Podcasts about elizabeth george foundation

In Sara Johnson Allen's novel Down Here We Come Up (Black Lawrence Press 2023), Kate Jessup's mother lures her back home to North Carolina. Jackie Jessup is a con-artist, always working a scheme, always taking what she wanted, and she taught Kate to do the same. Now she's dying, and Kate is estranged and living far away in Boston. Kate, her mother, and a third woman, Maribel, have either alienated, given away, or otherwise lost their children. It's 2006, and Jackie has hatched a dubious plan for Kat to drive down to Ciudad Juarez in Mexico, pretend she's the mother of Maribel's children, and sneak them back over the border into the states. Kate needs to figure out what's in it for her mother, because with Jackie Jessup, there's always a price to pay. This is a novel about class, inheritance, and flawed people making mistakes, taking risks, or trying to survive. Sara Johnson Allen was raised (mostly) in North Carolina. A recipient of the Marianne Russo Award for Emerging Writers by the Key West Literary Seminar, the Stockholm Writers Festival First Pages Prize, an artistic grant from the Elizabeth George Foundation, and MacDowell fellowships, her work has appeared in PANK Magazine, SmokeLong Quarterly, and Reckon Review, among others. She is finishing a second novel and starting a work of creative nonfiction, which is an exploration of cultural and political history through personal narrative, centering on her 17th century home in coastal Massachusetts. When she is not teaching or shuttling her three kids around, she writes about place and how it shapes us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Sara Johnson Allen's novel Down Here We Come Up (Black Lawrence Press 2023), Kate Jessup's mother lures her back home to North Carolina. Jackie Jessup is a con-artist, always working a scheme, always taking what she wanted, and she taught Kate to do the same. Now she's dying, and Kate is estranged and living far away in Boston. Kate, her mother, and a third woman, Maribel, have either alienated, given away, or otherwise lost their children. It's 2006, and Jackie has hatched a dubious plan for Kat to drive down to Ciudad Juarez in Mexico, pretend she's the mother of Maribel's children, and sneak them back over the border into the states. Kate needs to figure out what's in it for her mother, because with Jackie Jessup, there's always a price to pay. This is a novel about class, inheritance, and flawed people making mistakes, taking risks, or trying to survive. Sara Johnson Allen was raised (mostly) in North Carolina. A recipient of the Marianne Russo Award for Emerging Writers by the Key West Literary Seminar, the Stockholm Writers Festival First Pages Prize, an artistic grant from the Elizabeth George Foundation, and MacDowell fellowships, her work has appeared in PANK Magazine, SmokeLong Quarterly, and Reckon Review, among others. She is finishing a second novel and starting a work of creative nonfiction, which is an exploration of cultural and political history through personal narrative, centering on her 17th century home in coastal Massachusetts. When she is not teaching or shuttling her three kids around, she writes about place and how it shapes us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Lena Valencia is the author of the debut story collection Mystery Lights, available from Tin House. It is the official August pick of the Otherppl Book Club. Valencia's fiction has appeared in Ninth Letter, Epiphany, Joyland, the anthology Tiny Nightmares, and elsewhere. She is the recipient of a 2019 Elizabeth George Foundation grant and holds an MFA in fiction from The New School. Originally from Los Angeles, she lives in Brooklyn, New York, where she is the managing editor and director of educational programming at One Story and the co-host of the reading series Ditmas Lit. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

About:Safiya Sinclair was born and raised in Montego Bay, Jamaica. She is the author of the memoir How to Say Babylon, winner of the National Book Critics Circle Award in Autobiography, a finalist the Kirkus Prize, and longlisted for the Women's Prize in Non-Fiction and the OCM Bocas Prize for Caribbean Literature. How to Say Babylon was named one of the 100 Notable Books of the year by the New York Times, a Top 10 Book of 2023 by the Washington Post, one of The Atlantic's 10 Best Books of 2023, a TIME Magazine Top 10 Nonfiction Book of 2023, a Read with Jenna/TODAY Show Book Club pick, and one of Barack Obama's Favorite Books of 2023. How to Say Babylon was also named a Best Book of the Year by The New Yorker, NPR, The Guardian, the Los Angeles Times, Vulture, Harper's Bazaar, and Barnes & Noble, among others, and was an ALA Notable Book of the Year. The audiobook of How to Say Babylon was named a Best Audiobook of the Year by Audible and AudioFile magazine.Sinclair's  other honors include a Pushcart Prize, fellowships from the Poetry Foundation, Civitella Ranieri Foundation, the Elizabeth George Foundation, MacDowell, Yaddo, the Bread Loaf Writers' Conference, and the Fine Arts Work Center in Provincetown. Her work has appeared in The New Yorker, Time Magazine, Harper's Bazaar, Granta, The Nation, and elsewhere. She is currently an Associate Professor of Creative Writing at Arizona State University.

The Ill-Fitting Skin is layered with surreal storytelling but remains an extraordinarily realistic read, in the sense that even the most solid realities of life—and death—tend to blur and shimmer at their raw edges. The talkative bird that nests in a woman's womb is as real as the “previous tenant.” The love of a mother for her uncontrollable son is as real as the wildness that is in her too. The women of The Ill-Fitting Skin are real women—who work and grieve and create and destroy, who love and do not love, whether at the roll of the dice or because “the pages are paths, and you will have to choose among them.”Shannon Robinson's debut short story collection, The Ill-Fitting Skin, is winner of the Press 53 Award for Short Fiction (forthcoming with Press 53 in May 2024). Her writing has appeared in The Gettysburg Review, The Iowa Review, Joyland, Water-Stone Review, Nimrod, failbetter, and elsewhere. She holds an MFA in fiction from Washington University in St. Louis, and in 2011 she was the Writer-in-Residence at Interlochen Center for the Arts. Other honors include Nimrod's Katherine Anne Porter Prize for Fiction, grants from the Elizabeth George Foundation and the Canada Council for the Arts, a Hedgebrook Fellowship, a Sewanee Scholarship, and an Independent Artist Award from the Maryland Arts Council. She teaches creative writing at Johns Hopkins University and lives in Baltimore with her husband and son. www.shannonrobinson.org

Author Uche Okonkwo reads from and talks about her debut book “A Kind of Madness,” a collection of short stories set in Nigeria that explore the intricacies of human relationships and desires, our flawed thinking, religious and cultural norms, and the erosion of childhood innocence. Okonkwo also shares her own growth as an author and as a person.Uche Okonkwo is a writer whose stories have been published in A Public Space, One Story, the Kenyon Review, Ploughshares, The Best American Nonrequired Reading 2019, and Lagos Noir, among others. A former Bernard O'Keefe Scholar at Bread Loaf Writers' Conference and resident at Art Omi, she is a recipient of the George Bennett Fellowship at Phillips Exeter Academy, a Steinbeck Fellowship, and an Elizabeth George Foundation grant. Okonkwo grew up in Lagos, Nigeria, and is currently pursuing a creative writing PhD at the University of Nebraska-Lincoln. Her debut short story collection, A Kind of Madness, published by Tin House, is now available.

Today we are joined by author Shannon Robinson whose debut short story collection The Ill-Fitting Skin won Press 53's award for Short Fiction. Our conversation was interrupted by a major storm, but we reconvened a few days later to finish talking about the first story in her collection, "Origin Story." Shannon Robinson's writing has appeared in The Gettysburg Review, The Iowa Review, Joyland, Nimrod, The Hopkins Review, and elsewhere. She holds an MFA in fiction from Washington University in St. Louis, and in 2011 she was the Writer-in-Residence at Interlochen Center for the Arts. Other honors include Nimrod's Katherine Anne Porter Prize for Fiction, grants from the Elizabeth George Foundation and the Canada Council for the Arts, a Hedgebrook Fellowship, a Sewanee Scholarship, and an Independent Artist Award from the Maryland Arts Council. She teaches creative writing at Johns Hopkins University and lives in Baltimore with her husband and son. You can buy The Ill-Fitting Skin at all bookstores and on Press 53's website (www.Press53.com) and find Shannon at www.ShannonRobinson.org. Are you a writer who would like to be on the podcast? Drop me a line at barnburningpodcast@gmail.com.

Margo is joined by writer, singer-songwriter, teacher, and coach Marisa Handler. Marisa is the author of Loyal to the Sky, which won a Nautilus Gold Award for world-changing books and her essays, fiction, and poetry have appeared in numerous publications. Her music is also streamed across large platforms such as Spotify and iTunes. Marisa earned her MFA from the Iowa Writers' Workshop, and has received many fellowships in Creative Writing, including a Fulbright and an Elizabeth George Foundation grant. On the spiritual side, Marisa has been studying Insight Meditation in retreats and daily life since 2002, and instructing since 2012. She is a Certified Facilitator of The Work of Byron Katie, and has long-term practices in Authentic Movement, Somatic Experiencing, and various forms of dance. Marisa is the founder of Live Your Creative Genius, an in-depth coaching program offering a new paradigm for creative work, and she teaches on creativity, writing, and transformation at places like Stanford University, Spirit Rock Meditation Center, Esalen, and the California Institute for Integral Studies.   Margo and Marisa discuss: Her creative path and how spirituality plays a role in her many creative mediums Cultivating creativity, finding support in a creative community, and connecting with one's authentic voice The challenges of balancing creative pursuits with jobs Creating a sacred space for creativity Her 9 month coaching program How we are intrinsically creative beings How we do our best creative work by becoming who we truly are Embracing our shadow Viewing our obstacles as allies   Join Windowsill Chats Patreon for just $5 a month and receive early access to the Windowsill Chats Podcast, question submission for Q&A, replay's of monthly Q&A create-together sessions, a vibrant Facebook community, and more at www.patreon.com/inthewindowsill!   Connect with Marisa: www.marisahandler.com "Alchemize Your Creative Vision" on December 12th: https://marisahandler.com/programs/aycv/ Live your Creative Genius (9 month coaching): https://marisahandler.com/programs/lycg/ https://marisahandler.com/programs/firing-up-the-engines/  https://www.facebook.com/marisa.handler.3 https://open.spotify.com/artist/3Q6NM99n37Lch8xG4Rjkfx?si=YqGdYLUaSo-JnGgyF_qbww https://insighttimer.com/marisacreates   Connect with Margo: www.instagram.com/windowsillchats www.windowsillchats.com www.patreon.com/inthewindowsill

Tony Diaz, El Librotraficante & Literary Curator for the Latino Bookstore at the Guadalupe Cultural Arts Center in San Antonio Texas, welcomes award winning author John Olivares Espinoza to the show to discuss his book THE DATE FRUIT ELEGIES (Bilingual Review Press, 2008) ahead of his Texas Author Series appearance on October 13th 2023 at the Guadalupe. John shares with us his work, reads some of his poems (including unreleased portions of his upcoming book), the inspiration behind his work, as well as his current as editor / poetry coach to several well known literary figures, including Chicana icon Sandra Cisneros. John Olivares Espinoza is a recipient of a 2023 City of San Antonio Project Grants for Individual Artists. Born and raised in Indio, California, and the son of immigrants from Mexico, he received degrees in creative writing from the University of California, Riverside and Arizona State University. He is the author of the poetry collection, The Date Fruit Elegies (Bilingual Review Press, 2008), as well as two chapbooks, Aluminum Times (Swan Scythe Press, 2002) and Gardeners of Eden (Chicano Chapbook Series, 2000). His poetry has appeared in journals and anthologies domestically and internationally such as Alta Journal, American Poetry Review, Berkeley Poetry Review, New Letters, Poetry International, Quarterly West, Rattle, ZYZZYVA and In Xóchitl in Cuícatl: Floricanto: Cien años de poesía chicanx/latinx (1920-2020) (Editorial Polibea: Madrid, 2021). His honors include a writing grant from The Elizabeth George Foundation, a Paul and Daisy Soros Fellowship for New Americans, and a residency at the Smithsonian Institute in Washington, D.C. Espinoza has been a member of the Macondo Writers Workshop since 2004 and lives in San Antonio with his family. John attempts to create a family mythology around their experiences and identities as immigrants, laborers, and New Americans. Meanwhile, other speakers in his poems grapple with their identities as first generation Americans. Poet Christopher Buckley introduces Espinoza's poetry by saying, “…[I]t was the lives of his family, of the people who did not stay at resorts [and the homes of the rich], that became [John's] theme, and his poems risked clarity at every turn to do them justice. John's poems are witness to this life, and with poignancy and inventiveness they reveal the essential dignity and compassion of the people he knows.” Tony Diaz Writer and activist Tony Diaz, El Librotraficante, is a Cultural Accelerator. He was the first Chicano to earn a Master of Fine Arts degree from the University of Houston Creative Writing Program. In 1998, he founded Nuestra Palabra: Latino Writers Having Their Say (NP), Houston's first reading series for Latino authors. The group galvanized Houston's Community Cultural Capital to become a movement for civil rights, education, and representation. When Arizona officials banned Mexican American Studies, Diaz and four veteran members of NP organized the 2012 Librotraficante Caravan to smuggle books from the banned curriculum back into Arizona. He is the author of The Aztec Love God. His book, The Tip of the Pyramid: Cultivating Community Cultural Capital, is the first in his series on Community Organizing. Tony hosts Latino Politics and News and the Nuestra Palabra Radio Show on 90.1 FM, KPFT, Houston's Community Station. He is also a political analyst on “What's Your Point?” on Fox 26 Houston. * This is part of a Nuestra Palabra Multiplatform broadcast. * Video airs on www.Fox26Houston.com. * Audio airs on 90.1 FM Houston, KPFT, Houston's Community Station, where our show began. Thanks to Roxana Guzman, Multiplatform Producer Rodrigo Bravo, Jr., Audio Producer www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net Nuestra Palabra is funded in part by the BIPOC Arts Network Fund. Instrumental Music produced / courtesy of Bayden Records baydenrecords.beatstars.com

In episode 1760 of KEEN ON, Andrew talks to Isle McElroy, author of PEOPLE COLLIDE, about what it means to be a non-binary writer and how it might feel like to be born into the wrong body.Isle McElroy is a non-binary writer based in Brooklyn. Their debut novel, The Atmospherians, was named a New York Times Editors' Choice. Their second novel, People Collide, will be published in September. Other writing appears in The New York Times, New York Times Magazine, The Guardian, The Cut, Vulture, GQ, Vogue, The Atlantic, Tin House, and elsewhere. Isle was named one of The Strand's 30 Writers to Watch. They have received fellowships from The Bread Loaf Writers' Conference, The Tin House Summer Workshop, The Sewanee Writers Conference, The Inprint Foundation, The Elizabeth George Foundation, and The National Parks Service.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Sara Johnson Allen discusses the first pages of her debut novel, Down Here We Come Up, and her long road to publication. We talk about the power of the first pages in keeping you going, the importance of place description and how to make it move, how to find the balance between your front story and larger back story, and why it's often necessary to put a book aside to understand it fully enough to revise.Allen's first pages can be found here.Help local bookstores and our authors by buying this book on Bookshop.Click here for the audio/video version of this interview.The above link will be available for 48 hours. Missed it? The podcast version is always available, both here and on your favorite podcast platform.Sara Johnson Allen was raised (mostly) in North Carolina. Her first novel, Down Here We Come Up, is the winner of the 2022 Big Moose Prize and is forthcoming from Black Lawrence Press in August 2023. Her fiction has appeared in PANK Magazine, SmokeLong Quarterly, and Reckon Review. She was recently awarded runner-up in the 2022 Third Coast fiction contest. In 2018, she was awarded the Marianne Russo Award for Emerging Writers by the Key West Literary Seminar for her novel-in-progress. In 2019, she received the Stockholm Writers Festival First Pages Prize. She has also been awarded MacDowell fellowships and an artistic grant from the Elizabeth George Foundation. When she is not grading papers or chasing after her three kids, she likes to write about ‘place' and how it shapes us.Thank you for reading The 7am Novelist. This post is public so feel free to share it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

Today, Ben Hinshaw discusses his debut novel, Exactly What You Mean, as well as shaping this novel-in-stories, how parenthood changed his writing, locating and maintaining his authentic voice, his process, the weird feelings that accompany publication, and more!  Ben Hinshaw's writing has received an O. Henry Award and appeared in Granta, Harvard Review, Story, The Carolina Quarterly, The White Review and elsewhere. He earned his MA in creative writing at UC Davis and has received grants and scholarships from the Elizabeth George Foundation, Bread Loaf, and the Community of Writers. Born on the island of Guernsey, Ben has lived in London, Nottingham and Northern California. He currently lives on Guernsey with his wife and daughters.   Ben's debut novel is Exactly What You Mean, published by Viking and selected for BBC Two's Between the Coversbook club. Exactly What You Mean was called "brilliant" and "remarkable" by The Sunday Times, "a notable debut from a smart and capable author" by Hilary Mantel, and "riveting and beautifully patterned" by Max Porter.  Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 1401: In this KEEN ON show, Andrew talks to the author of THE LAST CATASTROPHE, Allegra Hyde, about her new story collection that focuses on how humanity grapples in a world transformed by climate change Allegra Hyde is the author of ELEUTHERIA, which was named a "Best Book of 2022" by The New Yorker. She is also the author of the story collection, OF THIS NEW WORLD, which won the John Simmons Short Fiction Award. Her second story collection, THE LAST CATASTROPHE, will be published in March 2023 by Vintage. A recipient of three Pushcart Prizes, Hyde's writing has also been anthologized in Best American Travel Writing, Best of the Net, and Best Small Fictions. Her stories, essays, and humor pieces have appeared in The New Yorker, American Short Fiction, BOMB, and many other venues. Hyde has received fellowships and grants from the Bread Loaf Writers' Conference, the Sewanee Writers' Conference, The Elizabeth George Foundation, the Lucas Artist Residency Program, the Jentel Foundation, the U.S. Fulbright Commission, and elsewhere. She currently teaches at Oberlin College. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 174 Notes and Links to Allegra Hyde's Work       On Episode 174 of The Chills at Will Podcast, Pete welcomes  Allegra Hyde, and the two discuss, among other things, her lifelong love of reading and love for librarians (like her mom!) and libraries, her varied reading and writing genres, inspirations for her dazzling and inventive worldbuilding, dark humor, the main throughline of her story collection, ideas of climate change, “global weirding,” action and inaction, encroaching technology, misogyny and patriarch with regard to climate issues, and why she has hope for our world.      Allegra Hyde is the author of ELEUTHERIA, which was named a "Best Book of 2022" by The New Yorker. She is also the author of the story collection, OF THIS NEW WORLD, which won the John Simmons Short Fiction Award. Her second story collection, THE LAST CATASTROPHE, is out in the world as of today, March 28, published by Vintage.    A recipient of three Pushcart Prizes, Hyde's writing has also been anthologized in Best American Travel Writing, Best of the Net, and Best Small Fictions. Her stories, essays, and humor pieces have appeared in The New Yorker, American Short Fiction, BOMB, and many other venues.    Hyde has received fellowships and grants from the Bread Loaf Writers' Conference, the Sewanee Writers' Conference, The Elizabeth George Foundation, the Lucas Artist Residency Program, the Jentel Foundation, the U.S. Fulbright Commission, and elsewhere.    She currently teaches at Oberlin College.     Buy The Last Catastrophe   Allegra Hyde's Webpage   Our Culture Mag Profile of Allegra Hyde and The Last Catastrophe     At about 7:10, Pete compliments The Last Catastrophe, referring to Allegra's work as “prophet[ic],” and Allegra talks about her mindset with her book now entering the world   At about 9:15, Allegra talks about her childhood relationships with the library, reading, and writing; she shouts out her love for The Chronicles of Narnia and audiobooks in general   At about 10:45, Pete wonders about any childhood experiences that may have steered Allegra to particular types of reading    At about 12:10, Pete highlights a particular story from the collection that is indicative of Allegra's skill with worldbuilding; she explains her approach to worldbuilding   At about 14:10, Allegra describes the “privilege” in doing authorial research and she and Pete shout out librarians and decry the recent spate of book banning   At about 15:40, Pete asks Allegra about who/what she is reading these days; she highlights Sleepwalk by Dan Chaon and Thornton Wilder   At about 17:15, Pete references the book's blurb as “dazzling and inventive” (Alexandra Kleeman) and Allegra describes her approach in writing one of those “dazzling” stories   At about 18:55, Allegra defines “retrofuturism,” and she describes how it was guiding her in these stories; she points out her story “Democracy in América” as an example   At about 20:15, Allegra characterizes the throughline of her short story connection, defining and expounding upon the term “Global Weirding”   At about 23:05, Pete cites an important and evocative opening line of the collection and asks Allegra about the line's larger meaning and if it served as a catalyst   At about 24:45, Pete and Allegra discuss the plot and significance of the story “Mobilization”   At about 27:55, Pete references a joke from Marc Maron and inaction on climate change/global weirdness; Allegra highlights the need to approach the crisis from a communal lens   At about 29:20, Pete refers to grass and drought issues and its connection to wealth and    At about 30:05, Pete quotes from the book and he and Allegra discuss ideas of optimism and pessimism regarding the future, particularly with regard to climate change/global weirdness   At about 32:35, Pete references the story “Zoo Suicides” and Allegra speaks to the story's intent and how it was “after” Donald Barthelme and Dana Diehl   At about 35:00, The two discuss the power of the dark humor in the book, and Allegra discusses the story “Afterglow” and its connections to global weirding and a more individual story of grief   At about 38:45, Allegra discusses the gender identity of the narrator of “Democracy in América” and talk about issues particular to America, especially as seen from outside the US   At about 40:55, Allegra describes the process of “Consignment,” which speaks to ideas of consumerism and an American obsession with youth and beauty, from the above story   At about 42:25, Commodification and issues of wealth inequality are discussed with regards to her story collection, especially with regards to how wealth and global weirding are so closely linked   At about 44:40, Pete highlights “The Future is a Click Away” as a standout story and he and Allegra discuss “The Algorithm” in the story as almost “mythical” and “god-like”   At about 47:30, “Cougar” is discussed as another story that deals with encroaching technology, and Allegra talks about “merg[ing] real pieces from her life with research and imagination   At about 49:40, “Endangered” and its statements on the state of art and artists, as well as captivity and endangerment in today's world, is discussed    At about 52:30, Misogyny and what Allegra calls “the mysterious nature of ‘Chevalier' ” are discussed, as well as ideas of invisibilia, both by the world at large and by the narrator of the story, who may be more directed by love than she would let on   At about 56:00, Allegra connects her stories to patriarchy and global weirding   At about 58:00, Pete and Allegra discuss legislative action and other ways in which women and other oppressed groups are being ignored and degraded    At about 58:55, Allegra explains why she “chafe[s]” against her writing being described as “satirical”    At about 59:30, Pete laugh over the absurd and awesome story involving a woman    At about 1:00:25, Allegra explains how she finds cause for optimism despite some often dark topics that populate the world and her work   At about 1:03:15, Allegra shouts out her upcoming tour dates, and shouts out Ben Franklin/Mindfair Books as one of many places to buy her book   At about 1:04:35, Allegra highlights her exciting upcoming project-there are caves involved!    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.

Today, Lydia Conklin talks to us about their collection RAINBOW RAINBOW, writing humor and joy, Lorrie Moore, deciding to publish their collection before their novel, working with Catapult, and more!  Lydia Conklin has received a Stegner Fellowship, a Rona Jaffe Foundation Writer's Award, three Pushcart Prizes, a Creative Writing Fulbright in Poland, a grant from the Elizabeth George Foundation, a Creative Writing Fellowship from Emory University, work-study and tuition scholarships from Bread Loaf, and fellowships from MacDowell, Yaddo, Hedgebrook, Djerassi, the James Merrill House, and elsewhere. Their fiction has appeared in McSweeney's, American Short Fiction, The Paris Review, One Story, and VQR. They have drawn cartoons for The New Yorker and Narrative Magazine, and graphic fiction for The Believer, Lenny Letter, and the Steppenwolf Theater in Chicago. They've served as the Helen Zell Visiting Professor at the University of Michigan and are currently an Assistant Professor of Fiction at Vanderbilt University. Their story collection, Rainbow Rainbow, was longlisted for the PEN/Robert W Bingham Award and The Story Prize.  Sign up for Krys Malcolm Belc's online class, Writing Queer Memoir! Learn more about your ad choices. Visit megaphone.fm/adchoices

A young witch learns the strength and depth of her powers. When a rogue witch puts the entire coven at risk, will her powers be enough to save the community?Lori D'Angelo's work has appeared in various literary journals including Drunken Boat, Gargoyle, Hawaii Pacific Review, Heavy Feather Review, Juked, Literary Mama, the Potomac Review, Reed Magazine and Word Riot. She is a fellow at Hambidge Center for Creative Arts and Sciences, a grant recipient from the Elizabeth George Foundation, and an alumna of the Community of Writers at Squaw Valley. She lives in Virginia with her two dogs, two cats, two kids, and one husband. You can find her on Twitter @sclly21. You can read "A Tale of Two Cats" at https://www.kaidankaistories.com.Click here to learn about the 2023 Kaidankai contest for writers. Follow us on: Twitter: Japanese Ghost Stories @ghostJapaneseMastodon: https://mastodon.sdf.org/@KaidankaighoststoriesInstagram: WhiteEnsoJapanYouTube: Kaidankai: Ghost and Supernatural StoriesFacebook: Kaidankai: Ghost and Supernatural Stories Please donate any amount to the Kaidankai:Donate $25 US and a podcast episode will be dedicated to you.Donate $50US and get a t-shirt with the Kaidankai logoKo-Fi. https://ko-fi.com/kaidankaighoststoriesPayPal: https://paypal.me/whiteensokaidankai?country.x=JP&locale.x=en_US

Susun Weed answers 90 minutes of herbal health questions followed by a 30 minute interview with Author Marisa Handler.  Marisa Handler—writer, singer-songwriter, teacher, and coach—is the author of Loyal to the Sky, which won a Nautilus Gold Award for world-changing books.  Her essays, fiction, and poetry have appeared in numerous publications, and her music is available on various platforms.  Marisa earned her MFA from the Iowa Writers' Workshop, and has received many fellowships in Creative Writing, including a Fulbright and an Elizabeth George Foundation grant.  On the spiritual side, Marisa has been studying Insight Meditation in retreats and daily life since 2002, and instructing since 2012. She is a Certified Facilitator of The Work of Byron Katie, and has long-term practices in Authentic Movement, Somatic Experiencing, and various forms of dance. Marisa is the founder of Live Your Creative Genius, an in-depth coaching program offering a new paradigm for creative work, and she teaches on creativity, writing, and transformation at places like Stanford University, Spirit Rock Meditation Center, Esalen, and the California Institute for Integral Studies.  She also works one-on-one as a coach.  More at www.marisahandler.com

Author Lydia Conklin reads "Pioneer," a story from Rainbow Rainbow, their delightful debut collection of prize-winning stories, queer, gender-nonconforming, and trans characters struggle to find love and forgiveness, despite their sometimes comic, sometimes tragic mistakes. Lydia Conklin is an Assistant Professor of Fiction at Vanderbilt University. Previously they were the Helen Zell Visiting Professor in Fiction at the University of Michigan. They've received a Stegner Fellowship in Fiction at Stanford University, a Rona Jaffe Writer's Award, three Pushcart Prizes, a grant from the Elizabeth George Foundation, a Creative & Performing Arts Fulbright to Poland, work-study and tuition scholarships from Bread Loaf, and fellowships from MacDowell, Yaddo, Djerassi, Hedgebrook, the James Merrill House, the Vermont Studio Center, VCCA, Millay, Jentel, Lighthouse Works, Brush Creek, the Santa Fe Art Institute, Caldera, the Sitka Center, and Harvard University, among others. They were the 2015-2017 Creative Writing Fellow in fiction at Emory University. Their fiction has appeared in Tin House, American Short Fiction, The Southern Review, The Gettysburg Review, and elsewhere, and is forthcoming from The Paris Review. They have drawn graphic fiction for Lenny Letter, Drunken Boat, and the Steppenwolf Theater in Chicago and cartoons for The New Yorker and Narrative Magazine.

Marisa Handler—writer, singer-songwriter, teacher, and coach—is the author of the memoir Loyal to the Sky, which won a Nautilus Gold Award for world-changing books.  Her essays, fiction, and poetry have appeared in numerous publications, and her music is available on Soundcloud.  Marisa earned her MFA from the Iowa Writers' Workshop, and has received many fellowships in Creative Writing, including a Fulbright and an Elizabeth George Foundation grant.  She is a longtime spiritual practitioner—she's been practicing Insight Meditation in retreats and daily life since 2002, and teaching since 2011.  She is also a Facilitator of The Work of Byron Katie and a committed practitioner of Authentic Movement and Somatic Experiencing.  Marisa teaches on creativity, meditation, and transformation at places like Stanford, Spirit Rock Meditation Center, the Esalen Institute, and the California Institute for Integral Studies.  She also works one-on-one as a coach. She is currently at work on a novel and new songs.  More at www.marisahandler.com. Thank you fro listening to The Curious Creatrix podcast. Your donation helps us continue to spread creativity throughout the land.  Thank you! https://www.paypal.com/donate?hosted_button_id=2PM3V82XDS7GA  Beautiful music: Good Friends Inc by Jonathan Boyle

Welcome to Mysteries to Die For and this Toe Tag.I am TG Wolff and am here with Jack, my piano player and producer. This is normally a podcast where we combine storytelling with original music to put you at the heart of mystery, murder, and mayhem. Today is a bonus episode we call a Toe Tag. It is the first chapter from a fresh release in the mystery, crime, and thriller genre.Today's featured release is 1 Last Betrayal by Valerie J. Brooks 1 Last Betrayal was released September 2022 from Black Leather Jacket Press and is available from AMAZON and other book retailers. Revenge in 3 Parts (Black Leather Jacket Press, October 2018) AMAZON. Tainted Times 2 (Brooks & Company, Sept 2020) AMAZON.About Valerie J. BrooksMulti-award-winning author Valerie J. Brooks is the author of the Angeline Porter trilogy, femmes-noir thrillers starring a badass disbarred attorney.NYTimes bestselling author Kevin O'Brien called her second novel TAINTED TIMES 2 “… a real nail-biter from first page to the last.” Heather Gudenkauf, NYT bestselling author of THE WEIGHT OF SILENCE and THE OVERNIGHT GUEST calls Brooks the Queen of the Femmes-noir Thriller and says her upcoming 3rd novel 1 LAST BETRAYAL is “explosive” and “Brooks drops us into the dark underbelly of organized crime, and we love her for it.”Brooks is a member of Sisters in Crime. Her awards include an Elizabeth George Foundation grant and five writing residencies. She teaches workshops and classes on writing noir and creating plot twists. Brooks found her love of thrillers as a teen after turning in a hitman to the FBI.She lives in Oregon with her husband, Dan Connors and their Havanese pooch Stevie Nicks.TG Wolff Review1 Last Betrayal is a thriller. Angeline Porter is picking up where she left off from the 2nd book in the series, Tainted Times 2, putting it all on the line for her half-sister. Bibi has disappeared and based on the last few texts, it wasn't willingly. Angeline flies from Oregon to Florida to extract her sister from a hornet's nest that includes a local detective, an ethically questionable FBI agent, a totally unethical mob queen, and a half-brother who only wants to be her family.Bottom line: 1 Last Betrayal is for you if you like intricately woven plots that unravel one knot at a time.Strengths of the story. 1 Last Betrayal checks a lot of boxes on the thriller checklist. First, the lead character being in mortal danger — check. Angeline, who is also called Ang, Angie, and Porter, is held at gunpoint, beaten, and kidnapped. She jumps from frying pan to frying pan, never quite knowing where the fire is. Second, the story has to resolve within a certain time — check. After 24 hours, most missing persons cases don't end with a living resolution, according to the book, and so we have a deadline, or maybe it should be called an aliveline. Three, the motivations of the other characters are hidden from the lead — check. Every one of the people helping Angeline has an ulterior motive, but those secrets are tightly held.Where the story fell short of ideal: It is common in thrillers to have scenes from the point of view of multiple characters, enabling us readers to know what is going on and to be anxious on behalf of our heroes. 1 Last Betrayal is told only from Angeline's point of view. In a...

Listen to Episode 14For our fourteenth episode, we talk to Ellen Birkett Morris, author of Lost Girls. Ellen shares three writing prompts: a poetry prompt, a fiction prompt, and a food writing prompt. Ellen began writing creatively when she was in her mid-thirties, and she encourages listeners to “embrace your identity as a writer. If you're writing, you are a writer. You don't have to feel intimidated or competitive or any of those things.”About Ellen Birkett MorrisEllen Birkett Morris is the author of Lost Girls, winner of the Pencraft Award, and finalist for the Clara Johnson, IAN and Best Book awards, and the poetry chapbooks Surrender and Abide. Her work has appeared in Antioch Review, Shenandoah, and South Carolina Review, among other journals. Morris received grants from the Elizabeth George Foundation and Kentucky Foundation for Women and a fellowship from the Kentucky Arts Council. She holds an MFA from Queens University-Charlotte.Join the Prompt to Page Writing GroupWednesday, Nov. 30, 6:00 p.m.Spend time working on a cross-genre writing prompt, get feedback, and share writing and publishing tips with a supportive community of other writers. Open to all writing levels and genres (fiction, poetry, memoir, family stories, etc.).Registration is required.SubmitWe'd love to see what you're writing! Submit a response to one of Ellen's prompts for a chance to have it read on a future episode of the podcast.

Sindya Bhanoo speaks to managing editor Emily Everett about her story “Tsunami Bride,” which appears in The Common's new fall issue. Sindya talks about her experience reporting from India after the 2004 tsunami, and how that experience eventually became a story about a journalist in the same position, told from a local's perspective. She also discusses how the training and techniques she developed as a journalist have shaped her drafting and revision process for fiction, how food often makes its way into her stories, and how her 2022 story collection Seeking Fortune Elsewhere came together. Sindya Bhanoo is the author of the story collection Seeking Fortune Elsewhere. She is the recipient of an O. Henry Award, the DISQUIET Literary Prize, and an Elizabeth George Foundation grant. Her fiction has appeared in Granta, New England Review, Glimmer Train, and elsewhere. A longtime newspaper reporter, she has worked for The New York Times and The Washington Post. She teaches at Oregon State University. Read Sindya's story in The Common at thecommononline.org/tsunami-bride. Read more from Sindya at sindyabhanoo.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sindya Bhanoo speaks to managing editor Emily Everett about her story “Tsunami Bride,” which appears in The Common's new fall issue. Sindya talks about her experience reporting from India after the 2004 tsunami, and how that experience eventually became a story about a journalist in the same position, told from a local's perspective. She also discusses how the training and techniques she developed as a journalist have shaped her drafting and revision process for fiction, how food often makes its way into her stories, and how her 2022 story collection Seeking Fortune Elsewhere came together. Sindya Bhanoo is the author of the story collection Seeking Fortune Elsewhere. She is the recipient of an O. Henry Award, the DISQUIET Literary Prize, and an Elizabeth George Foundation grant. Her fiction has appeared in Granta, New England Review, Glimmer Train, and elsewhere. A longtime newspaper reporter, she has worked for The New York Times and The Washington Post. She teaches at Oregon State University. Read Sindya's story in The Common at thecommononline.org/tsunami-bride. Read more from Sindya at sindyabhanoo.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Sindya Bhanoo speaks to managing editor Emily Everett about her story “Tsunami Bride,” which appears in The Common's new fall issue. Sindya talks about her experience reporting from India after the 2004 tsunami, and how that experience eventually became a story about a journalist in the same position, told from a local's perspective. She also discusses how the training and techniques she developed as a journalist have shaped her drafting and revision process for fiction, how food often makes its way into her stories, and how her 2022 story collection Seeking Fortune Elsewhere came together. Sindya Bhanoo is the author of the story collection Seeking Fortune Elsewhere. She is the recipient of an O. Henry Award, the DISQUIET Literary Prize, and an Elizabeth George Foundation grant. Her fiction has appeared in Granta, New England Review, Glimmer Train, and elsewhere. A longtime newspaper reporter, she has worked for The New York Times and The Washington Post. She teaches at Oregon State University. Read Sindya's story in The Common at thecommononline.org/tsunami-bride. Read more from Sindya at sindyabhanoo.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Sindya Bhanoo speaks to managing editor Emily Everett about her story “Tsunami Bride,” which appears in The Common's new fall issue. Sindya talks about her experience reporting from India after the 2004 tsunami, and how that experience eventually became a story about a journalist in the same position, told from a local's perspective. She also discusses how the training and techniques she developed as a journalist have shaped her drafting and revision process for fiction, how food often makes its way into her stories, and how her 2022 story collection Seeking Fortune Elsewhere came together. Sindya Bhanoo is the author of the story collection Seeking Fortune Elsewhere. She is the recipient of an O. Henry Award, the DISQUIET Literary Prize, and an Elizabeth George Foundation grant. Her fiction has appeared in Granta, New England Review, Glimmer Train, and elsewhere. A longtime newspaper reporter, she has worked for The New York Times and The Washington Post. She teaches at Oregon State University. Read Sindya's story in The Common at thecommononline.org/tsunami-bride. Read more from Sindya at sindyabhanoo.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are thrilled to speak with Anne Elliott—who always makes us feel like we're in the best kind of MFA—about how structure and movement in your story can create the kind of reading experience that keeps people up all night with your book. Whether you're pitching, published, or both, this is exactly (we imagine) what you want as a reader. Join us November 15-17 for a three-day event on this very topic. Daily classes, supportive community, live Q&A and a live feedback panel. Everything comes with replays and can be done on your schedule. $49: https://live.manuscriptacademy.com/movement-and-momentum/ Anne Elliott is the author of The Artstars: Stories (Blue Light Books / Indiana University Press, 2019) and The Beginning of the End of the Beginning (Ploughshares Solos, 2014). Her short stories can be found in Story, A Public Space, Crab Orchard Review, Witness, Hobart, Bellevue Literary Review Fifth Wednesday Journal, Fugue, and elsewhere. Elliott is a veteran of the New York spoken word circuit, with stage credits including The Whitney Museum, Lincoln Center, and PS122. Her fiction has received support from the Elizabeth George Foundation, the Story Foundation, Vermont Studio Center, Table 4 Writer's Foundation, Tomales Bay Writer's Workshop, The Normal School, Longleaf Writer's Conference, and The Bridport Prize. She holds an MFA in visual art from UC San Diego, and an MFA in fiction writing from Warren Wilson College. She lives in Maine with her husband and many pets.

How does identity and experience inform your writing? This episode explores: Professor Talty's journey from community college student to college professor. The importance of supportive mentors and professors. Using identity and experience ethically in fiction and nonfiction. Why finding the right form for your story matters. A discussion of the book Night of the Living Rez. Our guest is: Professor Morgan Talty, who is a citizen of the Penobscot Indian Nation where he grew up. He is the author of the story collection Night of the Living Rez from Tin House Books, and his work has appeared in Granta, The Georgia Review, Shenandoah, TriQuarterly, Narrative Magazine, LitHub, and elsewhere. A winner of the 2021 Narrative Prize, Talty's work has been supported by the Elizabeth George Foundation and National Endowment for the Arts (2022). Talty is an Assistant Professor of English in Creative Writing and Native American and contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in creative writing as well as the Institute of American Indian Arts. Professor Talty is also a Prose Editor at The Massachusetts Review. He lives in Levant, Maine. Our host is: Dr. Christina Gessler, a historian of women and gender. Listeners to this episode may also be interested in: A Calm and Normal Heart by Chelsea T. Hicks The Removed by Brandon Hobson There There by Tommy Orange Heart Berries by Terese Marie Mailhot The Lesser Blessed by Richard Van Camp Welcome to The Academic Life! We reach across our mentor network to bring you podcasts on everything from how to finish that project to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today's knowledge-producers working inside and outside the academy. Wish we'd bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How does identity and experience inform your writing? This episode explores: Professor Talty's journey from community college student to college professor. The importance of supportive mentors and professors. Using identity and experience ethically in fiction and nonfiction. Why finding the right form for your story matters. A discussion of the book Night of the Living Rez. Our guest is: Professor Morgan Talty, who is a citizen of the Penobscot Indian Nation where he grew up. He is the author of the story collection Night of the Living Rez from Tin House Books, and his work has appeared in Granta, The Georgia Review, Shenandoah, TriQuarterly, Narrative Magazine, LitHub, and elsewhere. A winner of the 2021 Narrative Prize, Talty's work has been supported by the Elizabeth George Foundation and National Endowment for the Arts (2022). Talty is an Assistant Professor of English in Creative Writing and Native American and contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in creative writing as well as the Institute of American Indian Arts. Professor Talty is also a Prose Editor at The Massachusetts Review. He lives in Levant, Maine. Our host is: Dr. Christina Gessler, a historian of women and gender. Listeners to this episode may also be interested in: A Calm and Normal Heart by Chelsea T. Hicks The Removed by Brandon Hobson There There by Tommy Orange Heart Berries by Terese Marie Mailhot The Lesser Blessed by Richard Van Camp Welcome to The Academic Life! We reach across our mentor network to bring you podcasts on everything from how to finish that project to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today's knowledge-producers working inside and outside the academy. Wish we'd bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

How does identity and experience inform your writing? This episode explores: Professor Talty's journey from community college student to college professor. The importance of supportive mentors and professors. Using identity and experience ethically in fiction and nonfiction. Why finding the right form for your story matters. A discussion of the book Night of the Living Rez. Our guest is: Professor Morgan Talty, who is a citizen of the Penobscot Indian Nation where he grew up. He is the author of the story collection Night of the Living Rez from Tin House Books, and his work has appeared in Granta, The Georgia Review, Shenandoah, TriQuarterly, Narrative Magazine, LitHub, and elsewhere. A winner of the 2021 Narrative Prize, Talty's work has been supported by the Elizabeth George Foundation and National Endowment for the Arts (2022). Talty is an Assistant Professor of English in Creative Writing and Native American and contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in creative writing as well as the Institute of American Indian Arts. Professor Talty is also a Prose Editor at The Massachusetts Review. He lives in Levant, Maine. Our host is: Dr. Christina Gessler, a historian of women and gender. Listeners to this episode may also be interested in: A Calm and Normal Heart by Chelsea T. Hicks The Removed by Brandon Hobson There There by Tommy Orange Heart Berries by Terese Marie Mailhot The Lesser Blessed by Richard Van Camp Welcome to The Academic Life! We reach across our mentor network to bring you podcasts on everything from how to finish that project to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today's knowledge-producers working inside and outside the academy. Wish we'd bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

How does identity and experience inform your writing? This episode explores: Professor Talty's journey from community college student to college professor. The importance of supportive mentors and professors. Using identity and experience ethically in fiction and nonfiction. Why finding the right form for your story matters. A discussion of the book Night of the Living Rez. Our guest is: Professor Morgan Talty, who is a citizen of the Penobscot Indian Nation where he grew up. He is the author of the story collection Night of the Living Rez from Tin House Books, and his work has appeared in Granta, The Georgia Review, Shenandoah, TriQuarterly, Narrative Magazine, LitHub, and elsewhere. A winner of the 2021 Narrative Prize, Talty's work has been supported by the Elizabeth George Foundation and National Endowment for the Arts (2022). Talty is an Assistant Professor of English in Creative Writing and Native American and contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in creative writing as well as the Institute of American Indian Arts. Professor Talty is also a Prose Editor at The Massachusetts Review. He lives in Levant, Maine. Our host is: Dr. Christina Gessler, a historian of women and gender. Listeners to this episode may also be interested in: A Calm and Normal Heart by Chelsea T. Hicks The Removed by Brandon Hobson There There by Tommy Orange Heart Berries by Terese Marie Mailhot The Lesser Blessed by Richard Van Camp Welcome to The Academic Life! We reach across our mentor network to bring you podcasts on everything from how to finish that project to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today's knowledge-producers working inside and outside the academy. Wish we'd bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

How does identity and experience inform your writing? This episode explores: Professor Talty's journey from community college student to college professor. The importance of supportive mentors and professors. Using identity and experience ethically in fiction and nonfiction. Why finding the right form for your story matters. A discussion of the book Night of the Living Rez. Our guest is: Professor Morgan Talty, who is a citizen of the Penobscot Indian Nation where he grew up. He is the author of the story collection Night of the Living Rez from Tin House Books, and his work has appeared in Granta, The Georgia Review, Shenandoah, TriQuarterly, Narrative Magazine, LitHub, and elsewhere. A winner of the 2021 Narrative Prize, Talty's work has been supported by the Elizabeth George Foundation and National Endowment for the Arts (2022). Talty is an Assistant Professor of English in Creative Writing and Native American and contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in creative writing as well as the Institute of American Indian Arts. Professor Talty is also a Prose Editor at The Massachusetts Review. He lives in Levant, Maine. Our host is: Dr. Christina Gessler, a historian of women and gender. Listeners to this episode may also be interested in: A Calm and Normal Heart by Chelsea T. Hicks The Removed by Brandon Hobson There There by Tommy Orange Heart Berries by Terese Marie Mailhot The Lesser Blessed by Richard Van Camp Welcome to The Academic Life! We reach across our mentor network to bring you podcasts on everything from how to finish that project to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today's knowledge-producers working inside and outside the academy. Wish we'd bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Let's Deconstruct a Story" is a podcast where we read and discuss one short story with the author. In this episode, Lydia Conklin and Lillian Li will be discussing the story "Sunny Talks" first published in One Story in January 2022. This conversation was recorded live at Pages Bookshop in Detroit on June 24, 2022. This episode is part of a series of "Let's Deconstruct a Story" podcasts offered in collaboration with the Grosse Pointe Public Library in Michigan. The GPPL has committed to purchasing ten books by each author this season to give to their patrons! If you are a short story writer who has tried to make money in this game then you know what a big deal their support is to us! My hope is that other libraries will follow the GPPL's lead and be inspired to buy books by these talented short story writers. I will be contacting many libraries this year to suggest this programming. Please feel free to do the same if you enjoy this podcast. This podcast is also supported by Pages Bookshop in Detroit, and we would be extremely grateful if you purchased the book online through Pages here. Local bookstores won't survive without help from customers like you! Lydia Conklin is an Assistant Professor of Fiction at Vanderbilt University. Previously they were the Helen Zell Visiting Professor in Fiction at the University of Michigan. They've received a Stegner Fellowship in Fiction at Stanford University, a Rona Jaffe Writer's Award, three Pushcart Prizes, a grant from the Elizabeth George Foundation, a Creative & Performing Arts Fulbright to Poland, work-study and tuition scholarships from Bread Loaf, and fellowships from MacDowell, Yaddo, Djerassi, Hedgebrook, the James Merrill House, the Vermont Studio Center, VCCA, Millay, Jentel, Lighthouse Works, Brush Creek, the Santa Fe Art Institute, Caldera, the Sitka Center, and Harvard University, among others. They were the 2015-2017 Creative Writing Fellow in fiction at Emory University. Their fiction has appeared in Tin House, American Short Fiction, The Southern Review, The Gettysburg Review, and elsewhere, and is forthcoming from The Paris Review. They have drawn graphic fiction for Lenny Letter, Drunken Boat, and the Steppenwolf Theater in Chicago and cartoons for The New Yorker and Narrative Magazine. Their story collection, Rainbow Rainbow, will be published in June 2022 by Catapult in the US and Scribner in the UK. Lillian Li is the author of the novel Number One Chinese Restaurant, which was an NPR Best Book of 2018, and longlisted for the Women's Prize and the Center for Fiction's First Novel Prize. Her work has been published in the New York Times, Granta, One Story, Bon Appetit, Travel & Leisure, The Guardian, and Jezebel. Originally from the D.C. metro area, she lives in Ann Arbor. The host of this podcast is Kelly Fordon and you can find out more about her at www.kellyfordon.com.

Jordan talks with Lydia Conklin about bucking the conventions of queer storytelling, how a childhood Oregon Trail reenactment led to one of the most memorable stories in Rainbow Rainbow, and the excitement of making big moves in life and art. MENTIONED: * The Oregon Trail (play here) * Revolutionary Road by Richard Yates * Intimacies by Katie Kitamura Lydia Conklin is an Assistant Professor of Fiction at Vanderbilt University. Previously they were the Helen Zell Visiting Professor in Fiction at the University of Michigan. They've received a Stegner Fellowship in Fiction at Stanford University, a Rona Jaffe Writer's Award, three Pushcart Prizes, a grant from the Elizabeth George Foundation, a Creative & Performing Arts Fulbright to Poland, work-study and tuition scholarships from Bread Loaf, and fellowships from MacDowell, Yaddo, Djerassi, Hedgebrook, the James Merrill House, the Vermont Studio Center, VCCA, Millay, Jentel, Lighthouse Works, Brush Creek, the Santa Fe Art Institute, Caldera, the Sitka Center, and Harvard University, among others. They were the 2015-2017 Creative Writing Fellow in fiction at Emory University. Their fiction has appeared in Tin House, American Short Fiction, The Southern Review, The Gettysburg Review, and elsewhere, and is forthcoming from The Paris Review. They have drawn graphic fiction for Lenny Letter, Drunken Boat, and the Steppenwolf Theater in Chicago and cartoons for The New Yorker and Narrative Magazine. Their story collection, Rainbow Rainbow, was published in June 2022 by Catapult in the US and Scribner in the UK. For more Thresholds, visit us at www.thisisthresholds.com Be sure to rate/review/subscribe on your favorite podcast platform! Learn more about your ad choices. Visit megaphone.fm/adchoices

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Ocean Vuong is the author of The New York Times bestselling poetry collection, Time is a Mother (Penguin Press 2022), and The New York Timesbestselling novel, On Earth We're Briefly Gorgeous (Penguin Press 2019), which has been translated into 36 languages.  A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize.Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of “32 Essential Asian American Writers” and has been profiled on NPR's “All Things Considered,” PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker. Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU. He currently lives in Northampton, Massachusetts where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst.From https://www.oceanvuong.com/about. For more information about Ocean Vuong:Ocean Vuong on A Phone Call From Paul: https://a-phone-call-from-paul.simplecast.com/episodes/a-phone-call-from-paul-67-ocean-vuongNight Sky with Exit Wounds: https://www.coppercanyonpress.org/books/night-sky-with-exit-wounds-by-ocean-vuong/“Torso of Air”: https://www.nytimes.com/interactive/2016/06/26/magazine/ocean-vuong-torso-of-air.html“Ocean Vuong is Still Learning”: https://www.newyorker.com/culture/the-new-yorker-interview/ocean-vuong-is-still-learning

In this last episode of season two of Cabana Chats, writer Lydia Conklin talks with Resort founder Catherine LaSota about fostering dogs, writing a story versus making a comic, and the places we can't bring our cell phones (thank goodness), among many other fascinating topics. Lydia Conklin is an Assistant Professor of Fiction at Vanderbilt University. Previously they were the Helen Zell Visiting Professor in Fiction at the University of Michigan. They've received a Stegner Fellowship in Fiction at Stanford University, a Rona Jaffe Writer's Award, three Pushcart Prizes, a grant from the Elizabeth George Foundation, a Creative & Performing Arts Fulbright to Poland, work-study and tuition scholarships from Bread Loaf, and fellowships from MacDowell, Yaddo, Djerassi, Hedgebrook, the James Merrill House, the Vermont Studio Center, VCCA, Millay, Jentel, Lighthouse Works, Brush Creek, the Santa Fe Art Institute, Caldera, the Sitka Center, and Harvard University, among others. They were the 2015-2017 Creative Writing Fellow in fiction at Emory University. Their fiction has appeared in Tin House, American Short Fiction, The Southern Review, The Gettysburg Review, and elsewhere, and is forthcoming from The Paris Review. They have drawn graphic fiction for Lenny Letter, Drunken Boat, and the Steppenwolf Theater in Chicago and cartoons for The New Yorker and Narrative Magazine. Lydia's story collection, Rainbow Rainbow, was recently published by Catapult in the US and Scribner in the UK. Find out more about Lydia Conklin here: https://lydia-conklin.com Purchase RAINBOW RAINBOW by Lydia Conklin here: https://bookshop.org/a/83344/9781646221011 Join our free Resort community, full of resources and support for writers, here: https://community.theresortlic.com/ More information about The Resort can be found here: https://www.theresortlic.com/ You can find books for purchase by all of our Cabana Chats guests here: https://bookshop.org/lists/cabana-chats-podcast Cabana Chats is hosted by Resort founder Catherine LaSota. Our podcast editor is Jade Iseri-Ramos, and our music is by Pat Irwin. Special thanks to Resort assistant Nadine Santoro. FULL TRANSCRIPTS for Cabana Chats podcast episodes are available in the free Resort network: https://community.theresortlic.com/ Follow us on social media! @TheResortLIC

Today we talk with Isle McElroy (THE ATMOSPHERIANS) about establishing tone in their debut novel, the close relationship between joy and horror, sculpting sentences, their love of simile and metaphor, finding shape and focus as they wrote this novel, finding the right first readers, being a child of divorce, and more!  Isle McElroy is a nonbinary writer based in Brooklyn. Their debut novel, THE ATMOSPHERIANS, was published in May by Atria and was named a NY Times Editors' Choice. Other writing appears in The NY Times, NYT Magazine, The Guardian, The Cut, Vulture, GQ, Vogue, The Atlantic, Tin House, and elsewhere.   ​ ​  Isle was named one of The Strand's 30 Writers to Watch. They have received fellowships from The Bread Loaf Writers' Conference, The Tin House Summer Workshop, The Sewanee Writers Conference, The Inprint Foundation, The Elizabeth George Foundation, and The National Parks Service. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jordan talks with Jessamine Chan about the ways having a kid changed her writing, about the difficulties mothers face in America, and about the one very good day of writing that led to The School for Good Mothers. MENTIONED: "Where is Your Mother?" by Rachel Aviv (The New Yorker) Cost of Living by Emily Maloney SCOTUS draft decision in Dobbs v. Jackson Women's Health Organization The Ragdale Foundation Jessamine Chan's debut novel is The School for Good Mothers, an instant New York Times bestseller. Her short stories have appeared in Tin House and Epoch. A former reviews editor at Publishers Weekly, she holds an MFA from Columbia University and a BA from Brown University. Her work has received support from the Elizabeth George Foundation, the Bread Loaf Writers' Conference, the Wurlitzer Foundation, Jentel, the Kimmel Harding Nelson Center, the Anderson Center, VCCA, and Ragdale. She lives in Chicago with her husband and daughter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jordan talks with Morgan Talty in advance of his debut story collection about moms, storytelling, writing from a teen point of view, and the villain of colonialism. MENTIONED: The Lowering Days by Gregory Brown "The Blessing Tobacco" The Penobscot Indian Nation Superstore Morgan Talty is a citizen of the Penobscot Indian Nation where he grew up. He received his BA in Native American Studies from Dartmouth College and his MFA in fiction from Stonecoast's low-residency program. His story collection Night of the Living Rez is forthcoming from Tin House Books (2022), and his work has appeared in Granta, The Georgia Review, Shenandoah, TriQuarterly, Narrative Magazine, LitHub, and elsewhere. A winner of the 2021 Narrative Prize, Talty's work has been supported by the Elizabeth George Foundation and National Endowment for the Arts (2022). Talty teaches courses in both English and Native American Studies, and he is on the faculty at the Stonecoast MFA in creative writing. Talty is also a Prose Editor at The Massachusetts Review. He lives in Levant, Maine. For more Thresholds, visit us at www.thisisthresholds.com Be sure to rate/review/subscribe! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Melanie and Dawn talk with featured writer, Jessamine Chan, about her New York Times bestselling novel The School For Good Mothers, publishing your first novel after 40, writing envy, motherhood, art and social change, “unlikeable” women in fiction, and more!Join our Patreon at the $5 Prickly Pear level for access to an upcoming bonus segment from this episode, in which Jessamine talks in more detail about her novel (with spoilers!).CW: forced parent child separationJessamine Chan's short stories have appeared in Tin House and Epoch. A former reviews editor at Publishers Weekly, she holds an MFA from Columbia University. Her work has received support from the Elizabeth George Foundation, the Bread Loaf Writers' Conference, the Wurlitzer Foundation, Jentel, the Kimmel Harding Nelson Center, the Anderson Center, VCCA, and Ragdale. Her first novel, The School for Good Mothers, is a New York Times bestseller and a Read with Jenna Today Show Book Club pick. She lives in Chicago with her husband and daughter. LinksJessamineChan.com“Where Is Your Mother?” by Rachel Aviv: https://www.newyorker.com/magazine/2013/12/02/where-is-your-motherWriters to ReadChloeCooperJones.comCatherineChung.comRachelJYoder.comLearn more about Plume at PlumeforWriters.org! 

Alex and Lindsay talk with Jessamine Chan (The School for Good Mothers) about writing and rewriting her novel, her love of experimental fiction, Lydia Kiesling as our fave parent influencer, the silent scream inside gentle parenting, being an instant bestseller, and more! Jessamine Chan's short stories have appeared in Tin House and Epoch. A former reviews editor at Publishers Weekly, she holds an MFA from Columbia University and a BA from Brown University. Her work has received support from the Elizabeth George Foundation, the Bread Loaf Writers' Conference, the Wurlitzer Foundation, Jentel, the Kimmel Harding Nelson Center, the Anderson Center, VCCA, and Ragdale. She lives in Chicago with her husband and daughter. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Foundation for Black Women's Wellness has a new director of health and wellness programs, poet Natasha Oladokun has gotten an Elizabeth George Foundation grant to work on her first book, and COVID is still hitting schools and daycares despite the overall numbers getting better.

This one's for the cartography geeks! We know that's a lot of our followers. Peng Shepherd joins us to think about what a map of your fantasy world can tell your readers, what the social and cultural implications of a map's presentation might be, and how much time you should spend squiggling in all those little fjords. Plus: Schrodinger's Continents, a bowling alley on the Enterprise, and an augmentation for our Magical Nude Gate system of travel! Transcript for Episode 71 (thank you, scribes!) Our Guest:  Peng was born and raised in Phoenix, Arizona, where she rode horses and trained in classical ballet, and has lived in Beijing, Kuala Lumpur, London, Los Angeles, Washington, D.C., New York, and Mexico City. Her first novel, The Book of M, won the 2019 Neukom Institute for Literary Arts Award for Debut Speculative Fiction, and was chosen as a best book of the year by Amazon, Elle, Refinery29, and The Verge, as well as a best book of the summer by the Today Show and NPR On Point. A graduate of the NYU MFA program, Peng is the recipient of a 2020 fellowship from the National Endowment for the Arts, as well as the Elizabeth George Foundation's emerging writers 2016 grant. Her second novel, The Cartographers, is forthcoming from HarperCollins in March 2022.

#PodcastersForJustice New York Times bestselling and award-winning novelist, Elizabeth George, spoke to me about her exacting research, the discipline of psychological suspense, and interweaving cultural issues into her latest, Something to Hide. Dubbed "an essential writer of popular fiction today” Elizabeth is the recipient of the Anthony Award, the Agatha Award, France's Grand Prix [graan pree] di Literature, and has been twice nominated for the Edgar Award.  She's best known as the author of the Lynley mystery series that was adapted into the lauded PBS/BBC show – "The Inspector Lynley Mysteries" series – currently streaming on Amazon Prime and others. Her latest, Something to Hide: A Lynley Novel, marks the 21st in that series. The New York Times Book Review called it, "... another intelligent, intricate mystery starring Detective Inspector Thomas Lynley of New Scotland Yard.” Elizabeth is also a philanthropist who, through The Elizabeth George Foundation, "... makes grants to writers and to organizations benefiting disadvantaged youth, particularly in the area of the arts." Stay calm and write on ... [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Elizabeth George and I discussed: Why she approaches the writing craft with the same discipline and perseverance she had as a teacher  How to structure a mystery layer by layer Understanding the editorial process and learning to be a more efficient writer The foundation of any great novel, her secret hacks ... And a lot more!  Show Notes: ElizabethGeorgeOnline.com ElizabethGeorgeFoundation.org Something to Hide: A Lynley Novel by Elizabeth George (Amazon) Mastering the Process by Elizabeth George (Amazon) Elizabeth George Author Page (Amazon) Elizabeth George on Facebook Elizabeth George on Instagram Elizabeth George on Twitter Kelton Reid on Twitter

In conversation with Liz Moore Co-sponsored by Blue Stoop A former reviews editor at Publishers Weekly, Jessamine Chan has published short stories in Tin House and Epoch. She has received residencies and fellowships from various organizations, including the Elizabeth George Foundation, the Bread Loaf Writers' Conference, the Virginia Center for the Creative Arts, and the Ragdale Foundation. In The School for Good Mothers, praised by Carmen Maria Machado as ''a timely and remarkable debut'' novel, Chan tells the story of an otherwise dedicated mother who, due to a single lapse in judgment, finds herself pitted against the government and in danger of losing custody of her child. Liz Moore is the bestselling author of Long Bright River, The Words of Every Song, Heft, and The Unseen World. A creative writing professor in the M.F.A. program at Temple University, her fiction and nonfiction have appeared in Tin House and The New York Times, among other places. (recorded 1/27/2022)

Nina talks with Claire Luchette about her new book!   Claire's work has appeared in VQR, Kenyon Review, Ploughshares, and Granta. A 2020 National Endowment for the Arts fellow, Luchette graduated from the University of Oregon MFA program and has received grants and scholarships from MacDowell, the Corporation of Yaddo, the Millay Colony, Lighthouse Works, the Elizabeth George Foundation, and the James Merrill House. Agatha of Little Neon is Luchette's first novel.

Alex McElroy (they/them) is a nonbinary writer based in Brooklyn. They received their MFA from Arizona State University and their PhD from the University of Houston. Their writing has been supported by the Bread Loaf Writers' Conference, the Tin House Summer Workshop, the Sewanee Writers' Conference, and the Elizabeth George Foundation. The Atmospherians is their first novel. About The Atmospherians: Sasha Marcus was once the epitome of contemporary success: an internet sensation, social media darling, and a creator of a high profile wellness brand for women. But a confrontation with an abusive troll has taken a horrifying turn, and now she's at rock bottom: canceled and doxxed online, fired from her waitress job and fortressed in her apartment while men's rights protestors rage outside. All that once glittered now condemns. Sasha confides in her oldest childhood friend, Dyson—a failed actor with a history of body issues—who hatches a plan for Sasha to restore her reputation by becoming the face of his new business venture, The Atmosphere: a rehabilitation community for men. Based in an abandoned summer camp and billed as a workshop for job training, it is actually a rigorous program designed to rid men of their toxic masculinity and heal them physically, emotionally, and socially. Sasha has little choice but to accept. But what horrors await her as the resident female leader of a crew of washed up, desperate men? And what exactly does Dyson want? Explosive and wickedly funny, this “Fight Club for the millennial generation” (Mat Johnson, author of Pym) peers straight into the dark heart of wellness and woke-ness, self-mythology and self-awareness, by asking what happens when we become addicted to the performance of ourselves.

The meek shall inherit the Earth. Carmen Maria Machado and Sondra Fink tell us how the world ends. But every ending is also the beginning of something new. "The Hungry Earth" by Carmen Maria Machado, Read by Tony Perry Carmen Maria Machado is the author of the bestselling memoir In the Dream House and the short story collection Her Body and Other Parties. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century." Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Vogue, This American Life, Harper’s Bazaar, Tin House, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, Michener-Copernicus Foundation, Elizabeth George Foundation, CINTAS Foundation, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the Writer in Residence at the University of Pennsylvania and lives in Philadelphia with her wife. Tony Perry is an actor and singer-songwriter. He narrated the film Lost and Found, and the audio comic The Captain Punishment Adventure Hour. He has performed in English and Yiddish, and he’s happy to talk about all things Doctor Who. "The Verge of Utopia" by Sondra Fink, read by Lanna Joffrey Sondra Fink is a writer whose published work appears on posturemag.com and brooklynherborium.com. She is an organizing member of the Brooklyn Speculative Fiction Writers and currently at work on a young-adult dystopian fantasy novel. “The Verge of Utopia” is her first published work of fiction. Lanna Joffrey is an actor, spoken-word performer and writer working in the United States and United Kingdom based in London. She has earned a New York Fringe, IRNE and Ovation Award in Performance. And her verbatim play of women’s war stories, "Valiant" has traveled the U.K. and U.S. to critical acclaim. lannajoffrey.com

Marisa Handler—writer, singer-songwriter, teacher, and coach—is the author of the memoir Loyal to the Sky, which won a Nautilus Gold Award for world-changing books. Her essays, fiction, journalism and poetry have appeared in The Sun, Orion, Salon.com, Witness, Kosmos, Tikkun, 580 Split, and other publications. Marisa earned her MFA from the Iowa Writers' Workshop and has received numerous fellowships in Creative Writing, including a Fulbright and an Elizabeth George Foundation grant. Her poem “The Vanishing” won the Lois Cranston Memorial Poetry Prize and was nominated for a Pushcart. She has taught Creative Writing at a range of places, including Mills College and Stanford University, and workshops on creativity, transformation, and meditation at Esalen, Spirit Rock, and the California Institute for Integral Studies. She also works one-on-one as a Writing Coach and a Personal Transformation Coach. Marisa has practiced Insight Meditation in retreats and daily life since 2002, and is also a committed practitioner of Byron Katie's The Work, Authentic Movement, and Biodanza. She is currently at work on a novel. More at www.marisahandler.com. - Marisa shares with us the Creative Process and how that impacts us. - What healing is for her and how to process that. - The ability to follow your gut and make decisions that are in alignment with your passion and taking an un-chartered course. - She also talks about Awakening - find out as you listen ... - Marisa is currently working on a novel, "Abiding Awakening" soon to be out. - She has carved out some great time for every Tuesday evening for Writing and Meditation Journey over Zoom which is FREE Contact Marisa to be part of this amazing and empowering space. I love it. - Marisa can be reached at: www.marisahandler.com AND for Tuesday evening Writing & Meditation journey over zoom: https://www.eventbrite.com/e/writing-and-meditation-a-weekly-journey-tickets-132685539019

Monica Sok, a Jones Lecturer at Stanford University, is a Cambodian American poet and the daughter of refugees. She is the author of the brand new A Nail the Evening Hangs On from Copper Canyon Press. Ms. Sok's work has been recognized with a "Discovery" Prize from 92Y. She has received fellowships and residencies from the Poetry Society of America, Hedgebrook, the Elizabeth George Foundation, the National Endowment for the Arts, Kundiman, the Jerome Foundation, the MacDowell Colony, the Saltonstall Foundation, and others. Monica Sok also teaches poetry to Southeast Asian youths at the Center for Empowering Refugees and Immigrants in Oakland, California. She is originally from Lancaster, Pennsylvania. Craft Talks: Part of the St. Louis Literary Award Programs at Saint Louis University

Blake Kimzey founded and directs Writing Workshops Dallas & Writing Workshops Paris and is a co-founder of The Big Texas Read. Named one of D Magazine's Artists to Learn From, he is a graduate of the MFA Program at UC Irvine; Blake also sits on the Board of the Elizabeth George Foundation and received a generous Emerging Writer Grant from the Foundation. Blake discusses self-censorship, giving yourself permission to write, and the value of consuming other people’s lived experiences.His fiction has been broadcast on NPR, performed on stage in Los Angeles, and published by Tin House, McSweeney’s, VICE, Longform, The Los Angeles Review, and The Masters Review, Booth, and selected by Pulitzer Prize-winner Robert Olen Butler for inclusion in The Best Small Fictions 2015. Blake’s collection of short tales, Families Among Us, an Indie Bestseller, was published by Black Lawrence Press in 2014. He is working on his first novel and is represented by Ryan Harbage. He has taught in the Creative Writing Programs at SMU, UT-Dallas, and UC-Irvine. Follow him on Twitter @BlakeKimzey.Originally recorded on September 17, 2020Host, Earlina Green Hamilton

Peng Shepherd was born and raised in Phoenix, Arizona, where she rode horses and trained in classical ballet, and has lived in Beijing, Kuala Lumpur, London, Los Angeles, Washington, D.C., Philadelphia, New York, and Las Vegas. Her first novel, The Book of M, won the 2019 Neukom Institute for Literary Arts Award for Debut Speculative Fiction, and was chosen as a best book of the year by Amazon, Elle, Refinery29, and The Verge, as well as a best book of the summer by the Today Show and NPR On Point. A graduate of the NYU MFA program, Peng is the recipient of a 2020 fellowship from the National Endowment for the Arts, as well as the Elizabeth George Foundation's emerging writers 2016 grant. Her next novel, The Cartographers, comes out in 2021.We had a great chat with Peng about her route to publication, and hear about her amazingly quick path to picking up an agent and a publisher. We also hear about her writing process (no planning!) and find out that she may be the only person in the world who doesn't know the ending to Game of Thrones...Links:Buy The Book of M nowFollow Peng on TwitterVisit Peng's websiteWatch our video panel Page One Sessions as we discuss writing with great authors: https://youtu.be/gmE6iCDYn-sThe Page One Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on Twitter: @write_gearFollow us on Facebook: www.facebook.com/WriteGearUK/Follow us on Instagram: write_gear_uk See acast.com/privacy for privacy and opt-out information.

Jaquira Díaz was born in Puerto Rico. Her work has been published in Rolling Stone, the Guardian, Longreads, The Fader, and T: The New York Times Style Magazine, and included in The Best American Essays 2016. She is the recipient of the 2019 Whiting Award in Nonfiction for “Ordinary Girls,” two Pushcart Prizes, an Elizabeth George Foundation grant, and fellowships from the MacDowell Colony, the Kenyon Review, and the Wisconsin Institute for Creative Writing. She lives in Miami Beach with her partner, the writer Lars Horn.Things Discussed:Growing up in Puerto RicoComing out to a Catholic familyThe tensions between the white and black sides of her family during childhoodThe silence around sexual violenceEthnic and racial identity - What am I?Practicing Catholicism and being gayEven the hardest family stories can give us strengthThe publishing industryRacism and learning to understand one anotherResources:Jaquira's new memoir, “Ordinary Girls”Jaquira on InstagramJaquira's websiteBella Figura websiteDolores on Instagram

Episode #51 features Rattle Poetry Prize legend Courtney Kampa. Courtney is a five-time Rattle Poetry Prize finalist, and "Poems about Grace" was winner of the 2014 Readers' Choice Award. Courtney Kampa’s first book, Our Lady of Not Asking Why, was selected by National Book Award winner Mary Szybist for New Issues Press. Her work has received awards and distinctions from Best New Poets, Poets & Writers Magazine, The Atlantic, RATTLE, North American Review, The Elizabeth George Foundation, Columbia University, and elsewhere. A 2016 Ruth Lilly finalist, she received her MFA from Columbia University and was a Wallace Stegner Fellow at Stanford University from 2017-2019. She currently lives and teaches poetry and writing in Nashville, TN. For more information, visit: https://courtneykampa.com/ As always, we'll also include live open mic for responses to our weekly prompt. For details on how to participate, either pre-recorded, via Skype, or by phone, go to: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem in a form you've never tried before. Next Week's Prompt: Wright a poem about a Greek god or goddess. The Rattlecast livestreams on YouTube, Facebook, and Periscope.

ABOUT THE BOOK - The Armageddon-Two Step ...is a novel about reality and truth built for the Age of Trump; a comedic farce tinted with magical-realism about a young man named Shelby Albert Goddard. ABOUT THE AUTHOR - Michael Loyd Gray Gray's novel Well Deserved won the 2008 Sol Books Prose Series Prize and his novel Not Famous Anymore garnered a support grant from the Elizabeth George Foundation in 2009. His most recent novel, Exile on Kalamazoo Street, was released in 2013 and he co-authored the stage version. Gray's novel The Canary, which reveals the final days of Amelia Earhart, was released in 2011. King Biscuit, a young adult novel, was released in 2012. He is the winner of the 2005 Alligator Juniper Fiction Prize and 2005 The Writers Place Award for Fiction.

Gene is newly widowed and haunted by his memories. As he bumbles through long days, he questions his wife Maida’s sudden death, his daughter’s motives, and the enduring and meaningful friendship of best friends Ed and Gayle Donnelly. He tries to resurrect the good memories of the two couples raising children in a New Hampshire town and vacationing together every summer at a lake house owned by the Donnellys. He tried to come to terms about his relationship with his only daughter, Dary, who has chosen to raise a fatherless child, has made her home on the other side of the country, and who challenges Gene’s happy memories of everything that happened in their lives. She even challenges his view of her mother. Moving between Gene’s fraught current life and memories of his childhood, coming of age, courtship, marriage, and career, The Dependents (Back Bay Books, 2019) is a sensitive novel about love, parenthood, friendship, and finding contentment. Katharine Dion is a graduate of the Iowa Writers’ Workshop, where she was awarded the Iowa Arts Fellowship. She is also a MacDowell Fellow and the recipient of a grant from the Elizabeth George Foundation. In her early twenties, Dion founded a nonprofit organization called Peer Health Exchange that (still) trains college students to teach a comprehensive health curriculum in public high schools. And she has spent two summers living in a Zen monastery working as a cook. Dion’s introduction to Buddhism came from living several summers at Tassajara, a monastery in the Ventana Wilderness; she is lay ordained in the Soto Zen lineage and helps people meet the grief of ecological destruction as a Buddhist Ecochaplain. She was born in Oakland and lives in Emeryville, California. If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/join G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gene is newly widowed and haunted by his memories. As he bumbles through long days, he questions his wife Maida’s sudden death, his daughter’s motives, and the enduring and meaningful friendship of best friends Ed and Gayle Donnelly. He tries to resurrect the good memories of the two couples raising children in a New Hampshire town and vacationing together every summer at a lake house owned by the Donnellys. He tried to come to terms about his relationship with his only daughter, Dary, who has chosen to raise a fatherless child, has made her home on the other side of the country, and who challenges Gene’s happy memories of everything that happened in their lives. She even challenges his view of her mother. Moving between Gene’s fraught current life and memories of his childhood, coming of age, courtship, marriage, and career, The Dependents (Back Bay Books, 2019) is a sensitive novel about love, parenthood, friendship, and finding contentment. Katharine Dion is a graduate of the Iowa Writers’ Workshop, where she was awarded the Iowa Arts Fellowship. She is also a MacDowell Fellow and the recipient of a grant from the Elizabeth George Foundation. In her early twenties, Dion founded a nonprofit organization called Peer Health Exchange that (still) trains college students to teach a comprehensive health curriculum in public high schools. And she has spent two summers living in a Zen monastery working as a cook. Dion’s introduction to Buddhism came from living several summers at Tassajara, a monastery in the Ventana Wilderness; she is lay ordained in the Soto Zen lineage and helps people meet the grief of ecological destruction as a Buddhist Ecochaplain. She was born in Oakland and lives in Emeryville, California. If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/join G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mesha Maren is the author of the novel Sugar Run (Algonquin Books). Her short stories and essays can be read in Tin House, The Oxford American, The Guardian, Crazyhorse, Triquarterly, The Southern Review, Ecotone, Sou’wester, Hobart, Forty Stories: New Writing from Harper Perennial, and elsewhere. She was the recipient of the 2015 Thomas Wolfe Fiction Prize, a 2014 Elizabeth George Foundation grant, an Appalachian Writing Fellowship from Lincoln Memorial University, and fellowships from the MacDowell Colony and the Ucross Foundation. She was the 2018-2019 Kenan Visiting Writer at the University of North Carolina at Chapel Hill. She is an Assistant Professor of the Practice of Creative Writing at Duke University and also serves as a National Endowment of the Arts Writing Fellow at the federal prison camp in Alderson, West Virginia. See acast.com/privacy for privacy and opt-out information.

Authors on the Air Global Radio Network host and thriller author Eliot Parker interviews Mesha Maren. Mesha Maren's debut novel, Sugar Run, is forthcoming from Algonquin Books in January 2019. Her short stories and essays have appeared in Tin House, Oxford American, Crazyhorse, Southern Cultures, Hobart, Forty Stories: New Writing from Harper Perennial, and elsewhere. She is the recipient of the 2015 Thomas Wolfe Fiction Prize, a 2014 Elizabeth George Foundation grant, an Appalachian Writing Fellowship from Lincoln Memorial University, and fellowships from the MacDowell Colony and the Ucross Foundation. She is the 2018-2019 Kenan Visiting Writer at the University of North Carolina at Chapel Hill and also serves as a National Endowment of the Arts Writing Fellow at the Beckley Federal Correctional Institution. --- Support this podcast: https://anchor.fm/eliot-parker/support

Lydia Fitzpatrick is the guest. Her debut novel, Lights All Night Long, is available from Penguin Press. Fitzpatrick’s work has appeared in the The O. Henry Prize Stories, The Best American Mystery Stories, One Story, Glimmer Train,and elsewhere. She was a Wallace Stegner Fellow at Stanford University, a fiction fellow at the Wisconsin Institute for Creative Writing, and a recipient of an Elizabeth George Foundation grant. She graduated from Princeton University and received an MFA from the University of Michigan. She lives in Los Angeles with her husband and daughters.     Learn more about your ad choices. Visit megaphone.fm/adchoices

Lilliam Rivera is the guest. Her new YA novel, Dealing in Dreams, is available from Simon & Schuster. Rivera's previous novel, The Education of Margot Sanchez (February 2017) was nominated for a 2019 Rhode Island Teen Book Award, a 2017 Best Fiction for Young Adult Fiction by the Young Adult Library Services Association (YALSA), and has been featured on NPR, New York Times Book Review, New York magazine, MTV.com, and Teen Vogue, among others. She is a 2016 Pushcart Prize winner and a 2015 Clarion alumni with a Leonard Pung Memorial Scholarship. Lilliam has also been awarded fellowships from PEN Center USA, A Room Of Her Own Foundation, and received a grant from the Elizabeth George Foundation and the Speculative Literature Foundation. Her short story "Death Defiant Bomba" received honorable mention in Bellevue Literary Review's 2014 Goldenberg Prize for Fiction, selected by author Nathan Englander. She recently received honorable mention in the 2018 James Tiptree, Jr. Literary Award. Lilliam's work has appeared in The New York Times, Elle, Lenny Letter, Tin House, Los Angeles Times, USA Today, and more. She has been a featured speaker in countless schools and book festivals throughout the United States and teaches creative writing workshops. She lives in Los Angeles Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey there word nerds! Today I am delighted to have award-winning author Joan Dempsey on the show!   Joan’s writing has been published in numerous places including The Adirondack Review and  Alligator Juniper, and she is the author of This is How it Begins. For this fascinating novel, that is a mix of literary fiction and mystery, she received a significant research grant from the Elizabeth George Foundation which took her to Warsaw for a month (no, she doesn't speak Polish), and to Washington, D.C. for ten days, to study in the archives at the US Holocaust Memorial Museum. Listen in as we discuss the multiple layers of This is How is Begins, and get some of Joan’s best writing techniques for juggling plot and characters. In this episode Joan and I discuss: Avoiding the caricature, finding your way into every character’s head. Using omniscient POV in contemporary fiction the right way. Staying neutral, how to keep from steering your readers to any one opinion. Balancing the interplay between characters and plot. Method writing, and other craft techniques from Joan to get to the heart of your story.   Plus, Joan’s #1 tip for writers. For more info and show notes: DIYMFA.com/181

In this episode, Kara Vernor gives us a detailed look at how her flash story, "Don Johnson is Not Your Man" came into being. Read it: wigleaf.com/201208dj.htm Buy the book it appears in: www.splitlippress.com/because-i-want…you-a-pop-song Kara Vernor’s fiction chapbook, Because I Wanted to Write You a Pop Song, is available from Split Lip Press. She has received scholarships from the Elizabeth George Foundation and Mendocino Coast Writer’s Conference, and her work has been included in Wigleaf’s Top 50 Very Short Fictions, the Best Small Fictions finalists, and Outpost 19’s Golden State 2017 anthology. This episode was produced by Tyler Barton. The music was also produced by Tyler Barton, under his musical moniker, yungpamp.

Lilliam Rivera is an award-winning writer and author of The Education of Margot Sanchez, a contemporary young adult novel forthcoming from Simon & Schuster on February 21, 2017. She is a 2016 Pushcart Prize winner and a 2015 Clarion alumni with a Leonard Pung Memorial Scholarship. She has been awarded fellowships from PEN Center USA, A Room Of Her Own Foundation, and received a grant from the Elizabeth George Foundation. Her short story "Death Defiant Bomba" received honorable mention in Bellevue Literary Review's 2014 Goldenberg Prize for Fiction, selected by author Nathan Englander. Lilliam was also a finalist for AWP's 2014 WC&C Scholarship Competition.

Shobha Rao, an immigrant from India, recalls two interactions with her peers that reminded her of when she helped her parents say “yes” to remaining in America. Shobha Rao is the author of the collection of short stories, “An Unrestored Woman“. Kirkus Reviews called An Unrestored Woman “stunning and relentless.” Booklist said of the collection, “Rao’s raw and breathtaking short story collection is set against [an] epic canvas, yet her character studies are intimate.” She is the winner of the 2014 Katherine Anne Porter Prize in Fiction, awarded by Nimrod International Journal. She has been a resident at Hedgebrook and is the recipient of the Elizabeth George Foundation fellowship. Her story “Kavitha and Mustafa” was chosen by T.C. Boyle for inclusion in the Best American Short Stories 2015. To learn more about Shobha and her work, visit shobharaowrites.com This episode of Tell Us Something was recorded in front of a live audience on September 20, 2016, at The Wilma in Missoula, MT. 11 storytellers shared their story. The theme was Fork in the Road”. Today’s podcast comes to us from Shobha Rao and is titled “Ask Me Again”. Thank you for listening.

The Alaskan Laundry (Mariner Books) A fresh debut novel about a lost, fierce young woman who finds her way to Alaska and finds herself through the hard work of fishing, as far as the icy Bering Sea  Tara Marconi has made her way to The Rock, a remote island in Alaska governed by the seasons and the demands of the world of commercial fishing. She hasn't felt at home in a long while. Her mother's death left her unmoored and created a seemingly insurmountable rift between her and her father. But in the majestic, mysterious, and tough boundary-lands of Alaska she begins to work her way up the fishing ladder from hatchery assistant all the way to King crabber. She learned discipline from years as a young boxer in Philly, but here she learns anew what it means to work, to connect, and in buying and fixing up an old tugboat how to make a home she knows is her own. A beautiful evocation of a place that can't help but change us and a testament to the unshakable lure of home, The Alaskan Laundry also offers an unforgettable story of one woman's journey from isolation back to the possibility of love. Praise for The Alaskan Laundry "This novel is a rarity -- a gripping, straight-forward, old-fashioned novel about coming of age (a woman, no less) in Alaska. It is reminiscent of the best of Wallace Stegner."--Richard Ford  "This is a truly towering debut novel. Brendan Jones charts new novelistic territory and sends back moving dispatches from the frontiers of the human heart."--Adam Johnson, author of The Orphan Master's Son "The Alaskan Laundry is a gorgeous and powerful novel that succeeds both as a page-turning adventure story and an evocative exploration of the meaning ofhome. With acute psychological precision and a naturalist's attention to detail, Brendan Jones has created a hauntingly beautiful novel that will stay with me for a long time."--Molly Antopol, author of The Unamericans  "A taut, page-turning narrative, an indomitable heroine, and a rich cast of characters all steeped ina world where you can smell the tang of kelp at low tide, the creak of seiners at their moorings, hear the rustling of the Southeast Alaska rain forest. The Alaskan Laundry plunges the reader into the heart and soul of a unique commercial fishing culture and the story of Tara Marconi, as she struggles for respect, love, inner peace, and a place to call her own. A cinematic tour de force, it offers up an empowering message of hope and resilience."-- Nick Jans, author of A Wolf Called Romeo  "There are the easy journeys, the ones that take us where we mean to travel, and there are those we shy from, the dark and uncertain treks of the soul. Without flinching, nineteen-year-old Tara ventures from South Philly to the male-dominated Rock, an island off the coast of Alaska. True to her boxer instincts, Tara comes out swinging, unsure what the island will make of her. As layers of her former life wash away, she proves as raw and tender as the landscape, as striking and unforgettable. A promising debut, true to the core a novel of grit and redemption."--Deb Vanasse, author of Cold Spell andOut of the Wilderness  "The Alaskan Laundry is a novel of bracing air that gets deep into your lungs. As Tara Marconi reinvents herself in Alaska, we see all facets of the American dream of self-reliance and boundless possibility play out on the stage of the Last Frontier. A strong, singular person grows in these pages. Like a protagonist in a Daniel Woodrell novel, she is stubborn, heroic, and capable of anything."--Will Chancellor, author of A Brave Man Seven Storeys Tall "A fresh voice in contemporary realism arrives on the scene in this coming-of-age novel. Fierce and flawed, protagonist Tara Marconi leaves the Lower 48 behind to cut her teeth on the Alaskan wilderness, searching for salvation in the notion that 'people come to Alaska to wash themselves clean.' Jones's dynamic love of America's last frontier comes through in spare, gripping prose."--Suzanne Rindell, author of The Other Typist After receiving a B.A. and M.A. from Oxford University, where he boxed for the Blues team, Brendan Jones made his living in Alaska in carpentry and commercial fishing. He has published work in the New York Times, Ploughshares, Narrative Magazine, Popular Woodworking, The Huffington Post, and recorded commentaries for NPR. A recipient of grants from the Elizabeth George Foundation and the MacDowell Colony, he is currently a Wallace Stegner Fellow at Stanford University

Ocean Vuong is the author of The New York Times bestselling novel, On Earth We're Briefly Gorgeous, out from Penguin Press (2019) and forthcoming in 30 languages. A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize. Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of “32 Essential Asian American Writers” and has been profiled on NPR's “All Things Considered,” PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker.   Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out of Business school and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU.  He currently lives in Northampton, Massachusetts where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst. Support this podcast at — https://redcircle.com/the-vietnamese-with-kenneth-nguyen/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy