Podcasts about kintsukuroi

Alberttiny, cantante extremeño y exguitarrista de Izal, ha pasado por Madrid Directo con Nieves Herrero para presentar su primer álbum en solitario Kintsukuroi y el concierto del sábado 21 de diciembre en la sala But de Madrid. Alberttiny ha dicho que "Madrid me ha puesto siempre muy nervioso, pero me ha regalado mucho, para señalar que "me gusta mucho la vida del pueblo, esa tranquilidad que encuentro después de los viajes”, y que “mis tatuajes de elefantes representan a mi familia”.

SCOTT COLLEY “THREE VISITORS” ca 2023 Nostalgia, Kintsukuroi, I wanna be with you (1)Chris Potter (ts) Edward Simon (p) Scott Colley (b) Brian Blade (d) Rogerio Boccato (perc) Becca Stevens (voz-1) RENEE ROSNES “CROSSING PATHS” New York, c. 2024Frevo, Pra dizer adeus, Trilhos urbanos, Essa mulherSteve Davis (tb) Chris Potter (ts) Renee Rosnes (p) John Patitucci (b) Adam Cruz (d) Rogerio Boccato (perc) Maucha Adnet, Edu Lobo, Joyce Moreno (vcl) LISA HILTON “KALEIDOSCOPE” New York, December 3 & 4, 2013Simmer, Labyrinth, Bach/Basie/Bird/Boogie blues bop, Sunny side upJD Allen (ts) Lisa Hilton (p) Larry Grenadier (b) Marcus Gilmore (d) Continue reading Puro Jazz 18 de diciembre, 2024 at PuroJazz.

SCOTT COLLEY “THREE VISITORS” ca 2023 Nostalgia, Kintsukuroi, I wanna be with you (1)Chris Potter (ts) Edward Simon (p) Scott Colley (b) Brian Blade (d) Rogerio Boccato (perc) Becca Stevens (voz-1) RENEE ROSNES “CROSSING PATHS” New York, c. 2024Frevo, Pra dizer adeus, Trilhos urbanos, Essa mulherSteve Davis (tb) Chris Potter (ts) Renee Rosnes (p) John Patitucci (b) Adam Cruz (d) Rogerio Boccato (perc) Maucha Adnet, Edu Lobo, Joyce Moreno (vcl) LISA HILTON “KALEIDOSCOPE” New York, December 3 & 4, 2013Simmer, Labyrinth, Bach/Basie/Bird/Boogie blues bop, Sunny side upJD Allen (ts) Lisa Hilton (p) Larry Grenadier (b) Marcus Gilmore (d) Continue reading Puro Jazz 18 de diciembre, 2024 at PuroJazz.

Alessandra Morelli"Verso un'Economia della Cura"Arte per restare umaniAncora Editricewww.ancoralibri.it«Questo nuovo libro di Alessandra Morelli è una buona notizia per i lettori italiani. E per molte ragioni. È un libro testimonianza di una vita per molti versi straordinaria per i luoghi attraversati, in giro per il mondo e poi per l'Italia, quindi per i molti incontri avuti. Ma questo testo non è solo un racconto di una testimone dei nostri “tempi moderni”: è anche una riflessione profonda sulle esperienze, proprie e degli altri, fatta in compagnia di filosofi, economisti, teologi, scrittori, e tanta, tanta gente comune. Questa natura ibrida e meticcia è la nota più importante del libro, e la sua bellezza, la sua prospettiva dalla quale guarda al grande tema, a quella cifra squisitamente umana che è la cura».Questo tempo globalizzato ci appare complesso, frammentato e povero di gratuità. Sembriamo attratti solo da un'ideologia fortemente individualista e di profitto personale che ci rende inconsapevoli della nostra interdipendenza. L'idea che l'uomo sia un'isola e costruisca il suo io in modo indipendente è un abbaglio, perché la persona umana è parte di una comunità sociale e politica, pur conservando la propria unicità spirituale. La vita è un viaggio comunitario premuroso: ecco perché l'«economia della cura» è un urgente invito a un cambio di prospettiva e di postura dell'esserci. Ci invita a osare una transizione, ripensando il mondo come luogo dell'umano e dell'incontro per la crescita del bene comune, anche dove sembra che qualcosa sia danneggiato per sempre o irreparabile. Come nel Kintsukuroi, l'antica arte giapponese di «riparare con l'oro» ciò che è rotto, di cui l'immagine in copertina costituisce un magnifico esempio. Il vaso, la tazza, il piatto così riparato acquista un valore grandissimo perché mostra la sua intrinseca fragilità e al tempo stesso la sua capacità di essere rigenerato. Allo stesso modo, anche se la vita di una persona o un contesto sociale sembra “spezzato” per sempre, può essere ricomposto di nuovo. Con cura.Alessandra Morelli, nata a Roma, è stata per trent'anni funzionaria dell'Alto Commissariato delle Nazioni Unite per i Rifugiati (UNHCR). Si è formata professionalmente nella gestione delle emergenze nelle zone di conflitto ad alto rischio, dialogando e mediando con diversi governi, la NATO, ONG internazionali e locali, Organizzazioni Intergovernative e società civile. Dal 1992 è stata impegnata direttamente sul campo in negoziazioni e operazioni umanitarie e di coordinamento, garantendo protezione e assistenza a rifugiati, sfollati interni e rimpatriati nelle aree più calde e fragili del mondo. Ha lavorato in ex Jugoslavia, Ruanda, Albania, Kossovo, Guatemala, Sri Lanka, Sahara Occidentale, Afghanistan, Indonesia, Georgia, Yemen, Myanmar, Somalia, Grecia – paese che ha visto transitare sul proprio territorio più di un milione di persone in fuga da guerre e violenze – fino all'impegno ultimo nel 2021 in Niger, operazione complessa nel cuore del Sahel che si confronta duramente con la guerra al terrorismo e il cambiamento climatico. Conclusa la sua carriera ONU nel 2021, ha scelto di rientrare in Italia e sviluppare in questo tempo di società complessa un percorso tematico sull'«economia della cura», una riflessione esperienziale di pratica della cura come forza umanizzante per la nostra società, riflessione che diffonde attraverso conferenze, incontri pubblici, articoli e condivisioni accademiche. Ha pubblicato con Àncora nel 2022 Mani che proteggono. Storie, luoghi, volti dei miei trent'anni fra guerre e conflitti.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Speaker: Matt ShivelyTitle: The Kintsukuroi ProcessDate: 2024-12-01, Sunday schoolFor more information about our church, visit www.stoningtonbaptist.org This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit stoningtonbaptist.substack.com

Atención al nuevo cañonazo de levitants, 'Visionarios', tema con una potencia insólita hasta ahora en el cancionero del grupo y con guiños al sonido de Queens Of The Stone Age. Pero tenemos más novedades jugosas en esta sesión, como el primer adelanto del próximo disco de Zahara, o la tarjeta de presentación del nuevo álbum de Joe Crepúsculo. Y también: lo último de Fantastic Negrito, Ezpalak, WoozePlaylist:FANTASTIC NEGRITO - Runaway from YouFANTASTIC NEGRITO - Plastic HamburgersST. VINCENT - Hombre rotoLEVITANTS - Visionarios QUEENS OF THE STONE AGE - You Think I Ain't Worth a Dollar, But I Feel Like a MillionaireQUEENS OF THE STONE AGE - No One KnowsRADIO75 - LipstickEZPALAK - LalalalalaKID KAPICHI - Get DownFRANK CARTER & THE RATTLESNAKES - Self LoveWOOZE - Weapons of Mass SeductionTHE FERGUSON ROGER PROCESS- Dirty-CleanALFIE TEMPLEMAN - Dirty LaundryJOE CREPÚSCULO - Mi fábrica de baileJOE CREPÚSCULO - Enamorado de tu reverbPERINETTI - CoronaCOREA LA BUENA - Tan maloLEÓN BENAVENTE - En el festínZAHARA - Yo solo quería escribir una canción de amorLOVE OF LESBIAN - Contradicción (feat. Rigoberta Bandini)DORIAN - Lo que recuerdo de ti (feat. Rafa Val)ARDE BOGOTÁ - La Torre PicassoALBERTTINNY - KintsukuroiASHNIKKO - Paint The Town BlueSTRAY KIDS, YOUNG MIKO & TOM MORELLO - Come PlayTOM MORELLO - Soldier In The Army of Love (feat. Roman Morello)IRON MAIDEN - WrathchildEscuchar audio

 En la música nos visitan dos guitarristas que han decidido lanzarse a cantar y desarrollar sus propios proyectos: "Calequi y Las Panteras" con su primer disco "Mezcla rica" y Alberttinny con "Kintsukuroi" Paco Nadal nos lleva a rincones desconocidos de la provincia de Teruel. Terminamos con Cartagrafías. 

Nuevo Romántico de Malva y Kintsukuroi de Alberttinny. En el repaso a la historia del pop español recordamos, entre otros, a Cuerpos y Almas (1975), Paraíso (1980), La Rabia del Milenio (1998), Flow (2002) o Los Turistas (2021).

Kintsukuroi (golden repair) is the Japanese art of repairing damaged pottery with gold or silver lacquer. If you take a few minutes and search the internet you will find countless examples of kintsukuroi. In fact, if you want to give it a try, simply drop your favorite coffee cup and then order a kintsukuroi kit. In no time your coffee stained mug will be turned into a piece of coffee drinking art! However, kintsukuroi is more then just an art form, it's also a way of thinking about life. As a philosophy, kintsukuroi celebrates imperfection as an integral part of our story. The artists believe that when something has suffered damage and has a history, it becomes more beautiful. As we enter into a New Year, how are you feeling about a new you? We all have these broken pieces in our lives and every New Year just reminds us that nothing is really going to change. Others of you may currently be feeling like a shattered plate spread all across the dining room floor. The last thing on your mind is being made new, especially when you can't even pull yourself together? Does kintsukuroi even happen for people with broken lives? The apostle Paul writes to the church in Corinth, a collection of Christians feeling this sense of brokenness, and he states this fact:   "Therefore, if anyone is in Christ, the new creation has come: The old has gone, the new is here!" ~ 2 Corinthians 5:17 Allegiance to Jesus puts us back together...makes us new! It's not our strength, discipline or hard work which puts us together, it's the power of God working in our lives. A few verses earlier the apostle writes:   "But we have this treasure in jars of clay to show that this all-surpassing power is from God and not from us." ~ 2 Corinthians 4:7 It appears God has his own form of kintsukuroi, where He takes the broken pieces of our lives and uses the power of Jesus to make us new again. If you would like to learn more about how this can happen in your life, give a listen to New Year. New You?

✨ Kintsukuroi è un libro di Tomás Navarro. Questo termine letteralmente significa riparare con l'oro e descrive una tecnica utilizzata in Giappone per riparare oggetti di ceramica frantumati. Vediamo insieme la potente metafora che questo termine nasconde e i 3 punti che mi sono rimasti maggiormente impressi da questa lettura.➡️ Ti interessa ricevere altri consigli di lettura sul benessere e su come attivare il pensiero critico? Iscriviti alla Newsletter di MindCenter qui al link: https://www.mindcenter.it/newsletter/Questo show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1238441/advertisement

In this episode of the Dunamis EQ Leadership Podcast, we have the privilege of welcoming Dr. Lauren to the show. Prepare to be inspired as she shares her powerful journey from living with a congenital heart condition to becoming a well-being coach for female leaders in the tech industry. Dr. Lauren opens up about her decision to undergo surgery for her heart condition, and the traumatic experience she encountered during the procedure and recovery. Through this challenging time, she discovered the importance of support and resources in overcoming obstacles. As a self-taught data coach, Dr. Lauren emphasizes the significance of mentorship and guidance in the world of data analytics. During the episode, Dr. Lauren delves into the impact of the pandemic on well-being and the need for small changes in daily routines to support energy levels and overall wellness. She stresses the value of self-awareness and self-regulation in emotional intelligence, highlighting the connection between these two aspects. Dr. Lauren also shares her fascination with the concept of Kintsugi, finding beauty and value in imperfections. As we delve deeper into the conversation, Dr. Lauren discusses her leadership approach of allowing flexibility in work schedules and the importance of setting clear expectations for flexible work arrangements. She shares her experiences as a manager and the lessons learned in setting boundaries and empowering her team. In addition, Dr. Lauren introduces her well-being working group within Multiverse and her innovative use of data to track energy levels and workload. She explores the potential of combining data and storytelling to create powerful narratives for senior leaders. Join us for this thought-provoking conversation with Dr. Lauren as we explore the intersection of leadership, well-being, and emotional intelligence. This episode is sure to leave you inspired and equipped to make meaningful changes in your own life and leadership journey. Connect with Dr.Lauren Linkedin:https://www.linkedin.com/in/dawsonlauren/ Website:https://kintsukuroiwellbeing.co.uk Free Guide to Creating Space in your day-to-day - https://kintsukuroi-wellbeing.ck.page/create-space --- Send in a voice message: https://podcasters.spotify.com/pod/show/dunamis-eq/message

In this episode, Shanda, Heddy, and their guest, Sharon Hicks, discuss unlearning/deconditioning, the role of grieving, and Kintsukuroi. For more info about Sharon: sharonhicks.net https://kintsukuroicounseling.com/ https://kintsugigroups.com/ Facebook: https://www.facebook.com/kintsukuroicounseling Instagram: @sharonhicksrelationshipcoach LinkedIn: Sharon Hicks YouTube: @kintsukuroicounseling400. Kintsukuroi Counseling For more info about Heddy: Instagram: @heddynam Twitter: @heddynam LinkedIn: https://www.linkedin.com/in/heddy/ For more info about Labors of Love: www.thelaborsoflove.com www.patreon.com/LaborsOfLove Facebook: Labors of Love Counseling and Consulting Twitter: @LaborsofLove513 Instagram: @LaborsofLove513 @the_lol_pod Tik Tok: @labors.of.love YouTube: Labors of Love Counseling and Consulting LLC --- Support this podcast: https://podcasters.spotify.com/pod/show/thelaborsoflove/support

Kintsukuroi: The Beauty of Broken PiecesThe Centuries-Old Japanese Tradition of Mending Broken Ceramics with GoldThe Japanese art principle that teaches us how to work with failure a favorite cup or plate, people sometimes crack. We may even break. Obviously, we cannot and ought not throw ourselves away when this happens. Instead, we can relish the blemishes and learn to turn these scars into art—like kintsugi (金継ぎ), an ancient Japanese practice that beautifies broken pottery. --- Send in a voice message: https://podcasters.spotify.com/pod/show/michael-kaagee-mante/message

One positive thought in the morning can change your entire day! Taken from the book “A Year of Positive Thinking” by Cyndie Spiegel https://amzn.to/3Gl5rF4 The Face Behind the Voice https://www.instagram.com/jonathanbelle/ Some links are affiliate links.

Tyler Cartwright's journey to health began when he found himself weighing in at 505 pounds. His anxiety and depression had caused him to turn to food as a coping mechanism, and he had eaten his feelings for far too long. Over the course of more than a decade of battling to achieve success, he managed to rid his body of 300 pounds of excess weight, completed his undergraduate and graduate studies, and learned to succeed in spite of his anxiety. His story has inspired tens of thousands of people and continues to encourage more with each passing day. Tyler is a highly sought-after speaker, having presented to domestic and international audiences about topics ranging from diet and lifestyle, technology and wellness, and sustained change. His business ventures include the founding of the Ketogains Brands, Elemental Labs, @Go Health, and several other businesses that are passion projects of his. Tyler's first book Kintsukuroi: Rebuilding Hope & Embracing Change is an unflinching look at his experiences through life which helped to forge the foundations upon which he built his coaching practice. Find Tyler at-https://www.ketogains.com/https://www.ketogains.com/tyler-cartwright-2/Kintsukuroi: Rebuilding Hope & Embracing ChangeIG- ty_cartwrightFind Boundless Body at-myboundlessbody.comBook a session with us here! 

La mayoría de las personas, a lo largo de su vida, acumulan cicatrices y heridas emocionales. Muchas veces las ocultan, a veces siguen doliendo. Pero el psicólogo Tomás Navarro anima en 'Aprendemos juntos' a llevarlas con orgullo: “Son signos de nuestra fragilidad, pero también de nuestra fortaleza y belleza: demuestran que fuimos más fuertes que la adversidad”. Para ilustrarlo, Navarro se basa en una centenaria técnica de cerámica japonesa: el Kintsukuroi. Kintsukuroi es el arte japonés de recomponer lo que se ha roto. Cuando una pieza de cerámica se rompe, los maestros ceramistas la reparan cuidadosamente, rellenando sus grietas con oro. De este modo resaltan su reconstrucción, pero también la belleza de lo que resurge. Tomás Navarro se define como “un psicólogo un tanto atípico”, que tiene como objetivo “poner la psicología al servicio del bienestar de las personas”. Organiza sesiones con sus pacientes al aire libre, rodeados del idílico paisaje de las montañas del Pirineo catalán. Allí también escribe. En sus libros profundiza en ideas como aprender a aceptar la imperfección, llevar la vida que uno quiere llevar o fortalecernos emocionalmente para afrontar la adversidad y salir reforzados. Es licenciado en psicología, formador, consultor de empresas y coach. También es autor, entre otros, de los éxitos de ventas ‘Fortaleza Emocional', ‘Kintsukuroi: el arte de curar heridas emocionales' y ‘‘Wabi sabi: aprender a aceptar la imperfección'. Su último libro, ‘Piensa bonito', publicado en 2020, es una guía para detectar los ocho errores de pensamiento más frecuentes que nos impiden tener una vida más plena.

Kintsukuroi (Gold Mending) is a process of taking something that is broken and mending it with Gold. This process makes the broken piece more valuable than it was. In this study I will reveal to you how Jesus Christ has mended us broken people. Broken by sin and death by His glorious resurrection.Presented by Dr. Al (Petros) MaeyensO Gladsome Light Radio Show is broadcast live at 4pm ET Tuesdays on W4CY Radio (www.w4cy.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). This podcast is also available on Talk 4 Podcasting (www.talk4podcasting.com).

KINTSUKUROI could be a way to repair the broken years 2020 and 2021

Elle Russ chats with Tyler Cartwright - 15 years ago, Tyler was nearly dead. He weighed a quarter of a ton, he was falling asleep while driving, while talking, and while working.  He was eating 12,000 Calories per day chasing blood glucose spikes and crashes just to stay awake.  His A1c was in excess of 13, and he was nearer to death each day.  A series of events over time and his own desire to improve brought him face-to-face with the gravity of this situation and he began to fight for his well-being for the first time in nearly two decades.  He shed 300 pounds of excess body weight and has maintained the loss for over three years.  His A1c, BG, and all markers of metabolic health have returned.   Tyler now coaches and teaches others how to do so, both through his cofounding of Ketogains with Luis Villaseñor, and through his recently published book, Kintsukuroi:  Rebuilding Hope & Embracing Change.  His work and his coaching have helped thousands of people to succeed and inspired countless others to pursue their goals.  He is an international public speaker, loves a great conversation, and enjoys reading on various topics (with a library well over 2500 books).  His wife, Jamie, and their daughter live at home outside of Nashville, TN with their dog Dixie. VIDEO EPSIODE HERE

Warm Up: "A Vida no Solo" GRATUITO https://escola.liberta-te.com/warm-up-a-vida-no-solo/ Curso Online em Direto: "Solo Já": https://escola.liberta-te.com/solos-ja-2021/ Subscreve ao nosso Canal de Youtube: https://www.youtube.com/Liberta-te Adere à Comunidade Liberta-te aqui: https://www.facebook.com/groups/libertatehoje A Liberdade é apenas a Oportunidade de Seres e Fazeres Algo Melhor Liberta-te

Evan Anthony and Jeremy Abel of Feral Cat Den join us to discuss their inspired cosmic adventure game, Genesis Noir. We discuss the aesthetics of interaction, processing your game launch, and shooting for the stars with your ending. Show notes: Feral Cat Den Evan Anthony Jeremy Abel Genesis Noir Vectorpark Hohokum GNOG Cosmicomics Reaktor Florence Skillbard Oikospiel Inside Busby Berkeley Rez Marcin Zeglinski Interstellar L.A. Noire Wabi-sabi Kintsukuroi

Dealing with brokenness is a fundamental aspect of life and living. In this episode of the Word Café, we deal with the subject of repair by looking at the old Japanese art called, Kintsugi.The translation from Japanese of Kintsugi or Kintsukuroi means golden joinery or repair with gold where the gold powder is applied on lacquer. Some refer to it as Kintsugi art with a metaphor of Kintsugi life, re-birth or Wabi-sabi philosophy. This technique transforms broken ceramic or pottery into beautiful art to its new life enhancing the break lines with gold giving the mended broken pottery pleasing and unique presentation. http://www.lakesidepottery.com/Pages/kintsugi-repairing-ceramic-with-gold-and-lacquer-better-than-new.htmWe all yearn for perfection, to be complete and fulfilled. In pursuit of this, life happens and we experience some pain here and there. Sometimes we feel like just giving up, but a careful look at the underlying principles of life, you will come to realize that repair is an aspect of life that we can learn so much from to make the best of that broken situation in our lives.This is what we focus on in this episodeSupport the show

Welcome to the Unpublishable Podcast. This week, we have three poetry features: "Devastated in Swaths of Color" by Ashley Sapp, "Kintsukuroi" by Deborah Akubudike, "Cheap Cider" by FC Malby, "The Axis is Tilted" by Robert Vaughan, and "I Wrote This Poem in a Gas Station Bathroom" by Dean Boskovich. Follow Ashley Sapp on Twitter and Instagram. Follow Deborah Akubudike on Twitter and Instagram. Follow FC Malby on Twitter and Instagram. Follow Robert Vaughan on Twitter and Instagram. Follow Dean Boskovich on Twitter and Instagram. The Unpublishable Podcast features poems published in our zine, the Unpublishable Zine, and short stories featured in our short fiction section, The Slush Pile. If you would like to submit to Unpublishable for the chance to be published and have your poetry read on the podcast, please visit our site at http://www.theunpublishablezine.wordpress.com! The Unpublishable Zine can be found on Twitter. Happy listening, poets and poetry enthusiasts! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/the-unpublishable-zine/message Support this podcast: https://anchor.fm/the-unpublishable-zine/support

Es una técnica de origen japonés para reparar la cerámica. Consiste en unir las piezas de una vasija rota con laca dorada, o plata. De esta forma la cerámica queda arreglada y termina con una nueva apariencia. Esta técnica la podemos trasladar a nuestra filosofía de vida. COMO DESARROLLAR TU RESILIENCIA https://amzn.to/2NAHMHG https://olgafernandeztxasko.com/ #resiliencia #empoderamiento #empoderate #neuroplasticidad #neurociencia #neurofelicidad #neuropoder #neurogenesis #adiccionemocional #tieneselpoder #creeenti #eresloquecreesser

En este episodio hablaremos sobre cómo utilizar el Kintsukuroi para sanar las heridas que nos haya provocado la ruptura de una relación, además de algunos concejos para tener una relación sana con tu compañer@ sentimental.

Series: N/AService: Sun PM WorshipType: SermonSpeaker: Kason Carroll

"In unremembered dreams tonightThe reflecting silver lightOn the waters oh so cold and calmDrink the lake of tears in which you drown"0:00 - Enevelde - Forringelsehttps://terraturpossessions.bandcamp.com/album/enevelde10:14 - Kintsukuroi - 金繕い - 25 Years Worth Waiting Fohttps://kintsukuroi.bandcamp.com14:49 - Gaoth - Autumnal Breathhttps://gaoth.bandcamp.com21:28 - Haunted - He Called Me Greyhttps://hauntedmusica.bandcamp.com26:22 - Diskordia - Sheep And Wolfhttps://diskordiaukgr.bandcamp.com30:24 - Old Growth - Oakenhearthttps://oldgrowthblackmetal.bandcamp.com41:00 - Gravkväde - Av Hopplösheten Förtärdhttps://gravkvde.bandcamp.com50:08 - Vale - Witheredhttps://valeband.bandcamp.com58:07 - Black Vice - Emergencehttps://blackvice.bandcamp.com

When it comes to thinking or feeling that you have been broken more times than you can count, think of all of the battles scars you have gained over the years. Those scars are reminders of when life tried to take you down but today you are still standing. Think of the art of Kintsugi. Remind yourself that you refuse to throw in the towel and stay broken. Kintsugi (金継ぎ, "golden joinery"), also known as Kintsukuroi (金繕い, "golden repair"),is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum, a method similar to the maki-e technique. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise. Support the Physical Therapy Session podcast! To donate to the podcast hit the link and click support: https://anchor.fm/ptsession/support Follow and chat with me on Instagram: @JamTPTA https://instagram.com/jamtpta?igshid=lucxb8qtsu89 Follow the YouTube channel: Jam LPTA All work no play https://www.youtube.com/channel/UCSYSg0LLpzwPZP83GJM1pMg Shop C.O.O.L. Attire and AWNP: www.coolattire.bigcartel.com Email: allworknoplaytf@gmail.com *Disclaimer* This content is strictly suggestions based from personal experiences, clinical background and educational background. This is not medical advice they are merely suggestions. Please use your better judgement and consult with your primary care physician and/or physical therapist before acting on any exercises or topics discussed in this podcast platform. Safety should be taken with the utmost seriousness. If you happen to perform any of the said exercises; please perform at your own risk. Thank you.** --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/ptsession/message Support this podcast: https://anchor.fm/ptsession/support

WELCOME TO THE THREESTRANDSPOD! This episode mentions the Japanese art of Kintsugi or Kintsukuroi, and how it is similar to the work that God does in our lives with our brokenness. The purpose of this episode and the message is to be encouraging, and make the word of God a little more understandable in modern day for the masses. Please share this episode with anyone going through a rough period of brokenness in their life, and pray they see the beauty of dust in their situation! SEND ANY VOICE NOTES TO BE ADDED INTO THE EPISODES https://anchor.fm/threestrandspod/message LINK TO THE BOOK: https://b-ok.cc/book/5341141/0c993a This episode may contain advertisements. Thank you for listening. Follow the socials @threestrandspod You can listen via Anchor fm, Spotify, Apple Podcast, Google Podcast. Peace in the Middle East x --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/threestrandspod/message

De que se trata esa técnica artística aplicada como una metodología de vida, Placebo y mi maldita incapacidad de pronunciar bien

Kintsukuroi es el arte japones de reparar ceramica. Todos debemos convertirnos en un Kintsukuroi de carne y hueso tarde o temprano.

Kintsukuroi es el arte japones de reparar ceramica. Todos debemos convertirnos en un Kintsukuroi de carne y hueso tarde o temprano.

Boa noite! “A Palavra de Deus fala com você”! Sou o Pastor Leandro Luis da Silva da Comunidade Luterana da Cruz, em Curitiba. Com certeza este é um dos cânticos mais lindos e o que recebeu maiores interpretações e estudos. O Cântico de Maria, ou o Magnificat. Lutero abriu a compreensão do Magnificat para o príncipe João Frederico: “Deus é um Senhor que não faz outra coisa do que engrandecer o que é humilde, de rebaixar o que é grande, de quebrar o que está feito e de refazer o que está quebrado” (Ivoni Richeter). Nosso Deus vai além da lógica humana pois Deus tem prazer em exaltar os pobres e humildes e em derrubar os ricos e orgulhosos. Maria torna-se exemplo de pessoa, de mulher pois diz: “A minha alma anuncia a grandeza do Senhor. O meu espírito está alegre por causa de Deus, o meu salvador. Pois Ele lembrou de mim, sum humilde serva!” (Lucas 1.46-48). Maria percebe que depois de ter experimentado em sua própria pessoa que Deus realiza nela coisas tão grandes, apesar de ter sido nada, insignificante, pobre e desprezada, o Espírito lhe ensina este rico conhecimento e sabedoria; que Deus é um Senhor que não faz outra coisa do que exaltar o que é humilde, de humilhar o que é elevado, ou seja, de quebrar o que está feito e de refazer o que está quebrado.” (OS 6,23) Quanto vale um vaso quebrado? Nada, serve somente para cascalho. Mas um vaso que é consertado, como na técnica japonesa Kintsukuroi:a arte de consertar cerâmicas quebradas com ouro e laca. O simbolismo dessa arte remete a beleza do amadurecimento e das superações da vida. Assim são nossas cicatrizes reais e emocionais quando trabalhadas. Quebrar, para restaurar, humilhar para exaltar. Quero encerar esta breve meditação com o hino que lembra em muito o trabalho de meu pai que era oleiro: “eu quero ser Senhor amado como um vaso na mão do oleiro, quebra minha vida e faze-a de novo, eu quero ser, eu quero ser um vaso novo. Na nossa humildade, restaura-nos Senhor! --- Send in a voice message: https://anchor.fm/senhas-diarias/message

L’art de sublimer ses fêlures. N’oubliez pas de vous abonner car cette série est composée de 7 épisodes dédiés aux expériences, et à la persévérance , avec des idées pour l’expérimenter dans votre vie dès aujourd’hui ! Attraper votre tasse de thé, et laissez vous porter! Pour restez connecté : Instagram : https://www.instagram.com/hodasafiah/Facebook : https://www.facebook.com/HodaSafiahLifecoach/ WEBSITE : https://www.hodasafiah.com/

In our last +1, we talked about Stephen Joseph’s “shattered vase” metaphor to help us understand one powerful way to respond to trauma: rather than try to tape and glue the shattered vase back together, we take the pieces and make a mosaic.   I recently shared that wisdom in one of our 2.5-hour marathon Coaching sessions with our Coaches. (Note: Spending time Coaching our Coaches is one of my favorite things.)   Right after I shared the wisdom, our Head Coach Michael said it reminded him of the Japanese art of repairing broken vases and ceramics with gold.   Enter: Google search to learn more about this beautiful art form.   Search = “Japanese broken pottery gold”   Enter: Kintsugi.   Result #1 from Wikipedia tells us:  Kintsugi (金継ぎ, "golden joinery"), also known as Kintsukuroi (金繕い, "golden repair") is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum… As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise. Result #2 is entitled “Kintsugi: the art of precious scars” and tells us: By repairing broken ceramics it’s possible to give a new lease of life to pottery that becomes even more refined thanks to its “scars.” The Japanese art of kintsugi teaches that broken objects are not something to hide but to display with pride.  And continues:  When a bowl, teapot or precious vase falls and breaks into a thousand pieces, we throw them away angrily and regretfully. Yet there is an alternative, a Japanese practice that highlights and enhances the breaks thus adding value to the broken object. It’s called kintsugi (金継ぎ), or kintsukuroi (金繕い), literally golden (“kin”) and repair (“tsugi”). Kintsugi.   The word literally means “golden repair.”   How awesome is THAT?   Today’s +1.   Got any broken parts in your life?    (Echo: OF COURSE YOU DO. YOU’RE HUMAN!)   Rather than try to hide them, let’s wear those precious scars like medals and make them part of our life’s art.   TODAY.

Kintsukuroi or being a beautiful and unique person despite being broken and going through hardship. 

Check out our newest podcast on LifeAudio.com - The Bible Never Said That: https://www.lifeaudio.com/the-bible-never-said-that/ ? Also, SUBSCRIBE to our sister podcasts: ? Your Daily Prayer: https://www.lifeaudio.com/your-daily-prayer/ Your Daily Bible Verse: https://www.lifeaudio.com/your-daily-bible-verse/

Non Star Wars Content. However thoughts about the Japanese art of repairing something and making it more special is the metaphor for this episode. Feeling broken? Feeling like something is not working? Come back different but strong. Be a one of a kind. You don't have to be perfect, but you can be original. Also you can be a beautiful as Japanese pottery repaired with gold, or as bad a** as Kylo Ren's repaired mask. -Litem Back to Disney and Universal travel planning next episode. Enjoy 

Kintsukuroi. Google it. It's a Japanese art form in which broken pottery is repaired. Rather than restoring the piece to look as if it's never been damaged (which is, really, impossible), the artisan injects gold into all of the cracks as the pottery is being put back together. The flaws are accentuated, celebrated. In other words, not only are they not hidden, they're actually highlighted. ⭐️⭐️⭐️ No. The scars don't determine the shape or design of the vessel… they don't control it's purpose, but they're there. And they're there to see. The “new” version of the pottery looks like the old, but better. It's simultaneously more raw and more beautiful than the original, “untainted” version. ⭐️⭐️⭐️ Can't miss Paul's analogy that we're earthen vessels, pottery with some sort of majesty inside, waiting to come forth (see 2 Corinthians 4:7f.). And the way it comes forth? By facing- and working through- the hard things (2 Corinthians 4:8f.). Maybe that's why Paul delights in weaknesses- because that's where strength shines (2 Corinthians 12:10). That's where grace shines brightest. ⭐️⭐️⭐️ Grace + healing + wholeness… is the gold. It means our imperfections now serve a greater purpose than the pain and shame originally created. But… the hitch… In pottery, the gold can only be placed where there are cracks to be filled. ❌ No crack, no space. ❌ No space, no gold to fill the void. ✅ Brokenness is THE thing to which grace almost exclusively bonds.

In this episode we tackle some big questions about the future.What is it?How do we think about it?How do I get a job as a "futurist"?As leaders for change, how do we orient ourselves towards it?And if you're wondering why the image for this post is a piece of repaired pottery, you'll need to listen to the episode.Kintsugi, Centuries Old Japanese Method of Repairing Pottery with GoldTranslated to “golden joinery,” Kintsugi (or Kintsukuroi, which means “golden repair”) is the centuries-old Japanese art of fixing broken pottery with a special lacquer dusted with powdered gold, silver, or platinum. Beautiful seams of gold glint in the cracks of ceramic ware, giving a unique appearance to the piece.https://mymodernmet.com/kintsugi-kintsukuroi/“As you imagine the consequences of peripheral trends in the future, go beyond the first-degree impact. For example, consider the driverless cars that Google, BMW, and others are working on. Obviously cars without drivers could change driving patterns, which could affect auto manufacturers. Presumably they will crash less frequently, which could enable dramatically different designs that are much lighter weight, affecting material companies. Lighter cars will get much better mileage, affecting gas companies. If cars don’t crash, why would we need auto insurance, at least in its current form? And what about local governments that earn revenue from handing out speeding tickets? Or urban planners that allocate prime real estate to parking lots? Finally, consider employment implications. One million people in the U.S. work as truck drivers. What happens when they are displaced by robots?” Read more here.Famous Quotes about the Future'The Bomb will never go off; I speak as an expert in explosives."- - Admiral William Leahy , US Atomic Bomb Project"There is no likelihood man can ever tap the power of the atom."-- Robert Millikan, Nobel Prize in Physics, 1923 "Computers in the future may weigh no more than 1.5 tons." -- Popular Mechanics, forecasting the relentless march of science, 1949"I think there is a world market for maybe five computers." -- Thomas Watson, chairman of IBM, 1943"I have traveled the length and breadth of this country and talked with the best people, and I can assure you that data processing is a fad that won't last out the year." -- The editor in charge of business books for Prentice Hall, 1957 "But what is it good for?" -- Engineer at the Advanced Computing Systems Division of IBM, 1968, commenting on the microchip. "640K ought to be enough for anybody." -- Bill Gates, 1981 This 'telephone' has too many shortcomings to be seriously considered as a means of communication. The device is inherently of no value to us" -- Western Union internal memo, 1876. "The wireless music box has no imaginable commercial value. Who would pay for a message sent to nobody in particular?"-- David Sarnoff's associates in response to his urgings for investment in the radio in the 1920s. "The concept is interesting and well-formed, but in order to earn better than a 'C,' the idea must be feasible" -- A Yale University management professor in response to Fred Smith's paper proposing reliable overnight delivery service. (Smith went on to found Federal Express Corp.) "I'm just glad it'll be Clark Gable who's falling on his face and not Gary Cooper" -- Gary Cooper on his decision not to take the leading role in "Gone With The Wind." "We don't like their sound, and guitar music is on the way out" -- Decca Recording Co. rejecting the Beatles, 1962. "Heavier-than-air flying machines are impossible" -- Lord Kelvin, president, Royal Society, 1895. "If I had thought about it, I wouldn't have done the experiment. The literature was full of examples that said you can't do this" - - Spencer Silver on the work that led to the unique adhesives for 3-M "Post-It" Notepads . "Drill for oil? You mean drill into the ground to try and find oil? You're crazy" -- Drillers who Edwin L. Drake tried to enlist to his project to drill for oil in 1859."Airplanes are interesting toys but of no military value" -- Marechal Ferdinand Foch, Professor of Strategy, Ecole Superieure de Guerre , France ."Everything that can be invented has been invented"-- Charles H. Duell, Commissioner, US Office of Patents, 1899. "The super computer is technologically impossible.It would take all of the water that flows over Niagara Falls to cool the heat generated by the number of vacuum tubes required." -- Professor of Electrical Engineering, New York University "I don't know what use any one could find for a machine that would make copies of documents. It certainly couldn't be a feasible business by itself." -- the head of IBM, refusing to back the idea, forcing the inventor to found Xerox. "There is no reason anyone would want a computer in their home." -- Ken Olson, president, chairman and founder of Digital Equipment Corp., 1977Listen here.Find the podcast on itunes here.

MAWP Tacoma presents MAWPCAST 1 Radio Program, Episode 35: Zorro, the Gay Blade Hosted by Potter & Sound Man Chris On this weeks show we talk about last weeks show... We talk about local music... We talk about impractical "Cough Gate" Noise Suppression technology... We talk about Star Trek... We talk about talking about things... This show features these songs by the following bands: "Silver Girl" Oldface, Same Atmosphere (Bandcamp) "Call On Your Gods" Deathbed Confessions, Kintsukuroi (Bandcamp) "Captain Crunch" The Breaklites, Pack Your Bags (Bandcamp) "Louder Alone" Blind Guides, Blind Guides (Bandcamp) "What's On Your Mind?" The Dignitaries (Facebook) "Le Dragon" Lozen, Para Vida (Bandcamp) "Finest Thing" Elk and Boar, Something Out of Nothing (Bandcamp) "Please, Forget Me" Bunny N Bear, Bath Bombs and Break Ups (Bandcamp) "Dizzy City" Laughter Train, The Trinity (Youtube) "Get Psycho" RIP Chuk & J Burns, So Simple, So Filthy (Bandcamp) "Dave's Place" The Converters, 7" "Roofless" Retrospecter, Crooked Moon (Bandcamp) "Indulge" Smelter, Smelter "Seuss" Ash Bib, Tacoma (Soundcloud) "Oops" DJ Donald Glaude (Soundcloud) "This Moment" Bleed the Stone (ReverbNation) "Elephant" Goldfinch, Vacant Lot/Elephant (Bandcamp) "Dreaming of Nightmares" The Raven Conspiracy, Demo (Bandcamp) "High and Mighty" 322 (Bandcamp) "Tag" Groovebender, Groovebender "Get Ya Hooked" Mission 253, Get Ya Hooked (Bandcamp) "Rondo Tarantula" Fang Chia, Above Ground (Bandcamp) "Hang Man" The Iotolas, Live in the Basement If you would like to support MAWP Tacoma you can visit our Patreon page. You can also check out the MAWP Tacoma website! Tweet us on Twitter! Follow us on Facebook! Look at us on Instagram Produced and Edited by Potter @mawpcast1  Video Recorded by Chris Pederson & Potter  Audio Recorded by Chris Pederson  Executive Producer Ken Johnson, Chris Pederson                Technical Engineers Rick Casson, Chris Pederson ​​​© 2019 MAWP Tacoma

One thing that I have been obsessed about for years is bringing the message of positive psychology to places where they might not be expected. That's why I started the podcast in the first place, fooled around with Amazon Alexa and most recently started to have some fun with GarageBand. Therefore I proudly present my first piece of music. Have fun and try to listen to the lyrics :)

Kevin Rudolf (@KevinRudolf) worked with the Black Eyed Peas, Justin Timberlake, and Nelly Furtado before embarking on a solo career as a multi-platinum recording artist. He achieved seemingly overnight success when he released the hit song Let It Rock with Lil Wayne in 2008, peaking at #5 in the Hot 100. Since then, he's worked with the likes of Rick Ross, Birdman, Jay Sean, Selena Gomez, Flo Rida, Pitbull, and Lil Wayne several more times, most recently teaming up to release their new single I Will Not Break just a few short weeks ago. Visit Kevin at KevinRudolf.com. Check out the show notes and Kevin Rudolf Essentials playlist at JordanParis.com/ep91.

Good Friday Homily

Ninaki Priddy blends Ayurvedic wisdom, Polarity Therapy, and the clinical and esoteric teachings of Craniosacral Therapy. She is a certified Massage Therapist, Master Reiki practitioner, and combines this work with the therapeutic application of essential oils in what is called Raindrop Technique. Her 6- and 12- week programs are for those individuals ready to dive deeper into their own self-awareness, and release whatever is not serving their highest path. Kintsugi, also known as Kintsukuroi, is the Japanese art of repairing broken pottery with lacquer dusted or mixed with powdered gold, silver, or platinum, a method similar to the maki-e technique. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise. Tune-in to hear how she uses the analogy of the art of repairing pottery in her approach to healing. https://www.livekintsugi.com/ IG: livekintsugi info@livekintsugi.com (310) 824-3537

Ingrid Huffman, a human Kintsukuroi art vessel, and multi-dimensional wellness practitioner understands military service, and how it can affect the individual as well as the family. She has served her country twice over, and now created her own business, Blue Winds Dancing Sanctuary to help other military individuals and families heal from PTSD in a spiritual way. Ingrid shares her tips on how you support your active duty or retired loved on through the healing process. Connect with Ingrid: bluewindsdancing3@gmail.com | http://bluewindsdancing.org/ Listen on iTunes: itunes.apple.com/us/podcast/milho…d1380968002?mt=2

Kintsukuroi (golden repair) is a Japanese method of repairing broken pottery with lacquer mixed with either gold, silver, or platinum. When pottery breaks, the Japanese don't just render it useless and throw it away as Americans would. Instead, they see breakage as something that adds to the history, value, beauty, and uniqueness of an object. It's not something they try to hide, as they make the filled-in cracks noticeably shiny. In the same way, we as humans should not be rendered useless when we break (and we all do). Sadly, some are not aware of the high power this concept wields, and this is why we have suicides. When we break, it is not permanent. We must trust that adversity is what makes us unique. We must trust that it is adding to our history, value, and overall beauty. But Everyone Else Is Perfect Though ... According to who? According to themselves on Instagram and Facebook? That's a bit like asking a cigarette manufacturer to provide evidence that their products are safe to use, which is exactly what happened from the 1930s until the 1950s. At a time when there was no internet to find out otherwise and when solely placing trust in the hands of physicians regarding health was the norm, cigarette manufacturers provided evidence to physicians claiming cigarettes were not harmful. The manufacturers even went so far as to feature physicians in their ads to brainwash the public. Below are some headlines of ads featuring physicians from newspapers. ❖ “Not One Single Case of Throat Irritation Due to Smoking Camels” ❖ “More Doctors Smoke Camels Than Any Other Cigarette” ❖ “Give Your Throat a Vacation… Smoke a FRESH Cigarette” ❖ “20,679 Physicians Say ‘Luckies’ Are Less Irritating” ❖ “Science Discovered It… You Can Prove It” ❖ “NOW… 10 Months Scientific Evidence for Chesterfield” ❖ “Just What the Doctor Ordered” ❖ “Chesterfield Best for You” ❖ “Why Physicians Call Our New Brand “A HEALTH CIGAR” Do you really believe that stuff? Well, the American public did for more than twenty years until they finally caught on. Now everyone knows cigarettes cause fatal lung cancer and all sorts of negative health externalities. In a similar fashion, people post Instagram pictures and Facebook status updates to show and tell everyone how amazing their life is even though many of them are depressed. This creates a skewed image of the world. It creates delusion. If you want to believe in that skewed image, be delusional, and put the pressure on yourself to be as “perfect” as everyone else, then feel free. I’m not stopping you. It may be an endless pursuit that results in misery, however. Just as the American public caught on to cigarettes being unhealthy, I think we are beginning to catch on to the façade that others put up. I think we are beginning to realize that peoples' lives aren't as perfect as they hype it up to be. I hope I'm right about this. “Smooth seas do not make skillful sailors.” — African Proverb “Trust the process” — A mantra synonymous with the culture of the Philadelphia 76ers “Every problem is a gift - without problems we would not grow.” ―Tony Robbins Visit this week's guest, Jonathan Namath: https://www.linkedin.com/in/jonathannamath/ http://jordanparis.com/

Aquesta setmana, a "L'ofici d'educar" parlem de com podem protegir els infants del patiment. Quin paper hi t

Aquesta setmana, a "L'ofici d'educar" parlem de com podem protegir els infants del patiment. Quin paper hi t

Layla faced the mirror and took a deep breath. When she went out there, she had to be effortlessly confident. She certainly looked the part, in a rose-colored Givenchy dress that complemented her olive skin and tasteful diamond earrings. She'd swept her dark hair off her neck into a smooth chignon and her makeup was perfect. She'd been prepping for this night for weeks. I can do this... -- False Idols, written by Lisa Klink, Patrick Lohier, and Diana Renn Coming from a TV writing background myself, I am so excited to see the Writers' Room technique used to create a book -- in this case, False Idols, published by Serial Box.  The idea of serializing stories has been used by such masters as Dickens and Conan Doyle. But this one has a twist: the installments, or "episodes," are written by three different writers: Lisa Klink, Patrick Lohier, and Diana Renn.  False Idols is a thriller set in Cairo, in the world of high-end art theft. Thieves stealing priceless artifacts to sell on the black market and using the money to fund terrorism -- that's the network undercover FBI agent Layla el-Deeb needs to ferret out and bring to justice. It's a thrill ride with depth, as Layla struggles to keep her own sense of self while going deep undercover.  It's also not their first rodeo. Lisa Klink was kind enough to be my very first interview on Destination Mystery, when her wonderful, high-octane caper, All In, written with Joel Goldman, came out. In addition to writing for one of my favorite TV shows (Star Trek: Deep Space Nine, so much love for that show!), she has written novels in The Dead Man series, and so much more (BATMAN!!). Follow her, @LKKlink, on Twitter. Patrick has written short stories, criticism, and a novel, Radiant Night, which will be published later this year by Adaptive. You can find his website here, and he hangs out on Twitter as @PatrickLohier. And let's not forget Diana! She has several novels for young adults, with globe-trotting teens and international intrigue. Her most recent, Blue Voyage, gets praise and nominations from around the world, including kudos from one of my favorite YA thriller writers, Lamar Giles.  Here's Diana's website, here is her author Facebook page, and, since we're doling out Twitter handles, you can find her as @dianarenn. All three writers share credit for bringing into the piece the lovely concept of Kintsukuroi, or fixing broken things with gold.  They also give credit where it's due to consultant and former FBI agent Robert Wittman, and give a shout-out to his book, Priceless: How I went Undercover to Rescue the World's Stolen Treasures, which I, too, have read and highly recommend.  Finally, did I mention that False Idols Episode 01: Operation Cairo is free on Kindle? Well, I've taken care of that now.  As always, if you'd rather read than listen, the transcript is below. Enjoy! -- Laura *************************************************************************************** Transcript of interview with Lisa Klink, Patrick Lohier, and Diana Renn Laura Brennan: I am so excited to have not one, not two, but three killer guests on my show today. The wonderfully talented Lisa Klink has teamed up with Patrick Lohier and Diana Renn to create a new kind of book -- one that comes out in episodes. False Idols launched with Episode 1 on January 16th. Lisa, Patrick, and Diana, thank you for joining me. Lisa Klink: Happy to be here. LB: So let me start by asking each of you just to let me know a little bit about yourselves and your writing. Lisa, I'm going to start with you because I know you started out television. LK: Yes, I did. I started out in the world of Star Trek with Deep Space Nine and Voyager. And had a great time while I was on Voyager for three seasons, and then I went on to other shows like Hercules and Roswell and Martial Law. And was in TV for a while and then switched over to, I guess, prose or novels.

When you sit down to write a book you and I can waste a lot of time, if we don't take time to outline But what are the elements involved in outlining? And how can we make sure we don't make any silly mistakes? If you're about to write a book or plan to be an author sometime later, this information is for you. But even if you've already published books, you'll be amazed at how this information speeds up your process and gets better results. In this episode Sean talks about Element 1: How many points do you cover in your book outline? Element 2: Why deconstruction is important. Element 3: Understanding the purpose of the book. Read online: Outlining Your Book: The Three Crucial Steps -------------------------- Around the start of 2010, I was very upset with myself. I'd pre-sold a workshop and as I always do, the notes for the workshop are sent to the attendees a whole month in advance. Since the workshop was being held earlier in the year, I had been thinking about the notes right through my summer break in late December and early January. Uniqueness is a pretty difficult topic and I needed to find a way to ensure that everyone—without exception—got the concept of uniqueness and was able to implement it. The only problem with writing the notes, was that it seemed like the notes were going to be at least 200 pages long. 200 pages is like a security blanket for a writer In the mind of a writer, the chunky volume of notes seem to suggest you have something important to say. And yet my wife Renuka isn't a big fan of a ton of notes. “Why can't you write fewer pages?” she asked me as we were sitting at the cafe. “Why can't you get the same point across, so I don't have to read so much?” A pointed question like this is truly frustrating for me because I know it's easier to fill a book with a ton of information. But a book, or notes in this case, need to be Spartan. They only need to have enough pages; just enough knowledge for the client to get a result. They don't need to be padded or filled with words no one needs. And this meant I had to go back to my outline several times. When writing a book, the most difficult task isn't the writing Distilling the ideas down to simplicity is what gets in the way. I have to force myself to leave the office, sit at the cafe for hours at a time, with no Internet connection. Monday's draft gives way to Wednesday's, and will be supplanted by Friday's draft. Sometimes it can take a month of drafts to get my thoughts together. Except it was already January. The clock was ticking closer to my deadline. I had to make sure I had the book going. Which is why you, and I, we both need an outline. So how do you outline a book? What method should you use? What if you can't write a lot and can only manage a few pages? Should you give up? Let's explore three elements of book outlining to get us on our way: Element 1: Why you should ideally cover just three points. Element 2: Why deconstruction is important to get you going Element 3: Understanding the purpose of the book. Element 1: How many points do you cover in your book outline? When you think of a topic like “presentations”, what comes to mind? Let's make a list, shall we? – Creativity – Crafting stories – Simplicity – Delivery – Audience connection – Engagement – Displaying Data – Creating Movement – Time Keeping Those points above represent a tiny list. If you were to look through the books on Amazon.com alone, you'd find at least fifty, possibly a hundred, even two hundred and ten topics on the singular topic of presentations. It's at this time that a novice or unthinking writer decides to do it all. He or she decides to cram as many items as possible into a single book, just to make sure nothing is missed. Take watercolours, for instance Back in 2010, I was pretty hopeless at watercolours when the painting bug struck me. How hopeless is hopeless? I painted for three months faithfully following the instructions of my teacher, Ted. After three months, the area had an auction of the artwork. My painting came up on the auction block. The auctioneer started at $30. No takers $20? Wait, auctions are supposed to go up, not down. But there was the painting at $10, and still no buyers in sight. Now that you'll have to agree is a hopeless situation. Anyway, to avoid such a high level of embarrassment in the future, I decided to take watercolours a lot more seriously. I tramped down to the library and came back armed with at least a dozen books on the subject matter. As I opened book after book, a similar scenario unfolded. Every book seemed to feel the need to cover all the possible topics under the broad umbrella of watercolour. This is the kind of mistake you want to avoid as a writer The journey to outlining a book or just about anything—a book, an article, even the weather report—is better served by working three elements; three main topics and then digging deep into the sub-strata of every one of those topics. Ironically, though, you have to start with the entire mess. 

You have to begin your journey by being reasonably crazy and listing everything. Which means you've got to roll out two steps. Step 1: List all the points you can think of Step 2: Choose three points Take for example the topic of “pricing” If you were to gaze deep into the crystal ball of pricing, you'd be sure to run into dozens of topics and angles. Covering every possible scenario, even at the brainstorming stage should drive you crazy. Well, let it drive you crazy. Writing a book needs to start with a brainstorm, long before you get to the outlining stage. So let your imagination go on that rodeo as you list everything you could cover. 

An exhaustive list is not a bad thing. It demonstrates how much you know and how much you can cover in the future. However, once you're done with that list, it's time to pick the three elements that will go into your book. You have to wiggle your way into Step 2 and choose three points. The problem with Step 2 is deciding which points to choose You'd probably think it's crazy to choose any random points, but that's usually what I do. Take the “Black Belt Presentations” book for example. I didn't set out to write a series of books on the structure of a presentation or webinar. 

I set out to write a single book. And when we look at the huge list we can muster from a single visit to Amazon; I decided to simply choose the three elements that I considered to be important. And so we had: 1: Controlling the visual aspect (how to create stunning slides) 2: Controlling the structure of the presentation (how to build the presentation with amazing flow) 3: Controlling the audience (why a great presentation can be ruined if you're not prepared for the reality of an audience). ———————— When outlining, take on the role of a GPS. Sure there are a thousand points to cover, but it's easy to get lost. Instead, cover just a few points, ideally no more than three main points. ——————- Were there more topics to cover? Sure there were. Would I cover it? Maybe in another book, a series of podcasts, articles, etc. But as a writer, creator, weather reporter, you can't really go digging into every single cloud or that spotty bit of sunshine. You have to make a decision to drop stuff. 
To take a simple analogy, think of a sculptor. Or rather a dozen sculptors all with similar blocks of marble. The job of the sculptor is to remove the bits that don't matter so that you can reveal the sculpture that does matter. Yet, when you look at the finished work of a dozen artists, you'll notice they all end up with different types of sculpture. 

Given the same topic, e.g. presentations, you have to get rid of all the sub-topics you can't possibly cover and stick with just three. Three? Not four? Or five? I've got “The Paradox of Choice” by Barry Schwartz sitting on my desk. First written in 2004, it's gathered a bit of dust, but when I open the Table of Contents, what holds 250-odd-pages of the book together? It's the topics—four, not three. 1: When we choose 2: Why we choose 3: How we suffer 4: What we can do. And nestled under those four categories are what Schwartz needs to say. Even though you can clearly spot ten, wait, eleven chapters and one prologue, they're still magnificently constrained by the limitations of four topics. When you look at The Brain Audit, you don't quite see that in the Table of Contents, do you? The Brain Audit is split up quite clearly into seven chapters. And yet there's an overlying structure to the book. The first three chapters are about attraction. They're solely dedicated to getting the client's attention. 

The next four chapters are all about risk. It's what causes the client to back away, to get all hesitant, even though they seem to be so interested in your product or service. But what if you don't have such clarity of vision? How are you supposed to know that one topic will seamlessly fit into another? The reality is that you don't need any such seamless fit at all. Three random topics can fit together. To demonstrate this, um, magic trick, let's take that list we created above. Let's first randomly take the first three topics. – Creativity – Crafting stories – Simplicity The three topics work together, don't they? So let's take the next lot. – Delivery – Audience connection – Engagement That works too, doesn't it? Let's move to the third lot. – Displaying Data – Creating Movement – Time Keeping You may feel that timekeeping may not require an entire chapter. And if that's the way you feel, then simply get rid of the topic, and slide in one that makes you feel more comfortable. For example: – Displaying Data – Creating Movement – Audience connection Writing a book may seem like a daunting and reasonably frustrating experience An enormous amount of frustration bellows forth from the need to cover everything in sight. Instead, if you were to cover three topics, almost any three topics, you could seamlessly stitch them together to create a fantastic outline. You still have to do a fair bit of work to get the book written, but the battle is won or lost at outline stage. Train your outline to sit, beg and play dead, and you've already vaporised away the first—and biggest headache of all. This takes us to the second bit where you outline the personality of your book To get on this fascinating trip of structuring the personality of your book, you have to dig into a whole bunch of books you love. It's time to use the power of deconstruction to get going. Let's deconstruct. Element 2: Deconstruction—How To Systematically Outline A Book (So You Can Get It Off The Ground) Imagine you're the emperor in a far eastern land. And your son, Kintsukuroi (pron: khintz-ku-roi) is about to go through the ceremony of investiture. The bowl is the most important symbol of this rank being given to the young prince. And yet, the king opens his cabinet to find the magnificent bowl broken into a hundred pieces. Broken hearted at the wanton destruction of this incredible piece of art, the emperor retires to his private chambers to share his sorrow with his son. The night passes quietly, but in the morning there's a huge commotion. The cabinet of treasures has been broken into and not only have the pieces of the bowl disappeared but also the bejewelled crown for the prince, which was to be used for the investiture ceremony. What's worse is the thief was seen running towards the prince's quarters. Could the guards break down the door? Why was there smoke coming out of the prince's quarters? The mystery was solved the next day when the bowl reappeared, whole again, but glistening with veins of gold where the cracks had been. And the prince appeared at his investiture ceremony later in the day. Except he had a thinner crown, depleted of much of its gold. Kintsukuroi means ‘to repair with gold’ in Japanese, and is the art of repairing pottery with gold and understanding that the piece is the more beautiful for having been broken. When creating the outline of a book you have to deliberately break, or deconstruct the work of others, so that you can engage in Kintsukuroi, and reconstruct your own book in a way that's far superior. And that's exactly what I did back in 2002 when I first started writing the earliest version of The Brain Audit I was brand new in marketing and writing just 16 pages of The Brain Audit took me well over a week. Even the introduction derailed me quite a bit. So I turned to a book I loved a great deal called “Don't Make Me Think” by Steve Krug. 

His introduction seemed to be so un-stuffy, so well put together. And he had a ton of graphics in his book. Right then and there I decided my book would have a similar tone of voice and style. When outlining your book, it's easy to get caught up in the construction of your own words and pages. And yet, it's pretty important to go through at least six-eight books that you love, if only to understand the underlying structure. Take for instance most of the Psychotactics books or courses There's a structure to the book that you may have noticed, but not necessarily paid great attention to. – It starts off with an introduction. – The introduction is followed by three main topics. – Every topic goes deep into the sub-topics. And as you wander though the pages of the book, you'll run into cartoons, captions, stories, examples, fly out boxes, summaries, a food recipe—and so on. 

This is the underlying structure that makes the book so easy to read. It's the powerhouse that pushes you forward, making sure you get to the last page. Compare this with a book that has no summaries, no visuals, no captions and examples that are always harping about ginormous companies like Amazon and Apple. You get the idea, don't you? When you deconstruct a few of your favourite books, you get a wish list of what you'd like the reader to experience in your own books, don't you? You've gone through the act of Kintsukuroi The books you looked at were already quite impressive by your own reckoning. That's the reason why you chose them in the first place. But then after you've broken them apart, you get to reconstruct them in a way that's more beautiful and more suited to you than ever before. And this structural break and remaking process is what helps you put your information under a structural format that you can keep and evolve over the years. When you're outlining a book, it's easier to put pieces of content where there's already a category or space. It's a lot less intimidating when you know what needs to go where in the book structure. Structural inspiration comes from many places I love the music of Sting, and in one particular concert he talked briefly about the inspiration behind several of his songs. For instance, did you know that “Englishman in New York” is not Sting singing about himself? In the video it appears as though the song is about Sting, an Englishman, but in reality the song is about famed gay author Quentin Crisp and his experiences as an outcast. When I first heard that little bit of information, I was quite tickled. And so I decided to add a little story about how we “wrote our books”. Since then the structure of a Psychotactics course or product has included “the making of this book” that includes photos and a little story. But if I copy the structure, won't it look similar? Did you know that my introduction and illustrations were influenced by “Don't Make Me Think?” Of course not, and even now if you were to hold The Brain Audit and Steve Krug's book side by side, you're unlikely to find too much of a resemblance. 

The key isn't to make an identical copy. Remember the procedure? You're breaking first, then reattaching it together. There's a bit of additional input going into the structure. Whether the structure comes from you or from another source, it all helps to create that Kintsukuroi moment. Construction after deconstruction. This is the kind of deconstruction you want for your book as well You could see it as a sort of template for all books you create in future. What makes it truly beautiful is that the act of breaking up the structure of other books ends up with a stunning new creation. It's truly Kintsukuroi and helps create a powerful outline structure. We worked our way through creating just three topics, deconstructed and reconstructed the structure of our book, but finally it's down to purpose. Why are you writing the book? Is it just to put words on paper, or is there some other reason? Element 3: Purpose Usually from December 20th to Jan 20th every year, I take a summer break. The days consist of no e-mail, endless episodes of detective series on Netflix, biographies and beer. Eventually, December gives way to January and New Zealand (and I) wake up from our month long vacation. To ease myself back into work mode, I start reading business books. And this year started out with an outstanding book called “The Content Trap” by Bharat Anand. Just leafing through the introduction takes you well past 30 pages and yet every moment of the introduction is gripping. But what is Bharat Anand's purpose? This is the question most writers need to ask themselves before sitting down to outline their books. Is the book meant to create consulting? Are you expecting to improve your profile? Would you hope to do a speaking tour as a result of your book becoming a bestseller? Would companies hire you to solve their problems? And would it involve big business or small firms? In the case of the “Content Trap”, my perception was that the book was aimed at bigger companies The examples within the book were amazing, but there they were: Amazon, the Scandinavian newspaper publisher Schibsted, The New York Times, the sports marketing giant IMG and Harvard Business School's own content management system. These examples leave me and most other readers in a sort of trap of our own. We have all these utterly outstanding examples, but all of them are companies that are high and mighty. Even if we were to admire the sheer depth of the learning, how would someone like you or me put this information to use? And this is where the purpose comes right in You need to be clear about why you're writing the book. In Anand's case, he's got a great idea and scintillating data to back up his concept, but it falls apart at the seams because there's no way to use it. Could it be that the book is designed to give potential clients an idea of what's possible? Could it be that they then call the author in for extensive consulting? Many books are written with the goal of getting consulting in mind. Could this be one of them? When I sat down to write an outline, I wasn't always clear about the goal The early years saw me create sparse outlines and fill content into the early books. This was my way of battling my seeming insecurity. I didn't see myself as a marketing person and saw myself as a cartoonist.

The more pages I had in a book, I convinced myself, the less I had to worry about refunds. It doesn't help when some early buyers, and we're going back to 2003 or so, said they were returning the books because there were too few pages. 

Back then, most of the world was still walking into bookstores and stepping out with $20 hardback books. And there we were, selling a PDF for $67 that consisted of fewer than 20 pages. Hence the need to “fix the book” by adding a tonne of material that may or may not have been needed. Today, when I outline the book, the main goal is to get a precise result If you buy the book on presentations, you could be woken up at 3 am and still be able to put together a very compelling presentation from the ground up. If you spent your hard earned money on the information products course, you'd find an incredibly well thought out template on how to create info-products. Whether it's photography, article writing or landing pages, the goal is well-defined before I start to write. And this is something you should do. It seems like such a tiny, inconsequential part of the outlining process and yet it's crucial. What's the end point when the book comes out? Is it to get you more consulting? Is it to get you more fame? Is it to create a permanent source of income and nothing else? Knowing the end point makes a difference to the examples you give and how you structure your book. The end in mind, it's sometimes called. Knowing where you're going. It applies to everything in life, but especially when you're outlining a book. Once you know exactly where you're going, you can focus your energy better than ever before. The Three Elements Needed When Outlining Your Book are: Element 1: Why you should ideally cover just three points. Element 2: Why deconstruction is important to get you going Element 3: Understanding the purpose of the book.  --------------------------------- P.S. Since the end of January 2017, Google has been marking sites without HTTPS as non secure. This means that your clients may be driven away from your site. To make sure that clients don't leave your site you have to have HTTPS. We use StressLessWeb.com (this not an affiliate link) for all our websites, and recently they did a seamless job of moving our sites from 'http' to 'https'. Don't ask me how they do it, but everything worked perfectly after they moved us to 'https'. So, if you are not sure if your website is safe or not read more here.  ---------------------------------     .

Emisión nº 79 del 30/3//17 con Tomás Navarro, Psicólogo, http://www.tomasnavarro.es/ que nos habló de su #Libro Kintsukuroi, El Arte de Curar Heridas Emocionales, en "Construyendo Relaciones", con Rudolf Helmbrecht un programa que se emite en el 106.9FM por Radio Kanal Barcelona en directo cada Jueves a las 23 H en Barcelona. Síguenos online en nuestra web: www.construyendorelaciones.com #TomasNavarro #Kintsukuroi #ConstruyendoRelaciones #RudolfHelmbrecht

En este episodio conocerás la filosofía japonesa de KINTSUKUROI que te brindará una nueva perspectiva para relacionarte con tus heridas e imperfecciones www.dequetienehambretuvida.com info@dequetienehambretuvida.com

Kintsukuroi is the art of repairing pottery with Gold and adds beauty to the vessel being repaired. Learn in this episode how it applies to our lives and how Jesus Christ is that Gold that mends you perfectly.Presented by, Dr. Al Petros Maeyens (Doc. of Div.)This show is brought to you by Talk 4 Radio (http://www.talk4radio.com/) on the Talk 4 Media Network (http://www.talk4media.com/).