Podcasts about p funk

Un diggeur passionné des Caraïbes talonné par un poète anglo-trinidadien qui slame la mémoire des afro-descendants. Emile Omar est notre 1er invité pour présenter le 3e volume de la série Disques Debs International Mizik Maladi (Strut Record 2025). Une compilation concoctée par Emile Omar et Hugo Mendez.Strut présente avec enthousiasme le troisième volume tant attendu de la série Disques Debs International, explorant plus en profondeur les archives de l'un des plus grands labels franco-caribéens, Disques Debs, basé en Guadeloupe. Fondé par le visionnaire Henri Debs à la fin des années 1950, le label et son studio ont fonctionné pendant plus de 50 ans, produisant plus de 300 singles 7” et 200 albums, faisant de Disques Debs un pilier de l'histoire musicale caribéenne.Au début des années 1980, Henri Debs s'était déjà imposé comme un producteur prolifique, avec un catalogue de sorties inégalé en Guadeloupe et en Martinique. Parti d'un simple magnétophone deux pistes installé à l'arrière d'une boutique de vêtements, Disques Debs s'est transformé en une véritable institution, avec un studio ultramoderne en plein cœur de Pointe-à-Pitre, des magasins de disques et d'instruments de musique en Guadeloupe, en Martinique et à Paris, une discothèque au Gosier, ainsi que des accords de distribution internationale en Europe, aux États-Unis et en Amérique du Sud.Disques Debs a joué un rôle essentiel dans l'évolution de la musique caribéenne moderne, créant un pont entre les genres traditionnels comme la biguine et le gwoka et les styles contemporains comme le cadence, le compas et le zouk. Ce dernier est devenu un phénomène mondial dans les années 1980 grâce à des groupes emblématiques comme Kassav' et Zouk Machine. Durant cette période, le label a soutenu une nouvelle génération d'artistes tout en continuant à collaborer avec des figures légendaires des décennies précédentes.Le volume 3 de cette série, compilé par Emile Omar et Hugo Mendez, met en lumière l'une des périodes les plus dynamiques et influentes du label, alors qu'il étendait son rayonnement international dans les années 1980. À travers deux vinyles, cette sortie propose une sélection soigneusement choisie de morceaux issus de l'univers Disques Debs, mettant en avant à la fois de jeunes talents et des artistes confirmés qui ont marqué cette époque.Cette collection célèbre non seulement l'héritage inégalé d'Henri Debs, mais offre également un instantané de l'âge d'or de la musique caribéenne, confirmant Disques Debs comme une véritable institution culturelle.► Titres joués- Christian Yéyé – Misyé Zanndo- Horizon – Neg Mawon- Alex Rosa – L'Appel des champions- Max et Henri – Sé Pou Demen► Album Mizik Maladi, l'âge d'or des Disques Debs International (Strut Record 2025)Bandcamp Volume 1 Bandcamp Volume 2 Cadence Revolution Bandcamp Volume 3 Mizik MaladiÀ écouter aussiSpéciale Disques Debs international avec Émile Omar Notre 2nd invité est Anthony Joseph pour la sortie de l'album Rowing up River to Get Our Names Back.L'origine africaine des OVNI, George Clinton en personne, n'aurait pas désavoué ce concept afro-futuriste dont Anthony Joseph avait fait le sujet de The African Origins Of Ufo's, sa nouvelle écrite il y a bientôt vingt ans. Durant ce laps de temps, les albums du chanteur-poète de Trinidad se sont succédé, mais l'idée ne s'est pas évaporée. Après un travail de réflexion et de recherches artistiques avec le musicien-producteur Dave Okumu, il est même devenu l'axe de rotation de son nouvel album. Base des premiers titres élaborés en duo, la nouvelle est ensuite devenue la rampe de lancement de Rowing Up River To Get Our Names Back Vol 1 & 2. D'une aventure si dense qu'il a fallu la scinder en deux parties. Après avoir solidement assuré la connexion musicale de toute la diaspora caribéenne sur ses précédents albums, Anthony Joseph s'engage dans une fresque musicale aussi ambitieuse que fascinante : l'exploration de toutes ces strates qui constituent la longue et tumultueuse histoire de la musique noire. Ces couches créatives qui se sont superposées et additionnées, la nouvelle se nourrissant de la précédente pour, sans le savoir, préparer l'arrivée de la suivante. Cet immense puzzle où, reliées par une forte conscience politique, les différentes pièces ont noirci les portées de leurs notes les plus intenses. Sculpté dans la cire des œuvres si impérissables qu'elles ont rendu stériles toutes les tentatives d'altération des décennies qui se sont accumulées. Forme, fond, portée révolutionnaire, tout est resté intact. Y compris l'esprit de tous ces musiciens qui ne se sont exprimés que par la voix de leur instrument, la puissance de leur groove, la radicalité de leur démarche artistique.Funk, P-Funk, soul, dub, free-jazz, jazz, afrobeat, blues, confrontant leurs deux visions musicales pour n'en former plus qu'une, c'est en binôme éclairé par les phares de leur créativité qu'Anthony Joseph et Dave Okumu ont façonné un afro-futurisme à l'esthétique mouvante et sans limites d'expansion. Stabilisée par cette volonté de raviver toutes les racines, l'exploration se conjugue à celle qui mène aux patronymes perdus. Ceux qui, entre le voyage depuis l'Afrique vers l'Amérique, se sont évaporés dans les flots de l'Atlantique et le claquement des fouets. Ceux dont ont été dépossédés les déracinés de force qui ont dû endosser celui du maître. Les peaux des batteries, le bois des baguettes et celui des percussions, le nylon de cordes, les métaux des saxophones et les trompettes, tout ce qui constitue l'arche organique dans laquelle ont embarqué les héros de la musique noire, révèle au moment du décollage un tableau de bord à l'électronique sophistiquée. Renforcer, voire supplanter certaines fonctions peut s'avérer utile tant la destination est lointaine. Elle est à des années-lumière d'ici. La rejoindre impose de connecter le présent avec le passé pour pouvoir l'emmener dans le futur. Dans l'afro futur. Là où, après avoir remonté la rivière, tous auront récupéré leurs noms et se seront réappropriés un pan de leur histoire.► Titres joués extraits de l'album- Satellite- Tony- Black History- Churches of Sound► Album Rowing up River to Get Our Names Back (Heavenly Sweetness 2025)Site – Bandcamp – YouTube 

Un diggeur passionné des Caraïbes talonné par un poète anglo-trinidadien qui slame la mémoire des afro-descendants. Emile Omar est notre 1er invité pour présenter le 3e volume de la série Disques Debs International Mizik Maladi (Strut Record 2025). Une compilation concoctée par Emile Omar et Hugo Mendez.Strut présente avec enthousiasme le troisième volume tant attendu de la série Disques Debs International, explorant plus en profondeur les archives de l'un des plus grands labels franco-caribéens, Disques Debs, basé en Guadeloupe. Fondé par le visionnaire Henri Debs à la fin des années 1950, le label et son studio ont fonctionné pendant plus de 50 ans, produisant plus de 300 singles 7” et 200 albums, faisant de Disques Debs un pilier de l'histoire musicale caribéenne.Au début des années 1980, Henri Debs s'était déjà imposé comme un producteur prolifique, avec un catalogue de sorties inégalé en Guadeloupe et en Martinique. Parti d'un simple magnétophone deux pistes installé à l'arrière d'une boutique de vêtements, Disques Debs s'est transformé en une véritable institution, avec un studio ultramoderne en plein cœur de Pointe-à-Pitre, des magasins de disques et d'instruments de musique en Guadeloupe, en Martinique et à Paris, une discothèque au Gosier, ainsi que des accords de distribution internationale en Europe, aux États-Unis et en Amérique du Sud.Disques Debs a joué un rôle essentiel dans l'évolution de la musique caribéenne moderne, créant un pont entre les genres traditionnels comme la biguine et le gwoka et les styles contemporains comme le cadence, le compas et le zouk. Ce dernier est devenu un phénomène mondial dans les années 1980 grâce à des groupes emblématiques comme Kassav' et Zouk Machine. Durant cette période, le label a soutenu une nouvelle génération d'artistes tout en continuant à collaborer avec des figures légendaires des décennies précédentes.Le volume 3 de cette série, compilé par Emile Omar et Hugo Mendez, met en lumière l'une des périodes les plus dynamiques et influentes du label, alors qu'il étendait son rayonnement international dans les années 1980. À travers deux vinyles, cette sortie propose une sélection soigneusement choisie de morceaux issus de l'univers Disques Debs, mettant en avant à la fois de jeunes talents et des artistes confirmés qui ont marqué cette époque.Cette collection célèbre non seulement l'héritage inégalé d'Henri Debs, mais offre également un instantané de l'âge d'or de la musique caribéenne, confirmant Disques Debs comme une véritable institution culturelle.► Titres joués- Christian Yéyé – Misyé Zanndo- Horizon – Neg Mawon- Alex Rosa – L'Appel des champions- Max et Henri – Sé Pou Demen► Album Mizik Maladi, l'âge d'or des Disques Debs International (Strut Record 2025)Bandcamp Volume 1 Bandcamp Volume 2 Cadence Revolution Bandcamp Volume 3 Mizik MaladiÀ écouter aussiSpéciale Disques Debs international avec Émile Omar Notre 2nd invité est Anthony Joseph pour la sortie de l'album Rowing up River to Get Our Names Back.L'origine africaine des OVNI, George Clinton en personne, n'aurait pas désavoué ce concept afro-futuriste dont Anthony Joseph avait fait le sujet de The African Origins Of Ufo's, sa nouvelle écrite il y a bientôt vingt ans. Durant ce laps de temps, les albums du chanteur-poète de Trinidad se sont succédé, mais l'idée ne s'est pas évaporée. Après un travail de réflexion et de recherches artistiques avec le musicien-producteur Dave Okumu, il est même devenu l'axe de rotation de son nouvel album. Base des premiers titres élaborés en duo, la nouvelle est ensuite devenue la rampe de lancement de Rowing Up River To Get Our Names Back Vol 1 & 2. D'une aventure si dense qu'il a fallu la scinder en deux parties. Après avoir solidement assuré la connexion musicale de toute la diaspora caribéenne sur ses précédents albums, Anthony Joseph s'engage dans une fresque musicale aussi ambitieuse que fascinante : l'exploration de toutes ces strates qui constituent la longue et tumultueuse histoire de la musique noire. Ces couches créatives qui se sont superposées et additionnées, la nouvelle se nourrissant de la précédente pour, sans le savoir, préparer l'arrivée de la suivante. Cet immense puzzle où, reliées par une forte conscience politique, les différentes pièces ont noirci les portées de leurs notes les plus intenses. Sculpté dans la cire des œuvres si impérissables qu'elles ont rendu stériles toutes les tentatives d'altération des décennies qui se sont accumulées. Forme, fond, portée révolutionnaire, tout est resté intact. Y compris l'esprit de tous ces musiciens qui ne se sont exprimés que par la voix de leur instrument, la puissance de leur groove, la radicalité de leur démarche artistique.Funk, P-Funk, soul, dub, free-jazz, jazz, afrobeat, blues, confrontant leurs deux visions musicales pour n'en former plus qu'une, c'est en binôme éclairé par les phares de leur créativité qu'Anthony Joseph et Dave Okumu ont façonné un afro-futurisme à l'esthétique mouvante et sans limites d'expansion. Stabilisée par cette volonté de raviver toutes les racines, l'exploration se conjugue à celle qui mène aux patronymes perdus. Ceux qui, entre le voyage depuis l'Afrique vers l'Amérique, se sont évaporés dans les flots de l'Atlantique et le claquement des fouets. Ceux dont ont été dépossédés les déracinés de force qui ont dû endosser celui du maître. Les peaux des batteries, le bois des baguettes et celui des percussions, le nylon de cordes, les métaux des saxophones et les trompettes, tout ce qui constitue l'arche organique dans laquelle ont embarqué les héros de la musique noire, révèle au moment du décollage un tableau de bord à l'électronique sophistiquée. Renforcer, voire supplanter certaines fonctions peut s'avérer utile tant la destination est lointaine. Elle est à des années-lumière d'ici. La rejoindre impose de connecter le présent avec le passé pour pouvoir l'emmener dans le futur. Dans l'afro futur. Là où, après avoir remonté la rivière, tous auront récupéré leurs noms et se seront réappropriés un pan de leur histoire.► Titres joués extraits de l'album- Satellite- Tony- Black History- Churches of Sound► Album Rowing up River to Get Our Names Back (Heavenly Sweetness 2025)Site – Bandcamp – YouTube 

EPYSODE 33: "I Am What I Am". Guest: Ruth Copeland In this exciting epysode of the Vinyl Relics podcast, we dive into the groundbreaking 1972 album "I Am What I Am"by Ruth Copeland. Known for her unique blend of soul, funk, and rock, Copeland's album features iconic members of P-Funk, including musicians who helped shape the sound of the era. This epysode includes exclusive commentary from Ruth Copeland herself, where she discusses her collaborations with George Clinton and how they influenced her work. Don't miss Ruth's insights into her journey, the making of this album, and the incredible musicianship that brought it to life. Tune in for a rare behind-the-scenes look at one of funk's unsung innovators. I hope you dig "I Am What I Am" as much as I do. -Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinyl.relics.podcast/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X here --> @VinylRelicsPod Email me here --> farmerjohnmusic@gmail.com ===LINKS=== I referenced an article about Ruth Copeland written by Charles Donovan. Here is a link to that article: https://www.charlesdonovan.com/2019/12/04/ruth-copeland-interview/ My band is Newport Electric. Check out our music here: https://open.spotify.com/artist/5y6kGmYnS4SWvqAfijhDdp?si=5gUMW013TPGCBI2yiaJA7w ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/0Q6RcxC38oF8LcWxQiOoog?si=1b104af7a9c840be RON DAVIES “It Ain't Easy” *FREDDIE “FINGERS” LEE “I'm Gonna Buy Me A Dog” *KELLY MICHAELS “I Need Him” RARE EARTH “Born To Wander” RARE EARTH “I Just Want To Celebrate” EDWIN STARR “War” MARTHA & THE VANDELLAS “Heat Wave” MARVIN GAYE “Can I Get A Witness?” THE SUPREMES “Where Did Our Love Go?” THE FOUR TOPS “Baby I Need Your Loving” THE SUPREMES “Stop! In The Name Of Love” MARTHA & THE VANDELLAS “Nowhere To Run” THE ISLEY BROTHERS “This Old Heart Of Mine” THE SUPREMES “You Keep Me Hangin' On” THE FOUR TOPS “Bernadette” PARLIAMENT “Up For The Down Stroke” PARLIAMENT “Little Ole Country Boy” PARLIAMENT “The Silent Boatman” RUTH COPELAND “I Got A Thing For You Daddy” RUTH COPELAND “Your Love Been So Good To Me” RUTH COPELAND “Un Bel Di” RUTH COPELAND “The Medal”  RUTH COPELAND “Cryin' Has Made Me Stronger” RUTH COPELAND “Hare Krishna” RUTH COPELAND “Suburban Family Lament” THE ROLLING STONES “Play With Fire” RUTH COPELAND “Play With Fire” RUTH COPELAND “Don't You Wish You Had (What You Had When You Had It)” RUTH COPELAND “Gimme Shelter” RUTH COPELAND (with guest appearance by Darryl Hall) “Heaven”  RUTH COPELAND “Take Me To Baltimore” ??MYSTERY ARTIST?? ...tune into the next Epysode to find out... NEWPORT ELECTRIC "Nobody Sings The Blues Anymore" (this is my band...shameless self promotion!!) Learn more about your ad choices. Visit megaphone.fm/adchoices

Le podcast Jams Of The Year consacre à l'année 1967Janvier : Lowell Fulson – TrampLe vétéran du west coast blues revient avec ce classique aux accents proto-funk, qui inspirera Otis & Carla et bien d'autres.Février : The Four Tops – BernadetteUn sommet de soul dramatique signé Holland-Dozier-Holland, porté par la voix déchirante de Levi Stubbs.Mars : James & Bobby Purify – Shake A Tail FeatherReprise survitaminée de doo-wop funk, emblématique de la soul sudiste et de l'énergie des années 60.Avril : The Parliaments – (I Wanna) TestifyPremier vrai succès pour George Clinton, annonçant la révolution funk à venir avec Parliament-Funkadelic.Mai : Linda Jones – HypnotizedBallade bouleversante magnifiée par une des plus belles voix féminines de la soul, disparue trop tôt.Juin : James Brown & The Famous Flames – Cold SweatActe fondateur du funk moderne, entre pulsation rythmique brute et minimalisme harmonique.Juillet : Wilson Pickett – Funky BroadwayReprise musclée du groove de Dyke & The Blazers, enregistrée à Muscle Shoals, qui devient le hit de référence.Août : Jackie Wilson – (Your Love Keeps Lifting Me) Higher and HigherDernier grand succès de Mr. Excitement, porté par l'énergie de la soul de Chicago et la production de Carl Davis.Septembre : Otis Redding & Carla Thomas – Knock On WoodDuo iconique sur une reprise d'Eddie Floyd, extrait du dernier album studio d'Otis avant sa disparition.Octobre : Joe Tex – Skinny Legs And AllSoul rurale et prêche humoristique sur fond de groove sudiste : du Joe Tex pur jus.Novembre : Sly & The Family Stone – Dance To The MusicExplosion de couleurs sonores, manifeste de la psychedelic soul et tremplin vers la liberté artistique.Décembre : The Impressions – We're A WinnerCurtis Mayfield donne le ton de la soul militante avec cet hymne à la fierté noire et à l'émancipation.1967 est une année charnière, où le groove devient plus libre, les paroles plus politisées, et les expérimentations sonores plus audacieuses. Les tensions raciales, la guerre du Vietnam, le mouvement pour les droits civiques influencent les textes, pendant que le rythme s'affirme comme langage universel de résistance.À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux qui illustrent l'évolution des genres. Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

Jeffery reflects on his nostalgia for P-Funk while discussing the evolution of the genre as seen in Third Generation P-Funk (3GP). He expresses his longing for past band members and acknowledges the changes in music styles. He emphasizes that while fans of older funk may resist newer influences, the new generation is essential for the … Continue reading

The speaker, jeffery, shares his experiences attending George Clinton's concert at the YouTube Theater in Los Angeles. He describes the venue's beauty and modern technology, highlighting the high parking fee and the sleek architecture. Despite arriving early and enjoying the premium sound and front-row seat, jeffery notes the overwhelming darkness in the venue, which affected … Continue reading

In this talk, Jeffery discusses his personal journey over 30 years in the music scene, particularly with the P Funk experience. He contemplates why experiences continue to feel exhilarating and meaningful, highlighting how each concert builds upon past experiences. Jeffery expresses appreciation for the symbiotic relationships formed within music communities, recognizing the importance of shared … Continue reading

In his discourse, Jeffery discusses the overwhelming nature of experiences and how even positive aspects can become excessive. He reflects on the energy spent during travel and events and emphasizes his enjoyment of being a fan of P Funk. Staying connected with musicians and the significance of nostalgia in music comes through as he recounts … Continue reading

Jeffery discusses his current state of health and weight management, revealing his recent experiences while wearing a sauna suit during workouts. Feeling slightly unwell, he reflects on his body's signals while trying to prepare for an upcoming P Funk show. He recognizes the importance of proper nutrition and self-care, indicating that despite feeling weak, he … Continue reading

Vocal Clarity and Performance Insights: Jeffery, a dedicated P-Funk fan, provides a detailed account of a recent P-Funk live show. He highlights the exceptional vocal clarity during the performance, allowing him to appreciate the intricacies of the raps and lyrics, a rarity in his experience with the band’s concerts. Technical Aspects of the Show: He … Continue reading

Hommage à des légendes disparues en 2025Ce premier trimestre de 2025 a été tragiquement marqué par la perte de nombreuses figures influentes de la scène musicale funk, soul, et R&B. Raphael Melki et Belkacem Meziane ont soigneusement choisi 12 titres emblématiques, représentant chacun des artistes récemment disparus, afin de leur rendre hommage. Voici la sélection de morceaux diffusés dans cet épisode "hors série" :Sam Moore – Stop (1971)12 octobre 1935, 10 janvier 2025Gene Barge – Grits Ain't Groceries (de Little Milton, 1969)9 août 1926, 2 février 2025Irv Gotti – Always On Time (de Ja Rule & Ashanti, 2001)26 juin 1970, 5 février 2025 Jerry Butler – Only The Strong Survive (1969)18 décembre 1939, 20 février 2025Gwen McCrae – Let's Straighten It Out (1978)21 décembre 1943, 21 février 2025Chris Jasper – Caravan Of Love (par Isley/Jasper/Isley, 1985)30 décembre 1951, 23 février 2025Roberta Flack – Compared To What (1969)10 février 1937, 24 février 2025Angie Stone – Green Grass Vapors (2004)18 décembre 1961, 1 mars 2025Roy Ayers – Mystic Voyage (1975)10 septembre 1940, 4 mars 2025Randy Brown – We Ought To Be Doin' It (1980)xx/xx/1952, 5 mars 2025D'Wayne Wiggins – Music Is Power (2000)14 février 1961, 7 mars 2025Stedman Pearson – The Slightest Touch (de Five Star, 1987)29 juin 1964, 10 mars 2025À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres. Au-delà de la musique, le podcast propose un regard analytique sur l'industrie musicale et ses artistes.Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

The speaker talks about his love for P-Funk music, which he first heard 45 years ago and has been dedicated to ever since. He discusses how the music physically, spiritually, and mentally moves him and how it has been a constant presence throughout various stages of his life, including during his career in electronics and … Continue reading

In this talk, jeffery shares his experience attending a George Clinton and Parliament Funkadelic concert at a casino east of Los Angeles. Despite being initially seated far to the side due to ticket availability, he managed to secure a front-row, center seat where he enjoyed the show up close. He expressed admiration for George Clinton's … Continue reading

P-Funk Concert Attendance: Jeffery plans to attend several P-Funk concerts, reflecting on the finite nature of these experiences and his desire to make the most of them. Daily Habits and Personal Reflections: He talks about his routines, like keeping the lights on in his home and adjusting to the ‘California cold.’ He also touches upon … Continue reading

Jeffery discusses his experiences attending recent P-Funk shows, expressing a mix of nostalgia and appreciation for the performances. He highlights the adjustments he's made to cope with cold weather, leading him to seek refuge in a mall. Jeffery reflects on the possibility of these shows being the last, shares insights about a new performer in … Continue reading

Digital Underground's debut album, Sex Packets, is a landmark in hip-hop, blending humor, funk, and creativity into a genre-defying masterpiece. Released in 1990, the album is heavily influenced by the P-Funk sound of Parliament-Funkadelic, led by the charismatic Shock G (and his alter ego, Humpty Hump). The group's playful, irreverent style is on full display, along with innovative sampling and production that set it apart from the gangsta rap dominating the era.The album's concept revolves around fictional "sex packets"—a satirical sci-fi invention offering a hallucinogenic sexual experience. This loose narrative underpins the project, showcasing Digital Underground's knack for storytelling and world-building.Standout tracks include the massive hit “The Humpty Dance,” an infectious party anthem known for its funky bassline and hilarious lyrics, and “Doowutchyalike,” a carefree track encouraging listeners to embrace self-expression. Beyond the humor, tracks like “Packet Man” and “Freaks of the Industry” showcase clever wordplay, while the production layers samples from funk legends like George Clinton and Bootsy Collins to create a rich sonic tapestry.Sex Packets is both a celebration of funk's legacy and a bold leap forward for hip-hop, cementing Digital Underground as pioneers of their time.Listen to the album on Apple MusicListen to the album on SpotifyWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press Discord ServerFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

In this episode of Musicians Reveal, host Joe Kelley interviews Eric "Shrizz" Rohner, a prominent figure in the funk music scene. Eric shares his journey from Africa to Europe, his deep love for funk music, and his collaborations with legendary artists like George Clinton and Greg Boyer. He discusses his experiences at the Montreux Jazz Festival, the challenges of traveling during the pandemic, and the importance of community in the music industry. The conversation highlights Eric's dedication to his craft and his efforts to promote Shrizz N Maze's latest album, 'Dope Frequency.' In this engaging conversation, Eric delves into the creative process behind their music videos, discussing the artistic themes and visual influences that shape their work. He reflects on his collaborations, live performances, and future plans, emphasizing the importance of taking chances in the music industry. The discussion also touches on personal growth as performers and the excitement surrounding upcoming projects.#ericrohner #shrizznmaze #pfunk #funk #musiciansreveal Shrizz and Maze: https://www.shrizznmaze.comMusicians Reveal official website: https://www.musiciansreveal.comMusicians Reveal Mixcloud station: https://www.mixcloud.com/joekelleyradio/TakeawaysEric Shrizz Rohner is a passionate funk musician from Africa and Europe.His journey in music began with a love for funk and P-Funk.The 2022 trip to the US was pivotal for his career.Collaborating with legends like George Clinton was a dream come true.The Montreux Jazz Festival had a significant impact on his musical journey.Eric emphasizes the importance of community in the music industry.He faced challenges traveling during the pandemic but persevered.Shrizz N Maze's album 'Dope Frequency' features collaborations with notable artists.Eric's background includes living in Rwanda and Switzerland.He aims to promote funk music and connect with its roots. The creative process involves risk and experimentation.Artistic themes can be deeply influenced by visual media.Collaboration is key in the music industry.Live performances are opportunities for personal growth.Future plans include more collaborations and performances.Taking chances can lead to unexpected opportunities.Influences from past performances shape current work.The importance of connecting with audiences through music.Conceptualizing music videos requires a clear vision.The journey of a musician is filled with twists and turns.

Quel est le point commun entre les Beach Boys, Sia, Richard Anthony, Bobby Womach, David Haselhoff et Roch Voisine ?Ils ont tous repris California Dreamin' des Mamas and The Papas, ainsi qu'un autre type moins connu du grand public que ces gens là, et dont je vous parle dans cet épisode. Un guitar-hero dans la lignée d'Hendrix, avec la même flamboyance et au destin très différent. Au travers de sa musique, c'est l'occasion aussi de s'arrêter sur Funkadelic, fantasque et fantastique groupe, véritable passerelle entre rock et funk. La suite dans l'épisode ou dans les lien ci-dessous.

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 12: Funk and soul singer-songwriter Linda Shider, wife of late, great Parliament-Funkadelic singer-guitarist Garry Shider and mother of P-Funk musician Garrett Shider. She provided vocals to several P-Funk albums and performed with the group, and has participated in many other projects. Here she reflects on her husband's talents and temperament, their lives together, and various aspects of and key contributors to the P-Funk empire. RECORDED OCTOBER 2024 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

In this engaging "Musicians Reveal" conversation, Darryl Dixon and David Watson of Chops Horns share their extensive experiences in the music industry, discussing their roles as unsung heroes behind many famous artists. They delve into their individual projects, the dynamics of smooth jazz, and the importance of collaboration with artists like Alicia Keys, The Police, P-Funk, Mick Jagger and The Rolling Stones and more. The duo reflects on their musical journeys, the influence of funk and gospel music, and their experiences performing with DJs versus live bands. They also share memorable collaborations, including their work with Bob Dylan, and the evolution of their craft over the years. Chops Horns delve into their experiences in the music industry, sharing stories of collaboration, rejection, and the importance of supporting indie artists. They discuss the significance of building relationships with influential figures in music, the challenges faced by musicians, and the joy of discovering new talent. The conversation highlights memorable experiences with iconic artists and aspirations for future collaborations, emphasizing the need for resilience and passion in the music business.#chopshorns #funk #soul #musiciansreveal TakeawaysChops Horns are considered the unsung heroes of the music industry.David is working on a solo smooth jazz project titled 'Tip My Hat'.Sampling of their music by other artists has increased their visibility.Collaboration with Alicia Keys has shaped their horn arrangements.Ray Chew encourages creative input from musicians during sessions.Gospel music played a significant role in their early careers.They prefer different performance settings: Darryl with live bands and Dave with DJs.Age brings experience, but they still enjoy performing and creating music.Practicing and learning from others was crucial in their development as musicians.Recording with Bob Dylan was a milestone in their careers. You will face more rejections than acceptances in music.Building relationships with influential artists can significantly impact your career.Support for indie artists is crucial for the music community.Musicians should always be ready to record their ideas.Collaboration can lead to unexpected and rewarding experiences.It's important to treat every project with the same level of dedication, regardless of the artist's fame.Discovering new talent often comes from personal connections and recommendations.The music industry thrives on collaboration and mutual support.Resilience is key to surviving in the competitive music landscape.Every performance should reflect your best work, no matter the audience.

In this engaging conversation, keyboardist Danny Bedrosian shares his journey from a young fan of Parliament Funkadelic to becoming the longest-tenured keyboardist in the band. He discusses his musical upbringing, the formation of his own band Sweet Motha Child, and the pivotal moments that led him to join P-Funk. Bedrosian also reflects on the impact of COVID-19 on his health and career, and the process of writing his book that documents the legacy of P-Funk, including interviews with key figures in the band. In this conversation, Danny Bedrosian shares his journey of writing and publishing his book on P-Funk, detailing the challenges he faced and the support he received from industry connections. He reflects on the success of his first book, which became a bestseller shortly after its release, and discusses his upcoming projects, including a new book focused on the pivotal year of 1975 for P-Funk. The conversation also delves into the intricacies of live performance, the role of George Clinton in shaping the band's sound, and the importance of maintaining health in the demanding music industry.#dannybedrosian #georgeclinton #funk #pfunk #musiciansreveal TakeawaysDanny Bedrosian's journey to P-Funk began at age 11.He was influenced by hip hop sampling of P-Funk music.Bedrosian's family background in music shaped his career.He formed the band Sweet Motha Child at a young age.Joining Parliament Funkadelic was a dream come true for him.COVID-19 prompted Bedrosian to focus on health and writing.His book documents the extensive history of P-Funk.Interviews with original band members were crucial for the book.George Clinton's memory of sessions is remarkable.Bedrosian's dedication to music has led to a 22-year tenure with P-Funk. The journey to publication can be challenging but rewarding.Networking and connections are crucial in the publishing industry.Success can come quickly after years of hard work.Upcoming projects can build on past successes.Live performance requires adaptability and skill.George Clinton's influence is pivotal in P-Funk's sound.Health and wellness are important for longevity in music careers.The legacy of musicians is shaped by their contributions and collaborations.Understanding the history of music can enhance appreciation for the art.Mentorship plays a significant role in the music industry.George Clinton and P-Funk: https://www.georgeclinton.comDanny Bedrosians P-Funk Book: https://www.amazon.com/Authorized-P-Funk-Song-Reference-Parliament-Funkadelic/dp/1538183420Musicians Reveal official website: https://www.musiciansreveal.comMusicians Reveal Mixcloud station: https://www.mixcloud.com/joekelleyradio/

Summary: In this lively discussion, jeffery from Jeffrey TV shares his thoughts about attending a P Funk concert and his experiences over the past few days. While he initially feels apathetic about the concert, he recalls past excitement and anticipates that social interaction will boost his energy. He reflects on spending time with his granddaughter, … Continue reading

In a recent livestream, jeffery shared his thoughts on taking a day off before attending a P-Funk concert in Pittsburgh. He discussed the initial apprehension he felt about the event but ultimately enjoyed it, sitting front row center. He noted the show's solid technical quality and the energy, although he felt it could have been … Continue reading

Jams Of The Year débute sa 4e saison avec l'année 1994JANVIER - R. Kelly ouvre l'année avec "Bump n' Grind", extrait de son 1er album solo "12 Play". Ce titre devient son premier N°1 aux États-Unis, marquant le début de son ascension. L'album, six fois disque de platine, établit R. Kelly comme producteur de premier plan dans le R&B.FÉVRIER - Carleen Anderson, fille de la chanteuse de James Brown Vicki Anderson, livre "Nervous Breakdown". Ce titre en deux parties mêle folk intimiste et explosions funk, narrant l'histoire poignante d'une mère célibataire au bout du rouleau.MARS - Coolio émerge de Compton avec "Fantastic Voyage". Construit sur un sample de Lakeside, ce titre évoque la dure réalité du ghetto tout en proposant une échappatoire positive, préfigurant le succès mondial "Gangsta's Paradise".AVRIL - SWV propulse "Anything" dans les charts avec un remix featuring Wu-Tang Clan pour la B.O. d'"Above The Rim". Le groupe, initialement sous-estimé, prouve son talent grâce au producteur Brian Alexander Morgan.MAI - Da Brat devient la première rappeuse à obtenir un disque de platine avec "Funkdafied". Produit par Jermaine Dupri, le titre sample "Between The Sheets" des Isley Brothers et rend hommage au funk de Parliament.JUIN - Outkast pose les fondations du son d'Atlanta avec "Southernplayalisticadillacmuzik". Produit par Organized Noise, le titre s'inspire du P-Funk tout en développant une identité sudiste unique.JUILLET - Usher, alors âgé de 16 ans, fait ses débuts avec "Can U Get Wit It". Produit par DeVante Swing de Jodeci et un jeune Timbaland, le titre annonce déjà les prémices d'une future superstar.AOÛT - Zhané marque l'été avec "Hey Mr. DJ", un titre soul aux influences jazzy qui devient un classique des dancefloors. Le duo féminin de Philadelphie, signé sur le label Motown, apporte une fraîcheur et une élégance qui contrastent avec le new jack swing dominant de l'époque.SEPTEMBRE - Jamiroquai livre "Space Cowboy", titre phare de son 2e album. Jay Kay aborde ses démons personnels sur fond d'acid jazz, confirmant le statut international du groupe.OCTOBRE - Paris délivre "Guerilla Funk", fusion militante entre G-Funk et conscience politique. Le titre sample Funkadelic et Parliament, tout en portant un message proche des Black Panthers.NOVEMBRE - Soul For Real, groupe d'adolescents produit par Heavy D, conquiert la première place du R&B avec "Candy Rain", dans la lignée de New Edition.DÉCEMBRE - Brandy clôture l'année avec "Baby", l'un des quatre hits de son 1er album. Produite par Keith Crouch, elle s'impose comme l'une des nouvelles voix majeures du R&B aux côtés de Monica et Aaliyah.Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

In this engaging conversation, trombonist Greg Boyer shares his extensive experiences in the music industry, from touring with legendary acts like Prince and P-Funk to his journey from college to professional musician. He discusses the intricacies of arranging music, the importance of stage presence, and the dynamics of performing with a large ensemble. Boyer reflects on memorable concert experiences, the evolution of music technology, and his influences in the industry, while also hinting at future projects and the significance of audience engagement in live performances.Takeaways: Greg Boyer reflects on his early career choices, emphasizing the importance of finding one's path in music. He shares memorable experiences with Prince, including the challenges of arranging complex horn sections. Boyer discusses the camaraderie and musical chemistry developed over decades within the funk scene. The impact of audience engagement on performance is highlighted as a vital aspect of concerts. Greg emphasizes the significance of being present during live performances and not just recording them. He recounts the fun and challenges of working with various legendary musicians throughout his career. Links referenced in this episode:georgeclinton.comfacebook.comCompanies mentioned in this episode: Mixcloud Parliament Funkadelic Prince NPG Maceo Parker Parliament-Funkadelic Benny Cowan's George Clinton

Well alright, welcome to Groove U. This week's lesson is brought to you by the EarWax crew!Parliament's "Mothership Connection" is far out, in your face, uncut, from outer space, in the groove, and it'll make you move. With a cast of characters and lore galore, this record has cool to spare. George Clinton and Bootsy Collins are the most well-known of the P-Funk collective, and while their hands are absolutely all over this record, it is quite obviously a group effort.So let the funk wash over you, and climb aboard the Mothership!Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

MUSKIES GIVETH!!! Important note for one of the Musky Industries very best human beings. Hans Mann (Hans the Carver) is facing an urgent medical challenge. Whether you can donate financially or share this campaign with your network, your support means the world to him and his family.  Please check out the GO FUND ME and consider donating: Fundraiser for Hans Mann by Liesl Mann : Support Hans Mann's Surgery and Recovery   This week's episode focuses on return guest Ethan Greathouse and Big Foot Baits. Ethan returns to give us a life update, tell the story of multiple first muskies, highlight personal accomplishments that really warm the heart and get into what he has new for the 2025 show season. This one was off the rails early and often. When bigfoot calls, you hand him a P Funk and roll out. Muskies Giveth!!!  Bigfoot Baits | Facebook Instagram  

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 10: France-based funk saxophonist, singer and composer Eric “Shrizz” Rohner, who has made a name for himself as a member of the HornDogz horn section and has been featured on several releases, including the Malka Family and 2021's fantastic album by Dafonk, titled So Horny. His most recent project is half of the duo, Shrizz N Maze. Their debut album, Dope Frequency, is described as Martian funk topped with rock and jazz elements. Guests on it include George Clinton, Greg Boyer and the late Amp Fiddler. Here he speaks to his long love affair with funk and horns, and how several members of P-Funk have shaped his musical journey.  RECORDED OCTOBER 2024 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! Everything Is on the One: The First Guide of Funk: Goldfine, Scott: 9781541256606: Amazon.com: Books

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 8: The son of pivotal P-Funk matchmaker, singer and Parlet member Mallia Franklin – also known as the Queen of Funk – and New Birth drummer Nate Neblett. Growing up in and around the Parliament-Funkadelic camp, guest Seth Neblett is a photographer and manager who has worked with artists that include Miki Howard, Maxi B of the Mary Jane Girls, Sheila E, Apollonia and Chaka Khan. For the past several years he has been working on the definitive book covering P-Funk's unsung female singers, called Mothership Connected: The Story of the Women of Parliament-Funkadelic. It is scheduled to drop in August 2025. RECORDED OCTOBER 2024 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

For our final episode of 2024 we bring you P-Funk North. A ska/punk/reggae band out of North Plainfield. These guys are quite the performers and characters. This episode was a lot of fun, hope you enjoy! you can find them at www.pfunknorth.com Don't forget our Christmas show is December 13th at Manafirkin Brewery As always a HUGE shout out to our favorite partners in crime, Manafirkin Brewery in Manahawkin NJ. www.manafirkin.com We would also like to mention we have a new sponsor Swing Graphics! Pete is an awesome guy and will help you out with all your graphic needs. www.swing.graphics 

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 6: Multi-instrumentalist, bandleader and producer Bobby Easton. Steeped in funk (especially P-Funk) and global music, among other styles, artists he has worked with include Sergio Mendes, Janelle Monae, Van Halen, Beck, George Clinton and many members of Parliament-Funkadelic, Ozomatli, the Big Ol' Nasty Getdown, members of the Red Hot Chili Peppers, Trulio Disgracias, Dennis Coffey, Kid Creole and the Coconuts, Fred Wesley, Onyi, Moforro, capoeira music albums, and many more.  In 2009, he founded the Long Beach Funk Fest, and for 25 years has served as a music educator.  RECORDED SEPTEMBER 2024 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Yo-ville! And welcome to episode #90 of The Allergies Podcast. On the show this month we have our P-Funk and go-go-tastic new single to play you. A super upfront and uptempo rap banger from DJ Deviant and Swamburger. A dope tune from a young up and coming artist HybridMP. And a Tune of The Month from Cheeba's Reggae Sound Boys. Plus, our very special guest Dr. Syntax stops by to chat it up and drop off a guest mix of tunes to make you swoon. So, come on in. It's all that and a bag of chips. Well, it is The Allergies Podcast madam. Let's go!

At the start of this blistering set, recorded live in Cologne Germany in 1992, saxophonist Maceo Parker declares it will be "2 percent jazz and 98 percent funky stuff." He does not disappoint. This week's guest, Chicago saxophonist Chris Greene (Chris Greene Quartet), joins us to discuss how Parker's 'Life On Planet Groove' got him high and helped inform his own musical journey. Turn it up! Songs discussed in this episode: Shake Everything You've Got (Live) - Maceo Parker; The Emperor Strikes Back, Broken Glass - Chris Greene Quartet; Out Of Sight - James Brown; Do That Stuff - Parliament; If Eye Was The Man In Ur Life - Prince; In Time, Children's World, Southwick, Shake Everything You've Got (Live), Pass The Peas (Live) - Maceo Parker; The Overweight Lovers In The House - Heavy D & the Boyz; Fight The Power - Public Enemy; I Got You (I Feel Good) (Live), Got To Get U (Live) - Maceo Parker; Addictive Love - BeBe and CeCe Winans; Addictive Love (Live), Children's World (Live) - Maceo Parker; Georgia On My Mind - Ray Charles; Georgia On My Mind (Live), Soul Power '92 (Live) - Maceo Parker; The Emperor Strikes Back, Outro - Chris Greene Quartet

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 5: Longtime friend and fellow funkateer, Tim Kinley, to this edition of Where'd You Get Your Funk From? He is one of the foremost advocates and archivists dedicated to supporting and honoring everything and everyone associated with the ParliaFunkadelicment Thang and P-Funk mastermind George Clinton. That includes primary cohorts like Bootsy Collins, Bernie Worrell, Garry Shider, Eddie Hazel and many dozens more, as well as groups like Parliament, Funkadelic, Bootsy's Rubber Band, Parlet, Brides of Funkenstein, and Fred Wesley and the Horny Horns.  RECORDED SEPTEMBER 2024 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 2: Multi-instrumentalist, producer and record label owner Evan Taylor. He served as bandleader of the Bernie Worrell Orchestra and produced the P-Funk keyboard wizard's posthumous 2024 album, Bernie Worrell: Wave From the WOOniverse. The collection features collaborations with Bootsy Collins, Fred Wesley, Norwood Fisher, Buckethead, Leo Nocentelli, Stanton Moore, Will Calhoun, Fred Schneider, Sean Lennon and Jerry Harrison, among others.  Taylor also runs Loantaka Records out of Glendale, N.Y., as well as the Loantaka Sound studio in downtown L.A. RECORDED SEPTEMBER 2024 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

C’est simple, c’est basique comme titre d’épisode maggotique… On attaque avec Digital Underground, les férus de P Funk, puis Paris, Money B (DU) sur la compilation « Funkaholics » de Tiz On records, les non Bay Area Black Hole Of Watts. On poursuit avec LSBB, Too Short, Herm, The Coup, Spice 1, RBL Posse, C-Bo, et c’est […] L'article Maggot Brain – Rap de la Bay est apparu en premier sur Radio Campus Tours - 99.5 FM.

Albums and All That, Starting with the letter S as in Sierra, Part 9 From Something to Shout About (Lulu) to Sophisticated Boom Boom (Dead or Alive) Oh hey, by the way... there is now a Vinyl-O-Matic Patreon (https://patreon.com/youroldpalwill) Lulu with The Luvvers [00:30] "Chocolate Ice" Something to Shout About Decca LK 4719 1965 Hey hey hey! It's Lulu! This is her debut album. Despite what you might guess from her voice, she was 17 when she recorded this album. "Chocolate Ice" is the excellent title song to the very weird Gonks Go Beat (https://youtu.be/XhozBIMplQA?si=ULHH1FdCqSWJPyJ5) (Hartford-Davis, 1964), featuring Lulu and The Luvvers, The Nashville Teens, and the Graham Bond Organisation Todd Rundgren [02:40] "Hello It's Me" Something / Anything? Bearsville 2BX 2066 1972 Rundgren's 3rd solo album, spreading his musical wings a bit more than previous releases. Todd had originally written the song as a very mellow ballad with the Nazz in 1967, and was released as a b-side (https://youtu.be/FmLnDL_pNZQ?si=enMwjWzgNe_iplus) to their psyche rocker "Open My Eyes". Usually I'd go with the power pop progenitor "Couldn't I Just Tell You (https://youtu.be/fosMLTCFKQ8?si=Dgn25DMa61xCFRbJ)", but well, I'm feeling more mid-tempo at the moment. Jimmy Buffett [07:29] "Cheeseburgers in Paradise" Son of a Son of a Sailor ABC Records AA-1046 1976 Let me be perfectly clear: I am not now, nor have I ever been a Parrot Head. However, I do love cheeseburgers. This is the lead single from Buffett's eighth solo album. The single made it to #32 on the Hot 100. There's also a much-watered-down version of "Livingston Saturday Night", which can be heard to greater effect (https://youtu.be/5uizFyDRxso?si=ZfVrun8krTdxzagG) on the Rancho Deluxe (Perry, 1975) soundtrack, see also: Season 5, Episode 76 (https://vinylomatic.com/s05e76). Harry Nilsson [10:20] "It Is He Who Will Be King/Daybreak" Son of Dracula Rapple Records ABL1-0220 1974 The only new Nilsson song on this soundtrack. The less said about the actual film. Count Downe (Nilsson) is invited to take over Count Dracula's throne by Merlin (Ringo Starr). Lots of monsters and lots of rock stars, including Keith Moon and John Bonham, Peter Frampton, Bobby Keys, Klaus Voorman, and Leon Russell. Watch at your own peril (https://youtu.be/IIik_o16sro?si=WvmR54QPJ16Qmd6s). Great packaging for the record though, includine a die-cut gatefold and an iron on transfer for the cover image with "Bite Me" written in goth script below. Julian Bahula's Jazz Africa [16:15] "Molebatsi" Son of the Soil Tsafrika Records TSA 001 1982 A great collective outing composed by this South African by way of Britain drummer/composer/bandleader. I picked this one up at Revolution Records in Amsterdam. If Google Translate isn't lying to me, this title translates to "Smoker" from Swati. And a smoker it is. The Temptations [21:46] "Shakey Ground" A Song for You Gordy G6-969S1 1975 One of several excellent P-Funk-backed tracks on this album. There's a pretty excellent Delbert McClinton version of this song as well (https://youtu.be/w7JCWoxtGLs?si=tLtnwaOT1j24Tgvy). The Exbats [25:47] "Like It Like I Do" Song Machine Goner Records GONE 192 2023 And boy do I like it! Another excellent outing from Bisbee AZ denizens Inez and Kenny and friends (https://youtu.be/l-Onx5zVfMs?si=OSeD0DJHPaOZ4NGW). They pretty much just keep getting awesomer and awesomer. Big Black [28:17] "L Dopa" Songs About Fucking Touch and Go T&G LP #24 1987 Scorching. And sadly, fare thee well, Steve. To anyone interested in recording, Steve and Electric Audio provided (and still provide) a wealth of information, as for instance: Everything you've ever wanted to know about tape alignment but were afraid to ask (https://youtube.com/playlist?list=PLXA7imybaTsFWOFpaeP8wgXNDlZ4Xc8yq&si=ZMsU_ifbEBbmp6Kh). THE FOLLOWING TRACK IS INTENDED FOR MATURE AUDIENCES. LISTENER DISCRETION IS ADVISED

Nos 1ers invités sont le groupe Souleance pour la sortie de l'album Beautiful.Apprécier autant qu'admirer la beauté, plus qu'un art, le duo Souleance en a fait une règle de vie.Toujours adepte des collages sonores et du sampling, Souleance s'est ici engagé sur une voie plus riche en instruments. Fulgeance en mastermind, à la fois aux claviers, à la basse et au beatmaking ; Soulist en force motrice de la composition et des scratches. Une seule et unique directive : faire la musique qui les fait vibrer, sans contrainte de tendances ou de critères de beauté qui ne sont pas les leurs. Sans calque à poser sur un genre précis et définitif. L'important est qu'à l'écoute de Beautiful, chacun se sente vivant. Habité par les grooves, désarmé devant la force d'attraction de ces titres-bons moments.La culture de la boucle héritée du hip hop toujours en embuscade, synthétiseurs analogiques et modulations de Moog habilleront ici d'une élégance jazz-funk 70s' les intraitables beats claquants.Attirés par le Brésil, la Turquie ou Israël, les micros se sont d'eux-mêmes dirigés vers Joao Selva pour un instant de poésie dans les rues de Rio, entre une mère et son fils. Descendus de La Réunion pour danser avec Kaloune & Papatef au son d'un accordéon hypnotisant tournant sur lui-même, mis le cap vers l'Orient et l'Istanbul psyché-funk de Kit Sebastian. Enfin, se remettre un peu du périple, et danser à Tel-Aviv avec la soul de Jenny Penkin. Titres interprétés au grand studio - Feliz Live RFI- Koul dan mon Do Feat.Kaloune, Cyril Atef voir le clip - Onda Live RFI.Line Up : Fulgeance (jazzbass+moogsub37+laptop), Soulist (scratch, dj), Vincent Choquet (synths) et Guillaume Rossel (Drums). Son : Jérémie Besset & Mathias Taylor.Réalisation : Hadrien Touraud.► Album Beautiful (Heavenly Sweetness 2024). Puis nous recevons le groupe suisse allemand Shrizz N Maze, biberonné au PFunk de George Clinton, pour la sortie de Dope Frequency.Eric «Shrizz» Rohner, est né et a grandi en Afrique avant de revenir s'installer dans son pays d'origine, la Suisse, à l'âge de 10 ans. Inspiré par le P-funk et le jazz, il intègre rapidement la Malka Family, célèbre groupe parisien, ce qui donnera naissance à d'autres projets comme les Gréements de Fortune et HornDogz. Ses talents l'amèneront à collaborer avec des stars mondiales comme George Clinton, Jimmy Cliff, Dave Stewart, Tony Allen, ou encore Omar et Judith Hill. Maze Kuenzler est né à Berne (Suisse), où il vit toujours. Dès l'adolescence, le guitariste des Flying Hats se fait remarquer par son jeu virtuose. Aujourd'hui, Maze joue avec les troubadours-guérilleros Tomazobi, avec Sam Snitchy, incarne The Ice Cream Man dans un projet solo et a accompagné des artistes tels que Dee Day Dub, Seven, Müslüm, Trummer et Edita Abdieski. Shrizz et Maze se sont rencontrés en 1999 au sein d'Ineffect, un groupe de funk bernois puis ont continué, après la dissolution du groupe, de mettre à profit leur complicité dans des expérimentations communes, créant ainsi les prémices de leur premier album, Dope Frequency, qui voit enfin le jour.Titres interprétés au grand studio - Jealous Eyes Live RFI + RFI Vidéos- True Love, extrait album Dope Frequency- Heredity Live RFI + RFI VidéosLine Up : Eric «Shrizz» Rohner (chant, sax tenor), Greg Boyer (trombone, voix), Maze Küenzler (guitare, voix), Jay Murphy (clavier, voix), Thomas Braganti (basse), Olivier Bridot (trompette) et Fabrice Lerigab (batterie). Intervenants : Eric Rohner, Maze Kuenzleret & Greg Boyer.Son : Jérémie Besset & Mathias Taylor.Réalisation : Taguy M'Fah Traoré► Album Dope Frequency (Orbitual Rd 2024).(Rediffusion).

Nos 1ers invités sont le groupe Souleance pour la sortie de l'album Beautiful.Apprécier autant qu'admirer la beauté, plus qu'un art, le duo Souleance en a fait une règle de vie.Toujours adepte des collages sonores et du sampling, Souleance s'est ici engagé sur une voie plus riche en instruments. Fulgeance en mastermind, à la fois aux claviers, à la basse et au beatmaking ; Soulist en force motrice de la composition et des scratches. Une seule et unique directive : faire la musique qui les fait vibrer, sans contrainte de tendances ou de critères de beauté qui ne sont pas les leurs. Sans calque à poser sur un genre précis et définitif. L'important est qu'à l'écoute de Beautiful, chacun se sente vivant. Habité par les grooves, désarmé devant la force d'attraction de ces titres-bons moments.La culture de la boucle héritée du hip hop toujours en embuscade, synthétiseurs analogiques et modulations de Moog habilleront ici d'une élégance jazz-funk 70s' les intraitables beats claquants.Attirés par le Brésil, la Turquie ou Israël, les micros se sont d'eux-mêmes dirigés vers Joao Selva pour un instant de poésie dans les rues de Rio, entre une mère et son fils. Descendus de La Réunion pour danser avec Kaloune & Papatef au son d'un accordéon hypnotisant tournant sur lui-même, mis le cap vers l'Orient et l'Istanbul psyché-funk de Kit Sebastian. Enfin, se remettre un peu du périple, et danser à Tel-Aviv avec la soul de Jenny Penkin. Titres interprétés au grand studio - Feliz Live RFI- Koul dan mon Do Feat.Kaloune, Cyril Atef voir le clip - Onda Live RFI.Line Up : Fulgeance (jazzbass+moogsub37+laptop), Soulist (scratch, dj), Vincent Choquet (synths) et Guillaume Rossel (Drums). Son : Jérémie Besset & Mathias Taylor.Réalisation : Hadrien Touraud.► Album Beautiful (Heavenly Sweetness 2024). Puis nous recevons le groupe suisse allemand Shrizz N Maze, biberonné au PFunk de George Clinton, pour la sortie de Dope Frequency.Eric «Shrizz» Rohner, est né et a grandi en Afrique avant de revenir s'installer dans son pays d'origine, la Suisse, à l'âge de 10 ans. Inspiré par le P-funk et le jazz, il intègre rapidement la Malka Family, célèbre groupe parisien, ce qui donnera naissance à d'autres projets comme les Gréements de Fortune et HornDogz. Ses talents l'amèneront à collaborer avec des stars mondiales comme George Clinton, Jimmy Cliff, Dave Stewart, Tony Allen, ou encore Omar et Judith Hill. Maze Kuenzler est né à Berne (Suisse), où il vit toujours. Dès l'adolescence, le guitariste des Flying Hats se fait remarquer par son jeu virtuose. Aujourd'hui, Maze joue avec les troubadours-guérilleros Tomazobi, avec Sam Snitchy, incarne The Ice Cream Man dans un projet solo et a accompagné des artistes tels que Dee Day Dub, Seven, Müslüm, Trummer et Edita Abdieski. Shrizz et Maze se sont rencontrés en 1999 au sein d'Ineffect, un groupe de funk bernois puis ont continué, après la dissolution du groupe, de mettre à profit leur complicité dans des expérimentations communes, créant ainsi les prémices de leur premier album, Dope Frequency, qui voit enfin le jour.Titres interprétés au grand studio - Jealous Eyes Live RFI + RFI Vidéos- True Love, extrait album Dope Frequency- Heredity Live RFI + RFI VidéosLine Up : Eric «Shrizz» Rohner (chant, sax tenor), Greg Boyer (trombone, voix), Maze Küenzler (guitare, voix), Jay Murphy (clavier, voix), Thomas Braganti (basse), Olivier Bridot (trompette) et Fabrice Lerigab (batterie). Intervenants : Eric Rohner, Maze Kuenzleret & Greg Boyer.Son : Jérémie Besset & Mathias Taylor.Réalisation : Taguy M'Fah Traoré► Album Dope Frequency (Orbitual Rd 2024).(Rediffusion).

This week it's damn hot, and we are smellin' sumthin' stanky and funky! It's time to get our groove on and back down to funky town. So, once again: cut your lava lamps on, slip into some velvet and your highest platform boots, and pick your funky-dos to spherical perfection! That's right funky junkies… it's a Funk Rock extravaganza!What is it that we do here at InObscuria? We exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In this episode, we take a listen to all 3, as we move n' groove our way through funk-infused rock n' roll. This genre has a special meaning to the hosts, which is why our longest-running series! Songs this week include:Hardware – “Got A Feelin'” from Third Eye Open(2023)O.G. Funk – “I Wanna Know” from Out Of The Dark (1994) Grace Bowers & The Hodge Podge – “Tell Me Why U Do That” from Tell Me Why U Do That - Single(2024)FunkHammer – “Lawdhamercy!” from Drop The Hammer (2019)Jetboy – “Rich Girl” from Crate Diggin' (2023)Keno Mapp – “America” from Heart Touch(2008)Stone Cold Killers – “Monster” from Stone Cold Killers (2023)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Jams Of The Year, consacré à l'année exceptionnelle de 1983. Plongez dans une année vibrante et riche en sons avec une sélection soigneusement curée de 12 titres, représentant chacun un mois de l'année. De la soul au funk, du rap au R&B, cet épisode promet une exploration musicale fascinante et nostalgique.Les titres de l'année 1983 :Janvier : Glenn Jones - "I Am Somebody"Glenn Jones, ancien chanteur de gospel floridien, s'affirme avec ce morceau inspirant issu de son EP Everybody Loves A Winner. La chanson, qui inclut un extrait du discours de Jesse Jackson au festival Wattstax de 1972, parle de confiance et d'estime de soi.Février : Mary Jane Girls - "All Night Long"Produit par Rick James, ce girl group emblématique débute avec un groove irrésistible, rappelant les sonorités de Keni Burke. Le single s'impose rapidement comme un classique avec sa basse entraînante et ses paroles séduisantes.Mars : The Isley Brothers - "Between The Sheets"Cette ballade quiet storm marque une étape cruciale dans l'évolution du R&B contemporain. Samplée par de nombreux artistes hip-hop, elle reste une référence incontournable de l'époque.Avril : D-Train - "Music"D-Train, duo formé par James Williams et Hubert Eaves, offre un mélange unique de funk et d'électro-disco avec ce hit, démontrant une fois de plus leur influence sur la scène dance.Mai : Al Jarreau - "Boogie Down"Al Jarreau, avec son style vocal unique et ses influences jazz, atteint de nouveaux sommets avec ce morceau dynamique extrait de l'album Jarreau, produit par Jay Graydon.Juin : Surface - "Falling In Love"Ce premier single du groupe Surface, avec Karen Copeland au chant, s'impose comme un hit boogie particulièrement apprécié au Royaume-Uni, annonçant la future renommée du groupe.Juillet : Herbie Hancock - "Rock It"Produit par Bill Laswell, ce morceau révolutionnaire mélange punk, funk, jazz et hip-hop. Herbie Hancock y intègre des techniques de scratch, créant un succès international.Août : Lionel Richie - "All Night Long (All Night)"L'ex-membre des Commodores continue son ascension en solo avec ce tube planétaire tiré de l'album Can't Slow Down, faisant de Lionel Richie une superstar mondiale.Septembre : Shannon - "Let the Music Play"Shannon, avec ce morceau, marque l'histoire de la musique électronique de club, mélangeant électro-disco, hip-hop et funk pour créer le "Shannon sound" distinctif.Octobre : Curtis Hairston - "I Want You (All Tonight)"Premier single de Curtis Hairston, ce titre dance produit par Greg Radford ouvre la voie à une carrière prometteuse, bien que trop brève.Novembre : Stephanie Mills - "How Come U Don't Call Me Anymore?"Stephanie Mills reprend ce titre poignant de Prince avec une version rythmique et cuivrée, démontrant toute la profondeur de son talent vocal.Décembre : James Ingram - "Yah Mo Be There"En collaboration avec Michael McDonald, ce hit du premier album solo d'Ingram, produit par Quincy Jones, fusionne habilement R&B et pop, marquant le début d'une brillante carrière solo.À propos de Jams Of The Year :Animé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast célébrant les meilleures musiques des années passées, un titre par mois. Chaque épisode offre une plongée détaillée dans une année spécifique, explorant les hits et les artistes qui ont marqué l'époque. Avec des genres allant du funk à la soul, du rap au R&B, le podcast est un incontournable pour les amateurs de musique et les nostalgiques.Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

Featuring: P-Funk North IG: https://www.instagram.com/pfunknorth Website: https://www.pfunknorth.com/ ALL THE GOOD STUFF: https://linktr.ee/2cloudedminds Become a Patron to get access to exclusive content: http://tinyurl.com/CloudedPatreon Follow the show on IG: https://www.instagram.com/the_2_clouded_minds_show/ Follow Kris on IG: https://www.instagram.com/lilguykris28 Follow DC on IG: https://www.instagram.com/dcinthecity Follow Anthony on IG: https://www.instagram.com/felifel1201 Follow Dakota on IG: https://www.instagram.com/dakotademarest The 2 Clouded Minds Show is for entertainment purposes only. No laws were broken and no harm was done during the recording of this episode, even if it looks like something bad might've happened. DC is very good with special effects. No financial advice is contained in this episode. But let's be honest, if you're taking financial advice from people who refer to themselves as "clouded minds," you kinda deserve whatever you get. Opinions expressed do not necessarily reflect those of sponsors or any reasonable entity on Earth. All facts are at least 50% true, probably.

当我们谈起亚特兰大说唱…… 其实这并不好谈！虽然它已被公认为 21 世纪的 Rap Capitol, 在黑人文化历史上有着 Black Mecca 的地位，但亚特兰大的说唱场景并不像其他城市有一个明确的风格特点，也没有明显的一脉相承的文化连续性。我们现在所熟悉的亚特兰大 Hip Hop 风格 （Trap）形成于 2010s，在这类风格有了明确的城市身份标识之前，ATL 的音乐场景丰富多样，能人异士遍地开花。不过要指出最具开创性，为亚特兰大说唱美学开辟新道路的远见家，非 Dungeon Family 莫属。开始于90 年代初的 Dungeon Family 是说唱文化历史中最重要的团体之一，这个组织包含了核心制作团队 Organized Noize (Rico Wade, Sleepy Brown, Ray Murray)，说唱团体 Goodie Mob (Big Gipp,CeeLo Green, Khujo, T-Mo)，OutKast (André 3000, Big Boi)，以及 Cool Breeze, Witchdoctor 等多位说唱艺术家，这些初代成员们无一不是文化场景中的重要力量，二代成员 Killer Mike, Future 更是将亚特兰大的 Dungeon 精神发扬光大，形成了今日有影响力的亚特兰大之声。本期讨论内容按照时间线展开：90s 早期亚特兰大说唱场景比较分散，部分接近迈阿密 bass，更另类的有 Arrested Development, Yall So Stupid, 匪帮点的有 The  Hard Boys, 更商业流行的 So So Def，R&B 风格的 LaFace 厂牌；Organized Noize 早期制作作品： TLC 的“What About Your Friends remix”(1992), OutKast 初次亮相， “Sleigh Ride remix” (1992)，电影《小鬼当家2 》歌曲；*推荐 Netflix 纪录片 “The Art of Organized Noize” (2016)；Dungeon Family 团体受 funk 和 soul 影响非常大，但区别于同时期西海岸的 G-Funk，他们对于乐器和声音的选择运用很有独到之处，并且在节奏设计上也是非常独创的，这也导致了他们说唱的 flow 变化及其灵活；Organized Noize 制作的首张专辑 Parental Advisory “Ghetto Street Funk” (1993) 风格更接近纽约;1993 年 LaFace 厂牌的圣诞歌曲合集中的 “Player's Ball”是 OutKast 的首发作品，发布即大获成功，1994 年首张专辑 “Southernplayalisticadillacmuzik”是 Organized Noize 制作风格的精华体现，展现了南方乡绅的 funky 气质，以及来自 P Funk 的影响；1994 年底为 TLC 制作了”Waterfall”使 ON 的才华被主流认可，成为了当时的抢手制作组合，也吸引到了 Interscope 的关注，促成了接下来与 ON 的千万美元合约，当然个性强烈对创作风格有坚持的 ON 由于无法向 Interscope 作出商业妥协又回到了亚特兰大，继续与老东家 LaFace 的合作；1995 年 The Source Award 最佳新人奖颁给 OutKast, André 在一片嘘声中的 “The South got something to say!” 成为回响至今的宣言；1995 年 Organized Noize 的三名成员与心灵兄弟 Big Rube 以及女歌手Espraronza 以 Society of Soul 之名发表了专辑 “Brainchild”，风格不属于 R&B, 接近 Neo soul 却也不完全是，只能说是深受 70 年代黑人音乐影响的 soul 系音乐，音乐也如封面所示给人一种潮湿之感；1995 年 Goodie Mob 的首张 “Soul Food”是一张值得听十辈子的经典神作，音乐层面， Organized Noize 的超前审美和极简而丰满的制作水准在此张专辑中达到了一种极致，更深层的内容角度上，Goodie Mob 以及其他 Dungeon Family 成员的表达也相当深刻锋利，这张专辑是属于亚特兰大黑人的一部历史纪录片，它根植于美国南方土地，在阴魂不散的种族隔离阴影中，在 Black Mecca 的历史背景中，在黑人民权运动的传承中，“Soul Food” 为我们展现了 dirty south 的真实，96 年奥运会繁荣背后的阴暗残酷，美国政府为了打击毒品而实施的暴力措施带来的持久伤痛，黑人抗议活动 One Million Men 的团结与勇气。“Soul Food”是诗意的，饱含灵性与信仰的作品，它是对亚特兰大黑人历史的哀悼，祈求新世界秩序的希望，相比于激烈反抗体制的骄傲姿态，它更像是一种幸存者的谦卑，如此独特的叙事视角，只在亚特兰大，唯有 Dungeon Family；Organized Noize 为 1996 年的电影 “Set It Off” 监制制作的电影专辑；1996 年 OutKast 专辑 “ATLiens”温暖顺滑，二人的写词叙事功力更老练有趣，取材独特新鲜，擅长使用微妙含蓄的比喻让 OutKast 的内容具有鲜明特色；1998 年 OutKast 专辑“Aquemini” 对于组合来说是一个比较重要的转折之作，如万花筒一般奇妙多彩，他们的审美已经突破了 Hip Hop 框架，P-Funk，雷鬼的融合更多，在乐器的选择上拓宽了制作思路，是第一张获得 Source Magazine 五麦克高评价的南方说唱专辑；1998 年 Goodie Mob 的第二张专辑 “Still Standing”;1998- 1999年 Dungeon Family发表的作品有： Witchdocor 首张 “...A S.W.A.T Healin' Ritual”(1998), Sleepy's Theme “The Vinyl Room”(1998), Cool Breeze “East Point's Greatest Hit”(1999), Goodie Mob “World Party”(1999);至此 Dungeon Family 有一个时期分界，Organized Noize 的制作主导作用在 OutKast 中逐渐减少，OutKast 二人与 Mr.DJ 以制作组合 Earthtone III 开始创作，2000-2003 期间参与了许多客串与制作，包括 Mystikal，Kelis 和地窖其他成员；千禧年前后，亚特兰大经济发展愈加繁荣，crunk 这种超高能量的 party 音乐主导了亚特兰大及南方的说唱场景，这个时期整个南方的农村说唱获得商业关注，这类风格其实与 Organized Noize 所代表的 Dungeon 另类美学差别很大；2000 年 OutKast 的 “Stankonia”对于风格的探索和实验性更进一步，将他们的灵感来源挖掘运用到新的高度；2001 年 Dungeon Family 的作品有：Slimm Calhoun “The Skinny”(主要由 Earthtone III制作)， Backbone “Concrete Law”(主要由 Organized Noize 制作)， Dungeon Family 唯一一次以团体名发表的全员大合集 “Even In Darkness”;2002 年作品：Joi “Star Kitty's Revenge”, CeeLo Green 个人首张 “Cee-Lo Green and His Perfect Imperfections”, The Calhouns – “Made in Dirty South”;2003 年作品：Killer Mike “Monster”, Bubba Sparxxx “Deliverance”, Big Gipp “Mutant Mindframe”,以及 Dungeon Family 第二代合集 “Rico Wade Presents Da Connect “Dungeon Family 2nd Generation”, 其中之一就是成为后来亚特兰大代表人物的 Future，彼时以 Meathead 的名字亮相；2003 年最重要的作品当属 OutKast “Speakerboxxx/The Love Below”，商业大爆获得了格莱美多项大奖，Big Boi 的把控力和重要作用在这张中得以体现，组合的音乐性与视觉创意作为一个整体的另类审美对接下来的嘻哈影响深远；2005 年：Big Boi solo 领导的合集 “Big Boi Presents Purple Ribbon” ;2006 年：OutKast 组合最后一次发表作品 “Idlewild”, 二人主演的同名电影上映，Dungeon Family 的活跃期结束；2010 年 Big Boi “Sir Lucious Left Foot… The Son of Chico Dusty”是我们后来发觉牛逼的大作；2009 年 Khujo和Jneiro Jarel以 Willie Isz 之名在地下厂牌Lex Records 发表了实验性专辑 “Georgiavania”；2017 年 Organized Noize 发表了同名 EP，在新时代他们标志性的制作美学带来的感动是无与伦比的；最后，Rest in peace, Rico Wade.主题歌单请点击：YouTube Playlist & Apple Music Playlist本期节目 Playlist:Goodie Mob feat. Big Boi & Cool Breeze  – “Dirty South”Parental Advisory – “Lifeline”OutKast – “Player's Ball Remix version”TLC – “Waterfall”Society of Soul – “E.M.B.R.A.C.E”Goodie Mob – “Cell Therapy”Goodie Mob – “Fighting”Goodie Mob - “Live at the O.M.N.I”OutKast – “Mainstream”OutKast – “Rosa Parks”OutKast – “SpottieOttieDopaliscious”Goodie Mob – “Inshallah”OutKast – “Ms.Jackson”Dungeon Family – “Trans DF Express”Da Connect – “Belly of The Beast”OutKast – “Roses”Big Boi feat. Gucci Mane, Bun B & Project Pat – “Shine Blockas (remix)”Organized Noize feat. Joi & Scar – “Anybody out There”Reading list:Why Goodie Mob's Soul Food' is the greatest Atlanta rap album of all timehttps://creativeloafing.com/content-165854-why-goodie-mob-s-soul-food-is-the-greatest-atlanta-rap-album-of-allThe South Got Something To Say: The Rise, Fall and Rebirth of Atlanta's Dungeon Familyhttps://theboombox.com/dungeon-family-legacy/Bring The Noizehttps://bittersoutherner.com/bring-the-noize-organized-noize-southern-hip-hopThe Making of OutKast's Aqueminihttps://creativeloafing.com/content-168326-the-making-of-outkast-s-aqueminiHammer Time Newsletter & 播客 Substack 地址： hidesssss.substack.com通过RSS订阅播客：https://api.substack.com/feed/podcast/1282982.rss给主播写信：sonicelsa@gmail.com This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit hidesssss.substack.com

Ever since telling people to “Free Your Mind... and Your Ass Will Follow” in the late ‘60s, George Clinton's P-Funk sound has influenced countless artists, including the likes of Prince, Snoop Dogg and Janelle Monáe. George is the mastermind behind groups like Funkadelic and Parliament, and he's carved out a massive career in his own right. Last fall, Tom got to talk to George about his life in music, his influence on modern hip-hop, and how he hasn't been fairly compensated for that influence.

Is "PCU" hard to find because it crossed a line or because it's just not a very good movie? Listener Jeff from Nebraska commissioned the Shat Crew to uncover the truth for his 40th birthday. In a lot of ways, PCU is your typical '90s college movie. The university president is trying to shut down a student house. There's seventh-year senior showing the new guy the ropes. A kegger is the solution to life's problems, and the good guys win. But PCU is still very much its own film. There's no clear protagonist. No group of students is decidedly popular. There might not even be an actual plot. In this episode, Big D recalls his days as fraternity president. Ash explains college tours. Gene tells the Legend of Alpha Drive, and Jerry Seinfeld is wrong. The Shat Crew also tackles hazing, dirty talk in the dorms and whether George Clinton was the right choice as musical guest. Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

1994's PCU, directed by Hart Bochner, tells the story of college life at the fictional Port Chester University, and represents "an exaggerated view of contemporary college life in the 90s" - according to the filmmakers. There are slobs, there are snobs, there is the specter of POLIITICAL CORRECTNESS and there is a little bit of skateboarding. The film features Jeremy Piven in his first lead role, a young Jon Favreau, David Spade, and George Clinton and the P-Funk All Stars.Kevin and Mike talk about the weird Jeremy Piven performance at the center of this movie, whether or not they liked this movie, the things the movie gets wrong, the things the move got right (P-Funk being awesome, basically), and the dawn of inline skating - and there's a brief side discussion of Kevin's college radio show. So grab the t-shirt of the band you're going to go see and BE THAT GUY on the latest pulse-pounding episode of GLEAMING THE TUBE! Hosted on Acast. See acast.com/privacy for more information.

As the co-host of "Forum" on KQED Public Radio and a writer for the Atlantic, journalist Alexis Madrigal often reports on big ideas and urgent stories that affect the Bay Area and the world. But in his spare time, he loves running, gardening, and 70's funk and disco. In our latest episode, Alexis talks about a wide-ranging selection of five tunes he holds dear from his past and present—from P-Funk, to Norwegian Jazz, to Latin Hip-Hop. Along the way, we'll learn about how his Dad's record collection got him through his post-college malaise, the song that gets him in a book-writing mood, and his deep appreciation of music and art borne out of colonial occupation and resistance. Alexis's Selections: Funkadelic - "One Nation Under a Groove" Gato Barbieri - "Encuentros" Daniel Herskedal - "The Mistral Noir" La Dame Blanche - "Veneno" Thao & The Get Down Stay Down - "Temple" Catch Alexis on KQED's Forum Listen to his Containers podcast series Learn more about his forthcoming book

We caught up with Eric McFadden about Collaborating Setlist Choices The Road The Jamband Label Dave Schools Sgt Splendor Lucky Man LP P Funk and more Ep: 444 #ATJPod  More: https://ericmcfadden.com/shows @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. Merch: https://t.co/QgtAisVtbV All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran.

Narada Michael Walden has won "Producer Of The Year" at the Grammy Awards. Before he produced monster records for Aretha Franklin, George Michael, Whitney Houston, and others, he was a prolific drummer from Michigan with a dream. In Part 1 of his Questlove Supreme interview, Narada recalls his upbringing and influences. He details his experiences, ranging from seeing Stevie Wonder as a child and years hanging out with P-Funk's Eddie Hazel. Narada also describes his time as a member of the Mahavishnu Orchestra and working with some of the most revered Jazz legends while as a disciple of Sri Chinmoy. This is a rare audience with one of Questlove's greatest inspirations.See omnystudio.com/listener for privacy information.