Podcasts about waart

Gast: Arjan van Helmond, schilder Robert van Altena spreekt in deze aflevering met Arjan van Helmond over een nieuwe serie werken. Zijn solopresentatie ‘Close distance' is t/m 22 februari te zien bij Galerie Gerhard Hofland. Afbeelding: Arjan van Helmond, Black globe #2, 2025, 50 x 40 cm, gouache en acryl op doek (foto: Jonathan de Waart). SPRINGVOSSEN
 redactie + presentatie: Robert van Altena
 contact: springvossen[at]gmail.com
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www.amsterdamfm.nl/programma/springvossen

Kunst is Lang heeft nog een korte winterstop. We zijn er over een paar weken weer. In de tussentijd hoor je afleveringen die volgens de redactie memorabel waren. Deze week de keuze van Luuk, voor de aflevering met Robin Waart.  

In the first episode of The Eco-Rumour (formerly De Waterstofpodcast), we sit down for an enlightening conversation with team manager Bart de Waart about Eco-Runner Team Delft's exciting new mission. For years, we've built hydrogen-powered cars, but this year, we're taking a bold step in a new direction: building the first car powered by electricity generated by an externally fired gas turbine! Join us as we dive into the who, what, when, where, and why of this venture, marking the beginning of an exciting new chapter for the team.

If you, like many of us, are struggling to find things to be grateful for this Thanksgiving, I have put together an episode featuring a national (and international) treasure, the exquisite soprano Roberta Alexander. In fact, I could just as easily have entitled this episode “Giving Thanks FOR Roberta Alexander.” Roberta has been featured many times on the podcast and I'm thrilled to bring her to you yet again in a refurbished bonus episode from the summer of 2023. Three works are foregrounded: first is Samuel Barber's dramatic scena Andromache's Farewell, which was composed for Martina Arroyo for the inaugural season of the New York Philharmonic at its new home at Lincoln Center. The recording featuring Roberta and conductor Edo de Waart is from the year 1993. There follows a complete performance (one of the finest in my experience) of Aaron Copland's song cycle Twelve Poems of Emily Dickinson, his most extended solo vocal work, heard in a 1990 recording with British pianist Roger Vignoles. And finally, the crowning jewel: a live performance of Roberta Alexander in her youthful prime singing Richard Strauss's Four Last Songs. To my ear, this represents the perfect meeting of composer and artist, a near-ideal rendition of these songs, and one which is not readily available anywhere else on the interwebs. This episode is further interspersed with jewels from Roberta's 1985 recording of songs by Leonard Bernstein, all of which are exquisitely (as well as sometimes painfully) appropriate at this moment in the history of the United States and provide us with food for thought as we observe with solemnity this iconic holiday. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

This is our Thanksgiving special, with the first set paying tribute to perhaps my favorite holiday. Jimmy Greene and Thelonious Monk provide the musical setting for a Thanksgiving feast. The podcast episode concludes with a modern classical composition depicting a ballroom dance with Madam and Chairman Mao for Nixon's visit from composer John Adams and the San Francisco Symphony. In between, there is new music from Borgo, Z. Curtis and Wilcox as well as a new release from Charles Mingus previously released studio tapes. Playlist   Artist ~ Name ~ Album Jimmy Greene ~ Give Thanks ~ Mission Statement Thelonious Monk ~ Stuffy Turkey ~ It's Monk's Time David Borgo ~ Pilgrimage ~ Persistence Zaccai Curtis ~ Maple Leaf Rag ~ Cubop Lives! Andrew Wilcox ~ Self-Doubt ~ Dear Mr. Hill Charles Mingus ~ Re-incarnation Of A Love Bird (1st Version /Take 4) ~ Reincarnations Edo de Waart & San Francisco Symphony ~ The Chairman Dances (Foxtrot for Orchestra) ~ Adams: The Chairman Dances

durée : 00:12:17 - "Nixon In China" : John Adams - Edo de Waart - Il s'agit d'une réédition de l'enregistrement de Nixon in China, récompensé par un Grammy Award. John Adams décrit ce chef-d'œuvre comme « à la fois épique, satirique, parodique et politique, mais aussi comme un examen sérieux de questions historiques, philosophiques et même de genre »

durée : 00:12:17 - "Nixon In China" : John Adams - Edo de Waart - Il s'agit d'une réédition de l'enregistrement de Nixon in China, récompensé par un Grammy Award. John Adams décrit ce chef-d'œuvre comme « à la fois épique, satirique, parodique et politique, mais aussi comme un examen sérieux de questions historiques, philosophiques et même de genre »

durée : 00:12:17 - "Nixon In China" : John Adams - Edo de Waart - Il s'agit d'une réédition de l'enregistrement de Nixon in China, récompensé par un Grammy Award. John Adams décrit ce chef-d'œuvre comme « à la fois épique, satirique, parodique et politique, mais aussi comme un examen sérieux de questions historiques, philosophiques et même de genre »

A pianist who The New Yorker described as “New York's queen of avant-garde piano”, Lisa Moore has performed with the London Sinfonietta, Australian Chamber Orchestra, the Sydney, Canberra and Tasmanian Symphony Orchestras to name just a few, and has played under the baton of luminaries like Leonard Bernstein, Pierre Boulez, David Robertson and Edo de Waart. She's appeared in venues from Carnegie Hall to the Sydney Opera House, and been part of over 30 albums. Lisa has made her career performing music of living composers. In this conversation she speaks with great passion about this music, sharing great insights about it plus her career journey as a modern pianist. Since recording this interview, Lisa is happy to announce the release in early 2025 of the new album from Crux Duo, a collaboration between herself and clarinettist Lloyd Van't Hoff. Called My Place, it's a compilation of modern Australian and American works written and arranged especially for them, including by Elena Kats-Chernin, Erik Griswold, Nick Russoniello, Harriet Steinke, and Martin Bresnick, and will be released on the ABC Classics label. Lisa and Lloyd will perform a concert launching the album at the Goethe Institute, as part of the Goethe Lounge Series, at 6pm on Wednesday 22 January 2025. Find Lisa's albums on the usual streaming services, and follow Lisa via her website lisamoore.org as well as on Instagram @lisapianomoore and on Facebook @lisamoorepiano

durée : 00:15:32 - Le Disque classique du jour du mercredi 11 septembre 2024 - Rafael Orozco nous emporte avec le Royal Philharmonic Orchestra et le Rotterdam Philharmonic Orchestra dans un best of des œuvres du grand Sergei Rachmaninoff.

durée : 00:15:32 - Le Disque classique du jour du mercredi 11 septembre 2024 - Rafael Orozco nous emporte avec le Royal Philharmonic Orchestra et le Rotterdam Philharmonic Orchestra dans un best of des œuvres du grand Sergei Rachmaninoff.

Tobias Picker, deemed “our finest composer for the lyric stage” by The Wall Street Journal, joins Devin Patrick Hughes on One Symphony. Tobias is a prolific composer in all genres. He has composed six operas, commissioned by Dallas Opera, LA Opera, Metropolitan Opera, San Francisco Opera, Santa Fe Opera, and Opera Theatre St. Louis. Tobias Picker has composed numerous symphonic works including three symphonies, concertos for violin, viola, cello, and oboe, as well as four piano concertos and a ballet. Picker's recent honors include the 2020 Grammy Award for Best Opera Recording of Fantastic Mr. Fox, and a lifetime membership at the American Academy of Arts and Letters. Thank you for joining us on One Symphony. Thanks to Tobias Picker for sharing his music and insights. Thank you to Visconti Arts for making this episode possible. You can find more info at https://tobiaspicker.com. Music Selections—all music by Tobias Picker, except for the first selection. Gian Carlo Menotti, Suite from Amahl and the Night Visitors. Performed by the Cleveland Pops Orchestra conducted by Louis Lane. First movement from Symphony No. 1; performed by the San Francisco Symphony. Edo de Waart, conductor. Awakenings, adapted from the non-fiction book by Oliver Sacks. Libretto by Aryeh Lev Stollman, produced by Odyssey Opera in 2023 of Boston in partnership with the Boston Modern Orchestra Project. Gil, Rose, Conductor. Directed by James Robinson. Commissioned by Opera Theatre of St. Louis. The Encantadas for narrator and orchestra. Based on the writings of Herman Melville. Sir John Geilgud, narrator; Christoph Eschenbach, conductor; Houston Symphony Orchestra. "Letter Aria" from Emmeline. Text by J.D. McClatchy Virginia Douglas, soprano Amir Farid, piano. Conducted by Modestas Pitrenas. Supported by Modestas Pitrenas. “I See A Woman” from Lili Elbe. Text by Aryeh Lev Stollman. Featuring Lucia Lucas as Lili. Performed by the St. Gallen Symphonic Orchestra. Old and Lost Rivers, for orchestra. Performed by the London Symphony Orchestra conducted by John Williams. Nova featuring Benjamin Hudson- Violin John Graham - Viola Fred Sherry - Cello Don Palma - Bass Tobias Picker – Piano. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music. https://tobiaspicker.com https://www.fox21news.com/business/press-releases/ein-presswire/674899601/devin-patrick-hughes-arapahoe-philharmonic-conductor-presents-a-new-discovery-concert-this-holiday-season/  

This week on The Sound Kitchen you'll hear the answer to the question about Tiananmen Square. There's “The Listener's Corner”, Ollia Horton's “Happy Moment”, and lots of good music. All that and the new quiz and bonus questions too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr – tell us why you like the piece of music, too – it makes it more interesting for us all!The ePOP video competition is open! The ePOP video competition is sponsored by the RFI department “Planète Radio”, whose mission is to give a voice to the voiceless. ePOP focuses on the environment, and how climate change has affected “ordinary” people. You are to create a three-minute video about climate change, the environment, pollution - told by the people it affects.You do not need expensive video equipment to enter the competition. Your phone is fine. And you do not need to be a member of the RFI Clubs to enter – everyone is welcome. And by the way – the prizes are incredibly generous!Go to the ePOP page to read about past competitions, watch past videos, and read the regulations for your entry.  You can also write to us at thesoundkitchen@rfi.fr, and we'll forward your mail to Planète Radio.The competition closes on 12 September, but you know how "time flies”, so get to work now! We expect to be bombarded with entries from the English speakers!Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.frMore tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI”  has news broadcasts in slow, simple French, as well as bi-lingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it." She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Paris Perspective, Spotlight on France, Spotlight on Africa, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our staff of journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr, too. They are also a good way to help you improve your English – that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. NB: You do not need to send her your quiz answers! Email overload!We have a new RFI Listeners Club member to welcome: Tahmidul Alam Orin from Dhaka, Bangladesh.Welcome,Tahmidul! So glad you have joined us!You too can be a member of the RFI Listeners Club – just write to me at english.service@rfi.fr and tell me you want to join, and I'll send you a membership number. It's that easy. When you win a Sound Kitchen quiz as an RFI Listeners Club member, you'll receive a premium prize.This week's quiz: On 8 June, I asked you a question about an article we had written earlier that week about the 35th anniversary of the Tiananmen Square crackdown in Beijing, China. On 4 June 1989, the Chinese People's Liberation Army broke up protests by pro-democracy students in the Square. According to various reports, anywhere from hundreds to thousands of students were killed.One of the student leaders, Wang Dan, after two periods of imprisonment in China, was allowed to emigrate to the US. He currently lives in San Francisco, where he leads the Dialogue China think tank.He was in Paris recently and came to RFI for an interview, which you read in our article “Tiananmen Square at 35: top Chinese dissident looks back”.In the interview, we asked Wang Dan: “How did the 4th of June 1989 change China?”  What does he answer? That was your question.The answer is, as Wang Dan explained: “June 4th is a turning point in China's contemporary history. There are two Chinas: the China of before 1989 and the China of after. The main difference is [that] before 1989, the state and the society cooperated. That's why we took to the streets: we as, a representative society, go to the street and ask to cooperate with the government to promote democracy. There's no difference between "us". We think we are all "us". We all take responsibility for this country.But after 1989, many Chinese people gave up on this idea. "You" are the government. "We" are the normal Chinese people. There's no more "us". It's just "you" and "me". After 1989, the Chinese people gave up the responsibility for the country's future because they thought that they could not do anything and that it is the government's responsibility to change China, not the people's.” In addition to the quiz question, there was the bonus question: “What is the ideal human relationship?” It was suggested by Debashis Gope from West Bengal, India.Do you have a bonus question idea? Send it to us!The winners are: RFI Listeners Club member Karuna Kanta Pal from West Bengal, India. Congratulations, Karuna.   Also on the list of lucky winners this week are Nafisa Khatun, the president of the RFI Mahila Shrota Sangha Club in West Bengal, India, and RFI Listeners Club member Kashif Khalil from Faisalabad, Pakistan.   Last but not least, there are RFI English listeners John Yemi Sanday Turay from Freetown, Sierra Leone, and Rafiq Khondaker, the president of the Source of Knowledge Club in Naogaon, Bangladesh.Here's the music you heard on this week's program: “Take the A Train” by Billy Strayhorn and Duke Ellington, performed by Duke Ellington and his orchestra; “El Bueno y El Malo” composed by and performed by the brothers Estevan and Alejandro Gutiérrez (Hermanos Gutiérrez); “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer; “Happy” by Pharrell Williams, and The Chairman Dances (Foxtrot for Orchestra) by John Adams, performed by Edo de Waart and the San Fransisco Symphony. Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read Jessica Phelan's article: “The three-way factor that makes France's election results so unusual”, which will help you with the answer.You have until 19 August to enter this week's quiz. The winners will be announced on the 24 August podcast. When you enter be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.To find out how you can win a special Sound Kitchen prize, click here.To find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club, click here. 

Gepresenteerd door: Hans van den Boom In de maanden juni, juli en augustus klinken op zondag tussen 11.02 en 12.15 uur mooie opnamen uit het rijke archief van Het Zondagochtend Concert.  ca. 11.04 uur: G.F. Händel - Orgelconcert nr.13 'De koekkoek en de nachtegaal' Pieter Dirksen, orgel Combattimento Consort Amsterdam o.l.v. Jan Willem de Vriend ca. 11.18 uur: J. Rheinberger - Mis, op. 109 'Cantus Missae' Groot Omroepkoor o.l.v. Uwe Gronostay ca. 11.41 uur: J. Brahms - Symfonie nr. 3, op. 90 Radio Filharmonisch Orkest o.l.v. Edo de Waart

Tijdens het EK 2024 pakken Ruben Tijl Ruben de rust! Het hele land zit op het puntje van de stoel voor alle ins en outs van dit Europees Kampioenschap. Daarom pakken deze analisten van de bovenste plank dagelijks de rust en houden jou in 15 minuten up to date over alles dat speelt. Zo kan jij weer indruk maken bij het koffiezetapparaat.

Sopraan Elma Dekker in gesprek met José Kamminga  over haar fascinatie en liefde voor de muziek van Anton Bruckner.  Presentatie: Maja Roodveldt. U hoort fragmenten uit de repetities voor de uitvoering van Bruckners' Grote Mis in f mineur.Ook hoort u fragmenten uit de uitvoering van deze mis die klonk op 8 februari 2019 in het AvroTros Vrijdagconcert in Tivoli Vredenburg in Utrecht onder leiding van Edo de Waart.Dank aan NPO klassiek voor het beschikbaar stellen van de opname van dit concert.Dit concert is hier terug te luisteren:https://www.nporadio4.nl/uitzendingen/avrotros-vrijdagconcert/6fca904e-fcea-4cfd-b1f6-64f9a8eda364/2019-02-08-avrotros-vrijdagconcertMeer over het Groot Omroepkoor:https://www.grootomroepkoor.nl/Meer over de stichting Vrienden van het Groot Omroepkoor:https://www.vriendengrootomroepkoor.nl/Koorzaken wordt gemaakt door zangers uit het Groot Omroepkoor.

Gepresenteerd door: Willem de Vries Radio Filharmonisch Orkest Nuno Coelho (dirigent) Catriona Morison (mezzosopraan) Richard Wagner - uit Tristan und Isolde: Nachtgesang und Isoldes Liebestod (bew. Henk de Vlieger) Gustav Mahler - Lieder eines fahrenden Gesellen Felix Mendelssohn - Symfonie nr.3 op.56 in a kl.t. ‘Schotse'

‘Prelude' is de opmaat naar het AVROTROS Vrijdagconcert! Gastsprekers: dirigent en trombonist Joost Geevers Radio Filharmonisch Orkest Edo de Waart, dirigent Catriona Morison, mezzosopraan Wagner/De Vlieger uit Tristan und Isolde: Nachtgesang und Isoldes Liebestod Mahler Lieder eines fahrenden Gesellen Mendelssohn Derde symfonie 'Schotse' Meer info & kaarten (https://www.nporadio4.nl/concerten/a75865c4-d030-45a6-a70c-f4e80fd86910/edo-de-waart-de-schotse-van-mendelssohn) In deze podcast vertelt presentator Leonard Evers je iedere week meer over de bijzondere stukken die gaan klinken in TivoliVredenburg én op NPO Klassiek. Dat doet hij samen met verschillende gasten die in de studio aanschuiven. Aan de hand van muziekfragmenten word je warm gemaakt voor de mooie composities die je te wachten staan. Abonneer je nu! Alles over het AVROTROS Vrijdagconcert (https://www.nporadio4.nl/programmas/avrotros-vrijdagconcert) Prelude-Spotifylijst 'Leonards luistertips' (https://open.spotify.com/playlist/0HnaH8gzitGVB6zboIzgbu)

Deze keer ga ik in gesprek met 'juf Sofie.' Klaar voor een gesprek op tempo? ;-) Sofie van de Waart is bekend(er) geworden door de docu 'De Utupie van Juf Sofie.' Ze heeft de award 'vrouw in de media' gewonnen, is dagvoorzitter, schrijft columns, heeft twee boeken op haar naam staan etcetera, maar is vooral...Juf!Daar is alles mee begonnen. Ze vertelt over haar link met hoogbegaafdheid, over ADHD,  wat haar missie is en waarom. Welke plannen van 'hogerhand' ze het niet meer eens is en hoe dat zo komt. Ook praten we over een praktijk VWO en creatieve ideeën. https://jufsofie.nl/www.hoogbegaafddegids.nl @hoogbegaafddegidsHooray! Vanaf nu kan je direct de Masterclass IQ-tests voor niet zo Dummies volgen na aanschaf. Mocht je nieuwsgierig zijn en meer info willen, of je ben overstag en wilt de Masterclass aanschaffen, klik dan hier. De prijs van de Masterclass is €119 en bestaat uit 3,5 materiaal. Een gedeelte over tests voor kinderen en een stuk voor volwassenen. Ervaringsverhalen van mij & expert aan 't woord

SynopsisFor a magic golden ring, the dwarf Alberich was willing to renounce love to become master of the world. At least, that's the story in Richard Wagner's four operas The Ring of the Nibelungen, which premiered in 1876 at Wagner's specially constructed theater in Bayreuth, Germany.And for $1 million, Wagner was prepared to renounce not only Bayreuth, but Germany, and settle in America, offering in exchange the premiere and exclusive performance rights to his latest opera, Parsifal.That was the offer Wagner outlined in a letter to his American dentist on today's date in 1880. Wagner's wife, Cosima, recorded in her diary that Wagner seemed obsessed with idea of settling in Minnesota, of all places.Dr. Newell Jenkins dutifully passed the proposal on to wealthy music patrons in the states. But even the most ardent Wagnerians among them said that if his operas couldn't sell in Germany, they wouldn't fare any better on the banks of the Mississippi.Well, Jenkins broke the news that a) the million dollars was not going to materialize, and b) there were such things as mosquitoes and blizzards in Minnesota. Wagner prudently decided to give Germany one more chance.Music Played in Today's ProgramRichard Wagner (1813-1883) Das Rheingold, excerpt; soloists and Bavarian Radio Symphony; Bernard Haitink, cond. EMI 54633Parsifal, excerpt; Netherlands Radio Philharmonic; Edo de Waart, cond. BMG 44786

De 26e aflevering van Ongehoord Nieuws seizoen 4. Presentatie: Tom de Nooijer. Gasten: Harm Beertema, Marcel Crok, Yernaz Ramautarsing en Jules de Waart.

In the thirty-fifth year of his career, Daniel Sumegi has sung over one hundred operatic roles on many of the world's major stages – including the Metropolitan Opera, San Francisco Opera, Los Angeles Opera, Washington National Opera, Seattle Opera, as well as at Opera Australia.  He has also appeared in the opera houses of Bonn, Cologne, Frankfurt and Hamburg, as well as Paris, Barcelona, Tokyo, Hong Kong, Los Angeles and Houston among many others. Regarded also for his dynamic acting, his broad repertoire encompasses all periods of music – from Monteverdi and Mozart to Britten, Tippett and Puts.  Equally comfortable as Strauss' Baron Ochs, Mozart's Sarastro and Commendatore, Verdi's Grand Inquisitor and Sparafucile, Offenbach's Four Villains or Puccini's Scarpia, he has participated in Ring Cycles in New York, Los Angeles, San Francisco, Strasbourg, Cologne, Tokyo, Buenos Aires, Seattle, Melbourne and Adelaide, most notably as Hagen.  He has additionally performed Hunding in concert for the Hong Kong, Atlanta, Stuttgart and Melbourne Symphony Orchestras. Daniel's 2021/2022 engagements included Die Walküre (Singapore), Salome (Victorian Opera), Fidelio (Dublin) and Bluebeard's Castle, Aida and Lohengrin (Opera Australia). Among other roles, he has sung Die Meistersinger von Nürnberg (Pogner) for Opera Australia, Salome (Jochanaan) for New Israeli Opera, Der fliegende Holländer (title role) for Malmö Opera in Sweden and Carmen (Zuniga) for Seattle Opera.  He also undertook his music theatre debut, as Judge Turpin in Sondheim's Sweeney Todd, seen in Sydney and Melbourne.   Past highlights include Don Carlo and Madama Butterfly (Metropolitan Opera), Der Rosenkavalier (Scottish and Welsh National Opera), Luisa Miller (San Francisco), Billy Budd and Rigoletto (Los Angeles), Parsifal (Hamburg, Barcelona, Adelaide), Salome (Washington, Hamburg, Leeds, Hong Kong), Der fliegende Holländer, Aida, Beatrice and Benedict and Barbiere (Seattle), Manchurian Candidate (Minnesota, Austin), and more than 25 principal roles for Opera Australia. He has collaborated with noted conductors such as James Conlon, Sir Andrew Davis, Charles Dutoit, Dan Ettinger, Asher Fisch, Valery Gergiev, Nicola Luisotti, Sir Charles Mackerras, Yannick Nézet-Séguin, Renato Palumbo, Sir Simon Rattle, Carlo Rizzi, Donald Runnicles, Nello Santi, Sir Jeffrey Tate, Edo de Waart, Sebastian Weigle, and Simone Young. Daniel Sumegi appears on CD in Beatrice di Tenda and Seattle Opera's acclaimed Ring Cycle, and on DVD in the San Francisco Opera Production of Capriccio, Opera Australia's Don Giovanni, and the historic condensed Ring Cycle from Teatro Colón, Buenos Aires. In December, he makes his role début as Wotan/The Wanderer in OA's new production of Der Ring des Nibelungen. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

SynopsisRoyalty was often flattered by the composers of the Baroque age. Handel wrote glorious ceremonial music for British monarchs, and Bach was not above working up an obsequiously complimentary cantata or two for some German prince. At the French Court of Versailles, King Louis XIV appeared on stage for cameo appearances during operas and ballets whose stories complemented Louis' wisdom, talent and impeccable good taste.On today's date in 1987, at the Houston Grand Opera in Texas, Richard Nixon, Henry Kissinger, and Chairman Mao didn't come on stage in their own personas, but did appear as characters in the premiere of a new opera by American composer John Adams. Nixon in China was a somewhat surreal and not necessarily flattering dramatization of a real event: President Nixon's ground-breaking trip to communist China in 1972.One can only guess at the former president's reaction to being portrayed on stage. Adams did report that Nixon's lawyer, Leonard Garment, attended a performance of Nixon in China, most likely on the former president's behalf. No lawsuit followed, and, Adams notes with some amusement, Garment even became something of a fan of his music!Music Played in Today's ProgramJohn Adams (b. 1947) Nixon in China - Orchestra of St. Luke's; Edo de Waart, cond. Nonesuch 794543

Kunst is Lang is op vakantie! In september komen we terug met nieuwe afleveringen, in de tussentijd stellen kunstenaars uit het meest recente seizoen hun favoriete aflevering uit het archief aan je voor. In deze eerste aflevering: de keuze van Robin Waart, voor aflevering 103 met Semâ Bekirović.

Kunst is Lang is op vakantie! In september komen we terug met nieuwe afleveringen, in de tussentijd stellen kunstenaars uit het meest recente seizoen hun favoriete aflevering uit het archief aan je voor. In deze eerste aflevering: de keuze van Robin Waart, voor aflevering 103 met Semâ Bekirović.

Posting a few days early in celebration of the Fourth of July and in further recognition of the beloved American soprano Roberta Alexander, whose birthday we celebrated on Countermelody last March. Ms. Alexander has made a number of exquisite recordings over the years, many of them for the small Dutch label Etcetera. Many of these releases feature songs by the greatest American composers: Charles Ives, Aaron Copland, Leonard Bernstein, and Samuel Barber, as well as two releases featuring light classical and Broadway songs. The recordings range in date from 1976 (a live performance of Ives at the Holland Festival, in honor of the American Bicentennial) through 2009 (a live performance of Roberta as Maria in Porgy and Bess conducted by Nikolaus Harnoncourt). We also hear material by Berlin, Sondheim, Kander and Ebb, Alec Wilder, Bock and Harnick, John Jacob Niles, and Tom Lehrer, accompanied by pianists Reinbert de Leeuw, Roger Vignoles, Alfred Heller, Brian Masuda, Tan Crone, and David Triestram and conductors Kees Bakels and Edo de Waart. Throughout, Roberta Alexander's approach to this material is perfectly on target, revealing both pathos and a crackling sense of (often sardonic) humor, all grounded in a love of the music of her native country and wrapped in a red, white, and blue bow. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Brett Weymark is one of Australia's foremost choral conductors. Since 2003 Brett Weymark has conducted the Sydney Philharmonia Choirs throughout Australia and internationally. He has also conducted the Sydney, Adelaide, Queensland, West Australian and Tasmanian symphony orchestras, Orchestra of the Antipodes, Sydney Youth Orchestra, New Zealand Symphony Orchestra, Hong Kong Philharmonic and productions for WAAPA, Pacific Opera and OzOpera. He has performed with Opera Australia, Pinchgut Opera, Australian Chamber Orchestra, The Song Company and Musica Viva. He studied singing and conducting at Sydney University and the Sydney Conservatorium of Music and continued conducting studies with Simon Halsey, Vance George, Daniel Barenboim and Sir John Eliot Gardiner, amongst others. His performances have included Bach's Passions and Christmas Oratorio, the requiems of Mozart, Verdi, Duruflé and Fauré and Orff's Carmina Burana. He is champion of Australian composers and has premiered works by Matthew Hindson, Elena Kats-Chernin, Peter Sculthorpe, Ross Edwards and many others. He has prepared choirs for Sir Charles Mackerras, Zubin Mehta, Edo de Waart, Vladimir Ashkenazy and Sir Simon Rattle. He has recorded widely for the ABC and conducted film scores, including Happy Feet, Mad Max Fury Road and Australia. Recent highlight performances include Sondheim's Sweeney Todd (West Australian Opera), Paul Stanhope and Steve Hawke's Jandamarra (SSO), Michael Tippett's A Child Of Our Time (Adelaide Festival) and Carousel (State Opera South Australia). In 2001, Brett was awarded an Australian Centenary Medal. In 2021, he was awarded the Medal of the Order of Australia for services to the performing arts through music. Brett is passionate about singing and the role that music plays in both the individual's wellbeing and the overall health and vitality of a community's culture. Music can transform lives and should be accessible to all.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Gepresenteerd door: Willem de Vries Radio Filharmonisch Orkest Edo de Waart (dirigent) *  W. Pijper - Zes Adagio's *  R. Strauss - Eine Alpensinfonie

Gepresenteerd door: Leonard Evers Radio Filharmonisch Orkest Edo de Waart (dirigent) Rafael Fingerlos (bariton) * Willem Pijper - Zes adagio's * Franz Schubert - An Silvia D.891 (bew. A. Schmalcz) * Franz Schubert - Winterreise D.911: Der Wegweiser (bew. A. Webern) * Franz Schubert - An die Musik D.547 (bew. M. Reger) * Franz Schubert - Rosamunde D.797: Entr'acte no.3 * Franz Schubert - Frühlingsglaube D. 686 (bew. D. Pennetsdorfer) * Franz Schubert - Die schöne Müllerin D.795: Tränenregen (bew. A. Webern) * Franz Schubert - Erlkönig D.328 (bew. M. Reger) * Richard Strauss - Eine Alpensinfonie

Gepresenteerd door: Leonard Evers A.  Van Baerle Trio * Joseph Haydn - Pianotrio Hob.XV nr.30 in Es Opname van 11 februari 2022 in TivoliVredenburg, Utrecht Radio Philharmonisch Orkest  Edo de Waart, dirigent * Johannes Brahms - Variaties voor orkest, op. 56a Variationen über ein Thema von Joseph Haydn Opname van 18 mei 1998 in De Doelen, Rotterdam Camerata RCO * Wolfgang Amadeus Mozart - Kwintet voor piano, hobo, klarinet, fagot en hoorn KV.452 in Es Opname van 30 oktober 2020  in TivoliVredenburg, Utrecht Radio Kamer Filharmonie Thierry Fischer, dirigent * Joseph Haydn - Symfonie nr.104 in D ‘Londense'  Opname van 2 december 2011 in Vredenburg Leidsche Rijn, Utrecht B.  Radio Filharmonisch Orkest James Gaffigan (dirigent) Nicola Benedetti (viool) * Erich Wolfgang Korngold - Vioolconcert in D, op.35   Opname van 2 november 2012 in Vredenburg Leidsche Rijn, Utrecht

durée : 00:28:04 - San Francisco vs Los Angeles (2/4) - par : Christian Merlin - À quelques jours de la venue en France de l'Orchestre Symphonique de San Francisco, si l'on se penchait pour une fois sur l'histoire orchestrale de la côte Ouest, avec ses deux fleurons rivaux, San Francisco et Los Angeles - réalisé par : Marie Grout

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Nixon in China' In 1972 maakte Nixon zijn befaamde reis naar China oftewel Boef Nixon bezoekt Boef Mao. Onderwerp van een overrompelende opera van John Adams, die mevrouw Nixon een prachtige aria geeft.  Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/3c8cd236-2eda-4d1b-bf6e-cea7e7b69adf/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-8-20-t-m-24-februari) John Adams Nixon in China: This Is Prophetic Carolann Page, sopraan Orchestra of St. Luke's olv Edo de Waart (album: Nixon in China) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.

Robin Waart verzamelt woorden en beelden, vanuit één kerngedachte. Voor zijn boek Evol/Love maakte hij bijvoorbeeld filmstills op de momenten dat in de ondertiteling het woord 'liefde' te lezen viel, en drukte er 160 in spiegelbeeld af. Zijn afstudeerwerk bestond uit een verzameling van 101 pagina's waarop 'Part one' staat, als een verhaal dat steeds blijft beginnen én moeilijk stopt, en voor een ander project onderzocht hij de voetnoot, als een wonderlijke manier om hiërarchie in een tekst aan te brengen. 

Robin Waart verzamelt woorden en beelden, vanuit één kerngedachte. Voor zijn boek Evol/Love maakte hij bijvoorbeeld filmstills op de momenten dat in de ondertiteling het woord 'liefde' te lezen viel, en drukte er 160 in spiegelbeeld af. Zijn afstudeerwerk bestond uit een verzameling van 101 pagina's waarop 'Part one' staat, als een verhaal dat steeds blijft beginnen én moeilijk stopt, en voor een ander project onderzocht hij de voetnoot, als een wonderlijke manier om hiërarchie in een tekst aan te brengen. 

The Success Show brings you an intimate glimpse into the lives of successful performers who have all excelled in their field with first hand experiences and lessons to share. We hope you receive value out of this podcast! If so make sure to hit the notification bell on YouTube so you never miss a future upload. Ed Van Der Waart: https://www.linkedin.com/in/edvanderwaart/ Our Producer: https://www.derommusic.nl/ Younes Belguebli: https://www.instagram.com/younesbelgu/ #TheSuccessShow #podcast #yorteam #mindset #entrepreneurship #entrepreneur #kickboxing

Synopsis Gustav Mahler's Symphony No. 1 was first heard on this day in Budapest in 1889, with the 29-year-old composer conducting. Originally billed as a “symphonic poem,” a newspaper in Budapest even printed a detailed program, obviously supplied by Mahler himself. For subsequent performance in Europe, Mahler quickly withdrew these Cliff's Notes to his Symphony. Twenty years later, in December of 1909, Mahler conducted its American premiere at Carnegie Hall, during his first season as music director of the New York Philharmonic. The symphony drew mixed reviews: The New York Times wrote, “There are matters in it, that as absolute music, have no evident significance, and that serve merely to puzzle and perplex.” The critic for the Sun took a dislike to the symphony's finale, suggesting (quote) “when the weather is bad in Tyrol, it is beyond the power of language to characterize.” Mahler's own reactions are recorded in a letter he sent from New York to Bruno Walter back in Europe: “The day before yesterday I did my First Symphony here, without getting much reaction. However, I myself was fairly pleased with that youthful effort… The audiences here are very lovable and relatively better mannered than in Vienna. They listen attentively and very sympathetically. The critics are the same as anywhere else. I don't read any of them.” Music Played in Today's Program Gustav Mahler (1860-1911) Symphony No. 1 in D Minnesota Orchestra; Edo de Waart, cond. Virgin 61258

We zitten in de klimaathysterie-week. Rick en Marianne spreken met wetenschapperJules de Waart (oud PvdA-Kamerlid), die afgestudeerd is in fysische geografie en klimatologie. Als je kritiek levert op het narratief van het klimaatprobleem dat word je al weggedraaid. Is dat terecht? Komt die 2 graden opwarming niet totaal uit de lucht vallen? En durven mensen wel kritiek te geven, of moeten ze zolang ze niet met pensioen zijn vrezen voor hun carrière?

Synopsis On today's date in 1909, “The Golden Cockerel,” the last opera of the Russian composer Nikolai Rimsky-Korsakov, had its premiere in Moscow. Rimsky-Korsakov had died the previous year, after a bitter battle with government censors who objected to the opera's thinly disguised satire against the bumbling administration of Czarist Russia. For the premiere, the censors won – the opera was performed with all the changes that Rimsky-Korsakov had so stubbornly resisted while alive. The original text was not restored until after the Russian revolution of 1917. Closer to our own time, in October of 1987, American composer John Adam's “Nixon in China,” debuted at Houston Grand Opera. Alice Goodman's libretto depicts the historic visit to Red China of President Nixon and then Secretary of State, Henry Kissinger. Adams says he was completely indifferent to what the real-life personages in his opera might have thought of it. No government censors objected, in any case, but Adams said that Richard Nixon's lawyer, Leonard Garment, did attend a performance of “Nixon in China,” and probably reported back to the former President. Nixon's reaction is not known – nor that of Henry Kissinger. We're happy to report, however, that according to John Adams, Leonard Garment did subsequently became something of a fan of his music. Music Played in Today's Program Nikolai Rimsky-Korsakov (1844-1908): The Golden Cockerel Suite –Russian National Orchestra; Mikhail Pletnev, cond. (DG 447 084) John Adams (b. 1947): The Chairman Dances –San Francisco Symphony; Edo de Waart, cond. (Nonesuch 79453)

(00:54) De opening van vrijdag 22 juli (07:02) Annemiek Koekoek en Arie de Waart over de rol van de Rabobank in de stikstofcrisis (19:02) Ruurd Jelle van der Leij toverde een weiland om tot natuurparadijs (29:49) Barbara Barend over de kwartfinale van de Oranje Leeuwinnen (42:17) Mark en Caroline van den Heuvel & Catherine Keyl over Aad van den Heuvel Presentatie: Charles Groenhuijsen & Elles de Bruin

Synopsis In the middle of the 15th century, a German printer by the name of Johann Gutenberg invented a method of printing from moveable type cast in metal. His invention revolutionized the way books were printed, and the widespread dissemination of Gutenberg Bibles made him famous in Europe. In the summer of 1840, the city of Leipzig planned to unveil a new statue of Gutenberg, and commissioned composer Felix Mendelssohn for two new works. The first, for two choirs, would accompany the unveiling of the statue of Gutenberg, and would take place in the city's open marketplace after the morning church service on June 24th. The following day, June 25th, there would be a gala concert in Leipzig's St. Thomas Church featuring the church choir and the Leipzig Gewandhaus Orchestra performing a new symphony by Mendelssohn. Mendelssohn's Symphony No. 2, entitled “Lobgesang,” or “Hymn of Praise,” is modeled on Beethoven's Ninth, opening with purely instrumental movements, and concluding with a finale for vocal soloists and chorus. Mendelssohn's text was taken from Martin Luther's German-language translation of the Bible. Since the premiere was intended for St. Thomas Church, where the master of counterpoint Johann Sebastian Bach had once been Kantor, Mendelssohn chose to end his Symphony with a big fugue. Music Played in Today's Program Felix Mendelssohn (1809 – 1847) –Symphony No. 2 (Hymn of Praise) (Netherlands Radio Philharmonic and Chorus; Edo de Waart, cond.) Fidelio 9202

A short time ago in a South London bedroom not so far away … CLASSICAL POD. Sam finds new ways of listening, via the early work of John (Coolidge) Adams. He analyses the US composer's 1973 work for chamber ensemble and tape Christian Zeal and Activity. Meanwhile, Tim quizzes Sam on City of Culture 2025 Bradford, not before a quick pit stop at Iceland's world-famous Phallological Museum. …Music referenced:Star Wars: Main Theme by John WilliamsVince Vance & The Valiants: ‘All I Want for Christmas is You'The ‘Lacrimosa' from Mozart's Requiem‘Make Our Garden Grow' from Bernstein's CandideStar Wars: Luke and Leia Theme‘March' from Prokofiev's The Love for Three OrangesStar Wars: Parade of the Ewoks‘The Sacrifice from' Stravinsky's The Rite of SpringStar Wars: The Dune Sea of TatooineJohn Adam's Christian Zeal and Activity, performed by Edo de Waart and the San Francisco SymphonyGavin Bryers's Jesus' Blood Never Failed Me Yet‘Onward Christian Soldiers'The Main Theme from Hustle… Buy us a coffee innit: https://ko-fi.com/classicalpod … Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

Morgen is het 20 jaar geleden dat Pim Fortuyn vermoord werd. Waart zijn geest nog rond in de Haagse wandelgangen? We vragen het politiek verslaggever Sophie van Leeuwen. En wie maakt tegenwoordig de politiek weer sexy, zoals Pim dat ooit deed? Kort - Kritiek in de 4-mei-voordracht; Rutte wil daar niet op ingaan - EU-landen moeten mogelijk gezondheidsschade door vieze lucht vergoeden - Politiemensen gaan er met de nieuwe cao gemiddeld 3,7% per jaar op vooruit See omnystudio.com/listener for privacy information.

Anna Rakitina, in her CSO debut, leads a Tchaikovsky celebration. The dynamic Alisa Weilerstein is the soloist in the Rococo Variations, Tchaikovsky's graceful homage to the 18th century, and the Pezzo capriccioso, a mercurial, one-movement gem. Capriccio italien is a bustling portrait of Italian life, while selections from The Nutcracker highlight the composer's gift for creating wondrous dance themes. Ticket holders are invited to a free preconcert conversation featuring Daniel Schlosberg in Orchestra Hall 75 minutes before the performance. The conversation will last approximately 30 minutes. No additional tickets required. Note: Due to unforeseen scheduling complications, Edo de Waart, originally set to conduct, has had to withdraw from this engagement in Chicago. Learn more: cso.org/performances/21-22/cso-classical/all-tchaikovsky

Synopsis The American composer John Harbison grew up listening to the Saturday afternoon broadcasts of the Metropolitan Opera, so on today's date in 1999 it must have been gratifying to celebrate his 61st birthday taking curtain calls there when his opera “The Great Gatsby” premiered at the Met. F. Scott Fitzgerald's novel, a devastating evocation of America's “Roaring 20s,” is a regular contender for the title of the “Great American Novel,” but Harbison says when he told his mother he was writing an opera based on it she wasn't very enthusiastic, arguing that the novel's characters were an unsympathetic bunch. Gatsby, the novel's anti-hero is a both a fraud and a crook. Daisy, Gatsby's lost love and the object of his obsessive desire, is selfish, spoiled and shallow. But Harbison saw it differently: “Yearning and despair are very big operatic themes,” he said. “As for the character of Gatsby, he takes a lot of risks and is steadfast and loyal to some vision that is not realistically possible. The opera provides many opportunities to look at to what degree he's an impostor, and to what degree his story is real, which is a big American theme in general.” Music Played in Today's Program John Harbison (b. 1938) — Remembering Gatsby (Minnesota Orchestra; Edo de Waart, cond.) Vol. 11, from "Minnesota Orchestra at 100" special edition boxed CD set

Synopsis On today's date in 1991, Herbert Blomstedt led the San Francisco Symphony and Chorus in the premiere of a cantata entitled “Genesis,” by the American composer Charles Wuorinen. This was the culmination of Wuorinen's four-year association with the San Francisco Symphony as its composer-in-residence. The most famous setting of the Biblical Genesis story is Haydn's oratorio “The Creation,” but early on Wuorinen decided his cantata would be a non-narrative, non-programmatic treatment, although incorporating a Latin version of the Genesis text. Musically, as the music critic Michael Steinberg noted, Wuorinen's style fuses the physicality and punch of Stravinsky with Schoenberg's struc­tural principles. The resulting music, which some have dubbed “maximalist” is complex and demanding – just as its composer intended. Charles Wuorinen writes, “In any medium, entertainment is that which we can receive and enjoy passively, without effort, without our putting anything into the experience.  Art is that which requires some initial effort from the receiver, after which the experience received may indeed be entertaining, but also transcending as well.  Art is like nuclear fusion: you have to put something into it to get it started, but you get more out of it in the end than what you put in.” Music Played in Today's Program Charles Wuorinen (b. 1938) — Genesis (Minnesota Chorale and Minnesota Orchestra; Edo de Waart, cond.) Koch 7336

durée : 01:27:32 - Edo de Waart, chef d'orchestre (3/3) - par : François-Xavier Szymczak - Edo de Waart vient de fêter ses quatre-vingts ans, il a vu le jour à Amsterdam le 1er juin 1941. - réalisé par : Céline Parfenoff

durée : 01:28:25 - Edo de Waart, chef d'orchestre (2/3) - par : François-Xavier Szymczak - Edo de Waart vient de fêter ses quatre-vingts ans, il a vu le jour à Amsterdam le 1er juin 1941. - réalisé par : Céline Parfenoff

durée : 01:28:14 - Edo de Waart, chef d'orchestre (1/3) - par : François-Xavier Szymczak - Edo de Waart vient de fêter ses quatre-vingts ans, il a vu le jour à Amsterdam le 1er juin 1941. - réalisé par : Céline Parfenoff

Radio Filharmonisch Orkest Groot Omroepkoor Edo de Waart, dirigent *  J. Brahms - Gesang der Parzen, op.89 *  J. Brahms - Nänie voor koor en orkest, op.82 *  J. Brahms - Symfonie nr.2, op.73

Veel Argentijnen hadden een slapeloze nacht na de aankondiging van president Macri dat het land aanklopt bij het Internationaal Monetair Fonds. De Argentijnse economie kwakkelt al een tijdje. De nationale peso-munt verloor afgelopen jaar een kwart van zijn waarde. De Argentijnen vrezen dat de geschiedenis zich gaat herhalen: het IMF wordt door velen gezien als medeschuldig aan de diepe crisis die het land begin deze eeuw doormaakte.