Podcast appearances and mentions of Jean Paul Gaultier

When sci-fi movies take a big swing in depicting futuristic fashion, sometimes they end up creating iconic outfits and other times they create fashion which looks laughably outdated in a few years. I've became fascinated by three fashion designers whose work took center stage in sci-fi films and transcended the films themselves. I talk with fashion historians and authors Raissa Bretaña and Thèresa Winge about the influence of Paco Rabanne on Barbarella, the work of Jean-Paul Gaultier on The Fifth Element and the way Alexander McQueen was influenced by dystopian sci-fi, which informed the McQueen style in The Hunger Games: Catching Fire. Each of these collaborations left a lasting impact on cinema and fashion, from the runway to the shopping mall.  Thèresa's book Fashion Adventures in Science Fiction Cinema comes out in December. This episode is sponsored by Quince. Download the Quince app for app exclusive offers or go to Quince.com/imaginary. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Certains couturiers ont la chance de moderniser des maisons appartenant à des groupes de luxe, comme Duran Lantink qui s'inspire, pour Jean-Paul Gaultier, de sa période costumes de ballet. Les maisons indépendantes doivent, elles, créer ex-nihilo. Iris van Herpen fait appel à la science et crée une robe de plasma. Rahul Mishra emprunte la beauté des déesses hindoues. Imane Ayissi rend hommage à sa maman Miss Indépendance Cameroun 1960. Kevin Germanier continue, lui, de célébrer le recyclage.

Some couturiers get to modernise houses owned by luxury groups. Among them is Duran Lantink, who draws on Jean Paul Gaultier's ballet-costume era for his inspiration. Independent houses, by contrast, must create from scratch. Iris van Herpen turns to science. Rahul Mishra finds inspiration in the beauty of Hindu goddesses. Imane Ayissi pays tribute to his late mother. Finally, Kevin Germanier keeps celebrating the most desirable approach to recycling imaginable.

C'est un art que l'on retrouve dans plusieurs régions du monde, vieux de plusieurs siècles, et pourtant peu à peu oublié : celui de la plumasserie – ou le fait de transformer des plumes en objets d'ornement, parures, vêtements et autres créations époustouflantes. En France, cet art connaît aujourd'hui un renouveau, grâce notamment au travail de Nelly Saunier, passée maître d'art et dont les créations peuplent, en ce moment, le château de Josselin en Bretagne et le musée du Quai Branly-Jacques Chirac à Paris.  Ce qui frappe d'abord dans l'atelier de Nelly Saunier, c'est cette immense bibliothèque de près de 6 mètres de haut, où s'empilent des dizaines de boîtes. Seulement ici, pas de livres : que des plumes ! « Je serais incapable de dire combien il y en a, réfléchit Nelly Saunier. Mais je sais qu'il y a ici 350 boîtes de plumes, et qu'elles sont toutes relativement pleines. » Comprendre : il y a ici des milliers de plumes, de toutes les formes, de toutes les tailles, de toutes les textures et de toutes les couleurs, qu'il lui faut sourcer, laver, trier, puis déployer dans leur écrin en attendant de pouvoir les utiliser. Un univers quasi-magique dont cette plumassière ne se lasse pas : « C'est une passion sans fin, sourit cette pétillante sexagénaire. Même aujourd'hui, je suis toujours surprise par ce que les oiseaux ont à offrir. Il y a une infinité de couleurs, de textures, de nuances… » Plus de quarante ans après ses débuts, Nelly Saunier a toujours des étoiles dans les yeux pour parler de son métier. Une vocation découverte dès l'adolescence Pour la plumassière, la révélation s'impose à 14 ans, comme « une évidence » : « Je cherchais un métier, quelque chose que je puisse faire de mes mains. J'ai choisi la plumasserie, qui me reliait à mon univers d'enfance, c'est-à-dire les arbres et les oiseaux. » Peu à peu, Nelly Saunier apprend à donner une seconde vie aux plumes qui l'émerveillent tant, et à les « transcender » en leur donnant une nouvelle forme : vêtements, cadrans de montre, parures de bijoux, chapeaux et autres trompe-l'œil. Pour ce faire, elle manie expertement les cinq outils principaux du plumassier : un couteau tranchant, un couteau émoussé – « ​​​​​​​pour faire friser les plumes » –, des ciseaux, un réglet et une pince. Même si, ajoute-t-elle avec une pointe de malice, «​​​​​​​ ​​​​​​​l'art de la plume permet d'être créatif et d'inventer ses propres outils, ses propres façons de faire. » Seulement voilà, à l'issue de sa formation, un vrai défi s'impose : à l'époque, l'art de la plumasserie est considéré comme un peu désuet. «​​​​​​​ ​​​​​​​Mais moi, j'y ai toujours cru ! », se souvient celle qui, avec le temps, est passée maître d'art. «​​​​​​​ ​​​​​​​Alors, comme je préfère le "faire", plutôt que de discourir, j'ai fait : j'ai répondu à des commandes d'horlogers, de designers, de couturiers, de joailliers…, de nombreux domaines où j'ai pu impulser l'idée qu'on pouvait faire vivre l'art de la plume autrement. » Pari réussi : aujourd'hui, parmi les clients de Nelly Saunier, on compte de nombreuses maisons de luxe, de Gucci à Louboutin en passant par Hermès, Givenchy ou Jean-Paul Gaultier. Autant de collaborations qui ont donné une visibilité à l'artisane autant qu'à son art. «​​​​​​​ ​​​​​​​J'en vois beaucoup, désormais, qui s'y mettent, sur les réseaux sociaux… Tant mieux, si cela fait des émules ! », s'enthousiasme-t-elle. L'importance du lien à la nature Cette réussite donne aussi à Nelly Saunier la liberté de façonner des créations plus personnelles, de véritables œuvres d'art ne répondant à aucun impératif. Des pièces qui incluent toujours un morceau de nature glané au gré de balades en forêt ou en bord de mer : «​​​​​​​ ​​​​​​​Je ramasse ce que la nature me donne, et qui est arrivé au bout d'un cycle de vie. » D'où la présence, dans son atelier, de morceaux de bois pétrifié, de galets ou de brindilles. «​​​​​​​ ​​​​​​​J'en fais ce que j'appelle des natures transformées », explique-t-elle. Ici, une branche morte devient un tronc d'arbre dont les tiges, faites de barbes de plumes, portent des feuilles aux couleurs excentriques, turquoises, orangées ou vertes. «​​​​​​​ ​​​​​​​C'est mon grand dada de jouer avec ce que la nature m'a offert en termes de nuances, de textures, de motifs… Dans mon sujet, les plumes deviennent des fleurs, des feuilles, des pétales, des fruits… tout ce que l'on veut, en fait ! » Entre ses mains, l'oiseau, insaisissable, devient plus proche et révèle une partie de ses secrets. «​​​​​​​ ​​​​​​​Ça me fascine, cette histoire d'oiseau. Ça ne me quittera jamais », souffle enfin Nelly Saunier. Avant de revenir à ses plumes, sa manière à elle de tutoyer les cieux. Nelly Saunier x Jardins, au château de Josselin (Bretagne) jusqu'au 31 août 2026. Plumes du Paradis, au musée du Quai Branly-Jacques Chirac jusqu'au 8 novembre 2026.  À lire aussiL'art de la plume sans limites par Fanny Litzia, artiste et plumassière

C'est un art que l'on retrouve dans plusieurs régions du monde, vieux de plusieurs siècles, et pourtant peu à peu oublié : celui de la plumasserie – ou le fait de transformer des plumes en objets d'ornement, parures, vêtements et autres créations époustouflantes. En France, cet art connaît aujourd'hui un renouveau, grâce notamment au travail de Nelly Saunier, passée maître d'art et dont les créations peuplent, en ce moment, le château de Josselin en Bretagne et le musée du Quai Branly-Jacques Chirac à Paris.  Ce qui frappe d'abord dans l'atelier de Nelly Saunier, c'est cette immense bibliothèque de près de 6 mètres de haut, où s'empilent des dizaines de boîtes. Seulement ici, pas de livres : que des plumes ! « Je serais incapable de dire combien il y en a, réfléchit Nelly Saunier. Mais je sais qu'il y a ici 350 boîtes de plumes, et qu'elles sont toutes relativement pleines. » Comprendre : il y a ici des milliers de plumes, de toutes les formes, de toutes les tailles, de toutes les textures et de toutes les couleurs, qu'il lui faut sourcer, laver, trier, puis déployer dans leur écrin en attendant de pouvoir les utiliser. Un univers quasi-magique dont cette plumassière ne se lasse pas : « C'est une passion sans fin, sourit cette pétillante sexagénaire. Même aujourd'hui, je suis toujours surprise par ce que les oiseaux ont à offrir. Il y a une infinité de couleurs, de textures, de nuances… » Plus de quarante ans après ses débuts, Nelly Saunier a toujours des étoiles dans les yeux pour parler de son métier. Une vocation découverte dès l'adolescence Pour la plumassière, la révélation s'impose à 14 ans, comme « une évidence » : « Je cherchais un métier, quelque chose que je puisse faire de mes mains. J'ai choisi la plumasserie, qui me reliait à mon univers d'enfance, c'est-à-dire les arbres et les oiseaux. » Peu à peu, Nelly Saunier apprend à donner une seconde vie aux plumes qui l'émerveillent tant, et à les « transcender » en leur donnant une nouvelle forme : vêtements, cadrans de montre, parures de bijoux, chapeaux et autres trompe-l'œil. Pour ce faire, elle manie expertement les cinq outils principaux du plumassier : un couteau tranchant, un couteau émoussé – « ​​​​​​​pour faire friser les plumes » –, des ciseaux, un réglet et une pince. Même si, ajoute-t-elle avec une pointe de malice, «​​​​​​​ ​​​​​​​l'art de la plume permet d'être créatif et d'inventer ses propres outils, ses propres façons de faire. » Seulement voilà, à l'issue de sa formation, un vrai défi s'impose : à l'époque, l'art de la plumasserie est considéré comme un peu désuet. «​​​​​​​ ​​​​​​​Mais moi, j'y ai toujours cru ! », se souvient celle qui, avec le temps, est passée maître d'art. «​​​​​​​ ​​​​​​​Alors, comme je préfère le "faire", plutôt que de discourir, j'ai fait : j'ai répondu à des commandes d'horlogers, de designers, de couturiers, de joailliers…, de nombreux domaines où j'ai pu impulser l'idée qu'on pouvait faire vivre l'art de la plume autrement. » Pari réussi : aujourd'hui, parmi les clients de Nelly Saunier, on compte de nombreuses maisons de luxe, de Gucci à Louboutin en passant par Hermès, Givenchy ou Jean-Paul Gaultier. Autant de collaborations qui ont donné une visibilité à l'artisane autant qu'à son art. «​​​​​​​ ​​​​​​​J'en vois beaucoup, désormais, qui s'y mettent, sur les réseaux sociaux… Tant mieux, si cela fait des émules ! », s'enthousiasme-t-elle. L'importance du lien à la nature Cette réussite donne aussi à Nelly Saunier la liberté de façonner des créations plus personnelles, de véritables œuvres d'art ne répondant à aucun impératif. Des pièces qui incluent toujours un morceau de nature glané au gré de balades en forêt ou en bord de mer : «​​​​​​​ ​​​​​​​Je ramasse ce que la nature me donne, et qui est arrivé au bout d'un cycle de vie. » D'où la présence, dans son atelier, de morceaux de bois pétrifié, de galets ou de brindilles. «​​​​​​​ ​​​​​​​J'en fais ce que j'appelle des natures transformées », explique-t-elle. Ici, une branche morte devient un tronc d'arbre dont les tiges, faites de barbes de plumes, portent des feuilles aux couleurs excentriques, turquoises, orangées ou vertes. «​​​​​​​ ​​​​​​​C'est mon grand dada de jouer avec ce que la nature m'a offert en termes de nuances, de textures, de motifs… Dans mon sujet, les plumes deviennent des fleurs, des feuilles, des pétales, des fruits… tout ce que l'on veut, en fait ! » Entre ses mains, l'oiseau, insaisissable, devient plus proche et révèle une partie de ses secrets. «​​​​​​​ ​​​​​​​Ça me fascine, cette histoire d'oiseau. Ça ne me quittera jamais », souffle enfin Nelly Saunier. Avant de revenir à ses plumes, sa manière à elle de tutoyer les cieux. Nelly Saunier x Jardins, au château de Josselin (Bretagne) jusqu'au 31 août 2026. Plumes du Paradis, au musée du Quai Branly-Jacques Chirac jusqu'au 8 novembre 2026.  À lire aussiL'art de la plume sans limites par Fanny Litzia, artiste et plumassière

Vous avez vraiment cru que j'allais disparaître après Garce In The City ? Il semblerait que Jean Paul Gaultier en ait décidé autrement.Parce que votre garce n'allait tout de même pas vous laisser seules au moment le plus important de l'année : la rentrée. Alors pour ce back to school, Garce Therapy s'associe à Jean Paul Gaultier et imagine une série d'épisodes autour de La Favorite, son nouveau parfum.Et pour ouvrir cette rentrée, une question : comment devient-on La Favorite en dix leçons?Pas celle que l'on choisit. Pas celle qui attend d'être validée, désirée ou préférée. Mais celle qui décide qu'elle n'a plus besoin de demander la permission pour prendre de la place, changer d'avis, avoir de l'ambition, déranger un peu et vouloir beaucoup.Dans ce premier épisode, je vous partage les leçons que la vie m'a apprises pour devenir cette femme-là - imparfaite, parfois contradictoire, mais de moins en moins disposée à s'excuser d'exister.Après tout, avant d'être La Favorite de quelqu'un, il faudrait peut-être commencer par devenir la sienne.Bienvenue dans la rentrée des garces. xxIG : @amaltahirMes chroniques : In Her ShoesMon dernier livre : Rencard avec la trentaineXXAmal TahirHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Emma Arletta is a Los Angeles-based plus-size model, content creator, entrepreneur, and certified Pilates instructor who has built a major platform centered on inclusive fashion, body confidence, and authentic lifestyle content.She began her professional life as a pediatric speech therapist after earning her undergraduate degree from the University of Arkansas and her master's from the University of Oklahoma. A 2020 viral TikTok posted while she was still in graduate school—changed everything. Overnight, she gained tens of thousands of followers by highlighting the lack of stylish, well-fitting plus-size clothing. She soon left clinical work to pursue content creation and modeling full time.Today she is signed with Wilhelmina Models in Los Angeles and Natural Models in New York. Her campaigns include Jean Paul Gaultier, Abercrombie & Fitch (she and her husband fronted the brand's 2025 Holiday campaign), Savage X Fenty (she served as the face of the 2026 Valentine's collection), Peloton, Revolve, Dolce Vita, and others. These partnerships have positioned her as a sought-after face in fashion, beauty, wellness, and lifestyle.Beyond traditional modeling, Emma has moved into design and product development. She launched her own merchandise line inspired by her “Big Girls” community, co-designed a plus-size bridal event-wear collection with GiaIRL (debuted with a runway presentation in Los Angeles), and created an extended-size swimwear collaboration with Goldie Swimwear that brought the brand's bestselling styles into sizes up to 4X.As a certified mat Pilates and Xformer instructor, she hosts monthly community wellness classes in Los Angeles focused on confidence and movement. She is also an avid runner who has trained for events including the Malibu Half Marathon. Alongside her sister, she co-hosts the popular podcast Hefty Gehls, which blends pop culture, body positivity, and personal storytelling.With more than 1 million TikTok followers and a rapidly growing multi-platform audience, Emma has become a leading voice for size-inclusive representation. Her work consistently demonstrates that confidence, style, and commercial success do not require conforming to narrow beauty standards proving instead that visibility and advocacy can reshape the industry itself.

Grab your Multi-Pass and book your tickets to Fhloston Paradise, because the studio is going intergalactic! This week on The Filmlosophers, the Titanic Trio—Hosts Eddie and Spencer, alongside Intern Manager/Managing Intern Amy—are strapping in for a hyper-colorful, chaotic ride to revisit a monumental staple of the modern sci-fi age. The B, C, and D-Tier Horror Dilemma Before the crew saves the universe from the Great Evil, Amy brings a terrifying homework assignment to the table: she needs to watch a "B-movie horror" film for a watch party with her friends, and she needs recommendations immediately. Eddie and Spencer eagerly step up to the plate, but the conversation quickly spirals into hilarious confusion. The guys find themselves locked in a massive debate over the exact taxonomy of trash cinema, struggling to figure out how Amy and her friends actually define a "B-movie." As the crew tries to draw the blurry lines separating beloved B-tier classics from absolute C-tier and D-level schlock, Eddie and Spencer pitch their wildest, bloodiest, and most ridiculous cult horror options to ensure Amy survives her movie night. 30 Years of The Fifth Element Once the horror recommendations are safely locked away in the crypt, the team shifts their sights to the 23rd century to celebrate Luc Besson's wild, visionary blockbuster: The Fifth Element. With the film rapidly approaching its massive 30th anniversary next year, the crew dives deep into why this vibrantly weird, European-flavored sci-fi adventure still stands entirely in a league of its own. Eddie, Spencer, and Amy break down the movie's impeccably chaotic energy, from Jean-Paul Gaultier's legendary runway-ready costume design to the sheer perfection of the practical creature effects. Although it took all of Spence's life to finally see the film this past month, the team discuss Bruce Willis's ultimate reluctant hero, Milla Jovovich's iconic creation of Leeloo, Chris Tucker's fearless, dial-turned-to-eleven performance as Ruby Rhod, and the absolute cinematic majesty of the Diva Dance sequence. Is this film a flawless sci-fi masterpiece or just beautifully unhinged? Grab your perfect microwave chicken pill and tune in to find out!

This week, we're eating out with a 1989 cult film from director, writer, and visual artist Peter Greenaway. The film centers on a cook, Richard, played by Richard Bohringer; a thief, mobster Albert, played by Michael Gambon; his wife, Georgina, played by Helen Mirren; and her lover, Michael, played by Alan Howard. Through a series of dinners at Richard's fancy London restaurant, Le Hollandais, which Albert owns, the lavish meals devolve into debauchery, while Georgina and Michael's affair evolves into a plot of lust, murder, and revenge. Filmed on massive, color-coded sets and featuring costumes by Jean-Paul Gaultier and food by Italian chef Giorgio Locatelli, this crime-drama art film was released unrated by the MPAA for nudity and violence. Despite a limited run and current unavailability, the film has earned critical acclaim over the decades, as its indulgent brutality and formalist cinematography appear timeless. Join us as we chew on The Cook, The Thief, His Wife, and Her Lover, and do our best to swallow.   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

Episode 4: Rose and Rosé — The Maturation of MenHeated Rivalry Series | You Are Not BrokenWe're four episodes deep into "Heated Rivalry," and this is the one where the boys finally have to grow up.Episode 4 is a time jump — years compressed into a montage — and it's doing double duty. It's showing us Shane and Ilyia maturing into men who can actually be in a relationship, not just have sex in one. And it's showing us Rose figuring out who she is alongside them. Growth isn't linear for any of these characters, and honestly, that's the whole point.This episode has jokes, it has ginger ale, it has a Jean Paul Gaultier shirt doing more emotional labor than most people's therapists. And underneath all of it, we're talking about what it actually looks like when men — queer or straight — mature into partners instead of performers.In this episode, we cover:

It's time to go to the cottage! This week on The Art of Costume Podcast, Spencer and Elizabeth lace up their skates for Heated Rivalry.Join our hosts as they break down the story of rival hockey superstars Shane Hollander and Ilya Rozanov, whose fierce competition on the ice slowly gives way to a romance neither of them saw coming. From the crisp hockey uniforms and quiet, character-defining costume moments over the length of a decade to the series' most unforgettable romantic scenes, there's plenty to discuss both on and off the rink.And of course, we have to talk about that outrageous club scene featuring the now-iconic Jean Paul Gaultier mesh shirt, and the costumes designed by Hanna Puley that helped turn one of the year's biggest romantic sensations into an instant classic.

It's time to go to the cottage! This week on The Art of Costume Podcast, Spencer and Elizabeth lace up their skates for Heated Rivalry.Join our hosts as they break down the story of rival hockey superstars Shane Hollander and Ilya Rozanov, whose fierce competition on the ice slowly gives way to a romance neither of them saw coming. From the crisp hockey uniforms and quiet, character-defining costume moments over the length of a decade to the series' most unforgettable romantic scenes, there's plenty to discuss both on and off the rink.And of course, we have to talk about that outrageous club scene featuring the now-iconic Jean Paul Gaultier mesh shirt, and the costumes designed by Hanna Puley that helped turn one of the year's biggest romantic sensations into an instant classic.

Le parfum est partout : dans notre mémoire, dans la séduction, dans l'identité que l'on projette aux autres. Pourtant, son industrie reste largement méconnue, entourée de fantasmes, de storytelling… et parfois de grandes illusions. Pour en parler, j'ai reçu Francis Kurkdjian : parfumeur, directeur artistique de sa propre maison mais aussi directeur de la création des parfums Dior. Il est l'un des créateurs de parfum les plus influents au monde. À 25 ans, il crée Le Mâle de Jean Paul Gaultier, l'un des plus grands succès de l'histoire de la parfumerie. Un triomphe qu'il raconte avoir… très mal géré. Avec beaucoup de lucidité, il revient sur cette peur de devenir “l'homme d'un seul parfum”, sur la réalité parfois peu glamour de l'industrie, où les matières synthétiques dominent largement malgré les imaginaires de champs de fleurs entretenus par les marques, et sur son choix audacieux : créer sa propre maison alors qu'aucun parfumeur, à l'époque, ne signait véritablement en son nom. Nous avons aussi parlé de réinvention, des rencontres qui changent une vie, de créativité… mais aussi :Comment trouver “son” parfum ?Pourquoi un parfum sent-il différemment selon les personnes ?Quelles sont les fragrances les plus sous-cotées ? Et les plus surcotées ?De l'histoire derrière Baccarat Rouge 540Une conversation passionnante avec un homme très entier et drôle, un homme qui ne crée pas seulement des parfums mais surtout des émotions. Vous écoutez le podcast de Pauline Laigneau et dans ce podcast, je vous aide à voir grand. Je vous laisse découvrir ma conversation avec Francis Kurkdjian. Bonne écoute ✨Chapitrage 00:00 – Pourquoi le parfum fascine autant ?01:40 – Qu'est-ce qui l'a décidé à devenir parfumeur ?07:01 – Naturel, synthétique : quelle est la vérité sur le parfum ?12:43 – Pourquoi les odeurs changent selon les générations ?18:39 – Comment commence la création d'un parfum ?22:28 – Comment gérer un succès mondial à 25 ans ?31:20 – Pourquoi créer sa propre maison de parfum ?39:50 – Baccarat Rouge 540 : comment naît un parfum culte ?49:44 – Comment choisir son parfum et le faire tenir ?01:00:39 – Rêves, regrets et livres : les leçons de Francis Kurkdjian Notes et références de l'épisode ✨ Pour retrouver Francis Kurkdjian et sa maison : Sur InstagramSur le siteSur FacebookSur LinkedinSur Tiktok✨ Les livre cités par Francis Kurkdjian: L'Alchimiste de Paulo CoelhoBonjour tristesse de Françoise Sagan*Liens affiliés FnacHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

✨ Ce dimanche, je partage avec vous un extrait avec Francis Kurkdjian.À 25 ans, il signe Le Mâle de Jean Paul Gaultier, un parfum devenu culte. Mais derrière ce succès immense, il raconte une réalité beaucoup moins visible : le doute, les années plus difficiles, et cette impression vertigineuse d'avoir peut-être tout donné trop tôt.Un extrait très sincère sur le succès, le temps long, et ce qu'il faut traverser avant de vraiment trouver sa place.La suite dès lundi matin !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

I 1997 redefinerte Luc Besson sci-fi-sjangeren med farger, kaos, flyvende taxier og en helt unik stil. Jean-Paul Gaultier sto for kostymene, Bruce Willis var på sitt tøffeste, og Gary Oldman ga oss en av tidenes mest ikoniske skurker. Men hvordan føles denne visuelle eksplosjonen nesten 30 år senere?I denne episoden av Nye Skonts Videoverden dykker vi dypt ned i denne kultklassikeren for å se om den fremdeles leverer varene, eller om den har rustet med årene.Filmens handling: Hvert 5000. år åpnes en dør mellom dimensjonene. I den ene finnes universet og livet, i den andre en anti-energi skapt av ren ondskap. Den eneste måten å stoppe mørket på er gjennom "det femte elementet". Ved en tilfeldighet lander dette elementet – i form av den mystiske Leeloo – bokstavelig talt i baksetet på taxien til Korben Dallas i et futuristisk New York. Sammen må de finne de fire eldgamle steinene før det er for sent.Skonts filmpanel:Kenny P: Vert og prosjektleder.Einar 80sMan: Fast paneldeltaker og filmkjenner.Haavard The Real Deal: Fast bidragsyter i Skont-universet.Blir vi fremdeles bergtatt av operascenen med Diva Plavalaguna, eller har effektene gått ut på dato? Finn ut om The Fifth Element er en obligatorisk pensumfilm eller bare et fargerikt minne fra 90-tallet.#filmpodcast #filmedpodcast #Norskpodcast #skontproduction #skont #VideoVerden #skontsVideoverden #nyevideoverden #thefifthelement #LucBesson #SciFiKlassiker #1997 #BruceWillis #GaryOldman Hosted on Acast. See acast.com/privacy for more information.

Wann fühlt ihr euch selbstbewusst? Wir sprechen über den neuen Duft Gaultier Divine Couture von Jean Paul Gaultier und darüber, was persönliche Komplimente für uns bedeuten. Hier kommt ihr zum Duft: https://www.jeanpaulgaultier.com/de/de/gaultier-divine-couture @JEANPAULGAULTIER #JPGPERFUME #JEANPAULGAULTIER #Anzeige Learn more about your ad choices. Visit megaphone.fm/adchoices

https://www.amazon.co.uk/Villain-Venice-Steampunk-Adventure-Expanded/dp/B0GYVW1ZM3/ref=tmm_pap_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.zAFjvxdIVP0NajbIc-mtzu0FD5ro02XhYTavKJ3P7vs.T9sQrNnsvEeityKLDFJW-mEYohVaxA0jd3pcXRVcAUw&qid=1777810600&sr=1-1-catcorr It's Luke's pick this month as we talk a trip back to 1997 and Luc Besson's divisive sci-fi blockbuster The Fifth Element. T-shirts can be found here – https://www.redbubble.com/people/ufocast Email the show – ufocast@yahoo.com he Fifth Element (French: Le Cinquième Élément) is a 1997 English-language French science fiction-action film conceived and directed by Luc Besson, and co-written by Besson and Robert Mark Kamen. It stars Bruce Willis, Milla Jovovich, Gary Oldman, Ian Holm, and Chris Tucker. Primarily set in the 23rd century, the plot involves the survival of planet Earth, which becomes the responsibility of Korben Dallas (Willis), a taxi driver and former special forces major, after a young woman named Leeloo (Jovovich) falls into his cab. Dallas joins forces with her to recover four mystical stones essential for the defence of Earth against the impending attack of a malevolent cosmic entity. Besson started writing the story that was developed as The Fifth Element when he was 16 years old; he was 38 when the film opened in cinemas. Besson wanted to shoot the film in France, but suitable facilities could not be found; filming took place in London and Mauritania, instead. He hired comic artists Jean "Moebius" Giraud and Jean-Claude Mézières, whose books inspired parts of the film, for production design. Costume design was by Jean Paul Gaultier. The Fifth Element received mainly positive reviews, although some critics were highly negative. The film won in categories at the British Academy Film Awards, the César Awards, the Cannes Film Festival, and the Lumière Awards, but also received nominations at the Golden Raspberry and Stinkers Bad Movie Awards. The Fifth Element was a strong financial success, earning more than US$263 million at the box office on a $90-million budget, making it the ninth highest-grossing film of 1997. At the time of its release, it was the most expensive European film ever made, and it remained the highest-grossing French film at the international box office until the release of The Intouchables in 2011. Plot In 1914, aliens known as Mondoshawans meet their contact on Earth, a priest of a secret order, at an ancient Egyptian temple. They take the only weapon capable of defeating a great evil that appears every 5000 years, promising to protect it and return it before the great evil's re-emergence. The weapon consists of the four classical elements, as four engraved stones, plus a sarcophagus containing a "fifth element". In the 23rd century,[a] the great evil appears in deep space as a giant living fireball. It destroys an armed Earth spaceship as it heads to Earth. The Mondoshawans' current human contact on Earth, priest Vito Cornelius, informs the president of the Federated Territories of the great evil's history and the weapon that can stop it. On their way to Earth, a Mondoshawan spacecraft carrying the weapon is ambushed and destroyed by a crew of Mangalores, alien mercenaries hired by Earth industrialist Jean-Baptiste Emanuel Zorg, who is working for the great evil. A severed hand in metal armour from the wreckage of the spacecraft is brought to New York City. From this, the government uses biotechnology to recreate the original occupant of the sarcophagus, a humanoid woman named Leeloo, who remembers her previous life. Alarmed by the unfamiliar surroundings and high security, she escapes and jumps off a ledge, crashing into the flying taxicab of Korben Dallas, a former major in Earth's special forces. Dallas delivers Leeloo to Cornelius and his apprentice, David, who recognises her as the fifth element. As Leeloo recuperates, she tells Cornelius that the stones were not on board the Mondoshawan ship. Simultaneously, the Mondoshawans inform Earth's government that the stones were entrusted to an alien opera singer, the diva Plavalaguna. Zorg reneges on his deal with the Mangalores for failing to obtain the stones, and kills some of them. Earth's military sends Dallas to meet Plavalaguna; a rigged radio contest provides a cover, awarding Dallas a luxury vacation aboard a flying hotel on planet Fhloston, accompanied by flamboyant talk-show host Ruby Rhod. It includes a concert by Plavalaguna, and learning that Leeloo shares his mission, Dallas lets her accompany him. Cornelius instructs David to prepare the temple, then stows away on the luxury spaceship. The Mangalore crew, pursuing the stones for themselves, also illegally board the ship. During the concert, the Mangalores attack, and Plavalaguna is killed. Dallas extracts the stones from her body and kills the Mangalore leader, causing the others to surrender. Zorg arrives, shoots Leeloo, and activates a time bomb. He flees with a carrying case he presumes contains the stones, but returns when he discovers it is empty. As Zorg's bomb causes the hotel's evacuation, Dallas finds Leeloo traumatised and escapes with her, Cornelius, Rhod, and the stones in Zorg's private spaceship. Zorg deactivates his bomb, but a dying Mangalore sets off his own, destroying the hotel and killing Zorg. As the great evil approaches Earth, the four meet David at the temple. They deploy the stones, but Leeloo, having learned of humanity's history of cruelty, has given up on life. Dallas declares his love for her and kisses her. Leeloo combines the power of the stones, emitting divine light onto the great evil and defeating it. Dallas and Leeloo are hailed as heroes, and as dignitaries wait to greet them, the two passionately embrace in a recovery chamber.

The cast: Meryl Streep, Stanley Tucci, Anne Hathaway. The brands: ALL of them. The result: The Devil Wears Prada 2, of course. But is the most anticipated movie event of the year more than the sum of its parts? The answer from our film critic Nikki Gemmell is a resounding yes, who laughed and cried during this “delicious” comedy. Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme.See omnystudio.com/listener for privacy information.

Todays guest is Eve Salvail, a Canadian model who was one of the most iconic androgynous faces of the '90s. Unlike the Cindys, Lindas and Naomis of the day, Eve exuded a punk attitude that was only magnified by the fact she had a Chinese dragon tattooed on her scalp. Her truly unique appearance made her the perfect muse to iconic French fashion designer Jean Paul Gaultier, who would drape and design directly onto Eve's body.As well as standing out on the runway, Eve also stood out in cult films such as The Fifth Element and Pret a Porter and when I first sat down to chat with her I had no idea she would be so completely honest and open.In this episode Eve opens up about so many of her experiences during the '90s and while many of them make for an entertaining listen, she also shares on darker times. As such we do cover issues such as mental health, addiction and eating disorders, so if that's something you don't need right now, please listen to another episode.Other than reading her memoir – Sois toi et ‘tes belle – which roughly translates to be yourself and you are beautiful – this is the most upfront and honest take on being a supermodel you can get.If you want to see just how stunning Eve is, head to my Substack. You can read it for free at thecharissereport.substack.com but do please subscribe!Also, I've made a couple of videos about Eve so check them out on my Instagram @charisse_kenion or on TikTok orYouTube.See you next time and thanks for being here.

Vous avez dit "bizarre" ? C'est bien normal. Voici la première série de Baleine sous Gravillon consacrée à des espèces animales extraordinairement étranges.Dans cette première série, Marc et Marie-Juliette se penchent sur 5 animaux à l'anatomie hors du commun.C'est un mammifère qui inaugure le bal, en la personne du Chevrotain porte-musc, un cousin des cervidés doté chez les mâles de canines de vampire pour draguer ces dames ! Eh oui, exactement comme le Muntjac, ce petit cerf présenté dans notre série de l'Avent 2025 !Autre fait d'armes, porté dans son nom : la présence (toujours chez ces messieurs) d'une glande sécrétrice de musc, une substance utilisée en parfumerie depuis l'Antiquité. Une précieuse denrée vendue à prix d'or, rendant ces animaux victimes aussi bien d'un élevage cruel que du braconnage...___

Welcome to Bratzline! Another year has come to a close, which means it's time for another retrospective! Bratz had a JAM packed 2025, and Coco joins us to talk all about it! We discuss all the releases including Goin' Out, Scorchin, Jean Paul Gaultier, Gentle Monster, Clueless, Mean Girls, Hello Kitty, Bratziez, and SO much more! What was the best release of the year? The biggest flop? Tune in to find out! I hope you guys enjoy! Thank you so much to Coco for coming on!Links!Follow the instagram!https://www.instagram.com/bratzlinepodcast/Follow Coco!https://www.instagram.com/lmaoitscoco/https://www.instagram.com/houseofcococouture/

Jacques Esterel est couturier et Monsieur Richard, patron d'une boutique de mode à Paris. On est en 1970 et ils proposent tous les deux la jupe pour hommes. Quinze ans avant Jean-Paul Gaultier, ils croient fort en l'avenir de ce vêtement.   *** Crédits archive *** Extrait de l'émission radiophonique "La mode masculine d'été" - France Inter -  28/05/1970  *** Crédits podcast *** Documentalistes : Hervé Evanno, Hélène Deudon - Textes : Elsa Coupard, Lætitia Furmond - Restauration et mixage : Ian Debeerst, Quentin Geffroy - Enregistrement : Guillaume Solignat, Vincent Dupuis  - Voix off : Clara De Antoni - Musique(s) avec l'aimable autorisation d'Universal Production Music France - Chargée de production : Delphine Lambard - Cheffe de projet : Lætitia Fourmond - Assistant Chef de projet : Tom Chen - Responsable éditoriale : Zoé Macheret - Production INA.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠In this segment of Notorious Mass Effect, Analytic Dreamz delivers a focused analytical breakdown of Lil Uzi Vert's latest single “What You Saying,” released December 22, 2025 (with video dropping December 23), via Cor(e) / Roc Nation Distribution.Produced by MC VERTT, the track fuses Jersey Club rhythms with a sample from Indila's “Love Story,” exploring romantic frustration through a language barrier theme. It marks Uzi's fourth single in a rapid December rollout following “Chanel Boy,” “Relevant,” and “Regular,” kicking off their independent era after signing with Roc Nation Distribution—joining only JAY-Z and Rihanna in holding management, distribution, and publishing ties while retaining full masters ownership and creative control.The Charlotte Wales-directed music video (creative direction by Lil Uzi Vert and Ava Nirui) reimagines Uzi as a renowned fashion designer in an alternate universe, featuring atelier scenes, backstage chaos, a high-energy runway show with Marc Jacobs Spring 2025 looks, archival pieces from Jean Paul Gaultier, Helmut Lang, Raf Simons, Thom Browne, and Maison Margiela (Spring 2001 glove top worn by Adriana Lima), plus cameos from supermodel Adriana Lima, designer Marc Jacobs, Law Roach, Andre Walker, Lourdes Leon, and Lynn Yaeger. The visual pays homage to 1990s couture, Fashion TV nostalgia, and Prince's boundary-pushing influence, complete with satirical protester signs (“UZI Fashion Scum”) and a triumphant bow finale.Analytic Dreamz examines how this multidisciplinary release—paired with limited-edition merch via Welcome to Cor(e)—signals Uzi's crossover ambitions into luxury fashion, building on their 31+ billion career streams, multiple Grammy nods, three Billboard 200 No. 1s, and Complex recognition as a top 21st-century best-dressed celebrity. As speculation builds for a 2026 album, this fashion-forward statement reinforces Uzi's innovative legacy at the intersection of music, high fashion, and artistic autonomy.Join Analytic Dreamz for this data-driven deep dive into one of late-2025's most visually ambitious and strategically pivotal releases. Stream “What You Saying” now and stay tuned for more Notorious Mass Effect.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Comment construire une parentalité sur-mesure, capable de rebondir face aux institutions et attentive aux besoins réels de l'enfant ? Dans cet épisode de Papatriarcat, Cédric Rostein reçoit Florence Tétier, directrice artistique (Jean-Paul Gaultier, Magazine Novembre), enseignante à l'ECAL et maman au parcours inspirant.Ensemble, ils reviennent sur une expérience marquante : un signalement abusif lié à l'alimentation de son enfant, qui a poussé la famille à quitter l'école pour l'Instruction en Famille (IEF), avant de trouver un nouvel équilibre dans une école alternative.

Découvrez un extrait de mon échange avec Florence Tétier, directrice artistique (ex-Jean Paul Gaultier) et maman, qui a vécu l'impensable : un signalement aux services sociaux causé par... une alimentation bio et végétarienne à la cantine. Dans cet épisode de Papatriarcat, nous abordons :Le basculement de l'école vers l'Instruction en Famille (IEF).La confiance radicale : comment sa fille a appris à lire seule, sans cours.La critique des rythmes scolaires et des devoirs qui empiètent sur la vie de famille.

This week I'm chatting with the most interesting fashion creator out there, Jay Tibbitts.New York-based Jay has become a real authority on talking about fashion where it's less about opinions and more about facts, statistics and curiosity and what makes him so interesting, especially within the fashion space, is that he's not a creator who simply gushes over collections or churns out instant negative hot takes; instead he embraces curiosity and encourages dialogue.Plus, he has a day job working in social strategy across beauty, tech and hospitality, which gives him this very individual viewpoint on how we use and consume fashion as well as culture in general.If you're a regular listener then you might already have heard Jay making a few appearances in the last episode, number 310, which was my epic SS26 fashion month report. In that episode Jay shared his top show picks from New York, Paris and Milan, but in this episode we dive even deeper into his favourite fashion month moments, and along the way we discuss the more provocative issues that emerged from shows such as Duran Lantink at Jean Paul Gaultier and Pieter Mulier's new vision of Alaïa.We also break down the concept of luxury itself, talk about Matthieu Blazy's Chanel, ask if we still need fashion shows and discuss the prevalence of hot takes from online critics who have no prior knowledge of the fashion industry!LinksFollow Jay at https://www.instagram.com/jaytibbitts/My Substack: https://thecharissereport.substack.comThreads: https://www.threads.net/@charisse_kenion/Instagram: https://www.instagram.com/charisse_kenion/TikTok: https://www.tiktok.com/@charissekenionCheck out my ShopMy: https://shopmy.us/beautymeBusiness inquiries: info@charissekenion.com  

Jacques Esterel est couturier et Monsieur Richard, patron d'une boutique de mode à Paris. On est en 1970 et ils proposent tous les deux la jupe pour hommes. Quinze ans avant Jean-Paul Gaultier, ils croient fort en l'avenir de ce vêtement.   *** Crédits archive *** Extrait de l'émission radiophonique "La mode masculine d'été" - France Inter -  28/05/1970  *** Crédits podcast *** Documentalistes : Hervé Evanno, Hélène Deudon - Textes : Elsa Coupard, Lætitia Furmond - Restauration et mixage : Ian Debeerst, Quentin Geffroy - Enregistrement : Guillaume Solignat, Vincent Dupuis  - Voix off : Clara De Antoni - Musique(s) avec l'aimable autorisation d'Universal Production Music France - Chargée de production : Delphine Lambard - Cheffe de projet : Lætitia Fourmond - Assistant Chef de projet : Tom Chen - Responsable éditoriale : Zoé Macheret - Production INA.

Ma Dame by Jean Paul Gaultier (2008) + Daisy Von Sherler Mayer's Party Girl (1995) + Mark Waters' The House of Yes (1997) + Jill Sprecher's Clockwatchers (1997) + Michael Walker's Price Check (2012) with Adriana 11/23/25 S7E81 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Le Male by Jean Paul Gaultier (1995) +  Pet Shop Boys (1981- ) + Jack Bond's It Couldn't Happen Here (1987) with Zane and Jocko Homo 11/23/25 S7E82 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

On today's show, we're chatting with Stef, the founder of Costura, a Y2K vintage fashion business that does serious volume on Whatnot. Stef started reselling full-time after losing her job during the pandemic, and for the last three and a half years, she's been hosting live auctions on the livestream platform, Whatnot – sometimes she even goes live daily.  In this episode, she shares how she's built a loyal community of cool people who love early 2000s fashion, plus her best tips for livestream sales. Earlier this year, Stef teamed up with a few business partners to make her biggest buyout yet, and then spent three and half months in Los Angeles, continuously going live until she sold the lots – it's a wild story and she's always on the move between Miami and LA hunting down one-of-a-kind Y2K treasures. I'll let her share the scoop on how she does it. This is a really fun one – let's dive right in! DISCUSSED IN THE EPISODE: [4:57] How Stef started selling vintage after getting laid off from her job in television production. [6:27] Her first time visiting a rag house. [11:32] Things really clicked when Stef got on Whatnot [15:09] Building an audience of Whatnot regulars: resellers, collectors, and everyday shoppers [17:15] Stef's biggest buyout yet: 1,000 pieces of Y2K deadstock [21:41] How to have a successful vintage live show [33:34] Living and selling vintage between Miami and Los Angeles [37:13] How Stef approaches social media, showing up on TikTok and Instagram [41:19] The vintage in her personal collection that she will never sell [46:05] Her holy grail find is a Jean Paul Gaultier piece from the bins EPISODE MENTIONS:  @houseofcostura Stef on TikTok Shop Costura on Whatnot Stef's upcoming Mandalay show @bleumi.bleumi @busyladybaca Whatnot LET'S CONNECT: 

He created Jean-Paul Gaultier's Le Mâle at just 24 and gave the world Baccarat Rouge 540, the fragrance that conquered the internet. Now, master perfumer Francis Kurkdjian – head of his own perfume house and Perfume Creation Director at Christian Dior – unveils a new Paris exhibition, "Perfume: Sculpture of the Invisible", at the Palais de Tokyo, celebrating 30 years of his groundbreaking creations. He sat down with FRANCE 24's Culture Editor Eve Jackson to talk about the art of capturing emotion in scent, the viral success of Baccarat Rouge 540 and how he's redefining fragrance as a true form of art.

It's been a buzzy week at the Vogue offices. On Tuesday night, Zohran Mamdani made history as the first Muslim, the first person of South Asian descent, and the youngest in a century to hold the Mayoral position. Vogue's Fashion News Editor, José Criales-Unzueta, joins Chloe and Nicole to discuss the newly announced mayor's style — along with that of his effortlessly chic Gen Z illustrator wife, Rama Duwaji, who stunned last night in a black lace Ulla Johnson skirt and Zeid Hijazi top. Together, they explore how fashion choices can reflect our beliefs, values, and sense of identity.Then, writer Mattie Kahn comes to the Vogue offices to talk to Chloe about Vogue's December cover story that she wrote about Timothee Chalamet. She talks about the challenges of pinning down time to speak with the busy actor who was filming the newest Dune film in Budapest and also working on  performance art promotional videos for his upcoming film, Marty Supreme, set to go to the big screen on Christmas Day.. Plus, Kim Kardashian gets candid with Chloe about taking on her first major acting role (apart from American Horror Story) as Allura Grant in the new Hulu series All's Fair. The show features an all-star cast of women — including Naomi Watts, Teyana Taylor, Glenn Close, and Niecy Nash — the latter of whom Kim says mentored her in acting. Ryan Murphy, who created the series, said he was inspired by the line “Not only am I a lawyer in real life, I play one on TV,” which he felt perfectly suited Kim. He also drew inspiration from the well-known Hollywood lawyer Laura Wasser — whose father, notably, represented Kim's parents during their separation decades before representing Kim in her own divorce. Kim also shares behind-the-scenes details of her fabulous on-screen wardrobe, from a 1992 Jean Paul Gaultier suit with a surprising back reveal to the iconic Donna Karan power suits she sourced with her stylist, Soki Mak, for the role. Learn about your ad choices: dovetail.prx.org/ad-choices

Idag ska vi bege oss in i en värld av läder, latex och piskor. Lyssna på alla avsnitt i Sveriges Radio Play. Eller, rättare sagt – vi ska ta en titt på hur modet samspelar med den subkultur i vilken den typen av fetischer förekommer, BDSM. Inte minst tack vare just mode. Modeskapare som Thierry Mugler, Jean-Paul Gaultier, Versace, Helmut Lang, Alexander McQueen och – förstås – Vivienne Westwood är bara några som har inspirerats av själva stilen, och på så sätt bidragit till att göra den mer mainstream. På årets upplaga av filmfestivalen i Cannes höjdes till exempel ett och annat ögonbryn längs röda mattan när Alexander Skarsgård stövlade in i skjorta, kostym, slips – och lårhöga läderboots. Stövlarna (som även hade vissa likheter med de vadarstövlar som hobbyfiskare bär) kom från Saint Laurent. Att stövlarna var en direkt blinkning till den film han var där att göra PR för, ”Pillion”, var det ingen tvekan om. Skribenten, författaren och fetischisten Anastasiia Fedorova recenserar Skarsgårds BDSM-stil. Det finns de som menar att John Sutcliffe borde vara en minst lika berömd modeskapare som Mary Quant. För även han förändrade modet under 1960-talet i London. Hör om den bortglömda läder och latex-pionjären. När Amanda Romares självbiografiska bok, ”Halva Malmö består av killar som dumpat mig”, nyligen kom ut som tv-serie på Netflix, så syntes Amanda Romare, med sitt entourage, på bilder från premiärfesten hållandes i en liten ridpiska. Hör den verkliga berättelsen om hur det kom sig att piskan blev hennes favoritmetod för att ragga killar.

This episode has a $250 ESSX Giveaway! All HeroHero subscribers are automatically entered.The boys are back for a totally normal, definitely-nothing-amiss episode. Join Sol and Michael as they cover all of the recent runway debuts of Paris (J.W. Anderson's Dior, Pierpaolo Piccioli's Balenciaga, Louise Trotter's Bottega Veneta, Duran Latnik's Jean Paul Gaultier, Mathieu Blazy's Chanel, Ann Demeulemeester, Alexander McQueen, Glenn Martens' Maison Margiela, Miguel Frietas' Mugler, Loewe) and chat about what people are buying, stories of walking runways, and so much more!Huge thanks to Fifi and Ella for stepping in for this totally normal episode (Michael is traveling).Lots of love!SolSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

This episode is brought to you by ThredUp —and big news: their tech just got a serious upgrade, go check it out! Plus, new customers get 50% off and free shipping when you use the code: PRELOVEDPOD. On today's show, we're chatting with Rachel Stillman, the founder of Ornate Vintage Co. Rachel's journey into vintage started young—growing up surrounded by fashion and art, with a grandfather who was an artist and dealer, a grandmother who was a fashion designer, and a mother who also graduated from FIT, where Rachel herself studied fashion, and sells vintage jewelry. At just 20 years old, as a college student in the middle of a pandemic, Rachel took the leap and opened Ornate Vintage Co.—turning a lifelong dream into reality sooner than she ever imagined.  Today, she's sharing her journey with us, including: how her family shaped her creative vision, and her love of vintage showgirl pieces with incredible histories. Plus so much more. Let's dive right in! DISCUSSED IN THE EPISODE: [1:34] Rachels is a third-generation FIT grad who grew up surrounded by fashion and art.  [5:23] Going to flea markets and auctions with her grandfather  [9:12] Her mom found  her a $20 Jean Paul Gaultier top at a local consignment shop when she was in middle school.  [12:18] She went to school for fashion, like her mom and grandma. [14:34] Starting her vintage business because of a single bulk buy of 500 units, during the pandemic.  [17:57] Unloading the inventory and doing DIY photo shoots with friends [22:31] Developing her brand aesthetic and specialties [26:46] Specializing in vintage showgirl costumes. [34:38] On selling at Brimfield. [36:44] Hosting a Whatnot live sale after watching for three years [49:08] Always searching for sexy memorabilia and novelty graphics EPISODE MENTIONS:  Ornate Vintage @ornatevintageco @stillvintage Beacon's Closet Golden Nugget Flea Market Manhattan Vintage Show Whatnot Q&A with Toots Vintage on Whatnot Gem Pre-Loved Podcast with Liisa Ditto Vintage LET'S CONNECT: 

Modeveckorna i New York, London, Milano och Paris är över. Aldrig tidigare har så många designers haft så mycket att bevisa. Lyssna på alla avsnitt i Sveriges Radio Play. En historisk modemånad går mot sitt slut och vi sammanfattar några av de mest omtalade visningarna från Chanel, Dior, Jean-Paul Gaultier och Bottega Veneta.

Em and Michael are back with one of them choosing to rock up wearing a sleeveless ensemble, naturally that earns said sleeveless one a new nickname and much ridiculing of the decision to wear so little on a brisk Melbourne day. There's an actual copy of Em's new book ‘Blood, Sweat and Glitter' in the studio for Michael to show off too. Then it's onto the shocking news that Nicole Kidman and Keith Urban have announced their divorce after 19 years together. Em and Michael have several many theories and thoughts to discuss. Then for our Sealed Section, on our premium service Emsolation Extra, you get Em and Michael doing a deep dive of Taylor Swift's new album ‘The Life of a Showgirl' and reviewing a selection of the eye raising looks from Jean Paul Gaultier's recent Ready to Wear show at Paris Fashion week. Get access for just $1.87 a week, or watch the full video of both episodes back to back via the Supercast website for $2.50 a week at emsolation.supercast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

After growing up in the north of England British milliner Stephen Jones went on to become a pioneering British hat maker working in Paris. He has been creating avant-garde designs for the last 45 years, inspired by Surrealist art, trailblazing fashions at New Romantic club nights, and cinema. He was friends with pop star Boy George who wore his hats, and he famously created a tweed crown for Vivienne Westwood. Rather than a mere accessory, he aims to transform a hat into a statement of identity, and has collaborated with designers like Jean Paul Gaultier and Dior, helping to revitalise fine hat-making skills inspired by looks from copies of Vogue from the 1940s, 50s and 60s. The prestigious Palais Galliera fashion museum in Paris holds exhibitions every year, showcasing how fashion has evolved from the 18th century to the present day. Its focus is on the most iconic designers and Stephen Jones is one of only two hat makers ever to be included – a huge honour. Rosa Johnston-Flint joins Stephen in Paris as his retrospective is about to close and visits his workshop as he prepares his Spring-Summer 2026 collection for London Fashion Week.

It's Day 3 of our back-to-back Paris coverage! We've already witnessed groundbreaking womenswear debuts from Dior's Jonathan Anderson and Loewe's Jack McCollough and Lazaro Hernandez. Tomorrow night, Duran Lantink, who only launched his namesake label in 2020, will present his first collection at Jean Paul Gaultier, a maison that put its ready-to-wear shows on pause after the retirement of its founder, and brought on guest designers to take on the couture collections. The announcement of Lantink as new creative director may have come as a surprise, but spiritually, the Dutch designer made perfect sense to continue writing Gaultier's legacy.He joins Vogue Runway's Nicole Phelps to discuss his quick rise to the top, how he feels about other designers being influenced by his work, and the way he's approaching his new position. Plus, The Run-Through team is on the ground with our editors and some very special guests (Sally Singer!) in Paris at Loewe, Givenchy and ALAÏA.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Marylène Delbourg-Delphis, philosophe du savoir, pionnière de la Tech et observatrice lucide des fractures entre la France et la Silicon Valley.On parle trop peu en France de cette femme au parcours hors du commun. Elle a découvert Jean-Paul Gaultier, travaillé avec Guerlain et Michel Serres. Elle a été la première femme entrepreneure en Silicon Valley et a côtoyé Steve Jobs, Guy Kawasaki, Marc Benioff…Aujourd'hui, son regard sur l'IA est d'une modernité déconcertante. Elle pose des questions qui bousculent, comme : « Et si l'IA réconciliait enfin les Français avec le travail ? »Un entretien inspirant, accessible à tous. C'est gratuit, et franchement, ça fait un bien fou.===============================

Abby and Patrick welcome Valerie Steele, Director and Chief Curator of the Museum at the Fashion Institute of Technology in New York, to discuss her new book, Dress, Dreams, and Desire: Fashion and Psychoanalysis, and the exhibition of the same name that opened this week. What does “fashion” mean, and why are so many psychoanalysts and cultural gatekeepers so resistant to think about the topic critically? How do society's codes of dress reflect logics of identity, especially when it comes to gender, and how are those norms policed – and subverted? How does clothing mediate our first-person experience of our own bodies, how do clothes and nakedness recur in our fantasies and dreams, and how do we use attire to communicate with others while alternately armoring and revealing ourselves? A renowned historian and theorist of fashion, Dr. Steele masterfully walks Abby and Patrick through fashion as a field of overdetermined material commodities and complex articulations of identity and desire. From Freud's anxieties about paying his tailor to Lacan's florid wardrobe to ongoing debates over what therapists should and shouldn't wear; from Elsa Schiaparelli's mirror jackets to Jean Paul Gaultier's bullet bras to Sonia Rykiel's self-caressing knitwear to Timothée Chalamet's Haider Ackermann halter; from commodity fetishism in Marx to fetish objects in Freud; from Lacan's mirror stage to Joan Riviere's theories of masking and masquerade to the “skin ego” of Didier Anzieu; from high culture to low, and from the runway to the consulting room and beyond, it's a stylish and provocative grand tour of fashion, psychoanalysis, and the ways we all use clothes, like it or not, to literally fashion ourselves.The exhibition Dress, Dreams, and Desire: Fashion and Psychoanalysis runs from September 10th 2025 to January 4th 2026 at the Museum at FIT (227 West 27th Street, New York, NY) and is free and open to the public: https://www.fitnyc.edu/museum/exhibitions/dress-dreams-desire/index.phpSteele's book Dress, Dreams, and Desire: A History of Fashion and Psychoanalysis will be released on October 30th 2025: https://www.bloomsbury.com/us/dress-dreams-and-desire-9781350428195/MFIT will host a Fashion and Psychoanalysis Symposium on Friday, November 14, 2025. Speakers include Laverne Cox, fashion designer Bella Freud, psychoanalysts Patricia Gherovici, Anouchka Grose, Christine Anzieu-Premmereur, Chanda Griffin, fashion scholar Simona Segre, and MFIT Director Valerie Steele. Attendance is free but registration is required: https://www.fitnyc.edu/museum/events/symposium/fashion-and-psychoanalysis/index.phpHave you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:  Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

Musik ist Trumpf ist zurück aus der Sommerpause. Till & Henning feiern Frankreich. Französische Kultur, die auf so vielen GebietenVorreiter war und ganze Genres geprägt hat. Dazu gibt es wieder persönliche Geschichten von Tills „je suis boulangerie“ Frankreichurlaub und Henning berichtet wie der berühmte Modeschöpfer Jean-Paul Gaultier den Gruppennamen „H-Blockx“ auf französich ausspricht. Mehr geht nicht! C´ést magnifique, c´ést Musik ist Trumpf! Die Songs der Sendung: 1) C´ést comme ca / Les Rita Mitsouku2) Antisocial / Trust3) Oxygène, Pt. IV / Jean-Michel Jarre4) Dimanche à Orly / Gilbert Becaud5) Silver Groover / F.F.F.6) Cours vite / Silmarils7) Signatune / DJ Mehdi8) Le Bien, le Mal / Guru, MC Solaar Links zur Sendung: Gilbert Becaud: Ein bisschen Glück und Zärtlichkeithttps://www.youtube.com/watch?v=7WMghyfWw80 Thorsten Schütte: Eat that question! Dokumentarfilm (2016) über Frank Zappa.https://en.wikipedia.org/wiki/Eat_That_Question:_Frank_Zappa_in_His_Own_Words Made in France – DJ Mehdihttps://www.arte.tv/de/search/?q=Made%2Bin%2BFrance&genre=all Informationen zu unserem Werbepartner:Das 3 Tagesticket für den Guitar Summit vom 26.9. - 28.9.24 in Mannheim jetzt bestellen auf www.guitarsummit.de ! Es gibt 10% Rabatt mit dem Code TRUMPF10 . Till ist am Freitag, dem 26.9. live auf dem Guitar Summit (Rockantenne Stage) mit einer Live-Folge von "Musik ist Trumpf“ u. Samstag, 27.9. mit einer Live-Folge seiner Gitarre & Bass-Kolumne „Till & Tone“! Hosted on Acast. See acast.com/privacy for more information.

Thirty years ago high schoolers dressed down, and then came the movie Clueless. In her yellow plaid kilt and many other colorful and stylish outfits, Cher Horowitz, the good-natured if meddlesome high-schooler played by Alicia Silverstone, made audiences laugh with her, love her, and envy the looks created by costume designer Mona May. “Everybody dressed grunge in 1994 when we were preparing the movie, and the movie set a new rule of dressing. You know, I created a whole other fashion landscape,” May tells Lyn Winter, host of Rodeo Drive –The Podcast, in a special episode to coincide with the 30-year anniversary of the movie and the launch of the third annual week-long Rodeo Drive Celebrates Fashion program spotlighting the unmatched craftsmanship and innovation in fashion on the legendary “street of dreams”.May is joined by Beverly Hills Mayor Sharona R. Nazarian PsyD, who shares her fond memories of the film, her personal love of fashion, as well as pride in the leading role played by Beverly Hills in Clueless, which was shot in multiple locations including the Electric Fountain, the Witch's House and, of course, the iconic street of high fashion - Rodeo Drive. “I think what makes Rodeo Drive so special is that people still want to be able to come and walk here as Cher did in the movie, that it's still relevant. The stores are still spectacular. I mean, where else can you find Frank Gehry and Louis Vuitton coming together to make these beautiful buildings come to life? It's just so exciting,” says Mayor Nazarian.May also shares her journey to becoming a costume designer and getting her big break with Clueless, followed by work on movies including Romy and Michelle, Never Been Kissed, Wedding Singer, Enchanted, House Bunny, and Stuart Little.May was born in India and then moved with her family to Europe and then New York. She studied fashion before moving into costume design, and met Clueless writer/director Amy Heckerling while collaborating on a pilot about two party girls in New York City. “The pilot didn't get picked up, but we formed this incredibly creative relationship. Amy is an incredible writer, an incredible artist. She loves fashion, so we were like two birds together. So when she wrote Clueless, she called me and said, ‘I really want you to do this film. I need a very different point of view, something that's going to last a long time'.” May created a timeless look for the teens in the movie that took cues from L.A.'s sunny spirit and its greenery and flowers, from fashion icons, and even from the period of the book that inspired the movie, Emma, by Jane Austen. Think, empire waists and cap sleeves. Her goal was to make the young actresses feel “quintessentially feminine” while empowered. Then there was Cher's unforgettable plaid skirt. On eyeballing “Jean Paul Gaultier yellow,” recalls May, “We had the vision. And it was perfect, because she became the queen bee, yellow sunshine, and completely the queen of the school.”Now a new generation is getting to enjoy the film once again. As she welcomes Clueless fans both young and old, Mayor Nazarian says of the film, “It just makes you feel really good. It uplifts you, and we need that now, I think. Everybody needs it.” This special edition of Rodeo Drive – The Podcast is presented by the Rodeo Drive Committee with the support of Beverly Wilshire, A Four Seasons Hotel.Executive Producer and Host: Lyn WinterOn behalf of the Rodeo Drive Committee: Kathy GohariScriptwriter and Editorial Advisor: Frances AndertonEditor and Videographer: Hans FjellestadTheme music by Brian Banks Hosted on Acast. See acast.com/privacy for more information.

Defense Secretary Pete Hegseth announces the Pentagon will continue the work that DOGE started. Dana breaks down Trump's rescissions package he plans on sending to Congress to ensure the DOGE cuts are included and how Congress could run out the clock to avoid them.  A Federal court strikes down Trump's tariff orders. San Francisco gets MAJOR pushback after announcing their schools were going to start “grading for equity”.  Trump runs over a reporter who asks about Wall Street investors calling tariffs the “TACO Trade” meaning “Trump Always Chickens Out”. Texas officially bans THC from all products. Is this a popular idea? Florida Sen. Jay Collins joins us to discuss stalled budget talks, his possible gubernatorial run and the HOPE Florida controversy. Dylan Mulvaney appears in a new Jean Paul Gaultier's women's perfume campaign for the ‘Divine' fragrance.Thank you for supporting our sponsors that make The Dana Show possible…Goldcohttps://DanaLikesGold.com Protect your financial future with MY trusted gold company—get your GoldCo 2025 Gold & Silver Kit today, and you could qualify and get UNLIMITED Bonus Silver.Byrnahttps://byrna.com/danaGet your hands on the new compact Byrna CL. Visit Byrna.com/Dana receive 10% off. Patriot Mobilehttps://patriotmobile.com/DanaDana's personal cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANAKelTechttps://KelTecWeapons.comSee the third generation of the iconic SUB2000 and the NEW PS57 - KelTec Innovation & Performance at its best.All Family Pharmacyhttps://AllFamilyPharmacy.com/DanaCode Dana20 for 20% off your entire order.Beamhttp://shopbeam.com/DanashowSleep like never before—Beam has improved over 17.5 million nights of rest. Try it now with code DANASHOW for 40% off.Ground Newshttps://GroundNews.com/DANAMove beyond the echo chambers and get 40% off the Vantage plan.Home Title Lockhttps://hometitlelock.com/danaProtect your home! Get a FREE title history report plus 14 days of coverage with code DANA. Check out the Million Dollar TripleLock—terms apply.Angel Studioshttps://Angel.com/danaStream King of Kings, check out fan-picked shows, and claim your member perks like two FREE movie tickets.

James Scully, renowned casting director and longtime retail insider, joins Lauren for a wide-ranging chat about his career and the evolution of the fashion industry since his early days working with Karl Lagerfeld and Jean Paul Gaultier. He also discusses his move from New York City to suburban Hudson, co-founding Jamestown Hudson, the evolution of retail from large department stores to niche boutiques, the impact of Vogue's celebrity covers, and so much more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

You could have heard this episode early and had access to giveaways on our HeroHero!Hey Everybody! Sol has run off to the grand canyon for the next 3 weeks and left me alone, afraid, and in charge of uploading the episodes. He has no phone and I am scared. But! there was a time that I was not scared and Sol was by my side and we recorded this episode for all of you. In this episode we discuss biblical names, that guy on instagram who does an incredible job of making bad hats, and how a number of your favorite clothing items jumped from military to high fashion to everyday - including some legacy works by Yves Saint Laurent, Jean Paul Gaultier, Helmut Lang, and Raf SimonsThanks for supporting us! Let me know if I did a good job they usually don't let me touch the keyboard or talk to anyone directly around here.-MichaelSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Substack (One Size Fits All) Sol's Instagram Michael's Instagram Michael's TikTok

The buttery popcorn and makeup accord of Jean-Paul Gaultier's Le Male Elixir Absolu takes center stage as Myke and Ryan work through their initial skepticism about yet another "elixir" release. Their breakdown reveals a fragrance that defies expectations – sweet, slightly salty, and reminiscent of the lipstick accord found in Dior Homme. Despite one scathing online review claiming it "smells like sperm," our hosts find something genuinely appealing in this sophisticated designer offering.Support the showJoin Our Patreon

Nicolas Di Felice, Creative Director of Courrèges, joins Nicole Phelps to discuss both the storied history and the bright future of the French maison. Listen to the episode to learn more about his education, his summertime gig as the guest designer of Jean Paul Gaultier's latest couture collection, and his favorite celebrity red carpet moment. 

Alexis Novak is the founder of the celebrity-adored vintage studio Tab Vintage. Novak founded Tab in 2019, and since her first foray into sourcing an impossible-to-get Jean Paul Gaultier piece, she's built the brand into one of the most sought-after destinations for luxury vintage and archival pieces. Today, Novak works closely with some of the top stylists and celebrities in the world. She recently sourced pieces for Emily Ratajkowski's Met Gala looks and Alex Cooper's wedding! Novak's passion for sourcing, restoring, and sharing the history of every one of her unique finds is palpable. This week, Novak joins us to discuss her FBI-level techniques for sourcing rare pieces, her new appointment-only showroom in L.A., and why glamour is back.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.