Podcasts about drella

Andy Warhol starb 1987. Bei einer Trauerfeier begegneten sich die früheren Freunde John Cale und Lou Reed das erste Mal seit den 70er Jahren wieder. Sie beschließen, gemeinsam ein Erinnerungsalbum für ihren verstorbenen Mentor Warhol aufzunehmen. „Songs for Drella“ enthält sparsam instrumentierte Erzählungen von seiner Arbeit, von Traumfantasien und auch von persönlichen Begegnungen mit dem Künstler. Eine kurzfristige Zusammenarbeit der beiden als „The Velvet Underground“ gemeinsam mit Mo Tucker und Sterling Morrison hält nicht lange. Die Wege trennen sich wieder: Lou Reed liefert in den folgenden Jahren mehrfach Musik für Theaterwerke von Robert Wilson. Lou Reed stirbt schließlich 2013. John Cale komponiert weiterhin Soundtracks wie ebenso Rock- und Popmusik, und veröffentlicht diese, hoch anerkannt und verehrt, als Meister vieler Klassen. Bis heute führt er sie scheinbar unermüdlich auch live auf. Musikliste: Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Becoming The Beatles / https://1.ard.de/beatles-podcast?cp

durée : 00:24:26 - Le Feuilleton - Andy Warhol avait été surnommé Drella, pour Dracula et Cinderella…

durée : 00:24:26 - Le Feuilleton - Andy Warhol avait été surnommé Drella, pour Dracula et Cinderella…

DJ St. Paul neemt de muzikale week door met liedjes van o.a. Tame Impala, Rosinha De Valença & Joy Crookes. Deze keer in de albumrubriek een uitgebreid gesprek met radiopresentator Tim op het Broek over Songs for Drella van Lou Reed & John Cale. Benieuwd naar de tracklist en shownotes? Check ze via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tivolivredenburg.nl/studio/podcast/st-pauls-boutique⁠⁠ Meer podcasts van TivoliVredenburg ontdekken? Ga naar ⁠⁠tivolivredenburg.nl/podcast

DJ St. Paul neemt de muzikale week door met liedjes van o.a. Tame Impala, Rosinha De Valença & Joy Crookes. Deze keer in de albumrubriek een uitgebreid gesprek met radiopresentator Tim op het Broek over Songs for Drella van Lou Reed & John Cale. Benieuwd naar de tracklist en shownotes? Check ze via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tivolivredenburg.nl/studio/podcast/st-pauls-boutique⁠⁠ Meer podcasts van TivoliVredenburg ontdekken? Ga naar ⁠⁠tivolivredenburg.nl/podcast

I denne episode stilles skarpt på de sidste nogle og tredive år af sanger og sanskriver Lou Reeds liv, som prægedes af et kunstnerisk svingende output, selvom det blev mindst til en god håndfuld skudsikre klassikere. Lyt med når Klaus Lynggard og Henrik Queitsch spiller et bredt udvalg af den legendariske amerikansk rock'n'roller. Værter: Klaus Lynggaard og Henrik QueitschKlip: Andreas Skøtt Lenstrup Playliste: “Growing Up in Public” (Growing Up in Public, 1980)“Standing on Ceremony” (Growing Up in Public, 1980)“The Blue Mask” (The Blue Mask, 1982)“The Gun” (The Blue Mask, 1982)“Bottoming Out” (Legendary Hearts, 1983)“What Becomes a Legend Most” (New Sensations, 1984)“Fly Into the Sun” (New Sensations, 1984)“The Original Wrapper” (Mistrial, 1985)“Dirty Blvd.” (New York, 1989)“Endless Cycle” (New York, 1989)“Dime Store Mystery” (New York, 1989)Lou Reed / John Cale: “Smalltown” (Songs for Drella, 1990)Lou Reed / John Cale: “Slip Away (A Warning)” (Songs for Drella, 1990)“What's Good (The Thesis)” (Magic and Loss, 1992)“Magician (Internally)” (Magic and Loss, 1992)“NYC Man” (Set the Twilight Reeling, 1996)“Finish Line” (Set the Twilight Reeling, 1996)“Ecstasy” (Ecstasy, 2000) Lou Reed feat.The Blind Boys of Alabama: “I Wanna Know” (The Pit and the Pendulum)” (The Raven, 2003)Lou Reed & Metallica: “The View” (Lulu, 2011)  

This week is a big, fun romp, plus we make plans to go to the Renn Faire. This time, we over-discuss: That's what they do, that's what we do Sofia references Lindsey scared stupid Rune jumping, Rachel crying A good immersive experience Taking the face off and adding it back Parent PTSD You had them come in for this Convenient Christopher logistics Oh, that's what you're upset about Jolly Richard No one asked you, Dean He left his personality in the junkyard That's what they do, they fight Paris can't ever calm down Go Bootsy Eating sticky foods around barn animals I could have had my own bed And ask so many questions: Have you ever actually tried to make a snowman? Do you know what peacock pie is? Why'd you put it back? Why isn't Drella there? Whatever happened to the puppy? Has Rory never spent the night with her dad before? Which one do you want him to be? What did they do there? If it weren't Jess, would Dean have stopped it? If it weren't Dean, would Jess have kept punching? Are they both being inappropriate? Can you chill? Can you use context clues, Paris? Also, like, why? How do they function at school? How did you get there? Why did you say yes to this? Send us your thoughts or just say hi (good vibes only!) at gilmoredpodcast@gmail.com or follow us on Insta @gilmoredpod. You can also join our Facebook group Poptarts! --- Send in a voice message: https://podcasters.spotify.com/pod/show/gilmored/message

“Songs for Drella”, Lou Reed & John Cale's marvelous 1990 posthumous tribute to Andy Warhol, offers an intensely personal view of Warhol with songs and playing that rank among the finest in either man's career. Their first collaboration since The Velvet Underground, nearly 20 years earlier, led to both artists vowing never to work with the other again. Our album today, suggested by listener Nick Farmer, is “El-Rayo-X" (1981) by multi-instrumentalist David Lindley. We hadn't come across this album before, and we both agree it's a lot of fun - mainly reggae-influenced beat, but clearly Californian.   Lindley sounds familiar, probably because of his presence on albums by so many others we love – Warren Zevon, Jackson Browne and Linda Ronstadt to name but a few. In the segment, Lunacy, Legends and Lies we look at how Black Sabbath's Tony Iommi only stopped setting drummer Bill Ward on fire after Bill's mum called Tony a "barmy bastard" who should "grow up", and recount how, in 1989, Slash ran naked and bleeding through a resort hotel after a hallucination.  This episode has lots of stuff you may not have known before, and isn't that the fun of it? References:  The Factory, Banksy, Bowie, “Andy Warhol”, “15 minutes of fame”, Metallica, Master of Puppets, Stone Temple Pilots, MTV Unplugged, Valerie Solanis, Nico, “Waiting for the Man”, White Light/White Heat, “Words for the Dying“, Dylan Thomas, “New York”, The Church of St. Anne's Brooklyn, “Berlin”, Czechoslovakia, viola, “Fragments of a Rainy Season”, “Hallelujah”  Our email: MickandthePhatman@Gmail.com  Songs for Drella – Album El-Rayo-x – David Lindley Werewolves of London - David Lindley; Late Night with Jules Holland Song for Drella – The Movie Fragments of a Rainy Season – John Cale Nobody Like You VideoInterview Part 2

Please support us via http://patreon.com/SUBTXT if you can with just £3 a month so we can continue to support local artists and bring you this podcast! Our second Artist Spotlight is on a politically charged punk band from Bradford called Drella. Mosh and march! We will be doing more Artist Spotlights in upcoming episodes, including both our own artists and others out there that we don't even know about yet. Send us your work via info@subtxt.co.uk, we'd love to hear it!

L'album "Songs for Drella" de Lou Reed et John Cale sort en 1990. Drella, c'est le surnom donné à l'artiste Andy Warhol. L'album aborde dans la chanson "I believe" la journée ou Andy Warhol sera abattu et même brièvement considéré comme mort. Qui a tiré sur Warhol et pourquoi? C'est le sujet de cet épisode de "Ballades meurtrières"Bonne écoute!Liens :www.dubruitamesoreilles.com

Spéciale Lou Reed, prince des angoisses et de la nuit (Andy Warhol) à l'occasion des 10 ans de sa disparition et Clara Ysé dans la #SessionLive pour la sortie du 1er album Oceano Nox. Sophian Fanen évoque la carrière de Lou Reed, né le 2 mars 1942, à Brooklyn (New York) et mort le 27 octobre 2013 à East Hampton (Long Island, New York). L'auteur-compositeur-interprète américain  a commencé sa carrière avec le groupe The Velvet Underground, groupe résident de la Factory, un atelier d'artistes créé par Andy Warhol en 1964.Bio officielle UniversalInventeur du rock adulte des années 1970 avec The Velvet Underground, Lou Reed reste l'auteur d'une carrière en solo unique. Sorti de l'ombre avec l'album Transformer et le hit « Walk on the Wild Side » en 1972, le rocker new-yorkais s'attache au fil des albums à dessiner les contours d'un rock urbain. Après le majeur et déprimant Berlin (1973), le porte-parole des marginaux poursuit une carrière cahotique, alternant le meilleur (Rock'N'Roll Animal) et l'expérimental (Metal Machine Music). En 1989, sort l'ode définitive à sa ville (New York) et l'année suivante avec son ex-partenaire John Cale, l'ultime hommage à son mentor Andy Warhol (Songs for Drella). Par la suite, le mari de Laurie Anderson flirte avec les expérimentations au hasard de The Raven ou du projet Lulu, avec le groupe Metallica (2011). Sa disparition, quelques mois après une greffe du foie, le 27 octobre 2013, cause un grand émoi et laisse un vide immense.Titres Lou Reed- The Velvet Underground, Pale Blue Eyes, tiré de l'album The Velvet Underground (MGM Records, 1969) audio - Satellite of Love, tiré de l'album Transformer (RCA Victor, 1972) vidéo - Sad Song, tiré de l'album Berlin (RCA Victor, 1973) vidéo - Charley's Girl, tiré de l'album Coney Island Baby (RCA Victor, 1976)- Street Hassle, tiré de l'album Street Hassle (Arista, 1978) vidéo. Puis la #SessionLive reçoit Clara Ysé pour la sortie de son 1er album Oceano NoxClara Ysé. C'est, d'emblée, une voix. Une voix qui soulève le sable, traverse le feu, transperce la nuit, franchit en souveraine des continents de sentiments et transporte avec elle la douleur autant que ses remèdes. Elle est ce « joyau intact sous le désastre » de Mallarmé, pierre brute inamovible malgré le chaos, miraculeux talisman resplendissant sur des musiques elles aussi serties de beauté et de bravoure. Après un discret tour de piste en 2018 – six titres en français et en espagnol, dont le magnétique Le Monde s'est dédoublé – Clara Ysé s'avance enfin en pleine lumière, à pleine puissance, avec Oceano Nox, premier album à la grande audace, écrit et composé par elle, co-réalisé avec Ambroise Willaume (Sage), mixé par Renaud Letang et porté en battante avec des musiciens et un chœur au diapason.Depuis l'enfance, elle joue et chante, un violon entre les mains alors qu'elle savait à peine marcher, puis éduquée au chant à huit ans, avant de grandir en soprano et de tracer une route parallèle vers la chanson à ses études au Conservatoire et à son master de Philosophie. Parvenue à l'entrée de la trentaine, Clara Ysé possède ainsi derrière elle une longue traîne d'expériences et de sensations mêlées, de plaisirs sédentaires à mettre des poèmes en musique, mais aussi de voyages et de mariages artistiques qui imprègnent désormais son art incandescent et troublant. Frappée par un drame, il y a quelques années, c'est en Amazone qu'elle réapparait, au galop contre l'emprise du deuil, qu'elle sait chanter sans démonstration (Lettre à M) et dont elle s'effeuille du poids avec la légèreté d'une luciole (La maison). À ceux qui seraient frappés par sa douceur, elle répond, dans la chanson qui porte ce nom « Si tu savais la haine qui coule dans mes veines, tu aurais peur, si tu savais la chienne que je cache à l'intérieur… ».Passionnelle comme les aïeuls espagnols qui la précèdent, littéraire par atavisme (elle doit l'Ysé de son double prénom au Partage de Midi de Claudel), elle a publié un premier roman ardent, Mise à feu (Grasset, 2021), avant le grand embrasement de cet album qui démarre lui aussi tout feu tout flamme (Pyromanes). Longtemps, Clara Ysé a laissé la musique en liberté, sans la capturer dans un studio, chantant partout où elle le pouvait et organisant des fêtes qui terminaient invariablement en impros musicales, à l'aube. Les chœurs de Pyromanes ou de Souveraines viennent de là, voix de femmes et d'hommes qui l'accompagnent depuis toujours, et certains des musiciens – joueur de duduk, cuivres ivres ou violoncelle tisseur de songes - ont également vécu ces partages de minuit. Observer un père peintre, suivre la métamorphose de ses toiles qui partaient toujours du point le plus sombre pour mieux laisser jaillir la clarté, l'a inspirée une fois qu'elle s'est mise à composer ses chansons, cherchant à déployer musicalement cette même ascension chromatique. Elle a aussi beaucoup voyagé, emprunté au réalisme magique de la littérature mexicaine ou colombienne ses ensorcellements (Magicienne, Le désert) et ses envolées oniriques, qu'elle a su parfaitement retranscrire en musique (Cœur indompté). Ce premier album est d'abord celui d'une désirante, d'une « obsessionnelle de la réparation », dit-elle, qui a choisi comme plongée heureuse la lumière féroce des profondeurs, la vitalité des grandes traversées de nuit, l'étourdissement des émotions intenses, la vie aux lisières de la transe.Elle aime les novateurs, de Rosalia à Björk en passant par Kendrick Lamar, les chanteuses qui allient fragilité et force comme Lole Montoya, Janis Joplin, Mercedes Sosa, Nina Hagen, autant que la musique baroque et la liturgie extatique des chants grégoriens. Elle confronte sa voix à une modernité novatrice, guidée par son obsession de la recherche et son goût de la transgression, jouant autant avec ses producteurs à introduire des synthés aux textures irisantes, des rythmiques électroniques empruntant au reggaeton, qu'à s'approprier certains codes du Rébétiko grec qu'elle aime tant. Avec le feu, l'eau est son autre élément, celui de la tourmente comme de l'apaisement, et en empruntant à L'Enéide de Virgile, le titre de son album (« et ruit Oceano Nox », « et la nuit s'élance de l'océan »), déjà repris par Victor Hugo dans un poème dédié aux marins disparus, elle sait qu'hisser les voiles, comme elle chante dans l'accrocheur L'étoile, est aussi un geste d'amour fou, à en perdre l'équilibre et la raison. Vulnérable mais puissante, solide comme le granit et pourtant insaisissable, elle pénètre dans la chanson française avec l'éclat et la classe des grandes conquérantes. La suivre sera incontournable.Titres interprétés au grand studio- Douce Live RFI vidéos - Pyromanes, extrait de l'album Oceano Nox vidéo - Magicienne Live RFI vidéos.Line Up : Clara Ysé, guitare, voix, Ingrid Samitier, guitare.Son : Mathias Taylor, Benoît Letirant.► Album Oceano Nox (Tôt ou Tard 2023).

This episode wraps-up the chronicle of The Factory's downward slide. Drella has made the scene at The Factory and there has been some fallout. A script entitled “Up Your Ass” led to Andy Warhol barely cheating death at the hands of its author, Valarie Solanas. She called the Factory dwellers the “Stupidstars” and Warhol “a vulture and a thief.” The resulting scars Andy had — both physical and emotional — would last the rest of his life. - - - - - Visit our full episode page for show notes, the visual examples we discuss, additional links and more! https://www.twodesignerswalkintoabar.com/episodes/episode-56-silver-wears-off-2 - - - - - Have a question or idea for Todd and Elliot? Send a note to hello@twodesignerswalkintoabar.com and we promise to read it. After that it's anyone's guess. - - - - - Visit https://www.twodesignerswalkintoabar.com/merch to have a look at stuff we've made for listeners just like you and support us on Patreon for subscriber-only extras. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Lou Reed released his tour de force, “New York”.   Many see this album as part of Reed's holy trinity of spectacular albums - “Velvet Underground & Nico”, “Berlin” and “New York”. Commercially & artistically successful, this album took everything back to basics, and Reed himself was quoted as saying, “This is as good as it gets – two guitars, bass and drums”. Mick and Jeff both love this late-career revival album for its strong songs, caustic lyrics, perfect observations and great word play. This deals with the "everyday" – domestic violence, child abuse, corruption, politics – and it's grittier for that reality.   The album you must hear before you die is 1988's self-titled “Tracey Chapman”.  This album, very different to what was on the charts at the time, received 6 Grammy Award nominations, winning 3. The big hit from this album was “Fast Car", which sold strongly around the world, and still features in lists of the Greatest Songs of All Time.  Needless to say, Mick and Jeff think it's a terrific single on a terrific album   Jeff leaps into the world of fashion with tips on the biggest style trends for men in 2023.  The boys talk about Abbey Road and Star Wars parody T-shirts, with Mick's Peruvian t-shirt featuring llamas crossing the famous road. They've found Abbey Road shirts featuring not only The Simpsons, but The Depps (yep, Johnny Depp), The Sherlocks (of the Holmes variety), Dr Who and a Social Distancing design, with each person 1.5 metres apart!  We think you're going to love this episode.  We sure did!  References:  Lou Reed, “New York”, Abbey Road, llamas, “1001 Albums You Must Hear before You Die” Robert Dimery Editor 2021, Tracey Chapman, “Fast Car”, Elektra, “Talkin' ‘bout a revolution”, Billboard Hot 100, Globite School bag, “Berlin”, “Dirty Boulevard”, “Songs for Drella”, John Cale, Velvet Underground reunion tour PlaylistStyle trends for men 2023Linda Hurley song about invasive species to Australia

An hour of brand new, upfront tunes, this week from Porchlight, Ellie Dixon, The JoJo Man Band, Survibers, Cassels, Nina Kohout, Cucamaras, Message From The Ravens, Life Aquatic Band, Before Breakfast, Drella, Virens, Euan Blackman, Heather Ferrier, Video Blue, Jo Hall and Aura-KL handpicked by Tom Robinson from the BBC Introducing Uploader.

CastRohtan - AdamDevi - AmandaMist - MikeDesmond - MattWinlee - Rachel Buck - Cassie  @lovelygmCassie - Twitter DM and Producer - Diana  @mctdiana - Twitter, @arrowofartemis - Instagram Original Music by Adam - Used with permission.Sound effects and soundscapes by Syrinscape.com. and Freesounds.orgFreesounds.org sounds used under the Creative Commons License.Like what you hear? Support us on our Patreon. www.patreon.com/multiclasstheater

Goodbye Andy. SUBSCRIBE TO JOKERMEN ON PATREON FOR ACCESS TO ALL EPISODES AD-FREE WATCH OUR "BOB DYLAN REVISITED" SERIES ON YOUTUBE MERCH AVAILABLE ON JOKERMEN.SHOP FOLLOW JOKERMEN ON INSTAGRAM AND SUBSTACK

The Jokermen discuss a masterpiece. Strap in. SUBSCRIBE TO JOKERMEN ON PATREON FOR ACCESS TO ALL EPISODES AD-FREE WATCH OUR "BOB DYLAN REVISITED" SERIES ON YOUTUBE MERCH AVAILABLE ON JOKERMEN.SHOP FOLLOW JOKERMEN ON INSTAGRAM AND SUBSTACK

Writer and musician Leeore Schnairsohn and host Catherine Nichols discuss Songs for Drella, the album Lou Reed and John Cale released in 1990 about their friend, mentor and manager Andy Warhol. They talk about the intimacy of artists' imitation of their friends voices, the paradox of Warhol's art, and where the album fits in both Reed's and Cale's career. Leeore Schnairsohn's fiction, reviews, and translations have appeared in the Los Angeles Review of Books, Painted Bride Quarterly, the Slavic and East European Journal, Russian Review, and elsewhere. He holds a PhD in Comparative Literature from Princeton University, with a dissertation on Osip Mandelstam, and teaches in the Expository Writing Program at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Monday night co-host Max has a yarn with the incomporable Drella, chatting all about his latest single 'Night Crawls'. The pair further discuss sourcing inspiration in music, the juxtaposition between sound & lyrics and the origins of Drella. See omnystudio.com/listener for privacy information.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Lou Reed, byname of Lewis Allan Reed, (born March 2, 1942, Brooklyn, New York, U.S.—died October 27, 2013, Southampton, New York), was a singer-songwriter whose place in the rock pantheon rests primarily on his role in guiding the Velvet Underground, a New York City-based quartet that produced four poor-selling but enormously influential studio albums under Reed's direction from 1965 to 1970.After quitting the Velvets, he reemerged as a solo performer in England, where he was adopted by admirers such as glam rock pioneer David Bowie, who produced and performed on Reed's breakthrough hit, “Walk on the Wild Side” (1973), and Mott the Hoople, who covered Reed's Velvets classic “Sweet Jane.” His albums embraced everything from rote pop to heavy metal and included an orchestrated song cycle about a sadomasochistic love affair, Berlin (1973), and a double album of guitar drones, Metal Machine Music (1975), that are among his most notorious works. At the onset of the 1980s, Reed recruited his finest post-Velvets band, including guitarist Robert Quine and bassist Fernando Saunders, and reimmersed himself in raw guitar rock on The Blue Mask (1982), addressing his fears, ghosts, and joys with riveting frankness. No longer bedeviled by his addictions, Reed adopted a more-serious if less-daring tone on his recordings, peaking with three releases that were less concept albums than song cycles: New York (1989), about the spiritual death of his hometown; Songs for Drella (1990), an elegy for his 1960s mentor, Pop art conceptualist Andy Warhol, done in collaboration with former Velvets bandmate John Cale; and Magic and Loss (1991), inspired by the deaths of two friends. A romantic relationship with American performance artist and musician Laurie Anderson rejuvenated him again in the mid-1990s, resulting in the playful Set the Twilight Reeling (1997) and the harder-hitting Ecstasy (2000).In 2000–01 Reed collaborated with director Robert Wilson to bring to the stage POEtry, which was based on the work of Edgar Allan Poe. The songs from the show were also packaged, with spoken-word interludes, on The Raven (2003)—an ambitious if critically panned experiment. It was followed by Animal Serenade(2004), an excellent live recording that echoed Reed's landmark 1974 concert album Rock 'n' Roll Animal. In 2006 Reed celebrated New York City in a book, Lou Reed's New York, which collected his photography. Reed was inducted into the Rock and Roll Hall of Fame as a member of the Velvet Underground in 1996 and as a solo performer in 2015.From https://www.britannica.com/biography/Lou-Reed. Previously on The Quarantine Tapes:“I'll Be Your Mirror”: https://www.youtube.com/watch?v=ZudHYTya-dQ“I'll Be Your Mirror Lyrics”: https://genius.com/The-velvet-underground-ill-be-your-mirror-lyrics“Lou Reed, 1942-2013”: https://www.nytimes.com/2013/10/28/arts/music/lou-reed-dies-at-71.html

“Lucky Daye was a successful songwriter but didn't release his first EP until 2018. Since then he's won a Grammy and been nominated for 6. What do collaborations like Lucky Daye working with Kaytranada on Look Easy do for expanding an audience?” Sam Watters, former R&B star as an original member of Color Me Badd and current manager for Lucky Daye, joins us to talk about developing an audience in today's music industry. He shared his insight on the current state of R&B and Pop music, while also getting technical with Murph on how he continues his success multiple decades into his career. Sam also manages Drella, Algee Smith, and his son Kieran Watters. If you're interested in being part of the conversation, join us each week at 11am est/8am pst on Twitter Spaces! More Studio Talk: Monday Morning Manager Newsletter Blog Instagram Youtube Twitter

Today, on The Goggler Podcast, Uma speaks to Songs for Drella director, and two time Oscar nominated cinematographer, Ed Lachman.

El director estadounidense Ed Lachman nos cuenta cómo rescató un documento histórico: 'Songs for Drella'. Una puesta en escena compuesta por Lou Reed y John Cale para su amigo Andy Warhol.

เม้งเพิ่งไปดูหนังมาเรื่องนึง (เสพมีเดียใหม่ๆ ทุกอาทิตย์เลยตาคนนี้) มันคือ Songs for Drella บันทึกการแสดงดนตรีสดของเพลงในอัลบั้มชื่อเดียวกับภาพยนตร์นี้ (หาดูได้ใน MUBI) ความพิเศษคืออัลบั้มนี้ประพันธ์และบรรเลงโดย Lou Reed และ John Cale สองสมาชิกจาก Velvet Underground วงดนตรีที่เคยมีผู้จัดการวงชื่อ Andy Warhol และที่พิเศษไปกว่านั้นคืออัลบั้ม Songs for Drella นี้ เป็นอัลบั้มพิเศษที่สองคนนี้แต่งอุทิศให้แก่แอนดี วอร์ฮอล โดยเฉพาะ หลังจากการเสียชีวิตของศิลปินป๊อปอาร์ตชื่อก้องโลกที่มีคุณูปการมหาศาลต่อพวกเขาในอดีต ไปฟังที่มาที่ไปของอัลบั้มทริบิวต์ที่พิเศษมากๆ ชิ้นหนึ่งของโลกกัน #SalmonPodcast #SalmonLAB #SalmonHouse #Arttrovert #เรื่องศิลปะน่าสนใจ Learn more about your ad choices. Visit megaphone.fm/adchoices

Former Unearthed High favourites are back and all grown up + Old Mervs make their case to be Australian indie rock's next big band.

Former Unearthed High favourites are back and all grown up + Old Mervs make their case to be Australian indie rock's next big band.

Den walisiske musiker, komponist, sanger og pladeproducer John Cale fylder snart 80 år. Udover at være et af de originale medlemmer af det amerikanske band 'The Velvet Underground', så har multitalentet produceret et hav af soloalbums. I dette afsnit af 'Rockhistorier' gennemgås og hyldes hans lange musikalske karriere. 'John Cale har lavet nogle af rockhistoriens største plader og sange, og han er en af de helt store figurer i rockhistoriens leksikon,' lyder det enstemmigt fra Klaus Lynggaard og Henrik Queitsch. Playliste: ”Big White Cloud” (Vintage Violence, marts 1970, også udsendt som single november 1970)”Ghost Story” (Vintage Violence, marts 1970)“Paris 1919” (Paris 1919, februar 1973)“Antarctica Starts Here” (Paris 1919, februar 1973)“Fear Is a Man's Best Friend” (Fear, oktober 1974)“You Know Me More Than I Know” (Fear, oktober 1974)“Guts” (Slow Dazzle, marts 1975)“Mr. Wilson” (Slow Dazzle, marts 1975)“I Keep a Close Watch” (Helen of Troy, November 1975)“Mercenaries (Ready for War)” (Sabotage/Live, December 1979)“Strange Times in Casablanca” (Honi Soit, marts 1981)“Taking Your Life in Your Hands” (Music for a New Society, september 1982) “Thoughtless Kind” (Music for a New Society, september 1982) “Dying on the Vine” (Artificial Intelligence, September 1985)Reed & Cale: “Faces and Names” (Songs for Drella, April 1990)Eno & Cale: “One Word” (Wrong Way Up, oktober 1990)“Some Friends” (Walking on Locusts, september 1996)“Over Her Head” (HoboSapiens, oktober 2003)”Perfect” (BlackAcetate, oktober 2005, også udsendt som single samme måned)”Living with You” (Shifty Adventures in Nookie Wood, oktober 2012)

Welshman John Cale is a founder member of The Velvet Underground and a prolific solo artist. Over a career spanning seven decades, he sings and plays a multitude of instruments (viola, piano, guitar, et al), always questing for something new. His work, though sometimes challenging, has moments of rare beauty and musical virtuosity. Mick and the Phatman discuss the breadth of Cale's career, pointing out highlights for those new to Cale, and giving insights into a career that has never settled for the easy road. References: COVID Immunity, “1001 Albums You Must Hear before You Die”, Robert Dimery, Bob Dylan, “Blood on the Tracks”, Chris Knox, Flying Nun Records, “Ghost Story”, Vintage Violence, Jonathon Richman, John Cage, La Monte Young, Aaron Copland, The Primitives, Mo Tucker, Close Watch, Hallelujah, Paris 1919, “The Island Years”, “Music for a New Society”, Sam Shepard, “Heartbreak Hotel”, Brian Eno, “Wrong Way Up”, The Bottom Line, New York, Andy Warhol, Scorgie's Rochester, Enmore Theatre, “Songs for Drella”, “Autobiography”, “What's Welsh for Zen?”, Le Bataclan, Patti Smith, “Horses”, Nico, Hit us up on our email: MickandthePhatman@Gmail.com Playlist (Spotify) John Cale - A More Accessible Collection Fears Just a Mans Best FriendFragments of a Rainy SeasonBooks What's Welsh for Zen? – The Autobiography of John Cale - Victor Bockris & John Cale VideoCale: Bowie TributeContact us If you enjoy this podcast, share it with a friend who loves music. Or leave us a review and a 5-star rating as it helps our audience grow.  What do you think of the podcast? What would you like us to talk about?  Ask questions, or even let us know if we got something wrong!!  Facebook  Instagram mickandthephatman@gmail.com 

Tyler and David discuss what they've been watching, including El Topo, Chameleon Street, The Godfather Coda: The Death of Michael Corleone, Becoming Cousteau, Dune, Beetlejuice, Songs for Drella, Eternals, Antlers, Cheap Thrills and Only the Animals.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:24:23 - Le Feuilleton - Andy Warhol avait été surnommé Drella, pour Dracula et Cinderella…

durée : 00:24:23 - Le Feuilleton - Andy Warhol avait été surnommé Drella, pour Dracula et Cinderella…

Two films in this year's NYFF lineup take us back to the ‘60s heyday of the New York avant-garde: in the Main Slate, Todd Haynes's The Velvet Underground offers a revelatory portrait of the milieu that gave rise to the eponymous band and its boundary-pushing music, while in Revivals, Ed Lachman's Songs for Drella captures Lou Reed and John Cale in concert, paying tribute to the late Andy Warhol with riveting intimacy. On Sunday, October 3, Film Comment editor Devika Girish and Clinton Krute joined Haynes, Lachman, critic Amy Taubin, and the editors of The Velvet Underground, Affonso Gonçalvez and Adam Kurnitz, for a roundtable talk. In our wide-ranging conversation on the stage of Damrosch Park at Lincoln Center. We touched on the making of the two films, as well as the enduring legacy of the historic moment of artistic innovation they so vividly evoke. Stay tuned to filmcomment.com for more coverage of this year's New York Film Festival, both on the podcast, and in the Film Comment Letter.

After leaving The Velvet Underground, Lou Reed produced two albums - Transformer and Berlin – based around songs he'd worked on with VU. Transformer showed Reed's caustic wit and observation of the seamy culture around him.  "Walk on the Wild Side", a huge hit in 1973, featured drugs, oral sex and transvestism, and yet often features in advertising? Don't ad agency creatives listen to the words!?  Berlin, Reed's response to the demands of success, is a grittier, darker album that didn't do well on first release. Reviewers called it “disappointing”, “too dark” and “a disaster”, but it has been consistently one of Reed's most popular albums.  Mick and the Phatman don't agree about Berlin. Mick says it's a masterpiece while the Phatman says it's a morbidly depressing pile of steaming chords. Mick saw Reed in the 80's and 90's up to the Berlin live show in 2008, including the show where he introduced “Small Town” as “Here's a song for you, Sydney”!  References in this program:  Lou Reed, Kali Uchis, Deep Purple, Space Truckin', Bob Ezrin, Bowie, Berlin, Transformer, Slade, Gary Glitter, Transformer, Andy Warhol, Mick Ronson, Walk on the Wild Side, Song for Drella, John Cale, David Bowie _____________________________________Listening:TransformerBerlinContact usWhat do you think of the podcast? What would you like us to talk about?  Ask questions, or even let us know if we got something wrong!!mickandthephatman@gmail.com

„Ateikite, kai apsiraminsite“, – taip į šiuolaikinio meno nemėgstančius lankytojus kreipiasi galerijos „Vartai“ įkūrėja Nida Rutkienė. Ievos Korsakaitės pokalbis. Menotyrininkės Aistės Paulinos Virbickaitės grojaraštyje – Andy Warholui skirto Lou Reed ir John Cale albumo „Songs for Drella“ apžvalga. Žurnalistė ir rašytoja Rugilė Audenienė savo inicijuotą konkursą „Biržų haiku“ vadina tarmės banku, nors čia dalyviai iš visos Lietuvos siunčia ne tik tarmiškus kūrinius. Kaunietis Benas Fainštainas savo legendiniame bare „Mažasis Paryžius“ laukdamas klientų kuria gobelenus. Jį aplankė Kotryna Lingienė. Vertėjos Tomos Gudelytės komentaras apie viruso pandemiją, šalių lyderių reakcijas ir sąmokslo teorijas. Vitos Ličytės pokalbis su Zalcburgo muzikos festivalio vykdančiuoju direktoriumi Luku Crepazu apie tai, kodėl pandemijos akivaizdoje komanda nepasidavė ir neatšaukė išskirtinio operos renginio. Rašytojas Juozas Erlickas pristato naują kompaktinę plokštelę „Mėlynoj stotelėj“ ir sako, kad geriausia pasirodyti vos vienam žiūrovui. Ved. Juta Liutkevičiūtė.

Es muss an der Plüsch-Ecke im Call me Drella gelegen haben, dass FFG diesmal ins Rotlichtmilieu abgedriftet sind. Zumindest thematisch. Denn die Drei haben durch ihre Jobs auch die ein oder andere schlüpfrige Situation erlebt, die meisten davon eher komisch. So wie Matthias, der auf der Reeperbahn an einem Pole-Dance-Battle teilgenommen hat. Harro hat dafür nach Indien reisen müssen, dort war es vielleicht weniger verrucht, dafür der Pole eine umso größere Herausforderung. Ein weiterer Battle hat Matthias in einen Monokini gezwängt, quasi als Borat von Mallorca. Harro hat festgestellt, dass er eine Badeanzug-Figur hat - vor 20 Jahren. Und Christian ist aus Versehen mal in einem Granny-Puff gelandet. Für viel Spaß ist also gesorgt in dieser Folge FFG - gute Unterhaltung!

Folge 8 ist bereits die 3. Folge, die es auch als Vodcast, gehostet von ONE München, zu erleben gibt. Im Club "Call me Drella" plaudern FFG über ihre Reiselust und Fernweh. Harro erzählt von seinem 58 Stunden-Trip bis er es ins Land der Internetdomain .tv geschafft hat. Dort bewahrt er den Prime Minister vor Dummheiten. Matthias erlebt in Papua-Neuguinea Geschlechtertrennung der befremdlichen Art und Schweine als Tinder-Ersatz. Christian schwärmt von der Rally Finland und die Rolle als Männlein im Walde. Ist FFG in manchen Bereichen sprachlich zu freizügig? Es droht die gelb-rote Karte! Warum? - hört rein...in Folge 8 von FFG-3 Männer 1 Mikro!

Folge 6 ist eine Weltpremiere! FFG-3M1M sind jetzt auch zu Sehen! Als Vodcast! Auf ONE München! Die drei lustigen Fernseher-Fuzzis greifen in den Grabbeltisch ihres Werdegangs und erzählen wie alles begann. Von wem Harro Füllgrabe kein Autogramm holen wollte, wie Matthias Fiedler, vom Prinz vom Stadtwald zum bad guy bei ProSieben wurde und warum das Rotlicht für Christian Glück wie eine Droge ist. Das Trio plaudert gemeinsam im Club"Call me Drella", mit dem entsprechenden Sicherheitsabstand natürlich! Have fun and stay safe!

Es ist Freitag der 20. März 2020 in München. Vor drei Stunden hat Ministerpräsident Markus Söder in Bayern die Ausgangsbeschränkung verhängt. Das Team von Geheimtipp München sitzt verstreut über die Stadt im Home Office und ein Teil (noch) in einem eilig aufgebauten Livestudio im Call me Drella. Eine mehr als harte Woche liegt hinter uns - in der wir neben einer unfassbaren Amplitude an Hiobsbotschaften aus der ganzen Welt versuchen zumindest der Kulturkrise entgegenzuwirken. Wir stampfen Münchens ersten Social TV Sender aus dem Boden. Der soll all denen eine Bühne bieten, die vorerst keine haben werden. Denn - so unsere Überzeugung - eine Stadt ohne Kultur, ist wie Essen ohne Gewürz. Es hält den Körper am Leben. Das Herz aber nicht. Da sitzen wir also an diesem gelinde gesagt beschissenen Tag in unserem bürogewordenen Zuhause: überarbeitet, übernächtigt, und langsam auch überladen mit Emotionen - zwischen der Sorge um die Family, die eigene Gesundheit, den Job und hin und her gerissen zwischen Euphorie und Resignation vor einem Workload, der selbst unseren bis dato sehr approovten Start up Spirit vor ne extreme Probe stellt. Da flattert eine Mail in unser Postfach - der Betreff: Quarantainment-Song feat. Angela Merkel. Wir klicken auf den Youtube-Link, lassen die Corona Welt da draußen für einen Moment lang Corona Welt sein und lassen uns auf das Musikvideo ein. Ein paar coole Dudes aus München, die dem aktuell verkopften Thema locker, jugendlich-naiv und trotzdem mit verantwortungsvoller attitude begegnen. Und by the way. Guter beat, Jungs! Gerappt wird von leergeräumten Discountern, Day drinking im Homeoffice und Kuschel-Verbot für die Freundin. Rap trifft auf technische Klänge treffen auf einen leicht trashigen Look in bunt Pastell - wenn wir an uns runtergucken können wir nur feststellen: zumindest uns haben die Jungs in Sachen Home-office Outfit ganz gut erwischt… Wir sind geflasht von neuer Zuversicht - trotz aller Widrigkeiten des Tages - , posten das Video direkt mal bei Facebook und machen einen Termin zum Interview aus: Cloutboi Juli & Pink Stan haben uns an diesem Tag nämlich das wieder gegeben was wir in der letzten Woche fast schon verloren haben: 1. die Ansicht, dass man mit der richtigen Herangehensweise aus allem etwas Gutes machen kann und 2. dass selbst der härteste Workload ertragbar ist, wenn man durch ihn dazu beiträgt, dass eine Stadt die Connection zu ihrer Kultur und ihren Künstler behält. Und nun: viel Spaß euch beim Anhören des daraus resultierenden Podcasts! Mehr zur Band könnt ihr übrigens auch im Magazin lesen: https://geheimtippmuenchen.de/geheimtipp/cloutboi-juli-pink-stan-sound-of-munich-12/ Folgt den Jungs via YouTube, Instagram & Spotify: https://www.youtube.com/watch?v=VJhkp3XLE2c https://open.spotify.com/artist/5bTlkAxJgXcckGdMxPRNSt?si=mBAu8KxKS9KXNISGBA_qPA https://www.instagram.com/cloutboi_juli/ https://www.instagram.com/pink__stan/ _____________________________________________ Besucht uns unter geheimtippmuenchen.de oder flogt uns auf facebook.com/GeheimtippMuenchen/ oder Instagram instagram.com/geheimtippmuenchen/ _______________________________________________

Listen to Laura and Paisley's ramblings on the Pilot episode of Gilmore Girls. We go over the synopsis & most scenes, zeroing in on some fashion, literature, background information and favorite quotes. Synopsis:We’re introduced to the Gilmore girls, Lorelai and her daughter Rory, who live in the idyllic New England town of Stars Hollow, Connecticut. We meet Luke Danes, owner of Luke’s Diner (the girls’ favorite spot for food and coffee.) During the scene at Luke’s we see the close bond between mother & daughter, which more closely resembles best friends. We also are introduced to the staff at The Independence Inn, the inn managed by Lorelai. Michel, the rude French man who is the concierge, the also rude Drella, the harp player & Sookie, the clumsy and quirky chef round out the staff. We meet Rory’s friend Lane who attends Stars Hollow High with her. Her parents own Kim’s Antiques and want to set Lane up with a future doctor. Rory has been accepted to Chilton, a prestigious prep school in Hartford, which should help her with admission to Harvard, her dream university. While excited, Lorelai realizes she can’t afford it, so she returns to her pretty much estranged wealthy parents to ask for a loan. They agree, but her mother Emily wants something in return: weekly Friday night dinners with Lorelai & Rory. We meet Dean, the new kid who has been admiring Rory and her nose stuck in book tendencies. They have an awkward meet-cute and eventually Rory considers not attending Chilton because of him. Lorelai refuses to let her daughter throw her life away for some guy and they have a fight. The Gilmore girls attend their first of many Friday Night Dinners at the Gilmore mansion. It turns into a disaster with Emily and Lorelai fighting in the kitchen. Rory overhears it all, including the deal made for the funds for Chilton. Lorelai and Rory makeup and Rory decides to go through with attending Chilton. Jack Kerouac's time in San Luis Obispo https://www.sanluisobispo.com/news/local/article139464678.htmlOriginal Gilmore Mansion: https://www.google.com/maps/place/61+Binscarth+Rd,+Toronto,+ON+M4W+1Y3,+Canada/@43.682576,-79.3733175,17z/data=!3m1!4b1!4m5!3m4!1s0x89d4ccaf181fe5e9:0xb468dc97cf3eae!8m2!3d43.682576!4d-79.3711288Filming locations including original Luke's/Stars Hollow/Independence Inn:https://www.itsfilmedthere.com/2011/09/gilmore-girls-season-1-episode-1-pilot.htmlIndependence Inn (Brookfield Farms): https://www.zillow.com/homedetails/1464-Hidden-Valley-Rd-Thousand-Oaks-CA-91361/2104315682_zpid/https://www.youtube.com/watch?v=eUnd-frPcCgWarner Bros. Studio: https://www.wbstudiotour.com/Gilmore Girls Fan Fest: https://www.gilmoregirlsfanfest.com/

durée : 00:24:23 - Fictions / Le Feuilleton - Andy Warhol avait été surnommé Drella, pour Dracula et Cinderella.

durée : 00:24:23 - Fictions / Le Feuilleton - Andy Warhol avait été surnommé Drella, pour Dracula et Cinderella.

This week, Tess Read discusses with Ivan six things which she thinks should be better known. Songs for Drella www.allmusic.com/album/songs-for-drella-mw0000207184 Exeter and its cider www.sandfordorchards.co.uk Nutmeg www.organicfacts.net/health-benefits/herbs-and-spices/nutmeg.html Rooftops of London www.telegraph.co.uk/travel/destinations/europe/united-kingdom/england/london/galleries/Beautiful-views-from-Londons-rooftops/ Kodaly technique for music www.britishkodalyacademy.org/kodaly_approach.htm Great Western dining car http://www.britishkodalyacademy.org/kodaly_approach.htm This podcast is powered by ZenCast.fm

music from the queer LGBTQ underground See acast.com/privacy for privacy and opt-out information.

Freak Out Fest is a 3 days queer/trans music festival in NYC September 25-27th, 2015. homoground.com/episode169 freakoutfest.tumblr.com See acast.com/privacy for privacy and opt-out information.

Here´s our fith Podcast mixed by... ...Legler&Mellow. Starting in 2007 the young, bavarian born, swedish-swiss DJ duo Legler & Mellow gathered their first experiences on the decks. It did not take long for their passion to flourish after the great attention their first Mixtapes received, leading to their first residency at one of Munich's most popular and established parties at the age of only 15. Legler & Mellow's early success which was driven by the individuality and significancy of their self created sets, was not to be kept in boundaries. In 2011 the gossip was out and Switzerland was the next destination to be mesmerized by their sounds. After playing in Zurich's renowned club Encore, the positive resonance led to venues such as Diagonal and Saint Germain demanding for the duos attention. Switzerland was cast under their spell and soon clubs such as Vivai in St.Moritz, Elephant and Trischli in St.Gallen witnessed their talent. Additional Residencies followed at Elephant Club in St.Gallen along with Switzerlands most successful parties GOLD and Club Royale. To stay faithful to their bavarian roots, the DJ Team gained an additional residency at Munich's Number one club Call me Drella, playing gigs on a monthly basis. In Summer 2012 Legler & Mellow Toured through Corfu, Greece with Munich's acclaimed party organisation Crystal Tours, allowing them to perform with acts such as Chris Lake, AkaAka, Stereo Express and round about 2700 thrilled listeners. The young, yet extremely experienced DJ Duo is known for their inimitable live-sets in which they combine a non-commercial style with splendid atmosphere shaping tracks. In addition to heating up any crowd, their talent blossoms in self produced tracks and remixes which caught the Zurich Label Ona Records' attention to which they are now signed and have released their first EP. Legler and Mellow at Facebook http://www.facebook.com/LeglerMellow Legler and Mellow on Soundcloud http://soundcloud.com/Leglerandmellow Download for free on The Artist Union