,    you will not comprehend.27 For the hearts of these people are hardened,    and their ears cannot hear,    and they have closed their eyes—so their eyes cannot see,    and their ears cannot hear,    and their hearts cannot understand,and they cannot turn to me[...]

Full Text of ReadingsSaturday of the Second Week in Ordinary Time Lectionary: 316The Saint of the day is Saint SebastianSaint Sebastian's Story Almost nothing is historically certain about Sebastian except that he was a Roman martyr, was venerated in Milan even in the time of Saint Ambrose and was buried on the Appian Way, probably near the present Basilica of St. Sebastian. Devotion to him spread rapidly, and he is mentioned in several martyrologies as early as 350. The legend of Saint Sebastian is important in art, and there is a vast iconography. Scholars now agree that a pious fable has Sebastian entering the Roman army because only there could he assist the martyrs without arousing suspicion. Finally he was found out, brought before Emperor Diocletian and delivered to Mauritanian archers to be shot to death. His body was pierced with arrows, and he was left for dead. But he was found still alive by those who came to bury him. He recovered, but refused to flee. One day he took up a position near where the emperor was to pass. He accosted the emperor, denouncing him for his cruelty to Christians. This time the sentence of death was carried out. Sebastian was beaten to death with clubs. He was buried on the Appian Way, close to the catacombs that bear his name. Reflection The fact that many of the early saints made such a tremendous impression on the Church—awakening widespread devotion and great praise from the greatest writers of the Church—is proof of the heroism of their lives. As has been said, legends may not be literally true. Yet they may express the very substance of the faith and courage evident in the lives of these heroes and heroines of Christ. Saint Sebastian is the Patron Saint of: Athletes Saint of the Day, Copyright Franciscan Media

Hello and welcome to Red Carpet Rookies, today's guest earned his early entertainment industry stripes working at Village Roadshow and Leonardo DiCaprio's production company Appian Way, later transitioning to the world of literary management, where he has since set up his own management and production company Bellevue Productions.There his clients have had projects set up at Warner Brothers, Paramount Pictures, Fox, and more, some of which he has taken to producing himself, for example, Infinite starring Mark Wahlberg and Netflix's Eli. My guest is John Zaozirny. 

YOU ARE NOT ALONE We begin reading in Acts Chapter twenty-seven  Acts 27:1 Paul finally leaves Caesarea and starts his voyage of some two thousand seven hundred kilometres to Rome, along with Luke and another Christian named Aristarchus, and other prisoners, all in the custody of a Roman imperial guard named Julius. After battling headwinds, they landed at Smyrna on the coast of Turkey, and from there they sailed for Italy. Again they struck heavy winds along the southern coast of Crete, finally arriving at Fair Havens and staying there for several days, and Paul spoke to the ship's officers about the weather being dangerous for long voyages and told them he believed there would be trouble ahead if they went on - perhaps shipwreck, loss of cargo, injuries, and death.  But the officers in charge of the prisoners took advice from the ship's captain and the owner to go further up the coast to a safe harbour called Phoenix for the winter. Then a light wind began blowing from the south so they decided to sail along close to shore, but abruptly the weather changed and a heavy wind of typhoon strength (a “northeaster,”) caught the ship and blew it out to sea. They tried to face back to shore but couldn't, so they gave up and let the ship run before the storm, and sailed behind a small island, and hoisted aboard the lifeboat that was being towed behind them, binding the ship with ropes to strengthen the hull.  The next day as the seas grew higher, the crew began throwing the cargo overboard, all the tackle and anything else they could lay their hands on, but the terrible storm raged on, until at last all hope was gone, but finally Paul called the crew together and said, ‘Men, you should have listened to me in the first place and not left Fair Havens—you would have avoided all this injury and loss! But cheer up! Not one of us will lose our lives, even though the ship will go down, for last night an angel of the God to whom I belong and whom I serve stood beside me and said, ‘Don't be afraid, Paul, for you will surely stand trial before Caesar! What's more, God has granted your request and will save the lives of all those sailing with you.' So take courage! For I believe God! It will be just as he said! But we will be shipwrecked on an island.” The storm hurled them along for two weeks on the Adriatic Sea, and they were convinced they would soon be driven ashore; and dashed upon the rocks along the coast, so they threw out four anchors from the stern and prayed for daylight. Some of the sailors planned to abandon the ship and lower the lifeboat but Paul told the soldiers and crew that they would all die unless everyone stayed aboard. So the soldiers cut the ropes and let the lifeboat fall off. Paul begged everyone to eat. “You haven't touched food for two weeks,” he said. “Please eat something now for your own good! For not a hair of your heads shall perish!” Paul took some hard baked bread loaf and gave thanks to God before them all and ate a piece of it. Suddenly their spirits lifted and they began eating, prisoners and soldiers and crew, all 276 of them, and they lightened the ship further by throwing the entire wheat cargo overboard. When it was day, they didn't recognize the coastline, but noticed a bay with a beach, and cutting off the anchors and leaving them in the sea, they lowered the rudders and raised the foresail but the ship hit a sandbar and ran aground and began to break apart. The soldiers advised their commanding officer to let them kill the prisoners lest any of them swim ashore and escape. But Julius wanted to spare Paul, so he told them no. Then he ordered them all to jump overboard and make for land, some swimming and some clinging to planks and debris from the broken ship, and everyone escaped safely ashore! They soon learned that they were on the island of Malta, and the people of the island were very kind to them, building a bonfire on the beach to welcome and warm them all in the rain and cold. But as Paul gathered an armful of sticks to lay on the fire, a poisonous snake, driven out by the heat, latched onto his hand, and when the people of the island saw it hanging there, they said to each other that Paul must have been a murderer who may have escaped drowning in the sea,but justice would not permit him to live! But Paul shook off the snake into the fire and was unharmed, and all the people waited for him to begin swelling or suddenly fall dead, but when after a long time no harm came to him, they changed their minds and decided he was a god. Publius, the governor of the island lived on a large estate and welcomed everyone to stay on the property and kindly fed them all for three days. Publius's father had become ill with fever and a severe stomach ailment, so Paul went in and prayed for him, and laid hands on him, and the man was healed, then all the other sick people in the island came and received healing. And three months after the shipwreck when the time came to sail, people gave them gifts and provisions for their voyage. They were able to sail on to Rome on an Alexandrian ship called the ‘Twin Brothers' which had wintered at the island. When they disembarked at Puteoli in Italy, with Paul still under guard, they found some Christians, and stayed with them for seven days and then on the way to Rome Paul and his companions met more Christians at the Forum on the Appian Way, where he prayed with them and gave thanks to God. Paul then went on into Rome and when he arrived, he was permitted to live wherever he wanted to, but still under house arrest. Then three days after his arrival, he called together the local Jewish leaders and spoke to them and told them about the charges that The Jewish leaders accused him of in Caesarea, and of his defence and his innocence and also that he had appealed to Caesar. Paul went on to tell them that it was because he believed that the Messiah Jesus had come that he was still under guard as a prisoner. They replied to Paul that they hadn't heard any reports about him from those arriving from Jerusalem, nor had they received any letters from Judea. They said that they simply wanted to hear what he believed, and that the only thing they knew about these Christians was that they are being denounced everywhere! So Paul invited them to come to his house and they came in large numbers and he spoke to them all day and into the night about the Kingdom of God. He taught them about Jesus from the Scriptures, from the books of Moses and the books of the prophets, and there were many arguments, and only some believed.  Paul finally ended his meetings with them by quoting Isaiah.  ‘Say to the Jews, “You will hear and see but not understand, for your hearts are too hard and your ears don't listen and you have closed your eyes against understanding, for you don't want to see and hear and understand and turn to me to heal you.' (Isaiah 6:9) And he told them that this salvation from God was available to the Gentiles too, and they would accept it. Paul lived for the next two years under guard in his rented house and welcomed all who visited him, telling them with all boldness about the Kingdom of God and about the Lord Jesus Christ; and no one tried to stop him, and later on during his time in Rome Paul wrote the second letter to Timothy in Ephesus and told him he was ready to go and be with the Lord. 2Timothy 4:6 I am prepared for my lifeblood to be poured out, and the time of being loosed from this life is close. I have fought the good fight, I have finished the race, I have kept the faith, and finally, the crown of righteousness awaits me, which the Lord, the right and true Judge, will give to me on that Day, and not to me only but also to all who have lovingly desired to see him. What is the crown of righteousness and how was Paul able to receive that crown? Righteousness means living in spiritual uprightness and truth before God. He tells us that after fighting a good fight against spiritual darkness, and finishing the race with endurance, he had to keep the faith. and to do this he had to look to Jesus who is the author and finisher of our faith (Hebrews 12:2). And he tells us that we all are included - each in our own circumstances and each in our own spiritual struggles to receive our crowns also. He sums it up as being a spiritual struggle of faith because he knew that none of us could gain that spiritual uprightnes through our own works. Not having my own righteousness, which is from my ability to perfectly obey the law, but the righteousness which is from God through faith in Christ. All his religious life he had wanted to be spiritually upright, but in his natural human spirit he had always failed or fallen short, until when he experienced the power of the Spirit of the life of Christ within him – he saw he wasn't alone in this struggle - he saw his only spiritual struggle was trusting in the Holy Spirit to change his heart. And he encourages us that we are not alone in this either, and that our only spiritual struggle is trusting in God to change our hearts so that we would desire to let the works of God flow through us. The Bible tells us what that work of spiritual uprightness and truth brings about in us … ‘the work of righteousness shall be peace; and the effect of righteousness is quietness and assurance for ever' (Isaiah 32:17). The peace is within us – it doesn't come from the circumstances, otherwise we could never have peace - we would always feel stranded and unsure and alone, but he tells us we will never feel alone and stranded. The crown of peace upon our head means that just by thinking of his nearness we have that quietness and assurance that he is near. Jesus said to us In Me you will have peace, but in the world you will have trouble. I have overcome the world - so be glad and joyful. ( John 16:33). His overcoming puts the world's power underneath us.  The world destroys peace among mankind and seeks the world's power to overcome and put down all obstacles, but nothing that the world does to destroy peace can take the peace and assurance from our hearts and minds, because by faith we can experience being lifted up into his power - the power of that glorious crown of peace that awaits us.      

The universe has a very strange way of connecting us all in ways that at times seem divinely orchestrated and at others feel completely chaotic and random. Regardless of how it chooses to connect it; the universe, aka Spirit is intentional, timely and unfathomably precise and accurate in its execution. I was connected to today's guest of The Death & Grief Talk Podcast; Krystina Christiansen in a way that feels equally divine and random. Krystina is a filmmaker based in Los Angeles, CA. She's produced, directed, and written a bit of everything - from documentaries and music videos to art installations and talk shows. I had the honor of experiencing Krystina exercising her passion for story telling through the medium of film on the set of a documentary she is producing about the death care industry. In between shooting with her in LA we had a chance to share an intimate moment over dinner in which she shared the heart touching and breaking story behind her passion project. During our time together in this podcast episode, Krystina and I discuss everything from the way Spirit speaks to and guides us, shared southern Baptist roots, how telling the stories about life and death and those of us who work in the death care industry has assisted her in navigating her personal grief to the current SAG AFRA strike and its true impact on the creators and the viewers of the stories they write, perform, and sell them. Currently, she's campaigning for her short documentary, “Dear Brandon'', following an outdoorsman now paralyzed with MS who, at the end of his life, writes a letter that was left on a hiking trail in Utah by his social worker. The inspirational letter quickly made its way to the highest peaks in the world with his newfound family of strangers, which is how she finds it 3000 miles away in Hawaii. The 30-day crowdfunding campaign has a goal of $20,000 in order to finish the film and submit it to festivals for distribution consideration. To support, visit seedandspark.com/fund/brandon. To read the letter visit: krystinachristiansen.com/brandon Krystina is also in post-production on her first feature length documentary produced under the Appian Way and QC Entertainment banners, with Leonardo DiCaprio and Eli Roth as Executive Producers. When not immersed in storytelling she can most likely be found maintaining her duolingo streak, wandering a National Park, art gallery, or the nearest science museum. Connect with Krystina Online Website www.krystinachristiansen.com Email Krystinaoliva@gmail.com Social Media @KrystinaOlivia Brandon's Instagram @forbrandonslove77 About the Death & Grief Talk Podcast Death and grief are sacred aspects of our human journey that we all witness, honor, and process uniquely. The Death and Grief Talk Podcast is here to host open and honest conversation about the questions, fears, anxieties, and emotions that we all experience when someone dies. I am your host The Grave Woman. I'm a licensed funeral director, embalmer, insurance agent and scared death/grief care practitioner. I have over a decade of experience working in the death care industry. I am dedicated to helping everyone navigate individual journeys to find peace and purpose with life, death, and grief. Ways you can listen on the go: Spotify https://open.spotify.com/show/3mdh03y... Watch on YouTube www.youtube.com/thegravewoman Follow @thegravewoman on all social media --- Send in a voice message: https://podcasters.spotify.com/pod/show/deathandgrieftalk/message

Picture it, the turn of the millennium, and the dawn of the online music revolution. jD just shelled out his last few dollars on The Tragically Hip's seventh studio record, Music at Work, unaware that it would mark the end of an era for him - his final first-day purchase. From there we take a deep dive into the album's reception, its relevance today, and the debate if it was a step out of The Hip's comfort zone.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today! https://bit.ly/GHTTHTicketsTranscriptTrack 1:[0:00] Welcome to getting hip to the hip. I'm JD. I'm here as always with Pete and. [0:06] Tim How are you fellas doing this fine day? Track 3:[0:10] Doing great doing great Just getting it going and excited to be here and see a couple of my favorite dudes over the interwebs. Track 2:[0:19] I Am doing supercalifragilisticexpialidocious to fucking discuss this fucking record Oh, wow. Track 3:[0:27] Oh, boy. Track 2:[0:28] Oh, boy. Track 3:[0:29] So... Fasten your seatbelts, folks. Track 1:[0:31] Fasten your seatbelts, folks. Track 2:[0:32] What does that mean? Spoons, plural. Spoons full of sugar. Not just fucking... Not just one. Track 1:[0:39] The Disney references are just rolling out. Track 3:[0:41] Jeez. Track 1:[0:44] Well, we're here today to talk about the 2000 release, June 2000, the seventh studio record by seminal Canadian rock band The Tragically Hip. Music at work. Before we go into our vaunted segment of song by song, let's just get a general sense of what you guys thought of this record. Where you listened to it, what you were exposed to, how it formed over time. What do you think there, Pete? Track 2:[1:21] I'll be brief, because I want to really dive into the songs, too, but I will say, I listened to this record at work. Well, I was at my computer. Come on, Tim, did you want that one? Were you waiting to use that one? Track 3:[1:42] No, it was your turn. It was your turn. A lot of listeners right now are like, oh my god, we're out of here. Track 2:[1:52] Listen to it in the car. The sound system in the car made it really pop. But I will say, probably the best place to listen to it was on runs. It was just... I love the record. I really, really enjoyed this record profusely. So I'll say that. I'll leave it there. All right. Track 1:[2:21] Mr. Leiden. Track 3:[2:22] Yeah, so I listened to this. I had a bunch of headphone-based physical therapy the past week, and I pretty much had it on for all of that, which was very much focused movement and definitely could consider audio. And it was it was pretty good. It took me back to, I think, mostly to Live Between Us, like if we're gonna go apples to apples or apples and oranges throughout their discography thus far, for many reasons. And there's some songs on here I really like a lot. There's a couple that I thought were pretty different, like definitely a step out than past albums. And yeah, at one point I thought this might be my favorite so far in our work to get to this point. I thought this might be one of my favorite albums so far, but I'm still questioning it. I'm still thinking that there might be another one out there in the future that I just I Give you know nine point five two or whatever. Album Rating and Discussion on Critics' OpinionsTrack 1:[3:35] It might be Gotcha Yeah, this was rated relatively low by all music and what? Track 3:[3:43] Big fucking surprise They're like the professor that doesn't give a is you know, yeah, yeah negative five out of five I I have a little bit of a vibe with that, but I understand sometimes there's a great piece of work out there that still doesn't get the accolades it deserves, and that happens so often. Track 1:[4:06] Yeah. Well, shall we get into it? Track 3:[4:10] Yeah. Track 2:[4:12] What did they give it, by the way, J.D.? I'm curious. Track 1:[4:14] Three out of five. Track 3:[4:15] Three, right? Three out of five. So just some quick research on the title that I found of the album, Music at Work. So from what I read, it's poking fun at a rock station in Canada, 100.5 FM. Yeah. E-Zed Rock or Easy Rock, whichever. Track 4:[4:38] You went with Zed first. You're so Canadian. Oh my God. So Canadian. Track 3:[4:45] Music at Work was their tagline, you know. It was like, imagine this kind of 80s looking logo in essence like a corporatized Van Halen Firebird Camaro looking Easy Rock 100.5 FM and underneath at music at work. That makes sense. But I thought maybe, yeah, I thought maybe the hip tagging, you know, taking this tagline was perhaps their, I guess, you know, maybe even, I think it was their stab at back at clear channel. I thought like Like, these guys, yeah, yeah, yeah, I thought these guys are still talking. Track 2:[5:36] Was that a Clear Channel station? Track 3:[5:38] Rock and roll. Track 2:[5:39] I'm sure they were. Track 3:[5:40] Dude. Track 1:[5:41] It's a heavy format. Track 3:[5:42] I didn't look it up, but if you look at everything about it, I'm sure it is. Track 2:[5:48] And at that time, dude, nowadays it's like, it's not even a competition. Like Clear Channel owns the Airwaves, but I remember at that time it was like, you were We were starting to realize that every station was a clear channel station. Track 1:[6:02] Yeah. Yeah. Track 3:[6:04] Yeah. So, that was kind of some brief history on the album title. The first song, you know, title track, album name. The First Single from the RecordTrack 1:[6:40] You I think it's a, little bit of a, a That chives. Yeah, it was the first single from the record too. So okay. Yeah, it dropped a couple weeks before the record came out. Track 2:[7:33] Well, not to correct Tim, but I'm going to do it. Do it. It is not the title track. Ah, yes. The name of the track is actually my music at work. Yeah, interesting. And I didn't... No, no, no. Track 3:[7:54] I was really close, man. Track 2:[7:56] You were close, too. Track 3:[7:58] You know, okay. The influence of the... The Groove and Tightness of the New RecordTrack 2:[8:07] I mean, if I picture myself as I have now, listen, have listened to the previous hip records, anticipating this new record coming out, hearing this first track on this new record and just like putting it on volume up, start my car, light my cigarette, open my Red Bull, whatever the fuck I was doing in the year 2000. And just fucking wow. I mean, they must have just been like, fuck yes. I mean, this song, it was, I wrote this down. This is one of the things I wrote down in the notes. The song was born in the pocket. Like when you talk about when you're in the pocket, musically, I think we all know what that means. I'm sure most of the listeners know what it means. But it's just, it's in the pocket. It's just the groove, the rhythm, the fucking instruments, everything is just fucking tight and it fits, gourd sounds fucking great. It's a great build after the La La La with the soft guitar. Oh God, I've got to eventually get there. Track 3:[9:29] I'll just quickly add in there the La La La. Track 2:[9:30] Johnny Cain? Track 3:[9:31] Okay, go, go, go. Track 2:[9:32] Go ahead. No, no. You go ahead. Track 3:[9:35] I was going to fill in for you. The La La La part for this one, I mean that was new. We haven't had La La La's yet in soft. No, not really. Right. Track 2:[9:42] No, no, yeah But but Johnny Johnny Faye. Yeah drummer. Yeah Really just fucking builds it into where the song you know starts to go at that point and then there's a There's a Lord of the Rings reference in there. I think I feel like it is I took it as what cuz he says middle of the earth. Ah Which I'm always My record store that I grew up going to in down in California, now out of business, was called Middle Earth. And it was a fucking great record store. This is the type of record store where dollars to fucking donuts, man. If you were there in the 90s, they were like, if you went up to the front and asked this guy Larry for a recommendation, he would have fucking slipped you a hip record. Hands down. I was just too scared to fucking go up to Larry cause he was cool. Larry had a picture of David Bowie where David Bowie was smiling, not Larry. Track 1:[10:47] Wow. Track 2:[10:48] Like that goes to show you how cool fucking Larry was. Track 3:[10:51] You know what? I can't tell you how many. Stories I've heard about like interviews with artists who had that record store They went to growing up and how walking up to the clerk whoever was working was like the most intimidating thing Like you like you like so many artists would walk I've read it about it so many times Walking a record store with like kind of tail between your legs and you're afraid to purchase what you've picked For being ridiculed or anything, right? It's just it was like the most I mean think about it back You know in the 80s or 70s or 90s like going to Tower Records or wherever you go and grabbing that Item and walking up to this like hipper than thou person Clerk and trying to make over just yeah Yeah, this was before that it was common where people had like, you know Sleeves of tattoos and like ear and nose piercings like you saw somebody up there at the front with a fucking a bar through the nose a two sleeves of tattoos, and green hair. Track 2:[11:56] Everybody's got fucking green hair nowadays, right? And you're just like. Track 1:[12:00] Makes me sick. Track 2:[12:01] No, but you know what I'm saying? Like, you know, my nephew's got green hair for crying out loud. But like, I don't give a shit, you know, I'm telling my nephew what I'm listening to, but if, you know, back in the 90s, I walked up to the counter and saw somebody like that, that I was like dude I am not bringing up anything that's on the radio right yeah that's so cool that's so cool that you had this this tragically hip frame of reference from back in the record store days I mean I completely don't have that I had a bumper sticker in college you know of my apartment complex neighbor so. The Second Song: Messy and IncoherentTrack 3:[19:00] Yeah. Track 2:[19:00] Do you want to? I don't know. I mean, I'm ready to fucking blow up in there. You know what I'm saying? Okay. The fucking the second song. I mean, it's hard to top this second song. I mean, it is when I first heard it. I loved how it faded in from the first track. And then he just starts saying this is what the fuck is Tiger the Lion? Track 1:[19:30] I don't. Track 2:[19:30] I'm just saying the first time I heard it, right. And I did my research on it, which I kind of regret. I gotta stop looking at lyrics. Once I stopped looking at lyrics, these songs really open up for me. Track 1:[19:41] You can't stop though. It's gorg, right? Like, you know? Track 2:[19:45] No, but he eventually started listening to them and internalizing them, which is better for me than reading them. Either way, this fucking song, it just opens up so messy and incoherent and I'm like, what the fuck? I mean, again, putting myself in the position of a hit fan when they hear this for the first time. They're like, is this gorgeous going off on his fucking, you know, he wrote some crazy poetry and he's just, you know, free-forming it right now. What's he doing? You know, but the The instrumentation on it, it's so well thought out. Track 4:[20:24] Right? It's... Track 2:[20:26] I love how, because for me as a musician, my writing style is pretty incoherent. A lot of people say, like, lyrics wise, my shit doesn't make sense, which is, you know, it's not like I'm going for it, but it's just, it is what it is. But the John Cage quote? Track 3:[20:45] Yeah. Track 2:[20:46] Oh, fuck. I mean, I'm a huge John Cage, but just all about who that guy was as an individual who brought his brain to art and music. There's a melodic drop down, the purpose is not unique. I just, I don't know, dude, I did a little bit of research on the meaning of the song about it being like a reference to fighter pilots. Did you get that too, Tim? Track 3:[21:21] Yep, yep, yep. Big time. There's been so many World War II references that I just, you know, I instantly went to that, which I have a emotional family connection to World War II, so that hits heavy for me. Track 2:[21:36] Two-way radio, yeah. But, uh, this, line... JD, I thought of you when I read this. But not to get order from chaos. Tell you how to create simply wait to your life like, like, there's, there, there is no order. Yeah, there's no other shoe that were, you know, and I don't know, dude, this fucking song is, I still can't fucking and unwrap it and make sense of it. It's just a fucking banger. Yeah. What a song. Living in the Music: Appreciating Art without Analyzing LyricsTrack 3:[22:15] I mean, Pete, as a, maybe you can clarify a little bit for me, as a songwriter, you, when this one came on and you listened through it and you say that you, sometimes you don't want to research lyrics just so you can live in it in your head as much as possible, right? Is that kind of your sentiment? Right? Track 2:[22:34] I mean, I think, I think the lyrics, Because I think that what you, for me, this is me personally, what I tend to do is, is rather than physically listen to the song, which is what the medium is meant to do for listening, I'm reading what I'm listening to. And so it starts to, I start to make judgment upon what I'm listening to based on what I'm reading. Which is never like there's so many weird fucking lyrics in this fucking record And I'm sure we can talk about it till the cows come home Yeah But it did me it did more damage for me in the beginning because it was like I'm not fucking getting this I'm not getting this and then I just was like, okay I put the lyrics down and then I just started to listen to it incessantly. Okay, this shit's fucking making sense. Okay. Got it and then not to Not to bury the lead, but I mean if you don't get the fucking Comfortably Numb, Rob Baker literally Channeling the fucking David Gilmour in this fucking song. I mean What do you I mean, what are we doing here? There's one drop where it doesn't it doesn't go down to the next chord that you just feel like it's like going to country, but it doesn't go there and it's just... [24:01] Yeah, his guitar tone, everything about it. He's using the Strat on this. [24:06] Fucking it's great song. Sorry. Yeah. Amazing song. Track 3:[24:10] For me to go from music at work to this was like, whoa, this is, you know, if this is second gear for taking off in the car, and it's like, what did our car just change into? Because the song is, Because the song is its own beast. Man, me and my dad jokes, dad puns, tiger, the lion. So I mean, this is the longest song on the album. It's 5 and 1 1⁄2 minutes. And I love songs that can hit 5, 6, 7 minute mark, and you don't even know they're that long. Track 1:[24:47] Yeah. Track 3:[24:48] Like sometimes you hear a song, and you're like, god damn, These guys just wanted this to be the longest song ever, and they succeeded. But this one, it's very, no, it doesn't feel that long. And I think, Pete, you touched on most of it. But the themes, I guess I should say, I don't read the lyrics or look into the lyrics until I've listened to one of these albums in great length or many times. So I try not to pay attention to the lyrics. If I'm listening to it in the car and I'm at a stop for too long, then I can actually hit the whatever on Spotify to make the lyrics pop up. I'll check it out for a minute. But I try to live in my head for as long as possible, I think, kind of like you, Pete, to just get deep into the song. [25:44] The John Cage references. I mean, there's so much in this song in both that theme and kind of World War II themes, but the kind of two big takeaways for me were this song is about challenging the listener and society and anyone to appreciate, like, nature, art in life, or just art, or like literature or whatever it might be. And if you live your life without recognizing any art form, then you're like a fucking robot, you know? That's kind of, that's what the song was about to me in that regard, the John Cage regard and all of that. The his radio goes silent, you know that like I imagined this as like World War two airplane Pilot, you know the his engines destroyed And he's just falling from the sky, you know, like and stops working. This is where my head my engine stops working You have this like last bit of life where you hear the wind the radio stops working You know, you're on your way down. That's kind of where I went with. Track 1:[27:03] Whoa, that's heavy, man. Introduction and Researching Band MembersTrack 3:[27:04] Yeah, that's kind of how it felt to me. Okay, so I did some research around who else is playing with this band. Because we've talked about, at least the past album, I've been talking about, you know, who's that on backup singing blah blah blah blah blah. Right. So with this, I guess I would have talked about this at the beginning, but with this song we have a guy named Chris Brown from Toronto on keys, right? So he toured, He recorded and toured with the band with this album. He came from a band or was in a band called, Bourbon Tabernacle Choir. Yep, you got it. And from the 80s and 90s, which I heard of that, man. Yeah, which I didn't know an ounce about until I kind of did this research. So finally, I was making some headway with this album to hear who else we have contributing, which is an obvious impact to me as a listener to hear kind of extra elements going on. But this song, man, it could be its own album. That's what I thought. Like this song, this song on a 7-inch on one side, like it's hand me that. I'll pay 20 bucks for it. Like let's go. It's fucking that good. Track 1:[28:30] Yeah, I agree. Track 3:[28:32] Lake Fever, the next one. This is where I was like, okay, maybe we're shifting gears into like this perfect love song or forlorn love or is this a song about loss or remembrance or you know what is this what is this going on there's amazing prose within this song like was the brief dude seriously i knew pete was just like i knew his heart was melting for this It was probably driving down, you know, here's Pete, everybody in Spain, in his awesome vehicle. I don't even know what it is, and I don't want to know until I visit him someday, so no spoilers, J.D. But here's Pete in his awesome vehicle driving down some coastal highway in fucking Spain. This is a dude from the LBC, right? And this song comes on, and there's tears coming from Pete's face on this beautiful sunny day. It's like, I, I, you know, I'm, I'm hearing this song during fucking physical therapy. Therapy just gone. [29:42] Is this a wedding song or is it a funeral song or do I want this at my wake or do I play this for Amy on her next anniversary? Like what the fuck is this emotional song going on in place three after my music at work and after Tiger the Lion we have this Lake Fever. It's like what the hell so yeah it was this you know this this is that third gear song where i'm like okay, let's see let's see where this is gonna go what's this about is it oh yeah okay maybe it is about the cholera outbreak in toronto in 1834 oh fuck god damn it okay that's what it's about guess i'm I'm not playing at my anniversary. No, not playing at next April 14th, honey. Track 1:[30:38] But it's more than that because the protagonist is regaling his potential lover with that story. Like the song isn't necessarily about like fever. It's like this couple are walking in the woods about to go, you know, have sex. And he's so nervous that he's trying to like, you know, talk to this girl and he's telling her, well, there was this time in Toronto that there was a sewer back up and cholera got in the way and it went all the way up to Ottawa and near Kingston and it was terrible, many people died and she's just like, hurry, just hurry. Just Coital Fury, you know, like, yeah, that wine, man. Track 2:[31:26] Fuck, it's good. Dude, you know, I tell you, it's it's funny because I think it's just the Canadian. I mean, last week, Tim and I both heard the rush in fireworks for last week's a record but you know I started to hear the first thing I heard and now I like don't hear it at all but the first thing I heard with this song was the percussion feeling very once again very Alanis, right wow but yeah put that all kind of behind it's kind of all in the past dude the glockenspiel which I think they're using and like the keyboard effect over when he says the the word courage is I'm just you're right Tim I'm driving down the fucking coast in the mountainous windy roads of Malaga Spain and just fucking crying with my wind blowing, my air blowing in the wind. Cigarette out the window, the arm just like, Oh, just fucking loving this. [32:42] We're going to get into it a little bit more, because I because there's a there's a couple of songs on this record. And I remember I don't know what record it was, oh, it was, was Troll Dan House that I referred to as the Tragically Hips Xerope. Track 1:[33:01] Yes. Track 3:[33:02] Right, right. Track 2:[33:05] But, do you know what this record is? Track 1:[33:07] Yeah. Track 2:[33:07] And it's funny because this record actually came out before the record I'm going to reference. And I'll tell you why. Track 1:[33:14] All right, hit me. Track 2:[33:15] This is fucking the Tragically Hips Yankee Hotel Foxtrot. All of the fucking instrumentation on it, all the pianos, the echoey pianos, a lot of the guitars. It's so fucking Wilco, man. And so I started thinking to myself, well, you know, what, what the fuck did, what, you know, what do we, well, I'll get into it, I'll get into the next one. Track 1:[33:44] We'll go. Give her. Track 2:[33:46] Yeah, we're going to put it down. So this song, there's a line in there saying the United States of ricochet. Something something happy in way. You know what I'm talking about, JD? Track 1:[34:02] I don't know the lyric offhand though, sorry. Track 2:[34:04] Great fucking line. And I'm getting very like, ashes of American flags like references to because I feel like I feel like Gord was really, um, getting, like, a lot of the shit that he focused on was the, God, the phrase, the term I'm trying to look for, like the plight of Canadians. Okay. Track 3:[34:30] I got it. I got it here if you want me to read it. Track 2:[34:33] Yeah, you want to read it, Tim? Track 3:[34:35] Yeah, it's just United States of Ricochet from the Boardwalk to the Appian Way, which I... From the Boardwalk to the Appian Way, yeah, that's what I'm looking for. Yeah, yeah, yeah. Track 2:[34:42] Diamond Files, Corporate Wraves, you know. So he's, I feel like up until this point, he's made a lot of references to not just the indigenous folks up north, in terms of, you know, what he's talked about, and what I know he's eventually going to talk more about. But I started to think like, God, what other band do I know that did that? And like, that's kind of where Wilco went, you know, they had Uncle Tupelo and then AM, which was their first record. And being there were kind of like a soft watered down version of, of that country vibe of Uncle Tupelo. And then when they hit Yankee Hotel, it was like, Whoa, what the fuck is this? This is not the same band. I remember hearing and I got the same vibe. And so I, anyway, I Googled and started doing a little research, come to find out. So I read Jeff Tweedie's. Memoir, which is a great book, you'll get through it in a day, man. It's called Let's Go So We Can Get Back. And he references them on tour with Tragically Hip during the Another Roadside Attraction tour. Track 1:[36:03] That's right. The third one. That's right. Yeah, yeah. Wilco's Similarities to Other Bands and Songwriting InfluencesTrack 2:[36:07] Yeah. And just this record came out a year before Yankee Hotel. So I don't know what if they were trading demos back and forth or they were playing music together on Tour and but fuck man. I mean so many similarities with this record and that record interest so many Do you feel you might catch my drift here? Track 3:[36:32] But do you feel like? When you hear other bands and are reminded of Wilco do you feel like Wilco has just borrowed so much from other bands or do you feel like I'm not gonna we're not going to turn this into a Wilco podcast by the way or do you feel like Wilco like really do you feel like Wilco just absolutely stand on their own as songwriters because I mean that's there that's like to me songwriting music you know what I mean yeah I know what you mean um it's a good question and I'll answer it as short as possible because I think This is something you could fucking have a garage with a, you know, half ounce and fucking go on forever. Track 2:[37:17] But I think Jeff Tweedy is an amazing songwriter, and he'd probably be the first one to admit that they've taken so much from other people. But I think that that band, especially when they went in, their record, two records after they did Yankee Hotel was a record called Sky Blue Sky. When they really got into that, they were just like... They were at the top of their fucking game. and they they they knew how to um, but it's It's hard to say man. I mean It's a great question tim because I you could say the same for Tragically him who are they both big time? Track 3:[38:05] Yeah, we've had so many references. Track 2:[38:07] I don't think I don't think rob baker would he be the last person to say he wasn't fucking fucking playing the exact notes that Gilmore played on fucking comfortably on that guitar solo or on Tiger the Lion. But it's not like you're saying, oh, you're stealing. It's like, it's an homage. It's also working it into a song that is not that song is, you know, you do it all. I've been writing a tune this week that is a is a indie rock tune adapted from the fucking Opening theme of the one of the Legend of Zelda songs. So cool. And am I stealing from Koji Kondo? Yes but It's in so I look at it more as an inspiration. Track 3:[38:54] Well, I mean they I mean all all artists, you know are inspired from every direction I just I don't I don't want to get into it too deep. Track 1:[39:01] I just went from no Writers I think good songwriters Make it almost Like a magician, you know, like a good songwriter. You don't see the sleight of hand. You don't see the Palming you don't see it like they're absolute pros and they stand on their own But of course you can't help but be affected by what you are exposed to and what you enjoy, you know You can't help it. Track 2:[39:34] Yeah, yeah. Yeah, and JD, you're right when you say that, because there was something that I put down, and I think I sent it to you, but I put this down about a month and a half ago, and there was a little guitar lick I put on there, and it was Nell. I recorded it with a fucking jazzmaster. It was Nell's Climb from fucking Wilco. And I was like, I was so worried that it was so obvious, and I played it for Issa, my wife, And I played it for you and I think I was like was it too much and like no it's just it was just right It was perfect. It was like kind of like a little but to me it was like My ears I literally stole the fucking Notes from him and like I took them and I said those are mine now. Thank you very much You know, but like it's it's not easy to do man. I don't know JD. Track 3:[40:25] Yes. I thought it I think they pulled it was just me JD that Pete Pete called up in the middle of my night and serenaded me with some guitar licks. Damn, I'm not feeling as special now. Track 2:[40:40] You'll get it Tim, you'll get it. Track 3:[40:42] Hey, I thought putting down... Track 1:[40:43] Putting down, yeah. Track 3:[40:45] Yeah, so putting down, I felt like, I mean Pete commented on the, you know, the references and stories of this great continent and what we did to the Indigenous folks that were already here and the land grabs and you know that's hitting hard with this one and I feel like with Gord's themes and songwriting and his connotations of it all, this is that song for the album, I thought it was like big and heavy. [41:22] I didn't really know what it was about my first handful of listens. I couldn't really peg it until I did a little bit deeper diving into it. But you know, it was my first few listens, it was kind of like a car ride sing-along song. I felt, you know, it just felt familiar. It felt hip. I didn't think like, this is the best song on the album, and I thought it held its place on the album for what it was. So that's kind of where it ended with me. Cool. The next one, Stay, on the other hand, I thought, man, this song, it's quiet, it's cute, it's cute. I hadn't had that feeling before. Is it a thank you? You know, the Bureau Chiefs and the Shrugging Spies, I thought this was at first when I first heard this? I thought this is hilarious. Without researching, I thought this was like a thank you or something to the band's road crew, because I heard beer and cheese and shrugging spies, not bureau chiefs. I mean, I was like, I was so incorrect with this song. You were a great crew. You were a great you. You know, what is the storyline here? Is it about going to war and relationships or what? What is going on here? Track 1:[42:48] Maybe a little of everything. Track 3:[42:49] Yeah, maybe, but one, you know, after I did, after the leak, Sit down and kind of research what it's about. Hopefully Pete you have some more music based Comments about it, but one person I need to shout out here. The the handle is The letter Y Salvatore, there was a song meanings.com. [43:15] Reference from 2005 so this this is amazing it said one theory is the song is about Fox Mulder from the X-Files lines like there's no one up above us and with the Bureau Chiefs and the shrugging spies on the X-Files series Mulder is often working against the establishment as a sentiment in this song you've got no business in here brother Mulder is obsessed Pete from I'll go with UFO so lines like you see a light and then another this this song maybe it's about UFOs maybe it's about aliens I don't know this this was like this was a total head-scratcher for me not to say that I didn't like it but it was like what is this song about it wasn't beer and cheese I don't know it's not it's funny that you say that because one of the lines already is this song makes me want to sit in a pub and drink beer with my buddy. I didn't say eat cheese, but like, that's the vibe I got. Appreciating the musicianship on this recordTrack 2:[44:21] I mean, it's, um, there's, there's, okay. I could say a lot. I really liked this song a lot. I loved it. It. The riffing that Gore does with the vocals. I think there's a bridge part of all things being balanced where John Fahy's drums... I feel like every musician on this record, on this record, really shines. Like everybody shines. Gord Sinclair, I feel like, has always been really top-notch. That guy is fucking flawless. He's so underrated. Extremely underrated. Uh, when it comes to, you know, I, I just because I'm, you know, playing wise, obviously Gordoni, I mean, there's nothing you can say about that, but playing wise, Paul Langlois, am I saying? Langlois. Track 1:[45:25] Langlois. Track 2:[45:27] Um, and Rob Baker. I've always kind of gone back. I'm starting to appreciate the differences between those guys because they're two Diametrically different guitar players. I mean so different and and That happened on this album. Track 3:[45:43] Don't you? Track 2:[45:43] Oh, yeah more so really noticeable and I went down a bit of a rabbit hole this week I'll try not to go as deep as I went, but I told JD I was watching some live stuff and looking at Rob Baker's set up. [46:05] Paul Ling Hua, he always plays that black Les Paul, but Rob Baker plays that Strat, which I fucking love. And he's got something called Lace Sensors pickups in it, which not to get too technical for the listeners. They were apparently these were like standard issue Fender pickups from 90 from 85 to like 96 and then they just became too expensive. But they're really cool. The only shitty part is they look horrible on a guitar. They don't look it doesn't make it look like a Strat anyway. But he also plays a Paul Reed Smith, which I absolutely hate those guitars because, and JD I told you this, they're the Carlos Santana guitar and when they first became like available to the public so to speak or like mainstream people were able to buy them. I remember walking into a guitar center in the 90s and seeing one up on the wall that was like, it was like $19,000 or $20,000 it was like ridiculous and just going, and now can buy a PRS for like $1,800, $2,000, but it just turned me off and I fucking hate it. And if I'm Rob Baker, if I'm Rob, if you're listening, just don't ever play the fucking PRS, man. Get rid of it. Ditch it. Rob Baker's guitar choices and preferences[47:30] The telly's cool, but that strat is where it's at, man. [47:35] He does play Tele, and there's one other one I can't remember, but there's a great website, and I sadly have been on it more times than I can count. Oh, and he plays an SG, and I play an SG too. The website's called Equipboard.com, and it's got, they can pretty much look at any like, musician that's like, you know, quote, unquote, made it, so to speak, and find their rig, and they have the references, like, not just like, they don't just tell you, but they go, this is why we know that this is they're playing and they have a link to like a concert video, or a picture of them pointing out the gear, which is fucking cool. Track 1:[48:24] It's really cool. Yeah. I love, neither of you guys mentioned it, but I love Gord's voice in this song. He's doing a different sort of thing with his voice. It's lower register, softer I suppose, right? Because it is a soft song. But it's down, it's, you know, sorry you can't see my hand, but it's down here, like belly button wise. Uh is really quite quite uh effective on this song i agree with that jd when are you gonna fix your your belly button cam you're gonna get that going next next pod what's that my belly button cam Yeah, that took me a minute to get. Sorry. All right, track number six. Track number 6 is The Bastard. Appreciating the Percussion and Lyrical InsanityTrack 2:[56:45] Wow. This song starts with the they're not bongos, but there's some sort of kind of cool percussion. Track 3:[56:54] They're there. Yeah, it's some kind of yeah, yeah, yeah. Track 2:[56:59] There's a lot. Track 3:[57:00] It's fun. I love when they bring those in. Track 2:[57:02] Yeah, it's really cool. This song lyrically is fucking insane. There's a word in there called crepuscular? Track 1:[57:16] Yeah, what is that? Like, what does that even mean? Track 2:[57:19] Yeah, it means, um, adjective of resembling or relating to twilight. Yeah, I mean, gnarly shit and- Oh, gourd. Track 1:[57:31] Oh, man. Track 3:[57:36] Crepuscular rays, as the sun groomed the plane with crepuscular rays. Track 2:[57:41] There's a line in there about the Purple Italians, like it's just... Track 3:[57:47] Yeah, what is that referencing? I meant to look that up. I meant to look that up more and did not. Track 2:[57:52] Some weird-ass lyrics. I noticed something too. I love the line, the presaging pel-nel. Yeah. Track 3:[58:03] Yeah, the pre-stage pel-nel. Track 1:[58:05] Pre-stage and pel-nel. Track 3:[58:06] Yeah, that was my favorite. Track 2:[58:09] It's um i noticed that in addition to to to um gordon sinclair being so in the fucking zone on this song like a like a like a hypnotized fucking i don't know dude he's just he's a fucking machine on this song song. He, I watched a little bit of the Woodstock, Woodstock live show 99. And in this song, during Grace 2, which is what they opened up with, Gord starts testing out some of these lyrics to this song during Grace 2. Bird's Eye View, right? Track 1:[58:54] He talks about a bird's eye view of a bird's eye view. Yeah, yeah. So cool that you got to see that. Track 2:[59:01] Finished watching the whole thing. Track 1:[59:02] And you recognize it. Track 2:[59:04] Go ahead. Frustration with lack of guitars in "Grace II"Track 1:[59:10] Yeah, I went down to Rabbit Hole the other day and was just watching a whole bunch. I started with that when I texted you guys and was like, yeah, I'm watching it. And for the beginning of Grace II, it's all drums and Gord's voice, which I don't mind, but I want to hear those guitars, you know? And then suddenly it kicks in. Track 3:[59:29] The purple people, the purple Italian people, I just found it was an Italian mass protest movement to call for the resignation of a prime minister, one of their prime ministers. I feel like, I don't know, there must have been an earlier historical use of this because this is actually from 2009. So yeah, I'm curious. Well, I forgot to tell you guys that Gord is actually reference a mystic he could see in the future yes I wouldn't be surprised yes guys if there's any more sorry there's any more insight on the purple people somebody somebody let us know Tim at getting hit So I got an email. Mention of an email received regarding the purple peopleTrack 1:[1:00:19] Yeah. Got to get our $80 worth. Track 3:[1:00:25] I loved the pre-staging Pell-Mel. There's been a handful. I wish I would have started a list of the gourdisms that would be so fun to learn and reference, because that was so good. When I first heard him sing that, it was like, you know. Track 1:[1:00:42] What is pell-mell? Track 3:[1:00:44] Well, it just means like, it just means like absurd craziness or warning, like presaging means like warning together. Well, pell-mell means confusion or disorder or like a confused haste. So it's, presaging is, you know, the warning of a disorderly moment or the warning of something about to go down. That's kind of what I took. Track 1:[1:01:16] That's dire, I love it. Track 3:[1:01:19] Pre-saging, yeah, it's good. I mean, it's a loaded three words, basically. I think Pete hit on a lot of it, but this song to me kind of got us back in the car and down the road again. It was like driving, rocking, feeling, which I totally dug. The reference of all of this auger as well, you know, auger meaning like a fucking coring, drilling, coring into something and it's just this good rocking song. Track 1:[1:01:55] It's different though. Auger spelled one way is coring, but there's another, like to auger is to portend a good or bad outcome. Track 3:[1:02:08] Okay. Track 1:[1:02:11] So it's like, to pretend. Yeah. And I believe that's what it, like, it's all this auger's well, like, but, right, like, auger a well could mean digging a hole. But auger's well means pretending to, portending to good things are going to happen. Track 3:[1:02:37] Okay, okay. I just thought there were some beautiful lyrics in here. Also, I mean, all this augurs well or yeah, it's the The stanza never mind that pool in the mountains victory came and went on winged elephants I saw you all this augurs. Well, like you know, what? What is what is going on there? But it I thought it was likely this loaded very story specific Specific song without researching it, you know, I heard the lyrics Billy Sunday shout in Philadelphia for Christ Like who really is this song about did you look up Billy Sunday? Track 1:[1:03:15] Yeah. Track 3:[1:03:16] Yeah. I loved I loved reading about that This is like one of those that is one of those songs easy, right? Yeah, you barely you barely touch into on the research side and Realize that you know Billy Sunday was baseball player. Track 1:[1:03:33] I want to say a pitcher from like 1891. Track 3:[1:03:36] Yeah, he was this total this this I guess amazing pitcher And he played for chicago and boston and philly and which During those times you played for a team like your whole career, you know, you stayed in the city You you you became a presence with the team and the community and all that stuff if you did but this this this fellow William Ashley or Billy Sunday Sunday was his family name he he was like a total drunk ladies man and he moved from team to team to team and I think this from what I read the cops and the ladies got to know him really well And then after playing in Philly, he was witnessed to on the street and ultimately became a traveling preacher. [1:04:32] He went from standout pitcher to traveling preacher. And while he was preaching, teams even were soliciting him to come back and pitch. And during those days, if you made like 400 bucks a month playing professional baseball, that was like, a great salary. Yeah, I'm sure. And at one point, I read the Pittsburgh Pirates offered him $2,000 a month, and he still declined, and he still continued to be a traveling preacher. And his kind of schtick was talking about like the sex and alcohol lifestyle, from what I gathered, a lot about alcohol. And it was so much that when towns heard he was coming, they would just close up the bars until he went out. Literally, because he was so like, you know, he was his own prohibitionist. So it's all the personality. Track 2:[1:05:37] Yeah Thinking of that was the runner then I Don't know Like losses lay or some Forrest Gump. Track 1:[1:05:45] No. Track 2:[1:05:45] No, this is a reference from the hip Oh Terry Fox Harry Fox. Track 1:[1:05:50] Very fine. Yeah no he's a guy that ran across canada or something and he got close but he died he ran a marathon everyday he ran a marathon everyday on one leg yeah. Oh okay yeah cuz he and he was he was like. He was twenty one years old and he got cancer they removed his leg and he decided he was gonna run across canada and he started on the east coast he passed away thunder bay so he passed away about one third of the way through. Track 3:[1:06:21] Wow. Track 1:[1:06:22] Oh, it's fucking still, man. That's crazy. But it's like, every day his stump was like, like, euchred because he was wearing one of the, like, now, probably, somebody could do it on one of those, like, one of those spring legs, you know? Track 3:[1:06:37] Yeah, yeah. Track 1:[1:06:38] Yeah, but back in the day, he had, like, just an old school prosthetic leg, and it was crazy. Yeah. Track 3:[1:06:45] Pete, on this one, did you feel like, Did you ever get an inkling like, uh, perhaps this one was music first lyric second, or did you pick up at all on like the kind of background guitar riffing that was kind of over here? And yeah, it was like, I don't know, it sounded a little after thought ish, that guitar riffing, just kind of carrying you through it all worked. But this one, this one, I think compositionally. You know, song, story, Billy Sunday reference aside, which is amazing to dive into and learn about. I mean, I almost want to paint Billy Sunday or something with like on the pulpit with a baseball bat. That's cool. A fifth of whiskey in the other hand or something. But anyways, I felt like compositionally, the song writing-wise fits in the album. It just It just kind of fits in there, but also like, eh. Track 1:[1:07:46] You weren't big on it. Track 3:[1:07:49] No, it didn't grab me. It was like, OK, let's get back in the car. We're back on the road. Let's get through the song. It's rocking. Yeah, let's see what's next. Track 2:[1:07:56] I think at first it was like that, but then the song really like, because instrumentally, it's so fucking rich. Yeah, but like Gord, dude, again, Gord could match, pick the most complex composition that any composers have ever written. And I'm sure there is some fucking book that Gord Downie wrote lyrics in, somewhere floating around or shoved in his fucking basement, that lyrics. Track 3:[1:08:29] I would hope there's like, yeah, like 200. Track 2:[1:08:32] Yeah, he could fit to that. I mean, they probably just, yeah. So I feel you. I feel you. I feel you. Yeah. Track 1:[1:08:40] So let's move into track number seven, The Completist. Track 2:[1:08:44] I don't have a ton to say about this. I would say I really love this song. Again, this is a fade in from the previous track. Gord Sinclair again. fucking standout performance on this song. The percussive chops of the band at this point in the record. I mean, there are other songs that come up that you're just like, what the fuck? But they're not a bar band anymore. I mean, I know they still, but I still think like, I don't know if it was Phantom Power before, a record or two before, you see that kind of bar band thing still rearing its head a little bit, Like, this is just so far from that. These guys are fucking, they've really become superb musicians from the EP to now. Like, they've honed their fucking craft. And then the... Musicians' dedication to improvementTrack 1:[1:09:51] Road tested. Track 2:[1:09:52] Yeah, I mean, it's the road, it's the recording, it's the composition. But it's clear that like, every single musician in this band is like, I want to become better at my instrument. And I'm going to do this. It wasn't just like they just played a bunch, kept doing it, like, they clearly actively tried to become better musicians, as they were continuing. Like, I would put that to any of these fucking guys, if they're standing in front of me, and tell me, like, tell me I'm lying. Like, tell me I'm full of shit. And they would say no. Like, Whether it's, I mean, fucking Kirk Hammett for fuck's sake was taking lessons from Steve Vai when he was already in Metallica. Like, what does that tell you? You know, like, musicians want to become better and they, these guys clearly. The only thing I was gonna say was the woman singing, I thought it was Kate Fenner from before, but it's not, right? Track 1:[1:10:52] I don't know, I thought it was Kate Fenner. Track 2:[1:10:54] Apparently it's, um, Julie. Do I run Dorian, Julie Dorian, Dorian. Track 1:[1:11:02] Oh, Julie Dorian. Track 2:[1:11:03] Okay. Track 1:[1:11:03] Yeah, yeah, yeah. That makes sense. Track 2:[1:11:05] But I, and this is just, you know, I want to say this earlier, Tim, but I want to say that I did do a little research on Kate Fenner and her, um, her label that she's signed to is called UFO music. So that's awesome. Track 1:[1:11:19] Oh, you must love that. Track 2:[1:11:20] I do. Track 3:[1:11:22] You just stole my thunder for Toronto 4. We'll get there. Track 2:[1:11:28] I thought the lyrics in the song were beautiful. It was fucking, the beautiful fucking lyrics. Amazingly beautiful. Track 1:[1:11:35] Yeah. Yeah. Track 3:[1:11:37] Well, I'll have to look into Julie Dorian. I had not found her. And we'll get to it, but we haven't talked much about Kate Fenner, nor who we mentioned earlier. Chris Brown. The fellow on keys, Chris Brown. Yeah, yeah, yeah. For me, this song to complete us, I felt like it was like at first it was kind of, OK, we're already back to a slowdown. Like, it felt a little bit of a chug placement-wise in the album, it's a beautiful song. You know, I just didn't, it kind of left me hanging a little bit. Like, it didn't grab me and shake me around or rattle me around or anything like that. It felt like it could have been an ender. Like, it felt like, is this the end of the album? I mean, this could be the end of an album, so that's good. Track 1:[1:12:29] Well, it's the end of side one, if you're thinking. Oh, maybe. LPs. Track 3:[1:12:36] Yeah, yeah, okay, okay. Track 1:[1:12:37] And that would make sense with our next song too, Freak Turbulence, opening side two with a banger, right? Track 3:[1:12:44] Yeah, big time. I mean, this is like we're alive again. We're back in the driver's seat or the passenger's seat. Like we have this backup singing again. I think this was Kate Fenner at this time. I'm not sure. Between the two. I don't know enough of Julie's voice to distinguish between the two. Track 1:[1:13:06] There are definitely people out there that will tell us for sure. Track 3:[1:13:10] Yeah, yeah, yeah, yeah. Well, I'm gonna look it up because I think I got Kate Fenner down. I mean, yes, yeah, yeah. So back to the song though, there's a comedy factor here, am I wrong? Like, this is so much about Gord being afraid to fly or not liking flying or, you know? Yeah, yeah, yeah, there's all this talk about. I don't know, it feels lighter and more fun than usual. Track 1:[1:13:39] Like, did the captain just say this? Like, did the captain just say, like? Track 3:[1:13:45] Well, we'll land in less than 10 minutes. Or he says, or unless. Did he say unless or less? Yeah, he's afraid. You know, I think this is the song that guys. Were had to fly back to Canada from the US because originally this album Was to be recorded on a moving locomotive train. Track 1:[1:14:11] They talked about doing that. Yes I don't know how that would have ever happened. Track 3:[1:14:15] No shit. What a fucking cool idea I mean imagine that Pete moving locomotive with all the sounds and shakes and rattles I mean maybe maybe for a song but a whole album yeah with some serious that was some serious weed smoking yeah I'm up with that idea you know we should do guys we should fly back down to Memphis take the train take the train to LA and record the home anyways this this is a this was kind of a fun song it was a little more jovial I dug it there's a There's a weird, PeepeePie caught this, there's some weird guitar feedback, like the last 10 seconds or so, which made the song feel kind of ominous, or maybe the Freak Turbulence was like the plane going down, I don't know. It was funny in that regard, it was like a total head-scratcher, but this one I kind of dug. Track 2:[1:15:15] Oh, I dug this one, man, there's a line in there that really stuck with me, it's Satan Holding back hands, our nose and our chin. Track 3:[1:15:22] Yeah, yeah. Track 2:[1:15:24] I love that. There's a really, I think, the mix, there was a lot of moments where I wrote down, this is probably the first time I've said it, but it's written on a ton of songs, the mix on this song, how they mix this song with the instruments, like the levels of all the instruments, it's just so, it really, you know, it makes the fucking song. It makes this song so fucking cool the vocals build, Yeah, I really, you know, I'll rather than to, I'll save my, you know, I'll yield my time only because I have some, some hefty shit to say about some stuff coming up. But I, this song made me run, like when this song came on and I was going on some runs, I definitely put it into a higher gear with this song. I loved it. I loved it. Yeah. Track 3:[1:16:20] Yeah. Yeah. Especially after the completed, you know, transitioning into this one. It's like, yes, OK, here we go again. This is definitely the if it's side two, it definitely is the the side one. Get us going again. "Sharks" - a monotonous but intriguing song[1:16:36] Sharks, can I go? Sharks. Yeah. This one kind of lazes along for me. It's got a few interesting bridges, but it's kind of monotonous, but not not. I'm not saying that in a negative way. It's almost like, it's almost got this head down, shoegazy kind of feel, you know? Then at the three minute mark, there's this like heavy tom kind of bass kind of transition in there. It's the bass guitar is like kind of all over the neck for just a brief second, but you know, it's one of, the, this song is, it has what I enjoyed because they they're starting to do this more because they're all just accelerating as musicians is that it has like well over a minute of music the last portion of it is just like great music carrying you through rather than singing until like the last seconds or giving like seven seconds at the end or what have you so it's. [1:17:42] It was kind of a fun song in that way. It just felt different than the rest, but also worked, you know, positively. Track 2:[1:17:52] I love, this is another fade in from the previous track, which I love, that they're doing that, making it very concept-y. I love the line in there about the Mariana's Trench. That's just fucking cool. It's such a, it's always been a fascination of mine, probably since I saw fucking, what was the name of that movie? Was that Harris? I don't know. I thought it was a James Cameron movie for Christ's sake, it was huge. The Abyss. The Abyss. Oh, The Abyss. The Abyss was in Maria's Trench. Track 1:[1:18:29] Right, right, right, right. Track 2:[1:18:32] But yeah, I mean, the big standout for me here is Rob Baker's guitar is just fucking insanity. He does these really cool arpeggios in the song. And the coolest thing for me was, I was like, what's that fucking effect on this guitar? And I was like, I wrote this down early on, I was like, he's got a, like a delay on the guitar, but not a delay. So it's going bum, bum, bum, bum, bum. It's so, the delay time is so small that you can't really hear it like a repetitive delay. It's just, when you put it down almost to zero, it just has this cool, and then I look on no shit by the time I found that website and he's got a Line 6 DL4 delay pedal that no doubt he was using on this fucking song. It just made me feel cool because I was like, my ears still work after all these years. But I fucking love it. If I didn't, I didn't think there was a song that could rival Tiger the Lion and I still don't think it beats it but it's pretty up there and that's fucking Toronto 4. An analysis of the opening guitar arpeggiosTrack 1:[1:26:42] Talk to me. Talk to me. Track 2:[1:26:44] I mean, the way it opens with the, like, the record static. Yep. Again, Rob Baker's doing these weird arpeggios, like he, like, it's kind of like a falling guitar, like he goes from a, like a, it's a D chord or whatever the hell, the octave, than the chord, then the seventh, then the diminished. Makes it feel really sad. It's just, or like, kind of sad and mysterious, and it's floating. It's like all the echo-y shit that there's, I don't know if it's Kate Fenner on this. It is. It is? Okay. Track 3:[1:27:26] Yeah. Track 2:[1:27:27] Yeah. The way that the, I don't know if it's like he's using mallets or what, but Johnny Fay is like coming in with the cymbals with these really soft mallets that like kind of give it like a gong sound to make it really super dramatic but the songs it's fucking awesome I mean I was like what it was weird because this was a song that early on I would get through the first nine tracks because I was doing like shorter runs when I would take it out and I didn't get to like Toronto for and then the first time I heard it I was like what in the fuck the surf tone on guitar is just... It's a cool jam dude. It's cool as fuck. A lot of Pink Floyd, I feel, influence on there. Track 3:[1:28:18] I agree with all that. I felt like the percussions on this, the drums on this one, had sort of this metronome, just more of a... I don't know. Track 2:[1:28:28] You do the panning on the left to right? Track 3:[1:28:31] Yeah, like the pace of the percussion really, to me, held the song like all the way through and was perfect. I mean, I often hone in on drum stuff like you do guitar and I felt like that was just, I don't know, this song is, it starts slow, it's emotional, it kind of feels like apologetic you know also feels like i don't know familiar maybe it's like the mention of Vesuvius as a metaphor for like family and stresses and breakups and i don't know the The song was just, it's pretty jam packed. I didn't. Look big into the background on lyrics or story or any of that, you know, I just questioned, which I said to JD like a week ago, I was like, why the hell Toronto four? Are there three other Toronto songs? Or what is what is that about? Track 1:[1:29:29] So if anybody knows, my only guess is, like my, as far as just guesswork, is might be, it might have been the fourth run, you know, it might have been the fourth take, like it's Sometimes you use the studio parlance to come up with the title of a song that you can't quite name. Track 3:[1:29:49] Yeah. Track 1:[1:29:50] Well, this is a great, it's a great song, and you're right, you nailed it on the head when you talk about family. Yeah, yeah. It's definitely familial. It's, you know, it's about the matriarch of his family, his grandmother, holding things up. And that what are the first the first lyrics are? Absolutely. They slay me and I can't recall them at the moment. Track 3:[1:30:17] You know, you were the rock plug for us all. Did you know you were the conduit of Vesuvius? You were far more unifying than, you know, I'm not a judge of suitable, but you almost had it all. I mean, if that's about his grandma being the what a tribute, the rock plug for their family. I mean rock plug is definitely a volcanic reference of you know a rock holding the mountain together before the magma just blows it apart so it's right fucking cool pretty pretty yeah I mean it's this this one maybe has the simplest lyrics that we've seen in a while. [1:30:59] It's it's a beautiful song. So Kate Fenner on this one just to touch on her because I Think we've heard her before although. I only found that she To recorded and toured for this album, but man, she's she's got this How do you describe her voice? I think it's just gorgeous. I think it's yeah, it's It's just, it's, it's, it's lovely. I, she, she, somebody described her as less, a lusty alternative to a Joni Mitchell ish sound. Like all of that is, is true. So she's got her own solo stuff. She's got, as Pete mentioned, UFO Records is her label. She's got this new album out that I touched on briefly over the weekend. It's it's pretty she's got a beautiful voice like if she ever tours and we get a chance to just Go and any of us hear her perform. I'm sure it would be worth it. She's got a dreamy voice So yeah, great great addition to me, too I don't know if you saw this tour JD, but what she did she yeah, do you recall her on stage or yeah? Track 1:[1:32:09] Because it was it was strange because both Chris Brown and her were on stage with them the whole time and that was It was just it was sort of a strange look because up until that point It had been the five of the month's age. Track 3:[1:32:20] Mm-hmm. Track 1:[1:32:20] That was it. And so this you know, it changed the dynamic for sure and I'll be the first to tell you that when this record dropped I Liked it But I didn't love it. But now 20 years later. Yeah, I fucking love this record Yeah, I can listen to this record at any time like yeah, yeah top to bottom. Okay, okay, Now let's go toward the bottom and talk about Wild Mountain Honey, dude. Track 3:[1:32:52] I love this one. So I'm taking I'm taking on this one. Mr Okay, you can you can fill in do it Yeah, like this this to me I heard Pink Floyd I heard Jerry Garcia of guitar effects Like I I heard like fish. I don't know like this song to me. They even the the title is is different, like this one was just a little bit different there. You know, it's the drums are soft, but they can sound kind of angry. This is one of the songs on the album, you know, the first time listening it through. Or I thought, OK, I need to find this one live and check it out because I'm sure it gets played harder and louder, maybe faster. [1:33:43] There's just really good chord changing and bridges and guitar riffs and it feels a little bit patched or contrived at the end you know I was hoping for like a big finish the first time I heard this one because it really grabbed me it made it just this to me was like hip fans who have seen the band play live a a bunch. Probably love this one live. You know, this one just, it hit some marks for me with going, with going after, like, followers of other bands who I knew probably in the same summer saw Grateful Dead play it or saw Phish play and saw the Tragically Hit play. Like a lot of, you know, A lot of times when I experience bands playing live over the course of a summer, it kind of, you know, dictates that summer. Like, you think back to that summer and you're like, oh, that's when I went to X Festival or that's when I saw 8Bandplay a couple times. The Papa Roach show. Yeah, like that's, yeah, definitely the Papa Roach show. But no, this one was, This kind of centered me back into the seat of the Tragically Hip. I really dug it. I ended up listening to it a handful of times by itself. Track 1:[1:35:08] Oh wow! Cool. Track 3:[1:35:11] Probably not a single though, right? Track 1:[1:35:13] Not a single, nope. Track 3:[1:35:14] Yeah, every once in a while they have a song that's not a single that's a little bit off character that I dig and this is one of those. Rhythms and Unique Drum Hits in "Wild Mountain Honey"Track 2:[1:35:23] I thought that I mean the song it's funny ironically it starts out like wild mountain honey it begins like the name does Soft like wild mountain honey, and it creeps up on you like a whiskey, and it fucking destroys. Yeah, yeah, yeah Yeah, I think It's funny because I remember looking for the lyrics online and realized there's a Steve Miller song called why I'm not many as well But when I saw the title of this, I thought of the Peach Boys song, Wild Honey, which neither of those examples are even close to this song. But what I got from it was, I fucking love the rhythms in this fucking, the drums in the rhythms. The drum hits in this fucking song are so cool and they're so unique and they don't sound like another band. Like there's some songs that, like I mentioned, some Wilco stuff earlier, there's other songs from other hip records where it's like they're doing a drum hit or a drum fill and you're like, yeah, that's the same drum fill that this band did on this song and that's been, this is completely fucking different. And it's so fucking cool. So unique, the rhythms in the song. [1:36:43] There's a weird keyboard or flute effect in the background going down, it was really faint and hard to pick up. I'm pretty sure it was a keyboard, but it could have been some sort of setting, but I love the line, I don't want to put another thought in my head, I just thought that was so fucking cool towards the end. And then the song, the solo starts before, but the part at about 3 minutes 30 seconds of the guitar soloer. Just, I don't know, dude. I hope I run into him. Track 3:[1:37:18] That carries it to the end, right? Track 2:[1:37:22] It does. Yeah. I want to run into Rob Baker at a 7-Eleven or something. Him buying a Slurpee and me already up front and being like, hey, man, let me get this guy's Slurpee and I'll pay for it or something. Just be like, alright, man. Track 1:[1:37:41] What a gentleman you are. Track 2:[1:37:42] I want to be that guy. It's weir

TranscriptTrack 1:[0:00] Welcome to getting hip to the hip. I'm JD. I'm here as always with Pete and. [0:06] Tim How are you fellas doing this fine day? Track 3:[0:10] Doing great doing great Just getting it going and excited to be here and see a couple of my favorite dudes over the interwebs. Track 2:[0:19] I Am doing supercalifragilisticexpialidocious to fucking discuss this fucking record Oh, wow. Track 3:[0:27] Oh, boy. Track 2:[0:28] Oh, boy. Track 3:[0:29] So... Fasten your seatbelts, folks. Track 1:[0:31] Fasten your seatbelts, folks. Track 2:[0:32] What does that mean? Spoons, plural. Spoons full of sugar. Not just fucking... Not just one. Track 1:[0:39] The Disney references are just rolling out. Track 3:[0:41] Jeez. Track 1:[0:44] Well, we're here today to talk about the 2000 release, June 2000, the seventh studio record by seminal Canadian rock band The Tragically Hip. Music at work. Before we go into our vaunted segment of song by song, let's just get a general sense of what you guys thought of this record. Where you listened to it, what you were exposed to, how it formed over time. What do you think there, Pete? Track 2:[1:21] I'll be brief, because I want to really dive into the songs, too, but I will say, I listened to this record at work. Well, I was at my computer. Come on, Tim, did you want that one? Were you waiting to use that one? Track 3:[1:42] No, it was your turn. It was your turn. A lot of listeners right now are like, oh my god, we're out of here. Track 2:[1:52] Listen to it in the car. The sound system in the car made it really pop. But I will say, probably the best place to listen to it was on runs. It was just... I love the record. I really, really enjoyed this record profusely. So I'll say that. I'll leave it there. All right. Track 1:[2:21] Mr. Leiden. Track 3:[2:22] Yeah, so I listened to this. I had a bunch of headphone-based physical therapy the past week, and I pretty much had it on for all of that, which was very much focused movement and definitely could consider audio. And it was it was pretty good. It took me back to, I think, mostly to Live Between Us, like if we're gonna go apples to apples or apples and oranges throughout their discography thus far, for many reasons. And there's some songs on here I really like a lot. There's a couple that I thought were pretty different, like definitely a step out than past albums. And yeah, at one point I thought this might be my favorite so far in our work to get to this point. I thought this might be one of my favorite albums so far, but I'm still questioning it. I'm still thinking that there might be another one out there in the future that I just I Give you know nine point five two or whatever. Album Rating and Discussion on Critics' OpinionsTrack 1:[3:35] It might be Gotcha Yeah, this was rated relatively low by all music and what? Track 3:[3:43] Big fucking surprise They're like the professor that doesn't give a is you know, yeah, yeah negative five out of five I I have a little bit of a vibe with that, but I understand sometimes there's a great piece of work out there that still doesn't get the accolades it deserves, and that happens so often. Track 1:[4:06] Yeah. Well, shall we get into it? Track 3:[4:10] Yeah. Track 2:[4:12] What did they give it, by the way, J.D.? I'm curious. Track 1:[4:14] Three out of five. Track 3:[4:15] Three, right? Three out of five. So just some quick research on the title that I found of the album, Music at Work. So from what I read, it's poking fun at a rock station in Canada, 100.5 FM. Yeah. E-Zed Rock or Easy Rock, whichever. Track 4:[4:38] You went with Zed first. You're so Canadian. Oh my God. So Canadian. Track 3:[4:45] Music at Work was their tagline, you know. It was like, imagine this kind of 80s looking logo in essence like a corporatized Van Halen Firebird Camaro looking Easy Rock 100.5 FM and underneath at music at work. That makes sense. But I thought maybe, yeah, I thought maybe the hip tagging, you know, taking this tagline was perhaps their, I guess, you know, maybe even, I think it was their stab at back at clear channel. I thought like Like, these guys, yeah, yeah, yeah, I thought these guys are still talking. Track 2:[5:36] Was that a Clear Channel station? Track 3:[5:38] Rock and roll. Track 2:[5:39] I'm sure they were. Track 3:[5:40] Dude. Track 1:[5:41] It's a heavy format. Track 3:[5:42] I didn't look it up, but if you look at everything about it, I'm sure it is. Track 2:[5:48] And at that time, dude, nowadays it's like, it's not even a competition. Like Clear Channel owns the Airwaves, but I remember at that time it was like, you were We were starting to realize that every station was a clear channel station. Track 1:[6:02] Yeah. Yeah. Track 3:[6:04] Yeah. So, that was kind of some brief history on the album title. The first song, you know, title track, album name. The First Single from the RecordTrack 1:[6:40] You I think it's a, little bit of a, a That chives. Yeah, it was the first single from the record too. So okay. Yeah, it dropped a couple weeks before the record came out. Track 2:[7:33] Well, not to correct Tim, but I'm going to do it. Do it. It is not the title track. Ah, yes. The name of the track is actually my music at work. Yeah, interesting. And I didn't... No, no, no. Track 3:[7:54] I was really close, man. Track 2:[7:56] You were close, too. Track 3:[7:58] You know, okay. The influence of the... The Groove and Tightness of the New RecordTrack 2:[8:07] I mean, if I picture myself as I have now, listen, have listened to the previous hip records, anticipating this new record coming out, hearing this first track on this new record and just like putting it on volume up, start my car, light my cigarette, open my Red Bull, whatever the fuck I was doing in the year 2000. And just fucking wow. I mean, they must have just been like, fuck yes. I mean, this song, it was, I wrote this down. This is one of the things I wrote down in the notes. The song was born in the pocket. Like when you talk about when you're in the pocket, musically, I think we all know what that means. I'm sure most of the listeners know what it means. But it's just, it's in the pocket. It's just the groove, the rhythm, the fucking instruments, everything is just fucking tight and it fits, gourd sounds fucking great. It's a great build after the La La La with the soft guitar. Oh God, I've got to eventually get there. Track 3:[9:29] I'll just quickly add in there the La La La. Track 2:[9:30] Johnny Cain? Track 3:[9:31] Okay, go, go, go. Track 2:[9:32] Go ahead. No, no. You go ahead. Track 3:[9:35] I was going to fill in for you. The La La La part for this one, I mean that was new. We haven't had La La La's yet in soft. No, not really. Right. Track 2:[9:42] No, no, yeah But but Johnny Johnny Faye. Yeah drummer. Yeah Really just fucking builds it into where the song you know starts to go at that point and then there's a There's a Lord of the Rings reference in there. I think I feel like it is I took it as what cuz he says middle of the earth. Ah Which I'm always My record store that I grew up going to in down in California, now out of business, was called Middle Earth. And it was a fucking great record store. This is the type of record store where dollars to fucking donuts, man. If you were there in the 90s, they were like, if you went up to the front and asked this guy Larry for a recommendation, he would have fucking slipped you a hip record. Hands down. I was just too scared to fucking go up to Larry cause he was cool. Larry had a picture of David Bowie where David Bowie was smiling, not Larry. Track 1:[10:47] Wow. Track 2:[10:48] Like that goes to show you how cool fucking Larry was. Track 3:[10:51] You know what? I can't tell you how many. Stories I've heard about like interviews with artists who had that record store They went to growing up and how walking up to the clerk whoever was working was like the most intimidating thing Like you like you like so many artists would walk I've read it about it so many times Walking a record store with like kind of tail between your legs and you're afraid to purchase what you've picked For being ridiculed or anything, right? It's just it was like the most I mean think about it back You know in the 80s or 70s or 90s like going to Tower Records or wherever you go and grabbing that Item and walking up to this like hipper than thou person Clerk and trying to make over just yeah Yeah, this was before that it was common where people had like, you know Sleeves of tattoos and like ear and nose piercings like you saw somebody up there at the front with a fucking a bar through the nose a two sleeves of tattoos, and green hair. Track 2:[11:56] Everybody's got fucking green hair nowadays, right? And you're just like. Track 1:[12:00] Makes me sick. Track 2:[12:01] No, but you know what I'm saying? Like, you know, my nephew's got green hair for crying out loud. But like, I don't give a shit, you know, I'm telling my nephew what I'm listening to, but if, you know, back in the 90s, I walked up to the counter and saw somebody like that, that I was like dude I am not bringing up anything that's on the radio right yeah that's so cool that's so cool that you had this this tragically hip frame of reference from back in the record store days I mean I completely don't have that I had a bumper sticker in college you know of my apartment complex neighbor so. The Second Song: Messy and IncoherentTrack 3:[19:00] Yeah. Track 2:[19:00] Do you want to? I don't know. I mean, I'm ready to fucking blow up in there. You know what I'm saying? Okay. The fucking the second song. I mean, it's hard to top this second song. I mean, it is when I first heard it. I loved how it faded in from the first track. And then he just starts saying this is what the fuck is Tiger the Lion? Track 1:[19:30] I don't. Track 2:[19:30] I'm just saying the first time I heard it, right. And I did my research on it, which I kind of regret. I gotta stop looking at lyrics. Once I stopped looking at lyrics, these songs really open up for me. Track 1:[19:41] You can't stop though. It's gorg, right? Like, you know? Track 2:[19:45] No, but he eventually started listening to them and internalizing them, which is better for me than reading them. Either way, this fucking song, it just opens up so messy and incoherent and I'm like, what the fuck? I mean, again, putting myself in the position of a hit fan when they hear this for the first time. They're like, is this gorgeous going off on his fucking, you know, he wrote some crazy poetry and he's just, you know, free-forming it right now. What's he doing? You know, but the The instrumentation on it, it's so well thought out. Track 4:[20:24] Right? It's... Track 2:[20:26] I love how, because for me as a musician, my writing style is pretty incoherent. A lot of people say, like, lyrics wise, my shit doesn't make sense, which is, you know, it's not like I'm going for it, but it's just, it is what it is. But the John Cage quote? Track 3:[20:45] Yeah. Track 2:[20:46] Oh, fuck. I mean, I'm a huge John Cage, but just all about who that guy was as an individual who brought his brain to art and music. There's a melodic drop down, the purpose is not unique. I just, I don't know, dude, I did a little bit of research on the meaning of the song about it being like a reference to fighter pilots. Did you get that too, Tim? Track 3:[21:21] Yep, yep, yep. Big time. There's been so many World War II references that I just, you know, I instantly went to that, which I have a emotional family connection to World War II, so that hits heavy for me. Track 2:[21:36] Two-way radio, yeah. But, uh, this, line... JD, I thought of you when I read this. But not to get order from chaos. Tell you how to create simply wait to your life like, like, there's, there, there is no order. Yeah, there's no other shoe that were, you know, and I don't know, dude, this fucking song is, I still can't fucking and unwrap it and make sense of it. It's just a fucking banger. Yeah. What a song. Living in the Music: Appreciating Art without Analyzing LyricsTrack 3:[22:15] I mean, Pete, as a, maybe you can clarify a little bit for me, as a songwriter, you, when this one came on and you listened through it and you say that you, sometimes you don't want to research lyrics just so you can live in it in your head as much as possible, right? Is that kind of your sentiment? Right? Track 2:[22:34] I mean, I think, I think the lyrics, Because I think that what you, for me, this is me personally, what I tend to do is, is rather than physically listen to the song, which is what the medium is meant to do for listening, I'm reading what I'm listening to. And so it starts to, I start to make judgment upon what I'm listening to based on what I'm reading. Which is never like there's so many weird fucking lyrics in this fucking record And I'm sure we can talk about it till the cows come home Yeah But it did me it did more damage for me in the beginning because it was like I'm not fucking getting this I'm not getting this and then I just was like, okay I put the lyrics down and then I just started to listen to it incessantly. Okay, this shit's fucking making sense. Okay. Got it and then not to Not to bury the lead, but I mean if you don't get the fucking Comfortably Numb, Rob Baker literally Channeling the fucking David Gilmour in this fucking song. I mean What do you I mean, what are we doing here? There's one drop where it doesn't it doesn't go down to the next chord that you just feel like it's like going to country, but it doesn't go there and it's just... [24:01] Yeah, his guitar tone, everything about it. He's using the Strat on this. [24:06] Fucking it's great song. Sorry. Yeah. Amazing song. Track 3:[24:10] For me to go from music at work to this was like, whoa, this is, you know, if this is second gear for taking off in the car, and it's like, what did our car just change into? Because the song is, Because the song is its own beast. Man, me and my dad jokes, dad puns, tiger, the lion. So I mean, this is the longest song on the album. It's 5 and 1 1⁄2 minutes. And I love songs that can hit 5, 6, 7 minute mark, and you don't even know they're that long. Track 1:[24:47] Yeah. Track 3:[24:48] Like sometimes you hear a song, and you're like, god damn, These guys just wanted this to be the longest song ever, and they succeeded. But this one, it's very, no, it doesn't feel that long. And I think, Pete, you touched on most of it. But the themes, I guess I should say, I don't read the lyrics or look into the lyrics until I've listened to one of these albums in great length or many times. So I try not to pay attention to the lyrics. If I'm listening to it in the car and I'm at a stop for too long, then I can actually hit the whatever on Spotify to make the lyrics pop up. I'll check it out for a minute. But I try to live in my head for as long as possible, I think, kind of like you, Pete, to just get deep into the song. [25:44] The John Cage references. I mean, there's so much in this song in both that theme and kind of World War II themes, but the kind of two big takeaways for me were this song is about challenging the listener and society and anyone to appreciate, like, nature, art in life, or just art, or like literature or whatever it might be. And if you live your life without recognizing any art form, then you're like a fucking robot, you know? That's kind of, that's what the song was about to me in that regard, the John Cage regard and all of that. The his radio goes silent, you know that like I imagined this as like World War two airplane Pilot, you know the his engines destroyed And he's just falling from the sky, you know, like and stops working. This is where my head my engine stops working You have this like last bit of life where you hear the wind the radio stops working You know, you're on your way down. That's kind of where I went with. Track 1:[27:03] Whoa, that's heavy, man. Introduction and Researching Band MembersTrack 3:[27:04] Yeah, that's kind of how it felt to me. Okay, so I did some research around who else is playing with this band. Because we've talked about, at least the past album, I've been talking about, you know, who's that on backup singing blah blah blah blah blah. Right. So with this, I guess I would have talked about this at the beginning, but with this song we have a guy named Chris Brown from Toronto on keys, right? So he toured, He recorded and toured with the band with this album. He came from a band or was in a band called, Bourbon Tabernacle Choir. Yep, you got it. And from the 80s and 90s, which I heard of that, man. Yeah, which I didn't know an ounce about until I kind of did this research. So finally, I was making some headway with this album to hear who else we have contributing, which is an obvious impact to me as a listener to hear kind of extra elements going on. But this song, man, it could be its own album. That's what I thought. Like this song, this song on a 7-inch on one side, like it's hand me that. I'll pay 20 bucks for it. Like let's go. It's fucking that good. Track 1:[28:30] Yeah, I agree. Track 3:[28:32] Lake Fever, the next one. This is where I was like, okay, maybe we're shifting gears into like this perfect love song or forlorn love or is this a song about loss or remembrance or you know what is this what is this going on there's amazing prose within this song like was the brief dude seriously i knew pete was just like i knew his heart was melting for this It was probably driving down, you know, here's Pete, everybody in Spain, in his awesome vehicle. I don't even know what it is, and I don't want to know until I visit him someday, so no spoilers, J.D. But here's Pete in his awesome vehicle driving down some coastal highway in fucking Spain. This is a dude from the LBC, right? And this song comes on, and there's tears coming from Pete's face on this beautiful sunny day. It's like, I, I, you know, I'm, I'm hearing this song during fucking physical therapy. Therapy just gone. [29:42] Is this a wedding song or is it a funeral song or do I want this at my wake or do I play this for Amy on her next anniversary? Like what the fuck is this emotional song going on in place three after my music at work and after Tiger the Lion we have this Lake Fever. It's like what the hell so yeah it was this you know this this is that third gear song where i'm like okay, let's see let's see where this is gonna go what's this about is it oh yeah okay maybe it is about the cholera outbreak in toronto in 1834 oh fuck god damn it okay that's what it's about guess i'm I'm not playing at my anniversary. No, not playing at next April 14th, honey. Track 1:[30:38] But it's more than that because the protagonist is regaling his potential lover with that story. Like the song isn't necessarily about like fever. It's like this couple are walking in the woods about to go, you know, have sex. And he's so nervous that he's trying to like, you know, talk to this girl and he's telling her, well, there was this time in Toronto that there was a sewer back up and cholera got in the way and it went all the way up to Ottawa and near Kingston and it was terrible, many people died and she's just like, hurry, just hurry. Just Coital Fury, you know, like, yeah, that wine, man. Track 2:[31:26] Fuck, it's good. Dude, you know, I tell you, it's it's funny because I think it's just the Canadian. I mean, last week, Tim and I both heard the rush in fireworks for last week's a record but you know I started to hear the first thing I heard and now I like don't hear it at all but the first thing I heard with this song was the percussion feeling very once again very Alanis, right wow but yeah put that all kind of behind it's kind of all in the past dude the glockenspiel which I think they're using and like the keyboard effect over when he says the the word courage is I'm just you're right Tim I'm driving down the fucking coast in the mountainous windy roads of Malaga Spain and just fucking crying with my wind blowing, my air blowing in the wind. Cigarette out the window, the arm just like, Oh, just fucking loving this. [32:42] We're going to get into it a little bit more, because I because there's a there's a couple of songs on this record. And I remember I don't know what record it was, oh, it was, was Troll Dan House that I referred to as the Tragically Hips Xerope. Track 1:[33:01] Yes. Track 3:[33:02] Right, right. Track 2:[33:05] But, do you know what this record is? Track 1:[33:07] Yeah. Track 2:[33:07] And it's funny because this record actually came out before the record I'm going to reference. And I'll tell you why. Track 1:[33:14] All right, hit me. Track 2:[33:15] This is fucking the Tragically Hips Yankee Hotel Foxtrot. All of the fucking instrumentation on it, all the pianos, the echoey pianos, a lot of the guitars. It's so fucking Wilco, man. And so I started thinking to myself, well, you know, what, what the fuck did, what, you know, what do we, well, I'll get into it, I'll get into the next one. Track 1:[33:44] We'll go. Give her. Track 2:[33:46] Yeah, we're going to put it down. So this song, there's a line in there saying the United States of ricochet. Something something happy in way. You know what I'm talking about, JD? Track 1:[34:02] I don't know the lyric offhand though, sorry. Track 2:[34:04] Great fucking line. And I'm getting very like, ashes of American flags like references to because I feel like I feel like Gord was really, um, getting, like, a lot of the shit that he focused on was the, God, the phrase, the term I'm trying to look for, like the plight of Canadians. Okay. Track 3:[34:30] I got it. I got it here if you want me to read it. Track 2:[34:33] Yeah, you want to read it, Tim? Track 3:[34:35] Yeah, it's just United States of Ricochet from the Boardwalk to the Appian Way, which I... From the Boardwalk to the Appian Way, yeah, that's what I'm looking for. Yeah, yeah, yeah. Track 2:[34:42] Diamond Files, Corporate Wraves, you know. So he's, I feel like up until this point, he's made a lot of references to not just the indigenous folks up north, in terms of, you know, what he's talked about, and what I know he's eventually going to talk more about. But I started to think like, God, what other band do I know that did that? And like, that's kind of where Wilco went, you know, they had Uncle Tupelo and then AM, which was their first record. And being there were kind of like a soft watered down version of, of that country vibe of Uncle Tupelo. And then when they hit Yankee Hotel, it was like, Whoa, what the fuck is this? This is not the same band. I remember hearing and I got the same vibe. And so I, anyway, I Googled and started doing a little research, come to find out. So I read Jeff Tweedie's. Memoir, which is a great book, you'll get through it in a day, man. It's called Let's Go So We Can Get Back. And he references them on tour with Tragically Hip during the Another Roadside Attraction tour. Track 1:[36:03] That's right. The third one. That's right. Yeah, yeah. Wilco's Similarities to Other Bands and Songwriting InfluencesTrack 2:[36:07] Yeah. And just this record came out a year before Yankee Hotel. So I don't know what if they were trading demos back and forth or they were playing music together on Tour and but fuck man. I mean so many similarities with this record and that record interest so many Do you feel you might catch my drift here? Track 3:[36:32] But do you feel like? When you hear other bands and are reminded of Wilco do you feel like Wilco has just borrowed so much from other bands or do you feel like I'm not gonna we're not going to turn this into a Wilco podcast by the way or do you feel like Wilco like really do you feel like Wilco just absolutely stand on their own as songwriters because I mean that's there that's like to me songwriting music you know what I mean yeah I know what you mean um it's a good question and I'll answer it as short as possible because I think This is something you could fucking have a garage with a, you know, half ounce and fucking go on forever. Track 2:[37:17] But I think Jeff Tweedy is an amazing songwriter, and he'd probably be the first one to admit that they've taken so much from other people. But I think that that band, especially when they went in, their record, two records after they did Yankee Hotel was a record called Sky Blue Sky. When they really got into that, they were just like... They were at the top of their fucking game. and they they they knew how to um, but it's It's hard to say man. I mean It's a great question tim because I you could say the same for Tragically him who are they both big time? Track 3:[38:05] Yeah, we've had so many references. Track 2:[38:07] I don't think I don't think rob baker would he be the last person to say he wasn't fucking fucking playing the exact notes that Gilmore played on fucking comfortably on that guitar solo or on Tiger the Lion. But it's not like you're saying, oh, you're stealing. It's like, it's an homage. It's also working it into a song that is not that song is, you know, you do it all. I've been writing a tune this week that is a is a indie rock tune adapted from the fucking Opening theme of the one of the Legend of Zelda songs. So cool. And am I stealing from Koji Kondo? Yes but It's in so I look at it more as an inspiration. Track 3:[38:54] Well, I mean they I mean all all artists, you know are inspired from every direction I just I don't I don't want to get into it too deep. Track 1:[39:01] I just went from no Writers I think good songwriters Make it almost Like a magician, you know, like a good songwriter. You don't see the sleight of hand. You don't see the Palming you don't see it like they're absolute pros and they stand on their own But of course you can't help but be affected by what you are exposed to and what you enjoy, you know You can't help it. Track 2:[39:34] Yeah, yeah. Yeah, and JD, you're right when you say that, because there was something that I put down, and I think I sent it to you, but I put this down about a month and a half ago, and there was a little guitar lick I put on there, and it was Nell. I recorded it with a fucking jazzmaster. It was Nell's Climb from fucking Wilco. And I was like, I was so worried that it was so obvious, and I played it for Issa, my wife, And I played it for you and I think I was like was it too much and like no it's just it was just right It was perfect. It was like kind of like a little but to me it was like My ears I literally stole the fucking Notes from him and like I took them and I said those are mine now. Thank you very much You know, but like it's it's not easy to do man. I don't know JD. Track 3:[40:25] Yes. I thought it I think they pulled it was just me JD that Pete Pete called up in the middle of my night and serenaded me with some guitar licks. Damn, I'm not feeling as special now. Track 2:[40:40] You'll get it Tim, you'll get it. Track 3:[40:42] Hey, I thought putting down... Track 1:[40:43] Putting down, yeah. Track 3:[40:45] Yeah, so putting down, I felt like, I mean Pete commented on the, you know, the references and stories of this great continent and what we did to the Indigenous folks that were already here and the land grabs and you know that's hitting hard with this one and I feel like with Gord's themes and songwriting and his connotations of it all, this is that song for the album, I thought it was like big and heavy. [41:22] I didn't really know what it was about my first handful of listens. I couldn't really peg it until I did a little bit deeper diving into it. But you know, it was my first few listens, it was kind of like a car ride sing-along song. I felt, you know, it just felt familiar. It felt hip. I didn't think like, this is the best song on the album, and I thought it held its place on the album for what it was. So that's kind of where it ended with me. Cool. The next one, Stay, on the other hand, I thought, man, this song, it's quiet, it's cute, it's cute. I hadn't had that feeling before. Is it a thank you? You know, the Bureau Chiefs and the Shrugging Spies, I thought this was at first when I first heard this? I thought this is hilarious. Without researching, I thought this was like a thank you or something to the band's road crew, because I heard beer and cheese and shrugging spies, not bureau chiefs. I mean, I was like, I was so incorrect with this song. You were a great crew. You were a great you. You know, what is the storyline here? Is it about going to war and relationships or what? What is going on here? Track 1:[42:48] Maybe a little of everything. Track 3:[42:49] Yeah, maybe, but one, you know, after I did, after the leak, Sit down and kind of research what it's about. Hopefully Pete you have some more music based Comments about it, but one person I need to shout out here. The the handle is The letter Y Salvatore, there was a song meanings.com. [43:15] Reference from 2005 so this this is amazing it said one theory is the song is about Fox Mulder from the X-Files lines like there's no one up above us and with the Bureau Chiefs and the shrugging spies on the X-Files series Mulder is often working against the establishment as a sentiment in this song you've got no business in here brother Mulder is obsessed Pete from I'll go with UFO so lines like you see a light and then another this this song maybe it's about UFOs maybe it's about aliens I don't know this this was like this was a total head-scratcher for me not to say that I didn't like it but it was like what is this song about it wasn't beer and cheese I don't know it's not it's funny that you say that because one of the lines already is this song makes me want to sit in a pub and drink beer with my buddy. I didn't say eat cheese, but like, that's the vibe I got. Appreciating the musicianship on this recordTrack 2:[44:21] I mean, it's, um, there's, there's, okay. I could say a lot. I really liked this song a lot. I loved it. It. The riffing that Gore does with the vocals. I think there's a bridge part of all things being balanced where John Fahy's drums... I feel like every musician on this record, on this record, really shines. Like everybody shines. Gord Sinclair, I feel like, has always been really top-notch. That guy is fucking flawless. He's so underrated. Extremely underrated. Uh, when it comes to, you know, I, I just because I'm, you know, playing wise, obviously Gordoni, I mean, there's nothing you can say about that, but playing wise, Paul Langlois, am I saying? Langlois. Track 1:[45:25] Langlois. Track 2:[45:27] Um, and Rob Baker. I've always kind of gone back. I'm starting to appreciate the differences between those guys because they're two Diametrically different guitar players. I mean so different and and That happened on this album. Track 3:[45:43] Don't you? Track 2:[45:43] Oh, yeah more so really noticeable and I went down a bit of a rabbit hole this week I'll try not to go as deep as I went, but I told JD I was watching some live stuff and looking at Rob Baker's set up. [46:05] Paul Ling Hua, he always plays that black Les Paul, but Rob Baker plays that Strat, which I fucking love. And he's got something called Lace Sensors pickups in it, which not to get too technical for the listeners. They were apparently these were like standard issue Fender pickups from 90 from 85 to like 96 and then they just became too expensive. But they're really cool. The only shitty part is they look horrible on a guitar. They don't look it doesn't make it look like a Strat anyway. But he also plays a Paul Reed Smith, which I absolutely hate those guitars because, and JD I told you this, they're the Carlos Santana guitar and when they first became like available to the public so to speak or like mainstream people were able to buy them. I remember walking into a guitar center in the 90s and seeing one up on the wall that was like, it was like $19,000 or $20,000 it was like ridiculous and just going, and now can buy a PRS for like $1,800, $2,000, but it just turned me off and I fucking hate it. And if I'm Rob Baker, if I'm Rob, if you're listening, just don't ever play the fucking PRS, man. Get rid of it. Ditch it. Rob Baker's guitar choices and preferences[47:30] The telly's cool, but that strat is where it's at, man. [47:35] He does play Tele, and there's one other one I can't remember, but there's a great website, and I sadly have been on it more times than I can count. Oh, and he plays an SG, and I play an SG too. The website's called Equipboard.com, and it's got, they can pretty much look at any like, musician that's like, you know, quote, unquote, made it, so to speak, and find their rig, and they have the references, like, not just like, they don't just tell you, but they go, this is why we know that this is they're playing and they have a link to like a concert video, or a picture of them pointing out the gear, which is fucking cool. Track 1:[48:24] It's really cool. Yeah. I love, neither of you guys mentioned it, but I love Gord's voice in this song. He's doing a different sort of thing with his voice. It's lower register, softer I suppose, right? Because it is a soft song. But it's down, it's, you know, sorry you can't see my hand, but it's down here, like belly button wise. Uh is really quite quite uh effective on this song i agree with that jd when are you gonna fix your your belly button cam you're gonna get that going next next pod what's that my belly button cam Yeah, that took me a minute to get. Sorry. All right, track number six. Track number 6 is The Bastard. Appreciating the Percussion and Lyrical InsanityTrack 2:[56:45] Wow. This song starts with the they're not bongos, but there's some sort of kind of cool percussion. Track 3:[56:54] They're there. Yeah, it's some kind of yeah, yeah, yeah. Track 2:[56:59] There's a lot. Track 3:[57:00] It's fun. I love when they bring those in. Track 2:[57:02] Yeah, it's really cool. This song lyrically is fucking insane. There's a word in there called crepuscular? Track 1:[57:16] Yeah, what is that? Like, what does that even mean? Track 2:[57:19] Yeah, it means, um, adjective of resembling or relating to twilight. Yeah, I mean, gnarly shit and- Oh, gourd. Track 1:[57:31] Oh, man. Track 3:[57:36] Crepuscular rays, as the sun groomed the plane with crepuscular rays. Track 2:[57:41] There's a line in there about the Purple Italians, like it's just... Track 3:[57:47] Yeah, what is that referencing? I meant to look that up. I meant to look that up more and did not. Track 2:[57:52] Some weird-ass lyrics. I noticed something too. I love the line, the presaging pel-nel. Yeah. Track 3:[58:03] Yeah, the pre-stage pel-nel. Track 1:[58:05] Pre-stage and pel-nel. Track 3:[58:06] Yeah, that was my favorite. Track 2:[58:09] It's um i noticed that in addition to to to um gordon sinclair being so in the fucking zone on this song like a like a like a hypnotized fucking i don't know dude he's just he's a fucking machine on this song song. He, I watched a little bit of the Woodstock, Woodstock live show 99. And in this song, during Grace 2, which is what they opened up with, Gord starts testing out some of these lyrics to this song during Grace 2. Bird's Eye View, right? Track 1:[58:54] He talks about a bird's eye view of a bird's eye view. Yeah, yeah. So cool that you got to see that. Track 2:[59:01] Finished watching the whole thing. Track 1:[59:02] And you recognize it. Track 2:[59:04] Go ahead. Frustration with lack of guitars in "Grace II"Track 1:[59:10] Yeah, I went down to Rabbit Hole the other day and was just watching a whole bunch. I started with that when I texted you guys and was like, yeah, I'm watching it. And for the beginning of Grace II, it's all drums and Gord's voice, which I don't mind, but I want to hear those guitars, you know? And then suddenly it kicks in. Track 3:[59:29] The purple people, the purple Italian people, I just found it was an Italian mass protest movement to call for the resignation of a prime minister, one of their prime ministers. I feel like, I don't know, there must have been an earlier historical use of this because this is actually from 2009. So yeah, I'm curious. Well, I forgot to tell you guys that Gord is actually reference a mystic he could see in the future yes I wouldn't be surprised yes guys if there's any more sorry there's any more insight on the purple people somebody somebody let us know Tim at getting hit So I got an email. Mention of an email received regarding the purple peopleTrack 1:[1:00:19] Yeah. Got to get our $80 worth. Track 3:[1:00:25] I loved the pre-staging Pell-Mel. There's been a handful. I wish I would have started a list of the gourdisms that would be so fun to learn and reference, because that was so good. When I first heard him sing that, it was like, you know. Track 1:[1:00:42] What is pell-mell? Track 3:[1:00:44] Well, it just means like, it just means like absurd craziness or warning, like presaging means like warning together. Well, pell-mell means confusion or disorder or like a confused haste. So it's, presaging is, you know, the warning of a disorderly moment or the warning of something about to go down. That's kind of what I took. Track 1:[1:01:16] That's dire, I love it. Track 3:[1:01:19] Pre-saging, yeah, it's good. I mean, it's a loaded three words, basically. I think Pete hit on a lot of it, but this song to me kind of got us back in the car and down the road again. It was like driving, rocking, feeling, which I totally dug. The reference of all of this auger as well, you know, auger meaning like a fucking coring, drilling, coring into something and it's just this good rocking song. Track 1:[1:01:55] It's different though. Auger spelled one way is coring, but there's another, like to auger is to portend a good or bad outcome. Track 3:[1:02:08] Okay. Track 1:[1:02:11] So it's like, to pretend. Yeah. And I believe that's what it, like, it's all this auger's well, like, but, right, like, auger a well could mean digging a hole. But auger's well means pretending to, portending to good things are going to happen. Track 3:[1:02:37] Okay, okay. I just thought there were some beautiful lyrics in here. Also, I mean, all this augurs well or yeah, it's the The stanza never mind that pool in the mountains victory came and went on winged elephants I saw you all this augurs. Well, like you know, what? What is what is going on there? But it I thought it was likely this loaded very story specific Specific song without researching it, you know, I heard the lyrics Billy Sunday shout in Philadelphia for Christ Like who really is this song about did you look up Billy Sunday? Track 1:[1:03:15] Yeah. Track 3:[1:03:16] Yeah. I loved I loved reading about that This is like one of those that is one of those songs easy, right? Yeah, you barely you barely touch into on the research side and Realize that you know Billy Sunday was baseball player. Track 1:[1:03:33] I want to say a pitcher from like 1891. Track 3:[1:03:36] Yeah, he was this total this this I guess amazing pitcher And he played for chicago and boston and philly and which During those times you played for a team like your whole career, you know, you stayed in the city You you you became a presence with the team and the community and all that stuff if you did but this this this fellow William Ashley or Billy Sunday Sunday was his family name he he was like a total drunk ladies man and he moved from team to team to team and I think this from what I read the cops and the ladies got to know him really well And then after playing in Philly, he was witnessed to on the street and ultimately became a traveling preacher. [1:04:32] He went from standout pitcher to traveling preacher. And while he was preaching, teams even were soliciting him to come back and pitch. And during those days, if you made like 400 bucks a month playing professional baseball, that was like, a great salary. Yeah, I'm sure. And at one point, I read the Pittsburgh Pirates offered him $2,000 a month, and he still declined, and he still continued to be a traveling preacher. And his kind of schtick was talking about like the sex and alcohol lifestyle, from what I gathered, a lot about alcohol. And it was so much that when towns heard he was coming, they would just close up the bars until he went out. Literally, because he was so like, you know, he was his own prohibitionist. So it's all the personality. Track 2:[1:05:37] Yeah Thinking of that was the runner then I Don't know Like losses lay or some Forrest Gump. Track 1:[1:05:45] No. Track 2:[1:05:45] No, this is a reference from the hip Oh Terry Fox Harry Fox. Track 1:[1:05:50] Very fine. Yeah no he's a guy that ran across canada or something and he got close but he died he ran a marathon everyday he ran a marathon everyday on one leg yeah. Oh okay yeah cuz he and he was he was like. He was twenty one years old and he got cancer they removed his leg and he decided he was gonna run across canada and he started on the east coast he passed away thunder bay so he passed away about one third of the way through. Track 3:[1:06:21] Wow. Track 1:[1:06:22] Oh, it's fucking still, man. That's crazy. But it's like, every day his stump was like, like, euchred because he was wearing one of the, like, now, probably, somebody could do it on one of those, like, one of those spring legs, you know? Track 3:[1:06:37] Yeah, yeah. Track 1:[1:06:38] Yeah, but back in the day, he had, like, just an old school prosthetic leg, and it was crazy. Yeah. Track 3:[1:06:45] Pete, on this one, did you feel like, Did you ever get an inkling like, uh, perhaps this one was music first lyric second, or did you pick up at all on like the kind of background guitar riffing that was kind of over here? And yeah, it was like, I don't know, it sounded a little after thought ish, that guitar riffing, just kind of carrying you through it all worked. But this one, this one, I think compositionally. You know, song, story, Billy Sunday reference aside, which is amazing to dive into and learn about. I mean, I almost want to paint Billy Sunday or something with like on the pulpit with a baseball bat. That's cool. A fifth of whiskey in the other hand or something. But anyways, I felt like compositionally, the song writing-wise fits in the album. It just It just kind of fits in there, but also like, eh. Track 1:[1:07:46] You weren't big on it. Track 3:[1:07:49] No, it didn't grab me. It was like, OK, let's get back in the car. We're back on the road. Let's get through the song. It's rocking. Yeah, let's see what's next. Track 2:[1:07:56] I think at first it was like that, but then the song really like, because instrumentally, it's so fucking rich. Yeah, but like Gord, dude, again, Gord could match, pick the most complex composition that any composers have ever written. And I'm sure there is some fucking book that Gord Downie wrote lyrics in, somewhere floating around or shoved in his fucking basement, that lyrics. Track 3:[1:08:29] I would hope there's like, yeah, like 200. Track 2:[1:08:32] Yeah, he could fit to that. I mean, they probably just, yeah. So I feel you. I feel you. I feel you. Yeah. Track 1:[1:08:40] So let's move into track number seven, The Completist. Track 2:[1:08:44] I don't have a ton to say about this. I would say I really love this song. Again, this is a fade in from the previous track. Gord Sinclair again. fucking standout performance on this song. The percussive chops of the band at this point in the record. I mean, there are other songs that come up that you're just like, what the fuck? But they're not a bar band anymore. I mean, I know they still, but I still think like, I don't know if it was Phantom Power before, a record or two before, you see that kind of bar band thing still rearing its head a little bit, Like, this is just so far from that. These guys are fucking, they've really become superb musicians from the EP to now. Like, they've honed their fucking craft. And then the... Musicians' dedication to improvementTrack 1:[1:09:51] Road tested. Track 2:[1:09:52] Yeah, I mean, it's the road, it's the recording, it's the composition. But it's clear that like, every single musician in this band is like, I want to become better at my instrument. And I'm going to do this. It wasn't just like they just played a bunch, kept doing it, like, they clearly actively tried to become better musicians, as they were continuing. Like, I would put that to any of these fucking guys, if they're standing in front of me, and tell me, like, tell me I'm lying. Like, tell me I'm full of shit. And they would say no. Like, Whether it's, I mean, fucking Kirk Hammett for fuck's sake was taking lessons from Steve Vai when he was already in Metallica. Like, what does that tell you? You know, like, musicians want to become better and they, these guys clearly. The only thing I was gonna say was the woman singing, I thought it was Kate Fenner from before, but it's not, right? Track 1:[1:10:52] I don't know, I thought it was Kate Fenner. Track 2:[1:10:54] Apparently it's, um, Julie. Do I run Dorian, Julie Dorian, Dorian. Track 1:[1:11:02] Oh, Julie Dorian. Track 2:[1:11:03] Okay. Track 1:[1:11:03] Yeah, yeah, yeah. That makes sense. Track 2:[1:11:05] But I, and this is just, you know, I want to say this earlier, Tim, but I want to say that I did do a little research on Kate Fenner and her, um, her label that she's signed to is called UFO music. So that's awesome. Track 1:[1:11:19] Oh, you must love that. Track 2:[1:11:20] I do. Track 3:[1:11:22] You just stole my thunder for Toronto 4. We'll get there. Track 2:[1:11:28] I thought the lyrics in the song were beautiful. It was fucking, the beautiful fucking lyrics. Amazingly beautiful. Track 1:[1:11:35] Yeah. Yeah. Track 3:[1:11:37] Well, I'll have to look into Julie Dorian. I had not found her. And we'll get to it, but we haven't talked much about Kate Fenner, nor who we mentioned earlier. Chris Brown. The fellow on keys, Chris Brown. Yeah, yeah, yeah. For me, this song to complete us, I felt like it was like at first it was kind of, OK, we're already back to a slowdown. Like, it felt a little bit of a chug placement-wise in the album, it's a beautiful song. You know, I just didn't, it kind of left me hanging a little bit. Like, it didn't grab me and shake me around or rattle me around or anything like that. It felt like it could have been an ender. Like, it felt like, is this the end of the album? I mean, this could be the end of an album, so that's good. Track 1:[1:12:29] Well, it's the end of side one, if you're thinking. Oh, maybe. LPs. Track 3:[1:12:36] Yeah, yeah, okay, okay. Track 1:[1:12:37] And that would make sense with our next song too, Freak Turbulence, opening side two with a banger, right? Track 3:[1:12:44] Yeah, big time. I mean, this is like we're alive again. We're back in the driver's seat or the passenger's seat. Like we have this backup singing again. I think this was Kate Fenner at this time. I'm not sure. Between the two. I don't know enough of Julie's voice to distinguish between the two. Track 1:[1:13:06] There are definitely people out there that will tell us for sure. Track 3:[1:13:10] Yeah, yeah, yeah, yeah. Well, I'm gonna look it up because I think I got Kate Fenner down. I mean, yes, yeah, yeah. So back to the song though, there's a comedy factor here, am I wrong? Like, this is so much about Gord being afraid to fly or not liking flying or, you know? Yeah, yeah, yeah, there's all this talk about. I don't know, it feels lighter and more fun than usual. Track 1:[1:13:39] Like, did the captain just say this? Like, did the captain just say, like? Track 3:[1:13:45] Well, we'll land in less than 10 minutes. Or he says, or unless. Did he say unless or less? Yeah, he's afraid. You know, I think this is the song that guys. Were had to fly back to Canada from the US because originally this album Was to be recorded on a moving locomotive train. Track 1:[1:14:11] They talked about doing that. Yes I don't know how that would have ever happened. Track 3:[1:14:15] No shit. What a fucking cool idea I mean imagine that Pete moving locomotive with all the sounds and shakes and rattles I mean maybe maybe for a song but a whole album yeah with some serious that was some serious weed smoking yeah I'm up with that idea you know we should do guys we should fly back down to Memphis take the train take the train to LA and record the home anyways this this is a this was kind of a fun song it was a little more jovial I dug it there's a There's a weird, PeepeePie caught this, there's some weird guitar feedback, like the last 10 seconds or so, which made the song feel kind of ominous, or maybe the Freak Turbulence was like the plane going down, I don't know. It was funny in that regard, it was like a total head-scratcher, but this one I kind of dug. Track 2:[1:15:15] Oh, I dug this one, man, there's a line in there that really stuck with me, it's Satan Holding back hands, our nose and our chin. Track 3:[1:15:22] Yeah, yeah. Track 2:[1:15:24] I love that. There's a really, I think, the mix, there was a lot of moments where I wrote down, this is probably the first time I've said it, but it's written on a ton of songs, the mix on this song, how they mix this song with the instruments, like the levels of all the instruments, it's just so, it really, you know, it makes the fucking song. It makes this song so fucking cool the vocals build, Yeah, I really, you know, I'll rather than to, I'll save my, you know, I'll yield my time only because I have some, some hefty shit to say about some stuff coming up. But I, this song made me run, like when this song came on and I was going on some runs, I definitely put it into a higher gear with this song. I loved it. I loved it. Yeah. Track 3:[1:16:20] Yeah. Yeah. Especially after the completed, you know, transitioning into this one. It's like, yes, OK, here we go again. This is definitely the if it's side two, it definitely is the the side one. Get us going again. "Sharks" - a monotonous but intriguing song[1:16:36] Sharks, can I go? Sharks. Yeah. This one kind of lazes along for me. It's got a few interesting bridges, but it's kind of monotonous, but not not. I'm not saying that in a negative way. It's almost like, it's almost got this head down, shoegazy kind of feel, you know? Then at the three minute mark, there's this like heavy tom kind of bass kind of transition in there. It's the bass guitar is like kind of all over the neck for just a brief second, but you know, it's one of, the, this song is, it has what I enjoyed because they they're starting to do this more because they're all just accelerating as musicians is that it has like well over a minute of music the last portion of it is just like great music carrying you through rather than singing until like the last seconds or giving like seven seconds at the end or what have you so it's. [1:17:42] It was kind of a fun song in that way. It just felt different than the rest, but also worked, you know, positively. Track 2:[1:17:52] I love, this is another fade in from the previous track, which I love, that they're doing that, making it very concept-y. I love the line in there about the Mariana's Trench. That's just fucking cool. It's such a, it's always been a fascination of mine, probably since I saw fucking, what was the name of that movie? Was that Harris? I don't know. I thought it was a James Cameron movie for Christ's sake, it was huge. The Abyss. The Abyss. Oh, The Abyss. The Abyss was in Maria's Trench. Track 1:[1:18:29] Right, right, right, right. Track 2:[1:18:32] But yeah, I mean, the big standout for me here is Rob Baker's guitar is just fucking insanity. He does these really cool arpeggios in the song. And the coolest thing for me was, I was like, what's that fucking effect on this guitar? And I was like, I wrote this down early on, I was like, he's got a, like a delay on the guitar, but not a delay. So it's going bum, bum, bum, bum, bum. It's so, the delay time is so small that you can't really hear it like a repetitive delay. It's just, when you put it down almost to zero, it just has this cool, and then I look on no shit by the time I found that website and he's got a Line 6 DL4 delay pedal that no doubt he was using on this fucking song. It just made me feel cool because I was like, my ears still work after all these years. But I fucking love it. If I didn't, I didn't think there was a song that could rival Tiger the Lion and I still don't think it beats it but it's pretty up there and that's fucking Toronto 4. An analysis of the opening guitar arpeggiosTrack 1:[1:26:42] Talk to me. Talk to me. Track 2:[1:26:44] I mean, the way it opens with the, like, the record static. Yep. Again, Rob Baker's doing these weird arpeggios, like he, like, it's kind of like a falling guitar, like he goes from a, like a, it's a D chord or whatever the hell, the octave, than the chord, then the seventh, then the diminished. Makes it feel really sad. It's just, or like, kind of sad and mysterious, and it's floating. It's like all the echo-y shit that there's, I don't know if it's Kate Fenner on this. It is. It is? Okay. Track 3:[1:27:26] Yeah. Track 2:[1:27:27] Yeah. The way that the, I don't know if it's like he's using mallets or what, but Johnny Fay is like coming in with the cymbals with these really soft mallets that like kind of give it like a gong sound to make it really super dramatic but the songs it's fucking awesome I mean I was like what it was weird because this was a song that early on I would get through the first nine tracks because I was doing like shorter runs when I would take it out and I didn't get to like Toronto for and then the first time I heard it I was like what in the fuck the surf tone on guitar is just... It's a cool jam dude. It's cool as fuck. A lot of Pink Floyd, I feel, influence on there. Track 3:[1:28:18] I agree with all that. I felt like the percussions on this, the drums on this one, had sort of this metronome, just more of a... I don't know. Track 2:[1:28:28] You do the panning on the left to right? Track 3:[1:28:31] Yeah, like the pace of the percussion really, to me, held the song like all the way through and was perfect. I mean, I often hone in on drum stuff like you do guitar and I felt like that was just, I don't know, this song is, it starts slow, it's emotional, it kind of feels like apologetic you know also feels like i don't know familiar maybe it's like the mention of Vesuvius as a metaphor for like family and stresses and breakups and i don't know the The song was just, it's pretty jam packed. I didn't. Look big into the background on lyrics or story or any of that, you know, I just questioned, which I said to JD like a week ago, I was like, why the hell Toronto four? Are there three other Toronto songs? Or what is what is that about? Track 1:[1:29:29] So if anybody knows, my only guess is, like my, as far as just guesswork, is might be, it might have been the fourth run, you know, it might have been the fourth take, like it's Sometimes you use the studio parlance to come up with the title of a song that you can't quite name. Track 3:[1:29:49] Yeah. Track 1:[1:29:50] Well, this is a great, it's a great song, and you're right, you nailed it on the head when you talk about family. Yeah, yeah. It's definitely familial. It's, you know, it's about the matriarch of his family, his grandmother, holding things up. And that what are the first the first lyrics are? Absolutely. They slay me and I can't recall them at the moment. Track 3:[1:30:17] You know, you were the rock plug for us all. Did you know you were the conduit of Vesuvius? You were far more unifying than, you know, I'm not a judge of suitable, but you almost had it all. I mean, if that's about his grandma being the what a tribute, the rock plug for their family. I mean rock plug is definitely a volcanic reference of you know a rock holding the mountain together before the magma just blows it apart so it's right fucking cool pretty pretty yeah I mean it's this this one maybe has the simplest lyrics that we've seen in a while. [1:30:59] It's it's a beautiful song. So Kate Fenner on this one just to touch on her because I Think we've heard her before although. I only found that she To recorded and toured for this album, but man, she's she's got this How do you describe her voice? I think it's just gorgeous. I think it's yeah, it's It's just, it's, it's, it's lovely. I, she, she, somebody described her as less, a lusty alternative to a Joni Mitchell ish sound. Like all of that is, is true. So she's got her own solo stuff. She's got, as Pete mentioned, UFO Records is her label. She's got this new album out that I touched on briefly over the weekend. It's it's pretty she's got a beautiful voice like if she ever tours and we get a chance to just Go and any of us hear her perform. I'm sure it would be worth it. She's got a dreamy voice So yeah, great great addition to me, too I don't know if you saw this tour JD, but what she did she yeah, do you recall her on stage or yeah? Track 1:[1:32:09] Because it was it was strange because both Chris Brown and her were on stage with them the whole time and that was It was just it was sort of a strange look because up until that point It had been the five of the month's age. Track 3:[1:32:20] Mm-hmm. Track 1:[1:32:20] That was it. And so this you know, it changed the dynamic for sure and I'll be the first to tell you that when this record dropped I Liked it But I didn't love it. But now 20 years later. Yeah, I fucking love this record Yeah, I can listen to this record at any time like yeah, yeah top to bottom. Okay, okay, Now let's go toward the bottom and talk about Wild Mountain Honey, dude. Track 3:[1:32:52] I love this one. So I'm taking I'm taking on this one. Mr Okay, you can you can fill in do it Yeah, like this this to me I heard Pink Floyd I heard Jerry Garcia of guitar effects Like I I heard like fish. I don't know like this song to me. They even the the title is is different, like this one was just a little bit different there. You know, it's the drums are soft, but they can sound kind of angry. This is one of the songs on the album, you know, the first time listening it through. Or I thought, OK, I need to find this one live and check it out because I'm sure it gets played harder and louder, maybe faster. [1:33:43] There's just really good chord changing and bridges and guitar riffs and it feels a little bit patched or contrived at the end you know I was hoping for like a big finish the first time I heard this one because it really grabbed me it made it just this to me was like hip fans who have seen the band play live a a bunch. Probably love this one live. You know, this one just, it hit some marks for me with going, with going after, like, followers of other bands who I knew probably in the same summer saw Grateful Dead play it or saw Phish play and saw the Tragically Hit play. Like a lot of, you know, A lot of times when I experience bands playing live over the course of a summer, it kind of, you know, dictates that summer. Like, you think back to that summer and you're like, oh, that's when I went to X Festival or that's when I saw 8Bandplay a couple times. The Papa Roach show. Yeah, like that's, yeah, definitely the Papa Roach show. But no, this one was, This kind of centered me back into the seat of the Tragically Hip. I really dug it. I ended up listening to it a handful of times by itself. Track 1:[1:35:08] Oh wow! Cool. Track 3:[1:35:11] Probably not a single though, right? Track 1:[1:35:13] Not a single, nope. Track 3:[1:35:14] Yeah, every once in a while they have a song that's not a single that's a little bit off character that I dig and this is one of those. Rhythms and Unique Drum Hits in "Wild Mountain Honey"Track 2:[1:35:23] I thought that I mean the song it's funny ironically it starts out like wild mountain honey it begins like the name does Soft like wild mountain honey, and it creeps up on you like a whiskey, and it fucking destroys. Yeah, yeah, yeah Yeah, I think It's funny because I remember looking for the lyrics online and realized there's a Steve Miller song called why I'm not many as well But when I saw the title of this, I thought of the Peach Boys song, Wild Honey, which neither of those examples are even close to this song. But what I got from it was, I fucking love the rhythms in this fucking, the drums in the rhythms. The drum hits in this fucking song are so cool and they're so unique and they don't sound like another band. Like there's some songs that, like I mentioned, some Wilco stuff earlier, there's other songs from other hip records where it's like they're doing a drum hit or a drum fill and you're like, yeah, that's the same drum fill that this band did on this song and that's been, this is completely fucking different. And it's so fucking cool. So unique, the rhythms in the song. [1:36:43] There's a weird keyboard or flute effect in the background going down, it was really faint and hard to pick up. I'm pretty sure it was a keyboard, but it could have been some sort of setting, but I love the line, I don't want to put another thought in my head, I just thought that was so fucking cool towards the end. And then the song, the solo starts before, but the part at about 3 minutes 30 seconds of the guitar soloer. Just, I don't know, dude. I hope I run into him. Track 3:[1:37:18] That carries it to the end, right? Track 2:[1:37:22] It does. Yeah. I want to run into Rob Baker at a 7-Eleven or something. Him buying a Slurpee and me already up front and being like, hey, man, let me get this guy's Slurpee and I'll pay for it or something. Just be like, alright, man. Track 1:[1:37:41] What a gentleman you are. Track 2:[1:37:42] I want to be that guy. It's weird that I did not expect to where I'm at so far in the discography of this band for him to slowly become one of my almost favored guitar players. And this guy that I never knew before. I fucking love his fucking guitar playing, dude. It's fucking awesome. Track 1:[1:38:09] Yeah, he's really good. Track 3:[1:38:11] That's an amazing gift for you, bro. What's that? So that's an amazing gift for you to have this discovery of a new influence. Track 2:[1:38:19] Totally, absolutely Tim, absolutely. Track 3:[1:38:22] So Train Overnight, the next

DON'T MISS: Dr. T. Michael W. Halcomb steps back in time and briefly highlights for viewers/listeners the remnants of Nero's once-magnificent "Golden Palace" (Domus Aurea), showcases the incredible Appian Way, and talks about Puteoli Bay. All 3 of these locations are important for the study of the New Testament. Tune in! #NerosPalace #AppianWay #PuteoliBay #Italy #Rome #Naples #NewTestament #Scripture #Paul #ApostlePaul #Archaeology #History Nero's Palace, Appian Way, Puteoli Bay, Italy, Rome, Naples, New Testament, Scripture, Paul, Apostle Paul, Archaeology, History, --- Send in a voice message: https://podcasters.spotify.com/pod/show/glossahouse/message

In the SIXTH session of our series on Jason and Wade's recent trip to Rome, we talk about our sixth day in Italy and discuss the development of feast days and the cult of the saints. We hope you enjoy this session and series.  If this series gives you an itch to travel, you can learn about the trip to Germany that Jason and Wade are leading in May 2024 here. We'd love to have you join us.   Let the Bird Fly! is supported by the 1517 Podcast Network, which is part of 1517.org. If you haven't done so yet, stop over there and check out the other great podcasts in the network, as well as all of the other excellent content they offer. And as always, please subscribe, rate, and review us on the following sites and apps: iTunes Stitcher Google Play TuneIn Radio iHeartRadio You can also like us on Facebook and follow us on Twitter. You can also follow our Telegram Channel, where we post our new episodes as well as other content that we think you might enjoy. And, of course, share us with a friend or two! If you'd like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: "Slow Burn" by Kevin MacLeod is licensed under a Creative Commons Attribution License. “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Portrait of Luther" by Lucas Cranach the Elder is in the Public Domain.

“The brothers and sisters in Rome had heard we were coming, and they came to meet us at the Forum on the Appian Way. Others joined us at The Three Taverns. Paul was permitted to have his own private lodging, though he was guarded by a soldier.” Acts.28.15-16

[NOTE: audio corrects at 12:47]Do you see him hanging there, with his back against the grain?Hear him crying in pain, as he pushes off his nail-pierced feet to breathe, rubbing his wounded back against the grain.See the early Christians, staring down the Roman Empire, facing brutality armed only with sacrificial love, going against the grain.And cast your eyes to the wheat field, to the stalks swaying in the wind. Will they simply waver through the summer til the autumn of their lives? Or will they be gathered and crushed, so that they, being few, may be planted in new soil and yield a harvest of plenty? It seems to go against every instinct—against our need for survival, and against common sense—to go against the grain.It's also the way of the cross. But, then again, so is resurrection.The sermon today is titled "Against The Grain." It is the first installment in our "He Is Risen" Series. The Scripture reading is from John 12:24-26. Originally preached at the West Side Church of Christ (Searcy, AR) on April 2, 2023. All lessons fit under one of 5 broad categories: Begin, Discover, Grow, Learn, and Serve. This sermon is filed under BEGIN: A Loving Christ and DISCOVER: A New Reality.Click here if you would like to watch the sermon or read a transcript.Footnotes (Sources and References Used In Today's Podcast):Inspired by Sam Wells, "Unless A Grain of Wheat," a sermon preached at St. Martin-in-the-Fields, London (21 Mar 2021).On the text (John 12:24-26), see also Andrew T. Lincoln, The Gospel According to Saint John, Black's New Testament Commentary (2005), p.350.Alexander Jannaeus crucified 800 Pharisees.After the Spartacus revolt, Romans crucified 6,000 on the Appian Way. Appian, The Civil Wars, 1.120.Varus crucified 2,000 of Jesus' fellow Jews in 4 BC.For the story of the Philippian house church and baptistery, see this chapter by Charalambos Bakirtzis, "Paul and Philippi: The Archaeological Evidence," in Philippi at the Time of Paul and After His Death (1998), pp. 42-46."One 19th century theologian": Teilhard de Chardin."Living Significance": Fleming Rutledge's preface to The Crucifixion.Chrysostom, Homily on Galatians 6:14. Cited here."O Sacred Head": see the Wikipedia page here.I'd love to connect with you!Watch sermons and find transcripts at nathanguy.com.Follow along each Sunday through YouTube livestream.

There is a little church on the Appian Way near the city of Rome called “The Church of the Quo Vadis”. Those Latin words, Quo Vadis translate to, “whither goest thou?” The church commemorates the legend of Peter the Apostle, who was escaping Rome, only to encounter Christ heading toward Rome. Peter asked, "Quo Vadis?" Jesus said, "I'm going to be crucified again." After hearing this, Peter turned back. What if Jesus is asking you, "Where are you going?" What would you say to him?

“For ancient Roman tourists, the whole point of travel was to go where everyone else was going. Sightseeing was a form of pilgrimage.” –Tony Perrottet In this episode of Deviate, Rolf and Tony discuss the habits idiosyncrasies of ancient Roman tourists, and how they relate to modern travel (1:30); the class tensions and expectations inherent in different types of modern and historical travelers, and how the "unexpected" affects these journeys (17:00); the appeal of Egypt to both ancient and modern tourists (22:30); how mythic ages can be a prism through which to see a place (33:00); how travel and geographical endeavor is an important task for a historian (44:30); and how the experience of travel has and hasn't changed over the years (55:30). Tony Perrottet (@TonyPerrottet) is the author of six books, including Pagan Holiday: On the Trail of Ancient Roman Tourists; The Sinner's Grand Tour: A Journey Through the Historical Underbelly of Europe; and The Naked Olympics: The True Story of the Greek Games. Notable Links: The Nomadic Network book club (online events with Rolf) Vagabond's Way sweepstakes (online giveaway) Yousuf Karsh (Canadian photographer) Petra (ancient Nabataean city in Jordan) Troy (ancient city in modern-day Turkey) Grand Tour (travel rite from 17th-19th centuries) Explorer's Club (professional society in New York) Lionel Casson (historian who wrote on ancient Rome) Ludwig Friedländer (scholar who wrote on ancient Rome) Wenamun (ancient Egyptian traveler) Appian Way (ancient Roman road) Gladiator (2000 film) Sultan Hotel (Rolf's favorite hostel in Cairo) Valley of the Kings (ancient tomb complex in Egypt) Felucca (Mediterranean sailing boat) Egypt's Entrepreneur Awards Belle Époque (period of French history) Giacomo Casanova (Italian adventurer) Johann Wolfgang von Goethe (German poet) Theseus (mythical Athenian king) Nero (Roman emperor) Ephesus (ancient Greek city) The ancient Greek Olympics (Deviate episode) Sagas of Icelanders (medieval narratives) Alhambra (Islamic-era fortress in Spain) Souvenir (book by Rolf Potts) True Cross (crucifixion cross sought by medieval pilgrims) Holy Prepuce (foreskin sought by medieval pilgrims) Paris Writing Workshops (Rolf's writing classes) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Full Text of ReadingsFriday of the Second Week in Ordinary Time Lectionary: 315The Saint of the day is Saint SebastianSaint Sebastian's Story Almost nothing is historically certain about Sebastian except that he was a Roman martyr, was venerated in Milan even in the time of Saint Ambrose and was buried on the Appian Way, probably near the present Basilica of St. Sebastian. Devotion to him spread rapidly, and he is mentioned in several martyrologies as early as 350. The legend of Saint Sebastian is important in art, and there is a vast iconography. Scholars now agree that a pious fable has Sebastian entering the Roman army because only there could he assist the martyrs without arousing suspicion. Finally he was found out, brought before Emperor Diocletian and delivered to Mauritanian archers to be shot to death. His body was pierced with arrows, and he was left for dead. But he was found still alive by those who came to bury him. He recovered, but refused to flee. One day he took up a position near where the emperor was to pass. He accosted the emperor, denouncing him for his cruelty to Christians. This time the sentence of death was carried out. Sebastian was beaten to death with clubs. He was buried on the Appian Way, close to the catacombs that bear his name. Reflection The fact that many of the early saints made such a tremendous impression on the Church—awakening widespread devotion and great praise from the greatest writers of the Church—is proof of the heroism of their lives. As has been said, legends may not be literally true. Yet they may express the very substance of the faith and courage evident in the lives of these heroes and heroines of Christ. Saint Sebastian is the Patron Saint of: Athletes Saint of the Day, Copyright Franciscan Media

January 20: Saint Sebastian, MartyrLate Third CenturyOptional Memorial; Liturgical Color: RedPatron Saint of athletes, soldiers, and victims of the plagueA Roman soldier makes a rugged convert and stoic martyrThe Crucifixion of Jesus Christ and the Annunciation of the Archangel Gabriel to the Virgin Mary are the most universally depicted scenes in Christian art. There is perhaps not a Catholic church the world over which does not house one or the other image, and often both. But today's saint, Sebastian, follows close behind in terms of popularity and ubiquity. The iconic presentation of the wounded Sebastian shows his hands and arms bound to a post, his head tilted, and his almost naked body filled with arrows.It is a powerfully evocative image. It suggests that the archers took their time. They were not rushed. They did not act in the heat of anger. Criminal psychologists have observed that killers only cover the faces of victims who they know. Otherwise, killers don't mind watching their victims suffer and die. It seems that with Sebastian there was no hooded executioner. No anonymous hangman. The men in Sebastian's firing squad must have gazed right into his eyes before they unleashed the tension in their bows. And when their arrows buried themselves in Sebastian's torso, the archers must have heard his low moans. Perhaps there was an element of recrimination in all of this. Perhaps it was personal.Sebastian was a soldier in the higher echelons of the Roman army. After his conversion to Catholicism, he went to Rome, around the year 300, likely seeking martyrdom. We can imagine that his fellow soldiers understood his conversion as betrayal or disloyalty to the empire and that this explains the unique manner of the assassination attempt. But, in the end, the attempt was a failure. Saint Sebastian, a rugged soldier, survived the arrows, was nursed back to health by Saint Irene, and later earned the martyr's crown after being clubbed to death.By the year 300 A.D., the Roman Emperors' attempts to eradicate Christianity were too little too late. Nobles, senators, slaves, cobblers, carpenters, men, women, foreigners, and natives had all converted. They were men and women of every class and occupation. By 300 A.D., Christians comprised a significant portion of people at every level of society, up and down and around every Roman road. When high-placed soldiers such as Saint Sebastian were willing to die for Christ, it was a sign there was no going back to Rome's pagan roots. All that was needed was a Christian Emperor to solidify the change. That would come soon enough in the person of Constantine. Sebastian's heroic death was a harbinger of a world about to change. Saint Sebastian's martyrdom was so widely known that he was honored through the construction of a Church on the Appian Way just outside of Rome. The church is still visited by pilgrims today, along with the Christian catacombs beneath it. His legacy carries on!Saint Sebastian, we ask your intercession to fortify all those who are weak in their faith. You gave heroic witness in leaving a high station to accept a near martyrdom and then returned to suffer and die once and for all. Give us the grace to face our enemies when our weak nature wants to run the other way.

In this episode of Accessible Art History: The Podcast, I am kicking off Season 13! This season will cover ancient Roman monuments, so where better to start off than with the Appian Way? For images and sources: https://www.accessiblearthistory.com/post/podcast-episode-71-the-appian-way ________________________________________________________________________________________ Welcome to Accessible Art History! Here, we provide a space for art lovers, students, and anyone who is curious to explore all periods of art history and human creation. Website: www.accessiblearthistory.com YouTube channel: https://www.youtube.com/accessiblearthistory If you would like to support me on Patreon: https://www.patreon.com/accessiblearthistory?fan_landing=true Sponsor an episode: https://www.buymeacoffee.com/accessarthist Follow on Instagram: @accessible.art.history My favorite art history books: https://bookshop.org/shop/accessiblearthistory Sign up for the monthly newsletter: https://forms.gle/Dwe3mob2D43r8Hu2A All images courtesy of Public Domain and/or Creative Commons for educational purposes Music courtesy of Epidemic Sound (referral link below) https://www.epidemicsound.com/referral/kvtik0 #arthistory #art #history --- Support this podcast: https://anchor.fm/accessiblearthistory/support

Art Brown Pt. 2 Art most recently served as an Executive Producer / Show Runners on DRAGONS: RACE TO THE EDGE for DreamWorks Animation. Total production for the series was 119 episodes on both Cartoon Network and streaming on Netflix. DRAGONS is, to this day, DreamWorks' most successful animated TV series, honored by both critics and fans alike. It has received Six Emmy nominations with one win, multiple Annie nominations and wins, multiple Kidscreen awards and was nominated for the Saturn Award alongside GAME OF THRONES, JESSICA JONES, BOSCH and DAREDEVIL. It was the only family series to be recognized. Art also wrote and produced a movie for Nickelodeon Television entitled THE BOY WHO CRIED WEREWOLF, starring Brooke Shields and Victoria Justice. Thank you for listening and supporting the podcast :) Art is working on: The Last White Rhino with Appian Way attached and a film called The Great Imposter, based on a true story, that I've developed with Happy Madison as a vehicle for Adam Sandler. I'm also producing a documentary on legendary saxophonist Stan Getz (The Girl from Ipanema) as well as a docuseries on female auctioneers. Thank you for listening & supporting the podcast! https://www.buymeacoffee.com/sneakies or https://www.paypal.com/paypalme/anonymouscontent, https://enchantedbooks.godaddysites.com/ Other awesome podcasts: Girl's Guide To Investing, Enchanting Book Readings (Top 1%), Thrilling Stories and "Ghostly Stories & Strange Things." Please Subscribe to our YouTube:) https://www.youtube.com/user/Fellinijr/videos Subscribe & Support ;) https://tinyurl.com/5h6xkwp9 Zombie Diaries: https://youtu.be/tBmgi3k6r9A Buy our books :) Young Adult wizard book series: "Margaret Merlin's Journal" by A. A. Banks at Amazon! :) Margaret Merlin's Journal ~The Battle of the Black Witch ~Book I https://www.amazon.com/Margaret-Merlins-Journal-Battle-Black-ebook/dp/B01634G3CK Margaret Merlin's Journal ~ Unleashing the Dark One ~Book II Science fiction action adventure https://www.amazon.com/Margaret-Merlins-Journal-Unleashing-Dark-ebook/dp/B01J78YH6I Margaret Merlin's Journal ~ The Mask of the Parallel World ~Book III An Adventure in Italy https://www.amazon.com/Margaret-Merlins-Journal-Parallel-World-ebook/dp/B01KUGIZ8W/ Margaret Merlin's Journal ~The Quest for the Golden Key ~Book IV https://www.amazon.com/Margaret-Merlins-Journal-Quest-Golden-ebook/dp/B076FTTDQN Children's Books at Amazon: Jack the Bear and Golden Hair by Sir Herbert Sneakies Skip Boots Big Safari Adventure by Sir Herbert Sneakies Adventures of Mooch the Pooch by Sir Herbert Sneakies Blueber Goober the Monster In My Closet! by Sir Herbert Sneakies https://www.instagram.com/margaretmerlinsjournal/ TikTok: Sneakies Instagram: marylinartist If you would like to be a guest on the show email: jobsmh(@)live.com If you would like to sponsor the show email: mystuffmah(@)gmail.com Thank you for listening. Free music given to podcasters. --- Support this podcast: https://anchor.fm/filmaddicts/support

Art Brown Pt. 2 Art most recently served as an Executive Producer / Show Runners on DRAGONS: RACE TO THE EDGE for DreamWorks Animation. Total production for the series was 119 episodes on both Cartoon Network and streaming on Netflix. DRAGONS is, to this day, DreamWorks' most successful animated TV series, honored by both critics and fans alike. It has received Six Emmy nominations with one win, multiple Annie nominations and wins, multiple Kidscreen awards and was nominated for the Saturn Award alongside GAME OF THRONES, JESSICA JONES, BOSCH and DAREDEVIL. It was the only family series to be recognized. Art also wrote and produced a movie for Nickelodeon Television entitled THE BOY WHO CRIED WEREWOLF, starring Brooke Shields and Victoria Justice. Thank you for listening and supporting the podcast :) Art is working on: The Last White Rhino with Appian Way attached and a film called The Great Imposter, based on a true story, that I've developed with Happy Madison as a vehicle for Adam Sandler. I'm also producing a documentary on legendary saxophonist Stan Getz (The Girl from Ipanema) as well as a docuseries on female auctioneers. Thank you for listening & supporting the podcast! https://www.buymeacoffee.com/sneakies or https://www.paypal.com/paypalme/anonymouscontent, https://enchantedbooks.godaddysites.com/ Other awesome podcasts: Girl's Guide To Investing, Enchanting Book Readings (Top 1%), Thrilling Stories and "Ghostly Stories & Strange Things." Please Subscribe to our YouTube:) https://www.youtube.com/user/Fellinijr/videos Subscribe & Support ;) https://tinyurl.com/5h6xkwp9 Zombie Diaries: https://youtu.be/tBmgi3k6r9A Buy our books :) Young Adult wizard book series: "Margaret Merlin's Journal" by A. A. Banks at Amazon! :) Margaret Merlin's Journal ~The Battle of the Black Witch ~Book I https://www.amazon.com/Margaret-Merlins-Journal-Battle-Black-ebook/dp/B01634G3CK Margaret Merlin's Journal ~ Unleashing the Dark One ~Book II Science fiction action adventure https://www.amazon.com/Margaret-Merlins-Journal-Unleashing-Dark-ebook/dp/B01J78YH6I Margaret Merlin's Journal ~ The Mask of the Parallel World ~Book III An Adventure in Italy https://www.amazon.com/Margaret-Merlins-Journal-Parallel-World-ebook/dp/B01KUGIZ8W/ Margaret Merlin's Journal ~The Quest for the Golden Key ~Book IV https://www.amazon.com/Margaret-Merlins-Journal-Quest-Golden-ebook/dp/B076FTTDQN Children's Books at Amazon: Jack the Bear and Golden Hair by Sir Herbert Sneakies Skip Boots Big Safari Adventure by Sir Herbert Sneakies Adventures of Mooch the Pooch by Sir Herbert Sneakies Blueber Goober the Monster In My Closet! by Sir Herbert Sneakies https://www.instagram.com/margaretmerlinsjournal/ TikTok: Sneakies Instagram: marylinartist If you would like to be a guest on the show email: jobsmh(@)live.com If you would like to sponsor the show email: mystuffmah(@)gmail.com Thank you for listening. Free music given to podcasters. --- Support this podcast: https://anchor.fm/filmaddicts/support

Episode 169 – Paul’s Places – Part 10: Thessalonica Welcome to Anchored by Truth brought to you by Crystal Sea Books. In John 14:6, Jesus said, “I am the way, the truth, and the life.” The goal of Anchored by Truth is to encourage everyone to grow in the Christian faith by anchoring themselves to the secure truth found in the inspired, inerrant, and infallible word of God. Script: With a loud command and with the shout of the chief angel and a blast of God's trumpet, the Lord will return from heaven. Then those who had faith in Christ before they died will be raised to life. Next, all of us who are still alive will be taken up into the clouds together with them to meet the Lord in the sky. 1 Thessalonians, chapter 4, verses 16 and 17, Contemporary English Version ******** VK: Hello! I’m Victoria K. Welcome to Anchored by Truth brought to you by Crystal Sea Books. We’re so grateful we have the opportunity to be with you today. We have been working on a series we call “Paul’s Places” for several weeks now. In fact, this is our 10th lesson in this series. By “Paul,” of course, we’re referring to the Apostle Paul who wrote almost half of the books in the New Testament. In this “Paul’s Places” series we are taking a look at Paul’s letters to the churches that are identified in our Bibles by geographic names – mostly of cities such as Rome or Corinth. But the book of Galatians is named for the province of Galatia which was a region in what is now in modern-day Turkey. Anyone who has missed any of the previous lessons can find them on our website, crystalseabooks.com, or on their favorite podcast app. Today In the studio we have RD Fierro, the author of a number of great Christian books and the founder of Crystal Sea Books. RD, what was the major reason you wanted to do this “Paul’s Places” series? RD: Well, I’d like to start by thanking our listeners for joining us here today. The reason we undertook this “Paul’s Places” series is really quite simple – to help our listeners formulate a better answer to the question: “are the New Testament documents historically reliable?” The New Testament documents are the documents from which we get our information about Jesus’ life, death, resurrection, and ascension. These are real events that occurred within real history. So, it is reasonable for people to wonder how we can be sure that we have an accurate record of their occurrence. VK: We are now 2,000 years removed from the time that Jesus walked on the earth, performed His miracles, died, and rose again. And we are almost 2,000 years removed from the time when people began hearing about those events and either accepting or rejecting the meaning of what had occurred. Many of those early hearers celebrated the fact that Christ Jesus the Messiah had come and they became the first Christians. But we tend to forget in our day and age that those first Christians – even though they believed – had questions about exactly what had taken place. So, the Apostles began writing and sending documents to some of those first groups and churches to provide answers to questions and encourage their recipients. And later many of those early documents were gathered into the compilation that we call our New Testament. RD: Right. And the Apostle Paul was one of the hardest working of the Apostles and one of the most prolific writers. Almost half of our New Testament came from his hand. VK: And among the letters that Paul sent that have been preserved for us are the letters he sent to churches in various cities – or in one case – several churches in a region known as Galatia. We call those letters by the name of the group that received them – such as Romans, Corinthians, or Thessalonians. And today we want to take a closer look at the letters Paul sent to the Thessalonians. RD: Yes. Among Paul’s letters that have been preserved for us nine of those letters are identified by place names. There are six cities named and, as you said, one region called Galatia. Two of those cities, Corinth and Thessalonica, have more than one letter preserved in our Bible. So, we call those 1 and 2 Corinthians and 1 and 2 Thessalonians. In our Bibles 1 and 2 Corinthians are placed earlier in the order of arrangement within the compilation. But most scholars believe that 1 and 2 Thessalonians were actually the earliest of Paul’s letters that have been preserved. VK: The one possible exception to 1 and 2 Thessalonians being the earliest of Paul’s letters that were preserved is the letter to the Galatians. Scholars are pretty much evenly split on the date of the composition of Galatians. Some scholars believe Galatians was written as early as 49 AD right after Paul’s 1st missionary journey. Other scholars place it several years later after or during Paul’s 3rd missionary journey – possibly as late as 57 AD. Since most scholars date 1 and 2 Thessalonians around 51 or 52 AD it is quite possible they were the earliest of his letters, or epistles, that have been retained. RD: Yes. And for anyone who would like more information about the dating of Galatians question they can visit our website, crystalseabooks.com, and listen to the episode in this “Paul’s Places” series that covers Galatia. For today we want to turn our attention to the letters to the Thessalonians. And that first thing that I want to notice is that we know exactly where the city of Thessalonica is located because it is in the same place today as it was in Paul’s time. Today, Thessalonica, is also known as, Thessaloniki, Saloniki, or Salonica. VK: Today, Thessalonica is the second-largest city in Greece, with over 1 million inhabitants. In Paul’s day it’s thought that Thessalonica had about 200,000 residents. Thessalonica is a sea-port. It is at the head of the bay which is on the Gulf of Thessalonica. As a sea port is ideally situated for commerce. Thessalonica was founded by one of Alexander the Great’s successors named Cassander in 315 BC. Cassander named the city for his wife who was also a half-sister of Alexander. Today, Thessalonica is the capital of the geographic region of Macedonia and it pretty much served that same purpose in Paul’s day when Macedonia was a Roman province. The Romans had taken charge of Macedonia and Thessalonica in 148 BC. So, it is fair to say that in Paul’s day was a very important city. Right away it makes sense that Paul would have gone there to preach and establish a church when he had the opportunity. RD: And even more than being an important city Thessalonica was located on what is called the Egnatian Way. The Egnatian Way was a very important transportation artery the Romans had built in the 2nd century BC. It ran through territory that is now part of modern Albania, North Macedonia, Greece, and European Turkey as a continuation of the Appian Way. Essentially the Egnatian Way was the main line of overland travel through Macedonia (northern Greece) all the way from the west coast of Greece to western Turkey. Both Thessalonica and Philippi were on it. So, it makes sense that when Paul was mistreated in Philippi he would have followed the Egnatian Way to the next major city to the west which was Thessalonica. VK: We hear about that in the book of Acts, chapter 17, verses 1 through 3. “Now when [Paul and Silas] had traveled through Amphipolis [AM-PHIP-AH-LIS] and Apollonia [APP-AH-LOAN-EE-UH], they came to Thessalonica, where there was a synagogue of the Jews. And according to Paul’s custom, he visited them, and for three Sabbaths reasoned with them from the Scriptures, explaining and giving evidence that the Christ had to suffer and rise from the dead, and saying, ‘This Jesus whom I am proclaiming to you is the Christ.’” RD: Essentially, Paul skipped two smaller towns on the Egnatian Way, Amphipolis and Apollonia, and made his next ministry stop after Philippi in Thessalonica – which we have said was a far more important city. Plus, it is quite likely that there may not have been a synagogue in either Amphipolis or Apollonia, so that would have limited Paul’s normal approach to preaching the gospel when he entered a new area. VK: And here that was Paul’s custom from the section of Acts. When Paul came to a new area he would start preaching the gospel at the local synagogue. Paul was a Jew so he would start at the place where it was most likely he would find people who would know the Jewish scriptures, our Old Testament, and with whom he had a natural bond. If Paul didn’t get a positive response from the Jews in the synagogue he would find a place to preach to the Gentiles, the non-Jews. Then, he would stay, as long as it was profitable for him to be there. All too often the resentment of the local Jewish community would create problems for Paul and his new converts. That’s what happened here. In verses 5 and 6 from chapter 17 of Acts we hear, “But the Jews, becoming jealous and taking along some wicked men from the marketplace, formed a mob and set the city in an uproar; and they attacked the house of Jason and were seeking to bring [Paul and Silas] out to the people. When they did not find them, they began dragging Jason and some brothers before the city authorities and taking along some wicked men from the marketplace, formed a mob and set the city in an uproar; …” RD: Right. This little vignette that we get from Acts is actually very helpful in giving us insight into the content of the letters that Paul sent to the Thessalonians. So, let’s dig into that a bit. It doesn’t seem like Paul got to spend too much time in Thessalonica before he had to move on. Compare a time period that sounds like it was 2 to 3 months with the 18 months Paul spent in Corinth when he founded the church there and the nearly 3 years he spent in Ephesus. But the church he founded in Thessalonica continued on despite Paul’s limited time there. VK: Possibly because there were some influential people within Thessalonica who had begun to believe when they first heard the gospel. Acts, chapter 17, verse 4 tells us that “a large number of the God-fearing Greeks and a significant number of the leading women” had become believers. RD: Quite possibly. I think that reference to “leading women” is particularly important. “Leading” in this context likely means influential, important, and rich. That’s a pretty good start for a church to have a group of influential and wealthy women who have discovered the truth. They would not be easily pushed aside or dissuaded. And, oddly enough, the fact that the Thessalonian church included a large number of wealthy and influential women may give us an interesting clue into one of the primary subjects that Paul addressed in his letters to the Thessalonians. VK: An interesting clue huh? I can’t wait to see where you’re going with this. RD: Yes. It’s sanctified imagination time. A couple of times in this “Paul’s Places” series we’ve mentioned that we can learn more and understand better the content of Paul’s letters, his epistles, if we not only study the individual letters themselves but also look across the letters to see where they compare and contrast. Well, we’ve noticed in the letters that we’ve covered so far that Paul has covered a wide variety of subjects. VK: He covered the relationship between the Jews and Gentiles both before and after Jesus’ coming in the letter to the Romans. Rome had a lot of both Jews and Gentiles in its congregation. He covered how to deal with sexual temptation in his letter to the Corinthians. The city of Corinth contained a temple to the Roman goddess Venus that employed as many as a 1,000 prostitutes. Sexual temptation was a real problem there. In his letter to the Colossians Paul was very emphatic that Jesus was superior to all other supposed gods, goddesses, and celestial powers. Colossae was located in a region that had worshipped the goddess Cybele that some thought had become an astral power. RD: Right. Up to this point we have seen that Paul covered a wide variety of subjects in his letters along with a continuous emphasis on the fact of Jesus’ resurrection from the dead and how Jesus fulfilled the prophecies contained in the Old Testament, which were the Jewish scriptures, about the Messiah. Evidently part of Paul’s evangelistic strategy was to start out by proclaiming that the Messiah had come and that this meant that the major event necessary for redemptive history to proceed to its conclusion had been completed. VK: The New Geneva Study Bible’s introductory section on 1 Thessalonians says this. “… the Thessalonian letters, Paul’s preaching at Athens, recorded in Acts 17, confirms that [Paul’s] strategy among non-Jewish audiences at this time was to stress the coming judgment that God has placed in the hands of the risen Christ.” RD: And, of course, that makes sense. With Jewish audiences Paul had a point of connection that he did not have with non-Jewish audiences. With Jewish audiences Paul could refer to their scriptures which, for most of his listeners, were in the form of the Greek version of the Old Testament, the Septuagint. But with non-Jewish audiences referring to the Septuagint would have been meaningless. Even if they had a copy they would have had little or no familiarity with its content. But one place Paul could start his evangelistic message was with the fact that all human beings have an innate sense of right and wrong and that the fact that we all know we have done things that are wrong means that someday we are going to face judgment. VK: But, naturally, at the same time that Paul confirmed his audiences fears about the coming judgment he gave them the good news that anyone who placed their trust in Jesus, the Messiah who had come, would have no reason to fear that judgment. The consequences of judgement for those who believed in Christ had already been placed on Christ. Believers, therefore, need have no fear of judgment. Jesus has been judged in our place. We can look forward to eternal life because he paid the penalty for our sin. RD: Amen. And Paul covers this good news in one way or another in every one of his letters. But among all the other subjects we have seen that Paul has covered there is one very obvious subject that we have not mentioned because, surprisingly enough, it is only covered in depth in 1 and 2 Thessalonians and 1 Corinthians. VK: And that subject is? RD: The question of the order and timing of when judgment and our own resurrection will occur. Think about it. A man has just told you about this prophet in Judea that preached about the kingdom of heaven, claimed he was God in the flesh, and performed miracles to validate his claim. Then that prophet was killed by the Romans … VK: And everybody in Paul’s day knew that the Romans were very good at executing people they thought were criminals ... RD: … and they knew how they executed them. But then you hear that the prophet who said He was the Son of God didn’t stay dead. He rose from the dead by His own power, appeared to hundreds of people for a period of 40 days, and then ascended back into heaven. And you are told that someday this prophet is coming back to earth to judge everyone who has ever lived. That whole message is startling and amazing so naturally you have questions. So, what is the first question most people would ask when they hear the prophet is coming back? VK: When. I would want to know when the prophet is coming back. And I would want to know how I’ll be able to recognize that we’re getting close to that time. RD: Exactly. But the only place in his many letters when Paul spends much time on the question of the how and when of Jesus’ return is in 1 and 2 Thessalonians and 1 Corinthians. Well, one reason this question seems to have been particularly important to the Thessalonians is that evidently between Paul’s time with them around late 50 or early 51 AD and when he wrote 1 Thessalonians, a number of the Thessalonian believers had died. And evidently the question of what would happen to believers who had died before Christ’s return had become important in the Thessalonian church. Evidently, after Paul left them someone inside or outside the church had started circulating the idea that believers who were still alive when Christ returns would get better treatment than those who had died. So, remember what we said about the church at Thessalonica having started with a number of the “leading women.” VK: Oh. I see where you’re going with this line of thinking. You’re thinking that it would be quite common for wealthy, influential women to be, shall we say, more mature. Or said plainly – a lot of years often pass before people acquire substantial amounts of money, influence, or wisdom. Not always – but it’s certainly not uncommon. RD: And what do older women have? VK: Older husbands. And we all know it’s very common for men not to live as long as women. So, it’s not a stretch to think that some of the concern about the treatment of dead believers may have arisen among some of the older women who had helped found the church. That actually makes good sense. Those women had been early converts. And even though Paul had only been gone from Thessalonica for a year or two before he wrote 1 Thessalonians it’s easily possible some of those early converts had already experienced the loss of the most important person in their life. Naturally, they would want to be sure that if Jesus came back before they died that they would be reunited with their lost loved one. Grief has a way of bringing certain questions into sharp relief. Wow. You don’t think about that when you read those epistles. To us these are letters long dated and established. But when Paul was writing to the Thessalonian church he may very well have been writing to a church where some of his first converts had only recently become widows. RD: The question of the timing of Jesus’ return gets sensationalized in our day and time. There are countless books, movies, and TV dramas that have contemplated the question in one form or another. But we know with absolute certainty that 2,000 years will have elapsed between Jesus’ first and second coming. VK: But those 1st century believers had no way of knowing that. For all they knew it might have been just a matter of a few decades that would elapse. So, to a widow in Thessalonica who had just lost her life partner the question of the treatment of a dead believer would have had a great sense of immediacy. RD: Yep. And remember that those 1st century believers not only didn’t have the benefit of our 2,000 years of hindsight but they also didn’t have any easily accessible resources to get answers to their questions. So, when Paul sent them a letter that said in effect, “don’t worry. If your husband or wife has just died they will also be raised to new life when Jesus comes” that would have been like eating cold watermelon on a hot day. VK: Yes. I recognize that line from your book The Prodigal’s Advocate. RD: Well, for anyone who wants to deepen their faith or help someone else find theirs The Prodigal’s Advocate is a great resource. At any rate, wanting to know how and when Christ will return is still a subject of interest in our day and age. And it would have been a natural question for Paul’s first converts. In a way it is remarkable that after Paul wrote the letters to the Thessalonians Paul only spent much time addressing the question in 1 Corinthians. VK: Well, as we’ve noted 1 and 2 Thessalonians are quite possibly Paul’s earliest epistles that have been preserved. It may be that as Paul moved through his ministry career he began covering Christ’s return so thoroughly in person he no longer had to spend much time on it in his written correspondence. RD: And that is actually a very important observation. One of the topics that Paul does cover in 1 Thessalonians is the divinity of Christ. Paul strongly affirms Christ’s divinity in 1 Thessalonians. So, this tells us that the doctrine that Christ is both fully divine as well as fully human was not a much later development in the Christian faith as is sometimes alleged. Right from the beginning the earliest Christians knew that Jesus was “God in the flesh.” And the Trinitarian nature of the Godhead is also addressed in 2 Thessalonians, chapter 2, verses 13 and 14. VK: Those verses say, “But we ought always to thank God for you, … because God chose you as first fruits to be saved through the sanctifying work of the Spirit and through belief in the truth. He called you … that you might share in the glory of our Lord Jesus Christ.” RD: This demonstrates that rather than such doctrines as dual nature of Christ and the Trinitarian nature of God were well understood from the earliest days of Christianity. Critics will sometimes allege that the belief that Christ was truly God was a later addition to the Christian faith. The critics will assert something like “Christ was a good man and a great teacher but he never claimed to be God.” But as C.S. Lewis pointed out in his well-known discussion of “Lord, liar, or lunatic,” that kind of assertion is just silly. Anyone who reads the gospels carefully knows that Jesus quite clearly claimed to be God and to possess prerogatives that only God possesses such as the authority to forgive sins. So, as Lewis noted any man who believes he is God may be a liar trying to deceive others or he might be a lunatic who is simply crazy. But neither a liar nor a lunatic should be considered a “good man or a great teacher.” But if Jesus is who He claimed to be, God incarnate, then the only appropriate response is to fall on our knees in abject awe and worship Him. VK: Well, that’s a good place to end for today. Again, this “Paul’s Places” series is all about helping people see more clearly that the Pauline epistles, the letters contained in the New Testament written by the Apostle Paul, are exactly what they claim to be. They are letters written by one of Christianity’s first evangelical preachers to convey important truths to those who had begun to place their trust in Jesus. Those letters most certainly assert Christ’s divinity but far from that assertion being some kind of myth it is backed up by solid historical evidence and testimony. Paul’s letters are not only spiritually informative but historically accurate and reliable. The critics who assert that the divinity of Christ was a legendary attribute added hundreds of years after Christ’s death simply do not have truth or evidence on their side. Paul’s letters fit perfectly into an inspired, inerrant, and infallible scripture. Let’s close with prayer as we always do. Today let’s listen to a prayer for our young children and let’s always remember that if we do not train them up in the word of the Lord others will train them up in the way of the world. ---- PRAYER FOR YOUNG CHILDREN VK: Before we close we’d like to remind our audience that a lot of our radio episodes are linked together in series of topics so if they missed any episodes in this series or if they just want to hear one again, all of these episodes are available on your favorite podcast app. To find them just search on “Anchored by Truth by Crystal Sea Books.” If you’d like to hear more, try out crystalseabooks.com where “We’re not perfect but our Boss is!” (Opening Bible Quotes from the Good News Translation) Philippians, chapter 1, verses 18 thru 20, Good News Translation paultanner.org/English Docs/SpecialArt/Pauline Chronology.pdf

“All roads lead to Rome” was once more than a saying; it was a fact. The first of the great roads of ancient Rome, the Appian Way was the most important of them all. Italians still travel what's left of the Queen of Roads, even if they don't always know it. National Geographic writer Nina Strochlic and photographer Andrea Frazzetta take us on an immersive trip down the venerable road. The soundscapes they travel through—the voices and vibrations of modern and ancient life—reveal something essential about the Italian identity. For more information on this episode, visit natgeo.com/overheard. Want more? So, how did the Romans build 200,000 miles of roads? It wasn't easy. You'll find out more here in an issue of National Geographic History. St. Peter fled Rome, so the story goes, along the Appian Way. As he left, he encountered Jesus Christ—resurrected. There is still a church on that site, aptly named Domine Quo Vadis, for the famous phrase St. Peter uttered before he returned to Rome and was crucified himself. You can see Annibale Carracci's 17th-century painting of the event here. If going underground and being surrounded by bones doesn't give you the willies, then you'll love visiting the catacombs in Italy. Or you can take a look here, and read about why Romans buried their dead this way. Also explore: If your appetite is piqued after hearing about a trip through Italy, you might want to check out what the ancient Romans ate. You won't find gelato (or a tomato) anywhere in sight. But you might be inspired to re-create a peppery custard. For the truly adventurous, try your hand at recipes from the oldest surviving Italian cookbook, De Re Coquinaria. If you like what you hear and want to support more content like this, please consider a National Geographic subscription. Go to natgeo.com/exploremore to subscribe today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

"Brand New Way" is the Spring concert at Heinz Hall of the Three Rivers Young People's Orchestra conducted by Brian Worsdale and Pierce Cook who leads the Symphonette. The free concert May 28 5pm at Heinz Hall brings Pittsburgh Symphony violinist Irene Cheng to play the Sibelius Suite and the orchestra will present the Pines of the Appian Way from Pines of Rome by Respighi. Paul Evans has the percussion ensemble, Rebecca May is featured, Rebecca Mack is the Concerto Competition winner with Richard Strauss, Dr Zuly Inirio from Unisound and the Black Teaching Artist in Residence program sings Lift Every Voice, Hannah Ishizaki returns to conduct a new favorite she has written-- Miniatures. Jim Cunningham speaks with Executive Director Lindsey Nova and Pierce Cook who also teaches at Mount Lebanon High School and is giving Beethoven talks for the Beethoven String Quartets in the Carnegie Library project of the Pittsburgh Symphony.

I'm visiting my grandma and she's totally focused on a piece of paper. Naturally, I ask her what she's looking at.  She tells me they're letters from my grandfather to her and her to my grandfather during wartime. Some are torn, some are yellowed from age, some are typed and some handwritten. I notice there's a suitcase next to her filled with hundreds of these aged letters. I'm curious, so I ask if I can read one. “Oh no no no,” she quickly responds. “A few of these are a little too risqué for you.”  She promises that these letters will be mine one day…  when she's gone. I'll never forget that conversation with her that afternoon. My grandparent's love story during wartime, the legacy of that love, and the way they saw the world are encapsulated and preserved in those letters forever. My guest today on the Storytelling School Podcast knows and appreciates the power of the written word. Tricia Lee is not only recognized as one of the new top writers in Hollywood with many accolades for writing (and directing) to her name already, but her stories stick with you long after you hear them. If you're curious to know: How can a different perspective influence stories you've seen a lot of times already? How did a wrong number become the impetus behind an award-winning feature film script? What can the animal world teach us about humanity? Then listen in as we discuss family and life incidents, unlikely friendships, the impact of putting meaning and feeling into your stories, overcoming writer's block, and more! What you will learn in this episode: Why truth (not necessarily facts) is key to a great story How journaling can help you solve “blank page syndrome” Why your story matters, even if you think it doesn't Who is Tricia? Tricia Lee is an AAPI female filmmaker who grew up in Toronto, Canada. She specializes in creating both heart-warming and heart-breaking but also humorously uplifting films. With her Canadian perspective, she likes to tell stories that look at the American Dream and explore ideas around voicelessness, belonging, and shared humanity.  Tricia's Good Chance feature script, which is being produced by Leonardo DiCaprio's Appian Way and Janet Yang, was on the CAPE LIST and was also the Francis Ford Coppola's Zoetrope Screenplay Competition grand prize winner and the Cinequest Best Feature Screenplay winner. It was also a top 50 finalist in The Academy Nicholl Fellowship, a top 14 finalist for the Universal Studios Writer's Program, and was selected for the prestigious Producers Guild of America Power of Diversity Master Workshop. In addition to these accolades, Tricia has directed three award-winning features such as Blood Hunters and Silent Retreat, with the former sold to Hulu and presented at Cannes and the latter released theatrically across Canada and sold to NBC Universal's Chiller Network. Currently, she's the showrunner and sole writer of eight episodes of 108 Media's animated anthology, A Banquet for Hungry Ghosts. Soon, she will direct a biopic about William Hung (of American Idol fame) that she wrote with Don Handfield, and Tony and Tim Bui serving as producers. Links and Resources: Tricia Lee @tricialdirector on Twitter @tricialeedirector on Instagram @tricialeedirector on Facebook @tricialeedirector on LinkedIn Storytelling School Website @storytellingschool on Instagram @storytellingSchool on Facebook Skyrocket Your Success With Storytelling Masterclass

January 20: Saint Sebastian, MartyrLate Third CenturyOptional Memorial; Liturgical Color: RedPatron Saint of athletes, soldiers, and victims of the plagueA Roman soldier makes a rugged convert and stoic martyrThe Crucifixion of Jesus Christ and the Annunciation of the Archangel Gabriel to the Virgin Mary are the most universally depicted scenes in Christian art. There is perhaps not a Catholic church the world over which does not house one or the other image, and often both. But today's saint, Sebastian, follows close behind in terms of popularity and ubiquity. The iconic presentation of the wounded Sebastian shows his hands and arms bound to a post, his head tilted, and his almost naked body filled with arrows.It is a powerfully evocative image. It suggests that the archers took their time. They were not rushed. They did not act in the heat of anger. Criminal psychologists have observed that killers only cover the faces of victims who they know. Otherwise, killers don't mind watching their victims suffer and die. It seems that with Sebastian there was no hooded executioner. No anonymous hangman. The men in Sebastian's firing squad must have gazed right into his eyes before they unleashed the tension in their bows. And when their arrows buried themselves in Sebastian's torso, the archers must have heard his low moans. Perhaps there was an element of recrimination in all of this. Perhaps it was personal.Sebastian was a soldier in the higher echelons of the Roman army. After his conversion to Catholicism, he went to Rome, around the year 300, likely seeking martyrdom. We can imagine that his fellow soldiers understood his conversion as betrayal or disloyalty to the empire and that this explains the unique manner of the assassination attempt. But, in the end, the attempt was a failure. Saint Sebastian, a rugged soldier, survived the arrows, was nursed back to health by Saint Irene, and later earned the martyr's crown after being clubbed to death.By the year 300 A.D., the Roman Emperors' attempts to eradicate Christianity were too little too late. Nobles, senators, slaves, cobblers, carpenters, men, women, foreigners, and natives had all converted. They were men and women of every class and occupation. By 300 A.D., Christians comprised a significant portion of people at every level of society, up and down and around every Roman road. When high-placed soldiers such as Saint Sebastian were willing to die for Christ, it was a sign there was no going back to Rome's pagan roots. All that was needed was a Christian Emperor to solidify the change. That would come soon enough in the person of Constantine. Sebastian's heroic death was a harbinger of a world about to change. Saint Sebastian's martyrdom was so widely known that he was honored through the construction of a Church on the Appian Way just outside of Rome. The church is still visited by pilgrims today, along with the Christian catacombs beneath it. His legacy carries on!Saint Sebastian, we ask your intercession to fortify all those who are weak in their faith. You gave heroic witness in leaving a high station to accept a near martyrdom and then returned to suffer and die once and for all. Give us the grace to face our enemies when our weak nature wants to run the other way.

Rome is a destination full of excitement, history, and culture. There is so much to see in the eternal city where do you begin? Well, that's why there is https://www.guidester.com/ (Guidester)! Jack Baumann relates what you can expect as an American tourist in Italy. [01:10] Getting into Italy in a pandemic. What do you have to have and do? [03:48] What do you do when your room reservations fall through? This is what Jack did. https://www.coursera.org/lecture/roman-art-archaeology/4-the-theater-of-pompey-today-B2bRP (The Theater of Pompey) Testaccio neighborhood-https://www.ristorantevelavevodetto.it/index_en.html (Velavevodetto) [11:19] Typical Italian Day https://www.facebook.com/15924504/videos/385273766509640/ (Cafe) Pantheon https://www.facebook.com/groups/1904412013106411/permalink/3036283076585960/ (Piazza Navona) [13:20] Time for Lunch Interlude [15:12] https://player.captivate.fm/episode/9f3a95e3-f22b-40fa-a31b-df37e16bd10f (The Appian Way) https://www.facebook.com/groups/1904412013106411/permalink/3037048556509412/ (Catacombs of San Sebastiano) [20:24] Time for Dinner Don't forget the https://www.facebook.com/15924504/videos/656984708996427/ (Aperitivo) What time is dinner, I'm hungry! [21:21] What's on the docket for tomorrow and the next several days? https://www.facebook.com/groups/1904412013106411/permalink/3037778563103078/ (Coliseum) https://www.facebook.com/groups/1904412013106411/permalink/3040739406140327/ (Private tour of the Vatican) https://www.facebook.com/groups/1904412013106411/permalink/3039698412911093/ (Hadrian's Villa) [28:29] Exchange Rate [31:06] Summing up the day/sites. DON"T MISS THE SUNSET at https://www.facebook.com/groups/1904412013106411/permalink/3039470726267195/ (San Gianicolo)! Dream. Learn. Plan. Prepare. Go to https://www.guidester.com/virtual-vacation/ (Guidester/Virtual-Vacation) Season 1: Episode 4 #travel #europe #vacation #traveleurope #travelguide #tourguide #Rome  #Vatican  #Pope  #Coliseum  #StPetersBasilica  #basilica  #StPaul  #PopeJohnPaul   #PopeJohnPaulII   #VaticanII   #moped   #scooter   #Romanempire   #Constantine   #Caesar   #emperor   #cathedral   #mosaics   #VaticanCity   #Pantheon #Hadriansvilla #PiazzaNavona #TheaterofPompey #Velavevodetto

These views are NOT pointed at anyone in particular but at the audio community as a whole. Discord: https://discord.gg/kuHQQRS5qB YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ DBS Tech Talk research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We've Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer :2049” - sub bass extension Cher: Believe - sibilance Stanley Clarke - Passenger 57 main title - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and separation Houston Person - You are my Sunshine - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for the channel. https://www.paypal.me/dbsylvia --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thehonestaudiophile/message Support this podcast: https://anchor.fm/thehonestaudiophile/support

In this podcast I discuss my random thoughts about what is an audiophile and audio enthusiast. I haven't done any scientific research or polls; I am just basing my conclusions off of my personal experiences and observations. I am an audiophile; I am pursuing an accurate, natural and realistic reproduction of instruments and vocals. Discord: https://discord.gg/kuHQQRS5qB YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ The Honest Audiophile research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We've Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer: “2049” - sub bass extension Cher: “Believe” - sibilance Stanley Clarke - “Passenger 57 main title” - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - “The Pine of the Appian Way” - soundstage, imaging and separation Houston Person - “You are my Sunshine” - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for the channel. https://www.paypal.me/dbsylvia If you would like to contact the channel please send an email to: dbstechtalk@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thehonestaudiophile/message Support this podcast: https://anchor.fm/thehonestaudiophile/support

The Appian Way is the oldest road in Rome and one of the oldest continuously used roads in the entire world. What makes this road so special? What is the history that has captivated people for over 2500 years? Why is this one of Jack's favorite places to visit and eat dinner? [00:43] https://en.wikipedia.org/wiki/Pines_of_Rome (The Pines of the Appian Way) (music) [02:33] All Roads Lead to Rome Especially this One! https://www.facebook.com/Guidester/posts/3962418763820108 (History) https://www.facebook.com/groups/1904412013106411/posts/2588019138079025/ (Monuments) https://www.facebook.com/Guidester/posts/3653632898032031 (Old Churches) http://www.catacombe.org/uk_index.html (Catacombs of San Sebastian) https://www.rome-museum.com/tomb-of-cecilia-metella.php (Cecilia Metella) https://www.facebook.com/Guidester/posts/3956516904410294 (The Eternal City): imperium sine fine – an empire without end from https://poets.org/poet/virgil (Virgil's epic poem The Aeneid) [10:48] https://www.facebook.com/groups/1904412013106411/posts/2930306507183618/ (Dinner on the Appian Way) https://www.facebook.com/groups/1904412013106411/posts/2110281845852759/ (Baci) https://www.facebook.com/groups/1904412013106411/posts/2298816650332610/ (The 300 Year Old Villa) Artifacts Dream. Learn. Plan. Prepare. Go to https://www.guidester.com/virtual-vacation/ (Guidester/Virtual-Vacation) Season 1: Episode 16 #travel #europe #vacation #traveleurope #travelguide #tourguide #Rome  #Vatican  #Pope  #Coliseum  #StPetersBasilica  #basilica     #Romanempire   #Constantine   #Caesar   #emperor   #cathedral      #Pantheon #Appianway #Romanroad #Villa #PinesoftheAppianWay #Respighi #Augustus #Romulus #Remus #romulusandremus #CeciliaMetella #sansebastiancatacombs

Written Review: https://www.thehonestaudiophile.com/post/tin-hifi-t2-a-musical-reference-iem-for-the-small-budget Discord: https://discord.gg/kuHQQRS5qB YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ DBS Tech Talk research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We've Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer :2049” - sub bass extension Cher: Believe - sibilance Stanley Clarke - Passenger 57 main title - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and separation Houston Person - You are my Sunshine - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for the channel. https://www.paypal.me/dbsylvia --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thehonestaudiophile/message Support this podcast: https://anchor.fm/thehonestaudiophile/support

written review: https://www.thehonestaudiophile.com/post/empire-ears-esr-empire-studio-reference YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ DBS Tech Talk research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We've Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer :2049” - sub bass extension Cher: Believe - sibilance Stanley Clarke - Passenger 57 main title - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and separation Houston Person - You are my Sunshine - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for  the channel. https://www.paypal.me/dbsylvia --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thehonestaudiophile/message Support this podcast: https://anchor.fm/thehonestaudiophile/support

I've spent the past year exploring every inch of Florence's city limits, so I thought it would be fun to check in with my friend and colleague Emanuela Angelini (aka "Manu"), who has been doing the same from her home in Rome. How is the capital city for urban trekking?(see photos and text at: https://www.claireintheworld.net/blog)