Podcasts about jam bands

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to Tales From The Lot and Part 4 of our 6-part series, Truckin' Through Time. Today, we are pulling into the early 1980s—covering the grit, the gear, and the massive cultural shift of 1980 to 1984.A lot of casual listeners skip over the early '80s, but for true Deadheads, this is the era where the walls of our traveling city were officially built. Your host, Will takes you inside the years where the band traded their cowboy hats for synthesizers, Brent Mydland officially became the "secret sauce," and the parking lot evolved into a highly organized, migratory society.Send Me A MessageThis episode is sponsored by ShakedownTshirts.com with unique lot-style T-shirts and gifts for Grateful Dead, Phish, Zappa, Panic, and more. All US orders over $35 Ship Free. Use code "Lot20" for 20% off any order. Tales From The Lotwill@talesfromthelot.orgFacebook - https://www.facebook.com/talesfromthelotYouTube -https://www.youtube.com/@talesfromthelotSupport the show

The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to Truckin' Through Time, our six-part chronological journey through the history, music, and mythology of the Grateful Dead. In this episode, we are pulling up to what many heads consider sacred territory: 1970 to 1974.We look at the massive pivot where the band traded psychedelic feedback loops for acoustic guitars and timeless American myths. This is the era where the Grateful Dead stopped being just a local San Francisco trip and started inventing the road as they drove it.In this episode, we're talking:The Americana Blueprint: How the band dropped Workingman's Dead and American Beauty in the same calendar year and redefined their entire identity.The Keith & Donna Transition: Shifting to a leaner, jazzier, single-drummer lineup after Mickey's departure, and the arrival of the Godchauxs.Saying Goodbye to Pigpen: The heartbreak of losing the band's original soul, and how they found the strength to keep moving forward.Europe '72 Mythology: Why this legendary tour remains the gold standard for live improvisation.Going Independent: The chaotic birth of Grateful Dead Records and the sonic ambition behind Wake of the Flood.The Wall of Sound: The 75-ton, 600-speaker, bank-account-crushing monster of a PA system that defined 1974 before the band finally called a "hiatus."Connect with Tales From The Lot:Follow us on your favorite podcast app so you don't miss Part 3 (1975–1979).Got a story from the lot? Drop us a line or find us on social media.Stay kind, family. See you down the road.Send Me A MessageThis episode is sponsored by ShakedownTshirts.com with unique lot-style T-shirts and gifts for Grateful Dead, Phish, Zappa, Panic, and more. All US orders over $35 Ship Free. Use code "Lot20" for 20% off any order. Tales From The Lotwill@talesfromthelot.orgFacebook - https://www.facebook.com/talesfromthelotYouTube -https://www.youtube.com/@talesfromthelotSupport the show

The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.Guests: Bobby Weir, David Lemieux, Jeff Chimenti, Scott Metzger, Don Was, Gary Lambert, Tim Stevens, Tony Italiano, William Keats, Bretty PauleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Truckin' Through Time (Part 1): The Primal Years (1965–1969)"The Warlocks, soon to be the Grateful Dead, were mostly just trying to make sure the floor didn't swallow them whole."Welcome to the series premiere of Truckin' Through Time, a special six-part deep dive into the 30-year odyssey of the Grateful Dead. In this kickoff episode, we're heading back to where the sidewalk ends and the trip begins: 1965 to 1969.This isn't a dry history lecture—it's a storyteller's look at how a rag-tag group of bluegrass nerds and blues junkies accidentally invented a counterculture.In this episode, we're talking:The Mother McCree Roots: From kazoos and washboards to plugging in as The Warlocks.The Acid Test DNA: How Ken Kesey's neon-drenched chaos taught the band to "play the room" instead of just playing songs.710 Ashbury & The Haight: Living the communal dream (and the reality of the Summer of Love).The Sonic Leap: The transition from garage-rock blues to the heavy, improvisational weight of Anthem of the Sun and Live/Dead.The Birth of the Lot: How the very first traveling fans began to form a community before "Deadhead" was even a word.Whether you're a seasoned veteran with a closet full of Maxell tapes or a newcomer wondering why your uncle still wears tie-dye in his 60s, this episode lays the foundation for the long, strange trip to come.Connect with Tales From The Lot:Follow us on your favorite podcast app so you don't miss Part 2 (1970–1974).Got a story from the lot? Drop us a line or find us on social media.Send Me A MessageThis episode is sponsored by ShakedownTshirts.com with unique lot-style T-shirts and gifts for Grateful Dead, Phish, Zappa, Panic, and more. All US orders over $35 Ship Free. Use code "Lot20" for 20% off any order. Tales From The Lotwill@talesfromthelot.orgFacebook - https://www.facebook.com/talesfromthelotYouTube -https://www.youtube.com/@talesfromthelotSupport the show

The Grateful Deadcast returns for its 13th season, beginning with a 2-part tribute to the great Bobby Weir, mixing interviews with archival audio to tell the story of how a teenage Atherton folkie found his singular jazz-informed musical voice (dropping a few water balloons en route).Guests: Bobby Weir, David Lemieux, David Nelson, Gary Lambert, Rhoney Stanley, Graeme BooneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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The best (and cheapest) therapy for those small things that get under your skin is sometimes a good venting session so you can get it off your chest and move on with your life! And if you're not privy to the first-hand vent-a-thon, then being a fly on the wall listening is hopefully equally therapeutic and also maybe entertaining.     Welcome to Rant Therapy, a podcast short powered by the hosts of the Happy Eating podcast, Brierley Horton and Carolyn Williams, where we periodically share our real-life venting sessions with each other—AKA what we're “so over”.     Rant Therapy - Jam Bands   Thank you for listening to Rant Therapy on the Happy Eating Podcast. Tune in weekly on Thursdays for new episodes and new rants on Tuesdays. For even more Happy Eating, head to our website! https://www.happyeatingpodcast.com Learn More About Our Hosts: Carolyn Williams PhD, RD: Instagram: https://www.instagram.com/realfoodreallife_rd/ Website: https://www.carolynwilliamsrd.com Facebook: https://www.facebook.com/RealFoodRealLifeRD/ Brierley Horton, MS, RD Instagram: https://www.instagram.com/brierleyhorton/ Got a question or comment for the pod? Please shoot us a message! happyeatingpodcast@gmail.com Produced by Lester Nuby OE Productions   To contact Lester -  olelegante@gmail.com

The best (and cheapest) therapy for those small things that get under your skin is sometimes a good venting session so you can get it off your chest and move on with your life! And if you're not privy to the first-hand vent-a-thon, then being a fly on the wall listening is hopefully equally therapeutic and also maybe entertaining.     Welcome to Rant Therapy, a podcast short powered by the hosts of the Happy Eating podcast, Brierley Horton and Carolyn Williams, where we periodically share our real-life venting sessions with each other—AKA what we're “so over”.     Rant Therapy - Jam Bands   Thank you for listening to Rant Therapy on the Happy Eating Podcast. Tune in weekly on Thursdays for new episodes and new rants on Tuesdays. For even more Happy Eating, head to our website! https://www.happyeatingpodcast.com Learn More About Our Hosts: Carolyn Williams PhD, RD: Instagram: https://www.instagram.com/realfoodreallife_rd/ Website: https://www.carolynwilliamsrd.com Facebook: https://www.facebook.com/RealFoodRealLifeRD/ Brierley Horton, MS, RD Instagram: https://www.instagram.com/brierleyhorton/ Got a question or comment for the pod? Please shoot us a message! happyeatingpodcast@gmail.com Produced by Lester Nuby OE Productions   To contact Lester -  olelegante@gmail.com

Host/Producer: Amy Browne The Singing Journalist, Andy Revkin, joins us today with an invitation to his upcoming talk at the Jesup Memorial Library, Thursday 3/5 at 6:30pm “In this evening of storytelling and songs, longtime journalist, author, educator and performing songwriter Andy Revkin will explore the evolution of his dual-path journey aimed at connecting the public with ideas, issues and solutions using any means possible. For decades, Andy Revkin has split his time between prize-winning environmental journalism, mostly for The New York Times, and songwriting, including music featured on NPR and an inaugural album described by the Jambands music magazine as a “tasty mix of roots goulash.” His reporting has taken him from the burning Amazon rain forest to the melting North Pole sea ice. As a musician, Andy was a frequent accompanist of folk legend Pete Seeger at Hudson Valley events and has quickly built a presence in the Downeast Maine folk scene since moving here in 2022.” (Source: Event announcement from the Jesup) About the host: Amy Browne started out at WERU as a volunteer news & public affairs producer in 2000, co-hosting/co-producing RadioActive with Meredith DeFrancesco. She joined the team of Voices producers a few years later, and has been WERU's News & Public Affairs Manager since January, 2006. In addition to RadioActive, Voices, Maine Currents and Maine: The Way Life Could Be, Amy also produced and hosted the WERU News Report for several years. She has produced segments for national programs including Free Speech Radio News, This Way Out, Making Contact, Workers Independent News, Pacifica PeaceWatch, and Live Wire News, and has contributed to Democracy Now and the WBAI News Report. She is the recipient of the 2014 Excellence in Environmental Journalism Award from the Sierra Club of Maine, and Maine Association of Broadcasters awards for her work in 2017 and 2021. Theme music: BreakBeat Chemists I, 2015 Licensed under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International License The post Around Town 2/24/26: Local News, Culture and Events first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

This week, a special road trip episode featuring award-winning Owensboro, Kentucky bluegrass singer/songwriter Rick Faris and his band recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. The annual Walnut Valley Festival, now in it's 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer's market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival. Rick Faris is a Kansas Music Hall of Fame Member who was recently awarded the “Songwriter of the Year” at the 2024 International Bluegrass Music Association Awards making him an 8-time IBMA Award winner. In addition Rick won the coveted “New Artist of the Year” in 2022. Faris also spent 11 years with Special Consensus while the band earned two GRAMMY nominations before embarking on his chart topping solo career. The Rick Faris Band, is an International touring Bluegrass outfit playing in the US, Mainland Europe, the British Isles and Canada. They bring sibling harmony and comedic relief with brother JimBob Faris on bass and a youthful snap to their original brand of music with a couple of bluegrass thoroughbreds, Henry Burgess (who grew up with fiddle legend Byron Berline) and Gibson Davis (who is a third generation bluegrass musician following father Chris Davis and his Grandfather Danny Davis). Rick recently moved to Owensboro, Kentucky the Bluegrass Music Capital and has opened his Faris Guitar Co. - https://rickfaris.com/press-kit In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1988 archival recording of gospel music legends The Chuck Wagon Gang performing the 1934 J.R. Baxter song “After the Sunrise,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins explores the storied history of early gospel music publishing in the Ozark and Quachita Mountains.

(00:00) With the Patriots facing the Denver Broncos, we play a game focusing on Colorado, hippies and trust funds. (19:01.75) CHRIS FORSBERG covers the Boston Celtics for NBC Sports Boston. He joins the show to share his thoughts on the Celtics.(32:47.60) The latest takeaways on the head coaching shuffle in the NFL.Please note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardyFor the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textHere in Episode 253 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses to discuss his 2026 Spotify Wrapped!We cover artists such as Van Halen, Steve Cropper, The KLF and Mammoth to name only a few.We also cover Dinosaurs, Jam Bands and Jet Engines!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

The '90s were a strange time. From Gregorian chants to swing bands, you never knew what would make it onto the radio. But some of the strangest groups to improbably infiltrate the mainstream came from the post-Grateful Dead jam band scene. Our guest today is Mike Ayers, author of ⁠Sharing in the Groove: The Untold Story of the '90s Jam Band Explosion and the Scene that Followed. ⁠ The book, an oral history, is really a blast. It covers all the big players of the era: Phish, Blues Traveler, Spin Doctors, Widespread Panic, Dave Matthews Band, but Ayers takes it to the next level by expanding the definition of "jam band" to include Medeski, Martin and Wood, Greyboy and the acid jazz scene, New Orleans funk band Galactic, and John Zorn and the Knitting Factory downtown NYC scene, and much more. This episode, guest host (and Transmissions audio editor) Andrew Horton, Jason P. Woodbury, and Ayers sit down to hash out the era in which even Sonic Youth and Yo La Tengo embraced their jammiest free improv tendencies. What are the limits of the whole "jam band" thing really? Come along with us as we dig into Sharing in the Groove. Transmissions is created in partnership with the Talkhouse Podcast Network. We're brought to you by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aquarium Drunkard⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, an independent music media crew headed by Justin Gage. Over at Aquarium Drunkard, you'll gain access to 20 years of music writing, playlist, essays, mixtapes, radio special, podcasts, videos and more.

 www.patreon.com/dopeypodcast This Week on Dopey! Billy Mother Fucking Strings comes on to share his truth! But first Dave meditates, reads spotify reviews, reads an email about premature ejaculation, and a voicemail from Dopey OG Alex on meth, fent and needing makeup! Then Billy joins Dave on Dopey to talk openly about addiction shaping his entire life—from his dad dying of a heroin overdose when he was two, to growing up in houses full of meth use, crack dealers, and chaos, to smoking meth and tripping on acid with his mom as a teenager. He describes leaving home at 13, couch surfing, dropping out of school, playing in metal bands, smoking crack, and eventually getting pulled back toward bluegrass.Billy talks about how his parents' addiction destroyed stability, how meth “fucked everything up” in his hometown, how he stayed awake for four-day binges while playing guitar with his dad, and what finally made him leave. He also describes the first time he did heroin, why he stopped drinking nine years ago, and how addiction still affects him through dreams and cravings.He reflects deeply on his mother's recent death from methamphetamine intoxication, discovering his dad was using too, attending Al-Anon meetings, reading his mom's poems, and trying to break the cycle for his own son. He also talks about touring arenas, the pressure of success, therapy, panic attacks, being molested as a child, and wanting to help others impacted by addiction.All that and much more on a wall to wall traumatic tale of how secrets can make us sick! This week and forever on the good old Dopey show!Happy Thanksgiving! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, another special road trip episode featuring world renowned dobro and guitar Jedi duo Rob Ickes & Trey Hensley recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. The annual Walnut Valley Festival, now in it's 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer's market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival. Take a 15-time IBMA (International Bluegrass Music Association) Dobro Player of the Year and a Tennessee-born guitar prodigy who made his Grand Ole Opry debut at the age of 11 and you have Rob Ickes and Trey Hensley, a powerhouse acoustic duo that has electrified the acoustic music scene. Known for their white-hot picking, stone country vocals with soul and world class live musicianship, Ickes and Hensley meld together blues, bluegrass, country, rock and other string band music of all kinds to form a signature blend of music that defies restrictions of genre.  They are equally at home on stages of prestigious performing arts centers, theatres and the Grand Ole Opry as they are on Americana, jamgrass, bluegrass and jam band festivals. Ickes co-founded the highly influential bluegrass group Blue Highway and has been a sought-after Nashville session player and live performing musician for decades. Hensley has been called “Nashville's hottest young player” by Acoustic Guitar magazine and his soulful baritone vocals have received acclaim as well. - https://www.robandtrey.com/about-the-band/ In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 2016 archival recording of Ozark originals Bobby Glendy & Ruthie Haney performing the classic A.P. Carter song “You are my Flower,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents the final episode of his series recounting the history of the ill-fated Ozarkland Jamboree, a 1960's country music variety show based in Horseshoe Bend, Arkansas that never made it on the air.

This week's episode features Ben Carrey of Pigeons Playing Ping Pong, and I couldn't be more thrilled to share this with one with you!!  Pigeons is one of my favorite bands — I absolutely love their brand of rollicking, funky rock. Their jams are simply exquisite, and Ben drives this forward motion with his unique style on bass guitar.  Pigeons' eighth album, Feed The Fire is out now, and they're headed out on their Fall tour — catch them while you can!Ben is super thoughtful and a gentle and kind soul, and he talks to me about growing up a shy kid in Baltimore — and we discuss how Ben's unique (some may say unorthodox) style of playing has shaped the Pigeons signature sound. Ben is quite literary and very well read and we go down that rabbit hole a bit… with his love of Physics mixed in just for fun.Ben also talks to me about mental health and some of the challenges he faces. He's super open with a striking and honest self-awareness that is utterly refreshing.  This is an epic conversation with this talented artist, and I can't wait to share this one with you.=======================================Chapters:00:00 Episode Intro with Host Josh Rosenberg04:38  Introducing Ben Carrey07:17 Celebrating the New Album and Touring Experiences10:21 Collaboration with The Infamous Stringdusters13:15 Exploring Musical Influences and Techniques 16:08 Fretless Bass and Its Unique Qualities 19:10 Cultural Connections and Personal Reflections 22:11 Musical Relationships and Band Dynamics 25:03 The Science of Music and Connection 28:10 Growing Up and Family Ties 33:35 Nostalgia and Family Connections 35:39 The Power of Solitude and Self-Discovery 36:42 Literary Influences and Early Interests 39:38 The Fascination with Physics and Quantum Mechanics 43:49 The Intersection of Science and Spirituality 45:29 The Magic of Music and Sound 48:11 Musical Beginnings and the Journey to Bass 54:04 Overcoming Fear and Embracing Performance 55:46 Mental Health Challenges and the Music Industry 59:40 Finding Balance and Support in Music 01:04:03 Connecting with the Audience and Personal Growth 01:06:18 The Power of Connection and Community 01:08:36 Psychedelics and Mental Health 01:13:52 The Journey of Self-Discovery 01:17:31 The Significance of 'Hit the Ground Running' 01:20:27 Collaborative Evolution in Music 01:24:45 The Impact of Live Performances 01:27:51 Dome Fest and New Beginnings 01:31:32 Looking Ahead: Future Plans and Festivals=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

This week, another special road trip episode featuring legendary bluegrass supergroup The Special Consensus recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. The annual Walnut Valley Festival, now in it's 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer's market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival. The Special Consensus, celebrating its 50th anniversary in 2025, is a bluegrass band that has achieved a contemporary sound with traditional roots in five decades of performing. Band leader and founder Greg Cahill is a recipient of the prestigious Distinguished Achievement Award from the International Bluegrass Music Association (IBMA) and was inducted into the Society for the Preservation of Bluegrass Music in America (SPBGMA) Hall of Greats. Special Consensus has released 21 band recordings and received seven awards from the IBMA and two Grammy nominations. The band's sound is grounded in a deep appreciation and understanding of bluegrass music, incorporating both the drive and harmonies of the traditional sound with the more contemporary sounds and repertoire of today.  With the foundation of Greg's unique banjo playing style and the vocal prowess of the 2023 IBMA Male Vocalist of the Year Greg Blake (guitar), Dan Eubanks (bass) and Brian McCarty (mandolin), these musicians effortlessly support each other and consistently maintain their bluegrass center whether they're playing a jazz-tinged instrumental or a song from any of their award-winning recordings. These four talented vocalists and instrumentalists follow their creative desires without straying too far from their roots. https://www.specialc.com/biography In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1991 archival recording of Ozark original Randall Hylton performing his original song “Over the Counter Drugs,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents part two of his series recounting the history of the ill-fated Ozarkland Jamboree, a 1960's country music variety show based in Horseshoe Bend, Arkansas that never made it on the air.

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brad Barr is on the show this week, and I can't wait to share this interview with you!!  Brad and his brother Andrew make up the amazing combo, The Barr Brothers, and they're psyched to be back with a new album coming out this Friday, October 17, entitled Let It Hiss. This amazing album features a variety of collaborations with friends including Elizabeth Powell (Land of Talk), Josie Adams (Arc Iris) and none other than Jim James of My Morning Jacket.  Brad is a special human with incredible musical talents and a calm, confident and humble demeanor, and he talks to me about the long journey back after the pandemic. We discuss all the elements — personal and musical — that makes their expression just so unique. Brad is thoughtful and warm and I'm honored to call him a friend. The Barr Brothers is currently out on the road, playing in support of Mumford & Sons through mid-November, and then will hit the road in February to play headlining shows throughout the US.  =========================================Chapters: 00:00 Episode Intro with Host Josh Rosenberg05:20 Introduction and Technical Setup  08:08 The Journey of Self-Discovery09:59 The Impact of the Pandemic on Music  17:07 Growing Up in Providence  25:46 Musical Education and Influences  27:29 The Heart of Rock and Personal Connections  34:07 Transitioning to Montreal: A New Chapter  40:27 From Improvisation to Structured Songwriting  43:31 Personal Growth Through Music  46:13 Collaborations and Guest Artists in New Music  54:10 The Journey of Songwriting and Healing58:20 Facing Life's Challenges Through Music  01:03:37 Relatability in Songwriting  01:05:48 The Future of Collaboration  01:07:24 Exploring Duo Dynamics in Performance  01:11:48 Innovative Guitar Techniques  01:18:31 The Unique Sound of The Barr Brothers  01:19:50 Episode Outro with Host Josh Rosenberg=============================================For The Barr Brothers tour info and tour dates, click hereFor more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

This week, a special road trip episode featuring up and coming high energy traditional Irish trio Socks in the Frying Pan recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a performance from world famous singer-songwriter and folk music icon John McCutcheon. The annual Walnut Valley Festival, now in it's 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer's market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival. Socks in the Frying Pan, a multi-award-winning trio from Ennis, County Clare, Ireland—the Mecca of Irish traditional music—was formed in 2014. Forged together by a fire of pure joy and passion for their art, the band comprises Aodan Coyne on guitar and lead vocals, Shane Hayes on accordion, and younger brother Fiachra Hayes on fiddle. Their ‘Socks Sound' combines virtuosic musicianship with a burning passion for the music and tradition, pitch-perfect harmonies and a big splash of quick wit and banter. Their electrifying performances and on-stage charm have established them as kingpins on the Irish traditional music scene, today. They have toured extensively, capturing hearts in 46 US states, dozens of countries, and every continent, showcasing at renowned festivals such as the Walnut Valley Festival in Kansas, Electric Picnic in Ireland, Tønder Festival in Denmark and the world-famous New Orleans Jazz Festival. To date, Socks in the Frying Pan have released three studio albums, each adding to their list of accolades including ‘Best New Band', ‘Best Live Band‘, ‘Album of the Year‘, and ‘Best Live Performance of the Year', Their latest release, Raw & Ríl, recorded live at Glór Theatre, was immediately awarded ‘Best Live Album'. - https://socksinthefryingpan.com/band/ John McCutcheon is an American folk music singer-songwriter and multi-instrumentalist who has produced 45 albums since the 1970s. He is regarded as a master of the hammered dulcimer, and is also proficient on many other instruments including guitar, banjo, autoharp, mountain dulcimer, fiddle, and jaw harp. He has received six Grammy Award nominations. Born and raised in Wisconsin, in his 20s, he travelled to Appalachia and learned from some of the legendary greats of traditional folk music, including Roscoe Holcomb and Tommy Hunter. - https://www.folkmusic.com/ In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark original Sheryl Irvine performing the traditional Child ballad “Sweet Peggy,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins presents part one of his series recounting the history of the Ozarkland Jamboree, a 1960's country music variety show based in Horseshoe Bend, Arkansas that never made it on the air.

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Music - Robert Scheckman

The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, a special road trip episode featuring Walnut Valley original Pecan Grove campground jam band Old Sound recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a performance from renowned singer-songwriter and folk music legacy Nathan McEuen. The annual Walnut Valley Festival, now in it's 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer's market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival. A trio of longtime friends and musical collaborators, Kansas City's Old Sound crafts an original brand of liquid folk music. The well-worn trio travels through song with evocative acoustic compositions, imagery-filled lyrics and beckoning three-part harmonies.  The band holds deep roots running back to Winfield, KS where they grew up and cut their teeth in the picking circles and campground stages of the Walnut Valley Festival.  Old Sound continues to evolve and bend the possibilities of modern acoustic music with rich, effects-driven live performances, while also creating a unique sound that could just as easily be heard around a campfire. - https://oldsoundmusic.com/ Nathan McEuen grew up surrounded by incredible music and talented musicians. By age five he started performing with his father, John McEuen (Nitty Gritty Dirt Band), Nathan soon became a natural showman.  With over 40 years of touring, more than 3,000 shows, and appearances on American Idol, The Stagecoach Festival, the Grand Ole Opry, The Tonight Show, Music City Roots, and XM/Sirius Radio, his music has reached audiences around the world. Held in the highest esteem by his musical colleagues, Nathan has shared the stage with an impressive lineup of artists ranging from Bon Jovi to Willie Nelson. In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark original Kenny Sims performing the traditional American Civil War song “Goober Peas,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozark roots for one man's inspiration that would ultimately result in the founding of the Grand Old Opry.

The Deadcast examines how Franklin's Tower bucked every trend on Blues For Allah to become one of the Dead's all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.Guests: David Lemieux, Geoff Gould, Jürgen Fauth, Shaugn O'Donnell, Chadwick Jenkins, Will Backstrom, Max Ritchie, Hannah GrabbensteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, a special road trip episode featuring up and coming Irish finger style guitar Jedi Shane Hennessy recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a performance from each of the top three 2024 Walnut Valley International finger style guitar champions, Hiroya Tsukamoto, Mikey Bilello, and Stephen Bennett. The annual Walnut Valley Festival, now in it's 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer's market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival. Shane Hennessy is a virtuoso fingerstyle guitarist, singer/songwriter, and composer. With an upbringing in the world of Irish traditional music, Shane has been captivating audiences globally for the past few years, with sell-out solo tours in Europe and North America under his belt, as well as regular appearances at major international music festivals including MerleFest, Walnut Valley Bluegrass Festival, Sound of Europe Festival (Düsseldorf, Germany), and Milwaukee Irish Fest. He has released four albums of original music, and his most recent studio album ‘Rain Dance' was hailed as “a triumphant reaffirmation of his virtuosity and compositional excellence” by Irish Music Magazine. Shane has collaborated with Tommy Emmanuel, worked with Grammy-winner Bill Whelan (composer of Riverdance), and made his début on the Grand Ole Opry in Nashville, Tennessee in March 2023. A musician from a young age, Shane credits his background in Irish traditional music as the base on which he has built his genre-defying musical explorations. Initially a concertina player, he achieved successes in competitions in Ireland. He then turned to the guitar aged twelve inspired by the music of James Taylor. Becoming more interested in songwriting and in music in general, it was when he discovered the styles of Tommy Emmanuel and Chet Atkins that his interest in solo performance blossomed. Described by legendary guitarist and mentor Tommy Emmanuel as “a brilliant entertainer and an amazing musician who transcends the guitar the same way Muhammed Ali transcended boxing”, Shane has since developed an unmistakably unique voice as a fingerstyle guitarist, blending his native Irish music with elements of jazz, country, blues, funk, classical, soul, world, and hip-hop. With the addition of some smooth vocals and improvisations, it makes sense why music legend super-producer Nile Rodgers (CHIC) remarked that “[Shane's] style is killer, it's really cool stuff.” https://www.shanehennessy.ie/bio In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 2015 archival recording of Ozark original guitarists Danny Dozier and Randy Buckner performing the 1924 Isham Jones song “I'll See You in My Dreams,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins concludes his three part series on the surprisingly violent history of tornadoes in the Ozarks.

The Deadcast uses Blues For Allah's complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn't a Grateful Dead, & their public reemergence at Bill Graham's S.N.A.C.K. benefit that March.Guests: David Lemieux, Ned Lagin, Ron Rakow, Steve Brown, Gary Lambert, Joan Miller, Jay Kerley, Chadwick Jenkins, Shaugn O'Donnell, Melvin BackstromSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, a special road trip episode featuring world renowned cowboy singer-songwriter and story teller Dave Stamey recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. The annual Walnut Valley Festival, now in it's 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer's market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival. Cowboys and Indians Magazine has called him “the Charlie Russell of Western Music.” Western Horseman Magazine has declared his “Vaquero Song” to be one of the greatest Western songs of all time. True West Magazine named him Best Living Western Solo Musician four years in a row. Dave Stamey has been a cowboy, a mule packer, a dude wrangler, and is now one of the most popular Western entertainers working today. He has been voted seven times Entertainer of the Year, seven times Male Performer of the Year and Five times Songwriter of the Year by the Western Music Association and received the Will Rogers Award from the Academy of Western Artists. He's delighted audiences in twenty-three states and finds that he prefers this to being stomped by angry horses. In November 2016, Dave was inducted into the Western Music Hall of Fame. - https://davestamey.com/ In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1978 archival recording of Ozark original cowboy Glenn Ohrlin performing the song “Tying Knots in the Devils Tail,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins continues his three part series on the surprisingly violent history of tornadoes in the Ozarks.

The Grateful Deadcast points itself towards 1975 to begin a song-by-song celebration of Blues For Allah's 50th anniversary, loaded with raw session tapes, early lyric drafts, & the story of how the Dead built a new studio, musical language, batch of songs, & LP from the ground up. Guests: David Lemieux, Donna Jean Godchaux-MacKay, Ron Rakow, Stephen Barncard, Ned Lagin, Steve Brown, Gary Lambert, Keith Eaton, Shaugn O'Donnell, Chadwick Jenkins, Matt CampbellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, a special road trip episode featuring Salt Lake City, Utah based progressive bluegrass explorers Pixie and The Partygrass Boys recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a bonus first main stage performance by original Walnut Valley campground jam band Sally & The Hurts. The annual Walnut Valley Festival, now in it's 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer's market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival. Pixie and The Partygrass Boys may be far from their humble beginnings but they still don't take themselves too seriously. What began as a group of ski bums playing house parties in the Cottonwood Canyons of Salt Lake City has evolved into a nationally touring band that always aims to have the most fun possible. The band is Katia "Pixie" Racine on vocals & ukulele, Amanda B. Grapes on fiddle & vocals, Zach Downes on upright bass, Ben Weiss on mandolin & vocals, and Andrew Nelson on guitar & vocals. Pixie and The Partygrass Boys create a uniquely American sound that can turn the room into a ruckus but offers a full variety of other dynamics as well - approaching bluegrass/folk with a classical and jazz background while incorporating elements of broadway and pop-punk. They have captivated audiences across the nation with their unique blend of heartfelt songwriting, high velocity instrumental excellence, silly outfits, and sing-along anthems. Pixie and The Partygrass Boys invite the audience into their world every time they take the stage, hoping to share a piece of the magic they've found on the mountain tops and in the desert canyons of their Utah home. - https://www.pixieandthepartygrassboys.com/band In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark originals Janis Dooley & Pam Sanders performing a cappella the song “No Mortal as Happy as I,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins begins a three part series on the surprisingly violent history of tornadoes in the Ozark region.

The Grateful Deadcast visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended. This bonus episode is a re-run of the 2nd half of Deadcast Season 9, episode 8.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, , Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, Brian AndersonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.