Podcast appearances and mentions of Aaron Abrams

Welcome one and all to another incredible episode of our movie chat podcast. This week Ma, Matt, and Mike chat about a little horror comedy that just hit the theaters, Clown in a Cornfield starring Katie Douglas and Aaron Abrams. Not killer klown topics include Happy Mother's Day Ma, chainsaws, and Tropic Thunder. Next week there really isn't much coming to your nearest theater so we opted to check out the Netflix Original Havoc starring Tom Hardy, Jessie Mei Li, and Forest Whitaker. Thank you for your continued support of our passion project. We will be back next week with another episode of the Reel Film Nerds Podcast! You can find us on all things social such as YouTube, Facebook, Instagram, and Twitter or X. We also have an awesome community you can join, click here to check out our Facebook Fan Group so you can yell at Mike and Matt from the comfort of your keyboard while talking about films. Lastly we have an amazing website where you can watch trailers, read the host's bios, listen to the podcast, and get a ton more info on the movies we review.  Check out the link here https://www.ReelFilmNerds.com Thanks for stopping by and listening to our podcast, we appreciate each and everyone of you. Finally go out and catch as many movies as you can!

Are you a friend of Frendo?Clown in a Cornfield is a 2025 American slasher film directed by Eli Craig and written by Craig and Carter Blanchard. It is based on the 2020 novel by Adam Cesare, and stars Katie Douglas, Aaron Abrams, Carson MacCormac, Kevin Durand, and Will Sasso. A fading midwestern town in which Frendo the clown, a symbol of bygone success, reemerges as a terrifying scourge.00:00 Intro 19:08 Horror News 29:55 What We've Been Watching58:01 Film Review2:10:18 Name Game 2:17:50 Film Rating2:23:13 Outrowww.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastBen - https://x.com/ben_errington​​​Andy - https://www.instagram.com/andyctwrites/Mark - https://www.instagram.com/darkmarkwriting/https://darkmarkwriting.com/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

¿Eres amigo de Frendo?En busca de un nuevo comienzo, Quinn y su padre se mudan al tranquilo pueblo de Kettle Springs. Pronto descubren que la fragmentada comunidad atraviesa momentos difíciles tras perder una preciada fábrica en un incendio. Mientras los lugareños discuten entre sí y la tensión se intensifica, un payaso siniestro y sonriente emerge de los maizales para limpiar el pueblo de sus cargas, una víctima sangrienta a la vez.Clown in a Cornfield es una película canadiense de terror de 2025 dirigida por Eli Craig y escrita por Craig y Carter Blanchard. Está basada en la novela de 2020 de Adam Scare. Protagonizada por Katie Douglas, Aaron Abrams, Carson MacCormac, Kevin Durand y Will Sasso.Episodio disponible en tu plataforma de podcast favorita. PLANETA TERROR es un podcast semanal en español dedicado al cine de horror/slasher/gore.Reseñas, noticias, rankings y discusión general desde el punto de vista de alguien cuyo “goal” en la vida es mudarse a Woodsboro, vivir en Elm Street y asistir al Campamento Crystal Lake.Apple Podcasthttps://podcasts.apple.com/ca/podcast/planeta-terror-podcast/id1539867451Instagramhttps://www.instagram.com/planetaterrorpod/Xhttps://x.com/planetaterrorpd?s=21&t=jiQBxnyCEsmbvNpY8pNnmgTikTok https://www.tiktok.com/@planetaterrorpodcast?_t=8mVo66trbrJ&_r=1

For this week's main podcast review, Cody Dericks, Ema Sasic, Josh Parham, Katie Johnson, and Dan Bayer are reviewing and discussing "Clown In A Cornfield," based on the 2020 novel of the same name, directed and co-written by Eli Craig and starring Katie Douglas, Aaron Abrams, Carson MacCormac, Kevin Durand & Will Sasso. The slasher film premiered at the SXSW Film Festival to positive reviews and is being released by RLJE Films and Shudder. What did we think of the adaptation, the kills, the story, and its comedy? Please tune in as we touch upon these points and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

We review the slasher film starring Katie Douglas, Aaron Abrams, and Carson MacCormac

Just when you thought it was safe to go back into the corn… Director Eli Craig (Tucker and Dale vs Evil) returns to the horror scene with Clown in a Cornfield — opening in theaters May 9 — a brutal, blood-soaked love letter to ‘80s slashers and the haunted heartland of America. Based on Adam Cesare's cult YA horror novel, this new film brings back killer clowns, generational tension, and practical gore like you haven't seen in years. Host Aaron Sagers talks to Eli about the horror DNA in the new movie, the dangers of actual cornfields vs. clowns, directing a cast of tough Gen-Z actors, and the future of the Cornfield Universe. Clown in a Cornfield hits theaters May 9. Don't miss this one. Official Synopsis: In Clown in a Cornfield, Quinn and her father have just moved to the quiet town of Kettle Springs hoping for a fresh start. Instead, she discovers a fractured community that has fallen on hard times after the treasured Baypen Corn Syrup Factory burned down. As the locals bicker amongst themselves and tensions boil over, a sinister, grinning figure emerges from the cornfields to cleanse the town of its burdens, one bloody victim at a time. Welcome to Kettle Springs. The real fun starts when Frendo the clown comes out to play. Directed by Eli Craig with a screenplay by Carter Blanchard and Eli Craig; based on the novel by Adam Cesare; starring Katie Douglas, Aaron Abrams, Carson MacCormac, Vincent Muller, Kevin Durand, and Will Sasso. _______________________________________________________________ The Talking Strange Show with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as experts in all things strange and unexplained. Talking Strange is a creation of Aaron Sagers with production help from Michael Ahr. Host Aaron Sagers is a paranormal TV host and journalist who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel, Discovery+, and MAX streaming service. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. Connect with the show community on Facebook as well. Email us with episode ideas, guest suggestions, and spooky stories: Contact@TalkingStrange.com Follow Host Aaron Sagers: Twitter/X Blue Sky Instagram Facebook TikTok Patreon (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Cinco de Mayo everyone! Yes it's a few days late but we did record this show on Cinco so it still counts. This week Mike, Ma, and Matt chat about the second MCU film of the year Thunderbolts* starring Florence Pugh, Sebastian Stan, David Harbour, and a bunch more! Not superhero team topics include no salt, movie tariff's (seriously??), and May the 4th Be With You.  Next week we hit the theaters to check out a film in Mike's favorite genre Clown in a Cornfield starring Katie Douglas, Aaron Abrams, and Carson MacCormac. Thank you for your continued support of our passion project. We will be back next week with another episode of the Reel Film Nerds Podcast! You can find us on all things social such as YouTube, Facebook, Instagram, and Twitter or X. We also have an awesome community you can join, click here to check out our Facebook Fan Group so you can yell at Mike and Matt from the comfort of your keyboard while talking about films. Lastly we have an amazing website where you can watch trailers, read the host's bios, listen to the podcast, and get a ton more info on the movies we review.  Check out the link here https://www.ReelFilmNerds.com Thanks for stopping by and listening to our podcast, we appreciate each and everyone of you. Finally go out and catch as many movies as you can!

Guests: Aaron Abrams, star of CTV's “Children Ruin Everything,” plus clips from Max Scherzer and Ross Atkins' news conference and we bring you clips and analysis of that news conference. Scherzer talks about his health, the hows and whys of his coming to Toronto, his motivations in finally coming to the AL East and his feelings about baseball's data revolution. Ross Atkins avoids a question about a possible contract extension for Vladimir Guerrero Jr. Also, TV star and huge Jays fan Aaron Abrams joins us for a Jays vibe check as they get set to head to spring training.

No conversations, BUT this week's, @EchoChamberFP https://www.instagram.com/echochamberfp/ is hitting you with SIX films!!! As XYZ Films, Collective Pictures & Elevation Pictures sci-fi sequel dropped on Netflix, we checked the original too! The platform also has the latest Tyler Perry Studios joint. We ventured to 1955 thanks to Focus Features, Universal Pictures UK, and Prom thanks to Giannetti Films & Positive Motion Pictures. PLUS, Diamond in the Rough Films new drama is now out! Today we have: Code 8 Watch Review: Here. https://youtu.be/w0thZdSnSiA Berlin International Film Festival: 9th February 2017 Theatrical Release Date: 6th December 2019 Digital Release Date: 11th April 2020 Director: Jeff Chan Cast: Robbie Amell, Stephen Amell, Sung Kang, Kari Matchett, Greg Bryk, Aaron Abrams, Kyla Kane, Laysla De Oliveira, Vlad Alexis, Peter Outerbridge Running Time: 100 min Cert: 15 Trailer: Here. https://youtu.be/6Aq6ktl24Gw?si=csmHO5g2eaqf54SP Website: Here. https://www.code8.com/ ---------------- Asteroid City Watch Review: Here. https://youtu.be/ysRewHgr_kM 76th Cannes Film Festival: 23rd May 2023 Theatrical Release Date: 23rd June 2023 US Digital Release Date: 11th July 2023 UK Digital Release Date: 20th February 2024 Director: Wes Anderson Cast: Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Stephen Park, Rupert Friend, Maya Hawke, Steve Carell Running Time: 105 min Cert: 12a Trailer: Here. https://youtu.be/-GTA4PLAkbg?si=qPb_ZosC5oRabaJ_ Website: Here. https://www.focusfeatures.com/asteroid-city ---------------- American Prom Watch Review: Here. https://youtu.be/WyAv9PY9XfQ US Digital Release Date: 2nd February 2024 Director: Dominic Giannetti Cast: Gabriella Estabrook, Akinté Hutchinson, Gianna Angela, Alexa Ketchum, Avaryana Rose, Kiley Opsal, Eryk Dewire, Mike McRobert, Sofia Lauren Giannetti, Aubrey Jean, Emilee Kurdziel, Kevin Siegelbaum, Kim McRobert, Gigi Leighton, Emi Optekar Running Time: 84 min Cert: 15 Trailer: Here. https://www.youtube.com/watch?v=lOoMZ66qxlY ---------------- Mea Culpa Watch Review: Here. https://youtu.be/n5P1qhGJ0DY Paris Theater, New York City: 15th February 2024 Digital Release Date: 23rd February 2024 Director: Tyler Perry Cast: Kelly Rowland, Trevante Rhodes, Nick Sagar, Sean Sagar, RonReaco Lee, Shannon Thornton, Kerry O'Malley, Arianna Barron, Connor Weil, Angela Robinson, María Gabriela González, Susan Savoie, Paul Ryden, Gene Weygandt, Candice Fawcett Running Time: 126 min Cert: 18 Trailer: Here. https://youtu.be/-p0g9YfjJSA?si=ecpeB7p2WyrzbGiH Website: Here. https://www.netflix.com/tudum/articles/tyler-perry-new-movie-mea-culpa ---------------- Code 8: Part II Watch Review: Here. https://youtu.be/6Rxo7KXjv_c Digital Release Date: 28th February 2024 Director: Jeff Chan Cast: Robbie Amell, Stephen Amell, Noorin Gulamgaus, Sirena Gulamgaus, Jean Yoon, Alex Mallari Jr, Altair Vincent, Moe Jeudy-Lamour, Aaron Abrams, Akiel Julien, Natalie Liconti, Nneka Elliott, Sarena Parmar, Sammy Azero, Darrin Maharaj, Yasemin Kamci, Mikayla SwamiNathan Running Time: 100 min Cert: 15 Trailer: Here. https://youtu.be/KCKrRkJVj04?si=7IR3DnaxvjUHfVjz Website: Here. https://www.code8.com/ ---------------- Exteriors Watch Review: Here. https://youtu.be/lvkbSLWPHpg Culver City Film Festival: 7th December 2023 Digital Release Date: 1st March 2024 Director: Mark Schwab Cast: Peter Stickles, Pano Tsaklas, Christian Gabriel, Fernando Jose, Julian Goza, Jacob Betts, Christian Gabriel, Matthew Bridges, Jacob Betts, Julian Goza, Jose Fernando, Peter Stickles Running Time: 83 min Cert: 15 Trailer: Here. https://youtu.be/xihJPsuUEjs?si=9w6OjZc2W4-clMBR Digital Platforms: Apple TV, Prime Video, YouTube, Google, Vudu, Vubiquity, Cox, and Comcast Website: Here. https://www.ditrfilms.com/b/3B98E386-C8BD-43DE-B3C9-7AE15AD9CB80/Exteriors ---------------- *(Music) 'Da Joint' (Instrumental) by EPMD - 2020 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

In this week's episode of The Discourse, host Mike DeAngelo powers up to discuss the Netflix film, “Code 8: Part II” with producers and stars Stephen Amell (“Arrow,” “Heels”)and Robbie Amell (“Upload,” “The Witcher”). In the sequel to “Code 8,” Connor (Robbie Amell) is out of prison and working as a janitor at a community center, having cut ties with his former criminal associate Garrett (Stephen Amell). Connor's attempt at staying out of trouble is destroyed when he's forced to help 14-year-old Pav escape from a pack of corrupt officers led by Sergeant King. King uses the newly launched robotic K9s to track Pav down, while Connor finds himself once again reaching out to Garrett and his crew for help, but can he trust the man who landed him in prison in the first place? The film also stars Alex Mallari Jr., Sirena Gulamgaus, Jean Yoon, and Aaron Abrams. Jeff Chan directs a script he co-wrote Chris Paré, Sherren Lee, and Jesse Lavercombe.   During the interview, Robbie and Stephen Amell discuss the experience of seeing the first "Code 8," "Suits: L.A.," the CW's Arrowverse, and much more. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplaylist/message Support this podcast: https://podcasters.spotify.com/pod/show/theplaylist/support

TIFF is coming, but you know what else is? Children Ruin Everything, the second season of which is about to air on The CW in the US for the very first time! And that lets your genial host Norm Wilner reissue the very second episode of this podcast, in which actor, screenwriter and future sitcom star Aaron Abrams attests to the comic perfection of Bill Murray and Howard Franklin's 1990 classic heist comedy Quick Change. Totally holds up.

Children Ruin Everything is a fun, comedic love letter to childrearing that explores the many ways kids destroy those pre-parent freedoms we take for granted and celebrates the moments that make having a family all worth it. The series follows married couple, Astrid (Meaghan Rath) and James (Aaron Abrams) as they struggle to find a balance and maintain sanity while raising nine-year-old Felix (Logan Nicholson), five-year-old Vivian (Mikayla SwamiNathan) and a new baby.Each episode compares the before and after of life with kids. The bygone days of time and leisure versus the new reality of chaos and compromise as James and Astrid grapple with the needs and whims of their precious little weirdos. From money to ‘me time' children ruin everything in unexpected and hilarious ways. Although they sometimes pine for those care-free, kid-free days, ultimately they wouldn't have it any other way.A dynamic and versatile performer, Meaghan Rath is quickly emerging as one of the entertainment industry's brightest talents. Rath is an award-nominated actress and producer best known for her roles as Tani Rey on HAWAII FIVE-0 and Sally Malik in the adaptation of the popular U.K. television series BEING HUMAN.Aaron Abrams has appeared in several regular and recurring roles for television, including MASTERS OF SEX, THE L.A. COMPLEX, LONGMIRE, THE OATH, ROOKIE BLUE, SLINGS & ARROWS, BLINDSPOT, and HANNIBAL. Fans can also see him in the hit sci-fi film CODE 8, its upcoming sequel on Netflix, and his award-winning turn in chef drama NOSE TO TAIL. Abrams has also written and produced several films, including THE LOVEBIRDS starring Kumail Nanjiani and Issa Rae, currently on Netflix.

Children Ruin Everything is a fun, comedic love letter to childrearing that explores the many ways kids destroy those pre-parent freedoms we take for granted and celebrates the moments that make having a family all worth it. The series follows married couple, Astrid (Meaghan Rath) and James (Aaron Abrams) as they struggle to find a balance and maintain sanity while raising nine-year-old Felix (Logan Nicholson), five-year-old Vivian (Mikayla SwamiNathan) and a new baby.Each episode compares the before and after of life with kids. The bygone days of time and leisure versus the new reality of chaos and compromise as James and Astrid grapple with the needs and whims of their precious little weirdos. From money to ‘me time' children ruin everything in unexpected and hilarious ways. Although they sometimes pine for those care-free, kid-free days, ultimately they wouldn't have it any other way.

Join LaTangela as she chats with Chuck Braud. An incredibly talented artist that captures amazing moments and bring them to life. From a hobby to taking the leap of faith to a career that dreams are made of. Check out all of his amazing work and secure some original pieces or prints at www.chuckbraud.com  Watch full episode HERE ****************************************************************************************** Also on the #TanLine just in time for the weekend run list of entertainment - we will chat with the stars of ROKU's hit series of "Children Ruin Everything"....  Meaghan Rath and Aaron Abrams - available on ROKU now! Candid conversation on how chemistry, transparency and relatability of life can lend for some really good entertainment! Chime in and check it out! ******************************************************************************************** NEW MUSIC ALERT NEVER KNEW - LaTangela Fay NEW BOOK ALERT P.O.O.F. (Power Over Obstacles Forever) - LaTangela Fay Sherman ************************************************************************************ THE LATANGELA SHOW RADIO -  WEMX- Baton Rouge, La. Mon-Fri 10a.m.-3p.m.CST TV - WLFT - Baton Rouge, La. KGLA  - New Orleans, La. The Louisiana Film Channel YouTube - #LaTangelaFay Podcast - ALL digital platforms www.LaTangela.comSee omnystudio.com/listener for privacy information.

Aaron Abrams joins the Matts to discuss Never Say Never Again! Hosted on Acast. See acast.com/privacy for more information.

Guests: Canadian television greats and huge Blue Jays fans Aaron Abrams (Children Ruin Everything) and Paul Sun-Hyung Lee (Kim's Convenience, The Mandalorian). This week in Deep Left Field, host Mike Wilner convenes a round table with Canadian small screen greats Aaron Abrams and Paul Sun-Hyung Lee to look back on the first week of the Blue Jays season: What went wrong (Chris Bassitt), what went right (Daulton Varsho) and what to expect the rest of the way (World Series or bust?).

Listening is an essential communication skill, but unfortunately, it is often underestimated and not given the attention it deserves. On this episode, LifeStance provider Aaron Abrams explores some of the most common barriers to effective listening, the different types of ineffective listening such as selective listening, defensive listening, and offers tips on how to overcome them. Learn more about Lifestance Health: Lifestance.com Follow LifeStance Health:  Instagram Facebook LinkedIn

Greg Thompson is a writer-producer known for Bob's Burgers, Glenn Martin D.D.S., and King of The Hill.Greg Thompson on IMDB: https://www.imdb.com/name/nm0860188/Greg Thompson on Twitter: https://twitter.com/gregthompMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutogenerated TranscriptionsGreg Thompson:Try to pay attention to the voices of the show. Know the show. Watch, watch every episode. Um, you know, when we were hired on King of the Hill, I, I'd watched King of the Hill, but I hadn't seen everything. But, you know, I methodically started plowing through hundreds of episodes at that point. I think maybe 200 episodes had happened by the time we, we joined it. So, and that's just kind of an education and you internalize the voices of the characters and, and it, it helps you. It helps you know what to pitch. You'reMichael Jamin:Listening to Screenwriters. Need to Hear This with Michael Jen.Hey everyone. Welcome to Screenwriters. Need to hear this. I'm Michael Jamin and I got another special guest today. This is my old friend. I'm gonna, this is my friend Greg Thompson, and I'm gonna give you a proper introduction, Greg. So sit down, just relax. Let me just talk to the people for a second. Um, so Greg is a very successful TV writer and he started on bunk, a show called Bunk Bread Brothers. We're gonna run through some of, through some of the credits. I'm heard of Bunk Bread Brothers, then fired up, which was interesting. This was the heyday of nbc. This was when, uh, the character she lived instead of a clock. She was, she was a church mouse, wasn't she? GregGreg Thompson:. Yeah, she was a church MassMichael Jamin:WhoGreg Thompson:Is second, second season. She moved into a shoe, uh,Michael Jamin:.Greg Thompson:It was Sharon Lawrence with, uh, Leah Remedy.Michael Jamin:Ah, Sharon Lawrence with Leah Remedy. This was back in the heyday of NBC shows like, uh, musty tv. And then a show called, I'm gonna run through some of your credits. Maggie, big Wolf on campus, then one of your bigger credits. 30, uh, third Rock from the Sun. Great show, then Grounded for Life. Another great show. Everyone hates Chris. Everybody hates Chris. Everybody hates Chris. Another great show. I'm in Hell. We're gonna talk about that. King of the Hill. You were there for many years. Glen Martin, dds. I never heard of that one, but I was involved in it. then Now, most recently you were writer, what are you executive, co-executive producer on Bob's Bergs.Greg Thompson:So I, I'm, I'm down to consulting producer. Technically I was we'll talk, I was co exec. I was actually executive, I was actually executive producer to be, to be most technical. Well, yeah, we all got promoted up to executive producer after aMichael Jamin:Certain And what happened? Why did you get bounced down to co exec? I mean, a consulting producer.Greg Thompson:I decided to rank fewer, fewer days a week. So I, I've, I've, am I, do you still want me on the show?Michael Jamin:Yeah, I'm, now I'm jealous of you. How many days a week are you working?Greg Thompson:I only work two days.Michael Jamin:Oh. And of those two days, how many days are you really working? ?Greg Thompson:I don't know. Probably four. Cuz it filters into other days andMichael Jamin:Yeah,Greg Thompson:It does over it also. Yeah.Michael Jamin:We're gonna talk about that. But I wanna get into the beginning, Greg. Cause I, I, I, so we met in the Warner Brothers Writers Program, writers workshop, or whatever it was called. Yeah, we did. And you were, were supposed to be you and your partner. Our Abrams were supposed to be the competition that me and Seavert were facing. And, but very quickly we realized we weren't, we weren't gonna, we weren't gonna make good enemies, friends and love.But, but I gotta say, Greg, you've always been, and I know I've never, probably never said this to you personally, but you were, it may seem odd since we don't talk that often, but you were definitely one of my closer friends, closest friends in the industry, because I always feel like I, I feel like we're not in competition. I can always be, I can confide in you to tell you what's going on with my career. I never feel like I'm gonna get stabbed in the back. You always got my back. I got your back. So you, you've always been a great friend. And that's why as I thank, thank you for doing the show and helping everyone Oh, tell your story.Greg Thompson:You're, you're very welcome. You, of course, it's of course it's mutual. Um, and I'll just say at the Radcliffe or at the, uh, pardon me, the Writer's Warner Brothers Writer's Workshop, um, I was, uh, so intimidated by you and Seavert. I, uh, you like you, we were kind of sited. We were seated in kind of a big o and you were, you guys were like across the room and you already, you already had credit. You had a credit on Lois and Clark, which was like, you know, incredibly impressive. We didn't have credits.Michael Jamin:That's what you were, that's what you're, because there was no other reason to be intimidated by us. So we never said anything like, IGreg Thompson:Think, I don't know, you just, you looked, you looked the right part. Sea had this kind of scowl on his face all the time, which, which was very untrue to his personality. But he just looked, uh, super serious. Like, like heMichael Jamin:WasGreg Thompson:Interesting figuring it all out.Michael Jamin:Turns out neither of us. It was a prestigious program. And, and it didn't help either of us. It didn't help. It definitely didn't help. But it didn't help you did itGreg Thompson:Other than Well, it, it did get us, it did lead us to an agent, which then, which then led us to our first job. So it actually did help us, even though the Warner Brothers, the studio was not interested in hiring us,Michael Jamin:Right? So after,Greg Thompson:After watching us work,Michael Jamin:As I tell our audience to catch 'em up, um, so yeah, we worked together. So we never worked together. We were just, we became friends on that. And then later, then later we shared a bungalow. We both had overall deals at CBS Radford. And so we shared a bungalow. We'd have lunch together. Remember we'd hang out in your office and just talk about ideas. Bounce Yeah. Each other that think an overall deal's great. That was fun. And then later was, no, king Hill was before that.Greg Thompson:King Hill was beforeMichael Jamin:That. Right? And then later Radford, our overall deal. Then later we hired you guys on, on Glen Martin. And you guys saved our butts. You and your partner Aaron, saved our butts. And then how did I Thank you. I almost, I almost thanked you by destroying your career. . I only remember you guys, you guys came in, was it, it was season two, right? Of Glen Martin.Greg Thompson:Yeah. Season two. Yeah.Michael Jamin:We, we brought you in. We had the money. We wanted very, we wanted season writers. And you guys came in, you always delivered great drafts, which is, is, I always say, this is all you want from a writer. Can you turn in a good draft? And you guys always did. And then there was talk of spinning off Glen Martin to a spinoff. And I remember we were like, Hey, we'll do this show. And then you could run the other show or which one, one or the other you guys could run. And you're like, eh, we got this other offer to go to this cartoon called Bob's Burgers. You don't wanna go to Bob's Burgers,Greg Thompson:,Michael Jamin:You wanna stay here? . And then, and thank God you took that offer, cuz I would've felt terrible like ruining your career. Cause that they spinoff never happened. . And then Glen Martin was canceled and it jumped off just in time to go to,Greg Thompson:There was an idea that Glen Martin was gonna jump to Fox or something, andMichael Jamin:There was a lot of lies floating .Greg Thompson:Yeah. It was probably Michael Eisner was planning these thoughts.Michael Jamin:Um, right. I forgot Fox. Fox didn't, Fox had no, had no knowledge of that. They weren't on Greg Thompson:. But, uh, yeah. But yeah, I think we all thought the puppet animation genre was gonna explode. And, and I have to say, it's really funny. It's still, when I look at, I've dug up some old Glen Martin's. It is really funny. I mean, it is, it was an underrated show under watched certainly, but also underrated.Michael Jamin:Yeah. Yeah. It was, we did some good stuff. You guys wrote some great episodes. But then, so you got the offer because Bob's Burgers co-create by Jim Dore. We both work with on King of the Hill. So he reached out to you guys. How did you have this Bob about, and why didn't he reach out to us? ?Greg Thompson:I didn't probably You were working. You, you're busy. Um, weMichael Jamin:Were busyGreg Thompson:Developed by Jim DotR. I should make sure I say that properly. Created by Lauren Bouchard, developed by Jim DotR. Um, yeah, he was just staffing up. And actually he, he had hired two other guys, uh, before us. And then there, um, and gosh, I'm blanking blanket on their names. Sorry. Um, but they had a pilot going, and their pilot got picked up to production. So they had to drop out of Bob's burger's mm-hmm. . And, and then that opened up a slot and Jim, Jim called us to, to come interview for it. And we saw the That's been, and, and you guys, you guys let us out of our Glen Martin deal early by the way. You, you did us a favor that not everybody would've done.Michael Jamin:That's that is true. Now some people wouldn't. But, but I think most,Greg Thompson:I most, I think most would good, good people would,Michael Jamin:Good people let you out. Our contract. Um, and so, and how many that was 2008, you've been on that? Oh, no,Greg Thompson:That was 2000, 2010. We went over there, 10, I think we, we went over to Glen Martin. We were there for actually second half of the first season through most of the second season.Michael Jamin:Oh, that's what it wasGreg Thompson:Like Glen Martin. Yeah. So I think we wrote It'sMichael Jamin:A amazing song. You've been on Bob's Burgers. It's crazy. Like that's, that's job security.Greg Thompson:Yeah, I was thinking, yeah, it's, it's 12 over 12 years now. And I, I'm wearing, um, I'm wearing the first piece of swag we ever got on Bob's. I don't know if it's visible on camera or not. This, this, uh, old hoodie, which is now just in taters. It's 12 years old. AndMichael Jamin:Do you, is it hard coming up with stories that at the, for 12 years?Greg Thompson:Yes. Yes. Very hard. Um, also because unlike The Simpsons, which is kind of branched off into the peripheral characters, they'll do a episode about APU or whatever they used to. Anyway. Um, Bob's stays with the, the family. Right. And, and doMichael Jamin:You, how, how does the musical numbers work? How do you guys produce, you know, how do you write and produce that?Greg Thompson:Uh, well, I, Lauren is extremely musical. Lauren Bouchard very musical. So he always had, you know, a big interest in that. And he can, he can write and play. And then there are, you know, there are, uh, musical people, you know, uh, uh, on the show.Michael Jamin:Who writing the lyrics for that? Do you write some script or what?Greg Thompson:Well, we do, yeah. Yeah. Most of the writers will write some lyrics. I've written. Yeah, I've written some lyrics. And that's, you know, don't write the music occasionally. You might like take a stab at a tune for something silly, but yeah. And that's, that's like, and that's, that's like funMichael Jamin:For the music as wellGreg Thompson:Then. Yeah. Yeah. You do like the, um, yeah, we're like members of ASCAP or BMI or something. Yeah. And, um, yeah, there's actually been, um, two Bobs Burgers record albums that have come out. Didn't that sub pop?Michael Jamin:Were you with the movie as well,Greg Thompson:Though? Yeah, I mean, to a limited degree. It was, the movie was, was really written by, by Lauren and Nora Smith, who's also the, you know, his number two, she's also Show Runner. Um, and then, but all the other writers pitched in on Story and, and jokes and, you know, we looked at lots of cuts. And so we, we were, we were part of it. Uh, we're, we have credit, but, um, but they did the, uh, heavy lifting for sure.Michael Jamin:And, you know, you're kind of like the last writer, Guild of America. Cartoon , one of the last, right. I mean, you're covered by the writer Guild, right? It's not ascap. I mean, notGreg Thompson:Yeah, yeah, yeah. It's, it's a, yeah, it's a, it's a writer's guilded show. Yeah. And I guess, like, I don't know, not to tell Tales Outta School. I think Disney is still trying to, you know, put shows on the air on, you know, Disney now owns 20th Century Fox Television. Um, still try to get, you know, II covered shows, which that's a, a guild with fewer, bene fewer benefits for your, your viewers.Michael Jamin:It's nonstarter now. It's like, it's, I, it's, it's the animation.Greg Thompson:Oh, is it really? Yeah. Okay. Things are tough. Okay. I didn't realize that.Michael Jamin:How did you, now you didn't start you, what was your career for the, for people who are listening, what was your career before you got into writing? I'll start from theGreg Thompson:Beginning. Um,Michael Jamin:Year was 1948.Greg Thompson:. I was, I was 12. The, uh, that wasThe, I I would just say in brief that like, I always loved television growing up. I loved movies and television. Uh, and I, I became a writing major in college, uh, creative writing major, which wasn't, wasn't a good idea. Uh, but at all that time, it never occurred to me that there were people that wrote television . I never looked at the credits. And so it never occurred to me that there would be a career doing screenwriting. Um, and so after I got outta college, I went into, I moved to New York and I got into, uh, book publishing and was a, worked in marketing for a few different publishers. Uh, book and magazine publishing. And that was go, that was my career. That was what I was doing. I was gonna be kind of a business person. And, you know, in, I wore a suit, uh, took the subway.Um, and then I went to business school to get an MBA thinking, well, that's the next step of my, my, uh, tremendous business career. And that brought me out to LA afterwards to work at the LA Times. Um, and, uh, uh, Aaron Abrams. So you bet you, before my friend, uh, had split up with his wife, he'd moved out to LA to be a screenwriter, and then his marriage had blown up. Um, so he had an empty bedroom. And I moved in with him to begin my job at the LA Times. And Aaron was trying to be a screenwriter. And so for the,Michael Jamin:From college,Greg Thompson:Uh, yeah, we kind of, we did an equivalent of the, uh, we, we did a little, uh, summer school publishing bootcamp kind of thing. Um, interesting. One summer after college, like a six week program, a little like the, the sitcom writing workshop in a way, but for people interested in publishing. Um, and so just like a summer school thing. So I met him doing that. We, we hit it off. We had, you know, kind of this instant, instant rapport. Um, and, uh, I thought he was hilarious and everything. And so I wasn't surprised when he eventually decided that he was gonna try to be a screenwriter. So then I move into the, I move into his, uh, terrible, messy apartment. Um, and, and I see like he is got a bunch of scripts. I'd never seen a script before. Uh, you know, it's kind of, it was pre-internet.You couldn't like, download scripts. It's like, oh, wow, this is weird. So that led me to reading scripts, talking to Aaron about what he was doing. Uh, you know, he very generously would ask me to read things he was working on and ask if I had any ideas or thoughts. Uh, and, and then, and then, and then Aaron suggested we were, we were having some conversation about the, uh, actually the NFL player's strike, uh, of the eighties. And he said, I always thought that would be an interesting movie. Um, so, uh, then he said, do you wanna try to write a movie about that with me? So together, we basically hammered out this, um, comedy that did not become the, was it a Keanu Reeves movie, but was The Replacements. Ours was called Substitute Heroes. And it was much like The Replacements. And, and that was the first thing we wrote together. And that ended up, um, we ended up selling that for a guild minimum to some place.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you, and it's absolutely free. Just go to michael jamin.com/watchlist.Greg Thompson:The substitution Heroes, where did you sell it? Football comedy. Yeah.Michael Jamin:AndGreg Thompson:Where did you want? And it ended up selling to like, uh, some producers for Guild minimum, um, low budget minimum, which was I think like $26,000 or something like that. Or maybe, maybe more. Uh, but that was, I, you know, obviously that would be thrilling even now to sell a movie for, you know, a little bit of money. So it was very thrilling to, to me and, um, and Aaron. And so, and then at the same time, like I'm working my LA Times job, and I wasn't enjoying that a ton. You know, I was in like this, I don't know, weird little group called Market Planning. And we'd do these like analyses of like Orange County advertising market and stuff that no one would ever look at. Um, and, uh, and the LA Times was a place, I always remember this. They would do casual Friday, one day a month.So you had to, you had to remember what Friday remember? Casual. Casual. That was before we were casual all the time. Yeah. Right. So you had to remember what Friday of the month was, casual Friday. So you could not wear your suit. Um, and then for our, uh, Christmas party, we had a, like an annual Christmas party. You'd have to come in an hour early that morning. And the, the Christmas party would be like, between the hours of 7:00 AM and 8:00 AM , or 8:00 AM and 9:00 AM I, I forget when work started , at least in my department, that's,Michael Jamin:You have to get up to your party. Some party.Greg Thompson:It wasn't . Yeah, no, it wasn't, it wasn't festiveMichael Jamin:.Greg Thompson:So it was that there was that kind of, it was that kind of play. So meanwhile, you know, then I'm like, you know, thinking, oh, well this, this screenwriting thing's working out great. I'll do that instead. Um, you know, and I think, you know, like, you know, we are getting a lot of meetings and I think, you know, in Hollywood, like a meeting sounds exciting. Yeah. It'll almost inevitably lead to nothing. But still for a moment you feel like, you know, you're driving on a lot, you have a pass, they're waiting for you, you sit down, someone brings you out water, you feel important. And, and it's, the people you're meeting with are almost always just filling their schedule to feel important. Yes. So you go in there and together, all of you feel important, and then you leave. ItMichael Jamin:Sounds like you're, you've listened to my podcast. Cause I've said these words many times.Greg Thompson:OhMichael Jamin:Yes, go important, but go on. Right. Then go. What happened?Greg Thompson:Uh, so then, um, I, I remember Aaron was like, he had this, um, he played like beach volleyball, uh, in this like league or something like that, even though he was terrible. ButMichael Jamin:I don't, I don't believe that part of his story,Greg Thompson:But, well, I'll say he was on a beach volleyball team. Whether you could describe it as playing, I don't know. But I think he was trying to beat girls. And so, but he, but there were a couple like TV writers in his, in the beach volleyball group, and he said, these guys are all doing great. They all have like, big houses. Uh, they're so successful. We should like, let's forget movies. Let's try to write television. So we started working on, uh, some spec scripts, as you know, I'm sure you've probably talked about that at different times. And, uh, you know, we wrote an Ellen, you know, and a spec is your sample to get hired onto a show. We wrote an Ellen that I thought was great, uh, that I still remember what it was about. It was about Ellen dates her assertiveness instructor and then can't break up with him because she's not assertive enough. Which,Michael Jamin:Funny.Greg Thompson:Well, well, for one thing, I, I don't know if there is such a thing as an assertive assertiveness instructor , I think it felt, it felt right to us in 1994 or so. Um, but, you know, but we thought, okay, we've nailed it. We've written one spec, now we're gonna, now our career will begin in television. And everybody hated it. And I mean, you've probably experienced this, or people experienced people who've felt this way. They fall in love with their spec. They think their spec is great. It's really the, the first spec they've written. And they become very, very attached to it. Not attached to every part of it. Every, every element. They're not receptive to notes. And I, I think I was certainly that way about this, this one, but the, uh, the feedback was so uniformly negative. It was like, okay, well let's , I think we have to write another one. So we wrote a Larry Sanders uhhuh, uh, a Larry Sanders spec, which went much better. It was just a much better show for us. It was more in our sensibility. It was. So, uh, that's the one that, uh, we ended up using to get into the, uh, Warner Brothers sitcom writing workshop.Michael Jamin:Yeah. And that, the rest, now Aaron, Aaron Abras was this, you know, we were both friends. One of the sweetest guys you ever met. And then he tragically died halfway through your career. And then I remember, I mean, it was just awful, but I remember either calling you or writing to you, and I was like, listen, cuz you had to reinvent your career at that point. You were, you had a writing partner that you relied on and you bounced things off. And then you had to become a solo writer. And I remember reaching out to you saying, listen, if, like, if you wanna, if you might need to write new samples, if you want help breaking a story or anything, like just call me receiver. Well, happy. But, but you never did. What wasGreg Thompson:That like? I re I re I I, I, I do remember that, and I still grateful for that. Uh, but you and Stever both reached out and were were terrific during that time. Um, it was, it was fortunate for me that I was on Bob's burgers. We had done, Aaron and I had done a season on Bob's, so, uh, it hadn't even aired yet. Um, but it was, I'm trying to think when it got it. Season two order, I guess it didn't get that until it had aired for a few, a few weeks. Um, once Bob's began airing and the show got picked up for another season, which was a little nip and tuck, cuz the ratings were a little, um, or touch and go rather, uh, uh, the Lauren and Jim offered me, you know, the opportunity to come back as a solo writer. Uh, so I, I did not have to produce those other specs. I did have to write a pilot that Aaron and I had been contracted to write. So I had to, I did have to finish the pilot. We'd outlined it, but we hadn't written it yet. And, um, I had to, I had to write it. But when you, that was, so that was the first thing I wrote.Michael Jamin:And was it like, even now, do you hear his voice? Like, do you think, what would Aaron do here? Or, or are you like, you know, now this is, are you, you know, areGreg Thompson:You Yeah, no, I I I, I still totally do. Uh, I mean, he was, he's such a funny guy and, you know, it was, you know, he used to say like, you know, the, unfortunately the funny person of the writing team died. So the, the, the guy who's like, does little, I don't even know what my specialty was, kind of doing things Aaron did, but a little less well founded. Uh, and, um, but yeah, no, I'll, I'll sometimes if I'm, if I'm writing and if a, a joke will occur to me, and I'll think that is an Aaron kind of joke, right. You know, that that's, that's his sensibility. So as much as I can cha uh, channel, uh, Aaron's voice, I, I I try to, um, he was, you know, just a unique voice.Michael Jamin:I imagine it would be honestly be a little paralyzing that first, at least the first couple of scripts you're like, I'm, I'm, I'm flying solo here.Greg Thompson:Yeah. Uh, and I, you know, I don't know how it is with you and Seaver, I think, you know, you, you do work separately at times. I know. Um, but, uh, every, everything Aaron and I had written, we'd written together in the same room. You know, we might go off and work on a scene by ourselves for a while and then share it, but mostly it was like kind of taking turns at a keyboard while the other guy was there in the room. Yeah. Uh, looking, you know, looking over the shoulder. So it was, uh, it was, you know, a pretty, um, uh, uh, close writing situation. So yeah, I just, um, I, I, I would do a couple tricks of, I would, I remember the, when I was writing the pilot, uh, it was like, okay, I'm gonna write the scenes that I think are easier to write first.Mm-hmm. . And so I wrote scenes out of order just to make progress. Right. Uh, and so then when you make a little progress, you begin to feel better, you begin to feel more confident. Um, right. And, and I also, and I still do this, I'll, I'll write a scene maybe with some, some of the dialogue at all caps, which is my way of saying this is not the dialogue. This is an approximation of what has to be said here in this moment. Uh, just to get through it, just to get through it so I don't get stuck. Um, yeah. Uh, because yeah, I mean, Erin and I would, we'd, we would try to do as little rewriting as possible, just maybe outta laziness. So we would kind of get a lot of consensus on everything before we wrote, uh, or as, you know, as we worked our way down the page. But as a, as a solo writer, I just couldn't do that. It was like, Nope, I'm, I'm gonna have to do more revisions, I'll have to do more passes. Um mm-hmm. . So that's what, that's what I started doing.Michael Jamin:And now does it just feel comfortable on your own or, you know, I, it's interesting,Greg Thompson:You know, I know it, it, it does and it doesn't, it always feels a little in like, you know, right now I'm, you know, trying to come up with story ideas to write one and looking at the calendar and looking at how much time I have, and I think, oh God, am I gonna have enough time to break it? And, uh, you know, holidays are coming up that's gonna cut into time. Uh, so I, I always have a little bit of panic, and I think I'm known for this on the show of being fairly neurotic about scripts, worried I won't put it together. Uh, cuz you know, there's so many, so many, Michael, you know, there's so many jokes in the script, it's like several hundred by the time you're done. And it's like, oh, how will I think of all those jokes?Michael Jamin:It's that, that's the part that's intimidating to me. It's the getting the story out. Well,Greg Thompson:Yeah, no, I mean, the story, you know, obviously the most important part. Um, but, you know, every element is hard. And so it's whatMichael Jamin:Now how mu like how is it run, how is it differently working on Bob's workers than it was either at Glen Martin or Kim King of the Hill for you? You know, the process.Greg Thompson:Uh, I'd say Bob's Berger's, it's much more, uh, you kind of become your own little executive producer of your episode all the way through production, you know, and basically, most of the times you will be coming up with the idea of your episode. You will be pitching it, you will be running the room, uh mm-hmm. as you, you know, put, uh, break the story. Uh, you know, then you're updating, you know, Lauren, the, and Laura, the showrunners. But you're, it's, it's kind of on you. It's, it's not, it's not like, and there will be people breaking stories simultaneously, which I guess was what we had at King of the Hill too. Yeah. Uh, a a few small rooms, um, but it isn't like probably most of television today still where it's everybody around a table, the whole staff breaking one story at a time. Right. With, you know, walking through the beats on a, on a board, kind of assembling it all, everybody, the staff, everybody together. It's, it's more individual. Uh, you, you, we kind of have more rope to, you know, make magic or get in trouble.Michael Jamin:And now you're doing, you're consulting, which is so interesting, just a couple days a week. Um, yeah. What, how's that for you working out? Everyone talks about what?Greg Thompson:It's,Michael Jamin:It'sGreg Thompson:Perfect. It's simultaneous with, it's simultaneous with C so it's, it's, it's hard to separate the two in a way. So it's, so far it's been people are beginning to come back to the office, but for the last two and a half years, it's been all Zoom.Michael Jamin:Yeah. Uh,Greg Thompson:And uh, I would say like, if I didn't have to like write scripts occasionally, it would be fent it would be so easy. I mean, not easy, but, but it's always like, you know, if you could sit back and give people pitches on their episode all day, and it's like, well, here's my idea. If it works, terrific. If it doesn't work, well , you know, it's not my problem. It it is. ButMichael Jamin:Do you think you'll stay there for, for a, for a while longer? What do you, what are your plans? Do you have any?Greg Thompson:I I, I, you know, I've just kind of taken it year by year. Uh, the, um, we'll see, um, I don't know. It's, it's still been a fun thing and, and most of the staff is the same staff as when we first grouped up 12 years ago.Michael Jamin:No one's, no one's leaving back, back when we started, um, uh, you know, we, you could jump shows, you might work on a show for a couple years, then jumped to another show. But now with the market, you'd be crazy to leave any show if you're on a show, you stay there and you hang on for dear life.Greg Thompson:I think so. I think so. I think that's been true of Bob's and, you know, uh, Wendy and Lizzie Molino, two of to have really, you know, very funny writers on, on Bob's. They did, they left only because they developed their own show, uh, the Great North. So, but despite that, they still have a hand in Bob's and write an episode a year. So nobody really wants to let go of Bob's.Michael Jamin:Yeah. And then, uh, yeah. Do you, are you developing at all? Have you tried to develop in recent years or,Greg Thompson:You know, I, past the first year, no, I haven't, I haven't tried to develop, and that's, you know, I have to say that's a little bit of laziness on my part. Like, you know, why do I wanna develop myself out of a job, this great job on Bob's? Uh, yeah. And, and also it was like, you know, we, Aaron and I, Aaron and I think did like eight or nine pilots, only one produced, but it was always really hard and, uh, a distressing experience. You'd, you'd, you know, we'd go in full of, full of ambition and hopes and dreams of how this next pilot was gonna be great. And then, and then you'd get so ground down by the process, we'd be miserable and hate, and hate our pilot by the end of it. Michael Jamin:People don't under no understanding, uh, of how the industry actually works. That's what I'm trying to educate them. But like we say the same things, like if we didn't have, if we were on full time staff, we, we wouldn't have to develop, we wouldn't run out to develop. It's only because staffs, the orders are so much shorter that you kind of have to, if you wanna make a living, you gotta sell what you gotta,Greg Thompson:Yeah. Yeah. But yeah, tell provision's changed, changed it that way. So so, you know, I'm a little embarrassed. I haven't, you know, tried to develop in the last decade, but I don't know, I'm just,Michael Jamin:So what, what advice do you have? Do you, I mean, are you bringing on any young writers or what advice do you have when you see a young writer join the show?Greg Thompson:Uh, well, boy, I don't know. I guess it would be the advice. Uh, I'd give any young writer, you know, just try to, try to pay attention to the voices of the show. Know the show, watch, watch every episode. You know, when we were hired on King of the Hill, I, I'd watched King of the Hill, but I hadn't seen everything. But, you know, I methodically started plowing through hundreds of episodes at that point. I think maybe 200 episodes had happened by the time we, we joined it. So, and that's just kind of an education and you internalize the voices of the characters and, and it, it helps you, it helps you know what to pitch. So, you know, we'll, we'll have, obviously, like a new writer will often like, pitch an episode idea that we've kind of already done. And, you know, it's hard to catch up with everything, but you have to try.Michael Jamin:Right.Greg Thompson:And just, I guess trust that you're, trust that you're there for a reason and that your ideas are good and, you know, do your best.Michael Jamin:Right. Right. But it's a pretty supportive environment there, it sounds like.Greg Thompson:Oh, it's great. Yeah. No, it's, it's really a nice group of people. Um, you know, you've been on many staffs and I was on many staffs, and I think my experience was almost always good. Uh, I hope yours was too. But you know, the, I think we probably all have both had the experience of being in a room where you're sitting in the same, you're around a table, same table every day. You're not only that, but you're seated in the same seat every day. Mm-hmm. , uh, same person to the left, same person to the right. And, and sometimes there will be people who will make a point of only laughing at, uh, somebody's, somebody several people's pitches, but never several other people's pitches.Interesting. Trying to, right. Yeah. I mean, uh, and, uh, it, it is a little bit of a, and this is, you know, it was rare to have this experience, but, you know, maybe did once or twice, um, pe writers are trying to get their jokes in. Uh, they would rather have their joke in than a funnier joke from somebody else. So there is that, there is that bit of competition. And I'm not saying I would have the funnier joke that no one would want in or anything like that, but, uh, uh, it's, it's this natural, um, selfishness, self-preservation, I guess. Yeah. Of like, right. I must, I must have a certain number of jokes in the, in the episode, or I'm not, I'm not earning my, my morsel of meat Yeah. Today. Yeah. So, um, so there, you know, there is a competitiveness. And I think, I think some shows, I think very could be bad miserable places. Um, Bob's was a fantastic place. Everybody was great. Right. Everybody was supportive. Uh, everybody was funny. Uh, everybody is funny. So many great writers. So it's been a, a fantastic situation.Michael Jamin:And how, and you say you were, you're involved heavily in the production. So you'll watch the animatics, you'll give notes on the air, or do you watch all the automatics or just the ones you, you produce?Greg Thompson:Uh, we watch all thematics and colors. Uh, but the animat, you know, for your own episode, you, you will be, you know, more involved in notes and revisionismMichael Jamin:Just forGreg Thompson:People. And the,Michael Jamin:The a animat are the rough, uh, before like crude sketches of the, uh, cartoon, the animation. And then you give notes on that. And then, then it's more like for blocking, which before the character should do and what kind of shot you have. And then later they color it in and, you know, that's, then you, you give notes on that as well. But you, are you also at the record? Are you, um, recording the actors?Greg Thompson:Yeah. Yeah. And, uh, we've done that a few different ways. In the beginning of the show, it was the, uh, Bob's was unique in this, in that they, you'd have multiple actors in, you know, on, on Mike, uh, at the same time. And it would be a simultaneous recording, so you'd have overlap mm-hmm. , uh, and improv. And that was kind of a hallmark of Bob's. And then in, uh, as c happened, we had to kind of break that apart and actors were recording in their homes, and so we were getting them one at a time. Right. Um, and so now it's, it's kind of a little combination of,Michael Jamin:But are you direct in a way, the actress yourselves or someone else? One of the store runners directingGreg Thompson:Lauren, Lauren was the director for like the first 10 years mm-hmm. every episode. And then during Covid we began to direct our own episodes. Right. Uh, but now we're actually in the process of having one writer direct all the episodes, uh, uh, with the, uh, a writer producer will direct all of them. And just so there's kind of a, a unified voice coming from the directing booth. Right. Um, and then Theri, the writer is also there to give notes and suggestions.Michael Jamin:Roll their eyes. You're doing it wrong.Greg Thompson:Yeah. I'd say, no, that's not, that's not, it's goes. So, yeah. And uh, I'd say Lauren is kind of constantly tinkering with the process, trying to improve it, even after like 12 years you think it would, things would be, okay, this is how we do it, this is how we'll always do it. But no, it's still being, aspects of production are being reinvented and tinkered with all the time.Michael Jamin:It's a great show. Cause it has such a sweetness to it, such an earnestness to, uh, who knew, who knew it was gonna be sort of giant.Greg Thompson:It does. It does. Uh, and I know early on, like, um, you know, Aaron and I would pitch, uh, coming from a, well, I guess working on every other show, we pitched a lot of, like, stories that involved conflict between the family, you know, uh, that was a little maybe sharper than Lauren wanted to do. Yeah. He didn't want, you know, his thing is he doesn't ever want the characters being mean to each other. Right. Anything perceived as mean. And so, like, you know, like, oh, if you're watching most sitcoms, it's like, oh, I don't know, everybody's, everybody does this all the time. You know what, so, but he wanted something sweetie.Michael Jamin:Yeah. And it's a good instinct. When we, we, when we worked for, uh, Chris Lloyd who, you know, he ran Frazier for many years, and then later we worked for Man Practice. He used to say the same things. He, he would say Velvet Gloves. So when the characters slapped each other, they had to be wearing velvet gloves. So you never wanna hit too hard. Everyone saw too hard, you know, I was like, oh, that's, that's smart. I'll start using that wordGreg Thompson:. I won't do it, but I'll use the word. Yeah. Um, yeah. And, and, and certainly like, you know, one thing with the internet, now, you can see what everybody thinks of every episode and on Reddit. And do you guysMichael Jamin:Do that?Greg Thompson:Uh, Twitter? Do you go? Yeah. Yeah. DoesMichael Jamin:That change the way you write future episodes?Greg Thompson:I think a little, um, like we did an episode once where the family was on a game show, which is kind of an unusual episode for us. It was pretty early. And they end up kind of getting cheated out of their prize at the end of the game show. It's kind of a, they're kind of ripped off. Mm-hmm. and the ending, we thought, no, it's a great ending. It's, you know, it's, it's perfect. It's funny, it's, uh, it's television viewers hated the bels that that had happened to the Belchers that they'd been, it, it felt like an unsatisfying ending to many, many, many viewers. And they would keep bringing it up. In fact, they still bring it up, uh, online as, as a, an episode ending. They don't like, uh, and you know, I think maybe because it was an unearned, they hadn't really done anything wrong and they ended up being, you know, kind of robbed. So I think we, we avoid, we try to avoid lessons where they, or episodes where they just have complete egg on their face by the end. Right. There has to be some kind of little, little victory or something learned, something positive that comes outMichael Jamin:It. Yeah. That's interesting. It's interesting you take that few, cuz I never sire kind of does. I, I'm really kind, I stay away from, I don't want to hear about the reviews. I don't want to hear about what the viewers think, just wanna, you know, do my thing and cross my fingers. But it's, you know, different.Greg Thompson:I mean, that's probably healthier. But if it's an episode that I wrote that's airing, um, I just devour Twitter.Michael Jamin:Do you really?Greg Thompson:Trying to, trying to, uh, oh, yeah. No, I, I I definitely try to cherry pick , you know, any positive comments.Michael Jamin:We went on, geez, this is about a year ago, Sierra and I went on, I don't know when we went on YouTube to like, see what people were saying about Glen Martin. We hadn't watched the show in years. And, and then there's some guy from his basement, some young guy talking about the show and he nailed it. He, he was as if he was in the writer's room. Like he understood the show better, better than we did. And it was just hilarious to hear him take it apart. I was like, man, this guy,Greg Thompson:I think, did you send that around? Did you send that around to the writers? I kind of remember reading something that I thought, yeah, this guy's, this guy's good, thisMichael Jamin:Guy's, he was like a spy me. So much Funny .Greg Thompson:Yeah. Yeah.Michael Jamin:Wow.Greg Thompson:That, oh, it was a funny, it was a funny show. Does that air, I mean, does that, how does that, as a quick aside, is Glen Martin accessible on anyMichael Jamin:Platform? I think, yeah, I think it's on YouTube where you can watch it all for free. So we don't get any, I mean, we have some points and we don't get any of it. I don't think you make money by showing,Greg Thompson:But it'sMichael Jamin:For free.Greg Thompson:Did some, I mean, did some kid upload it or is it, is it like they're all this, whoever owns it, put it, putMichael Jamin:It on Michael Eisner there as a whole, like maybe we get enough used, like he can even sell it again somewhere. I'm like, you know, yeah. Sell it somewhere. Let's, let's bring it back. But I don't think we've pushed band to bring it back. I can't, we reboot Glen Martin. I don't think there's anything there. Oh, that's funny.Greg Thompson:Oh. Oh,Michael Jamin:Well,Greg Thompson:Uh,Michael Jamin:Greg, is there any place, is there anything you wanna plug? Do you wanna talk about your next season? Should people follow you anywhere? Is there anything you wanna get off your chest before eight?Greg Thompson:Oh, well, God, I'm not really on Twitter. No. I mean, I can't, it's, I'm unfollowable on social media cuz um, I don't know. Just, uh, I guess keep watching. Uh, uh, I kind of forget where we are production-wise. I never know what episodes about to air. Yeah. Cause as you know, the, the production schedule in in animation is very long. It's almost don'tMichael Jamin:Without nine months with you guys in almost a year.Greg Thompson:Well, it can be, you know, if, especially if you know, the order changes. Right. And, andMichael Jamin:How manyGreg Thompson:Episodes do you get, you know, after production. But it's a longMichael Jamin:Time. What, what is your order this year? Like 22?Greg Thompson:Uh, I think it's 22. I think it's, yeah, Bob's is one of the last, you know, shows that still gets a 22 order. Uh, and it does less so now, but it did, you know, repeat a lot too. So there was residuals involved. Um, so, but fortunateMichael Jamin:It worked out.Greg Thompson:Um,Michael Jamin:,Greg Thompson:No. Let's see what I, I, I, uh, I would merely plug, uh, your,Michael Jamin:My Plus this in my Pod . All right. Everyone that well,Greg Thompson:Are you still doing the videos as uh, what? Oh, I was just asking if you're doing the video, the video, uh, podcast things as well. Yeah.Michael Jamin:These will air, yeah, they air they'll be on YouTube as well, and we run clips across media. Okay. People can, you know, they can get it everywhere. They can. Yeah. Continue following.Greg Thompson:Okay. It'sMichael Jamin:All part of that. Yeah. It's all, but that's, yeah. I, I, I, this has been fascinating hearing your story as far as I'm concerned, but ,Greg Thompson:But Greg,Michael Jamin:Thank you forGreg Thompson:I, I, uh, well, thank you. I hopeMichael Jamin:You're a good dude.Greg Thompson:Uh, thank, thank you for having me, Michael. I, you know, I'm a, I'm a huge fan of yours, uh, and, uh, yeah, honored.Michael Jamin:Oh God, this is my honor. But alright, everybody, thank you so much to great comic comedian, writer Greg Thompson. And, uh, yeah. So what, let me tell you what else is going on over here. So keep, if you guys wanna sign up for my watch list, that's my free newsletter where I send out daily tips for screenwriters and creative types at Michael jam.com/watchlist and keep following us here. And, uh, yeah, we have different content on YouTube. Our YouTubes at Michael Jam, writer and, uh, Instagram. Keep follow My Instagram, the TikTok Act. Michael Jam writer. All right, everyone. Thank you so much, Greg. Thank you. Until next week for more people. All right. Be good.Phil Hudson:This has been an episode of Screenwriters. Need to Hear This with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing, leaving your review and sharing this podcast with someone who needs to hear today's subject. For free daily screenwriting tips, follow Michael on Instagram, Facebook, and TikTok @MichaelJaminWriter. You can follow me on Instagram, Facebook, and TikTok @PhilAHudson. This episode was produced by Phil Hudson and edited by Dallas Crane. Until next time, keep writing.

The self continues to evolve and change. Aaron Abrams, a clinician from one of our Seattle Washington offices joins us on this episode as we discuss understanding ourselves and ways to improve our self-esteem. Learn more about Lifestance Health: Lifestance.com Follow LifeStance Health:  Instagram Facebook LinkedIn

Guests: Blue Jays right-hander Ross Striping; Paul Sun-Hyung Lee of Kim's Convenience, The Mandalorian, Avatar: The Last Airbender; Aaron Abrams, Star of CTV's Children Ruin Everything, currently the #1 Canadian comedy. This week in Deep Left Field, host Mike Wilner plays Long Toss with Ross one last time, talking to Stripling about the playoff series he never got to pitch in and his impending free agency, then breaks down the heartbreaking loss to Seattle and what comes next with Jays' superfans and Canadian sitcom stars Paul Lee and Aaron Abrams. Please take five minutes to complete this podcast survey for a chance at a $100 gift card.

Aaron Abrams is Director of Product for Marin Bicycles and is currently based in Taiwan. The Marin bike brand has been around since 1986 and the company's slogan says their bikes are “Made For Fun.” In this episode we talk about how mountain bikes are specced, and how product managers make decisions about which parts to include. When planning out the builds for a bike like the Marin Rift Zone 29 (three options, priced between $2,000 and $3,000), do you start with a set of say 3 price targets and choose the best parts that make those prices work? How important is overall bike weight when it comes to build specs? What is the purpose of speccing house-brand components like bars, saddles, and stems on bike builds? Is there a lot of cost savings by going this route? Why did Marin recently start selling branded aftermarket grips, bars, and stems? We rarely see full suspension builds that mix and match forks and shocks from different brands. Why is that? How do you know if consumers are going to like a part, say a particular tire model, or if it's going to perform as well as another competing part choice? Why do so many entry-level, budget bikes include front derailleurs? Is it because no one is making a cheap 1-by drivetrain, or because buyers at this price point think they want a lot of gears? What is the first component you would personally upgrade when buying an entry-level mountain bike? Why can't customers choose from a menu of parts when ordering a mountain bike? Why are we still, for the most part, limited to just a few set choices when it comes to builds? Have pandemic-related supply chain issues altered the way brands are thinking about bike builds going forward? Do the athletes you work with weigh in on component choices and build specs for the models they ride? Do outside sponsorships make this tricky? Where do customers tend to get the best value when it comes to buying a complete bike: at the low end, or the high end? To get a better sense of some of the parts and builds discussed check out marinbikes.com. ✏️ A written transcript of this conversation is available to Singletracks Pro supporters: singletracks.com/support --Keep up with the latest in mountain biking at Singletracks.com and on Instagram @singletracks --- Support this podcast: https://anchor.fm/singletracks/support

With her new drama Marlene opening this Friday in Toronto, Guelph, Edmonton and Calgary, actor Kristin Booth (Foolproof, Orphan Black, Workin' Moms, the Signed, Sealed, Delivered series and more) is here to declare her undying love for the self-aware magic of Rob Reiner's The Princess Bride, which made heartthrobs of Robin Wright and Cary Elwes, gave Mandy Patinkin one of his finest screen roles and taught kids of all ages to appreciate the occasional kissing book. Your genial host Norm Wilner remains just as smitten, honestly, and would like to remind you that the first year of the podcast can be yours at payhip.com/semcast for just twenty dollars. Hours of listening pleasure, including episodes with Kristin's Young People Fucking co-stars Aaron Abrams and Ennis Esmer! It's either this or join the Brute Squad, and really who wants that.

It's SEMcast's seventh anniversary, and filmmaker Igor Drljača -- whose new drama The White Fortress screens at TIFF Bell Lightbox as part of Canada's Top Ten tomorrow night, Wednesday March 16th, before hitting TIFF's streaming platform March 25th -- is here to take us on a trip to Punishment Park, Peter Watkins' distressingly perceptive 1971 thriller about America's slide towards fascism. Your genial host Norm Wilner wants you to know that the first year of this podcast is now available to own for just $20 at payhip.com/semcast . That's 52 episodes of SEMcast goodness, 46 of them no longer available to stream, with guests like Aaron Abrams, Katie Boland, Kristian Bruun, Ennis Esmer, Nelson George, John Maclean, Natalie Merchant, Scott Thompson, Justin Benson and Aaron Moorhead and many, many more. Full track listing at payhip.com/semcast. Support the podcast! Get hours and hours of entertainment! Everybody wins!

Guests: Yankees Broadcaster Suzyn Waldman, Children Ruin Everything star Aaron Abrams.  This week in Deep Left Field, host Mike Wilner talks to Suzyn Waldman about her great career and being a true pioneer for women in sports media, and has a wonderful chat with Aaron Abrams about his Blue Jays memories (he was in attendance for both Blue Jays World Series clinchers!) and his terrific television career.

Lifelong pals and frequent co-stars Ennis Esmer and Aaron Abrams mark the end of the first season of Children Ruin Everything by arguing about the entire 007 franchise: The highs, the lows, the tonal shifts, the changing leading men, the quiet refusal to really embrace creative chances that could keep the series fresh. Your genial host Norm Wilner bought a fluffy white cat for this.

Aaron Abrams, MD discusses the efforts that have led to, and continue to evolve, the understanding that earlier, higher efficacy treatments improve outcomes for patients with pediatric-onset demyelinating diseases.

This week on the Drop in Podcast, Duncan is joined by Director of Product at Marin Bikes - Aaron Abrams. Aaron gives us first hand insight into the supply chain challenges faced by the cycle industry  and explains why you're bike might be taking a little longer than usual to make it to you. Produced by Duncan Shaw - https://instagram.com/duncshaw?igshid=18wxf9hgim62aAudio and Video by Rory Semple - https://instagram.com/sempley_rory?igshid=1lef087yoqp80

Wir schauen uns in dieser Predigt die erste Gemeinde an. Die erste #Gemeinde im neuen Testament hat vieles richtig gemacht wovon wir einiges lernen können. 

Oi you. Yes you. It's time to find your newest podcast to listen to, via our Castologists. This week Nick gets on the true crime bandwagon with Ronan Farrow's The Catch and Kill; Liz goes with not-so-true crime with the Audible Original podcast (that's technically an audiobook) Cut and Run; and Zane gets his feminst on with a podcast on female entrepreneurship, Second Life. Then, stay tuned for all the reviews you can handle from last week's recommendations.Liz Recommends - Cut and Runhttps://www.audible.com/pd/Cut-and-Run-Audiobook/B082YHVMCGWelcome to a tale of love, adventure, and organ theft.In this charming, scripted audio crime comedy, Samantha Dugan (D’Arcy Carden) and Abe Lally (Sam Richardson) are best friends and partners in crime. They steal kidneys. Like all jobs, it’s complicated. Despite being Robin Hoods of organ thievery, Abe and Samantha are just the sweetest people.Samantha, a professional con artist, uses her charms to steal kidneys from bad people and get them to good ones. Abe, Sam’s surgeon-in-crime on their illicit kidney theft operation, is using unfettered access to the human body to advance his research to cure diabetes. This gig is hell on their social lives.This hilarious and twisted Audible Original tale features just about everything you could hope for: crime, punishment, law, order, love, romance, air travel, Ed Begley Jr., and a quinceañera.Cut and Run, a star-studded scripted audio performance, boasts the talents of Meg Ryan (You’ve Got Mail) as The Narrator; Sam Richardson (VEEP) as Abe Lally; and D’Arcy Carden (The Good Place) as Samantha Dugan—plus the aforementioned Ed Begley, Jr. (Arrested Development) as Gordon Grimbsy, the amiable crime boss; Rachel Bloom (Crazy Ex-Girlfriend) as Katie Reynolds, Abe’s girlfriend and best selling children’s book author; and Thomas Lennon (Reno 911) as Jeff Calvert, an FBI agent and unwitting organ donor. This Audible Original also features Eugene Cordero, Baron Vaughn, Carlos Alazraqui, Arturo del Puerto, Dustin Ybarra, Aaron Abrams, Ginger Gonzaga, Greg Santos, Oscar Montoya, Roberta Valderrama, and Shulie Cowen.Cut and Run was written and co-produced by Ben Acker and Ben Blacker, the inventors of the first narrative fiction podcast, The Thrilling Adventure Hour.For both: It's a serial, start from the start.https://www.audible.com/pd/Cut-and-Run-Audiobook/B082YHVMCGNick Recommends - The Catch and KillFor the past two years, Pulitzer Prize winning journalist Ronan Farrow has been following a trail of clues from his investigation of Harvey Weinstein to other blockbuster stories about the systems that protect powerful men accused of terrible crimes in Hollywood, Washington, and beyond. But he didn’t bring that information to light on his own. A compelling cast of sources—from brave whistleblowers to shadowy undercover operatives—decided the fate of these investigations, sometimes risking everything in the process. The Catch and Kill Podcast brings you their stories, in their own words, for the first time.For both: It's a serial, start from the start.https://podcasts.apple.com/us/podcast/the-catch-and-kill-podcast-with-ronan-farrow/id1487730212Zane Recommends - Second Lifewww.secondlifepod.comZane has brought some a little different for him in this episode with... See acast.com/privacy for privacy and opt-out information.

On the 325th episode of the Dean Blundell Show, Dean and Ryan welcome Aaron Abrams the CEO of Molly Maid. Aaron discusses his relationship with Ryan, living your brand, how COVID has affected his business, the importance of masks, the United States handling of the virus, the second wave, employees not returning to work, and the CERB. We close with Smokes dealing with the people who are hating on the ‘Support Local' initiative. See omnystudio.com/listener for privacy information.

Aaron Abrams and Brendan Gall join Jeremy for SWEET SMELL OF SUCCESS and get real passionate about just how far you can take sociopath anti-heroes in a film…

The Bloody Awesome Movie Podcast is in a transition period for the better. In the past, we did a monthly episode where we looked back at four big movies released in the prior month. For this episode, we are only covering two releases from May partly because of the pandemic and partly for the slow transition into weekly episodes. For the new format Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from Berkreviews.com. Will review one new release, whether that's streaming or in theaters (hopefully one day) and then introduce a variety of movies or pop culture related topics in a series of segments. Review 1: The Lovebirds Director: Michael Showalter Writer(s): Aaron Abrams, Brendan Gall, and Martin Gero Cast: Issa Rae, Kumail Nanjiani, Paul Sparks, and Anna Camp Synopsis: A couple (Issa Rae and Kumail Nanjiani) experiences a defining moment in their relationship when they are unintentionally embroiled in a murder mystery. Release: Netflix Review 2: The Half of It Director: Alice Wu Writer(s): Alice Wu Cast: Leah Lewis, Daniel Diemer, Alexxis Lemire, and Wolfgang Novogratz Synopsis: When smart but cash-strapped teen Ellie Chu agrees to write a love letter for a jock, she doesn't expect to become his friend - or fall for his crush. Release: Netflix BAMP on Twitter | BAMP on Instagram | TeePublic Merchandise Jon on Twitter | Jon on IG | Jon on Letterboxd.com Matt on Twitter | Matt on IG | Matt on Letterboxd.com Berkreviews.com | WhatIWatchedTonight.co.uk --- Send in a voice message: https://anchor.fm/bloody-awesome/message Support this podcast: https://anchor.fm/bloody-awesome/support

The latest relationship comedy starring Issa Rae and Kumail Nanjiani is out right now on Netflix. Should you check it out, or are there better things for you to watch from home? A movie review of "The Lovebirds," written by Aaron Abrams, Brendan Gall, and Martin Gero, and directed by Michael Showalter. Starring Issa Rae, Kumail Nanjiani, Paul Sparks, and Anna Camp. Official Website: CoryBakerFilmmaker.com iMdb: Imdb.me/CoryBaker Facebook: Facebook.com/CoryBakerFilm Twitter: Twitter.com/LegendCB5 Instagram: Instagram.com/LegendCB5

On this mini-podcast, we review Code 8 which stars Robbie Amell, Stephen Amell, Sung Kang, Alex Mallari Jr. and Aaron Abrams. Code 8 is available to watch on Netflix.Find us on iTunes: https://podcasts.apple.com/gb/podcast…Spotify: https://open.spotify.com/show/42wPn0t…Youtube: https://www.youtube.com/channel/UCsR--3Bae_QGM5xiM3fWohAand most android podcast providers.The Spotify playlist for this podcast can be found at  https://open.spotify.com/playlist/5Frk4lBIkDR9ESlDScQOwL?si=CHfR5_sWSCmg_aCF2Odojg 

One today's podcast, we welcome the amazingly talented Aaron Abrams! What would you do if you found out the love of your life was your cousin? What about second cousin? What about third? It gets wild!Check out the season premiere of Aaron' hit show BLINDSPOT this Thursday MAY 7th on NBC 9/8c.Check out the new movie Aaron co-wrote called THE LOVEBIRDS starring Kumail Nanjiani and Issa Rae coming to NETFLIX on MAY 22nd!PLEASE CLICK HERE TO JOIN OUR PATREON!PLEASE SUBSCRIBE!PLEASE RATE AND REVIEW!CALL US AT (626) 604-6262EMAIL US AT thebigonespodcast@gmail.com See acast.com/privacy for privacy and opt-out information.

Ever wanted to work in the mountain bike industry? Aaron Abrams is the Director of Product for Marin Bikes, and his background in mountain bikes started when he was working in his Dad’s bike shop... The post From Bike Shop to Director of Product at Marin Bikes – Aaron Abrams appeared first on Downtime Podcast.

Aaron Abrams (Lovebirds, Blindspot) had a panic attack in an audition after he thought the casting director had mistaken him for someone else. We chat about the role he didn't think he was going to book because he accidentally ate tacks in front of the casting directors, booking his first series regular role after being told he no shot at getting the part, and the two big things he learned from becoming a reader for auditions. THIS EPISODE IS SPONSORED BY BETTERHELP! Get 10% off your first month at www.betterhelp.com/fail! FOLLOW THE NEED TO FAIL & DON FANELLI: https://twitter.com/theneedtofail https://twitter.com/donfanelli THE NEED TO FAIL IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/the-need-to-fail Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Richard Crouse Show: “Nose to Tail” writer/director Jesse Zigelstein and star Aaron Abrams. “Nose to Tail” is the story of an abrasive chef as he struggles to make a go of his failing restaurant over a one day and night. Synopsis: Waking up hung-over in his cramped downstairs office, Daniel begins planning a special meal for a VIP table of investors who, if impressed, might provide the financial lifeline the restaurant needs to survive. Before dinner service begins, however, he must deal with an unhappy landlord, a disappointed ex-wife and the loss of a sous-chef. Also, like flies buzzing around a rotten piece of meat, there’s a food truck across the street that may be siphoning Daniel’s customers and an annoying food blogger who seems to know more about the state of Daniel’s restaurant than Daniel does.

Actor and podcaster Lara Jean Chorostecki (Hannibal, X Company, Designated Survivor) co-stars with Aaron Abrams in the indie Nose to Tail, which opens in Toronto, Winnipeg and Calgary this Friday, February 14th. Which makes it the perfect time to discuss the subtle perfection of Elsie Fisher’s performance — and writer/director Bo Burnham’s piercing attention to detail — in … Continue reading Lara Jean Chorostecki on Eighth Grade →

Get under the mistletoe and stay there FOR....The Thrilling Adventure Hour's Christmas Romance ExtravaganzaWritten by Ben Acker and Ben BlackerStarring Busy Phillips, Craig Cackowski, Janet Varney, Mark McConville, Aaron Abrams, Brennan Mulligan and Hal Lublin.New Musical Themes and Arrangements by Paul and StormEdited and mastered by Anna Rubanova, with sound design by Adam Bozarth and Anna Rubanova.Produced by the Forever Dog Podcast NetworkCreated by Ben Acker and Ben BlackerThis episode of The Thrilling Adventure Hour Treasury is sponsored by WONDERY.Blood Ties is a new scripted audio drama from Wondery, starring Josh Gad and Gillian Jacobs as Michael and Eleonore Richland.When legendary pediatric cardiologist and businessman, Dr. Peter Richland, is killed in a plane crash two days before Christmas, secrets begin to emerge about his dealings with female colleagues throughout his career. These disturbing revelations thrust his children, Eleonore and Michael, into a fight theyre completely unprepared for. Listen now atwondery.fm/BTThrillingFind the entire back catalog of The Thrilling Adventure Hour plus Bonus Content, Complete Libraries of Classic Segments, and more on Patreon: https://www.patreon.com/thrillingadventurehourFollow The Thrilling Adventure Hour:https://twitter.com/ThrillingAdvhttps://www.facebook.com/ThrillingAdventureHourThe Thrilling Adventure Hour Treasury is a Forever Dog podcasthttps://foreverdogpodcasts.com/podcasts/the-thrilling-adventure-hour

Listen along as we discuss Netflix’s sixty-third film, the 2018 horror ‘The Open House’ directed by Matt Angel and Suzanne Coote starring Dylan Minnette, Piercey Dalton, Sharif Atkins, Patricia Bethune and Aaron Abrams.   This is our fifteenth day of PODMAS! As a special gift to our listeners we are releasing an episode every day in the lead up to Christmas! Make sure you subscribe to ensure you don't miss a show.   Please follow us at Flix Forum on Facebook or @flixforum on Twitter and Instagram and answer our question of the day, 'Do you think open houses are weird?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; MJ Jesse    Tomorrow we look at 'Blockbuster' so check out the film before then. You can see the trailer here. 

The Thrilling Adventure Hour rides again with the inaugural Treasury chapter, featuring your favorite space marshal, a haunting tale of a mysterious hitchhiker, and two delivery men who find themselves journeying beyond Beyond Belief.Sparks Nevada, Marshal on Mars - "Bonus Onus"Starring Marc Evan Jackson, Mark Gagliardi, Craig Cackowski, Ahmed Best, Aaron Abrams, and Hal LublinWritten by Ben Acker & Ben Blacker"The Hitchhiker Who Was the Phantom of a Hitchhiker"Starring Annie Savage, Hal Lublin, and Ayden MayeriWritten by Ben AckerBeyond Beyond Belief - "Blood Simpleton"Starring Steve Agee, Mark Gagliardi, Eric Bauza, Sujata Day, and Hal LublinWritten by Ben Acker & Ben BlackerNarrated by Hal LublinNew Musical Themes and Arrangements by Paul and Storm. Featuring Vocals by John Roderick.Produced, Recorded, and Engineered by the Forever Dog Podcast NetworkCreated by Ben Acker & Ben BlackerThis episode of The Thrilling Adventure Hour Treasury is sponsored by Hello Fresh, Eero Wifi, and Away Luggage. Listen to the episode for special offers and discount codes courtesy of Dan Bucatino of Bucatino Business (Craig Cackowski).Find the entire back catalog of The Thrilling Adventure Hour plus Bonus Episodes, Segment Libraries, Merch Discounts and more on Patreon:https://www.patreon.com/thrillingadventurehourFollow The Thrilling Adventure Hour:https://twitter.com/ThrillingAdvhttps://www.facebook.com/ThrillingAdventureHourThe Thrilling Adventure Hour Treasury is a Forever Dog podcasthttp://foreverdogproductions.com/fdpn/podcasts/the-thrilling-adventure-hour

Aaron Abrams, Farah Merani, and David Tompa join Jeremy to watch and discuss A NIGHTMARE ON ELM STREET and if Aaron is justified in wanting to avoid it for three decades.

Aaron Abrams is an actor and writer who worked his way from the mean streets of Toronto Canada, to Chicago, then all the way to Los Angeles to realize his dream. He ran in to some bumps along the way, but that didn't stop Aaron. Listen in as he talks about his struggles and his triumphs as he departs wisdom and lessons along the way. Follow us on twitter: @mraaronabrams @theguydf @eden_eats @failinguppod Aaron's Charity: https://my.truecolorsfund.org/checkout/donation?eid=54432

USE promo code COLUMBO at checkout  to hear the entire series of The Casefiles of Columbo on Howl Premium. In this episode, The very amazing and hilarious Paul F. Tompkins (Bajillion Dollar Properties, Spontaneanation, Superego) joins Aaron Abrams and Kevin Seccia to investigate Season 1, Episode 1 of Columbo - “Murder By The Book”. Together, they discuss Jack Cassidy’s glorious moustache, Peter Falk’s troglodyte voice and Columbo going after Dick Cheney. Plus, Kevin suffers a stroke!

Aaron Abrams chats Hannibal, Closet Monster, being an artist and getting crotch punched by Audrey’s dog.  In episode 44 of Kneel Before Aud, I sit down with actor and writer Aaron Abrams. Aaron played Brian Zeller in the cult smash hit television series, Hannibal. Most recently, you’ve seen him in Masters of Sex, Blindspot and in the […] The post Ep 44 – Actor and Writer AARON ABRAMS on Kneel Before Aud appeared first on Geek Girl Authority.

País España Director Alejandro Amenábar Guión Alejandro Amenábar Música Roque Baños Fotografía Daniel Aranyó Reparto Ethan Hawke, Emma Watson, David Thewlis, Aaron Ashmore, Devon Bostick, Dale Dickey, Aaron Abrams, Adam Butcher, David Dencik, Kristian Bruun, Matija Matovic Mondi, Janet Porter, Goran Stjepanovic Sinopsis Minnesota, 1990. El detective Bruce Kenner (Ethan Hawke) investiga el caso de la joven Angela (Emma Watson), que acusa a su padre, John Gray (David Dencik), de haber cometido un crimen inconfesable. Cuando John, de forma inesperada y sin recordar lo sucedido, admite su culpa, el reconocido psicólogo Dr. Raines (David Thewlis) se incorpora al caso para ayudarle a revivir sus recuerdos reprimidos. Lo que descubren desenmascara una siniestra conspiración.

SPOILERS FOR ALL THREE SEASONS OF HANNIBAL, and potential spoilers for where they plan(ned) to take the series next. In this episode: Cleolinda Jones joins us once again! We discuss the Hannibal panels at Dragon Con 2015 and the way the Hannibal TV series wrapped up. Cleo's Dragon Con experience was pretty awesome. Our discussion of Dragon Con mixes with our discussion of the Hannibal Finale. We get very deeply into discussions of the placement of Bedelia's final scene, joking ways that Hannibal and Will could have survived, and the ramifications of the finale on all of Will's emotional connections were the show to continue and he actually run off to Argentina with Hannibal. At 1:25:52, we begin our discussion about Hannibal as a show in a broader context, including how Bryan Fuller handled the show and its community, the contrast between the first and second halves of Season 3 (and the reasons thereof), and how we feel about the show as a whole. Links: Part 1 and Part 2 of the now-infamous Hannibal panel where Scott Thompson and Aaron Abrams drove off storm troopers with finger-guns. (Header image screen-grabbed from Part 2.) Blight club: Mr. Robot, Hannibal, and self-destructive TV The Bait, by John Donne Keep us in your podcast feed! We're moving to a monthly format, so stay tuned next month for a special, Halloween-themed episode. THERE'S ALWAYS AND ADDENDUM: Alternate titles for this episode: God, Tennis Balls Get Weird With The Lithuanian? Playing Around With Tiny Flaming Homoerotic Birds Highlights from Fio's timestamps: 36:38 - “Or something stupid like that” - Ian on American education. Ian from the future: “Critical Thinking,” that's the homework question section I was thinking of. The Sordid Activities of Scott Thompson and Aaron Abrams “They should take it on the road” Yeah they should. Sorry, I'm terrible. Cleo shouldn't feel bad about not being able to talk to famous people, I totally clammed up while meeting Gail Simone in bmore. “You can't do that, people won't be on board with that” - And the ratings told them that they were right, hahaha Man, we could probably talk about The Satanic Verses and its intrusive narrator forever. We get mad sappy about this show, dude. Music: "This is My Design" - Ian Doherty | SoundCloud | Bandcamp | http://archive.org/download/AMOT085/AMOT085.mp3

As the season (and possibly series) nears its end, we're pulling out all the stops. This week, co-hosts Kate Kulzick and Sean Colletti are joined by Aaron Abrams of the Hannibal cast (and much more). The post This is Our Design #37: “…And the Beast from the Sea” appeared first on PopOptiq.

Actor and writer Aaron Abrams (Hannibal, The L.A. Complex) champions the cynical clockwork perfection of Bill Murray and Howard Franklin’s 1990 heist comedy Quick Change. Your genial host Norm Wilner is more than happy to get on this particular blaftoni.

Título original Cyborg Soldier Año 2008 Duración 84 min. País Canadá Canadá Director John Stead Guión John Stead, John Flock, Christopher Warre Smets Música Ryan Latham Fotografía David Mitchell Reparto Bruce Greenwood, Tiffani Thiessen, Aaron Abrams, Wendy Anderson, Rich Franklin Productora Peace Arch Entertainment Group Género Acción. Ciencia ficción | Robots Sinopsis Lindsey, una solitaria agente de patrulla fronteriza, captura a un soldado creado por ingeniería genética que se ha escapado de un centro de experimentos militares secretos. Ella desconoce su auténtica identidad. Mientras, su creador moviliza a un grupo de veteranos comandos para que lo ayuden a recuperar a su experimento más preciado: una auténtica máquina de matar. La vida de todo aquel que descubra la verdadera naturaleza de éste ser correrá peligro de muerte. Cuando Lindsey quiera escapar será demasiado tarde.

AFTERBUZZ TV – Hannibal edition, is a weekly “after show” for fans of NBC’s Hannibal. In this show, hosts Joe Braswell, Nando Velasquez, Joe Sanfellipo, and Julia Cearley break down the episode in which Will contaminates a crime scene; Hannibal convinces Dr. Sutcliffe to keep Will's diagnosis of encephalitis from him; Will's team question his claim of having seen a woman at the crime scene. Joining them is special guest Aaron Abrams! It's Hannibal's "Buffet Froid" podcast! Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com

AFTERBUZZ TV – Hannibal edition, is a weekly “after show” for fans of NBC's Hannibal. In this show, hosts Joe Braswell, Nando Velasquez, Joe Sanfellipo, and Julia Cearley break down the episode in which Will contaminates a crime scene; Hannibal convinces Dr. Sutcliffe to keep Will's diagnosis of encephalitis from him; Will's team question his claim of having seen a woman at the crime scene. Joining them is special guest Aaron Abrams! It's Hannibal's "Buffet Froid" podcast! Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices