Podcasts about Lippard

But Lippard has also been much more than a writer. She curated “Eccentric Abstraction” in 1966, helping to define what would come to be called post-Minimalism in sculpture. Her experimental and traveling card shows helped create the audience for conceptual, minimal, and land art. She curated maybe the first museum show of Second Wave feminist art at the Aldrich Museum in 1971, and was a part of the founding mother-collective behind Heresies, a journal that shaped the field of feminist art history. Radicalized by sixties activism, she participated in the Art Workers Coalition, a historic activist formation protesting against the Vietnam War and for equality in the museum world. She was part of many, many other collectives and activist groups thereafter, including the Artists Call Against U.S. Intervention in Central America in the early 1980s, a project she discussed with us on the Art Angle back in 2022. Now Lippard has written a new book called Stuff: Instead of a Memoir. It's a short-packed tome that surveys an eventful life through photos that catalog the items Lippard finds around her in the home where she has lived since moving from New York to the small town of Galisteo in rural New Mexico in the early nineties. It's a fitting way to tell the story of a writer who has thought so much about how images and words fit together, and how meaning emerges from place and community. This week on the podcast, Ben Davis speaks once again to Lucy Lippard about a life in and out of art.

But Lippard has also been much more than a writer. She curated “Eccentric Abstraction” in 1966, helping to define what would come to be called post-Minimalism in sculpture. Her experimental and traveling card shows helped create the audience for conceptual, minimal, and land art. She curated maybe the first museum show of Second Wave feminist art at the Aldrich Museum in 1971, and was a part of the founding mother-collective behind Heresies, a journal that shaped the field of feminist art history. Radicalized by sixties activism, she participated in the Art Workers Coalition, a historic activist formation protesting against the Vietnam War and for equality in the museum world. She was part of many, many other collectives and activist groups thereafter, including the Artists Call Against U.S. Intervention in Central America in the early 1980s, a project she discussed with us on the Art Angle back in 2022. Now Lippard has written a new book called Stuff: Instead of a Memoir. It's a short-packed tome that surveys an eventful life through photos that catalog the items Lippard finds around her in the home where she has lived since moving from New York to the small town of Galisteo in rural New Mexico in the early nineties. It's a fitting way to tell the story of a writer who has thought so much about how images and words fit together, and how meaning emerges from place and community. This week on the podcast, Ben Davis speaks once again to Lucy Lippard about a life in and out of art.

Any short list of the most important art critics of the last decades would have to include Lucy R. Lippard. She would also be at the very top of Artnet's art critic Ben Davis's personal list of favorite writers about art. Lippard has written numerous important books, including Six Years: the Dematerialization of the Art Object from 1973, the book that defined what conceptual art was all about for many; as well as volumes like Mixed Blessings: New Art In a Multicultural America, The Pink Glass Swan: Selected Essays on Feminist Art; and The Lure of the Local: Sense of Place in a Multicentered Society—each helping set the agenda for a different art historical moment. But Lippard has also been much more than a writer. She curated "Eccentric Abstraction" in 1966, helping to define what would come to be called post-Minimalism in sculpture. Her experimental and traveling card shows helped create the audience for conceptual, minimal, and land art. She curated maybe the first museum show of Second Wave feminist art at the Aldrich Museum in 1971, and was a part of the founding mother-collective behind Heresies, a journal that shaped the field of feminist art history. Radicalized by sixties activism, she participated in the Art Workers Coalition, a historic activist formation protesting against the Vietnam War and for equality in the museum world. She was part of many, many other collectives and activist groups thereafter, including the Artists Call Against U.S. Intervention in Central America in the early 1980s, a project she discussed with us on the Art Angle back in 2022. Now Lippard has written a new book called Stuff: Instead of a Memoir. It's a short-packed tome that surveys an eventful life through photos that catalog the items Lippard finds around her in the home where she has lived since moving from New York to the small town of Galisteo in rural New Mexico in the early nineties. It's a fitting way to tell the story of a writer who has thought so much about how images and words fit together, and how meaning emerges from place and community. This week on the podcast, Ben Davis speaks once again to Lucy Lippard about a life in and out of art.

This week Wes and Todd sit down with Painter, André Lippard. André discusses the mediums he works in, oil painting, multi-perspective technique, his early engagement with art, his Artist grandfather, when he first started painting, stepping out of your comfort zone, his Art education at the Rocky Mountain College of Art + Design, instructors and mentors, sculpture, his love of Japanese culture, philosophy, Alexander Calder, Chuck Parson, the Industry of Art, his vision for his Art life, Picasso, Dalí, Van Gogh, separating the Art from the Artist, Art business, accessibility of the work, where he shows, business cards, obstacles he's had to overcome, believing in yourself, local resources, city scenes, tracking hours and sales, originals, commissions, Tsukimi, his Gregorio series, Cubism & Surrealism, curation and goals for 2024.Join us for an in depth and enlightening conversation with André Lippard! Check out Andre's magnificent work at his website www.andrelippardart.com  Follow André Lippard on social media: Instagram - www.instagram.com/andrelippard/@andrelippard Facebook - www.facebook.com/andrelippardart  Check out Andre's work in person at: Denver Art Society – www.denverartsociety.orgColorado Plus – www.coloradoplus.net Next Gallery - www.nextgallery.org Art Source International – www.artsourceinternational.com/product-category/colorado-art/andre-lippard/Lion's Lair – www.lionslairlounge.squarespace.com Edgewater Public Market - www.edgewaterpublicmarket.com 

Any short list of the most important art critics of the last decades would have to include Lucy R. Lippard. She would also be at the very top of Artnet's art critic Ben Davis's personal list of favorite writers about art. Lippard has written numerous important books, including Six Years: the Dematerialization of the Art Object from 1973, the book that defined what conceptual art was all about for many; as well as volumes like Mixed Blessings: New Art In a Multicultural America, The Pink Glass Swan: Selected Essays on Feminist Art; and The Lure of the Local: Sense of Place in a Multicentered Society—each helping set the agenda for a different art historical moment. But Lippard has also been much more than a writer. She curated "Eccentric Abstraction" in 1966, helping to define what would come to be called post-Minimalism in sculpture. Her experimental and traveling card shows helped create the audience for conceptual, minimal, and land art. She curated maybe the first museum show of Second Wave feminist art at the Aldrich Museum in 1971, and was a part of the founding mother-collective behind Heresies, a journal that shaped the field of feminist art history. Radicalized by sixties activism, she participated in the Art Workers Coalition, a historic activist formation protesting against the Vietnam War and for equality in the museum world. She was part of many, many other collectives and activist groups thereafter, including the Artists Call Against U.S. Intervention in Central America in the early 1980s, a project she discussed with us on the Art Angle back in 2022. Now Lippard has written a new book called Stuff: Instead of a Memoir. It's a short-packed tome that surveys an eventful life through photos that catalog the items Lippard finds around her in the home where she has lived since moving from New York to the small town of Galisteo in rural New Mexico in the early nineties. It's a fitting way to tell the story of a writer who has thought so much about how images and words fit together, and how meaning emerges from place and community. This week on the podcast, Ben Davis speaks once again to Lucy Lippard about a life in and out of art.

En este mensaje tratamos el caso de un hombre que «descargó su conciencia» de manera anónima en nuestro sitio www.conciencia.net y nos autorizó a que lo citáramos, como sigue: «Todo empezó cuando tenía cuatro años. Recuerdo a mi madre golpeándome con una correa de cuero, tan duro que al final mis piernas quedaban marcadas.... Los castigos siempre fueron fuertes, aplicados con rabia, amenazas y a veces hasta con rechazo.... »Cuando estaba solo, yo mismo me infligía dolor físico, estilo masoquista, y eso me calmaba.... Mi adicción me ha servido de escape al estrés y a las tensiones del día a día. »Entiendo que no es normal lo que hago. Me aísla de la gente. He intentado casi de todo para dejarlo, pero no puedo. Cuando lo intento, la ansiedad es tal que me transformo en otra persona.» Este es el consejo que le dio mi esposa: «Estimado amigo: »¡Qué trágico lo que le sucedió a usted! ¡Cuánto lo sentimos! Su mamá comenzó a maltratarlo cuando usted apenas tenía cuatro años, y los estudios científicos han demostrado que esos años tempranos de la infancia son un lapso de desarrollo acelerado del cerebro. Durante ese lapso preciso, el abuso que usted estaba sufriendo causó reacciones químicas y eléctricas en su cerebro que enredaron y confundieron las conexiones y las asociaciones que su cerebro estaba desarrollando.1 »Se ha comprobado que las víctimas del abuso infantil tienen una predisposición a trastornos de ansiedad... y a una diversidad de tipos de enfermedades mentales.2 Su compulsión de hacerse daño como una manera de aliviar la ansiedad es un mecanismo de defensa que descubrió su cerebro de cuatro años de edad. Usted creció literalmente experimentando una asociación entre el dolor y el alivio de la ansiedad, de modo que su cerebro está completamente convencido de que no hay ninguna otra manera de afrontarlo.... »Ojalá hubiera pasos sencillos que pudiéramos recomendarle para resolver este problema, pero no es así de fácil. El problema suyo es una condición médica, y nosotros no estamos facultados para tratar problemas médicos. Así que usted necesita consultar a un médico lo más pronto posible. Cuéntele acerca del abuso que sufrió durante su infancia y de la compulsión actual que tiene de hacerse daño. El médico debe referirlo a un psiquiatra, quien es el especialista que ha recibido el adiestramiento y la preparación más adecuados para tratar problemas del cerebro y enfermedades mentales. »El ser víctima de abuso no es motivo de vergüenza. Usted no lo causó y no hizo nada para merecerlo. Fue un delito, y usted fue la víctima.... »Además de consultar a un médico, también le instamos a que lea el consejo que dimos en el Caso 523 en www.conciencia.net para enterarse de otras maneras de aliviar su ansiedad al meditar en el mensaje que nos dejó Dios en la Biblia.» Con eso termina lo que Linda, mi esposa, recomienda en este caso. El caso completo se puede leer si se pulsa la pestaña en www.conciencia.net que dice: «Casos», y luego se busca el Caso 770. Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Leonard Holmes, Ph.D., «How Emotional Abuse in Childhood Changes the Brain» [La manera como el abuso emocional durante la infancia cambia el cerebro], Verywell Mind [Mente muy sana], 15 noviembre 2021 En línea 13 febrero 2023. 2 Elizabeth T.C. Lippard, Ph.D., y Charles B. Nemeroff, M.D., Ph.D., «The Devastating Clinical Consequences of Child Abuse and Neglect: Increased Disease Vulnerability and Poor Treatment Response in Mood Disorders» [Las devastadoras consecuencias clínicas del abuso y del trato negligente de niños: Mayor vulnerabilidad a enfermedades y mala respuesta a los tratamientos de trastornos en el estado de ánimo], The American Journal of Psychiatry [La Revista Americana de Psiquiatría], 20 septiembre 2019 En línea 13 febrero 2023.

“I'm a capitalist, but I also have a conscience.” That was written by this episode's guest, Adam Lippard, after he returned from the 2022 World Cup in Qatar, and they really cut to the heart of the internal conflict he experienced during that event. Adam is the Chief Partnership Officer for GMR Marketing, one of the biggest and most consequential experiential marketing companies in the world. And in that role, he manages sponsorships for companies at the biggest global events imaginable, including FIFA World Cups and Olympic Games. Those high-profile events also dredged up a number of challenging issues like host nation human rights abuses and persecution of different communities. Issues that run head on into Adam's values and identity. In our thoughtful and insightful conversation, Adam shares what it it's like walking that capitalist – conscience tight rope, and how he advises both clients and employees to do the same. We also go into his extensive agency experience, how sports business has changed during his tenure, and more. The former budding sports broadcaster also shares the sport he'd LEAST like to announce.

Callie and Chuck talk to Dr. Cameron D. Lippard, chair of Appalachian State University's Sociology department and an expert on the history of moonshining! PLUS! Ranting on D.C. pundits claiming rural bonafides, a list of Appalachian outlaws, and an update on the Norfolk Southern disaster in East Palestine, OH.HELP SUPPORT APPODLACHIA!Join our Patreon, for as little as $1/month, and access live events, weekly exclusives, bonus series, and more http://www.patreon.com/appodlachia-----------------------------------------------Timestamps00:21 - Intro - Congrats to Anderson Clayton05:30 - Intro II - D.C. pundits who want to stake rural claims15:16 - Weekly List: Appalachian Outlaws33:54 - Announcements (Patreon Limericks!)35:47 - Interview with Dr. Cameron Lippard on Moonshine01:24:59: Under-the-Radar: Update on East Palestine Chemical spillMore about Dr. Lippard: https://soc.appstate.edu/faculty-staff/cameron-lippard-phdTrain derailment link: https://www.levernews.com/rail-companies-blocked-safety-rules-before-ohio-derailment/-----------------------------------------------Transition Music: "Leave it to Me" by Corduroy Brownhttps://corduroy-brown.com/-----------------------------------------------Check out our fantastic sponsors!CBD and THC gummies & more: (use code "BANJO" for 25% off) http://www.cornbreadhemp.com/Support the show

“I have a dream” – so beginnt die berühmte Rede des US-amerikanischen Bürgerrechtlers Martin Luther King aus dem Jahr 1963. King träumte von der Gleichheit aller Menschen, ungeachtet ihrer Hautfarbe. Mit Hilfe zivilen Ungehorsams hat die US-amerikanische Bürgerbewegung es schließlich erreicht, diskriminierende Rassengesetze in den USA abzuschaffen. Das ist ein berühmtes Beispiel der Geschichte dafür, dass durch zivilen Ungehorsam die Politik eines Landes zum Besseren verändert werden kann. Aber was ist ziviler Ungehorsam überhaupt? Worin besteht der Unterschied zum politischen Widerstand? Und warum ist ziviler Ungehorsam gerade auch in einer Demokratie wichtig? Zur Geschichte des zivilen Ungehorsams und warum er oft legitim, aber nie legal ist. **Gesprächspartner*innen:** Barbara Zehnpfennig Matthias Mahlmann, Christoph Mauntel, Linus Neumann, Anabel Webering, Alexander Sedlmaier **Literatur:** - Gallangher, Charles; Lippard, Cameron D. (2014): Race and Racism in the United States. An Encyclopedia of the American Mosaic. - Guth, Karl-Maria (Hrsg.) (2016). Henry David Thoreau. Über die Pflicht zum Ungehorsam gegen den Staat. Neuausgabe. Berlin, Hofenberg Digital - Astruc, Lionel (2019): Vadana Shiva. Eine andere Welt ist möglich. Aufforderung zum zivilen Ungehorsam. München, oekom verlag. - Links, Christoph/Nitsche, Sybille/Taffelt, Antje (2004): Das wunderbare Jahr der Anarchie. Von der Kraft des zivilen Ungehorsams 1989/1990. Berlin, Christoph Links Verlag. - Schäfer, Frank (2017): Henry David Thoreau. Waldgänger und Rebell. Berlin, Suhrkamp Verlag. - Kaufmann, Arthur (1991): „Vom Ungehorsam gegen die Obrigkeit: Aspekte des Widerstandsrechts von der antiken Tyrannis bis zum Unrechtsstaat unserer Zeit, vom leidenden Gehorsam bis zum zivilen Ungehorsam im modernen Rechtsstaat.“ In: Heidelberger Forum 72. o.S. Heidelberg, Decker und Müller. - Glotz, Peter (Hrsg.) (1983): Ziviler Ungehorsam im Rechtsstaat. Frankfurt am Main, Suhrkamp Verlag. - Luther King, Martin (1969): Aufruf zum zivilen Ungehorsam. Düsseldorf, Econ Verlag. - Frank Adloff (2005): Zivilgesellschaft. Theorie und politische Praxis. Frankfurt/New York: Campus. - Parks, Rosa (1999), My Story. **Internetlinks:** - https://forum-recht-online.de/wp/?heft=2020-2 - https://www.bpb.de/shop/zeitschriften/apuz/138281/ziviler-ungehorsam-annaeherung-an-einen-umkaempften-begriff/ - https://www.hiig.de/project/digital-civil-disobediance/ - https://www.blackpast.org/african-american-history/1955-martin-luther-king-jr-montgomery-bus-boycott/#:~:text=We%2C%20the%20disinherited%20of%20this,freedom%20and%20justice%20and%20equality. - https://kinginstitute.stanford.edu/king-papers/documents/address-mia-mass-meeting-holt-street-baptist-church **Team:** - Moderation: Mirko Drotschmann - Sprecher*innen: Dominik Freiberger, Inga Haupt, Andrea Kath, Makke Schneider - Redaktion objektiv media GmbH: Janine Funke und Andrea Kath - Technik: Moritz Raestrup - Musik: Sonoton - Wissenschaftliche Mitarbeit: Daniela Ssymank - Produktion: objektiv media GmbH im Auftrag des ZDF - Redaktion ZDF: Katharina Kolvenbach

Dr. Nikhil Palekar, Medical Monday Underwritten by Jennifer BentonDr. Nikhil Palekar, Director of the Stony Brook Center of Excellence for Alzheimer's Disease and the Division of Geriatric Psychiatry, joins The Heart of The East End to talk about Alzheimer's at the start of Alzheimer's Disease Awareness Month. Every 66 seconds in the U.S., a new brain develops Alzheimer's. Two-thirds of them are women. Visit stonybrookmedicine.edu for more information about the clinical trials taking place at Stony Brook's Center of Excellence for Alzheimer's Disease.Laley Lippard and Michelle Azar, Monday Meditation Underwritten by The Parrish Art MuseumDirector Laley Lippard and Michelle Azar, starring in Bay Street's performances of “All Things Equal: The Life and Trials of Ruth Bader Ginsburg,” join Gianna Volpe to discuss the latest Literature Live! The show is designed for middle- and high-schoolers, teachers, and administrators with a question-and-answer session following performances. Visit baystreet.org for tickets and more about All Things Equal and the Literature Live! series.

George Lippard's novel "The Quaker City, or the Monk's of Monk Hall" is made into a new play. The excitement about it builds in Philadelphia, just as the national election of 1844 roils the city.We learn more about the young Philadelphia writer, and how he was recruited by theater manager Francis Wemyss to provide a script for his Chestnut Street Theatre. Meanwhile, one of Philadelphia's most prominent citizens is headed for the Vice Presidency, while others of the city's elite look with alarm at what Lippard and Wemyss' play might do to their reputations. Some of Philadelphia's theatergoers even have their reasons to threaten riots and bloodshed. The supposedly peaceable 'Quaker City' is not looking very peaceable at all. Part Two of our three-part series about the threat of violence in the streets and theaters of Philadelphia in 1844, as we continue theme of  Season Two of our podcast: "Drama is Conflict."For images and more information about this topic, see the blog post on our website:https://www.aithpodcast.com/blog/george-lippard-and-the-election-of-1844/If you enjoyed the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here:https://www.aithpodcast.com/reviews/If you have any questions, inquiries or additional comments, you can write us at our email address: AITHpodcast@gmail.comOr, follow us on Twitter: https://twitter.com/schmeterpitzFacebook: https://www.facebook.com/AITHpodcastTo become a Patron of the podcast: https://www.patreon.com/AITHpodcast

If you were out and about in 1984, you might have noticed a striking poster wheatpasted everywhere. It featured two heroic silhouettes pulling down a statue, clearly avatars of the People topping the icon of a hated political dictator. But instead of a statue of a man in uniform, they were bringing down an image of a huge banana. If you were an art fan you might also recognize the signature of Claes Oldenburg, one of the most famous Pop artists. But whereas Oldenburg was best known for playful, giant-sized sculptures of everyday objects, this giant banana had a clear and outspoken message of political solidarity: the term “banana republic” comes from the bad governments of Central America that the U.S. propped up at the behest of its fruit corporations. And the U.S. was once again intervening in Central America."Installation view, Art for the Future: Artists Call and Central American Solidarities at Tufts University Art Galleries, 2022. Peter Harris Photography."[/caption] Oldenburg's memorable lithograph was one image associated with the "Artists' Call Against U.S. Intervention in Central America." And it is one of a huge number of artworks and artifacts relating to this intense early-'80s moment of artist organizing that have just gone on view at Tufts University Art Galleries in the show “Art for the Future: Artists Call and Central American Solidarities.” The '80s are remembered as a time of political conservatism and yuppie excess. But it was also the height of the late Cold War machinations. The Ronald Reagan administration's backing of death squads and repression of left-wing movements in places like Nicaragua and El Salvador is one of its darkest chapters. A robust Central American solidarity movement across the United States in the early '80s organized to defend refugees and decry the U.S.'s backing of the brutality. The Artists Call was inspired and in dialogue with this wave of public activity, an attempt to use art's clout to raise money and to reach an influential public. Involving figures including the Salvadoran poet and exile Daniel Flores y Ascencio, the curator and artist Coosje van Breuggen, and the famed art critic Lucy Lippard, the Artists Call was an organizing network that brought together, as Lippard remembers, “young and old, Latin, Central, and North American, lefties and liberals, artists working in a broad spectrum of styles.” Emerging from the discussions around a show by the art collective Group Material dedicated to Central American activism in 1982, the Artists' Call would ultimately inspire participation from thousands of artists, including Vito Acconci, Louise Bourgeois, Sol LeWitt, Donald Judd, Ana Mendieta, and Cecilia Vicuña. Yet despite the high-profile names it rallied and the recent interest in historical models of artist activism, the Artists' Call has been little remembered until now. On this week's episode, Ben Davis, Artnet News's chief art critic, had the chance to talk about the Artists Call with the curators of “Art for the Future”: Erina Duganne and Abigail Satinsky, as well as Lucy Lippard herself.

If you were out and about in 1984, you might have noticed a striking poster wheatpasted everywhere. It featured two heroic silhouettes pulling down a statue, clearly avatars of the People topping the icon of a hated political dictator. But instead of a statue of a man in uniform, they were bringing down an image of a huge banana. If you were an art fan you might also recognize the signature of Claes Oldenburg, one of the most famous Pop artists. But whereas Oldenburg was best known for playful, giant-sized sculptures of everyday objects, this giant banana had a clear and outspoken message of political solidarity: the term “banana republic” comes from the bad governments of Central America that the U.S. propped up at the behest of its fruit corporations. And the U.S. was once again intervening in Central America."Installation view, Art for the Future: Artists Call and Central American Solidarities at Tufts University Art Galleries, 2022. Peter Harris Photography."[/caption] Oldenburg's memorable lithograph was one image associated with the "Artists' Call Against U.S. Intervention in Central America." And it is one of a huge number of artworks and artifacts relating to this intense early-'80s moment of artist organizing that have just gone on view at Tufts University Art Galleries in the show “Art for the Future: Artists Call and Central American Solidarities.” The '80s are remembered as a time of political conservatism and yuppie excess. But it was also the height of the late Cold War machinations. The Ronald Reagan administration's backing of death squads and repression of left-wing movements in places like Nicaragua and El Salvador is one of its darkest chapters. A robust Central American solidarity movement across the United States in the early '80s organized to defend refugees and decry the U.S.'s backing of the brutality. The Artists Call was inspired and in dialogue with this wave of public activity, an attempt to use art's clout to raise money and to reach an influential public. Involving figures including the Salvadoran poet and exile Daniel Flores y Ascencio, the curator and artist Coosje van Breuggen, and the famed art critic Lucy Lippard, the Artists Call was an organizing network that brought together, as Lippard remembers, “young and old, Latin, Central, and North American, lefties and liberals, artists working in a broad spectrum of styles.” Emerging from the discussions around a show by the art collective Group Material dedicated to Central American activism in 1982, the Artists' Call would ultimately inspire participation from thousands of artists, including Vito Acconci, Louise Bourgeois, Sol LeWitt, Donald Judd, Ana Mendieta, and Cecilia Vicuña. Yet despite the high-profile names it rallied and the recent interest in historical models of artist activism, the Artists' Call has been little remembered until now. On this week's episode, Ben Davis, Artnet News's chief art critic, had the chance to talk about the Artists Call with the curators of “Art for the Future”: Erina Duganne and Abigail Satinsky, as well as Lucy Lippard herself.

Hosted by Joe Shemtov and Andrea Lemoins Our first season will be dedicated to artifacts kept at the Free Library of Philadelphia. In this episode, we talk to Alexis Ahiagbe, Perry Genovesi, and Peter Santa Maria, staff members at the Free Library of Philadelphia, about the labor uprising at the Free Library in the summer of 2020 that led to the resignation of the Executive Director, Siobhan Reardon. Joe Shemtov ties this current labor fight, based on race and class, with the life and works of George Lippard, a famous 19th-century American novelist, journalist, playwright, social activist, and labor organizer. Lippard, a friend of Edgar Allan Poe, was from South Philadelphia. The Free Library of Philadelphia Rare Book Department has several of Lippard’s works in its collection, including The Quaker City. This podcast was edited by Hannah Cho.

The crew is joined by sports bettor Tom Lippard to talk his strategy for football contests involving "identifying the shi**y teams" & solid strategy for teasers when betting the NFL. Tom stays around to break down NFL week 5 with the guys with the Run & Shoot 7:--PHI/PIT--MIN/SEA (Ceiling Play)--LV/KC--JAX/HOU (Tom has this game in all 5 contests he's in)--MIA/SF--NYG/DAL (Tom calls this the biggest blowout of the week)--IND/CLE**AZ/NYJ gets a brief mention at the end.Mo drops another hot triple threat of CFB plays including: --Texas Tech/Iowa St.--Syracuse/Duke--Marshall/WKUTom also drops a ceiling play for Charlotte/UNT.The NBA gets a quick mention before some wild baseball talk about celebrations and LCS thoughts.

In this episode, we speak with the Lippard family about their lifelong ties to Novant Health.

Beverly Naidus is an interdisciplinary artist, writer, and educator. While developing an innovative studio arts curriculum, she has been creating interactive installations, digital projects, artist books and narrative and conceptual drawings for over three decades. Much of her work is audience-participatory, inviting people to tell their own stories in response to the theme being explored. Inspired by the lived experience, topics in her art focus on environmental and social issues, including how we are individually and collectively affected by racism, climate change and multiple forms of systemic oppression. Her unique courses at UWT emerge from her own projects and include Art in a Time of War, Cultural Identity and Art, Body Image and Art, Eco-art, Labor, Globalization and Art and the Artist as Visionary and Dreamer. She is the author of Arts for Change: Teaching Outside the Frame, numerous essays on socially engaged art and pedagogy and some recent pieces of speculative fiction. She has taught at several NYC museums, Carleton College, Cal State Long Beach, Hampshire College, Goddard College and the Institute for Social Ecology. She has guest lectured and led workshops all over North America and in Europe. She facilitated and designed the permaculture-inspired, eco-art project, Eden Reframed, on Vashon Island, WA, funded by the Royalty Research Foundation. Her work has been exhibited internationally, in mainstream museums, university galleries, alternative spaces, and city streets. It has been reviewed and discussed by many significant writers, including Lucy R. Lippard, Suzi Gablik, Paul Von Blum and Lisa Bloom. As part of her new collective, ARTifACTs, she is collaborating on an interactive, multidisciplinary project about the future. “We Almost Didn’t Make It,” imagines the artifacts (and stories that emerge from them) found by our descendants that give them insights into the risks taken by activists (their ancestors) that allowed the descendants to exist. It’s an audience participatory and multi-media work that gives participants the opportunity to imagine the artifacts that their descendants might find. Topics & Links Covered in this Episode Joanna Macy - Despair and Personal Power in the Nuclear Age Beverly Naidus- Eden Reframed Beverly Naidus - Soil Remediation Pesticides originally developed as bio warfare during World War II Beverly Naidus on Panic and Despair about Climate Change - We Almost Didn’t Make It UW Tacoma YouTube - We Almost Didn't Make It - Beverly Naidus Pete Seeger “Lots of teaspoons can fill a pail” (The teaspoon brigade) Children & Nature Network - Nature Deficit Disorder No More "Nature-Deficit Disorder" - The "No Child Left Inside" movement Beverly Naidus Book: One Size Does Not Fit All Beverly Naidus Book: Art in a Time of War Book: Arts for Change: Teaching Outside the Frame Non violent communication Beverly Naidus - Labor Globalization and Arts class Beverly Naidus - So you want to be an eco-artist? Lessons in Grief and Gratitude Beverly Naidus - Portable Altars for Grief and Gratitude Beverly sits on the Puyallup Nation Land Contact Beverly Naidus BeverlyNaidus.net On Facebook: Arts for Change: Teaching Outside the Frame Download: Naidus-Art CV 2018 Eco-art Project’s Blog: Eden Reframed: Eco-art Meets Permaculture Design on Vashon Island Beverly Naidus: Academia, University of Washington Tacoma, Interdisciplinary Arts and Sciences, Faculty Member Beverly Naidus: Wikipedia Purchase the podcast’s namesake Eco Music album "Let’s Talk About The Weather" on iTunes or Bandcamp.

Live from our Elevator Studio @ Open Engagement: We are honored to be joined by OE Keynote presenter, the one and only Lucy Lippard! We find out what Lippard has been up to in New Mexico, her local newsletter, and Amanda and Dana vie for an invitation to move into her village. Hopefully you can hear us over the background sounds!

Entrada III. A (con D) Relectura de la escritora Kattalin Miner Kattalin Miner (Hernani, 1988) Es licenciada en Periodismo por la UPV, realizó el máster “Literatura Comparada: Estudios Literarios y Culturales” en la UAB y el máster de “Igualdad entre hombres y mujeres” en la UPV. Ha trabajado como periodista, en el ámbito de la comunicación y como formadora en igualdad. También es conocida por su trayectoria feminista y su trabajo como columnista en varios medios. En 2017 ha debutado como escritora con su novela “Nola hedu naiz ni honaino”, ganadora de la beka Igartza Saria de 2015. Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Entrada VI. TODO EL MUNDO Relectura de la artista Agnès Pe Agnès Pe (Lleida, 1985) trabaja con el sonido, por encima de toda limitación impuesta por géneros o estilos musicales. El humor y la inacabable curiosidad que demuestra respecto a los elementos sonoros con los que trabaja, son las características fundamentales de su trabajo. Crea cadenas sonoras cosidas por líneas de collage gigantes formadas por miles de referencias de abundantes fidelidades. Le atrae lo inusual, siempre buscando nuevas formas de relacionarse con los elementos que recompone mediante la atonalidad, melodías alteradas y texturas chirriantes. Speedy clásica, eurodancesinfónico, melodías punch, blackmidi, happy slapped, terminal punk, humpatech, crossover thrash, no género, midtechno, hardlaptop y powermid son algunas de las etiquetas para definir su música. Ha realizado conciertos en CA2M (Móstoles), Macba (Bcn), Larraskito (Bilbao) o en Tabakalera (Donosti). Actualmente conduce el espacio radiofónico "Mitt Paté" en Radio On Berlin. Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Entrada X. PROYECCIONES Relectura de la urbanista y feminista Oihane Ruiz Oihane Ruiz Menendez, nacida en Bilbao en 1974, arquitecta titulada en UPV en 2004. Tiene formación en Urbanismo y Teoría feminista. Fundadora de Hiria Kolektiboa (2002/2012), donde trabajó en Urbanismo + Participación + Perspectiva de Género (mapas de la ciudad prohibida, formaciones, talleres, diagnósticos, etc…). Fundadora de Pripublikarrak (2005/2008), donde desarrollaron proyectos en el ámbito de arte/activismo feminista. Desde 2009 es socia del estudio de arquitectura SF38, en Bilbao, donde hicieron el proyecto y obra de la Plaza Corazón de María, Bilbo. Fundadora de Dunak estudioa s.l, 2014, donde trabajan en urbanismo, planeamiento, asesoría municipal y análisis urbano y territorial en clave de sostenibilidad de la vida. Desde 2016 está de excedencia porque vive y trabaja en Madrid. Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Entrada IX. AQED Relectura del crítico de arte Peio Aguirre Peio Aguirre (1972) es crítico de arte, escritor, comisario independiente y editor. Vive en Donostia-San Sebastián. Su escritura abarca la teoría, el arte contemporáneo, el diseño y otras expresiones de la cultura popular. Es autor del libro La línea de producción de la crítica (consonni, 2014). Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Entrada VIII. AQD Relectura de la escritora Silvia Nanclares Silvia Nanclares (Madrid, 1975) es licenciada en Dramaturgia por la Real Escuela de Arte Dramático. Desde el ámbito de la escritura desarrolla proyectos teatrales, audiovisuales, literarios y de formación artística. Ha intervenido en la creación de contenidos para diferentes centros culturales, así como en investigaciones colectivas como #bookcamping. Desde 2012 colabora con eldiario.es y Periódico Diagonal con piezas de periodismo narrativo. Es guionista y locutora en el espacio radiofónico Carne Cruda. Actualmente forma parte de Pandora Mirabilia-Género y Comunicación. Es autora de los álbumes ilustrados infantiles del libro de narrativa breve "El Sur, instrucciones de uso". "Quién quiere ser madre" es su primera novela. Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Entrada II. ABDE Relectura de la artista Macarena Recuerda y la coreógrafa Idurre Azkue. Macarena Recuerda Shepherd Artista visual y bailarina. Ha realizado diferentes proyectos en colaboración con los artistas Txalo Toloza, Amalia Fernández, Amanda Pola y Vicente Arlandis. Desde el 2008 es fundadora e integrante del Colectivo Estraperlo plataforma de nuevos creadores difícilmente etiquetables. Idurre Azkue bailarina y coreógrafa. Se formó en Danza Contemporánea en el Institut del Teatre de Barcelona y formó parte del colectivo General Eléctrica. A partir de ahí trabajó como intérprete y bailarina con diferentes coreógrafos/as y directores de escena interesados en explorar nuevos lenguajes y formas escénicas y actualmente crea sus propias piezas de danza. Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Entrada VII. B (y A) Relectura de la artista Elena Aitzkoa Elena Aitzkoa (Apodaka, 1984) es escultora y poeta, y extiende su práctica a la pintura, el dibujo, la performance y la dirección de películas, en un intento de acercamiento a la realidad. En 2013 publicó su libro “La Revolución de las extremidades”. En 2015 recibió el premio Gure Artea a la actividad creativa, también fue galardonada en el concurso generación 2015 de la obra social de Caja Madrid. Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Entrada V. E (con D, con B) Relectura del performer y crítico de danza Jaime Conde Salazar Jaime Conde-Salazar Pérez (Madrid, 1974) es licenciado en Historia del Arte (1997, Universidad Complutense de Madrid). Obtuvo su MA in Performance Studies (2002, New York University) gracias a una beca MEC-Fulbright. En 2003 obtuvo su Diploma de Estudios Avanzados. Entre 2003 y 2006 dirigió el Aula de Danza “Estrella Casero” de la Universidad de Alcalá. Ha colaborado regularmente como crítico de danza en diferentes revistas. Durante el curso 2009/2010 fue becario de la Real Academia de España en Roma. Como dramaturgista ha acompañado procesos de creación de Ben Benauisse, I-Chen Zuffellato, Antonio Tagliarini, La Ribot, Claudia Faci, Elena Córdoba, Bárbara Sánchez y Aimar Pérez Galí entre otras. En 2015 publicó el libro "La Danza del Futuro" (Graner-Mercat de les Flors). Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Entrada IV. D Relectura de la artista Mabi Revuelta con la colaboración de la interprete Matxalen de Pedro y el compositor Otto Castro Mabi Revuelta. Nacida en Bilbao en 1967, estudia Bellas Artes en la Universidad del País Vasco obteniendo la licenciatura en 1990. Desde entonces comienza a exhibir su trabajo de forma profesional exponiendo regularmente en galerías, centros de arte, ferias y museos nacionales e internacionales, haciendo compatible su carrera como artista plástica con la enseñanza y la investigación en nuevas pedagogías del arte. Desde 2000 hasta 2003 ha vivido en New York, completando su formación en el International Studio & Curatorial Program en 2003 al recibir una Beca de la Fundación Marcelino Botín. Mabi Revuelta contará con la colaboración Matxalen de Pedro intérprete y creadora integrante del colectivo escénico HORMAN POSTER y docente en Dantzerti, Escuela Superior de Artes Escénicas de Euskadi y con Otto Castro, un compositor, investigador y profesor universitario. Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Introducción por Paloma Checa-Gismero Crítica de arte e investigadora Paloma Checa-Gismero responsable de la traducción de la novela Yo veo / Tú significas. Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Entrada I. ABCDEF Relectura del fotógrafo David Hornback David Hornback (Los Angeles, 1962) es ganador del Pulitzer en 1990 con sus compañeros de redacción del San Jose Mercury News por el reportaje del terremoto “Loma Prieta”, San Francisco. Como reportero gráfico ha trabajado para National Geographic, GEO, Time, New York Times y Stern entre otros medios gráficos. Sus trabajos le han llevado por cuatro continentes cubriendo la caída del muro de Berlín, la Exposición Universal de Sevilla de 1992 y el 60 aniversario del Desembarco de Normandía. Bajo el título de "Ficción, crítica cultural y feminismo" abordaremos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard que estará presente a través de una entrevista en video. Será una oportunidad para disfrutar de nuevas piezas musicales, escénicas y sonoras creadas para la ocasión reintrepretando capítulos del libro. Una lectura colectiva de la novela desde distintas miradas. Para ello contaremos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danza Jaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Bajo el título de "Ficción, crítica cultural y feminismo" abordamos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard. Una lectura colectiva de la novela desde distintas miradas. Para ello contamos con la música Mursego, las artistas Mabi Revuelta (con la colaboración de Matxalen de Pedro y Otto Castro), Elena Aitzkoa y Macarena Recuerda Shepherd junto con la bailarina y coreógrafa Idurre Azkue, el performer y crítico de danzaJaime Conde Salazar, el crítico de arte Peio Aguirre, el DJ Oleaktiff, las escritoras Silvia Nanclares y Kattalin Miner, la arquitecta Oihane Ruíz (con la colaboración de Maria Arnal y Marcel Bagés), el fotógrafo David Hornback, la crítica de arte e investigadora Paloma Checa-Gismero (en audio) y la musicóloga e investigadora Agnès Pe.

Abordamos desde diferentes perspectivas la crítica cultural y los feminismos a través de la novela experimental "Yo veo / Tú significas” (consonni, 2016) de la reconocida escritora, crítica cultural y activista feminista Lucy R. Lippard. Con Lucy R. Lippard (video), Paloma Checa-Gismero (audio), Mursego?, David Hornback?, Macarena Recuerda Shepherd, Idurre Azkue, Kattalin Miner?, Mabi Revuelta? (Matxalen de Pedro + Otto Castro), Jaime Conde Salazar, Agnès Pe, Elena Aitzkoa, Silvia Nanclares?, Peio Aguirre?, Oihane Ruíz (Maria Arnal + Marcel Bagés), DJ Oleaktiff, Alberto de la Hoz y Leire Palacios

Welcome to Swift Talk with Sherry Swift! We are continuing the conversation in our Growth Series and having the foundational conversation about Spiritual Growth.I am a believer. A believer that all growth happens from the inside – out. That we become, who we are eligible to become, because we first believed we are worth it. Sometimes, we have to search deeper for that belief system of self-worth…because let’s just face it…most of us, have in us, whatever was PUT in us. If someone did an amazing job of embedding in our mind-set that we are WORTH it all and should HAVE it all, we believe that. On the opposite end, if we struggle with finding those affirming words in our root structure, we have to plant them ourselves. For many of us, this is where spirituality becomes the foundation for our growth. Believing what you can’t see, touch, taste or feel and knowing that anything is possible! I am a spiritual person (not a religious person) who believes that spirituality is designed to support each person where they are and that it is not limited to being practiced in one way or the other. That everyone, could have something, someone, that they hold onto in those questionable times to increase the light, love, faith and understanding in this world we live in, is a basic right. I believe that It is EVERYONE’S basic right and there is enough space for us all to practice in our own language that supports light and love for everyone.This was such an enlightening diverse conversation about spirituality, diversity in spirituality and finding a space for EVERYONE to worship and celebrate. I could not have asked for a better guest, a sweeter spirit with a stronger faith & cause then Angela Lippard! I would encourage you to visit my web-site @ www.sherryswift.com and read my blog from this episode and download the bullet points to this important and life changing conversation. If you know of someone who would benefit from this conversation, please send them a link to listen and let’s spread love one share at a time! Angela volunteers her time as a Deacon at The Christ the Good Shepard Independent Catholic Church for the last 3 years. As a Deacon she tithes her time supporting and advocating for causes that she believes in and may add a nontraditional twist to the conversation of traditional spirituality. Today’s Episode Talks about: • Religion vs. Spirituality • Celebrating differences vs. divisive • Non- traditional Catholicism • Spirituality and the LGBTQ Community • Thinking outside of language to identify the GOOD and finding your own spirituality 1. The universe 2. Your own relationships 3. Energy, etc • DIVERSITY in spiritualityMentioned in this episode:Christ The Good Shepherd : www.ferndalecgs.comChrist The Good Shepherd Facebook : https://www.facebook.com/ferndalecgs/Sherry’s web-site – www.sherryswift.comConnect with Sherry on Social Media and get instantly updated on our next episodes!Facebook – https://www.facebook.com/swifttransitions/Instagram- https://www.instagram.com/swifttalk/Linked in- https://www.linkedin.com/in/sherry-swift-70374610/Twitter- https://twitter.com/sherswiftDid you enjoy listening to the show as much as we enjoyed creating it? Show us some love by subscribing to the podcast and leaving a review! Your feedback will help us to reach a wider audience and become a resource for so many others and that’s why we’re here…to be a resource! Thank you!!Swift Talk with Sherry Swifthttps://businessinnovatorsradio.com/swift-talk-with-sherry-swift/

Welcome to Swift Talk with Sherry Swift! We are continuing the conversation in our Growth Series and having the foundational conversation about Spiritual Growth.I am a believer. A believer that all growth happens from the inside – out. That we become, who we are eligible to become, because we first believed we are worth it. Sometimes, we have to search deeper for that belief system of self-worth…because let’s just face it…most of us, have in us, whatever was PUT in us. If someone did an amazing job of embedding in our mind-set that we are WORTH it all and should HAVE it all, we believe that. On the opposite end, if we struggle with finding those affirming words in our root structure, we have to plant them ourselves. For many of us, this is where spirituality becomes the foundation for our growth. Believing what you can’t see, touch, taste or feel and knowing that anything is possible! I am a spiritual person (not a religious person) who believes that spirituality is designed to support each person where they are and that it is not limited to being practiced in one way or the other. That everyone, could have something, someone, that they hold onto in those questionable times to increase the light, love, faith and understanding in this world we live in, is a basic right. I believe that It is EVERYONE’S basic right and there is enough space for us all to practice in our own language that supports light and love for everyone.This was such an enlightening diverse conversation about spirituality, diversity in spirituality and finding a space for EVERYONE to worship and celebrate. I could not have asked for a better guest, a sweeter spirit with a stronger faith & cause then Angela Lippard! I would encourage you to visit my web-site @ www.sherryswift.com and read my blog from this episode and download the bullet points to this important and life changing conversation. If you know of someone who would benefit from this conversation, please send them a link to listen and let’s spread love one share at a time! Angela volunteers her time as a Deacon at The Christ the Good Shepard Independent Catholic Church for the last 3 years. As a Deacon she tithes her time supporting and advocating for causes that she believes in and may add a nontraditional twist to the conversation of traditional spirituality. Today’s Episode Talks about: • Religion vs. Spirituality • Celebrating differences vs. divisive • Non- traditional Catholicism • Spirituality and the LGBTQ Community • Thinking outside of language to identify the GOOD and finding your own spirituality 1. The universe 2. Your own relationships 3. Energy, etc • DIVERSITY in spiritualityMentioned in this episode:Christ The Good Shepherd : www.ferndalecgs.comChrist The Good Shepherd Facebook : https://www.facebook.com/ferndalecgs/Sherry’s web-site – www.sherryswift.comConnect with Sherry on Social Media and get instantly updated on our next episodes!Facebook – https://www.facebook.com/swifttransitions/Instagram- https://www.instagram.com/swifttalk/Linked in- https://www.linkedin.com/in/sherry-swift-70374610/Twitter- https://twitter.com/sherswiftDid you enjoy listening to the show as much as we enjoyed creating it? Show us some love by subscribing to the podcast and leaving a review! Your feedback will help us to reach a wider audience and become a resource for so many others and that’s why we’re here…to be a resource! Thank you!!Swift Talk with Sherry Swifthttps://businessinnovatorsradio.com/swift-talk-with-sherry-swift/

Yo veo / tú significas es una novela experimental sobre espejos, mapas, relaciones personales, sobre el océano, el éxito esquivo y la felicidad como posibilidad. A través de un collage de fotografías verbales, diálogos, encuentros sexuales, material encontrado y dispositivos de auto-identificación (astrología, el I Ching, quiromancia, Tarot) narra de pasado a futuro la cambiante relación entre dos hombres y dos mujeres. Entre líneas suceden muchas cosas. La crítica de arte Lucy Lippard escribió esta novela en 1970 y se convirtió feminista en el proceso: “Empecé escribiendo y me di cuenta que estaba avergonzada de ser una mujer. Entonces tuve que saber por qué. Luego me enfadé. La forma fragmentada y visual del texto bebe del arte contemporáneo y las emociones conflictivas de las confrontaciones políticas de los 60; todo esto sugirió una nueva forma de recolocar las cosas, de forma abierta, de una manera femenina que no pretende conclusiones”. Más información: https://www.consonni.org/es/publicacion/yo-veo-tu-significas

Nonstop Metropolis, the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts—from linguists to music historians, ethnographers, urbanists, and environmental journalists—amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan’s playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City’s unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York’s buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more. Contributors: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna Interviews with: Valerie Capers, Peter Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, RZA ABOUT THE AUTHORS Rebecca Solnit is a prolific writer, and the author of many books including Savage Dreams, Storming the Gates of Paradise, and the best-selling atlases Infinite City and Unfathomable City, all from UC Press. She received the Corlis Benefideo Award for Imaginative Cartography from the North American Cartographic Information Society for her work on the previous atlases. Joshua Jelly-Schapiro is a geographer and writer whose work has appeared in The New York Review of Books, New York, Harper's, and the Believer, among many other publications. He is the author of Island People: The Caribbean and the World. http://joshuajellyschapiro.com/ Reviews "In orienting oneself in this atlas...one is invited to fathom the many New Yorks hidden from history’s eye...thoroughly terrific."—Maria Popova Brain Pickings "The editors have assembled a remarkable team of artists, geographers and thinkers...The maps themselves are things of beauty...This is a work that, like its predecessors, isn’t in the business of rosy nostalgia...Nonstop Metropolis is a document of its time, of our time." - Sadie Stein—New York Times "Rebecca Solnit and Joshua Jelly-Schapiro's collection achieves the trifold purpose that all good cartography does — it's beautiful, it inspires real thought about civic planning, and, most of all, it's functional."—The Village Voice "...the New York installment [of the Atlas Trilogy] is eccentric and inspiring, a nimble work of social history told through colorful maps and corresponding essays. Together, Solnit, Jelly-Schapiro and a host of contributors — writers, artists, cartographers and data-crunchers — have come up with dozens of exciting new ways to think about the five boroughs." —San Francisco Chronicle "Nonstop Metropolis is an engaging and enlightening read for anyone who loves New York City, creative scholarship, and top-notch graphic design." —Foreword Reviews "The sum of it all is, like New York itself, overwhelming, alluring and dazzlingly diverse."—Jewish Daily Forward "...the book...contains many beautiful and not-so-beautiful images that document New York’s past and the present, and make tangible the social and cultural diversity of this extraordinary place." —Times Literary Supplement "26 maps of New York that prioritize bachata over Broadway, pho over pizza." —Wired.com One of Publishers Weekly's 20 Big Indie Books of 2016—Publishers Weekly“I am thrilled to have another book-object in this series, as I devoured the San Francisco volume when I was there, and the New Orleans one likewise. Now finally here is one about the town where I live. The format, with the maps, networks, and accompanying stories and histories, is a lovely, nonlinear way of mirroring the almost infinite layers that make up a city. We all have our own mental maps of our cities and the ones we visit—maps that are, like the ones here, historical, musical, temporal, personal, economic, and geographical. The maps in Nonstop Metropolis are a good approximation of how we New Yorkers experience and perceive the city we live in.”—David Byrne “Put your map apps and your GPS away, because none of those high-tech innovations will lead you to the immense satisfaction that this hard-to-put-down book is full of. The unique, clever, and artistic maps give you the who, what, when, and, most importantly, where of loads of unusual and little-known New York City histories. As a New York City native I finally have all the maps I need to the treasures and secrets of my hometown.”—Fab 5 Freddy “A new way to think about the cultural and political life of cities.”—Randy Kennedy, New York Times “Solnit, well known for her writing on politics, art and feminism, has turned her attention to New York City’s complexities in Nonstop Metropolis, the third of her trilogy of atlases and accompanying exhibitions.”—Alex Rayner, The Guardian Selected praise for Infinite City and Unfathomable City “A thought-inducing collection of maps that will challenge your view of what atlases can be.”—Kevin Winter, San Francisco/Sacramento/Portland Book Review “A deeply illuminating assemblage of maps and essays.”—Lynell George, Chicago Tribune “Inventive and affectionate.”—Lise Funderburg, New York Times Book Review “Brilliantly disorients our native sense of place.”—Jonathon Keats, San Francisco Magazine “With Unfathomable City, Solnit and Snedeker have produced an idiosyncratic, luminous tribute to the greatest human creation defined by its audience participants: the city itself.”—Daniel Brook, New York Times

Un año más consonni participó en BALA, la feria para editores independientes de Bilbao. El viernes 16 de diciembre, dentro del programa de la feria, presentamos las tres novedades de la colección PAPER, Artoons de Pablo Helguera, Yo veo / Tú significas de Lucy R. Lippard y Cuerpos que aparecen. Performance y feminismos en el tardofranquismo de Maite Garbayo. Presentado por Alicia San Juan y Alberto de la Hoz en la técnica.

Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net

Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net