Podcast appearances and mentions of Jamie Bell

Before we watch the ACTUAL Iwo Jima-centered Clint Eastwood movie on the list, let's gather some context by watching this one first! It's 2006's Flags of our Fathers, a movie that is NOT in fact a patriotic rabble-rousing picture. The guys talk all about stolen valor, the political war propaganda machine, Clint's complicated politics and much more. Next week: Raise that flag, Clint! Part 2 Questions? Comments? Suggestions? You can always shoot us an e-mail at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠forscreenandcountry@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Full List: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/forscreenandcountry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitter.com/fsacpo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our logo was designed by the wonderful Mariah Lirette (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/its.mariah.xo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Flags of our Fathers stars Ryan Phillippe, Adam Beach, Jesse Bradford, Paul Walker, Barry Pepper, Neal McDonough, John Slattery, Jamie Bell, Harve Presnell, Melanie Lynskey, Chris Bauer, Ann Dowd, Joseph Cross, Scott Eastwood, David Patrick Kelly and Robert Patrick; directed by Clint Eastwood. Learn more about your ad choices. Visit megaphone.fm/adchoices

Die 76. Berlinale findet dieses Jahr vom 12. bis 22. Februar mit Filmen aus aller Welt statt. Auf dem roten Teppich werden Stars wie Amanda Seyfried, Amy Adams, Russell Crowe, Elle Fanning, Isabell Huppert, Jamie Bell, und Jurypäsident Wim Wenders erwartet. George Clooney, Nicole Kidman, Kate Winslet, Leonardo DiCaprio und Matt Damon. Aber auch Andy Lau und Shah Rukh Khan. Die Faszination Berlins wissen auch die Stars der Filmwelt zu schätzen. Klar, dass sie nicht nur zum Dreh nach Berlin kommen, sondern auch zum weltweit bedeutendsten Ereignis der Filmbranche: der Berlinale. In diesen Tagen schaut die Filmwelt zum 76. Mal auf unsere Stadt und damit aufs größte Publikumsfestival der Welt. Passend dazu sprechen wir in dieser Episode mit Benjamin Kohzer. Er ist der Betreiber von Kinokompendium, Berlins unabhängigem Kinoführer und zudem leidenschaftlicher Kinogänger und Berlinale-Besucher. Er teilt mit uns seine Magic Moments, die er mit der Berlinale verbindet und gibt uns seine Empfehlungen zu den besten, schönsten oder auch intimsten Kinoadressen Berlins. Euch viel Spaß beim Zuhören und herzlich willkommen zu dieser Episode von Berlin Unboxed, dem Podcast von visitBerlin.

British Chinese actress Naomi Yang is perhaps best known for her role as Maggy in Sky series Wolfe. Up next, she stars in Sky's crime thriller Under Salt Marsh, alongside Kelly Reilly, Rafe Spall, Jonathan Pryce and Harry Lawtey. She's just been announced as joining the cast of BBC's acclaimed drama Vigil in a major role for its upcoming third season Naomi can be seen in a range of acclaimed television dramas including BBC's Nightsleeper and Peaky Blinders. Most recently she starred in ITV's DI Ray opposite Parminder Nagra and Jamie Bell. Other television credits include Apple TV+'s Liaison with Eva Green and Vincent Cassel, ITV's Protection, ITV's Maternal, Peacock's Brave New World, ITV's Deep Water, Channel 4's Chimerica, and Disney+'s Mars. Naomi made her screen debut in the BAFTA-nominated film Lilting, followed by roles in several short films including BIFA-nominated Housewarming, and critically acclaimed animated short A Kind of Testament. On stage, she portrayed Tsukiko in the Royal Shakespeare Company's widely celebrated, Olivier-nominated production of My Neighbour Totoro. In 2020, Naomi was selected for the prestigious BAFTA Elevate programme, spotlighting rising talent in the UK screen industry.Naomi Yang is our guest in episode 552 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .Follow Naomi Yang on Instagram: @imoanyang .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Join us for another thrilling installment of All2ReelToo's All2 Dystopia Review series as we dive deep into Snowpiercer (2013)—a chilling, high-speed look at humanity's last survivors aboard a perpetually moving train after a climate-change experiment wipes out life on Earth. As society rebuilds itself on the rails, a brutal new class system emerges… and revolution begins. Featuring powerhouse performances from:Chris Evans, Song Kang-ho, Tilda Swinton, Jamie Bell, Octavia Spencer, John Hurt, Ed Harris, Ko Asung, Luke Pasqualino, and Paul Lazar. Buckle up—this is one dystopian ride you won't want to miss. #All2ReelToo #MoviePodcast #Snowpiercer #DystopiaReview #ChrisEvans #BongJoonHo #FilmDiscussion #SciFiMovies #PodcastLife #MovieFans #FilmReview #Snowpiercer2013 #CultCinema Listen now: all2reeltoo.com

La force du mélange triomphera toujours des semeurs de haine… même en musique. C'est ce que nous vous proposons cette semaine dans notre émission ! Nous évoquerons une grande soirée concert hommage à Mon Eléphant qui se déroulera le 28 novembre au Royal Onze avec un troupeau… d'artistes et recevons deux interprêtes de la pièce Melting Pot ! La musique étant le fil rouge indispensable de cette histoire mythique, nous recevons la créatrice et metteuse en scène de cette version nouvelle, enlevée et essentielle : Marie Céline Courillault. Mais aussi deux de ses interprêtes : le comédien et violoniste Ugo Clément, qui incarne le rôle principal, mais aussi Betty Reicher qui campe admirablement sa grand-mère et qui vous fera découvrir ses propres chansons le 7 décembre au Kibélé ! Tous trois vous réserves de belles surprises en Yiddish, en Français et bien sûr en live… Et puisque la musique entraîne la danse dans ce spectacle également, nous vous proposons en guise de videoKITSCH « I love to boogie », un titre sorti en 1976, une des chansons les plus connues des Anglais du grope T-Rex ! C'est surtout une des chansons culte du film « Billy Eliott » sorti en 2000 ! Dans le clip, on découvre Billy joué par Jamie Bell qui se confie à sa professeure de danse interprétée par Juli Walters. Ensemble ils dansent une chorégraphie qui donne envie de danse, bouger, mettre le son à fond ! En short ou en tutu, bougez-vous tout en nous écoutant toute cette semaine dans Kitsch et Net !

Click here to send us a message!This week we're discussing two of cinema's most celebrated queer filmmakers, Luca Guadagnino and Andrew Haigh. Within the last few years, they've each given us deeply personal stories about love, loneliness, grief and the disconnect of growing up queer in a straight world. Through different eras and wildly different tones, each film grapples with queer life in stunning and heart wrenching detail. Chris is back as we discuss the two newest editions to the Queer Film Canon. 

Steven Spielberg führt Regie, Peter Jackson produziert, Hergé liefert die Story. Die belgischen Comiclegenden Tim & Struppi werden endlich auch von Hollywood verewigt.

Stephen Daldry's 2000 coming-of-age comedy-drama made big waves on both sides of the Atlantic, and a star of its young lead, Jamie Bell. But how funny is it? Is that dancing actually any good? And is that really how they select people for the Royal Ballet School? Learn more about your ad choices. Visit megaphone.fm/adchoices

In comedy, the punchline only works if it lands with the audience—and B2B marketing is no different.That's what we can learn from Hacks, a show about a legendary comedian reinventing herself with the help of a Gen Z writer. In this episode, we're breaking down its lessons with the help of special guest Jamie Bell, Chief Marketing Officer at Workshop.Together, we explore what B2B marketers can learn from creating a “writer's room” for fresh ideas, testing content like comedians test their sets, and embracing generational differences as a source of connection rather than division.About our guest, Jamie BellJamie Bell is the CMO at Workshop. She is a marketing leader with a passion for building brands in underestimated industries and demand engines that keep sales teams busy (in a good way!). Over the past 12+ years, Jamie has been lucky enough to work in several early- and growth-stage companies in SaaS, e-commerce, retail, and media.What B2B Companies Can Learn From Hacks:Create a “writer's room” for marketers. Great campaigns don't just come from formal briefs—they need a space for messy, creative riffing. Jamie explains, “We didn't have a writer's room, at least at Workshop, and so when I came back from maternity leave, we added a meeting. We called it the pitch deck… it's just like an open forum for people to do like five-minute pitches, and we just creatively layer on, and it's been a blast.” The lesson? Carve out judgment-free time for brainstorming, where small sparks can snowball into big campaigns.Test your material before scaling. Like comedians who try new jokes on the road, marketers should pilot ideas before investing heavily. Jamie notes, “She does road shows, before to test the set list. So we do some things in like our Happy Monday Club newsletter, where before we'll like super invest in a piece of content, we'll just see if it does better than the other content in that newsletter, and see what the reception of that is before we blow it up a bit.” The takeaway: use small, low-risk formats to gauge response, then double down on what resonates.Bridge generational divides head-on. Hacks thrives on the clash between an aging comedy legend and a Gen Z writer, two perspectives that seem at odds, but create brilliance together. Jamie ties this directly to marketing: “There's so much about marketing and internal communications that I feel is around generational differences… and I think the idea that you take that relationship, you're unapologetic about it and you just talk about it head on… I think it's really great too.” In B2B marketing, don't shy away from generational dynamics; embrace them as a rich source of storytelling and connection.Quote“ Employees are your best brand ambassadors, and you need to spend some effort rolling out things internally. Having employees connected to the mission, the vision, the values.”Time Stamps[00:55] Meet Jamie Bell, Chief Marketing Officer at Workshop[01:33] Why Hacks?[02:07] The Role of CMO at Workshop[03:07] What is the Happy Monday Club?[04:45] The Concept and Creation of Hacks[20:16] Marketing Lessons from Hacks[41:38] Importance of Community and Events[44:03] Workshops' Content Strategy[45:04] Advice for a first-time CMO[48:38] Final Thoughts and TakeawaysLinksConnect with Jamie on LinkedInLearn more about WorkshopAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ted Danson is grateful for any chance to reconnect with his dear friend, actor Kate Mara. Kate talks with Ted about the correct pronunciation of her last name, what it was like acting with her sister Rooney in a Werner Herzog film, growing up in an NFL family, how she and her husband Jamie Bell got together, and more. Like watching your podcasts?  Visit http://youtube.com/teamcoco to see full episodes. 

On the 87th A24 film review for A24 on the Rocks, these film reviewers tackle the 2019 doozy of a movie "Skin" starring Jamie Bell and Danielle Macdonald. Skin is loosely based on the true story of Bryon Widner, a neo-nazi who was part of the white supremacist gang called the Vinlanders Social Club. After getting arrested for a horrific act of violence, Bryon meets a woman named Julie who brings her three kids to a Vinlanders Social Club gathering to perform folk music. Bryon falls in love with Julie and (maybe?) finds his conscience, but quickly realizes it isn't so easy to leave the neo-nazi gang that raised him. The A24 Rocks crew discusses the heavy themes of Skin, the short film it's based off of, and if director Guy Nattiv did a good job adapting his short movie into a feature length film. Caution: movie spoilers.Intro- 0:00 to 3:00.Film Discussion- 3:00 to 1:26:49.Film Ratings/Outro- 1:26:49 to End.Upcoming Podcast Release Schedule-August 27th- This Is Spinal Tap.September 3rd- Share.September 10th- Blind Ranking the Top 15 "Drug Films."September 17th- The Death of Dick Long.

Welcome Back Everyone! Thank You for joining us once again!   1st Film: Tims Pick Sinners (2025) Directed by: Ryan Coogler Starring: Michael B. Jordan, Miles Caton, Jack O'Connell, Hailee Steinfeld and Delroy Lindo 2nd Film: Fantastic Four Series Fantastic Four: Rise of the Silver Surfer (2007) Directed by: Tim Story Starring: Ioan Gruffudd, Michael Chiklis, Chris Evans, Jessica Alba and Julian McMahon 3rd Film: Fantastic Four Series Fantastic Four aka Fan4stic (2007) Directed by: Josh Trank Starring: Miles Teller, Kata Mara, Michael B. Jordan, Jamie Bell and Toby Kebbell Thanks for Listening! Email:   Strangerthanflicktion@gmail.com Twitters:  Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Tim - @timbohh4l Time Stamps: Sinners -  Rate and Review - 00:48:20 Fantastic Four: Rise of the Silver Sufer - Review and Rate  -  01:36:25 Fan4stic - Review and Rate - 02:07:15

Ryan and Dylan review the various attempts to bring the most famous super family in comics to the big screen: The Fantastic Four.

Fantastic Four: First Steps Is this, the 4th attempt at bringing the Marvel Universe‘s “First Family” to the big screen actually as fantastic as it purports to be? Well, we have finally settled on a look and feel that best suits the classic super hero squad: and it’s ‘60s Retro-futurism all the way for one and all!!! It’s a whole new universe of Marvel stories starring Omni-daddy Pedro Pascal, serving C&%t Vanessa Kirby, Joseph “i’m on fire!” Quinn and Ebon Moss Bacharach (or baccarat as Quinny thinks he’s called) as the truly Fantastic Four! In this film we kick of Marvel‘s Phase 6 and usher in a new style and direction of storytelling, but is it actually good?  Listen in and find out! These fantastic four reviewers are here for this one, so it’s all hands on deck as we hit this faster than light! https://youtu.be/ZkJszcpuQwQ A huge shout-out to the fantastic flexible friends and their robot helpers who join in with our moderated live-chat during the Twitch stream, each Tuesday night at 7:30pm AEST. And especially to those who have decided to drop some crushed up planet juice in the tip jar. Thanks for supporting us directly via our Ko-Fi jar and now also by subscribing on Twitch! You ALL rock! If you like what we do, drop us a sub!  Every bit of your support helps us to (hopefully) keep entertaining you and making more emotes! (there may need to be some for the rating system soon!) Don’t fret if you can’t be there for the recording though as you can catch them on Youtube usually later that very night. Make sure to subscribe so you don’t miss them! https://youtu.be/18QQWa5MEcs?si=ZuzrC0i80qHjiz4n https://youtu.be/cLFDV72pa-s?si=VHolgiDlJZWBk0I0 https://youtu.be/_rRoD28-WgU?si=nISYKo7MGY4MpUE9 https://youtu.be/WEhgwDqYqWM?si=Tx-FIPgv23qichZv ERRATA: It seems Quinny’s HERBIE history lesson was incorrect and entirely apocryphal… https://youtube.com/shorts/KHyTOUSk6Rw?si=FCmt1FKY-Grdhs7D   WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We’re on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/   Full text transcript Dion  Ohh hello and welcome to the pairing Table of Awesome. It is time for a foursome of a different kind on today. The Tuesday. What time? What time is it?  Speaker 3  What time is it?  Speaker 6  Blame on us? Yeah, it’s it’s.  Speaker 3  Fun it’s it’s podcasting time.  Dion  Butter in time. Wait, that doesn’t quite work. I don’t know. And right now, Pete, which she was invisible. Yeah. Yeah, well done.  Speaker 6  oh  Speaker 3  Sorry.  Quinny  Very well done. I love the feeling now, really. She’s.  Dion  Hold on. Yeah, yeah, yeah. Embrace hope. She’s yeah, probably. Still there. Can you hear?  Jill  Really gone. Just gone.  Dion  Us in the void.  Peta  I’m invisible. I’m not silent.  Speaker  Yeah. Yes.  Dion  That’s true. They didn’t use that enough in the film. I don’t think they’re just having Sue just kind of being like, what are you guys talking about and freaking people out because, you know, I do, if I were the Invisible Man.  Jill  Yeah, she’s not seen, not heard woman.  Dion  Yeah, not seen, not heard. Wow. Hello. Back after a week. Off. Off. Yeah, yeah. Small, small break.  Quinny  Wow. Hey, I said, everybody feeling enthused and like, upbeat and stuff.  Jill  It was nice. To have a little break to be honest.  Dion  Yeah, yeah, I hate those months with the five Tuesdays. What? What weirdness is that ********? And now? Ohh, it’s it’s gone. You’ve gone all glowy and.  Peta  Yeah, I’ve, I’ve. I’ve smudged the camera so.  Quinny  And ohh well. Yeah, I know. She’s she’s actually doing the exact effect from the movie where it’s just a little.  Jill  Yeah, yeah. The Vaseline lens. Yeah.  Speaker 3  Bit of.  Quinny  Now, now pets. No.  Dion  Can I stretch my hand over here?  Quinny  Pun. Serve absolute can’t with your face while you.  Jill  Do that. Yeah, there it is.  Dion  There you go. Perfect.  Speaker 3  And now I’m going to do some cooking, OK?  Dion  Ohh dear and you know what I hope for everyone. Hello to everyone in the chat mainly for. I hope you all got to do the home.  Speaker  Hey.  Dion  Work.  Jill  Yeah. Did everyone enjoy the movie? I.  Dion  This particular day.  Quinny  Mean I could. See it? Yeah, Tari looks like that. She hasn’t seen it yet. She’s saying that she that please be good. Ohh. Interesting.  Speaker  Oh.  Speaker 6  Ohh.  Dion  Fascinating. What?  Jill  Yeah.  Dion  Look. Yeah, we Fantastic Four has been out since last Thursday. Officially, we saw it last week which? Was quite fun.  Jill  Yeah, there’s even some early screenings on Wednesday for the public.  Dion  Yeah. Yeah, yeah, yeah. It’s out. It’s part of Marvel’s Phase 266.  Quinny  Yep. First film of Save 6. First film of, say Phase 6. God, that’s.  Speaker 6  Dion  Why couldn’t have made it the first film of Phase 4?  Quinny  Because that was quite some time.  Dion  And then it. Would have been. Ago. Right. OK. Look, the fourth attempt at the Fantastic Fours and I I include in that the the 1994. 1. Which was never released except IS is is hovered around. Yes, there was a 1994 one.  Jill  That would make this the 5th 1 then.  Dion  Yeah. No, no, it’s it’s, it’s, I say this as in the fourth go at it because there were two with the same cast. So you have the, yeah.  Speaker 6  Ohh OK.  Dion  What are you talking about? This is. Our fourth thing. We have had, yes, it’s the fourth thing, you know, Michael Chiklis did a great job getting covered in rubber.  Quinny  That is true, Yep.  Peta  Yeah.  Dion  You know, and then you know, we’re up to this one.  Jill  Can’t remember the other guy.  Quinny  That’s gonna get off in the life. And remember who played the thing in Fan 4? Stick. Ohh my.  Dion  God fan 4 stick.  Jill  I know.  Quinny  That was, that’s what it’s called.  Jill  Fan Fant Fant 4 stick.  Quinny  I don’t know, but I I just.  Jill  Yeah, I think that a was in the. Middle not at the start.  Quinny  Ohh OK, I just call it fan 4 stick because it’s it’s easier to say.  Dion  Ohh, that’s right, it’s Jamie Bell.  Quinny  Ohh God that’s.  Dion  Right, you remember.  Speaker 2  Whoops.  Quinny  He was the young.  Dion  Billy Elliot.  Speaker 3  Yes.  Quinny  And and the young, chipper guy out of of the first king or the the King Kong movie that Peter Jackson did.  Dion  And he was also tin tin. But that was who made.  Quinny  It so not really who you would think. Yeah, would fit in a giant thing.  Jill  Memorable.  Dion  That he was the. Thing, yes.  Quinny  And Karina makes a good point, a arresting piece to Julian McMahon, who was the 1st Doctor Doom actually. Sorry, 2nd Doctor Doom.  Speaker  Yeah. Yeah.  Dion  Yes, because there was a doom.  Jill  I did rewatch the 2005 version on the weekend just for a bit of nostalgia. Yeah, I like those trashy ones. They’re great. They’re so campy and stupid.  Speaker  Did you?  Quinny  What did you think of it?  Speaker  Yeah.  Jill  And I look back on them. And I’m like, wow, the simpler times where we did comic book films. And we really, really did make them comic bookie.  Speaker  Yeah, man. Yeah.  Dion  And finally.  Jill  Well, we weren’t going. For all of the realism and stuff.  Quinny  Yeah. And they didn’t have to fit in with some. Gigantic *******. Thing.  Jill  I will tell you practical effects. Thing I don’t know I like. Yeah, CGI 1 is like that, feels like. A cheap cop out.  Quinny  Right. OK. OK. Fine, no suit.  Jill  With balls on it and not put in. Any effort and? Just animate it.  Quinny  You know what?  Dion  Wait, do you mean wait?  Peta  The fine effort.  Jill  Hey, it’s a different kind of effort. I’m like, let’s get our hands dirty and make a ******* stinky suit out of foam expanding. Foam or something like that and. Of course, some lung disease. Let’s get into.  Dion  I’m I’m going to like, I’m just going to take it on part of the actors there. Sometimes I’m just going to be like, yeah, maybe they don’t.  Jill  It.  Quinny  This is Jeff.  Dion  Want that? Maybe they don’t want to spend 16 hours in a makeup chair to to to do. Yeah.  Speaker 6  As a cosplayer, I I would agree, but I would also disagree because I think it would be fun to make it.  Dion  Sure. I mean ultimately it’ll be that great thing of like they make someone do that and then they just go oh.  Quinny  I’m. I’m just.  Dion  We’re just gonna CGI it.  Quinny  Well, The thing is, there was a there was a lot of the thing in this one that was actually practical. Like there’s quite believe it or not, there’s there’s shots that they hired a a pretty big wrestler to be the body for it. So on set. A lot of the time there was a practical suit, dude of roughly the right size. Is.  Jill  So we’re not talking about a guy that’s just standing in there in a green zentai.  Quinny  No, I mean when when they’re doing it with Evan Moss, Baccarat, then he was in the uh, whatever the **** he said. Backup, backup, backtrack.  Dion  Doctor rap. No. Baccarat. That’s a.  Quinny  Alright.  Dion  Game I know.  Quinny  Dion  Know you’re in a casino in Monte. Carlo yes, guys.  Quinny  Anyway, when he was on set, yeah, they they had this entire certain stuff like that. But there were quite a lot of it that was shot any time they needed, like a wide shot and everything. They actually had a dude in a suit with the. Ohh head and everything. Cool. Alright. Yeah, I’ve I’ve seen the the pictures of that, but I’ve also in the chat just put a link to the 1994 one and the thing in that Jill, you would love that one because the the suit actually looks more like the comic book character than any of the others have.  Jill  I love the terrifying dead. Eyes.  Speaker 3  I know.  Dion  I mean, it’s great. It’s yeah, it’s very thingy.  Jill  That’s. Yeah, that’s.  Speaker 6  Look at that thingy over there. That thingy.  Dion  Yeah, that, that, that is definitely something I’d go. What is that thing? If I saw it in a in a thing?  Jill  With that young man with fake grey sideburns.  Quinny  I know, right?  Dion  Yeah. Hey guys. I’m trying hard here, Joe. What?  Quinny  Honestly, if you could find that film. Like this. This is I love this one because my my thing with Fantastic Four it it started with this film because I was one of those ******* nerds who heard that there was a film that got made and was never released. So I then went and hunted.  Speaker  For.  Quinny  It and I, you know, back in the days of VHS trading, got somebody to send me a *******. VHS of this film that had never been released, and I’ve watched it. It’s terrible, but it’s actually got a lot of, like, it’s trying really hard.  Jill  And. Nice.  Quinny  To do all of the things that are fantastic, four movie should do just with no budget. Hmm. So yeah, like it’s got Doctor Doom. It’s got the mole, man. It’s it’s got them all doing their powers. But like Reed, stretchy arms are like pool noodles with a with a *******. A glove on the end.  Jill  I mean that’s still image alone is giving vibes of like 70s Italian Spiderman.  Dion  Yes, got a bit of that. I mean, you’ve gotta. What’s what’s the what’s the the crossover slash league like the Marvel Group, you know, secret wars thing. It’s the 1989 Punisher. Dolph Lundgren. It’s the the Captain America film. It’s the Fantastic Four film.  Quinny  Hmm.  Dion  You know, it’s all of those ones Pre Marvel Universe. Mashed together. And you’re like, what is this strain? ******* place, but we don’t. Here, we’re in a different, strange place this time. We’re in much more budget, some bigger names and some.  Quinny  Yeah.  Dion  Finally, they sort of kind of got people who give a ****. Quinny  Yeah, yeah.  Dion  About doing something fun.  Quinny  Yeah.  Jill  And that’s nice. Surprising what you’re going to accomplish when you put in some time and effort.  Speaker  Yeah, isn’t it?  Dion  Isn’t it’s kind of like oh.  Quinny  And when you? And when you’ve had three goes at it before and gotten it wrong three times. You kind of go. Well, **** it. We’re gonna hold off on this one because, I mean, Fantastic Four has always been seen as Marvel’s first family. Like, you know, they’re they’re one of the very earliest Marvel superhero groups. And you know, we’re what, 40, you know, 39 films in now something.  Speaker 5  Sure.  Dion  More, I don’t know 112 where 112 films in now. That’s how many there are. I I won’t be fact checked.  Quinny  And we’ve, yeah, and now we’ve just introduced the very first Fantastic Four stuff. So yeah, it’s it’s an interesting one. I mean, obviously they were tied up in rights for. A long time.  Dion  But yeah, I mean. Look, it’s fine. We’re just going to ignore the rest of those fan 4 test. Stick, whatever it is.  Quinny  Can’t ignore them.  Dion  We have to stick, then forget stick. That’s what I. Yeah, we’re gonna ignore that.  Quinny  Not. The autistic fans.  Dion  We’re going to, we’re going to ignore that. Michael B Jordan, he’s also Johnny Storm. Yes, I know, right. No, he’s not Killmonger. He’s definitely Johnny storm. We’re also going to ignore that Captain America.  Quinny  Ohh yeah yeah, he was one of them.  Speaker  Yeah.  Jill  Was also Johnny Storm and Captain America.  Dion  Was also. Stone. Yeah. Yes, exactly. We’re going to ignore all of those things and focus very.  Speaker  Yeah.  Dion  Much in Comic Daddy and his family and Pedro Pascal’s not not happy just being space Daddy, Apocalypse Daddy and General General Daddy.  Jill  Yeah. Thanks, daddy.  Dion  Now he’s also comic Daddy.  Quinny  Hmm.  Speaker  Yeah.  Dion  Yeah, along with.  Quinny  Is there anything he can’t, daddy?  Dion  You know what? Hollywood will not let him. Not daddy something. He’s in there now forever. Like. Yeah, he will just. He will just keep doing it until everyone collectively gets sick of him. And I’ll be able to return to an anonymity.  Quinny  Hmm. I just realized it is the summer of Pedro, it’s.  Jill  Summer picture.  Dion  Yeah.  Speaker  Been just realized.  Dion  Multiple summers.  Quinny  It was another ******* attempted Fantastic Four.  Dion  Oh. Have you? Yes, grey tailed.  Quinny  Well, technically. There was another Reed Richards. Ohh John Krasinski but that.  Jill  Yes. Yeah, that’s right.  Dion  That’s in Multiverse of Madness, which is so the. But that’s not the Fantastic Four.  Quinny  Yes, from. Marvel Universe. He’s one of the breeds.  Jill  He was. He’s Mr. fantastic.  Dion  Is he though?  Jill  Yes.  Quinny  He’s Mr. spaghetti by the end of. It but anyway.  Dion  Yeah, like I mean, yeah, that’s just on film, but it it, it wasn’t the Fantastic Four and this is what we want to focus on. It’s about these group of people and. How they’re represented in cinema? Yeah. What you’re not.  Jill  Capturing in the audio is our eye rolls.  Quinny  Massive massive eye roll.  Dion  Come on.  Quinny  Beyond wiping away John Krasinski from the from the entire multiverse of of anything, and we’re all going. No, no, no.  Jill  Yeah, that’s because they don’t. Can’t do a convincing cosplay of John Krasinski’s Mr. Fantastic. You can only do the Pedro.  Dion  No, I cannot.  Jill  Dion  Yeah, yeah, yeah. Yeah, and if you squint, the Ian Crawford one.  Speaker 6  You’re clean shaven for that one.  Quinny  I’ve just had an eye. Yeah, my eyes are not that ******* blind.  Dion  OK, then fine. I’ll go with this one if this. If he’s part of the Fantastic Four Canon, you need to cast the other three members of the Fantastic Four in those universes. Who is it going?  Jill  That’s true. OK. Oh my God. Yeah. Can we come back to this at the?  Dion  No immediate. OK. We’ll give you time. Time. Yeah, time.  Jill  End of the show. We’ll be here for 15.  Dion  Minutes. Yeah. Yeah. So if if if John Krasinski’s Mr. Fantastic and chat go and throw some something we.  Quinny  Man. Need to sleep? Yeah.  Speaker 6  ******* Emily Blunt. I would go. Emily Blunt force.  Jill  Storm.  Quinny  **** yeah. Yep, Yep. You down to?  Dion  That yeah, Karina, just like gonna get to the. Synopsis yet guys.  Speaker  Yeah.  Peta  You know, keep getting pushed.  Speaker  Push.  Speaker 6  Push by the chat. Let’s go.  Speaker 2  Yeah, that’s a wow.  Quinny  I’m being bullied by the test.  Peta  This film about.  Quinny  What is this film about it? No, I’m not gonna. I’m not gonna do the synopsis now because I’ve been told. I have to.  Jill  No. Ohh yes.  Speaker 6  Jesus.  Dion  Christ.  Jill  That sounds like me energy.  Dion  Peta  Settling into that demand avoidance there.  Dion  Come on. Tony, have you got? Have you got some synopsis?  Peta  Yeah.  Quinny  For us it is. I have got a. Synopsis for everyone but Karina.  Peta  To be fair to Karina, it’s been 20 minutes.  Jill  Can you do it in a Brooklyn accent? OK.  Speaker 3  Forced ohh. Forced to balance their roles as heroes with the strength of their family bond, the Fantastic Four must defend Earth from a ravenous space God called Galactus and his enigmatic herald the Silver Surfer. And guess what? It’s clubber and die this.  Quinny  Ohh, cool, that’s it. That’s the whole book. Was an opposite. Trust me, there was an even shorter one.  Speaker  Is that it?  Speaker 6  Yeah. Wow.  Dion  I love sofas, yeah.  Speaker 6  Silvers, soyfer yeah, soyfer.  Dion  Some some more continents and vowels in there that I remember from.  Speaker 3  Hey, I’m going down the street and I’m going to start some some flights. Yeah, yeah, yeah.  Dion  Yeah, that’s about it.  Quinny  Hey, get that man some cookies. Thank you. I.  Dion  Would love some cookies. That’s kind of what the movie is about and I’m, I’m I’m with it like this isn’t one of those films that you went and saw and you’re like, oh, great, we get to have an origin story of how did they get their powers, how did. They do this like how do we go through that? They were like, no, you know what?  Quinny  Ohh thank God.  Jill  Yes, we just got a tidy. Little vignette, and that’s all we needed.  Dion  Yep. Quite a long vignette really explaining like how they fit into the world and how suddenly the the brokers of World Peace and everyone looks up to them and they’re the world’s family.  Quinny  Yep.  Jill  Yeah, I kind of love it.  Dion  I mean, OK.  Jill  They’re. They’re paragons.  Quinny  Yeah. And we, the the important thing to note is that we’re in a different world here we are in. We’re not in the regular Marvel Universe. We are in a weird kind of quasi 60s future pop, yeah, different reality.  Speaker  Mm-hmm.  Speaker 3  It’s.  Dion  It’s 60s futurism, so it’s just it’s there’s a divergent.  Speaker  Hmm.  Dion  From our history to where it has ended up in this Earth history, and I’m I dig it, I dig the style, imagine in the 60s if four people got shot into space and came back and had all these powers and solved a bunch of problems.  Speaker  Hmm.  Dion  And a bunch of other things happen. That’s how that kind of goes. It’s like, yeah, well, you know.  Quinny  Yeah. And the difference.  Speaker  I mean.  Quinny  Not actually stated what year this is, is it?  Dion  No, no, it’s just the different earth.  Quinny  Yeah, right.  Dion  And what that is. But people don’t have.  Jill  Yeah, it could be current day 2. 616 Earth we don’t.  Quinny  Yeah, yeah.  Jill  Know that’s just what this earth.  Dion  Yeah. Looks like there’s big. There’s big kind of LED screens, but no cell phones.  Speaker  Slide.  Peta  Yep, well, it’s kind of like they’ve kind of gone. We don’t need to put energy into making TV screens flat. We’ll just have giant non flat TV screens and faster than light space travel. Yeah, yes. But we’re gonna do with that extra energy.  Dion  There’s there’s like.  Quinny  No.  Dion  You know. Yeah.  Peta  We don’t need to put energy into like inventing MP threes. We’ll just keep records. Yeah, yeah, yeah, yeah. And teleporting.  Dion  Yeah. Yeah, yeah, yeah, yeah.  Peta  Think of what we could have done as humanity.  Quinny  I didn’t know.  Dion  Exactly all of our computerisation goes on tape.  Jill  Yeah, I mean. Yeah, we invented cassettes and then CD’s and then digital format music. And now we’re back to ******* records again.  Quinny  So yeah, but they just didn’t bother leaving the the records. Yeah, because they realized it was the the superior format from the start, especially if you print them in.  Dion  Yes. Gold. And if you haven’t got a troop of players in your lounge room. You know, yeah. Eventually we’ll get to there, won’t we, like? Oh, this is my 9 musicians that follow me around and. Play music to me.  Speaker  Yeah.  Quinny  Yeah. I mean, yeah. Karina and Casper both kind of make the point. It’s very jetsons.  Dion  Yeah. And that’s kind of great because that’s very familiar to the people who knew fantastic for for when they were growing up based on the cartoon, which is the the sort of.  Peta  So jetsons.  Dion  The carry over of where people would sit from the Saturday morning kind of cartoon and. You know it it it sets the tone that everyone could easily get into and I went, I’m here. I immediately know what’s going on. It has a different Marvel logo, it has a different kind of a soundtrack. It’s setting itself in a in a particular period and I was like, I’ll go with this. This is totally different to every ******* thing else. This isn’t a dark and gritty reboot. This isn’t. Anything really to do with the rest of the Marvel Universe? Yeah, kinda. Which makes me happy. And I was like, I’ll go with this. I’m immediately just going to be like, all right, what do you got?  Jill  Yeah. I think the thing that’s so immersive about it is the visual language that they’ve lent into so strongly and so thoroughly like the the set design and production. All the set pieces, the costumes, everything like that was like. Beautiful, like there was such attention to detail and there was not like a wasted moment on screen. It was so interesting that we’re talking about like, how like futuristic retro it is but. Like the. Costuming wasn’t futuristic. That was still like grounded in 60s fashion.  Speaker  Hmm yeah.  Dion  I had a really good time just watching the sets and the costumes. I was like they have actually paid a lot of detail to the costuming, not only of the signature folk, but the people around them too. Looked sharp as ****, I gotta say.  Quinny  And.  Jill  Yeah, like the the space suits and their hero suits were were still like. Grounded within like that 60s, like retro futuristic style, but had like the the strong 60s fashion elements as well in terms of like the textures of the fabrics and things that they used but the the colour theory throughout was fantastic and yeah just the the visual language that they. Used in this film was just so Cohen.  Peta  It’s a joy for. The arts, hmm.  Dion  Joy for the eyes until we get to the failure of the film.  Quinny  Wow. Jesus. OK, so, so just a reminder folks, the deal also sat through Superman and huffed.  Speaker  Go further on.  Dion  I did. I did half. He did half I wanna also. Caveat that I did see Fantastic Four, but beforehand I had.  Speaker 6  So.  Dion  To watch. Beforehand I had to win. The Avatar trailer 17 times. I don’t. I don’t know how to explain that in terms of everything else, but I had to sit through the Avatar trailer. Too many ******* times, and that may have influenced my decision. And how I enjoyed that film slightly too many times.  Jill  Anyway, yeah, it’s almost like they strapped you to that chair and made you watch them 17 times.  Dion  They kind of did. Yeah. You know, because you know, as we all know, in those kind of cinema things, the seats are gold. And if you leave one, you’re done. It’s going coming back but anyway.  Speaker 3  Yeah.  Dion  OK, enough of that. Fantastic for what? What are your first four impressions?  Quinny  I just wanna know why you’re getting ready to throw it.  Speaker 2  Hello.  Quinny  Under the bus. To you ohh.  Speaker 2  No, no.  Quinny  Like there have been a couple of times that you’ve already kind of started. Coming out of. Swinging. I wanna know why the big.  Speaker  There is.  Dion  Rubber punches out. Well, first, I mean, we all hate John Krasinski. And. No, I’m just joking. That’s. Three just threw that out there for.  Peta  Come on for John Krasinski. And he’s not like.  Jill  He can’t even defend himself.  Quinny  He’s such a nice guy. Everybody talking.  Dion  About, I’m talking about how effusively I love the costuming, the design, the aesthetic, the way that it just kind of moves the story along really, really quickly. It throws in some amazing nods and references to the historical stuff, like there’s covers of famous Fantastic Four issues thrown in very quickly. I know you’ve got.  Quinny  Oh my God, that made me so happy.  Dion  Classic villains like Mole Man and the Red Ghost. Yeah. Ish red. Red ghost off.  Speaker 3  Well, sort of.  Dion  Like all of that stuff is kind of great. Herbie is amazing. The fantastic car, which I think often gets ignored. Quinny  Yeah.  Jill  Uh-huh.  Dion  In, in a lot of, this is part of the fun about the Fantastic Four is all of the bits and pieces that Reed comes up with. That’s all kind of themed Herbie, as I said. Yeah. And he was.  Quinny  Great. OK. Does everybody know the history of why Herbie exists?  Jill  No.  Quinny  OK, this is my my favorite stupid piece of ******* history. So in the 60s, when the Fantastic Four was being turned into a cartoon, they went OK we’re going to do the Fantastic Four and the standards people of America went hang on. One of the characters is on fire.  Speaker  Tell.  Quinny  We can’t have a children’s TV show where the children want to emulate the heroes and have a character be on fire. Why not so? In the 60s cartoon of Fantastic Four. Johnny Storm is removed entirely and is replaced by Herbie. This is where Herbie came from. Wow.  Speaker  Oh. Yeah.  Quinny  So the fact that, like the fact that he’s in the movie is ******* hilarious. But his history is even better.  Jill  That’s wild.  Quinny  And I’m pretty sure he actually talked in the animated series, but yeah, and didn’t just make bleeps and.  Speaker 6  Wheels. I like the Droid vibe it was.  Dion  Didn’t. Yeah, it didn’t sound like. Yeah, it didn’t sound like a 60s frickin B.  Speaker  Yeah.  Dion  I just. I just remembered something. Thing when we get this Sue storm into the proper Marvel Universe, she’s going to have to come up against Namor, yes.  Quinny  Hmm.  Dion  And and that’s a lot of that’s a that’s a whole. Jean Grey, Wolverine, Cyclops thing going to happen right there anyway. That’s right.  Jill  That’s something we can work on.  Dion  Later. Yeah, there’s a lot of smart in that one anyway, yeah.  Speaker  Yes.  Quinny  And apparently on on the set all the time, Vanessa Kirby is like, So what? What’s going on with Namal? Pedro’s like, for ***** sake, right?  Dion  Here she knows what’s going on. She gets all the cast members.  Quinny  Mm-hmm.  Speaker 3  Yeah.  Dion  Yeah. Look, I. Had a great time with it, like, you know, really good introductions to quick introductions to characters. Everyone got a little bit of ability to show who they were as characters very rapidly. Like, you didn’t have to pay to. Much there, but I also really appreciated how much they felt like a family and they felt caring and it was showing them in a particular way, which it wasn’t like, oh, these are conflicted people. They don’t know how to, you know, where’s the drama? I mean, the drama isn’t in the family. The drama is external forces. And I think they got that really well because there was a really cool vibe to sort of be like ohh this is, this is cool kind of family like like I I would take children to watch it and be like see, this is how you’re nice to each other. You don’t have to hit each other. You know.  Quinny  Don’t set each other on fire.  Dion  Don’t set each other on fire. Try stop working so hard.  Quinny  Pete Jew talk to me.  Jill  Oh my God. Ohh feels like so long ago but it was only Friday.  Dion  Four days ago that you saw it.  Jill  Ohh my goodness, I really liked the film. I had a good time. I saw it well. I mean, all the things that I said about the costume and set design and all that stuff was just fabulous. I thought like the story pacing was good. Like they they got to the point and they, you know they executed ABC. You know, here’s what’s happening. Here’s our problem. And here’s how we overcome. It, like they did that. UM. I thought the action bats were good. But again, I’m just not getting my **** blown off. Guys. The jet film. We’re back to the **** rating scale. OK0 **** means it was ******* amazing because they blew them both off, but two **** is bad because it doesn’t mean that I didn’t like the movie.  Quinny  Back to. Rating system.  Jill  It just didn’t **** **. Way and it made me start to think that there was something wrong with me. Like am I not finding enjoyment out of these movies anymore? Like is it becoming passe? Is it like over saturation? Like what’s the issue? I think what the issue is is that too many movies. Are just safe. They’re in a safe zone. They do what they do on the box and they do no more than that.  Speaker  Hmm.  Jill  I’m not getting any like thrill, danger, excitement from these movies anymore. It feels really middle of the road and pedestrian and that’s not to say that Fantastic Four was a bad movie. It was a good movie because it did its job, but it didn’t go above and beyond. And become an exceptional film. And I just, I feel that way about Superman as well. That was not exceptional to me, and it just kind of feels like every time we go and see a big blockbuster, I come out like feeling it was it was middling level.  Speaker  Yes.  Quinny  I agree, but I want to keep Pete’s. Take on it? Sure.  Peta  I think it’s very well constructed, beautifully made. Film, I mean, we’ve talked about the production design and the look of it already, which is great. You know, we’ve talked about the the structure which is logical and probably better constructed than Superman. And and I do think it’s funny that I’ve kind of liked the exposition. Free tool here that I hated so much and electric state, same tool, different vibe. It’s it’s easy to get into and you want it to be because there are some plot points that that, that require a very high level of suspension of disbelief. Even for a comic book movie, you know, usually I I I I try to give the the Budweiser and the ********* like. A bit of a break in in certain genres, but I struggled a bit with a couple of the plot points that very much drove some parts of the story. Because it was a bit wibbly wobbly. Sciency want see? Yes. Yeah, like, don’t.  Jill  Get into the proton stream, but get into the proton stream, yeah.  Dion  Yeah, you’re Superman.  Peta  That was and, and I think the issue is I I I get I I have a tendency to get a little bit distracted if I can’t. If that suspension of disbelief gets interrupted, and I think that these particular plot points were distracting enough that even though I was enjoying the film, I still. Got kind of. Kicked out of this story a. Little bit by thinking? Yeah, but Nah.  Quinny  Are these things that need to be talked about in spoilery territory or?  Peta  Ohh, everything needs to be talked about in spoiler territory. It’s it’s just and if they weren’t plotted drivers.  Dion  OK, alright, fair enough.  Peta  It would have felt a little bit different as well, but it it did kind of feel like as well constructed and entertaining and beautiful as the film is. I kind of agree with Jill that you kind of I didn’t personally come out of the end of it going like. **** yeah. Amazing superhero film. It was just kind of like, ohh, that was like really well constructed and good looking and entertaining. And yeah, Pedro.  Quinny  I I have, I agree very much with with everything you guys have said. My biggest problem with it is that. The movie didn’t have its next gear up like all the way through it puddled along at an enjoyable kind of pace. It was doing what was needed, you know, things were kind of getting, you know, you had your action beats and stuff like that. But then when you get to your climax. It doesn’t have the next gear, it can’t shift it back a cog. And really. Go ****. Let’s go. It didn’t have that it, you know, the the climax I kind of was like and oh, OK, right. We’re done. ****. OK. Huh. And that’s. Kind of implementing of the whole film that it’s really well made as as we’ve all said, well made, well shot, lovely costumes, lovely everything.  Jill  Great performances, everybody was on their a game.  Quinny  But nothing that made me go ****. That was a moment. Like, you know, there was nothing. There was no moment like.  Speaker  Yeah.  Quinny  The thors hammer. With that, America, there was no kind of really emotional beat of.  Speaker  Yeah.  Quinny  Vision saying you know that love is just pain. You know, whatever. I can’t even remember the quote. But you know those those those really like deep seated moments that make you go ohh. That got me right in the heart.  Speaker  Hmm.  Peta  Which Thunderbolts did for me, and that, you know, I. I guess if if if you’re going to hold it up against superhero films we’ve seen this year from a.  Speaker  Hmm.  Peta  Is it a good movie?  Speaker  Hmm.  Peta  Mm-hmm. You know, well-rounded perspective, I would still put Thunderbolts ahead of this, regardless of how beautifully. Thought out the world was.  Quinny  Yeah, like there, there were lovely moments and their lovely ideas. I love the idea of the whole world pulling together to go **** we’ve got. Eight months to build something or, you know, and we’re all going to pull in this together and we’re all going to come together over something. It’s a great concept, but it just never felt like it had those that, that personal danger of what we saw in Thunderbolt and. A lot of people who are doing the, which one did you like more, Superman or or fantastic? 4. I personally thought the Superman took more risks. You know, it was weirder. It was.  Peta  Well, it was more. It was more current in in its messaging and the. The risks that it. Was taking in that messaging as well, and I think also you kind of.  Dion  Hmm.  Peta  This is a bit of an imbalance, I suppose in the rate that one escalates because you can kind of attempt to escalate the stakes to the highest possible point and the escalate them so high that the audience cannot believe. That. That jeopardy is going to come to pass in that context, which actually, which actually kind of destroys that moment, is kind of gotta be like a believable, worst case scenario that they’re facing. Not like, well, of course, they’re trying to find a way to avert that. There’s gonna be a little part of you that’s like.  Quinny  Hmm.  Peta  Ohh, they might fail, which I kind.  Speaker  Hmm.  Peta  Of felt in this.  Quinny  Yeah, yeah. Yeah, like.  Peta  Otherwise, you don’t feel the jeopardy, you know, the way that you should.  Speaker  Hmm.  Quinny  Yeah, and and I don’t know, I feel like something like Superman has has more of a an alter kind of vision behind it. Like, you know, that felt like James Gunn saying something and his whole thing about found family and his whole thing about being outsiders and, you know, he. He has a particular thumbprint that is all over that. This one I couldn’t tell you. A thumbprint it was.  Peta  Which is funny because it is tonally and structurally much more consistent.  Quinny  Absolutely.  Jill  Yeah, it’s a. Package. Yeah, it has an aesthetic and it, you know, executes that, but yeah.  Quinny  Yeah. And and like.  Jill  There’s there’s special sauce.  Quinny  Yeah. And and I don’t. Know what it is because. I was wanting to get excited. I was super wanting to get excited and it just never quite hit me. And even when big things happened, I was like.  Jill  Karina made a good point that she thought we were going to see them fail. Based on what we saw in the post credit scene of Thunderbolts and I want to make a point where I kind of wish that that scene never existed because it coloured my expectations.  Speaker  Hmm.  Jill  This film I was going in.  Quinny  Yes, I’m.  Peta  I forget what that scene.  Jill  Was ohh that’s actually it was it was there. There was like ohh we can. We’re picking up something on our radar and then they zoom into space and they see the Fantastic Four ships flying through space and that bit. Yeah. Yeah. So I had a different expectation of what I was expecting in this film. And so I’m like.  Speaker 6  It’s just.  Dion  Just a a rocket ship in the sky. Kind of, or if it is, we don’t know.  Jill  Just on the edge of my seat the whole time, thinking. Well, how are they gonna get to our earth? When are we gonna see that? When are we gonna see that? And. And I’m like, so I wasn’t in the moment with everything else that was happening because I was anticipating something else to.  Quinny  Yeah. Yeah. And and maybe that’s that, that other cog that.  Speaker  Happen.  Quinny  I was expecting. Maybe that’s the the the next thing up is that you know, they do like, fail or they do something that that then took it to a different level.  Speaker  Yeah.  Jill  That causes them to and then this is how we get to this moment. But like now that we’re not going to have The Avengers doomsday film until another 18 months.  Quinny  Jill  I’m like, wow, how are they going to get our butts in the seats for that one?  Quinny  Yeah.  Jill  Because after watching this movie, I’m like. Ah, I don’t really know where we’re going.  Quinny  Neller.  Peta  At the end, do you feel safe now with your opinion to share?  Dion  I mean, my opinion is based on Fantastic Four and how I enjoyed this movie or didn’t.  Quinny  Which is a really difficult thing to do to to take the movie entirely on its own. Yeah, been its own value and.  Speaker 2  What?  Quinny  So aside from my expectation, aside from the other movie I watched a week and a half before, yeah, aside from.  Dion  Yeah.  Quinny  All of that, yeah.  Dion  Look there. This is the thing. Like I I really like to to throw this through. I really enjoyed Thunderbolts because it broke expectations that I had. I was there for it to say, what are you gonna do with this? And I was. Like wow, that is a great movie. I had certain expectations about Superman or I was wondering what was going to go, and I felt it wasn’t as good as I thought. It’s going. And I went to Fantastic Four. Saying how is this going to go? And I thought, yeah, I had a little bit of the same thing the the ending. Thing towards the end and some of the reasoning and stuff I was a bit like oh, this doesn’t make sense and I don’t understand where it does or doesn’t fit and I feel like they’re going to have to for some reason do another one in that universe for some reason. And I’m just a bit confused. I feel like it just kind of didn’t. You’re right, had that. Where’s that gear? Where’s the gear? Range. Where does it go up? Where do the stakes get bigger? Where does it become really important? But really I liked it because it. Was you can see across the entire movie from start to finish. It was a love letter to the time of the original Fantastic Four. Like all of the Kirby, all of the weird stories are just written into it. So it is made with a lot of reverence and a lot of love. And I really liked that because there was good messaging that was in there.  Speaker  Hmm.  Dion  The execution or some of the reasoning is just I don’t know how this fits. In the rest, like I love that it’s an outsider film, but I also don’t then. But what’s are we are we going to follow these people? Is that the point or is it just having a second one? Like I don’t. Know like it’s another Fantastic Four is like.  Quinny  Yeah.  Dion  Will we see him?  Jill  Yeah. Are we making this movie just to make a sequel? Just so we can make? Money.  Quinny  Yeah. Well, or are we making this one just because we needed to have a really good bad guy for the MCU. We’ve already announced who that bad guy. So we really had to have this film before doomsday could happen.  Jill  Yeah. There’s a lot of very upset people in. Our screening at the end of this movie.  Quinny  Yeah, yeah, there was.  Dion  Yeah, Speaking of bad guys, how do we feel about the villain aspects of this one?  Speaker  Hmm.  Jill  I was curious to how I would ever see Galactus executed on film, and I think it. Up to a point, it was well done.  Dion  Is it? Is it better than the giant cloud?  Speaker 6  Ohh yeah, we don’t need.  Dion  So the.  Jill  Some amorphous cloud like I want to see an actual Galactus and like how?  Dion  So.  Jill  Do you do? That I mean, especially after we had the Eternals where, you know, we have things God like beings in space, it’s like, OK, well now how do we make a Galactus?  Speaker  Hmm.  Jill  That was really cool, but then there was a moment where I thought it was. Not cool. Maybe I’ll talk about that in sport.  Dion  How? How did you feel about Charlotte Owl?  Jill  I thought it was sick. I’m like, yeah, let’s go back to the original Silver Surfer. Yeah. People will be surprised to know the original Silver Surfer was not a dude.  Quinny  I I knew that Michelle label was an alternate, but I didn’t realize that. Jill  I think the original Silver Surfer was a woman, and then it was her lover that begged Galactus to trade places with her.  Quinny  Yeah, yeah. Entry.  Dion  Interesting, yeah.  Jill  And disappointed we didn’t get the what if Aunt May was the Herald for Galactus and we didn’t get the golden oldie.  Dion  What are you talking about? Marisa? To me, isn’t that old?  Quinny  I I think.  Speaker 3  No.  Quinny  I think there were there were sequences in there watching the the Silver Surfer surfing through.  Speaker  Ohh.  Quinny  Like Kirby Crackle, ******* cosmic power surfing through black holes where I was like, **** yeah, this is cool. You know, surfing around curving laser beams and ****. I was like.  Dion  Well, grab. Yeah.  Speaker 3  Yes.  Dion  ******* hell yeah, that’s that’s the weird success stuff. That was the bitter.  Speaker  Hmm.  Dion  Was like, oh, this is great. Like, how do you put the Silver Surfer in? Why does it doesn’t even make sense. And it’s like, yeah, it does. If you lean into that. Crazy kind of 60s vibe that it originally was about. It’s like, yeah, I’m just gonna surf, like, through cosmic waves, man, it’s. Like. Cool. That’s fun. Yeah, it helps if you take LSD.  Quinny  Hmm.  Speaker  Yeah.  Dion  You know.  Quinny  Like there was something so ******* cool with all of that visual stuff. Yeah, that up until now, we’ve never really gotten because the only other time we’re seeing the Silver Surfer, he was on Earth, so it didn’t have that real cosmic kind of.  Dion  Maybe. He was the T1000 man.  Jill  Thing, yeah.  Speaker  Hmm.  Dion  He just kind. Of morphed around as needed for the plot.  Quinny  Your thoughts on on the Silver Surfer?  Peta  Neutral. Cool. I I don’t have a lot of feelings about the Silver Surfer as a character, but I thought she was. I thought it it was cool execution.  Dion  Yeah.  Quinny  Hmm. Yeah, look cool. And I like the the human eyes too. I thought that was kind of cool. Yeah, cause you I feel like you still need something to latch onto for a motion, yeah.  Speaker  Mm-hmm.  Quinny  I thought that was smart.  Speaker  And. Look, there’s look.  Dion  There’s lots of fun stuff in there. Standouts for me. I I I need to say I really annoyed that they didn’t rename it the fantastic six because to be honest, there are 6 characters in this movie. By the end of it, you’re watching it like there’s not just four, there’s more. Who you’re following through with, which was a bit of a surprise because I was like, OK, right. You’re just going to lean very heavily into the entire thing. Sure. I really. Kirby, I love that they went into galactic space because that’s kind of that’s that kind of that’s really fun. Like Reed Richards is that kind of character who, you know, is your prototypical 50s, you know, American Americanized painting, you know, of, like, it’s a pipe and slippers and, you know. Dad’s home.  Jill  Yeah. The Norman Rockwell. Yes. Please looking forward.  Dion  Yeah, absolutely. 100% The Rockwell and it it. But presented in that very conservative way, but he’s not a conservative. Like you know, it’s kind of like I’m just going to learn how to fold matter and bend this, and then we’re going to space. All right, everyone, safety third. Let’s go. That’s kind of Reed riches. Like he built a thing called the Ultimate Nullifier. And it kills anything in the known Marvel Universe. And then he’s just like ohh someone.  Quinny  He’s.  Dion  Like.  Speaker  Like.  Dion  ******** Reed, you know like.  Quinny  One thing you you said to me afterwards too.  Jill  Yeah, I mean. He just casually solved teleportation in this.  Dion  Yeah, yeah.  Jill  Film or whatever.  Quinny  Whatever. Whatever one thing you said to me too, and I agreed like they’ve always struggled to get Reed Richards powers looking good on screen. Like it’s very hard to do stretchy guy without it looking dumb, but one of the things that is kind of sad is that in the.  Dion  Yes.  Quinny  The comics and everything. Quite often you’ll see him, and that stretchiness of his body is a. Is. A all about echoing who he’s mentally. Yeah. So his arms are over here. You know, riding on the blackboard and his other arms over here, smoking a pipe and his head is, you know, stretched out over here, looking at the, you know, out the window or something like that. And there wasn’t much of that. It was very much like, this is traditionally handsome Pedro.  Peta  Yeah.  Jill  It’s it’s tiny. Yeah, it’s a tiny bit like he was doing. A little bit of the blackboard. Stuff and the catching things, but.  Speaker 6  Yeah, I don’t.  Jill  I don’t think we really got to see him actually use his powers much in the film as a whole.  Quinny  Nope. Nope.  Dion  It’s very, very expensive to animate Pedro Pascal.  Peta  It’s it’s a dump power.  Speaker 3  Pete. Pete, in there, it’s true.  Jill  I mean, it might be a time you. Would change your mind.  Speaker  Yeah.  Speaker 3  Blubbering time, no.  Quinny  Should we rate it because we are, we’re going on a.  Peta  Yes, yes.  Quinny  Long time. Ohh good.  Jill  Oh my goodness. I don’t know. I’m gonna pick a number.  Dion  How many tips off Jim?  Speaker 6  Yeah, the tip scale. Yeah, yeah, yeah.  Jill  Yeah. The two tip film, but.  Quinny  I mean, I’m gonna. I will change the rating system if I have to, but it’s gonna really.  Dion  I had some I had some issues with it, but I did enjoy. I had a fun time. I’m gonna give it a 75. No 70. I’m gonna go 70. Sorry. I’m. I’m back down a little bit mainly because I really loved.  Quinny  On the website.  Dion  The scenic I love the the the characters together. They didn’t quite mesh as much and I felt like some of them were lost like I think Ben Grimm’s the thing.  Speaker 6  Hmm.  Dion  Totally kind of lost in the hole as much to do. No, I I didn’t get enough of that thing because one of the most important things I know about Ben Grimace, he’s the real heart of the team. And while that was great, like I loved, you know, uncles, you’ve got uncles going on there. I loved it. You know, Johnny and and Ben are totally down for, you know, being uncles. I just thought he got a little bit lost and I have big issues with some of the purple headed warrior of the lactose, which I’ll talk about in spoilers, but yeah, overall fun time. Not a long time.  Quinny  Fair enough, Pete. Number.  Peta  I’m going to say I’m going to say I’m going to say 76 because I do think that it was. Really well put together but. The the I mean I’ll have some stuff to say when we spoil some things. Yeah, I’ll try to keep it brief. Actually, there was one point I think I said to you guys that I’d nearly walked out of there with more tips. Than I started with.  Quinny  I’m still wanting to know how that works.  Peta  Luckily, luckily I I didn’t have to go full rage out on it.  Quinny  So I’m very impressed.  Peta  Umm. But yeah, it’s just those kinds of like those those plot points that that just didn’t quite work for me were just a little bit kind of too conveniently driving the plot. And I didn’t quite buy even in the world of the story, that really kind of helped me back from from. Losing any tips at all?  Quinny  So so number of tips is 2. Hmm but. Peta  Ohh, also the young Kelly’s Uncanny Valley baby was distressed.  Quinny  Though apparently that they had a live baby on set 99% of the time.  Peta  In some shots, I was gonna say you, but you can tell the. Shots that aren’t, yeah.  Dion  Yeah, yeah. Babies don’t look like babies on screen. You gotta pay. They yeah.  Peta  I mean, either it was a fully uncanny valley baby or they were doing something to kind of make the baby look like it was looking, but there was something. Yeah. And whenever whenever Ben Grimm’s holding the baby, it’s like. That ain’t no real.  Jill  Baby, what number did you give it, Pete, 7676.  Dion  Yeah, we all know.  Quinny  And Dion, still at 70, isn’t.  Dion  He. Yes, I’m still there.  Quinny  Yeah, Dan, how many tips have you got left by?  Dion  The way? Yeah, just one tip.  Quinny  Wanted.  Jill  Only go off 1.  Dion  I only want it. Yeah, I mean, well. I mean, I don’t know. It’s moved. Maybe the **** moved like it. It’s not in the same place it started out, but it hasn’t gone completely off. It’s around the side visiting the armpit.  Jill  You can’t. But I gave Superman.  Quinny  I can probably look it up if you want.  Jill  Yeah.  Peta  See, I just kind of take it on a mood basis. It’s on a day by day basis.  Dion  Briefly.  Quinny  Hmm.  Dion  Phil was right. I mean, I think. One of the telling things long rated.  Peta  Never compare my ratings for one movie to another movie.  Quinny  Superman 65.  Speaker  Oh.  Dion  While while Jill is thinking, I mean it’s fair enough. Remember, she only saw it like 4 days ago and it feels like.  Jill  OK, here’s the weird thing though. Like after I watched Superman, I kind of wanted to see it again, but I don’t know if that was to try and enjoy it more or like to get the things that I didn’t really get about it. But this one I’m not really like in a rush to go back. To the movie for it.  Quinny  Hmm.  Jill  But. I did like it more than Superman. Then. I think I’m going to give it. 69.  Speaker 3  Nice.  Dion  Nice.  Jill  It was just a nice movie.  Quinny  Yeah, 69 and still 2 tips.  Peta  Yeah.  Dion  Quinny, what have you.  Quinny  Yeah. Got. I’m very similar to you know, I’m I’m probably I’m probably more in line with the pizza like. Yeah, 70. I’m going to go 77. I don’t know why. Yeah. Actually.  Peta  Just feels like a 77.  Speaker  Vibe.  Quinny  Like I I was a bit more warm on Superman whereas this. Like it’s it’s a perfectly fun, pleasant film. Like there’s nothing wrong with it, but it also just to me, felt like it. Was. Didn’t have much, particularly to say. Other than you know, wouldn’t it be nice if we could all work together and yeah. But also, maybe that’s what we needed at the moment is something that wasn’t too dangerous or whatever and. I don’t know. Yeah, it’s it’s 77 for me, but I just find it so.  Dion  Weird. We’ve, we’ve, we’ve, we’ve focused a lot on the non spoilery side and we’re running rapidly running out of time. So let’s go to the dinner clip to find out why they’re all such a nice blending together, then come back and see how much we. Can jam pack into spoil it section?  Peta  Leave if you haven’t seen it, because I’m going to spoil the very, very, very end of the film.  Speaker  Dion  Pete is thrown down. Here you go, alright?  Speaker 5  What are you doing? You mean what am? I. Doing and then you’re gonna ruin your appetite. I’m hungry, but never late for Sunday dinner. Should we wait?  Speaker  I guess you’re late. What I what do you?  Speaker 5  Mean. What do you mean? What do I mean?  Speaker  You’re late for dinner. Ohh yes we are. We’re late for. By single minute.  Speaker 5  Dinner. Yes, we were just just had to.  Speaker  Some aloe iodine on my shoulder. We got. Do his shoulder and.  Speaker 5  Why is that breakfast cereal in the dinner table? Why are you being?  Speaker  Weird. Not not being. Acting. Weird. Well, I’m doing that weird thing with your face, so. Oh, we don’t know what you’re talking about.  Speaker 5  Are you pregnant?  Speaker  Jimmy at the pregnant.  Speaker 5  Yes, yes.  Speaker  You know, I know he just cannot.  Speaker 1  That have you looked at your husband’s face?  Speaker  Keep his secret.  Speaker 5  What, really, yeah.  Speaker 2  What you are going to be the best mom? Oh, my God.  Speaker  And you are going. To be the best dad. Just kidding. You are out of your depth, but we. We’re going to be the best uncles ever. OK, we should eat.  Dion  Oh, there you go. Yes, that is exactly the kind of thing that we loved about the film. It’s really nice. Spoiler logos up, Pete. Destroy away. Oh, wait. Sorry. She has been there at the beginning. She will be there at the end. We here. Peter.  Quinny  ETA.  Peta  It’s not even my biggest complaint. It’s just that there was a moment at the end where I was like, I am going to have to have another full on rant about killing off female characters via self sacrifice and doing it to two female characters in one scene. UM.  Quinny  Thank God.  Peta  They recovered. They did recover. They recovered from it a bit and it didn’t really feel like it wasn’t going to recover. But for a moment there I was like, oh, oh, we are going to throw down.  Jill  I don’t believe you didn’t realise the magic baby was gonna save the day.  Speaker 3  Sacrifice.  Peta  I did. It did, but there was a part of me that was kind of like you better ******* not.  Dion  Yeah, yeah, there was a little bit of that was it? It’s like, don’t you ******* dare? Jesus Christ, he’s not a. Defibrillator. He’s a baby.  Jill  I mean, you don’t have a. Magic mcguffin. The whole time and then not? Yeah.  Speaker 3  Yeah.  Dion  True, although, but as as we all.  Peta  My biggest my my bigger complaints.  Dion  Know Franklin Richards. The monster.  Peta  My bigger complaints were were the iffy plot points like I’m like, correct me. I’m not a linguist, but I’m pretty sure you cannot translate an entire language with three words like I don’t. I don’t know that that’s possible. The Rosetta Stone had more than than than 3 words.  Speaker 3  Yeah. Hmm.  Dion  Now.  Peta  I I don’t see how I don’t see how.  Dion  Important to understand that this is in the Universe 8 to 8 where things can exist a little differently and they are not this bog standard and it was one of those.  Peta  Oh.  Speaker 6  But it’s it’s.  Jill  Things are like super.  Peta  It’s not the kind of plot point that you can explain away in your brain with that kind of reasoning like it’s not, but.  Dion  It has to be because that’s why I was. I was ******** about it and I yelled at Quinney until it came up to the thing. It’s like, but it’s not the real Galactus. And I’m like. Oh yeah, **** everything in this movie is not the real one from our universe. What? I’m getting angry at can easily be retconned by an executive who doesn’t like the feedback form.  Speaker  Yeah. Yeah, yeah. Yeah.  Jill  But this is also a universe where Reed is a super genius that can solve teleportation and like, move a planet. That’s.  Speaker  Hmm.  Peta  It just like the jump between ohh, I’ve managed to do it to an egg.  Jill  Come on.  Peta  Let’s do it to a planet. Nothing will go wrong. I actually, I almost thought that, like, that’s where it was gonna get interesting. Like, that was gonna be this universe is snap moment when they, like, accidentally. Left half the people behind or something.  Quinny  That that’s what I that’s. What I was kinda hoping for like.  Jill  Yeah, there weren’t really many stakes.  Quinny  No, I ******* love the idea of them actually going *******. We’re gonna teleport the whole planet and.  Dion  And ******* it.  Quinny  Up what? Could something goes wrong like they they go to the wrong place or they find themselves in the ******* negative zone.  Jill  Like that ******* DC convergence where the two planets had to merge together.  Peta  Or and that’s the thing.  Dion  They do. How did they do faster than life travel, but. Not work out how radar. Exists stop the fact that Silver Surfer was coming to blow up all of their teleportation machines that that shaped.  Quinny  Me. She’s very fast.  Peta  And in your hand it just kind of looked like a regular size spaceship. I don’t know why they couldn’t have just muted it or something like it’s like felt like a lot of like ohh The thing is coming very slowly. This is the only thing we can think of.  Dion  That was my big ***** point that I will get my big boy britches on and have a whinge about. Galactus’s ******* world eating ship is just a giant space grinder and. And I didn’t like that because if you’re gonna go to, like the extent that they went to, which was really curvy, whole super 60s kind of thing.  Speaker  Right.  Dion  Make the spaceship ******* weird. Make it the giant machines that don’t. You don’t understand the purpose of what they do like. Have something that’s in there.  Speaker 3  Hmm.  Jill  Yeah. What happened to like the? Big straw that he just shoves in the. Planet and like sucks it up like.  Dion  Yeah, all of that. But I mean, just like have the weird like, Kirby was great for drawing like. Contraptions that you love on the contraption, and they don’t. You don’t know why or how they work, or they have like extra bits that go off and they crackle with energy that you don’t understand how it sort of goes. He didn’t care about making it look well built. He cared about making something cool and stupid. And then they put Galactus. Fair enough, looked pretty good, you know, for a big.  Quinny  I look I. Liked big man collectors. I was down.  Jill  For that, yeah. I didn’t like how his. Height fluctuated with convenience.  Peta  Say he wasn’t that big in the end. Though was he he? He looked.  Jill  The lost, yeah.  Dion  A bit of juice out the back of the tube and then he got a bit.  Quinny  Maybe.  Speaker 6  So then he went and shrunk a bit.  Dion  Yeah. Yeah, yeah. Yeah, yeah, yeah, yeah, yeah.  Quinny  OK, let’s go with that, yeah.  Jill  He’s like ohh, now he can fit in this big circle on the ground that he like, would have Godzilla crushed the moment ago.  Dion  Crush. Sure.  Peta  Confused if planet size or if Godzilla size.  Dion  Yeah. Also how would sue push if 2?  Quinny  Because her push is not based on size, it’s based on willpower.  Dion  No, but push, baby. Ohh no. OK, recover. Push, galactus. Big baby. Oh, no much.  Peta  Is is based on magic mummy power?  Quinny  Yeah, yes, yeah. Like that. That big kind of finale stuff. I was like when he started to climb back out. I was like, ohh. OK now.  Dion  No. Well.  Quinny  We’re gonna get some shoes.  Jill  Yeah, I was like. Oh ****, I jumped.  Quinny  Yeah. Yeah. I was like, ******* sweet. Great. OK, now we’re gonna really ******* now, now we’re gonna wrap it up, but Nope. That’s just that’s it. Cool. Everybody get home. I would love to have seen them do something real. ******* ballsy. I would have loved to have seen them lose the earth, you know? Yeah. So that that’s why this Fantastic Four, like instead of. Yeah, that’s the run like this.  Jill  On the run on the. Sleeper on.  Peta  I’m not sure that Marvel is doing its answer to the trolley problem properly.  Quinny  Why not teleport the ******* baby and the family to another end of the universe, or to a different ******* dimension or whatever?  Jill  Because they answered that in the slack with pocket holes does.  Speaker  Yeah. Yes.  Dion  I mean. I look I I I I really got that like I enjoyed the bit where they were like, no, this is it honestly. Like we we we may be the people that everyone looks up to on the Earth and that’s a bit problematic to put that much. Responsibility. On four people who were there, but at least they always did it with heart, honesty, integrity and overall admission of failure. To the world.  Speaker  Hmm.  Dion

In honor of the release of the new Pedro Pascal Fantastic Four: First Steps, we interrupt our Super Month with a special release! This week on Myopia Movies, we manage to find something even dumber than getting hit with cosmic rays in space—and that's saying something. We're diving headfirst into the joyless, gloomy void that is Josh Trank's 2015 Fantastic Four or as we kept calling it Fant-4-stick. It's not just a bad superhero movie—it's a bleak, baffling mess that somehow makes stretchy limbs, fire powers, and teleportation feel like a chore. Buckle up as we unpack the film that redefined the phrase "fantastic failure." How will Fantastic Four (2015) hold up? Host: Nic Panel: Nur and Keiko   Directed by Josh Trank Starring: Miles Teller, Kate Mara, Michael B. Jordan, Jamie Bell, Toby Kebbell, Reg E. Cathey, Tim Blake Nelson, Joshua Montes,  Dan Castellaneta, Chet Hanks, Tim Heidecker

In honor of the release of the new Pedro Pascal Fantastic Four: First Steps, we interrupt our Super Month with a special release! This week on Myopia Movies, we manage to find something even dumber than getting hit with cosmic rays in space—and that's saying something. We're diving headfirst into the joyless, gloomy void that is Josh Trank's 2015 Fantastic Four or as we kept calling it Fant-4-stick. It's not just a bad superhero movie—it's a bleak, baffling mess that somehow makes stretchy limbs, fire powers, and teleportation feel like a chore. Buckle up as we unpack the film that redefined the phrase "fantastic failure." How will Fantastic Four (2015) hold up? Host: Nic Panel: Nur and Keiko   Directed by Josh Trank Starring: Miles Teller, Kate Mara, Michael B. Jordan, Jamie Bell, Toby Kebbell, Reg E. Cathey, Tim Blake Nelson, Joshua Montes,  Dan Castellaneta, Chet Hanks, Tim Heidecker

“I'd have preferred they made no movie at all…” - Eric  On this week's episode, the Summer Blockbuster Extravaganza has us chatting about the total misfire of a superhero reboot, Fantastic Four (2015)! Yikes, folks! Why are all members of the Fantastic Four under legal drinking age in this movie? Why did we need to see Reed and Ben as little kids at the beginning like it's some bad studio comedy from the 1990s? Why did so many people think this gritty, harsh take on a traditionally goofy property was a smart move? Why are the Storms snooping around high school science fairs looking for children to snatch up? And couldn't they have pumped just a little more money into this Doctor Doom costume? PLUS: Look out for the most dangerous member of the Marvel Universe — The Pebble!  Fantastic Four (2015) stars Miles Teller, Kate Mara, Michael B. Jordan, Jamie Bell, Toby Kebbell, Tim Blake Nelson, Dan Castellaneta, Chet Hanks, Tim Heidecker, and the late, great Reg E. Cathey as Dr. Franklin Storm; directed by Josh Trank. [EDITOR'S NOTE: While he's not in this FF film, we do mention Julian McMahon's performance as Dr. Doom in the Tim Story Fantastic Four films from 2005 and 2007. We recorded this about a month before Julian passed, so that's why it's not referenced here. McMahon was a great actor who, as we say in this episode, understood the assignment when playing Dr. Doom in those aughts films. Rest easy, Julian, a talented and very nice guy from all reports. — Andrew] Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

We are stepping back in time to WW1 for this episode. Join us as we revisit Deathwatch starring Jamie Bell and Andy Serkis.Follow us @reviewedtodeathLong Way to Tipperary - Public domainAll additional  music provided by Groove Witness - ⁠www.groovewitness.us⁠Create your ⁠podcast⁠ today! #madeonzencasterRead our companion written reviews - imgur.com/user/trojaSpaceBandit

We've had four FANTASTIC FOUR movies so far and none of them could be described as fantastic. We dive deep into the 2015 Josh Trank grimdark reboot of the franchise this week. FANTASTIC FOURDIRECTED BY: Josh TrankRELEASED: August 7, 2015STARRING: Miles Teller, Kate Mara, Michael B. Jordan, Jamie Bell, Toby Kebbell, Reg E. CatheyBUDGET: $120MBOX OFFICE: $167.9M ESTIMATED LOSS: $80M Early Teaserhttps://www.youtube.com/watch?v=e-BVs-KCSiAQuizno's "Put It In Me" Commercialhttps://www.youtube.com/watch?v=7LQpRQh2KSQNEXT EPISODE: We're getting real silly in an extremely 1980's fashion with Stephen King's directorial debut (and finale) MAXIMUM OVERDRIVE.0:00 Intro 2:46 Show & tell7:26 This week's movie

It's wildcard week on the world famous Bottom of the Stream podcast! This time around we watch Retreat, a 2011 thriller, available on Netflix in the UK. Directed by Carl Tibbets; starring Cillian Murphy; Thandiwe Newton and Jamie Bell, this one was chosen by Patreon Sam. Listen on to hear what we made of this tale of a couple on an isolated island suddenly having to deal with the appearance of an unexpected visitor….    Bottom of the stream is a weekly podcast, hosted by film lovers Adam and Nick, exploring the parts of Netflix that most people don't go to in a bid to find out what hidden gems are lurking down there Every week we rank the films we watch against each other and place them in what we like to call THE STREAM TABLE which can be found on our website  www.bottomofthestream.com Follow us on Twitter, instagram and letterboxed at @bots_podcast  Please consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream   We also now have a discord so join us to hang out https://discord.gg/wJ3Bfqt

Book Vs. Movie: Billy Elliot The 2000 Film Vs the 2014 Musical Live“Musicals in March!”The Margos continue “Musicals in March” with the film & stage show of Billy Elliot. Both tell the inspiring story of a working-class boy in 1980s northern England who discovers a passion for ballet during the UK miners' strike, but they differ in tone and presentation.The film, directed by Stephen Daldry and written by Lee Hall (based on his play Dancer), is a gritty drama starring Jamie Bell, featuring a rock and pop soundtrack. It focuses on Billy's journey and his family's struggles, earning critical acclaim and multiple BAFTA and Oscar nominations.In contrast, the musical expands the story with more extensive dance sequences and fantasy elements, highlighting the miners' plight. It includes music by Elton John and offers more character development and stylized theatrical moments. The musical has won numerous Olivier and Tony Awards.Which version did we prefer? Listen to find out! In this ep, the Margos discuss:The history behind the original story The road from the film world to stageThe cast includes: Jamie Bell (Billy Elliot young,) Adam Cooper (Billy Elliot grown,) Julie Walters (Sandra Wilkinson,) Gary Lewis (Jackie Elliot,) Jamie Draven (Tony Elliot,) Jean Heywood (Grandma,) Stuart Wells (Michael Caffrey young,) Merryn Owen (Michael Caffrey grown,) Nicola Blackwell (Debbie Wilkinson,) Colin Mclachlan (Tom Wilkinson,) Mike Elliot (George Watson,) and Billy Fane as Mr. Braithwaite. Clips Featured:“Billy performs for his dad (movie)”Billy Elliot (2000 trailer)"Like electricity (movie)""Billy says goodbye (movie)""Billy as a grownup (movie)"Billy Eliot the Musical (2014) trailer"Solidarity (musical)""Like electricity (musical)" Jamie Bell wins the BAFTA Music by Stephen Warbeck and Elton John. Follow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: Billy Elliot The 2000 Film Vs the 2014 Musical Live“Musicals in March!”The Margos continue “Musicals in March” with the film & stage show of Billy Elliot. Both tell the inspiring story of a working-class boy in 1980s northern England who discovers a passion for ballet during the UK miners' strike, but they differ in tone and presentation.The film, directed by Stephen Daldry and written by Lee Hall (based on his play Dancer), is a gritty drama starring Jamie Bell, featuring a rock and pop soundtrack. It focuses on Billy's journey and his family's struggles, earning critical acclaim and multiple BAFTA and Oscar nominations.In contrast, the musical expands the story with more extensive dance sequences and fantasy elements, highlighting the miners' plight. It includes music by Elton John and offers more character development and stylized theatrical moments. The musical has won numerous Olivier and Tony Awards.Which version did we prefer? Listen to find out! In this ep, the Margos discuss:The history behind the original story The road from the film world to stageThe cast includes: Jamie Bell (Billy Elliot young,) Adam Cooper (Billy Elliot grown,) Julie Walters (Sandra Wilkinson,) Gary Lewis (Jackie Elliot,) Jamie Draven (Tony Elliot,) Jean Heywood (Grandma,) Stuart Wells (Michael Caffrey young,) Merryn Owen (Michael Caffrey grown,) Nicola Blackwell (Debbie Wilkinson,) Colin Mclachlan (Tom Wilkinson,) Mike Elliot (George Watson,) and Billy Fane as Mr. Braithwaite. Clips Featured:“Billy performs for his dad (movie)”Billy Elliot (2000 trailer)"Like electricity (movie)""Billy says goodbye (movie)""Billy as a grownup (movie)"Billy Eliot the Musical (2014) trailer"Solidarity (musical)""Like electricity (musical)" Jamie Bell wins the BAFTA Music by Stephen Warbeck and Elton John. Follow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Welcome back to your new year...in purgatory!!! This week the boys get together to discuss Bong Joon Ho's masterpiece Snowpiercer from 2013! Written by Jacques Lob, Benjamin Legrand and Jean-Marc Rochette. The film stars Chris Evans, Jamie Bell, John Hurt, Octavia Spencer, Ewen Bremner, Song Kang-Jo, Ko Ah-Sung, Tilda Swinton, Luca Pasqualino, Vlad Ivanov, Adnan Haskovic and Ed Harris!!! Thanks for checkin us out, you can find our back catalog on Podbean. com and all other episodes where all other podcasts are found.   Intro and Outro composed and conducted by Marco Beltrami from the Snowpiercer soundtrack 1. Cockroach Stew https://youtu.be/J4M_hZWxfjs?si=9ni7dK5nMY5jXRV0 2.  Snowflake https://youtu.be/t_hqWhT3nvE?si=dkoCVBxBYKnGzAlD  

This week, the fellas go to ground in the Belorussian Forest and watch 2008's Defiance! From the twisted mind of Edward Zwick, the film follows the exploits of the Bielski brothers as they try to protect their fellow Jews from the machinations of the invading Nazis. Not content to simply stay alive, they form a working commuinity deep in the woods and aid the Soviets in the fight against fascism and genocide.  Next week: Brendan and Jason want to play a game. OF TRIVIA! Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) Defiance stars Daniel Craig, Liev Schreiber, Jamie Bell, George MacKay, Alexa Davalos, Allan Corduner, Mark Feuerstein, Tomas Arana, Iben Hjejle and Mia Wasikowska; directed by Edward Zwick. Learn more about your ad choices. Visit megaphone.fm/adchoices

Film editor Michael Taylor, A.C.E. returns for his 7th visit to the podcast. Taylor is helping to program a series at the Metrograph Cinema in NYC called Filmcraft: American Cinema Editors. This series showcases the best of editing by pairing a screening with a Q&A with its editors. This Friday, December 6th, there is a sold out screening of Elaine May's "Mikey & Nicky" with Ms. May in attendance. (This podcast host will be in attendance as well.) Michael Taylor, ACE, is a member of the Academy of Motion Picture Arts and Sciences. He is represented by Pete Franciosa at UTA (Franciosap@unitedtalent.com; 310-488-8436). He edited and co-produced the documentary series "My Undesirable Friends", directed by Julia Loktev, which premiered at the New York Film Festival. He recently completed Noah Pritzker's "Ex-Husbands", starring Griffin Dunne, James Norton, and Rosanna Arquette. The film premiered at San Sebastian and will be released theatrically in 2025. He was nominated for an ACE Eddie Award for Best Editing of a Feature, Comedy, for Lulu Wang's "The Farewell", starring Awkwafina, which premiered at the 2019 Sundance Film Festival and was released by A24. The film won Best Feature at the 2020 Independent Spirit Awards. Awkwafina won Best Actress at the Golden Globes and Gotham Awards. Recent films include Edson Oda's "Nine Days", starring Winston Duke, Zazie Beetz, Benedict Wong, Bill Skarsgård and Tony Hale, winner of the Waldo Salt Award for Best Screenwriting at the 2020 Sundance Film Festival, Matt Sobel's "Goodnight Mommy", an Amazon Studios film starring Naomi Watts, Ira Sachs' "Love is Strange," starring Alfred Molina, John Lithgow and Marisa Tomei, Elizabeth Wood's "White Girl", starring Morgan Saylor, and Guy Nattiv's Skin, starring Jamie Bell, Vera Famiga and Bill Camp. Other films include Julia Loktev's "The Loneliest Planet", starring Gael Garcia Bernal, selected for the New York Film Festival, and "Day Night Day Night", winner, Prix de La Jeunesse, Cannes Film Festival. Taylor won Best Editing at the Woodstock Film Festival for the documentary "The Babushkas of Chernobyl", directed by Holly Morris and Anne Bogart. He also edited Margaret Brown's Peabody Award-winning documentary "The Order of Myths", and Brown's documentary "Be Here to Love You: A Film About Townes Van Zandt", as well as Mitch McCabe's "Youth Knows No Pain".

What a journey. We're rolling through our ninth discussion in our year-long theme of A DREARY YEAR OF VON TRIER. This US election year was guaranteed to feel heavy and hopeless and it's lived up to that spectacularly. Add a dozen Lars von Trier movies to that because why not? Today we talk of his third in his “Depression Trilogy” and it's definitely a fun one to trick your in-laws into watching. If you can talk your mother-in-law into watching the complete 5 hour and 20 minute director's cut of the 2013 film “NYMPHOMANIAC” then you deserve a large trophy at the very least. That's what Bob and Angela did. The whole damn thing. Charlotte Gainsbourg plays Joe, a nymphomaniac. She's found beaten and pissed on by Seligman, played by Stellan Skarsgård, an asexual and learned man who helps her out and hears her sordid stories of BJs, DPs, S&Ms, MMFs and you figure you would hear more about VDs, STDs and other things after sleeping with hundreds, maybe thousands, of people but not really. HPV at the very least. I think most of us have that one except Seligman. There is a home abortion in this movie so make sure you don't miss that. We got quite the ensemble that includes Shia LeBeouf, Stacy Martin, Christian Slater, Jamie Bell, Uma Thurman, Willem Dafoe, Mia Goth and more. The movie is called “Nymphomaniac” and it's by Lars von Trier and it's what you would expect so let's get up in them guts and talk about it. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Send us a textMickey Sumner joins host Reshma Gopaldas for an episode to celebrate 4 years and the series finale of Snowpiercer, based on Parasite director Bong Joon Ho's 2013 film, starring Chris Evans, Tilda Swinton, Jamie Bell, Ed Harris, Kang-ho Song, and Octavia Spencer. Sumner plays Bess Till, alongside co-stars Jennifer Connolly who plays Melanie Cavill, Daveed Diggs (Hamilton, Blindspotting), Alison Wright (The Americans), Lena Hall, Sean Bean (Game of Thrones), Rowan Blanchard, Sam Otto, Susan Park, Clark Gregg, and more.Sumner shares her audition scene with Daveed Diggs that happened almost 7 years ago, when they began filming Snowpiercer. She also talks about her first season where she had just given birth to her son, and the challenges that came with being a breastfeeding mom on set. She also dives into the love scenes on Snowpiercer and how she and many of her co-stars were thankful an intimacy coordinator was brought on. And finally, she talks about her ideal finale ending for Snowpiercer and Bess Till. The series finale is September 22, and all four seasons of Snowpiercer are on AMC+. Son of a Binge production credits:Hosted by: Reshma Gopaldas (TW: @reshingbull, IG @reshmago)Producer & Editor: Emily Collins (IG @emilem124)Artwork by: Laura Valencia (IG @iamlauravalencia)Music by: Kevin Calaba (IG @airlandsmusic)

The 3 unqualified morons return to dissect this bad movie about 4 super powered individuals. Join us as we discuss 2015's Fan4stic! Staring Miles Teller, Kate Mara, Michael B Jordan, Jamie Bell, and Toby Kebbell. MERCH! See ya in 2 weeks for X-Men: Apocalypse.

Aug-Heist takes things to the next level with this 2012 thriller about a suicidal man, a stolen diamond, and good old fashioned insurance fraud! With a stacked cast including Sam Worthington, Elizabeth Banks, Anthony Mackie, Jamie Bell, Edward Burns, Kyra Sedgewick, and Ed Harris, the film has all the makings of a genre classic. But it did a bellyflop at the box office and cratered with critics. Was the title a little too “high concept” for audiences, or did the plot twists give viewers vertigo? Don't look down… Aug-Heist will take its last leap for 2024 with Man on a Ledge!   For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

Today's guest, John Svedese, found a comfortable place to be himself, and it happens to be his basement in Brooklyn, New York. John is a podcaster, a family man, and someone who took care of his grandparents. He even had his dad intro Reena on his podcast. In this episode, John shares his journey from growing up in a family of serial entrepreneurs to starting his own ventures and building an empire from his basement. John talks about his early involvement in his father's background screening company, his entrepreneurial spirit, and how he transitioned from working in corporate settings to cutting cold cuts at a local supermarket to make ends meet. He also delves into the challenges and rewards of balancing family life with his passion for podcasting. John's story is one of resilience, creativity, and the importance of family legacy. He discusses the evolution of his podcasting journey, the various shows he started, and how he eventually consolidated his efforts under the "Basement Surge" brand. John also shares touching anecdotes about his grandparents and the impact they had on his life. This episode is a heartfelt exploration of the American dream, the value of hard work, and the joy of building something meaningful from the ground up. Tune in to hear John's inspiring story and the wisdom he's gained along the way. Key Takeaways - The importance of family legacy and entrepreneurial spirit. - Balancing work and family life requires resilience and adaptability. - Building something meaningful often starts from humble beginnings. - Podcasting can be a powerful tool for personal growth and connection. Connect with John Svedese - Podcast: Basement Surge - Twitter: Basement Surge - Instagram: Basement Surge Connect with Reena- Website: bettercalldaddy.com - LinkedIn: Reena Friedman Watts - Twitter: @reenareena - Instagram: @reenafriedmanwatts - Instagram Podcast: @bettercalldaddypodcast We love hearing your feedback. Leave us a review, share your thoughts, and spread the word about this enriching episode. Share it with someone who appreciates the resilience and the importance of self-worth. - (00:00) Each week I interview a guest, share the stories with my dad - (05:27) PII works for major corporations to do background screening on prospective employees - (07:18) Do you think most corporations don't look back 15-20 years - (10:56) Your grandparents are both immigrants. What role have your grandparents played in your life - (14:45) You talk about what you want your legacy to be and parenting your kids - (15:44) How do you involve your kids in your work or in your passions - (17:10) Talk to me a little bit about this empire that you're building called basement surge - (23:26) Right, yeah. Exactly. And deal with me, you know, and stay with me. Not because he has to, but because he wants - (23:42) When you found out you were expecting a daughter, how did you feel - (27:59) Podcasting has helped me become more outgoing, you know - (28:49) Jamie Bell got Paul Cubby Bryan on his show through Instagram - (33:26) Is there anything that you would like to share about basement surge - (36:11) My grandfather passed away from Parkinson's, and I took care of him - (37:54) John's podcast reaffirms what podcasting is about

We go deep on a quest to ancient Britain, to look for the truth buried in the movie The Eagle! The Eagle is from 2011 was directed by Kevin Macdonald and stars Channing Tatum, Jamie Bell, Donald Sutherland and Mark Strong. Please Like and Subscribe! Click the Bell to Get Notifications! Please give us a rating and a review on Apple Podcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: https://www.riverside.fm/?utm_campaig... Sign up for @BetterHelp: betterhelp.com/reviewinghistory Buy Some Merch: www.reviewinghistorypod.com/merch Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #americanhistory #rome #romanempire #britain #romanobritish #channingtatum #gambit #lol #TheEagle #jamiebell #cinema #film #moviepodcast #film #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #historybuff #tellemstevedave #tesd

Y'alright?! This is an utterly pointless and shoddily put together video which inserts two of Karl Pilkington's KARL IN A FILM segments from The Ricky Gervais Show on Xfm, back into the films whence they came: The Shining (1980) starring Jack Nicholson, and Billy Elliot (2000) starring Jamie Bell. We also have Ricky Gervais' and Stephen Merchant's commentary on Karl's performances in these memorable movie scenes. ENJOY!

In an enlightening episode of Pathmonk Presents, we had the privilege of hearing from Jamie Bell, the Vice President of Marketing at Workshop.  Jamie provided invaluable insights into the realm of internal communication strategies, shedding light on Workshop's groundbreaking email platform built specifically for internal communication.  She discussed the prevalent hurdles that companies encounter in effectively engaging their employees and shared her expertise on leveraging content marketing, demand generation tactics, and the impact of personalized email campaigns. Don't miss out on the wealth of knowledge she brought to the table!  

The ninth episode of our season on the awesome movie year of 2000 features Jason's personal pick, Stephen Daldry's Billy Elliot. Directed by Stephen Daldry from a screenplay by Lee Hall and starring Jamie Bell, Julie Walters, Gary Lewis, Jamie Draven and Stuart Wells, Billy Elliot was Daldry's first feature film after a successful career in theater.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/billy-elliot-2000/), A.O. Scott in The New York Times (https://www.nytimes.com/2000/10/13/movies/film-review-escaping-a-miner-s-life-for-a-career-in-ballet.html), and Peter Bradshaw in The Guardian (https://www.theguardian.com/film/2000/sep/29/1).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2000 installment, featuring one of the Sundance Film Festival Grand Jury Prize winners, Kenneth Lonergan's You Can Count on Me.

Welcome to episode 34 of 2 Grooms 1 Plot! A podcast where two life-long storytellers talk about stories! Happy Pride! In honor of Pride, today we took a look at a very interesting film, ‘All Of Us Strangers.' All Of Us Strangers stars Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy. The film follows a screenwriter named Adam (Scott) who has a chance encounter with mysterious neighbor Harry (Mescal), puncturing the rhythm of his everyday life. As a relationship develops between them, Adam finds himself drawn back to his childhood home, where his parents appear to be living just as they were on the day they died 30 years ago. All Of Us Strangers premiered at the Telluride Film Festival in 2023 and went on to win 7 awards at the 2023 British Independent Film Awards. Your Hosts: Pavi Proczko is an audiobook narrator (Defiance of the Fall, Edens Gate), Writer (Brugum's Labyrinth, The Nightly), Actor and Singer (Chicago Shakespeare Theater, Paramount Theater, Chicago Fire), and Game Master (D&D). Colin Funk is a Childhood Development Expert (Erikson Institute), Teacher (Stages Chicago), Actor and Singer (Porchlight Music Theater, Metropolis Theater), and Crafter (knitting, cross stick, Embroidery, watercolors). “With our unique lenses, we talk about a specific piece of storytelling each episode: What works? What doesn't? And the magic moments of story!” Pavi & Colin are married and live in Chicago. ❤️ Be sure to SUBSCRIBE and FOLLOW us for more! @2Grooms1Plot

Take a seat at the dining room table and gaze through that planchette. We're attempting to connect with the spirit world in Mike Flanagan's 2016 prequel-to-beat-all-prequels OUIJA: ORIGIN OF EVIL, featuring Elizabeth Reaser, Lulu Wilson, Annalise Basso, and Henry Thomas. Joining us to battle Demons from the Great Beyond is the amazing Louisa Krause, she of Starz's "The Girlfriend Experience" Season 2 and the films The Dive, Maggie Moore(s), Ava's Possessions, Martha Marcy May Marlene, and many more. And this week, we introduce a new segment, "Campus Radio," with a special appearance by Jocelin Donahue, one of the stars of the new film The Last Stop in Yuma County (17:14). Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-34:44Honor Roll and Detention (spoiler-heavy): 34:45-1:01:10Superlatives (spoiler-heavier): 1:01:11-1:22:04 Director Mike FlanaganScreenplay Mike Flanagan & Jeff Howard, based on characters created by Stiles White & Juliet SnowdenFeaturing Annalise Basso, Doug Jones, Parker Mack, Elizabeth Reaser, Kate Siegel, Henry Thomas, Lulu Wilson Louisa Krause appears in the independent features The Dive (in which she stars alongside Sophie Lowe) and Maggie Moore(s) (opposite John Hamm and Tina Fey).  On television, she was one of the leads of the Starz series “The Girlfriend Experience,” and had memorable recurring roles on Showtime's “Ray Donovan” and “Billions.”  Her extensive list of film credits includes Todd Haynes's Dark Waters opposite Mark Ruffalo and Anne Hathaway; Billy Crystal's comedy feature Here Today; the A24 feature Skin opposite Jamie Bell and Danielle Macdonald; Young Adult; Martha Marcy May Marlene; The Phenom; Ava's Possessions; King Kelly (Best Actress, PiFan Film Festival); Jane Wants a Boyfriend (Best Actress, Napa Film Festival); and Bluebird (Best Actress, Karlovy Vary Film Festival).  On stage, Louisa starred in Annie Baker's Pulitzer Prize-winning The Flick, directed by Sam Gold. Jocelin Donahue is an American actress known for her breakout role in Ti West's critically-acclaimed The House of the Devil, turning in what IndieWire called “one of the all-time great final girl performances.” In the years since, Donahue has appeared in many popular studio, independent, and genre films. Her lead performances in The Frontier, Offseason, and Summer Camp are roundly praised by critics and audiences alike. Donahue has worked with preeminent directors like James Wan on Insidious: Chapter 2 and Terrence Malick in Knight of Cups, playing opposite Christian Bale and Antonio Banderas. In 2019, Jocelin appeared in Warner Bros' Doctor Sleep, directed by Mike Flanagan. Her TV credits include a memorable role as a rookie FBI agent and partner to Martin Freeman on the crime series “StartUp” and guest starring roles on episodes of “Lethal Weapon,” “The Rookie: Feds,” “The Affair,” and “CSI,” among others. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from Ouija: Origin of Evil by The Newton Brothers. For more information on this film, writing by your hosts (on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group⁠⁠⁠⁠⁠. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Join Glen/Dagos_Rivers (Discord/Podcast of Ice and Fire Forums) and David (Davidhhh) as they discuss the 2023 gay-themed movie ‘All of Us Strangers’ starring Andrew Scott, Paul Mescal, Jamie Bell and Claire Foy. Credits:Edited by Glen [MP3] Download or play this … Continue reading →

Join Glen/Dagos_Rivers (Discord/Podcast of Ice and Fire Forums) and David (Davidhhh) as they discuss the 2023 gay-themed movie ‘All of Us Strangers’ starring Andrew Scott, Paul Mescal, Jamie Bell and Claire Foy. Credits:Edited by Glen [MP3] Download or play this … Continue reading →

If all you know of this movie is the steamy, swoony Andrew Scott/Paul Mescal press tour, well get ready to have your heart broken. Andrew Haigh's “All of Us Strangers” is as much about the curious courtship of Adam and Harry as it is about grief, letting go of the past and feeling like a ghost in this world. Jamie Bell and Claire Foy's Best Supporting Dad and Mum will make you weep at some point, and that ending is a real kick in the sticks, but it's also all so beautiful and cathartic that it's worth getting to know these strangers. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

Part 2 of Jamie Bell's Interview continues this week! Listen in to learn about her son Miles and the journey that took them to Philadelphia, learn about "2nd birth" and updates on where he is today + what the future looks like for him! https://blog.feedspot.com/nicu_podcasts/- 7th Ranked Podcast of 2023@realmamasofthenicu- InstagramSearch:The Real Mamas Of The NICU - Facebook

Today Masse and Taylor chat with Jamie Bell about her son, Miles! Miles was diagnosed with Spina Bifida at Jamie's 20 week anatomy scan. They were forced with the decision of termination, surgery in-utero or surgery after he was born. Ultimately their decision led them to CHOP in Philadelphia, PA, where they performed surgery on Miles in-utero! Listen to part one of Jamie's story and prepare to be amazed by medicine and technology in the United States!! https://blog.feedspot.com/nicu_podcasts/- 7th Ranked Podcast of 2023@realmamasofthenicu- InstagramSearch:The Real Mamas Of The NICU - Facebook

Acclaimed screenwriter and producer Arash Amel is known for writing the critically-lauded motion picture, A PRIVATE WAR (2018), directed by Matthew Heineman and starring Rosamund Pike as celebrated war correspondent, Marie Colvin.He recently served as Executive Producer on the Netflix sci-fi action movie, OUTSIDE THE WIRE (2021), starring Anthony Mackie, which was viewed by 66 million households in its first 28 days. In addition to writing RISE (2022) for Disney + and telling the coming-of-age story of NBA superstar Giannis Antetokounmpo, Amel wrote Paramount Pictures' feature film, THE MINISTRY OF UNGENTLEMANLY WARFARE, a World War II action adventure directed by Guy Ritchie and produced by Jerry Bruckheimer that is slated to start production later this year.He also wrote the screenplay for SNAFU, an upcoming action comedy starring Jackie Chan and John Cena.Currently, Amel is in pre-production as producer on the Amazon Studios feature film, FRED & GINGER, which is based on his screenplay, directed by Jonathan Entwistle, and stars Jamie Bell and Margaret Qualley as the icon screen pair, Fred Astaire and Ginger Rogers.

On the 353rd episode of Piecing It Together, film critic Eric Langberg joins me to talk about All Of Us Strangers. This haunting story of loneliness, grief and loss is another of 2023's best and goes in directions you might not expect at first glance. Puzzle pieces include Weekend, A Ghost Story, Ad Astra and A Single Man.As always, SPOILER ALERT for () and the movies we discuss!Written by Andrew HaighDirected by Andrew HaighStarring Andrew Scott, Paul Mescal, Jamie Bell, Claire FoySearchlight Pictureshttps://www.searchlightpictures.com/all-of-us-strangers/Eric Langberg is a film critic whose work can be read at SlashFilm, Bright Wall/Dark Room and on his own website Everything's InterestingCheck out Everything's Interesting at https://medium.com/everythings-interestingAnd Follow Eric on Twitter @MrEAndersMy sixth album, MORE CONTENT is available NOW on iTunes, Bandcamp and all other digital music stores! Make sure to check it out!My latest music is the 24 for 2024 series in which I'm releasing a new single on the 1st and 3rd Fridays of every month in 2024. 24 new songs total. Follow along on the Spotify Playlist at https://open.spotify.com/playlist/4PDKoUQ1CoFpiogLu2Sz4D?si=3cb1df0dd0384968My latest music video “Burn" which you can watch at https://www.youtube.com/watch?v=UxKAWFm0gAoThe song at the end of the episode is an extended version of "Unrequited" from my soundtrack album Beater. The extended version is exclusively available on the Produced by David Rosen Patreon.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Vouch store where we're selling a bunch of great products at https://vouch.store/piecingittogetherShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser!And most important of all… Keep going to the theater to see new movies!

Our latest guests on Soundtracking are writer / director Andrew Haigh and composer Emilie Levienaise-Farrouch, who joined Edith to discuss their work on Andrew's film, All Of Us Strangers. We don't want to say to much about it if you haven't seen it yet, but it stars Andrew Scott, Paul Mescal, Jamie Bell and Claire Foy, and tells the story of a lonely gay man who mysteriously meets his parents on visiting his childhood home, despite the fact they died in a car crash when he was a young boy.

The movie All of Us Strangers is a wistful fantasy drama that tells two intersecting stories about different kinds of love: One between a son and his long-deceased parents; the other of two lonely men and neighbors who long for connection. Directed by Andrew Haigh, the film stars Andrew Scott as Adam, a TV writer living a lonely existence in London, and Paul Mescal as his neighbor Harry. Adam's parents are played by Claire Foy and Jamie Bell.

For this week's third podcast review, I am joined by Alyssa Christian, Josh Parham, Dan Bayer & Cody Dericks. Today, we are reviewing the latest film from Andrew Haigh, "All Of Us Strangers," starring Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy. Based on the novel "Strangers" by Taichi Yamada, Haigh has injected this supernatural, intimate, beautiful love story with his own personal perspective to generate a strong emotional reaction from audiences about grief, trauma, and the power of love and human connection. What did we think of the story, its themes, the performances, and how Haigh crafted this queer genre-bending film? Tune in as we discuss these elements, its awards season chances, and more in our SPOILER-FILLED review. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

"All Of Us Strangers" had its world premiere at the Telluride Film Festival, where it received universally positive reviews for its beautifully intimate story of a middle-aged gay man reconciling with the past trauma of losing his parents at a young age, all trying to form a new connection with his neighbor in a mostly empty high-rise apartment building. The Next Best Picture team conducted a series of interviews from the time of its world premiere, through its screening at the New York Film Festival, all the way up until its theatrical release with several people involved in making the film. First, we have Dan Bayer's interview with director and writer Andrew Haigh, followed by my interview with the film's composer, Emilie Levienaise-Farrouch. We then hear Ema Sasic's interview with actress Claire Foy and Bayer's interview with star Andrew Scott. Then we return to me again for my interview with cinematographer Jamie D. Ramsay, and we end everything with Sasic speaking with actor Jamie Bell. Each one has something unique to say, and all of them were kind enough to lend us their time to talk about this special film, which you can listen to below. Please check out the film, which is now playing in theaters from Searchlight Pictures and is up for your consideration in all eligible categories at this year's Academy Awards, including Best Picture, Best Actor, Best Supporting Actress, Best Supporting Actor, and Best Adapted Screenplay. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is legendary SAS operator Rusty Firmin. Rusty Firmin served in the British Army for 27 years, most of them at the highest levels of special operations.  Famously known as “the man with no gloves,” Rusty served as the SAS Blue Team lead during the 1980 Iranian Embassy Siege in London that resulted in the rescue of 19 hostages.  Rusty recounts his experiences in the SAS in his books, Go! Go! Go! The SAS. The Iranian Embassy Siege. The True Story. and The Regiment: 15 Years in the SAS. Go! Go! Go! was the inspiration behind the major motion picture, 6 Days, starring Jamie Bell, Mark Strong, and Abbie Cornish.  Following his time in the SAS, Rusty transferred his skills to the private security industry consulting for diamond mines in West Africa, global news organizations, corporations, actors, Olympic teams, and foreign dignitaries.  You can learn more about Rusty at rusty-firmin.com and by following him on Twitter @RustyFirmin SPONSORS: Navy Federal Credit Union: Today's episode is presented by Navy Federal Credit Union. Learn more about them at navyfederal.org Black Rifle Coffee Company: Today's episode is also brought to you by Black Rifle. Purchase at http://www.blackriflecoffee.com/dangerclose and use code: dangerclose20 at checkout for 20% off your purchase and your first coffee club order! Danger Close Apparel: Check out the new Danger Close apparel.  Protekt: Visit protekt.com/dangerclose to get 25% off while supplies last. Magpul: Use code DANGERCLOSE at Magpul.com to receive $10 off your order of $100 or more. Offer valid only at Magpul.com, enter code in your cart or look for the "Apply Discount Code" link in checkout, cannot be combined with other offers: Use code DANGERCLOSE at Magpul.com to receive $10 off your order of $100 or more. Featured Gear SIG: Today's featured gear segment is sponsored by SIG Sauer. You can learn more about SIG here. Hooten Young Cigars  Skippers Custom Leather Dead Shot Tacticalories  Black Rifle Coffee Company Sticker Club Official Jack Carr Merchandise  Ben Garwood: Ground Hammer Danger Close is an IRONCLAD Original.