POPULARITY
4 episodes with John Kent
2 episodes with John Kent
2 episodes with John Kent
2 episodes with John Kent
2 episodes with John Kent
2 episodes with John Kent
2 episodes with John Kent
2 episodes with John Kent
A new MP3 sermon from Grace Audio Treasures is now available on SermonAudio with the following details: Title: Effectual Calling Subtitle: Grace Audio Hymns Speaker: John Kent Broadcaster: Grace Audio Treasures Event: Devotional Date: 1/28/2025 Bible: Romans 8:29-30; John 6:44 Length: 2 min.
John Kent, 1766-1843There is a period known to GodWhen all His sheep, redeemed by blood,Shall leave the hateful ways of sin,Turn to the fold, and enter in.At peace with Hell, with God at war,In sin's dark maze, they wander far,Indulge their lust, and still go on,As far from God, as sheep can run.But see how God's indulgent careAttends their wanderings, here and there;Still tracking them, wherever they stray,With piercing thorns, to hedge their way.When wisdom calls, they stop their ear,And headlong seek, their mad career;Judgments and mercies, can never sway,Their roving feet, to wisdom's way.Glory to God, they never shall rove,Beyond the limits of His love;Fenced with Jehovah's shalls and wills,Firm as the everlasting hills.The appointed time, rolls on apace,To call effectually, by His grace;To change the heart, renew the will,And turn the feet, to Zion's hill.
This Week on Earth Station DCU! Drew Leiter and Cletus Jacobs go into the deep woods... Martha Kent tries to get Fire and Ice to make up at a drag brunch and Lobo comes to Kansas in Fire & Ice: Welcome to Smallville #4. The Birds of Prey must face off against Wonder Woman as they try to escape Themyscira in Birds of Prey #4. Love might be in the air, but Jaime decides the only way to stop the Blood Scarab is to kill him in Blue Beetle #4. Zur-En-Arrh has taken over Batman's body and is intent on killing the Joker in Batman #140. Ivy is working on a cure for the Lamia spores when Killer Croc, Solomon Grundy, and her infected children show up in Poison Ivy #17. Since Billy refuses to continue as the Captain, Freddy tell the gods he will in Shazam #6. Nia Nal enlists the help of John Kent to help save lives in Titans: Beast World Tour - Metropolis #1. Waller enlists the help of Deadeye and other heroes to stop Dr. Hate in Titans: Beast World - Waller Rising #1. All this plus, DC News, Shout Outs, and much, much more! ------------------------ Table of Contents 0:00:00 Show Open 0:01:04 DC News 0:04:02 Fire & Ice: Welcome to Smallville #4 0:09:30 Birds of Prey #4 0:15:12 Blue Beetle #4 0:19:09 Batman #140 0:26:59 Poison Ivy #17 0:29:05 Shazam #6 0:34:33 Titans: Beast World Tour - Metropolis #1 0:39:28 Titans: Beast World - Waller Rising #1 0:46:02 Sweet Tooth S2 Ep2 - Into the Deep Woods 0:52:18 Show Close Links Fire & Ice: Welcome to Smallville #4 Birds of Prey #4 Blue Beetle #4 Batman #140 Poison Ivy #17 Shazam #6 Titans: Beast World Tour - Metropolis #1 Titans: Beast World - Waller Rising #1 Lazarus Planet #1: Next Evolution (Cletus's Read More Comics Pick) Earth Station DCU Website The ESO Network If you would like to leave feedback, comment on the show, or would like us to give you a shout out, please call the ESDCU feedback line at (317) 455-8411 or feel free to email us @ earthstationdcu@gmail.com
7.19.23 Matthew Paras, Washington Times, on his conversation with John Kent Cooke and how Cooke feels about Dan Snyder. Kevin and Matthew also discuss the offseason and what to expect in training camp.
We're just some geeks that love being nerds talking about comic books. We don't always see eye to eye, and you'll probably always disagree with Josh. It sure is fun, though! JOIN OUR DISCORD FOR EXCLUSIVE ACCESS TO OUR SPOTLIGHT SHOW EVERY WEEK COVERING THE BIGGEST OF THAT WEEK'S BOOKS! The Geek Matrix DC Comics Review Show covers every week's releases in one form or another. Don't forget to visit thegeekmatrixpod.com to support the show by joining our Discord and getting full access for just $2.99/month! There's links to Our FREE Substack as well, with more comic reviews! #DawnOfDC is here. Hear all about it. #Comics #Comicbooks #ComicbookReviews #ComicsPodcast #DarkCrisis #Flashpoint #Beyond #Nubia #Andromeda #Multiversity #FlashpointBeyond #Joker, #Robin, #Batman, #WonderWoman, #JusticeLeague, #DetectiveComics, #TeenTitansAcademy, #Nightwing, #ActionComics, #BatmanTheDetective, #WonderGirl, and #JusticeLeagueIncarnate, #GreenLantern, #DKOS, #Darkknightsofsteel, #SwampThing, #Superman, #SuicideSquad, #ArkhamCity #Batgirls #SonofKalel #WorldsWithoutAJusticeLeague #InfiniteFrontier #DawnoftheDCU #WeAreLegends #KnightTerrors #DCU #DC Comics #comics #comic #books #comicbook #comicbooks --- Send in a voice message: https://podcasters.spotify.com/pod/show/thegeekmatrixcomics/message Support this podcast: https://podcasters.spotify.com/pod/show/thegeekmatrixcomics/support
Show Notes: https://wetflyswing.com/459 Presented by: Trxstle, Stonefly Nets Sponsors: https://wetflyswing.com/sponsors Richard Wilby, the man behind Forged Fly Fishing, shares his journey of creating a fly reel company and a fishing gear company simultaneously. He shares his lineup of reels, what it's like living in Merritt BC, and the rich stillwaters of the area around this part of the world. We also find out which is the perfect stillwater reel. Forged Fly Fishing Show Notes with Richard Wilby 3:10 - Richard tells how he first got into fly fishing and why he started his company, Forged Fly Fishing. The first reel they launched was called Requiem in remembrance of his father. 5:32 - Not soon after releasing the Requiem, they launched the Royale which is now upgraded to be called Anthem Steelhead/Spey Reel. 6:15 - He explains the difference between a center pin reel and a mooching reel. 6:55 - For stillwater fishing, they have the Invictus Fly Reel which is a smaller version of the Anthem. 7:43 - We dig into his process of starting a fly reel company. The most difficult part of his journey was finding proper manufacturers. 10:05 - He has complete control over every aspect of the design of their reels. He shares more about the process of designing their products. 12:18 - He talks about their current location in Merritt BC which is his sister's cattle ranch. 13:39 - He mentions some places in their area where you can catch giant Kamloops rainbows. His favorite lake to fish in is Knouff Lake. 15:48 - He uses the Swellfish Classic Inflatable Boat (12'10"). 17:23 - He proudly talks about his Pro Staff at Forged Fly Fishing. 18:53 - We dig into the other company he started in 2018 called Spitfire Fishing Products. He named it after his grandfather who fixed and designed machine guns for the Spitfire aircraft and the Hurricane during World War II. 21:31 - One of their sought-after products at Spitfire is their Hawker Spoons. All of their products at Spitfire are for ocean, stillwater, and any type of fishing. 24:53 - They also have Pro Staff at Spitfire. 26:11 - They have physical shops in their area. Their products are also available in several fly shops in Canada which you can find in the Retailers section on their website. 28:15 - He shares how he gets going out there during stillwater season. He fishes mostly in the spring and more in the fall. This year, he plans to do more river fishing. 29:52 - We dig into steelhead fishing. For steelhead runs, he usually goes to Cowichan River with a Scandi setup during winter right around Christmas. 33:37 - He gives a heads-up about their products at Forge Fly Fishing and Spitfire Fishing Products. 34:43 - We talk a bit about Riley, his dog which is a Golden Retriever and Border Collie cross. She loves the water. 35:28 - He tells more about what they do in his sister's cattle ranch. He and his wife have been helping out there. 39:40 - For stillwater fishing, his fly box usually contains a lot of leech, scud, and blob patterns. 41:12 - He talks about the new big thing that's coming out soon from Forged Fly Fishing. He also shares a significant tip for manipulating the reel while fishing. 45:09 - I ask him about his bucket list of trips. This includes Terrace and Kenai. 46:20 - For stillwater fishing, his go-to fly is a ruby-eye leech. 46:38 - He mentions some of the guys in their area who are reliable sources for fishing. Some of them are their Pro Staff at Forged and John Kent who designed the pumpkin head leech. 47:32 - He describes what it's like living in Merritt BC. Show Notes: https://wetflyswing.com/459
Once again we are back with another "What if... ?" episode that our listeners voted for on our Facebook group, Priests to the Geeks! This time, hosts Joe Dea and Christian Ashley, give their answer to the question, "What if there was a jedi from krypton?" Would Superman be a Jedi or a Sith? What about Superboy, Supergirl, or John Kent? Would the Jedi order force kyptonian Jedis to suppress who they really are? Would the Kents create their own Jedi order? Could Clark Kent refrain from any romance as the Jedi order demands? Would they use more of their kryptonian powers or rely more on the force? We ask all these questions and more in this one! Let us know how you would answer this question on our website, systematicgeekology.orgMentioned in this episode:Easily subscribe to the show on your platform of choice!https://systematic-geekology.captivate.fm/listenTheology Beer CampJoin some of our hosts in Springfield, Missouri at Theology Beer Camp! With our code (GEEKOLOGYGODPOD) you will get $25 off and can come hang out with our hosts, learn from world leading theologians, and your drinks for the weekend are covered with admissions too! https://homebrewedchristianity.lpages.co/theobeercamp23/ https://bit.ly/godpods23Theology Beer Camp 2023Try Zencastr for your podcast!Use my special link (https://zen.ai/PonrDFNQi6ic0uw2d3C4pKsw5T_ojgHAKLOTPsxH1co) to save 30% off your first month of any Zencastr paid plan. Or, use the code SYSTEMATICGEEKOLOGY at checkout!ZencastrAnazao Ministries Podcasts - AMP NetworkCheck out other shows like this on our podcast network! https://anazao-ministries.captivate.fm/
Join Daniel Greenfield, former career missionary to the AFM Pnong Project, as he reads a letter and article written by John Kent, his former field supervisor, in 2010. Frontier Missions Journal—Stories of hope from Adventist Frontier Missions, reaching people around the world who have never heard the name of Jesus.
Eggs are marvellous – they contain all the sustenance needed to make a young bird within their protective shell, and when destined for the plate, they are nutritious and delicious. For many of us, cracking open an egg for breakfast to discover two yolks in the pan is a pleasant surprise. However, if eggs are nature's miracle of packaging, then double-yolked eggs must be nature's mistake – a mistake that still holds many mysteries. To answer some persisting questions, Dr Attila Salamon and Dr John Kent of University College Dublin examined our collective knowledge on double-yolked eggs in a recent review.
Show Notes: https://wetflyswing.com/380 Presented By: Drifthook Fly Fishing, Fair Flies, Range Meal Bars, FishHound Expeditions Sponsors: https://wetflyswing.com/sponsors David Lambroughton shares his unique career story of traveling, photography, guiding, and fly fishing. He talks about his time fishing in New Zealand, both North and South, and what makes that place so special to him. We find out how to put together a DIY fishing trip to New Zealand with the best way to save expenses. We also talk about how he makes those cool fly fishing calendars, some tips on making the fish bigger on a photo without hurting it, and a few techniques on striking the fish. Click below and listen to the Podcast about Fly Fishing New Zealand with David Lambroughton: Fly Fishing New Zealand Show Notes with David Lambroughton 07:30 - In 1971, David took a fly-tying lesson from Bob Quigley and they became friends. In 1976, as soon as David graduated from college, he joined Bob at Rick's Lodge in Fall River, Northern California. 08:30 - David started guiding in Bristol Bay, Alaska. He even guided for Randall Kaufman in the Deschutes River. Then in 1980, David got married and went to New Zealand where he met Pat Barnes who was a frequent visitor there. Pat asked him to guide for him in West Yellowstone. 16:45 - David talks about his routine in New Zealand. 25:00 - Tip: When you go to New Zealand. Go with a buddy and split the cost of everything there. Hire a guide too. 28:00 - David describes the Rangitaiki River as one greatest trout rivers in the world. 33:00 - John Kent's books are an excellent resource for trout fishing. 34:15 - David tells us the difference in fishing between the North Island and the South Island, New Zealand. He recommends the Tongariro River Motel in Turangi, North NZ. 41:00 - For about $100-120 a day, you can cover all your expenses in NZ, if you have someone to share the expenses with. 50:00 - We mentioned the song Luckenbach Texas by Willy and Waylon Jennings. 51:40 - Huey Lewis, who wrote The Heart of Rock & Roll, is David's friend. 53:30 - David recommends the Cedar Lodge in South New Zealand if you have more budget. On the North side, he recommends Pornoi Station. 57:52 - You can get some of David's fly fishing calendar by emailing him at davidlambroughton@telus.net and a few other fly shops. 1:01:00 - David took a photography class in college at San Jose State. 1:03:44 - Charles Jardin is David's friend. Charles was on the podcast in episode 221. 1:04:55 - We talk about what fishing looks like in New Zealand. 1:14:10 - The rubber spider pattern is David's go-to fly. 1:17:20 - Tip: The best way to strike a fish is side-strike (David elaborates how) 1:20:00 - The average fish caught in the NZ stream is 4-pounds, 20-22 inches. 1:21:50 - There's a fly shop in Methven. There's Fishman's Loft in Christchurch. 1:35:40 - David shares a tip on how to make the fish look bigger for a photo in a way that would not hurt the fish. 1:46:45 - We talk about John Randall and the fly fishing business You can find David on Instagram at @davidlambroughton Show Notes: https://wetflyswing.com/378
This week Tom Welling and Michael Rosenbaum are joined by Jonathan Kent himself, John Schneider! John joins the guys as they recap Episode #12: Leech. Welling talks about what it was like to play a ‘power-less' Clark and his confusion of there being two different Ashmores who appeared in Smallville. Rosenbaum remembers uncomfortable Lionel scenes and this final episode with Kelly Brook. Schneider was a treat. John fondly remembers his time on the show that paved the way for superhero shows, while remembering going to bat for Tom with WB, teaching him lessons on and off set, and never getting lost in what the lead character was doing. ❤️ Subscribe and share to support the new pod! ☎️ Hotline: (213) 538-2883 Thank you to our Sponsors: Athletic Greens: athleticgreens.com/talkville Policygenius: policygenius.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to the sixth episode of our #MortgageAdvice series with Gordon Reid, Business Development Manager, The London Institute of Banking & Finance, Adam Tyler, Executive Chairman of FIBA Ltd, Charlotte Rutter, Head of Comms & Networks, Roma Finance, John Kent, Managing Director, White Rose Finance, and Vic Jannels, Chairman, Impact Specialist Finance. In this episode they aim to inform, interest, educate and entertain on all things mortgage related. They discuss how brokers can develop skills and knowledge by expanding into the specialist lending field, and much more. For more information on our CeMAP qualification go to our website and follow us on our social channels on Twitter and Linkedin.
Dr. C and Barry discuss John Kent, Clark Kent's son, and the revelation that he came out in his comic series as bi-sexual. With the latest outrage buzz about "woke" casting decisions for film and TV, and accusations of shallow tokenism in fictional stories, how do we interpret the motives of the media industries that produce the stories we consume?
Sérgio Serra e Alexa Ramires... falaram da BD John Kent o filho do "Super-Homem".
Mais um "Comunas Flash" e neste episódio vamos falar sobre a matéria do programa Domingo Espetacular da TV Record sobre o anime Death Note. Mande sua contribuição filosófica, política, sugestão, reclamação ou elogios para o nosso SAC Nerd! Nosso debate não para por aqui. E-mail: comunasnerd@gmail.com Twitter: https://twitter.com/comunasnerd Instagram: https://www.instagram.com/comunasnerd Facebook: https://www.facebook.com/comunasnerd --- Send in a voice message: https://podcasters.spotify.com/pod/show/comunasnerd/message
October 18, 2021: PSYCHOTIC BUMP SCHOOL w/DJ ROME: "Superman"Award winning comic book creator HANNIBAL TABU returns to discuss the latest developments in the world of DC COMICS including the latest depiction of John Kent as a bisexual Superman. Hannibal: http://www.operative.net/projectwildfire-streetjustice.html
October 18, 2021: PSYCHOTIC BUMP SCHOOL w/DJ ROME: "Superman"Award winning comic book creator HANNIBAL TABU returns to discuss the latest developments in the world of DC COMICS including the latest depiction of John Kent as a bisexual Superman. Hannibal: http://www.operative.net/projectwildfire-streetjustice.html
October 18, 2021: PART 1: Comedian/political commentator JEFFREY KELLER returns to speak on the latest in politics + a discussion about "The Closer"-the latest controversial Netflix special starring Dave Chappelle.PART 2: THE MENTAL HEALTH ARMY returns featuring KYRRA CHRISTIAN + KASEY PHILLIPS BROWN to discuss the latest relationship findings as reported by TIME Magazine.PART 3: Award winning comic book creator HANNIBAL TABU returns to discuss the latest developments in the world of DC COMICS including the latest depiction of John Kent as a bisexual Superman.
DC Comics is releasing a comic where Superman kisses a man. Yay!! #superman #dccomics #getwokegobroke
October 18, 2021: PART 1: Comedian/political commentator JEFFREY KELLER returns to speak on the latest in politics + a discussion about "The Closer"-the latest controversial Netflix special starring Dave Chappelle.PART 2: THE MENTAL HEALTH ARMY returns featuring KYRRA CHRISTIAN + KASEY PHILLIPS BROWN to discuss the latest relationship findings as reported by TIME Magazine.PART 3: Award winning comic book creator HANNIBAL TABU returns to discuss the latest developments in the world of DC COMICS including the latest depiction of John Kent as a bisexual Superman.
The Godfathers of Podcasting are back with another fantastic episode! This week, Donnie, Tid and Dan-e-o discuss Kyrie Irving's angst towards vaccine mandates in the NBA, politician Laverne Spicer's idiotic tweet concerning the aforementioned story, Superman's son John Kent coming out as bisexual and Gregg Popovich's take on Columbus Day.The boys then welcome Winnipeg-based comedian, Dana Smith to the show. She talks about her new comedy album, “I'll Smile At Your Funeral” and the inspiration for the title, her recollection of cringeworthy material and subsequent growth as a writer, walking the fine line between being offensive and funny and so much more!The show ends with an important call to action to support the GoFundMe campaign for Curt Sturrock. He's a longtime friend of the boys who just came out of brain surgery. Kindly donate what you can.Check out this week's episode now!
John Hancock and Michael Kelley are At Your Service tonight on KMOX. Hancock will impress you with his fine taste in art, and tells you how he’s spicing up his marriage. KMOX anchor Brad Choat interjects with the breaking news of Las Vegas Raiders coach Jon Gruden resigning after reportedly sending vulgar emails. Later, Hancock and Kelly talk the art of grilling a steak, and the “news” of fictional character John Kent, Superman’s son, coming out as bisexual.
0 (3s): Holy spirit. What'd you just come now and just calm our hearts and minds to help us to just take captive. Every anxious thought this morning, we welcome you to your way. Thank you. You promise to be in our midst when we gather, and when we worship you, as we lift our hearts and our voices, all of our cares and concerns to you, God, would you meet us with your presence? Power change. Set us free. 0 (44s): Want to draw near, see you this morning and experience your holiness and goodness, your grace and your mercy. 0 (1m 4s): might be hard to believe what we're singing. 0 (11m 33s): Do you believe he's good today? Do you believe he's never going to let you down? Maybe some of you do feel like God let you down, you know, and that's okay. I love that. Actually, the Bible gives us that example on the song, this David songs, if you read one song to the next there's one song where like you're a good God and the next one he's like, Lord, I am in the pit. My enemies are surrounding me. Where are you? Right. So I don't think God's afraid of our doubts. I think he encourages us to bring our doubts to him, to be honest with them, about where we're at and the crowd to him from the pit and invite his rescue. 0 (12m 18s): And to believe that he is faithful and he will pull us out. I just want you to know that I have moments even today, where I struggle with a battle is happening in my own mind of do I believe he's good this morning? I believe he's never gonna let me down. I just want you to know you're not alone. And if you're in that space today and there's there's room for that here for you to say, God, I'm hurting this morning, I do feel like I need breakthrough in an area I've been crying out and praying and asking him begging for change. And I haven't seen it yet. He welcomes us to call it what happened to him? Good hearts seasoned near to the broken hearted and the crushed in spirit. 0 (13m 1s): So if you're crushed in spirit this morning, that's why these mirror to you. So lean in to him this morning. I'm leaning in with you even as my own soul, sometimes as doubts and questions. I trust that he is God. I trust that he is faithful. 0 (13m 46s): Try that again. 0 (13m 58s): that you love us. 0 (18m 7s): Lord. 1 (18m 10s): Thank you that you are thinking about us this very moment. Your love is very real, very present. I pray that every person would experience that maybe some for the first time, experiencing your love and a real profound and obvious way. Lord God, for those who are hurting today, we pray God that you would just show yourself faithful. Thank you that you do that, Lord God, we are humbled by your presence. I love it, Lord, that when we feel the least deserving, you show up with your great love. 1 (18m 54s): I think we see that throughout the scripture. This thinking about that woman with the issue of blood, just sick, her whole life and unclean feeling just outside and unwelcome and unloved. But yet if she, she knew that if she just could push through, press through and touch the hem of your garment, that something might happen and something did happen. The power of God that went out from Jesus' body that flooded her life, changed her forever. 1 (19m 36s): She experienced love from Jesus, grace, from Jesus power from Jesus and, and she was no longer an outcast, no longer unclean, no longer sick, but she was brand new in Jesus name. I pray for each of us. Lord that we'd be brand new in Jesus name, be brand new in Jesus name, Lord God, whatever it is that we're up against have been up against, have dealt with, have failed in Lord God. We are in you now. And that's what matters, Lord God. So if you're here today and you, you, you need Jesus. Just call out to him. 1 (20m 18s): He's as near as your next breath, your next word, you call him the name of the Lord. Jesus Christ. You shall be saved, welcomed into his family and loved unconditionally and wonderfully. So let Jesus know that you need him and that you want him and then walk them into your life. Maybe you need to welcome him into your life. A fresh today because circumstantially you've been distant him or even Cheryl Lynn talked about, maybe disappointed, disgruntled, welcome him in welcoming, back into your life. 1 (20m 59s): He promises never to leave you nor forsake you. He loves you. Thank you, Lord. Thank you, Lord. We love you. Thank you for this time. Lord bless the word and we pray, blessed it to our spirits Lord and bless it to our minds and bless it to our lives. We pray in Jesus name. Amen. Amen. You can be seated. You can be seated. Thanks team. Appreciate that. Very much. Very powerful word. We're continuing our study on faith today. So title of the message is faith believes God is sovereign. And so in light of those things, I'm going to talk about a couple of things in light of the fact that we believe as believers, as followers of the Lord, Jesus Christ, that he is sovereign, that God is sovereign. 1 (21m 46s): That simply means he's the Supreme ruler over all things. That means nothing is outside of his control. Nothing is outside of his realm to influence to direct. And so we're asking God to do a couple things today. We're, we'll be talking to you about our new space at one oh two west branch, one minute walk from here. It's the old something different building before that it was the wardrobe building before that it was bank of America back to 1952 when it was built. And so more in the process of kind of navigating some stuff with the city right now. So this is what I want you to pray about specifically. Remember I've said, Hey, can we pray every day? Like every day for this process, because things just come up and we need to pray through the process. 1 (22m 30s): And so the hurdle that we're up against now is a hurdle that I thought we had squared away. It was the parking hurdle because the city needs to make sure there's enough parking for that new space over there. They're saying, Hey, you need to come up with 60 parking spaces. And so we thought we had remedied with parking the parking lot across the street. But now they're saying that shared parking on Sunday morning. So anyway, I have gone back and forth with the city no less than like 20 times. And I'm a bit exasperated at this point. I don't know if you've ever been there. So I wrote an email to the city. 1 (23m 10s): I prayed about it first. I said, Lord, what do I do? Right? Like, what's next? Right? So I praying, I'm saying Lord, so this is me typing an email. So I said, Patrick, he's our planner, good guy, by the way, very good guy. This parking situation is getting ridiculous period. The truth is, I said, I'm still typing my email. I said, the truth is our people who will be attending Sunday morning services will be parking where they have been parking parking for the last 16 years at our spot at one 24 west branch, which is place here and at the village center village center has given us parking on Sunday mornings for free for the last 16 years. 1 (23m 52s): So I said, the truth is that's where our people will be parking. So there's not actually a real need for additional parking. So I'm asking that you guys would reconsider and think through your position because with a simple decision from the city, we can move past this and get moving with our project. So I said, sincerely, Steve. And so a few hours go by and I don't, I don't hear from Patrick. And then so like maybe I overstepped, but I prayed. So I'm thinking I'm okay. So, and I was gracious. I wasn't angry in the email. I wasn't, I was gracious. 1 (24m 32s): I was gracious. So he responds back, Steve, I totally understand you're there. You're frustrated with this situation. He said, I'm going to call a meeting with the city managers on Monday that's tomorrow, so that we can try to navigate this with you, for you so that you can, so we can move past this. And so with that, I want us to pray together today that God would open the door for that. One of our partner ministries ministry that we partner is coastal Christian school. They're also up against a situation with their facility and they're asking that people sign a petition. So this petition is actually available out there at the welcome center. It's a petition to approve an expansion of their conditional use permit, which allows them to put an, a gym on their property and multipurpose buildings and that sort of thing. 1 (25m 22s): So we're gonna pray for them. And I'm going to ask you to go out and sign there. They're looking for a thousand signatures from churches across the central coast, which I don't think it'll be a problem at all, but if you can sign the petition and then pray for them as well, that would be great. So with that, let's go ahead and stand up is what I'm going to ask of you. I'm going to ask that you would pray for CCS and pray for the parking meeting tomorrow for harvest shirt and, and ask that you would come up here and do it. So come up to Vox one 21. This is box one, by the way, box ones. 1 (26m 3s): There it is. So if you're in the campus somewhere else, like at the loft or in the, on the patio and you'd like to come pray, I'd like people to come and pray into the microphone, into the screen so that people at the rest of the campus can see what we're doing and see online and know what we're feeling know what's going on. Otherwise 2 (26m 22s): It's just kind of a dead noise and people can't hear what's going on. So I'm going to pray. And then I'm going to invite you guys to come up and fray into the microphone on the platform and nothing to be worried about 1 (26m 34s): The world wide 2 (26m 36s): Web, we'll be recording everything that you say, 1 (26m 39s): And everybody who's watching online 2 (26m 41s): Will be ridiculing and criticized or your prayers. Now I'm just kidding. 1 (26m 45s): They will be praying with you in agreement 2 (26m 48s): With your prayer. So as I pray, I want to invite you guys to come up forward, come forward and do the same thing. We're just going to take a few minutes to pray and just trust the Lord here. So Lord, we pray right now in Jesus name for his coastal Christian school, we pray that they would get their thousands of signatures on their petition and beyond that, that they would get their approval for their conditional use permit to add to their campus so that they can have the space that they need and be able to expand as their, their capacity. The number of students that they have, I think has doubled in the last year. And so they're in desperate need of more space. And so we pray that you'd bless 1 (27m 23s): Them with more space, with resources 2 (27m 26s): To build on their current property and blessings from the city and the county, Lord God. So take care of them. We pray Lord. And we pray for this meeting tomorrow with the city managers, whoever they may be. I, I don't know who is all going to be involved in the meeting, but for this me, this parking meeting tomorrow, we pray the God that you would remedy that for us in Jesus name, we pray that you would give us favor that you would go before us God, that you would open the doors and, and just, just pave the way for us to move forward with our project. Lord God. And as we have a new architect on the, on the project, Lord, we pray that you would bless him, that his company would be able to turn the plans around quickly. 2 (28m 6s): Lord, that would be able to get, get those into the city and that the city would give us our building permits. And we built be able to move forward with the plan, with the idea, the hope to be opened by Christmas Eve, Lord. So we just pray for your wisdom. We thank you for it, Lord. Thank you. Who else be bold? Come on up here. Don't make me wait. Just get up here. There we go. Gary Tucker. So here you got to stand right here up on the platform. Father. We just thank you, Lord, that your word tells us there is nothing too hard for you and you will do exceeding, abundantly above all that we could ask or imagine Lord, you are God almighty. As we sung this morning and we pray, you'd move the hearts of everybody involved Lord in this decision. 2 (28m 52s): And we trust God, you're going to allow us to move forward. Or parking is nothing for you. You own the whole world Lord. So we just pray father that you would work it out and have them agree that we're going to be able to still park where we haven't been parking more. And we're trusting you for the rest in Jesus name. 1 (29m 13s): Thanks Gary. Who else? Who else? Who else get up here? Don't make Berio come on up. You got a word for us too, David. All right. Speaking to that. 2 (29m 26s): Awesome. Cool. So Lord, we just cleaned to your word right now. God, because we know that your promises are true. And so in John 14, 11 through 14, God, you say, believe me, when I say I am in the father and the father's in me or at themselves, truly, I tell you, whoever believes in me will do the works I've been doing. And they will do even greater works than these because I'm going to the father and I will do whatever you ask in my name so that the father may be glorified in the son. You may ask me for anything in my name and I will do it. Father. We know that you say ask and you shall receive God seeking. You will find knock and the door will be open. God. We know that if we ask for a stone, you won't give us a serpent. God. So father right now is your children. 2 (30m 6s): God, we just petition have him saying, Lord, we know that you want to partner with us. God, we know you want to partner with us in the expansion of what you're doing here. God, because you know, this is kingdom business. God. So father, we just commit this project to you. We already know it's in your hands Lord that you are the God of the impossible Jesus father. We know that we've seen time and time again, where things seemed impossible that you came through, like after the destruction of Solomon's temple, Godwin was unable to be built again, Lord, with the few workers and the few materials you were the one who rebuilt it. God. So Jesus, we trust this with you. God, we say this is nothing like the last guy. This is nothing for you, father. We don't even break a sweat because we trust our father. 2 (30m 48s): So God we thank you for the grace and the meeting tomorrow. God, we thank you that you would just move their hearts with your holy spirit Jesus in Jesus name. Amen. 1 (30m 58s): Hey man. Thanks brother. Appreciate it. Who's next? Who's next? Come on. Up here. Right, Diego. Right there. There we go, 2 (31m 13s): Father. I just want to thank you for harvest campus. I want to thank you for coastal Christian and the work that you've already done at each campus. Lord and father, father expansion is coming. It's your expansion, Lord father. I thank you again for the work that you've done and father, I thank you ahead of time that this expansion will come. I think you ahead of time that your kingdom is coming, that your kingdom is expanding father. 2 (31m 56s): Thank you. Thank you, Lord. Amen. Come on up. Stand up here. 3 (32m 12s): Thank you father. Thank you. Thank you. Thank you. My heart is bubbling and full of joy because the city knows we're going to grow and they're worried about where are they going to put us? Praise you, father praise you, father, that you are letting this town know that you are on the move or God, I just praise you. I praise you. I praise you. I can't wait to see. I can't wait to see all the hundreds and hundreds and hundreds of people. You're going to bring both here and to coastal Christian academy, praise your name, father 1 (32m 45s): More. Anybody else? Linda, come on. What'd you stand right up here. Here we go, 3 (33m 3s): Father, God, I am just so excited because maybe the world sees us as a problem. But this is an answer to prayer because we have been praying that the work of harvest would go forth through the city and it airs and it has, and we keep growing and growing because of your grace, Lord God. And so we're not looking at this as a trial, even Lord, because this is part of the joy that we are experiencing because of your growth. And we know that you have answered our prayer and desires to continue to let us grow Lord. And so we know that you're going to provide a way for us to expand. And so far this event, Lord. So we just stand in agreement together, everyone right now, who is praying, we stand in agreement against anything the enemy would try to do to prevent this from happening. 3 (33m 53s): Lord, we stand together and you have told us where two or more are gathered. There you are in our midst Lord and where we got a lot more than two or morally here, Lord. So we stand together. We praise you. We honor you. And we say, Lord, bring the blessings. We receive it in your name. 1 (34m 10s): Amen. Joy. Come on up. Thanks Sheila or Linda. Sheila's the other one. 3 (34m 20s): God, you're awesome. You're a mighty God. Your control. We praise your name and we thank you. We thank you for this opportunity. It's who cut to worship you and to grow our faith. God would you, would you deepen our faith and brute us in your love that our church would grow and be on fire for you? God that this, this is so this is so little as it, as it's been mentioned before it God, this is so nothing is just a drop in the bucket, but God, this is a way to grow our faith. And I pray that you would, you would grow us as a church. You would encourage us through this, that you would strengthen our pastors and our elders and deacons through this there, this trial, God that you you're in control God, you are unstoppable. 3 (35m 11s): This whole nuts top here where your word. So we praise your name now. 1 (35m 16s): Amen. Hallelujah. Thank you, Lord. Let's give the Lord anybody, anybody. All right. So my, my, my belief is that I'll come back next Sunday with a good report. So be seriously being praying all week long, but especially today and tomorrow, I'm not sure what time the meeting is, but be praying and the Lord do what he's going to do. Amen. And then yeah, you can be seated. There we go. You can be seated. God bless you guys. So as I mentioned in the prayer, we've got a new architect. The original architect was great. Christian loves Jesus, but so busy. So she said, Hey, I'm a couple of months out before I can even get to it. 1 (35m 57s): So then I met another architect last Saturday, just by accident, kind of happenstance, if there's any such thing. And he said, Hey, I can turn this project around quickly. And so he had a meeting with him and talked with the other architect and she said, yeah, if he can do it quicker, let him let him do it. And so he took it over and it's in the works now. So now we're hoping to get some plans here in the next couple of weeks versus a couple of months. And then those plans go to the city for plan approval and for permit issuing. And so we're hoping that doesn't take three months, like they're saying it could possibly take three months, but ultimately our plan is to be in the new kind of thought. 1 (36m 37s): It would be like Christmas Eve would be a great opportunity entity to have Christmas Eve service in there. So that's like six months away. It's already six months into this year. So time goes so incredibly fast. So in, in the beginning I was a little frustrated, but six months is quick. It's going to get there before we know it. So be praying for God's timing, but then also God's provision. So all along, we've just said, if you feel like you want to be a part of it, then here, here from the Lord and just be obedient. The price actually is, has gone up significantly. I don't know about you guys, but every time we do a remodel, the price goes from one number to another number we Jolene and I, we remodeled our house a couple of years ago, price doubled in the time of the remodel. 1 (37m 22s): When we remodeled this sanctuary 16 years ago, the price started out at like 35,000 and went up to like $85,000. So we're looking probably closer to $225,000 for that remodel. Originally it was like 125. Now it's probably closer to two 25 cost of materials. Everything is high right now. If you've done any kind of building right now, you know, everything is very, very expensive. Yeah. So, so, but we believe that God is faithful. Just like he was when we did this project, 16 years ago, we had 60 people on the jury 16 years ago and we did the project. Debt-free now we've got more than 10 times that, and we're believing for God to do the same thing. So if you'd like to join us and be a part of that, just, you know, be a part of what God is doing. 1 (38m 8s): God has been so faithful. I don't know if you guys realize God's faithfulness through your obedience. The church, when we planted the church, our budget, literally our budget every month was $1,500. Cause we rented a little school and I was working full time and we had a worship leader that we gave a stipend to, but it was really like 1500 bucks a whole month. Like it took him and we were like some months wondering if that was going happen, right? This, this year, we're watching God as he's been doing it every year for the last 16 years just increase what he provides for us this year. On average, we brought in $95,000 a month. 1 (38m 51s): So was like, you know, our old budget or original budget was 1500 for the month. Now it's bringing more than $3,000 every single day of the month. And so it's kind of interesting to see God's faithfulness. This last month was our, I think our biggest month ever, we brought in like $128,000. So, so God has response. I share that to say that God is responding to the need and there's a big need. So if you'd like to be a part of that, that then jump in, be a part of what, what God will do and watch what, how he blesses it. And anyway, with that, let's jump into Hebrews and continue to talk about faith. They amen. This'll be, we'll be wrapping up our faith study of Hebrews, be weaving it into the messages going forward. 1 (39m 31s): But Hebrews chapter 11 verses 35 through 40, as part of the examples of faith that we've been studying. We see one more story of God's faithfulness to his people of faith. So we pick it up in verse 35 and then we go into 36, 37, 38, 39 40 in those closing verses of chapter 11 are pretty difficult. In fact, I didn't want to preach this message today because like I said, Lord, I want to encourage the people with faith. And I don't want you to discourage them with the last part of Hebrews 11, but there's, there's a purpose in us communicating the whole counsel of God's word. 1 (40m 12s): And so we communicate the whole counsel of God's word because God uses the whole counsel of his word to instruct us and to grow us up in our most holy faith. And so as we get to the end of Hebrews 11, we're going to see examples of God's faithfulness to his people of faith that looks different than we might imagine. Like we so far we've been studying about God's profound impact in the world because people of faith have stepped up. We're going to actually see the people of God go under severe persecution for their faith. Many of them giving their lives for their faith. And in the midst of that, we see the faithfulness of God because we don't carry just a temporal earthly perspective. 1 (40m 56s): We carry this eternal perspective where we believe that this life in the earth is important, but also what we do for eternity matters. And so we're living not just for this life, but for the life eternal as well. And so when we have that kind of perspective, it changes things. So the long game is that we don't live for this life alone, but for the one to come also even more so, but we'll get there in a few minutes. Let's look at Hebrews 1135 as we wrap up this study of faith and God's faithfulness. So, so far we've talked about all kinds of people, right? We've talked about Abel Enoch, Noah, Abraham, Isaac, Jacob, Joseph, Moses parents. 1 (41m 37s): We've talked about Moses. We've talked about the people of Israel, Ray Hab, Daniel Shadrach, Meshach, and Abednego. We've talked about Gideon and we've talked about all of these people of faith. And now we'll spend some time on the story of this nameless widow in verse 35. Oh and Elijah. We'll talk about Elijah. In fact, we're going to talk a lot about Elijah as we get into this text. So Hebrews 1135 says, and again, this is after all of those other stories of faith, he says women received their loved ones back again from death. So let's take, take a look at one of those stories relating to this, this verse first Kings chapter 17. It says this now Elijah, who is from Tisha and Gilly ad told king Ahab. 1 (42m 23s): As surely as the Lord, the God of Israel lives, the God I serve, listen to his competence, right? This was a man of faith. He understood that he heard from God and he was committed to obeying God. So he said, listen. As surely as the Lord, the God of Israel lives, the God I serve, there will be no Dew or rain the next few years until I give the word, no, do no rain for the next few years until I give the word. So we declares this to the king and stands firm. Why? Because he's heard, I heard from the Lord, number one, God directs the elements. 1 (43m 10s): We, we have to believe that God is sovereignly in charge of everything, or he's not sovereignly in charge of anything, right? We believe that God directs the elements he told. He told the prophet, it's not going to do. There's not going to be any Dew or rain for the next few years until you the word we, we, we have to expand our capacity to believe God for things that maybe we wouldn't have believed God for in the past, God directs the element. Remember Jesus calmed the storm, right? Because he directs the album. Remember when Jesus walked on the water because he controls the elements. 1 (43m 51s): So he's in charge of everything. He controls everything. Then the Lord said to Elijah, go to the east and hide by Karath Brook near where it enters the Jordan river, drink from the Brook and eat Raven, eat what you want the Ravens bring you for. I have commanded them to bring you food. That verse tells me that God directs the wildlife. He doesn't just direct the elements, but he directs the wildlife. So he's Elijah. Here's some, the Lord and God tells me to go by this body of water, this Brook and eat what the Ravens give you, because God's gonna provide for you through the Ravens and through this water. 1 (44m 35s): And so God directs the wildlife. How do we know this is true. Look at Noah's Ark. You ever wonder how all those animals got into the arc? I mean, how much work would it have had been if Noah had to go around and gather up all of the animals, right? But this is what it says in Genesis six 20 God told Noah pairs of every kind of bird and every kind of animal and every kind of small animal that scurries along the ground, we'll come to you. We'll come to you to be kept alive. God directs the elements and he directs wildlife. He can direct every aspect and element of your life. If you just let him, if you just trust him, he can direct and provide and take care of all of your needs. 1 (45m 16s): Back to first Kings verse five, five says, so we lied. Yah did, as the Lord told him it can't beside Kira Brook, Easton. Jordan. What happened you suppose is brought him bread and meat each morning and evening. So I think about the people of Israel wandering through the wilderness for how long, 40 years and every day they wake up and there's fresh manna on the ground. Why? Because God is faithful to do what he says. He's going to do. He's he's providing for this prophet through the Raven to bring bread and meat every day. And he drank from the Brook. But after a while, the Brook dried up, why did the Brook dry up? 1 (45m 59s): Because there was no more do and no more rain because God stopped the do. And he stopped the rain and it wasn't going to come back until Eliza spoke the word. And so everything that God says in his word is unfolding before our very eyes. And this is true. Whether we see it in our own personal lives or not, we can see the faithfulness of God unfold as we trust him and believe him doing what he asks us to do. But after a while, the Brook dried up for there was no rainfall call anywhere in the land. Number three, we're seeing how God is speaking to Elijah. Number three, in your notes, God directs people he's speaks to people. 1 (46m 43s): Then the Lord said to Elijah, verse eight, then the Lord said to Elijah, what has God been saying to you lately? What has he been speaking to you lately? What has he been communicating for your soul lately? I think God wants to speak to us. I think he wants to speak to you. Then the Lord said to Elijah, go and live in the village of Zerephath near the city of side-on. I have instructed a widow there to feed you. So now no longer is the bird of the Raven going to feed him. But this widow is going to feed him and it, and it doesn't even make sense that this widow would meet him because the winter doesn't have a resource to feed him. But this is what happened. So he went to zero path and see arrived at the gates of the village. 1 (47m 25s): He saw a widow because God was speaking to him. And so it wasn't coincidence that he saw a widow, God spoken, directed that widow to do what she was doing so that when the prophet showed up, Elijah sees the widow. See, he arrived at the gates of the, of the village. He saw a widow gathering sticks, and he asked her, would you please bring me a little water in a cup? And she was going to, as she was going to get it, he called to her, bring me a bite of bread. But she said first, well, I swear by the Lord, your God that I don't have a single piece of bread in the house. 1 (48m 9s): Okay. Why would God direct Elijah to this widow who didn't have any bread? If she was the one responsible to feed him while he was there, he's unfolding his plan. He's unfolding his plan. It's like the, the, the offerings of the, of the widow. She, she gave all that. She had, she, she provided the Lord everything that she had as an act of worship. And now this widow, woman's going to have the opportunity. We need to do the same thing. I swear by the Lord, your God, that I don't have a single piece of bread in the house. And I have only a handful of flour left in the jar and a little cooking wheel in the bottom of the jug. 1 (48m 53s): I was just gathering if you six to cook the last meal and then my son and I will die. But Elijah said to her, don't be afraid. You're you're out your external circumstances, your outward circumstances. Don't have to dictate how you deal with life. We need to who in those desperate moments, reach it, cry out to the Lord and say, okay, God, I'm in this desperate place, much like Carolyn was talking about I'm in this desperate place. What are you going to do now? And then just watch what the Lord will do and obey, listen and obey. Don't be afraid. Go ahead and do just what you said, but make a little bread for me first. 1 (49m 35s): How selfish is Elijah? Right? I know you're going to die. I know you only got a little bit, but make me a little bread, right? Do you think that was a lie, led you to being selfish? This was Alijah being used by the Lord to test her faith all throughout scripture in the old and the new Testament, we're called to give God our very best. The very first fruit of our offering. We're called to do what he's asked us to do with obedience and faith. Believing that he's going to come through in a supernatural way. He said, then use, what's left to prepare a meal for yourself and your son for this is what the Lord, the God of Israel says. 1 (50m 17s): There will always be flour and olive oil left in your containers until the time when the Lord sends rain and the crops grow again, there will always be all of oil and flour for how long, as long as the Lord wills. It said it wasn't gonna rain for a few years. And so God was going to take this meager bit of loyal and flour and multiply it because this is what he always does. And we always see that he's in charge of number four. God has power over in animate objects, lifeless objects. 1 (50m 59s): God has power. Even over those things. We see it. When he feeds the multitudes, he feeds the multitudes twice. One time, he feeds 5,000 plus women and children. The next time he feeds 4,000 plus women and children. Each time they gathered up baskets of leftovers. Yeah. Beers that they actually gathered up more at the end than they had in the beginning, because God has power over in adamant. Yes, we need to believe that he will provide supernaturally. When he asks us to do something, our tendency is like, Lord, I'm I'm down to the end of it. 1 (51m 39s): Like, this is all I've got. Whether it be money or time or whatever it is, Lord, I don't have the ability to give. And it's probably in that moment that he asks you to give. In fact, I love it. I'll just say, Lord, I don't want to be tested in this, but I do love when sometimes I say stuff and I get tested on it, like immediately. And so I'm putting a disclaimer, Lord, I don't want to be tested in this area, but I love it. Like when we're at the end of our resource, either as a church search or in our family and the Lord says, give what you have leftover, give it away and watch what I will do. 1 (52m 19s): So, number of years ago, we were trying to buy this property and we tried to raise money and we couldn't raise any money. I've shared this story before, but I'll share it again because it's fun. So we had worked hard. We tried to raise money. This is like two, $2 million property or whatever. And we're trying to raise money. We need at least 15 or 20% down or whatever. So that all of our money, we raised $15,000. Boy, they all of our money. That's all we get raised, right? Hardly anything. It doesn't put a dent in things, but CCS is also raising money for their facility. So we said, let's take our $15,000 and give it to CCS. Clearly we don't have enough money to do anything, but maybe it will help them. 1 (53m 3s): So we go down the road a little bit longer and, and this place, we were raising money for this place when it did come available, but it still wasn't available to us. But the house next door became available and we needed to raise, I don't know, a hundred thousand dollars or something like that to, to buy that house next door. Cause it was like $470,000 or whatever. So we needed to raise like, I dunno like 8,000, whatever the number was. It does. It doesn't matter. God provided that money. Like immediately. It's like there was no effort needed at all. We, we had, after we gave that money to CCS, we just started raising money again. And all of a sudden we had a hundred thousand dollars. We're like 98,000 bucks or something like that. So when we needed money, my coffee, when we needed money for that place, God provided it for us because we, we took our measly $15,000 that we had, which wasn't a much DAS, but it blessed them. 1 (53m 56s): And we gave it away and God provided and, and took care of the need for that. And then when a couple of years later, when this place became available, we needed it. We had remodeled that place and the value went up like, I don't know, 150 or $200,000. And so the value of increase, they're putting these properties together. We hardly had to raise any money at all. We raised a little bit of money that we did need to raise so that we could put the down payment on this property. So God love it, leverage that property. So we get out, buy this property. Now we owe, we own like $3 million in property in the beginning. Remember our budget was $1,500 every month, right? 1 (54m 37s): And, and then I'm going to camp out on this for a bit here. We, we wanted to rent this facility. It wasn't for sale. Yet. We wanted to rent this space and it was $3,000 a month, 3000 that's twice what our budget was 3000 bucks. And we were still renting the school because we needed a place to meet while we were renovating this place. So now we're at 4,500 bucks. About the same time we started renting other space. And at the same time that board said, Hey, we need you on full time to, to run the projects we're remodeling and building and painting and doing all that kind of stuff. So I came on full-time when the church has 60 people in it and the church was able to pay me plus pay this plus pay for everything else that we were doing. 1 (55m 24s): And we've never looked back. That was 16 years ago that we made the decisions to move here. And we've been able to renovate space and build space and all kinds of stuff. So God's been faithful because this is what God had done as period is faithful period. And he will call us to do unreasonable things so that he might do supernatural things. Let's go back to first Kings. I'm totally out of time here. It says a matter. And we're going to keep going. Let's order some pizza in, and then I'll just keep preaching until like three years, verse 15. 1 (56m 5s): So she did, as Elijah said, she, this is where it starts. Like, what is the Lord saying? This widow who was on her last meal, preparing to die. She did, as Elijah said, and she and Elijah and her family continued to eat for many days. There was always enough flour and all of oil left in the containers. Just as the Lord had promised through Elijah, sometime later, the woman's son became sick. He grew worse and worse. And finally he died. Then she said to Elijah, oh man of God, what have you done to me? Have you come here to point out my sins and kill my son. But Elijah replied, give me your son. 1 (56m 45s): Then he took the child's body from her arms, carried him up the stairs to the room where he was staying and laid the body on his bed. Then Elijah cried out to the Lord, oh Lord, my God. Why have you brought tragedy to this widow who has opened her home to me causing her son to die. And he stretched himself out over the child three times and cried out to the Lord, oh Lord my God. Please let this child's life return to him. What happened? The Lord heard Elijah's prayer, right? The Lord heard Elijah's prayer and the life of the child returned. And he revived. Then Elijah brought him down from the upper room and gave him to his mother. 1 (57m 24s): Look. He said, your son is alive. Have you ever been in the room when somebody died? And when somebody has expired, it's not awesome. The person is dead lifeless. The warmth of their body is leaving them. And they're becoming this cold lifeless shell. It's not fun. This is what happened to this woman, her son, she's a widow. She's already lost her home. He's dead. And then God shows up and got it. 1 (58m 5s): The stores him saying, man, it brings the back to him. And he said, look, your son is alive. I share that because God has the power over life and death. And I want to say physically, but also spiritually. And some of us need to hear that spiritually. He's got power over life and desk because some of you are feeling dead spiritually, and God wants to resurrect your, your spiritual life. God wants to resurrect your spiritual life so that you're feeling alive again. But this is how it's going to happen. It's going to happen as you step out in faith, in obedience to do whatever it is that God has asked you to do. So what I'm, I'm not even talking about the building. I don't care about the building. 1 (58m 45s): I know that God's going to take care of the building. What I'm saying is whatever God has asked you to do. The last thing he's asked you to do to go back to that thing and then watch as you will be gently do what he's asked you to do. Watch the spiritual life in you. Refresh. I talked with a guy yesterday, Friday, talked to the guy Friday and heard from a guy Friday. He was sharing kind of a story. And he had gone through a terrible divorce. His wife left him, took his sons, moved out of state. He had no custody. He had no ability to see his kids. And, and it went on like this for, for a decade. I think it was a decade. He was driving in his truck one day and he felt like the Lord said, you need to call your wife's husband and apologize to him for the way that you have treated him during this, this time. 1 (59m 33s): And oh, by the way, you need to apologize to your wife as well. And he's like, you have got to be kidding me. And he decided to do it. So he calls the son to get a stepdad's his son stepdad's phone number. And he said, Hey, God's done a work in my life. And I just want to call and apologize to you for the way that I've acted and the way that I've lived before you. And if it's all right with you, I'd like to call your wife, my ex-wife and apologize to her as well. And he did. And the Lord completely reconciled that family. You didn't get remarried to his wife, none of that. But they, they had a relationship. 1 (1h 0m 15s): He was able to be at his son's high school graduation, sitting at the family table. There was his son was able to forgive him. His son had been angry with him for a decade, I think is what he said for a decade, for the way that his father had been acting in God, through that obedience reconciled the whole family. What is God asking you to do? That seems impossible. That doesn't seem like it's going to bear any fruit. And it seems like something that you're not even interested in doing. If God is asking you to do it, go back to that. You might be feeling spiritually separated from God. Spiel is spiritually dry because you're just flat refusing to be obedience. God cannot bless disobedience. He will not bless disobedience. 1 (1h 0m 56s): God can resurrect your spiritual life. He's got power over life and death physically, spiritually Jesus raised gyrus daughter from the dead mark five raised a widow's son from the dead in Luke chapter seven, Jesus raised Lazarus from the dead and John chapter 11, Jesus himself was raised from the dead. And we see Elijah raising this widow woman's son from the dead. Then the woman told Elijah, I know for sure that you are a man of God and that the Lord surely speaks through you. So we've heard a lot of amazing stories of God's faithfulness, but the reality is number six, in your notes God's plan. Doesn't always unfold. As we expect God's plan. 1 (1h 1m 37s): Doesn't always unfold as we expect. So let's take a look at how, how his plan, and I'll say his plan unfolded in the, in the lives of these people. So now I'm not saying that God had caused what happened with he allowed it and he's been glorified through it. Others who didn't experience the victory, like we've been talking about others, tortured refusing to turn from God in order to be set free. They place their hope and a better life. After the resurrection, somewhere jeered at and their backs were cut open with whips. Others were chained in prisons, some died by stonings and were sawed in half and others were killed with the somewhat about wearing skins of sheep and goats, destitute, and oppressed and mistreated. 1 (1h 2m 25s): They were too good for this world, wandering over deserts and mountains, hiding in caves and holes in the ground around just as a for instance, this is how the 12 apostles died. And I'm going to give you kind of the rundown here real quickly though. I hear so often I want a first century Christ experience like people like I want to do you really want a first century Christ experience because what you will get is what they got. Some of our hardest decisions as Christians is, do I go to the nine o'clock service or do I go to the 11 o'clock service? Right? Do I go to, you know, out to her Mexican food after order? 1 (1h 3m 7s): Or do I get pizza afterward? You know, what, what sporting event do I watch on the television afterward? You know, where, where do I, my wife and I go out to dinner. I mean, those are, these are the things that we wrestle with. This is not first century Christianity. This is first century Christianity. This is how the 12 apostles died. Ad. This is from the, the voice of the martyrs or excuse me, Fox's book of martyrs to book. Andrew was crucified, but he wasn't just, he was crucified in an X shaped cross and he wasn't nailed to the X shape cross. He was actually tied to the cross to, to extend the time that it would take for him to actually die because you're, you're hanging and it's causing you to suffocate and you have to push up to get a breath. 1 (1h 3m 58s): And then you're useless. He just suffocate. So while he was dying and it took days for him to die, what was he doing? He was preaching to passers by people who would go by watch and mock him. He was preaching the gospel. Andrew was crucified, Bartholomew beaten, then crucified, James son of Alphaeus was stoned to death. Others think that James son of Alphaeus was actually crucified in lower Egypt and then sod in pieces. So it wasn't good enough that they crucified him. They cut him in pieces. You really want to first century Christianity, this is what you're going to get here. 1 (1h 4m 42s): James son of Zebedee was beheaded, just like the apostle. Paul says Paul John exile for his faith died of an old age, but they did try to kill him. They put them in a VAT of oil, boiling oil, trying to kill him, but like Shadrach, Meshach, and Abednego in the fiery furnace, nothing happened to him. Shadrach, Meshach and Abednego came out of the fiery furnaces. They didn't even smell like a barbecue, but they'd been in the furnace, right? John, the apostle John Kent comes out of the boiling oil. He's got no, no injuries. He will not die while he's in the Calder. And his historian said that while he was there, he was actually preaching the gospel. 1 (1h 5m 22s): They're like, get him out of there. Exile him to the island of Patmos, where he can't have anybody preach to you. So while he's there though, God's got a purpose for them. Jesus reveals that revelation to him. He writes revelation, the book of revelation and the rest is history out of an old age. But after living his whole life for Jesus Judas, not a scary. He was stoned to death. Matthew was speared to death. Peter crucified upside down, Phillip was crucified. Simon crucified, Thomas, a spirits of death and Matthias was stoned to death. So that's kind of, that's what happens. All these people earned a good reputation. 1 (1h 6m 2s): The scripture says verse 30 and all these people are in a good reputation because of their faith. Yet none of them received all that God had promised forgot. It's something better in mind for us so that they would not reach perfection without us remember back in Hebrews chapter 11, verses 13 through 16. I think we covered this week too, in our studies in Hebrew and Hebrews, it says, all these people died. Still believing what God is. I promised them they did not receive what was promised, but they saw it all from a distance and welcomed it. They agreed that they were foreigners and nomads here on the earth. And that that's the perspective of the first century church and needs to be our perspective of the 21st century church that we are. 1 (1h 6m 44s): This is not our home. We are foreigners and nomads were passing through with the sole purpose of glorifying God in our lives waves for the life to come for all eternity. They were foreigners and nomads here on the earth. Obviously, people who say such things are looking forward to a country. They called their own. If they had long for the country, they came from, they could have gone back, but they were looking for a better place, a heavenly Homeland. That is why God is not ashamed to be called their God for. He has repaired a city for them. So number six, God's planned. Isn't always what we expect it to be. Let me get there again. God's plan is not always, does not always unfold as we expect, but number seven in your notes, as we wrap this thing up, God's plan can always be trusted. 1 (1h 7m 34s): God's plan can always be trusted. So if you're at a crossroads in your life and you're just perplexed by God and what he has done or what he has allowed, go back to your big picture, long game plan and perspective and say, okay, God, clearly things are unfolding for me the way I think that they should unfold. What is your long game? I've been praying for the Methodist camp for 16 years. You guys have been praying with me for the Methodist camp that God would give us that Methodist. It's 29 acres back there for 16 years. And God hasn't seen fit to give it to us yet. Right? Things don't always unfold. The way that we hope that they would unfold difficult, have hit our family, things that we didn't expect or wouldn't welcome in, in a million years, but things have happened. 1 (1h 8m 22s): And we got to believe that God is in control. He is unfolding things. So don't lose heart before you see the answer. Don't lose heart. Before you see the answer. Did I read Hebrews 11, 13 through 16? Did I finish that? I didn't. Okay. They were looking for a better place at heavenly Homeland. That is why God is not ashamed to be called their God for. He has prepared a city for them. God is what has got up to in your life. I know what he's up to you. I think in the church and I'm trying to figure out what he's up to in my life as well. What does he have to in your life two weeks ago? 1 (1h 9m 4s): I said by faith, we will, by faith, I will. We asked you and challenge you to fill in the blank. And then we had people come up and talk about my faith. They will. What is it that by faith, God is taking you through and you will do, will you choose to be obedient? We choose to love him. We, she used to be faithful to him. Will you choose to do what he's asked you to do? Whatever that ask may be. I promise you this. If you do that, your spirit, your spirit spiritually, you will come alive again, where you've been struggling spiritually. You will, you will begin to come alive. Like you've never been alive before. Just simply confess your sin and say, Lord, I I've not done. What you asked me to do. 1 (1h 9m 45s): I'm going back to what you asked me to do. And I'm going to do that thing. And then moving forward, I'm going to do what you asked me to do was with that. Let's go and stand up because really that's what Christianity is all about. We follow Jesus. He says something. We obey it. That's Christianity. There's if it's, if your Christianity is something other than that, it's not Christianity. It's just not Christianity. So what is it that God is asking you to do? Speak it out? Anybody? What is it that God is asking you to do? Serve him. Good. Yeah. Specifically? What does that look like? Anything specifically? 1 (1h 10m 28s): Yeah. All right. Good. How about perfect. Perfect. Who else? There you go. All right. What else? Serving children. Good. Who else? Serving marriages. How long are you going to do that? Until I die? He says, what else? Healing. The sick. Awesome. What else? Preach the gospel. So real quick. David's the one that prayed for my knee. I'm running. I've been running ever since. So it's a win brother. Good for you. Good for God. 1 (1h 11m 8s): What else? Teaching Bible says, is there anything new that you like Lord's put on your heart? Anything new? Okay. All right. All right. Giving, giving more each week to what God is doing in the church. I repeat so that people online can hear and see people at other places. What else? All right. Awesome. Awesome. Just make yourself available for media skills, mediation. 1 (1h 11m 49s): Okay. Now. Okay. Good mediation. Well, thank you very much. What's your name? Donna. Welcome. Welcome. Welcome. What else? Anybody else? It's gotta be something burning in you right now that you're afraid to say. You're afraid to say it, that's it? Yeah. Okay. Yeah. A cattle helping people helping to be a catalyst that people might share the gospel downtown. Very good. Something else is burning in your soul that, you know, if you don't say it, you're not going to be obedient to it, helping with the coffee. 1 (1h 12m 32s): So that's wonderful. We need more of that by the way more, more coffee. Elbers anybody else on the platform? Anybody come on, there's gotta be one more like big thing that the Lord has said. One more, one more. Who is it? Great. Good, wonderful, good stuff, Laura. Thank you for what you're speaking to us. We want to say by faith, we're going to do that for eating those things that lie behind straining forward. The things that lie I had, Lord God. So we just pray Jesus, that you would help us by faith to step into those supernatural plans. 1 (1h 13m 15s): Lord use us mightily. We pray, help us smiley. We pray. Thank you for your grace in Jesus name amen. Hey man, let's worship. 1 (1h 13m 22s): 0 (1h 14m 25s): . 0 (1h 17m 45s): helping you this morning to lead us this week. 0 (1h 22m 10s): Take those steps towards those things are challenging us to be brave, to be bold, to make a difference, to be salt and light in the earth, to extend your love to those around us. We thank you for this time to reset her off hurts on you to be ready to ground it in your word. Spend time in your presence and with one another to each other's burdens and reminding each other the truth. So would you seal these things upon our heart? We love you. Thank you for this time when your precious.
On this week's Stack podcast: Alien #1 Marvel Written by Phillip Kennedy Johnson Art by Salvador Larroca Harley Quinn #1 DC Comics Written by Stephanie Phillips Art by Riley Rossmo Firefly: Brand New ‘Verse #1 BOOM! Studios Written by Josh Lee Gordon Art by Fabiana Mascolo Teen Titans Academy #1 DC Comics Written by Tim Sheridan Art by Rafa Sandoval Once & Future #17 BOOM! Studios Written by Kieron Gillen Art by Dan Mora Action Comics #1029 DC Comics Written by Phillip Kennedy Johnson, Becky Cloonan and Michael W. Conrad Art by Phil Hester, Michael Avon Oeming HAHA #3 Image Comics Written by W. Maxwell Prince Art and Cover by Roger Langridge Batman/Superman #16 DC Comics Written by Gene Luen Yang Art by Ivan Reis Crimson Flower #3 Dark Horse Comics Written by Matt Kindt Art by Matt Lesniewski Detective Comics #1034 DC Comics Written by Mariko Tamaki, Joshua Williamson Art by Dan Mora, Gleb Melnikov The Scumbag #6 Image Comics Written by Rick Remender Art by Bengal Barbalien: Red Planet #5 Dark Horse Comics Script by Tate Brombal Story by Jeff Lemire and Tate Brombal Art by Gabriel Hernandez Walta Stray Dogs #2 Image Comics Written by Tony Fleecs Art by Trish Forstner Post Americana #4 Image Comics Story and Art by Steve Skroce SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript Alex: What is up, y'all? Welcome to The Stack. I'm Alex. Justin: I'm Justin. Pete: I'm Pete. Alex: On The Stack, we talk about a bunch of books that have come out this week, kicking it off with a very scary book called Alien #1 from Marvel, written by Phillip Kennedy Johnson, art by Salvador Larroca. This is a big deal because this is the first of the Fox properties that is coming to Marvel. We have Predator coming down the pike. Alien is here now, and we had Phillip Kennedy Johnson on the live show talking about this book a couple of months back now when he first got on it. So he teased that, if you want to go and listen to it, but all of the teasing aside, what'd you think of this one? Justin: I thought this was great. Really captures the vibe of the Alien movies while being a compelling new story where you really feel alongside the characters. Mistakes are made. Classic Alien thing where somebody really fucks up with these things. You don't get a lot of mistakes with the alien people. Alex: The thing that I thought was really fascinating about this as a fan of the Alien franchise, and to get into spoilers for the book a little bit … It's about a military guy. He ended up getting captured by aliens, escaped. We don't know exactly how yet, but this is years later. He's retiring, trying to reconnect with his son. Definitely a theme Phillip Kennedy Johnson is playing with with his books right now with fathers and sons and connecting through this and through Superman. Alex: So that's interesting, I think, just from a reading perspective, but here, the son is a civilian, and for fans of the Alien movies, it's such a big deal when they go to Earth in this book. When they go to Earth, you see very little of it, but you see people on Earth. You see what's going on with society. You see civilians involved, and just from that fan perspective, I kind of geeked out about that beyond the fact that it seems like they're doing really interesting, weird stuff with the mythology in this comic book. Salvador Larroca's aliens in particular are terrifying. The pacing of it is alarming and upsetting in the right way. I really dug this book a lot as well. Pete, what did you think? Pete: Yeah. I agree with you. I thought the aliens looks amazing. There's a lot of great kind of splash page shots that are really powerful. The Bishop. I'm always creeped out by Bishop, and so it was creepy to see Bishop back. Yeah, and it was a very interesting story that we got to kind of see the son's side of why he doesn't care about what his father's been doing, and then we know the father's side. So it was very interesting perspective, and I think that's a cool way to, as Justin said, to put kind of a fresh spin on something that we've seen a lot of. So yeah. I thought this, as far as the first issue is concerned, does a great job of giving you something that you know and love with a little bit of newness to it. So I think well done. Justin: What I think they capture well here is the sins of the corporation in Alien are always what keeps making people act poorly, and that's what gets everyone in trouble. In this, it's all about human mistakes, and it's just the aliens are there as the force of nature that makes them pay for their mistakes, and it's just really great. Alex: Absolutely. Really bowled over by this book. Next up, Harley Quinn #1 from DC Comics, written by Stephanie Phillips, art by Riley Rossmo. This is a great team for this book, Riley Rossmo in particular on a Harley Quinn book. So much fun. Really like the tone here. Very different from the past couple of runs of Harley Quinn. I thought this was very enjoyable. What was your guys' take? Pete: Yeah. I agree. I thought the art was amazing. Really great story as far as the first issue goes. Does such a great job of grabbing the reader and getting kind of this take on Harley, and I think it's a nice take. I'm a huge fan of the animated series, but I don't want every comic to be like that. So this is, I feel like, a different enough take where it still feels like Harley Quinn, and I love the art and the storytelling. I think this is a fantastic first issue. Justin: Yeah. I think what this book … I mean, the art is so cool. It's fun how Batman is such a presence in it, and it's a little bit more of a Batman that is likable and sort of like just “Look. I'm just trying to keep an eye on you, Harley. So don't screw around.” Pete: He's like a dad. Batman's like a dad of Gotham. Justin: Yeah. Uncle Batman, and I really like this Harley because it's not like it's a huge change where she's like “I'm good now.” It's the same character who's just like “I'm trying this out. I don't know. Let's just see,” and she's sort of having fun with it, and I feel like that preserves the original spirit of the character. We talked about this on the live show this week about how Harley Quinn spun out of Batman: The Animated Series and how wild it is that a character like that can just explode and have so many iterations in all these different mediums, and now to see her back here sort of having that spirit of the original while also being the new character is great. Alex: Totally agree. Next up, Firefly Brand New Verse #1 from BOOM! Studios, written by Josh Lee Gordon, art by Fabiana Mascolo. We've had effusive praise for Greg Pak's run on the main title. This is a different artist, a different team, and it's jumping forward, I believe, 25 years in time to showing us the descendants of the original Serenity crew, what's going on with them now. So what'd you think about this? Does this hold up to the high quality of the other Firefly books? Justin: Well, I think, what I like about it is that they're taking a lot of swings. They keep moving with the Firefly story, just like “Hey. Let's tell the most interesting story no matter what the continuity really is. Let's just keep moving,” and for them to move from the past to the present into the future, or I guess, not in that order, but it's great to see, like “Oh, yeah. I'm so curious about this. What's going to happen where? What are these characters like?” They feel spiritually like the old Serenity crew, but they're all new people. Alex: Pete? Justin: It's like meeting your friends' friends, and they're nice. Pete: Yeah. I thought- Alex: Pete, I know you're probably put off by the fact that Greg Pak wasn't on this, who you love, but go ahead. Pete: Yeah. I was kind of like “Wait a second. What's going on here?” The Pak was killing this, but yeah. I like the way it kind of starts. I think it's a great kind of story, a good take, but it's one of those things where it's like when you have a to-do list and you just sleep instead of doing what you're supposed to be doing, you're putting everybody on the ship in jeopardy. That was just kind of crazy, but yeah. I enjoyed it. I thought the art was good. I thought it was fun. Justin: So you're bothered by the chores, that no one's doing their chores. Pete: Well, I'm just bothered by how casually they woke up, and they were like “Hey. Did you fix the engine?” and they were like “Well, I thought you were going to fix the engine.” Then it's like … We're on a spaceship. You can't just be that casual. Justin: What's the chore wheel like in your household? Pete: It's a lot of chores, man. All right? It's a lot. Justin: What happens if you don't do it? How does it break out? Did you get your chores done today, for instance? Pete: Yeah. Yeah. Just barely. Just barely. Alex: Oh, boy. Justin: Stakes high. Alex: Teen Titans Academy #1 from DC Comics, written by Tim Sheridan, art by Rafa Sandoval. This is exactly what it sounds like. The Titans are opening up a school in Titans Tower. Meanwhile, the Teen Titans are off doing Teen Titan stuff, and these are the Teeny Titans who are signing up. Maybe some day they're going to be Teen Titans or Titans. I said all of those words quite a bit. What'd you think about this book? Justin: Great enunciation from Alex. Hit all of his consonants really well, and that was borderline tongue twister. Pete: Yeah. I thought this was a fun story. I ship Nightfire. So I feel I'm happy that they're still out doing- Alex: Just trying to slip that in there, Pete. Justin: Dropping that knowledge. Pete: I feel like it was a little busy, but they have so many people on Teen Titans. I kind of feel like that's going to happen, but overall, I thought it was a really solid first issue. Justin: I'll tell you what, Pete. I ship Nightfire, especially in this issue. I would normally definitely be a Batwing or Nightgirl, Nightacle. Is that the right- Pete: [crosstalk 00:08:57]. Alex: Nightacle. Justin: Nightgirl is not the right answer, I don't think. Alex: Nightacle? Justin: Oraclewing? Alex: Orwing. Orwing. Justin: Orawing. Alex: Batdick. Justin: Good. But I agree. I feel like there have been a lot of books like this. Marvel does this a lot where they're like “Let's take our magic characters and make a school about them. Let's have all these young mutants be in this school,” and often it feels like the stories feel very next door to the main storyline, and this feels like a Titans books, and it's just now there's these gradations between all the different Titans. There's the Titans, the Tiny Titans, and the Teeny Titans, and there's the tall Titans, the tiptop Titans. Alex: What did you think- Pete: Guys, stop. Alex: What did you think about them having to be called Mr. Nightwing? That was pretty weird, right? Justin: What I liked about it was it felt like kids who hadn't made a plan about “Oh, what should we call ourselves?” and then someone was like “Oh, you're Mr. Nightwing,” and they're like “Okay,” and then they have to go with it. Alex: What's your first name, Mr. Nightwing? Pete: Yeah. Justin: Uh, Dave? Alex: Oh, god. I'm Dave Nightwing. Yeah. This is okay. I'm usually a sucker for these books. I thought this was all right. I liked Rafa Sandoval's art, just good superhero art across the board. Always very appropriate for Titans. I don't really know anything about the Red X, which is the big mystery here. So felt like a bit of a deep dive for anybody who is outside that continuity, but I like some of the characters. I'm definitely going to tune back for issue two and see what happens. I don't know what I'm talking about. Justin: Another binge read. Alex: Once & Future #17 from BOOM! Studios, written by Kieron Gillen, art by Dan Mora. Pete, I was a little worried about you this issue, because not as much grandma as there usually is- Justin: Yeah. Alex: … but still- Pete: Yeah, but you still- Alex: … there's a dragon. There's a lot of action. Pete: But you also got smoking grandma. Grandma's smoking in this. So that's- Alex: Smoking hot is what you're saying, right? Pete: No. That's not what I'm saying. Alex: Okay. Pete: But yeah. I like this- Alex: I ship Petema. Justin: Petema. Pete Smokingma. Smoking Petema. Pete: A lot happens in this issue. We kind of get all the pieces on the board. It was great to kind of finally see plans collides and everybody else kind of come together, kind of revealing what's going to happen moving forward. This is just non-stop glorious. Every issue is unbelievably drawn. The stories are fun. The characters are great. The art's unbelievable. I don't know why you aren't reading this book. Justin: I am, because we all read. We read a lot of comics, and I like this book, but I will say I think I need a little gear shift. I feel like we've been in this- Pete: What? Justin: I feel like we've been in- Pete: I'm not going to stand here and let you … This is an unbelievable comic. Okay? End of story. You can't put in your bullshit. This comic is fantastic. Justin: I- Alex: Well, hold on, Pete. Just to jump in, Justin, I hear what you're saying. I actually think they got there with this issue, because I've been feeling that as well. It's a lot of the grandma wandering around and being like “You don't know what's going on with these stories. There's a lot of stories,” and the son being like “Stories? Come on,” and then everybody's kind of wandering around and yelling at each other about magic stuff and stories, but this issue, what we got … It really feels like it's heading towards the endgame here. We finally know they're looking for the Holy Grail. The bad guys wanted to essentially wipe everything clean and destroy the world. The good guys, of course, want to stop them. They get a dragon, and we get this very propulsive ending of them on a dragon chasing after … I'm honestly forgetting whether it's Gawaine or Galahad who has been turned into a centaur, and I think that's part of the issue you're getting at, where it's a lot of these names being thrown out there, but I like this ending, and I'm very excited for the next issue off of this. Justin: Yeah. I mean, I like where it's going, and honestly, the stuff with Rose felt like the most interesting. She feels like she's operating sort of on her own, but it's just like you're saying. It feels like grandma and her son, #PeteMissesGrandma, #SmokingHotGrandma … It feels like they really are just like “Oh, here we go again. This story's crazy, but we have to keep doing it,” and so I'm just ready, and the Merlin stuff was interesting. I liked that, but even he's a little like “I've already got this all figured out.” So I think I just need a little refreshment with that. Pete: Unbelievable. You're unbelievable. Alex: Well, let's move on then and talk about Action Comics #1,029 from DC Comics, written by Phillip Kennedy Johnson, Becky Cloonan, and Michael W. Conrad, art by Phil Hester and Michael Avon Oeming. In the front story, we're getting a tale of Superman and his son, as we talked about a little bit earlier. In the back story, we're finding out what's going on with Midnighter after Future State. This directly picks up on that in a very surprising way. What'd you think about this one? Pete: I thought this was a very touching story. Love the kind of like Superman taking about being a human and this whole father-son back and forth stuff. It's really speaking to me. I very much enjoyed this. The Midnighter story is freaking me out. Justin: It's different Midnighter. Pete: Yeah. Yeah. I love how stylized the art is. I think it's a cool take on Midnighter, but I'm nervous to see how this is all going to unfold, and I don't like the fact that they're not talking to each other. You know what I mean? You're supposed to be able to talk to your partner. Justin: Are you talking about him and the computer in his brain? Pete: No. Him and Apollo. Justin: Yeah. What I will say is it is a very different take on Midnighter, but it feels like Apollo is still the one who's knocking on the door at the end. Pete: Still the one. Justin: That's what I'm saying. So that must give you some reassurance, and the front story, I thought, was great, really keying in on this idea of fathers and sons, and sons losing fathers, and fathers realizing that the sons are realizing that they're eventually going to lose their father. It's just great idea and echo storytelling, and then the last couple pages, setting up the sort of creepy Warworld Rising stuff, I'm into. Alex: I'm into it too, and I like how they are tying in the DC Future State stuff. Now, the other thing … This is news that I believe leaked early this week before they were going to let it out, but it seems clear now in retrospect how they're setting this up with Superman potentially being taken off the board so that John Kent is going to move into the Superman role. We got this Midnighter backup which seems like it should be unrelated to a Superman thing, but it turns out that DC is going to be launching some sort of a Superman and The Authority series by Grant Morrison with art by Mikel Janin- Pete: What? Alex: … which this seems to be setting up directly, in my mind. We don't know much more about it other than that, but that certainly seems to be where they're going, and that is very cool. Justin: Yeah. I mean, Grant Morrison back in the game? Not sort of existing on the periphery being like “Hey. Did you think I could make this Green Lantern book weirder?” and then he does. That'll be interesting. Alex: Yeah. That's great. It's also great to see Michael Avon Oeming on a regular book as well. I really like his stuff on Midnighter, and that's a lot of fun. Let's move on, talk about Haha #3 from Image Comics. Justin: Haha. Pete: Oh, here we go. Justin: Hoo-ah. Alex: Hoo-ah #3, following the adventures of Al Pacino in Scent of a Woman land. It's been a great ride. I can't believe we've gotten here. The continuity has been very dense, but really getting that back story of how did he find the scent of a woman? How did he come up with hoo-ah? It's been a wonderful ride, and [crosstalk 00:17:04]. Justin: How did he come up with hoo-ah? Alex: It is written by W. Maxwell Prince, art and cover by Roger Langridge. I love this team. I was so excited about this. This is a anthology book where W. Maxwell Prince is taking his regular creepiness from Ice Cream Man and applying it specifically to different types of clowns. This issue, we get a mime issue, a mime who is friends with a robot. Justin: Love a mime. Pete: The worst. Alex: Roger Langridge, one of my absolute favorite creators. He did Thor: The Mighty Avenger. He did Snarked is the book that he did that was all a riff on Lewis Carroll stuff. That is awesome. He did an amazing Muppets book, if you never checked it out. It's definitely much more surreal and fantasy based than the previous two issues that were very realistic and dark takes, but man, I love this book. It was so good. Maybe my favorite of the week. What did you guys think? Justin: Favorite of the week? Pete: I hated it. Justin: You hated it? Pete: Yeah. I don't like mimes. I think they're creepy, and this proves my point. Justin: Wait. Rank sort of the clowns, the different genres of clown, in sort of least scary to scariest. Pete: Well, first off, I think … No offense to Alex's wife, but I think that [crosstalk 00:18:21]- Alex: But I hate your wife. Pete: Yeah. I think- Alex: No offense to your wife. I hate your wife. Pete: No. Your wife is an unbelievable person. I don't know how she puts up with you. Justin: Wait. You're considering wife a different genre of clown? Pete: No. I just don't want to speak poorly of clowns, and Alex's wife was an amazing clown. That's a separate category. I want to try and make that clear. Alex: Just to be clear before you get to into it, Pete, of course we're going to break this into the four types of the clown, the Whiteface, the Tramp, the Auguste, and the character. So go ahead. Pete: I don't know what- Justin: Dropping clown husband knowledge. Pete: I don't know what was just said- Justin: Auguste. Pete: … but- Alex: The Auguste. Pete: … to answer your question, Justin, clowns do freak me out. I think, sometimes you can see the sadness in their eyes, and that can be very painful, and then mimes- Justin: So give me the power rankings. So you got your mimes. You got your- Pete: Yeah. The mimes are the creepiest of them all. Justin: Really? Pete: Yeah. Justin: Why is that? Because they're not talking? Pete: Yes. I don't trust people who don't talk, and I also … Well, and you have some- Justin: Too skinny. Pete: But also, they're- Alex: Wait. Sorry. Is it that they wear stripes so they look like they just got out of prison? Pete: No. No. That makes them look French, but I think that- Alex: All French people just got out of prison. Go ahead. Justin: Yeah. Pete: Oh, that's an awful thing to say. Yeah. I don't trust mimes, and clowns can be scary is my long-winded point that you kind of dragged out. Alex: Justin, what about you? What did you think about this issue? Justin: It was great. It's very fun. it's like- Pete: Wait. It's fun? That was fun? Justin: This whole issue is very fun. I would love to see this- Pete: People died. I don't know what … What do you mean? What's fun? Justin: Hey. I got news for you. People die all the time. Pete: Oh, don't be that guy. Justin: But not robots. Think about that. I'd like to see the script of this comic to see the process, really, how they put this together, because the visuals are so good. They do so much of the storytelling, and it's just a fun, nearly silent issue where we touch on, I don't even know, just how the world sucks, finding moments whenever you can despite the weird circumstances of developing an act and becoming friends with a robot, how the dancing frog can live, can truly live if you do it right, and it's- Pete: The poor WB frog. Justin: Yeah. Alex: Great book. Definitely pick that up. Next up, another one of my favorites of the week, Batman/Superman #16 from DC Comics, written by Gene Luen Yang, art by Ivan Reis. In this book, we're getting two tales told simultaneously of Golden Age, I think, I would say, Superman and Batman through film … not strips, but old-timey film reels. On the top, you got Superman. On the bottom, you got Batman. Like they say at the beginning, you can read them separately. I kind of recommend reading them together, because, spoiler, they actually start to tie together at the end there. This is a very cool, really fun issue that I enjoyed quite a bit. Justin: Yeah. This issue, I feel like, really just stands alone. I mean, I know it is tying into a larger story, but it really is just a super innovative way of telling these two stories, and you sort of think one thing, and then there are some reveals later on that you're like “Oh, huh. Okay,” and like Alex said, things sort of come together in the end. Just a really innovative issue, I thought. Pete: I'm glad you guys liked it. Alex: Pete, you're so negative this week. Pete: Not really. Alex: Okay. Well, let's move on then to Crimson Flower #3 from Dark Horse Comics, written by Matt Kindt, art by Matt Lesniewski. Pete, lots of people die. There's a lot of blood in this one as our main character hones in on her target. What'd you think about this? Pete: I very much enjoyed this. I thought this was a really great villain reveal. We thought it was kind of like one villain, and then kind of through the villain monologue, you got to see kind of how dark and twisted this villain actually was. So yeah. I really liked it. I like these scarf powers, and I think the art's creepy and twisted in all the right ways. It's a very interesting, cool book, and again, it's like there's not a lot of … There isn't too much dialogue. So it's not a heavy read. I very much enjoyed this. Justin: Yeah. I like this a lot. The art is really cool. I wish we had talked to Matt Kindt about this book. Pete: Yeah. Alex: We messed up. Justin: Yeah. We messed up, because we had him on the live show recently, and this would have been a good one, because I think maybe we had just read the previous issue, which I think we all enjoyed. Yeah. It's hard to pin this story down. It's a really unique story. it's a revenge tale, and the art really just really showcases the storytelling that's happening here in a way that is really surprising. Alex: This is probably the wrong thing, but the art almost feels like a medieval tapestry come to life in a certain way in terms of how- Pete: Oh, interesting. Alex: … it's laid out and the way that they have these stories inside of stories inside of stories. Very fascinating book. I highly recommend picking it up. Justin: Yeah. Alex: Next up, Detective Comics #1,034 from DC Comics, written by Mariko Tamaki and Joshua Williamson, art by Dan Mora and Gleb Melnikov. This is telling a story of a kind of poor but still doing okay for himself Bruce Wayne. What'd you think about this one? Pete: I- Alex: I mean, he's doing fine. They're making a big deal about “I don't have my money. I only have 18 Batcaves and this really nice apartment in a good part of Gotham. That's it. Pete: Yeah. Justin: Yeah, and he's like “It's crazy. I have neighbors now,”- Pete: Yeah. It's- Justin: … and it's like “Yeah. I know. We all have neighbors, asshole.” Pete: Yeah. It's weird to see Batman kind of dealing with people, but I do really love the art. I really loved the moment where the bad guy sees Batman and is like “Crap.” That was just fun. Yeah. I think it's an interesting story. I really like the backup as well. I feel like it's a great package. Justin: It's a great package. Pete: You love a good package. Justin: Yeah. I like this a lot too, and oddly we've talked a lot about Batman: The Animated Series, but this feels like Batman is warming up a little bit and becoming more like that Bruce Wayne from Batman: The Animated Series, where he has to talk to people and he has to be like a normal person sometimes, and maybe that's what it's like when you lose money and come back down to Earth and get with the people. Bruce Wayne, get with the people. Meet your neighbors. Alex: Oh, I thought you were going to say something else after that. You said “Meet your neighbors.” You went up, and then- Pete: Yeah. Yeah. I thought- Justin: Meet your neighbors. Pete: [crosstalk 00:25:49]. Justin: That's what I'm saying. Do it. Go do it. Pete: [crosstalk 00:25:50]. Alex: Oh, that was it. Okay. It was a punctuation point. Justin: Meet your neighbors. Alex: Yeah. Good story. Let's move on, talk about The- Justin: Alex, go meet your neighbors. Alex: I would love to, but coronavirus. The Scumbag #6 from Image Comics, written by Rick Remender, art by Bengal, dealing with the last arc. Here, we got our main Scumbag is now a super celebrity. He has blown the lid on all the things he's done to save the Earth while having a big party in his new mansion, and then new threats come his way. What'd you think, Pete? Pete: Yeah. I feel like this is Remender having a lot of fun, a lot of cool metal references going on here, which was fun. Yeah. I mean, talking crack pipe. I mean, who doesn't love that? But yeah. It was just tough because I felt like we had gotten somewhere with Scumbag as a character. It seems he regressed a little bit. I felt like he kind of did some things where he was doing things for the better of him, himself, and the team and moving towards being a hero, but now with this, it's kind of like he went backwards a little bit. So that part's a little frustrating, but a lot of really fun art, crazy, over the top, just stupid stuff. Justin: But what I like about this is Remender knows to bring this character back to sort of what he is, and yes, there's a hero in him, but we don't want him to be the hero yet. He has to continue to be the hard partying Scumbag, and that's what he is as he's thrown into a different superhero situation, which I'm excited to see how that plays out. Alex: Next up, I know this is one of Pete's favorite Barbalien, Red Planet #5 from Dark Horse comics, script by Tate Brombal, story by Jeff Lemire and Tate Brombal. I cannot say that last name. I'm so sorry. Art by Gabriel Hernandez Walta. This is about the Martian Manhunter-esque part of the Black Hammer universe. He is gay. He is dealing with that. He is also dealing with being trapped on his own planet at some point. Pete, talk about this book. Why did this one strike you in particular? Pete: Well, it's a very powerful book. I mean, you got people fighting for their rights, what they believe in. There's a lot of great protest moments. There's very powerful page with blood spilled on it. They're saying a lot of great stuff in this book. They're talking about the collective. They're talking about us as humans trying to grow and fight for things. It's very, very powerful, very cool. Love the imagery and the art, and it's just really well done. Justin: Yeah. I mean, I agree. I feel like we've been talking up the Black Hammer sort of side universe so much lately, and it really is just like this great, creative explosion that's happening over in the Dark Horse universe, and this story … We've been talking a lot about the sort of episodic series, and this is just a great standalone story that has blown out that really takes you along for a great ride. Alex: Really good book. Definitely agree. Next up, one of the darkest books of the week, Stray Dogs #2 from Image Comics, written by Tony Fleecs, art by Trish Forstner. So we reviewed, really liked, I think, the first issue of this book, which took a bunch of dogs, brought them together, and it turns out that maybe their owner is murdering women and stealing the dogs. We get deeper into that mystery this issue. I think you kind of called this out last issue, Justin, but it very much feels like Law & Order Don Bluth or something like that, and it's kind of upsetting to read, in a certain way. Justin: It is upsetting, because these dogs are witness to this killer who is continuing to kill. I mean, we don't know that for sure yet, I guess, but the way it's like all these dogs, definitely drawn in the style of the Don Bluth Disney, very cute, lovable dogs that are just like “We're in a dog story about dogs just trying to get by and then fall in love and then eventually go home and have Lady and Tramp children,” but instead it's like this super dark … The dogs are witnessing and realizing that their current owner is a killer. It's so dark, and I was so surprised by this, and it's great. Pete: Yeah. It's very interesting, kind of this thing of what if the person who is raising you, taking care of you, feeding you, all these things, is a horrible, horrible person? It's like, what do you go on? Do you go on the fact that “Oh, but they provide for me, and they're nice, and they take me out,” and all these things, and then “Oh, but I don't see the murders”? It's very interesting perspective. It's very messed up and done in this adorable art that makes it even darker, but it's this tale that hopefully these dogs can hopefully get to the bottom of and make a difference, but man, it's a crazy start, for sure. Justin: Yeah. I mean, I say this a lot. I hope these dogs can solve that human murder. Pete: Yeah. Alex: Last but not least, Post Americano #4 from Image Comics, story and art by Steve Skroce. In this issue, our heroes, I guess, have been captured. One of them has reconnected with their mom, and entering the fray is what looks like a superhero and a werewolf. I love this book so much more than I think I would every single time out of the gate, because it's just so weird and funny and violent in exactly the right way, and I keep going into it thinking “This will be the issue. This will be the one that turns me. This is when they'll go too far,” and they never do. It just skirts that line perfectly. Justin: Well, and I think this issue does a great job of having this heartfelt reunion between our mother and daughter characters here, and it's really sweet and taken very seriously, and then the back half of the issue or back third of the issue is this wild nonsense superhero showcase. Pete: Yeah. It's completely over the top, tons of violence. Each issue is crazier than the last, and you're like “Oh, they can't top that,” but then this issue does, and it kind of makes fun of itself in the process, but man, really fun. Great read. The art's fantastic. A lot of cool characters. I mean, I love the car. I thought the car was so great. Such an awesome entrance, but it did hurt when that mint issue #1 got trashed by the guy in the tie. That hurt. Alex: Good stuff. If you'd like to support our podcast- Justin: Heartbreaking. Alex: … patreon.com/comicbookclub. Also, we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out. We would love to chat with you about comic books. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. On iTunes, leave us a comment and rate us. We would appreciate that quite a bit. @ComicBookLive on Twitter. Comicbooklive.com for this podcast and more. Until next time, we'll see you at the virtual comic book shop. Justin: Send in the mimes, those cooky, spooky mimes. The post The Stack: Alien, Harley Quinn And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.
Follow John https://www.instagram.com/thejkshow03 This is the Diversified Game Podcast with Kellen "Kash" Coleman a podcast giving entrepreneurial advice from a diverse and inclusive perspective. Submit to Be Our Guest: Send your bio, epk, one sheet, and decks to diversifiedgame@gmail.com Book some time www.cprfirm.as.me Like Kellen's eyeglasses buy them now hundreds of Zenni options https://imp.i279709.net/vejjy Buy Our Swag/Merchandise: https://teespring.com/stores/my-store-10057187 https://diversifiedgame.bigcartel.com/ Support Us On Patreon: https://www.patreon.com/gamediversified Follow the Diversified Game Experience: http://diversifiedgame.com https://teespring.com/stores/my-store-10057187 http://instagram.diversifiedgame.com http://facebook.diversifiedgame.com http://twitter.diversifiedgame.com http://youtube.diversifiedgame.com --- Send in a voice message: https://anchor.fm/diversifiedgame/message Support this podcast: https://anchor.fm/diversifiedgame/support
On this week's review Stack, we're talking: Bill & Ted Are Doomed #1, Dark Nights Death Metal: Trinity Crisis #1, Empyre Aftermath: Avengers #1, Empyre Fallout: Fantastic Four #1, Stealth #5, Something is Killing the Children #10, Superman #25, Ultraman: The Rise of Ultraman #1, Ice Cream Man Presents Quarantine Comix Special #1, Joker/Harley: Criminal Sanity #5, Web of Venom: Wraith #1, G.I. Joe #8, Reaver #11 and Blackwood: The Mourning After #4. SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Transcript: Alex: What's up y'all, welcome to The Stack. I'm Alex. Justin: I'm Justin. Alex: And on The Stack we talk about a bunch of comics that come out today. A little bit of a slower week after Labor Day. [crosstalk 00:00:23] chill. Justin: Never. Alex: Never? Justin: Never. Every week when comics come out… Come on, we just had a… We walked through the great desert of comic drought and here we are back, every week's exciting. There's a lot of fun stuff. Alex: I will tell you that in my mind, this is less comics than usual, but just because we did probably 36 comics last week and are doing a little less this week, so there you go. Justin: I think that may be what it is. We're doing just a slightly less number of them. Alex: Yes. We talked for, I don't know, like an hour last week. That was a very long episode of The Stack. But hey, let's see what we get here. Two hours for this one. Justin: Yeah. Let's extend it. Let's offer our thoughts on everything. Alex: And one little business note. Pete is off because he has poison ivy. Now let's get into it. First off, Bill and Ted are Doomed #1 from Dark Horse Comics written by Evan Dorkin and art by Roger Langridge. This is the official prequel to the film Bill and Ted Face the Music. I think it suffered a little bit by switching around of the release schedule of Bill and Ted 3, unfortunately it's coming out afterwards. I talked about this on the live show a little bit. I would just be excited about anything that Evan Dorkin and Roger Langridge are doing together because they're so good. And in my mind, this doesn't disappoint. But how'd you feel? Justin: Yeah, it was fun. I haven't seen the new Bill and Ted movie. I'm not a die hard Bill and Ted guy. I've seen the first two, but I got to say this played almost like Bill and Ted in an Archie comic, in a fun way. It felt just like a fun, almost episodic, touchstone on all the different characters that are in the universe. Yeah, I'm excited to see where it goes next. Alex: It feels like the two dudes who created this are such bit dudes, so they're a perfect field for it. And you get verbal bits, you get little graphic bits from Roger Langridge in the background of things. It definitely, if you haven't seen the third movie, it plays off a lot of the storylines there and sets up those things. So I would highly recommend watching the movie first and then go and read this, because it's not that it ruins bits necessarily for the movie, but it certainly sets up a lot of the plot points there. But this is fun in its own, right. It's Bill and Ted going on a world tour, dealing with the bummer that is their not paying off on the promise of their big concert at the end of Bogus Journey. It's fun stuff. I really enjoyed this issue a lot, particularly for it being like… You could phone in a prequel for a comic like this, but there clearly is a lot of love that went out here. Justin: Yeah, exactly. And like I said, it does that smart thing that a lot of tie-in books do, where it takes one thing about the characters and it just plays on it, as opposed to getting deep into the mythology of a certain thing or just trying to do something new. It's like, here, let's just touch all these things and then push them down the field a little bit, and it does a good job of that. Alex: Next up Dark Nights Death Metal Trinity Crisis #1 from DC Comics written by Scott Snyder and art by Francis Manapul. Now I will say this plays like just another spinoff of Dark Nights Death Metal. This is an essential chapter of the book, I feel like? Justin: 100%. Alex: Which is crazy, but you get Francis Manapul art, you get Scott Snyder doing wild writing. It's great. I mean, we had Scott on the live show two weeks ago or a week and a half ago at this point, and he talked quite a bit about the Dark Nights event. It's just fun to see all of those wild ideas at play here. I liked this issue quite a bit, like I've been liking this series, I think. Justin: I do too. And this is a good distillation of all the characters, as opposed to the main book, which is really grinding the plot forward and having to touch on so many things. This takes the pace down a little bit, I think, and really lets each character give you a little bit of status quo with them. And after hearing from Scott, it was really cool to see all the different, especially the Trinity characters, and the rest of the characters, to see them and look at them through his eyes. Alex: Yeah. I'm curious to see how it plays out in the next issue because there's a big cliffhanger at the end here that feels what he is trying to do with the main series. This is an essential issue, but also with the main series, he's just throwing you into the middle of things. Things have already happened. Between the month that the comics have been released or two weeks or three weeks or whatever, other things have gone on and same thing as here, but here we're getting a glimpse of it and everything is great. Let's move from the middle of an event to the end of an event. I want to talk about these together. We got the very alliterative Empyre Aftermath Avengers #1 from Marvel written by Al Ewing, art by Valerio Schiti, Empyre Fallout Fantastic Four #1 from Marvel written by Dan Slott and art by Sean Izaakse, or Izaakse, I guess. Alex: We were a little mixed, I think, about the Empyre event. This had the Kree-Skrull armada fighting the Cotati, some plant people, bunch of other stuff going on. But here as the title says, it's not as clean as Avengers and Fantastic Four, it's a little mixed together. But the Avengers issue is dealing a lot with Emperor Hulkling, the Fantastic Four issue is dealing a little more firmly with Fantastic Four, as well as some other things and both of them and big teases for the future of the Marvel universe. Given how mixed I was about the Empyre event, I was surprised how much I liked both of these issues. Justin: Yeah, I think these books did a good job of giving us the context that we felt we were lacking with the main event. I feel like with the main event, we were like… The storytelling felt like, “Oh, this is exciting, this is building up to something big.” And then it just was actually sort of a smaller event than we thought. It was a hang out event. Not a lot of characters died and not a lot of status quo stuff was changed. It was like, there's this issue, and now we've resolved this issue. And these give us like, “Well, here's what is different,” a little bit. Justin: And honestly, it's not a ton. But there are great scenes in here. I love this stuff in the Al Ewing written book, Empire Aftermath, where we get the Brand versus versus Captain Marvel stuff. That stuff was really cool. Just seeing the Avengers hanging out and talking. There's a great scene between Captain America and Tony Stark. “I wish we trained them. Registered them. Just kidding. Let's not go there.” That was fun. There were some good moments in here. Alex: The other thing that I really liked about that book in particular is framing Hulkling as a different type of king in the Marvel universe, because we've got Black Panther, we've got Doctor Doom, we've got all of these characters who are very regal and serious and are very “We do what we need to do.” “We do what is best for Wakanda.” “I do what is best for Latveria.” And they frame it as Hulkling is at the beginning of this journey, so he may get to that point. Certainly a lot of people warn him that you're going to get to a point where these choices are going to be impossible, and if you want to be emperor, you need to choose the people that you're representing. Alex: But right now he is an emperor that doesn't necessarily hold back when things need to be done, but he is trying to be more benevolent for that. And that to me, that is a fascinating character to follow going forward, particularly the idea that Wiccan is going to be with him, and it's the sort of thing, I don't know if there's plans for this. I honestly have just not paid much attention to what's coming forward in comics. But if there was a Emperor Hulkling comic, that would be a great character thing to follow. Just the idea of how do you rule two races that have hated each other for millennia and try to do it the right way with your husband by your side? That's great. Justin: Yeah, I agree. And being able to… They're the characters that emerged from this as the most interesting. I like the tags at the end of both of these books, but they are the ones… I would definitely like to see them on a day to day basis, what they're up to, because otherwise most of the characters in this book are characters we know and already like and they're just being themselves. Thor and She-Hulk are officially dating, which I thought was a fun revelation here. Alex: Also, I think this was in this one, I'm kind of mixing them up now, but I love the line after the unofficial Kree-Skrull wedding where the rabbi says, “This is the first outer space same-sex Jewish wedding that I've ever officiated.” But just fun. Just fun stuff. Good times. And the Fantastic Four issue I thought it was very good as well, and also in terms of delineating itself from the Avengers issue, focusing on the history of the blue area of the moon, which has been very key to Marvel universe continuity, working in the unknown that weird Nick Fury robot dude who took over for the Watcher and coming up with a new status quo for him as well. Just a good stuff. It's very clearly following off of Dan Slott's run on Fantastic Four, and it feels of a piece of that, but his run has been good. His run has been funny. He has a good handle of the characters, so this feels fun as well. Justin: Yeah. Agreed. What I also want to just real quick want to say, it was nice that each separate issue, they came out the same week, and really reflected the different writers who have shepherded this project, their tones a little bit differently, and they were able to have their own wrap up. Because Dan Slott I feel was so Fantastic Four focused and got to have the humor of a Spider-Man hanging out and Wolverine talking shop and all that. That was a very Dan Slott thing to do. Alex: Yeah. So good stuff. Even if you were on the fence about Empyre, maybe pick up these two issues so you can have a sense of the new status quo in the Marvel universe. Let's move on to another one. Stealth #5 from Image Comics, written by Mike Costa and art by Nate Bellegarde. Man, I love this book. We've been talking about every issue of this book. This is about a old dark horse, Darkhawk, excuse me, esque superhero, who is suffering from dementia. His son is investigating mysteries that are tied with it. There is an old villain of his who is tied to his origin who is coming after him. This is the issue before the end, so it definitely feels like, even though some big things happened, there's a little bit of a pause there, but particularly with the villain, with Dead Hand, it's so well written and he's so calculated and terrifying at the same time. It's very impressive to read. Justin: Yeah, I was going to say this comic… We've raved about it so much. Its main characters are so well done. And then they take the time and this issue to really establish… The most fun character in this issue is the villain and we get a little bit of origin snuck into the back half of the book, but it was just another great book. Great action. Really well drawn. Everyone's on the same plane. I don't know what's going to happen in this last issue. Alex: I'm very excited to go and get to the end of it. Let's move on to another one that's been great the entire run, Something is Killing the Children #10 from Boom! Studios, written by James Tynion IV, art by Werther Dell'Edera. This is continuing the storyline of a bunch of invisible monsters killing some children. It's fascinating to me that so little and so much happens in every issue of this book. I don't know if you get that feeling as well. Justin: 100%. I get the exact same feeling of like… I'm always like, “Ooh…” This is such a tonal book. It's something that you read where you're just like… You want the taste of it. It's not about a million things happening because the dread they create each issue and those moments of horror and every day… I'm always reminded reading this of the issue where the cop is like, “Hey, I have a bunch of beer in my bag if you want to grab one.” When they're in the impromptu morgue they made in the high school gym, a couple of issues back. And every issue just has those great little details, and then also just a bunch of horrifying action. And this issue has maybe more action than we've seen for a couple. Alex: I have a question for you. When there is a monster comes out and kills one of the children, in your head are you like, “That's the thing that's killing the children.” Justin: No, because I'm constantly, “Is that the thing killing the children?” Because I don't believe… There's something… The mystery they've created here leaves a little bit of like, “Maybe that's not what's killing the children.” Alex: Another great issue of this book, and Werther Dell'Edera's art is so gorgeous. I also love the layouts of this book. I mean, this might be part of getting it digitally, but the fact that they have these huge spreads that are multi panels long, it just feels and reads different from every other comic that I'm reading today. Real good stuff. Moving on to Superman #25 from DC Comics written by Brian Michael Bendis and art by Ivan Reis. This is introducing another new villain for Superman, or maybe ally, we'll see what happens, but it is a race of aliens that we've never met before who are aware of the destruction of Krypton, become concerned about Superman, and then proceed to follow him throughout history. Alex: So we get a parallel, for this anniversary issue, of Superman's entire history through this alien's perspective as well as through Superman's perspective and his relationship with Lana Lang, which we're reestablishing here. I like this issue. I'm cautiously optimistic after big guy with weird lip that I'm forgetting of the name, [Roeger Thargar 00:15:49] or whatever, the other villain that he introduced. There's a lot of returning to the destruction of Krypton and mining that, so I'm cautiously optimistic. Justin: Reading this issue, maybe you want to take a mental check in on Bendis's run in general. What do you think? Because this felt a hard reset and sort of like, “Ah, I don't know, let's start over,” in some ways. And I this issue. It made me really think Superman is going to get with Lana Lang, oddly. In a sort of stressful way of. Alex: That would be fucked up if that would happen. Justin: Agreed. But what do you think this means for Bendis's run in general, or what do you think of Bendis's run in general, reading this? Alex: I appreciate the fact that he's added a lot of new characters to the Superman continuity. That's certainly something that's needed, but this is the absolute worst way of saying this. A lot of reading his run feels like a chore. Like, “I got to read this because he's going to be adding this new thing that people are going to pick up on later on and it's going to affect the rest of DC continuity so I got to know what's going on.” I don't know, it doesn't feel exactly the right fit for Bendis at the same time. Justin: I agree. It feels homeworky, where a lot of it is just so much of laying the groundwork, when it's just like, “What is the story you're telling?” So much of the stuff that came before him, I love so much with Superman, the real Superman family living in Smallville and it was a real family unit, and I was like, “I see what the story is here. It's a family unit rallying around their father/husband who is Superman and what he has to do.” And everyone got to do their own thing. In this it feels like Lois and Superman are always in different places, very busy. John Kent is with the Legionnaires now. It feels like everyone's working so hard and I don't know what's happening. Alex: There seems to be a loss of the core values of Superman in a certain way. And I think it's funny, because that's something that he is trying to hit constantly and trying to work around and trying to reemphasize. And he does get around to it sometimes in his run, like the fight with the Injustice League in Metropolis, which I honestly do not remember whether that was in Superman or Action Comics, was very good and very tense and very dangerous, but then it was interrupted by Leviathan coming in to be like, “Let's stop this fighting.” It feels watching a chess game in a certain way, to get to your point about laying the groundwork. Justin: And that's everyone's favorite activity, is just tucking in and watching some fucking chess. Alex: Yeah. Bobby what's his name. Justin: Yes. Searching for Bobby chess fish. Alex: Moving on to another setup thing though, Ultraman, The Rise of Ultraman #1 for Marvel Comics, written by Kyle Higgins and Matt Groom, art by Francesco Manna, Michael Cho, Gurihiru, Ed McGuinness, and Espen Grundetjern. This is the classic Ultraman hero. We get a front story and a bunch of backup stories. I'll tell you what, I wasn't totally sold on the lead story because I felt it actually did kind of a Bendis thing of deconstructing and decompressing the origin of Ultraman, and by the end of the issue, I was like, “Great, that was the thing that I was curious to see you get to at the beginning of this issue, because I don't know any of these characters or what's going on.” But I really liked the back matter a lot. Justin: Yeah, I agree. It was weird. This story had that confidence of “You know what we're doing here. Look at these characters, they're hanging out, they're screwing around.” And then it sort of ended with “Oh, I don't actually know these characters. I don't know what's happening.” And then I'm like, “Oh, I see. Maybe there's an Ultraman happening here.” But the back matter really set it up, set up the whole thing. The Ultra Q I think was the name of the one that really set up what the deal was and how the Kaiju organization came together. And then they had the fun interspersion of the funnies version of Ultraman. Alex: Yeah, I like that stuff quite a bit. It's certainly a big package in terms of there's a lot of stuff going on in the comic, so I think it's worth picking up potentially for that. Particularly if you're a fan of Ultraman. I don't have a connection to the franchise or anything, so I was a little lost to the lead story, but I'm definitely curious to pick up the second issue and see how that continues because clearly Marvel has put a lot of faith of this. This is a big priority for them. So I'm curious to see where it goes, particularly because it gets to the point you want it to get to at the end of that first issue. Alex: Let's move on to another one, I'm very curious to talk to you about this one, Ice Cream Man Presents: Quarantine Comix Special #1 from Image Comics written by W Maxwell Prince, art by Martin Morazzo, but also by Declan Shalvey and Chris O'Halloran, Deniz Camp, and Artyom Poplin, with Aditya Bidikar, A Ewing, Al Ewing I guess, and PJ Holden, Christopher Cantwell, and Eoin Marron with Chris O'Halloran. So this is a collection of, as the title says, short comics that the Ice Cream Man team published while in quarantine. There are, I believe, four tales of their own, and then four guests tales that go along with it. What'd you think about this book in total and then any particular stories you want to call out? Justin: I mean, this felt like such a good ice cream. Obviously we love… We talk about this book nonstop. It's something that is just a scary comic book that does so much with its stories to create dread, but also there are moments of humor and really make a point. And this felt like a great book that really digested what we're going through right now and recontextualized our own everyday horror and put it in these different storylines in a way that I thought was great, really great. Alex: Yeah. I really like this a lot too. The thing that I was most curious about reading this book is how other people would handle the idea of Ice Cream Man. And of course the lead stories, they capture it perfectly, they're great. They feel exactly Ice Cream Man because it's the team that's doing it. But the one for me that worked perfectly that I could not believe it was the main team not doing it, that was the one by Deniz Camp and Artyom Poplin with Aditya Bidikar. That was the one, if you haven't read it this is obviously spoilers, but it's basically a girl who is looking out through window at the outside world as it's falling apart, whether it's through coronavirus or something worse, like zombie plague, it's not entirely clear. And in the background it certainly seems like her family is falling apart and breaking apart. Alex: And at the same time, she's drawing little pictures on the windows to add things into the landscape and what's going on. And of course, things become more horrible, the drawings take on a life of their own. To me, that was like… This is an Ice Cream Man story. This is exactly what it feels like, particularly in the early days of quarantine, to look outside of the window and see those empty streets. Perfect. Justin: Yeah, that's what I'm talking about. Being able to really artistically bring that into the comic book form, I thought this whole book just gives that off in a way that I haven't seen anyone do that. How'd you feel about the Animal Crossing? Alex: It was all right. I thought that was okay. I haven't really played Animal Crossing necessarily, but it was like… It's a funny story, but it was too jokey for Ice Cream Man for me, if that tracks? Justin: Yeah, totally. Alex: But yeah, this is a great package. And to your point about the quarantine stuff, I've kind of rankled against anything that talks about quarantine, TV shows that are like, “It's set during quarantine. We filmed it during quarantine. Everybody filmed it on their Zoom cameras,” makes me annoyed and I could care less because I'm living that right now. But this is something that worked for me. Justin: And I think the real smart thing they did is really interpret it as opposed to presented it, and that's what I love about it. I got to give a shout out to the first story, because it's got my man Shakespeare in it. Alex: There you go. Love Shake CW. Justin: Shakes CW. That's how I think. Scholars refer to him in that way. Alex: Back in time. Yeah, great stuff though. Definitely pick that up. Next up Joker/Harley: Criminal Sanity #5, excuse me, from DC Comics, written by Kami Garcia, art by Mico Suayan and Jason Badower. We've also talked about almost every issue of this one. This is a more realistic take on Joker and Harley. Joker is a serial killer, Harley is the psychiatrist working with the Gotham PD trying to track him down. This issue, Joker is in her house and she confronts him. This is very well written, but to me, the art is definitely the standout, and it's just gorgeous to look at across the board. Justin: Agreed. The use of color in this is so smart. The different passages we get in black and white with Joker affectation, and then the other sections that come through. But vivid detail in the black and white. And then later we get the sort of the more comic booky feeling normal coloring passages. It's great. And the way they are positioning Joker and Harley here is something that I haven't really seen in a while, and it was great to see joker with a straightforward origin. There's not a ton of like, “He's a ghost from the future,” or whatever. It was nice to see that. Alex: Good book. Definitely pick it up. For adults only. Next up, Web of Venom: Wraith #1 from Marvel written by Donny Cates, art by Guiu Villanova. This is another issue teeing up the big King In Black event that's coming very, very soon. Here we get Wraith, who is in Donny Cates's Guardians of the Galaxy run, dealing with his own symbiote, [Arjun 00:27:03]. Big stuff happens here. This is as tense and big and crazy as usual as we have come to expect from Donnie Cates's Venom run. Good stuff. Justin: This book doesn't… I'm not super familiar with Wraith, but it didn't have any business being this good and interesting and exciting. It's great. It had the vibe of a great Western story, but bringing in all the symbiote continuity, I guess is the way… It's amazing, just in general, that Venom has become this universe spanning continuity. Alex: I don't want to make this one person versus another, but I was struck reading this book, which is something that Donny Cates has already done, where Brian Michael Bendis was like, “Where did the symbiotes come from? The planet Klyntar. That's where they're from.” And the fact that Donny was like, “Yeah, yeah, but also they're the prison for this god Knull. It's not actually their planet or where they come from. It's this other thing,” is in my mind… It's funny that it's a responsible retcon of a retcon, if you know what I mean. Justin: It's funny to be calling out Bendis so hard in this episode of The Stack, [crosstalk 00:28:23], who we like. Alex: Don't come for us, man. Justin: Don't come for us, man. I also want to call out in this book, the art feels like… The pacing of it, the ramping up and coming down. This feels something that could have been a standalone, Western short story, just with this great Marvel universe stuff laid over top of it. Alex: Yeah, it's very good. All of these Web of Venom event things have been very good. Let's move on to another surprisingly good comic, GI Joe #8 from IDW written by Paul Allor and art by Emma Vieceli. I got to say, I went from not caring about GI Joe at all to this being top of my stack every month. This book is great. Justin: We keep talking about it. Pete's not even here and here we are talking about GI Joe comics, because the depth of the world building they're doing here is just so good. Alex: I think my main impression of GI Joe is the 80s cartoon where you have Cobra Commander and it's all very silly and everybody's like, “My name is Ice Cube and shoot ices.” That's pretty much all it is. Justin: Most of the communication is just the them shouting their names, and their names are also what they do. It's a very Pokemon thing for them to do. Alex: And the fact that not only is this team taking the idea of GI Joe seriously, but actually plumbing into their character deaths and making these often excruciating to read character studies about the choices that people need to make in the middle of war, is bonkers. This issue, we get a character who is… Well, the whole setup is Cobra has taken over the world, GI Joe is the underground fighting back, and here we get one of the characters, I'm honestly forgetting which stupid name she has, but she is the Canadian ambassador. She's behind enemy lines. She's starting to fall in love with one of the people from Cobra- Justin: Are you talking about Bombstrike? Alex: Yes. There we go. And the choices that she needs to make across the board where it's like… It's hard to watch. It's hard to read on both sides, when she makes the right choices, when she makes the wrong choices, but that comes down to the writing. The art is good. I really am shocked how great this book is. Justin: Yeah, and continues to impress. It's not just a flash in the pan one story was good. Continues to be great across the board. Alex: Mainly it feels like, and I don't say this to deride the writer or anything, but this feels like if Tom King decided to write GI Joe, what would happen. Justin: That's good. That's a compliment. Alex: Next up, Reaver #11 from Image Comics written by Justin Jordan and art by Niko Henrichon. This follows our fantasy world extreme characters attacking some dudes on a boat. I got to tell you, we've talked about a bunch of issues in this book. It feels like Justin Jordan has finally figured out which characters work, which characters pop, and is just focusing on them, and that in my mind is such a smart decision. Justin: It's really funny in the page, the author page or the artist page, after the cover, we see all the characters who are initially wandering through the wilderness, and I was like, “Oh yeah, remember all those people?” And now it's just gotten down to these few characters that are just kicking ass. Alex: And it's great. I mean, it works. I'm glad they pivoted the book to that. If you have an enormous dude who is impossible to kill and is a crazy murderous barbarian, and a tiny girl with a ghost face and sharp teeth who likes to bite people, focus on them. That's all good. Get rid of the other characters and it's all fine. Justin: Bring out the bitey girl. Alex: But it's good. In terms of being extreme fantasy, I think this is a fun issue. Justin: Agreed. Alex: Last one to talk about, another Evan Dorkin book from Dark Horse Comics Blackwood: The Mourning After #4, art by Veronica and Andy Fish. I'll admit, I haven't really read Blackwood or The Mourning After, but I like this issue quite a bit. This is bunch of people from seemingly a magical school or a magical library who are fighting against somebody. There's some evil masks. The character designs are great. The magic is great. Even knowing nothing about this, I think part of it is that Evan Dorkin is good at plot, Veronica and Andy Fish are great at art, so the issue works even if you don't know anything about it. Justin: The way that the masked person kills people in this is unbelievable. It's horrifying. Every time I was just like, “Huh.” You see their corpse, it's great. Alex: It's kind of amazing reading these two Evan Dorkin Dark Horse books back to back, which I did, Bill and Ted are Doomed and The Morning After #4, because you have one that's like, “Fun times, Bill and Ted, woo.” And the other one's, people's flesh being ripped off their bones. Good stuff. Just very talented guy. Justin: Yeah, I agree. And to be able to work in those two different tones is very cool. Alex: There you go. All right, that is it for The Stack. If you'd like to support our podcast, patreon.com/comicbookclub. Also we do a live show every Tuesday at 7:00 PM to Crowdcast and YouTube. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. @comicbooklive to follow us socially. Comicbookclublive.com for this podcast and many more. We'll see you at the virtual comic book shop. Justin: Live large. Get out of that poison Ivy patch, baby. The post The Stack: Bill & Ted Are Doomed, Dark Nights Death Metal And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.
The Blandelles co-founders, John Kent and Gary Felmet join the Siren Boys for an interview. A Leonard Picnic staple and an area attraction, The Blandelles have been Rockin since 1985. We chat about how they became a band and how that looks now after 35 years of playing. Big thanks to John and Gary for taking the time to chat with us. Go see them in Bonham at the Powder Creek Pavilion, July 25 at 8PM. Enjoy!
This week we are joined by longtime friend John Kent. John got his start in the Industry while still in high school washing dishes at the age of 17. At the end of his university career John started working as a waiter and bartender at East Side Marios. After several years, John moved on to working in fine dining and became a wine rep for an independent wine distributor. Over time, an opportunity arose for John to manage local karaoke land mark Chainsaw. From there he moved on to working at Public and eventually opened a business with his wife - J&P Grocery - a small urban style grocery store and catering business. After several years, and realizing that a life work balance was difficult, they made the decision to close the store. Currently, John is happier than ever now that his life and health are back on track and he is working as a sales consultant for two independent wine distributors. jkent@vintagetrade.com john@npwines.com @johnny_goodtimes_
Support the showThanks for listening! Follow us on Facebook or Instagram more info colonialkc.org
Parents and families across the nation are finding themselves managing the Covid-19 pandemic along with serving as home learning guides. Finding the line between parent and teacher can be a complex mathematical formula. Americana artist John Kent joins our casual conversation around what it means to take on this equation and come up with a winning solution.
Guest Steve Fredlund of Rec Poker joins us for a loquacious lockdown lecture as we all come to terms with the current covid conditions and a lack of live poker. Our topical poser comes from listener John Kent who asks for advice on handling micro cash games with many multiway pots. The strat-chat (46:15) hand features just such a hand when a set is much weaker than it might at first appear.
COVID-19 is severely impacting many industries, and innovative strategies can be used to accommodate these changes. We talk to Dr. John Kent about the effects of COVID-19 on supply chains and the global economy, how companies are being agile during the pandemic, and what the future of supply chain management looks like.
John Kent is the British tailor and co-founder of “Kent and Haste” on London’s notorious Savile Row. Kent has made clothes for many of the royal family including The Queen, Prince Charles and, Prince Philip and this has earned him a Royal Warrant for his services to the crown He is responsible for dressing the 50 Billion Dollar Man, Dan Pena who it is rumoured to have spent over 1 million pounds on suits with John. And John Kent is credited to have dressed some of the biggest names in the business including Sean Connery, John Hurt, Bert Lancaster, and Bing Crosby to name but a few.
John Kent is the British tailor and co-founder of “Kent and Haste” on London’s notorious Savile Row. Kent has made clothes for many of the royal family including The Queen, Prince Charles and, Prince Philip and this has earned him a Royal Warrant for his services to the crown He is responsible for dressing the 50 Billion Dollar Man, Dan Pena who it is rumoured to have spent over 1 million pounds on suits with John. And John Kent is credited to have dressed some of the biggest names in the business including Sean Connery, John Hurt, Bert Lancaster, and Bing Crosby to name but a few. JOHN KENT: Tailor: https://www.kenthaste.co.uk/
John Kent is the Director of Supply Chain China Initiatives at the University of Arkansas. John has experience in both supply chain management and higher education. He has held various roles within the Walton College over the past 5 years. John has also taken significant strides in facilitating a relationship with Soochow University in China. Learn more about the dual degree program in supply chain management here: https://walton.uark.edu/suda/
You have spoken and we have listened. We know that many men don't want to get on Facebook, Instagram, or Twitter. So, with the help of John Kent we are creating a new website and forum for men. The new forum is called Tribes and it is accessible through our website. You don't have to worry about ads, or other targeted marketing coming at you. This is the second of three episodes where we will explain this new forum for you. www.meninthearena.org Men in the Arena Books and Swag Support the Podcast The online Men in the Arena forum Contact us.
You have spoken and we have listened. We know that many men don't want to get on Facebook, Instagram, or Twitter. So, with the help of John Kent we are creating a new website and forum for men. The new forum is called Tribes and it is accessible through our website. You don't have to worry about ads, or other targeted marketing coming at you. This is the first of three episodes where we will explain this new forum for you. www.meninthearena.org Men in the Arena Books and Swag Support the Podcast The online Men in the Arena forum Contact us.
ComicWeb.com sells comics, old time radio programs and more
Interview with fly tying expert and Roche Lake Resort Manager John Kent
ComicWeb.com sells comics, old time radio programs and more
This episode was recorded on June 2, 2016
This episode was recorded on June 2, 2016
This is the second part of our 4K podcast with Philippa Law, technology engagement officer for BBC Research and Development (R&D). In our last podcast, 4K and UHD: Why does it matter?, we broke down what 4K and UHD mean for your production. This week we talk more about the practical aspect of filming in UHD - the kit you'll need, data storage and the production workflow. Philippa speaks to Mark Harrison, director of the BBC Technology Futures Group, John Heraty, a broadcast trainer within the BBC Academy, and John Kent, head of digital at Lambert Productions. Some productions have already started to film in 4K for television, including natural history series like Shark and Life Story, drama such as BBC One's The Coroner, rugby and football matches through BT Sport, and golf through Sky. Although, at present 4K isn't broadcast in the UK. John Kent talks about the process of filming the 10-part series Secrets of the Brain for a new channel showing content in 4K in the Netherlands. John talks not only about the costs of the cameras, which can seem relatively cheap in production terms, but the cost of additional equipment, such as lenses and data storage, which can skyrocket and really put a hole in your production budget. Also, the current process of transferring data is very costly in terms of money, space and time. The panel talk about the kind of programmes that have been shot in UHD, including series with high legacy values such as natural history and science series. UHD delivers such high resolution that an editor can zoom in without compromising quality if the final film is created for HD viewing. Our experts discuss 4K's popularity, where it's going in the future and how programme makers will have to change their attitudes to projects and technical advances. Plus, should we really be looking ahead to 8K?
It seems that the 4K and ultra-high definition revolution is just around the corner. But what will this mean for broadcasting? And is adopting 4K for your production really necessary? In the first of two podcasts, the technology engagement officer for BBC Research and Development Philippa Law speaks to Mark Harrison, director of the BBC Technology Futures Group, John Heraty, a broadcast technology trainer with the BBC Academy and John Kent, head of digital at Lambert productions. Ultra HD and its close sibling 4K has eight times the resolution of SD (standard definition) and four times HD. With 3840 x 2160 pixels, UHD's level of quality makes it very difficult for the human eye to actually make out pixels on close inspection. This development gives broadcast images a definition that comes extremely close to reality. UHD will bring a broader range of colours. Some colours, particularly sienna and red, have tones within their spectrum that simply do not show up on current HD screens. Some productions have already started to film in 4K for television, including natural history series like Shark and Life Story, drama such as BBC One's The Coroner, rugby and football matches through BT Sport and golf through Sky. Although at present 4K isn't broadcast in the UK. The panel answer questions on how these developments feed through to consumers, from UHD televisions to 4K on smartphones, and John Heraty talks about the differences between UHD and 4K. John Kent gives an overview of how filming in 4K affects the television production process, going into more detail in the second of our podcasts.
Alexander Hamilton and Aaron Burr met at a clearing in Weehawken, NJ, in the early morning on July 11, 1804, to mount the most famous duel in American history. But why? This is the story of two New York lawyers -- and two Founding Fathers -- that so detested each other that their vitriolic words (well, mostly Hamilton's) led to these two grown men shooting each other out of honor and dignity, while robbing America of their brilliance, leadership and talent. You may know the story of this duel from history class, but this podcast focuses on its proximity to New York City, to their homes Richmond Hill and Hamilton Grange and to the places they conducted their legal practices and political machinations. Which side are you on? ALSO: Find out the fates of sites that are associated with the duel, including the place Hamilton died and the rather disrespectful journey of the dueling grounds in Weehawken. CORRECTION: Alexander Hamilton had his fateful dinner as the house of Judge James Kent, not John Kent, as I state here. Support the show.
© 2020-2025 Ivy Podcast Discovery LLC
