Podcasts about brakhage

In dieser Podcastfolge sind wir auf der Hinterland of Things-Konferenz für Startups und sprechen mit Dominik Gross und Simon Brakhage, zwei wichtigen Persönlichkeiten hinter der Veranstaltung. Gemeinsam erkunden wir das Motto der Veranstaltung, "Entrepreneurship als Motor für weltweite Veränderung", und erfahren, wie sie den Einfluss von Unternehmertum auf die Welt einschätzen. Dabei beleuchten sie auch die Veränderungen, die sich im Laufe der Jahre ergeben haben und wie sich die Start-up-Landschaft entwickelt hat. Wir erfahren mehr über die Zielgruppe der Veranstaltung und warum die Zusammenarbeit zwischen Startups und KMUs von großer Bedeutung ist. Schließlich werfen wir einen Blick in die Zukunft und erfahren, welche Ziele die Founders Foundation für die kommenden Jahre verfolgt. Diese Podcastfolge bietet einen faszinierenden Einblick in die Hinterland of Things-Konferenz und die inspirierende Vision ihrer führenden Köpfe.

Ep. 169: Synecdoche, New York with Michael Joshua Rowin, plus Brakhage, Resnais, Duras Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. I've been hosting a screening series recently called New Essentials at the Roxy Cinema in New York. This weekend I'm presenting Charlie Kaufman's directorial debut feature, Synecdoche, New York (2008), the sprawling story of a playwright (Philip Seymour Hoffman) attempting to stage a truly world-sized drama while navigating his wrecked personal life. For the latest episode, I discuss Kaufman's rich and strange and funny movie with critic Michael Joshua Rowin, who wrote about it for Reverse Shot. We also compare notes on the last things each of us has seen, including films by more adventurers in subjectivity: Stan Brakhage, Alain Resnais, and Marguerite Duras. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Our experiment of walking through Stan Brakhage, An Anthology Volume Two at a reasonable pace comes to an end this week. After our rush through Volume One years ago we had liked Brakhage, and now after spending so much more time with him, well...we definitely still love his work, but here's hoping it's another few years before Criterion puts out Volume Three. This week we cover films from the last years of Brakhage's life, including what he was working on when he passed away. And we finally get a behind-the-scenes look at Brakhage filming in "For Stan", a bonus feature short film from Brakhage's wife (and editor of this anthology) Marilyn Brakhage.

This week's selection of Stan Brakhage films has works from 1982, 1992, and 1994, all multi-media, mixing many of the Brakhage "genres": painted frames, manipulated photographic images, layering. We also get another with a soundtrack from Rick Corrigan, and one with probably the most on-screen (and almost legible!) text of any Brakhage film at all.

By Brakhage Volume Two Program 4 is totally dedicated to Stan Brakhage's 1989-90 four film cycle Visions in Meditation. Inspired by Gertrude Stein's Stanzas in Meditation, the films take us on a journey into a meditative state, working better as a complete work than as four individual pieces. This is the only complete cycle of Brakhage's work in the Criterion sets, despite other films drawn from cycles being included in Volume Two.

We continue our journey through By Brakhage, An Anthology Volume Two with a collection of works from 1972-1982 including the remix-y mashup of violence that is Murder Psalm and a few others that are less intense than that.

For By Brakhage: An Anthology, Volume One many years ago we tried to do the whole set in a single episode like we were trying to get the new world record for getting through the Louvre the fastest. These are art films, so for Volume Two we're taking our time to appreciate them and dedicating an individual episode to each of the six "Programs" that Criterion breaks the set down into. This is episode two, covering Program 2 including Stan Brakhage's Scenes from Under Childhood, Section One (1967), Machine of Eden (1970), Star Garden (1974), and Desert (1976).

Many years ago Criterion served us up By Brakhage: An Anthology collecting a nice cross section, or so we thought, of the works of experimental American filmmaker Stan Brakhage. We're back with Volume Two and a much wider cross section of the man's work, including styles of piece completely missing from Volume One. Back then we tried to talk about 26 Brakhage films in a single episode. It was a foolish thing to attempt. This time we're swinging the pendulum the other way and taking the set week by week with Criterion's "Program" subdivisions of the 30 total films. It means only covering about 4 films and about 1 hour of material each week for six weeks, but it also means maybe actually intelligently talking about any individual Brakhage work.

The legacy of Stan Brakhage looms large in the crowded world of 1960s experimental film. His style of filming and editing has become instantly recognizable, as are the themes of nature, bodies, and children that he always circles back to. Having rejected a more conventional lifestyle, inspired in part by experimental artists he met in San Francisco and New York, Brakhage developed his own unique style of filmmaking from a young age – one that dabbled equally in refracted light, microscopic detail, inverted images, frenetic editing and aniline dyes. By the start of the 1960s, Brakhage had already begun to gain popular recognition on the film and arts scene. By the end of the decade, he had solidified his importance as, perhaps, the most influential experimental filmmaker of his century. In this episode, Bart and Jenna challenge themselves to sit down to watch over five hours worth of largely silent experimental film. Which, funny enough, wasn't actually as painful to either of them as it might have sounded when they started. For two people who consider themselves to be narrative supremacists, they sure have a lot to say about how to approach Brakhage for the first time and how to interpret his work. Heck, they might have even learned to love him a little bit… (NOTE: They highly recommend you spend 3 minutes and 13 seconds, respectively, getting a little taste of Brakhage before listening, if you're coming in completely blind. Though be warned: these pixelated transfers on YouTube are shoddy substitutes for Criterion's gorgeous HD masters.)The following films are discussed:• Mr. Tompkins Inside Himself (1960, 16 mm, 42 mins.)• The Dead (1960, 16 mm, 11 mins.)• Thigh Line Lyre Triangular (1961, 16 mm, 6 mins.)• Dog Star Man: Prelude (1961, 16 mm, 25 mins.)• Blue Moses (1962, 16 mm, 10 mins.)• Sartre's Nausea (1962–1963, 16 mm, 4 mins.)• Dog Star Man: Part 1 (1962, 16 mm, 31 mins.)• Mothlight (1963, 16 mm, 3 mins.)• Dog Star Man: Part 2 (1963, 16 mm, 6 mins.)• Dog Star Man: Part 3 (1964, 16 mm, 8 mins.)• Dog Star Man: Part 4 (1964, 16 mm, 6 mins.)• Song 1 (1964, 8 mm, 3 mins.)• Song 2 (1964, 8 mm, 1.5 mins.)• Song 3 (1964, 8 mm, 3 mins.)• Song 4 (1964, 8 mm, 3 mins.)• Song 5 (1964, 8 mm, 4.5 mins.)• Song 6 (1964, 8 mm, 2 mins.)• Song 7 (1964, 8 mm, 2.5 mins.)• Song 8 (1964, 8 mm, 3.5 mins.)• Fire of Waters (1965, 16 mm, 7 mins.)• Pasht (1965, 16 mm, 5 mins.)• Two: Creeley/McClure (1965, 16 mm, 3 mins.)• Song 9 (1965, 8 mm, 4 mins.)• Song 10 (1965, 8 mm, 3 mins.)• Song 11 (1965, 8 mm, 3 mins.)• Song 12 (1965, 8 mm, 3 mins.)• Song 13 (1965, 8 mm, 3 mins.)• Song 14 (1965, 8 mm, 3 mins.)• 23rd Psalm Branch (1966–1967, 8 mm, 69 mins.)• Scenes from Under Childhood (Section One) (1967, 16 mm, 24.5 mins.)• Eye Myth (1967, 35 mm, 9 secs.)• Love Making (1968, 16 mm, 36 mins.)Also mentioned:• Metaphors On Vision (1963, book by Stan Brakhage)• Film as a Subversive Art (1974, book by Amos Vogel)• Visionary Film: The American Avant-Garde 1943-1978 (1979, book by P. Adams Sitney)• Brakhage (1999, documentary directed by Jim Shedden)• Stan Brakhage: Filmmaker (2005, book edited by David E. James)

Das mikrobielle Gleichgewicht ist die Grundlage für gesundes Leben – egal ob beim Menschen, bei Tieren oder bei Pflanzen. Sogar Gewässer sowie Böden und damit ganze Ökosysteme sind davon abhängig. Gerät dieses dynamische Gleichgewicht von Bakterien, Pilzen und weiteren Mikroorganismen ins Wanken, kann das schwerwiegende Folgen haben. Bei der Erforschung des Mikroversums dreht sich alles um die Kommunikation und Interaktion der winzigen Lebewesen untereinander und mit ihrer Umwelt. Denn oft leben sie bereits seit Jahrmillionen zusammen und sind nur selten isoliert anzutreffen. Prof. Brakhage erzählt davon, dass der nächste antibiotische Wirkstoff vielleicht in unserem Vorgarten auf seine Entdeckung wartet. Und aus diesem im besten Fall ein Medikament entwickelt werden kann, das zielgerichtet unerwünschte Mikroorganismen angreift und die nützlichen nicht beeinträchtigt. Der Experte Prof. Axel Brakhage ist der Sprecher des Microverse-Clusters und Direktor am Leibniz-Institut für Naturstoff-Forschung und Infektionsbiologie. Er erforscht unter anderem humanpathogene Pilze, die für uns Menschen eine Bedrohung darstellen können. Sein Fokus liegt auf dem Schimmelpilz Aspergillus fumigatus. Dieser ist überall in unserer Umwelt zu finden und kann bei vorerkrankten, immunsupprimierten Menschen eine lebensbedrohliche Aspergillose auslösen. Der Cluster Der Exzellenzcluster Balance of the Microverse bündelt die Stärken der Mikrobiologie, Chemischen Biologie, Infektionsbiologie, Medizin, Ökologie, Optik/Photonik, Materialwissenschaft, Bioinformatik und Ethik an der Friedrich-Schiller-Universität Jena, dem Universitätsklinikum und acht außeruniversitären Forschungsinstituten. Grundlage für das Konzept des Microverse-Clusters ist die erfolgreiche Exzellenz-Graduiertenschule Jena School for Microbial Communication. Vier Sonderforschungsbereiche, weitere koordinierte Forschungsprogramme sowie regionale Industriepartner verstärken den Microverse-Cluster. Der Podcast 57 Exzellenzcluster, 1 Podcast. Regelmäßig berichtet „Exzellent erklärt“ aus einem der Forschungsverbünde, die im Rahmen der Exzellenzstrategie des Bundes und der Länder gefördert wird. Die Reise geht quer durch die Republik, genauso vielfältig wie die Standorte sind die Themen: Von A wie Afrikastudien bis Z wie Zukunft der Medizin. Seid bei der nächsten Folge wieder dabei und taucht ein in die spannende Welt der Spitzenforschung! Wenn Euch der Podcast gefallen hat, abonniert „Exzellent erklärt“ bei dem Podcast-Anbieter Eurer Wahl. Ihr habt noch Fragen? Hinterlasst uns einen Kommentar oder schreibt uns an info@exzellent-erklaert.de

Trey/Matt...we're requesting a do-over.  You owe it to Ween.  That or maybe take another swing at the plate with another song?  I think Brakhage would've wanted it that way.

Guest: Dale Brakhage Topic: L    is for Listening 1. Pro-active 2. Inter-active 3. Re-active M is for More! Author: Business ABCs of Selling Website: http://www.dalebrakhage.com

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ WAKING DREAMS by GOLDEN LIVING ROOM on ＶＩＲＴＵＡＬ ＰＨＡＮＴＡＳＹ ２０９７ （ＵＬＴＲＡ ＥＤＩＴＩＯＮ） (Dream Catalogue) 1′45″ Deeper Into Movies by Yo La Tengo on I Can Hear the Heart Beating As One (Matador) 6′50″ Own Two Feet by Should on A Folding Sieve (words on music) 11′02″ Shine by Slowdive on Holding Our Breath - EP (self released) 16′10″ Black Car by Black Tambourine on Black Tambourine (Slumberland Records) 19′30″ Happen by Drop Nineteens on Delaware (Caroline records) 23′05″ Tall Ships by Swirlies on What To Do About Them (Taang! Records) 27′38″ Soon by my bloody valentine on Loveless (Sire Records Company, a label of Warner Records Inc., manufactured and marketed by Rhino Entertainment Company, a Warner Music Group company) 34′22″ Pearl by Chapterhouse on Whirlpool (Dedicated) 39′11″ Here and Now by Ride on Nowhere (Expanded) (Sire Records. Marketed by Rhino Entertainment Company, a Warner Music Group Company.) 43′34″ Something for Joey by Mercury Rev on Boces (Sony Bmg music entertainment) 47′30″ Keen on Boys by The Radio Dept. on Lesser Matters (self released) 52′20″ The Only One I Know by The Charlatans on Some Friendly (Dead Dead Good / Situation Two / Beggars Banquet Records Ltd.) 56′21″ Here by Pavement on Slanted & Enchanted (Matador) 60′00″ I Wanna Be Adored by The Stone Roses on The Stone Roses (Silvertone Records) 64′45″ Oil of Angels by Cocteau Twins on Four-Calendar Café (Soleil Apres Minuit) 69′10″ Headphones by Björk on Post (Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America) 74′55″ Two Step by Throwing Muses on The Real Ramona (Whoa Dad!) 79′20″ Here's Where the Story Ends by The Sundays on Reading, Writing & Arithmetic (UMG) 83′08″ Brakhage by Stereolab on Dots and Loops (Duophonic) 88′40″ There You Are by The Sea and Cake on The Fawn (Thrill Jockey Records) 93′15″ Leave Me Alone by New Order on Power, Corruption & Lies (Warner records 90 Ltd) 97′52″ Souvenir by Orchestral Manoeuvres In the Dark on The OMD Singles (Virgin Records Ltd) 101′25″ Space Age Love Song by A Flock of Seagulls on A Flock of Seagulls (Zomba Productions Ltd.) 105′08″ Pictures of You by The Cure on Disintegration (Rhino) 112′25″ Classic Girl by Jane's Addiction on Ritual de lo Habitual (Warner Records Inc.) 117′28″ Soft Return by Labradford on Prazision (kranky) Check out the full archives on the website.

Ben Reiser and Pauline Lampert talk to Mark Street. So Many Ideas Impossible To Do All Mark Street’s mixed media experimental short meditates on the relationship between filmmaker Barbara Hammer and Jane Brakhage. Street combines footage shot by Hammer of an encounter she had with Brakhage along with excerpts from letters Hammer wrote to Brakhage. (PL)

Who’s afraid of structural film? Not special guests Igor Toronyi-Lalic and Daniel Neofetou, who join the boys this week to discuss the adventurous career of Canadian experimental filmmaker Michael Snow. What is a film when the film is concentrated, elongated, and entirely the sum of its parts? They look at Wavelength (1967), La Region Centrale (1971), "Rameau's Nephew" by Diderot (Thanx to Dennis Young) by Wilma Schoen (1974), and  Cityscape (2019), among others, with a digression via music, composition, and the films of Brakhage and Hollis Frampton.

Birth, sex, marriage, death. The movement of the stars and the planets, the chopping down of a tree. For Stan Brakhage, the prolific high priest of American experimental cinema, the entirety of existence was under the lens - something both beautiful and mortally terrifying. This week, the boys are joined by friend of the pod Daniel Neofetou to dissect some of Brakhage's most essential works: Anticipation of the Night (1958), Window Water Baby Moving (1959), Mothlight (1963), and Dog Star Man (1961-1964), among many, many others, charting his development from lyrical cinema and toward the so-called 'mythopoeic' style that came to dominate the painterly expressionism of his later films (such as The Dante Quartet, 1987). It's hard, hairy, and long, but really, really worth it.

Robert Delany and Bennett Glace join host Craig Wright to discuss a pair of later Stan Brakhage works that rarely receive the attention of earlier landmarks such as Mothlight (1963) or Window Water Baby Moving (1959). These films, one painted on film exploring the psychic effects of television (Delicacies of Molten Horror Synapse, 1990), the other shot on 16mm and produced shortly before Brakhage underwent surgery for bladder cancer (Commingled Containers, 1996), allow for discussions about how experimental cinema is taught in university settings and how to approach films that essentially challenge their viewers to unlearn everything they know about film viewing. Listen in and find out how these films demonstrate the range of this one-of-a-kind artist.

In February of 2020, Alex Gary was announced as the new athletic director at Western Carolina University. By the time the former Catamount baseball player started the job a few months later, the whole world had changed. Gary recounts his first year as AD in this episode with John and Marcia, and what it was like to address all the challenges that arose. He's the first Black athletic director at both Western Carolina and the Southern Conference. (Music featured includes Le Vrai by Brakhage and Limelight by Podington Bear)

Guest: Dale Brakhage Topic: L    is for Listening 1. Pro-active 2. Inter-active 3. Re-active M is for More! Author: Business ABCs of Selling Website: http://www.dalebrakhage.com

José Carlos Cabrejo y Ricardo Bedoya hablaron del cine que reflexiona sobre el cine. Las películas analizadas se refieren a otras por medio de guiños y homenajes, alteran las convenciones de su propio lenguaje para comprender su condición de artificio, o se convierten en espejo del mundo cinematográfico. Se comentan películas dirigidas por Lynch, Tarantino, Hitchcock, Godard, Varda, Fellini, Truffaut, Craven, Bergman, Brakhage, Snow, Kiarostami, Panahi, entre otros cineastas.

José Carlos Cabrejo y Ricardo Bedoya hablaron del cine que reflexiona sobre el cine. Las películas analizadas se refieren a otras por medio de guiños y homenajes, alteran las convenciones de su propio lenguaje para comprender su condición de artificio, o se convierten en espejo del mundo cinematográfico. Se comentan películas dirigidas por Lynch, Tarantino, Hitchcock, Godard, Varda, Fellini, Truffaut, Craven, Bergman, Brakhage, Snow, Kiarostami, Panahi, entre otros cineastas.

Guest: Dale Brakhage Topic: L    is for Listening 1. Pro-active 2. Inter-active 3. Re-active M is for More! Author: Business ABCs of Selling Website: http://www.dalebrakhage.com

Are you Listening? How to Really, Really Listen! Welcoming Back! Guest: Dale Brakhage Topic: L    is for Listening 1. Pro-active 2. Inter-active 3. Re-active M is for More! Author: Business ABCs of Selling Website: http://www.dalebrakhage.com

After seeing his cinematography on the big screen in Patrick Connolly's "Desire Lines," "filmmaker" John Wynne is starting to think that maybe he should be, you know, making films. 

Are you Listening? How to Really, Really Listen! Welcoming Back! Guest: Dale Brakhage Topic: L    is for Listening 1. Pro-active 2. Inter-active 3. Re-active M is for More! Author: Business ABCs of Selling Website: http://www.dalebrakhage.com

Are you Listening? How to Really, Really Listen! Welcoming Back! Guest: Dale Brakhage Topic: L    is for Listening 1. Pro-active 2. Inter-active 3. Re-active M is for More! Author: Business ABCs of Selling Website: http://www.dalebrakhage.com

In our 161st episode we're talking spine #184 in the Criterion Collection: BY BRAKHAGE: AN ANTHOLOGY, a collection of Stan Brakhage's shorts from 1954 to 2001. First RJ talks about COMMANDO, DANCER IN THE DARK, then RJ and Jarrett talk about going to see MIDSOMMAR with all the spoilers you'd come to expect after catching it this late, and Jarrett talks briefly about THE EDGE and THE GREAT HOAX. Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!

Cynical host John David Wynne thinks there's hope for cinema - no matter what the ghost of his dead professor tells him. 

Are you Listening? How to Really, Really Listen! Welcoming Back! Guest: Dale Brakhage Topic: L    is for Listening 1. Pro-active 2. Inter-active 3. Re-active M is for More! Author: Business ABCs of Selling Website: http://www.dalebrakhage.com

Twin Peaks trended on Twitter worldwide on the back of its wildest episode yet, but what did its new levels of experimentation amount to? Kate and Simon dive into the episode with returning guest Olivier Creurer, and ponder the series' (and Lynch's) broader relationship to experimental cinema, among many, many other open questions.

One of the benefits of losing our religion are the many doors it opens up for us to explore our humanity, our desires, our goals, away from the judgment of a closed-minded community. Crystal has been exploring for some years now. It’s incredible to be able to hear her story and embrace the conversation of exploring without borders. WEIRD THINGS OF THE AMAZON Weird Shit: True Stories to Shock, Stun, Astound and Amaze. DO YOU LOVE THE PODCAST? JOIN US WITH SUPPORT. Support the podcast by leaving us a Rating & Review on iTunes or your podcast app. Do your Amazon shopping through our links. Donate to the Podcast. Join the CounterCulture Society and become a Producer through our Patreon. FOLLOW US: Facebook, Twitter, Instagram, and LosingOurReligionPodcast.com. RECEIVE WEEKLY EMAIL CONTENT: Join our email list. Music Featured in this Episode: LOR Theme Song by Rat Queen and Le Vrai (Instrumental) by Brakhage. This podcast is produced by select producers and created by the CounterCulture Society.™

Following the failed treachery they witness in Paris, Tom & Chris decide to roll a d20 as they enter the abstract and intriguing world that is the mind of Stan Brakhage.

Dr Richard Ashrowan is a moving image artist and film curator. He has been Creative Director of Alchemy Film and Moving Image Festival in Scotland since 2010 and was curator for Scotland + Venice at the Venice Art Biennale 2017. In this episode he talks about shooting on 16mm film, the joys of filming in an isolated landscape and his love for his love of Tarkovsky and Brakhage.

This week we talk Ingmar Bergman's film, Persona. We also get into other stuff we watched as well as some feedback (sort of). Thanks for listening. Enjoy! 0:00 - Intro/First Reformed Trailer/Dune remake 19:15 - What We Watched: As You Are, Snatch, Mother, Paths of Glory, Eyes Wide Shut, California Typewriter, I Am Not Your Negro, Highway, The Three Musketeers, A Knight's Tale, Roseanne 1:35:13 - Deep Dive: Persona (1966) d. Ingmar Bergman 2:09:02 - Feedback (sort of): John Ryan replies to Brakhage question 2:11:30 - Outro/Next Episode feedback@filmyakpodcast.com

This week we talk Ingmar Bergman's film, *Persona*. We also get into other stuff we watched as well as some feedback (sort of). Thanks for listening. Enjoy! 0:00 - Intro/First Reformed Trailer/Dune remake 19:15 - What We Watched: *As You Are*, *Snatch*, *Mother*, *Paths of Glory*, *Eyes Wide Shut*, *California Typewriter*, *I Am Not Your Negro*, *Highway*, *The Three Musketeers*, *A Knight's Tale*, *Roseanne* 1:35:13 - Deep Dive: *Persona* (1966) d. Ingmar Bergman 2:09:02 - Feedback (sort of): John Ryan replies to Brakhage question 2:11:30 - Outro/Next Episode feedback@filmyakpodcast.com

Film scholar Dr Sharon Mee explores the role of the pulse and rhythm in film. She examines a series of experimental films - Brakhage, Kubelka, and Duchamp - which visually inscribe rhythm onto the image. She extends this analysis into horror film, specifically the work of George Romero, to argue that the pulse is a response to the experience of 'felt' time; the human pulse is integral to the connection between the viewer and the rhythmic images on screen. Dr Richard Smith responds to Sharon's talk with his own analysis of Michael Haneke's cinema, and the discussion continues with the audience present on the day. Sharon's talk: 0.00 - 33min Richard's response: 33min - 51min Q & A: 51min - 1hr 09min Produced by the Sydney Screen Studies Network Visit our website: sydneyscreenstudies.wordpress.com Email us: sydneyscreenstudies@gmail.com

Rowan is a former Christian with a tender heart in opposition to injustice. She has a hot and fiery, triggered disposition with a will to fight back and she does. When coming out, she faced similar commotion that many before her have gone through. But when her journey led her to find herself to be genderqueer, a non-binary human, her understanding of love grew even more. In this episode, we hint at her story but find ourselves neck deep into injustices and waist deep into the all too easy to fall for racial profiling of the service industry.   JOIN THE MONDAY MELTDOWN SHOW ASK ME ANYTHING | PHONE CALLS AND COMMENTS | SHARE YOUR MELTDOWN Call: 206-395-5608 Email: zacg@LosingOurReligion.org Tweet & Follow: @ZacGandara SUPPORT THE PODCAST Rate & Review Become a Producer DONATE SHOP THROUGH OUR Amazon Portal  JOIN US Join the CounterCulture Society - Get Emails & Deals! Website Connect with us on Twitter, Instagram, and Facebook Music Featured in this Episode: Le Vrai (Instrumental) by Brakhage and Johnny Are You Queer? by Glass Candy. This podcast is produced by select producers and created by the CounterCulture Society™.

Yulin has the experience of being an American immigrant. Growing up in Taiwan and leaving everything behind to follow her dream in The United States. An experience not many of us have but can understand as we’ve moved on from various cults, religions, even jobs. She challenges me in a lot of ways in regards to understanding where others are coming from and allowing those differences to flourish with feeling like here own beliefs and desires are being intruded on. Her unique cultural family experience will resonate with a lot of you. HOW WILL YOU JOIN THE MONDAY MELTDOWN?   ASK ME ANYTHING, PHONE CALLS AND COMMENTS, SHARE YOUR MELTDOWN CALL: 206-395-5608 EMAIL: ZACG@LOSINGOURRELIGION.ORG FACEBOOK  TWEET: @ZACGANDARA SUPPORT THE SHOW RATE & REVIEW THE SHOW BECOME A PRODUCER DONATE GET YOUR FREE AUDIO BOOK from Audible.com SHOP THROUGH OUR Amazon Portal  LOSER DEALS JOIN US Join the CounterCulture Society - Get Emails & Deals! Website Connect with us on Twitter, Instagram, and Facebook Call the 'Loser' Hotline: 206-395-5608 Music featured in this episode: Take Time (Instrumental) by Luck & Doc, Le Vrai (Instrumental) by Brakhage and Down the Rabbit Hole by Tab & Anitek This podcast is produced by select producers and created by the CounterCulture Society™.

While every single restoration brings unique challenges, Mark Toscano sometimes has to ask a very strange question: did the filmmaker intend that scratch or speck or slice or anything that might appear like a problem or mistake as actually critical to the film? It's questions like these that bring energy to Mark as he works as a film preservationist at the Academy Film Archive, helping preserve and restore hundreds of experimental cinema works. Peter sits down with Mark to discuss his road from the George Eastman house to Canyon Cinema to the Academy, and some of the unique questions and relationships he builds as the canon of experimental cinema continue to expand under his purview. Finally, the two dive into the complex and wondrous world of Chick Strand in Soft Fiction, whose detailing of the sexual experiences and desires of women under her lyrical eye has gained complexity in today's discussions of sex and power. 0:00-3:39  Opening 4:54-12:11  Establishing Shot — UCLA's Recuerdos de un cine en español 12:57-1:25:05  Deep Focus — Mark Toscano 1:26:08-1:29:13  Sponsorship Section 1:30:41-1:51:30  Double Exposure — Soft Fiction (Chick Strand) 1:51:35-1:53:20 Close / Outtake

Filmmaker Taylor Steele and painter Richard Phillips are masters in their respective crafts. Through a desire to challenge and some creative restlessness they have also upended expectations on what they offer to their audiences. We speak to these two artists on their collaborative work with the likes of Lindsay Lohan, Sacha Grey and Kassia Meador. We also get into the what Kelly Slater's wave pool means for surfing. Music credits: Ryan Little, Captive Portal, Brakhage

Na IV edición da sección "Ciencia e Cinema" Martin Pawley danos a coñecer a obra experimental de Brakhage e a súa relación co gran físico Gamow. http://actodeprimavera.blogspot.com.es/2016/05/o-cinema-cientifico-de-stan-brakhage.html

Na IV edición da sección "Ciencia e Cinema" Martin Pawley danos a coñecer a obra experimental de Brakhage e a súa relación co gran físico Gamow. http://actodeprimavera.blogspot.com.es/2016/05/o-cinema-cientifico-de-stan-brakhage.html

Coñecemos ao espiñento, un pequeno peixe de auga doce polo que teñen especial predilección os investigadores. Marta Vila (UDC) e Carlos Fernández (USC) veñen de participar nunha publicación en PLOS ONE na que se estudan as poboacións ibéricas deste peixe. O Premio Príncipe de Asturias de Investigación Avelino Corma estivo en Santiago invitado polo CIQUS. Conversamos con este químico especialista en catálise que algúns consideran que ten méritos abondos para optar ao Nóbel. Na IV edición da sección "Ciencia e Cinema" Martin Pawley danos a coñecer a obra experimental de Brakhage e a súa relación co gran físico Gamow.

Coñecemos ao espiñento, un pequeno peixe de auga doce polo que teñen especial predilección os investigadores. Marta Vila (UDC) e Carlos Fernández (USC) veñen de participar nunha publicación en PLOS ONE na que se estudan as poboacións ibéricas deste peixe. O Premio Príncipe de Asturias de Investigación Avelino Corma estivo en Santiago invitado polo CIQUS. Conversamos con este químico especialista en catálise que algúns consideran que ten méritos abondos para optar ao Nóbel. Na IV edición da sección "Ciencia e Cinema" Martin Pawley danos a coñecer a obra experimental de Brakhage e a súa relación co gran físico Gamow.

Stan Brakhage and Godfrey Reggio Talk to High School Students: I found an old cassette tape of an interview I made for the print issue Cinemad #2. Avant masters Stan Brakhage and Godfrey Reggio met for the first time at the Telluride Film Festival in 1999 while speaking with high school students attending the fest. I was working there as a projectionist and asked Brakhage for an interview, he suggested I sit in and record this. I turned it into an article but its more interesting as a rediscovered time capsule. Brakhage showed three brand new hand-painted shorts (part of his Persian Series) and Reggio had some of his film clips show with a Phillip Glass tribute. Both were yearly attendees with regular fans, but the kids did not know their work - making for an even better discussion, exploring what their films are and their thoughts on the world at large. The sound quality is ok but raw from the cassette. If you are a static addict, this will sound beautiful. The students asked the questions. Reggio's voice is lower. Stan's is higher pitched and he speaks first.

On today's episode, Emma Guerard and first-time guest, Jason Perlman, join Lady P for a psychoanalysis of the Russian filmmaker Andrei Tarkovsky.  Their primary case study is Tarkovsky's 1975 feature film, MIRROR. MIRROR is the number 19¹ movie on the Sight and Sound Critics Poll. Listen up to find out if the panel was able to make heads or tails of this beguiling puzzle of a movie. They follow up their MIRROR analysis, with a general discussion of non-narrative cinema. Yes, our panel watches non-narrative cinema. And yes, that does mean they're smarter and better than everyone else! Finally, they close off the show with a brief chat about Jason's current project, THRESHOLD. ¹On the podcast, Lady P refers to MIRROR as the number 18 movie on the Poll. Because SEVEN SAMURAI and PERSONA are tied for the 17th spot, the numbers got a little jumbled. We apologize for any confusion. 

Ryland went and watched some a-g films with his buddy Brian Darr and then after dinner they talked about their shared enthusiasms and how beautiful (how bright!) these kinds of lights can shine.