American actor, director and entertainer
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5 episodes with Hal Holbrook
4 episodes with Hal Holbrook
4 episodes with Hal Holbrook
2 episodes with Hal Holbrook
4 episodes with Hal Holbrook
2 episodes with Hal Holbrook
2 episodes with Hal Holbrook
2 episodes with Hal Holbrook
2 episodes with Hal Holbrook
The legend in the small, coastal town of Antonio Bay is of a ship lured to the land and swallowed up by a mysterious thick cloud as it sank. The locals say when the fog returns, the dead will arise from their watery graves.The Fog, directed by John Carpenter, fits quite nicely into Retro Reel 2025. It stars horror greats such as Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, and Hal Holbrook and like most Carpenter films, features an electric soundtrack. The film gives off eerie vibes and has multiple character stories that are bridged together quite nicely as the secrets of Antonio Bay are revealed throughout the movie. While the film is not without its flaws, it's fun to watch a mystery, ghost story, and revenge plot all wrapped into one. Watch the movie and catch our review.Subscribe to our YouTube channel @thefinalpodcast Join the Discord | https://discord.gg/UFtVP243Follow us on Facebook The Final Podcast Follow us on Instagram @thefinalpodcastFollow us on X @thefinalpodeverMusic Credit: Karl Casey @ White Bat Audiohttps://www.youtube.com/channel/UC_6h...What should we review next? Toss us a vibe and send over a recommendation!
A child's comic book brings five tales of terror to life.Retro Reel 2025 rolls on with an anthology movie we enjoy watching every time. Creepshow, directed by George A. Romero, features an all-star cast of Hal Holbrook, Leslie Nielsen, Ted Danson, and Adrienne Barbeau among many others in five horror tales that seem to get better and better as the movie continues. The blend of comedy and horror are done so well and the overarching story of the tales coming from a child's comic book is an excellent touch. The stories are clever, fun, and stand out in a genre that features so many anthology films. Watch the movie and catch our review.Subscribe to our YouTube channel @thefinalpodcast Join the Discord | https://discord.gg/UFtVP243Follow us on Facebook The Final Podcast Follow us on Instagram @thefinalpodcastFollow us on X @thefinalpodeverMusic Credit: Karl Casey @ White Bat Audiohttps://www.youtube.com/channel/UC_6h...What should we review next? Toss us a vibe and send over a recommendation!
TVC 679.1: TV Confidential remembers actor, author, playwright, and decorated U.S. Army veteran James McEachin (Tenafly, Matlock, The Perry Mason Mysteries, Play Misty for Me, The Heroin Factor, Farewell to the Mockingbirds, The Alpha Caper, Above the Call: Beyond the Duty, Reveille, Swing Low, My Sweet Chariot: The Ballad of Jimmy Mack) by bringing you an encore presentation of a conversation with James that originally aired in February 2013. James McEachin passed away on Jan. 11, 2025 at the age of ninety-four. At the time we spoke with James in February 2013, he had just released the audiobook edition of Tell Me a Tale: A Novel of the Old South that delves into the many issues of slavery during the Civil War era while also offering a better understanding of the white man's view of the times. James' reading of the Tell Me a Tale audiobook ”is so good,” said Peter Bart of Daily Variety, “it would make Morgan Freeman a fan.” Topics this segment how James originally wrote Tell Me a Tale in 1965, and how the novel generated interest from both Henry Fonda and Hal Holbrook. TV Confidential spoke to James McEachin a second time in November 2014. That conversation is available for listening on demand for free by clicking here.
Co-Hosted today by Courtney Liso, Make sure you listen to her podcast The book of the dead, and check out her webpage botdpod.comNational cabbage day. Entertainment from 1963. 1st American killed in WW1, Port A Potty lock invented, 1st weather satallite launched. Todays birthdays - Hal Holbrook, Dodie Stevens, Rene Russo, Richard Karn, Lou Diamond Phillips, Larry the Cable Guy, Denise Richards, Billie Joe Armstrong, Jerry O'Connel, Bryan White, Joseph Gordon-Levett, Ed Sheeran. Geronimo died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Cabbage song - Appletree EducationOne sweet day - Mariah Carey Boys II MenBigger than the Beatles - Joe DiffieBirthdays - In da club - 50 Cent http://50cent.com/Pink shoe laces - Dodie StevensHome Improvement TV themeI pissed my pants - Larry the Cable GuyWelcome to paradise - Green DaySo much for pretending - Bryan White3rd Rock from the sun TV themeShivers - Ed SheeranExit - Its not love - Dokken http://dokken.net/
We continue with John Carpenter month - Carpenuary - with the 1980's, The Fog. We both enjoyed the heck out of this goofy supernatural starring Tom Atkins, Adrienne Barbeau, Janet Leigh, Jamie Lee Curtis, and Hal Holbrook. Also, is it in TA's contract to be a crippling alcoholic with a penchant for road sodas in every movie? Rae covers Twinsanity for this weeks Tubi or Not Tubi Up Next: Prince of Darkness What We're Watching: Mr. McMahon The Know Rogan Experience Where to Find us: Instagram Threads Facebook Youtube TikTok Letterboxd boozeboobsandbloodpodcast@gmail.com boozeboobsandbloodpodcast.com bluesky: @b3podcast.bsky.social
RMR 0295: Special Guest, Bob LeMent, of Static Radio, joins your hosts, Dustin Melbardis and Chad Robinson for the Retro Movie Roundtable as they revisit Capricorn One (1977) [PG] Genre: Adventure, Drama, Action, Conspiracy Thriller Starring: Elliott Gould, James Brolin, Brenda Vaccaro, Sam Waterston, O.J. Simpson, Hal Holbrook, Karen Black, Telly Savalas, David Huddleston, David Doyle, Lee Bryant, Denise Nicholas, Robert Walden, James Sikking, Alan Fudge, James Karen, Virginia Kaiser, Nancy Malone, Hank Stohl, Norman Bartold Directed by: Peter Hyams Recorded on 2024-11-19
Samuel and Olivia Clemens and their children moved into the house they’d had built at Nook Farm in Hartford — the house that we now call the Mark Twain House — in 1874, 150 years ago this year. To celebrate that anniversary, this hour we present a new version of our 2015 interview with the late Hal Holbrook. Holbrook was probably best known for his one-man show, Mark Twain Tonight!, which he performed for 63 years — longer than Samuel Clemens used the Mark Twain moniker. Beyond Mark Twain Tonight!, you probably know Hal Holbrook as Deep Throat in All the President’s Men. He’s in a Dirty Harry movie. He’s in a Steven Spielberg movie. He’s in Wall Street and The Firm and John Carpenter’s The Fog. He appeared on Designing Women and The West Wing and The Sopranos and Sons of Anarchy and Grey’s Anatomy. Hal Holbrook won a Tony Award. He was nominated for 12 Emmys, and he won five. And he was nominated for the Academy Award for Best Supporting Actor for Into the Wild. We talked to Holbrook on the evening of February 3, 2015. He was two weeks shy of his 90th birthday — which birthday he celebrated by performing Mark Twain Tonight! at The Bushnell in Hartford. Hal Holbrook died in 2021. He was 95. GUEST: Hal Holbrook: Film, television, and stage actor The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. This interview was originally produced by Betsy Kaplan. Colin McEnroe, Cat Pastor, and Chion Wolf contributed to this show, parts of which originally aired February 4, 2015, and June 17, 2023, in a different form.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Seaweed Zombie Ted Danson! Wife-murdering Hal Holbrook! Tombstone-crushed Ed Harris! Semi-serious Leslie Nielson! Cockroach-consumed Marcia Brady's principal! (Look it up!) Eric & Serling crack open the horror comic book that is 1982's "Creepshow".Send us a text
The Fog is a 1980 American independent supernatural horror film directed by John Carpenter, who also co-wrote the screenplay and created the music for the film. It stars Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, Janet Leigh and Hal Holbrook. It tells the story of a strange, glowing fog that sweeps over a small coastal town in Northern California. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733! Watch The Fog: https://amzn.to/3Z9pLCH Out this Month: The Fog The Mist Coming in December 2024: Silent Night Deadly Night 1 & 2 Get in Touch: Support us on Patreon: https://www.patreon.com/TheFilmFlamers Visit our Store: https://teespring.com/stores/thefilmflamers Twitter: https://twitter.com/TheFilmFlamers TikTok: https://www.tiktok.com/@thefilmflamers Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com Call our Hotline: 972-666-7733 Our Patrons: Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 CenobiteBetty Christopher Nelson Cj Mcginnis Dan Alvarez Dirty Birdy Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Julia 90 Alison Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Mac Daddy Marissa E Mary Matthew McHenry Nicole McDaniel Nikki (phillyenginerd) Niko Allred Orion Yannotti Pablo the Rhino Penelope Nelson random dude Robert Eppers Rosieredleader Ryan King Sean Homrig Sinesthero The Dean Swann Walstrich William Skinner Sweet dreams... "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio
This movie is almost entirely exposition, and while this isn't an approach I'd recommend for novelists, I can't imagine telling this particular story any other way. You might say that ALL THE PRESIDENT'S MEN is the exception that proves the rule. Master storyteller, William Goldman, pulls it off and that means there's a whole lot we can learn about how and when to use exposition when writing a story. When it comes to character arcs (Melanie's topic this season), neither of the protagonists change in this story but they change the world around them and what that reveals about how stories work is nothing short of fascinating. -V."It's almost exclusively exposition. If you have ever wondered whether exposition was a thing or whether it was important, seriously watch this movie." - Valerie Francis For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on X, Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor
In this spine-chilling episode of our Tales of Horror series, we journey back to 1980 to explore John Carpenter's atmospheric masterpiece, "The Fog." Join us as we unravel the eerie tale woven by Carpenter and his co-writer Debra Hill, featuring a stellar cast that includes the hauntingly beautiful Adrienne Barbeau, the iconic Jamie Lee Curtis, and seasoned actors like Tom Atkins, Janet Leigh, and Hal Holbrook. We discuss the film's supernatural horror elements, its impact on the genre, and why it has grown to become a beloved cult classic over the decades. Joining in for this discussion is Leo of the Films and Fermentation Podcast, who chose this old-fashioned ghost story that still delivers on spooky terror. From the chilling score to the fog-laden coastal setting, this episode is a must-listen for horror enthusiasts and film buffs alike. Tune in, if you dare, and discover the secrets lurking within "The Fog"! Link For Guests: Films and Fermentation Podcast Where To Watch The Fog
Nothing says Halloween like multiple tales of terror & revenge! The magical collaboration of George A. Romero & Stephen King was born from a genuine love for the horror genre, comradery & ingenious creativity. Join us for this dive into the lively CREEPSHOW spirit & how it became one of the most celebrated horror anthologies around. ///***Discussions include*** Bringing Romero, King & Tom Savini together; EC Comics, formation of the film & assembling an anthology screenplay; dissection of individual stories, tonality, common themes; bits about the cast & performances, plus special effects, editing & music; release, reception, favorite moments, longevity of the franchise & plenty of behind the scenes action. Hal Holbrook, Adrienne Barbeau, Stephen King, Leslie Nielsen, E.G. Marshall & so many more star in CREEPSHOW (1982) /// Directed by George A. Romero. ///***Picks of the Week*** • Lindsay's Pick: TALES FROM THE CRYPT (1972). Joan Collins, Peter Cushing, Richard Greene /// Directed by Freddie Francis. • Justin's Pick: TALES FROM THE HOOD (1995). Clarence Williams III, David Alan Grier, Rosalind Cash, Corbin Bernsen /// Directed by Rusty Cundieff. ///***MurrayMoment*** Bill gets some innocent revenge on a well-known film critic. ///***Final Thoughts on CREEPSHOW*** • Please rate, review & subscribe. • Follow on Facebook, Instagram, TikTok & YouTube. • Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders. www.dontpushpausepodcast.com dontpushpausepodcast@gmail.com Be Kind & Rewatch // October 15, 2024
Every weekday during HALLOWEEN HUMPFEST represents a different horror them and we're happy to kick off the first of four JOHN CARPENTUESDAY selections. Every Tuesday we discuss a John Carpenter film that we've been long overdue to watch and today is his follow up to his and Debra Hill's smash hit “Halloween” that sees the return of Jamie Lee Curtis and Nancy Loomis. We're discussing the salty 1980 horror “THE FOG” also starring Adrienne Barbeau, Tom Atkins, Janet Leigh & Hal Holbrook. A legacy of horror envelopes the town of Antonio Bay as strange things begin to happen on its 100th anniversary. A lot going on but Carpenter manages to execute this eerily serene horror in interesting ways. Seriously, we about fell asleep looking at these coastal landscapes and guilty whisperings of the village priest. Not a complaint. Why is this era of Carpenter so soothing? Here's a link we found: https://archive.org/details/the.-fog.-1980.720p.-blu-ray.x-264.-yify Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought
This week, we kick off Spooktober with the original horror anthology film, a collaboration between two titans of the genre from two different mediums as the king of horror movies brings to life a script from the King of horror fiction to create a loving homage to the creepy comic books they both grew up reading. It's 1982's Creepshow, directed by George A. Romero, written by Stephen King, and starring Hal Holbrook, Adrienne Barbeau, Fritz Weaver, Leslie Nielsen, Ted Danson, Ed Harris and Bingo O'Malley. As an anthology film it's a bit uneven, and King probably should have recused himself from acting in the movie. But it's undeniably charming, working off a formula that I must lament we don't get more of still to this day. Plus: Giving the fans what they want, we've got more Diet Root Beer discussion. If you'd like to watch the movie before listening to our discussion, Creepshow is not currently streaming anywhere north of the border but can be rented on YouTube and Cineplex. Other works discussed on this episode include Beverly Hills Cop, Hook, Rebel Ridge, First Blood, Will & Harper, Star Trek: First Contact, Smile, The Ring, It Follows, Alien, Trick 'r Treat, Creepshow 2, Creepshow (2019), The Outer Limits (1995), The Stand (1994), IT Chapter Two, Hulk, Decision To Leave, Cheers, Black Mirror, American Horror Stories, From Dusk Til Dawn, Planet Terror and Dawn of the Dead, among others. We'll be back next week as Spooktober continues with a prolonged stay in the King's court, as we check in with the 2007 John Cusack and Samuel L. Jackson hotel horror 1408! That one is available to stream in Canada on Hollywood Suite at the moment. Until then, we'll see you at the movies!!
Send us a textCreepshow is the pinnacle of '80s horror anthology, and we're here for it. The dream team of horror came together to create this masterpiece. And that team is George Romero, Stephen King and Tom Savini.Tell me how a cast including Leslie Nielson, Ted Danson, Hal Holbrook, Ed harris, Adrienne Barbeau, E.G. Marshall and Fritz Weaver (among many others) somehow created a campy comic book based horror anthology for the ages. I'll wait.
Send us a textThe Fog is a sleeper in John Carpenter's canon. The soundtrack is not! This 1980 movie demands your attention with a stacked cast (see what I did there) of Adrienne Barbeau, Jamie Lee Curtis, Hal Holbrook, Tom Atkins, Janet Leigh, John Houseman, and of course Tommy Lee Wallace. Beautifully shot and scored on a modest budget, this movie has aged like a fine wine. So many films that were critically panned have become classics over time, and John Carpenter has his share in that column. Which is a shame. I'm sure that had he been embraced as the master he was/is, we'd have more of these gems to enjoy. Creeping death to us all.
Gay homosexuals Nick and Joseph discuss The Great White Hope - a 1970 film directed by Martin Ritt, starring James Earl Jones, Jane Alexander, Chester Morris, Hal Holbrook, Beah Richards and Moses Gunn. Additional topics include: -Shannon Sharpe's Instagram Live -OnlyFans -The Toronto International Film Festival -Mildew Join us on Patreon: https://www.patreon.com/FishJellyFilmReviews Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support
ORIGINALLY PUBLISHED SEPTEMBER 2021 We get in the Halloween spirit a little early by talking about an OG anthology movie that is certainly more fun than most, albeit a little light in story. "Creepshow" from 1982 was directed by George A. Romero with a screenplay by Stephen King. Segments feature Hal Holbrook, Leslie Nielsen, Adrianne Barbeau, Ed Harris, Ted Danson, and even Stephen King himself.
Over the lifetime of Unstoppable Mindset, I have met many of our guests on LinkedIn. My guest this time, Wallace Pond, is by far one of the most fascinating and engaging people I have had the honor to talk with. Dr. Pond was born into a military family based at the time in Alabama. I do tease him about his not having an Alabama accent and he acknowledges that living on a military base is largely why he does not naturally possess a Southern way of speech. Dr. Pond has lived, worked, and studied in North America, Latin America, the Caribbean, Europe, Asia, and the Middle East. He has served as a teacher, a professor and within the corporate world he has held a number of positions including several within the C Suite arena. We get to explore his life journey including learning of a mental health crisis that led him to a career change a few years ago. During my time with Wallace, we talk about many subjects including God and religion, Leadership and what makes a good and real leader. Wallace talks about diversity and how we are focusing so much on tribal issues within our culture that we are losing the art of conversation. Dr. Pond will tell us about his project, the Transformation Collaborative which is an effort to promote real change in how we can become better versions of ourselves. I leave it to Wallace to explain. At the end of our podcast episode Wallace and I agreed to record a second episode in the near future. I'd love your thoughts about what you hear on this episode. Any questions you want me to ask Dr. Pond next time? Please pass them on. About the Guest: Dr. Pond, founder, IdeaPathway, LLC, the Transformation Collaborative™, and Life Worth Living, LLC, has been a missiondriven educator and leader for over 30 years. For the last 20 years, Wallace has been a senior leader in higher education, holding both campus and system level positions overseeing single and large, multi-campus and online institutions of higher education in the US and internationally. He has served as chancellor, president, COO, CEO, CAO (Chief Academic Officer), and board member, bringing exceptional value as a strategic-servant leader through extensive experience and acumen in strategic planning, transformational change, change management, crisis management/turn around, organizational design and development, P&L, human capital development, innovation, new programs, and deep operational expertise among other areas of impact. He has recently added psychotherapy to his practice and provides counseling services as an LPCC under supervision. You can see his counselor profile here. His many thought leadership articles are available at www.WallacekPond.com. Wallace began his career as a high school teacher and adjunct professor and spent six years in the elementary and secondary classroom working primarily with at-risk youth. He was also a public-school administrator and spent another six years as a full-time professor and administrator in the not-for-profit higher education sector, working in both on campus and online education, bringing education to underserved students. Additionally, Wallace has over 15-years of executive, private sector experience, creating a unique and powerful combination of mission-driven and business focused leadership and insights. Ways to connect with Wallace: www.wallacekpond.com www.transformationcollaborative.net https://www.linkedin.com/in/wallace-pond-47b05512/ https://www.amazon.com/Leadership-Real-World-Executive-Turbulent/dp/B08C49FQ6Q/ref=sr_1_1?crid=1UIJFVM71G3RZ&keywords=leadership+in+the+real+world&qid=1704824712&s=books&sprefix=leadership+in+the+real+worl%2Cstripbooks%2C159&sr=1-1 About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:21 Well, hi and welcome to unstoppable mindset. Welcome wherever you happen to be. I really am glad you're here with us. I'm Mike hingson, your host today. Our guest is Wallace Pond, a man of many talents. He's been very much involved in helping people and transforming he's got bachelor's, master's and PhDs all, well, I won't say all over the place, but, but he has a number of degrees. Yeah, we, we won't give them all away. I'll let you do that. And he's also now even becoming involved in more things relating to psychotherapy. So I'll have to have him talk to my cat and see if we can do something. Yeah, never, never sure that works. Is, does it? Wallace, but anyway, welcome to unstoppable mindset. We're glad you're here. Wallace Pond ** 02:08 Well, thank you so much, Mike. It's just a pleasure to be to be on the show with you. I appreciate what you got to be previously, and really appreciate also kind of the work that you do and what you've accomplished, and I think you have a really healthy and helpful perspective on a number of things, in particular diversity, but I think need to be that more people need to hear so I appreciate the opportunity to be with you well. Thank Michael Hingson ** 02:37 you. I appreciate that, and would love to work with you any way that we can. Why don't we start on your podcast episode by you telling us kind of maybe a little bit about the early Wallace growing up and all that sort of stuff. Wallace Pond ** 02:51 Yeah. So I was born in the deep south in the early 1960s very different time. My father was in the Air Force, so even though we were in Alabama, I was born into a desegregated military environment. This the in Montgomery, Alabama, the city was not desegregated. There were still separate bathrooms and water fountains for, quote, colored people, yeah, but on the Air Force Base, it was at least as desegregated as as the military could be at that time. But my folks and my family, both from Idaho, of all places, when my son was born there, about 30 years ago. He was the fifth generation from Idaho. My folks went back to Idaho when I was about, Gosh, nine years old. Michael Hingson ** 03:49 So was it the military, though that influenced you not to have an Alabama accent? Wallace Pond ** 03:54 Yeah. Probably parent, parents and military both. Okay, yeah, yeah. So my little sister and I, we were in Alabama and Georgia, Maryland before we went back to Idaho. But yeah, we sort of never got that southern accent, although given an opportunity, I can slip into it, and I certainly recognize it, yeah, Michael Hingson ** 04:17 well, and I love to use the words y'all and all y'all. And I know the difference between the two, which a lot of people don't, but it's Wallace Pond ** 04:25 a third. There's a third, which is the plural possessive, all, y'all. Oh, all, y'all, that's right, yeah, yeah, which, which, not everybody, which, you don't hear all the time. But no, you're in the South. Yeah. Michael Hingson ** 04:37 I love language. Anyway, so you were saying so, yeah. Wallace Pond ** 04:44 So moved out to Idaho, back to Idaho. That's where my folks were from. And kind of feel like I, you know, some really formative years, nine to probably 18 or so in Idaho, and just had. You know, the the great pleasure over both when I was a child, living with my parents, and then also once I was independent, out of the home. Probably lived in. I could, I could, you know, calculate it, but lived in probably a dozen states, half a dozen countries. Uh, visited 39 or 40 countries. So just one of those people, you know, some folks, one model is to kind of grow up somewhere and be from there, and that's, you know, kind of how you identify. And then there's other folks, like I who just, you know, it's a very different perspective, and it's, you know, a lot of moves, a lot of different experiences, I think my wife and I, we've been married 34 years, and we stopped moving quite so much in the last, oh, probably 15 but I think we've moved 11 times. And in fact, the last kind of big adventure was we spent a couple years over the United Arab Emirates. I was a CEO running a company over there, as well as a college president, at the same time doing both in Abu Dhabi, and that kind of a long arc where I am now. But there was through that. There was there was kind of like K 12 experience, university experience, corporate experience, so pretty kind of broad based, you know, personal and professional background. As you said, I more recently got into into the field of psychotherapy as an actual therapist. That was kind of an interesting career shift, but, but really timely and probably one of the most congruent decisions I've ever made in my life, in terms of, you know, making a life decision that turned out to align with what I wanted to be true and what was making sense for me at The time. So kind of a long arc, but here we are. Here Michael Hingson ** 07:03 we are. Where did you? Where did you go to college? Yeah, so Wallace Pond ** 07:07 initially, University of Utah, okay, and I, and I pursued a degree in Spanish and Hispanic literature, which also kind of was not purposeful, it wasn't part of a plan, but it really had a significant impact on some of the things I did in my life, and certainly some of the cultural experiences I had as a student, I lived in Spain and Mexico as well, and then as a professional and as an adult, I also lived in Puerto Rico for three years. So Spanish and Spanish culture kind of a big part, at least earlier in my career, up through probably, I think I was, I left Puerto Rico in 2013 after three years there. So that was, that was kind of the undergraduate. And then, as you mentioned, I have, I have multiple I have three different graduate degrees, two two masters and a PhD in the one at Boston University that was back in the 90s, and then a PhD in education. And then I went back to school for the fourth time, about, Gosh, three or four years ago, when I decided I wanted to go into the helping professions again and be a counselor, and so that was a master's in clinical mental health. And I've been practicing. I've been seeing clients for about three years. I've been I've been seeing clients post grad, in both private practice and in a community health setting. Now for geez, I graduated in July of last year, so I probably, oh, maybe little over 1200 1300 hours of counseling at this point. So that's the educational story. Well, Michael Hingson ** 09:05 I have to ask, since we talked about language and you spend some time at Boston University, yeah, and so on, did you ever learn to talk Bostonian? Wallace Pond ** 09:16 So kind of like my experience in the south, you can do it, yeah, I can slip into it. I actually kind of enjoy it. I yeah, I do too, you know. But no, it's not something that I that I ever, ever adopted for myself. Michael Hingson ** 09:33 I lived in Windsor mass for three years, so I spent some time in the Boston area, Wallace Pond ** 09:40 great town, you know, Boston. I did a lot of that work, actually overseas, in an overseas program in Germany, of all places. So it's kind of a long, winding road. I've Michael Hingson ** 09:52 heard that one of my favorite restaurants in Boston closed around or just before the time of the pandemic, Durkin park at uh. And near Fennell Hall, yeah, Quincy Market, I heard that Durgan closed, yeah? Wallace Pond ** 10:06 And, well, and that was not unique to them. I mean, yeah, the pandemic was pretty rough on restaurants, and a substantial number all over the country didn't, didn't make it through that? Yeah, Michael Hingson ** 10:20 yeah. It's kind of sad. Long before the pandemic, the Carnegie Deli in New York closed, which was one of my favorites, and I knew the owner, but I think, yeah, and I don't even think they can, I don't even think they mail order anymore. I Wallace Pond ** 10:36 don't know, but I do. I do remember, I do. I'm have some experience with the Carnegie Deli, because that's where I was introduced to pastrami. No better place, yes. And I didn't know I was a pastrami fan until then, Michael Hingson ** 10:55 and the sandwiches were so small, yeah? Wallace Pond ** 10:56 Well, right, yeah, it was a workout, like doing curls, lifting the sandwich. Yeah, I unfortunately, one of the things that happened being introduced to pastrami at the Carnegie Deli was I became kind of a pastrami snob. And so you know that my first introduction was as good as it gets. So yeah, it's hard for me to for pastrami to match up since then. Oh, gosh, that was a while ago. Michael Hingson ** 11:23 Oh, it is. It's really hard. I'm still spoiled by the first Caesar salad I ever had. When my wife and I got married, we spent part of our time in Palm Springs, and then we went and spent the rest of our honeymoon in Phoenix and went to a hotel and stayed at a hotel called the point Tapatio, which had a restaurant up on top of the mountain. On one side, you could see Phoenix. On the other side, you could see Scottsdale. And we ordered Caesar salads that they made at tableside. And back then, in 1982 it included the rig and everything else. And it's still the best Caesar salad I ever had. Wallace Pond ** 11:57 Yeah. Well, most people alive today are young with, oh, I would say most people born since maybe 819, 80 or so. Have you know, there used to be raw egg and a lot of stuff. Yeah, I don't know if you remember Orange Julius. Oh, yes, yeah, they used to get a raw egg. Was one of the ingredients you could get beat up in a in a smoothie. Yeah, those days are, sure. Guy, oh, Michael Hingson ** 12:23 the days. Well, Steven, so, so what did you I was going to say, what did you do after college? But that's really kind of hard, because there's a lot of, a lot of after colleges for you. But you said Spanish wasn't really part of the plan, but yet, that's what you you did for an undergraduate degree? How come? Yeah, Wallace Pond ** 12:43 so this is kind of a funny thing to even admit, but a lot of me back up a step. So my father, he had some kind of intuition, some kind of insight. He really believed it would be helpful for me, maybe really in terms of life experience, maybe in terms of just a skill set to be bilingual. And even back in high school, he started like, I'd come home and he put like, a pamphlet on my bed about, you know, Spanish language, or Spanish class or something like that, you know. And when I got to the University of Utah, I thought, you know, a little bit based upon his, you know, you know, suggestions and support. I i took a few Spanish I remember taking, you know, Spanish 101, then I kind of like that Spanish 102, I was a communications major at the time, and to be honest, I still don't know what that means, Mike, but I was a communications major, and at that time, it was the single largest major on campus, and you could not get courses you sent. You could not register for communications courses, and there were people who were being forced to spend an extra year or more at the U just to get the courses they needed to graduate. And in the meantime, I had said, Well, I'll get a minor. And I thought, well, if I'm gonna get a minor, I probably need to be able to speak it. So I decided to do a study abroad in Spain. Went to school at the University of Seville, four days a week, four hours a day, immersed in Spanish and subjects being taught in Spanish. And by the time I got back, I had, I had earned so many credits in Spanish that there was a pretty quick path to a degree in Spanish and and I didn't have to worry about the problem of not getting courses in in communication, communications, yeah, yeah. So when I got back to the and I also got a bunch more credit by passing some tests, some clap tests, and ended up, you know, with a degree. Did another study in Mexico, ended up with a degree in Spanish. Mentioned Hispanic literature. It just it was the path of least resistance, and something that I really enjoyed. So that's how that happened. I mean, there truly was no plan. Michael Hingson ** 15:12 Well, things work out, though may not have been part of the plan, but it certainly sounds like it worked out well for you, and it helped integrate into everything that followed, which is always a good thing. It absolutely did. Yeah, I know when I went to UC Irvine starting in the fall of 1968 I entered the year that they had their first graduating class. So the first graduation was for seniors. Was 69 but they also had graduate school, they had medical some medical schools and so on. And very quickly, the school had become known for science, and a lot of people wanted to go off and become doctors. So the year that I entered 1600 people enrolled in organic well or enrolled in biology, and they all wanted to go off and be doctors and all that. And the biosci people said, Okay, well, before you can really be serious about a bio sci major, you're going to have to take a year of organic chemistry Wallace Pond ** 16:24 that that that that weeded a few folks out, didn't it? From the Michael Hingson ** 16:29 beginning of my freshman year to the end of my sophomore year, the number of students in biology dropped from 1600 freshmen to 200 sophomores. Wallace Pond ** 16:38 Yeah, yeah. That's a, I think, a typical experience with I took organic chemistry much later in life. It's another kind of part of my minding journey. But I took an entire pre med curriculum after I finished my PhD, just for pure Self edification. And you know, I was always troubled by the fact that I got through three degrees without really having a good science Corps. And so while I was working as a professor at a college, I ended up taking, well, all but one course of a pre med curriculum. And I remember exec, I remember organic chemistry, and I remember just kind of that, that moment, that realization, where you cannot fake this, no you will put in the time, or you will not get out. Well, I did that. I Michael Hingson ** 17:29 got my master's degree, my bachelor's and master's in physics, so I did not take organic chemistry. But I know everybody was complaining about memorizing all the reactions and all that and and, you know, I respect it, but I'm glad I didn't have to take it. Wallace Pond ** 17:44 Yeah, I enjoyed it, but it was also something that, you know, it, like I said, it's not something you can fake, no, it's a completely different animal than than inorganic chemistry. Fascinating, really fascinating, actually, yeah, but definitely requires some mental effort. Michael Hingson ** 18:06 I enjoyed hearing people talk about it, and enjoyed listening to all of that, but it was different than what I enjoyed doing. And I loved physics, and was especially always interested in the philosophy of physics, the history and philosophy, and of course, one of the big debates about physics is, is it really a quantum and does God throw dice, or is it, is it in reality that there is really determinism and and that's a question that physics still hasn't answered yet. Some people think it has, but it hasn't yet well, Wallace Pond ** 18:38 and the answer to that question has huge implications for psychology and free will, sure Michael Hingson ** 18:42 it does all of that. Sure it does, sure, and I am sure that eventually it will all get realized. And you know, my belief is that there are basic laws of the universe and that there are laws that we have to obey to to really progress, but it's our choice. And I, and I am absolutely a firm believer in the fact that there is such a thing as free will and choice. Wallace Pond ** 19:09 Yeah, and I, I it may be, it may be that we at some point come to some kind of melding of the two, whereby there is some level of free choice or agency, but that that's highly influenced by underlying physics principles of some sort. Correct? Exactly? Yeah, yeah. Ray Kurzweil, the Michael Hingson ** 19:35 futurist and inventor and a man I worked for for a few years when he was developing the Kurzweil Reading Machine created a doc, or there is a documentary about him. And at the end, he said, you know, everybody keeps wondering if there is a God, and he said, there isn't yet, because we haven't invented it. And I do not buy into Ray's I don't buy into Ray's argument that I don't think that works. Yeah. Yeah, but it is interesting and but you're right, it all really does come down to in psychology, a question of free will, a question of so many different things, and I and eventually will understand it Wallace Pond ** 20:13 well. And there's an in there other related concepts, you know, for example, the notion of growth mindset, which is a really interesting concept, Carol Dweck, out of Stanford, was the one who kind of popularized this. But the idea that growth mindset, as opposed to fixed mindset, suggests that our futures are malleable, that that our ability to to learn, to grow to achieve objectives is at some significant level determined by whether or not we believe that we can grow and change and progress through new talents and perspectives, etc, versus the extent to which we believe it's more fixed, and that those limits are kind of innate, and there's a there's a potential physics element to that as well. Having said that, I do believe in mostly it's just observation that it absolutely is possible to to grow dramatically, intellectually, spiritually, academically, I'm Trying to some other examples might be things like emotionally, that we are, you know, capable. That's why we have neocortical functions, right, as human rights, right, even separate from other mammals, we have parts of our brain that do stuff, right, you know, that are that are pretty amazing, and that allow for pretty intense evolution. And I don't mean evolution in the historical sense, although that has its own place. I mean as individuals, right? You know, the ability to kind of evolve in the context of our environment. So it we probably won't have a final answer any of that before you and I are gone. But it is a, it is a topic that I find fascinating. Oh, Michael Hingson ** 22:30 I do too, and, and, of course, the the other part of the question is, you say we may not have an answer before we're gone. Will we really be gone or whatever? So there's, there's that too, right? Wallace Pond ** 22:45 Yeah, yeah. And I, you know, as part of my own mental health journey, you know, I'm a counselor, but I'm also, you know, in our field, we have this, this, this concept of wounded healer. And, you know, I didn't, you know, just randomly pop up one day in, you know, going from being a corporate executive or a university president to being a psychotherapist, I had my own journey as well mental health journey, and I put myself certainly in that category of of wounded healer. But when we think about, you know, the human experience, right? And as we think about the kinds of things that, just either by chance or by purpose, end up being part of that journey, for me, being exposed to Buddh principles and Buddhist thoughts, Buddhist ideas was really critical in my own healing and the whole notion of impermanence and afterlife. The Buddh take on that, I think, is really compelling. And this idea that there is an afterlife in the sense that we are all comprised of elements and molecules and atoms that will continue on in multiple forms, and that we're comprised of atoms and molecules that have been around, you know, that belonged, that were part of someone in the Roman Empire and part of someone in Greek times, and part of someone on the Savannah, or some animal on the savannah millions of years ago. And although it may not be sort of a Christian notion of an integrated afterlife as some version of yourself, right? I find that the Buddhist perspective really compelling. This idea that you know, the energy, the mass, the mole, the atoms that comprise us do continue on. And there may, in fact, be some integrated version of. That, who knows, you know, my father passed away a few years ago, and and one of the ways that I have, one of the ways that I have grieved that, and one of the ways I have dealt with that loss, is I frequently talk to him, and every you know, and every now and then I'll ask him, you know, you know, I'll tell him, gosh, I wish he could let me know what happened like. So what is it? You know, where are you? Are you know, do you have consciousness? And you know, maybe some way, sometime he'll answer. But for me, right now, a big part of of of that healing in that, in that grieving has been to maintain that relationship with Him through conversation. Michael Hingson ** 25:45 And should I believe absolutely, I think there's a lot to be said for for the merits of what you were just describing. And the issue, I think, is that, if we also go back to what really is God, you've got the Christians who have tried to shape God in the sense in their image, more than the other way around, and others have done that too, but, but the reality is what really is God, and I think God is the underlying principle for all of us, and I think that we're all part of that God. And so when your father died, or my wife passed away in the end of 2022 there they are still there. I love to tell people that I am absolutely certain that Karen monitors me, and if I misbehave, I'm going to hear about it. So I have to behave, otherwise, I'm going to be in serious trouble. Wallace Pond ** 26:45 Yeah, you know, there's an interesting I just, I'm just about to finish an absolutely profound book by an author, physician, philosopher. His name is Gabor Mate. He was a survivor of the Holocaust. He was a child of an infant. Actually, the book is called The Myth of normal, absolutely seminal, fabulous, fabulous book, just in general, but also resonates with me on my own mental health journey and as a counselor. But he makes reference in the book to to the actress as Ashley Judd and and a quote of hers, a phrase of hers, which is, I want to, I don't want to mess up the the quote. It is, surrendering to a god you don't believe in the idea that you know, you don't have to believe in a deity in any sort of, you know, codified religious, you know, institutional way to still surrender to, to, to a sense of, of, of a higher power, yeah. And I just, I, you know, I just really appreciated that quote from Ashley Judd, and I think it's really applicable, this idea that we don't have to be dogmatic. We don't have to be it's, you know, an ethical, institutional approach to surrender to a god we don't believe in. You know, that that we can surrender to something bigger, something beyond our own physical existence Michael Hingson ** 28:24 well and in the Buddha oriented world, it is also, isn't even a matter of surrendering. It's a matter of believing you're a part of and being willing to progress and grow. And oh, I can't resist telling one of my favorite jokes, and I've not done it on here before, I used to listen to Hal Holbrook doing Mark Twain tonight. Oh, okay, we did a great imitation of Mark Twain. And I don't know if it was actually Mark Twain that said it, but I attribute it to Mark Twain. But I heard Hal Holbrook say it. He said, You know, when we die, we're going to go to heaven, and when we go to heaven, assuming we go to heaven, we're going to probably be up on a cloud, and we're going to have harp music in the background, and we're going to study, and the more we study, the more we progress, and the more we progress, the more we study. And we're just going to be up there. We're going to study and study and study and progress and progress and progress. And if that isn't hell, I don't know Wallace Pond ** 29:15 what is that that sounds like a Mark Twain. It Michael Hingson ** 29:17 does sound like a Mark Twain, and I would suspect that it really came from him somewhere. Oh, gosh, but, but, you know, the the reality is that I think we impose way too many limitations on God and our relationship with God, and it's and it doesn't help us to do it. And I, you know, I hear what Ashley Judd is saying, but again, I think it's not so much a surrender as it is recognizing you're a part of Wallace Pond ** 29:48 Yeah. That makes sense to me too. Michael, so what Michael Hingson ** 29:50 did you do when you graduated from college? Initially, I will, I'll tell you the first time, what did what kind of our career path did you go on to? Wallace Pond ** 29:58 Yeah? So in me. Immediately, I just went to work as a as a school teacher in a in a school for at risk youth in Salt Lake City. I taught Spanish, but I also taught English and introductory algebra and earth science. And, you know, a very common kind of thing in in small schools, you're a generalist, unlike, you know, in large districts, where you kind of, you just teach English all day or whatever. Michael Hingson ** 30:33 Yeah, I grew up in my teachers were generalists, Wallace Pond ** 30:36 yeah, yeah. And we also had an intense Outdoor Program in that school. So it was really interesting. We did, you know, we did, you know, snow camping, and we did survival, you know, hikes in southern Utah, you know, just what you could carry on your back. And, you know, through the desert for days, in addition to the, you know, the school work, or the classroom work, which itself was also not very traditional. So, you know, for example, we the classes were a mix of ages. You know, I taught classes with, you know, 1213, year olds and 17 year olds in the same class. It was just, it was dependent upon, you know, academic inclination, desire to be in a big, you know, particular course, you know, in that school was actually pre K, 12, so, you know, just some amazing, amazing experiences for me and for the and for the students, you know, 30 plus years later, whatever it was, 3435 years later, I still remember, you know, I have this, this image, and it's just such a poignant, touching image, particularly when we think about at risk youth and at Risk teenagers, I think we don't always have a very charitable view of kids that don't fit in, and adolescents and teens, you know, that that oftentimes are considered to be, you know, kind of unrefined or self centered or whatever. And I had this image. I still see it. We the this, the school had had a downstairs and an upstairs. And I remember one of my students, he was 18 years old. And, you know, this is back in, gosh, the 80s, and he, would, you know, black leather. You know studs on the leather. You know Jack boots. You know wallet on a chain. You know the kids about, you know, six two and about 190 pounds, the kind of kid that would scare the hell out a lot of people just looking at him, you know, but I had this mental image of of him walking down the stairs, and he's holding the hand of a four year old, helping the four year old down the stairs. I even get a little emotional thinking about it, 35 years later, you know the kind of kid that is so misunderstood, the kind of kid that you know has struggled so much to fit in, the kind of kid who you know is just constantly been battling between, you know, authenticity and acceptance. And here he is, you know, going down the stairs, holding the hand of a four year old preschooler to help him get down the stairs. And I just can't imagine a more poignant vision, yeah, and, and that was a, you know, those kinds of things were common experiences for me in those first couple of years teaching in that environment after my undergraduate work, I Michael Hingson ** 34:01 spent a number of years living in and around well, I lived in New Jersey and worked in New York, but even before living there, company I worked for allowed me to travel to sell because we were being so successful, we couldn't just do it all from the phone in Southern California. So I stayed at a hotel, oftentimes in the middle of New York, near Times Square. And when I went out at night, there were people, are you? Do you remember the old the guardian angels? Wallace Pond ** 34:34 Oh yeah. So Michael Hingson ** 34:36 this guy would come up to me and he said, I'm with the guardian angels. He said, I just want to walk with you, just to make sure you stay safe. And safe. And I said, you know, you don't really need to. I'm really good. We said, we're going to anyway. And when what I've always realized, though, and he was good company, he was great. But what I also realized is that, in general, if you treat people well and. So if you don't act like a jerk, then they're going to, most likely treat you well as as well. And yeah, I never did have a problem with anyone in New York. I had a couple people who would come up to me and say, Does your dog bite? Because I always had my guide dog right, right? And I never knew why they asked. And so my response was, Well, you know, he's not trained to do that, but I wouldn't want to be the person to try to find out. And actually, the reason I use that answer was right. My first guide dog was a golden retriever, and one day we were at UC Irvine on campus, and some students would bring their dogs to college, and then then just let them roam. And a bunch of them organized a pack, and they actually came after me and my guy dog, Squire, who was this wonderful, loving golden retriever, right? And so we were walking, and these dogs were coming up on us from the rear, and Squire jerked away from me. I still had his leash, but he jerked away. So I lost grip on the harness. He turned around and crouched down and growled at these dogs. I've never heard him do that. Oh, wow. And they all just stopped and backed up and somebody else was watching. And he told me later, they just walked away with their tails between their legs, wow. Yeah, and you know, so, like I said, it's all about love, but I think it goes both ways. That with a dog, I wouldn't want to be the person to try to find out whether if they attacked me, my dog would bite. But I think also it's just as true with people. I'm not quite as sure today with all the drug stuff going on, but you know, the reality is, I think for the most part, people really are going to treat you well if you treat them well. Yeah, Wallace Pond ** 36:47 I don't, I don't challenge that. Michael, I but what I would say is, I think one of the, one of the genuine sort of societal problems, manifestations, let's call it, of the kind of polarization and tribalism that's becoming more and more common. Yeah, is, you know, the deeper that people turn into their own tribe, right? You know, the the more that people insulate themselves from other people that you know don't share their views or their background or their culture. I think one of the real, potentially profound dangers of this tribalized tribalism, and whether it's, whether it's in social media or, you know, where we congregate, you know, face to face, and the deep polarization, not just you know you're wrong, but you're wrong and you're bad, is, is, I think, one of the things that we're really in danger of through that tribalism and isolation is that I think we are broadly use, losing the capacity to navigate conversations, relationships, conflict, agreed with, with people that aren't Like us, right? And I think that's potentially dangerous. Michael Hingson ** 38:22 I think it's absolutely dangerous, because Wallace Pond ** 38:25 that skill, that ability to survive to in the face of someone who has very different beliefs, and to get through that without unhealthy conflict, to get through that without casting, you know, aspersions, to get through that without personal attacks, I think is is critical to kind of a functioning society, because we are always going to have diverse perspectives, diverse religions, diverse cultures, diverse political perspectives. That's always going to be true. So the extent to which we are able to navigate that in a productive way is really critical, and I fear that we are because we turn towards what we know with tribalism that we're just losing the opportunity to engage other people who may be quite different than we are, and do that successfully, whereas The you know, turning inward to the tribe actually exacerbates? Well, Michael Hingson ** 39:44 yeah, there's a lot of truth to that. I guess I'm a little bit of an oddity, even in, I think, among some blind people in that having never seen to me, somebody with a. Skin color is simply a concept, and the it doesn't matter to me about about color, and I work very hard to make sure that I continue with that kind of attitude, because it doesn't really matter to me what a person's skin color is and have never seen it. Haven't ever seen different skin colors. And frankly, I know I can say with certainty I don't care. Now, not everybody necessarily knows me well enough to believe that, but it is still true, because having never seen it. You know intellectually, I know what red is, I know what blue is. I know what Black is. I know what white is, and we can talk about it in terms of wavelength of light too. But you know it's it's still not something that becomes an issue for me. And it amazes me when I hear people talking about and demonstrating prejudice about different skin colors and so on, because it's just not something that really is an issue for me, and I'm always amazed by it. Yeah, Wallace Pond ** 41:08 it's interesting point you make. I mean, just engaging the life, just engaging life in general, in the absence of visual stimuli, you obviously are have honed very finely other senses. But this idea, you know, and in our culture, in in Western and particularly American culture, it is profoundly visual, Michael Hingson ** 41:36 yeah, oh, it is, Oh, absolutely, you know. And look, I know blind people who are very prejudiced, and maybe some of them never saw but they've learned it. Fortunately, I'm blessed that I refuse to learn that concept. Wallace Pond ** 41:50 That's interesting thought, isn't it? You know, I know that we have learned to be incredibly judgmental based upon visual stimuli, right? Is someone short? Are they tall? Do they have acne? You know, are they overweight? What clothes are they wearing? You know, they have the right shoes. And you may be able to determine some of that through other senses at some point, but you would never initially engage someone based upon that perspective, because you wouldn't have it. Mm, hmm. So a very interesting thought, you know, and I, Michael Hingson ** 42:33 I know my wife and and I also believe my wife was, although she was cited, never really had that kind of prejudice, because she grew up with around people of different skin colors and different races and so on. But we would be talking about sometimes political debates, and she would say, well, so and so knows about that, because he's black. And I would sit there and go, huh? Because I if there was, you know, I couldn't tell that they were black, you know. And it amazed me, and it didn't change my opinion at all. Now, the fact that he was a politician, that's a different prejudice, but that's another story, right? But, but, you know, they're fun to pick on, but, but, you know, the bottom line is that that we've really got to get somehow over some of these things. And I agree with you that the art of conversation, the ability to converse, the ability to really interact with other people, is being lost because of so many things, and that is so unfortunate. Yeah, Wallace Pond ** 43:38 and I don't want to be Pollyannaish, I mean, or oversimplified a situation. I mean, like I said, I was born in Montgomery, Alabama in the 1960s and there was no need for social media, for people to make judgments, to isolate, you know, to to, I mean, it was legislated. It was it was policy. I mentioned, you know, the colored water fountains and bathrooms. So this is not new. It's, you know, that kind of thing was, has existed in many, many contexts. I think, I think what's qualitatively different today a couple things. One is the existence that the medium, you know, mass media and social media, have a kind of power that I that didn't exist before a platform and an anonymity. You know, you can, you can say things and do things today that wouldn't have been acceptable because you would have been accountable, yeah, in the past, right? It was attached to you individually. So I think that's, that's one change. I think another change is whether we call it, you know, civility, or whether we call it norms, you know, I'm. I'm, you know, I'll be 60 next year. So, you know, I've been around for a little while, but not that long, compared to some people, but in terms of norms, just in the last call it 510, years, maybe even less than 10. I've been just stunned, frankly, by the things that it's now kind of okay to say and do. Yeah, you know that that we just sort of blown through the guard rails? You know that I think, used to kind of exist. It wasn't that you couldn't think it. It wasn't that it didn't exist. It was that there were some sort of norms about what it was sort of okay or acceptable to say or do, kind of in a in a civil society. And I think we've really blown through those guardrails. Social media has helped that politics. Michael Hingson ** 45:54 What's one example of that? Wallace Pond ** 45:59 Yeah, so something that comes to mind is, you know, people flaming other people online and social media, right? Personal attacks, yeah, particularly when people are vulnerable. You know, if you're face to face, or if you're in a, you know, a group that's co located with other people if you are on the phone, even, right? It was much, much harder, yeah, to launch those sort of personal, corrosive attacks on people than it is now. You know, I think in politics, you know, there are politicians now who say things, oh yeah, that you couldn't say and survive as a politician, Michael Hingson ** 46:51 and still shouldn't, but do, yeah, Wallace Pond ** 46:55 even 10 years ago, let alone 2030 Yeah, it's not that politicians didn't think it, or weren't capable, you know, of it. It's just, you know, I think of like criticism of families, of of war heroes, yeah, you know. Or just weird stuff, like, when did that become? Okay? Yeah? Michael Hingson ** 47:18 Oh, I hear you. And social media has certainly not helped the process. No, Wallace Pond ** 47:24 I think what it's done is it's anonymized, least in your mind, if not literally, Michael Hingson ** 47:30 yeah, which is so scary. I hope we grow up and learn, but you know, we'll see. So what you taught for a while, then what did you go do? Wallace Pond ** 47:43 Yeah, so again, I never really had a plan. And I know for some people, plans are helpful, important. They provide security. I truly, Michael, never had a quote plan for anything that happened in my life. You know, I've done everything from Teach bilingual kindergarten to run large corporations domestically and internationally, and I've just never had a plan. I've taken advantage of opportunities, and I've kind of pursued things that felt exciting or right, but I I've never really had a plan. So, you know, after my initial teaching experience, I ended up marrying someone who said, Look, I'm going to go work in Germany. I have a job over there. And if you want to come, you can come. If you're not, I'm leaving. So we ended up getting married and going over there together, and we're over there for a few years working for the Department of Defense and Education roles. And then came back to the US, did some more K 12 work, then went full time into higher education, as a as a professor, teaching people to be teachers, as well as Spanish and linguistics. Then moved into the corporate world for a while, came back into higher education, did some senior roles, including President, CEO at a few different institutions of higher education, some in the US, some abroad, and been in the C suite several times in corporate settings, Chief Operating Officer, Chief Executive Officer, the last kind of formal thing I did, working for someone else and or working for a board, I guess I would say, was in the Middle East, United Arab Emirates, and fascinating, wonderful experience. Just so glad I did it. Yeah, for. A cultural perspective, from a growth perspective, the hardest job ever done as a CEO. Never experienced quite that combination of challenges as a CEO, but just a fabulous experience in my wife and younger daughter, who's now off away at college. They lived there in the winter and were able to escape in the summer. I was not, you know, 120 degrees in 85% humidity. Yeah, yeah. Winter's stunning, beautiful, but summer is really hard, yeah. And they would come back to the mountains, you know, Colorado in the summer. But, and something's really interesting to happen when I came back from that. You know, this is kind of interesting. It helps explain, sort of, how did I go from that to working as a psychotherapist, and I still do consulting work and support organizations with transformational change and leadership and things like that. But So how does one go from the CEO of a of a company in Abu Dhabi and the president of a college system to going back to school for the fourth time and becoming a mental health counselor? And the short version to that is when I got back from the UAE, I asked myself a very different question for the first time than I would have in the past. So in the past, the question would have been something to the effect of, you know, what's the next job? And I was in a position to have some time off and kind of decompress. And I didn't ask that question. I asked a very, very different question, which was, what do I want to be true in my life? And I had some support with a counselor for that question, and kind of how I kind of fleshed the answer out and and when I was when I had come up with the answer of what I want to be true in my life, it became very clear that I could not do what I'd always been doing and achieve what I wanted to be true in my life, Those didn't align anymore, and so I had to think very differently about what I was going to do going forward. And that was not so ironically, the same time, but I began to really, really experience some pretty intense mental health challenges, which I had never experienced before. I mean, I had never even really experienced anxiety before like that. I I was my experience was so different for so long, 50 plus years. But when it changed, it point. It changed pretty rapidly and pretty dramatically, and I found myself in a situation where mental health and mental health challenges were now, were kind of Central, and I really had to figure some stuff out. And so that happened at the same time I was kind of pursuing that question of what I want to be different in my life, or two in my life. And what came out of that, in addition to my own kind of healing journey, was this idea that one of the ways that I could achieve, one of the things that I wanted to be true in my life, was to be in the helping professions and to and to leverage my own mental health journey to help others, to be, as I mentioned earlier on, the call A wounded healer, which, by the way, is the case for a lot of counselors. A lot of therapists are wounded healers. And so that's how I kind of got to the place of going back to school and being a counselor, and how that decision had kind of the most congruence, the most alignment of probably any life decision I've ever made, personal or professional, in terms of a decision that supported what I wanted to be true. And that started, gosh, a little over three years ago, is when I went back to school, and now, as I mentioned, I've been seeing clients for, gosh, since December 21 still as a student. And then now I have a private practice. I also work for a community health operation and agency, and I made that choice because I want I didn't want to be in a situation where a client was that could ever I don't want to be in a situation where someone couldn't see me because they couldn't pay and so that's what community health is. It is a. Um, it is a very different environment than private practice. I do both. It is people, you know, court mandated, lot of alcohol and drug substance abuse issues, domestic violence, really, really intense challenges. And I love the work. Sometimes it's overwhelming, but it allows me to really contribute in the ways I've wanted to contribute to people who really desperately need it and may not have the means to pursue that otherwise. Michael Hingson ** 55:37 Well, you certainly set your your mind and your goals on a on a lofty, although I don't think an impossible task, but given everything that you've done, it's probably reasonable to say you're going to, going to do a pretty good job of helping to to accomplish some of that, or at least make the world better because of it. And you know that's that's hard to argue with. I'm really impressed, and look forward to seeing how the progress goes. Tell me about the transformation collaborative you founded that you also have a couple of LLCs that you've created along the way. Yeah. So the transformation Wallace Pond ** 56:16 collaborative that was also in that same period of time where I had asked that question, what do I want to be true in my life, versus just what's the next job? And it was a really interesting process. It was about nine months, 12 months, kind of a rotating group of people just kind of brainstorming, noodling on, you know, if we were going to build a consultancy from scratch based on what we know as professionals, based upon our experience, you know, engaging with consultants as as consumers of consultancy, what would it look like? And we came up with it was kind of two, it turned out, you know, through that process, the sort of two driving elements came out of that. One was, we probably have to reinvent the consultancy itself. Because one of the things that kept coming up in the in that brainstorming conversation stuff, was that, you know, the traditional, particularly, you know, the big consultancies, that traditional model is just woefully inadequate. Much of the time. It's overpriced, you know, it's it's superficial, it's on the outside. I won't go into details about all the things that are broken with it, but, but basically, you know what happens is an agency, you know, has a couple of meetings, you know, they put together a report, they throw it over the wall, they have a celebration dinner, they go on to the next client. You know, there's no sense of accountability. There's no role in execution. I'm not talking ever, just broadly. That's yeah, so we the first thing we decide is, you know, what, if we're going to do this, we're not going to do it that way. In fact, we refer to ourselves as embedded partners. We don't call ourselves consultants. Our goal is to, really, you know, to play a role in getting the client from A to B, you know, including actually providing labor, bandwidth, accountability, execution. So that's the first thing that was very different, and also different in terms of how we operate. I told you previously, before we were on the air, you know, we don't have non disclosure agreements with our partners. We don't have, you know, non competes. It's very different. We don't skim out the top, we don't take commissions, but none of that stuff. You know, it's a very different model. The second thing that we determined as part of that process was, you know, if we're going to bring, really bring value, and we're going to be doing what we want to do, you know, we want congruence between what we're doing what we want to do? It really can't be about incremental stuff. It can't be transactional. It can't be, you know, help with a computer program, or, you know, help with a compliance issue. There are lots of folks that do that, lots of agencies that do that. They do it really well, but if we were going to be embedded partners, and if we were going to be doing what we wanted to do, it had to be transformational. It had to be supporting organizations to reinvent themselves for the world they're in, not the one they were founded in. And so those two things came out of that process, and that's what the transformation collaborative. Transformation collaborative is. There's two main things we do. One is supporting organizations through some version of reinvention, transformation, innovation, and the other is leadership. You know, we. We take, we are pretty kind of harsh in our assessment of what we view as leadership deficiencies, even leadership crisis in many organizations today. And so we've developed a model for kind of the competencies and traits that we believe are required for leaders to be effective today, and more importantly, we've developed a program to support that, and we don't call it leadership development, because we feel like that's also not what this is. That's a buzzword. It's a buzzword, and I think it's also a little bit even tainted, because so much leadership development is about the wrong stuff. We refer to it as leadership discovery. And the way the program operates is we support leaders in discovering themselves, as people, as leaders, as identifying elements of of that skill set and traits that they can gravitate towards and really develop or not develop, but can really leverage. Let's use that word to be more effective. And you know, just give you just a really quick example. You know, where of the mind that leadership is rarely, rarely anymore about technical skills. It's rarely about, you know, a leader's own labor, all the stuff that's been traditional leadership stuff is just price of entry. Now, you know, if you aren't, you know, skilled with PNL, if you, you know, can't work well with a board, if you don't have basic management skills, then that's a very different problem. And you know, we see kind of the primary role of leaders today, in addition to facilitating change and transformation, is human capital. The idea being that everything else is a commodity financing, technology, you name it. That's all has a very short shelf life, shelf life, but as a leader, if you can develop powerful, powerful human capital in your organization, that's not a commodity, that's a deep competitive advantage, and it's about ensuring that Your organization is successful, because you make other people successful, yeah, not because you are an individual rock star with your technical skills or business savvy Michael Hingson ** 1:02:48 interesting. One of the things that I used to do when I managed and led sales teams and people in companies is I always would say to them, you know, I hired you because I know you can do the job, but at least you sold me on the fact that you can do the job. Some people did a better job of selling and didn't necessarily be as successful as I would have liked, but that's okay, but, but my job isn't to boss you around. My job is to work with you to figure out how I can add value to make you more successful. And the people who got that and who were willing to work on that with me were successful, and we figured out what each other's skills were, and sometimes I taught them things that they didn't know. And went both ways, but we worked together and they were more successful. It's all about collaboration. Yeah, Wallace Pond ** 1:03:41 it's collaboration. And, you know, in a big element, and the collaboration is part of that, in our view, in our view, just at the transmission collaborative, a big chunk of that human capital piece. It's not just, it's not just leveraging labor. In fact, the last thing, right, that's the last thing it is. What it's about is in you know, in fact, we, we like eschew terms like employees, labor, workforce, workers, because we feel like that commoditizes The people who can potentially bring value in the organization. Yeah, it's our belief that if leaders can engage the people in their organization as human beings, if they see the workforce as humanity, and that's and that's, you know, as simple as that is, you will not hear leadership development organizations say that. We'll say it that way, no. But if leaders can see people in their organization as humanity and can address. As such, and can see them as human beings who don't stop being human at the office door. It's not easy. It's hard to put on a spreadsheet. It's a long term proposition, but if an organization truly wants to be sustainable, if they truly want to outgrow or grow at a rate greater than the competition, it is not going to come from commodities like their next technology or even their access to capital. It's going to be do they have, do they have people in the organization that are fully engaged, that are committed to the organization because they feel valued and taken care of. That's, you know, again, it sounds very simple. That's not language you typically hear in a conversation like this, no, Michael Hingson ** 1:05:59 and it's not necessarily easy to make happen, but if you do it and you learn how to do it, the more you do it, the easier it becomes. You know, I have heard many people say that they really love their job to the point where it's not a job anymore. It says it's a labor of love. It is what they love to do. And I think as a leader, part of my responsibility is to help people explore that opportunity with whatever they're doing, and the ones who truly discover that they love what they do will will do the very kinds of things that you're talking about. Wallace Pond ** 1:06:41 Yeah, and you know, one of the things that kind of is frustrating to us, if not even confusing to us at the transformation collaborative, is the extent to which, I mean, again, sometimes we take kind of a harsh position, but the extent to which people should kind of know better are, are, you know, either just doing the wrong thing or clueless, yeah, you know. And one of the big organizations, one of the big consultancies that we still have a lot of faith in, is Gallup, and that's because they're, you know, they have such massive data sets, and they really get it in terms of the people piece. They really, really get it in terms of, you know, the human piece. And, you know, employee engagement detachment continues to decline, you know, from four years ago, they continue. The data is just in for 2023 you know, and they continue to feel lower levels of satisfaction and less connection to mission and purpose. And as a result, they are more and more disengaged. And that's just profoundly expensive to organizations, yeah, to have these huge payrolls of people that are disengaged and and they don't get it. And yeah, get it, yeah, and the data is there, right? And the and folks are are communicating what's not working for them. Yeah, Michael Hingson ** 1:08:23 it's pretty straightforward, but people are listening Exactly, Wallace Pond ** 1:08:26 yeah, and you know, people, they don't feel like they have authority in what's expected. Their managers are not giving them good feedback and coaching. You know, they might be managing time and resources, but they're not developing their people. No one asks anyone's opinion about contributing to goal setting or improvement or innovation. They don't feel like the organization gives a rat's ass about their well being, you know, their sense of purpose being part of a team, I said in a recent LinkedIn post just a few days ago. You know, this is not rocket science. I put it all caps, which I almost never do. This is not rocket science. And yet, there are so many leaders that just seem baffled by what's going on. And kind of, one of our goals at the at the transmission collaborative with our leadership Discovery Program, is to really, really get leaders over that hump, you know, and help them develop a completely different perspective. Now, you said it's not easy to do, and that's true, but it's not just because it's an it's a new approach, new skill set, right, new way of thinking, not just because, you know, organizational structures and compensation and culture doesn't necessarily support it, but it's also really hard because. Is, even if you're that kind of leader, that behavior is not traditionally rewarded for you as a leader, right? Like it, you know, it doesn't fit well into the you know, performance, you know, reports to the board and you know, on the fourth slide of the PowerPoint, it's, you know, it doesn't fit well into short term results. And so to do that as a leader, takes a tremendous amount of courage, and it's a really big risk, because you will be speaking a language that many people around you do not speak, that people you report to do not speak, and that has not been traditionally rewarded. So it's, it's, you're right. It is very hard to do for multiple reasons. Michael Hingson ** 1:10:52 I hear you, you know what? We have been going almost 70 minutes, and I'm going to have to end because, because we have been going almost 70 minutes, yeah, but I think we should do another one of these. Wallace Pond ** 1:11:06 I'd love to. In fact, I know that a whole bunch of the questions we kind of talked about before, I know we didn't even get Michael Hingson ** 1:11:13 to, even get to so I would like to, yeah, I'm Wallace Pond ** 1:11:16 totally fine. I love that. You know, these are the kinds of conversations I really, really enjoy Michael. I, you know, I don't think we do enough. You know, one of the things that I talked about, what I want to be true in my life, and what have I changed, and whatever, I dedicate a lot of time now to engagement, interactions, connections that I can't monetize, that, you know, that aren't about deliverables, that don't connect to some performance goal, but just are nourishing. Yeah, you know, just, and that's worth a lot, yeah? And I feel that's kind of what today's been. So I really appreciate that opportunity. Michael Hingson ** 1:12:01 Well, if people want to reach out to you, maybe talk with you further, or consult or are use your your efforts and so on. How do they do that? Wallace Pond ** 1:12:11 Yeah, so there's a couple ways to do that. If they want to go poke around on the transformation collaborative website, website, then they'll see a lot of stuff about, you know, research. We've done things, we've published trends, services. We provide both with transformation and leadership, discovery.
It's almost Founder's Day at Antonio Bay, so the IMMP celebrates by rolling into John Carpenter's 1980 movie THE FOG.
As both Huey Lewis and his famous News have taught us, we gotta go back in time! It's 1889 S.F. this time around the sun but it takes the Enterprise crew a little while to get there. They find Data's head in a cave, contemplate death in Ten Forward, Guinan drops some plot bomb, and then bang, Data's in San Francisco at the stop of act three. There's some freaky aliens stealing human energies with a black light. There's also a poker game, an anvil gag, and Mark Twain as Hal Holbrook played by Jerry Hardin. Special Guest Tyler Jacobson returns to talk about this episode and where it should have been cliffhunged. Cliffhanged? Cliffhung! Get in touch with us on BlueSky @ReEngageTNG.bsky.social! Host: Greg Tito (Gregtito.com, @GregTito on Bluesky, @gregtito on Twitter, @greg_tito on IG), Panel: Erik Gratton (@erikfallsdown on Twitter & IG), Jimmie G (@thejimmieg on IG & Twitter), and Kate Jaeger (@jaegerlicious on Twitter and IG) Audio Editor: Greg Tito (Gregtito.com, @GregTito on Bluesky, @gregtito on Twitter, @greg_tito on IG), Logo artwork: @mojojojo_97 on Twitter, mojo97.com Theme music: Ryan Marth Next up is the SEASON SIX PREMIERE, s6e1 "Time's Arrow Pt. 2" hosted by one of us!
This month Nelson brings to the table a film Longino has nether seen nor heard of: the 70s conspiracy theory thriller, Capricorn One. Inspired by the theory that the moon landing was staged, this fictional adventure depicts a government conspiracy to fake a landing on Mars. Will this viewing take off like a rocket or crash in the desert? Listen and find out!
Welcome to the Instant Trivia podcast episode 1113, where we ask the best trivia on the Internet. Round 1. Category: State Capital Nicknames 1: "The Bluegrass Capital". Frankfort. 2: "The Charter Oak City". Hartford. 3: "Arkopolis". Little Rock. 4: "The Gateway to Glacier Bay National Park". Juneau (Alaska). 5: "The Cradle of the Confederacy" and "The Birthplace of Civil Rights". Montgomery, Alabama. Round 2. Category: Actors In Political Films 1: In 1993 he was "In the Line of Fire" as Secret Service agent Frank Horrigan. Clint Eastwood. 2: This star of "Grumpy Old Men" played a grumpy Supreme Court justice in "First Monday in October". Walter Matthau. 3: Laurence Harvey and Frank Sinatra starred in this 1962 political thriller based on a novel by Richard Condon. The Manchurian Candidate. 4: In "All the President's Men", Hal Holbrook played this informer whose true identity is still a mystery. "Deep Throat". 5: This British actor, JFK's brother-in-law, played a U.S. senator in "Advise and Consent". Peter Lawford. Round 3. Category: One-Word Film Titles 1: Ice Cube gave rise to a catchphrase with the dismissive "Bye, Felicia" in this 1995 comedy. Friday. 2: If Keanu Reeves' bus went under 50 mph in this flick, it'd like, totally explode. Speed. 3: This 2009 film is the all-time top-grossing movie in the U.S. and the world. Avatar. 4: Sly Stallone knocks the stuffing out of a slab of beef and Apollo Creed in this movie. Rocky. 5: (I'm Mario Andretti.) In 1967 I drove a Ford Fairlane to win the Daytona 500; almost 40 years later I played a Ford Fairlane who was at the racetrack in this Pixar film. Cars. Round 4. Category: -Mancy Pants 1: What's that giant talking octopus smoking a cigar mean? Use oneiromancy, the practice of interpreting these. dreams. 2: A necromancy can mean this 5-letter magical word that is "cast" by wizards. a spell. 3: Tasseomancy, the reading of these, must be popular in England in the late afternoon. tea leaves. 4: A state of temporary inactivity like hibernation. dormancy. 5: Chiromancy is this method of telling someone's fortune. palm reading. Round 5. Category: Letters In Sequence 1: 18-19-20:Explode, in air, perhaps. burst. 2: 7-8-9:A type of hyena. laughing. 3: 4-5-6:Transfer one's allegiance to another nation. defect. 4: 8-9-10:Forcibly seize control of a moving vehicle. hijacking. 5: 19-20-21:Dampness. moisture. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
National cabbage day. Entertainment from 1963. 1st American killed in WW1, Port A Potty lock invented, 1st weather satallite launched. Todays birthdays - Hal Holbrook, Dodie Stevens, Rene Russo, Richard Karn, Lou Diamond Phillips, Larry the Cable Guy, Denise Richards, Billie Joe Armstrong, Jerry O'Connel, Bryan White, Joseph Gordon-Levett, Ed Sheeran. Geronimo died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Cabbage song - Appletree EducationHey Hey Paula - Paul & PaulaDon't let me cross over - Carl Butler & PearlBirthdays - In da club - 50 Cent http://50cent.com/Pink shoe laces - Dodie StevensHome Improvement TV themeI pissed my pants - Larry the Cable GuyWelcome to paradise - Green DaySo much for pretending - Bryan White3rd Rock from the sun TV themeShivers - Ed SheeranExit - Its not love - Dokken http://dokken.net/
Magnum Force - 1973Director - Ted PostWriters - John Milius, Harry Julian Fink, Rita M Fink, Michael CiminoMusic - Lalo SchifrinStars:Clint EastwoodHal HolbrookFelton PerryDavid SoulTim MathesonKip NivenRobert UrichMitchell RyanA man's got to know his limitations.
Samuel and Olivia Clemens and their children moved into the house they'd had built at Nook Farm in Hartford — the house that we now call the Mark Twain House — in 1874, 150 years ago this year. Partly to celebrate that anniversary, we present this hour a new version of our 2015 interview with the late Hal Holbrook. Holbrook was probably best known for his one-man show, Mark Twain Tonight!, which he performed for 63 years — longer than Samuel Clemens used the Mark Twain moniker. Beyond Mark Twain Tonight!, you probably know Hal Holbrook as Deep Throat in All the President's Men. He's in a Dirty Harry movie. He's in a Steven Spielberg movie. He's in Wall Street and The Firm and John Carpenter's The Fog. He appeared on Designing Women and The West Wing and The Sopranos and Sons of Anarchy and Grey's Anatomy. Hal Holbrook won a Tony Award. He was nominated for 12 Emmys, and he won five. And he was nominated for the Academy Award for Best Supporting Actor for Into the Wild. We talked to Holbrook on the evening of February 3, 2015. He was two weeks shy of his 90th birthday — which birthday he celebrated by performing Mark Twain Tonight! at The Bushnell in Hartford. Hal Holbrook died in 2021. He was 95. GUEST: Hal Holbrook: Was a film, television, and stage actor The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. This interview was originally produced by Betsy Kaplan. Colin McEnroe, Cat Pastor, and Chion Wolf contributed to this show, parts of which originally aired February 4, 2015, in a different form.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Sage has finally picked a movie he has wanted to pick for months, 2007's Into the Wild starring Emile Hirsh, Vince Vaughn William Hurt, Kristen Stewart, and Hal Holbrook. We talk about the story's validity, the archetypal characters Chris comes across, the tragic nature of Alexander Supertramp, and more! This movie was directed by Sean Penn. GD4AM: 84/100 IMDb: 8.1/10 Metacritic: 73/100 Letterboxd: 3.8/5 RT: 83% After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity, and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life. This movie is currently streaming on Showtime. NEXT MOVIE REVIEW: Next Goal Wins (2023), which is currently available for rent on most VOD platforms.
What's this, a well-regarded science fiction conspiracy thriller which featured an all-star cast and yet no one remembers it?? Well yeah if this film happens to come out the same year as Star Wars and Close Encounters of the Third Kind....two BEHEMETHS from this era directed by master filmmakers/household names George Lucas and Stephen Spielberg respectively. Whereas this was directed by Peter Hyams....who actually built up a nice filmography himself over the next ten years including Running Scared, Outland, and 2010: The Year We Make Contact. And this being his breakout success which he also wrote, it has ONE hell of a doozy of a plot....Three astronauts (James Brolin, Sam Waterston, O.J. Simpson) are about to embark on a TRULY historic adventure, THE first manned mission to the planet of Mars! Except they're not actually going to Mars....they're supposed to stay on Earth and ONLY they are to know this. Hmmm....it's a massive space program conspiracy lead by the late, great Hal Holbrook who is orchestrating it from NASA. Fortunately there is ONE brave reporter who is out to uncover the truth and he's played by Elliott Gould. :) And of course don't underestimate the crazy aerial hijinks of a crazy crop-duster pilot played by the late, great Telly Savalas too while you're you're at it. :) Admit to yourself that it sounds intriguing. Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
Our guest today is actor and Greek historian Thaao Penghlis. A role on General Hospital led to his four decades on the NBC daytime drama Days of Our Lives, which has earned him three Emmy nominations for Outstanding Leading Actor and a Soap Opera Digest Award for Favorite Return. He was one of soap's favorite villains. Thaao's acting career went far beyond the soaps as he played master-of-disguise Nicholas Black on the 1989 prime-time revival of Mission: Impossible. He also starred in the miniseries Sadat, appeared opposite Omar Sharif and Jane Seymour in the miniseries adaptation of Sydney Sheldon's Memories of Midnight, played a terrorist in the television film Under Siege with Peter Strauss and Hal Holbrook, and starred with Joanna Cassidy in the miniseries Tribe. One thing remains, is his love of his Greek heritage. The grandson of Greek immigrants who migrated to Australia in the 1940s, Thaao celebrates his heritage in his acting, writing, cooking, travels and now his new podcast, In The Lost Treasures. In The Lost Treasures, he channels his passion for Greek history and culture by exploring the Trilogy of Homer through the life of German archaeologist Heinrich Schliemann, who himself changed history by uncovering the real-life locations and treasures in the ancient epic poems. #actor #television #film #soapopera #Greekhistory #archaeology #archaeologicalhistory #ancienthistory #ancientreligion #anceintartifacts #archaeologyartifacts #artifacts #missionimpossible
Our guest today is actor and Greek historian Thaao Penghlis. A role on General Hospital led to his four decades on the NBC daytime drama Days of Our Lives, which has earned him three Emmy nominations for Outstanding Leading Actor and a Soap Opera Digest Award for Favorite Return. He was one of soap's favorite villains. Thaao's acting career went far beyond the soaps as he played master-of-disguise Nicholas Black on the 1989 prime-time revival of Mission: Impossible. He also starred in the miniseries Sadat, appeared opposite Omar Sharif and Jane Seymour in the miniseries adaptation of Sydney Sheldon's Memories of Midnight, played a terrorist in the television film Under Siege with Peter Strauss and Hal Holbrook, and starred with Joanna Cassidy in the miniseries Tribe. One thing remains, is his love of his Greek heritage. The grandson of Greek immigrants who migrated to Australia in the 1940s, Thaao celebrates his heritage in his acting, writing, cooking, travels and now his new podcast, In The Lost Treasures. In The Lost Treasures, he channels his passion for Greek history and culture by exploring the Trilogy of Homer through the life of German archaeologist Heinrich Schliemann, who himself changed history by uncovering the real-life locations and treasures in the ancient epic poems. #actor #television #film #soapopera #Greekhistory #archaeology #archaeologicalhistory #ancienthistory #ancientreligion #anceintartifacts #archaeologyartifacts #artifacts #missionimpossible
Hey Friends, If It's Tuesday, it's time for “5 Questions With…” Today, we have our three guests from last week. First up is Tony Award winning actor, singer, and songwriter, Mr. Levi Kreis. Fresh off his trip around the country with the official Hadestown touring company, Levi took a couple minutes to stop by before he heads out on his own tour, with his Annual “Home for the Holidays,” Christmas tour. This year Levi will be taking his concert from Florida to Main, Ohio to Chicago, and California and his home town in Tennessee. Bringing Christmas classics, new songs, and audience favorites, you don't want to miss this amazing show. Sit back and enjoy while Levi and I catch up and give you a little glimpse into Christmas and then Puerto Vallarta. Next, We kicked off the Christmas season last week, with my two special guests in studio today. Directing duo, Paul Schneider and Alicia Schneider have a new holiday movie now streaming on the fantastic Tello streaming network, titled, “A Holiday, ‘I Do.'” The movie is Paul's 3rd time in the direct chair and Alicia's first, on a script they both inspired. Y'all know I love me my holiday Christmas movies and though Lifetime and Hallmark are both getting more inclusive, they are no match for the work they are doing over at Tello Films, a company geared toward creating great content for our lesbian community and this 4th entry I believe into the holiday market. I am excited to talk to these two filmmakers on how this project came to be and kickoff the joy of the season here on the Left of Str8 Radio Network. So let's welcome Paul and Alicia to the show Finally, I am thrilled to have an amazing straight ally joining us today, Derek Magyar is in studio with me. Derek is a dynamic figure in the entertainment industry, known for his significant contributions both in front of and behind the camera. As an actor, Derek has made his mark on amazing movies and television projects and working with greats such as Ed Harris, Mekhad Brooks and Luke Evans and as a director, working with such legends as Hal Holbrook and Christine Lahti. His fantastic work resonates deeply within our community, blending artistic talent with a commitment to representing diverse voices, as he reprises his role of “X” in the long awaited sequel, “Boy Culture; Generation X, that is currently playing on your favorite Streaming platforms. He is currently however, enjoying his most personal role ever as Father to his beautiful new baby girl and spending family time with his gorgeous wife, I can't wait to talk to him, So in a minute, let's welcome for the first time to the Left of Str8 Show, the very handsome and talented Mr. Derek Magya Be sure to check out my guest's websites and their Social Media. Thank you for listening to the Left of Str8 Radio Network, hosted by Scott Fullerton. We talk to and about, celebrities and personalities from the worlds of Entertainment, Foodies, Music, Books, and Advocacy. We post our weekly lgbtq news show, Our Left of Str8 Interviews post on Thursdays and Fridays, and we post our bonus "5 Questions With...." our Interviewee's on Tuesdays. Our newest show, "Bears of a Certain Age," airs on its own YouTube Channel in our partnership with The Queer Centric every Wednesday. Please share with your friends and follow us on social media @leftofstr8 on Instagram, @leftofstr8radio on Twitter (X), and Left of Str8 Show on Facebook. If you like us, please give our episodes a 5 star rating so more people will find them in the Algorithm. Go to our website at www.leftofstr8radio.com to listen to all shows, enter contests, write questions to the show for Scott or Guests, and if you want to be a guest or host on the network. You can find the video podcast of each episode on YouTube and Spotify, and the audio podcast is available at all major distributors including: iTunes, iHeart Radio, GoodPods, Amazon Music, Audible, Google Podcasts and more. .............Thanks, Scott
Hey Friends Welcome back to the "Left of Str8 Show," Interviews, where I am so lucky to explore the vibrant world of LGBTQ+ culture, creativity, and community along with our straight allies, as I interview Celebrities and personalities from the worlds of Entertainment, Foodies, Books, Music and Advocacy. I am your host as always Scott Fullerton and Today, I am thrilled to have an amazing straight ally joining us today, Derek Magyar is in studio with me. Derek is a dynamic figure in the entertainment industry, known for his significant contributions both in front of and behind the camera. As an actor, Derek has made his mark on amazing movies and television projects and working with greats such as Ed Harris, Mekhad Brooks and Luke Evans and as a director, working with such legends as Hal Holbrook and Christine Lahti. His fantastic work resonates deeply within our community, blending artistic talent with a commitment to representing diverse voices, as he reprises his role of “X” in the long awaited sequel, “Boy Culture; Generation X, that is currently playing on your favorite Streaming platforms. He is currently however, enjoying his most personal role ever as Father to his beautiful new baby girl and spending family time with his gorgeous wife, I can't wait to talk to him. Be sure to check out my guest's website: www.skinnyleeproductions.com and his Social Media here: @derekmagyar Thank you for listening to the Left of Str8 Radio Network, hosted by Scott Fullerton. The Left of Str8 Radio Network was created for the LGBTQ Community and our Straight Allies and we talk to and about, celebrities and personalities from the worlds of Entertainment, Foodies, Music, Books, and Advocacy. We post our weekly lgbtq news show, The Rainbow Rundown on Mondays, Our Left of Str8 Interviews post on Thursdays and Fridays, and we post our bonus "5 Questions With...." our Interviewee's on Tuesdays. Our newest show, "Bears of a Certain Age," airs on its own YouTube Channel in our partnership with The Queer Centric every Wednesday. Please share with your friends and follow us on social media @leftofstr8 on Instagram, @leftofstr8radio on Twitter (X), and Left of Str8 Show on Facebook. If you like us, please give our episodes a 5 star rating so more people will find them in the Algorithm. Go to our website at www.leftofstr8radio.com to listen to all shows, enter contests, write questions to the show for Scott or Guests, and if you want to be a guest or host on the network. You can find the video podcast of each episode on YouTube and Spotify, and the audio podcast is available at all major distributors including: iTunes, iHeart Radio, GoodPods, Amazon Music, Audible, Google Podcasts and more. You can support the show on our Patreon Page for as little as $3 a month, $8 a month, or $13 a month, to help cover show expenses and other costs. you can find us over at www.patreon.com/leftofstr8 .............Thanks, Scott
November 9-15, 1985 This week Ken welcomes comedian, and haver of a new album called "Gettin' By", Liz Barrett to the show. Liz and Ken discuss the backroom of comedy clubs, CT, the invention of the hamburger, growing up in a Military Family, German Military Bases, having a much younger sibling, 13 year olds, Lady Di, iconic sweaters, loveless royal marriages, Boy George, Ken's sister (RIP)'s Make a Wish, ferrets, fancy TV Guides, the greatness of Peter Scolari, 1985 SNL, NBC Saturdays, sensitive human portrayals of people with AIDS, Martin Sheen, creepy dolls, We Are the World, North and South, 227, Fred Dryer, noticing the intentional humor in things later in life, Touch of Class, sophistication, full page ads for Soap Operas, Lifetime, Dwarves, Dance of the Dwarves, Diane Cannon in a face based WWII drama Jenny's War, crushing on Hal Holbrook, Defiance with Jan Michael Vincent, vagueness, Kenny Rogers' acting career, when you "need the money", freeloaders in Boston, The Insiders, Hell Town, St. Elsewhere, Diff'rent Strokes, people Ken has had on the show, Astronauts, things that "keep you guessing", Haley's Comet, Donald Sutherland, hating loud noises, action movies, Cheers, Benson, Mr. Belvedere, Misfits of Science, evil Hovercrafts, not believing a dolphin about finding cocaine, USA Network's low budget, the perfection of Golden Girls, how people get their information, and finding out if its cake or not.
What do you get when you mix together the finest in horror comics, short stories, film, and cake? The classic 1982 film Creepshow, written by the master of horror Stephen King and directed by George A. Romero, the brains behind modern-day zombie lore. For our second Halloween month selection, John and Georgia give an in-depth analysis of the six gory tales that comprise Creepshow's anthology and share personal memories of their first viewings of the film as kids. We talk Stephen King the author, screenwriter, and actor (in his only starring role to date), we praise the execution of the practical and in-camera effects, we explore how longtime Romero collaborator and Director of Photography Michael Gornick achieved the comic book look for the film, we discuss how FX wizard Tom Savini created the incredible Yeti-like monster Fluffy, Ed Harris's super smooth disco moves, the joys of international cockroach trafficking, and we applaud the talents of the all-star cast including Leslie Nielsen, Hal Holbrook, Ted Danson, and Adrienne Barbeau, who make the fantastic characters come to life. Even if your dad threw out your comic book, we've got you covered, so give us a listen!
June 30th marked the 30th anniversary of the 1993 thriller, The Firm. The Captains wanted to look back and see if it held up. Did Tom run as much as we remember? How many movies based on John Grisham novels can they release in a year? Find out on this Deep Dive. Starring - Tom Cruise, Jeanne Tripplehorn, Gene Hackman, Hal Holbrook, Ed Harris; Directed By - Sydney Pollack; Written By - David Rabe, Robert Towne, David Rayfiel; Music - Dave Grusin; Cinematography - John Seale; Editing - Fredric Steinkamp, William Steinkamp.Website: https://amoviepodcast.com/Twitter: @ItsaFilmPodcastInstagram: @toomanycaptainsproductions
We review Creepshow with Eric from Bloody Good Horror for our 100th review episode! Creepshow stars: Leslie Nielsen, Ed Harris, Ted Danson, Gaylen Ross, Hal Holbrook, Adrienne Barbeau, Tom Atkins, Joe Hill Directed by George A. Romero Written by Stephen King Score by John Harrison Follow Dads From the Crypt! Twitter: @cryptdads Instagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt
The botched Watergate break-in happened 51 years ago today, on June 17, 1972. Over the decades since, the whole Watergate story has been processed through our popular culture over and over again, from Alan J. Pakula's classic movie of All the President's Men through HBO's recent limited series White House Plumbers. This hour, a look at both of those versions, plus we talk to writer Thomas Mallon about adapting the story as a novel and the late actor Hal Holbrook about playing Deep Throat. GUESTS: Jim Chapdelaine: An Emmy-winning musician and a patient advocate for people with rare cancers Ann Hornaday: Chief film critic for The Washington Post and the author of Talking Pictures: How to Watch Movies Hal Holbrook: Was a film, television, and stage actor Thomas Mallon: A critic and the author of many novels, including Watergate: A Novel Irene Papoulis: Teaches writing at Trinity College The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Anya Grondalski, Betsy Kaplan, Cat Pastor, Catie Talarski, Lily Tyson, and Chion Wolf contributed to this show, parts of which originally aired August 6, 2014; February 4, 2015; June 15, 2022; and June 2, 2023, in a different form. Our programming is made possible thanks to listeners like you. Please consider supporting this show and Connecticut Public with a donation today.Support the show: http://www.wnpr.org/donateSee omny.fm/listener for privacy information.
SUMMER SLASH 5 OFFICIAL HORROR MOVIE TEE + BINGE-WATCHERS PODCAST T-Shirt https://bit.ly/SUMMERSLASH5TEE Watch the Podcast: https://bit.ly/BWVideoSub Listen To All Episodes: https://bit.ly/SUB2LISTEN Time for an announcement about the fifth annual horror movie festival called "Summer Slash." Johnny Spoiler, introduces the festival and discusses the lineup of spine-chilling movies, including classics like "Girls Night Out" and "Bloody Moon" as well as a double feature of "The Deep House" and "Underwater." The podcast crew will review, discover, and recommend the best horror movies while also spoiling them. They mention a horror movie called "May" coming to Blu-ray in the UK with new special features, and they discuss the actress and the unique nature of the film. They briefly talk about sending Jordan a Blu-ray player for the movies. The conversation shifts to horror movie news, specifically the upcoming release of "Insidious Five," which will explore the story of the Red Demon from the earlier films. They joke that it will be a family-friendly horror movie. The discussion concludes with a mention of "The Nun" and its sequel. Johnny and Jordan then talk about an upcoming sequel to The Exorcist, mentioning original cast members and expressing excitement about having Linda Blair, a horror movie star from the '80s, back in a theater release. The conversation then shifts to a movie called Girls Night Out, where co-eds are stalked by a slasher dressed as a bear. They discuss the marketing strategy of the film, which featured actresses talking about the movie without actually appearing in it. They also mention Hal Holbrook's involvement and how his scenes were edited to appear as if he interacted with other cast members. The conversation touches on movie references and twists in the plot, including the revelation of the killer's identity. Jordan mentions how eerie cello scores from the film were later used in a tornado documentary. They talk about their favorite parts of the movie, including a creepy scene and a shocking twist involving twins. They also mention the uncertainty of the ending and how it adds to the horror. Despite some dips in the middle, they both rate the movie positively and recommend watching it.
Our ongoing series of notable Tom Cruise vehicles from different eras continues, all leading to the release of Mission Impossible: Dead Reckoning Part I coming this July. The next entry in this series focuses on one of the most successful thrillers of the '90's which is approaching its 30th Anniversary - it also happens to be one Cruise's biggest hits but for some reason, it doesn't receive nearly as much ongoing discussion as several of his other blockbusters like Jerry Maguire, Top Gun, or A Few Good Men. Could it be because it was SUCH a dense movie geared towards grown-ups?Not sure but the pedigree was there - it's an adaptation of the best-selling John Grisham novel of the same name and is directed by the late, great Sydney Pollack (Three Days of the Condor, Tootsie). Cruise stars as Mitch McDeere, a hot young tax attorney just graduating law school who is being courted by big-time law firms from all over the country but chooses one located at a smaller film in Memphis. He moves there with his wife played by Jeanne Tripplehorn and starts to gradually realize that not everything going on at the film might be legit....and trouble ensues. :o The stacked cast includes Gene Hackman, Hal Holbrook, David Straithard, Ed Harris, Wilford Brimley, and Holly Hunter. Apparently NO ONE ever leaves this film alive.....let's find out why. :o See below for links to two different short funny videos examining one of this film's most memorable scenes. :)https://www.youtube.com/watch?v=6UP8lVT7Daghttps://www.youtube.com/watch?v=gchYh2d0q0oHost: Geoff Gershon Editors: Geoff and Ella GershonProducer: Marlene Gershonhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
In our second Plot Summary Mad Libs, we begin the trend of verbally violating Kari, of which I take no blame. Here is our Mad Libs for 1980's American supernatural horror thriller film, "The Fog".If there is a movie you want us to bastardize with a Plot Summary Mad Libs, you can make a request on our Ko-fi page.---------- Request a personalized shout out Request a Plot Summary Mad Libs for a movie of your choice! Check out all our episodes and subscribeConnect with us! Twitter | Facebook | Instagram----------Movie featured in today's Plot Summary Mad Libs: The Fog 1980's American supernatural horror thriller Written by John Carpenter and Debra Hill Directed by John Carpenter Starring Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, Janet Leigh and Hal Holbrook Budget of $1.1mil, made over $21mil in the box office Currently a 6.8 on IMDb
'Greed is good' was a legendary line delivered by the infamous Gordon Gecko in the 1987 Oliver Stone movie, Wall Street. Directed by Stone, and starring Michael Douglas, Charlie Sheen, Daryl Hannah, Martin Sheen, Hal Holbrook, and Terence Stamp. If you enjoy the show we have a Patreon, become a supporter. www.patreon.com/thevhsstrikesback Plot Summary: On the Wall Street of the 1980s, Bud Fox is a stockbroker full of ambition, doing whatever he can to make his way to the top. Admiring the power of unsparing corporate raider Gordon Gekko, Fox entices Gekko into mentoring him by providing insider trading. As Fox becomes embroiled in greed and underhanded schemes, his decisions eventually threaten the livelihood of his scrupulous father. Faced with this dilemma, Fox questions his loyalties. thevhsstrikesback@gmail.com https://linktr.ee/vhsstrikesback --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support
Mark Feuerstein (What Women Want, Royal Pains) stars in this episode, as Hal Holbrook. Stuttering defined Hal's life... until one day, it didn't. Hal Holbrook, the subject of this episode, has written a children's book, The King Who Wanted a Whale, which is available on Amazon: https://www.amazon.com/dp/B01JNPMB2M Hope Lives Here is a production of Voyage Media. The series is produced by Nat Mundel, Robert Mitas, and Dan Benamor. This episode, Speechless, was written and directed by Michael Chamoy. Starring Mark Feuerstein as Hal. Additional cast credits available in the show notes. Edited by Jaxson McLennan. Original music by Derlis Gonzalez. If you're enjoying the show, please leave us a 5-star review on Apple Podcasts or anywhere you're listening, and subscribe now for future episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we're going INTO THE WILD with Austin's dad, Glen Pruett! The cousins and Glen talk about how the movie compares to the book, Hal Holbrook's Oscar nominated performance, the iconic soundtrack and much more!Join the Extended Family on Patreon: https://www.patreon.com/FilmwithFamilyYouTube: https://www.youtube.com/@FilmwithFamilyInstagram: https://www.instagram.com/filmwithfamily/TikTok: https://www.tiktok.com/@film.with.familyTwitter: https://twitter.com/filmwithfamilyFacebook: https://www.facebook.com/profile.php?id=61551928799003Email us at filmwithfamilypodcast@gmail.comLetterboxd: Austin C. Pruett and zacharyzweifler
We continue our look back at the movies released by independent distributor Vestron Pictures, focusing on their 1988 releases. ----more---- The movies discussed on this episode, all released by Vestron Pictures in 1988 unless otherwise noted, include: Amsterdamned (Dick Maas) And God Created Woman (Roger Vadim) The Beat (Paul Mones) Burning Secret (Andrew Birkin) Call Me (Sollace Mitchell) The Family (Ettore Scola) Gothic (Ken Russell, 1987) The Lair of the White Worm (Ken Russell) Midnight Crossing (Roger Holzberg) Paramedics (Stuart Margolin) The Pointsman (Jos Stelling) Salome's Last Dance (Ken Russell) Promised Land (Michael Hoffman) The Unholy (Camilo Vila) Waxwork (Anthony Hickox) TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. At the end of the previous episode, Vestron Pictures was celebrating the best year of its two year history. Dirty Dancing had become one of the most beloved movies of the year, and Anna was becoming a major awards contender, thanks to a powerhouse performance by veteran actress Sally Kirkland. And at the 60th Academy Awards ceremony, honoring the films of 1987, Dirty Dancing would win the Oscar for Best Original Song, while Anna would be nominated for Best Actress, and The Dead for Best Adapted Screenplay and Best Costumes. Surely, things could only go up from there, right? Welcome to Part Two of our miniseries. But before we get started, I'm issuing a rare mea culpa. I need to add another Vestron movie which I completely missed on the previous episode, because it factors in to today's episode. Which, of course, starts before our story begins. In the 1970s, there were very few filmmakers like the flamboyant Ken Russell. So unique a visual storyteller was Russell, it's nigh impossible to accurately describe him in a verbal or textual manner. Those who have seen The Devils, Tommy or Altered States know just how special Russell was as a filmmaker. By the late 1980s, the hits had dried up, and Russell was in a different kind of artistic stage, wanting to make somewhat faithful adaptations of late 19th and early 20th century UK authors. Vestron was looking to work with some prestigious filmmakers, to help build their cache in the filmmaking community, and Russell saw the opportunity to hopefully find a new home with this new distributor not unlike the one he had with Warner Brothers in the early 70s that brought forth several of his strongest movies. In June 1986, Russell began production on a gothic horror film entitled, appropriately enough, Gothic, which depicted a fictionalized version of a real life meeting between Mary Godwin, Percy Shelley, John William Polidori and Claire Clairemont at the Villa Diodati in Geneva, hosted by Lord Byron, from which historians believe both Mary Shelley's Frankenstein and John William Polidori's The Vampyre were inspired. And you want to talk about a movie with a great cast. Gabriel Byrne plays Lord Byron, Julian Sands as Percy Shelley, Natasha Richardson, in her first ever movie, as Mary Shelley, Timothy Spall as John William Polidori, and Dexter Fletcher. Although the film was produced through MGM, and distributed by the company in Europe, they would not release the film in America, fearing American audiences wouldn't get it. So Vestron would swoop in and acquire the American theatrical rights. Incidentally, the film did not do very well in American theatres. Opening at the Cinema 1 in midtown Manhattan on April 10th, 1987, the film would sell $45,000 worth of tickets in its first three days, one of the best grosses of any single screen in the city. But the film would end up grossing only $916k after three months in theatres. BUT… The movie would do quite well for Vestron on home video, enough so that Vestron would sign on to produce Russell's next three movies. The first of those will be coming up very soon. Vestron's 1988 release schedule began on January 22nd with the release of two films. The first was Michael Hoffman's Promised Land. In 1982, Hoffman's first film, Privileged, was the first film to made through the Oxford Film Foundation, and was notable for being the first screen appearances for Hugh Grant and Imogen Stubbs, the first film scored by future Oscar winning composer Rachel Portman, and was shepherded into production by none other than John Schlesinger, the Oscar winning director of 1969 Best Picture winner Midnight Cowboy. Hoffman's second film, the Scottish comedy Restless Natives, was part of the 1980s Scottish New Wave film movement that also included Bill Forsyth's Gregory's Girl and Local Hero, and was the only film to be scored by the Scottish rock band Big Country. Promised Land was one of the first films to be developed by the Sundance Institute, in 1984, and when it was finally produced in 1986, would include Robert Redford as one of its executive producers. The film would follow two recent local high school graduates, Hancock and Danny, whose lives would intersect again with disastrous results several years after graduation. The cast features two young actors destined to become stars, in Keifer Sutherland and Meg Ryan, as well as Jason Gedrick, Tracy Pollan, and Jay Underwood. Shot in Reno and around the Sundance Institute outside Park City, Utah during the early winter months of 1987, Promised Land would make its world premiere at the prestigious Deauville Film Festival in September 1987, but would lose its original distributor, New World Pictures around the same time. Vestron would swoop in to grab the distribution rights, and set it for a January 22nd, 1988 release, just after its American debut at the then U.S. Film Festival, which is now known as the Sundance Film Festival. Convenient, eh? Opening on six screens in , the film would gross $31k in its first three days. The film would continue to slowly roll out into more major markets, but with a lack of stellar reviews, and a cast that wouldn't be more famous for at least another year and a half, Vestron would never push the film out to more than 67 theaters, and it would quickly disappear with only $316k worth of tickets sold. The other movie Vestron opened on January 22nd was Ettore Scale's The Family, which was Italy's submission to that year's Academy Awards for Best Foreign Language Film. The great Vittorio Gassman stars as a retired college professor who reminisces about his life and his family over the course of the twentieth century. Featuring a cast of great international actors including Fanny Ardant, Philip Noiret, Stefania Sandrelli and Ricky Tognazzi, The Family would win every major film award in Italy, and it would indeed be nominated for Best Foreign Language Film, but in America, it would only play in a handful of theatres for about two months, unable to gross even $350k. When is a remake not a remake? When French filmmaker Roger Vadim, who shot to international fame in 1956 with his movie And God Created Woman, decided to give a generational and international spin on his most famous work. And a completely different story, as to not resemble his original work in any form outside of the general brushstrokes of both being about a young, pretty, sexually liberated young woman. Instead of Bridget Bardot, we get Rebecca De Mornay, who was never able to parlay her starring role in Risky Business to any kind of stardom the way one-time boyfriend Tom Cruise had. And if there was any American woman in the United States in 1988 who could bring in a certain demographic to see her traipse around New Mexico au natural, it would be Rebecca De Mornay. But as we saw with Kathleen Turner in Ken Russell's Crimes of Passion in 1984 and Ellen Barkin in Mary Lambert's Siesta in 1987, American audiences were still rather prudish when it came to seeing a certain kind of female empowered sexuality on screen, and when the film opened at 385 theatres on March 4th, it would open to barely a $1,000 per screen average. And God Created Woman would be gone from theatres after only three weeks and $717k in ticket sales. Vestron would next release a Dutch film called The Pointsman, about a French woman who accidentally gets off at the wrong train station in a remote Dutch village, and a local railwayman who, unable to speak the other person's language, develop a strange relationship while she waits for another train that never arrives. Opening at the Lincoln Plaza Cinemas on New York's Upper West Side on April 8th, the film would gross $7,000 in its first week, which in and of itself isn't all that bad for a mostly silent Dutch film. Except there was another Dutch film in the marketplace already, one that was getting much better reviews, and was the official Dutch entry into that year's Best Foreign Language Film race. That film, Babette's Feast, was becoming something more than just a movie. Restaurants across the country were creating menus based on the meals served in the film, and in its sixth week of release in New York City that weekend, had grossed four times as much as The Pointsman, despite the fact that the theatre playing Babette's Feast, the Cinema Studio 1, sat only 65 more people than the Lincoln Plaza 1. The following week, The Pointsman would drop to $6k in ticket sales, while Babette's Feast's audience grew another $6k over the previous week. After a third lackluster week, The Pointsman was gone from the Lincoln Plaza, and would never play in another theatre in America. In the mid-80s, British actor Ben Cross was still trying to capitalize on his having been one of the leads in the 1981 Best Picture winner Chariots of Fire, and was sharing a home with his wife and children, as well as Camilo Vila, a filmmaker looking for his first big break in features after two well-received short films made in his native Cuba before he defected in the early 1980s. When Vila was offered the chance to direct The Unholy, about a Roman Catholic priest in New Orleans who finds himself battling a demonic force after being appointed to a new parish, he would walk down the hall of his shared home and offered his roomie the lead role. Along with Ned Beatty, William Russ, Hal Holbrook and British actor Trevor Howard in his final film, The Unholy would begin two weeks of exterior filming in New Orleans on October 27th, 1986, before moving to a studio in Miami for seven more weeks. The film would open in 1189 theatres, Vestron's widest opening to date, on April 22nd, and would open in seventh place with $2.35m in ticket sales. By its second week in theatres, it would fall to eleventh place with a $1.24m gross. But with the Summer Movie Season quickly creeping up on the calendar, The Unholy would suffer the same fate as most horror films, making the drop to dollar houses after two weeks, as to make room for such dreck as Sunset, Blake Edwards' lamentable Bruce Willis/James Garner riff on Hollywood and cowboys in the late 1920s, and the pointless sequel to Critters before screens got gobbled up by Rambo III on Memorial Day weekend. It would earn a bit more than $6m at the box office. When Gothic didn't perform well in American theatres, Ken Russell thought his career was over. As we mentioned earlier, the American home video store saved his career, as least for the time being. The first film Russell would make for Vestron proper was Salome's Last Dance, based on an 1891 play by Oscar Wilde, which itself was based on a story from the New Testament. Russell's script would add a framing device as a way for movie audiences to get into this most theatrical of stories. On Guy Fawkes Day in London in 1892, Oscar Wilde and his lover, Lord Alfred Douglas, arrive late at a friend's brothel, where the author is treated to a surprise performance of his play Salome, which has recently been banned from being performed at all in England by Lord Chamberlain. All of the actors in his special performance are played by the prostitutes of the brothel and their clients, and the scenes of the play are intertwined with Wilde's escapades at the brothel that night. We didn't know it at the time, but Salome's Last Dance would be the penultimate film performance for Academy Award winning actress Glenda Jackson, who would retire to go into politics in England a couple years later, after working with Russell on another film, which we'll get to in a moment. About the only other actor you might recognize in the film is David Doyle, of all people, the American actor best known for playing Bosley on Charlie's Angels. Like Gothic, Salome's Last Dance would not do very well in theatres, grossing less than half a million dollars after three months, but would find an appreciative audience on home video. The most interesting thing about Roger Holzberg's Midnight Crossing is the writer and director himself. Holzberg started in the entertainment industry as a playwright, then designed the props and weapons for Albert Pyun's 1982 film The Sword and the Sorcerer, before moving on to direct the second unit team on Pyun's 1985 film Radioactive Dreams. After making this film, Holzberg would have a cancer scare, and pivot to health care, creating a number of technological advancements to help evolve patient treatment, including the Infusionarium, a media setup which helps children with cancer cope with treatment by asking them questions designed to determine what setting would be most comforting to them, and then using virtual reality technology and live events to immerse them in such an environment during treatment. That's pretty darn cool, actually. Midnight Crossing stars Faye Dunaway and Hill Street Blues star Daniel J. Travanti in his first major movie role as a couple who team with another couple, played by Kim Cattrall and John Laughlin, who go hunting for treasure supposedly buried between Florida and Cuba. The film would open in 419 theaters on May 11th, 1988, and gross a paltry $673k in its first three days, putting it 15th on the list of box office grosses for the week, $23k more than Three Men and a Baby, which was playing on 538 screens in its 25th week of release. In its second week, Midnight Crossing would lose more than a third of its theatres, and the weekend gross would fall to just $232k. The third week would be even worse, dropping to just 67 theatres and $43k in ticket sales. After a few weeks at a handful of dollar houses, the film would be history with just $1.3m in the bank. Leonard Klady, then writing for the Los Angeles Times, would note in a January 1989 article about the 1988 box office that Midnight Crossing's box office to budget ratio of 0.26 was the tenth worst ratio for any major or mini-major studio, ahead of And God Created Woman's 8th worst ratio of .155 but behind other stinkers like Caddyshack II. The forgotten erotic thriller Call Me sounds like a twist on the 1984 Alan Rudolph romantic comedy Choose Me, but instead of Genevieve Bujold we get Patricia Charbonneau, and instead of a meet cute involving singles at a bar in Los Angeles, we get a murder mystery involving a New York City journalist who gets involved with a mysterious caller after she witnesses a murder at a bar due to a case of mistaken identity. The film's not very good, but the supporting cast is great, including Steve Buscemi, Patti D'Arbanville, Stephen McHattie and David Straithairn. Opening on 24 screens in major markets on May 20th, Call Me would open to horrible reviews, lead by Siskel and Ebert's thumbs facing downward, and only $58,348 worth of tickets sold in its first three days. After five weeks in theatres, Vestron hung up on Call Me with just $252k in the kitty. Vestron would open two movies on June 3rd, one in a very limited release, and one in a moderate national release. There are a lot of obscure titles in these two episodes, and probably the most obscure is Paul Mones' The Beat. The film followed a young man named Billy Kane, played by William McNamara in his film debut, who moves into a rough neighborhood controlled by several gangs, who tries to help make his new area a better place by teaching them about poetry. John Savage from The Deer Hunter plays a teacher, and future writer and director Reggie Rock Bythewood plays one of the troubled youths whose life is turned around through the written and spoken word. The production team was top notch. Producer Julia Phillips was one of the few women to ever win a Best Picture Oscar when she and her then husband Michael Phillips produced The Sting in 1973. Phillips was assisted on the film by two young men who were making their first movie. Jon Kilik would go on to produce or co-produce every Spike Lee movie from Do the Right Thing to Da 5 Bloods, except for BlackkKlansman, while Nick Weschler would produce sex, lies and videotape, Drugstore Cowboy, The Player and Requiem for a Dream, amongst dozens of major films. And the film's cinematographer, Tom DiCillo, would move into the director's chair in 1991 with Johnny Suede, which gave Brad Pitt his first lead role. The Beat would be shot on location in New York City in the summer of 1986, and it would make its world premiere at the Cannes Film Market in May 1987. But it would be another thirteen months before the film arrived in theatres. Opening on seven screens in Los Angeles and New York City on June 3rd, The Beat would gross just $7,168 in its first three days. There would not be a second week for The Beat. It would make its way onto home video in early 1989, and that's the last time the film was seen for nearly thirty years, until the film was picked up by a number of streaming services. Vestron's streak of bad luck continued with the comedy Paramedics starring George Newbern and Christopher McDonald. The only feature film directed by Stuart Margolin, best known as Angel on the 1970s TV series The Rockford Files, Newbern and McDonald play two… well, paramedics… who are sent by boss, as punishment, from their cushy uptown gig to a troubled district at the edge of the city, where they discover two other paramedics are running a cadavers for dollars scheme, harvesting organs from dead bodies to the black market. Here again we have a great supporting cast who deserve to be in a better movie, including character actor John P. Ryan, James Noble from Benson, Lawrence Hilton-Jacobs from Welcome Back Kotter, the great Ray Walston, and one-time Playboy Playmate Karen Witter, who plays a sort of angel of death. Opening on 301 screens nationwide, Paramedics would only gross $149,577 in its first three days, the worst per screen average of any movie playing in at least 100 theatres that weekend. Vestron stopped tracking the film after just three days. Two weeks later, on June 17th, Vestron released a comedy horror film that should have done better. Waxwork was an interesting idea, a group of college students who have some strange encounters with the wax figures at a local museum, but that's not exactly why it should have been more popular. It was the cast that should have brought audiences in. On one side, you had a group of well-known younger actors like Deborah Foreman from Valley Girl, Zack Gailligan from Gremlins, Michelle Johnson from Blame It on Rio, and Miles O'Keeffe from Sword of the Valiant. On the other hand, you had a group of seasoned veterans from popular television shows and movies, such as Patrick Macnee from the popular 1960s British TV show The Avengers, John Rhys-Davies from the Indiana Jones movies, and David Warner, from The Omen and Time after Time and Time Bandits and Tron. But if I want to be completely honest, this was not a movie to release in the early part of summer. While I'm a firm believer that the right movie can find an audience no matter when it's released, Waxwork was absolutely a prime candidate for an early October release. Throughout the 1980s, we saw a number of horror movies, and especially horror comedies, released in the summer season that just did not hit with audiences. So it would be of little surprise when Waxwork grossed less than a million dollars during its theatrical run. And it should be of little surprise that the film would become popular enough on home video to warrant a sequel, which would add more popular sci-fi and horror actors like Marina Sirtis from Star Trek: The Next Generation, David Carradine and even Bruce Campbell. But by 1992, when Waxwork 2 was released, Vestron was long since closed. The second Ken Russell movie made for Vestron was The Lair of the White Worm, based on a 1911 novel by Bram Stoker, the author's final published book before his death the following year. The story follows the residents in and around a rural English manor that are tormented by an ancient priestess after the skull of a serpent she worships is unearthed by an archaeologist. Russell would offer the role of Sylvia Marsh, the enigmatic Lady who is actually an immortal priestess to an ancient snake god, to Tilda Swinton, who at this point of her career had already racked up a substantial resume in film after only two years, but she would decline. Instead, the role would go to Amanda Donohoe, the British actress best known at the time for her appearances in a pair of Adam Ant videos earlier in the decade. And the supporting cast would include Peter Capaldi, Hugh Grant, Catherine Oxenberg, and the under-appreciated Sammi Davis, who was simply amazing in Mona Lisa, A Prayer for the Dying and John Boorman's Hope and Glory. The $2m would come together fairly quickly. Vestron and Russell would agree on the film in late 1987, the script would be approved by January 1988, filming would begin in England in February, and the completed film would have its world premiere at the Montreal Film Festival before the end of August. When the film arrived in American theatres starting on October 21st, many critics would embrace the director's deliberate camp qualities and anachronisms. But audiences, who maybe weren't used to Russell's style of filmmaking, did not embrace the film quite so much. New Yorkers would buy $31k worth of tickets in its opening weekend at the D. W. Griffith and 8th Street Playhouse, and the film would perform well in its opening weeks in major markets, but the film would never quite break out, earning just $1.2m after ten weeks in theatres. But, again, home video would save the day, as the film would become one of the bigger rental titles in 1989. If you were a teenager in the early 80s, as I was, you may remember a Dutch horror film called The Lift. Or, at the very least, you remember the key art on the VHS box, of a man who has his head stuck in between the doors of an elevator, while the potential viewer is warned to take the stairs, take the stairs, for God's sake, take the stairs. It was an impressive debut film for Dick Maas, but it was one that would place an albatross around the neck of his career. One of his follow ups to The Lift, called Amsterdamned, would follow a police detective who is searching for a serial killer in his home town, who uses the canals of the Dutch capital to keep himself hidden. When the detective gets too close to solving the identity of the murderer, the killer sends a message by killing the detective's girlfriend, which, if the killer had ever seen a movie before, he should have known you never do. You never make it personal for the cop, because he's gonna take you down even worse. When the film's producers brought the film to the American Film Market in early 1988, it would become one of the most talked about films, and Vestron would pick up the American distribution rights for a cool half a million dollars. The film would open on six screens in the US on November 25th, including the Laemmle Music Hall in Beverly Hills but not in New York City, but a $15k first weekend gross would seal its fate almost immediately. The film would play for another four weeks in theatres, playing on 18 screens at its widest, but it would end its run shortly after the start of of the year with only $62,044 in tickets sold. The final Vestron Pictures release of 1988 was Andrew Birkin's Burning Secret. Birkin, the brother of French singer and actress Jane Birkin, would co-write the screenplay for this adaptation of a 1913 short story by Austrian novelist Stefan Zweig, about a about an American diplomat's son who befriends a mysterious baron while staying at an Austrian spa during the 1920s. According to Birkin in a 2021 interview, making the movie was somewhat of a nightmare, as his leading actors, Klaus Maria Brandauer and Faye Dunaway, did not like each other, and their lack of comfort with each other would bleed into their performances, which is fatal for a film about two people who are supposed to passionately burn for each other. Opening on 16 screens in major markets on Thursday, December 22nd, Burning Secret would only gross $27k in its first four days. The film would actually see a post-Christmas bump, as it would lose a screen but see its gross jump to $40k. But after the first of the year, as it was obvious reviews were not going to save the film and awards consideration was non-existent, the film would close after three weeks with only $104k worth of tickets sold. By the end of 1988, Vestron was facing bankruptcy. The major distributors had learned the lessons independents like Vestron had taught them about selling more volumes of tapes by lowering the price, to make movies collectables and have people curate their own video library. Top titles were harder to come by, and studios were no longer giving up home video rights to the movies they acquired from third-party producers. Like many of the distributors we've spoken about before, and will undoubtedly speak of again, Vestron had too much success with one movie too quickly, and learned the wrong lessons about growth. If you look at the independent distribution world of 2023, you'll see companies like A24 that have learned that lesson. Stay lean and mean, don't go too wide too quickly, try not to spend too much money on a movie, no matter who the filmmaker is and how good of a relationship you have with them. A24 worked with Robert Eggers on The Witch and The Lighthouse, but when he wanted to spend $70-90m to make The Northman, A24 tapped out early, and Focus Features ended up losing millions on the film. Focus, the “indie” label for Universal Studios, can weather a huge loss like The Northman because they are a part of a multinational, multimedia conglomerate. This didn't mean Vestron was going to quit quite yet, but, spoiler alert, they'll be gone soon enough. In fact, and in case you are newer to the podcast and haven't listen to many of the previous episodes, none of the independent distribution companies that began and/or saw their best years in the 1980s that we've covered so far or will be covering in the future, exist in the same form they existed in back then. New Line still exists, but it's now a label within Warner Brothers instead of being an independent distributor. Ditto Orion, which is now just a specialty label within MGM/UA. The Samuel Goldwyn Company is still around and still distributes movies, but it was bought by Orion Pictures the year before Orion was bought by MGM/UA, so it too is now just a specialty label, within another specialty label. Miramax today is just a holding company for the movies the company made before they were sold off to Disney, before Disney sold them off to a hedge fund, who sold Miramax off to another hedge fund. Atlantic is gone. New World is gone. Cannon is gone. Hemdale is gone. Cinecom is gone. Island Films is gone. Alive Films is gone. Concorde Films is gone. MCEG is gone. CineTel is gone. Crown International is gone. Lorimar is gone. New Century/Vista is gone. Skouras Films is gone. Cineplex Odeon Films is gone. Not one of them survived. The same can pretty much be said for the independent distributors created in the 1990s, save Lionsgate, but I'll leave that for another podcast to tackle. As for the Vestron story, we'll continue that one next week, because there are still a dozen more movies to talk about, as well as the end of the line for the once high flying company. Thank you for joining us. We'll talk again soon. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
Hey Goons! Another new episode of Slashers Podcast is upon us. This month is Patreon Pick February, so if you signed up in December or have been with us a long time, you got to pick your movie. Today's Patreon Pick is from one of our long-time, most loyal listeners, Kevin, whom we absolutely adore. Kevin chose 1982's Creepshow, written by Stephen King and directed by George A Romero. This film is an anthology with 5 separate stories plus a wraparound story that stars Tom Atkins and King's son and now famous author, Joe Hill! The film itself has a star-studded cast who include Adrienne Barbeau, Leslie Nielson, Ted Danson, Hal Holbrook, Fritz Weaver, EG Marshall, Ed Harris, Stephen King, and Tom Savini. In addition, Savini does all the gory, goopy and grisly practical effects. Find out why we think this classic should be considered gateway horror for any new horror fan, as well as which segments were our favorites. Let us know yours in the comments!! Thanks, Kevin, for the awesome suggestion. If you ever have feedback or recommendations on future episodes, please let us know at slasherspod@gmail.com. You can always find us on our social media: Instagram, Twitter, Slasher App: @slasherspod Facebook: /slasherspod Reddit: u/slasherspod https://www.youtube.com/c/slasherspodcast You can find our merch, and links to all our online presence here: linktr.ee/slasherspod Theme song is I wanna Die by Mini Meltdowns. https://open.spotify.com/artist/5ZAk6lUDsaJj8EAhrhzZnh ; https://minimeltdowns.bandcamp.com/ --- Support this podcast: https://anchor.fm/slasherspod/support
EPISODE 36: Interview with Jordan LundThe FletchCast crew sits down with actor Jordan Lund who played the Deputy Sherif, one of our favorite roles, in "Fletch Lives." We talk with Jordan about his start in the business, his theater training, what it was like behind the scenes of Fletch Lives, Lock Up, and Doc Hollywood. During this 1 hour sit-down, Lund speaks out about his co-stars and the improv with Chevy Chase that turned into the some of the most memorable moments of the Fletch sequel...and of course, he gives us that famous squeal. Follow Jordan Lund on Instagram: @jordanlundactorWebsite: http://www.jordanlund.com/IMDb: https://www.imdb.com/name/nm0526185/Want to hire Jordan Lund as an acting coach?Riverdale Acting Studio: https://www.riversideactingstudio.org/Riverside Film Acting Class: https://www.riversidefilmactingclass.com/FLETCHCAST VOICEMAIL HOTLINELeave us a voicemail with a comment or question: (267) 714-6799 - the voicemail is open & available 24/7FletchCast is Your Ultimate source for everything Fletch: the books, the movies, & the latest news about our favorite journalistic reporter, Irwin M. Fletcher. Host: James "Laker Jim" Kanowitz (@webguy911)Co-Host: Jake Parrish (@jakelparrish)Co-Host: Robert "Big Bob" WestFollow Us on Social Media:Instagram: https://www.instagram.com/imfletchcast/Facebook: https://www.facebook.com/imfletchcastTwitter: https://twitter.com/imfletchcastP.S. Have a nice day. Fletch & Fletch Lives are Copyright 1985, 1989 Universal Studios and distributed by MCA/Universal Pictures. The Fletch Soundtrack is Copyright MCA Records. Confess, Fletch is Copyright of Miramax with Paramount distribution. All images and sounds are the intellectual property of Universal Studios. They are used only with the intent of public appreciation of a great film and possible publicity for its place among the great comedies of our time. We imply no rights to the characters or intellectual property created by Gregory McDonald, Universal or Miramax and is used for educational purposes only.
Thirty-five years ago, writer/director Oliver Stone released the follow-up to his searing Vietnam War drama Platoon which came out the previous year winning Best Picture among several other Oscars.....and this time, his focus was on stock brokers? :o Of course his late father had been a stock broker so this was a very personal subject for Stone and he even brought back the star from his previous film to star in this one....Charlie Sheen. Sheen plays our main protagonist Bud Fox who's an aspiring young stock broker who idolizes one of the most exciting new titans of investment banking, Gordon Gekko who is played by Michael Douglas. One day, he ingratiates himself into Gekko's world and ends up trading for him.....and what results is one of the most quoted and often imitated adult drama/thrillers of the 1980's. Much of what makes it so iconic is the lead performance by Douglas who would win Best Actor at the Oscars. It also stars Martin Sheen, Darryl Hannah, John C. McGinley, and the late great Hal Holbrook among several others. Let's find out if Greed is STILL good!Host: Geoff Gershon Editors: Geoff and Ella GershonProducer: Marlene Gershonhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our latest throwback review, in anticipation of the release of "She Said," is for Alan J. Paula's 1976 Best Picture-nominee, "All The President's Men" starring Dustin Hoffman, Robert Redford, Jack Warden, Martin Balsam, Hal Holbrook, Jason Robards & Jayne Alexander. The film was considered timely upon its release and has held up as the gold standard for how to craft a story about journalism to this day. Joining me for this throwback review, I have Eve O'Dea, Dan Bayer, Danilo Castro & Brendan Hodges. Tune in as we discuss the all-timer screenplay by William Goldman, the crafts, including its Oscar-winning sound and art direction, the performances, and how it performed during its awards season run in 1976. Thank you for all your support, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture
Labor Movie Month is coming to a close y'all, and it's ending with a big one…Oliver Stone's 1987 classic Wall Street! Michael Douglas (incredible), Charlie Sheen (fine) and Daryl Hannah (present) lead the film and Erika and Paul are here to lead you through it!
Party boys Jon Gabrus & Adam Pally (101 Places To Party Before You Die) join Tom and Julie to talk competitive eating and watch Queensrÿche lead singer Geoff Tate's press kit. Plus send us your recording of Mr. Baldwinedere (lyrics below). Also, Julie's impression of Patricia Arquette in Severance, Hal Holbrook as Mark Twain, Bench Boham, Abbott and Costello, and Atlanta strip clubs. MR. BALDWINEDERE (to the tune of the Mr. Belvedere theme song) Smashed up the china, Cause you messed up his lunch. (Oh my!) Drop kicked his assistant, Instead of giving a punch. (What a guy!) Cause sometimes pigs get out of line And no one's spared. AB is on patrol Run and hide in the hidey hole. Your dad is really super maa-aaa-aad. Every day a new arrival. Dad's hiding out watching Barry. It's got a homogeneity of tone. CLIPS FROM TODAY'S EPISODE *Geoff Tate's Press Kit Video https://www.youtube.com/watch?v=ChZ-QSinSF8 ABORTION ADVOCACY RESOURCES https://www.podvoices.help BUY TICKETS TO DOUBLE THREAT LIVE! 2ND NEW YORK DATE ADDED! *September 28 2022 - Los Angeles - Lodge Room - https://www.lodgeroomhlp.com/shows/double-threat-podcast *October 21 2022 - Brooklyn - The Bell House - https://www.eventbrite.com/e/double-threat-hosted-by-julie-klausner-tom-scharpling-tickets-330645087357 JOIN FOREVER DOG PLUS FOR VIDEO EPISODES, AD-FREE EPISODES, & BONUS CONTENT: http://foreverdog.plus JOIN THE DOUBLE THREAT FAN GROUPS: *Discord https://discord.com/invite/PrcwsbuaJx *Reddit https://www.reddit.com/r/doublethreatfriends *Facebook https://www.facebook.com/groups/doublethreatfriends DOUBLE THREAT MERCH: https://www.teepublic.com/stores/double-threat SEND SUBMISSIONS TO: DoubleThreatPod@gmail.com FOLLOW DOUBLE THREAT: https://twitter.com/doublethreatpod https://www.instagram.com/doublethreatpod DOUBLE THREAT IS A FOREVER DOG PODCAST: https://foreverdogpodcasts.com/podcasts/double-threat Theme song by Mike Krol Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices
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