Podcasts about arthur clarke

Onze Vrienden van de Show kijken samen met ons 2001: A Space Odyssey. Dit zijn de eerste minuten van die aflevering. Als je ook wil kijken met ons commentaar, word dan Vriend van de Show!Stanley Kubrick (1928 - 1999) was een Amerikaanse filmregisseur. Van zijn hand zijn invloedrijke en succesvolle films verschenen. In 1968 was dat 2001: A Space Odyssey, een samenwerking van hem met schrijver en futuroloog Arthur Clarke. Het is een bijzondere film over de menselijke evolutie, kunstmatige intelligentie (wat Ype ooit studeerde), technologische ontwikkelingen en buitenaards leven. Botte en Ype kijken deze film en praten er lustig doorheen. Deze aflevering kan je het beste beluisteren als je de film er bij hebt. Wij geven een cue wanneer wij op play drukken, en als jij dat ook doet, dan hebben we een gezellige gezamenlijke filmervaring!Laat je ons weten wat je er van vond? En waar gaat deze film volgens jou over? We horen het graag. Veel plezier!PS: Kom je naar onze feestshow in De Kleine Komedie op 6 februari? Gezellig!Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Arthur Clarke Discusses Greenbuild 2024 in Philadelphia by Floor Focus Magazine

No episódio de hoje vamos falar sobre o conto A Sentinela de Arthur Clarke que inspirou o filme 2001 Uma Odisseia do Espaço, mas não só isso, descubra também outros contos que inspiraram o filme dirigido por Stanley Kubrick. Apoie o podcast: ⁠⁠⁠https://apoia.se/vivascifi⁠⁠⁠ Siga o Viva Sci-Fi no Instagram: ⁠⁠⁠https://www.instagram.com/vivascifi/⁠⁠⁠ Siga o Viva Sci-Fi no Twitter/X:⁠⁠⁠ https://twitter.com/vivascifi ⁠⁠⁠ Canal no youtube do Fabio Fernandes: ⁠⁠⁠https://www.youtube.com/@TerraIncognitaBooksNStuff ⁠⁠⁠ Site do Fabio Fernandes: ⁠⁠⁠https://fabiofernandeswriter.com/ ⁠⁠⁠ Arte e produção: Carolina Meroni Agradecimento especial aos apoiadores: Vinicius Moreli João Vitor Neto Erick Ricco Hoelzle Elvis Soriano Rodrigues Otavio Venturoli Alysson Fábio Ferrari Ana Julia Poletto Yannic Kappes Áquila Teófilo Karol Lima Daniel Landi Wilson Brancaglioni da Silva Esdra Souza

fWotD Episode 2514: Argosy (magazine) Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Saturday, 23 March 2024 is Argosy (magazine).Argosy was an American magazine, founded in 1882 as The Golden Argosy, a children's weekly, edited by Frank Munsey and published by E. G. Rideout. Munsey took over as publisher when Rideout went bankrupt in 1883, and after many struggles made the magazine profitable. He shortened the title to The Argosy in 1888 and targeted an audience of men and boys with adventure stories. In 1894 he switched it to a monthly schedule and in 1896 he eliminated all non-fiction and started using cheap pulp paper, making it the first pulp magazine. Circulation had reached half a million by 1907, and remained strong until the 1930s. The name was changed to Argosy All-Story Weekly in 1920 after the magazine merged with All-Story Weekly, another Munsey pulp, and from 1929 it became just Argosy.In 1925 Munsey died, and the publisher, the Frank A. Munsey Company, was purchased by William Dewart, who had worked for Munsey. By 1942 circulation had fallen to no more than 50,000, and after a failed effort to revive the magazine by including sensational non-fiction, it was sold that year to Popular Publications, another pulp magazine publisher. Popular converted it from pulp to slick format, and initially attempted to make it a fiction-only magazine, but gave up on this within a year. Instead it became a men's magazine, carrying fiction and feature articles aimed at men. Circulation soared and by the early 1950s was well over one million.Early contributors included Horatio Alger, Oliver Optic, and G. A. Henty. During the pulp era, many famous writers appeared in Argosy, including O. Henry, James Branch Cabell, Albert Payson Terhune, Edgar Rice Burroughs, Erle Stanley Gardner, Robert E. Howard, and Max Brand. Argosy was regarded as one of the most prestigious publications in the pulp market, along with Blue Book, Adventure and Short Stories. After the transition to slick format it continued to publish fiction, including science fiction by Robert Heinlein, Arthur Clarke, and Ray Bradbury. From 1948 to 1958 it published a series by Gardner called "The Court of Last Resort" which examined the cases of dozens of convicts who maintained their innocence, and succeeding in overturning many of the convictions. NBC adapted the series for television in 1957.Popular sold the magazine to David Geller in 1972, and in 1978 Geller sold it to the Filipacchi Group, which closed down the magazine at the end of the year. The title has been revived several times, most recently in 2016.This recording reflects the Wikipedia text as of 01:09 UTC on Saturday, 23 March 2024.For the full current version of the article, see Argosy (magazine) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Arthur Neural.

Arthur Clarke se narodil v rodině s hlubokou pošťáckou tradicí. Jeho matka i otec pracovali na různých poštách v hrabství Somerset. Jak Arthur navázal na rodovou tradici, ovšem překvapilo nejen jeho nejbližší, ale celý svět. V roce 1945, o 12 let dřív, než člověk vypustil do vesmíru první satelit, jasnozřivě navrhl geostacionární spojovací družici. U nejširší veřejnosti je ovšem známý především jako legenda světové science fiction.Všechny díly podcastu Příběhy z kalendáře můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

On today's episode, Ari spoke with Brooke Ashley Hall - one of the biggest creators on social media, across TikTok, Instagram and YouTube - about the opportunities and responsibilities of creating content for tens of millions of people on a daily basis. Along the way they talked about Brooke's journey towards becoming an influencer; what an influencer's day-to-day looks like; portraying motherhood from the Bible to TikTok; authenticity in traditional media vs. digital media; Arthur Clarke and scientific progress; how Brooke almost lost her son; the power of prayer and community; Brooke's approach to comedy; Brooke's advice for aspiring creators; and much more! Guest Quote:“It's incredible the amount of impact that you have, and I also think it's a great responsibility for what you share and the message that you're putting out. That's one thing that my husband and I decided whenever we started doing this, that we were going to stay on the line of being family friendly, maintaining our values, and always staying true to ourself in that way, because with great power comes great responsibility, right?” -Brooke Ashley Hall Time Stamps* (:01) Intro* (04:45) Brooke's creative journey * (11:23)  Authenticity on social media* (13:41) Motherhood portrayed from the Bible to TikTok* (15:27) A day in Brooke's life * (21:30) Technology as magic* (24:20) Influencers vs. celebrities* (27:46) Brooke's near-loss of her son* (39:37) The power of prayer and community * (44:49) Brooke's comedic approach* (47:37) Brooke's inspirations* (49:57) Advice for aspiring content creators Good Faith Effort is a production of SoulShop, Bnai Zion, and Caspian Studios LinksFollow Ari on TwitterFind out more about BrookeBrooke's Youtube ChannelBrooke's TikTokBrooke's InstagramWatch on YouTube

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“Opponents replied that when you modeled a hurricane, nobody got wet. When you modeled a fusion power plant, no energy was produced. When you modeled digestion and metabolism, no nutrients were consumed – no real digestion took place. So, when you modeled the human brain, why should you expect real thought to occur?” Welcome back to another episode of Made You Think! In this episode, we're talking all things consciousness and simulated reality with Permutation City by Greg Egan. Classified as a hard science fiction novel, the book tells the story of a man who seeks to create immortality by creating "software" copies of the mind. We cover a wide range of topics including: The complex nature of consciousness Egan's "Dust Theory" What it's like to live in a simulation Ethics surrounding death and dying The possibilities that come with computer intelligence And much more. Please enjoy, and make sure to follow Nat, Neil, and Adil on Twitter and share your thoughts on the episode. Links from the Episode: Mentioned in the Show: The Dust Theory (3:51) Biocentrism (7:37) Black Mirror - San Junipero (30:48) Turing test (35:52) Her (39:08) Building a Second Brain (1:07:05) The Expanse (1:08:08) ChatGPT Epilogue to Permutation City Books Mentioned: Godel Escher Bach (0:42) (Nat's Book Notes) The Three-Body Problem (0:58) (Nat's Book Notes) The Beginning of Infinity (16:42) (Nat's Book Notes) The Egg (19:27) The Fable of the Dragon Tyrant (24:26) The Structure of Scientific Revolutions (26:58) Where Is my Flying Car? (27:13)  The Comfort Crisis (30:20)  Homo Deus (44:41) (Nat's Book Notes) Altered Carbon (53:41) The Lessons of History (1:02:26) People Mentioned: Greg Egan (3:54) Arthur Clarke (16:39) Issac Asimov (16:40) Andy Weir (19:28) Liu Cixin (1:04:31) Show Topics: (0:00) If you're a science fiction lover, this week's episode is for you! We're discussing Permutation City, a 'hard science fiction' book from 1994. This book explores many concepts including The Dust Theory and achieving immortality through copying your consciousness. (4:24) Intro to Dust Theory. There are infinitely many universes existing at all space and time. As soon as a universe is perceived by a conscious intelligence, that universe comes to exist, and that universe will always continue to exist as long as there is consciousness to observe it. (8:11) Are we in a simulation? We learn in response to stimuli which is also how LLMs (large language models) learn too. (13:12) Nat, Neil, and Adil define consciousness, discuss the idea of transporting consciousness, and how we differ from LLMs. We have a private and inner mind that generates its own thoughts and feelings. We can't be certain whether computers have this or not. (22:01) There's an 'engine' in our heads that is focused on our survival and continuation. (23:21) Ethics surrounding death. One can argue that life is short, but when you've lived for thousands of years through copying your consciousness, it becomes a question of when it's enough. (28:39) If we could somehow prevent bodily decay and the death of our loved ones, would we ever be ready to die, and is aging something that we can slow down or affect?  (33:43) In the book, from the perspective of the humans, the copies are just programs who look intelligent, but they aren't real. From the perspective of the copies, it's all very real. (41:31) Time dilation and running consciousness slower for the copies. The slowdown doesn't necessarily affect the copy. The time perception is still the same to them, but it may affect how they interact with the real world. (46:08) There's a baseline risk for being alive. You can try to get all of your life risks to zero, but it is best to accept that there will always be some general risk. (51:49) Collaboration in publishing. While most books have a single author, it may add some dimension to get expertise from guest authors with knowledge in different fields. (54:50) What did Greg Egan regret most about Permutation City?  (1:02:11) That concludes this episode! Stay tuned for our next episode on History of the Peloponnesian War. Also on the horizon is The Three-Body Problem. Make sure to pick up a copy if you'd like to read up before the episode. As mentioned, check out this awesome epilogue created by ChatGPT! If you enjoyed this episode, let us know by leaving a review on iTunes and tell a friend. As always, let us know if you have any book recommendations! You can say hi to us on Twitter @TheRealNeilS, @adilmajid, @nateliason and share your thoughts on this episode. You can now support Made You Think using the Value-for-Value feature of Podcasting 2.0. This means you can directly tip the co-hosts in BTC with minimal transaction fees. To get started, simply download a podcast app (like Fountain or Breez) that supports Value-for-Value and send some BTC to your in-app wallet. You can then use that to support shows who have opted-in, including Made You Think! We'll be going with this direct support model moving forward, rather than ads. Thanks for listening. See you next time!

Christoper Knowles, the man behind the Secret Sun blog stops by and drops knowledge bomb after knowledge bomb. We talk about everything from Millennials and Gen X to Arthur Clarke and Alice Bailey,  Christopher is not only a wealth of knowledge, but also an experiencer, not in the classic UFO sense, but in liminal states. Artist, blogger, researcher and author of three books, The Endless American Midnight: Dispatches from the Secret Sun, The Complete X-Files: Behind the Series the Myths and the Movies (With Matt Hurwitz) He Will Live Up in the Sky (a novel),  Clash City Showdown: The Music, The Meaning and the Legacy of The Clash and Our Gods Wear Spandex: The Secret History of Comic Book Heroes all available at Amazon.You can find more of his work at: https://secretsun.blogspot.com/

"Cualquier tecnología lo suficientemente avanzada es indistinguible de la magia”… Esta máxima que el escritor de ciencia ficción Arthur Clarke enunció en 1962 define a la perfección como uno a veces se siente ante determinados avances tecnológicos.En estos días hemos descubierto una aplicación que ha sido lanzada al mercado hace muy poquito y que literalmente nos ha volado la cabeza. Se trata de un software con IA capaz de detectar brechas jurídicas para evitar la imposición de multas y sanciones en una empresa. ¡Una pasada!… Es algo así como una especie de antivirus jurídico. En nuestro programa de hoy vamos a hablar con Bertol Gorospe, Director de Desarrollo de Negocio y Marketing en ECIX Group, empresa que está detrás de este proyecto, quien nos va a explicar su funcionamiento. ¡No te lo pierdas!Infórmate sobre la nueva convocatoria curso de Asistencia Jurídica al Detenido en:

Today's guest believes in the power of technology to solve the problems we face as a society and he has devoted his career to using technology to make purpose-driven learning count. For the last five years, Michael Robbins has led District of Learning, a technology-enabled ecosystem for 'any time, anywhere' learning in Washington DC, an initiative from the MacArthur Foundation. He also has experience as a senior advisor for the Obama administration, where Michael led work for the US Department of Education and the White House in community engagement and digital transformation in education. He has advised and collaborated with mayors, school superintendents, community organizers, nonprofit leaders, and corporate executives on a range of public initiatives. Today Michael joins us to explain how he believes that we can co-create solutions for our education crisis, transform learning with the power of data of ownership and technology, and come together to learn what we need for life in order to chart a better pathway for a digital society. To find out more about the decentralization of learning, how we can put power in the hands of individuals, and co-create a better future, tune in today!Key Points From This Episode:Thoughts on Arthur Clarke's third law and the gap between what's happening in tech and what people understand.Michael's background and his passion for the intersection between technology and education. Michael's belief in the power of technology to solve the problems we face as a society.The District of Learning project and its goal to decentralize learning and put power in the hands of individuals.The opportunities that lie in individual data ownership and especially learning data.The importance of thinking about different value models for how we generate income and value exchange, individually and collectively. Ownership rights of ancient cultures that could merge well with society and digital rights.Insight into ‘Solid technology' and ‘edge computing' to claim power individually.The concept of semi-autonomous decentralized application systems for native democracy and justice and establishing governance. How Learning Pathmakers is charting a path for a distributed learning ledger. What 501 (c)(6) corporation status is and why Learning Pathmakers is pursuing it.Michael's approach to decentralized education to make purpose-driven learning count all the time and everywhere.The need for a new generation of public-minded young people who are interested in inventing this next generation of digitally native governance. Tweetables:“For me, the height of innovative achievement isn't sending a billionaire into near space, it's using the ingenuity that we have, our technology, our people, our commitment, to solve the problems that face us a society.” — Michael Robbins [0:05:38]“Our schools have a lot of recovery to do but we also, in our educational approaches, have to prepare young people to be digital natives in a way that most people don't even understand where this is heading.” — Michael Robbins [0:25:10]Links Mentioned in Today's Episode:Michael Robbins on LinkedIn Learning PathmakersMacArthur Foundation Open Badges  Bahar AnsariBahar Ansari on LinkedInBahar Ansari on Instagram

After the New Wave era drew to a close, the older authors of the Golden Age continued to produce new works, but Arthur C. Clarke made the strongest comeback, with some of his most famous books coming from his later years. In this episode, we look at an overview of these works. Book recommendation: Rendezvous with Rama Other books discussed: The Fountains of Paradise 2010: Odyssey Two 2061: Odyssey Three 3001: The Final Odyssey The Songs of Distant Earth

Quizás no sea tan reconocido como Phillip Dick, Isaac Asimov o Arthur Clarke, pero Robert Heinlein es también considerado uno de los más grandes escritores norteamericanos de ciencia ficción. Hoy en Memory Backups, vamos a narrar uno de sus relatos cortos, y que se caracteriza especialmente, por un título muy particular: “Todos ustedes, zombies”. (Aunque ojo: no os penséis que tiene zombies, por lo menos no en la forma convencional.) De lo que sí estamos seguros, es que es una historia que merece ser recordada (Aunque dure 50minutos, no os asustéis xD). Y por eso, hemos hecho una copia de seguridad. Dale al play, y si te gusta, ¡comparte! ;) "All You Zombies" es una provocativa historia de apenas unas cuantas hojas (16 en la versión que hoy locutamos) y fue publicada en la revista Fantasy and Science Fiction de 1959. Un hombre (identificado como "la Madre Soltera") le cuenta su historia de vida a un desconocido barman. Pero el barman parece saber más de esta persona de lo que podría haber supuesto. (Y hasta aquí podemos leer) El relato involucra una serie de ingeniosas paradojas temporales que más tarde, incluso se han llevado al cine. ¿Os acordáis de la película? (Pista en la foto, anímate y ponlo en los comentarios :D)

A notícia pode surpreender, mas é muito real: o Ministério das Forças Armadas da França decidiu montar uma equipe de autores de ficção científica para ajudar a pensar sobre todos os cenários bélicos que o futuro nos reserva. O chamado "Red Team" será criado dentro da nova Agência de Inovação em Defesa (AID) que existe há um ano, com um orçamento de € 1,2 bilhões. A RFI ouviu os escritores brasileiros Ignácio de Loyola Brandão, Milton Hatoum, Julián Fuks, Marçal Aquino, Sheyla Smanioto e Xico Sá, que comentaram a iniciativa e sugerem suas versões da "Guerra do Futuro". Os partidários dessa nova abordagem das Forças Armadas na França defendem a experimentação como o que poderia se tornar um novo método de trabalho: escritores que antecipam ameaças reais, num roteiro digno de ficção científica. Uma primeira tentativa de colaboração entre o Exército francês e autores de ficção aconteceu há dois anos, durante o Utopiales: em 2020, a 20ª edição deste festival internacional de ficção científica abriria suas portas de 31 de outubro a 3 de novembro, em Nantes, se o destino não tivesse provocado um terrível plot twist e cancelado o evento presencial por razões sanitárias. Ah, o destino, essa matéria insensata dos ficcionistas... No entanto, os franceses parecem aprovar a decisão. Mais de 600 membros do mundo cultural, científico e acadêmico se inscreveram para fazer parte desta equipe das Forças Armadas da França, que já tem nome de seriado - "Red Team" ["Time Vermelho"] - e será composta por  apenas dez pessoas. Um projeto amplamente divulgado quando foi lançado por Emmanuel Chiva, diretor da Agência de Inovação em Defesa (AID), filiada à Direção Geral de Armamentos (DGA), divisão importante do Exército na França. Mas o "Red Team" não será formado apenas por escritores: roteiristas, cartunistas e até mesmo designers de ficção científica completam a equipe, todos trabalhando em estreita colaboração com especialistas científicos e militares, eles próprios agrupados dentro um "Purple Tieam" ["Time Roxo"]. Parece partida de RPG ["Role Playing Game"], mas é tudo verdade. No último dia 4 de dezembro, a Ministra das Forças Armadas da França, Florence Parly, revelou os nomes dos dez escritores de ficção científica que compõem o famoso "time vermelho", cuja criação foi anunciada com grande alarde no final de 2019. Entre eles, encontramos roteiristas (Xavier Dorinson), autores de ficção cientítica (Laurent Genefort), biologistas e pesquisadores em sociologia da inovação (Virginie Tournay), professores de filosofia (Romain Lucazeau), estudantes de Design (Jeanne Bregeon) e cartunistas (François Schuiten). Imaginário de guerra Mas o escritor e roteirista brasileiro Marçal Aquino lembra que esse imaginário de guerra não é privilégios dos países do chamado primeiro mundo. "Se pensarmos nos exemplos que a literatura já deu, do seu poder de antecipação, visionário, temos o exemplo universal do romance '1984', do George Orwell. Mas aqui no Brasil, o Rubem Fonseca, em 1975, publicou um livro chamado 'Feliz Ano Novo' onde ele de certa maneira previa a que estado chegaria a guerra urbana. E o Rio de Janeiro na época era bem mais pacato. Foram necessários apenas 30 anos para tudo aquilo que ele disse naquele livro visionário se realizasse", afirma. "O Exército está contratando profissionais credenciados a fazer previsões sobre o futuro, sobre as guerras do futuro", argumenta. "Com uma vantagem: o escritor usa como ferramenta a imaginação, que é muito barata, é grátis. Não vejo nada de extraordinário nisso, muito pelo contrário", diz. Quanto à "guerra do futuro", Marçal acredita que ela será "dominada pela tecnologia". "Uma guerra no futuro não será presencial. Nós vamos vê-la pela televisão, serão guerras tecnológicas, de domínios de mentes, de vontades, de domínio ideológico, sem necessariamente o conflito armado, como vemos até hoje", pontua. "Essa iniciativa do Exército francês não é tão incomum", pondera o escritor Milton Hatoum. "Não é a primeira vez que um exército convoca intelectuais e escritores para falar de conquistas e de guerras. Quando as tropas de Napoleão conquistaram o Egito, por exemplo, intelectuais foram convocados para refletir e escrever sobre a cultura árabe e islâmica - o discurso dos orientalistas, brilhantemente analisado por Edward Said no livro 'Orientalismo' ", detalha Hatoum. "Estudar o inimigo, o povo conquistado, é uma prática muito antiga. Mas a guerra do futuro, ou o mundo distópico, tudo isso foi imaginado por vários escritores. Por exemplo, o Isaac Azimov, que também era bioquímico, escreveu Planeta Infernal e tantos livros importantes. Também o Arthur Clarke, o Kurt Vonnegut, que escreveu um romance muito interessante, o Piano Mecânico, que fala de um mundo dominado pela tecnologia", lembra. "Um dos meus preferidos é o britânico H.G. Wells, que escreveu uma obra-prima chamada A Máquina do Tempo", diz. "Já estão colonizando a Lua e Marte, mas a literatura que me interessa é a que trata das relações humanas nesse nosso planetinha destruído", contrapõe Hatoum. "A memória para mim ainda é fundamental, e a memória do futuro é o passado, a literatura do futuro também está no passado", retruca. "Tenho pouco interesse nas guerras intergalácticas, interplanetárias ou entre superpotências nesse neocolonialismo cósmico que está surgindo", afirma. Para Ignácio de Loyola Brandão, um dos autores mais prolíficos do Brasil, e, desde 2019, imortal da Academia Brasileira de Letras, a literatura possui um compromisso com o tempo. "Ela não pode se omitir, é uma possibilidade de você antecipar coisas trágicas num futuro, ou até num presente. Ela dá uma espécie de luz ou sobre o passado, recorrendo à História, ou fazendo a história do presente, ou escrevendo a história do futuro dentro das Utopias", afirma. "Não verás país nenhum" Em 1981, Ignácio de Loyola Brandão publicava uma distopia originalmente brasileira intitulada "Não verás país nenhum", com direito a incêndios, caos e desespero numa São Paulo do futuro. "É muito curiosa a história desse livro. Uma vez encontrei Nelson Rodrigues, nos anos 1960, na redação do Última Hora. Ele estava escrevendo mais uma daquelas crônicas diárias que ele fazia, que eram fantásticas, do A Vida Como Ela É. Perguntei, tímido, Nelson, como você consegue escrever por dia uma crônica dessa? Ele me disse: olhando pela janela, meu filho...", lembra o escritor. "Então nos 1970 quando comecei a abrir os jornais e a ver o noticiário, ouvia falar de aquecimento global, que a falta do petróleo não seria problema, mas a da água sim, quando os tsunamis começaram a devastar países, as comifas falsas nos restaurantes, Mc Donald's, começou a vir na minha cabeça essa ideia: e se vivêssemos numa época sem água, sem o Amazonas, comecei a exagerar à centésima potência tudo o que podia acontecer e então me veio essa ideia de um país sem água, sem florestas, onde o sol mata as pessoas e onde as doenças mais estranhas começam a acontecer", detalha. Para Ignácio de Loyola Brandão, a guerra do futuro será "a mais curiosa" de toda a História. "Porque ela não vai matar ninguém. Vai parecer um filme fantástico ou uma comédia trágica. Não haverá mísseis, armas, aviões, navios. Tudo isso é passado. Nenhuma logística vai funcionar. A guerra do futuro, para mim será entre fantasmas. Não fantasmas de comédia, de desenho, de seriado. Nem entre duendes. (...) Quando estas batalhas vierem, ninguém mais estará vivo neste planeta. Estarão todos mortos pela Covid 1, 2, 3 (...), pelo medo, pela fome, pela miséria dos países africanos (...). Não existem corpos. essa guerra do futuro vai exigir estratégias desconhecidas", fabula o escritor. O escritor Julián Fuks sublinha, com ironia, o estranhamento causado pela proposta do Exército francês. "A notícia em si é estranha, insólita, guarda alguma relação com a própria construção da ficção científica. Um exército contratar escritores já seria um fato próprio da ficção científica", argumenta. "Mas sua lógica não é disparatada, as ficções científicas sempre fundadas num sentido claro racional, compreensível, assimilável. Me parece curioso esse caso, porque faz todo o sentido, mas, ao mesmo tempo, é completamente extravagante", diverte-se o autor de "A Resistência". "Basicamente, eu imaginaria uma guerra do futuro sem guerra. Uma guerra sem confronto imediato, direto, sem bombas, sem balas, aviéoes, uma guerra feita em outro limite, em outra instância, completamente diferente daquilo que a gente tem concebido como guerra até o momento", imagina Fuks. "Ao mesmo tempo, seria uma guerra que se daria numa instância virtual, dos símbolos, no mundo das palavras, e, no entanto, com um potencial destrutivo brutal, que é justamente o que temos visto", lembra. "No campo do simbólico, do cultural, aquém e além do físico, tem se dado a destruição de inúmeras vidas", afirma. "Kafka" "Fiquei muito curiosa com essa situação, porque pensando nos escritores que anteciparam guerras, eles o fazem no sentido de oráculo, de aviso. Então quando a gente vê um exército fazendo uma pesquisa nesse sentido, vira uma outra tecnologia, que não é de antecipação e oráculo, que não é como aquela que um escritor faz quando cria uma distopia, e sim uma tecnologia de criação de guerra. É muito curioso pensar nesse processo de invenção como prevenção, como alerta, e, por outro lado, um processo de invenção como criação de guerra, como estivéssemos construindo a máquina do Kafka, tentando adivinhar", analisa a escritora Sheyla Smanioto. "Tentando imaginar [a guerra do futuro], pensei que já se trata de uma vanguarda contratar escritores para pensarem essa guerra. São inteligências diversas pensando essa realidade de vigilância, de controle, da intimidade do diálogo, da expressão, esse monitoramento do que está sendo dito pela internet, e você contrata escritores para trazerem um radar do imaginário, de vigilância do imaginário", avalia. "Fico um pouco lisonjeada, enquanto escritora, e por outro lado, não me autorizo a criar essa guerra do futuro, porque prefiro usar minhas tecnologias de imaginação para criar outras coisas", diz Smanioto. "Très chic esse Exército francês buscando ficcionistas", diverte-se o escritor e jornalista Xico Sá. "Acho sensacional, já tivemos um 1984, livro que mostra que os escritores podem vislumbrar um pouco esse futuro. O melhor exercício de imaginação do futuro seria uma dobradinha entre cientistas e ficcionistas", acredita. Mas, segundo ele, não será preciso esperar muito pela "guerra do futuro". "Basta pular para 2021 no Brasil, onde veremos uma guerra pela vacina. Está uma confusão dos infernos, o governo Bolsonaro com o seu negacionismo fazendo tudo para que a população não se vacine, numa guerra com os estados. Pouca vacina, muito negacionismo de parte do governo. Imaginava que antes teríamos a guerra pela água. Como bom nordestino cearense, que já briguei por alguns baldes d'água, achei que isso fosse acontecer em nível global e está para acontecer, 'breve neste cinema', mas antes, pode escrever, teremos a guerra da vacina no Brasil, num futuro não muito distante", acredita Xico Sá. "Aqui no Brasil, ao invés de contratar ficcionista, o Exército está perseguindo, como foi o caso de Jão Paulo Cuenca, perseguido pela Igreja Universal. Ou ainda como a 'lista dos detratores', da qual orgulhosamente faço parte, lista através do qual o governo persegue jornalistas e influenciadores que discordam ou falam mal de suas ações", conclui o escritor.

In this episode, Pat & Mike dive into 1968 and look at the most popular films that year, with particular focus on the iconic and controversial "2001: A Space Odyssey" by Stanley Kubrick & Arthur Clarke. We discuss the influence it had on movies such as Star Wars and we look at the love/hate relationship moviegoers and critics have with this science fiction classic. Since posting this episode there has been a large monolith found in the Utah desert. It has disappeared and has re-appeared in Romania (at least one like it). Coincidence? Maybe, maybe not.Support the show (https://www.patreon.com/popretropodcast)

Scale by Geoffrey West focuses on the the principles and patterns connecting the ways that cities, organisms, and companies grow. West, a theoretical physicist, studied the way in which sizes of mammals related to their life expectancy, and further connected these laws to the growth and longevity of cities and the world of business. Nat and Neil unpack these laws and principles on today's podcast episode. We cover a wide range of topics including: The idea of '1 billion heartbeats' per lifetime How COVID has impacted growth of cities and business Human life expectancy Paradigm shifting innovations Growth in its relation to socioeconomic factors And much more. Please enjoy, and be sure to grab a copy of Scale by Geoffrey West! Links from the Episode Mentioned in the show Readwise (0:02) Antilibrary (Umberto Eco) (4:41) Evernote (1:07) Notion (1:07) Roam (1:07) Airr (8:58) Of Mice and Elephants: A Matter of Scale (21:08) Steve Jobs introduces WiFi…with a hula hoop! (48:43) Books mentioned Seeing Like A State by James C. Scott (7:36) (Nat’s Book Notes) Antifragile (7:40) (Nat’s Book Notes) (Book Episode) The Blueprint for Armageddon by Dan Carlin (8:48) The Startup Gold Mine (Neil Soni) (13:05) Scale by Geoffrey West (14:08) (Nat’s Book Notes) Darwin’s Dangerous Idea by Daniel Dennett (27:08) (Nat’s Book Notes) (Book Episode) The Beginning of Infinity by David Deutsch (30:05) (Nat’s Book Notes) (Book Episode) The Three-Body Problem by Liu Cixin (35:31) (Nat’s Book Notes) Happy Accidents by Morton Meyers (59:02) (Nat’s Book Notes) (Book Episode) In Praise of Idleness by Bertrand Russell (1:17:44) (Nat’s Book Notes) (Book Episode)   People Mentioned Umberto Eco (4:41) Dan Carlin (8:48) Geoffrey West (14:08) David Deutsch (27:03) Daniel Dennett (27:08) Arthur Clarke (50:14) Nassim Taleb (1:29:30) Show notes: 0:27 - Using Readwise to gather your notes to export to other sites. Scanning book pages of physical books. Nat and Neil discuss their preferences surrounding digital vs. physical books. 6:32 - Re-reading books. The difficulty of finding a ‘mind-blowing’ book to read. If you have any book recommendations for a future podcast episode, send them our way! 8:45 - Airr - Highlight audio as you listen to podcasts. How to make podcast listening more educational for yourself. Purposes of podcasts can be both educational and entertaining. The massive market for “How To” content. 14:08 - This week’s episode is on the book Scale: The Universal Laws of Life, Growth, and Death in Organisms, Cities, and Companies by Geoffrey West. The book talks about how things grow, continue to grow, decline in growth, or decay. The author primarily focuses on growth of organisms, cities, and companies, as the book title suggests, but also within these large structures are smaller substructures that grow and change, too. Some of the same laws of growth apply in seemingly different systems. 20:31 - There are many things that scale along with size that are not growing at a 1:1 ratio. The number of heartbeats in a specific mammal’s life is roughly the same across species. Neil describes an article in which each species receives an average of 1 billion heartbeats per lifetime. The heart rate varies on size of the being. Different lifespans between species. From an objective standpoint, an elephant tends to live longer than a mouse, but subjectively, do life spans feel the same length to each individual creature? 23:45 - How humans fit into this research of lifespan vs. body size. Differences in lifespan pre-technology vs. today’s era. Life extension - whether or not the maximum life expectancy can be extended. The age of 125 seems to be the maximum at this point according to West. 28:02 - Entropy and natural decay in the cell’s ability to replicate. You can bring things from disordered back to ordered, and with that creates externalities. Example: the waste created when we use the bathroom. Are there ways to minimize that?   30:46 - “The problem is that the theory also predicts that unbounded growth cannot be sustained without having either infinite resources or inducing major paradigm shifts that reset the clock before potential collapse occurs. We have sustained open-ended growth and avoided collapse by invoking continuous cycles of paradigm shifting innovations, such as those associated on the big scale of human history with discoveries of iron, steam, coal, computation, and most recently digital information technology.” (pg. 31) This quote is talking about finite-time singularity. This leads into a discussion in paradigm shifting innovations in today’s world. Resetting the paradigm clock. 35:45 - The Three Body Problem by Liu Cixin - One thing brought up in this book is that humans, technologically, are an exponentially developing species. Geoffrey West brings up the possibility of hitting a wall and running out of paradigm shifts. To continue growing at an exponential rate, do we have to keep discovering this innovations at an exponential rate? 37:12 - Growth and the way society is structured. A shrink in population would pose the issue of how a generation smaller in numbers would have to be paying Social Security for the generation above them. Continued growth is ‘built-in’ to the system, and if it doesn’t grow at the anticipated rate, a collapse is possible. 41:09 - Across different cultures and countries comes different values: community, family, the state, society, tradition, religion. In America, it’s perceived that one’s self is the most valued, also referred to as individualism. 45:06 - The release of new inventions and technology in the ‘80s and ‘90s: computers, digital cameras, cell phones, and laptops. From big, clunky, and colorless inventions to high-speed and attractive new pieces of technology. It becomes interesting to think about how unique and magical these inventions feel at the time they come out, and also how quickly the next piece of upgraded technology follows. 52:11 - There are products that improve and add more features at a higher rate, and products where that growth is not as rapid. As noted in the book, these paradigm shifts happen, there’s a massive spike, and new innovations slowly come from that spike. The spike jump starts the innovations, and the innovations slow until there’s another spike. 54:26 - Discussions over whether COVID will bring a new spike. There have been many changes in our society with the way we work, make money, education, etc. that it poses the question on what will follow. Making use of underutilized resources. It comes down to what is more efficient. 56:34 - Intellectual capital has been opened up in a new way since COVID, as we are no longer expected to be in the same place. The downfall of Silicon Valley between COVID, remote work, and being on literal fire. With people working remotely now more than ever, it seems to point us in the direction of growth in the digital space and information innovation. 1:00:07 - How these changes in the way we live and work will affect the scaling laws discussed in the book. Urbanization in the U.S. People moving out of big cities. Changes in the way companies and their employees are now working. 1:06:05 - Companies and their current policies: remote, in-person, or a mixture of both. Depends on the needs and what industry they are in. Coworking spaces and working remotely around people, without actually working with them. 1:10:10 - Human’s ability to regulate their internal body temperature. West brings up global warming, and how an increase of 2 degrees Celsius could increase the pace of all biological lives by 20-30% - living and dying faster. Inversely, if you could lower your own body temperature by 1 degree Celsius, you could enhance your life span by 10-15%. 1:14:32 - Growth of cities and its relation with socioeconomic factors: wages, innovation, crime, pollution, etc. “The multiplicative compounding of socioeconomic interactivity engendered by urbanization has inevitably led to the contraction of time. Rather than being bored to death, our actual challenge is to avoid anxiety attacks, psychotic breakdowns, heart attacks, and strokes resulting from being accelerated to death.” (pg. 332) 1:20:03 - Population size in cities and productively interacting with others - discussions on whether innovations can come from a city that stays stagnant or even decreases in size. Commute times and the ‘one hour’ rule. 1:25:03 - Shared ideologies from across the world without a way to bring those people together. Sense of community from these shared interests and ideas, even if there is no physical meeting place for all to share. 1:29:58 - The next book we will be reading and discussing is Energy and Civilization by Vaclav Smil. Feel free to pick up a copy of the book to read along with us before the next podcast episode! If you enjoyed this episode, let us know by leaving a review on iTunes. As always, let us know if you have any book recommendations! Find us on Twitter @TheRealNeilS and @nateliason. The best way to stay up to date on future episodes and show updates is to join our email list at Made You Think Podcast. Check out ways you can support the show here!

It's 2020, a new year, a new future. As famous media influencers, it is our responsibility to help guide the culture of human and sub-human evolution. That's why this week we're talking about one of the three fathers of science fiction. Isaac Asimov is here to show you how to treat our emerging digital buddies. The catch is, robots are still learning... learning that being human is hard, podcast schedules are tricky, and the future isn't quite what we expected 80 years ago. Welcome to the next decade of Story Hole. This week we'll be giving you a taste of the fix-up book I, Robot!

Arthur Clarke, en su obra Claro de Tierra nos traslada a este escenario, donde la Tierra combate contra la Federación por el uso de los recursos.

En este cuento, Clarke nos introduce en la historia que luego completará en 2001: Odisea del espacio. Se encuentra un artefacto en la Luna de la Tierra dejado hace muchos años. ¿Quién o quiénes lo dejaron?

Vargas, Diego y von Karg traen 3 items por cabeza y terminan hablando de: El Camino, Breaking Bad, José Natanson, David Foster Wallace, Mark Hamill, Yuval Harari, Nahuel Briones, Parasite, Bojack Horseman, Maradona, Juan José Becerra, Stanley Kubrick, Juan Sklar, Norma Plá, Rodrigo Cortés, Mar abierto, Eduardo Lago, Arthur Clarke, Takeshi Kitano, Adam West, Black Mirror, Aprender de grandes, Better Caul Saul, Nolasc Acarín Tusell, La Agenda, Festival de Cannes, Iggy Pop, Marcos Galperin, Bong Joon-Ho, Eduardo Fabregat, Danny Boyle, Kevin Johansen, Basta de Todo, UN3.tv, Enterrado, Tulio Halperín Donghi, Wos, Leonardo Favio, Jorge Pizarro, Baby Etchecopar, Aaron Sorkin, Deadpool, Luis Ortega, Sergio Dawi, Tito de Matices, La Grande, Fargo, 2001 Odisea al espacio, Takeshis, Tito Bisleri, Axel Fiks, Acorazado Potemkin, Guillermo Vilas, Lali Espósito, Lucio Montiel, Telefé Noticias, Las Bodas Químicas, De animales a hombres, Paulo Londra, Invisible man, Takeshis, Brad Pitt, Joker, Premios Oscar, Eterna Cadencia, Kramer vs Kramer, Peligrosos Gorriones, y largos etcéteras.

Sick-and-tired of intent-based GUIs that are barely better than CiscoWorks on steroids? How about asking Siri-like assistant queries about network state in somewhat-limited English and getting replies back in full-blown sentences? Warning: you might be reentering the land of unicorns driving flying DeLoreans... but then keep in mind what Arthur Clarke had to say on this topic ;). Welcome to Net2Text, another proof-of-concept tool created by the group led by Laurent Vanbever… who joined us for a short chat to discuss it, resulting in Episode 105 of Software Gone Wild. Listen to the podcast

Sick-and-tired of intent-based GUIs that are barely better than CiscoWorks on steroids? How about asking Siri-like assistant queries about network state in somewhat-limited English and getting replies back in full-blown sentences?Warning: you might be reentering the land of unicorns driving flying DeLoreans... but then keep in mind what Arthur Clarke had to say on this topic ;).Welcome to Net2Text, another proof-of-concept tool created by the group led by Laurent Vanbever… who joined us for a short chat to discuss it, resulting in Episode 105 of Software Gone Wild.Listen to the podcast

Dr. Susmita Mohanty is a spaceship designer and serial aerospace entrepreneur. She is the CEO of EARTH2ORBIT, also co-founded MOONFRONT, San Francisco [2001-2007] and LIQUIFER, Vienna [2004-ongoing]. In this episode, she talks about growing up as a kid on the ISRO SAC campus and her journey of turning into an entrepreneur.

Michael Benson works at the intersection of art and science as both a writer and artist. His new book, Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece examines the four year long production of the movie 2001: A Space Odyssey. Michael saw the movie 2001 at age six, and it had a profound influence on his career, especially in his art and science/photography books. We chatted about his book: how Arthur Clarke and Stanley Kubrick met, Kubrick’s view of the best scifi movies of the time, the development of the 2001 script, the depiction of artificial gravity in the legendary centrifuge apparatus, the depiction of aliens, the visual contributions of Douglas Trumbull, and the enduring influence this movie has had on our technology and psyche.

5 minutes pour aborder les plus grandes répliques du cinéma, c’est le retour estival de Ma ligne de chance, sur Radio Campus Paris. Aujourd’hui, nous abordons 2001, L’Odyssée de l’Espace, de Stanley Kubrick. Ce film célèbre a révolutionné l'histoire et l'esthétique du cinéma. En particulier, une scène pose la question du contenu des conversations. Qu'est-ce qu'une conversation vide? https://www.youtube.com/watch?v=ARJ8cAGm6JE   « Dave, this conversation can serve no purpose anymore. » La traduction est difficile : « Dave, cette conversation n’a désormais plus aucun objet, ou plus aucun sens ». Cette réplique de Douglas Rain nous a donné à penser. Voici notre interprétation, subjective bien sûr, de cette trouvaille des scénaristes Arthur Clarke et Stanley Kubrick. David Bowman et Frank Poole, accompagnés de trois scientifiques mis en hibernation, se dirigent vers la planète Jupiter. A bord de leur vaisseau, Discovery One, un ordinateur de bord surpuissant contrôle toutes les défaillances potentielles. Cet ordinateur, c’est HAL 9000, dont la voix est celle de Douglas Rain. Mais HAL a montré qu’il n’était pas infaillible, si bien que David et Frank envisagent de le déconnecter pour éviter tout pépin ultérieur. Alors que David est allé hors du vaisseau chercher Frank, qui dérive dans l’espace, au moment où il revient, HAL refuse de lui donner l’accès au vaisseau. C’est l’occasion de sa célèbre réplique. Qu'est-ce qu'une conversation qui n'a plus de « purpose », de contenu ? Une conversation vide. Mais vide de quoi ? Cette réplique revient à s'interroger sur ce qu'est le contenu d'une conversation. Et on peut analyser ce contenu en termes linguistiques. Ainsi, on peut séparer, classiquement, le signifiant et le signifié. Le signifiant d'un mot c'est le son. Par exemple, le signifiant de cheval c’est le son « cheval ». Le signifié, c'est ce à quoi le son renvoie. Ainsi, le son « cheval » renvoie à un certain type d'animal. Or pour HAL, continuer la discussion reviendrait à parler sans aucun contenu. Ce serait un enchaînement de signifiants, sans aucun signifié. Les analyses de Roland Barthes dans L'empire des signes nous aideront à comprendre ce qu'est cette conversation sans contenu : ne ressemble-t-elle pas au « signe vide » dont parle le sémiologue ? Plus encore, nous verrons que HAL est régi par une logique profondément utilitaire. Pour en savoir plus sur nos analyses, écoutez le podcast de l'émission !   Les références de l'émission:   Pour aller plus loin: Sur la notion de signifiant et signifié, les analyses de Roland Barthes en deuxième partie de Mythologies. Le mythe est un signe au deuxième degré, explique-t-il. A propos du désintéressement (qui n'est pas un désintérêt !) face à l'art, la célèbre Critique de la faculté de juger de Kant. Pour un bel exemple de conversations apparemment sans contenu, et qui pourtant créent un effet esthétique, le film La maman et la putain de Jean Eustache (avec les impressionnantes logorrhées d'Alexandre, joué par Jean-Pierre Léaud).

Let me know if you have any questions, email me at john@thespaceshot.com. Send questions, ideas, or comments and I will be sure to respond to you! Thanks for reaching out :) Thank you for making me part of your daily routine, I appreciate your time and your ears! Do me a favor and leave a review for the podcast if you enjoy listening each day. Screenshot your review and send it to @johnmulnix or john@thespaceshot.com and I will send you a Space Shot sticker and a thank you! You can send me questions and connect with me on Facebook, Instagram, or Twitter, by clicking one of the links below. Facebook (https://m.facebook.com/thespaceshot/) Instagram (https://www.instagram.com/johnmulnix/) Twitter (https://twitter.com/johnmulnix) I've also got a call in number that I'm going to be testing here soon, so keep an eye out for that! Episode Links:

Happy Saturday everyone! I hope you have a great weekend! Be sure to subscribe so you don't miss tomorrow's episode about the Wright Brothers. If you listen to the show, please leave a review in iTunes. If you've got the Podcasts App on your Apple device, just search "Space Shot" then, depending on your iOS version, scroll down until you see "Tap to Rate" :) Thanks! Connect with me on Facebook, Instagram, and Twitter, just click the links below. Facebook (https://m.facebook.com/thespaceshot/) Instagram (https://www.instagram.com/johnmulnix/) Twitter (https://twitter.com/johnmulnix) Episode Links: AT&T Archives Interview with Arthur C. Clarke, 1976 (http://techchannel.att.com/play-video.cfm/2015/2/3/AT&T-Archives-Interview-with-Arthur-C-Clarke-1976) Geostationary Satellites Article- 1945 (https://web.archive.org/web/20090318000548/http://www.clarkefoundation.org/docs/ClarkeWirelessWorldArticle.pdf) Pioneer 6 In Depth- NASA (https://solarsystem.nasa.gov/missions/pioneer_06/indepth) Pioneer 6- NASA (https://nssdc.gsfc.nasa.gov/nmc/masterCatalog.do?sc=1965-105A)

En 1945, un famoso escritor de ciencia-ficción, llamado Arthur Clarke, sugirió la posibilidad de colocar tres satélites en órbita geoestacionaria para comunicar toda la Tierra. Una sugerencia que era muy atrevida, si se tiene en cuenta que aún faltaban doce años para que surcara el firmamento el primer ingenio espacial fabricado por el ser humano. En 1957, comenzó la era espacial con el lanzamiento del primer Sputnik por la, entonces, Unión Soviética. A partir de aquel momento, la idea de colocar satélites en la órbita geoestacionaria ya no resultó tan descabellada. Apenas dos décadas después de Clarke lo propusiera, sus ideas se hicieron realidad y ahora, centenares de satélites ocupan un lugar en el llamado “Cinturón de Clarke”.

In the new year of 2010 one of the most outstanding memes that has been resurrected in my mind is the quote from science fiction writer Arthur Clarke that this is the year we make contact with civilizations that live somewhere in space. The mission in the 'Odyssey' of Clarke was to contact the creators of the Monolith somewhere on Saturn’s moon Japetus. Many who have viewed the movie '2010' will know that the mission was changed to contacting aliens on Europa, the moon of Jupiter. http://www.groundzeromedia.org/2010-the-year-of-clarkes-contact/

O Man in the Arena é um videocast sobre empreendedorismo e cultura digital apresentado por Leo Kuba e Miguel Cavalcanti.   Neste episódio (#027):   Uma aula de empreendedorismo, vendas e trade marketing com Adriano Amui, diretor executivo da Esfera Gestão e INVENT.   Alguns dos temas abordados:   - De executivo, com passagens pela Shell, Parmalat e Nestlé, a empreendedor, fundando a Esfera Gestão e INVENT (Instituto Nacional de Vendas e Trade Marketing). - Como gerenciar o tempo em tantos empreendimentos?  - Como sistematizar vendas para não depender exclusivamente de talentos sem metodologia e processos? - O que é trade marketing e para onde esta disciplina está evoluindo? - Como contratar um bom vendedor? - Qual a melhor política para remuneração variável para vendedores? - Sonhos, desafios e aprendizados. - Dicas de livros.   Para saber mais:   - Esfera Gestão: http://www.esferagestao.com.br - INVENT: http://www.inventrade.com.br - Twitter: http://twitter.com/aamui   Dicas de livros:   - Qual é a tua obra? - Mario Sergio Cortella http://www.livrariasaraiva.com.br/produto/1990467/qual-e-a-tua-obra-inquietacoes-propositivas-sobre-etica-lideranca-e-gestao/ - Quando me conheci - Jorge Bucay http://www.livrariasaraiva.com.br/produto/3461520/quando-me-conheci-quem-sou-aonde-vou-com-quem/ - O negociador - Leigh Thompson http://www.livrariasaraiva.com.br/produto/2615800/o-negociador/ - Tomada de decisão nas organizações - Abraham Yu http://www.livrariasaraiva.com.br/produto/3454148/tomada-de-decisao-nas-organizacoes-uma-visao-multidisciplinar/ - O fim da infância - Arthur Clarke http://www.livrariasaraiva.com.br/produto/2877156/o-fim-da-infancia/ - Trade Marketing. Pontos de vista comentados - Adriano Amui http://www.livrariasaraiva.com.br/produto/3047932/trade-marketing-pontos-de-vista-comentados/   Acompanhe e participe nos canais do Man in the Arena:   - YouTube: http://youtube.com/maninthearenatv - Facebook fan page: http://facebook.com/maninthearenatv (cadastre-se na fan page e receba nossa newsletter)  

Sir Arthur Clarke: A TributeLearn more about your ad choices. Visit megaphone.fm/adchoices