Podcasts about Elstree

In this installment, two men meet at a train station as a siren announces an escaped asylum inmate. Is either one of the men the escaped maniac? Then Al answers when Elstree comes Calling.

The SFFRomCast is going to be at the Meet Cute Romance Festival in Elstree on 28th June 2025, and we want to interview you!Whether you are a writer, industry professional, booktoker, fellow podcaster or just a massive fan of any kind of SFF romance, we'd love you to contact us at SFFRomCast@gmail.com to book in a "flash" interview from 4.30pm on the day! And if you're not up for interviews, we'd still love to see you for a chat, to hear your suggestions or enter you in our prize giveaway!Tickets are currently still available for the festival here: Meet CuteThere will be so much happening, and for an amazingly reasonable price so get in there quick!All our music has been taken from the following track: https://uppbeat.io/t/danijel-zambo/fairytales (License code: 43DIFSVAZ90MEEQ8) Music from Uppbeat (free for Creators!)

In this conversation, I speak with Howard Berry about his film project 'Her Name Was Moviola', which explores the art of film editing through the lens of a a traditional editing setup. Howard shares the origins of the project, his connections with notable filmmakers like Walter Murch and Mike Leigh, who are both involved in the projet. And the challenges he faced in acquiring the necessary equipment for the film. The chat highlights the technical aspects of film editing and the collaborative nature of filmmaking. We look at the intricacies of documentary filmmaking, particularly focusing on the editing process and the relationship between directors and editors. Howard shares insights into his experience editing a film about editing, the challenges faced during production, and the importance of preserving cinematic stories. We also touch on the film's reception at various festivals and the future distribution plans.The project began as an oral history of Elstree Studios.Howard's connections in the film industry were crucial to the project's development.Walter Murch's involvement was pivotal in shaping the film's direction.The film aims to document the process of editing, not just the final product.Acquiring vintage equipment like the movieola was a significant challenge.Howard's persistence in networking led to valuable collaborations.Mike Leigh's willingness to share footage was a turning point for the project.The technical aspects of editing are often overlooked but are essential to the craft.The film serves as a tribute to the art of film editing.Howard's journey reflects the importance of community and support in filmmaking. Howard emphasizes the importance of preserving historical stories in film.The documentary was always intended to focus on the technical and psychological aspects of editing.Walter Murch's preference for a nuts-and-bolts approach shaped the film's direction.The relationship between a director and editor can be tense yet collaborative.Critiques from directors can enhance the editing process and lead to better outcomes.Editing a film about editing presents unique challenges and pressures.Trust between filmmakers is crucial for a successful project.The film has received positive feedback from audiences and critics alike.Festival screenings have provided valuable exposure and audience engagement.Future distribution plans aim to reach a wider audience through streaming services.Filmumentaries LinktreeHer Name Was MoviolaThe Elstree Project

In this special episode recorded at the 2025 Girls On Film Awards, we celebrate the remarkable achievements of women and people of marginalised genders in the film industry. Hosted by co-founders of Girls On Film Anna Smith and Hedda Lornie Archbold, the evening features inspiring speeches, awards across 14 categories, and interviews with some standout guests. You'll hear highlights from the ceremony, including insights from Oscar-nominated directors Coralie Fargeat (The Substance) and Shiori Itō (Black Box Diaries) as well as Oscar-nominated Actress Karla Sofía Gascón (Emilia Pérez). Also in this episode, attendees reflect on the importance of women-led cinema and diverse voices in the industry. We also spotlight the sponsors and partners who made the event possible: our Gold Sponsors, CrewHQ and IMDb; our Silver Sponsor, Curzon; and our Bronze Sponsors, Netflix and Intimacy on Set. We are grateful for the support of our media partners Deadline, British Cinematographer magazine, and DDA, and to Lilac Grove Entertainment for sponsoring the reception. The awards celebrate the ongoing progress toward more inclusive storytelling, and this episode brings you right into the heart of the celebration. This episode is sponsored by Elstree Film Studios, who are celebrating their centenary in 2025. Full list of winners BEST FEATURE FILM The Substance BEST DOCUMENTARY FEATURE Black Box Diaries BEST PERFORMANCE IN A LEADING ROLE Marianne Jean-Baptiste (Hard Truths) BEST PERFORMANCE IN A SUPPORTING ROLE Danielle Deadwyler (The Piano Lesson) FEMALE FRIENDSHIP ON SCREEN All We Imagine as Light ENSEMBLE CAST Emilia Pérez THE GIRLS ON FILM ALLY AWARD SPONSORED BY IMDb Mike Leigh (Hard Truths) BEST CINEMATOGRAPHY SPONSORED BY CREWHQ Hélène Louvart AFC (La Chimera) BEST PRODUCTION DESIGN Judy Becker (The Brutalist) BEST COSTUME DESIGN Linda Muir (Nosferatu) BEST COMPOSER Abigail Barlow and Emily Bear (Moana 2) BEST PUBLICITY CAMPAIGN Universal (Wicked) ACTIVIST IMPACT AWARD Shiori Ito (Black Box Diaries) FEMALE ORGASM ON SCREEN SPONSORED BY INTIMACY ON SET Nicole Kidman (with Nicole Kidman, and later Harris Dickinson) (Babygirl) Full list of commendations ENSEMBLE CAST Chuck Chuck Baby BEST COMPOSER Isobel Waller-Bridge (Wicked Little Letters) BEST PRODUCTION DESIGN Gemma Jackson (Lee) BEST COSTUME DESIGN Rebecca Gore (Timestalker) Find out more here https://hlaagency.co.uk/category/projects/girls-on-film-awards/ Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Interns: Anna Swartz and Oli Fyne Sound recordist: Erin Macmillan Audio editor: Benjamin Cook House band: MX Tyrants © HLA Agency

In this conversation, Jamie interviews director Paul King about his documentary 'Shine On', which explores the making of 'The Shining' and its filming locations at Elstree Studios. They discuss their personal experiences with the film, the meticulousness of Kubrick's work, and the emotional connections that fans have with the movie. Paul shares insights into the production process of his documentary, the challenges faced during filming and editing, and the support received from the Kubrick estate. The conversation highlights the nostalgia and significance of revisiting iconic films and locations.All my linksShine On Documentary

As we move from week 10 into week 11 of Strictly Come Dancing our RNIB Connect Radio Strictly Star Reviewer blind ballroom dancer Shaun Hayward is back reflecting and commenting on how well blind Liverpudlian Comedian Chris McCausland and his Professional Dance Partner Dianne Buswell have been faring in the competition.  It was back to Elstree this week after the Blackpool special with Chris and Diane dancing a paso doble with Dianne's parents in the audience having come all the way from Australia to see them dance in the competition. Then to Shaun and Toby discussing the other couples including Tasha and Aljaz with a top score of 40 points for their American smooth, a great Charleston from JB and Loren just one point away from that top score of 40 points with just Craig not giving them 10 and not forgetting Toby's favourite couple Sarah and Vito too.  Ending as usual with Shaun and Toby discussing whether it was the right choice for Jamie and Michelle to leave the competition. To follow how Chris and Dianne are progressing through Strictly Come Dancing 2024 along with how all the other dance couples are fairing in the competition, do visit the following Strictly Pages of the BBC website - https://www.bbc.co.uk/programmes/b006m8dq (Image shows Shaun in a recording studio with microphones behind him in front of a colourful drape holding a plaque with medals on in each hand)

Broadcaster Roman Kemp kicks off series two with a tour around Hertfordshire.  Roman hitches a ride with us from Elstree studios as he shares some behind the scenes Eastenders stories, discusses his passion for football at Arsenal's training ground and we drive past the spot where Roman's sure he saw a UFO. Also, find out why Roman is being driven around by Alex Legouix in a Vauxhall Corsa. He also talks openly about suicide and grief; listener discretion is advised. You can watch Roman's drive by heading to Auto Trader's dedicated Show on the Road YouTube channel here.  Follow Auto Trader here: Instagram TikTokFacebook X  At Auto Trader, there's thousands of vehicles to browse, with expert reviews and videos to help you pick, and options to buy new, used or lease, so you can choose the way to buy that's best for you. Visit: www.autotrader.co.uk This series is a Fresh Air Production for Auto Trader.  See omnystudio.com/listener for privacy information.

At a drinks party in around 2011 or 2012, I had the ear of Andrew Feldman, aka Baron Feldman of Elstree, former Chairman of the Conservative Party—he of “swivel-eyed loons” fame, though he never actually said that. (Andrew is a friend, by the way.)“Tell George Osborne to buy back the gold Gordon Brown sold,” I advised.“At these prices?” smiled Andrew with a mix of incredulity, amusement, and polite condescension.“Yes!” I said. “It might be good publicity, even. Or do it secretly, and announce it afterward. The important thing is getting the gold back. We will need it at some point. Why not just quantitatively ease the money and buy it back? You're doing that and buying bonds.”Andrew laughed at my joke, which wasn't a joke, and then wandered off in search of someone more sane to talk to.Given the government has this extraordinary power to create money out of nothing, why don't they just print money and buy hard assets with it?Park that thought for a moment.A couple of months ago, I was at Liz Truss's book launch—aren't you impressed with all this name-dropping?—and I ran into Mark Littlewood, former director of the IEA and now of PopCon. I started bending his ear about the media's failure to report on the Bank of England and how it had shafted Truss with its advanced notice of gilt sales, Quantitative Tightening, which began the day before Kwasi Kwarteng's budget and led to a collapse in the gilt market, the blame for which was then left at Kwasi Kwarteng's doorstep. Mark nodded. “Do you think I don't know?” said Liz.“I would love to be able to grill Andrew Bailey in public,” I said. “Or just ask him one question with people watching. I know exactly what I'd ask him.”“What?” said Mark.“If the Bank of England can print money, why do we need taxes?”Mark laughed and, thinking I was asking him that question, replied, “Money illusion.”Charlie Morris is one of my closest mates and he writes what I think is one of the best investment newsletters out there, in fact a suite of them. I urge you to sign up for a free trial.Money illusion is one of those economic terms that is pretty self-explanatory, but here is an example. Most of know a hundred pounds does not buy you today what it bought you ten years ago, but we still think in terms of past prices. (Old people do this more, for obvious reasons). A worker might feel great with a 5% raise, but if inflation is 7%, he is actually earning less than before. This has been an ongoing process for decades with the result that, in real terms, wages are lower.Here's the Wikipedia definition (edited by me):In economics, money illusion, or price illusion, is a cognitive bias where money is thought of in nominal, rather than real, terms. In other words, the face value (nominal value) of money is mistaken for its purchasing power (real value) at a previous point in time. The term was coined by Irving Fisher in Stabilizing the Dollar, and popularized by John Maynard Keynes in the early twentieth century. Fisher also wrote a book on the subject, The Money Illusion, in 1928.Mark and I both doubted that Bailey would give that as the answer, even if he thought it, which we doubted he would. If governments started printing money and buying assets, many would start questioning money, and faith in fiat might quickly evaporate. If governments worldwide started doing it (eg Britain prints money and starts buying land in France) you are in race-to-the-bottom territory. It would be a race to the bottom for fiat currency.Even if Bailey thought money illusion was the answer, he certainly wouldn't say it because that in itself undermines fiat.Modern money has nominal value, but not intrinsic value. It relies on illusion (and the law) to function. The more you debase it, the less likely that illusion is to hold. Maybe money delusion is more accurate. Obviously, the backing of the law makes a great difference, as does the fact that taxes must be collected in this money, but, boy, is the system vulnerable. Illusions can last a long time. But when they shatter, they shatter very quickly, and then there is nothing.I don't say the system will pop. It has been going on for a long time. But I do observe that it very easily could.It's why I recommend both gold and bitcoin. Both are money in and of themselves: one is the product of nature, the other the product of extraordinary amounts of computer power. Neither relies on anyone else.If you liked this article, please tell a friend.If you are interested in buying gold, check out my recent report. I have a feeling it is going to come in very handy.My recommended bullion dealer is the Pure Gold Company.Life After the State - Why We Don't Need Government (2013), my first book, is now back in print - with the audiobook here: Audible UK, Audible US, Apple Books. I recommend the audiobook ;)And if you are in the Scottish neck of the woods this August, look out for me at the Edinburgh Fringe. I'll be performing one of my “lectures with funny bits”. This one is all about the history of mining. As always, I shall be delivering it at Panmure House, where Adam Smith wrote Wealth of Nations. It's at 2pm most afternoons. You can get tickets here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

At a drinks party in around 2011 or 2012, I had the ear of Andrew Feldman, aka Baron Feldman of Elstree, former Chairman of the Conservative Party—he of “swivel-eyed loons” fame, though he never actually said that. (Andrew is a friend, by the way.)“Tell George Osborne to buy back the gold Gordon Brown sold,” I advised.“At these prices?” smiled Andrew with a mix of incredulity, amusement, and polite condescension.“Yes!” I said. “It might be good publicity, even. Or do it secretly, and announce it afterward. The important thing is getting the gold back. We will need it at some point. Why not just quantitatively ease the money and buy it back? You're doing that and buying bonds.”Andrew laughed at my joke, which wasn't a joke, and then wandered off in search of someone more sane to talk to.Given the government has this extraordinary power to create money out of nothing, why don't they just print money and buy hard assets with it?Park that thought for a moment.A couple of months ago, I was at Liz Truss's book launch—aren't you impressed with all this name-dropping?—and I ran into Mark Littlewood, former director of the IEA and now of PopCon. I started bending his ear about the media's failure to report on the Bank of England and how it had shafted Truss with its advanced notice of gilt sales, Quantitative Tightening, which began the day before Kwasi Kwarteng's budget and led to a collapse in the gilt market, the blame for which was then left at Kwasi Kwarteng's doorstep. Mark nodded. “Do you think I don't know?” said Liz.“I would love to be able to grill Andrew Bailey in public,” I said. “Or just ask him one question with people watching. I know exactly what I'd ask him.”“What?” said Mark.“If the Bank of England can print money, why do we need taxes?”Mark laughed and, thinking I was asking him that question, replied, “Money illusion.”Money illusion is one of those economic terms that is pretty self-explanatory, but here is an example. Most of know a hundred pounds does not buy you today what it bought you ten years ago, but we still think in terms of past prices. (Old people do this more, for obvious reasons). A worker might feel great with a 5% raise, but if inflation is 7%, he is actually earning less than before. This has been an ongoing process for decades with the result that, in real terms, wages are lower.Here's the Wikipedia definition (edited by me):In economics, money illusion, or price illusion, is a cognitive bias where money is thought of in nominal, rather than real, terms. In other words, the face value (nominal value) of money is mistaken for its purchasing power (real value) at a previous point in time. The term was coined by Irving Fisher in Stabilizing the Dollar, and popularized by John Maynard Keynes in the early twentieth century. Fisher also wrote a book on the subject, The Money Illusion, in 1928.Mark and I both doubted that Bailey would give that as the answer, even if he thought it, which we doubted he would. If governments started printing money and buying assets, many would start questioning money, and faith in fiat might quickly evaporate. If governments worldwide started doing it (eg Britain prints money and starts buying land in France) you are in race-to-the-bottom territory. It would be a race to the bottom for fiat currency.Even if Bailey thought money illusion was the answer, he certainly wouldn't say it because that in itself undermines fiat.Modern money has nominal value, but not intrinsic value. It relies on illusion (and the law) to function. The more you debase it, the less likely that illusion is to hold. Maybe money delusion is more accurate. Obviously, the backing of the law makes a great difference, as does the fact that taxes must be collected in this money, but, boy, is the system vulnerable. Illusions can last a long time. But when they shatter, they shatter very quickly, and then there is nothing.I don't say the system will pop. It has been going on for a long time. But I do observe that it very easily could.It's why I recommend both gold and bitcoin. Both are money in and of themselves: one is the product of nature, the other the product of extraordinary amounts of computer power. Neither relies on anyone else.If you liked this article, please tell a friend.If you are interested in buying gold, check out my recent report. I have a feeling it is going to come in very handy.My recommended bullion dealer is the Pure Gold Company.Life After the State - Why We Don't Need Government (2013), my first book, is now back in print - with the audiobook here: Audible UK, Audible US, Apple Books. I recommend the audiobook ;)And if you are in the Scottish neck of the woods this August, look out for me at the Edinburgh Fringe. I'll be performing one of my “lectures with funny bits”. This one is all about the history of mining. As always, I shall be delivering it at Panmure House, where Adam Smith wrote Wealth of Nations. It's at 2pm most afternoons. You can get tickets here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

For episode 99 I interviewed friend, David Whiteley. If you don't know David, you should! He's a news presenter, but also a huge Star Wars Fan. And, has made two fantastic documentaries about the subject. Firstly "The Galaxy that Britain Built" and secondly "Toy Empire". Both are a must-watch for fans like us.David also produced a book which gathers together the interviews his conducted for "The Galaxy that Britain Built". It's available on Amazon here. Check it out! And then BUY IT!Talking of books, don't forget that Justin Berger and I have now pre-released our Return of the Jedi - Unauthorized Timeline book as an ebook on Amazon.Donate ButtonAll the links

In this episode we discuss the the murder of William Weare, bare-knuckle boxing, Elstree studios, wax heads and commemorative ceramics. Due to some technical difficulties the sound is sub-optimal but discernible.

It's Strictly on the Sofa IN THE STUDIO!!! That's right, after years of the only certainties in life seemingly being death, taxes and the Strictly rejection email, Laura and Flo finally did the impossible and won tickets through the random ballot! Join us on the sofa as we recap all the excitement of week 8 from two people who were ACTUALLY THERE, along with a little sneak peek into what it's like in the studio itself (hint: there's prosecco) and the experience of being an audience member at the best show on telly. We love you Strictly! xoxo Join us on the virtual sofa at... Twitter: @StrictlyOnSofa Insta: @StrictlyOnTheSofa Email: strictlyonthesofa@gmail.com Find us wherever you get your podcasts (and shout if we're not on your chosen platform, we'll fix that asap!). If you're enjoying our show, please rate and review us - it helps other people find us! #keepdancing #strictly #scd #strictlycomedancing #bbcone #ballroom #latin 

2018 Strictly finalist Joe Sugg teams up with producer Kim Winston to bring the fans an Access All Areas backstage pass to the show. Kim has an encyclopaedic knowledge of Strictly, having worked on the show since 2009, and Joe knows first-hand what all the couples are going through, making them the perfect duo to give the listeners an exclusive insight of what really goes on backstage. It's Halloween in the ballroom as Joe and Kim head backstage for some trick or treating with the couples at Elstree! They catch up with Dianne Buswell and Amy Dowden and hear about their first ever day at Strictly back in 2017. The Strictly Come Dancing Official Podcast is made by BBC Studios, produced by Kim Winston and edited by Jonathan O'Sullivan. Listen now on BBC Sounds.

Ishreen Bradley, Chief Inspiration Officer, Belonging PioneersIshreen is passionate about all humans having a fair crack at work. She is currently leading a research project into the impact of privilege on performance and opportunity in the workplace. Her contribution to empowering under-represented groups at work has been recognised in Washington through an award from The International Alliance of Women. Contact:Ishreen BradleyChief Inspiration Officer at Belonging Pioneers (www.belongingpioneers.com) andFounder, The AuthenticYou Movement (www.authenticyou-success.com)Brentano Suite 22, Catalyst House, Elstree, Hertfordshire, WD6 3SY, United KingdomEmail: equitychampions@belongingpioneers.comPersonal Website: www.ishreenbradley.com Telephone:+44 (0) 203 362 2940Source: https://businessinnovatorsradio.com/ishreen-bradley-chief-inspiration-officer-brilliance-business

Quatermass and the Pit (or as it's known in the US ‘Five Million Years to Earth') is a 1967 British science fiction horror film from Hammer Film Productions, a sequel to the earlier Hammer films The Quatermass Xperiment and Quatermass 2 (see General Witchfinders episode 17 for more details). Like its predecessors it is based on a BBC Television serial, of the same name, written by Podcast hero Nigel Kneale. It was directed by Roy Ward Baker (who is responsible for such highs as A Night to Remember And such lows and The scars of Dracula and The Legend of the 7 Golden Vampires - see episodes 28 and 31 respectively)  And this incarnation stars Andrew Keir (featured in Cleopatra, Dracula: Prince of Darkness and Daleks' Invasion Earth 2150 A.D.)  in the title role as Professor Bernard Quatermass, replacing Brian Donlevy, who played the role in the two earlier films. James Donald, Barbara Shelley (also in Dracula: Prince of Darkness and The Gorgon) and Julian Glover (whos been in some little known films called Indiana Jones and the Last Crusade, The Empire strikes back, Games of thrones, several Doctor Who stories and load of other stuff including being the voice of a giant spider in Harry Potter) they appear in co-starring roles.Nigel Kneale wrote the first draft of the screenplay in 1961, but difficulties in attracting interest from American co-financiers meant the film did not go into production until 1967. The director, Roy Ward Baker, was chosen because of his experience with technically demanding productions such as A Night to Remember; this was the first of six films that he directed for Hammer. Andrew Keir, playing Quatermass, found making the film an unhappy experience, believing Baker had wanted Kenneth More to play the role. Owing to a lack of space, the film was shot at the MGM-British Studios in Elstree, Borehamwood, rather than Hammer's usual home at the time, which was the Associated British Studios, also in Elstree.The plot of the film verison was condensed to fit the shorter running time, the main casualty being the removal of a subplot involving a journalist named James Fullalove, and the climax was altered slightly to make it more cinematic. The setting for the pit was changed from a building site to the London Underground. The closing scene of the television version, in which Quatermass pleads with humanity to prevent Earth becoming the "second dead planet", was also dropped, in favour of a shot of Quatermass and Judd sitting alone amid the devastation wrought by the Martian spacecraft.The script was sent to John Trevelyan of the British Board of Film Censors in December 1966. Trevelyan replied that the film would require an X certificate and complained about the sound of the vibrations from the alien ship, the scenes of the Martian massacre, scenes of destruction and panic as the Martian influence takes hold and the image of the Devil.It has been suggested that Tobe Hooper's 1985 Lifeforce is largely a remake of Hammer's Quatermass and the Pit. In an interview, director Tobe Hooper discussed how Cannon Films gave him $25 million, free rein, and Colin Wilson's book The Space Vampires. Hooper then shares how giddy he was: "I thought I'd go back to my roots and make a 70mm Hammer film.Three decades on, Andrew Keir reprised the role of the Professor in "The Quatermass Memoirs", a five-part docudrama scripted by Nigel Kneale and transmitted on BBC Radio 3 in March 1996. Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

The world of glamping may seem remote from the every day toil of working with crops and livestock, but for six months of the year it can provide a hugely important source of income that can be used to underpin other aspects of farming life. ffinlo Costain is joined by Hannah Jefferson from Woodfrys Farm in Dorset and Jessica Allen-Back from Home Farm Glamping in Elstree. --- Send in a voice message: https://podcasters.spotify.com/pod/show/farmgate/message

We're back and not a moment too soon - just like Blackpool week on Strictly! In this slightly bumper episode, we're discussing all of our highlights from the seaside spectacular, as well as all the dances back in Elstree a week later. What do we make of all those tens? Which football team is Hamza actually playing for in his Argentine Tango? And who will take the four spots in the final??? IT'S ALL TO PLAY FOR.   Join us on the virtual sofa at... Twitter: @StrictlyOnSofa Insta: @StrictlyOnTheSofa Email: strictlyonthesofa@gmail.com Find us wherever you get your podcasts (and shout if we're not on your chosen platform, we'll fix that asap!). If you're enjoying our show, please rate and review us - it helps other people find us! #keepdancing #strictly #scd #strictlycomedancing #bbcone #ballroom #latin

S3E05: The media industry is facing a skills crisis right when the demands for content are soaring. What can be done to encourage more people to join the sector and to retain them once they are there? In the fourth episode of season three of the Making the Media Podcast, host Craig Wilson is joined by two guests to discuss the issue. Our Guests This Episode Charlotte Layton With over 25 years in the industry, Charlotte has worked across the content creation pipeline. From a transmission controller at first L!VE Tv and then MTV, she joined BBC Resources (now Studio Works) in the early 2000s as a post-production producer. She then became Commercial Manager, taking on responsibility for the Television Centre studios, as well. After relocating the studio provision to Elstree, following the TVC site sale, she joined The Farm as Commercial Director, growing the business over seven years in preparation for its sale in 2019. Following the sale, Charlotte co-founded Racoon with The Farm's senior management team in 2021. Racoon is the post-production model for the future, focussed on redefining how we collaborate creatively in the work-anywhere world. Jay Welk Jay recently retired from the Davis School District after having oversight for the design and build of the Davis Catalyst Center, a technical high school where students work with industry partners to develop technical and professional skills in preparation for career and post-secondary education opportunities. Davis District is the second largest district in Utah with an approximate K-12 enrollment of 72,000 students. The ten high schools in the district offer a full menu of courses in all career and technical-education pathways. More Resources For more on this topic, check out: Live and Learn – Trevor Rumes from Thomas More University outlines how they prepare the next generation of media students. Avid for Education – Find out how Avid is helping education the media workforce of the future Contact Us Questions? Comments? Cool ideas? Get in touch: makingthemedia@avid.com or @craigaw1969. Follow Avid at @avid. Credits Host: Craig Wilson Producer: Matt Diggs Social: Wim Van den Broeck Theme Music: Greg “Stryke” Chin

Matt, the Editor-at-Large of Londonist, is probably the most London-obsessed person in the world, reaching parts of the capital others can't reach. In the cause of exploring London, he has waded along the buried River Fleet, spent the night in a haunted plague pit, caught a lung infection by climbing Soho's tallest steeple, and walked along the tracks beneath Leicester Square at 2am. Matt has lived in Blackheath, Borough, Greenwich, Weybridge, West Hampstead, Fortune Green and Chalk Farm. Thanks to the capital's obscene property prices, he's since gone into exile in what he optimistically refers to as “The Future London Borough of Elstree and Borehamwood.” Matt is the author of 12 books, including London Night and Day (2015), Everything You Know About London Is Wrong (2016), and the bestselling/award-winning Atlas of Imagined Places (2021).

14th August - I met a new chum today which was fun but I also had a visit to the hospital which was less fun. Oh and did I mention its hot...Much love and gratitude, Belle x

EPISODE 39 – James and Ralph are discussing the 2015 Documentary that follows the actors who performed in supporting rolls in Star Wars (1977). Site: LiveActionSW.comTwitter: @LiveActionSWInstagram: @LiveActionSWTwitch: @LiveActionSWJames' Writing: TinyLetterMerch is available at THREADLESSSupport the show on PATREON for $1

This episode I have a returning guest, Jon Spira who directed Elstree 1976 and Hollywood Bulldogs is back to talk about his new series streaming on Britbox, namely Reel Britannia. Jon has written and directed this himself and it's a blast. I'm fortunate enough to have watched the first three episodes before I spoke to Jon. The fourth episode is just being finished up as I speak.I hope you enjoy our conversation.Britbox.comElstree 1976 - https://www.imdb.com/title/tt4558042/Hollywood Bulldogs - https://www.imdb.com/title/tt12142914/

After Boris Johnson announced the end to coronavirus restrictions, we examine the measures community institutions are taking to keep everyone safe. Joining this week's podcast are, Daniel Carmel-Brown, chief executive of Jewish Care, Rabbi Alex Chapper, of Elstree and Borehamwood United Synagogue, Liberal Judaism's chief executive officer, Rabbi Charley Baginsky and Raymond Simonson, CEO of community centre JW3.

Subscribe & Listen to learn more about helicopter pilot ground school training requirements in the UK with Aaron Henriques. Aaron talks about... » How and why I decided to choose Ice Helicopters for my PPL(H) helicopter ground school training » What 9 exams you need to take to pass for your PPL(H) helicopter pilot license in the UK » Why you won't need to take all of the exams if you already have a UK issued PPL(A) pilot license for aeroplanes » The expected costs of helicopter PPL(H) pilot training and more to follow!   Visit Ice Helicopters based at Elstree aerodrome in London: https://www.icehelicopters.com/   Want to know more? Follow Aaron on Instagram @AaronHenray

"the most disastrous fire in the history of British motion pictures"

For this episode, number 43 I spoke with documentary director Jon Spira.I became aware of Jon's work in 2015 with the release of Elstree 1976. A broad look at the men and women who were tucked away, far far away, in the back ground of some of the shots in Star Wars. They were often extras and masked characters that we didn't even know were there. His film is a kind of microcosm of celebrity culture and how being on the periphery of a huge cultural event like Star Wars can impact on ones life.I spoke to Jon in November 2021 for a couple of hours. We had briefly met once before at a BFI screening and we'd been intending to have a chat ever since.Since making Elstree 1976, Jon has most recently made Hollywood Bulldogs Hollywood Bulldogs: The Rise and Falls of the Great British Stuntman which is currently on Britbox here in the UK. I really enjoyed listening to the stories of this unconventional group of men who worked on some of the biggest films in movie history.Hollywood Bulldogs Trailer - https://www.youtube.com/watch?v=7COvrZs4JnsElstree 1976 Trailer - https://www.youtube.com/watch?v=6IhEuYdArz4Support the show (https://www.patreon.com/jamiebenning)

Star Wars nem holiday, de szpesöl Hogy mit keres Kovács Kati és David Lynch egy Star Wars podcastban? Jó kérdés. Hosszú idő után, ismét háromharmaddal visszatérünk, hogy egy jó B-mozi játékidejével és színvonalával csak üljünk, és meséljünk. Nem jutottunk a végére, szóval ez az ÉVADZÁRÓ első fele, két trilógiával még adósotok vagyunk. Apropó adósság! Ha támogatnátok, tegyétek meg a Patreon, ahol Pillangó a legfrissebb támogatónk! Köszönjük neki, és a többieknek is! Most pedig néhány hasznos link: Elstree ‘76: https://youtu.be/6IhEuYdArz4 Star Wars Holiday Special: https://youtu.be/6hH8rxarVG8 Terminator VS. Jesus https://youtu.be/dIeuBPDUzB0 Kovács Kati: https://www.youtube.com/watch?v=GUAPrGfrfjo Carrie Fisher: https://www.youtube.com/watch?v=YRrm59Z_0w4 Segítség: https://en.wikipedia.org/wiki/List_of_Star_Wars_films CSÜM a fészen: https://www.facebook.com/groups/639936843364460 CSÜM a discordon: https://discord.gg/CXNx6fM CSÜM tarha: https://www.patreon.com/csum

You're never too old to make your Broadway debut! Broadway News: Emilie Kouatchou made her debut as the first Black Christine Daaé on Broadway in The Phantom of The Opera. She will play Christine this week on Wednesday, November 3rd, Thursday, November 4th, and Saturday November 6th's matinee. Next week she'll lead on Monday November 8th, Thursday the 11th's matinee and Saturday the 13th's matinee. The following week she'll play on Monday November 15th, Thursday the 18th and Saturday the 20th's matinee. And during the last week of November she'll play on Monday the 22nd, Thursday the 25th and Saturday the 27th to round out the month. Audra McDonald is coming back to Broadway in Adrienne Kennedy's Ohio State Murders. This will make Kennedy's Broadway playwriting debut at the age of 90. Ohio State Murders will be directed by Tony Award winner Kenny Leon, who last directed A Soldier's Play before the Broadway shutdown. We received a first look at Celina Smith as Annie in the upcoming Annie Live on NBC. Joined by Sandy the dog, the picture features Smith in Annie's iconic red dress. The photo also included Harry Connick Jr. as Daddy Warbucks and Taraji P. Henson as Miss Hannigan. The live musical will air on NBC on December 2nd. Right in time for the holidays. The iconic Broadway snow globes have arrived back to Times Square. The “show globes” portray scenes inspired by Ain't Too Proud—The Life and Times of the Temptations, Dear Evan Hansen, The Lion King, and Wicked. They will be on display through December 26 in the Broadway Plaza between 45th and 46th Streets. According to the Hollywood Reporter, Universal Studio's adaptation of Wicked was set to begin shooting in March in Atlanta. But the production's start has now been pushed to June, and it will relocate to the U.K. Reports are saying the delay will allow the filmmakers to get production efficiencies in-line, as Wicked will be the first production to shoot on stages at Universal's recently built Sky Studios in Elstree. Jon M. Chu is set to direct. Times Square is getting an exciting new performance space. The new indoor/outdoor stage is part of TSX Broadway, a 46-story tower currently under construction in Duffy Square at 1568 Broadway, between 46th and 47th Streets and is expected to be completed by the first quarter of 2023. Casting: Adrienne Warren took her final bow as Tina Turner on Halloween. She originated the role in London in 2018. She is now moving on after a deserved TONY Award and much praise. Nkeki Obi-Melekwe will now fill the role of Tina full time. Alex Hairston, Libby Lloyd, Anthony Murphy, Kristen Faith Oei and Michael Williams will join the cast of Diana for its return to Broadway next month. As previously announced, Jeanna de Waal will star as Diana, alongside Roe Hartrampf as Prince Charles, Erin Davie as Camilla Parker Bowles and Judy Kaye as Queen Elizabeth. “Diana” is scheduled to resume preview performances at the Longacre Theatre on Nov. 2 ahead of an opening night on Nov. 17. Spring Awakening, will reunite for a special, one-night-only benefit concert. The concert will star original cast members Skylar Astin, Gerard Canonico, Lilli Cooper, Jennifer Damiano, Christine Eastbrook, John Gallagher, Jr., Gideon Glick, Jonathan Groff, Robert Hager, Brian Johnson, Lea Michele, Lauren Pritchard, Krysta Rodriguez, Stephen Spinella, Phoebe Strole, Jonny B. Wright, and Remy Zaken. Directed by the original director, Michael Mayer, the concert will take place on Monday, November 15 at 7 pm ET at The Imperial Theatre. The theater is the current home of Ain't Too Proud – The Life and Times of the Temptations. Follow @BwayPodNetwork on Twitter. Find co-hosts on Twitter at @AyannaPrescod, @CLewisReviews, and @TheMartinAcuna. Tickets for Is This A Room and Dana H. playing in rep at the Lyceum Theatre on Broadway are on sale NOW! Purchase HERE! Learn more about your ad choices. Visit megaphone.fm/adchoices

We were fortunate enough to be invited to the Star Wars Family Fun Day in Elstree on 11th September 2021 (Hosted by the legends at Liberty Events) and we had the chance to speak with Star Wars alumni Brian Muir (Darth Vader helmet sculptor), Paul Weston (Return of the Jedi/Rogue One/The Ladt Jedi), Jerome St John Blake (Prequel Trilogy), Scott Richardson (The Force Awakens) as well as actors/cosplayers Agricultural Light and Magic and listener/legend, Eve Evangel. It was filth. For all your Sessions needs, head to starwarssessions.co.uk // Find and support us on PATREON at patreon.com/starwarssessions // Don't forget to rate, review, subscribe, and share! You can find us on Twitter (@starwarssession) and Instagram (@starwarssessions) so come talk the Wars with us! We post polls, questions, and thoughts on both socials, and the results/comments are featured on the episodes as well. Send your voice messages to hellothere@starwarssessions.co.uk and we'll get them on the show. Catch the show on Apple Podcasts, Spotify, and all good podcast platforms. Thanks again for listening – your continued support is so appreciated by us. MTFBWY.

In the twenty first  episode of season three of the Her Spirit podcast BBC Breakfast Louise Minchin and BBC Triathlon presenter Annie Emmerson talk to BBC weather presenter Carol Kirkwood.Carol Kirkwood is a British weather presenter, trained by the Met Office, and employed by the BBC, in particular on BBC Breakfast and Victoria Derbyshire. In 2015, she participated in the 13th series of BBC One's Strictly Come Dancing, finishing in 10th place.Her BBC career began when she became part of the secretarial reserve in London. In 1993 she joined the BBC's Television Training department at Elstree as a presenter. She has become a fixture for Breakfast's many outside broadcasts over the years too.There's often a daredevil side to Carol's work. She can be found trying everything from racing high powered speed boats to a charity tandem ride for Children in Need. Somehow most Children in Need broadcasts find her trying something new, which usually involves dancing or singing live. She's appeared as part of the newsreaders' "Rocky Horror Show", The Weather Girls' "Raining Men", she's danced the Can-can and duetted on "Baby, It's Cold Outside".In 2006 , she even learned to ice skate for charity - performing live for BBC One's New Year's Eve Special.Even though she claims she has no culinary expertise, she's appeared several times on Ready, Steady, Cook! All of this is in addition to her regular job as one of the BBC's most experienced weather presenters - appearing on all BBC platforms both for radio, television and interactive services.She's been recognised for this work by the Television and Radio Industry Club (TRIC), winning the award for best weather presenter six times!Her soft Scottish brogue means she can be heard voicing a wide variety of audio projects from children's stories about fire breathing dragons to advice about digital TV.Carol talks to Louise and Annie about enjoying being active, from running and walking to cycling. The Her Spirit coaching team is excited about getting Carol back on her bike with coach Michelle.Her Spirit believes in inspiring EVERY woman to become fitter, stronger and healthier. We believe your Mind, Body and Fuel are intrinsically linked and taking small achievable steps will lead to big changes.Her Spirit http://www.herspirit.co.uk supports women of all shapes to sizes to achieve goals you never thought possible and have your #BestYearYet.  Come and join us for our Fitter Together campaign https://fitter-together.raisely.com from the 28th June - 8th August and raise money for Mind.These podcasts have been made possible through the support of Boots. Boots believes everyone has the right to feel good it which is why they offer a huge wellness range to help you look after yourself, from the inside out.So from brands like FitBit, Aromatherapy Associates and Vital Proteins to LoveHoney, The Gut Stuff and Headspace, Boots has something to help you stay on top of your health, all year round.Shop Boots' wellness range in selected stores, at boots.com or via the Boots app.

As 'The Voice of Big Brother' Marcus Bentley's favourite place is a sound booth at Elstree studios, Hertfordshire. In the silence Marcus is poised to begin, the script in his hands. This podcast was recorded under lockdown conditions with each podcaster remembering the sounds, sensations and feelings of their special place. Narration: Charlotte Andrew. Producer: Paul Shuttleworth, Sara Parker and Trevor Aston. Executive Producer: Kathryn Morrison.

There are plans for a large solar farm between Radlett and Elstree. Following a consultation process last year, Enso Energy has applied for planning permission for a 300 acre green belt site. They say that it would provide enough energy for 15,600 homes saving 25,400 tonnes of carbon every year. But what would the impact [...]

Richard has spotted a strange design influence on a certain Vauxhall. Also in this episode, Jonny has been extracting a mystery car from a garage opposite Gino D'Acampo's house and Richard thinks Tom Selleck is a handy driver. Plus, eighties TV title sequence wormholes, Spender's Sierra Sapphire Cosworth, scuffing Mr GT-R's GT-R, unsolicited facts about the British TV industry in Elstree, Jonny losing his Soul, and what is Jon Bon Jovi on about with his steel horse nonsense? Also contains surprising news about the origins of Jason Plato. See acast.com/privacy for privacy and opt-out information.

Dr Naomi Coleman is a child psychologist and a yoga therapist. Naomi has a BSc (Hons) in Neuroscience from Sussex University and an MEd in Educational Psychology from Manchester University where she specialised in Autism and social cognitive skills. Alongside her studying, she gained work experience in Psychiatric wards – NHS and Private, a Brain Injury Rehabilitation unit, and a Medium Secure unit for adults with Learning Disabilities Naomi also has a Doctoral Degree in Clinical Psychology from the University of East London. During her training she specialised in child and adolescent work in CAMHS and Specialist CAMHS for children with Learning Disabilities and Neurodevelopmental disorders During her training she was profoundly impacted by the loss of her brother Jeremy, and co-founded Jeremy’s Circle charity – where she takes on a fundraising role. As a qualified clinical psychologist she helped jointly set up and develop the Parenting Service in Ealing as the ‘Parenting Lead’ running and coordinating several ‘parenting programmes’ for families with additional needs In Barnet CAMHS – she provided counselling to high school girls, consultation to schools and CAMHS clinic referrals. Alongside her work here she trained in Yoga Therapy at The Minded Institute. She wanted to add this to her skill set as she saw the value both personally and professionally. Movement based therapeutic skills are important as many find it hard to, can’t or don’t want to talk about their difficulties. As part of the Luton Specialist CAMHS Neurodevelopmental Team Naomi worked with families with children with neurodevelopmental needs. She worked closely with the paediatricians Autism assessment clinic and also running groups for parents of children with ADHD Naomi now practises privately as Chartered Child Clinical Psychologist in Elstree and Harley Street, London. Link to Naomi's blog : www.naomij-coleman.medium.com Jeremy's circle - www.jeremyscircle.org

Episode 81 — Scripted Audio Interview with Jack Bowman Jack is an experienced, multi-award-winning Audio Fiction Writer, Director and Producer with sixteen years experience across the disciplines of Audio Drama/Podcast Production. He also has extensive experience of theatre direction and venue management as well. Currently based in Elstree, Herts, Jack works as a Freelance Audio Creative across the UK and develops projects for both the UK and the USA. He has a keen interest in genre-based audio drama and digital podcast story-telling, specifically Science Fiction, Fantasy, Comedy and Horror. Currently, he assists a variety of production companies, including Datura Films (LA), Spiteful Puppet (UK), and several other clients globally. 2020 will also see Jack oversee the UK production block of Ultimate Solution for Dagaz Media LLC, and develop new audio IP titles and several adaptations. He lives with his partner and two children near Elstree Studios, feeling the spirit of John Steed, Luke Skywalker, Indiana Jones and Alfred Hitchcock everyday he walks the streets. To Contact Seth Singleton On Social Media Website: jackbowman.net Twitter: @realjackbowman To Contact Seth Singleton On Social Media Instagram: https://www.instagram.com/seththewriter/ Twitter: https://twitter.com/1MoreSingleton Facebook: https://www.facebook.com/SethSingletonStoryteller/ Website: https://sethsingletonstoryteller.com #JackBowman #ScriptedAudio #Audible #Amazon #DagazMedia #BBCStudios #PodiumPublishing #AudioMarvels #PodiumPublishing #writer #actor #director #producer #podcast #podcasting #podcasts #spotify #podcastlife #podcaster #radio #music #youtube #itunes #podcasters #love #entrepreneur #applepodcasts #podcastshow #interview #motivation #repost #spotify #art #radioshow #newpodcast # #StorytellingWithSeth #story #Storytelling #podernfamily #entertainment #inspiration #newepisode #spotifypodcast #podcastlove #follow #podcastinglife #podcastaddict #marketing #stitcher #episode #listen --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/seth-the-storyteller/message Support this podcast: https://anchor.fm/seth-the-storyteller/support

Episode 42 Biden His Time The US Election Results are in! Well... not when we started recording, but we definitely got the results halfway through the episode, so we had to make smart guesses in the lead up to that! In today's show, we chat about the the fat orange elephant in the room. With the room being the oval office and the orange elephant being... well... Donald Trump. We talk about the US Election and the results and what it means for 'Merica and the rest of the world. but obviously... we make it funny. Ryan's Highlight of the Week is either really exciting or really dull, depending on the type of person you are. And there's more fat dictionaries to be sucked as Paul once again puts Ryan's vocab to the test in Suck On My Big Fat Dictionary.  A bit later, Tom Hardy evicts Donald Trump from the White House... with help from a few other Tom Hardy's in Hardy's Hardest Hats. For today's episode, we are excited to be welcoming West End performer and keen golfer, Matt Chivers (Matthew Collyer) to the show. 3 Actors. 1 Podcast... what do we discus... apparently Golf and video games. Go figure. fantastic tales of his life just starting out in the biz what life can be like in the spotlight and behind the scenes. And of course we play Why Did They Give Them 1 Star? - The 1 Star Movie Review Game. Listen in to find out more and click links below.  Catch Matt on twitter here -  @MatthewCollyer and check out his wham bam thank you gram at @chivles.   As always, all OUR socials and links are growing on this handy Linktree - Cold Callers Comedy   Last week's COMPETITION WINNER was Hayley Murphy from London @hayleyjokristine and the runner up was Lauren van den Bergh from Elstree! Also a huge shout out to: Fellow nerds at For Nerds By Nerds Podcast - find them on twitter too at @FNBNPodcast. After all, it's not eady being geek. To the Page Turners & Button Mashers Podcast for being an excellent podcast and all round amazing human beings And lastly to Tina Marie Trimpert for not only having a smashing pod (The Psyche-Delic Podcast) but also for her incredible work in the indie podcast community. All the best RyPaul

SWAU Graphcast is back with a very special guest, the talented Director Jon Spira, who helmed the in-depth 2016 documentary "Elstree 1976"! Join the crew as they talk behind the scenes, film making, autographs, and Star Wars film history and legends! If you would like to learn more about star wars autographs or just autographs in general, or would like to start collecting yourself, don’t hesitate to join our facebook group. Facebook: www.facebook.com/groups/starwarsautographuniverse/ iTunes: https://podcasts.apple.com/us/podcast/star-wars-autograph-universe-graphcast/id1341049375 SoundCloud: @star-wars-autograph-universe-graphcast

His first brush with celebrity came at the young age of three in 1970 and four in 1971, when Richard Selwyn-Barnett was lucky to meet the singer Dusty Springfield and actor Richard Burton who were having some dental treatment with his father (just off Harley Street in central London). This was just the start of what became!Born in 1967 Richard grew up in the suburban neighbourhood of Woodside Park in North London where he was surrounded by many people in the film, television and music industries who lived nearby in upmarket areas of Totteridge, Whetstone, Hadley Wood, Arkley, Elstree, Radlett and Mill Hill. Never that academic, during his school years from 1972 to 1983 he made a lot of interesting friends, some of whom had relatives in the entertainment world. Basically he was always in the right place at the right time! He had always wanted to “do his own thing” and the world was now his oyster to discover as soon as he acquired his first car the “road trips” began in the summer of 1984.

Episode ninety-eight of A History of Rock Music in Five Hundred Songs looks at "I've Just Fallen For Someone" by Adam Faith, and is our final look at the pre-Beatles British pop scene. Click the full post to read liner notes, links to more information, and a transcript of the episode.   Patreon backers also have a ten-minute bonus episode available, on "San Francisco Bay Blues" by Jesse Fuller. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ ----more---- Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode.  This double-CD set contains all Adam Faith's early recordings. And Big Time: The Life of Adam Faith by David and Caroline Stafford is a delightfully-written, extremely quotable, and by all accounts accurate biography of Faith.   Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Errata I repeatedly mispronounce Faith's birth surname as “Nelham”. It was “Nelhams”, with an “s”. I also say that "Milk From the Coconut" by Johnny Gentle made the top thirty. It didn't -- I got this from an unreliable source. Transcript Today we're going to take our last look at the pre-Beatles British pop world, and we're going to look at a record that's far more important in retrospect than it seemed at the time. We're going to look at Adam Faith, and a track he recorded called "I've Just Fallen For Someone": [Excerpt: Adam Faith, "I've Just Fallen For Someone"] As is normal for British rock and roll stars of the fifties, Adam Faith was a pseudonym, in this case for someone whose birth name is the subject of some debate -- the registrar seems to have got a bit confused -- but who was known as Terry Nelhams, a five-foot-five singer with high cheekbones, a strong chin, and a weak voice. The crucial change in Nelhams' life had come at the cinema, when he had watched a film called Rebel Without A Cause, starring James Dean. Amazingly, I think we managed to get through the whole 1950s without mentioning Dean, but he was a massive figure in youth pop culture of the fifties, and his presence still resonated for decades afterwards. Dean only starred in three films, and only one, East of Eden, was released in his lifetime -- he died in a car crash while the other two were in post-production -- but his performance in the posthumously-released Rebel Without A Cause seemed to many teenagers of the time to encapsulate everything that they wanted to be.  And Terry Nelhams decided he wanted to be James Dean -- why not? He bore a slight resemblance to him. Terry was going to go into showbiz. There was a problem, though -- in the Britain of the fifties, acting was something that was largely the purview of the middle classes, and Terry was firmly working class. He lived on a council estate and went to a secondary modern -- the schools which, in the fifties UK education system, were designed for people who were considered unlikely to succeed academically. There was no way he was going to end up studying at RADA or any of the other ways one got into acting. So he decided that rather than become a film star, he would become a director. That was much easier to get into than acting was, in the British film industry of the fifties -- you got a job as a tea boy at a film studio, worked your way up into the editing suite, became an editor, and then became a director. There was a steady career path, and you had job security at every stage -- and Terry Nelhams was someone who always looked after his money. So that's what he did -- he got a job at the Rank organisation as a messenger, then moved across to a company that made commercials for the new commercial TV network ITV, where he was an assistant editor. But while he was working at Rank, Nelhams had joined a skiffle group, the Worried Men -- named after the skiffle standard -- who had been formed by some of the younger employees. They became the resident band at the 2is when the Vipers Skiffle Group went out on tour. Despite all the stories about other people who had been discovered at the 2is on their first gig, the Worried Men ended up performing there for months before any kind of success. But then they did get a certain amount of fame, when Six-Five Special did its single most famous episode -- a live outside broadcast from the 2is itself. As the house band, the Worried Men got to perform a few songs on that show, and they also got a couple of tracks on two Decca compilations, "Rockin' at the 2is" and "Stars of the Six-Five Special": [Excerpt: The Worried Men, "This Little Light"] But neither album sold particularly well, and the Worried Men slowly drifted apart -- one member joined the Vipers, and Nelhams left before the group got in a couple of people we've already seen a few times in our story -- both Tony Meehan, who would go on to join the Shadows, and Brian Bennett, who ended up replacing him, passed through the group. But while Nelhams had quit the Worried Men -- as much as anything else because holding down a day job while he also played for four hours at the 2is every night was starting to affect his health -- Jack Good remembered him from that one Six-Five Special appearance, and thought that his looks, if not his singing ability, gave him the potential to be a star.  Good changed Nelhams' name to Adam Faith, and gave him a solo spot on Six-Five Special, as well as getting him a contract with HMV, one of several record labels owned by the large conglomerate EMI. His first single on HMV was "(Got A) Heartsick Feeling", backed by Geoff Love and his Orchestra: [Excerpt: Adam Faith, "(Got A) Heartsick Feeling"] That record was, of course, publicised on Six-Five Special, but the extent to which Faith's star potential was based on his looks rather than his singing ability can probably be seen from the fact that after his first appearance on the show he mimed rather than sing live, unlike all the other performers. The record was not a success, and nor was his second single, a cover of Jerry Lee Lewis' "High School Confidential": [Excerpt: Adam Faith, "High School Confidential"] Faith was unpopular, but he was able to give up his day job in the editing room to go on tour with a package based on Six-Five Special, at the bottom of the bill. And on that tour he became friendly with one of the other acts, John Barry, the trumpet playing leader of a group called the John Barry Seven. Barry had wanted to be an arranger for big bands, but when he realised that was no longer a viable career path, he'd formed his small group, who at the time were making records like "Zip Zip", which were fairly awful early British rock and roll efforts, but with slightly more interesting instrumental arrangements than the bulk of the work being put out in the UK at that point: [Excerpt: The John Barry Seven, "Zip Zip"] When Jack Good moved over to ITV to do Oh Boy!, he took Faith with him, but Faith's career was stagnating, and he quit performing altogether, and got another job as an assistant editor at Elstree studios, working on ATV shows like William Tell and The Invisible Man. But then Faith got a call from John Barry. The BBC were putting together a new show, Drumbeat, to compete with Oh Boy!, and they wanted their own star to compete with Cliff Richard and Marty Wilde. Would Adam be interested? He would -- though he was cautious enough after last time that he kept his day job. He'd bunk off work on Thursday and Friday afternoons to rehearse and record the show, and make the time up on Sundays. His workmates covered for him when he bunked off, and that worked until his boss' daughter mentioned to the boss that she'd seen Terry on the telly. He was told he had to choose between his pop career and a secure job, and he decided to make his pop career into a secure job, by getting a guaranteed six-month contract on Drumbeat before quitting Elstree. Drumbeat did little to make Faith's records sell any more, but it did lead to acting appearances -- as a biker in the police show No Hiding Place, and as a musician in a cheap exploitation film that was originally titled "Striptease Girl", before the censors made the film producers cut the nudity out (except for foreign markets) at which point it was retitled Beat Girl in the UK, and Wild For Kicks in the US. It was hardly Rebel Without a Cause, but it was definitely a step in the right direction. The music for that film was done by Adam's friend John Barry -- the very first film score Barry ever did: [Excerpt: The John Barry Seven, "Beat Girl"] But Adam Faith was still a pop star without a hit, and that was a situation that couldn't last. He was also temporarily without a record contract, but his new manager Eve Taylor managed to get him one with Parlophone, another EMI-owned label. And then his Drumbeat contacts came through in a big way.  One of the other acts who regularly appeared on the show was a group called the Raindrops, who featured a singer who had been born Yannis Skoradalides, but whose name had soon been anglicised to John Worsley. He'd then taken on the stage name Johnny Worth, which was the name he performed under, but he was also starting to write songs -- and because he was under contract as a recording artist, he took on yet another name as a songwriter to avoid any legal complications, so he was writing as Les Vandyke. It was under that name that he wrote a song called "What Do You Want?", which he played to Faith and Barry, his two colleagues on Drumbeat. They saw potential in it -- a lot of potential. And John Barry had an idea for an instrumental gimmick. We're now into 1959, and Buddy Holly's "It Doesn't Matter Any More" had just been a big posthumous hit for him: [Excerpt: Buddy Holly, "It Doesn't Matter Any More"] The pizzicato strings, in particular, had caught the ear of a lot of people, and Barry had already used them in the arrangement he'd written for "Be Mine", a record by the minor British pop star Lance Fortune: [Excerpt: Lance Fortune, "Be Mine"] That hadn't been released yet – it went top five when it eventually was – and Barry thought that it was worth repeating the trick, and so he came up with a pizzicato arrangement for the song Vandyke had written. And for a final touch, Faith received some vocal coaching from another Drumbeat performer, Roy Young, who taught him how to mangle his vowels so that he could sing in what was, to British ears, almost a convincing imitation of Buddy Holly's hiccupping vocal, particularly on the word "baby". The result was a huge hit, becoming the first number one single ever on the Parlophone label: [Excerpt: Adam Faith, "What Do You Want?"] Faith was now a real pop star at last. "What Do You Want?" was also one of the very rare British records to actually get an American cover version -- Bobby Vee, the Buddy Holly soundalike, picked up on the record and issued his own version of it: [Excerpt: Bobby Vee, "What Do You Want?"] That wasn't a success, but as Vee became a star he would occasionally record versions of other songs Faith recorded. Faith's second Parlophone single was another number one, and another song written by Les Vandyke and arranged by John Barry. It was very much "What Do You Want?" part two, but there was an interesting musical figure Barry came up with in the intro: [Excerpt: Adam Faith, "Poor Me"] In the 1990s, Barry used that as evidence in a court case over his claim to authorship of the piece of music with which he is most associated, a piece arranged and performed by Barry, but whose credited writer is Monty Norman. Compare and contrast "Poor Me": [Excerpt: Adam Faith, "Poor Me"] And the James Bond theme: [Excerpt: John Barry, "James Bond Theme"] For the next couple of years, Faith had a string of hits, mostly written by Vandyke and arranged by Barry, though no more number ones. By most metrics -- in hits, record sales, and fan appeal -- he was the second-biggest British pop star of the early sixties, after Cliff Richard.  He also became well known as a media personality, thanks in large part to his appearance on the interview show Face to Face. This was a TV programme that ran from 1959 through 1962 -- almost the precise same length as Faith's pop career -- and which had interviewer John Freeman sat with his back to the camera, while the studio was largely in darkness other than the face of the person he was interviewing. Freeman's questions seem in the modern media landscape to be remarkably gentle, but in the early sixties he was regarded as the most incisive and probing interviewer in the British media. He reduced at least one subject, Gilbert Harding, to tears, and his questioning of Tony Hancock is popularly supposed to have started Hancock into the spiral of questioning, self-doubt, and depression that led first to his career crashing and burning and eventually to his suicide. Most of the guests that Freeman had on the show were serious, important, highbrow people. The thirty-five episodes of the show included interviews with Bertrand Russell, Carl Jung, Adlai Stevenson, Henry Moore, Martin Luther King and Jomo Kenyatta. But occasionally there would be someone invited on from the world of sport or entertainment, and Faith was invited on to the show as a representative of youth culture and pop music. The questions asked on the show were clearly designed to make Faith -- a twenty-year-old pop singer who went to a secondary modern and still lived on a council estate even now he'd hit the big time -- seem a laughing stock, and to poke holes in his image. Everyone involved seems to have been surprised when he came across as a well-read, cultured, if rather mercenary, young man who could string three words together: [Excerpt: Adam Faith, "Face to Face", interview questions about classical music and literature] As a result of that appearance, Faith was increasingly asked on to TV shows to be "the voice of the youth", particularly as he was the first pop star to admit to things like having sex before marriage. He debated with the Archbishop of York about religion on national TV, in a debate chaired by Ludovic Kennedy, and Faith was largely viewed as having come out better than the bishop. He also took at least one brave political stand in 1964. He had been booked to tour in South Africa, and agreed to do so only under the condition that he would perform only to integrated audiences. But when he got on stage for one show, he saw the police dragging two young girls out of an otherwise all-white audience, because they weren't white. He walked off stage, and refused to do the rest of the tour. The promoter demanded compensation, and Faith refused, saying he'd made clear that he was only going to play to integrated audiences. He tried to leave the country, booking plane tickets under his birth name to escape suspicion, but was dragged off the plane at gunpoint by South African police. Eventually the intervention of the chairman of EMI, the British Foreign Secretary, the general secretary of Equity, the actor's union, and several brave journalists who said that if Faith was imprisoned they would go to prison with him, meant that Faith was allowed to leave the country, though EMI paid the promoter's compensation and took it out of Faith's future royalties. Not that there were many royalties by that point. In early 1963, John Barry had stopped working with Faith to concentrate on his film music -- he'd just started working on the Bond films that would make his name -- and the hits dried up then, especially when musical styles suddenly changed in the middle of that year. But Faith had managed to parlay his looks into an acting career by that point, and over the next decade he appeared in several films, starred in the TV series Budgie, and toured in repertory theatre. He also became a manager and producer, managing Leo Sayer and producing Roger Daltrey's solo recordings. He would occasionally make the odd record himself, up to the nineties, with his final single being a duet with Daltrey on a cover version of "Stuck in the Middle With You": [Excerpt: Adam Faith and Roger Daltrey, "Stuck in the Middle With You"] But as someone who looked after his money, Faith had been far more canny than most of his fellow pop stars, and for much of his life he was a very wealthy man. While he continued performing, his main role in the eighties and nineties was as a financial journalist and investment advisor, writing columns on finance for the Daily Mail. He presented the BBC business show Working Lunch, the Channel 4 money show Dosh, and eventually started his own TV channel devoted to business, The Money Channel. Unfortunately for him, the Money Channel went down in the stock market crashes of the early 2000s, and Faith went bankrupt in 2002. He died in 2003, aged sixty-two. But you'll notice we haven't yet mentioned the song that this episode is about. That's because that song, "I've Just Fallen For Someone", was completely unimportant in Adam Faith's life. It was just a bit of album filler on his second album. But though Faith didn't know it, it was an important song in rock music history: [Excerpt: Adam Faith, "I've Just Fallen For Someone"] Like Faith's hits, that was written by another performer, one who like Les Vandyke had a variety of different names. John Askew was one of Larry Parnes' stable of acts, and far from the most successful of them. He performed under the name Johnny Gentle, and didn't have a great deal of success. Askew's first single, "Wendy", was unsuccessful, but it was unusual among British singles of the period in that it was written by Askew himself: [Excerpt: Johnny Gentle, "Wendy"] His second, though, made the top thirty: [Excerpt: Johnny Gentle, "Milk From the Coconut"] That would be the most success Johnny Gentle ever had, and his live shows were made up entirely of cover versions of other people's records -- when he toured Scotland in 1960, for example, his setlist consisted of two Buddy Holly songs, and one each by Elvis, Ricky Nelson, Clarence "Frogman" Henry, Eddie Cochran, and Jim Reeves. But he was still writing songs on that tour, and he was working on one in a hotel in Inverness – one that clearly referenced “What Do You Want?” with its girl who doesn't want ermine and pearls – when he got stuck for a middle eight for the song, and mentioned it to the rhythm guitarist in his backing band. The guitarist came up with a new middle eight -- referencing a line from a favourite song of his, "Money" by Barrett Strong. Askew took that new middle eight, though didn't give the guitarist any songwriting credit -- Askew was an established songwriter, after all. He gave the song to Faith, who recorded it in late 1961, and released it in 1962: [Excerpt: Adam Faith, "I've Just Fallen for Someone"] That was on his second album, Adam Faith (his first album had been called Adam), and on an EP taken from the album. But Askew thought it had more potential, and he recorded his own version, as Darren Young -- by this point he'd decided that his old stage name was bringing him bad luck: [Excerpt: Darren Young, "I've Just Fallen for Someone"] That version wasn't successful either, and the song remained completely obscure until the mid-1990s. It was at that point that Askew started telling the story of how the song had been written. And suddenly the song was of a lot more interest, at least to some people, because that rhythm guitarist who wrote that middle eight was John Lennon, and Gentle's backing band on that tour was the Beatles. We've just heard the story of the first ever commercial recording of a John Lennon song. And we'll pick up on that next week...

Episode ninety-eight of A History of Rock Music in Five Hundred Songs looks at “I’ve Just Fallen For Someone” by Adam Faith, and is our final look at the pre-Beatles British pop scene. Click the full post to read liner notes, links to more information, and a transcript of the episode.   Patreon backers also have a ten-minute bonus episode available, on “San Francisco Bay Blues” by Jesse Fuller. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- Resources As always, I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode.  This double-CD set contains all Adam Faith’s early recordings. And Big Time: The Life of Adam Faith by David and Caroline Stafford is a delightfully-written, extremely quotable, and by all accounts accurate biography of Faith.   Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Errata I repeatedly mispronounce Faith’s birth surname as “Nelham”. It was “Nelhams”, with an “s”. I also say that “Milk From the Coconut” by Johnny Gentle made the top thirty. It didn’t — I got this from an unreliable source. Transcript Today we’re going to take our last look at the pre-Beatles British pop world, and we’re going to look at a record that’s far more important in retrospect than it seemed at the time. We’re going to look at Adam Faith, and a track he recorded called “I’ve Just Fallen For Someone”: [Excerpt: Adam Faith, “I’ve Just Fallen For Someone”] As is normal for British rock and roll stars of the fifties, Adam Faith was a pseudonym, in this case for someone whose birth name is the subject of some debate — the registrar seems to have got a bit confused — but who was known as Terry Nelhams, a five-foot-five singer with high cheekbones, a strong chin, and a weak voice. The crucial change in Nelhams’ life had come at the cinema, when he had watched a film called Rebel Without A Cause, starring James Dean. Amazingly, I think we managed to get through the whole 1950s without mentioning Dean, but he was a massive figure in youth pop culture of the fifties, and his presence still resonated for decades afterwards. Dean only starred in three films, and only one, East of Eden, was released in his lifetime — he died in a car crash while the other two were in post-production — but his performance in the posthumously-released Rebel Without A Cause seemed to many teenagers of the time to encapsulate everything that they wanted to be.  And Terry Nelhams decided he wanted to be James Dean — why not? He bore a slight resemblance to him. Terry was going to go into showbiz. There was a problem, though — in the Britain of the fifties, acting was something that was largely the purview of the middle classes, and Terry was firmly working class. He lived on a council estate and went to a secondary modern — the schools which, in the fifties UK education system, were designed for people who were considered unlikely to succeed academically. There was no way he was going to end up studying at RADA or any of the other ways one got into acting. So he decided that rather than become a film star, he would become a director. That was much easier to get into than acting was, in the British film industry of the fifties — you got a job as a tea boy at a film studio, worked your way up into the editing suite, became an editor, and then became a director. There was a steady career path, and you had job security at every stage — and Terry Nelhams was someone who always looked after his money. So that’s what he did — he got a job at the Rank organisation as a messenger, then moved across to a company that made commercials for the new commercial TV network ITV, where he was an assistant editor. But while he was working at Rank, Nelhams had joined a skiffle group, the Worried Men — named after the skiffle standard — who had been formed by some of the younger employees. They became the resident band at the 2is when the Vipers Skiffle Group went out on tour. Despite all the stories about other people who had been discovered at the 2is on their first gig, the Worried Men ended up performing there for months before any kind of success. But then they did get a certain amount of fame, when Six-Five Special did its single most famous episode — a live outside broadcast from the 2is itself. As the house band, the Worried Men got to perform a few songs on that show, and they also got a couple of tracks on two Decca compilations, “Rockin’ at the 2is” and “Stars of the Six-Five Special”: [Excerpt: The Worried Men, “This Little Light”] But neither album sold particularly well, and the Worried Men slowly drifted apart — one member joined the Vipers, and Nelhams left before the group got in a couple of people we’ve already seen a few times in our story — both Tony Meehan, who would go on to join the Shadows, and Brian Bennett, who ended up replacing him, passed through the group. But while Nelhams had quit the Worried Men — as much as anything else because holding down a day job while he also played for four hours at the 2is every night was starting to affect his health — Jack Good remembered him from that one Six-Five Special appearance, and thought that his looks, if not his singing ability, gave him the potential to be a star.  Good changed Nelhams’ name to Adam Faith, and gave him a solo spot on Six-Five Special, as well as getting him a contract with HMV, one of several record labels owned by the large conglomerate EMI. His first single on HMV was “(Got A) Heartsick Feeling”, backed by Geoff Love and his Orchestra: [Excerpt: Adam Faith, “(Got A) Heartsick Feeling”] That record was, of course, publicised on Six-Five Special, but the extent to which Faith’s star potential was based on his looks rather than his singing ability can probably be seen from the fact that after his first appearance on the show he mimed rather than sing live, unlike all the other performers. The record was not a success, and nor was his second single, a cover of Jerry Lee Lewis’ “High School Confidential”: [Excerpt: Adam Faith, “High School Confidential”] Faith was unpopular, but he was able to give up his day job in the editing room to go on tour with a package based on Six-Five Special, at the bottom of the bill. And on that tour he became friendly with one of the other acts, John Barry, the trumpet playing leader of a group called the John Barry Seven. Barry had wanted to be an arranger for big bands, but when he realised that was no longer a viable career path, he’d formed his small group, who at the time were making records like “Zip Zip”, which were fairly awful early British rock and roll efforts, but with slightly more interesting instrumental arrangements than the bulk of the work being put out in the UK at that point: [Excerpt: The John Barry Seven, “Zip Zip”] When Jack Good moved over to ITV to do Oh Boy!, he took Faith with him, but Faith’s career was stagnating, and he quit performing altogether, and got another job as an assistant editor at Elstree studios, working on ATV shows like William Tell and The Invisible Man. But then Faith got a call from John Barry. The BBC were putting together a new show, Drumbeat, to compete with Oh Boy!, and they wanted their own star to compete with Cliff Richard and Marty Wilde. Would Adam be interested? He would — though he was cautious enough after last time that he kept his day job. He’d bunk off work on Thursday and Friday afternoons to rehearse and record the show, and make the time up on Sundays. His workmates covered for him when he bunked off, and that worked until his boss’ daughter mentioned to the boss that she’d seen Terry on the telly. He was told he had to choose between his pop career and a secure job, and he decided to make his pop career into a secure job, by getting a guaranteed six-month contract on Drumbeat before quitting Elstree. Drumbeat did little to make Faith’s records sell any more, but it did lead to acting appearances — as a biker in the police show No Hiding Place, and as a musician in a cheap exploitation film that was originally titled “Striptease Girl”, before the censors made the film producers cut the nudity out (except for foreign markets) at which point it was retitled Beat Girl in the UK, and Wild For Kicks in the US. It was hardly Rebel Without a Cause, but it was definitely a step in the right direction. The music for that film was done by Adam’s friend John Barry — the very first film score Barry ever did: [Excerpt: The John Barry Seven, “Beat Girl”] But Adam Faith was still a pop star without a hit, and that was a situation that couldn’t last. He was also temporarily without a record contract, but his new manager Eve Taylor managed to get him one with Parlophone, another EMI-owned label. And then his Drumbeat contacts came through in a big way.  One of the other acts who regularly appeared on the show was a group called the Raindrops, who featured a singer who had been born Yannis Skoradalides, but whose name had soon been anglicised to John Worsley. He’d then taken on the stage name Johnny Worth, which was the name he performed under, but he was also starting to write songs — and because he was under contract as a recording artist, he took on yet another name as a songwriter to avoid any legal complications, so he was writing as Les Vandyke. It was under that name that he wrote a song called “What Do You Want?”, which he played to Faith and Barry, his two colleagues on Drumbeat. They saw potential in it — a lot of potential. And John Barry had an idea for an instrumental gimmick. We’re now into 1959, and Buddy Holly’s “It Doesn’t Matter Any More” had just been a big posthumous hit for him: [Excerpt: Buddy Holly, “It Doesn’t Matter Any More”] The pizzicato strings, in particular, had caught the ear of a lot of people, and Barry had already used them in the arrangement he’d written for “Be Mine”, a record by the minor British pop star Lance Fortune: [Excerpt: Lance Fortune, “Be Mine”] That hadn’t been released yet – it went top five when it eventually was – and Barry thought that it was worth repeating the trick, and so he came up with a pizzicato arrangement for the song Vandyke had written. And for a final touch, Faith received some vocal coaching from another Drumbeat performer, Roy Young, who taught him how to mangle his vowels so that he could sing in what was, to British ears, almost a convincing imitation of Buddy Holly’s hiccupping vocal, particularly on the word “baby”. The result was a huge hit, becoming the first number one single ever on the Parlophone label: [Excerpt: Adam Faith, “What Do You Want?”] Faith was now a real pop star at last. “What Do You Want?” was also one of the very rare British records to actually get an American cover version — Bobby Vee, the Buddy Holly soundalike, picked up on the record and issued his own version of it: [Excerpt: Bobby Vee, “What Do You Want?”] That wasn’t a success, but as Vee became a star he would occasionally record versions of other songs Faith recorded. Faith’s second Parlophone single was another number one, and another song written by Les Vandyke and arranged by John Barry. It was very much “What Do You Want?” part two, but there was an interesting musical figure Barry came up with in the intro: [Excerpt: Adam Faith, “Poor Me”] In the 1990s, Barry used that as evidence in a court case over his claim to authorship of the piece of music with which he is most associated, a piece arranged and performed by Barry, but whose credited writer is Monty Norman. Compare and contrast “Poor Me”: [Excerpt: Adam Faith, “Poor Me”] And the James Bond theme: [Excerpt: John Barry, “James Bond Theme”] For the next couple of years, Faith had a string of hits, mostly written by Vandyke and arranged by Barry, though no more number ones. By most metrics — in hits, record sales, and fan appeal — he was the second-biggest British pop star of the early sixties, after Cliff Richard.  He also became well known as a media personality, thanks in large part to his appearance on the interview show Face to Face. This was a TV programme that ran from 1959 through 1962 — almost the precise same length as Faith’s pop career — and which had interviewer John Freeman sat with his back to the camera, while the studio was largely in darkness other than the face of the person he was interviewing. Freeman’s questions seem in the modern media landscape to be remarkably gentle, but in the early sixties he was regarded as the most incisive and probing interviewer in the British media. He reduced at least one subject, Gilbert Harding, to tears, and his questioning of Tony Hancock is popularly supposed to have started Hancock into the spiral of questioning, self-doubt, and depression that led first to his career crashing and burning and eventually to his suicide. Most of the guests that Freeman had on the show were serious, important, highbrow people. The thirty-five episodes of the show included interviews with Bertrand Russell, Carl Jung, Adlai Stevenson, Henry Moore, Martin Luther King and Jomo Kenyatta. But occasionally there would be someone invited on from the world of sport or entertainment, and Faith was invited on to the show as a representative of youth culture and pop music. The questions asked on the show were clearly designed to make Faith — a twenty-year-old pop singer who went to a secondary modern and still lived on a council estate even now he’d hit the big time — seem a laughing stock, and to poke holes in his image. Everyone involved seems to have been surprised when he came across as a well-read, cultured, if rather mercenary, young man who could string three words together: [Excerpt: Adam Faith, “Face to Face”, interview questions about classical music and literature] As a result of that appearance, Faith was increasingly asked on to TV shows to be “the voice of the youth”, particularly as he was the first pop star to admit to things like having sex before marriage. He debated with the Archbishop of York about religion on national TV, in a debate chaired by Ludovic Kennedy, and Faith was largely viewed as having come out better than the bishop. He also took at least one brave political stand in 1964. He had been booked to tour in South Africa, and agreed to do so only under the condition that he would perform only to integrated audiences. But when he got on stage for one show, he saw the police dragging two young girls out of an otherwise all-white audience, because they weren’t white. He walked off stage, and refused to do the rest of the tour. The promoter demanded compensation, and Faith refused, saying he’d made clear that he was only going to play to integrated audiences. He tried to leave the country, booking plane tickets under his birth name to escape suspicion, but was dragged off the plane at gunpoint by South African police. Eventually the intervention of the chairman of EMI, the British Foreign Secretary, the general secretary of Equity, the actor’s union, and several brave journalists who said that if Faith was imprisoned they would go to prison with him, meant that Faith was allowed to leave the country, though EMI paid the promoter’s compensation and took it out of Faith’s future royalties. Not that there were many royalties by that point. In early 1963, John Barry had stopped working with Faith to concentrate on his film music — he’d just started working on the Bond films that would make his name — and the hits dried up then, especially when musical styles suddenly changed in the middle of that year. But Faith had managed to parlay his looks into an acting career by that point, and over the next decade he appeared in several films, starred in the TV series Budgie, and toured in repertory theatre. He also became a manager and producer, managing Leo Sayer and producing Roger Daltrey’s solo recordings. He would occasionally make the odd record himself, up to the nineties, with his final single being a duet with Daltrey on a cover version of “Stuck in the Middle With You”: [Excerpt: Adam Faith and Roger Daltrey, “Stuck in the Middle With You”] But as someone who looked after his money, Faith had been far more canny than most of his fellow pop stars, and for much of his life he was a very wealthy man. While he continued performing, his main role in the eighties and nineties was as a financial journalist and investment advisor, writing columns on finance for the Daily Mail. He presented the BBC business show Working Lunch, the Channel 4 money show Dosh, and eventually started his own TV channel devoted to business, The Money Channel. Unfortunately for him, the Money Channel went down in the stock market crashes of the early 2000s, and Faith went bankrupt in 2002. He died in 2003, aged sixty-two. But you’ll notice we haven’t yet mentioned the song that this episode is about. That’s because that song, “I’ve Just Fallen For Someone”, was completely unimportant in Adam Faith’s life. It was just a bit of album filler on his second album. But though Faith didn’t know it, it was an important song in rock music history: [Excerpt: Adam Faith, “I’ve Just Fallen For Someone”] Like Faith’s hits, that was written by another performer, one who like Les Vandyke had a variety of different names. John Askew was one of Larry Parnes’ stable of acts, and far from the most successful of them. He performed under the name Johnny Gentle, and didn’t have a great deal of success. Askew’s first single, “Wendy”, was unsuccessful, but it was unusual among British singles of the period in that it was written by Askew himself: [Excerpt: Johnny Gentle, “Wendy”] His second, though, made the top thirty: [Excerpt: Johnny Gentle, “Milk From the Coconut”] That would be the most success Johnny Gentle ever had, and his live shows were made up entirely of cover versions of other people’s records — when he toured Scotland in 1960, for example, his setlist consisted of two Buddy Holly songs, and one each by Elvis, Ricky Nelson, Clarence “Frogman” Henry, Eddie Cochran, and Jim Reeves. But he was still writing songs on that tour, and he was working on one in a hotel in Inverness – one that clearly referenced “What Do You Want?” with its girl who doesn’t want ermine and pearls – when he got stuck for a middle eight for the song, and mentioned it to the rhythm guitarist in his backing band. The guitarist came up with a new middle eight — referencing a line from a favourite song of his, “Money” by Barrett Strong. Askew took that new middle eight, though didn’t give the guitarist any songwriting credit — Askew was an established songwriter, after all. He gave the song to Faith, who recorded it in late 1961, and released it in 1962: [Excerpt: Adam Faith, “I’ve Just Fallen for Someone”] That was on his second album, Adam Faith (his first album had been called Adam), and on an EP taken from the album. But Askew thought it had more potential, and he recorded his own version, as Darren Young — by this point he’d decided that his old stage name was bringing him bad luck: [Excerpt: Darren Young, “I’ve Just Fallen for Someone”] That version wasn’t successful either, and the song remained completely obscure until the mid-1990s. It was at that point that Askew started telling the story of how the song had been written. And suddenly the song was of a lot more interest, at least to some people, because that rhythm guitarist who wrote that middle eight was John Lennon, and Gentle’s backing band on that tour was the Beatles. We’ve just heard the story of the first ever commercial recording of a John Lennon song. And we’ll pick up on that next week…

I'm back as a private pilot flying a Cessna 172 plane with North Weald Flying Group and find out about my first helicopter PPL lessons with Ice Helicopters from Elstree Aerodrome! Want to know more?Follow me on Instagram @AaronHenray and see my latest videos and pictures or get in touch.   Are Your Also An Entrepreneur? Listen to my business podcast Get Growing Online on Apple, Spotify or your favourite podcast player. Do you have a story to share? Would you like to feature on this podcast? Why not get in touch and tell me why you'd like to come on! Email me podcast@aaronhenray.com.DISCLAIMER: (Because I have to really...)I'm only sharing my own personal experiences and beliefs which may not always be 100% accurate but I will try to make it as accurate as possible. You should seek advice from professional sources yourself and not try to sue me or anything if it doesn’t work out for you in the same way as it has for me or any guests on the podcast!

ITC Entertained The World - episode 7 - The BaronHosted by Jaz Wiseman, Rodney Marshall and Al Samujh. Jaz, Rodney and Al discuss The Baron - the first ITC action/adventure series to be made in colour starring Steve Forrest as John Mannering aka The Baron, with Sue Lloyd as Cordelia.With archive interview clips from Steve Forrest, Sue Lloyd, production supervisor Johnny Goodman and directors Cyril Frankel and Roy Ward Baker. Dig out an old antique that you think you can sell, get in the Jensen, watch out for dodgy road diversions and just hope you're not asked to replace David Marlowe in another action packed adventure around the Elstree backlot.With thanks to Kaleidoscope

Part 2 of the pre-BBC's summer of music covers June and July 1922. As The Spice Girls once nearly sang, tonight (this episode) is the night (the episode) when 2 (BBCs) become 1 (BBC). Hear the voices of those who weren't just there - they were pushing the buttons. This episode includes: - How we got the licence fee! - Garden party demonstrations - Elstree - the arrival of Cecil Lewis Plus an Airwave Memory from Pete Hawkins (twitter.com/fictoids1) and Firsthand Memories from covering I'm Sorry I Haven't A Clue and the World Service. ====== This podcast is unaffiliated to the mighty BBC. We just like talking about them. Support the show at patreon.com/paulkerensa or ko-fi.com/paulkerensa - thanks! Thanks Will Farmer for the original music. We're on Facebook and Twitter - do join us there. Paul on BBC Radios Sussex & Surrey can be heard here. Paul's appearances on BBC Radio 2's Pause For Thought can be heard here (with others). Paul's Mailing list Paul's Books  Closedown (Please stand for the National Anthem)

Mass Movement Presents… Episode XIX: The Terror Is Real – In which our miserable, middle-aged malcontents get mad about keyboard warriors, chat about Ta-Nehsisi Coates run on ‘Captain America’, the new season of ‘The Umbrella Academy’ on Netflix, ‘The Old Guard’, Don Hahn’s ‘Howard’,  ‘Sputnik’, ‘Elstree ‘76’ , the new split album from Frank Turner and NOFX, the beers that have been floating their respective boats and take a deep dive into their world’s according to Sheer Terror.And somewhere in the middle of all of that, they also spin tunes by Tired Radio, Piledriver and Divinity In Exile and Chris chats to Mike Lewis (ex-Public Disturbance / ex-Lost Prophets / No Devotion) about ‘90’s Hardcore and more…

In this episode we hear from author and journalist James Delingpole about why buying yourself a private jet probably won't kill any polar bears and from Kathan Dudhela, a flying instructor from Stars Fly Flying School at Elstree who runs through a few things that we should probably think about before going flying after the prolonged break caused by the Coronavirus restrictions. See acast.com/privacy for privacy and opt-out information.

Join me and Matt Leonard as we talk to Mike Quinn. We discuss how hanging out in front of the Elstree studios lead to a 30+ year career of working on some of the most beloved movies franchises of all time. What are some of your favorite Muppet moments? Let us know on the social feeds: Facebook page(www.facebook.com/DisneyMarvelsPodcast ), Facebook group (www.facebook.com/groups/DisneyMarvelsPodcast ), Twitter (@DisneyMarvels), you can email the show with your thoughts or suggestions at DisneyMarvels@gmail.com , or you can leave a voice message through the anchor.fm app or anchor.fm/DisneyMarvels website. Be sure to share, rate, and become a premium subscriber at https://anchor.fm/disneymarvels/support And/or support the show through our Patreon page: https://www.patreon.com/user?u=24987308 Get some Disney Marvels wear at our shop: Click Here! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/disneymarvels/message

Morris Bright is back for part two of our chat about everything Anderson, everything Elstree, and everything entertainment. Plus everything you've come to expect - including the return of the Plot of Peril! 1:00 - Welcome one and all. Do you like our new intro? 3:00 - This week's FAB Fact 6:55 - Messages from the Podsterons 7:50 - Gerry Anderson News including information about Anderson Insiders! 19:00 - More Podsteron messages and questions 23:10 - The Plot of Peril RETURNS! 25:30 - Part two of our chat with the marvellous Morris Bright of Elstree Studios 47:00 - our brief thoughts on Morris's comments and a few more Podsteron messages 56:00 - The Randomiser from the marvellous Chris Dale 1:30:14 - Rounding things off for this week. Linkshttps://www.patreon.com/user?u=32485050 (Become an Anderson Insider!): https://www.patreon.com/user?u=32485050 (https://www.patreon.com/user?u=32485050) https://gerry-anderson-randomiser.captivate.fm/ (The Gerry Anderson Randomiser Podcast): https://gerry-anderson-randomiser.captivate.fm/ (https://gerry-anderson-randomiser.captivate.fm/)

Rick and Jake chat with Tony Swain about his early days as a cameraman at Elstree.. where he met fellow musician Steve Jolley, before them going on to write and produce huge hits for Imagination, Bananarama and Alf Moyet. Tony talks about producing the smash hits with Spandau Ballet, including 'True' and 'Gold'. Rick and Tony talk about their collaboration with the 'Close' album which they produced for sister Kim. https://open.spotify.com/playlist/1zxYECkvj4RQLbtGvRFp82?si=_V8OaFvRSK6S9nWsFcqQ9A See acast.com/privacy for privacy and opt-out information.

The Muppet Show burst onto British TV screens in 1976. The mastermind of US puppeteer, animator & actor Jim Henson, it was actually made a reality with the support of UK media mogul Lew Grade and ATV based in Birmingham & Elstree. It was an instant hit and Kermit, Miss Piggy and the rest of the anarchic characters would go on to be shown in 100 different countries. Here MIM's Here Ashley Byrne assembles Gonzo (David Goelz) with Louise Gold (Annie Sue Pig) and Muppet writer Joe Bailey...Distinct Nostalgia is produced by MIM Productions: www.madeinmanchester.tvTwitter @mimproductions@Distinct_byMIMIdeas for shows, documentaries, reunions and even drama should be emailed to info@madeinmanchester.tvThe Distinct Nostalgia Theme Tune is composed by Rebecca Applin and Chris Warner

In the newest episode we discuss two of Hitchcock's early sound projects: his rather stagey adaptation of Sean O'Casey's play, "Juno and the Paycock", and "Elstree Calling", one of the first British musicals.

In a response to Sesame Street in the early 1970s, the UK's ITV network launched a series of lunchtime kids shows aimed at young children. From the Midlands came ATV's Pipkins which was filmed at Elstree next to The Muppets studio. Pipkins was full of puppet characters including a pig, a monkey and a tortoise. But the one every kid remembers is Hartley Hare who became the big star of the show. Writer Gail Renard, presenter Jonathan Kydd and puppeteer Nigel Plaskitt join MIM's Ashley Byrne for a trip down memory lane. Will Hartley put in an appearance?Meanwhile another blast from the past at ATV (long time 70s announcer Peter Tomlinson) has been brought into introduce this special podcast.Distinct Nostalgia is produced by MIM Productions: www.madeinmanchester.tvTwitter @mimproductions@Distinct_byMIMThe Distinct Nostalgia by MIM theme is composed by Rebecca Applin and Chris Warner.

Hosts Andrew Gerrish, Sean Michaud and Robin Vogt of Brick City Blockade are almost done with their journey to Opening Night of The Rise Of Skywalker. On this episode, the gentlemen breakdown Star Wars: The Force Awakens. We re-live opening night in 2015, where the Brick City Blockade all started! Also, please feel free to correct Robin, because he got the name of Elstree 1977 wrong. (typical Robin) Head to brickcityblockade.com for more Star Wars and everything about this amazing fandom! Thanks for listening, and May the Force be with you.

This week on the Gerry Anderson Podcast Pod 72 we take our first ever podcast road trip to a Celebration of ITC at Elstree Studios. But don't worry - we still have all of your favourites like the Randomiser from Chris Dale, the Gerry Anderson news and the Plot of Peril. At Elstree we speak to Matt Zimmerman - known to many of you as Alan Tracy from Thunderbirds, and Laraine Humphrys who appeared in several episodes of Space:1999 and has fond memories of Martin Landau. News items and Links: https://www.theunmutual.co.uk/ (More about the ITC2 Celebration event) https://shop.gerryanderson.co.uk/products/tv21-special-edition-universe-edition-243 (Grab the TV21 bundle) https://www.youtube.com/playlist?list=PL0NXq1NHbJMK4xSgJDdxBw-8nztHrIjH9 (See our latest Gerry Anderson Primers) Hosts: https://www.twitter.com/ImJamieAnderson (Jamie Anderson) and https://www.twitter.com/RichardNJames (Richard James) Randomiser: https://www.twitter.com/ChrisDalek (Chris Dale) Editor: Laura Samulionyte Produced and Distributed by Anderson Entertainment

This month Phil, Clive & Tony speak to comedian Ashley Blaker ahead of his show 'Prophet Sharing' on at JW3. Author, Judy Jackson chats about her new book 'Episodes'. Jemima Jarman talks about her new exhibition 'Great British Jews' on at The Jewish Museum. One of the founding members of Liberal Synagogue Elstree, Terry Benson on the community celebrating it's 50th anniversary. Our Rabbinic Thought for the Month comes from Rabbi Aaron Goldstein of Northwood & Pinner Liberal Synagogue.

In episode #2, I interview Rory Darling. Rory taught Maths and History at many of the top boarding boys preparatory schools in the country, including Summer Fields, Cothill, Ludgrove, Aysgarth and Elstree. In this interview, we talk about: Teaching and learning Standards back in the 70s? Importance of historical knowledge for context; and skeleton. Importance of knowledge generally. Knowledge vs skills / group work; + lesson plans Real-world Maths Maths: drilling and rote vs. being open-minded Maths: CE vs GCSE and ISEB vs KS3 History: importance of having a skeleton Games to entertain students - avoiding being bored. What made a good headmaster? Discipline

Vick Hope was not ready to leave, as we found out by talking to her backstage at Strictly’s Elstree studios, plus she tells host Rachel Ward why spraying perfume on her socks was a thing for a while. Meanwhile Joe Sugg says he’s met his match in the prankster stakes with Neil Jones, Katya’s husband. Craig Revel Horwood tells Debbie McGee and the rest of the Talking Strictly panel how he actually wanted Debbie to win last year rather than Joe McFadden, and delves into his past to show a softer side to the judge we love to hate on TV. Also, Debbie McGee looks ahead to being in the Strictly studios for Halloween and explains why her 81 year-old mother thinks Seann and Katya didn’t deserve all the flack they got over that oh-so-public kiss. New episodes land here every Monday teatime, and you can email us at strictly@telegraph.co.uk or give us a shout on social media using the hashtag #TalkingStrictly. And for the latest news on what’s in store on Strictly, keep up to date by visiting www.telegraph.co.uk/strictly

  Elstree historian Howard Berry discusses secrets from the Archive, fantasy films at Elstree, and that Kubrick cameo in Eyes Wide Shut.   Download the file here: Shining Episode 42     A tour of Elstree and Kubrick’s old neighborhood with Howie Berry.   Filming from one angle of the famous stairs scene.   Howie’s Elstree Project […]

In which Thom Bowers and Travis J Coleman serve up a hearty helping of Watch Purging, while eulogizing Burt Reynolds, lionizing William H Macy, upgrading theatrical loyalty programs, and rejoicing at the reversal of silly Oscar decisions. THOM's Watch Purging: The Meg, Crazy Rich Asians, Searching, BlackKlansman, Mission Impossible: Fallout, Smokey And The Bandit, Ingrid Goes West, Jumanji: Welcome To The Jungle, Elstree '76, What's Up Doc, Extinction, Wings Of Desire, Dodgeball, Better Call Saul S4, Lost In Space S1, Halt And Catch Fire S1 TRAV's Watch Purging: Hereditary, The Nun, Blindspotting, Robin Williams: Come Inside My Mind, Law & Order SVU S17-18 E-mail: superenthusiastradio@gmail.com Subscribe via iTunes

While we are a little late to the party, we’re here to talk about John Spira’s 2015 documentary, Elstree 1976, which tells the story of several actors who played minor characters in Star Wars: A New Hope, including Jeremy Bulloch, David Prowse, and Paul Blake. The movie plays out very differently from a normal Star Wars documentary, yet we still loved it and what it brings to both appreciation for a galaxy far, far away and the actors who portrayed the characters. Plus, we get excited about Thrawn: Alliances and announce the winner of the Star Wars Worlds Cup!

Dust off your arm capes and pull up your XXXXL corduroys as we go looking for "The Galileo Seven!" Star Wars Minute and ABCDevo host Pete the Retailer comes aboard this week to discuss the episode of Star Trek: the Original Series where Spock must take charge after a shuttle crash, and our favorite Human/Vulcan hybrid must decide what's worse: the giant cavemen outside or his increasingly hostile subordinates! It's like The Office except not funny and the accounting team are all killed.During our talk, we discuss the development of the character of Spock from TV to film, the limits of logical problem solving, the perils of assistant management, the return of competency porn, and the intersection of Trek and Wars. Plus, Fisher Price engine parts, Dom as the Spock of the Fast and Furious franchise, Chipmunk Punk, Elstree 1976, forcing Spock to eat pork, inappropriate bridge laughter, tweed lasers, Kal plays Obscure Celebrity Doppelgangers, and Pete invents The Thing With Two Minutes: going through The Thing With Two Heads, two minutes at a time!It's dangerous to go Solo; take this show!Get more fine podcast products from Pete at Star Wars Minute and ABCDevo!http://www.starwarsminute.comhttp://abcdevo.comFollow Pete and SWM on Twitter!http://www.twitter.com/petetheretailerhttp://www.twitter.com/starwarsminutePick up John Jackson Miller's Prey Trilogy novels and Canto Bight on Amazon!https://amzn.to/2jqQJBnhttps://amzn.to/2rhwtqdhttps://amzn.to/2jnm0Fbhttps://amzn.to/2rgg7OjHere's a link to the Asimov/Roddenberry letters referenced in the showhttp://www.lettersofnote.com/2012/06/getting-star-trek-on-air-was-impossible.htmlHere's a link to the Robert Sheckley story collection containing "The Gun Without a Bang"https://amzn.to/2KJI1dMQuestion our decisions on Facebook and Twitter!http://www.facebook.com/eistpodhttp://www.twitter.com/eistpodPour phaser juice into our engines on Patreon!http://www.patreon.com/eistpodSubscribe to the show on iTunes!https://itunes.apple.com/us/podcast/enterprising-individuals/id1113165661?mt=2

Good Evening Episode 16: Proud of His Girth: An Elastic Affair and Elstree Calling In this episode of Good Evening: An Alfred Hitchcock Podcast, we talk about the lost short film “An Elastic Affair” and the vaudevillian film “Elstree Calling.” Hosts: Tom Caldwell Brandon-Shea Mutala Find us: Twitter: @goodeveningpod @brandonmutala @higher_boy @TomCaldwell3000 Facebook: Good Evening: An Alfred Hitchcock Podcast Email: goodeveningpodcast@hotmail.com An, as always, Good Evening is a proud member of the Fandom Podcast Network. @fanpodnetwork   Thanks so much to Jason Cullimore for our awesome theme song. http://www.jasoncullimore.com https://soundcloud.com/jason-cullimore https://www.instagram.com/jasoncullimoreartist/

Dust off your arm capes and pull up your XXXXL corduroys as we go looking for "The Galileo Seven!" Star Wars Minute and ABCDevo host Pete the Retailer comes aboard this week to discuss the episode of Star Trek: the Original Series where Spock must take charge after a shuttle crash, and our favorite Human/Vulcan hybrid must decide what's worse: the giant cavemen outside or his increasingly hostile subordinates! It's like The Office except not funny and the accounting team are all killed.During our talk, we discuss the development of the character of Spock from TV to film, the limits of logical problem solving, the perils of assistant management, the return of competency porn, and the intersection of Trek and Wars. Plus, Fisher Price engine parts, Dom as the Spock of the Fast and Furious franchise, Chipmunk Punk, Elstree 1976, forcing Spock to eat pork, inappropriate bridge laughter, tweed lasers, Kal plays Obscure Celebrity Doppelgangers, and Pete invents The Thing With Two Minutes: going through The Thing With Two Heads, two minutes at a time!It's dangerous to go Solo; take this show!Get more fine podcast products from Pete at Star Wars Minute and ABCDevo!http://www.starwarsminute.comhttp://abcdevo.comFollow Pete and SWM on Twitter!http://www.twitter.com/petetheretailerhttp://www.twitter.com/starwarsminutePick up John Jackson Miller's Prey Trilogy novels and Canto Bight on Amazon!https://amzn.to/2jqQJBnhttps://amzn.to/2rhwtqdhttps://amzn.to/2jnm0Fbhttps://amzn.to/2rgg7OjHere's a link to the Asimov/Roddenberry letters referenced in the showhttp://www.lettersofnote.com/2012/06/getting-star-trek-on-air-was-impossible.htmlHere's a link to the Robert Sheckley story collection containing "The Gun Without a Bang"https://amzn.to/2KJI1dMQuestion our decisions on Facebook and Twitter!http://www.facebook.com/eistpodhttp://www.twitter.com/eistpodPour phaser juice into our engines on Patreon!http://www.patreon.com/eistpodSubscribe to the show on iTunes!https://itunes.apple.com/us/podcast/enterprising-individuals/id1113165661?mt=2

Auch diese Woche gibt es einen neuen Podcast. Nachdem letzte Woche die Serie "Call my agent!" besprochen wurde, habe ich mir diese Woche eine Dokumentation vorgenommen. "Elstree 1976" stellt einige Darsteller aus Star Wars in den Mittelpunkt und lässt diese darüber reden, wie der Film ihr Leben beeinflusst habt. Ein Großteil der Darsteller die zu Wort kommen sind eher unbekannt, doch auch Bobba Fett Darsteller Jeremy Bulloch und Darth Vader Darsteller David Prowse kommen zu Wort. SHOWNOTES: Elstree 1976 in der IMDB Elstree 1976 bei Letterboxd Elstree 1976 bei Amazon kaufen Intro-/Outromusik: Imatunes Diese Woche dabei: [podlove-episode-contributor-list]

Laurie met Director Jon Spira in glamorous central London to talk about The Last Jedi and his critically acclaimed documentary following the strange life experiences of extras from the original Star Wars trilogy, Elstree 1976. We covered a huge range of topics and got into the nitty gritty of the film industry itself, from Jon’s … Continue reading with Jon Spira: Elstree 1976 & The Last Jedi →

Story: Die erste Klappe für „Star Wars“, den damals noch unbekannten Science-Fiction-Film von George Lucas, fiel 1976 am Rande von London im Elstree Studio. Zum Drehbeginn ahnte keiner, welchen Hype dieser Blockbuster nach sich ziehen würde. Die Stars aus „Krieg der Sterne“ wie Mark Hamill und Carrie Fisher wurden weltberühmt. Doch was ist mit den Nebendarstellern und Komparsen, die wichtige Rollen spielten, aber nicht zu sehen waren? Regisseur Jon Spira beschäftigt sich für seine Dokumentation mit den Anfängen von „Star Wars“ und spürte einige eben jener Schauspieler auf – wie Paul Blake, der unter der Greedo-Maske steckte, „Boba Fett“ Jeremy Bulloch und David Prowse, dem Mann im „Darth Vader“-Kostüm. Der Sternenkrieg hat bei ihnen – ob sie zum Beispiel ein paar Sekunden als Alien unter einer Maske oder Rebellenpilot zu sehen waren – ihre Spuren hinterlassen und ihre Leben verändert. DVD/Blu Ray-Release: 01.09.2017 (Al!ve) Elstree 1976 Dokumentation Land: Großbritannien 2016 Laufzeit: ca. 101 min. FSK: 0 Regie: Jon Spira Drehbuch: Jon Spira Mit David Prowse, Paul Blake, Jeremy Bulloch, John Chapman, Anthony Forrest, Laurie Goode, Garrick Hagon, Derek Lyons, Angus MacInnes, Pam Rose, ... https://youtu.be/B6br1ECw0aA

Story: Die erste Klappe für „Star Wars“, den damals noch unbekannten Science-Fiction-Film von George Lucas, fiel 1976 am Rande von London im Elstree Studio. Zum Drehbeginn ahnte keiner, welchen Hype dieser Blockbuster nach sich ziehen würde. Die Stars aus „Krieg der Sterne“ wie Mark Hamill und Carrie Fisher wurden weltberühmt. Doch was ist mit den Nebendarstellern und Komparsen, die wichtige Rollen spielten, aber nicht zu sehen waren? Regisseur Jon Spira beschäftigt sich für seine Dokumentation mit den Anfängen von „Star Wars“ und spürte einige eben jener Schauspieler auf – wie Paul Blake, der unter der Greedo-Maske steckte, „Boba Fett“ Jeremy Bulloch und David Prowse, dem Mann im „Darth Vader“-Kostüm. Der Sternenkrieg hat bei ihnen – ob sie zum Beispiel ein paar Sekunden als Alien unter einer Maske oder Rebellenpilot zu sehen waren – ihre Spuren hinterlassen und ihre Leben verändert. DVD/Blu Ray-Release: 01.09.2017 (Al!ve) Elstree 1976 Dokumentation Land: Großbritannien 2016 Laufzeit: ca. 101 min. FSK: 0 Regie: Jon Spira Drehbuch: Jon Spira Mit David Prowse, Paul Blake, Jeremy Bulloch, John Chapman, Anthony Forrest, Laurie Goode, Garrick Hagon, Derek Lyons, Angus MacInnes, Pam Rose, ... https://youtu.be/B6br1ECw0aA

Philipp und Lars sprechen in dieser Folge über die Stephen King Verfilmung "ES" und "Kingsman: The Golden Circle". Dazu gibt es News zu Star Wars VIII und IX und passend dazu Home Entertainment-Tipps, wie z.B. "Elstree 1976" (Star Wars Doku), "Darling", "Cardinal", "Handmaids Tale" und "Better Things". Und natürlich gibt es wieder zum Schluss Film- und Serienklassiker-Tipps und wen haben wir unterm Stein gefunden? Richard Gere!

We return with a full 3 part episode! We begin with some sad news as, just as of this past weekend, the wonderful and always dependable character actor and movie STAR Bill Paxton (gotta use caps for the man) passed away, so we take a brief look back at some of his most memorable roles (including a bit at the end of this episode from his role of Hicks in ALIENS). Then, Jack tells tale of new releases, also some Oscar nominees he caught up on (or did they WIN by the time this posts?! Actually... yes, but you'll have to listen to find out), and one new release in particular that made Jack's year (so far). 1) BILL PAXTON (up until around 14 mins in) 2) GET OUT (2017) 3) I AM NOT YOUR NEGRO (2016) 4) ELSTREE 1976 (2016) 5) FROM HERE TO ETERNITY (1953) 6) A CURE FOR WELLNESS (2016) 7) TONI ERDMANN/THE SALESMAN (2016) 8) JOHN WICK: CHAPTER 2 (brief review) (2017) wagesofcinema@gmail.com

Oh man, when two cineastes decide to have a conversation watch out! It is hard to contain the purest of enthusiasm for movies that erupts when you put me on Skype with my friend Jon Spira! You might remember that from episode 157, when he joined me to discuss his documentary Elstree 1976, which you […] More

Some of our listeners would suspect the Regular Joe's exclusively watch movies and TV shows with spaceships and aliens etc. but occasionally, we do take time out to enjoy something more cerebral, like a documentary about, spaceships and aliens etc. This week Dave (reputed to be the biggest Star Wars fan in the group) suggested Elstree 1976 (2015), by director Jon Spira, about extras and bit players in the early Star Wars films. Tod (in contention with Dave as the biggest Star Trek fan) suggested, For the love of Spock (2016) by Adam Nimoy, which addresses both the cultural significance of the character made famous by his father, actor Leonard Nimoy, and an intimate look at the life of the man himself. In an increasingly rare case of trilateral agreement, all three had similar takes on the two productions. One very good, one not so much. One certainly worth watching, the other . . . well you get the idea. If it's possible to spoil a documentary, then there are SPOILERS. This episode also contains a protracted discussion on what constitutes a "Jedi" and a round of Star Trek/Star Wars themed Random Topics interrupted only by Barry's desire to talk about another film that won't be made anyway. Thanks for Listening!

The year may be young, but that doesn't mean there isn't plenty of news to cover.  Ka-Pow the Pop Cultured Podcast is back with an all-new episode covering some recent comic book releases, Star Wars rumors, award-worthy movies and our first spotting of a Perlmutter in the wild since our show began.  Don't miss it!Length - 01:18:18Language - PG-13.  (Contains some adult language.)-0:02:02 - ANIMATION NEWSAppearances from big-screen favorites on "Star Wars: Rebels" and the second season of "Voltron: Legendary Defender" kicking off on January 20th.-0:06:14 - STAR WARS NEWSWondering how Carrie Fisher's death may affect the upcoming film's plotlines, the ageless Jimmy Smits, rumors of Woody Harrelson joining the Star Wars universe, a petition to make Leia an official Disney Princess and two behind-the-scenes documentaries, "I Am Your Father" and "Elstree 1976."-0:21:30 - COMIC BOOK NEWSA "Locke & Key" one-shot, an underwhelming finale to "Civil War II," the "He-Man / Thundercats" crossover continues to entertain, a tease for this year's "Secret Empire" event, the return of a major villain in the pages of "Justice League vs. Suicide Squad," cool retro variant covers celebrate Image's 25th anniversary, Mike Grell draws Green Arrow again, Marvel angers fans by dropping their free digital code program and Geoff Johns hints at some upcoming "Watchmen" work.-0:38:27 - MOVIE NEWSMatthew McConaughey shows patience before stepping into a superhero role, avoiding "Thor: Ragnarok" plot leaks, Ben Affleck casts doubt on upcoming Batman film, and Seth rounds up all the movies he's watched recently in preparation for awards season.-1:09:59 - PERLMUTTERReclusive CEO of Marvel Comics is photographed for the first time in decades in a meeting with President-Elect Trump.

(Recorded - 10/29/2016) Today on the podcast, we discuss recent news, the film Bone Tomahawk, and chat about what we've all been watching in our Rant & Rave segment.  NEWS ON THE MARCH Indiana Jones 5 Logan Trailer Affleck on Batman Tim Miller exits Deadpool 2 / Keanu Reeves training regiment FEATURE REVIEW (17:21) Bone Tomahawk: Spoiler Free Spoiler Territory (25:55) RANT & RAVE Ron (40:00) - Elstree 1976 / Raiders! Story of the Greatest Fan Film ever made Darren (43:25) - The Katering Show / Joy Paul (48:10) - Hellraiser / David Blaine: Street Magic / The Secret of the Kells Ivan (54:10) - The Wire / The Chosen Ron (1:03:50) - Raiders of the Lost Ark Transcript     

A little look at the influence of digital technology on the practical effects workflow. Bear in mind the problems we try to overcome - namely to create an illusion which appears real such as a decapitation, an injury taking place or some kind of transformation - these issues are the reason that we strive for new and better methods. That desire to create is the wind in the sails, and we have always used the best available to get that. Digital has affected everything, every industry and we have changed along with it. Despite that, it's a tool and one that many of the practical FX side view either with suspicion or glee. We wanted to chat about that and start a conversation about what it means and how we can work with it rather than against it. After all, I think that's the ultimate fear, and I think it doesn't need to be that way at all! I talk with Steve Johnson briefly about his upcoming volume Rubberhead, Todd reveals his pixelated past and John and Tristan Schoonraad of Lifecast at Elstree studios chat about their 3D scanning work! Email us stuartandtodd@gmail.com or drop us a comment on our Facebook page! Look us up under Battles With Bits Of Rubber!

Arrival (2016) & Elstree 1976 (2015) See acast.com/privacy for privacy and opt-out information.

Episode 130 – Ralph and Kevin are discussing Elstree 1976, Dirk Gently, Mr. Plinket’s episode VII review, the election and MORE! Listen Here

Degunk your junk and clear your phone memories, as you're going to need it all for this epic edition of The Vintage Rebellion Podcast. This months show has no less than ten guests joining the team throughout the various sections. Stuart is joined by Horacio Narvaez (Ozio) and Marco Jay to take an in depth look at the Lili Ledy license.  Rich has no fewer than FOUR guests during this months rebel Briefings.  Jon Spira joins him to discuss the Elstree 1976 DVD release, whilst Adam Pemberton speaks with Jez about the recent Echo Live toy show.  Henrik Friden discusses the recent huge Norway haul and Jason Smith returns to the show to discuss Palitoy 45 AB combinations. This month in the newly titled Beyond the Toys section, Grant speaks to Propstore's Prop Guru Brandon Alinger and Emmy Award winning comedy screenwriter David mandel on their new publication 'The Art of Ralph McQuarrie'.  The book which will be the most comprehensive guide to artists behind The Original Trilogy. Pete continues the guest ratio having Chris Botkins join him for Market as they take a look at the Rebel Commando, whilst also delving into the recent Propstore auction. Jez offers a feast of acquisitions in the NA segment, as he looks at Trilogo MTV-7s, Hoth Survival mailer Kits, Canadian Ugnaught MOC, Argentinian Pepsi rulers, TIE Pilot Uzays, AT-ATs and a look at Cash Converters. As well as all this Chris Georgoulias joins the team during feedback to make some corrections on information given during Episode 29. Don't fear the length of this show is a one off and will be back to the usual 5 hours in December. x x Enjoy the show!!!!!!!

Welcome to Episode 8 and we are concentrating solely on Star Wars this week. These are the stories - ELSTREE 1976 CARRIE FISHER REVEALS AFFAIR WITH HARRISON FORD IN 1976 HAN SOLO MOVIE TO HAVE YOUNGER CHEWIE ROGUE ONE FIRST SHOWING EARLIER IN UK You can get your copy of ELSTREE 1976 on iTunes here itunes.apple.com/gb/movie/elstree…976/id1146840330 Or on Amazon here www.amazon.co.uk/Elstree-1976-DVD…rds=elstree+1976 If you have any questions or comments please leave them below or email us at pancast@live.com Check out all our podcasts at www.pancast.co.uk FACEBOOK www.facebook.com/pancast TWITTER www.twitter.com/pancastpods INSTAGRAM www.instagram.com/pancast

Rob and Anil are joined by Outer Rim Garrison trooper Jamie "Pale Rider" Milman to discuss the crowd funded documentary "The Prequels Strike Back: A Fan's Journey" (Written and Directed by Bradley Weatherholt). We review the documentary and compare it to other recent documentaries such as "Elstree 76", "I Am Your Father", and "People vs George Lucas". We also discuss some of the key points it brings up including The Ring Theory, the musical connections, and the hate for Jar Jar Binks. Also on the "What Excites You?": - Walking Dead - No spoilers - Trainspotting 2 - The FanExpo Vancouver

Kase returns from his honeymoon in time to join Van in reviewing sci-fi drama Arrival, Philip Roth adaptation American Pastoral, Star Wars documentary Elstree 1976, historical doc Francofonia, Brit thriller Panic, Polish tale The Innocents, and London-set chronicle 100 Streets. See acast.com/privacy for privacy and opt-out information.

Episode 63 - It's a double feature as we take a looking inside the lives of some people who played background characters in Star Wars and visit with a man who is trying to break a video game record and reclaim his glory days.

This week on The Enginerdy Show: Mr. Pold discusses individual perception. St. Jimmy talks about space tourism and Vidangel video streaming service. D'Viddy dresses like a clown and hangs around town. Consumption: Mr. Pold - Jurassic World, Star Trek St. Jimmy - St. Vincent, Goosebumps, The Walking Dead Season 6 D'Viddy - Magnificent 7, Ripper Street, Elstree 1976, Raiders! Music Provided By: Greg Gibbs / Most Guitars Are Made of Trees Ion Bodi & Kathleen Martin / Turn Off Your Phone Karyn Ellis / Be My Girl Krestovsky / Local Time Kurt Baker / I Can't Wait Miracles of Modern Science / The Singularity The Family Simpson / A Bottle of Red Wine in the Park

In Episode 2, we mourn the loss of Gene Wilder, who recently passed away at age 83, by discussing our favorite comedy movies and the TV shows and films that shaped our sense of humor, along with others we just enjoyed and would recommend. Before we get into comedy, we start by talking about the Misfits reunion, a documentary about extras in the original “Star Wars” movie called “Elstree 1976,” “Blood Punch,” “Pokémon,” remaking “Susperia,” and the upcoming “Phantasm” sequel. We cover a lot of comedic ground throughout the show, starting with Gene Wilder and moving into Monty Python, Kids in the Hall, “The Simpsons,” “Ghostbusters,” “Count Duckula,” “Mystery Science Theater 3000,” Kevin Smith’s movies, “Troll 2,” “Dead Alive,” “Trainwreck” and other Judd Apatow movies, “Tucker & Dale vs. Evil,” Weird Al’s “UHF,” “Microwave Massacre,” “Pee Wee’s Big Holiday” on Netflix, and more! Cult Personalities is a brand new podcast dedicated to all the geeky, underrated, unusual, and offbeat movies, music, TV shows, books, comics, collectibles, beer, and more that we’re passionate about – basically anything that may have a cult following that influenced and shaped us into the irreverent weirdos that we are today. Hosted by beer writer and blogger Derek Warren, former co-host of the Beer Geeks Radio Hour, and Rich Howells, founder and editor of NEPA Scene and co-host of the NEPA Scene Podcast, this weekly show is our way to geek out and share our passions with fellow nerds and nerf herders, discussing big franchises and obscure gems while sharing our honest opinions and personal stories in a fun and relatable way.

This week, find out why Mark is in Europe as Wade and Tim (and a special guest) blow through heaps of classics plus new films from Melissa McCarthy, Angelina Jolie and Richard Linklater! DigiGods Podcast, 07/12/16 (MP3) — 36.16 MB right click to save Subscribe to the DigiGods Podcast In this episode, the Gods discuss: 99 River Street (Blu-ray) Absolution (Blu-ray) Adjust Your Color: The Truth of Petey Greene (DVD) Appointment with Crime (Blu-ray) The Boss (Blu-ray) By the Sea (Blu-ray) Carl(a) (DVD) Carnival of Souls (Blu-ray) Charlie Chan 3-Film Collection (The Red Dragon, The Feathered Serpent, The Sky Dragon) (DVD-R) Chisum (Blu-ray) Cornbread, Earl and Me (Blu-ray) Easy Rider (Blu-ray) Eddie the Eagle (4k UHD Blu-ray) Elstree 1976 (DVD) Everybody Wants Some! (Blu-ray/DVD) Flight of the Butterflies (4k UHD Blu-ray) The Gift of Love (Fox Cinema Archives) (DVD-R) Green Room (Blu-ray) Henry Gamble's Birthday Party (DVD) Hidden Fear (Blu-ray) A Home of Our Own (Blu-ray) Hunter (DVD) I Saw the Light (Blu-ray) I'll Take Sweden (Blu-ray) If it's Tuesday, It Must Be Belgium (Blu-ray) The In-Laws (Blu-ray) Inserts (Blu-ray) Invisible Invaders (Blu-ray) Jia Zhangke, A Guy From Fenyang (DVD) Journey to Space (4k UHD Blu-ray) Just Desserts: The Making Of “Creepshow” (Blu-ray) Like Cattle Towards Glow (DVD) Lord Jeff (DVD-R) McQ (Blu-ray) The Member of the Wedding (Blu-ray) Mountains May Depart (Blu-ray) No Home Movie (Chantal Akerman) (DVD) Outings (DVD) The Ox-Bow Incident (Blu-ray) Panic in Needle Park (Blu-ray) Prince of Players (Fox Cinema Archives) (DVD-R) Ray Harryhausen: Special Effects Titan (Blu-ray) The Return of a Man Called Horse (Blu-ray) Return of the Killer Tomatoes (Blu-ray) Rocky Mountain Express (4k UHD Blu-ray) Rollerball (Blu-ray) Romeo is Bleeding (Blu-ray) Sembene (DVD) She Wore a Yellow Ribbon (Blu-ray) Shield for Murder (Blu-ray) Song of Lahore (DVD) Stablemates (DVD-R) Stagecoach (1986) (Blu-ray) Stardust Stricken, Mohsen Makhmalbaf: A Portrait (DVD) Suture (Blu-ray/DVD) The Swinging Cheerleaders (Blu-ray/DVD) They Were Expendable (Blu-ray) Those People (DVD) Victor/Victoria (Blu-ray) Please also visit CineGods.com. 

Richard and Marco really think you should invest in Ballers, which proves even investment analysis can be entertaining if you involve The Rock. Which is good news, since Zoolander 2 is a fashion disaster, but you can at least hide under a rubber mask with Star Wars documentary Elstree 1976. Good news for all is… Read More »Digital Noise Episode 133: Diamonds in the Rough

Last week, Horrible Imaginings presented a week of screenings of the new documentary “Elstree 1976” at the Digital Gym Cinema here in San Diego, California. During the Saturday night screening, director Jon Spira graciously agreed to talk to the theater after the screening for a Q&A via Skype. What this meant for him was setting […] More

This episode on Rebel Scum Radio we have Star Wars Episode 8 and Rogue One News, Krang Revealed in TMNT 2 trailer, Marvel And DC TV/Film changes, an X-Files return in 2017/18, Uncharted 4 first thoughts & Crash bandicoot, we discuss recent logo changes at DC Comics and Instagram, Burger Sauna’s in Finland, why its bad news to do grinding with no pants on, Retro Gaming Bar Special, and Elstree 1976 & 90 Minutes in Heaven Review Don’t forget to use the hashtag #emptyplateporn after you finish each meal and post it on Insty Rogue One Character Leak http://rebelscumradio.com/2016/05/17/rogue-one-official-visual-story-guide-spoilers/ Star Wars VII Cast Arrive in Ireland http://www.belfasttelegraph.co.uk/entertainment/news/pictured-star-wars-cast-arrive-in-northern-ireland-ahead-of-episode-eight-filming-luke-skywalker-rey-and-kylo-ren-arrive-at-belfast-international-34711991.html Boyega –Episode 8 is Darker and Bigger than Force Awakens http://variety.com/2016/film/news/star-wars-episode-viii-darker-bigger-john-boyega-1201774027/ X-Files Return 2018? http://www.denofgeek.com/us/tv/the-x-files/255433/new-x-files-episodes-fox-aims-for-20172018 Krang Reveal TMNT 2 http://rebelscumradio.com/2016/05/15/teenage-mutant-ninja-turtles-2-krang-revealed/ Marvel: Agent Carter Cancelled by ABC http://www.denofgeek.com/us/tv/agent-carter/253395/agent-carter-cancelled-by-abc DC: Supergirl moves networks to the CW http://www.theverge.com/2016/5/13/11669940/supergirl-second-season-moves-to-cw DC has new Execs Geoff Johns (responsible for DV TV success) and Jon Berg http://www.independent.co.uk/arts-entertainment/films/news/batman-v-superman-warner-bros-executives-dc-films-zack-snyder-a7035161.html Crash Bandicoot to return? http://rebelscumradio.com/2016/05/07/crash-bandicoot-return-playstation/ Instagram Logo change discussion https://www.instagram.com/p/BFRO_5WBQfc/?taken-by=instagram DC Logo Change http://www.dccomics.com/blog/2016/05/17/dc-entertainment-introduces-new-identity-for-dc-brand Burger Spas in Finland http://www.mirror.co.uk/news/weird-news/burger-king-opened-spa-now-7961230 Man get balls stuck in a grinder http://theballreport.com/unlucky-aussie-gets-scrotum-caught-grinder Jim-Bob Jones Retro Gaming Bar Special Beta Bar www.facebook.com/betabaraus/timeline www.betabar.com.au/ Forgotten Worlds www.facebook.com/forgottenworldsarcade www.broadsheet.com.au/melbourne/nightlife/directory/bar/forgotten-worlds Pixel Alley www.facebook.com/pixelalley www.pixelalley.com.au www.pixelalley.com.au/games Bartronica www.facebook.com/bartronica www.bartronica.com.au Galactic circus https://www.facebook.com/galacticcircus http://www.galacticcircus.com.au/ If you’re over 21 in USA http://www.bloomberg.com/news/articles/2015-04-01/arcade-bars-vintage-games-craft-beer-gen-xers-ka-ching Cool one in Iowa USA www.analogarcadebar.com Awesome bar in Phoenix USA www.cobraarcadebar.com DVD Review – Elstree 1976 Doco https://www.youtube.com/watch?v=Jyqtm2D03z4 Movie Review: 90 Minutes in Heaven https://www.youtube.com/watch?v=lf69T0DUkuQ Music Living Colour – Cult of personality iTunes: goo.gl/vlrRMZ Google Play: goo.gl/K0ooyp Star Wars - Binary Sunset / The Force Theme https://soundcloud.com/djag-4/star-wars-binary-sunset-force-theme-deep-house Street Fighter II Opening Original Theme https://www.youtube.com/watch?v=zD1_0qxREqQ Vanilla Ice - Ninja Rap (Go Ninja Go) https://play.spotify.com/user/1113479227/playlist/72P8fBtRIezPHt1E8Cf70I?play=true&utm_source=open.spotify.com&utm_medium=open Skeletor's Best Insults - HE-MAN AND THE MASTERS OF THE UNIVERSE https://www.youtube.com/watch?v=mNz6eHfsESQ

Casting for young Han Solo targets one man, shooting Episode VIII continues, an Obi-Wan spin-off trilogy gets talked about again, and Mads Mikkelsen provides a revelation about his role in ROGUE ONE. These are among the current STAR WARS headlines to come across our desks at RFR HQ. We talk about it all! Plus, Jimmy Mac has an exclusive report from the Save The Lucas Museum rally in Chicago, Jason bumps into someone from that other “Star” franchise, we review the new STAR WARS documentary ELSTREE 1976 and learn more about the new and amazing STAR WARS Holograms with our special guests, Eric Doane and Ariel James from Zebra Imaging.

Episode #43. Jon & Robert are officially ok with Alden Ehrenreich being cast as Han Solo.  Tom Hardy rumors. Cate Blanchett? John Williams makes a joke. Jokes make Jon nervous. Robert rants about "Star Wars: Battlefront" and its just-announced sequel Robert reviews "Elstree 1976". The Bird Boys review "Poe Dameron" #2 and "Darth Vader" #20 hosts@talkingbirdcast.com www.twitter.com/talkingbirdcast Visit the new Talking Bird webspace at www.talkingbirdcast.com support the show by using this link when you shop on Amazon www.talkingbirdcast.com/amazon Thanks for listening.

Episode 12 of Rebel Scum Radio. This week on Rebel Scum Radio we have: - Star Wars Bloodline & Force Awakens Novels & Episode 8 rumours - Star Wars Documentary Films – I Am Your Father & Elstree 1976 - Nintendo NX launch Dates - Punisher to Netflix - DC Expanded Universe in chaos - Real-life VR uses - AI Soccer team first sign of the coming apocalypse - Life Sized Noahs Ark ready to hit the seas - Don’t dry your balls in Iceland - Captain America: Civil War Discussion - Flash Back Review: The Last StarFighter Website: www.rebelscumradio.com Social: Facebook, Twitter, Instagram, YouTube Podcast available: iTunes, Soundcloud, Stitcher, TuneIn Star Wars – Bloodline – essential reading for new star wars universe http://www.starwars.com/news/8-reasons-star-wars-bloodline-will-be-essential-reading The Force Awakens Novel – what did we learn? http://au.starwars.com/surprising-things-we-learned-from-the-force-awakens-novel DVD Review – I am your Father (David Prowse Darth Vader doco) + Elstree 1976 Doco https://www.youtube.com/watch?v=QbExdNBjOfQ https://www.youtube.com/watch?v=Jyqtm2D03z4 Episode 8 Rumour Mill http://www.wired.com/2016/04/cantina-talk-8/ What is going on at Warner Bros? – DC Chaos Zack Snyder out? http://rebelscumradio.com/2016/05/01/dc-extended-universe-zack-snyder-warner-bros-set-part-ways/ Seth Grahame-Smith out due to “creative differences” http://rebelscumradio.com/2016/04/30/flash-movie-one-director/ Batfleck Batman crammed with villains to create the definitive batman movie http://au.ign.com/articles/2016/05/03/afflecks-batman-film-rumored-to-be-crammed-with-villains Punisher Confirmed for Netflix http://rebelscumradio.com/2016/04/30/the-punisher-series-to-netflix/ We have a new Tomb Raider http://rebelscumradio.com/2016/04/29/tomb-raider-alicia-vikander-lara-croft/ Nintendo NX to launch March 2017 http://au.ign.com/articles/2016/04/27/nintendo-nx-will-launch-in-march-2017 VR used in live presidential debates http://www.wired.com/2015/10/dnc-debate-virtual-reality-gear-vr/ Robotic Soccer Team defeats Humans https://www.inverse.com/article/14937-autonomous-robot-soccer-players-beat-their-human-creators-in-robocup-match-in-china Threat to humanity in next 5 years – AI? http://mysteriousuniverse.org/2016/05/new-study-warns-of-apocalypse-within-five-years/ Life Sized Noahs Ark ready to hit the seas http://www.huffingtonpost.com.au/entry/life-sized-noahs-ark-to-sail_us_571f99cbe4b0b49df6a91ffc?section=australia&utm_hp_ref=weird-news Don’t dry your balls in Iceland http://www.telegraph.co.uk/women/life/swimming-pool-bans-men-from-using-hairdryers-on-their-nether-reg/ Captain America: Civil War Movie Discussion (*** SPOILERS ***) Trailer: http://rebelscumradio.com/video/captain-america-civil-war-trailer-2-feat-spiderman/ Flash Back Review: The Last Star Fighter (*** SPOILERS ***) Trailer: https://www.youtube.com/watch?v=H7NaxBxFWSo Making of Documentary: https://www.youtube.com/watch?v=KMnA5-O3-Zo Music: Living Colour – Cult of personality iTunes: goo.gl/vlrRMZ Google Play: goo.gl/K0ooyp Simon Shackleton - Elite Force - Captain America (2011) https://soundcloud.com/simon_shackleton/elite-force-captain-america 80 Strange Robots - The Last Starfighter https://soundcloud.com/80-strange-robots/the-last-starfighter NEW RETRO WAVE v.2 PT.15 - Craig Safan - The Last Starfighter Theme (1984) https://soundcloud.com/new-retro-wave-v-2-pt-15/craig-safan-the-last-starfighter-theme-1984

Seth MacFarlane to star in a sci-fi TV show, tech meets fashion at the Met Gala in New York (4:30), what happened on Star Wars Day (26:10), the Star Wars documentary 'Elstree 1976' (40:11), the future of the Star Wars franchise (53:10).

Episode 11 of One Week Only! Coming out just a few days after "May the 4th Be With You", the new documentary "Elstree 1976" looks at some of the actors who played small roles in the original 1977 Star Wars, from David Prowse, who played Darth Vader (but was dubbed by James Earl Jones), to Derek Lyons, who is credited as a "Medal Bearer" in the final scene. If you love all things Star Wars and want to learn about what it's like to be eternally associated with it, be sure to see this film! This week we also cover "A Bigger Splash" starring Tilda Swinton & Ralph Fiennes, Palme d'Or winner "Dheepan" from director Jacques Audiard (A Prophet), restored Anime film "Belladonna of Sadness" never before released in the US, documentary "Mad Tiger" about the cult rock band Peelander-Z, and the Chinese Horror Mystery "Phantom of the Theatre". Hosted by Carlos Aguilar & Conor Holt. Music by Kevin MacLeod at www.incompetech.com

The Zone 4 crew returns for another monthly dose of comic and related media goodness! In honor of May the 4th earlier this week, we finally discuss Star Wars: The Force Awakens! But before we do that, we talk some news - mostly about Star Wars. We also discuss several books we're currently reading, The Flash TV show, a couple of non-comic TV shows we're watching, and more! Learn more at Zone4Podcast.com and ComicFrontline.com! (Original Numbering: Episode #320)

"Captain America: Civil War" is so huge it takes 5 of us to talk about it. Neil Rosen, Bill McCuddy, Bill Bregoli and Caryn James are so amazed by this latest money machine from Marvel that we brought in Jack Rico to help us out. Jack is a walking encyclopedia when it comes to all things Superhero and he make sense of this monstrous movie. We also cover the documentary "Elstree 1976" and the new on-deman film "Mothers and Daughters." And if that's not enough we also talk about the recent White House Correspondents Dinner.

In this episode Sean & Vito will discuss trailers for the following 4 films: Elstree 1976, The Boss, Nina, & The Darkness.

Chris Warburton looks back at the week on 5 live including the landing of a probe on a comet, the homophobic abuse of rugby union referee Nigel Owens and marking the birthday of Elstree studios.

00:00 The Who Wars Podcast Theme 00:30 Introduction to the show; includes discussion of the reaction to a female Master in Doctor Who between last week and this week's show; forgetting to mention the name of the Binro Was Right podcast in the previous episode; meeting Chris Roberts and some of his team from the crowd funded PC game 'Star Citizen' - the largest crowd fund of anything, ever; promotion of the podcasts Reality Bomb and Rebel Force Radio; get in touch with the show and/or leave some iTunes feedback. Details in the closing credits. Reality Bomb: https://itunes.apple.com/au/podcast/reality-bomb-doctor-who-podcast/id672090945?mt=2 Rebel Force Radio: https://itunes.apple.com/us/podcast/rebelforce-radio-star-wars/id593355728?mt=2 Star Citizen: https://robertsspaceindustries.com/ Chris Roberts talks crowd funding with ABC News (Australia): https://www.youtube.com/watch?v=QDCJ-N3N96Y 19:08 NEWS - Star Wars Episode VII gets a name. Kate @Kamiduu joins Rob @WhoWars to discuss. 31:50 NEWS - Elstree 1976 Star Wars documentary maker, Jon Spira, provides an update on the project. Elstree 1976: https://www.kickstarter.com/projects/832232974/elstree-1976 35:05 NEWS - Daniel Radcliffe discusses a visit to the Star Wars Episode VII set on Conan. 38:24 NEWS - BBC responds to criticism of Doctor Who: Dark Water. http://www.bbc.co.uk/complaints/complaint/Doctorwho011114/ 42:04 ADVERT - Doctor Who: Dark Journey 42:28 REVIEW - Star Wars Rebels: Breaking Ranks by Rob @WhoWars & Leo 57:35 REVIEW - Doctor Who: Dark Water (BBC) by Lex @Lexerness 1:06:50 REVIEW - Doctor Who: Death in Heaven (BBC) by Rob @WhoWars  1:20:49 FEATURE- Second Hand Star Wars by Kate @Kamiduu 1:27:02 ADVERT - We're looking for team members. Want to join us? Want to contribute something? 1:27:26 Closing remarks; call for iTunes feedback on the show 1:29:17 The Who Wars Podcast Credits (including how to get in touch with the show)

50:33 no dan,the,uk,director,inside,filmmaking,man,britain,turner,iadf,elstree Writer director Dan Turner discusses bigger budget indie film produc

In our premiere episode we chat with our special guest Gary X from Wattographs, review Monster Mania 24 and Sith Signings from the Autograph Bounty Hunter, run down the conventions happening in April and revisit Elstree Empire Day 2012. 

Infection of mice with the vaccinia virus strain WR, Elstree or DIs, a conditional lethal mutant of vaccinia virus, resulted in the generation of vaccinia virus-specific sensitized cytolytic T lymphocytes (CTL). It could be shown by cross-reactivity between the three strains and by inhibition experiments with specific antisera that early vaccinia surface antigens are sufficient for the generation of specific CTL in vivo and for the lysis of infected target cells in vitro.