Podcasts about younger poets

Today I have the honor and the pleasure to speak once again with celebrated poet and physician, Fady Joudah. The last time Fady was on the podcast was in November, 2023, shortly after the outbreak of war in Gaza. At that point we spoke about the impossibility of, even then, quantifying the genocide. Today we focus on the politics of language—in particular, the distinction Fady Joudah makes between Palestine in English, and Palestine in Arabic. We speak too of the need for and limitations of solidarity, and finish with a reading and discussion of one of Fady Joudah's most remarkable and stunning poems, “Truth is Never Finished.”  Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018).  In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated  several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.

Fady Joudah is an esteemed Palestinian Poet/Activist. And we had a great long conversation with him about poetry and resistance, conditions in Gaza, the difficulty of describing the Palestinian struggle in English, the failure of the west to defend Gaza, and much more. And we finished with Fady reading and deconstructing some of his poetry for us. Bio// Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018). In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.—————-Outro- "Green and Red Blues" by MoodyLinks//+ Fady Joudah: https://www.poetryfoundation.org/poets/fady-joudahFollow Green and Red// +G&R Linktree: ⁠⁠⁠https://linktr.ee/greenandredpodcast⁠⁠⁠ +Our rad website: ⁠⁠⁠https://greenandredpodcast.org/⁠⁠⁠ + Join our Discord community (https://discord.gg/vgKnY3sd)+Follow us on Bluesky (https://bsky.app/profile/podcastgreenred.bsky.social)Support the Green and Red Podcast// +Become a Patron at https://www.patreon.com/greenredpodcast +Or make a one time donation here: ⁠⁠⁠https://bit.ly/DonateGandR⁠⁠⁠ Our Networks// +We're part of the Labor Podcast Network: ⁠⁠⁠https://www.laborradionetwork.org/⁠⁠ +We're part of the Anti-Capitalist Podcast Network: linktr.ee/anticapitalistpodcastnetwork +Listen to us on WAMF (90.3 FM) in New Orleans (https://wamf.org/) This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). Edited by Isaac.

Even though Palestinian-American Fady Joudah's poem is sparingly titled “[...],” an ellipsis surrounded by brackets, this work itself is psychologically dense. Through crisp lines and language, it wrestles with the nature of human ambivalence — about things like fear, desire, disaster, liberty — and it finds certainty only in the shaky universal ground of that ambivalence.Fady Joudah is the author of […]. He has also published five other collections of poems, including Textu, a book-long sequence of short poems whose meter is based on cellphone character count; Footnotes in the Order of Disappearance; and Tethered to Stars. He has translated several collections of poetry from Arabic and is the co-editor and co-founder of the Etel Adnan Poetry Prize. He was a winner of the Yale Series of Younger Poets competition in 2007 and has received the Jackson Poetry Prize, a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, a Guggenheim Fellowship, and the Arab American Book Award. He lives in Houston, Texas, with his wife and children, where he works as a physician in internal medicine.Find the transcript for this show at onbeing.org.We're pleased to offer Fady Joudah's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.

This week, acclaimed poets Diana Khoi Nguyen and Cindy Juyoung Ok read selections of their work, followed by a discussion of their processes, themes, techniques, and more. Presented by the Poetry Foundation. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.AWM PODCAST NETWORK HOMEAbout the writers:A poet and multimedia artist, DIANA KHOI NGUYEN is the author of Ghost Of (2018) which was a finalist for the National Book Award, and Root Fractures (2024). Her video work has recently been exhibited at the Miller Institute for Contemporary Art. Nguyen is a Kundiman fellow and member of the Vietnamese artist collective, She Who Has No Master(s). A recipient of a fellowship from the National Endowment for the Arts, and winner of the 92Y Discovery Poetry Contest and 2019 Kate Tufts Discovery Award, she currently teaches in the Randolph College Low-Residency MFA and is an Assistant Professor at the University of Pittsburgh.CINDY JUYOUNG OK is the author of Ward Toward from the Yale Series of Younger Poets and the translator of the forthcoming English translation of The Hell of That Star by Kim Hyesoon.

Craig Arnold, born November 16, 1967 was an American poet and professor. His first book of poems, Shells (1999), was selected by W.S. Merwin for the Yale Series of Younger Poets. His many honors include the 2005 Joseph Brodsky Rome Prize Fellowship in literature, the Amy Lowell Poetry Travelling Scholarship, a Hodder Fellowship, and fellowships from the Fulbright Program, the National Endowment for the Arts, and MacDowell. He taught poetry at the University of Wyoming. His poems have appeared in anthologies including The Best American Poetry 1998 and The New American Poets: A Bread Loaf Anthology, and in literary journals including Poetry, The Paris Review, The Denver Quarterly, Barrow Street, The New Republic and The Yale Review. Arnold grew up in the United States, Europe, and Asia. Arnold's Made Flesh won the 2009 High Plains Book Award and the 2008 Utah Book Award.In 2009, Arnold traveled to Japan to research volcanoes for a planned book of poetry. In April of that year, he disappeared while hiking on the island of Kuchinoerabujima. In the New York Times, the poet David Orr mourned the loss of Arnold, but noted it would “be a mistake to think of him as a writer silenced before his prime... His shelf space may be smaller than one would wish, but he earned every bit of it.”-bio via Copper Canyon Press and Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Day 15: Cindy Juyoung Ok reads her poem “Claim.” They originally published the poem in Conjunctions Issue 75 (Fall 2020).  Cindy Juyoung Ok is the author of Ward Toward from the Yale Series of Younger Poets and an assistant English professor at the University of California Davis.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 4: Richard Siken reads his new poem Cover Story, originally published in Pithead Chapel, which will appear in his forthcoming book I Do Know Some Things (Copper Canyon Press, 2025).  Richard Siken is a poet, painter, and filmmaker. His book Crush won the 2004 Yale Series of Younger Poets prize, selected by Louise Glück, a Lambda Literary Award, a Thom Gunn Award, and was a finalist for the National Book Critics Circle Award. His other books are War of the Foxes (Copper Canyon Press, 2015) and I Do Know Some Things (forthcoming, Copper Canyon Press, 2025). Siken is a recipient of a Pushcart Prize, two Lannan Fellowships, two Arizona Commission on the Arts grants, and a fellowship from the National Endowment for the Arts. He lives in Tucson, Arizona. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. 

Day 2: Eduardo C. Corral read the title poem of his 2020 collection Guillotine (Graywolf Press).  Eduardo C. Corral is the son of Mexican immigrants. He's the author of Guillotine, published by Graywolf Press, and Slow Lightning, which won the 2011 Yale Series of Younger Poets competition. He's the recipient of a Guggenheim Fellowship, a Lannan Foundation Literary Fellowship, a Whiting Writers' Award, a National Endowment for the Arts Fellowship, and a Hodder Fellowship from Princeton University. He teaches in the MFA program at North Carolina State University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

The queens revisit some early, inspiring books of poetry that still slap! Come nerd out with us. If you'd like to support Breaking Form:Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.Read Linda Gregg's "Part of Me Wanting Everything to Live"Read an interview with Wayne Koestenbaum, "Dirty Mind: An Interview with WK" which appeared in LA Review of Books Read "Boy at the Patterson Falls" from Toi Derricotte's Captivity.Listen to Susan Mitchell read "A Rainbow" -- the fun starts around 11:08. It includes her singing in German….Read Cathy Song's "Ikebana" from Picture Bride, which won the 1982 Yale Series of Younger Poets and was also nominated for the National Book Critics Circle Award for Poetry.Listen to Cornelius Eady read some poems from Brutal Imagination (including "How I Got Born") and talk about Susan Smith here (forward to 23:50 mark). You can read the text of "How I Got Born" here (scroll down and click title to expand the whole poem). Eady turned the poems into a play of the same name; you can listen to Eady in conversation with Joe Morton about that process here (~47 min).

Mary-Alice Daniel was born near the Niger/Nigeria border and raised in England and Tennessee. A cross-genre writer, she has published work in New England Review, Iowa Review, American Poetry Review, Prairie Schooner, The Yale Review, and several journals and anthologies. Mass for Shut-Ins, her first book of poetry, won the Yale Younger Poets Prize and was released in March 2023. Selecting her manuscript, Rae Armantrout called it “Flowers of Evil for the 21st century.” Daniel's transcontinental memoir, A Coastline Is an Immeasurable Thing (Ecco/HarperCollins 2022), was People's Book of the Week and one of Kirkus Review's Best Nonfiction Books of the Year. An alumna of Yale University and the University of Michigan's Writers' MFA, she turns to her third and fourth books, supported by fellowships from Brown University and Cave Canem. Holding a PhD from USC, she is recalled to California for the third time as the 2024 Mary Routt Endowed Chair of Writing at Scripps College. In the 117th volume of the Yale Series of Younger Poets, Mary-Alice Daniel confronts culture shock and her curious placement within many worlds. African and Western mythic systems and modern rituals animate an ill-omened universe. Here, it is always night, grim night, under absurd moons. Venturing through dreamscapes, hellscapes, and lurid landscapes, the poems stray inside speculative fields of spiritual warfare. This collection is controlled chaos powered by nightmare fuel. It engineers an utterly odd organism: a cosmology cobbled with scripture, superstition, mass media, mad science. Horrid, holy, unholy—these pages overrun with the unhinged, intrusive thoughts that obsess us all late into nighttime.

In a poem about how a small moment can help you make a wise decision, Eugenia Leigh finds the strength to go back home after storming out. No self-pity in the poem, just humor and brilliance. She had every reason to leave, and finds every reason to return. Eugenia Leigh is a Korean American poet and the author of two collections of poetry, Bianca (Four Way Books, 2023) and Blood, Sparrows and Sparrows (2014), winner of the Late Night Library's 2015 Debut-litzer Prize in Poetry, as well as a finalist for both the National Poetry Series and the Yale Series of Younger Poets. She currently serves as a poetry editor at The Adroit Journal and as the Valentines Editor at Honey Literary, a BIPOC-focused literary journal and literary arts organization.Find the transcript for this show at onbeing.org.We're pleased to offer Eugenia Leigh's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. 

Today we speak with Palestinian American poet and physician Fady Joudah. We are recording this interview on Thursday, November 2, 2023, as the State of Israel expands its brutal and illegal collective punishment of Palestinians in Gaza—an act of genocidal ethnic cleansing. Health authorities in Gaza report more than nine thousand deaths in a population where 60 percent are under the age of 18. The United Nations General Assembly has just overwhelmingly passed a resolution demanding the “protection of civilians and [the] upholding [of] legal and humanitarian obligations.” The Assembly, also demanded that all parties “immediately and fully comply” with obligations under international humanitarian and human rights laws, “particularly in regard to the protection of civilians and civilian objects.”Fady Joudah's poetry has always addressed the situation of the Palestinians in Israel, in the Occupied Territories, and in diaspora, managing somehow to capture both the political and the personal, and above all the courage and humanity of the Palestinian people. We speak in particular about his recent LitHub piece, “A Palestinian Meditation in a Time of Annihilation: Thirteen Maqams for an Afterlife.” We are honored that he made time in this period of crisis to speak with us.Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018).  In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated  several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.  

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Ocean Vuong is the author of The New York Times bestselling poetry collection, Time is a Mother (Penguin Press 2022), and The New York Timesbestselling novel, On Earth We're Briefly Gorgeous (Penguin Press 2019), which has been translated into 36 languages.  A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize.Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of “32 Essential Asian American Writers” and has been profiled on NPR's “All Things Considered,” PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker. Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU. He currently lives in Northampton, Massachusetts where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst.From https://www.oceanvuong.com/about. For more information about Ocean Vuong:Ocean Vuong on A Phone Call From Paul: https://a-phone-call-from-paul.simplecast.com/episodes/a-phone-call-from-paul-67-ocean-vuongNight Sky with Exit Wounds: https://www.coppercanyonpress.org/books/night-sky-with-exit-wounds-by-ocean-vuong/“Torso of Air”: https://www.nytimes.com/interactive/2016/06/26/magazine/ocean-vuong-torso-of-air.html“Ocean Vuong is Still Learning”: https://www.newyorker.com/culture/the-new-yorker-interview/ocean-vuong-is-still-learning

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Louise Glück was born in New York City on April 22, 1943, and grew up on Long Island. She is the author of numerous books of poetry, including Faithful and Virtuous Night (Farrar, Straus, and Giroux, 2014), which won the 2014 National Book Award in Poetry; Averno (Farrar, Straus, and Giroux, 2006), a finalist for the 2006 National Book Award in Poetry; and Vita Nova (Ecco Press, 1999), winner of Boston Book Review's Bingham Poetry Prize and The New Yorker's Book Award in Poetry. In 2004, Sarabande Books released her six-part poem “October” as a chapbook.In a review in The New Republic, the critic Helen Vendler wrote: “Louise Glück is a poet of strong and haunting presence. Her poems, published in a series of memorable books over the last twenty years, have achieved the unusual distinction of being neither ‘confessional' nor ‘intellectual' in the usual senses of those words.”The recipient of the 2020 Nobel Prize in Literature, Glück was elected a Chancellor of the Academy of American Poets in 1999. In the fall of 2003, she was appointed as the Library of Congress's twelfth poet laureate consultant in poetry. She served as judge of the Yale Series of Younger Poets from 2003 to 2010. In 2008, Glück was selected to receive the Wallace Stevens Award for mastery in the art of poetry. Her collection, Poems 1962-2012, was awarded the 2013 Los Angeles Times Book Prize. In 2015, she was awarded the Gold Medal for Poetry from the American Academy of Arts and Letters. Currently, Glück is a writer-in-residence at Yale University.From https://poets.org/poet/louise-gluck. For more information about Louise Glück:Previously on The Quarantine Tapes:Peter Kimani about Glück, at 17:50: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-086-peter-kimani“Louise Glück”: https://www.nobelprize.org/prizes/literature/2020/gluck/facts/“Afterword”: https://www.poetryfoundation.org/poetrymagazine/poems/55238/afterword-56d23699928fe“Louise Glück: ‘It's too new...it's too early here'”: https://www.youtube.com/watch?v=0FIFQR56TyQ

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Poet and activist Warsan Shire grew up in London. She is the author of the collections Teaching My Mother How to Give Birth (flipped eye, 2011), Her Blue Body (flipped eye, 2015), Our Men Do Not Belong to Us (Slapering Hol Press and Poetry Foundation, 2015), and Bless The Daughter Raised By A Voice In Her Head (Random House, forthcoming 2021). Her poems have appeared in journals and magazines, including Poetry Review, Wasafiri, and Sable LitMag; in the anthologies Salt Book of Younger Poets (2011), Long Journeys: African Migrants on the Road (2013), and Poems That Make Grown Women Cry (2016); as well as in Beyoncé's visual album Lemonade (2016) and film Black Is King (2020).According to Alexis Okeowo in the New Yorker, Shire's work “embodies the kind of shape-shifting, culture-juggling spirit lurking in most people who can't trace their ancestors to their country's founding fathers, or whose ancestors look nothing like those fathers. In that limbo, Shire conjures up a new language for belonging and displacement.” Shire's poems connect gender, war, sex, and cultural assumptions; in her work, poetry is a healing agent for the trauma of exile and suffering. In an interview, Shire noted, “Character driven poetry is important for me—it's being able to tell the stories of those people, especially refugees and immigrants, that otherwise wouldn't be told, or they'll be told really inaccurately. And I don't want to write victims, or martyrs, or vacuous stereotypes … my family are really amazing—they'll tell me, ‘I have a new story for you,' and I'll get my Dictaphone and record it, so I can stay as true as possible to the story before I make it into a poem.”Shire has read her work in South Africa, Italy, Germany, and the United States. In 2013, she won Brunel University's first African Poetry Prize. In 2014, she was named the first Young Poet Laureate for London and chosen as poet-in-residence for Queensland, Australia. In 2017 she was included in the Penguin Modern Poets series. In 2019 she wrote the short film Brave Girl Rising,narrated by Tess Thompson and David Oyelowo, and became the youngest person to ever be inducted into the Royal Society of Literature.Shire is poetry editor of Spook Magazine and guest edited Young Sable LitMag.For more information about Warsan Shire:Previously on The Quarantine Tapes:Suketu Mehta on Shire, at 09:18: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-079-suketu-mehtaTim Robbins on Shire, at 07:10: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-113-tim-robbinsHome read by Warsan Shire: "Home" by Warsan ShireNY Times: Warsan Shire, the Woman Who Gave Poetry to Beyoncé's ‘Lemonade'https://www.nytimes.com/2016/04/28/arts/music/warsan-shire-who-gave-poetry-to-beyonces-lemonade.html

Today's Quotation is care of Louise Glück.Listen in!Subscribe to the Quarantine Tapes at quarantinetapes.com or search for the Quarantine Tapes on your favorite podcast app!Louise Glück was born in New York City on April 22, 1943, and grew up on Long Island. She is the author of numerous books of poetry, including Faithful and Virtuous Night (Farrar, Straus, and Giroux, 2014), which won the 2014 National Book Award in Poetry; Averno (Farrar, Straus, and Giroux, 2006), a finalist for the 2006 National Book Award in Poetry; and Vita Nova (Ecco Press, 1999), winner of Boston Book Review's Bingham Poetry Prize and The New Yorker's Book Award in Poetry. In 2004, Sarabande Books released her six-part poem “October” as a chapbook.In a review in The New Republic, the critic Helen Vendler wrote: “Louise Glück is a poet of strong and haunting presence. Her poems, published in a series of memorable books over the last twenty years, have achieved the unusual distinction of being neither ‘confessional' nor ‘intellectual' in the usual senses of those words.”The recipient of the 2020 Nobel Prize in Literature, Glück was elected a Chancellor of the Academy of American Poets in 1999. In the fall of 2003, she was appointed as the Library of Congress's twelfth poet laureate consultant in poetry. She served as judge of the Yale Series of Younger Poets from 2003 to 2010. In 2008, Glück was selected to receive the Wallace Stevens Award for mastery in the art of poetry. Her collection, Poems 1962-2012, was awarded the 2013 Los Angeles Times Book Prize. In 2015, she was awarded the Gold Medal for Poetry from the American Academy of Arts and Letters. Currently, Glück is a writer-in-residence at Yale University.From https://poets.org/poet/louise-gluck. For more information about Louise Glück:Previously on The Quarantine Tapes:Peter Kimani about Glück, at 17:50: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-086-peter-kimani“Louise Glück”: https://www.nobelprize.org/prizes/literature/2020/gluck/facts/“Afterword”: https://www.poetryfoundation.org/poetrymagazine/poems/55238/afterword-56d23699928fe“Louise Glück: ‘It's too new...it's too early here'”: https://www.youtube.com/watch?v=0FIFQR56TyQ

Today's Daily Quotation:Home by Warsan Shireno one leaves home unlesshome is the mouth of a sharkyou only run for the borderwhen you see the whole city running as wellyour neighbors running faster than youbreath bloody in their throatsthe boy you went to school withwho kissed you dizzy behind the old tin factoryis holding a gun bigger than his bodyyou only leave homewhen home won't let you stay.no one leaves home unless home chases youfire under feethot blood in your bellyit's not something you ever thought of doinguntil the blade burnt threats intoyour neckand even then you carried the anthem underyour breathonly tearing up your passport in an airport toiletsobbing as each mouthful of papermade it clear that you wouldn't be going back.you have to understand,that no one puts their children in a boatunless the water is safer than the landno one burns their palmsunder trainsbeneath carriagesno one spends days and nights in the stomach of a truckfeeding on newspaper unless the miles travelledmeans something more than journey.no one crawls under fencesno one wants to be beatenpitiedno one chooses refugee campsor strip searches where yourbody is left achingor prison,because prison is saferthan a city of fireand one prison guardin the nightis better than a truckloadof men who look like your fatherno one could take itno one could stomach itno one skin would be tough enoughthego home blacksrefugeesdirty immigrantsasylum seekerssucking our country dryniggers with their hands outthey smell strangesavagemessed up their country and now they wantto mess ours uphow do the wordsthe dirty looksroll off your backsmaybe because the blow is softerthan a limb torn offor the words are more tenderthan fourteen men betweenyour legsor the insults are easierto swallowthan rubblethan bonethan your child bodyin pieces.i want to go home,but home is the mouth of a sharkhome is the barrel of the gunand no one would leave homeunless home chased you to the shoreunless home told youto quicken your legsleave your clothes behindcrawl through the desertwade through the oceansdrownsavebe hungerbegforget prideyour survival is more importantno one leaves home until home is a sweaty voice in your earsaying-leave,run away from me nowi don't know what i've becomebut i know that anywhereis safer than here__________________________________________ Poet and activist Warsan Shire grew up in London. She is the author of the collections Teaching My Mother How to Give Birth (flipped eye, 2011), Her Blue Body (flipped eye, 2015), Our Men Do Not Belong to Us (Slapering Hol Press and Poetry Foundation, 2015), and Bless The Daughter Raised By A Voice In Her Head (Random House, forthcoming 2021). Her poems have appeared in journals and magazines, including Poetry Review, Wasafiri, and Sable LitMag; in the anthologies Salt Book of Younger Poets (2011), Long Journeys: African Migrants on the Road (2013), and Poems That Make Grown Women Cry (2016); as well as in Beyoncé's visual album Lemonade (2016) and film Black Is King (2020).According to Alexis Okeowo in the New Yorker, Shire's work “embodies the kind of shape-shifting, culture-juggling spirit lurking in most people who can't trace their ancestors to their country's founding fathers, or whose ancestors look nothing like those fathers. In that limbo, Shire conjures up a new language for belonging and displacement.” Shire's poems connect gender, war, sex, and cultural assumptions; in her work, poetry is a healing agent for the trauma of exile and suffering. In an interview, Shire noted, “Character driven poetry is important for me—it's being able to tell the stories of those people, especially refugees and immigrants, that otherwise wouldn't be told, or they'll be told really inaccurately. And I don't want to write victims, or martyrs, or vacuous stereotypes … my family are really amazing—they'll tell me, ‘I have a new story for you,' and I'll get my Dictaphone and record it, so I can stay as true as possible to the story before I make it into a poem.”Shire has read her work in South Africa, Italy, Germany, and the United States. In 2013, she won Brunel University's first African Poetry Prize. In 2014, she was named the first Young Poet Laureate for London and chosen as poet-in-residence for Queensland, Australia. In 2017 she was included in the Penguin Modern Poets series. In 2019 she wrote the short film Brave Girl Rising,narrated by Tess Thompson and David Oyelowo, and became the youngest person to ever be inducted into the Royal Society of Literature.Shire is poetry editor of Spook Magazine and guest edited Young Sable LitMag.

Rattlecast #89 features 2013 Neil Postman Award winner Eugenia Leigh and her book Blood, Sparrows and Sparrows. Eugenia Leigh's Blood, Sparrows and Sparrows (Four Way Books, 2014), was winner of the Late Night Library's 2015 Debut-litzer Prize in Poetry as well as a finalist for the National Poetry Series and the Yale Series of Younger Poets. Her poems and essays have appeared in numerous publications including The Rumpus, Ploughshares, Waxwing, Pleiades, North American Review, the Academy of American Poets' Poem-a-Day, the Best New Poets 2010 anthology, and the 2017 Best of the Net anthology. Eugenia received her MFA from Sarah Lawrence College, where she was awarded the Thomas Lux Scholarship for her dedication to teaching, demonstrated through her writing workshops with incarcerated youths and with Brooklyn high school students. Since her time at Sarah Lawrence, Eugenia has served as a teaching artist with a variety of organizations including the Asian American Legal Defense and Education Fund's undocumented youth group, RAISE. For more info, visit: https://www.eugenialeigh.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. For details on how to participate, either via Skype or by phone, go to: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem that begins with the following sentence: Pull over at the next stop. Next Week's Prompt: Write a poem that starts and ends with the same line. The Rattlecast livestreams on YouTube, Facebook, Twitter, and Periscope, then becomes an audio podcast.

In recognition of President's Day, today's poem is in the posthumous voice of Abraham Lincoln, as imagined by Kentucky poet Maurice Manning. Kentucky poet Maurice Manning has published five books of poetry, including The Common Man, which was one of three finalists for the 2011 Pulitzer Prize in Poetry. His first collection, Lawrence Booth’s Book of Visions, was selected for the 2000 Yale Series of Younger Poets. He has had works in publications including The New Yorker, Washington Square, The Southern Review, Poetry, Shenandoah, and The Virginia Quarterly Review. - Bio via Transy.edu. See acast.com/privacy for privacy and opt-out information.

Carolyn Forché was born in Detroit, Michigan. She studied at Michigan State University and earned an MFA from Bowling Green State University.She is a poet, memoirist, translator, and editor, Forché's books of poetry include: In the Lateness of the World, The Angel of History, which received the Los Angeles Times Book Award; The Country Between Us, which received the Poetry Society of America's Alice Fay di Castagnola Award and was the Lamont Poetry Selection of the Academy of American Poets; and Gathering the Tribes, which was selected for the Yale Series of Younger Poets by Stanley Kunitz. Her memoir What You Have Heard is True: A Memoir of Witness and Resistancewas a finalist for the 2019 National Book Award in Nonfiction. In this episode we discuss In the Lateness of the World. Learn more about your ad choices. Visit megaphone.fm/adchoices

O dear ones—hope you're staying safe and well! We're coming to you from our respective apartments for our second conversation with Paisley Rekdal, who was kind enough to bring in Brigit Pegeen Kelley's "Black Swan". We geeked. If you haven't yet, be sure to check out last week's episode and leave us a sweet review! PAISLEY REKDAL  is the author of a book of essays, The Night My Mother Met Bruce Lee;  the hybrid photo-text memoir, Intimate; and five books of poetry: A Crash of Rhinos; Six Girls Without Pants; The Invention of the Kaleidoscope; Animal Eye, a finalist for the 2013 Kingsley Tufts Prize and winner of the UNT Rilke Prize; and Imaginary Vessels, finalist for the 2018 Kingsley Tufts Prize and the Washington State Book Award. Her newest work of nonfiction is a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam. A new collection of poems, Nightingale, which re-writes many of the myths in Ovid's The Metamorphoses, was published spring 2019.  Appropriate: A Provocation, which examines cultural appropriation, is forthcoming from W.W. Norton in Feb. 2021.  She is the guest editor for Best American Poetry 2020. Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative's Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards. Her poems and essays have appeared in The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House, the Best American Poetry series (2012, 2013, 2017, 2018, 2019), and on National Public Radio, among others. She is a Distinguished Professor at the University of Utah, where she is also the creator and editor of the community web project Mapping Salt Lake City. In May 2017, she was named Utah's Poet Laureate and received a 2019 Academy of American Poets' Poets Laureate Fellowship.  BRIGIT PEGEEN KELLY was born in Palo Alto, California, in 1951. Her first collection of poems, To The Place of Trumpets (1987), was selected by James Merrill for the Yale Series of Younger Poets. Song (BOA Editions), which followed in 1995, was the 1994 Lamont Poetry Selection of the Academy of American Poets. Her third collection, The Orchard (2004), was a finalist for the Pulitzer Prize in Poetry, the Los Angeles Times Book Award in Poetry, and the National Book Critics Circle Award in Poetry. Her work has also appeared in several volumes of the Pushcart Prize Anthology and several volumes of The Best American Poetry. She has taught at the University of California at Irvine, Purdue University, Warren Wilson College, and the University of Illinois, Urbana-Champaign, as well as numerous writers' conferences in the United States and Ireland. In 2002 the University of Illinois awarded her both humanities and campus-wide awards for excellence in teaching. She died in October 2016.

Author Photo by Cybele Knowles Fady Joudah has published four collections of poems, The Earth in the Attic, Alight, Textu, a book-long sequence of short poems whose meter is based on cellphone character count; and, most recently, Footnotes in the Order of Disappearance. He has translated several collections of poetry from the Arabic and is the co-editor and co-founder of the Etel Adnan Poetry Prize. He was a winner of the Yale Series of Younger Poets competition in 2007 and has received a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, and a Guggenheim Fellowship. He lives in Houston, with his wife and kids, where he practices internal medicine.

Heather Davis and Jose Padua are powerhouse poets and writers that have worked and encouraged each other's work throughout the years.  Listen to us discuss their journey, their writing process and their challenges and their joys as poets who are married together with children. http://yourartsygirlpodcast.com/episodes Bio:  Jose Padua’s first full-length book, A Short History of Monsters, was chosen by former poet laureate Billy Collins as the winner of the 2019 Miller Williams Poetry Prize and is now out from the University of Arkansas Press. His poetry, fiction, and nonfiction have appeared in publications such as Bomb, Salon.com, Beloit Poetry Journal, Exquisite Corpse, Another Chicago Magazine, Unbearables, Crimes of the Beats, Up is Up, but So Is Down: New York's Downtown Literary Scene, 1974-1992, and others. He has written features and reviews for Salon, The Weeklings, NYPress, Washington City Paper, the Brooklyn Rail, and the New York Times, and has read his work at Lollapalooza, CBGBs, the Knitting Factory, the Public Theater, the Living Theater, the Nuyorican Poets' Café, the St. Mark's Poetry Project, and many other venues. He was a featured reader at the 2012 Split This Rock poetry festival and won the New Guard Review’s 2014 Knightville Poetry Prize. After spending the past ten years with his wife (the poet Heather L. Davis) and children in Virginia’s Shenandoah Valley, he and his family are back in his hometown, Washington, D.C. Padua also writes the blog Shenandoah Breakdown,  (http://shenandoahbreakdown.wordpress.com/). Samples: These So Long Days We Spend in the Middle of Things--Shenandoah Breakdown https://shenandoahbreakdown.wordpress.com/2016/07/31/these-so-long-days-we-spend-in-the-middle-of-things/ A Short History of Everyone in the World – Verse Daily http://www.versedaily.org/2019/ashorthistoryofeveryone.shtml Gin and the River – Pea River Journal https://peariverjournal.com/2013/11/29/pushcart-nominee-jose-padua-gin-and-the-river/ Two poems - Bomb https://bombmagazine.org/articles/two-poems-padua/ My Confederate Town https://www.salon.com/2013/10/27/why_do_confederate_flags_remind_me_of_home_partner/ A Life of Uncontrollable Urges (or Tourette’s and the Writing Life) https://voxpopulisphere.com/2014/08/21/jose-padua-a-life-of-uncontrollable-urges-or-tourettes-and-the-writing-life/   Bio: Heather Lynne Davis earned a B.A. in English from Hollins University and an M.A. in creative writing from Syracuse University. She attended the Bucknell Seminar for Younger Poets and is a winner of the Hayden Carruth Poetry Prize at Syracuse University, a Larry Neal Writer’s Award, Bethesda Literary Festival essay and poetry prizes, and the Arlington County Moving Words Poetry Contest. She is the author of The Lost Tribe of Us, which won the 2007 Main Street Rag Poetry Book Award and has published two short stories in the Rehoboth Beach Reads anthology series. A short story is also forthcoming in the anthology Us Against Alzheimer’s: Stories of Family, Love, and Faith. Her poems have appeared in Cream City Review, Gargoyle, Poet Lore, Puerto del Sol, and Sonora Review, among others. She lives in Washington, DC with her husband, the poet José Padua, and their son and daughter. She is at work on a novel.     A few poems and links to poems are here: https://heatherlynnedavis.com/poetry/  

Welcome back, dearest. In last week's episode, we spoke to Lena Khalaf Tuffaha about activism, home, language, and so much more. In this episode, Lena brought to The Poet Salon Mahmoud Darwish's “To Our Land”. She was even kind enough to read it to us in the original Arabic. LENA KHALAF TUFFAHA is an American poet, writer, and translator of Palestinian, Jordanian, and Syrian heritage. She is the winner of the 2016 Two Sylvias Chapbook Prize for Arab in Newsland, and the author of Water & Salt, a book of poems from Red Hen Press published in April 2017, which won the Washington State Book Award. You can follow her on Twitter @LKTuffaha. Palestinian MAHMOUD DARWISH was born in al-Birwa in Galilee, a village that was occupied and later razed by the Israeli army. Because they had missed the official Israeli census, Darwish and his family were considered “internal refugees” or “present-absent aliens.” Darwish lived for many years in exile in Beirut and Paris. He is the author of over 30 books of poetry and eight books of prose, and earned the Lannan Cultural Freedom Prize from the Lannan Foundation, the Lenin Peace Prize, and the Knight of Arts and Belles Lettres Medal from France (excerpted from the Poetry Foundation). FADY JOUDAH has published four collections of poems, The Earth in the Attic, Alight, Textu, a book-long sequence of short poems whose meter is based on cellphone character count; and, most recently, Footnotes in the Order of Disappearance. He has translated several collections of poetry from the Arabic. He was a winner of the Yale Series of Younger Poets competition in 2007 and has received a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, and a Guggenheim Fellowship. He lives in Houston, with his wife and kids, where he practices internal medicine. REFERENCES "To Our Land" by Mahmoud Darwish, English translation by Fady Joudah; Palestinian Deceleration of Independence; "A Conversation With Fady Joudah" (Kenyon Review) "Remembering Palestinian Poet Mahmoud Darwish 10 years after his death" (The National, August 2018)

Three Kundiman fellows with award-winning first books read and talk about their work.Cathy Linh Che is the author of Split (Alice James, 2014), winner of the 2012 Kundiman Poetry Prize.A Vietnamese American poet from Los Angeles and Long Beach, CA, she received her B.A. from Reed College and her M.F.A. from New York University. She has been awarded fellowships and residencies from Poets & Writers, The Fine Arts Work Center at Provincetown, Kundiman, Hedgebrook, Poets House, The Asian American Literary Review, The Center for Book Arts, and The Lower Manhattan Cultural Council’s Workspace Residency.A founding editor of the online journal Paperbag, she is Program Associate for Readings & Workshops (East) at Poets & Writers and Manager of Kundiman. She lives in Brooklyn, New York.Eugenia Leigh is the author of Blood, Sparrows and Sparrows (Four Way Books, Fall 2014), which was a finalist for both the National Poetry Series and the Yale Series of Younger Poets. Her writing has appeared in numerous publications including PANK Magazine, Indiana Review, The Collagist, and the Best New Poets 2010 anthology.Eugenia earned her M.F.A. in Creative Writing from Sarah Lawrence College, where she was awarded the Thomas Lux Scholarship for her dedication to teaching creative writing, demonstrated through her workshops with incarcerated youths and with Brooklyn high school students. Eugenia has won awards from Poets & Writers Magazine and Rattle, and has received fellowships from Kundiman and The Asian American Literary Review. She serves as the Poetry Editor of Kartika Review.Born in Chicago and raised in southern California, Eugenia lives and writes in New York City.Sally Wen Mao is the author of Mad Honey Symposium (Alice James Books, 2014), the winner of the 2012 Kinereth Gensler Award and a Publishers Weekly Top 10 Most Anticipated Poetry Books of Spring. Her work has been anthologized in The Best American Poetry 2013 and is published or forthcoming in Guernica, Gulf Coast, Hayden’s Ferry Review, Indiana Review, Puerto del Sol, Quarterly West, Third Coast, and West Branch, among others. A Kundiman fellow, she holds a B.A. from Carnegie Mellon University and an M.F.A. from Cornell University.This event is part of the Honey Badgers' Summer Book Tour. Recorded On: Monday, July 21, 2014

  Robert Baldock started working at Yale University Press in London as a history editor in 1985. After serving as editorial director of the publisher's humanities division, and deputy m.d.,   he was promoted to Managing Director in 2004. His authors on the biography, history, politics, music and religion lists have included Roy Porter, Richard Evans and Diarmuid MacCulloch. Prior to Yale he worked at Weidenfeld & Nicolson and the Harvester Press. We talk here about his predecessor John Nicol, a brilliant editor and designer who developed Yale's art and architecture list, Nicol's triumph Life in the English Country House; about Yale's partnerships with the world's great galleries and museums, its hands-on approach to production, E.H.Gombrich's A Little History of the World (400,000 copies sold, and counting), Strawberry Hill and the Lewis Walpole Library in Connecticut, the Yale series of Younger Poets, the Annals of Communism series, and architectural historian Nikolaus Pevsner's famous guides.  

Today's podcast is infused with the two themes of this year's festival - Myth and Legend and the Director's Cut. In the former we have an excerpt from the Poetry Breakfast which featured Moniza Alvi, Tiffany Atkinson, Stephen Halliwell and Rebecca Seiferle discussing myths in poetry. In the latter we feature two great Scottish poets Tom Pow and John Glenday. We also have the pleasure to include a fragment from the Past Poets event on Ivor Cutler with his publisher and friend Tony Ward. And we got the chance to listen to the marvellous Clydebuilt poets Christie Williamson, Chloe Morrish, Susan Rosser and Gordon McInnes in the Younger Poets showcase as well as speak to one of its founders, Jim Carruth.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Arda Collins, winner of the Yale Series of Younger Poets competition as well as the American Academy of Arts and Sciences' Poetry Prize, reads selected poems as part of the "Poem Present"series.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Arda Collins, winner of the Yale Series of Younger Poets competition as well as the American Academy of Arts and Sciences' Poetry Prize, reads selected poems as part of the "Poem Present"series.

A presentation of excerpts from Daniel Hoffman's latest book of poetry, The Whole Nine Yards. Among Hoffman's many books are: Beyond Silence: Selected Shorter Poems 1948-2003 (2003); Darkening Water (2002); Middens of the Tribe (1995); Hang-Gliding from Helicon: New and Selected Poems, 1948-1988, winner of the 1988 Paterson Poetry Prize; Brotherly Love, (1981) a National Book Award and National Book Critics Circle Award nominee; The Center of Attention (1974); Broken Laws (1970); Striking the Stones (1968); The City of Satisfactions (1963); A Little Geste and Other Poems (1960); and An Armada of Thirty Whales (1954), chosen by W.H. Auden for the Yale Series of Younger Poets.   The post Behind the News with Doug Henwood – February 7, 2009 at 10:00am appeared first on KPFA.

Jessica Fisher's Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley's rich poetic history. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 13565]

Jessica Fisher's Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley's rich poetic history. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 13565]

Jessica Fisher’s Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley’s rich poetic history. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 13565]

Jessica Fisher’s Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley’s rich poetic history. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 13565]

Jessica Fisher's Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. Judge Louise Glück writes, "what gives Jessica Fisher's work its sense of form, of repose, is her perfection of ear. That repose, with its strange mobility, its accommodation of surprise, is Fisher's particular genius." She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley's rich poetic history.

Jessica Fisher's Frail-Craft was the winner of the prestigious 2006 Yale Series of Younger Poets competition. Judge Louise Glück writes, "what gives Jessica Fisher's work its sense of form, of repose, is her perfection of ear. That repose, with its strange mobility, its accommodation of surprise, is Fisher's particular genius." She is a doctoral candidate in English at U.C. Berkeley and is coeditor, with Robert Hass, of The Addison Street Anthology, which chronicles Berkeley's rich poetic history.

Ocean Vuong is the author of The New York Times bestselling novel, On Earth We're Briefly Gorgeous, out from Penguin Press (2019) and forthcoming in 30 languages. A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize. Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of “32 Essential Asian American Writers” and has been profiled on NPR's “All Things Considered,” PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker.   Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU.  He currently lives in Northampton, Massachusetts where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst. Support this podcast at — https://redcircle.com/the-vietnamese-with-kenneth-nguyen/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy