POPULARITY
8 episodes with lgbt life
7 episodes with lgbt life
8 episodes with lgbt life
4 episodes with lgbt life
6 episodes with lgbt life
2 episodes with lgbt life
2 episodes with lgbt life
2 episodes with lgbt life
3 episodes with lgbt life
Join award-winning barrister Oscar Davies and host Sarah Henry as they discuss Oscar's journey to their practice at Garden Court Chambers. Oscar shares personal insights into becoming a barrister and offers practical advice for aspiring legal professionals. They also address the lack of legal protections for trans and non-binary individuals, along with Oscar's upcoming book on non-binary recognition, promoting understanding and openness towards the challenges faced by the non-binary community. Oscar is recognised as the first publicly acknowledged non-binary barrister in the UK and has been a trailblazer in representing trans and non-binary clients across various civil and public law sectors. Oscar's work as a barrister is a gateway to their activism in trans issues and climate related strategic litigation. Their impressive accolades include winning 'LGBTQ+: Champion of the Year' at the Legal 500 ESG Awards 2024 and being nominated for 'DE&I: Rising Star of the Year' at the same awards. Oscar was also nominated as one of the ‘Top 10 Outstanding Contributions to LGBT+ Life' by the British LGBT Awards 2022 and was a finalist in this year's Advocate's awards category Young Pro Bono Barrister of the Year'. Oscar is ranked as a Tier 1 ‘Rising Star' in the Legal 500 and was recently featured by Evening Standard Magazine as one of the Unsung Heroes of the LGBTQ+ community. Beyond their courtroom successes, Oscar is currently writing a book on non-binary recognition, exploring how the law can better reflect and dismantle stigmas around gender/sex binary.
Center CEO Stacie Walls expects the new location's services to be fully operational in October.
The Center's new partnership with Freddie, the leading mail-order provider of two STI and HIV prevention medicines, opens the door for Virginia residents to book online appointments with Freddie medical staff at no cost to most users.
The tool makes its debut after the center has spent years fielding questions from the LGBTQ+ community about which businesses are welcoming.
In this week's episode, I am delighted to welcome Avgi Sakatopoulou and Ann Pelligrini to the podcast. Avgi and Ann, psychoanalysts and professors at NYU, tackle one of the most hot-button cultural/health issues raging in the United States of America—how one forms their gender identity—in a new book, GENDER WITHOUT IDENTITY.The award-winning psychoanalysts challenge the argument widely embraced by rights activists and members of the LGBTQ+ community that gender identity is innate and immutable. Dismissing the notion of core gender identity as simplistic, problematic, and potentially harmful to LGBTQ+ people, the authors propose instead that gender is something we all acquire—through our ongoing development, family history, and life experiences, which sometimes include trauma. AVGI SAKETOPOULOU (she/her) trained as clinical psychologist in New York after emigrating from Greece and Cyprus, and subsequently completed training as a psychoanalyst at the New York University Postdoctoral Program in Psychotherapy and Psychoanalysis, where she currently teaches. She also serves on the faculty of the William Alanson White Institute, the Stephen Mitchell Relational Center, and the National Institute for Psychotherapies, where she offers courses on psychosexuality and gender. Her interview on psychoanalysis is on the collection of the Freud Museum in Vienna and she is the 2022 recipient of the Scholarship Award from the American Psychological Association's Division of Psychoanalysis. Dr. Saketopoulou is also the author of Sexuality Beyond Consent: Risk, Race, Traumatophilia (NYU Press, 2023).ANN PELLEGRINI (they/them; she/her) is Professor of Performance Studies & Social and Cultural Analysis at New York University, teaching classes on queer theory and psychoanalysis, among other topics, as well as a psychoanalyst in private practice. They are the author/co-author of three previous books, including “You Can Tell Just by Looking” and 20 Other Myths about LGBT Life and People, co-authored with Michael Bronski and Michael Amico (Beacon Press, 2013), which was a finalist for the 2014 Lambda Literary Award for Best LGBT Non-Fiction. Dr. Pellegrini has also co-edited two anthologies and is founding co-editor of the “Sexual Cultures” series at NYU Press. It has been my honor and pleasure to have Avgi and Ann join me, and I know, my listeners, that you will enjoy the episode. If you wish to connect with Avgi or Ann, check out his website and social media links below. Avgi SaketopoulouWebsite: https://www.avgisaketopoulou.com/Ann PellegriniLinkedIn: https://www.linkedin.com/in/ann-pellegrini-7030b6124/ A special thank you to my listeners for joining me on this journey. Please support the show and I by heading to Amazon or Takealot at the link and get your copy of my E-book or paperback book edition, Ray of Light, and please leave me a rating and review. It would mean the world to me.Amazon.com Link: Support the showPlease support the show on Paypal: PayPal.Me/marlenegmcconnell
We chat with Ashliegh, who courageously stepped into her truth as a lesbian at 32!
There's a lot of backlash, misunderstanding and confusion about gender identity, as if it is something brand new. In this candid conversation about trauma, sexual and gender identity, Ann Pellegrini and Avgi Saketopoulou share their book Gender Without Identity and the challenges we face in embracing all sexualities and genders. About Ann & Avgi ANN PELLEGRINI (they/them; she/her) is Professor of Performance Studies & Social and Cultural Analysis at New York University, teaching classes on queer theory and psychoanalysis, among other topics, as well as a psychoanalyst in private practice. They are the author/co-author of three previous books, including “You Can Tell Just by Looking” and 20 Other Myths about LGBT Life and People, co-authored with Michael Bronski and Michael Amico (Beacon Press, 2013), which was a finalist for the 2014 Lambda Literary Award for Best LGBT Non-Fiction. Dr. Pellegrini has also co-edited two anthologies and is founding co-editor of the “Sexual Cultures” series at NYU Press. AVGI SAKETOPOULOU (she/her) trained as clinical psychologist in New York after emigrating from Greece and Cyprus, and subsequently completed training as a psychoanalyst at the New York University Postdoctoral Program in Psychotherapy and Psychoanalysis, where she currently teaches. She also serves on the faculty of the William Alanson White Institute, the Stephen Mitchell Relational Center, and the National Institute for Psychotherapies, where she offers courses on psychosexuality and gender. Her interview on psychoanalysis is on the collection of the Freud Museum in Vienna and she is the 2022 recipient of the Scholarship Award from the American Psychological Association's Division of Psychoanalysis. Dr. Saketopoulou is also the author of Sexuality Beyond Consent: Risk, Race, Traumatophilia (NYU Press, 2023). Connect with Ann Facebook Instagram Connect with Avgi Website Instagram Twitter - X
This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/jenni_chang_and_lisa_dazols_this_is_what_lgbt_life_is_like_around_the_world ■Post on this topic (You can get FREE learning materials!) https://englist.me/115-academic-words-reference-from-jenni-chang-and-lisa-dazols-this-is-what-lgbt-life-is-like-around-the-world-ted-talk/ ■Youtube Video https://youtu.be/4QBGxyqi6Xc (All Words) https://youtu.be/D1tUHEKgvTE (Advanced Words) https://youtu.be/vk-8SYinxso (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)
My LGBT Life Lately.
Taiwan is an LGBTQ oasis in the large and vast continent of Asia. It is the first (and currently the only) country in Asia to have legalized same-sex marriage, and same sex couples have almost all the rights of heterosexual married couples. In the last 20 years, the gay community has reached great achievements in the field of legislation, ensuring equality in employment and education. Although it seems Taiwan is moving toward full acceptance of the GLBTQ lifestyle, it still has a long way to go. This episode explores LGBTQ life in Taiwan and features an interview with Sean Sih-Cheng Du, the Director of Taiwan's LGBTQ Hotline (Taiwan Tongzhi Hotline Association), the first formal LGBT organization in the country, and one of the major players in its GLBTQ scene.
Ruti Frensdorff spoke to several experts in an attempt to better understand GLBTQ life in Nigeria.The episode begins with a brief general overview of what makes Africa unique, by Dr. Irit Back, Head of African Studies at Tel Aviv University. We elaborate on the state of LGBTQ life in the continent with Dr. Moshe Morad from the African Centre in Beer Sheba and finally zoom in to the nuts and bolts of daily life for LGBTQ persons in Nigeria with Deyo Adebiyi, Nigerian educator and activist. Main arguments presented briefly in the beginning by one speaker are further developed by others later in the episode to enable our listeners a better understanding of the subject from a variety of perspectives.
Davina Vencatasamy spoke to Revd Jide Macaulay about LGBTQ+, racial and intersectional issues in psychotherapy, music therapy, and society. Reverend Jide Macaulay (he/him/momma) is the Founder and CEO of House of Rainbow CIC. Openly gay British Nigerian born in London, he has been a Christian minister since 1998. He is an Anglican Priest and inspirational speaker, author, poet, pastor and preacher and an HIV Positive activist. Jide holds a degree in Law, master's degree in Theology and Post-graduate certificate in Pastoral Theology. Revd Jide Macaulay focuses his ministry on inclusion and reconciliation of sexuality, spirituality, and human rights. He is also a former Board of Trustee at Kaleidoscope Trust UK. Currently Jide is a Chairperson at INERELA+ Europe, an international network of religious leaders, living with, or personally affected by HIV. Jide is a Patron at ReportOUT, Vice Chair One Voice Network, HIV mentor at Positive East, Nominee British LGBT Award 2021 - Top 10 Outstanding Contribution to LGBT+ Life, nOSCARS Award winner 2014, 2017, 2018, Volunteer Chaplain at Mildmay HIV Hospital and Volunteer Champion at Africa Children's Charity. "I will like see more unity and love within the LGBTIQ+ community, we must recognise that we are strengthened when we stand together against the sequence of hatred in this world, by doing so we make a difference across oceans and the sky is the limit for our desired change in this world." https://londonfriend.org.uk/50LGBTQLondoners/revd-jide-macaulay/
Do all the LGBT+ people and Communities around the world have a similar story? In this special episode, that is split into 2 parts, we will reflect on the amazing year we had at Straight Friendly Global creating LGBT+ and Straight Friendly Global Content, reflecting on some of the amazing episodes we recorded and published. Jonathan Elkhoury the production assistant of SFG, a speaker and content creator himself interviewed Michael Ross, the Host and Creator of Straight Friendly Global, about how it all started, why he decided to have a lecture about the GAY revolution, how did he make the move from activism to creating LGBT+ and Straight Friendly content and the slogan- Create, Empower and Connect. In this first first part Jonathan and Michael will discuss two of the episodes we published - LGBT Life in Russia will Bella Rapport and LGBT+ American Queer History with Jeffrey Masters Stay Tuned for part 2. Listen to the full episodes mentioned on this episode: LGBT Life in Russia will Bella Rapport - https://podcast.motherhasarrived.com/episodes/russia LGBT+ American Queer History with Jeffrey Masters - https://podcast.motherhasarrived.com/episodes/lgbt-american-queer-history-jeffrey-masters
Join us for a special conversation about the 2nd populated country in the world- INDIA with Vikramaditya Sahai. We will discuss the Political and Law situation in India for LGBTQ+ people, different Cast structures and how social media affect marginalised communities for the different cultures in the country. Our mission At straight friendly global is to bring unique and inspiring stories for and about the LGBT communities around the world. Doing so, it gives us a huge privilege to listen and learn about the most interesting milestones throughout the LGBT history from ancient times to our days. Vikramaditya Sahai (They/Them) a post graduate in political science from University of Delhi. They have previously worked as faculty at the Gender Studies Department, Ambedkar University, Delhi and as a consultant on a project to study non-normative sexuality and gender housed at the Advanced Centre for Women Studies, TISS, Bombay. They are interested in sex, feeling, and the structure and narrative of living in their relation with forms of sociality, law and politics. A special thank you for FNF India for assisting to the creation of this Episode
In this episode, we're going to talk about one of the biggest countries in the world, and probably with one of the hugest communities there. We all probably know that it is not really easy to be a part of the LGBTQ community in Russia these days. But we do not always know just how hard it is. We are happy to host this episode on one of the most active women in the Russian LGBTQ community: Bella Rapaport, who is a feminist, activist, and academic. Russia has more than 150 million people which means that statistically, the LGBTQ community is several million. Is the community in Russia united? Is it divided into sub-communities? Is it like in other countries, where life in big cities like Moscow is so different from life in the rest of the country? Is there communication between the different communities? Bella answers questions that show how, in the end, the life of the community in many countries and the community in Russia are not so different, except for current political affairs. The production of this episode came to reality thanks to the support of the Friedrich Naumann Foundation in Jerusalem; and thanks to our volunteers: Alon Rosenblum, Ariel Skop and Anna Talisman.
Joanie Evans is the Co-President of the Federation of Gay Games. Originally from Birmingham, Joanie moved to London in the late 1980s, joining Hackney Women's Football Club - the first out LGBTQ+ team in Europe. In 2019, Joanie was nominated for Outstanding Contribution to LGBT+ Life at the British LGBT Awards and won an Administration Award from the Football Black List. Her word of the day is PARTICIPATION. CONNECT WITH JOANIE: I: @joanreggae T: @EvansJoanie #AnthemsPride is a collection of 30 original manifestos, speeches, stories, poems and rallying cries written and voiced by exceptional LGBTQIA+ contributors and allies. It was created, sound designed and executive produced by Hana Walker-Brown with producers Bea Duncan, Jaja Muhammad and production assistant Rory Boyle. The artwork is by Mars West.
Love is in the air! Justin and Kevin get together for a little Love and Valentine's related chatter, Kevin falls in a toilet, Justin and Kevin discuss YouTube and pass out when Grace Helbig shares Two Bland Gays to her instagram stories, Cancel Culture and sexy Armie Hammer, and getting into the adult Valentine's business.Two Bland Gays is a bi-weekly podcast covering current events, pop culture, embarrassing stories, personal opinions + more! Follow us on Instagram @TwoBlandGays
...From 1997 and GAY to 2021 and QUEER! Guests: Shawna Dempsey and Lorri Millan Music: God is Gay Shawna and Lorri are Winnipeg-based performance artists whose work spans three plus decades. Their work is fuelled by the love of their community and their concern for social justice. In 1997, the art project they were working on, One Gay City, was banned! The mayor refused to proclaim Pride and homophobia was pushing back against the progress being made. Fast forward 23 years to 2021 and the posters that were too provocative in 1997 are up and proud and in the bus shelters they were originally meant to be exhibited in. Shawna and Lorri talk about their beloved Winnipeg and the climate in the 90s that played into that banning. They also talk about how their art and Winnipeg has changed, but one thing has remained clear throughout all this time. Winnipeg is one GAY city! Gay! Gay! Gay! LINKS Shawna Dempsey and Lorrie Millan Website CBC News: Banned Art Project Depicting Winnipeg as a Queer Paradise Revived 23 Years Later about the 1997 project being banned and its reemerging in 2021. Film: Lesbian National Parks and Services: A Force of Nature Film: One Gay City: A History of LGBT Life in Winnipeg Info on 2021 Art Project: One Queer City 2021 Art Project /School of Art / University of Manitoba --- Send in a voice message: https://anchor.fm/roy-mitchell5/message
Kenya, in East Africa, has retained colonial-era sodomy laws meaning same-sex relations between men can be punishable by up to 14 years in prison. Even aside from that, living as an LGBTI person in Kenya […] http://media.blubrry.com/world_wide_wave/p/joy.org.au/worldwidewave/wp-content/uploads/sites/246/2020/11/2020-11-24-WorldWideWave-KenyaLGBTLifeRefugeeCamp.mp3 Podcast: Play in new window | Download (Duration: 34:56 — 24.0MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post Kenya: LGBT Life in a Refugee Camp appeared first on World Wide Wave.
The LGBT community in Turkey used to have one of the biggest pride parades in the region, but in recent years political changes have affected the community directly. It is no longer legal to organize the pride parade and other events, and the country has even stopped participating in the Eurovision Song Contest due to Conchita’s win. Yet life goes on, and the local underground scenes are thriving. Join us for a talk with the local LGBT Turkish activist, Mustafa Sarıyılmaz.
Ben Hunte is a journalist, presenter, and the BBC’s first ever LGBT correspondent reporting on LGBT issues across all BBC platforms. He’s reported on topics such as racism at UK pride festivals, racism within the LGBT dating scene, and the 50th anniversary of the Stonewall Riots. His BBC Radio 4 Extra LGBT-themed series was nominated for a PinkNews award, and he has been recognised at the British LGBT awards for “Top 10 Outstanding Contributions to LGBT Life”. His word of the day is Champion. CW: This episode contains discussion of suicide. CONNECT WITH BEN: I: @beninldn T: @BenInLDN #AnthemsPride is a collection of 30 original manifestos, speeches, stories, poems and rallying cries written and voiced by exceptional LGBTQI+ contributors. It was created, executive produced and sound designed by Hana Walker-Brown with producer Bea Duncan. The artwork is by Mars West. Resources: Samaritans Confidential support for people experiencing feelings of distress or despair. Phone: 116 123 (free 24-hour helpline) Website: www.samaritans.org.uk PAPYRUS Young suicide prevention society. Phone: HOPELINEUK 0800 068 4141 (Monday to Friday, 10am to 10pm, and 2pm to 10pm on weekends and bank holidays) Website: www.papyrus-uk.org LGBT Foundation Helpline run by LGBT health charity. Phone: 0345 3 30 30 30 (Weekdays 9am-9pm, weekends 10am-6pm) Website: lgbt.foundation/helpline
Today, we travel around the world to speak with someone from the first generation of LGBT podcasters, Arthur of the AmeriNZ podcast. The Chicago native has lived as an expat in NZ since 1995. We’ll hear how populism is different in NZ, what life is like for the LGBT community there, and other things that might surprise you about this secular society. All of this today, on This Week In Gay. #Pride48
Michael is the team lead for event Technology company, Cvent which a Global event management technology company based in Washington DC., and services over 27,000 customers worldwide. He is also the COO of The P3 Network. P3 is a UK based not-for-profit that provides support, advice, advocacy and role models for non-traditional and LGBT+ families. P3 currently supports almost 3500 families and prospective families across England, and has workedwith over 80 leading global businesses, government agencies and regulatory bodies to help these organisations create more inclusive work environments.Michael is an award nominated speaker and activist on multi-faceted diversity, HIV awareness, authentic leadership and redefining hetero-normative stereotypes. Most recently, UK Prime Minister, Theresa May, honoured P3 with a Points of Light award for the contributions P3 makes to driving more inclusive diversity across Britain and is also listed in the RAHM Top 100 LGBT+ Global Leaders. Earlier this year, Michael was recognised by the National Diversity Awards as one of the Top 8 activists in the UK for Positive Role Model to LGBT+ Life.Find out more about the P3 Network here.Connect with Michael on LinkedIn.
If you've watched Orange is the New Black, or if you've had any finger on the pop culture pulse over the last seven years, you'd know that the show has received acclaim and critique for its representation of lgbtq people. In this episode I talk with Dr. Carrie Buist, an expert in gender, criminology, and lgbt representation about what it means to be queer and incarcerated. We talk about what terms like "queer" mean, and discuss how criminology relates to pop culture. We add some levity by discussing an ex-"Real Housewife", and by both realizing we love Ruby Rose-even if we can't always remember her name. Visit the website www.mostpopularpod.com for episode notes and discussion topics.
Becket Cook loved life in L.A. He was pursuing his Hollywood career, attending celebrities' parties and searching for true love through his boyfriends. But when a cold emptiness started creeping in, he couldn't ignore it. Soon after, a glorious encounter with the Holy Spirit changed everything. Listen as Cook tells host Jenny Rose Spaudo about the power of God that delivered him from the gay lifestyle.
In "Geri's Apology Coach" -
Happy Thanksgiving! Welcome To Brell Talks! * For Episode 3, I figured since the holidays were getting close I would do a show about what LGBT people go through during this time of year. Why are certain family members such assholes about someone coming out as their true lives? * Also On This Episode: > 2 Shootings Rock Major Midwestern Towns > More On The California Fires > Gillum and Abrams Concede > CNN Wins "Acostagate" > Trump Thinks Raking The Forest Floors Will Prevent Fires > And Much More! * Shout out to both my haters and supporters! Galatians 6:9. * Links * Visit the podcast website at Anchor: anchor.fm/brellradio-stream * Listen to the Brell Radio Podcast Network on 10 different platforms (Apple, Spotify, Google, Stitcher, Android & more!). * Twitter Follow Brell @wonderbrell twitter.com/wonderbrell Follow Radio Oceania @TheRadioOceania twitter.com/TheRadioOceania * Reddit Follow Brell (Username: Abrielle_Devyn) Follow Brell Radio (Username: BrellRadio) * Instagram Follow Brell (Username: wonderbrell) Follow Brell Radio (Username: brellradio) * Snapchat Follow Brell (Username: wonderbrell)
Lez Represent Podcast | A Lesbian & Lady-loving queer LGBT social
Hello again! Today's guest is Kathleen Knowles, author and retired UCSF of San Francisco. We had a wonderful talk, being interested in LGBT history Kathleen had some interesting stories to share. We talked a lot about her first hand experience during the 80's aids crisis, being in her 20s and an active member in the LGBT scene at the time. Even a bit about the Harvey Milk, an openly gay political official, assassination from a couple years before that. If you like the show, please rate and reviews us on Itunes and follow us on Twitter!
Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the Rise of the Beautiful Eccentric (Yale UP, 2018), madison moore explores some of the sites where fabulousness is highly valued, such as the street, the catwalk, the club (including the line to get in), and the body itself. Our hour-long conversation references many personal experiences that capture the ephemeral quality of fabulousness, which can appear in any place, at any time, through any body. madison also speaks of his participation in and organization of the worlds that his scholarship extends. A running theme of our conversation is that fabulousness is never without risk. As he writes, “You can’t understand fabulousness unless you get that it emerges from trauma, duress, exclusion, exhaustion, and depression, and that in some ways being fabulous is the only thing that can get us out of bed in the morning.” There are, of course, groups of people who actively police fabulousness. But its self-making potential resides in all bodies. It is a confidence, and a gift to be shared. You just have to look—and listen—for yourself. madison moore is a dj, cultural critic, and assistant professor of gender, sexuality and women’s studies. He is also creative director and resident dj at OPULENCE, an art-collective and queer techno party. He has home bases in New York, London, and Berlin. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the Rise of the Beautiful Eccentric (Yale UP, 2018), madison moore explores some of the sites where fabulousness is highly valued, such as the street, the catwalk, the club (including the line to get in), and the body itself. Our hour-long conversation references many personal experiences that capture the ephemeral quality of fabulousness, which can appear in any place, at any time, through any body. madison also speaks of his participation in and organization of the worlds that his scholarship extends. A running theme of our conversation is that fabulousness is never without risk. As he writes, “You can’t understand fabulousness unless you get that it emerges from trauma, duress, exclusion, exhaustion, and depression, and that in some ways being fabulous is the only thing that can get us out of bed in the morning.” There are, of course, groups of people who actively police fabulousness. But its self-making potential resides in all bodies. It is a confidence, and a gift to be shared. You just have to look—and listen—for yourself. madison moore is a dj, cultural critic, and assistant professor of gender, sexuality and women’s studies. He is also creative director and resident dj at OPULENCE, an art-collective and queer techno party. He has home bases in New York, London, and Berlin. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the Rise of the Beautiful Eccentric (Yale UP, 2018), madison moore explores some of the sites where fabulousness is highly valued, such as the street, the catwalk, the club (including the line to get in), and the body itself. Our hour-long conversation references many personal experiences that capture the ephemeral quality of fabulousness, which can appear in any place, at any time, through any body. madison also speaks of his participation in and organization of the worlds that his scholarship extends. A running theme of our conversation is that fabulousness is never without risk. As he writes, “You can’t understand fabulousness unless you get that it emerges from trauma, duress, exclusion, exhaustion, and depression, and that in some ways being fabulous is the only thing that can get us out of bed in the morning.” There are, of course, groups of people who actively police fabulousness. But its self-making potential resides in all bodies. It is a confidence, and a gift to be shared. You just have to look—and listen—for yourself. madison moore is a dj, cultural critic, and assistant professor of gender, sexuality and women’s studies. He is also creative director and resident dj at OPULENCE, an art-collective and queer techno party. He has home bases in New York, London, and Berlin. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the Rise of the Beautiful Eccentric (Yale UP, 2018), madison moore explores some of the sites where fabulousness is highly valued, such as the street, the catwalk, the club (including the line to get in), and the body itself. Our hour-long conversation references many personal experiences that capture the ephemeral quality of fabulousness, which can appear in any place, at any time, through any body. madison also speaks of his participation in and organization of the worlds that his scholarship extends. A running theme of our conversation is that fabulousness is never without risk. As he writes, “You can’t understand fabulousness unless you get that it emerges from trauma, duress, exclusion, exhaustion, and depression, and that in some ways being fabulous is the only thing that can get us out of bed in the morning.” There are, of course, groups of people who actively police fabulousness. But its self-making potential resides in all bodies. It is a confidence, and a gift to be shared. You just have to look—and listen—for yourself. madison moore is a dj, cultural critic, and assistant professor of gender, sexuality and women’s studies. He is also creative director and resident dj at OPULENCE, an art-collective and queer techno party. He has home bases in New York, London, and Berlin. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the Rise of the Beautiful Eccentric (Yale UP, 2018), madison moore explores some of the sites where fabulousness is highly valued, such as the street, the catwalk, the club (including the line to get in), and the body itself. Our hour-long conversation references many personal experiences that capture the ephemeral quality of fabulousness, which can appear in any place, at any time, through any body. madison also speaks of his participation in and organization of the worlds that his scholarship extends. A running theme of our conversation is that fabulousness is never without risk. As he writes, “You can’t understand fabulousness unless you get that it emerges from trauma, duress, exclusion, exhaustion, and depression, and that in some ways being fabulous is the only thing that can get us out of bed in the morning.” There are, of course, groups of people who actively police fabulousness. But its self-making potential resides in all bodies. It is a confidence, and a gift to be shared. You just have to look—and listen—for yourself. madison moore is a dj, cultural critic, and assistant professor of gender, sexuality and women’s studies. He is also creative director and resident dj at OPULENCE, an art-collective and queer techno party. He has home bases in New York, London, and Berlin. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sit alongside a disabled teenage Southerner as he records his experience in The War Outside My Window: The Civil War Diary of LeRoy Wiley Gresham, 1860-1865 (Savas Beatie, 2018). This unique document—rare for its teenager’s perspective, rare for its register of daily pain across five years—is a testament to what it means to watch the world of the Confederacy slowly fall as one’s body fails, too. LeRoy Gresham, from Macon, Georgia, began writing his diary at twelve years old. His leg had been smashed by falling rubble from a chimney of a burned-out house that he and friends were exploring. LeRoy writes daily, most often from a reclined position and with a mind full of good humor and acid wit. Snark lurks quietly in his words. He covers the goings on of his home, family, slaves, and the people who pass through town and his house, as well as what he reads in newspapers and in a never-ending stream of novels. The war proceeds with fits and starts, and he adds his cheers for the Confederacy, until, finally, the dream of that nation comes to an end, and he also dies, at the age of seventeen. The cause, it is today decided in a detailed medical afterward written by a specialist in nineteenth-century medicine, was spinal tuberculosis, something much more insidious than a broken leg. Janet Elizabeth Croon—recently retired from teaching International Baccalaureate History in Fairfax County, Virginia—has transcribed, edited, and annotated the diary, and provides detailed information about the people around LeRoy, as well as the results of battles and the realities of his ailments at which he could only guess. Listen to my conversation with Janet as we talk about how the not so trivial details of food and weather and playing chess become momentous in his felt understanding of the world. Although he could see his body deteriorate, the point of LeRoy’s own written record is that the experience of pain is never completely localizable. The more his body was down, the more his ears were perked, receptive to the latest vagaries of the time. One of the ongoing themes in our conversation is that LeRoy’s physical separation from the fight opened a wider space to consider it, inciting much laughter at his own predicament (and the country’s), and a deep absorption of the trials and joys around him. Eventually his thoughts on the talents and blunders of the war’s commanders and his thoughts on his daily pain become one. He comes to an end, and the world has changed. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sit alongside a disabled teenage Southerner as he records his experience in The War Outside My Window: The Civil War Diary of LeRoy Wiley Gresham, 1860-1865 (Savas Beatie, 2018). This unique document—rare for its teenager’s perspective, rare for its register of daily pain across five years—is a testament to what it means to watch the world of the Confederacy slowly fall as one’s body fails, too. LeRoy Gresham, from Macon, Georgia, began writing his diary at twelve years old. His leg had been smashed by falling rubble from a chimney of a burned-out house that he and friends were exploring. LeRoy writes daily, most often from a reclined position and with a mind full of good humor and acid wit. Snark lurks quietly in his words. He covers the goings on of his home, family, slaves, and the people who pass through town and his house, as well as what he reads in newspapers and in a never-ending stream of novels. The war proceeds with fits and starts, and he adds his cheers for the Confederacy, until, finally, the dream of that nation comes to an end, and he also dies, at the age of seventeen. The cause, it is today decided in a detailed medical afterward written by a specialist in nineteenth-century medicine, was spinal tuberculosis, something much more insidious than a broken leg. Janet Elizabeth Croon—recently retired from teaching International Baccalaureate History in Fairfax County, Virginia—has transcribed, edited, and annotated the diary, and provides detailed information about the people around LeRoy, as well as the results of battles and the realities of his ailments at which he could only guess. Listen to my conversation with Janet as we talk about how the not so trivial details of food and weather and playing chess become momentous in his felt understanding of the world. Although he could see his body deteriorate, the point of LeRoy’s own written record is that the experience of pain is never completely localizable. The more his body was down, the more his ears were perked, receptive to the latest vagaries of the time. One of the ongoing themes in our conversation is that LeRoy’s physical separation from the fight opened a wider space to consider it, inciting much laughter at his own predicament (and the country’s), and a deep absorption of the trials and joys around him. Eventually his thoughts on the talents and blunders of the war’s commanders and his thoughts on his daily pain become one. He comes to an end, and the world has changed. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sit alongside a disabled teenage Southerner as he records his experience in The War Outside My Window: The Civil War Diary of LeRoy Wiley Gresham, 1860-1865 (Savas Beatie, 2018). This unique document—rare for its teenager’s perspective, rare for its register of daily pain across five years—is a testament to what it means to watch the world of the Confederacy slowly fall as one’s body fails, too. LeRoy Gresham, from Macon, Georgia, began writing his diary at twelve years old. His leg had been smashed by falling rubble from a chimney of a burned-out house that he and friends were exploring. LeRoy writes daily, most often from a reclined position and with a mind full of good humor and acid wit. Snark lurks quietly in his words. He covers the goings on of his home, family, slaves, and the people who pass through town and his house, as well as what he reads in newspapers and in a never-ending stream of novels. The war proceeds with fits and starts, and he adds his cheers for the Confederacy, until, finally, the dream of that nation comes to an end, and he also dies, at the age of seventeen. The cause, it is today decided in a detailed medical afterward written by a specialist in nineteenth-century medicine, was spinal tuberculosis, something much more insidious than a broken leg. Janet Elizabeth Croon—recently retired from teaching International Baccalaureate History in Fairfax County, Virginia—has transcribed, edited, and annotated the diary, and provides detailed information about the people around LeRoy, as well as the results of battles and the realities of his ailments at which he could only guess. Listen to my conversation with Janet as we talk about how the not so trivial details of food and weather and playing chess become momentous in his felt understanding of the world. Although he could see his body deteriorate, the point of LeRoy’s own written record is that the experience of pain is never completely localizable. The more his body was down, the more his ears were perked, receptive to the latest vagaries of the time. One of the ongoing themes in our conversation is that LeRoy’s physical separation from the fight opened a wider space to consider it, inciting much laughter at his own predicament (and the country’s), and a deep absorption of the trials and joys around him. Eventually his thoughts on the talents and blunders of the war’s commanders and his thoughts on his daily pain become one. He comes to an end, and the world has changed. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sit alongside a disabled teenage Southerner as he records his experience in The War Outside My Window: The Civil War Diary of LeRoy Wiley Gresham, 1860-1865 (Savas Beatie, 2018). This unique document—rare for its teenager’s perspective, rare for its register of daily pain across five years—is a testament to what it means to watch the world of the Confederacy slowly fall as one’s body fails, too. LeRoy Gresham, from Macon, Georgia, began writing his diary at twelve years old. His leg had been smashed by falling rubble from a chimney of a burned-out house that he and friends were exploring. LeRoy writes daily, most often from a reclined position and with a mind full of good humor and acid wit. Snark lurks quietly in his words. He covers the goings on of his home, family, slaves, and the people who pass through town and his house, as well as what he reads in newspapers and in a never-ending stream of novels. The war proceeds with fits and starts, and he adds his cheers for the Confederacy, until, finally, the dream of that nation comes to an end, and he also dies, at the age of seventeen. The cause, it is today decided in a detailed medical afterward written by a specialist in nineteenth-century medicine, was spinal tuberculosis, something much more insidious than a broken leg. Janet Elizabeth Croon—recently retired from teaching International Baccalaureate History in Fairfax County, Virginia—has transcribed, edited, and annotated the diary, and provides detailed information about the people around LeRoy, as well as the results of battles and the realities of his ailments at which he could only guess. Listen to my conversation with Janet as we talk about how the not so trivial details of food and weather and playing chess become momentous in his felt understanding of the world. Although he could see his body deteriorate, the point of LeRoy’s own written record is that the experience of pain is never completely localizable. The more his body was down, the more his ears were perked, receptive to the latest vagaries of the time. One of the ongoing themes in our conversation is that LeRoy’s physical separation from the fight opened a wider space to consider it, inciting much laughter at his own predicament (and the country’s), and a deep absorption of the trials and joys around him. Eventually his thoughts on the talents and blunders of the war’s commanders and his thoughts on his daily pain become one. He comes to an end, and the world has changed. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In I Remain Yours: Common Lives in Civil War Letters (Harvard University Press, 2018), Christopher Hager trains our attention to “the cell-level transfers that created the meaning of the Civl War.” He follows the correspondence of a group of soldiers, and their family members, many of whom had never written letters before in their life. These people were largely illiterate. They had to learn how to spell as they were trying to compose their thoughts on paper. Yet Hager leaves their letters ‘uncorrected.’ In their struggle to put their feelings and thoughts into words—a struggle we also feel in reading those words—the words themselves gain an immediacy and directness. They grow in importance for being chosen. The repetition of phrases throbs with feeling. The emotional dynamics of union and disunion—the fear of being forgotten, the assurance of love, no matter the soldier’s side in the war—congeal around individual words, phrases, even marks on the page. As they write, both soldiers and their family members realize that they’re at war together, tending to the relationships that comprise their everyday lives, and warding off the threats to them. Christopher Hager has previously explored the lives of ordinary Americans through their writing, including diaries kept by slaves. His first book, Word by Word: Emancipation and the Act of Writing, won the 2014 Frederick Douglass Prize for the best book of the year on the subject of slavery. Hager is Charles A. Dana Research Associate Professor of English at Trinity College in Hartford, Connecticut where he teaches courses in American literature and culture from the nineteenth century to the present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In I Remain Yours: Common Lives in Civil War Letters (Harvard University Press, 2018), Christopher Hager trains our attention to “the cell-level transfers that created the meaning of the Civl War.” He follows the correspondence of a group of soldiers, and their family members, many of whom had never written letters before in their life. These people were largely illiterate. They had to learn how to spell as they were trying to compose their thoughts on paper. Yet Hager leaves their letters ‘uncorrected.’ In their struggle to put their feelings and thoughts into words—a struggle we also feel in reading those words—the words themselves gain an immediacy and directness. They grow in importance for being chosen. The repetition of phrases throbs with feeling. The emotional dynamics of union and disunion—the fear of being forgotten, the assurance of love, no matter the soldier’s side in the war—congeal around individual words, phrases, even marks on the page. As they write, both soldiers and their family members realize that they’re at war together, tending to the relationships that comprise their everyday lives, and warding off the threats to them. Christopher Hager has previously explored the lives of ordinary Americans through their writing, including diaries kept by slaves. His first book, Word by Word: Emancipation and the Act of Writing, won the 2014 Frederick Douglass Prize for the best book of the year on the subject of slavery. Hager is Charles A. Dana Research Associate Professor of English at Trinity College in Hartford, Connecticut where he teaches courses in American literature and culture from the nineteenth century to the present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In I Remain Yours: Common Lives in Civil War Letters (Harvard University Press, 2018), Christopher Hager trains our attention to “the cell-level transfers that created the meaning of the Civl War.” He follows the correspondence of a group of soldiers, and their family members, many of whom had never written letters before in their life. These people were largely illiterate. They had to learn how to spell as they were trying to compose their thoughts on paper. Yet Hager leaves their letters ‘uncorrected.’ In their struggle to put their feelings and thoughts into words—a struggle we also feel in reading those words—the words themselves gain an immediacy and directness. They grow in importance for being chosen. The repetition of phrases throbs with feeling. The emotional dynamics of union and disunion—the fear of being forgotten, the assurance of love, no matter the soldier’s side in the war—congeal around individual words, phrases, even marks on the page. As they write, both soldiers and their family members realize that they’re at war together, tending to the relationships that comprise their everyday lives, and warding off the threats to them. Christopher Hager has previously explored the lives of ordinary Americans through their writing, including diaries kept by slaves. His first book, Word by Word: Emancipation and the Act of Writing, won the 2014 Frederick Douglass Prize for the best book of the year on the subject of slavery. Hager is Charles A. Dana Research Associate Professor of English at Trinity College in Hartford, Connecticut where he teaches courses in American literature and culture from the nineteenth century to the present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In I Remain Yours: Common Lives in Civil War Letters (Harvard University Press, 2018), Christopher Hager trains our attention to “the cell-level transfers that created the meaning of the Civl War.” He follows the correspondence of a group of soldiers, and their family members, many of whom had never written letters before in their life. These people were largely illiterate. They had to learn how to spell as they were trying to compose their thoughts on paper. Yet Hager leaves their letters ‘uncorrected.’ In their struggle to put their feelings and thoughts into words—a struggle we also feel in reading those words—the words themselves gain an immediacy and directness. They grow in importance for being chosen. The repetition of phrases throbs with feeling. The emotional dynamics of union and disunion—the fear of being forgotten, the assurance of love, no matter the soldier’s side in the war—congeal around individual words, phrases, even marks on the page. As they write, both soldiers and their family members realize that they’re at war together, tending to the relationships that comprise their everyday lives, and warding off the threats to them. Christopher Hager has previously explored the lives of ordinary Americans through their writing, including diaries kept by slaves. His first book, Word by Word: Emancipation and the Act of Writing, won the 2014 Frederick Douglass Prize for the best book of the year on the subject of slavery. Hager is Charles A. Dana Research Associate Professor of English at Trinity College in Hartford, Connecticut where he teaches courses in American literature and culture from the nineteenth century to the present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In I Remain Yours: Common Lives in Civil War Letters (Harvard University Press, 2018), Christopher Hager trains our attention to “the cell-level transfers that created the meaning of the Civl War.” He follows the correspondence of a group of soldiers, and their family members, many of whom had never written letters before in their life. These people were largely illiterate. They had to learn how to spell as they were trying to compose their thoughts on paper. Yet Hager leaves their letters ‘uncorrected.’ In their struggle to put their feelings and thoughts into words—a struggle we also feel in reading those words—the words themselves gain an immediacy and directness. They grow in importance for being chosen. The repetition of phrases throbs with feeling. The emotional dynamics of union and disunion—the fear of being forgotten, the assurance of love, no matter the soldier’s side in the war—congeal around individual words, phrases, even marks on the page. As they write, both soldiers and their family members realize that they’re at war together, tending to the relationships that comprise their everyday lives, and warding off the threats to them. Christopher Hager has previously explored the lives of ordinary Americans through their writing, including diaries kept by slaves. His first book, Word by Word: Emancipation and the Act of Writing, won the 2014 Frederick Douglass Prize for the best book of the year on the subject of slavery. Hager is Charles A. Dana Research Associate Professor of English at Trinity College in Hartford, Connecticut where he teaches courses in American literature and culture from the nineteenth century to the present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In an extra episode for your journey to National Student Pride this weekend... Kris Verle is the LGBT+ life coach who spoke to Max, our volunteer running this weekend's loving how you look open mic session at National Student Pride. Recorded at Gay Star News, the duo sat down for a coaching session about overcoming anxieties about Max's body confidence, age and social media use. See acast.com/privacy for privacy and opt-out information.
Russell Shorto‘s Revolution Song: A Story of American Freedom (Norton, 2017) is a history of many revolutions, kaleidoscopic turns through six individual lives. There is Cornplanter, a leader of the Seneca Indians; George Germain, who led the British war strategy during the Revolution; Margaret Moncrieffe Coghlan, the daughter of a British major; the always worried and wearied George Washington; Venture Smith, an African slave who eventually purchased his freedom in Connecticut; and Abraham Yates, the self-taught rabble rouser from Albany who helped shape the politics of New York, and the country. With each turn in their stories, these six lives continuously remerge and recolor the text, and together make one Revolution. Shorto keeps the reader on the ground, so that we can see how the term “freedom,” among other concepts of the time, gained its meaning and importance. We feel each individual’s fight for self-determinacy, including its ugly and oppressive aspects, across their life spans. In our conversation, Shorto and I talk about the insecurities and failures, the feelings of incompleteness, and the attempts at asserting or gussying up one’s self that drive the stories of all these historical subjects. The book slips and slides into ‘great’ events through wonderfully stark portraits of contingency, circumstance, and personality. What Shorto’s approach makes viscerally clear, and what we return to as we talk, is that no one person determined the Revolution more than any other, and no individual view contains all. This matters for the very reason that this Revolution song is no fiction. It is a history with many parts in contrapuntal relation that resolve only to hear a new dissonance and seek another resolution. It is a song we continue to sing. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Russell Shorto‘s Revolution Song: A Story of American Freedom (Norton, 2017) is a history of many revolutions, kaleidoscopic turns through six individual lives. There is Cornplanter, a leader of the Seneca Indians; George Germain, who led the British war strategy during the Revolution; Margaret Moncrieffe Coghlan, the daughter of a British major; the always worried and wearied George Washington; Venture Smith, an African slave who eventually purchased his freedom in Connecticut; and Abraham Yates, the self-taught rabble rouser from Albany who helped shape the politics of New York, and the country. With each turn in their stories, these six lives continuously remerge and recolor the text, and together make one Revolution. Shorto keeps the reader on the ground, so that we can see how the term “freedom,” among other concepts of the time, gained its meaning and importance. We feel each individual’s fight for self-determinacy, including its ugly and oppressive aspects, across their life spans. In our conversation, Shorto and I talk about the insecurities and failures, the feelings of incompleteness, and the attempts at asserting or gussying up one’s self that drive the stories of all these historical subjects. The book slips and slides into ‘great’ events through wonderfully stark portraits of contingency, circumstance, and personality. What Shorto’s approach makes viscerally clear, and what we return to as we talk, is that no one person determined the Revolution more than any other, and no individual view contains all. This matters for the very reason that this Revolution song is no fiction. It is a history with many parts in contrapuntal relation that resolve only to hear a new dissonance and seek another resolution. It is a song we continue to sing. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Russell Shorto‘s Revolution Song: A Story of American Freedom (Norton, 2017) is a history of many revolutions, kaleidoscopic turns through six individual lives. There is Cornplanter, a leader of the Seneca Indians; George Germain, who led the British war strategy during the Revolution; Margaret Moncrieffe Coghlan, the daughter of a British major; the always worried and wearied George Washington; Venture Smith, an African slave who eventually purchased his freedom in Connecticut; and Abraham Yates, the self-taught rabble rouser from Albany who helped shape the politics of New York, and the country. With each turn in their stories, these six lives continuously remerge and recolor the text, and together make one Revolution. Shorto keeps the reader on the ground, so that we can see how the term “freedom,” among other concepts of the time, gained its meaning and importance. We feel each individual’s fight for self-determinacy, including its ugly and oppressive aspects, across their life spans. In our conversation, Shorto and I talk about the insecurities and failures, the feelings of incompleteness, and the attempts at asserting or gussying up one’s self that drive the stories of all these historical subjects. The book slips and slides into ‘great’ events through wonderfully stark portraits of contingency, circumstance, and personality. What Shorto’s approach makes viscerally clear, and what we return to as we talk, is that no one person determined the Revolution more than any other, and no individual view contains all. This matters for the very reason that this Revolution song is no fiction. It is a history with many parts in contrapuntal relation that resolve only to hear a new dissonance and seek another resolution. It is a song we continue to sing. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Russell Shorto‘s Revolution Song: A Story of American Freedom (Norton, 2017) is a history of many revolutions, kaleidoscopic turns through six individual lives. There is Cornplanter, a leader of the Seneca Indians; George Germain, who led the British war strategy during the Revolution; Margaret Moncrieffe Coghlan, the daughter of a British major; the always worried and wearied George Washington; Venture Smith, an African slave who eventually purchased his freedom in Connecticut; and Abraham Yates, the self-taught rabble rouser from Albany who helped shape the politics of New York, and the country. With each turn in their stories, these six lives continuously remerge and recolor the text, and together make one Revolution. Shorto keeps the reader on the ground, so that we can see how the term “freedom,” among other concepts of the time, gained its meaning and importance. We feel each individual’s fight for self-determinacy, including its ugly and oppressive aspects, across their life spans. In our conversation, Shorto and I talk about the insecurities and failures, the feelings of incompleteness, and the attempts at asserting or gussying up one’s self that drive the stories of all these historical subjects. The book slips and slides into ‘great’ events through wonderfully stark portraits of contingency, circumstance, and personality. What Shorto’s approach makes viscerally clear, and what we return to as we talk, is that no one person determined the Revolution more than any other, and no individual view contains all. This matters for the very reason that this Revolution song is no fiction. It is a history with many parts in contrapuntal relation that resolve only to hear a new dissonance and seek another resolution. It is a song we continue to sing. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Russell Shorto‘s Revolution Song: A Story of American Freedom (Norton, 2017) is a history of many revolutions, kaleidoscopic turns through six individual lives. There is Cornplanter, a leader of the Seneca Indians; George Germain, who led the British war strategy during the Revolution; Margaret Moncrieffe Coghlan, the daughter of a British major; the always worried and wearied George Washington; Venture Smith, an African slave who eventually purchased his freedom in Connecticut; and Abraham Yates, the self-taught rabble rouser from Albany who helped shape the politics of New York, and the country. With each turn in their stories, these six lives continuously remerge and recolor the text, and together make one Revolution. Shorto keeps the reader on the ground, so that we can see how the term “freedom,” among other concepts of the time, gained its meaning and importance. We feel each individual’s fight for self-determinacy, including its ugly and oppressive aspects, across their life spans. In our conversation, Shorto and I talk about the insecurities and failures, the feelings of incompleteness, and the attempts at asserting or gussying up one’s self that drive the stories of all these historical subjects. The book slips and slides into ‘great’ events through wonderfully stark portraits of contingency, circumstance, and personality. What Shorto’s approach makes viscerally clear, and what we return to as we talk, is that no one person determined the Revolution more than any other, and no individual view contains all. This matters for the very reason that this Revolution song is no fiction. It is a history with many parts in contrapuntal relation that resolve only to hear a new dissonance and seek another resolution. It is a song we continue to sing. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
How do we use words to tease out the “real” that history strives to capture? Listen to my conversation with Stephen Cushman, as we consider the historian's art through Cushman's book, Belligerent Muse: Five Northern Writers and How They Shaped Our Understanding of the Civil War (University of North Carolina Press, 2014). Stephen Cushman is Robert C. Taylor Professor of English at the University of Virginia. In addition to critical scholarly work on poetics and form, he has published five collections of poetry, and another book on the Civil War, Bloody Promenade: Reflections on a Civil War Battle. That is the Battle of the Wilderness, the bloody field of which Cushman lives in close proximity, where it has prodded him over the years to reflect on the history that flows unheeded through our lives, until, at moments, it erupts. In Belligerent Muse, Cushman is interested, and points us with gentle precision, to the act of writing: thinking, deliberating, trying out words and phrases, composing the scene—as the main event of the text, and perhaps the main event of history itself. How do we get the world into words? That is the underlying provocation of our hour-long conversation. Along the way, we ask about the stakes and challenges of such a feat, as well as what constitutes a success and what a failure in the terms of “history.” In citing Walt Whitman's famous assessment that “the real war will never get in the books,” Cushman places stress on the books. Surely something has gotten in the books. And so, during our conversation, we ask how the “real” of experience, if not representable in a positive, delimited sense, is made real through how exactly it leaves its imprint in our words. We reference examples Cushman uses in his book—which include the well-known speeches of Lincoln, the prose and poetry of Whitman, and the short stories of Ambrose Bierce, as well as the largely forgotten memoirs of Union Generals William Tecumseh Sherman and Joshua Lawrence Chamberlain—and touch on themes such as the individual as representational, the effects of a literary culture in writing history (and reading history as something other than fiction), and the place of ambivalence, or the unknown at the core of the historical methods search for truth. “The real” is, finally, not fully containable by any one writer or work. Eventually, words are all that remain. As Cushman so deftly demonstrates, we can all strive to discern how they drag along the material traces of the past, and better attune ourselves to the real with which those words stand aquiver. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of“You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at
How do we use words to tease out the “real” that history strives to capture? Listen to my conversation with Stephen Cushman, as we consider the historian’s art through Cushman’s book, Belligerent Muse: Five Northern Writers and How They Shaped Our Understanding of the Civil War (University of North Carolina Press, 2014). Stephen Cushman is Robert C. Taylor Professor of English at the University of Virginia. In addition to critical scholarly work on poetics and form, he has published five collections of poetry, and another book on the Civil War, Bloody Promenade: Reflections on a Civil War Battle. That is the Battle of the Wilderness, the bloody field of which Cushman lives in close proximity, where it has prodded him over the years to reflect on the history that flows unheeded through our lives, until, at moments, it erupts. In Belligerent Muse, Cushman is interested, and points us with gentle precision, to the act of writing: thinking, deliberating, trying out words and phrases, composing the scene—as the main event of the text, and perhaps the main event of history itself. How do we get the world into words? That is the underlying provocation of our hour-long conversation. Along the way, we ask about the stakes and challenges of such a feat, as well as what constitutes a success and what a failure in the terms of “history.” In citing Walt Whitman’s famous assessment that “the real war will never get in the books,” Cushman places stress on the books. Surely something has gotten in the books. And so, during our conversation, we ask how the “real” of experience, if not representable in a positive, delimited sense, is made real through how exactly it leaves its imprint in our words. We reference examples Cushman uses in his book—which include the well-known speeches of Lincoln, the prose and poetry of Whitman, and the short stories of Ambrose Bierce, as well as the largely forgotten memoirs of Union Generals William Tecumseh Sherman and Joshua Lawrence Chamberlain—and touch on themes such as the individual as representational, the effects of a literary culture in writing history (and reading history as something other than fiction), and the place of ambivalence, or the unknown at the core of the historical methods search for truth. “The real” is, finally, not fully containable by any one writer or work. Eventually, words are all that remain. As Cushman so deftly demonstrates, we can all strive to discern how they drag along the material traces of the past, and better attune ourselves to the real with which those words stand aquiver. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of“You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at Learn more about your ad choices. Visit megaphone.fm/adchoices
How do we use words to tease out the “real” that history strives to capture? Listen to my conversation with Stephen Cushman, as we consider the historian’s art through Cushman’s book, Belligerent Muse: Five Northern Writers and How They Shaped Our Understanding of the Civil War (University of North Carolina Press, 2014). Stephen Cushman is Robert C. Taylor Professor of English at the University of Virginia. In addition to critical scholarly work on poetics and form, he has published five collections of poetry, and another book on the Civil War, Bloody Promenade: Reflections on a Civil War Battle. That is the Battle of the Wilderness, the bloody field of which Cushman lives in close proximity, where it has prodded him over the years to reflect on the history that flows unheeded through our lives, until, at moments, it erupts. In Belligerent Muse, Cushman is interested, and points us with gentle precision, to the act of writing: thinking, deliberating, trying out words and phrases, composing the scene—as the main event of the text, and perhaps the main event of history itself. How do we get the world into words? That is the underlying provocation of our hour-long conversation. Along the way, we ask about the stakes and challenges of such a feat, as well as what constitutes a success and what a failure in the terms of “history.” In citing Walt Whitman’s famous assessment that “the real war will never get in the books,” Cushman places stress on the books. Surely something has gotten in the books. And so, during our conversation, we ask how the “real” of experience, if not representable in a positive, delimited sense, is made real through how exactly it leaves its imprint in our words. We reference examples Cushman uses in his book—which include the well-known speeches of Lincoln, the prose and poetry of Whitman, and the short stories of Ambrose Bierce, as well as the largely forgotten memoirs of Union Generals William Tecumseh Sherman and Joshua Lawrence Chamberlain—and touch on themes such as the individual as representational, the effects of a literary culture in writing history (and reading history as something other than fiction), and the place of ambivalence, or the unknown at the core of the historical methods search for truth. “The real” is, finally, not fully containable by any one writer or work. Eventually, words are all that remain. As Cushman so deftly demonstrates, we can all strive to discern how they drag along the material traces of the past, and better attune ourselves to the real with which those words stand aquiver. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of“You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at Learn more about your ad choices. Visit megaphone.fm/adchoices
How do we use words to tease out the “real” that history strives to capture? Listen to my conversation with Stephen Cushman, as we consider the historian’s art through Cushman’s book, Belligerent Muse: Five Northern Writers and How They Shaped Our Understanding of the Civil War (University of North Carolina Press, 2014). Stephen Cushman is Robert C. Taylor Professor of English at the University of Virginia. In addition to critical scholarly work on poetics and form, he has published five collections of poetry, and another book on the Civil War, Bloody Promenade: Reflections on a Civil War Battle. That is the Battle of the Wilderness, the bloody field of which Cushman lives in close proximity, where it has prodded him over the years to reflect on the history that flows unheeded through our lives, until, at moments, it erupts. In Belligerent Muse, Cushman is interested, and points us with gentle precision, to the act of writing: thinking, deliberating, trying out words and phrases, composing the scene—as the main event of the text, and perhaps the main event of history itself. How do we get the world into words? That is the underlying provocation of our hour-long conversation. Along the way, we ask about the stakes and challenges of such a feat, as well as what constitutes a success and what a failure in the terms of “history.” In citing Walt Whitman’s famous assessment that “the real war will never get in the books,” Cushman places stress on the books. Surely something has gotten in the books. And so, during our conversation, we ask how the “real” of experience, if not representable in a positive, delimited sense, is made real through how exactly it leaves its imprint in our words. We reference examples Cushman uses in his book—which include the well-known speeches of Lincoln, the prose and poetry of Whitman, and the short stories of Ambrose Bierce, as well as the largely forgotten memoirs of Union Generals William Tecumseh Sherman and Joshua Lawrence Chamberlain—and touch on themes such as the individual as representational, the effects of a literary culture in writing history (and reading history as something other than fiction), and the place of ambivalence, or the unknown at the core of the historical methods search for truth. “The real” is, finally, not fully containable by any one writer or work. Eventually, words are all that remain. As Cushman so deftly demonstrates, we can all strive to discern how they drag along the material traces of the past, and better attune ourselves to the real with which those words stand aquiver. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of“You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at Learn more about your ad choices. Visit megaphone.fm/adchoices
How do we use words to tease out the “real” that history strives to capture? Listen to my conversation with Stephen Cushman, as we consider the historian’s art through Cushman’s book, Belligerent Muse: Five Northern Writers and How They Shaped Our Understanding of the Civil War (University of North Carolina Press, 2014). Stephen Cushman is Robert C. Taylor Professor of English at the University of Virginia. In addition to critical scholarly work on poetics and form, he has published five collections of poetry, and another book on the Civil War, Bloody Promenade: Reflections on a Civil War Battle. That is the Battle of the Wilderness, the bloody field of which Cushman lives in close proximity, where it has prodded him over the years to reflect on the history that flows unheeded through our lives, until, at moments, it erupts. In Belligerent Muse, Cushman is interested, and points us with gentle precision, to the act of writing: thinking, deliberating, trying out words and phrases, composing the scene—as the main event of the text, and perhaps the main event of history itself. How do we get the world into words? That is the underlying provocation of our hour-long conversation. Along the way, we ask about the stakes and challenges of such a feat, as well as what constitutes a success and what a failure in the terms of “history.” In citing Walt Whitman’s famous assessment that “the real war will never get in the books,” Cushman places stress on the books. Surely something has gotten in the books. And so, during our conversation, we ask how the “real” of experience, if not representable in a positive, delimited sense, is made real through how exactly it leaves its imprint in our words. We reference examples Cushman uses in his book—which include the well-known speeches of Lincoln, the prose and poetry of Whitman, and the short stories of Ambrose Bierce, as well as the largely forgotten memoirs of Union Generals William Tecumseh Sherman and Joshua Lawrence Chamberlain—and touch on themes such as the individual as representational, the effects of a literary culture in writing history (and reading history as something other than fiction), and the place of ambivalence, or the unknown at the core of the historical methods search for truth. “The real” is, finally, not fully containable by any one writer or work. Eventually, words are all that remain. As Cushman so deftly demonstrates, we can all strive to discern how they drag along the material traces of the past, and better attune ourselves to the real with which those words stand aquiver. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of“You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at Learn more about your ad choices. Visit megaphone.fm/adchoices
How do we use words to tease out the “real” that history strives to capture? Listen to my conversation with Stephen Cushman, as we consider the historian’s art through Cushman’s book, Belligerent Muse: Five Northern Writers and How They Shaped Our Understanding of the Civil War (University of North Carolina Press, 2014). Stephen Cushman is Robert C. Taylor Professor of English at the University of Virginia. In addition to critical scholarly work on poetics and form, he has published five collections of poetry, and another book on the Civil War, Bloody Promenade: Reflections on a Civil War Battle. That is the Battle of the Wilderness, the bloody field of which Cushman lives in close proximity, where it has prodded him over the years to reflect on the history that flows unheeded through our lives, until, at moments, it erupts. In Belligerent Muse, Cushman is interested, and points us with gentle precision, to the act of writing: thinking, deliberating, trying out words and phrases, composing the scene—as the main event of the text, and perhaps the main event of history itself. How do we get the world into words? That is the underlying provocation of our hour-long conversation. Along the way, we ask about the stakes and challenges of such a feat, as well as what constitutes a success and what a failure in the terms of “history.” In citing Walt Whitman’s famous assessment that “the real war will never get in the books,” Cushman places stress on the books. Surely something has gotten in the books. And so, during our conversation, we ask how the “real” of experience, if not representable in a positive, delimited sense, is made real through how exactly it leaves its imprint in our words. We reference examples Cushman uses in his book—which include the well-known speeches of Lincoln, the prose and poetry of Whitman, and the short stories of Ambrose Bierce, as well as the largely forgotten memoirs of Union Generals William Tecumseh Sherman and Joshua Lawrence Chamberlain—and touch on themes such as the individual as representational, the effects of a literary culture in writing history (and reading history as something other than fiction), and the place of ambivalence, or the unknown at the core of the historical methods search for truth. “The real” is, finally, not fully containable by any one writer or work. Eventually, words are all that remain. As Cushman so deftly demonstrates, we can all strive to discern how they drag along the material traces of the past, and better attune ourselves to the real with which those words stand aquiver. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of“You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at Learn more about your ad choices. Visit megaphone.fm/adchoices
What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book Midnight in America: Darkness, Sleep, and Dreams during the Civil War (University of North Carolina Press, 2017). Jonathan W. White is associate professor of American Studies at Christopher Newport University. He is the author of several books and almost one hundred articles, essays, and reviews about the Civil War. His earlier book, Emancipation, the Union Army, and the Reelection of Abraham Lincoln, was the winner and finalist for a number of book prizes. Now he has written a book about a subject few, if anyone, has known much about—and that in itself is a feat for Civil War history. Midnight in America surveys the dreams of soldiers, civilians, African Americans, the dying, and Abraham Lincoln, including how those dreams were represented in popular culture. The dreams he includes are truly strange, with all the wacky juxtapositions we expect in our own dreaming. Indeed, what White's book shows overall is that it is the dreams during the Civil War, and not any more the wakeful, sober analyses of official accounts, that most clearly reveal the life of the country, with all its fears, desires, and struggles. Soldiers' dreams of home (the most prominent ‘theme' of their dreams) pivoted around feelings of vulnerability and mortality, and, consequently, the need for care and affection. We talk about how their dreams harbored fears of being cheated upon, forgotten, no longer important, and even replaced—fears many times instigated by not having received a letter from home recently. Dreaming is how we get through the day, even as, in their most free-ranging forms, dreams can reveal that which we are trying to escape. As we discuss in our conversation, surveying the content of these dreams offers a view of the emotional dynamics that underwrote ‘the war,' as well as the dreamer's drive to fight. We also discuss the differences between white and black cultures of dreaming. The stark divides of the relationships that appeared in the dreams of soldiers and their families back home were on full display in the daily lives of slaves. In contrast to white people, African-Americans gave dreaming a more central, ritualistic place in their cultural practices. And while in public slaveowners presented a ‘rational' defense of slavery, their dreams evinced a complex recognition of the humanity of black people. The very “dream” of a perfect union, with clear differences between good and evil, especially as sentimentalized in popular culture, was premised on the fear of disunion, disconnection, and incompleteness in ones own life. For better and worse, the war was a dream. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, “The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War,” is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction.
What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book Midnight in America: Darkness, Sleep, and Dreams during the Civil War (University of North Carolina Press, 2017). Jonathan W. White is associate professor of American Studies at Christopher Newport University. He is the author of several books and almost one hundred articles, essays, and reviews about the Civil War. His earlier book, Emancipation, the Union Army, and the Reelection of Abraham Lincoln, was the winner and finalist for a number of book prizes. Now he has written a book about a subject few, if anyone, has known much about—and that in itself is a feat for Civil War history. Midnight in America surveys the dreams of soldiers, civilians, African Americans, the dying, and Abraham Lincoln, including how those dreams were represented in popular culture. The dreams he includes are truly strange, with all the wacky juxtapositions we expect in our own dreaming. Indeed, what White’s book shows overall is that it is the dreams during the Civil War, and not any more the wakeful, sober analyses of official accounts, that most clearly reveal the life of the country, with all its fears, desires, and struggles. Soldiers’ dreams of home (the most prominent ‘theme’ of their dreams) pivoted around feelings of vulnerability and mortality, and, consequently, the need for care and affection. We talk about how their dreams harbored fears of being cheated upon, forgotten, no longer important, and even replaced—fears many times instigated by not having received a letter from home recently. Dreaming is how we get through the day, even as, in their most free-ranging forms, dreams can reveal that which we are trying to escape. As we discuss in our conversation, surveying the content of these dreams offers a view of the emotional dynamics that underwrote ‘the war,’ as well as the dreamer’s drive to fight. We also discuss the differences between white and black cultures of dreaming. The stark divides of the relationships that appeared in the dreams of soldiers and their families back home were on full display in the daily lives of slaves. In contrast to white people, African-Americans gave dreaming a more central, ritualistic place in their cultural practices. And while in public slaveowners presented a ‘rational’ defense of slavery, their dreams evinced a complex recognition of the humanity of black people. The very “dream” of a perfect union, with clear differences between good and evil, especially as sentimentalized in popular culture, was premised on the fear of disunion, disconnection, and incompleteness in ones own life. For better and worse, the war was a dream. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, “The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War,” is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. Learn more about your ad choices. Visit megaphone.fm/adchoices
What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book Midnight in America: Darkness, Sleep, and Dreams during the Civil War (University of North Carolina Press, 2017). Jonathan W. White is associate professor of American Studies at Christopher Newport University. He is the author of several books and almost one hundred articles, essays, and reviews about the Civil War. His earlier book, Emancipation, the Union Army, and the Reelection of Abraham Lincoln, was the winner and finalist for a number of book prizes. Now he has written a book about a subject few, if anyone, has known much about—and that in itself is a feat for Civil War history. Midnight in America surveys the dreams of soldiers, civilians, African Americans, the dying, and Abraham Lincoln, including how those dreams were represented in popular culture. The dreams he includes are truly strange, with all the wacky juxtapositions we expect in our own dreaming. Indeed, what White’s book shows overall is that it is the dreams during the Civil War, and not any more the wakeful, sober analyses of official accounts, that most clearly reveal the life of the country, with all its fears, desires, and struggles. Soldiers’ dreams of home (the most prominent ‘theme’ of their dreams) pivoted around feelings of vulnerability and mortality, and, consequently, the need for care and affection. We talk about how their dreams harbored fears of being cheated upon, forgotten, no longer important, and even replaced—fears many times instigated by not having received a letter from home recently. Dreaming is how we get through the day, even as, in their most free-ranging forms, dreams can reveal that which we are trying to escape. As we discuss in our conversation, surveying the content of these dreams offers a view of the emotional dynamics that underwrote ‘the war,’ as well as the dreamer’s drive to fight. We also discuss the differences between white and black cultures of dreaming. The stark divides of the relationships that appeared in the dreams of soldiers and their families back home were on full display in the daily lives of slaves. In contrast to white people, African-Americans gave dreaming a more central, ritualistic place in their cultural practices. And while in public slaveowners presented a ‘rational’ defense of slavery, their dreams evinced a complex recognition of the humanity of black people. The very “dream” of a perfect union, with clear differences between good and evil, especially as sentimentalized in popular culture, was premised on the fear of disunion, disconnection, and incompleteness in ones own life. For better and worse, the war was a dream. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, “The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War,” is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. Learn more about your ad choices. Visit megaphone.fm/adchoices
What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book Midnight in America: Darkness, Sleep, and Dreams during the Civil War (University of North Carolina Press, 2017). Jonathan W. White is associate professor of American Studies at Christopher Newport University. He is the author of several books and almost one hundred articles, essays, and reviews about the Civil War. His earlier book, Emancipation, the Union Army, and the Reelection of Abraham Lincoln, was the winner and finalist for a number of book prizes. Now he has written a book about a subject few, if anyone, has known much about—and that in itself is a feat for Civil War history. Midnight in America surveys the dreams of soldiers, civilians, African Americans, the dying, and Abraham Lincoln, including how those dreams were represented in popular culture. The dreams he includes are truly strange, with all the wacky juxtapositions we expect in our own dreaming. Indeed, what White’s book shows overall is that it is the dreams during the Civil War, and not any more the wakeful, sober analyses of official accounts, that most clearly reveal the life of the country, with all its fears, desires, and struggles. Soldiers’ dreams of home (the most prominent ‘theme’ of their dreams) pivoted around feelings of vulnerability and mortality, and, consequently, the need for care and affection. We talk about how their dreams harbored fears of being cheated upon, forgotten, no longer important, and even replaced—fears many times instigated by not having received a letter from home recently. Dreaming is how we get through the day, even as, in their most free-ranging forms, dreams can reveal that which we are trying to escape. As we discuss in our conversation, surveying the content of these dreams offers a view of the emotional dynamics that underwrote ‘the war,’ as well as the dreamer’s drive to fight. We also discuss the differences between white and black cultures of dreaming. The stark divides of the relationships that appeared in the dreams of soldiers and their families back home were on full display in the daily lives of slaves. In contrast to white people, African-Americans gave dreaming a more central, ritualistic place in their cultural practices. And while in public slaveowners presented a ‘rational’ defense of slavery, their dreams evinced a complex recognition of the humanity of black people. The very “dream” of a perfect union, with clear differences between good and evil, especially as sentimentalized in popular culture, was premised on the fear of disunion, disconnection, and incompleteness in ones own life. For better and worse, the war was a dream. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, “The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War,” is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. Learn more about your ad choices. Visit megaphone.fm/adchoices
What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book Midnight in America: Darkness, Sleep, and Dreams during the Civil War (University of North Carolina Press, 2017). Jonathan W. White is associate professor of American Studies at Christopher Newport University. He is the author of several books and almost one hundred articles, essays, and reviews about the Civil War. His earlier book, Emancipation, the Union Army, and the Reelection of Abraham Lincoln, was the winner and finalist for a number of book prizes. Now he has written a book about a subject few, if anyone, has known much about—and that in itself is a feat for Civil War history. Midnight in America surveys the dreams of soldiers, civilians, African Americans, the dying, and Abraham Lincoln, including how those dreams were represented in popular culture. The dreams he includes are truly strange, with all the wacky juxtapositions we expect in our own dreaming. Indeed, what White’s book shows overall is that it is the dreams during the Civil War, and not any more the wakeful, sober analyses of official accounts, that most clearly reveal the life of the country, with all its fears, desires, and struggles. Soldiers’ dreams of home (the most prominent ‘theme’ of their dreams) pivoted around feelings of vulnerability and mortality, and, consequently, the need for care and affection. We talk about how their dreams harbored fears of being cheated upon, forgotten, no longer important, and even replaced—fears many times instigated by not having received a letter from home recently. Dreaming is how we get through the day, even as, in their most free-ranging forms, dreams can reveal that which we are trying to escape. As we discuss in our conversation, surveying the content of these dreams offers a view of the emotional dynamics that underwrote ‘the war,’ as well as the dreamer’s drive to fight. We also discuss the differences between white and black cultures of dreaming. The stark divides of the relationships that appeared in the dreams of soldiers and their families back home were on full display in the daily lives of slaves. In contrast to white people, African-Americans gave dreaming a more central, ritualistic place in their cultural practices. And while in public slaveowners presented a ‘rational’ defense of slavery, their dreams evinced a complex recognition of the humanity of black people. The very “dream” of a perfect union, with clear differences between good and evil, especially as sentimentalized in popular culture, was premised on the fear of disunion, disconnection, and incompleteness in ones own life. For better and worse, the war was a dream. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, “The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War,” is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. Learn more about your ad choices. Visit megaphone.fm/adchoices
What were the dreams of the Civil War? Find out by listening to my conversation with Jonathan White about his new book Midnight in America: Darkness, Sleep, and Dreams during the Civil War (University of North Carolina Press, 2017). Jonathan W. White is associate professor of American Studies at Christopher Newport University. He is the author of several books and almost one hundred articles, essays, and reviews about the Civil War. His earlier book, Emancipation, the Union Army, and the Reelection of Abraham Lincoln, was the winner and finalist for a number of book prizes. Now he has written a book about a subject few, if anyone, has known much about—and that in itself is a feat for Civil War history. Midnight in America surveys the dreams of soldiers, civilians, African Americans, the dying, and Abraham Lincoln, including how those dreams were represented in popular culture. The dreams he includes are truly strange, with all the wacky juxtapositions we expect in our own dreaming. Indeed, what White’s book shows overall is that it is the dreams during the Civil War, and not any more the wakeful, sober analyses of official accounts, that most clearly reveal the life of the country, with all its fears, desires, and struggles. Soldiers’ dreams of home (the most prominent ‘theme’ of their dreams) pivoted around feelings of vulnerability and mortality, and, consequently, the need for care and affection. We talk about how their dreams harbored fears of being cheated upon, forgotten, no longer important, and even replaced—fears many times instigated by not having received a letter from home recently. Dreaming is how we get through the day, even as, in their most free-ranging forms, dreams can reveal that which we are trying to escape. As we discuss in our conversation, surveying the content of these dreams offers a view of the emotional dynamics that underwrote ‘the war,’ as well as the dreamer’s drive to fight. We also discuss the differences between white and black cultures of dreaming. The stark divides of the relationships that appeared in the dreams of soldiers and their families back home were on full display in the daily lives of slaves. In contrast to white people, African-Americans gave dreaming a more central, ritualistic place in their cultural practices. And while in public slaveowners presented a ‘rational’ defense of slavery, their dreams evinced a complex recognition of the humanity of black people. The very “dream” of a perfect union, with clear differences between good and evil, especially as sentimentalized in popular culture, was premised on the fear of disunion, disconnection, and incompleteness in ones own life. For better and worse, the war was a dream. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, “The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War,” is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rebecca Fraser is a writer, journalist, and broadcaster whose work has been published in Tatler, Vogue, The Times, and The Spectator. President of the Bronte Society for many years, she is the author of a biography of Charlotte Bronte that examines her life in the context of contemporary attitudes about women. Her last book was The Story of Britain, a single-volume history of how England was governed over the past 2000 years. Now, just in time for Thanksgiving, comes her new book, The Mayflower: The Families, the Voyage, and the Founding of America (St. Martin's Press 2017). It tells the story of the Plymouth colony by focusing on the adventures and trials of Edward Winslow, who sailed over on the Mayflower in 1620, and then his son Josiah, who played a crucial role in the growing wars with the American Indians in the late 1670s. Over the course of the hour, we talk about how Edward, a largely ignored protagonist of America's founding story, was foundational to maintaining early relationships with the Indians (including for the exchange of food for the ‘first' Thanksgiving). Fraser talks about how Edward's ideal of community, and Plymouth's more ‘tolerant' society compared to the Massachusetts Bay Colony to its north, was troubled by the influx of new colonists, the consolidation of colonial governance in the region, patriarchal power grabs, and the re-entrenchment of religious orthodoxies. Both in our discussion and in the book—a dramatic, highly detailed narrative of promise and nightmarish turns—Fraser adds much nuance to the emotional, psychological, and material complexities of the early colonists conflicted lives. We dive into Edward's interest in and writing of ethnographical accounts, particularly of the Indians, as well as the place of women in the Plymouth story. Fraser reveals the wry perspectives women take on the men in their lives as we come to feel the effects of deaths, fluctuating fortunes, the formations of new churches, and the dangers of giving birth on the structure of life. The particularly adventurous energy, and personality, of Edward Winslow, and his less curious son's re-assertion of an English identity, are the engines of the story. Their paths afford a new view of both the intercultural relationships and negotiations that kept the nascent country alive, and their eventual dismissal by the next generation. The result is a war with the Indians that would forever change the story. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rebecca Fraser is a writer, journalist, and broadcaster whose work has been published in Tatler, Vogue, The Times, and The Spectator. President of the Bronte Society for many years, she is the author of a biography of Charlotte Bronte that examines her life in the context of contemporary attitudes about women. Her last book was The Story of Britain, a single-volume history of how England was governed over the past 2000 years. Now, just in time for Thanksgiving, comes her new book, The Mayflower: The Families, the Voyage, and the Founding of America (St. Martin’s Press 2017). It tells the story of the Plymouth colony by focusing on the adventures and trials of Edward Winslow, who sailed over on the Mayflower in 1620, and then his son Josiah, who played a crucial role in the growing wars with the American Indians in the late 1670s. Over the course of the hour, we talk about how Edward, a largely ignored protagonist of America’s founding story, was foundational to maintaining early relationships with the Indians (including for the exchange of food for the ‘first’ Thanksgiving). Fraser talks about how Edward’s ideal of community, and Plymouth’s more ‘tolerant’ society compared to the Massachusetts Bay Colony to its north, was troubled by the influx of new colonists, the consolidation of colonial governance in the region, patriarchal power grabs, and the re-entrenchment of religious orthodoxies. Both in our discussion and in the book—a dramatic, highly detailed narrative of promise and nightmarish turns—Fraser adds much nuance to the emotional, psychological, and material complexities of the early colonists conflicted lives. We dive into Edward’s interest in and writing of ethnographical accounts, particularly of the Indians, as well as the place of women in the Plymouth story. Fraser reveals the wry perspectives women take on the men in their lives as we come to feel the effects of deaths, fluctuating fortunes, the formations of new churches, and the dangers of giving birth on the structure of life. The particularly adventurous energy, and personality, of Edward Winslow, and his less curious son’s re-assertion of an English identity, are the engines of the story. Their paths afford a new view of both the intercultural relationships and negotiations that kept the nascent country alive, and their eventual dismissal by the next generation. The result is a war with the Indians that would forever change the story. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rebecca Fraser is a writer, journalist, and broadcaster whose work has been published in Tatler, Vogue, The Times, and The Spectator. President of the Bronte Society for many years, she is the author of a biography of Charlotte Bronte that examines her life in the context of contemporary attitudes about women. Her last book was The Story of Britain, a single-volume history of how England was governed over the past 2000 years. Now, just in time for Thanksgiving, comes her new book, The Mayflower: The Families, the Voyage, and the Founding of America (St. Martin’s Press 2017). It tells the story of the Plymouth colony by focusing on the adventures and trials of Edward Winslow, who sailed over on the Mayflower in 1620, and then his son Josiah, who played a crucial role in the growing wars with the American Indians in the late 1670s. Over the course of the hour, we talk about how Edward, a largely ignored protagonist of America’s founding story, was foundational to maintaining early relationships with the Indians (including for the exchange of food for the ‘first’ Thanksgiving). Fraser talks about how Edward’s ideal of community, and Plymouth’s more ‘tolerant’ society compared to the Massachusetts Bay Colony to its north, was troubled by the influx of new colonists, the consolidation of colonial governance in the region, patriarchal power grabs, and the re-entrenchment of religious orthodoxies. Both in our discussion and in the book—a dramatic, highly detailed narrative of promise and nightmarish turns—Fraser adds much nuance to the emotional, psychological, and material complexities of the early colonists conflicted lives. We dive into Edward’s interest in and writing of ethnographical accounts, particularly of the Indians, as well as the place of women in the Plymouth story. Fraser reveals the wry perspectives women take on the men in their lives as we come to feel the effects of deaths, fluctuating fortunes, the formations of new churches, and the dangers of giving birth on the structure of life. The particularly adventurous energy, and personality, of Edward Winslow, and his less curious son’s re-assertion of an English identity, are the engines of the story. Their paths afford a new view of both the intercultural relationships and negotiations that kept the nascent country alive, and their eventual dismissal by the next generation. The result is a war with the Indians that would forever change the story. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rebecca Fraser is a writer, journalist, and broadcaster whose work has been published in Tatler, Vogue, The Times, and The Spectator. President of the Bronte Society for many years, she is the author of a biography of Charlotte Bronte that examines her life in the context of contemporary attitudes about women. Her last book was The Story of Britain, a single-volume history of how England was governed over the past 2000 years. Now, just in time for Thanksgiving, comes her new book, The Mayflower: The Families, the Voyage, and the Founding of America (St. Martin’s Press 2017). It tells the story of the Plymouth colony by focusing on the adventures and trials of Edward Winslow, who sailed over on the Mayflower in 1620, and then his son Josiah, who played a crucial role in the growing wars with the American Indians in the late 1670s. Over the course of the hour, we talk about how Edward, a largely ignored protagonist of America’s founding story, was foundational to maintaining early relationships with the Indians (including for the exchange of food for the ‘first’ Thanksgiving). Fraser talks about how Edward’s ideal of community, and Plymouth’s more ‘tolerant’ society compared to the Massachusetts Bay Colony to its north, was troubled by the influx of new colonists, the consolidation of colonial governance in the region, patriarchal power grabs, and the re-entrenchment of religious orthodoxies. Both in our discussion and in the book—a dramatic, highly detailed narrative of promise and nightmarish turns—Fraser adds much nuance to the emotional, psychological, and material complexities of the early colonists conflicted lives. We dive into Edward’s interest in and writing of ethnographical accounts, particularly of the Indians, as well as the place of women in the Plymouth story. Fraser reveals the wry perspectives women take on the men in their lives as we come to feel the effects of deaths, fluctuating fortunes, the formations of new churches, and the dangers of giving birth on the structure of life. The particularly adventurous energy, and personality, of Edward Winslow, and his less curious son’s re-assertion of an English identity, are the engines of the story. Their paths afford a new view of both the intercultural relationships and negotiations that kept the nascent country alive, and their eventual dismissal by the next generation. The result is a war with the Indians that would forever change the story. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rebecca Fraser is a writer, journalist, and broadcaster whose work has been published in Tatler, Vogue, The Times, and The Spectator. President of the Bronte Society for many years, she is the author of a biography of Charlotte Bronte that examines her life in the context of contemporary attitudes about women. Her last book was The Story of Britain, a single-volume history of how England was governed over the past 2000 years. Now, just in time for Thanksgiving, comes her new book, The Mayflower: The Families, the Voyage, and the Founding of America (St. Martin’s Press 2017). It tells the story of the Plymouth colony by focusing on the adventures and trials of Edward Winslow, who sailed over on the Mayflower in 1620, and then his son Josiah, who played a crucial role in the growing wars with the American Indians in the late 1670s. Over the course of the hour, we talk about how Edward, a largely ignored protagonist of America’s founding story, was foundational to maintaining early relationships with the Indians (including for the exchange of food for the ‘first’ Thanksgiving). Fraser talks about how Edward’s ideal of community, and Plymouth’s more ‘tolerant’ society compared to the Massachusetts Bay Colony to its north, was troubled by the influx of new colonists, the consolidation of colonial governance in the region, patriarchal power grabs, and the re-entrenchment of religious orthodoxies. Both in our discussion and in the book—a dramatic, highly detailed narrative of promise and nightmarish turns—Fraser adds much nuance to the emotional, psychological, and material complexities of the early colonists conflicted lives. We dive into Edward’s interest in and writing of ethnographical accounts, particularly of the Indians, as well as the place of women in the Plymouth story. Fraser reveals the wry perspectives women take on the men in their lives as we come to feel the effects of deaths, fluctuating fortunes, the formations of new churches, and the dangers of giving birth on the structure of life. The particularly adventurous energy, and personality, of Edward Winslow, and his less curious son’s re-assertion of an English identity, are the engines of the story. Their paths afford a new view of both the intercultural relationships and negotiations that kept the nascent country alive, and their eventual dismissal by the next generation. The result is a war with the Indians that would forever change the story. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rebecca Fraser is a writer, journalist, and broadcaster whose work has been published in Tatler, Vogue, The Times, and The Spectator. President of the Bronte Society for many years, she is the author of a biography of Charlotte Bronte that examines her life in the context of contemporary attitudes about women. Her last book was The Story of Britain, a single-volume history of how England was governed over the past 2000 years. Now, just in time for Thanksgiving, comes her new book, The Mayflower: The Families, the Voyage, and the Founding of America (St. Martin’s Press 2017). It tells the story of the Plymouth colony by focusing on the adventures and trials of Edward Winslow, who sailed over on the Mayflower in 1620, and then his son Josiah, who played a crucial role in the growing wars with the American Indians in the late 1670s. Over the course of the hour, we talk about how Edward, a largely ignored protagonist of America’s founding story, was foundational to maintaining early relationships with the Indians (including for the exchange of food for the ‘first’ Thanksgiving). Fraser talks about how Edward’s ideal of community, and Plymouth’s more ‘tolerant’ society compared to the Massachusetts Bay Colony to its north, was troubled by the influx of new colonists, the consolidation of colonial governance in the region, patriarchal power grabs, and the re-entrenchment of religious orthodoxies. Both in our discussion and in the book—a dramatic, highly detailed narrative of promise and nightmarish turns—Fraser adds much nuance to the emotional, psychological, and material complexities of the early colonists conflicted lives. We dive into Edward’s interest in and writing of ethnographical accounts, particularly of the Indians, as well as the place of women in the Plymouth story. Fraser reveals the wry perspectives women take on the men in their lives as we come to feel the effects of deaths, fluctuating fortunes, the formations of new churches, and the dangers of giving birth on the structure of life. The particularly adventurous energy, and personality, of Edward Winslow, and his less curious son’s re-assertion of an English identity, are the engines of the story. Their paths afford a new view of both the intercultural relationships and negotiations that kept the nascent country alive, and their eventual dismissal by the next generation. The result is a war with the Indians that would forever change the story. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rebecca Fraser is a writer, journalist, and broadcaster whose work has been published in Tatler, Vogue, The Times, and The Spectator. President of the Bronte Society for many years, she is the author of a biography of Charlotte Bronte that examines her life in the context of contemporary attitudes about women. Her last book was The Story of Britain, a single-volume history of how England was governed over the past 2000 years. Now, just in time for Thanksgiving, comes her new book, The Mayflower: The Families, the Voyage, and the Founding of America (St. Martin’s Press 2017). It tells the story of the Plymouth colony by focusing on the adventures and trials of Edward Winslow, who sailed over on the Mayflower in 1620, and then his son Josiah, who played a crucial role in the growing wars with the American Indians in the late 1670s. Over the course of the hour, we talk about how Edward, a largely ignored protagonist of America’s founding story, was foundational to maintaining early relationships with the Indians (including for the exchange of food for the ‘first’ Thanksgiving). Fraser talks about how Edward’s ideal of community, and Plymouth’s more ‘tolerant’ society compared to the Massachusetts Bay Colony to its north, was troubled by the influx of new colonists, the consolidation of colonial governance in the region, patriarchal power grabs, and the re-entrenchment of religious orthodoxies. Both in our discussion and in the book—a dramatic, highly detailed narrative of promise and nightmarish turns—Fraser adds much nuance to the emotional, psychological, and material complexities of the early colonists conflicted lives. We dive into Edward’s interest in and writing of ethnographical accounts, particularly of the Indians, as well as the place of women in the Plymouth story. Fraser reveals the wry perspectives women take on the men in their lives as we come to feel the effects of deaths, fluctuating fortunes, the formations of new churches, and the dangers of giving birth on the structure of life. The particularly adventurous energy, and personality, of Edward Winslow, and his less curious son’s re-assertion of an English identity, are the engines of the story. Their paths afford a new view of both the intercultural relationships and negotiations that kept the nascent country alive, and their eventual dismissal by the next generation. The result is a war with the Indians that would forever change the story. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Richard Rabinowitz is one of the leading public historians in the United States. He has helped conceptualize, design, organize, and build over 500 history programs across the U.S. at such sites as the Lower East Side Tenement Museum in New York; the Birmingham Civil Rights Institute; and the National Underground Railroad Freedom Center in Cincinnati. Between 2004 and 2011, Richard curated six blockbuster history exhibitions at the New-York Historical Society, including Slavery in New York and Revolution! The Atlantic World Reborn. He also drew up the interpretive and curatorial plan for the Slavery and Freedom exhibition at the new National Museum of African American History and Culture in Washington, D.C. Most of this work has come out of his founding and directing the American History Workshop. The journey he has taken—from receiving his PhD in the History of American Civilization at Harvard to becoming a public historian and working on these exhibits—is the subject of his recent book: Curating America: Journeys through Storyscapes of the American Past (University of North Carolina Press, 2016). Over the course of the hour, I talk with Richard about the changing ways people have come to engage with the past and how this has impacted, and been shaped by, his many museum projects and exhibitions. Richard focuses on the materiality of lived experience. From it he culls knowledge of big ideas (such as freedom, revolution, and oppression) and uses places, objects, and the bodily sensorium to create “storyscapes” in which audiences can recognize themselves. Crucial to this process is the knowledge that audiences and museum-goers bring with them. Richard speaks to how he has, together with these stakeholders, generated a new historical awareness that is more reflective of our ever-changing present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com.
Richard Rabinowitz is one of the leading public historians in the United States. He has helped conceptualize, design, organize, and build over 500 history programs across the U.S. at such sites as the Lower East Side Tenement Museum in New York; the Birmingham Civil Rights Institute; and the National Underground Railroad Freedom Center in Cincinnati. Between 2004 and 2011, Richard curated six blockbuster history exhibitions at the New-York Historical Society, including Slavery in New York and Revolution! The Atlantic World Reborn. He also drew up the interpretive and curatorial plan for the Slavery and Freedom exhibition at the new National Museum of African American History and Culture in Washington, D.C. Most of this work has come out of his founding and directing the American History Workshop. The journey he has taken—from receiving his PhD in the History of American Civilization at Harvard to becoming a public historian and working on these exhibits—is the subject of his recent book: Curating America: Journeys through Storyscapes of the American Past (University of North Carolina Press, 2016). Over the course of the hour, I talk with Richard about the changing ways people have come to engage with the past and how this has impacted, and been shaped by, his many museum projects and exhibitions. Richard focuses on the materiality of lived experience. From it he culls knowledge of big ideas (such as freedom, revolution, and oppression) and uses places, objects, and the bodily sensorium to create “storyscapes” in which audiences can recognize themselves. Crucial to this process is the knowledge that audiences and museum-goers bring with them. Richard speaks to how he has, together with these stakeholders, generated a new historical awareness that is more reflective of our ever-changing present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Richard Rabinowitz is one of the leading public historians in the United States. He has helped conceptualize, design, organize, and build over 500 history programs across the U.S. at such sites as the Lower East Side Tenement Museum in New York; the Birmingham Civil Rights Institute; and the National Underground Railroad Freedom Center in Cincinnati. Between 2004 and 2011, Richard curated six blockbuster history exhibitions at the New-York Historical Society, including Slavery in New York and Revolution! The Atlantic World Reborn. He also drew up the interpretive and curatorial plan for the Slavery and Freedom exhibition at the new National Museum of African American History and Culture in Washington, D.C. Most of this work has come out of his founding and directing the American History Workshop. The journey he has taken—from receiving his PhD in the History of American Civilization at Harvard to becoming a public historian and working on these exhibits—is the subject of his recent book: Curating America: Journeys through Storyscapes of the American Past (University of North Carolina Press, 2016). Over the course of the hour, I talk with Richard about the changing ways people have come to engage with the past and how this has impacted, and been shaped by, his many museum projects and exhibitions. Richard focuses on the materiality of lived experience. From it he culls knowledge of big ideas (such as freedom, revolution, and oppression) and uses places, objects, and the bodily sensorium to create “storyscapes” in which audiences can recognize themselves. Crucial to this process is the knowledge that audiences and museum-goers bring with them. Richard speaks to how he has, together with these stakeholders, generated a new historical awareness that is more reflective of our ever-changing present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Richard Rabinowitz is one of the leading public historians in the United States. He has helped conceptualize, design, organize, and build over 500 history programs across the U.S. at such sites as the Lower East Side Tenement Museum in New York; the Birmingham Civil Rights Institute; and the National Underground Railroad Freedom Center in Cincinnati. Between 2004 and 2011, Richard curated six blockbuster history exhibitions at the New-York Historical Society, including Slavery in New York and Revolution! The Atlantic World Reborn. He also drew up the interpretive and curatorial plan for the Slavery and Freedom exhibition at the new National Museum of African American History and Culture in Washington, D.C. Most of this work has come out of his founding and directing the American History Workshop. The journey he has taken—from receiving his PhD in the History of American Civilization at Harvard to becoming a public historian and working on these exhibits—is the subject of his recent book: Curating America: Journeys through Storyscapes of the American Past (University of North Carolina Press, 2016). Over the course of the hour, I talk with Richard about the changing ways people have come to engage with the past and how this has impacted, and been shaped by, his many museum projects and exhibitions. Richard focuses on the materiality of lived experience. From it he culls knowledge of big ideas (such as freedom, revolution, and oppression) and uses places, objects, and the bodily sensorium to create “storyscapes” in which audiences can recognize themselves. Crucial to this process is the knowledge that audiences and museum-goers bring with them. Richard speaks to how he has, together with these stakeholders, generated a new historical awareness that is more reflective of our ever-changing present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Richard Rabinowitz is one of the leading public historians in the United States. He has helped conceptualize, design, organize, and build over 500 history programs across the U.S. at such sites as the Lower East Side Tenement Museum in New York; the Birmingham Civil Rights Institute; and the National Underground Railroad Freedom Center in Cincinnati. Between 2004 and 2011, Richard curated six blockbuster history exhibitions at the New-York Historical Society, including Slavery in New York and Revolution! The Atlantic World Reborn. He also drew up the interpretive and curatorial plan for the Slavery and Freedom exhibition at the new National Museum of African American History and Culture in Washington, D.C. Most of this work has come out of his founding and directing the American History Workshop. The journey he has taken—from receiving his PhD in the History of American Civilization at Harvard to becoming a public historian and working on these exhibits—is the subject of his recent book: Curating America: Journeys through Storyscapes of the American Past (University of North Carolina Press, 2016). Over the course of the hour, I talk with Richard about the changing ways people have come to engage with the past and how this has impacted, and been shaped by, his many museum projects and exhibitions. Richard focuses on the materiality of lived experience. From it he culls knowledge of big ideas (such as freedom, revolution, and oppression) and uses places, objects, and the bodily sensorium to create “storyscapes” in which audiences can recognize themselves. Crucial to this process is the knowledge that audiences and museum-goers bring with them. Richard speaks to how he has, together with these stakeholders, generated a new historical awareness that is more reflective of our ever-changing present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Richard Rabinowitz is one of the leading public historians in the United States. He has helped conceptualize, design, organize, and build over 500 history programs across the U.S. at such sites as the Lower East Side Tenement Museum in New York; the Birmingham Civil Rights Institute; and the National Underground Railroad Freedom Center in Cincinnati. Between 2004 and 2011, Richard curated six blockbuster history exhibitions at the New-York Historical Society, including Slavery in New York and Revolution! The Atlantic World Reborn. He also drew up the interpretive and curatorial plan for the Slavery and Freedom exhibition at the new National Museum of African American History and Culture in Washington, D.C. Most of this work has come out of his founding and directing the American History Workshop. The journey he has taken—from receiving his PhD in the History of American Civilization at Harvard to becoming a public historian and working on these exhibits—is the subject of his recent book: Curating America: Journeys through Storyscapes of the American Past (University of North Carolina Press, 2016). Over the course of the hour, I talk with Richard about the changing ways people have come to engage with the past and how this has impacted, and been shaped by, his many museum projects and exhibitions. Richard focuses on the materiality of lived experience. From it he culls knowledge of big ideas (such as freedom, revolution, and oppression) and uses places, objects, and the bodily sensorium to create “storyscapes” in which audiences can recognize themselves. Crucial to this process is the knowledge that audiences and museum-goers bring with them. Richard speaks to how he has, together with these stakeholders, generated a new historical awareness that is more reflective of our ever-changing present. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
To kick off the new year, Dale & Scott welcomed real-men-have-hair porn star COLBY KELLER to the studio on New Year's Eve. With his best friend and party host KARL MARKS by his side and a scotch on the rocks in his hand, Colby is a laid-back, fun-loving good sport who tells us about his love of crafts--including making his own penis menorah to celebrate Hanukkah--his love of beards, his near-disastorous first porn shoot, why Washington, DC's big granite monuments turns him on, why he sets up spanking stations at parties (which Scott dared to enter later that evening), and the weirdest things his fans have sent to him in the mail. Colby is foremost an artist and he talks about the blending of art and porn, too. You can get an idea of what he's talking about at his great personal blog, BigShoeDiaries. (Beware, the site is not quite work safe.) We loved having Colby and friends in the studio, and since he lives just up the road in Baltimore, we hope he'll cum back for more. Also up this week, we welcome Mr. Manners himself, gay etiquette expert STEVEN PETROW back to the show for his now monthly segment. He's got tips and hints to live your best gay life, including subjects as diverse as watching porn on planes, how long you should keep a dead partner's Facebook page active, the art of resifting after the holidays, and how to politely decline sexual advances. We love our chats with Steven and we think you just might learn something. Is that so bad? Check out Steven's website and consider getting his great new book, Steven Petrow's Complete Gay & Lesbian Manners: The Definitive Guide to LGBT Life. And to top it off, we have a very special track for you this week. It's DJ EARWORM's United State of Pop 2011 (World Go Boom) mashup track. You can learn more about his great music mixes at his website or on Facebook. Dale & Scott also have the low-down on: Lady Gaga's new Stuck on Fuckin' You track; Funny things friends said online this week; Steven Tyler topless in Hawaii; The Real Housewives of Beverly Hill's Kyle Richards' new book; Delaware & Hawaii now allow same-sex civil unions; Skater Johnny Weir gets hitched; PR hottie Ricky Martin may get married in New York City this month; We can expect more Ab Fab in 2013; Elton John selects his pick to play him in bio pic; Katy Perry gets dumped; and, Steven J. Walker's Superman snuggie; and, Dale & Scott want to remake a television classic with a gay twist...Hee Haw!
What is it like to be LGBT at the University of Penn
Five current Pritzker students—Akash Parekh, Marina Sharifi, Philippe Tapon, Nathan West, and Ning Zhou—join us to discuss applying to and attending Pritzker as an LGBT student. If you have questions for us, please send them to pritzkerquestions@gmail.com. Or, call (773) 336-2POD and leave us a message. Click here to get the full transcript for this episode.
Five current Pritzker students—Akash Parekh, Marina Sharifi, Philippe Tapon, Nathan West, and Ning Zhou—join us to discuss applying to and attending Pritzker as an LGBT student. If you have questions for us, please send them to pritzkerquestions@gmail.com. Or, call (773) 336-2POD and leave us a message. Click here to get the full transcript for this episode.
© 2020-2025 Ivy Podcast Discovery LLC
