Podcasts about debra j

On this week's episode with hosts Penni Malloy-Harper and Tammy Reese, Penni interviews Award Winning Filmmaker and Documentarian Debra J. Robinson (“Kiss Grandmama Goodbye,” recently restored by the NYWIFT Women's Film Preservation Fund) as well as “Invisible Nation” Documentary Director Vanessa Hope who documented the first female President of Taiwan. To be featured on the podcast email us at communications@nywift.org. For more great content go to NYWIFT.org. Special thanks to⁠ Elspeth Collard⁠, the creator of our podcast theme song. Social Media: Vanessa Hope IG: @vhopeful X(Twitter): @VHopeful Debra J. Robinson IG: @purpleflowerfilms NYWIFT: Instagram:⁠⁠ @NYWIFT⁠⁠ / Twitter/X⁠⁠ @NYWIFT⁠⁠ / #NYWIFT

Co-hosts Candace Smith and Jon Stovell speak with Debra J. Mumford about her research and writing, which focuses on African American Prophetic Preaching, Prosperity Preaching, Eschatology and the Reign of God, and preaching and health. Debra J. Mumford, is ordained minister in American Baptist Churches, USA and affiliate minister with the Alliance of Baptists. She joined the Louisville Seminary faculty in 2007. She majored in mechanical engineering at Howard University and worked in engineering before answering her call to ministry. Mumford served as a youth pastor, associate minister and church administrator in several congregations in the San Francisco Bay Area. Her scholarly interests include African American prophetic preaching, prosperity preaching, eschatology and the reign of God, and preaching and health. Mumford's publications include Exploring Prosperity Preaching: Biblical Health, Wealth, & Wisdom, Judson Press; “Slave Prosperity Gospel” for Homiletic; “The Gospel of Prosperity: Jesus, Capitalism and Hope” in Homiletical Theology: Theologies of the Gospel in Context, forthcoming; The Journal for the Society of Pentecostal Studies; “Preaching on Homosexuality in the Black Church” for the African American Lectionary; “Preaching and Plagiarism” for The Presbyterian Leader; “Prosperity Preaching and African American Prophetic Preaching” for the Review and Expositor: A Consortium Baptist Theological Journal; “Trayvon Martin: A Tragic Catalyst for Change” and “Obamacare: the Good, the Bad, and the Hope for the Future” for The Thoughtful Christian. Since 2008, Mumford has served as a mentor for the Louisville Youth Group, a grassroots organization that provides resources and a safe space for gay, lesbian, bisexual, transgender and questioning young people ages 14 to 20.

Debra J. Stone's poetry, essays and fiction can be found in Brooklyn Review, Under the Gum Tree, Random Sample Review, Green Mountains Review (GMR), About Place Journal, Saint Paul Almanac, Wild Age Press, Gyroscope, Tidal Basin, and forthcoming in other literary journals. She's received residencies at the Vermont Studio Center, Callaloo, The Anderson Center for Interdisciplinary Studies, New York Mills Arts Residency and is a Kimbilio Fellow. Sundress Publishers nominated her essay, Grandma Essie's Vanilla Poundcake, Best of the Net, judged by Hanif Abdurraquib in 2019 and in 2021 her poem, year-of- staying–in place, was nominated Best of Net and Pushcart nominated. www.debrajeannestone.com Anna Farro Henderson is a scientist and artist. She served as an environmental policy advisor to Minnesota Senator Al Franken and Governor Mark Dayton. Her publications have appeared in Kenyon Review, River Teeth, The Rumpus, The Common, The Doctor T.J. Eckleburg Review, Seneca Review, Water-Stone Review, Cleaver Magazine, Punctuate, The Normal School, Bellingham Review, and Identity Theory. She is a recipient of a Minnesota State Art Board grant, a Nan Snow Emerging Artist Award, an Excellence in Teaching Fellowship at the Madeline Island School of the Arts, and a Loft Literary Center Mentor Award. She founded The Nature Library art installation that was up in the Landmark Center in Saint Paul for several months in 2019. She teaches creative process at the Loft Literary Center. www.eafarro.com

Privacy Tech. What is it? In recent years there has been an advancement in terms of technology in privacy: the tools, the solutions, and the related supporting technology. And, this is referred to as privacy tech. Why is this important and how is it shaping the privacy world? In this episode, Debra J. Farber and Punit Bhatia have a conversation about the rise of privacy tech and more. KEY CONVERSATION POINTS 00:00:00 Intro 00:01:15 GDPR In One Word “Comprehensive” 00:03:19 Understanding Privacy Tech 00:09:42 The overlap of Privacy Tech and Privacy Engineering 00:13:04 Why should we care about Privacy Tech 00:24:00 The driving force behind implementing Privacy Tech 00:31:27 The Shifting Privacy Left Podcast 00:34:55 A message to people in business about Privacy Tech 00:37:42 Thank you ABOUT THE GUEST Debra J. Farber is a globally-recognized Privacy, Security, and Ethical Tech Advisor and CEO of Principled LLC. She has 17+ years of privacy & security leadership experience in the tech sector, including at Amazon, AWS, BigID, Visa, TrustArc, IBM, & American Express. Debra serves on several tech Advisory Boards, such as The Rise of Privacy Tech, D-ID, Privacy Request, and Sibly, among others. As a Consultant, Debra guides privacy-1st tech companies on product-market fit; go-to-market strategy; effectively selling to the CPO, DPO, CISO, & CDO; privacy-by-design & default strategies; and product marketing messaging. As an Angel investor, Debra invests in disruptive business models and privacy-1st technology. Debra thrives when she pours her passionate energy into building ethical ecosystems and communities. She also has her own podcast, called ‘Shifting Privacy Left': www.shiftingprivacyleft.com ABOUT THE HOST Punit Bhatia is one of the leading privacy experts, who works independently and has worked with professionals in over 30 countries. Punit works with business and privacy leaders to create an organizational culture with high privacy awareness and compliance as a business priority. Selectively, Punit is open to mentoring and coaching privacy professionals. Punit is the author of books “Be Ready for GDPR” which was rated as the best GDPR Book, “AI & Privacy – How To Find Balance”, “Intro To GDPR”, and “Be an Effective DPO”. Punit is a global speaker who has spoken at over 30 global events. Punit is the creator and host of the FIT4PRIVACY Podcast. This podcast has been featured among the top GDPR and privacy podcasts. As a person, Punit is an avid thinker and believes in thinking, believing, and acting in line with one's values to have joy in life. He has developed the philosophy named ‘ABC for the joy of life' which passionately shares. Punit is based out of Belgium, the heart of Europe. RESOURCES Podcast https://www.fit4privacy.com/podcast Blog https://www.fit4privacy.com/blog YouTube Channel http://youtube.com/fit4privacy The Rise of Privacy Tech: Defining the Privacy Tech Landscape Whitepaper https://www.riseofprivacytech.com/definingprivacytechwhitepaper2021 --- Send in a voice message: https://anchor.fm/fit4privacy/message

In the recent years there has been an advancement in terms of technology in privacy: the tools, the solutions and the related supporting technology. This is referred as privacy tech.  Why is this important and how is it shaping the privacy world?   Debra J. Farber, a globally-recognized Privacy, Security and Ethical Tech Advisor shares her perspective on the rise of privacy tech and more. This is an extract from the full episode of The FIT4PRIVACY Podcast. If you like this, you will enjoy the full episode. The FIT4PRIVACY Podcast is a privacy podcast for those who care about privacy. In this podcast, you listen to and learn from industry influencers who share their ideas. The episodes are released as audio every Wednesday and video every Thursday. Subscribe to our podcast, so you will be notified about new episodes. If you have not done so yet, write a review and share this with someone who will benefit from it. RESOURCES Websites: www.fit4privacy.com, www.punitbhatia.com Take advantage of our Free GDPR training: https://www.fit4privacy.com/course/free Blog: www.fit4privacy.com/blog Podcast: www.fit4privacy.com/podcast YouTube: http://youtube.com/fit4privacy Email: hello@fit4privacy.com --- Send in a voice message: https://anchor.fm/fit4privacy/message --- Send in a voice message: https://anchor.fm/fit4privacy/message

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra's first time in the showrunner's seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."With Ginny, one of the things that we also really wanted to do in terms of her self-help, it was always a hundred percent - we always wanted representation and lived perspectives in front of and behind the camera. That's always been at the forefront and very important for us. So in terms of mental health, we have people that have that lived experience and so we would seek out true mental health professionals. We worked with Mental Health America, and we worked with a psychologist, her name's Dr. Taji Huang, who specialized in self-harm therapy. So, she would read our scripts. We would consult with her about our storylines. She would watch our cuts and have very specific thoughts.And in season two, we always wanted to bring in Zion as a father because in season one Zion's in three episodes. We hear Ginny talk about him, but we don't get a sense of how close are they? And they're very, very close. And we really wanted to show that father figure helping her get into therapy and that you have a parent like Georgia who doesn't want therapy. And that sort of threatens her and how she grew up, and she doesn't believe in it but goes to therapy with Ginny and learns a lot about herself in that and how she really truly doesn't understand her daughter.So we really took as much care as we could with people who had lived experiences with professionals just to try to make it as authentic as possible. And I think that's really translating on-screen because people really are identifying with it. It's so important to talk about it. It's okay that you're not okay. It's okay to go to therapy. It's okay to talk to your parents about it and your friends. This is all okay. We're all feeling the same way. We all do."www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra's first time in the showrunner's seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."I think what we really wanted to do with this show with mental health, with self-harm, anxiety, depression, eating disorders, we wanted to show really grounded representations of a deaf family, like 'we are just are there.' It's just they do American Sign Language. They just sign to each other. We're just there. So that was always our goal is to try to be as grounded and as authentic as possible. And I think where teens and even adults are, it's through the lens. We're talking a lot more about mental health out, on social media, out in the world, how important it is. We've all just lived through a global pandemic, and I think it's really important to show grounded representations of people on screen. Diversity. These are all things that people really...it makes them feel a part of, and it's something that's so important. I think we showed that in season one with Abby with her parents going through a divorce. Everything seems great on the outside, but then when you open the door and get on the inside - struggling. Everyone's fighting a battle that you really can't see. It's like the theme always - you open the door, you pull back the curtain, and there's always something behind there. Always. And that's just the grounded representation that we really wanted to show with Ginny & Georgia.""We really want to highlight - one of the things we talked about in season one - these systems, these establishments in place that, keep people down, things like that. What Georgia's had to go through and overcome with abuse, sexual abuse, things like that. So there is a gray area for people growing up in certain ways and capacities. "www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra's first time in the showrunner's seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."I'm so happy that I did not grow up with a phone. I talk about this all the time. I did not have a cellphone growing up. We did not have the internet. I feel for children going through that. I think it's a really challenging time. Technology. I struggle with it now, people having so much access to us. People expecting, because I have a phone right next to me, that I'm going to respond to them.When you're running a TV show, there's a little bit of an unwritten expectation of your availability during off hours and the weekends, and in a workplace, you really need to have your work-life boundaries. We try to be very cognizant of that within the writer's room and not working too late. We worked like 10-to-5 in season two, like maybe 5:30 with an hour-and-a-half lunch break during the Zoom room and COVID because it's just so important to not be staring at these screens all day. And even with the kids, like if someone needed some time off for a doctor's appointment, we try to really honor that and give that to them."www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra's first time in the showrunner's seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."And I think in terms of teachers, there were a few teachers that really did influence me in college because I grew up in Maryland. It wasn't until I moved out to L.A., and it took me a little bit of time to find my way to writing. And I'll say I had several really significant showrunners that did some really important things for me. And when I got onto Criminal Minds, Ed Bernero on Criminal Minds. I had a little stint in the world of cop shows, but he really taught us how to produce. I'd only been a writer before that, and he literally threw us into the deep end of the pool and was like, go produce your episode! I was on set. For every single scene, I was in prep with the directors. I really learned from doing, and it truly was from there I earned that writer/producer title.I also have only worked for two other female showrunners, Maggie Friedman and Erica Shelton Kodish. Working for them changed my life. Those two women, I got to see how women can run shows, how differently that is from a man running a TV show, and I took a lot. When I got to this position, I really had pros and cons lists of things I really wanted to do based on the people that I had worked with. So many of the things, how I run the writer's room, how I am on set, how close I am to the actors and form relationships with them, and making sure everyone feels good and comfortable because we work so long, and we work so hard, and we have to have space for all of that.”www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra's first time in the showrunner's seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.”"I like to say that Ginny & Georgia is a show about women by women for everyone. And I will say women in charge, they do things differently. I think that women, we tend to do relationships differently than men do. It's very, very important to me - and I'm not saying that men don't do this - but as a woman, as a female showrunner, it's very important for me to uplift young up-and-coming writers."www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra's first time in the showrunner's seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.”"I like to say that Ginny & Georgia is a show about women by women for everyone. And I will say women in charge, they do things differently. I think that women, we tend to do relationships differently than men do. It's very, very important to me - and I'm not saying that men don't do this - but as a woman, as a female showrunner, it's very important for me to uplift young up-and-coming writers."www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra's first time in the showrunner's seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.”"I like to say that Ginny & Georgia is a show about women by women for everyone. And I will say women in charge, they do things differently. I think that women, we tend to do relationships differently than men do. It's very, very important to me - and I'm not saying that men don't do this - but as a woman, as a female showrunner, it's very important for me to uplift young up-and-coming writers."www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra's first time in the showrunner's seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."I like to say that Ginny & Georgia is a show about women by women for everyone. And I will say women in charge, they do things differently. I think that women, we tend to do relationships differently than men do. It's very, very important to me - and I'm not saying that men don't do this - but as a woman, as a female showrunner, it's very important for me to uplift young up-and-coming writers.""I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. Ginny & Georgia is a show about a mother-daughter relationship where at the core, the mother really doesn't understand her daughter. And I think everything starts from there. We end season one where Ginny has learned that her mother is a murderer, and she and her brother drive off on her boyfriend Marcus's motorcycle. So in season two, we pick up two weeks from where we left off, and Ginny and Georgia have not spoken. And Ginny and Austin have been staying at Ginny's father's house, Zion, who lives in Boston."www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.”"I like to say that Ginny & Georgia is a show about women by women for everyone. And I will say women in charge, they do things differently. I think that women, we tend to do relationships differently than men do. It's very, very important to me - and I'm not saying that men don't do this - but as a woman, as a female showrunner, it's very important for me to uplift young up-and-coming writers."Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra's first time in the showrunner's seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives.www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Q&A on the series Ginny & Georgia with showrunner/writer/executive producer Debra J. Fisher, creator/writer/executive producer Sarah Lampert, and actors Antonia Gentry and Brianne Howey. Moderated by Mara Webster, In Creative Company. Teenage Ginny and her family yearn to put down roots in a picturesque New England town after years on the run.

On The Town With Tanya chats with comedian/Author, Debra palardy on her book, (amazon), "Sweetie, How Much Should You Give Up To Keep That Relationship? I Can Answer That! by Debra Palardy (amazon) This show is dedicated to my friend Samantha, we love you and will never forget you. - Tanya Music - By Tatiana Cooper Please like share and subscribe!! Thank you to all our viewers special thanks to Richard Adamson II (Co-Producer) --- Support this podcast: https://anchor.fm/tanya-cooper/support

ABOUT DEBRA Debra J. Farber is CEO of privacy tech advisory firm, Principled LLC. She is a global privacy & security advisor, investor, and privacy tech enthusiast with 16+ years of privacy and security leadership experience including at AWS, BigID, Visa, and IBM. She is also Privacy Strategist at Hedera (via Principled LLC), Debra advises investors on the current & emerging privacy tech landscape and market opportunities for investment. She also guides privacy-1st tech companies on: product-market fit; go-to-market strategy; how to effectively message and sell to the CPO, DPO, CISO, & CDO; privacy-by-design and default strategies and tactics; and product marketing messaging. Debra currently serves on Advisory Boards for: - The Rise of Privacy Tech - D-ID - Opsware Data - PrivacyCheq / Consentiv - Taskbar.io - Privado.ai - Rita Personal Data - Verifiably Previous Advisory Boards: - BigID - Future of Privacy Forum - IAPP She invests directly in 2-3 privacy tech companies per year and is also an active investor on Reg Crowdfunding sites. In addition, she is closely following the blockchain / distributed ledger space with great interest.

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My special guest today is Alissa Cordner an Environmental Sociologist and Associate Professor in the Sociology Department at Whitman College which is in Eastern Washington State in the US. She has been working on PFAS since about 2014. She is the co-director of the PFAS Project Lab which is based at North Eastern University with Phillip Brown who is the other co-director. Alissa says "over the last 6-7 years we have been working on PFAS from a variety of social science perspectives, starting by trying the understand the social and scientific discovery of this class of chemicals and understand why they remain in such wide use, and production, and why they are such a ubiquitous contaminant, given that at least some actors have known for 50 years about their toxicity and exposure concern. What it is that has gotten us into this situation? We have worked on PFAS activism, trying to understand the rise of social movement activity related to PFAS and currently we are working on a number of projects and one of them is trying to understand the full and multifaceted costs of PFAS contamination." Today we discuss a commentary paper she and her team of experts have written called The True Cost of PFAS and the Benefits of Acting Now" which was published in Environment Science and Technology Journal on the 7 July 2021.Today's episode of Talking PFAS is the Season Finale and the last episode for 2021. The podcast will return on the 25th of January, 2022. I will be taking a 3 month break to recharge my batteries, and then begin research and production of the next season of Talking PFAS, and I have some great guests lined up already. I hope in this extended break that you re-listen to some of your favourite episodes. I will also tweet some of my favourite episodes each month.Episodes mentioned in today's discussion, or episodes which complement today's discussion, are Episode 2, 9, 13, 14, 17, 21, 22, 23, 24, 27, 29, and I highly recommend listening for the first time or listening again to these.A very big thank you to all my listeners since 2018, and a very big thank you to all the guests in this podcast. I hope you will join me again in Jan 2022. Kayleen Bell, Journalist.Show Note Links: “The True Cost of PFAS and the Benefits of Acting Now”Alissa Cordner, Gretta Goldenman, Linda S. Birnbaum, Phil Brown, Mark F. Miller, Rosie Mueller, Sharyle Patton, Derrick H. Salvatore and Leonardo Trasandehttps://pubs.acs.org/doi/10.1021/acs.est.1c03565Environ.Sci.Technol. 2021, 55, 14, 9630-9633 Publication Date July 7, 2021“Evaluating the effects of living with contamination from the lens of trauma: a case study of fracking development in Alberta, Canada.” Debra J. Davidson debra.davidson@ualberta.ca.https://www.tandfonline.com/doi/full/10.1080/23251042.2017.1349638Environmental Sociology July 28, 2017

Rev. Debra J. Hopkins is a native New Yorker and trans woman of color who believes that there's always hope because words have power and everybody can be a voice for change through action, activism, and community involvement. We can all help put an end to the social and economic discrimination that's ever present in this country. Debra is the Founder of There's Still Hope, a non-profit organization that provides a Transitional Housing Program for transgender adults, trans victims of domestic violence, and trans individuals released from the correctional institutional system. Debra earned her Masters of Theology degree from New York Theological Seminary and is a licensed non-denominational minister. She is actively involved in ministry through pastoral care, writing, and community activism. She is the author of three books and three anthologies, including her memoir, Not Until You Have Walked In My Shoes. Through it all, Debra continues to spend time traveling around the country advocating for the marginalized people within the LGBTQIA community. Topics Discussed: Faith/Identity: Formed via self-discovery of development, foundational footing Transition: Vehicle to expand audience and not allow naysayers' negativity Words of Advice: Be authentic and use the tools that God has given you Community, therapy, and honesty brings healing, understanding, and activism Look in the Mirror: Convey the truth of life and how we should be treated equally There's Still Hope: After losing it all, being homeless, and trying to clear name Platforms: Build, exercise, and cultivate spiritual, mental, and physical muscles Links and Resources: Rev. Debra J. Hopkins There's Still Hope Not Until You Have Walked In My Shoes Christine Jorgensen a Personal Autobiography The Shack Movie Masterclass: 4 Practices You Can Start Now to Move Beyond Shame Queerology Podcast on Instagram Queerology Podcast on Twitter Beyond Shame by Matthias Roberts Matthias Roberts on Patreon

In 1844 New Orleans was riveted by a dramatic trial: A slave claimed that she was really a free immigrant who had been pressed into bondage as a young girl. In this week's episode of the Futility Closet podcast we'll describe Sally Miller's fight for freedom, which challenged notions of race and social hierarchy in antebellum Louisiana. We'll also try to pronounce some drug names and puzzle over some cheated tram drivers. Intro: In 1992, a Florida bankruptcy judge held a computer in contempt of court. The 1908 grave of Vermont atheist George P. Spencer is inscribed with his credo. Sources for our feature on Sally Miller: Carol Wilson, The Two Lives of Sally Miller: A Case of Mistaken Racial Identity in Antebellum New Orleans, 2007. Paul Finkelman, Free Blacks, Slaves, and Slaveowners in Civil and Criminal Courts: The Pamphlet Literature, 2007. Gwendoline Alphonso, "Public & Private Order: Law, Race, Morality, and the Antebellum Courts of Louisiana, 1830-1860," Journal of Southern Legal History 23 (2015), 117-160. Emily West, "The Two Lives of Sally Miller," Slavery & Abolition 30:1 (March 2009), 151-152. Carol Lazzaro-Weis, "The Two Lives of Sally Miller: A Case of Mistaken Racial Identity in Antebellum New Orleans," Journal of Southern History 74:4 (November 2008), 970-971. Frank Towers, "The Two Lives of Sally Miller: A Case of Mistaken Identity in Antebellum New Orleans," American Historical Review 113:1 (February 2008), 181-182. Scott Hancock, "The Two Lives of Sally Miller: A Case of Mistaken Racial Identity in Antebellum New Orleans," Journal of American History 94:3 (December 2007), 931-932. Daneen Wardrop, "Ellen Craft and the Case of Salomé Muller in Running a Thousand Miles for Freedom," Women's Studies 33:7 (2004), 961-984. Patricia Herminghouse, "The German Secrets of New Orleans," German Studies Review 27:1 (February 2004), 1-16. Marouf Hasian Jr., "Performative Law and the Maintenance of Interracial Social Boundaries: Assuaging Antebellum Fears of 'White Slavery' and the Case of Sally Miller/Salome Müller," Text & Performance Quarterly 23:1 (January 2003), 55-86. Ariela Gross, "Beyond Black and White: Cultural Approaches to Race and Slavery," Columbia Law Review 101:3 (April 2001), 640-690. Stephan Talty, "Spooked: The White Slave Narratives," Transition 85 (2000), 48-75. Carol Wilson, "Sally Muller, the White Slave," Louisiana History: The Journal of the Louisiana Historical Association 40:2 (Spring 1999), 133-153. Ariela J. Gross, "Litigating Whiteness: Trials of Racial Determination in the Nineteenth-Century South," Yale Law Journal 108:1 (October 1998), 109-188. Carol Wilson and Calvin D. Wilson, "White Slavery: An American Paradox," Slavery & Abolition: A Journal of Slave and Post-Slave Studies 19:1 (1998). Wilbert E. Moore, "Slave Law and the Social Structure," Journal of Negro History 26:2 (April 1941), 171-202. "Case of Salome Müller," Law Reporter 8:7 (November 1845), 332-333. Nina C. Ayoub, "'The Two Lives of Sally Miller: A Case of Mistaken Racial Identity in Antebellum New Orleans,'" Chronicle of Higher Education, Oct. 19, 2007. Carol Edwards, "Story of German Slave Girl 'Extraordinary,' But Is It True?", [Charleston, S.C.] Post and Courier, March 20, 2005. Mary-Liz Shaw, "'The Lost German Slave Girl' Unravels a Mystery of Old South," Knight Ridder Tribune News Service, Jan. 26, 2005. Gregory M. Lamb, "The Peculiar Color of Racial Justice," Christian Science Monitor, Jan. 25, 2005. Linda Wolfe, "Sally Miller's Struggle to Escape Slavery Ended in Celebrated Case," Pittsburgh Post-Gazette, Jan. 23, 2005. Debra J. Dickerson, "Making a Case for Freedom: Was a White German Girl Forced Into Slavery?" Boston Globe, Jan. 23, 2005. Jonathan Yardley, "The Case of Sally Miller," Washington Post, Jan. 20, 2005. "Strange Case in New Orleans," Alexandria Gazette, July 3, 1845. "City Affairs," New-York Daily Tribune, July 11, 1844. Madison Cloud, Improvising Structures of Power and Race: The Sally Miller Story and New Orleans, dissertation, Baylor University, 2015. Carol Wilson, "Miller, Sally," American National Biography, April 2008. Listener mail: David Lazarus, "Wonder Where Generic Drug Names Come From? Two Women in Chicago, That's Where," Los Angeles Times, July 23, 2019. "Naming Law in Sweden," Wikipedia (accessed April 30, 2021). "Baby Named Metallica Rocks Sweden," BBC News, April 4, 2007. Meredith MacLeod, "Sweden Rejects 'Ford' as Name for Canadian-Swedish Couple's Son," CTVNews, Nov. 9, 2018. "Naming Law," Wikipedia (accessed April 30, 2021). "Naming in the United States," Wikipedia (accessed April 30, 2021). Tovin Lapan, "California Birth Certificates and Accents: O'Connor Alright, Ramón and José Is Not," Guardian, April 11, 2015. "AB-82 Vital records: diacritical marks" (as amended), California Legislative Information, Sept. 15, 2017. This week's lateral thinking puzzle was contributed by listener Charlotte Greener. Here's a corroborating link (warning -- this spoils the puzzle). You can listen using the player above, download this episode directly, or subscribe on Google Podcasts, on Apple Podcasts, or via the RSS feed at https://futilitycloset.libsyn.com/rss. Please consider becoming a patron of Futility Closet -- you can choose the amount you want to pledge, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

Our guest: Debra J. Bass, Global Chief Marketing Officer & President of Nuvo Group America (Nuvo Group). "Nuvo is an emerging leader in maternal-fetal connected health, passionate about creating technology that radically transforms the experience of pregnancy for expectant parents and healthcare providers. On this episode, we discussed: - Her background - How she got to where she is today? - What is Nuvo Group? - What's next? - ...and much more! WORD FROM OUR SPONSOR: Our sponsor for this episode is BlocHealth. BlocHealth is building the ecosystem of healthcare services and solutions to power the future of healthcare. Through the platform, healthcare professionals and organizations can use their credentialing data for more! They can store their credentialing and licensing-related documents, fill out a smart, common application and use the information within it to order multiple services such as provider enrollment, license registration, license renewals, and more! For more information, please go to www.blochealth.com and be sure to follow BlocHealth on social media - @blochealth This podcast was recorded in November 2020. To learn more about Nuvo Group please use the links below: - Website - LinkedIn - Facebook - Twitter Also, be sure to follow Slice of Healthcare on our social channels: - Website - Facebook - LinkedIn - Twitter

Intro: Welcome to the podcast Coronavirus Crisis: Carpe Diem!, where by God's grace, you and I rise up and embrace the possibilities and opportunities for spiritual and psychological growth in this time of crisis, all grounded in a Catholic worldview.   We are going beyond mere resilience, to rising up to the challenges of this pandemic and becoming even healthier in the natural and the spiritual realms than we were before.  I'm clinical psychologist Peter Malinoski and I am here with you, to be your host and guide.  This podcast is part of Souls and Hearts, our online outreach at soulsandhearts.com, which is all about shoring up our natural foundation for the Catholic spiritual life, all about overcoming psychological obstacles to being loved and to loving.   Thank you for being here with me.  This is episode 39, released on October 26, 2020 and it is the third episode in our series on shame.   and it is titled: The Real, Radical, and Resounding Differences Between Shame and Guilt.   Two episode ago, in episode 37, we introduced shame as the silent killer who stalks us from within.   Last episode, episode 38, I invited you to see the signs of shame in yourself and others, to recognize shame in ourselves and in others, becoming better able to detect it.      That's important, because shame pulls us to allow our shame to remain hidden, unobserved, unrecognized for what it is.   Shame is tricky, it's slippery, it loves to camouflage itself.  Encourage you to listen to those last two episodes, very rich, RCCD community members discussing listening multiple times, really working on understanding.   Now that we have a much better understanding of shame from the last two episodes, we are going to take the next step. This episode will stand alone, I will give you the context.   Today, in Episode 39.  We are going to understand much more deeply the difference between shame and guilt.  Many people use them interchangeably they don't recognize a difference.  I feel bad with both of them because something is wrong. Shame vs. Guilt  Distinction.  I asked about this in intake evaluations.   Five negative emotions.  Anger, Sadness, Fear, Shame and Guilt.   What's the difference between shame and guilt.   Most people could not tell me the difference.  Rare that someone could give me a good answer.      Do you know the difference between shame and guilt?  Do your siblings know the difference? Does your spouse or significant other, do your friends, your kids, your siblings.   As we will see, it a crucial distinction -- because the upshot is that we work with them in very different ways.    focusing today recognizing the difference between shame and guilt Important psychologically  Important spiritually  Not just an idle curiosity, the kind of thing philosopher like to debate about  But a real world concern Brene Brown: I believe the differences between shame and guilt are critical in informing everything from the way we parent and engage in relationships, to the way we give feedback at work and school.   Bernard Williams (1993) claims that guilt and shame overlap to a significant degree and we will not understand either unless we take both seriously.  Catholic guilt or Catholic shame.   Review.   Shame has been very difficult to define.  Most definitions have been inadequate and very contradictory.   Shame mentioned only once in the entire Catechism of the Catholic Church. CCC1216 on Baptism: Baptism is God's most beautiful and magnificent gift. . . .We call it gift, grace, anointing, enlightenment, garment of immortality, bath of rebirth, seal, and most precious gift. It is called gift because it is conferred on those who bring nothing of their own; grace since it is given even to the guilty; Baptism because sin is buried in the water; anointing for it is priestly and royal as are those who are anointed; enlightenment because it radiates light; clothing since it veils our shame; bath because it washes; and seal as it is our guard and the sign of God's Lordship.  Shame not mentioned in Fr. Hardon's modern Catholic dictionary or in the Traditional Catholic Dictionary or in the 1917 Catholic encyclopedia.  Shame also not listed in the American Psychological Association's Dictionary of Psychology.  Ooops.   Brene Brown: I define shame as the intensely painful feeling or experience of believing that we are flawed and therefore unworthy of love and belonging – something we've experienced, done, or failed to do makes us unworthy of connection. Shame has five dimensions: shame is a primary emotion, shame is a bodily reaction, shame is a signal to us,  shame is an internal self-judgement, and shame is an action -- a verb (review).   Shame as primary emotion--  primary emotions are those that we feel first, as a first response to a situation. They are unthinking, instinctive, automatic emotions that we have.   Heartset Can be conscious or unconscious  Held by a part of us. -- part of us burdened with shame.  Doesn't just come and go in waves  Also a self-conscious emotion  Also a moral emotion.   Shame as a bodily reaction not under bodily control -- bodyset  Hyperarousal -- this is where our sympathetic nervous system revs us up, gets into fight or flight mode in response to shame Heart starts racing  Breathing quickens  Pupils dilate  Blood rushes to arms and legs  Face can flush red  Get ready to defend ourselves or attack or run away  Hypoarousal, when the parasympathetic nervous system shuts us down -- freeze response, like a deer in the headlights Shut down.  Numb out.  Dissociate  Head drops  Breaking off eye contact  Tightening up of muscles, curling up in a ball (spine) -- hunching to protect vital organs.  Making one's body smaller, less visible  Feeling like ice water in the veins, cold freezing sensation  Fluttering in belly.   Shame as a judgment  -- a negative, critical, global judgment of who I am as a person. -- mindset   Part of me holds this disparaging perspective of myself Part of me accuses me of being incompetent, inadequate, worthless, unlovable, bad or even evil, A judgement about who I really am originally picked up from the perspective of an important other who was perceived as critical or rejecting.  Shame as a signal.  Shame has a function as a signal to us, as a warning.   Shame is a signal that there is a lack of attunement or an even more serious threat in one or more of our important relationships.  It has important function Shame functions as a "social threat detector" that signals us to modify or avoid behaviors that will cause us to be rejected by those we need.   Shame as action  -- a verb -- “shaming” is an action that is intended to cause someone else to feel inadequate, worthless, unlovable, a loser, etc.  for being or doing something that the shamer feels is wrong or undesirable. It is a quick way to control another person, especially one in a dependent positions  It is a quick way for us to control ourselves.  Part of us is forced into the role of shamer to anticipate consequences.   Shame has five dimensions: shame is a primary emotion, shame is a bodily reaction, shame is a signal to us,  shame is an internal self-judgement, and shame is an action -- a verb (review).   Definition of Guilt Three primary classes of definitions of guilt -- Moral State, Legal State, and Self-conscious, moral emotion.   Objective moral state Moral state:  Fr. Hardon's Catholic Dictionary:  A condition of a person who has done moral wrong, who is therefore more or less estranged from the one he offended, and who is liable for punishment before he has been pardoned and has made atonement.  Focus on the objective moral state of a person.  Guilt is a moral condition  Soulset -- condition of our soul   Legal state -- court proceedings.  Someone is found guilty of a crime.   Guilt as a self-conscious and a moral emotion -- but not a primary emotion:  American Psychological Association Dictionary of Psychology Guilt is a self-conscious emotion characterized by a painful appraisal of having done (or thought) something that is wrong and often by a readiness to take action designed to undo or mitigate this wrong. It is distinct from shame, in which there is the additional strong fear of one's deeds being publicly exposed to judgment or ridicule.  Susan Krauss Whitbourne, Ph.D., ABPP, is a Professor Emerita of Psychological and Brain Sciences at the University of Massachusetts Amherst. Guilt is, first and foremost, an emotion. You may think of guilt as a good way to get someone to do something for you out of a sense of obligation, but it's more accurate to think of guilt as an internal state. In the overall scheme of emotions, guilt is in the general category of negative feeling states.  It's one of the “sad” emotions, which also include agony, grief, and loneliness Negative Emotional Typology see emotionaltypology.com  -  You feel guilty when you did something that caused harm to someone, and you hold yourself at least somewhat responsible. Imagine the feeling of running over the neighbor's dog while backing out of your driveway or mistakenly accusing your daughter of stealing cookies when your spouse actually took them.   Feeling guilty is often associated with moral transgression, i.e. committing a crime or a sin.  We need to distinguish feeling guilty (as an emotional experience) from being guilty (as a legal or moral judgment).  Someone may have committed a severe crime and be tried as guilty, without feeling any guilt.  The opposite can also be true: you can feel guilty when, rationally speaking, you haven't done anything wrong and no one holds you responsible.  For example, imagine you invite a friend to come over, and on the way to your house she has a serious accident. No one blames you, as you had no way of knowing this would happen, but you can nevertheless experience a great deal of guilt. If this happens, you basically mistake a causality – if you hadn't invited her, she would still be alright – with a responsibility – that you could somehow have known or done something to prevent it.   People who feel guilty often have the impulse to undo or repair their wrongdoing, for example, by refunding the financial damage -- a need to right the wrong done.   If the damage is irreversible (e.g., if something unique has been destroyed) or if someone else's trust has been irreversibly betrayed, the guilty person may instead try to atone for his wrongdoing, i.e. by punishing himself.  If someone feels guilty for doing something wrong that other people don't know about, they will have an urge to confess what they did. In all three cases, the explanation seems that the guilt-feeling person wants to demonstrate that she is not a bad person, but merely a good person who did something bad. Review of Guilt Better defined that shame  Simpler -- only three dimension rather than five.   Moral state -- that has been emphasized by the Church  Also a self-conscious moral emotion  characterized by a painful appraisal of having done (or thought) something that is wrong and often by a readiness to take action designed to undo or mitigate this wrong.   Storytime with Dr. Peter I want to take us back to January 1976  I'm in the second semester of first grade at St. Gabriel School in Neenah Wisconsin  It's recess time after lunch -- and it's really, really cold, wind blowing, but in those days, the teachers sent you out for recess to burn off your energy.  So we were playing and running and jumping in the bitter cold sunshine.  All dressed up in a heavy coat, scarf, hat, mittens, snow pants and boots.  Frostbite was a real possibility, and we Wisconsin kids knew how to dress for the cold.  So it's time to come in so the kids are stomping the snow off their boots, unwinding scarves and pulling off mittens, putting everything into the little cubbies we have in the hallway.   And I took my scarf, hat, mittens, coat and boots off, and my snow pants  I am absentminded.  As all my winter gear comes off, my mind a million miles away thinking of a book I've been reading while all the chattering and clamoring of first and second graders goes on around me.  Then the whole hall goes silent.  I undressed too far.  To this day,  I don't know why, but I took my blue corduroy uniform pants off too.  And I am stand there in my mustard yellow uniform shirt, my green cardigan uniform sweater, and my whitey-tighties.  My Fruit of the Loom underwear.  You know it's Froot of the Loom because it says so in big letters on the elastic waistband.     That's right.  What you've had bad dreams about, what has woken you up in a cold sweat, what you were relieved to discover was just a dream -- well, in that hallway in January 1976 was my cold, hard reality.   At that point, everything seemed to go in very slow motion.  I saw the surprised faces of my fellow students, looks of shock and disbelief and a few smirks on the faces of the boys.  I looked down and saw my bare skinny white legs and my pants on the ground.  The blood rushed to face, and I could hardly move.  Jan W., the biggest of the second grade girls she broke the silence by calling out in her big-girl voice -- "Peter took his pants off", accompanied by a pointing finger.  Then there was a collective gasp, then confusion and then a gale of laughter from some of the boys and the whispered twittering of "Did you see that?  He took his pants off!"  I regained control of my body and with amazing rapidity, faster than I ever had before, I leapt into my pants zipped, snapped and belted them, and tried to pretend that nothing had happened.  I was filled with intense self-conscious emotions.     Shame and Guild are both Moral Emotions and self-conscious emotions   Haidt (2003) defines moral emotions as those “that are linked to the interests or welfare either of society as a whole or at least of persons other than the judge or agent” (p. 276). Moral emotions provide the motivational force—the power and energy— to do good and to avoid doing bad  Kroll and Egan 2004.   June Price Tangney, Jeff Stuewig, and Debra J. Mashek  Moral Emotions and Moral Behavior 2011  Annual Review of Psychology Shame, guilt, embarrassment, and pride are members of a family of “self-conscious emotions” that are evoked by self-reflection and self-evaluation.  Can be conscious or unconscious These emotions punish or reinforce behaviors shame, guilt, embarrassment, and pride function as an emotional moral barometer, providing immediate and salient feedback on our social and moral acceptability. When we sin, transgress, or err, aversive feelings of shame, guilt, or embarrassment are likely to ensue When we “do the right thing,” positive feelings of pride and self-approval are likely to result. The potential for feeling these emotions guides behavior -- can check us from doing wrong.   Shame vs. guilt from Tangney, Steuwig and Mashek 2011 Moral Emotions and Moral Behavior Annual Review of Psychology Three ways to distinguish shame and guilt (List them)  Type of eliciting event, public vs. private nature of the transgression, failure of self vs. failure of behavior.    Mythbusting.   Type of eliciting event -- lying, cheating, stealing, failing to help another, disobeying parents -- some acts lead to feelings of shame, others to feeling of guilt -- no prototypical shame-inducing vs. guilt-inducing behaviors.   Public vs. private nature of transgression Shame arises in public -- due to the exposure and disapproval of others because of some shortcoming or transgression  Guilt happens in private -- an experience arising from the disapproval own's own conscience   Not much research basis for this distinction systematic analysis of the social context of personal shame- and guilt-eliciting events described by several hundred children and adults (Tangney et al. 1994) indicated that shame and guilt are equally likely to be experienced in the presence of others.  Solitary shame experiences were about as common as solitary guilt experiences.  Even more to the point, the frequency with which others were aware of the respondents' behavior did not vary as a function of shame and guilt  contradicts  the public/private distinction.  People focus on other's evaluations because they are already feeling ashamed -- looking for confirmation.  They are not feeling shame because of others' evaluations, which they can easily misinterpret.   Conceptualizing the fault as a failure of self vs. a failure of behavior First proposed in psychological literature by Helen Block Lewis in 1971, updated and revised by Tracy & Robbins (2004) appraisal-based model of self-conscious emotions   Lewis:  Shame  involves negative evaluation of global self.  Guilt involves a negative evaluation of a specific behavior  Listen to the difference:  I did that horrible thing  I did that horrible thing   This third distinction is backed by the research.  experimental and correlational methods showing that internal, stable, uncontrollable attributions for failure were positively related to shame, whereas internal, unstable, controllable attributions for failure were positively related to guilt.  What's the more painful emotion?  Shame.  Shame is the more painful emotion -- because it is about who I am rather than what I did.  It's about all of me.   Shame leads to hiding, guilt leads to amending.   Shame -- hide, escape, deny -- shame inducing experience Guilt -- more likely to lead to reparative behavior Focus of distress Guilt -- focus on the other person -- empathy, reaching out, wanting to make it ok. Research on emotional dispositions demonstrates that guilt-proneness consistently correlates with measures of perspective-taking and empathic concern.  Shame -- self-absorption -- focus on me, reduced capacity for empathetic connections with others.  Research  shame-proneness is (depending on assessment method) negatively or negligibly correlated with other-oriented empathy and positively linked with the tendency to focus egocentrically on one's own distress. Emphasis on the bad self derails the empathetic process.   I'm in my own world of hurt, indequacy, and if I'm worthless and bad, what can I offer anyone else? Reactions to Anger  Shame -- Across individuals of all ages, proneness to shame is positively correlated with anger, hostility, and the propensity to blame factors beyond the self for one's misfortunes  Shame as a disposition: Helen Block Lewis saw this in case studies in 1971 -- Humiliated Fury.   In fact, compared with those who are not shame-prone, shame-prone individuals are more likely to engage in externalization of blame, experience intense anger, and express that anger in destructive ways, including direct physical, verbal, and symbolic aggression, indirect aggression (e.g., harming something important to the target, talking behind the target's back), all manner of displaced aggression, self-directed aggression, and anger held in (a ruminative unexpressed anger). Breaking points.   Finally, shame-prone individuals report awareness that their anger typically results in negative long-term consequences for both themselves and for their relationships with others.  Consistent with these findings, Harper et al. (2005) recently evaluated the link between shame-proneness and perpetration of psychological abuse in the dating relationships by heterosexual college men. Shame proneness was significantly correlated with perpetration of psychological abuse, and men's anger mediated this relationship.   Shaming -- situational factors  For example, in a study of anger episodes among romantically involved couples, shamed partners were significantly more angry, more likely to engage in aggressive behavior, and less likely to elicit conciliatory behavior from their perpetrating significant other (Tangney 1995b).  Empirical evidence for the shame-rage spiral described by Lewis (1971) and Scheff (1987), with (a) partner shame leading to feelings of rage, (b) and destructive retaliation, (c) which then sets into motion anger and resentment in the perpetrator, (d ) as well as expressions of blame and retaliation in kind, (e) which is then likely to further shame the initially shamed partner, and so forth—without any constructive resolution in sight.   Guilt:  Stuewig et al. (2006) examined mediators of the link between moral emotions and aggression in four samples.  They theorized that negative feelings associated with shame lead to externalization of blame, which in turn leads shame-prone people to react aggressively.  Guilt, on the other hand, should facilitate empathic processes, thus reducing outward directed aggression.  As anticipated, we found that across all samples, externalization of blame mediated the relationship between shame-proneness and both verbal and physical aggression.  Guilt-proneness, on the other hand, continued to show a direct inverse relationship to aggression in three of the four samples.  In addition, the link between guilt and low aggression was partially mediated through other-oriented empathy and a propensity to take responsibility. Psychological Symptoms Tangney, Steuwig and Mashek 2011 Moral Emotions and Moral Behavior  Are there intrapersonal or intrapsychic costs for those individuals who are prone to experience shame vs guilt?  Shame Research over the past two decades consistently indicates that proneness to shame is related to a wide variety of psychological symptoms. These run the gamut from low self-esteem, depression, and anxiety to eating disorder symptoms, posttraumatic stress disorder (PTSD), and suicidal ideation  Robust findings The negative psychological implications of shame are evident across measurement methods, diverse age groups, and populations. Both the clinical literature and empirical research agree that people who frequently experience feelings of shame about the self are correspondingly more vulnerable to a range of psychological problems.   What about guilt Although the traditional view is that guilt plays a significant role in psychological symptoms, the empirical findings have been more equivocal. Clinical theory and case studies make frequent reference to a maladaptive guilt characterized by chronic self-blame and obsessive rumination over one's transgressions  Recently, however, theorists and researchers have emphasized the adaptive functions of guilt, particularly for interpersonal behavior   Illegal, risk, and otherwise ill-advised behaviors Because shame and guilt are painful emotions, it is often assumed that they motivate individuals to avoid doing wrong. From this perspective, anticipated shame and guilt should decrease the likelihood of transgression and impropriety.  Guilt  Tibbetts (2003) found that college students' guilt-proneness was inversely related to self-reported criminal activity.   Among adolescents, proneness to shame-free guilt has been negatively correlated with delinquency (Merisca & Bybee 1994, Stuewig & McCloskey 2005; although Ferguson et al.1999 found a negative relationship between guilt-proneness and externalizing symptoms among boys, the opposite was true for girls).  Guilt-prone college students, too, are less likely to abuse drugs and alcohol (Dearing et al. 2005).  Even among adults already at high risk, guilt-proneness appears to serve a protective function. In a longitudinal study of jail inmates, guilt-proneness assessed shortly after incarceration negatively predicted recidivism and substance abuse during the first year post-release (Tangney et al. 2006).   Shame  In studies of children, adolescents, college students, and jail inmates, shame does not appear to serve the same inhibitory functions as guilt (Dearing et al. 2005, Stuewig & McCloskey 2005, Tangney et al. 1996b).  To the contrary, research suggests that shame may even make things worse. Ferguson et al. (1999) found that shame-proneness was positively correlated with externalizing symptoms on the Child Behavior Checklist.  In a sample of college students, Tibbetts (1997) found a positive relationship between shame-proneness and intentions toward illegal behavior.  Shame-proneness assessed in the fifth grade predicted later risky driving behavior, earlier initiation of drug and alcohol use, and a lower likelihood of practicing safe sex (Tangney & Dearing 2002).  Similarly, proneness to problematic feelings of shame has been positively linked to substance use and abuse in adulthood (Dearing et al. 2005, Meehan et al. 1996, O'Connor et al. 1994, Tangney et al. 2006).   Brene Brown sums it up:  Shame is a focus on self, guilt is a focus on behavior. Shame is “I am bad.” Guilt is “I did something bad.” How many of you, if you did something that was hurtful to me, would be willing to say, “I'm sorry. I made a mistake?” How many of you would be willing to say that? Guilt: I'm sorry. I made a mistake. Shame: I'm sorry. I am a mistake.  Adaptiveness:  Tagney, Stuewig, and Mashek 2011  On balance, guilt appears to be the more adaptive emotion, benefiting individuals and their relationships in a variety of ways, but there is growing evidence that shame is a moral emotion that can easily go awry.   Review --  Return to my story -- Both shame and guilt.   My background -- more prone to guilt than shame.  I had a deep sense of being important to Mom, cherished and valued I also had a deep sense of right and wrong.  Mom and Dad disciplined me, and Mom would always say that it hurt her more than it hurt me (and it looked  like that too.) I had a deep sense of propriety -- proper behavior.  I was taught that you always dressed in my bedroom and that my sister shouldn't see me undressed.   So there was shame -- due to the public nature of my unintentional disrobing -- but not so much for feeling inadequate or worthless or bad.  I had made a mistake, a grievous one in my opinion, but not one that destroyed my sense of self worth.  I felt guilty for exposing the girls of the class to my pants-less state.  Mortified by that.   But the kids reacted as though it was just a mistake.  A curious, remarkable mistake, but just a mistake.  I wasn't an idiot, or a flasher or anything like that.  Just an absentminded kid who took the undressing after recess one step too far.  That was it.   Future directions:   Now we have the basic learning for understanding shame and guilt at the natural level .   We'll also get into the spiritual impact of shame.   We'll get into the so-called "Catholic Guilt" and see if it's really guilt or could it possibly be shame?  Or something else?   We will be moving into more of the space where the psychological and the spiritual overlap.  Soulset   For example, your parts who feels unloved and unlovable, who carry your shame -- how do you think those parts understand God?  Would those shame-burdened parts see God as loving and caring?  Or in some other way? How does your internal critic, you know that voice that has running commentary about your faults and failings, that exacerbating your shame -- how does that part of you see God?  What is the relationship between shame and pride?  How do they connect? How can we learn from examples of shame and guilt in the Scripture? How does Satan use your shame against you?  Remember, grace perfects nature, so it makes sense for Satan to attack at the weak points in your natural foundation.   All here at the Coronavirus crisis Carpe Diem podcast, where harmonize the best of psychology with the Truths of our Catholic Faith. Call to Action  Life Saving Information Shame is the "silent killer who stalks you from within"  Shame is hidden, camouflaged, deceptive, tricky  God wants to involved you -- YOU -- in his plan of salvation for others.  Who might you reach out to Can start by sharing these podcast -- get them out there, with your personal testimonial -- how they have helped you.  Share them, let others know   Listening about shame Use the word shame -- not a perfect word but good enough  Give the definition, the five dimensions   Talking about shame Telling usually doesn't work.   Person struggling with deep shame -- you tell them it's not their fault, they are not bad -- harp music I'm not bad?  Heavens open up --  I'm free -- you just freed me from my shame.  Heavenly voices If you really knew me, you would feel exactly the same way about me.  If you saw who I really was through my eyes, you would know how despicable I am I'm the expert on me, by the way.   Being with others -- but you really have to be dealing with your own shame too.  RCCD community learning together Tough topics -- can work through this critical information yourself, or you can join us and we can do it together.   Cutting edge Conceptually difficult -- you won't get this level of discussion on shame and guilt in most graduate programs in clinical psychology and in almost none will you get the combination of the best of psychology and an authentic Catholic worldview, based on research, the best conceptualizations and also clinical experience.  If any of you can show me a curriculum that goes into this depth on guilt and shame from a Catholic perspective, please send it to me at crisis@soulsandhearts.com Working through guilt and especially shame is critical to our well being on both the natural and spiritual levels -- we know that through clinical experience, and through theoretical conceptualization backed by solid empirical research.  There are serious consequences to unaddressed shame.   You can work through these themes on your own, you can think about these things and apply them to your life by yourself -- but you don't have to.  It's so much better and it's so much more relational to apply this podcast to your life with other serious Catholicss doing the same kind of work on their natural foundation -- Others likeminded Catholics in the Resilient Catholics Carpe Diem Community.   Great discussions -- real life examples.  Vulnerability on the discussion threads  If you are in psychotherapy or counseling, so are many of our RCCD members -- membership and all the resources and the community support -- all that is a great supplement to your therapy work.  Not in therapy?   Great opportunity to take advantage of resources and the relationships and connections so you don't have to do all this on your own.   First office hours last Wednesday, October 21 -- great Q&A on shame, very thought provoking, recorded.   Bonus Podcast from last episode -- shame in marriages  Friendships forming.   Patronness and Patron.  

Debra Diamond Ph.D. is the first woman Wall Street hedge fund manager, regular CNBC commentator and Johns Hopkins University Professor who left a high profile life to pursue a life […] The post What Really Happens in the Afterlife – Dr. Debra J Diamond appeared first on Open to Hope.

⟩⟩ Emotionaler Schmerz (z.B.: Trauer, Einsamkeit, Ablehnung) ist für viele Menschen kein angenehmes Gefühl. Im Gegenteil: wir tun oft alles, um diesem Gefühl komplett aus dem Weg zu gehen. Auf eine gewissen Weise ist sogar unser gesamtes (reaktives) Enneagramm-Muster dienlich, um uns vor emotionalem Schmerz zu bewahren. Wir wollen darüber sprechen (inkl. einiger Studien) wie diese Emotionswelt unseren Körper physisch verändert, welche Relevanz sie für uns hat und wie wir am besten damit umgehen können. --- Quellen: - How your emotions change the shape of your heart | Sandeep Jauhar -- https://youtu.be/mwoLhdHRt_0 - Hidden Brain — You 2.0: The Empathy Gym — July 29, 20193:00 PM ET https://www.npr.org/2019/07/22/744195502/you-2-0-the-empathy-gym — https://www.npr.org/transcripts/744195502 - Hidden Brain — ep. 68 „Schadenfacebook“ — https://www.npr.org/templates/transcript/transcript.php?storyId=524005057 - Hidden Brain — Looking Back - https://www.npr.org/2018/06/21/622298227/radio-replay-looking-back - Francesco Pelliccia, Juan Carlos Kaski, Filippo Crea, and Paolo G. Camici. Pathophysiology of Takotsubo Syndrome. Originally published13 Jun 2017https://doi.org/10.1161/CIRCULATIONAHA.116.027121 — https://www.ahajournals.org/doi/full/10.1161/CIRCULATIONAHA.116.027121 - Christian Templin, Jürgen Hänggi, Carina Klein, Marlene S Topka, Thierry Hiestand, Rena A Levinson, Stjepan Jurisic, Thomas F Lüscher, Jelena-Rima Ghadri, Lutz Jäncke. Altered limbic and autonomic processing supports brain-heart axis in Takotsubo syndrome. European Heart Journal, Volume 40, Issue 15, 14 April 2019, Pages 1183–1187, https://doi.org/10.1093/eurheartj/ehz068 — https://academic.oup.com/eurheartj/article/40/15/1183/5366976/ - Aron, Arthur, Helen Fisher, Debra J. Mashek, Greg Strong, Haifang Li, and Lucy L. Brown. Reward, motivation, and emotion systems associated with early-stage intense romantic love. J Neurophysiol 94: 327–337, 2005; doi:10.1152/jn.00838.2004 — http://web.mit.edu/fustflum/documents/papers/love.pdf - Hsu, D. T., Sanford, B. J., Meyers, K. K., Love, T. M., Hazlett, K. E., Wang, H., … Zubieta, J.-K. (2013). Response of the μ-opioid system to social rejection and acceptance. Molecular Psychiatry, 18(11), 1211–1217. doi:10.1038/mp.2013.96 — http://sci-hub.tw/10.1038/mp.2013.96 - Starr CJ, Sawaki L, Wittenberg GF, et al. Roles of the insular cortex in the modulation of pain: insights from brain lesions. J Neurosci. 2009;29(9):2684–2694. doi:10.1523/JNEUROSCI.5173-08.2009 — https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2748680/ - Eisenberger NI. The pain of social disconnection: examining the shared neural underpinnings of physical and social pain. Nat Rev Neurosci. 2012 May 3;13(6):421-34. doi: 10.1038/nrn3231. — https://www.ncbi.nlm.nih.gov/pubmed/22551663 — http://icpla.edu/wp-content/uploads/2016/10/Eisenberger-N.-The-Pain-of-Social-Disconnection-Examining-the-shared-neural-underpinnings-of-physical-and-social-pain.pdf - Eisenberger NI. The neural bases of social pain: evidence for shared representations with physical pain. Psychosom Med. 2012;74(2):126–135. doi:10.1097/PSY.0b013e3182464dd1 -- https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3273616/ - Segerstrom, S. C., & Miller, G. E. (2004). Psychological Stress and the Human Immune System: A Meta-Analytic Study of 30 Years of Inquiry. Psychological Bulletin, 130(4), 601–630. doi:10.1037/0033-2909.130.4.601 — https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1361287/ - Cannon WB. "Voodoo" death. American Anthropologist, 1942;44(new series):169-181. Am J Public Health. 2002 Oct;92(10):1593-6; discussion 1594-5. PMID: 12356599. PMC1447285. DOI: 10.2105/ajph.92.10.1593 https://doi.org/10.1525/aa.1942.44.2.02a00010 --- ⟩⟩ Fragen und Anregungen zum Podcast: podcast@enneagramgermany.de

Lucille Miller was a California housewife who, in 1964, was accused of murdering her dentist husband in a fiery accident on a lonely road through a lemon grove. The ensuing case is one of the most muddled and morally-unclear I have ever come across. Part of the Straight Up Strange Network: https://www.straightupstrange.com/ My Patreon: http://www.patreon.com/forgdark/ Opening music from https://filmmusic.io. "Giant Wyrm" by Kevin MacLeod (https://incompetech.com). License: CC BY (http://creativecommons.org/licenses/by/4.0/) "Dark Child" by Kevin MacLeod (https://incompetech.com). License: CC BY (http://creativecommons.org/licenses/by/4.0/) Closing music by Soma. SOURCES “Another death factor in murder trial.” Santa Rosa Press-Democrat, December 7, 1964. “Attorney Hayton tells trial of affair with Mrs. Miller.” Los Angeles Times, February 5, 1965. “Attorney to ask federal hearing in Miller case.” Redlands Daily Facts, December 10, 1964. “Attorneys keep vigil in auto fire death case.” Los Angeles Times, October 11, 1964. “Civil rights of arrested woman said violated.” Eureka Humboldt Standard, December 16, 1964. “Coroner declares Dr. Miller murdered.” San Bernardino County Sun, October 16, 1964. “Cremation in a car; murder quiz of wife.” San Francisco Examiner, October 11, 1964. “Decision due today on dentist's auto death.” Los Angeles Times, October 13, 1964. “Defense presses for Mrs. Miller's release.” San Bernardino County Sun, October 23, 1964. “Dentist dies in auto blaze; wife arrested.” Los Angeles Times, October 9, 1964. “Dentist dies in flaming car, wife held.” San Bernardino County Sun, October 9, 1964. “Dentist's wife indicted after jury hearing.” Santa Cruz Sentinel, October 21, 1964. “Dentist's wife indicted for car fire death.” Los Angeles Times, October 21, 1964. “Exam indicates suspect pregnant.” Santa Maria Times, December 21, 1964. “Hearing for wife held for murder.” Eureka Humboldt Standard, October 14, 1964. “Miller trial loses juror; 'discharged.'” San Bernardino County Sun, February 26, 1965. “Motel romance loveless on his part, Hayton says.” Los Angeles Times, February 9, 1965. “Mother of three faces indictment.” Ukiah Daiy Journal, October 20, 1964. “Mother to go on trial.” Roseville Press-Tribune, November 5, 1964. “Mrs. Miller arraigned in dentist's car death.” Los Angeles Times, October 22, 1964. “Mrs. Miller loses another freedom bid.” San Bernardino County Sun, October 17, 1964. “Mrs. Miller to enter plea on Friday.” Redlands Daily Facts, October 28, 1964. “Mrs. Miller's defense may seek trial delay.” Los Angeles Times, November 30, 1964. “Murder charges filed against Mrs. Miller.” Redlands Daily Facts, October 13, 1964. “New trial scheduled.” Hanford Sentinel, December 9, 1964. “New trial set Jan. 11 in Miller murder case.” Redlands Daily Facts, December 8, 1964. Hartsfield, Jack. “Attorneys clash during Miller trial arguments.” San Bernardino County Sun, February 26, 1965. ─. “Debbie Miller, friends take witness stand.” San Bernardino County Sun, February 10, 1965. ─. “Doctor Miller's funeral first quiet in case.” San Bernardino County Sun, October 16, 1964. ─. “Foley tears into Turner and Mr. Hayton.” San Bernardino County Sun, February 26, 1965. ─. “Lucille Miller may gain freedom.” San Bernardino County Sun, February 6, 1972. ─. “Lucille Miller's 5-year fight for freedom.” Ontario Daily Report, October 18, 1970. ─. “Miller murder trial goes to jury today.” San Bernardino County Sun, March 2, 1965. ─. “Mrs. Miller's murder trial opens tomorrow.” San Bernardino County Sun, December 1, 1964. ─. “Turner claims defense using double talk.” San Bernardino County Sun, March 2, 1965. ─. “Turner says Mrs. Miller's story baloney.” San Bernardino County Sun, February 26, 1965. ─. “Uproar sweeps court as verdict announced.” San Bernardino County Sun, March 6, 1965. ─. “Was wife of S.B. attorney murdered?” San Bernardino County Sun, December 5, 1964. Didion, Joan. “Some Dreamers of the Golden Dream.” The Literature of Reality (Gay Talese & Barbara Lounsberry, eds.). New York: Harper Collins, 1995. Hertel, Howard. “Mrs. Miller takes witness stand to deny killing mate.” Los Angeles Times, February 17, 1965. Hertel, Howard and Henry Sutherland. “Mrs. Miller had two love affairs, prosecutor implies.” Los Angeles Times, February 11, 1965. ─. “Mrs. Miller's fate rests with jury.” Los Angeles Times, March 3, 1965. Miller, Debra J. “A Mother's Crime.” https://www.latimes.com/archives/la-xpm-2006-apr-02-tm-dreams14-story.html Murphy, Mike. “Supreme Court to review Lucille Miller's S.B. trial.” San Bernardino County Sun, December 5, 1967. "People v. Miller (1966).” https://law.justia.com/cases/california/court-of-appeal/2d/245/112.html Yetzer, Carl. “Policewoman 'plant' may get new trial for Lucille Miller.” San Bernardino County Sun, June 8, 1969.

In this episode, Dana Davenport along with her friends Alexis Dunne, Tiffany McQueen Lewis, and Debra J. Koopmann discuss showing up for your friends; what it means to them personally, how it can be difficult, and why it’s so important.

Minnesota-based writer Debra J. Stone sits down with Lissa Jones for a wide-ranging conversation about writing the stories she wants to read, her upbringing in the Rondo Neighborhood and the Northside, and what it means to be a black woman who loves to bike and camp. Stone’s poetry, short-fiction and essays have appeared in many publications and literary journals including About Place, Wild Age Press, and Random Sample Review. Stone co-founded and co-facilitates the Northside Writers Group, and is currently a fellow at the Loft Literary Center in Minneapolis. She has received grants from Intermedia Arts, Beyond the Pure Fellowship, Jerome Foundation for Emerging Writers and the Minnesota State Arts Board. Currently, Debra serves as Board Member and Engagement Committee Chair for the non-profit independent publisher Graywolf Press.

This week on Word Tetris: Debra J. Fisher (Alias, Being Mary Jane, Charmed, Criminal Minds, Gina and Georga, Law & Order: LA, Take Two, The Forgotten, The O.C., Twisted, Witches of East End) To hear the full episode and receive a bonus episode, head to Patreon.com/WordTetris. Artwork provided by Dave Gonzales Music: Word Tetris Theme … Continue reading Debra J. Fisher →

The Bohemian Grove is where the rich, powerful, mainly white dudes go to unwind, drink and pee on the glorious Redwoods that they would likely chop down just cuz they can. This has been happening every summer for nearly 150 years. Strange Country co-hosts Beth and Kelly speculate what these masters of the universe may be up to since no women are allowed, and make plans to bring their DEFT truck there next summer. Theme music: Resting Place by A Cast of Thousands. Sources: Flock, Elizabeth. “Bohemian Grove: Where the Rich and Powerful Go to Misbehave.” The Washington Post, 15 June 2011, www.washingtonpost.com/blogs/blogpost/post/bohemian-grove-where-the-rich-and-powerful-go-to-misbehave/2011/06/15/AGPV1sVH_blog.html?utm_term=.3196c5a24d65. Guy, Peter. “The Fatuous Folly of the Super Rich and Their Plans to Escape the Apocalypse in New Zealand.” South China Morning Post, 18 Feb. 2018, www.scmp.com/business/global-economy/article/2133724/fatuous-folly-super-rich-and-their-plans-escape-apocalypse. Ingraham, Christopher. “The Richest 1 Percent Now Owns More of the Country’s Wealth than at Any Time in the Past 50 Years.” The Washington Post, 6 Dec. 2017, www.washingtonpost.com/news/wonk/wp/2017/12/06/the-richest-1-percent-now-owns-more-of-the-countrys-wealth-than-at-any-time-in-the-past-50-years/?utm_term=.2ebb43e94b48. Loudenback, Tanza. “The World's Richest People Spend $234 Billion a Year on Luxury Goods - Here's How Much They Spend on Yachts, Private Jets, Wine, and Clothes.” Business Insider, Business Insider, 1 Mar. 2018, www.businessinsider.com/rich-people-spending-on-travel-private-jets-clothes-cars-2018-2. MacLellan, Lila. “Science Proves Rich People Don't Really Notice You-or Your Problems.” Quartz, Quartz, 23 Oct. 2016, qz.com/816188/science-shows-the-richer-you-get-the-less-you-pay-attention-to-other-people/. Mearhoff, Jeff. “Mississippi close to having most-Restrictive abortion law.” ABC News, ABC News Network, 8 Mar. 2018, abcnews.go.com/Health/wireStory/mississippi-test-state-restrict-abortion-53601798 Santos, Danny F. “15 Weird Habits Of The Super Rich And/Or Famous.” Theclever, Theclever, 6 Apr. 2017, www.theclever.com/15-weird-habits-of-the-super-rich-andor-famous/. Saunders, Debra J. “Bohemian Grove: Men Only.” San Francsico Chronicle, 10 July 2011, www.sfgate.com/opinion/saunders/article/Bohemian-Grove-men-only-2355089.php. “State Facts About Abortion: Georgia.” Guttmacher Institute, 5 Jan. 2018, www.guttmacher.org/fact-sheet/state-facts-about-abortion-georgia. Weiner, Sophie. “My Summer Job at the Bohemian Grove, Serving Milkshakes to the Shitfaced Global Elite.” Gawker, gawker.com/my-summer-job-at-the-bohemian-grove-serving-milkshakes-1763551409. Weiss, Philip. “Masters of the Universe Go to Camp: Inside Bohemian Grove.” Spy, Nov. 1989, pp. 59–76, whorulesamerica.ucsc.edu/power/bohemian_grove_spy.html. Williamson, Elizabeth. “Truth in a Post-Truth Era: Sandy Hook Families Sue Alex Jones, Conspiracy Theorist.” The New York Times, 23 May 2018, www.nytimes.com/2018/05/23/us/politics/alex-jones-trump-sandy-hook.html.

Today I answer a listener question about why do so many pickup artists and other men's dating advice people turn into extremists in general and white supremacists in particular. Remember to check out the “Killmonger Was Right” and “Team Killmonger” gear at http://killmongerwasright.com which also helps to support the show. Support the show and get double the episodes by subscribing to bonus episodes for $5/month at patreon.com/champagnesharks.  If you can’t subscribe right now for whatever reason, do the next best thing and tell as many people as you know about the show. Also, remember to review and rate the podcast in Itunes: itunes.apple.com/us/podcast/champ…d1242690393?mt=2. Also, check out the Champagne Sharks reddit at http://reddit.com/r/champagnesharks. Also check out Champagne Sharks on Twitter at http://twitter.com/champagnesharks. Opening Song: "A Love That's Worth Having" by Willie Hutch Closing Song: "Nostalgia" by Dao Paoro (RAC Mix) Discussed in this episode: The academic study by June Tangney, Jeff Stuewig, and Debra J. Mashek, "Moral Emotions and Moral Behavior." https://pdfs.semanticscholar.org/78b9/1838627eb2c02e07c2fb544acd004edac7e4.pdf June Tangney's book summarizing all her research, Shame and Guilt http://amzn.to/2FhGU5j  

The University of New England 2014 Annual Biddeford Campus Awards Ceremony on April 29, 2014, honored graduate and undergraduate students, faculty and staff who have excelled in scholarship and in their contributions to the University's collegiate community. Among those honored were: Kristin M. Burkholder, Ph.D., assistant professor of biology who received the Debra J. Summers Memorial Award for Teaching Excellence; and Cecile A. French, a double major in medical biology and sociology, who received the Jacques Downs Award for Academic Excellence.

Effective communication is the key to a successful partnership and it is important that people who are on dialysis are involved in their care to receive the best outcome. Debra J. Hain, PhD, APRN, GNP-BC explains how patients can engage their dialysis team to become informed consumers and how establishing a partnership can benefit both you and your dialysis team.

The Black Folk Hot Spots Weekly Radio Show is about spotlighting Black Folk in business- set up to give 4-5 Urban Professionals a chance to tell the world about their business in a 15-20 minute informal, relaxed, interview format, if you would like to be featured- become a member of BFHS http://blackfolkhotspots.ning.com and make it known- as we will pick at random some businesses we think people should know about on a weekly basis. Call in at 347-989-8992 or Log in http://www.blogtalkradio.com/blackfolkhotspots and learn about their services, events and plans for the future and ask questions about their businesses.Also LIKE our Fan page on FB -http://www.facebook.com/BlackFolkHotSpots or our website http://www.blackfolkhotspots.com.The Time for the show are 11pm EST/ 10CSTThe Featured Guests this week are...1. Debra J. Mosely http://blackfolkhotspots.ning.com/profile/DebraJMoselyAbout DebraDebra J. Mosely comes from a creative family with talented hands. Relatives on both sides of the family are skilled at quilting, home decorating, cabinet making, carpentry, sewing and other crafts. Debra found her love in decorating cakes and has found many opportunities to hone her skills.2. Valante M. Granthttp://blackfolkhotspots.ning.com/profiles/profile/show?id=ValanteMGrantI am a creative designer specializing in the only original Glamour Party. The GlamourUs Photo Party is an exclusive service that you can only get here! I also design websites and greeting cards.3. It could be you- become a member of BFHS - http://blackfolkhotspots.ning.comand a couple of Special Invited Guests- Wil Wavvy of http://relationshipplaybook.com and Felecia of F.O.B. Inc - The Graphic Girl- http://blackfolkhotspots.ning.com/profile/FeleciaLastrapesBlack Folk Hot Spots Radio is hosted by Ryan Hodge and Co-hosted by Vee Holman http://flashynista.ws (The Website People)

The Black Folk Hot Spots Weekly Radio Show is about spotlighting Black Folk in business- set up to give 4-5 Urban Professionals a chance to tell the world about their business in a 15-20 minute informal, relaxed, interview format, if you would like to be featured- become a member of BFHS http://blackfolkhotspots.ning.com and make it known- as we will pick at random some businesses we think people should know about on a weekly basis. Call in at 347-989-8992 or Log in http://www.blogtalkradio.com/blackfolkhotspots and learn about their services, events and plans for the future and ask questions about their businesses.Also LIKE our Fan page on FB -http://www.facebook.com/BlackFolkHotSpots or our website http://www.blackfolkhotspots.com.The Time for the show are 11pm EST/ 10CSTThe Featured Guests this week are...1. Debra J. Mosely http://blackfolkhotspots.ning.com/profile/DebraJMoselyAbout DebraDebra J. Mosely comes from a creative family with talented hands. Relatives on both sides of the family are skilled at quilting, home decorating, cabinet making, carpentry, sewing and other crafts. Debra found her love in decorating cakes and has found many opportunities to hone her skills.2. Valante M. Granthttp://blackfolkhotspots.ning.com/profiles/profile/show?id=ValanteMGrantI am a creative designer specializing in the only original Glamour Party. The GlamourUs Photo Party is an exclusive service that you can only get here! I also design websites and greeting cards.3. It could be you- become a member of BFHS - http://blackfolkhotspots.ning.comand a couple of Special Invited Guests- Wil Wavvy of http://relationshipplaybook.com and Felecia of F.O.B. Inc - The Graphic Girl- http://blackfolkhotspots.ning.com/profile/FeleciaLastrapesBlack Folk Hot Spots Radio is hosted by Ryan Hodge and Co-hosted by Vee Holman http://flashynista.ws (The Website People)