Podcasts about leicas

This year marks the 100th anniversary of the Leitz Camera, or as we know it today, Leica. The Leitz Camera Co. is far older than the cameras they produce. In today's episode, Bill leads a panel of photographers, including Alex (Smith), John Roberts, and David, who all have one thing in common: their love of Leicas, from the Barnack rangefinders to the iconic M-Series of rangefinders and even the controversial SLR line of Leicaflexes! But no matter which side of the fence you land on, there is something special about Leica cameras and their lenses that makes them not only expensive but worth every penny. Also Alex (our Alex) comes in with a presentation on the Leica Freedom Train, an effort by Ernst Leitz II and Elsie Kuehn-Leitz, to move hundreds of Jewish employees and their families outside of Germany from 1935-1939 and the company's efforts to protect those enslaved under the Nazis and employed by Leitz during the war. You can read more in the Legion Magazine or the Accidental Talmudist.   CCR is ten years old this year, and to celebrate, we're hosting a Photowalk & Brewery Tour on 12 July starting at 11 am from the Great Lakes Brewpub at 11 Lower Jarvis in Toronto, Ontario. You can find more details on the event signup page on Photowalk.me!

Once again I Dream of Cameras spans the globe, with Jeff in Prague and Gabe in Los Angeles, and not even a nine-hour time difference can slow us down! In fact, one might say we are utterly devoid of camera viscosity, or “camerosity” for short. In this supersized episode…Jeff unknowingly chatted up Danny Clinch about his Leica Q2 at the Trombone Shorty Soho Session, and the acclaimed photographer was faintly dismissivefor the next two months Jeff's in Prague, where the camera shops (FotoŠkoda, Jan Pazdera) are far too alluringhe's been eyeing a lovely Zeiss Tenax II, a flawed Olympus 35SPn, and a beautifully brassed black Canonflex RMbefore departure, Jeff did the unthinkable: snagged a bargain-basement half-frame Alpa 10s on the ‘Bay - it's half a Swiss cookie and the realization of a lifelong dream!talking Leicas with Dave Tada, Gabe realized he needs a 35mm lens for his Leica III - he already has the 50mm Serenar, so any suggestions?Gabe went to the Fujifilm event for their bizarre new half-a-cookie digital - what did he learn about the elusive x100vi?Gabe has gone half-cookie INSANE with his Olympus Pen FT, so now our friend Sissi Lu has enticed him to give the Pentax One Seven one more try - what will he grab next, the chunky plastic Pentax or the mighty meterless Olympus Pen FV?he's got a portrait shoot coming up, and plans to use the Kiev 60, the Leica III and the Mamiya RZ67as for replenishing his collection, he's up to 27 of a planned 30 cameras Jeff was shooting around Prague when Sudden Fujifilm Battery Death struck again! Fuji's battery displays in both the XPan and GA645 are pure fictionGabe's also been rebuilding his book collection with Duane Michals Portraits and volumes by Sarah Moon and Clifford Coffinlet us now praise John Wade's Retro Cameras, which is what Ralph Bellamy's book should have beenonce again we make it halfway down the depths of our Prodigious Mailbag™Gabe unleashes a raft of thank-yousand adds a final postscript: nature is healing and he's back in the bag business, welcoming a new Nomatic Luma McKinnon

A topic that we've lightly touched upon in previous episode, but never dared devote an entire episode to is the taboo subject of repairing your own cameras.  There are those who firmly believe all repairs should be left to the capable hands of professionals, but there are others who have no problem with opening their own cameras and trying it out themselves. If you're in the latter group and are interested to hear some tips and tricks from those of us who have been brave/foolish enough to try it, Episode 89 is all about repairing your own cameras.  Joining Paul, Stephen, Theo, and Mike are returning callers A.J. Gentile, Alyssa Micha, Andrew Reynolds, Christopher Wells, John Michael Mendizza, Keir Frei, Larry Effler, Pat Casey, Rafael Espinoza, Ray Nason, Wayne Scheipers, and Will Pinkham who all share their own experiences. We cover a wide range of topics, starting with what you can and cannot repair on a Kodak Medalist and whether you can still send your Leicas to the factory in Wetzlar to get repaired.  Hear who we think makes a good set of JIS screwdrivers, lens spanners, and Mike recommends a rubber grippy tool.  We share our recommendations for cleaning cameras, getting sticky residue off film doors, replacing mirror bumpers and foam light seals, how not to clean a reflex mirror, what works on lenses and what not to use.  We even cover the taboo topic of washing your camera in the dishwasher! Although there is very little GAS in this episode, we do get into a few model specific camera repairs.  Alyssa Micha shares with us her beautiful 1903 Kodak camera which had moldy bellows and what she needed to do to replace them.  We talk about how to and how not to fix the infamous Canon Squeal of the Canon AE-1 and A-1 cameras, along with how to deal with the sticky backs of the Nikon N80 and N90, Mike talks about a product he used to mold a custom hand grip for his Minolta 650si. We talk about various cleaners, when and when not to use lighter fluid, acetone, glass cleaner, and for the love of God, please never use WD-40 on any camera!  Although this whole episode is about home repairs and cleaning, we end the show talking about how best to take care of your camera to minimize its chances of never needing to be repaired, how to deal with humidity, and whether or not to store your cameras in their original leather cases. Meet Anthony, Paul, and Mike: If you are in the vicinity of Cincinnati, Ohio on Saturday, March 22nd, come to the Ohio Camera Swap at the Hilton Garden Inn Cincinnati/West Chester and say hi to us.  Who knows, maybe even some other Camerosity Podcast regulars will show up as well.  While you're there, maybe you can buy something from us! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode will be number 90, and like we've done for episodes 70 and 80, we will be devoting the show to cameras of that decade.  For Episode 90, we will discuss cameras of the 1990s (or 1890s for that matter)!  Finally, Theo will get a chance to talk about his beloved Mamiya 7, but in addition to that there were many other terrific cameras from that decade like the Nikon N90s and the premium 28Ti and 35Ti point and shoots, the Contax AX, and the Olympus µ[mju:]-II.  In addition to terrific film cameras, the 1990s was the first decade with a large number of digital cameras like the Minolta RD-175 and Nikon D1.  We will record Episode 90 on Monday, March 24th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. (Note that Daylight Savings Time started in North America on Sunday, March 9th, so be sure to check your local time if you plan on joining the show!) In This Episode Disclaimer: A Proper CLA is Always the Best Way to Get Your Camera Working / Technicians for Some Models Are Retiring You Don't Have to Use The Most Popular Technicians to Repair Leicas / Does Leitz in Wetzlar Still CLA Cameras? Larry Wants to Repair His Kodak Medalist / Mike Offers Tips on Cleaning the Medalist Rangefinder Rerolling 620 / Larry Reload 828 Film Using Unperforated 35mm Film 3D Printing Battery Holders for Nikon SLRs / 3D Printing for Analog Photography Facebook Group Cleaning Corroded Battery Compartments / Removing Stuck Pentax Spotmatic Battery Compartment Covers Eyeglass Screwdrivers Are Not Good Enough / Japanese Cameras Use JIS Screws Get Good Spanners / SK Grimes Spanners Are Very Good / Micro-Tools Mike Recommends Getting a Set of Rubber Grips for Removing Lens Rings How to Remove Stuck Filters Due to a Damaged Filter Ring How Do You Know Whether You Should Fix It or Live With It? Beware of Sellers Claiming a Camera Was CLAd If They Did It Themselves Repairing the Canon AE-1 / Canon Squeaky Shutters / Never Use WD-40! Using Ronsonol and Lighter Fluid / Naphtha Oil Use Caution When Cleaning a Reflex Mirror / What is a Front Surface Mirror? / ROR Solution Replacing Light Seals is a Good DIY Repair / Mirror Bumpers Do Not Shoot a Camera with Compromised Light Seals / Cleaning the Old Stuff Out First Are PEC Pads Recommended for Cleaning Cameras? / Kimwipes and Baby Wipes A Old Toothbrush and a Tiny Drop of Soap is Good for Cleaning Crevasses and other Tight Spots Cleaning and Conditioning Rubber Grips on Lenses / Shrinking Rubber Grips Cleaning Sticky Rubber Surfaces / The Nikon N80 and N90 Have Horribly Sticky Backs Making a Hand Grip for a Minolta 650si Using Sugru How Do You Know When a Shutter Needs to Be Serviced? Beware of Self-Timers on Old Cameras / What does "V" Mean on German Shutters? Tips for Keeping Your Camera Working / Use It / Remove the Batteries Controlling Humidity / Using Silica Gel Packets and Desiccants / Damp Rid Getting Rid of Ever Ready Cases / Are There Any Cases Worth Saving? An Easier to Remember Join Link - join.camerositypodcast.com Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

In yet another request from our listeners for topics you wanted to hear, for Episode 88, you can include me as someone whose been interested in hearing an episode about the Kodak Retina and other German Kodaks. For many years, whenever I needed to write something about the Retina, the person I always reached out to was Dr. David Jentz.  David is not only the founder of the Historical Society for Retina Cameras, but also has published multiple written works about the Retina and its history.  In addition to his knowledge about the Retina, David frequently collaborates with historian Klaus Schicht who has studied the man who created the Retina, Dr. August Nagel.  Although Klaus does not appear on the show, David was able to quote some information regarding topics we discussed on this show. If one Kodak historian was not enough, we also invited Todd Gustavson from the George Eastman Museum to be on the show to fill in the blanks for any other Kodak related questions which came up. This was a closed episode, so we did not have any callers, and both Paul and Theo weren't able to make it, but what we lacked in callers, we more than made up for in fascinating Kodak, Nagel, and Retina history. Listen to Episode 87 to get a background on who Dr. August Nagel was, how he became a doctor, brief histories of his time working for Contessa Nettel, Zeiss-Ikon, and Nagel Kamerwerke prior to joining Kodak.  Did you know that before Kodak AG made cameras, they made film in Germany? We discuss other German Kodaks such as the Recomar, Pupille, Kodak Duo Six-20, and the mysterious Kodak Regent.  We get into the differences between the use of "Nr." and "Type" when referring to prewar and postwar cameras, and finally solve the mystery of Paul's Retinette Angenieux lens. In addition to camera history, we also take a deep dive into Kodak's introduction to making 35mm film.  While Kodak's type 135 daylight loading cassette was their most notable contribution to 35mm film in the 1930s, did you know they made 35mm film for the Leica and Contax before that?  David shares with us information about Kodaks original 35mm film, along with some detailed patent information about the Retina, and much more! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are getting on a boat and heading on a "Three Hour Tour" for our second Desert Island episode.  If you were stranded on a desert island with only three cameras, which three would they be?  Will a high spec but fragile electronic camera make the cut, or will people choose less technically impressive models built to withstand a lot more abuse?  Let us know what you'd choose!  We will record Episode 88 on Monday, February 24th at 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode David's Origin Story / His First Camera was a Kodak Retina IIIS Kodak Used to Have a Camera Museum in Stuttgart David Jentz Formed with Peter Tosh the Historical Society of Retina Cameras HSRC Received Permission from Kodak and the Rights to use the Actual Retina Logo Are the Retinas Separated in the George Eastman Museum? / There Are 22,000 Items in the Eastman Museum Collection Who was Dr. August Nagel? / Nagel Started Contessa Nettel and Merged with Zeiss-Ikon in 1926 Nagel Worked for Zeiss-Ikon for About 18 Months and then Formed His Own Nagel Werke Nagels First Cameras were the Recomar, Vollenda, and Pupille Kodak Gave Nagel Very Little Direction, He Was Free to Do What He Wanted Kodak And Nagel Both Benefited from the Two Companies Working Together If You Ship a Camera and Lens Separately, There are No Tariffs Nagel was Most Famously Known as a Great Designer Kodak's Design of the New Daylight Loading 35mm Cassette Kodak Made 35mm Film for Leicas and Contaxes Before the Release of Type 135 Film Was the Retina an Immediate Success? / Why Were the Nr. 117, 118, and 119 Released So Quickly Kodak Duo Six-20 and Other Nagel Designed Cameras Mike Has Questions About Nagel's Role in Making the Kodak Regent / Kodak Regent II Kodak's Transition During World War II / Early Post War Retinas Used Steel in Their Construction Are Retinas with the f/2 Ektar Lenses Worth Paying a Premium / 47mm f/2 Kodak Ektars Were Also on the Premier Instrument Kardon Kodak's CAMEROSITY Date Codes / Many Retinas Were Sold through US PX Stores / Identifying PX Retinas David Jentz Dispels Some of the Myths Mike Got Wrong in His Reviews Dr. August Nagel Never Once Used the Word "Type" to Identify Different Cameras He Made The Mystery of Paul's Angenieux Lens / French Kodak Retinettes Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. David Jentz - https://www.blurb.com/user/hsrc028N The Historical Society for Retina Cameras - https://www.hsrcretina.org/ HSRC Publications - https://www.hsrcretina.org/hsrc-publications The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

One of the benefits to having four hosts is that if something comes up and someone can't be on a recording, the show can go on.  For Episode 78, we were short Anthony, so what did the guys decide to talk about while he wasn't there?  One of Anthony's favorite cameras of course!  The Zeiss-Ikon Super Ikonta 532/16 is a medium format folding camera that shoots 6cm x 6cm images and is one of the very few medium format folding cameras with both a rangefinder and fast f/2.8 lens. In addition to it being one of Anthony's favorite cameras, it is also a favorite of professional photographer Johnny Martyr who, along with a stable of vintage Leicas, shoots his Super Ikonta professionally, offering medium format prints to his clientele.  On this episode, Johnny shares with us his motivation on why he incorporated medium format into his business and why he chose this specific camera. Episode 78 was light on guests as Paul, Theo, and Mike were also joined by returning callers AJ Gentile and Miles Libak, but we made up for it with a nice discussion of GAS!  The conversation eventually moved from 6x6 folders to 4.5x6 folders and Mike gave his recommendation on one of the best Japanese 4.5x6 folding rangefinder cameras, the Konica Pearl IV.  In addition, Mike also recommended an unlikely 6x9 folding camera as a value champion that still punches above its weight with a great lens. Paul shares some recent cameras he's dug out of his crypt and Theo talks about his recent adventures with a Nikon S2 and Olympus Pen FT and how he accidentally redscaled some film without knowing it.  We briefly discuss the merits of prism based viewfinders and what would happen if you purposely loaded black and white film backwards. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Episode 79 will be all about medium format SLRs.  If you're interested in Bronica, Mamiya, Kowa, Norita, Praktisix, (but hot Hasselblad) SLRs, this is the episode for you!  We will record on Monday, October 14th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Only Three Hosts / AJ Working on His New Blog / Paul is Still Doing Long Trips for Cameras Johnny Martyr is Exploring Medium Format / Voigtländer Perkeo Inspired Him Welta Weltur / Zeiss Super Ikonta B and Fast f/2.8 Lenses Paul's Loves the Plaubel Makina 6x7 Viewfinders Made with Prisms vs Beamsplitters / Kodak Medalist has a bright viewfinder Mike Randomly Sends Cameras to Johnny / Miles Had an Ensign Selfix 820 Special  Super Ikonta 6x4.5 / Strap Lugs / Paper Thickness Can Cause Transport Issues in Some Cameras Welta Weltini is Too Complex / Semi Leotax Konica Pearl II, III, or IV Are All Great 4.5x6 Cameras The Voigtlander Bessa 66 is Nice / Gallus Delux is a French Foth Derby / Voigtländer Perkeo 127 Kodak Tourist / Voigtländer Bessa III 667 /  Fujifilm GF670 Professional / Balda Super Baldax Theo has been shooting the Nikon S2 and the Olympus Pen FT Highlight is the Robot II which accidentally used to red scale film Does anyone know what happens in putting B&W film backwards? Very Easy to Put Film Backwards in a Mamiya RB67 Mike got a Zeiss-Ikon Hexacon / Pentacon FM The Mamiya 6 is Just As Good as the Mamiya 7 Mike Wants to Shoot Cameras to Just Enjoy Them Now Miles is Testing an Uncoated Biogon on a Prewar Contax A Brief History of the Contax and Why We've Never Done a Zeiss-Ikon Episode Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Johnny Martyr - https://johnnymartyr.wordpress.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

Hurricane Debby brings a downpour of camera gear! Gabe's out with his Leica III and Mamiya C330, while Jeff samples some digital Leicas. Gabe chats with Toronto photographer Jessica Devic, and Jeff recounts his acquisition of a rare Alpa 10s from a seller in Alaska. Tune in for all the fish stories!It's raining cameras! So much to report…Gabe figured out how to adjust his Leica III rangefinderand he's acquired a Metz 45 CT-1 flash, the Bruce Gilden Specialand he's been shooting his Mamiya C330 with the chimney finderJeff wanted to shoot portraits with a Leica M Typ 240, but the charger was missing……so he tried a Leica V-Lux 4 and did not enjoy itmeanwhile, his girlfriend's Nikon F5 turned up under a pile of winter clothes and ski bootshis “poor condition” Petri Color 35 Custom turned out to be perfectbut most improbably, he found an insanely rare Alpa 10s on craigslist… with Schneider-Kreuznach lens and tons of accessories… from the original owner in Alaska… for only $400! However…it was missing the takeup spool — thank goodness for eBayand there's a tricky battery problem, for which he MacGyvered together a neat solutionspeaking of batteries, there's a new thingy in town! Could KaptainKugelkopf's rechargeable Varta V80H + this inexpensive charger be the ideal replacement for the long-discontinued PX625 battery? Jeff ordered one to find out!Gabe's bookstore recommendation: Untitled Books in Echo Park, Los AngelesFred Coury is loving his Leica Q2turns out Gabe does know who Vincent Peters isGabe's interview with Toronto photographer Jessica DevicGabe's friend is a descendant of (and dead ringer for) the mighty Ernst Leitz!finally, a dog-paddle around our Prodigious Mailbag™, including how Jeff's Strong Opinions about Vivian Maier cost his brother Steven a chance at love

A follow up to what I shared in the last podcast as I share my mindset and approach to gear as an artist, musician, photographer, and creator. www.thecuriouspod.com/questions/theamateursobsessionpt2   ※    -  The Map Of Recording Locations: www.thecuriouspod.com/map - The Podcast Hotline: (612) 584-9330 - Thank you to Wild Pony for the theme song to our Daily Guinness episodes.

For this, the 68th episode of the World's Number One Open Source Film Photography Podcast, the gang invited our friend and film photographer Johnny Martyr to share with us his love of Leicas.  As is the case any time the topic of cameras made by everyone's favorite Wetzlar based company is mentioned, the Force™ beckons our own resident Leica Master, Dan Tamarkin, who also joins us on our first ever April Fool's Day episode! What is real and what is fake?!  Are Johnny and Dan really here or did Mike just find a really convincing AI voice generator?!  NO ONE KNOWS! Helping Anthony, Paul, Theo, and Mike differentiate between reality and imagination, are returning callers Bob Rotoloni, Mark Faulkner, Patrick Casey, Raymond Nason, and first time callers Alan Peres, and Brock's Garage! Starting off the episode, Johnny talks a bit about his business, shooting film and digital with his wife and what kinds of customers would hire a film photographer.  Of all the reasons someone might want a professional photographer, there is one type of gig that people tend to favor film more, but what is it?  Johnny also talks about how when he first got started, his customers struggled to differentiate his film shots from his wife's digital shots, so he sought out ways to come up with his own style. For the second episode in a row, Leica R SLRs have captivated the Camerosity Crew, and Paul, Mike, and Dan discuss all of Leicas different SLRs, and what they like about each one.  Mike recently shot three different Leica SLRs and clearly loved one over the others, but which one was it? Have you ever struggled loading film into bottom loading Leica screw mount (and similar) cameras?  Does trimming the leader to the necessary length cause you heartache and slow you down too much?  If so, Johnny has found a new type of take up spool that works in most screw mount Leicas (and copies) that greatly simplifies loading film into these cameras without having to trim the leader.  Enter Ausgeknipst, a small German company who 3D printed a new design that both Johnny and Mike have tested. Finally, Mike shares his thoughts on a camera he thought would make a good April Fool's Discussion because of how well it "fooled" the community upon its release, but strangely, he ended up liking it way more than he thought he would.  But what was it? As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, rather than discuss a certain brand or type of camera, we thought it would be fun to discuss an entire decade worth of cameras, and what better decade to start in, but the 1970s!  Get out your hair picks, put on your bell bottoms, and spin up some Kiss records and call in to share with us your favorite 1970s cameras! We will record Episode 69 on Monday, April 15th at 7pm Central Daylight Time (-5 UTC), 8pm Eastern Daylight Time (-4 UTC), and Tuesday at 10am Australian Eastern Standard Time (+10 UTC). We look forward to hearing from you! In This Episode Johnny uses a converted 1930 Leica Model C converted to a III / Mostly uses the Leica M6 TTLs for most shooting in low light Shooting the Leica M6 With and Without a Meter / Paul does not like the Leica M3 Johnny and Mike met over a Konica III article, while he got noticed on a humorous M6 article People should shoot their own way and not try and impose on others Dan subscribes to Johnny's blog / Dan and a few others do not like the M3 viewfinder Paul prefers the M6 over the M6 TTL as it has more diodes Johnny also shoots with a Nikon FM2n and F2SB, but does not like the F3 / Anthony loves his FM2n Johnny had a shoot with Bill Clinton while he was working hybrid Clients don't really care if shooting film or not, they like the photos There is a market for film shooters / Mark had hired Johnny for his wedding Johnny moved to black and white to distinguish from digital / The has been more interest in film at weddings Dan has seen more people wanting to get in film / Most people won't know a Leica from a ratty old camera Wedding photographers get nervous seeing a Leica shooter Anthony wishes Johnny had shot his wedding / Theo's wedding photographer ran out of film Alan brought his Leica IIIf to Dan to have it CLA'd The Leica R virus has spread through the Camerosity hosts / Dan rarely sells R cameras but the lenses are in demand Dan caused Paul to buy 2 M10s / The M10 might be the last great Leica Paul tested the 7Artisans lens and it surprised him in quality People should like lenses because of their “flavor” / Each of the older Leica lenses is unique Paul suggests the Leica SL2 is a good starter in the SLR range Mike has fallen in love with the SL2 in 5 hours, didn't take to the R8 Theo though thinks the R8 is his favourite SLR he shoots Dan thinks the R8 is ungainly, the R3 is good for pounding nails The R6.2 is the pinnacle of the R series / Paul got a great haul of R equipment Some people wanted the Camerosity shirts off Mike and Paul's back! Johnny and Mike Promote New 3D Printed Quick Load Spools for Bottom Loading Leicas Simple accessories can make using vintage cameras much easier Both Paul and Mike missed a rare Argus lens at the camera show Was the Yashica Y35 an April Fools Joke? / Yashica name is being used with I'm Back micro 4/3 camera We don't appreciate sometimes the technology and effort to bring a product to market Mint is doing some cool work / The panel goes 110 crazy Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Johnny Martyr - https://johnnymartyr.wordpress.com/ Dan Tamarkin - https://www.tamarkin.com/ Ausgeknipst Film Spools - https://petapixel.com/2024/04/01/a-new-quick-load-spool-for-barnack-leica-and-similar-cameras/ Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

Photografix-News ist EUER News-Podcast rund um alle Themen der Digitalen Fotografie!

Themen: - Begrüßung - Neues Standkonzept - Cine 1 Laser-Beamer - ZM 1 und ZM 2: Zeitmesser von Leica - Weitere Highlights am Stand - Thema Leitz-Park in Wetzlar - Leica als Sponsor der GPPA-Jungendgewinnerin 2022 - Esther Haases "Je t'aime" am Leica-Stand - Die Leica-Akademie auf der Photopia - Franziska Stünkel zum Thema "Wege der Inspiration" - Produktneuheiten zum Anfassen - Das junge Publikum und Leica - Refurbished mit Garantie - Kooperation mit Whitewall - Leica und KI - Anruf beim Telefonjoker Andreas Mohrland - Die Rolle der KI bei Leica - Kooperation mit Xiaomi - KI in "richtigen" Leicas - Leica in der CAI - CAI aus Anwendersicht - Adobes Rolle bei CAI - CP2A: der technische Standard hinter CAI - Medienkompetenz - Zukunftspäne bzgl. Photopia - ...und TSCHÜSS!

Abfahrt mit Neithardt Heidelberg in da House in der heutigen Folge, denn wir haben mal wieder einen Gast und das ist niemand geringeres als Niko Neithardt. Niko fotografiert quasi alles, was ihm vor die Leicas kommt, aber nur, wenn es auch zu seinem Look passt. So wurde er zu einem echten Tausendsassa, der von Sport über Hochzeiten bis zu Musicacts alles in seinem Portfolio hat. Wie er die Leute alle bekam, warum er einen Supermarkt als Fotostudio hat, vor dem ein Panzer steht und was er als Nächstes plant, erfahrt ihr in der heutigen Folge NAH - eurem Fotopodcast. Viel Spaß bei der heutigen Folge wünschen euch… … eure hübschen und massiven Freunde am Mikrofon: Patrick Harazim und Dennis Weissmantel Link zum Meetup - https://www.eventbrite.de/e/534413704777 Discord I Nah - https://discord.gg/9NzeQsPjb6 I Dennis - https://discord.gg/gC2vrjhw5q Twitch I Dennis - https://twitch.tv/derweissmantel I Patrick - https://twitch.tv/patrickharazim Instagramer der Woche I Dennis - https://www.instagram.com/robertgeiss_1964/ I Patrick - https://instagram.com/niko.neithardt Playlist Nah Songs - https://open.spotify.com/playlist/756rZq11saAg3zZ6DIa5fH?si=AQeDfraSRNWGHQy-DOmlLw Playlist NAH. Apple Music - https://music.apple.com/de/playlist/nah-der-fotopodcast-playlist/pl.u-KVXBkA6TzVrR88

In an era brimming with instant gratification, some things are worth the wait. This is an apt takeaway from our chat with photographer Charles Daniels about his long-outdated film from the legendary Boston Tea Party and other 60s-era music venues, rarely processed until recently. Joining Daniels in conversation is his long-time partner Susan Berstler, and Gerald Freyer from Film Rescue International, the unique image processing and digitization specialists entrusted with his mother lode of 4,000 plus rolls. Listen in as Daniels tells of his rise from club denizen to emcee to cultural ambassador, introducing 60s-era British invasion rockers to America, with a Leica, two Nikons and a mic in hand. Berstler describes how the unprocessed rolls stockpiled in their home became a COVID project, which then went viral after the launch of a Go-Fund-Me campaign. After a break, Freyer explains how Film Rescue International's unique processing and scanning technologies can breathe new life into lost and found film, saving untold stories from oblivion. Freyer also recounts his epic drive from Saskatchewan to Somerville (and back!) to safely collect the film for processing, without risking x-rays or other shipping hazards. As Daniels notes during the show, “For years, I never really developed any film, but I was shooting all the time. It was just there, and then at some point I realized that I needed to bring some of this older stuff to light.” With a nod to Daniels's 80th birthday on November 30th, the pictures may have been a long time coming—but what a fabulous gift to photographers and music aficionados alike! Guests: Charles Daniels, Susan Berstler, Gerald Freyer Photographs © Charles Daniels For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/master-blaster-charles-daniels-reveals-his-unseen-60s-era-photo-archive Guest Bios: Charles Daniels was born in segregated Alabama, where his parents ran a late-night speakeasy after farming cotton all day; maybe that's how outlaw music got into his blood. After moving to Boston's Roxbury neighborhood with his family in the 1950s and teaching himself photography with a camera he found in his parent's closet, Charles began capturing whatever caught his eye on city streets and in the era's legendary music venues. Soon he was serving as emcee for the bands, which provided unique access and strong friendships. This led to Lear Jets and tours with the likes of Rod Stewart, Ron Wood, and the Rolling Stones. Since his start in rock-and-roll, Charles has expanded his photography to embrace a wide range of subjects from music and fashion to dance, performance, and everything in between. Susan Berstler has a long history as a visual artist, curator, and arts producer, deeply immersed in the vibrant arts scene of Somerville, Massachusetts. One of her primary interests is transformative events and media, especially within public art. Her passion for this medium is further enhanced by her work as an Emerging Technology Specialist for Creative Technologies at Harvard University's Cabot Science Library. After a small grant from the Somerville Arts Council allowed her to begin developing Charles's treasure trove of film, the Go-Fund-Me campaign set up by a friend quickly went viral, raising more than $70,000 to date. Susan was referred to the company Film Rescue International, which became an ideal solution for film processing and creating high-resolution archival files from the negatives. At present, she is also in discussions with publishers and university archives to identify a final home for this unique image collection. Gerald Freyer is a technically trained photographer who also studied folklore, monument preservation and cultural history at the University of Bamberg in Germany. After working as a research assistant in museums, he became a consultant for digital imaging pioneer Phase One. Since 2007, Gerald has trained museum and archive staff in the use of high-end digitization systems, completing both archival and 360-degree photography projects for international museums and cultural institutions. In 2021, he joined Film Rescue International to work on digitization projects for its clients. Stay Connected: Charles Daniels Go-Fund-Me Website: https://www.gofundme.com/f/2500-rolls-Charles-Daniels Charles Daniels Facebook page: https://www.facebook.com/profile.php?id=100088252000625 Film Rescue International Website: https://www.filmrescue.com Film Rescue International Facebook: https://www.facebook.com/filmrescueinternational/ Episode Timeline 4:15: Charles Daniels's start as a music emcee and his most productive years for photography: 1967 – 1969 6:36: A friendship with J. Geils Band front man Peter Wolf and coming up with his Woofa Goofa nickname 8:20: Hanging out with the bands during the day provided easy access and authentic pictures 10:07: Daniels's most enjoyable Rock & Roll subject and co-photographer mate: Alvin Lee from 10 Years After 13:26: How far to push black and white film for best results with concert pictures in low light   14:32: Using a handheld light meter, and shooting with Nikons and Leicas for best results 15:10: Daniels's go-to lens: a 21 mm wide-angle for a different look 15:41: The challenge of pushing black and white film and not labeling it with the ISO 18:34: Daniels's shooting strategy as emcee: a microphone in one hand and a camera in the other 20:53: Finding Charles's undeveloped film became a COVID project   21:55: Unprocessed color film includes several rolls of Kodachrome, which was developed as black and white 22:16: Juggling an active Go Fund Me campaign with Charles's recent health issues 24:30: Connecting with the lab Film Rescue International after developing initial rolls locally 25:35: Episode break 26:43: The back story to Canadian lab Film Rescue International in processing lost and found film 27:45: Effects to undeveloped film over time is based on cold storage and other environmental factors 28:46: A two-step process for developing old color film, including Kodachrome 30:35: The first step in Film Rescue's development process with lost and found film 33:34: Proprietary chemistry for film development, plus years of experience 34:22: Processing and scanning movie film, 16mm, and Kodachrome Super-8 with high end laser graphic film scanner 35:10: Do certain types of film hold up better over time than others? 36:05: The importance of scanning old transparencies to maintain color integrity and save the image 37:46: Digital scanning of slides and negatives can offer more detail and better quality than the original photo 39:50: Film Rescue International's workflow and time distribution between film development and scanning 41:14: Gerald Freyer's epic 7-day trip from Saskatchewan and Somerville to pick up Charles's film 43:08: Safety issues when shipping film and the risk of x-rays 45:59: Gerald's favorite picture from Charles's film: Joe Cocker 46:36: An update on Charles's project and the potential for a book and documentary 48:04: Susan's favorite roll of Charles's film: Jeff Beck Group on the tarmac 49:09: The thousands of stories Film Rescue discovers in its work, and how to reach them 50:54: Contact details for Charles Daniels and the project's Go-Fund-Me page

Wir sprechen über die Photopia 2022, Leicas neue alte M6 und die Fujifilm X-T5

In this episode, Jason and Flo enter the exciting world of gaming. All of us (nearly) were once mesmerised by in game worlds we lived in. Some still are. It was pretty common in multiplayer role playing games to come into contact with an in game currency of some sort that one used to barter/level up. I read this article and was impressed by how many parallels there are with the real world, and thought we could see what we could glean from the myriad of currencies that have come and gone, in the gaming world that is.Show notes:Keys to Economic Systems: https://gdkeys.com/keys-to-economic-systems/ benefits of an economic system were to ration power, support specialization (impossibility to buy everything), encourage interaction between players, provide players goals, and support role-playIn its simplest form, a currency could be defined as an agreed-upon tangible medium of exchange for goods or servicesResources have proper value, a value often given by their transposition in currencies, A resource is useful in itself, a currency isn't.The number of sources and sinks a game will need for each currency will then be dictated by its systems and expected player experience. Is the game trying to promote freedom of choices and self-expression? Then having a multitude of ways to earn a currency will ensure that players can focus on the part of the game they prefer or are the best at (assuming the sources are balanced equally). Is the game instead wanting players to engage with a particular system or rewarding particular actions? In this case, having a currency dedicated to these will instantly create a strong incentive for players (or a tight bottleneck if the currency is part of the main flow). (JN: FREE MARKET vs CENTRALLY PLANNED!)define the number of sources and sinks of a currency by how much agency you want your players to have in playing, or progressing through your game systems.When sources are not generous enough, players drop due to lack of motivation (economic depression). When sources are too generous, it kills motivation too! (JN: high minimum wage/Dole = low productivity)JN: Trial phase = parents pay for your first home, university etc? Govts offer student loans?Having only one currency is dangerous. If players have too much gold at some point, they will remove every gating the game throw at them. Every system of the game tied to this currency will instantly lose any interest. Why go on an extremely long quest if the reward is again gold? Why sell items and engage with the trading systems when you are indecently rich? (JN: In real life, super rich use gold or currency to trade for other currencies such as reputation or status. Maybe even power)if we take the opposite then: hundreds of currencies, one for each and every micro-systems in the game, without any exchange of currency. On one side, this is extremely safe: every system is completely isolated, left with its own balance.the first one is the brutal reduction of the player agency: players must engage with every single system in the game in order to earn the currencies necessary to their progress.The other danger is that it makes a game feels… well, gamey. A real economy strives from its interactions, systems communicate to each other, currency trades for one another…(JN: In real life, this would be leaning towards centrally planned economies. Capital controls. Cuba: Exchange cigars or rum for sugar at a fixed rate, with 80% of crop belonging to the state)Be wary of currencies exchange: I've seen many systems failing because of situations like this: Gems can be exchanged for gears, that can be exchanged for gold, that can purchase tokens, that can… In the end, all these currencies communicate together and only form a single one, with all the dangers it brings. Be wary of these exchanges, or tax them accordingly. The Wretched Broker of Hades creates pathways to exchange currencies but at a very prohibitive cost.the value your currency has in the eye of your player, and how it evolves over time. Gold (USD IRL) vs Raid Tokens (Reputation/Status/Power IRL)Rebalance an economy by using extentions or patches. This allows new players to come in on a level playing field. (Currency reset, hello EURO vs Lira or Dmark. Hello Zimbabwean dollar/land reform when farms become commodity currencies ala stone of jordan. Hello berlin wall)Failsafes and Currency ProtectionRemove the multiplayer sharing component (or tax it) (Inheritance taxes. Licenses to trade. Licenses to practice. Sales and service taxes. No Barter)Multiply and specialize currencies: this is another extremely easy win. The more currencies a game contains, the smaller their impact will be: this will lead to better control and the certainty that a currency crashing won't ripple through all your systems. Warning: this only works if these currencies aren't connected in any way! If a currency can be exchanged for another one, they are virtually the same thing and will rise and drop together. (While every thing is backed by the dollar, not everyone uses the dollar in local economy. Also maybe why US citizen banking is so controlled, and is taxed on global income)Upkeep systems. Pay to use what he/she has. (Wealth tax. Property Tax. COE in Singapore for cars. Negative interest rates)Wallet limits (FDIC insurance is capped. Negative interest rates make you want to hold less currency. Wealth tax. Progressive income tax)Why not have a finite amount of money?players hoarding money combined with a lack of obligation to spend this money completely froze the economy and virtually removed it from the game world (Something to discuss. Is this true in real life? Are there ways around it?)Suggested schematic (What might real world analogs be over a person's lifetime?)Iron (IRL: Food? Clothes)Gold (IRL: Fiat currency)Diamonds (IRL: Skills?)Hard Currency (IRL: Gold, BTC, Leicas, Rolexes, Beachfront Property, Trophy wife Hahah)Renown Tokens (IRL: Reputation. Status. Power. Network.)Some statements from the videoWhat if there were no currency sinks in the real world? What if everyone was printing money all the time? Currency would become worthless (LOL)Gaia online , currency became worthless, company donated $250USD to charity everytime a player threw away 15 trillion Gold (sink)Diablo 2 and Asheron's Call, money gets replaced by other items that become currency (Stones of Jordan, Shards respectively)Without players getting ahead, they get discouraged if all they are doing is paying fees (Ahem real life) When sinks are too strongNew strategy from game designers (reserve currencies)Anchor for the local in game currencyAllow in game currency to buy real world items (similar to air miles) examples: Flex and Eve online (real world items serve as reserve)Allow in game currencies to be traded for real money.Silver pieces earned by killing monsters. These can be traded for diamonds (that cannot be used for trade). Diamonds can either be sold for USD or used to purchase items from the game store (Sink). Prevent Diamonds from becoming the currency. Diamonds bid for something that is not available locally.Game designers set max limit on how much a diamond can cost vs silver pieces since silver keeps getting printed.What are some of the real world reserve currencies? (Jason Theory)US Dollar by decree (smaller extent the SDR basket of JPY, GBP, EUR etc)BTC, Gold, Crypto currenciesReal Estate (foreign/local?)Watch this episode on YouTube:DisclaimerNot financial or tax advice. This channel is strictly educational and is not investment advice or a solicitation to buy or sell any assets or to make any financial decisions. This video is not tax advice. Talk to your accountant. Do your own research.None of this is legal advice. This podcast is strictly educational. Talk to your lawyer.Sound Logo Attribution - It Starts Here - https://www.fiftysounds.com Get full access to Tokenomics Newsletter at tokenomicsdao.substack.com/subscribe

We launched Sunny Sixteen Merch! Get it here https://geni.us/AeeBOcE This week we are talking about film camera bodies and why Leicas reign supreme! Watch the episode on YouTube here

This week on episode 22 of the Camerosity Podcast, we welcome special guest Dan Tamarkin of Tamatkin Camera in Chicago, Illinois to regale us with many tales of his life selling Leicas.  Originally started in 1971 by his father Stan, Tamarkin Camera has been one of the most trusted Leica dealers in the country over the past 51 years, so there is little that Dan doesn't know or hasn't seen. Listen in as Anthony, Paul, Theo and Mike, along with regular guests, Jon Gilchrist, Robert Rotoloni, Mark Faulkner, Nafis Azad, and Mark Peterson join first time callers Andre Domingues and Dan Tree who ask questions and chat about Leica cameras, the company's rich history and much more.  You may have never thought you needed a hot pink Hello Kitty Leica M3 before, but you will after hearing this episode!  Listen in to hear all the other nonsense we discuss! Every episode, the topics we discuss on the Camerosity Podcast are decided entirely upon you, so if you'd like to join us, be sure to look out for our next show announcement for Episode 23, which we will record on a special night, Sunday, April 3rd at 8pm CDT (UTC -5), 9pm EDT (UTC -4). Audio Warning: Once again, I had problems with my own audio this episode.  All of the other guests are fine, but there was an issue with my levels that I did the best I could to correct.  The good news is, I figured out why this keeps happening so I should be able to prevent it for future episodes. This Week's Episode Introducing Dan Tamarkin / Reminiscing About Camera Shop Owners and Shutterbug Magazine Repairing Leicas / Finding People to Do It / When Did Patina Become Desirable? / Lenny Kravitz Leicas Customizing Your Cameras / Hello Kitty Leicas / Repainted Kodak Brownie Hawkeyes and Minolta SRTs / Provenance Dan's Screw Mount and M-series Recommendations / Crazy Ways People Get Leicas Special Edition Commemorative Leicas / Leitz Always Gave People What They Want / Brief Leica History Earlier Leicas Could be Retrofitted with Later Features at the Factory Why Do Leicas Sometimes Expose Images Through the Sprockets on One Side? / Metal Cassettes vs Modern Cassettes Dan Buys Jon's Rare Viewfinder / 35mm Steel Rimmed Summilux Lens and Goggles SBOOI 50mm Viewfinders / Auxiliary Viewfinders Leica Copies Are Good on a Budget / The Right Camera is the One You Have Leicaflex SLRs Are So Smooth / Beware of the Leica R4...But the Leica R6.2 is Awesome Don't Shine Flashlights Through Your Lenses / Lens Bubbles are OK Nippon Kogaku Screw Mount Lenses Are Really Good Left Eye Shooters / Rangefinders are Easier to Focus in Low Light if Your Vision Sucks What about Digital Leicas? / Why Leica Doesn't Make More Lenses Leica D-Lux Compact Digitals / Everyone Needs a Hot Pink Hello Kitty Holga Dan and Paul's Favorite Leica Code Word Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Dan Tamarkin - http://www.tamarkin.com/ Andre Domingues - https://www.podbean.com/podcast-detail/3mf4p-5fc4e/Negative-Positives-Film-Photography-Podcast Dan Tree - https://www.instagram.com/dantreephoto Nafis Azad - https://www.nafisazad.com/ and https://20x24studio.com/ Jon Gilchrist - Packard-Ideal Shutter Company - https://packardshutter.com/ Mark Faulkner - https://thegashaus.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

After a week off, Anthony, Theo, Paul, and Mike return with Episode 15 with more open source camera nonsense.  This time we are joined by Nikon collector and historian, Robert Rotoloni, Bill Smith from the Classic Camera Revival Podcast, Miles Lybak, David Goldberg, Howard Sandler, and first time caller, Mark Peterson. In this episode we discuss everything from press cameras like the Koni Rapid Omega to Nikon Series E lenses, M42 SLR recommendations, Nikonos and other underwater photography, and a story about when National Geographic got rid of all their Nikon Fs and switched to the Olympus OM-1. Our next episode will be recorded on Monday, December 27th at a different time, with the hope of including some UK and European listeners.  The show will be recorded at 1PM Central Time, 2PM Eastern Time, and 7PM London Time.  If you are across the pond and have wanted to join the show, but didn't want to make up in the middle of the night, here's your chance to jump in and influence the discussion! This Week's Episode Camera Shipping Nightmares / Sometimes Cameras Are Shipped with Too Much Padding Nippon Kogaku Made Viewfinders for Leicas and Everyone Else Why Do Nikon Lenses Usually Hold Up So Well? The Koni-Rapid Omega, Graflex XL, and Mamiya Super 23 Howard Wants Mike to Review the Koni Omegaflex Nikkor Lenses Got Lighter in the 80s / You Can Drop 60s Nikkors on the Floor What Was Different About the Series E Nikkor Lenses? Joe DiMaggio - Not the Baseball Player NYC Camera Stores - Camera Barn, Camera Row, Olden's, Minicam, Garden Camera, Wall St, 47th St, Spiratone, Willoughby's, Ken Hansen, and more Howard Loves Burlington Camera in Canada What Was Different About Black Nikon S2 Shutters? / Nikon Rangefinder Motor Driven Cameras Robert and Paul Remember Rod Stines and Peter Lownds Anthony Shoots Manatees with His Nikonos II How Did the La Spirotechnique Calypso-Phot Become the Nikonos? Nikon Marine Housing for the Nikon Rangefinder / Nikon F4 Underwater / Rolleimarin Mark Peterson's New Pentax Spotmatic II / Recommended Asahi Takumar Lenses Other Good M42 Mount SLRs (But Not the Zenit 16) / Praktica / Yashica / Fujica / Chinon Corfield Interplan / Pontiac Lynx / Nikkor M39 Lenses The KW Praktina Inspired Much of the Nikon F / Charles and John Noble / Soviet Gulags / Noblex Panoramic Camera When UPI and National Geographic Sold Their Nikon Fs for the Olympus OM-1 The Nikon F has a 100% Viewfinder and a Mirror that Locks Down Every Single Time / The F2 Mirror Does Not Lock Down The Nikon F2 Improved A Lot About the Nikon F / Mike Likes the F2 Shutter Release Better Robert and Paul Reminisces About Shooting the Nikon F Paul Gives Mark Peterson Dan Arnold's Olympus OM-1 Santa Uses Kangaroos in Australia Episode 16 Will Be Our European Special Recorded Dec 27 at 7pm London Time Be Sure to Join the Camerosity Facebook Page, Follow us at Instagram Show Notes If you would like to offer feedback or contact me with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Robert Rotoloni - http://www.nikonhistoricalsociety.com/p/rotoloni-book.html Theo Panagopoulos - https://www.photothinking.com/ Anthony Rue - https://www.instagram.com/kino_pravda/ Paul Rybolt - https://www.ebay.com/usr/paulkris Camerosity can also be heard on the following services: Google - https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2NhbWVyb3NpdHkvZmVlZC54bWw Apple - https://podcasts.apple.com/us/podcast/camerosity/id1583252688

This week on the Camerosity Podcast, we were once again joined by previous guests Paul Rybolt and Mike Novak and first time caller, Hong Joon Lee who has been following on Facebook and purchased the Contax Sonnar 1.5 I recently sold.  Half way through the show however, we were joined by camera collector extraordinaire, Ira Cohen, whose massive collection of cameras I was able to visit earlier this year.  Ira has the largest collection of rare and unusual cameras I've ever seen and the level of knowledge he has about collecting is unmatched. This was a fascinating episode that went in completely unpredictable directions with a lot of talk about Miranda and their history, why the Nikon F was so successful, what point is a Leica copy not longer a copy, and much, much more! As always, if you are interested in participating in our next episode, be sure to keep an eye here for a new link which will be posted around noon Central Time Sunday, November 14th! This Week's Episode Hong's Sonnar 1.5 and Mike's New Leotax Amedeo Contax Lens Adapters / Don't Buy Cheap Lens Adapters Paul's Orion Contax to Leica Adapter Miranda's Demise of the dx-3 What are the Good Mirandas? / Miranda Soligor Lenses Punch Above Their Weight Miranda's Risque Ads / Mike Gets in Touch with the Niece of the Lady from the Ads How Miranda Got Started and Why They Failed Mike Loves his Miranda A / Wirgin SLRs are Nice Too Montanus / Wirgin TLRs When Did SLRs Start to Take Over from Rangefinders? Mike's Contax I Will Never Be Serviced Ira Cohen Calls In! The Nikon F Officially Began the Era of the SLR Was it that Obvious that the Nikon F Was Superior to All Other Cameras at the Time? Camera Rigidity: Nikon vs Leica Why Was Leitz Hesitant to Release an SLR? When Is a Leica Copy No Longer a Leica Copy? We got Michael Gossett to buy an AGFA Speedex Anthony's Zeiss folders CLAd by Jurgen at certo6.com Ira's Blue Chair / Hong Works by Central Camera Ira's Prototype Box Camera Mike Gets a Book on Cameras by Douglas St. Denny from China Show Notes If you would like to offer feedback or contact me with questions or ideas for future episodes, please contact me at mike@mikeeckman.com. The Official Camerosity Facebook Page - https://www.facebook.com/CamerosityPodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Paul Rybolt - https://www.ebay.com/usr/paulkris Mike Novak - https://www.flickr.com/photos/greyscale3/ Hong Joon Lee - https://www.facebook.com/hongjoon.lee.33 Ira Cohen - Ira has no Internet Presence Theo Panagopoulos - https://www.photothinking.com/ Anthony Rue - https://www.instagram.com/kino_pravda/

606.289 Bilder – ein Gesamtsieger: Charly Spilker, Ben Lorenz und Gast Sarah Alexandra Fechler sind immer noch begeistert, über die Wahl der Jury des CEWE ­Photo Award. Hut ab vor dieser Leistung! „Keine Zeit zu sterben“ heißt es dagegen nicht nur beim neuen Bond-Streifen, sondern auch bei Leicas ­limitierter 007-Edition – samt Lizenz zum Fotografieren? Zum Abschluss gibt‘s vom Trio die Zahl der Woche.

Konstantin & Becky bring to you the latest Nikon news and photography related announcements. Rebecca Danese: https://www.instagram.com/rebecca_danese Konstantin Kochkin: https://www.instagram.com/konstantinkochkin Production: Konstantin Kochkin Nikon Report #34 According to Nikon Rumors: Only one new Nikon Z lens is expected to actually start shipping this year: Nikkor Z 400mm f/2.8 https://bit.ly/3zilcXw Nikon announced 2021 Nikon Small World In Motion Winners https://bit.ly/3zomPDe https://bit.ly/38cKsm5 Adobe added support for the Nikon Z fc camera https://adobe.ly/3ycuYcd COKIN announced a filter holder for the Nikkor Z 14-24mm f/2.8 lens https://bit.ly/3jcCOyq Megadap ETZ11 Sony E to Nikon Z adapter has been announced. https://bit.ly/3zhnXbH Teac is developing a new Tascam CA-XLR2d-AN adapter for Nikon mirrorless cameras. https://bit.ly/3sNNlmE Kenko Tokina released new MOZA Air 2S/Air 2S handheld gimbal flagship models compatible with Nikon Z cameras. https://bit.ly/3Dhqe8V Quick reminder to our UK viewers, Photo London photography festival in Somerset House is scheduled from 8th till 12th of September. Use code PL15 at checkout for 15% off the tickets. https://photolondon.org/tickets/ Photography Show in Birmingham will be held from 18th till 21st September. https://www.photographyshow.com/ REVIEWS Nikon Z 14-24mm F2.8 S Review - The Nikkor F2.8 trio is complete! By DPREVIEW TV YT They praise as worthy upgrade over F mount version https://bit.ly/2WpWupN Nikon Z MC 50mm F2.8 Review 4.5/5 https://bit.ly/2ULEHsq Nikon Z fc Review 4.5/5 https://bit.ly/3jioFQ4 Weekend Read & Watch Nikon released a History overview of major business- and product-related events at various points in time from 1917 https://bit.ly/3zh0S8Q NIKON Z7 ii AUTOFOCUS Test by Ryan Troy YT https://bit.ly/2WmLBVK Nikon Z7 II: THIS is the Camera We'd Buy If We Didn't Shoot with Leicas by Three Blind Men and An Elephant Productions YT https://bit.ly/3klAOU0 Roger Cicala: Imaging Before Photography, Part III -- The Showman and the Sheriff https://bit.ly/3myE554 --- Send in a voice message: https://anchor.fm/grays-of-westminster/message

As long threatened, it's our all-Leica show! Fear not if you've yet to be inducted into the sacred cult (pro tip: the password is MOOLY), because in this rollicking episode, Jeff (three Leicas) and Gabe (at least sixteen) will recount their journeys into the haunted forests of Wetzlar. Does the camera live up to the hype? Does the glass? Do the empty boxes which go for hundreds of dollars on eBay? Tune in and find out.how'd you first become aware of Leica?when did you handle your first one?how long between then and buying one?what took getting used to? - rangefinder vs. SLRwhich lens did you get first? and which after that?the mystery of MOOLY and other accessorieswhat was your second Leica?screw mount, M series, R series…The cult and the culture - Leica ephemera - books and pins and bags and vintage posters and anything that says Leica on it, even the ugliest red golf shirt you'd never wear - the toy bear, commemorative editions…would you buy another?which do you have your eye on?

Episode 17 • Leica Damn Sociopath   As long threatened, it's our all-Leica show! Fear not if you've yet to be inducted into the sacred cult (pro tip: the password is MOOLY), because in this rollicking episode, Jeff (three Leicas) and Gabe (at least sixteen) will recount their journeys into the haunted forests of Wetzlar. Does the camera live up to the hype? Does the glass? Do the empty boxes which go for hundreds of dollars on eBay? Tune in and find out.   Get in touch via email at idreamofcameras@gmail.com   You can find Jeff: https://twitter.com/blue439 https://www.instagram.com/sjeffgreenstein/?hl=en   And you can find Gabe: https://twitter.com/gabestuff?lang=en https://www.instagram.com/gabesachs/?hl=en

Episode 1 of Season 2 is finally here! Thank you for all of the encouragement. We shall proceed and see what comes of this, eh? Today's episode is a bit of a catch up. We talk about an exhibit I recently completed, about gear de-acquisition syndrome, about disappointments and boredom in photography, and a few bits and pieces about a few Leicas. They include the SL2, the Q2, the M10-P Safari, the M10-D, and more. Thanks for listening and stay in touch! Josh Lehrer, General Manager of Leica Miami: @jalehrer7 David Bickley, Leica Dc and Leica Ambassador: @dbtakesdc Jason Webber: @jasonawebber Thomas Heaton: https://thomasheaton.co.uk/ Ben Horne https://www.benhorne.com/ Soon... Bryan Caporicci https://getsproutstudio.com/community/business-of-photography-podcast/ Like A New Day is brought to you by Zachary Branigan Photography: Link: https://zacharybranigan.com/ Instagram: https://www.instagram.com/zgbranigan/ Facebook: https://www.facebook.com/zgbranigan My black and white account on IG...please hit me up and follow! https://www.instagram.com/allthereinblackandwhite/ Music provided via Epidemic Sound subscription

20mm, 35mm, 50mm and 105mm. Want to support my shows? You can, just visit this link at Paypal, or go to SupportKenneth.com to add your monthly contribution to keep the lights on! Check out my YouTube Channel of Photography Talks, my 6x6 Portraits Blog and my Daily Photography Podcast. Thanks! --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

Sony tanzt auf dem Grab DLSR, Canon baut Objektive und Sofortbilder gibt es anscheinend auch wieder vermehrt. Ein großes Bubbleupdate und geteilte Gedanken rund um Tilt-Shift-Objektive, Farben und analoge Leicas. Was war bei GNTM wieder los, hat Dominik mal wieder was gekauft und wie könnte man sinnvollerweise einen Wein aus Österreich nennen? Ah, und offensichtlich wurde das Benennungsschema der Folgen geändert, denn das Alphabet haben wir jetzt mehr als durch. Lena Gercke Videos: https://youtu.be/cR5QQni0-aI https://youtu.be/wolzO1vLPEo Ich bin Sophie Scholl auf Instagram: @ichbinsophiescholl Wenn man uns ein Bier spendieren möchte: www.buymeacoffee.com/doef Das sind wir: Dominik Pfeifer @hiiamdominik dominikpfeifer.com Thilo Vorderbrück @tvau thilovorderbrueck.de

This week we welcome on Mario Piper (IG mariopiper, IG genxphotogpod, Flickr mario piper) from the "Gen-X Photography Podcast"! We discuss how he got into film photography, his podcast, and developing old C-22 process color films in C-41 chemicals. Then, Mike announces the Film Love Analog Kissy Selfie contest to win a roll of the FPP's Film Love BW film graciously donated by Michael Raso (IG filmphotographyproject, www.filmphotographyproject.com, YouTube FilmPhotographyPodcast) of the "Film Photography Podcast". Next, we cover topics with Mario such as shooting with and teaching his daughter film photography, inspirations, shooting low ISO film stocks with Kodak 2254 tips, flesh tones for fantasy, the love and hate of Leicas, war of the generations, Mario's most X-treme camera, why does he shoot photography, zooming during exposures, documenting settings or taking notes when shooting or developing, Kodak 2475, stand developing, how growing up Gen X plays into his photography, Absinthe, and the future of his podcast! Support the podcast: www.ko-fi.com/negativepositives Mike's free music for productions: www.mikegutterman.bandcamp.com get merch at: www.negativepositivespodcast.bigcartel.com email: negpositives@gmail.com Instagram @negativepositives Facebook Group: Negative Positives Film Photo Facebook Group

Get a better view! Comments? Send them to me at info@kennethwajdaphotographer.com and find me on the web at KennethWajdaPhotographer.com, on IG at www.instagram.com/kennethwajda/ and on YouTube at HeresToGoodLight.com - We can post our photo assignment photos and connect on the Daily Photography Blog FB Group at www.facebook.com/groups/2151928021601330/ --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

Heute eine etwas längere Folge! Aber keine Sorge: Lohnt sich! Wir haben euch heute einen Gast mitgebracht. Annika (@annika.scf) erzählt uns von ihrer Leica und ihren Erfahrungen mit dieser. Außerdem hat sie schon die ein oder andere Anfrage bekommen, die sie uns ebenso verraten hat! Viel Spaß beim hören!

Today I chat with Jake Rose about cutting costs while shooting film while on a students budget and starting out shooting film. We also chat about Leicas and Nikons, expired film and bulk loading.

Wir sind immer noch zuhause und somit ohne Interviewpartner, wollen euch an unserem Fernweh aber gerne teilhaben lassen und sprechen ein wenig über die Reisefotografie wie man gerade in fremden Kulturen mit Menschen umgeht und auf diese zugehen sollte und was die absoluten No Gos sind wenn man im Ausland fotografiert. Außerdem kommen wir nicht drum herum mal wieder über Ebay Kleinanzeigen, Pablos s/w Entwicklung und übers den neuen Leuchttisch von Chris zu sprechen. Vielleicht haben wir Lust auf ein paar Bilderreview Sessions auf Youtube und brauchen dafür euren Input, erzählt doch mal!

Alles fing ganz harmlos an, als wir über Fototaschen, Leicas, andere Kameras und deren Auflösung gesprochen haben. Über die Auflösung kamen wir zu Capture One und Lightroom - also mal wieder ein wenig Nerdtalk :-D Unser eigentliches Thema ist diesmal die Wichtigkeit unserer Stimmung bei Shootings. Nachdem wir eigentlich mit allem durch waren, kam plötzlich ein neues Thema auf und die Aufnahmezeit eskalierte mal wieder ein wenig. Aber über Bildbände können wir halt immer sprechen. Viel spaß damit.cheers     Hier noch ein paar Infos zu uns: Matthes Zimmermannwww.mattheszimmermann.dewww.fusnap.comwww.instagram.com/mattheszimmermannwww.instagram.com/herr_matthes Andreas Jornswww.ajorns.comwww.instagram.com/andreasjornswww.facebook.com/andreas.jorns

James is fresh off vacation and Jason is back from a shoot in Mexico, but the show must go on! In TGN's second-ever Perfect Product episode, the boys dig into two of their favorite products, in this case, a beloved Patagonia jacket and a reliable pair of classic sunglasses. From new Leicas and lost ships to overland adventures and the most rewatchable movies, Jason and James dig into a varied and product-focused episode of the show. Just press play and thanks for listening and an extra thanks to Monta Watches for supporting this episode of The Grey NATO. 3:20 Leica M10-P http://bit.ly/2N0oxoF 3:25 Leica Summilux M 35 f1.4 http://bit.ly/2Mfb2lJ 10:00 Lost Ships of Cortes Project http://bit.ly/2N58WEr 20:11 Aquadive watches http://bit.ly/2MivIZO 23:20 Monta Watches http://bit.ly/2yqs9b3 24:30 Monta Atlas http://bit.ly/2YR0CeQ 26:45 Monta Skyquest http://bit.ly/2GrQrrH 30:30 Patagonia Nano Puff http://bit.ly/33whFoR 41:04 Randolf Engineering Aviators http://bit.ly/2vwQYmz 41:31 American Optical Aviators http://bit.ly/33xzpAw 53:25 Last Overland http://bit.ly/2z0X65S 58:50 The Rewatchables Podcast http://bit.ly/2N3lkoj

Did you ever notice that celebrities love photography? Did you ever notice that they always carry around their Leicas and Contax G2s? What's up with that?But it's not always for show, some celebrities are accomplished and dedicated photographers like Jeff Bridges. Others like Cole Sprouse are honing their craft and getting editorial and commercial gigs to complement their day jobs. In this episode of Vision Slightly Blurred, Sarah and Allen dig into the psychology of celebrities and their Leicas, identify a few celebs who are good photographers, and even talk about gear for about 5 seconds.

Es wird philosophisch, aber auch interessant, wenn ich mit Tom über die Entwicklung der eigenen Fotografie spreche, warum Leicas verpflichten und wie man sich einmal und dann immer wieder neu erfinden, aber auch ebenso immer wieder selbst definieren muss. Tomaso im Internet: https://www.instagram.com/tomasob/ http://www.baldessarinistudio.com/ https://shop.baldessarinistudio.com/

Your 4K TV is now out of date, but is an 8K worth it today? What will you even play on it? Find out with news and a new phone review in five minutes on The Wrap. See omnystudio.com/listener for privacy information.

A midweek solo show from Andre Domingues. He starts off with talking about how keeping your negatives close to you helps with finding hidden gems ready for printing, hands it off to Ben Mills for a Call In Camera Review of the Minolta HiMatic 5, then returns to announce (gasp!) that he's selling his Leicas (and why). Last but not least, some cultural recommendations for the Leica and watch enthusiasts out there.

After covering the subject of whether a person should dress in layers while hiking in the Pacific Northwest, Nick and Graham talk about what kind of features they want in a camera for travel (8:00). Nick describes his Duffer Suit and how it allows him to be ignored when he takes pictures (21:20). Graham describes the psychological reason why Leicas kept the bottom-loading system for as long as they did (24:00). We get a bit of a non-update on the Scamera project and what the guys worked on the past two weeks (30:45).

Welcome to Kenneth Wajda's Photography Talks Podcast, where I will be discussing street photography, photo projects, gear like my film Leicas and Rolleiflexes, even my 4x5 cameras, and digital, too. And inspiring talks about photography, why we photograph, how important it is that we document our lives. So, welcome. Comments? Send them to me at info@kennethwajdaphotographer.com and find my on IG at https://www.instagram.com/kennethwajda/ and on YouTube at https://www.youtube.com/c/KennethWajda-InspiringPhotographyTalks/ - We can post our photo assignment photos and connect on the Daily Photography Blog FB Group at https://www.facebook.com/groups/2151928021601330/ --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

Steven, John, and Bill get together for a photo news packed episode! There's a lot of photo news, so buckle your seatbelts, especially if you're driving in the car!  Show Notes Website version of the show notes with pretty pictures! Kodachrome Movie Trailer Starring Jason Seidukis, Ed Harris, Elizabeth Olsen https://youtu.be/g3IvVejktJE Another great podcast called, “First Person Shooter,” by Wes Bowker talks about the big takeaway from the movie. Don’t neglect the people around you with your photography; find that balance between family and photography.   FujiFilm Officially Kills NeoPan Acros 100  It's official. FujiFilm has announced the discontinuation of Acros 100. Written on a previous post, we believe that FujiFilm got out of the film game before the resurgence. Because of the filmgrain.es article and connections to FujiFilm  in addition to Doc Kaps meeting with FujiFilm execs to save FP-100C, we believe this to be enough evidence to think the machinery is long gone.   Street Candy Film  We recap Bill's 'One-on-One' interview with Vincent Moschetti. You can listen to the podcast episode here.   Kodak T-MAX P3200: My First Roll Steven’s report on shooting P3200. He shares his experience shooting the film and shows us pretty pictures!   Kodak Announces Ektachrome E100 in 16mm Let's get it out of the way. There's another pushback on the timeline. It is now slated for late summer/early fall 2018. It's okay though. The gap is getting smaller and smaller it's important that Kodak has a successful launch for Ektachrome. When the article was posted, 35mm was not mentioned and people started to get concerned. We tweeted Matt Stoffel at Kodak and has confirmed that 35mm is on the same timelines as Super 8 and 16mm. https://twitter.com/StoffelMatt/status/982369815443771394 We believe the announcement of 16mm format is the result of a survey Kodak put out about the super 8 camera in early February.   Tim Gander After the podcast episode, Tim Gander submitted an article sharing his experience switching to a digital camera and beating his competition to print who were still shooting on film. Read up on the article here and listen to his 'One-on-One' interview with Bill here.   Adorama On April 4, 2018, Adorama Learning Center writer, Mason Resnick, posted an article called, “5 reasons why I am never going back to Film Photography.” We posted a Google cache link since all articles by Mr. Resnick have been taken down. The REAL reason why photographers got angry is because it's another "Film vs. Digital" article. We get it, every point Resnick writes is accurate. But everybody has their own reason for shooting film. Things went from bad to worse really quick when photographer, Mike Fraser, discovered the image of a Leica M3 is identical to the image of a Leica M3 on Ken Rockwell's website. Fraser questioned Resnick of the similarities. Resnicks response, "We must have identical Leicas." When that comment did not pass muster, the comment was deleted and ultimately sent the article into viral mode among the photography community. The watermark is in a very difficult spot to crop out. Ken places it where you really have to intentionally remove it. On 4/6 Adorama issues an article titled We Are Sorry in response to the fallout. The article acknowledges the improper use of Ken Rockwell's image and offered compensation. According to PetaPixel the amount is $1,000. Now that Adorama is on the radar, people began to audit Resnick's previous writings and discovered an article posted prior to the Ken Rockwell incident. Images from Bellamy Hunt's article, 'Camera Historica: The Sean Flynn Leica M2' details the story war photojournalist and his Leica M2. The same images in Bellamy's article were used without his approval on Adorama's blog (Google cached link). As a result, all articles written by Resnick have been taken down.   MiNT MiNT gives an update on the RF-70. Bring up price and new features – Internal Flash and External flash port – Excited because this really takes instant film to a new level in analog photography. Price – Slightly more expensive than SLR670-S which comes in at $729.   Photowalk Website Photographer, Martin Smith, has built a website tailored for photowalks and photo meetups. There are disadvantages to big sites like Meetup.com and Eventbrite that don't always fit the needs of a photowalk. It is quite popular in Europe and we want to help him make this a popular tool for the photo community around the world.  Upcoming Interview with Emulsive coming up on one-on-one interview episode Next Photo Challenge – Leading Lines The winner gets a propack of film! Use #shootsomefilmdangit   Music Credit: Johan Lilja - The Improv http://bit.ly/2ueQlK1