Podcasts about aerin

Picking up where we left off last time, the Tempests were helping to cure a rampant sickness that had befallen upon a coastal town along the Kudong Harbor in Takatari. Upon arriving, they encountered a small elven child named Tamami who bore a striking resemblance to Moriko. Tamami's parents were bedridden with the plague sweeping the area and not in proper states of mind to answer the probing questions from the Tempests. Tamami's older brother Haru had gone out to fish and not returned. Fearing the worst, Moriko consulted her ancestral deity Aerin who warned of an approaching disaster. A massive sinkhole opened up below a neighboring village, swallowing multiple homes, ships, and several hapless residents. Diving down, the Tempests rescued as many as they were able, though many were still missing. Assuming the worst for Haru, the Tempests returned to the sink hole to go as far in as they could in search of the missing elf and found themselves navigating an expansive system of tunnels carved into the rock. Using Pez's superb ranger senses, he guided them to the sound of flowing water and came across a pair of corpses next to an underground stream. The corpse warned of beasts in the dark that had attacked them. Zaan immediately cast light on a rock and chucked it into the water, inevitably triggering a short skirmish with some insectoid creatures that lurked in the dark waterway.   A huge shoutout to Nick Black who made our intro jingle. Go show some love to @NickBlackMusic and his Banana Army at https://www.twitch.tv/nickblackmusic and let him know we sent you! You can check out his music on Spotify: https://open.spotify.com/artist/2JJiUnuFWy9200nltASksL?si=LIy7N---SX24Z0ktRQbUsQ If you'd like to join the community to chat with the Fools and other D&D aficionados, considering joining our discord! https://discord.gg/bWSgjAdMbp If you like what we do and would like to support us, consider donating to our Ko-Fi page at https://www.ko-fi.com/foolsandflagons You can catch us live every other Friday on Twitch at: https://www.twitch.tv/foolsnflagons/ If you'd like to see our past adventures, you can check out the VODs on YouTube at: https://www.youtube.com/c/FoolsNFlagons  

Last we left off, the Tempests were nearing the end of their quest to deliver healing moss to a blighted town along the coast of Kudong Harbor in Takatari. Along the way they picked up a new ally, Lakin, who had promised to aid in their journey if they would return the favor in the near future. As they help distribute the healing brew made from the Yutsushige moss, they encountered a family of elves with a child that bore a striking resemblance to one of their own, the orphaned Moriko. With many questions being asked, and receiving only partial answers from the sick and somewhat delirious father of the household, the Tempests busied themselves with distributing the cure to the rest of the village. The son of the Ito's, Haru, had supposedly gone out to fish earlier that morning and as dusk settled in, he had not yet returned. Tamami, the young daughter, said that this was not terribly unusual, as her brother sometimes took a rest out on the water and would drift to nearby towns along the currents. Moriko however was a bit ill at ease and made the tough choice to meditate towards her ancestral deity, Aerin. The elven god spoke clearly to Moriko and warned of impending danger, though remained somewhat cryptic as to who or why. Fearing the worst, Moriko convinced the others with minimal effort to help her try and find Haru, the only one currently unaccounted for. The tempests then broke the cardinal rule and split the party, eventually leaving Kasumi alone to have a lovely cup of tea with Tamami, while the rest of the Tempests battled fires and dove headlong into a gaping sink hole that had swallowed part of the neighboring coastline to rescue survivors.   A huge shoutout to Nick Black who made our intro jingle. Go show some love to @NickBlackMusic and his Banana Army at https://www.twitch.tv/nickblackmusic and let him know we sent you! You can check out his music on Spotify: https://open.spotify.com/artist/2JJiUnuFWy9200nltASksL?si=LIy7N---SX24Z0ktRQbUsQ If you'd like to join the community to chat with the Fools and other D&D aficionados, considering joining our discord! https://discord.gg/bWSgjAdMbp If you like what we do and would like to support us, consider donating to our Ko-Fi page at https://www.ko-fi.com/foolsandflagons You can catch us live every other Friday on Twitch at: https://www.twitch.tv/foolsnflagons/ If you'd like to see our past adventures, you can check out the VODs on YouTube at: https://www.youtube.com/c/FoolsNFlagons  

Scotland's Sweetheart Aerin Taylor joins the podcast for a chat!

**Find Lois's music on Spotify at https://open.spotify.com/album/5FoQ00woRkMAtb7j3EZJWa?si=bgviicb8SGu78Srva8JAUg&nd=1 In today's episode, Lois speaks with visual artist Aerin Dyason, the youngest guest to feature on the show so far. Aerin was diagnosed with retinal dystrophy as a young child. Aerin describes the challenges she faced as a partially sighted learner in mainstream schooling in South Africa where she was able to access few accommodations. She also describes how her eye condition impacts the visual art she creates and where she hopes to take her art in the future. Finally, Aerin talks about her love of reading and how she is able to access books. Reach out to Aerin at: Instagram: The Unseen Artist - https://www.instagram.com/the.unseen._artist?igsh=d3F4YjB0NHAwcXZr&utm_source=qr Podcast Image description: A young woman with long wavy blonde hair sits at a table in a restaurant. She is wearing a dark jacket with red patterns over a black top and has a necklace with a small pendant around her neck. She is smiling. I'd love to hear from you – contact me at Web: https://www.loisstrachan.com/ LinkedIn: www.linkedin.com/in/lstrachan Facebook: https://www.facebook.com/loisstrachanspeaker This episode edited by Craig Strachan using Hindenburg PRO – find out more on Hindenburg.com Credits and music by Charlie Dyasi of Naledi Media.

We are thrilled to kick off a new season with a guest who is the fifth-generation creative leader of an incredible 125 year-old family business: Jennifer Gracie. GRACIE creates some of the most beautiful and beloved custom hand-painted wallpapers in the world. Utilized by many esteemed designers and celebrities around the globe.Founded in 1898, here in New York City, James Gracie originally sold custom lamps and home furnishings, until the 1920s, when they began to offer Chinese and Japanese furniture, screens, and porcelain. Soon after, it became the first company to import hand painted wallpapers to the United States since the 1700's. Today, the studio has showrooms in New York, Los Angeles, and Dallas, with several exclusive collaborations with luxury companies such as Aerin, Estee Lauder, Sarah Flint Shoes, and more.Our guest this week is Gracie's Creative Director, Jennifer, who oversees the company's day-to-day operations, social media, new collections, inspirations for custom projects and more. Alongside her brother and President, Mike, and Jenn's son and Sales Director, Zach Shea, they continue to carry out Charles R. Gracie's legacy and maintain the family's generations-long commitment to exceptional design.“The Art of Gracie”, available now from Rizolli, is a glorious celebration of America's most storied hand painted wallpaper company, family owned for 125 years, featuring dozens of rooms by today's top interior designers.---Follow Gracie on Instagram: https://www.instagram.com/graciestudio/Pick up your own copy of “The Art of Gracie” plus learn more about the upcoming book tour: https://graciestudio.com/the-art-of-gracie-book

On this episode, my guest is Craig Slee, a disabled writer, consultant and theorist dealing with mythology, folklore, magic and culture, exploring life through the lens of landscape, disability and fugitive embodiments.He has contributed essays and poetry focusing on the numinous and disability to various anthologies including The Dark Mountain Journal. Craig has also co-facilitated multiple seminar series at the Dresden Academy for Fine Arts, regarding ableism in the arts, as well as how ableism affects our relationship to space. In 2023 he was one of the speakers at the World Futures Studies Federation 50th Anniversary Conference, introducing the concept of (Dis)abling Futures. Craig resides in the northwest of England.Show NotesCornwall and the Seasons Who Gets to Decide What it Means to Know a Place?The Folding in of Identity to TourismA Question of Productive vs Generative AbilityAbleism and AttentionFinger Bending and the Freedom of MovementRedefining and Remembering Other Forms of MovementWhat is Stillness?The Dance of MountainsObeying LimitsHomeworkCold Albion (Craig's Blog)Goetic Atavisms (Hadean Press)Craig's Blue Sky Page | Facebook PageTranscriptChris: Welcome to the End of Tourism, Craig. Craig: Thank you for having me. Chris: Yes, it's great to be able to speak with you today. I've been ruminating for a couple of years now as to the themes that we might speak of. And I was introduced to you via a mutual friend and have come closer to your work via the Emergence Network's online gathering, We Will Dance With Mountains, in the last quarter of 2023.And so, to begin, I'd like to ask you first where you find yourself today and what the world looks like for you, where you are. Craig: Where I find myself today is by the canal in my flat, looking out the window, just as evenings coming in, in the northwest of England, in Lancaster, and it's chilly here which is actually a good thing, I guess, these days.Chris: Perhaps I could ask you to elaborate a little bit on what Lancaster looks like, but I know that, you know, from our conversations previous that you grew up [00:01:00] in Cornwall, a place that was previously, a town, an area devoted to fishing and mining, and from what you've told me, it's also become a massive tourist trap that you know, from the little that I've seen online, that the area receives around 5 million visitors a year, and tourism makes up about a quarter of the local economy.So I'm curious what you've seen change there and what do you think has happened to Cornwall and its people as a result and maybe there's something in there as well regarding Lancaster. Craig: Yeah, so I should emphasize this. I was born in Cornwall. My family has been lived down there for many many generations anyway and my father's side of the family actually, at various points, worked in the tourist trade as well before they went on to other things.And, [00:02:00] yeah, I mean, I left because, frankly, there was no jobs that weren't tourism. I came to Lancaster to study because one, I have a physical disability which means that Cornwall is a very rural area, so you need to drive everywhere, and that's fine, I drove at that point, but for good or ill, a more urban center was better for me later in life as I left.But the way that it shifted, even in the years when I was growing up, was that, you know, essentially was a rural area where nothing really happened socially or culturally that much until the summer seasons. So, you were very, very aware of the seasons in terms of, you'd have visitors [00:03:00] starting, and that was when the town would wake up, and then it was kind of dead for the rest of the year, so it was very much one of those things where the tourist trade has actually made me more aware of human rhythms in the natural world than perhaps I would have been, because it's so based on seasonal stuff.And just looking at the way the infrastructure because a lot of the towns and areas, they boomed a little bit well, quite a lot in certain areas with the tin mining of the 19th century. But a lot of the architecture and things like that was 19th century. So you had small villages and slightly larger towns, and they have very, well, I guess some people, if they were tourists, would call "quaint, narrow streets."And when you have that many visitors, in the summer, you can't get down the streets. [00:04:00] You can't drive it because it's full of people walking. You know, there's an interesting anecdote I'd like to recount of when my father, he was a vicar, he was a priest, moved to a new area he would go to the local pub and all the locals would greet him as the priest and be like, very polite.And then when it would come out that my dad was actually a local, that he was born down there and part of the family, everybody would relax. And there was this real sort of strange thing where people came and stayed because it was a lovely area, but there was still that whole issue with second homes and certainly keeping an eye on things from a distance here during the pandemic when people left cities during the pandemic, they went down there amongst places in Britain.And that meant that, [00:05:00] literally, there were no houses for newly starting teachers, you know, teachers who had got jobs and were moving down there, couldn't find places to live because during the 2020 and sort of 2022 period, everything was just opening up either as Airbnb because there was this influx from the cities to the more rural areas because it was supposedly safer.You know, and I feel like that's a reflex that is really interesting because most people think of it as, oh, "a tourist area," people go there for leisure, they go there to relax and get away from their lives, which is true, but under a stressful situation like a pandemic, people also flee to beautiful quotes isolated areas, so there's that real sense of pressure, I think and this idea that we weren't entirely sure, growing up, [00:06:00] whether we would have a place to live because a lot of the housing was taken up by people with second homes. And plenty of people I went to school with because it's a surfing area took the knowledge that they learned in the tourism trade, and actually left and went to Australia. And they live on the Gold Coast now. So it's this self perpetuating thing, you know? Chris: Well, that leads me to my next question, which kind of centers around belonging and being rooted and learning to root, maybe even becoming a neighbor or some might say a citizen of a place.And with tourism or a touristic worldview, we seem to be largely stunted in our ability to know a place, to become part of that place in any significant or enduring sense of the word. And so, I'm curious what your thoughts are on what it means to know a place, [00:07:00] and perhaps on the often mad rush to say I know a place for the sake of social capital, you know, given the context of the kind of relative difficulties that one might incur, or in a place like Cornwall, and the relative degree of exile that forces people out.What do you think it means to know a place in the context of all of these economic pressures denying us that possibility, or at least making it really, really difficult. Craig: I think we have a real problem in modernity with the idea of knowing as a sense of capture, right? So if I know you, I have this boundary of this shape, this outline of Chris, right, that I can hold, that I can grasp. And I think sometimes when we say, "oh, I know a place," or, "oh, I know a person" there's no concept of the [00:08:00] ongoing relationality. You know, you capture the image and then you keep it. And it's a whole construct of extractive knowledge that really, I think, comes down to the idea that the humans are the ones who get to decide what a place is, right?So. I could say in the standard sense, "Oh, I know Cornwall because I, you know, I grew up there for nearly 20 years." My family has been there since about the 1500s. You know, "I know a place, it's in my bones." Yada yada yada. All the metaphors you want to use. But the fact of the matter is, the place itself influences me more than I influence it. So there's this strange sense of belonging in which modernity [00:09:00] says "I belong" or "it belongs to me" rather than perhaps the place has extended hospitality to me and allowed me to grow and I could live/work in a place for 30 years and never know it because we're not comfortable as a culture with the idea of going, "I don't know this place."And it's a variety. It's always changing. And I think about all the times I used to watch the sea and talk to folks whose parents were fishermen or lifeboatmen, and they'd be like, "Yeah, we know the waters, but the waters can change. We know roughly what they do under certain conditions, but we don't know them completely, because they can always surprise us."And So, when somebody says, "oh, you're from Cornwall, you're a Cornishman," and all that sense of identity, [00:10:00] I'm like, "yeah, but that's, that's both really fluid for me, because, you know, there's a lot of history." Is it the tourist world of the 20th and 21st century, or is it the farming and the mining that goes back to the Neolithic?How we relate to a place purely in a modern sense isn't, to my mind anyway, the only way to conceive of belonging because, even though I'm now 300 miles away from there, I have its isotopes, its minerals from drinking the water in my teeth, you know. So, on some level, the idea that you have to be in a place also to belong to a place is something that I'm curious about because, there's this whole notion, [00:11:00] "you're only in the place and you've been in a place for this long and that means you know it and you're local." Whereas growing up, there was this sort of weird thing where it was like, "yeah, you might have been here 30 years and everybody knows you, but you're not a local." Right? You still belong, but there was this other category of " you're not local or something like that."And so it's complicated, but I really do, for my personal take, tend to look at it as a, the landscape, or wherever it is, influences my sense of belonging in a non human context, or more than human context, if that makes sense. Chris: Hmm. Yeah, there's so much there. Yeah. I mean, I'm also, in the context of identity, also wondering in what ways, not only has the tourism industry shaped one's identity of being local, which [00:12:00] is, I think, a huge issue in over touristed places in the last, you know, 10 or 20 years, as identity politics rises into the mainstream, and but then also not just the industry and the interaction with foreigners or, or guests, or tourists, but the way in which the image of that place is crafted through, often, ministries of culture or heritage, you know, so you could grow up in a place that isn't necessarily overly touristed or anything like that. But then have your identity crafted by these ideas of culture or heritage that the government's, federal and otherwise, have placed on people.Craig: And especially because where I come from, Cornwall, actually had its own language, which died out, which was on the verge of dying out in the 19th century. And slowly there are more speakers of it now. And you go back there now and you'll find, [00:13:00] even when I was growing up it wasn't so prevalent, but you'll find a lot of the signs for the street signs will have the English and the Cornish.So that's where the government has embraced this identity and enhanced it after people have been saying, you know, "this is a language we've rebuilt it. It's cousin to Welsh and Breton. We should use it. It's part of our identity and it's got folded into that." And so the infrastructure itself is now been part of that. You know, those very same streets have a name that wasn't known for like, 50, 60, maybe to 80 years, and suddenly people are now deliberately using the old names in non English languages because of that. And it's very strange because, especially in the UK, what with all [00:14:00] of Brexit and all that, there is a very weird sense wherein the rest of England, i. e. North and London and those sort of areas don't understand because Cornwall was a peripheral area and much like Wales, there's a lot of distrust of central government. Hmm. So, you've got this whole construction of a personal identity of nobody actually really understands what goes on outside. Either they're incomers, either they're emmets. You know, which "emmets" is the old English for "ants." Referring to tourists as ants in a kind of, yeah, they get everywhere. And the whole notion of who we are is always constructed. But in that case, going away and coming back to visit, I'm going, "Well that street didn't [00:15:00] have that label on it when I left. But it does now. And so in a certain sense it's the same place, but it's got this overlay of somewhere different that really enhances that sense of layers for me of "which Cornwall?" "Which of any of these places are we talking about?"Like you say, is it the one you see on a picture postcard or an Instagram or is it the ones who sat there as kids going, right, 'there's nothing to do, let's go and drink in a field?' You know and all of these things can co exist.Chris: Hmm, right. Yeah, I just interviewed a friend of mine, Christos Galanis, who did his PhD on hillwalkers, as well as homecomers in the Scottish Highlands, so people who spend their weekends climbing, summiting the Highland Mountains, and also the Canadian or Americans who travel to Scotland on heritage trips or ancestral [00:16:00] journeys. And he mentioned how in the Highlands that the governments have placed the original Gaelic place names on all of the the signs there, whether you're entering a village or perhaps on the street signs as well.And that he said that something like "only three percent of the of the people in Scotland actually speak, speak Gaelic," so they see the sign, they see the name, the vast majority of people, and they have no idea what it means. And I also remember the last time I was in Toronto, which is where I'm from originally, or where I grew up.And my family grew up in the east end of town, and the main thoroughfare in the east end of town is largely referred to as "Greek Town." You know, when I was a kid it was certainly Greek Town. The Greek letters, the Greek alphabet names as well as the English names of the street signs in that area.But it's much, much, much less Greek than it was 25 years ago, right? So again, [00:17:00] this question of like, is that to some extent trying to solidify the kind of cultural geography of a place. That people come to that street and that neighborhood because they want to experience Greekness in its diasporic kind of context.And yet, so many of those people, so many of those families have moved on or moved along or become more Canadian in their own sense of the word, so. Craig: Yeah. It's very strange as well because things like that attract... there's a loop obviously, because you'll get people coming to experience the greekness or the cornishes, and people will be like, oh, we should open a business that will enhance the greekness or the Cornish of the place, and that will draw, and it just becomes this thing and, yeah.Yeah, it's very strange. And I would totally agree with you on that one. Chris: Yeah. [00:18:00] Yeah. Until like a Greek person from Greece or a Cornish grandmother comes into town and says like, what? No, that's not Yeah. Oh, yeah. So I'd like to shift the conversation, Craig, a little bit towards ableism, and begin with this question that comes from our dear mutual friend Aerin and who admits that she's happily robbed it directly from Fiona Kumari Campbell.Yes. So, you might have heard this question before but she she felt the need to kind of pose it anew and and so the question is this. How does disability productively color our lives and Aerin wanted to ask it, to modify it slightly and ask, how does disability generatively or creatively color our lives? Craig: I can't speak to anybody's life other than my own really. But I would say that for me disability has, [00:19:00] one, given me a real sort of ability to look at the world and go, "you guys think this is how everything works and it clearly doesn't."You know, it has given me a generative gift of going, "hold on, what people think of the default really isn't the default, because I was never born as the default, and so I've had to find my own way of relating to the world" and that means that anybody goes anytime anybody goes "Oh, well, everybody knows..." or "the only way to do it is this?" I am always going "are you absolutely sure about that?" You know, "are you absolutely sure that what you're looking at or experiencing or noticing is only perceivable in one way, it's only ever [00:20:00] frameable, in one context?" But also this idea for me that disability is simply a fact.It's not good or bad. It is a thing that exists in the world and ableism is essentially the urge to measure against the vast field of disability and impairment and go, "We don't want that. That's the worst thing to be. So, we will strive to not be that." As Fiona Kumari Campbell would say, " It sets up a ranking and notification and prioritization of sentient life."So, this is why we, to a certain extent, we have such a obsession with youth culture. Young, healthy, fit folks are in some way better than the elderly. Oh god, nobody wants [00:21:00] to get old cause, if you're of white extraction, "oh, they'll probably stick you in a home."Nobody wants to conceive of the idea that actually you can have a generative and intimate relationship with somebody, not necessarily a romantic one, but a deep, deep friendship that also involves, frankly to put it crudely, perhaps wiping somebody's arse, right? There's this whole notion of messiness and failure and why Aerin reworded it from "productive" to "generative" is that whole idea of being productive, of having capitalist use, to produce, to make for purposes. And for me, disability and the field of disability in which I exist says "I exist and I don't have to be productive." it really [00:22:00] challenges the capitalist framework for me. And also, ableism, because it's set up to rank things like speed, mobility, all kinds of things like that, having a disability where you're sitting there going, but there are other ways to do this. There are other ways to exist. To notice the way our bodies move that are mostly ignored in the sense of "yeah, we don't pay attention to our posture or our muscle structure or what our guts are doing because we're all already forced along to the next thing.You know, we're already touring from, "okay, I've got up in the morning. Next thing I've got to do is have breakfast," right? And if you can easily shift between those stages, so you get up in the morning, start your breakfast, put your clothes on easily. [00:23:00] You don't think about it as much, but if it takes you 10, 20 minutes to even get out of bed and you have to do specific things, maybe exercises, maybe things like that, the whole process thickens.And in a sense, for me, it's an antithesis to escapism because there are things you cannot escape. There are things you have to deal with. And because there are things you have to deal with, you have to pay attention to them more. And that means the most ordinary mundane thing becomes or can become, if you're willing to gently sense it, a lot richer.So, this is one of those interesting things where if people want to go places to experience new things, Okay, that's a whole issue that you've obviously talked about throughout the podcast, but there is a certain sense in [00:24:00] which we don't even know where we started from. We've not explored our own bodies.I mean, I wrote a piece in 2020 when all the lockdowns hit that got shared around various bits of the internet and I think even in the newspaper at one point in, but I got a request to syndicate it, of how to exist when you're stuck in your house. You know, what do you do to "keep," in inverted commas, "sane," which, of course, is an ableist framework, but what do you do to stop yourself from losing mental health? How do you function? And I broke it down and I sort of made practical suggestions of, this is how I, as somebody that doesn't actually have a, quotes, "normal life," and spends a lot of his time unable to travel or go out much, stops myself from feeling isolated, [00:25:00] because I've ended up having to learn to explore what some might regard as a limited domain.But to me, that limited area, that limited domain has given me this sense of vastness that's, you know, I can't remember which philosopher it is, but there is a philosopher who basically says, I think it is a Camus, who says "you just need to reopen when you're in your room and the whole world will reveal itself to you."And when you don't have a choice, when you're stuck in chronic pain, or sickness, or something like that and you have to work out what to do with your limited energy, to embrace life, there becomes a sort of challenge, to go, "okay, how can I feel like things are enriching? How can I, almost metabolize the things that other people would reject.⌘ Chris Christou ⌘ is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.You know, [00:26:00] because disability is so "Oh, it's so sad he's disabled. Or we've got the cure for this and that. And we've got to cure it." And it's not really about ameliorating suffering. Which is a good thing. It's an analoid good to ameliorate any form of suffering. But there is this sense that the only way to perceive the world is through a so called "non disabled" abled body.The only way to experience a rich world, and again, I'm not knocking people who do a lot of travelling per se, but the only way to experience the world is to go on long journeys, and backpack and explore you know, new ways of thinking. That's great. And I'm not saying you can do exactly the same at home, but you can also become radically hospitable to yourself and to the environment in which you find [00:27:00] yourself.And that opens a whole lot of doors that I think I would regard as generatively colouring life and revealing life. In a way that was possibly occluded before. Chris: Yeah, I mean, so much of what I've come to in the research around tourism and hypermobility is this question of limits.And that certainly comes up in other themes, in other contexts. But not just the limits to one's place. Like, where does your place end? But also the limits of the human body. And, when we talk about freedom generally in the West, or in, in the context of modernity, it's so often pinned or underpinned via the freedom of movement, in part, because I know you're coming from the other side of the Atlantic, but certainly in, in this part of the [00:28:00] world, in the Americas and especially North America, freedom is understood as freedom of movement because that's in part how, the states and, and the nation's existences are justified.And so, I would just ask you what you think of that in the context of freedom being, of course a synonym for liberation. And how so many of our western notions of freedom are attached to movement and have. To a large degree become glorified in the hyper mobility of our times.Craig: I would agree with you. I think it was always there because of the colonial urge, but I think North American notions of freedom have, through a certain cultural hegemony, filtered back. You get it in the media, even Star Trek, you know, the final frontier, you know. Things like that. Or wide open spaces. There's still this notion of, freedom to move, room to live. It has its own European context and [00:29:00] horrors, unfortunately.But also, I think the notion of freedom as freedom to move. There is a question there for me, because I'm not sure we know what we're doing when we move. Right? And one of the questions that always was raised for me is, if I raise my finger, as I'm doing now, and I bend it so it's 90 degrees, how did I do that?What did I do? Well, science would say, okay, you used all your tendons and so on and so forth, and I'm like, yeah, "okay, those are nice descriptors. But what did I actually do?" Where's the connection between the impulse and the urge to bend my finger? Right. I don't know what I did there. I just thought I'm gonna bend my finger and the [00:30:00] finger bent But there's a whole bunch of stuff going on.So when I'm thinking about freedom of movement First the question is, "freedom to move in what way?" Right? So the the classic example is, in perhaps North America and and English speaking countries is "to go where I want, when I want, with none to to gainsay me, none to say you can't go there," which has been problematized thanks to the history of enclosure of land and capture by state and political actors, but also this notion that if you get into a city and you can go and people go, "Oh, I'm free to go wherever I want."I always sit there and I'm going, "yes, but you can go wherever you want, but if a place has stairs and no lift..." right? I [00:31:00] can't go there. So do I have less freedom? Well, according to the traditional notions of freedom, yes. I am less free. When I grew up, as an example in the UK I went to America when I was about four or five, and I was absolutely stunned by the amount of public toilets that had a disabled toilet.Right? Because virtually nowhere where I grew up at that point had a disabled toilet. This was due to the fact that the U. S. has a disability rights movement that was slightly ahead of the U. K. 's. So I was freer to go about my holiday in the U. S. than I was technically at home. I couldn't go certain places because there weren't toilets, or there weren't ramps, because that had not been legalized. You know, there'd been no legislation. In the UK, there was [00:32:00] no disability legislation until 1995. You know, so technically, I was born in 1981. I had no specific extra legal rights that I needed for 14 years. Now some would say, "oh, that, you've got freedom there... the law has given you freedom.It's giving you the ability to move, but it's only given me the ability to move in approved ways, right? And so every single time somebody talks about room to move, my query is always, okay. "One, as I said, move in what way? And two, who taught you what method of movement is approved or disproved?" So, particularly in Europe, we have folks like the Romani, the Irish travellers, [00:33:00] even the so called New Age travellers, right, who are nomadic folks.And despite this obsession with freedom, the idea that people are nomadic, are shiftless and rootless, still exists. Yes, a degree. The degree of privilege, the degree that I could be, quote, "more confident going into public spaces." And you'll see this in American history and throughout European history as well.And when I was talking about the nomadic folks, I was saying, you know, there are only certain people who are allowed to move in certain ways, to travel in certain ways that are approved. In similar ways with disability there were only certain kinds of people who were allowed into public spaces.They might not have been legislated against in the mid twentieth century. They might have struck those off the books, but at [00:34:00] various points, at least in the US, if you look up the Chicago Ugly Laws, people who were regarded as vagrants or unsightly, were not allowed in public spaces. They could be jailed for that.It's not just loitering. It was very much anything that could give offense because they were physically disabled. Or, the idea that the physically disabled are more likely to be begging or doing things like that. That was all folded in. So, this notion of freedom as the ability to move and move in space.Despite the North American urge to be like, "well, nobody can tell me what to do." There's still a certain level of certain forms of movement are privileged or regarded as normal versus others. So, you know it's weird if you don't stay [00:35:00] in one place or perhaps, it's weird if you don't have a reason for your seasonal job, right?When I was a kid and a teenager... like I said, where I grew up was kind of known for surfing, right? And I met folks who would come from places like Australia and live in Volkswagen transporter vans and work in the seasonal hotels and then go surfing. And then sometimes in the winter they disappear off to Morocco.And you wouldn't see them for six months and they'd come back and there's all this kind of idea of Differing rhythms, which has really influenced my entire life because those folks, they were there there were hundreds of them you could see them parked on every road and I knew several of them very very well, but the fact of those seasonal rhythms, which weren't [00:36:00] approved. It wasn't approved that they didn't stay in one place and pay taxes. To some that might be, you know, "Oh, that's freedom! That's telling the government, I don't have to pay your taxes or I don't have to stay in one place and be a registered visible citizen. I can be a free spirit and go to Morocco whenever I want. But, the fact of it is, if you walked on the, on the roads, people would look at you funny, right?If you look at people who do long distance walking in areas that are drivable, I mean, especially I guess in North America, that's looked at as very, very, very strange, because you guys don't have the infrastructure. So, for me, it's this really strange notion that we're fixated on particular kinds of movement to do with agency and power, right?And we, we will say, "oh, [00:37:00] that's mobile, that's fast, that's quick, that's agile." And I'm always curious about what criteria we're using to say, "oh, that's fast, that's agile, that's nimble," when you look at the so called natural world, and you've got plants that are seemingly immobile, but they actually turn to the sun.You just don't notice it until you stick it on a stop motion camera. And then you're like, "wow, they move." But you could go past that plant every single day and be like, "yeah, it doesn't move. It's a plant. It just stays there." Right? Because our perception of what movement is and what is approved is based around one, what we're taught and two, what we see every day.But also three. What we can't notice unless we're forced to look at the same thing over and over again, right? [00:38:00] Because our tendency is to see one thing, think, "Oh, I know it. I've spotted it. I know what it is. I've identified it. It's fitted into my matrix of identity. I can move on now. It's all sorted." But the whole ethos, I guess, that I'm coming at iswhat if you don't know? What if you don't know? What if that microphone that I'm speaking into and you're speaking into it looks like a particular thing and you think you could describe a microphone to somebody but go down to say the flows of the electrons and it's a context issue. You know? And, and So, I'm interested in thinking about what are the contexts are in the room with us right now that we're not even paying any attention to, and not even in the room, in our own bodies, in our own language.Chris: Wow. Yeah, again, there's so much there. My [00:39:00] my thoughts just flew off into a million different directions. And I feel like it would probably take me a while to to gather them in.Craig: No problem. You do what you need to do. I mean, that's, that's the whole point. Chris: Yeah. So I had a queer crip travel writer named Bani Amor on the podcast in season three.And we were talking about the fallout and the consequences of the COVID 19 pandemic. And she said something like, you know, "the settler can't stay still. That the pandemic showed us that we can't stay still." In the context of that time that so many people who had been engaged in and who glorify or who simply have been taught to live a hyper mobile life, that there was this opportunity to question [00:40:00] that, to bring it into a different context.And I know a lot of people, couldn't necessarily leave their houses in the quote unquote lockdowns. But I don't think that wouldn't necessarily stop people from tending to or allowing themselves to witness the more than human world in that way. And so, my question is, assuming we have the opportunity, in some manner, in any manner, how do you think we might have our understandings of movements subverted, or at least challenged, by virtue of looking at the movement in the more than human world.Craig: Great question. I think one of the biggest notions, and I just want to return to that phrase, "the settler can't stay still." And really, agree with that, and so add to secondary things of what actually is stillness, right? We have [00:41:00] this idea of stillness as immobility, as, as, as perhaps staying in one place.Not moving, but actually, if we look at what we're doing when we're actually apparently still, there's still movement going on, right? There's still movement going on in our bodies. There's still a different kind of mobility going. And we're not the only ones, right? The more than human does this exactly as well.If you look at a rock, oh, you think a rock doesn't move? I mean, it doesn't move, but then you have erosion, right? Then you have the rain, and the way that particles are shaved off it, and it shifts. So, when we're thinking about outside, when we're thinking about... and when I say "more than [00:42:00] human," I'm not saying "better than human," I'm saying "exceeding the human," I just want to make that clear, it exceeds the boundaries of the human. Disability as mutual friend Bayo would define it is, I believe he said "it's a failure of power to contain itself." So, that's Bayo Akomolafe. And this notion that the world and the modern human flows through and beyond any sort of boundary, right? So, any outline we form is not immune in the sense of there's no boardwalk, right?A wall is not an untouchable upright edifice. It's actually touched and permeated, right? So everything in the more than human context interrelates and is, to a certain extent, degrees of [00:43:00] permeable. So, yeah, our cells keep certain things out, and let certain things in, but even the things they keep out, they're in contact with.They're relating to. Right? Because in the same way, with COVID 19 vaccine, people think, "oh, it's a vaccine. It's immunity, right? It'll stop me getting COVID. Or it'll stop me getting this, or stop me getting that." What it actually does is it has an interaction with your, the vaccine has an interaction with your immune system.There's a dialogue, there's a discussion, a call and response, which then engenders further responses in your body, right? So, there's constant relation that is ongoing. So, nothing is one and done, right? To borrow from Stefano Hani and Fred Moten No motion is ever completed, right? Nothing's [00:44:00] ever finished. It's not like we're gonna get off this and, and you'll be like, "oh, I've finished recording the podcast." Sure, you've hit the stop recording button, but the recording of the podcast is still ongoing. And there's this fundamental ongoingness, which is a product of the world.The world is worlding, right? And that means the most ordinary, mundane thing you can think of is ongoing. The mug I have right in front of me right now with tea in it. It's ceramic. It's been painted, but it's still ongoing, right? It still has the relation to the machines that shaped it. And it also has this ongoingness with the human history of pottery.Right? And people go, Oh, that's ridiculous. That's not practical. You know, "it's a mug," but I always [00:45:00] think. Isn't that just commodification? Like, is that not just saying it's a commodity, it doesn't have a story? Like, I don't want to get all Marxist here, but there's that real alienation from ongoingness and the fact that we also are ongoing attempts at relation. We're not even fixed identities. Our movements cannot be technically circumscribed because I have a disability which means I can't dance. Right? I use a wheelchair. I can't dance. I can't do the tango. Right? Okay. But everybody uses dance in a context of bopping to the music and doing all this thing and it's a bit like freedom. You know, everybody assumes that dance is a particular thing.But as Bayo and We Will Dance with Mountains, the course, the whole point of it being [00:46:00] called We Will Dance with Mountains is the fact that mountains don't dance like humans. Mountains dance like mountains. And the only way we spot how mountains dance is to actually pay attention to them and attempt to relate to them.We can't get out of our framework completely, but we can be open to say, what does our framework for a mountain miss about those massive landforms? What are we missing when we say a mountain doesn't move? And that's where you have references to indigenous and local stories that actually talk about these landforms, these places, these folklore places, as the living, moving beings that they actually are.Hmm. You know. Yeah, "okay, that stone circle over there was because a bunch of women were dancing on a [00:47:00] Sunday and in a Christian country, that's bad, so they got turned to stone," or in Scandinavia, "that rock there, it's actually a troll that got caught out in the sun." that these are living, ongoing beings and events, which it's not woo, it's actual or intellectual, I think.If you look at anything for long enough, you start to notice what's ongoing with it, even something that's solid and fixed. And that, to me, the gripping is the bending of the perception, right? That is queering, but crip-queering is that point where you have the restriction involved. People will talk about queer liberation, and yeah, we want crip liberation. That's cool. But if you think about crip liberation as, it might actually be the limits that bring us liberation.And then, if you track back [00:48:00] into mythologies long enough. You've got figures like Dionysus or then poetic gods who say, they're the ones that fetter you. They can bind you, but they can also set you free. And that is really interesting to me that a lot of these liberational figures also have a side that they can tie you up.And I don't just mean in a bondage sense. It's this notion that the two things, the two complexes are part of a whole thing, and you can't divide it into restricted and free and you can't escape. You can't pull a Harry Houdini from existence, which, to a certain extent, some people, when they go on holiday, engage in tourism, they're trying to escape for a little while, their other lives. But we all know you can't escape them. Mm-Hmm. But the inescapability of it is not bad. Right. By default, it's not [00:49:00] bad. It can be, but the assumption something is inescapable, just like, oh, something is disabling. Mm-Hmm. the assumption of good and bad. If you can hold that in abeyance and actually look at it for a second and go, Okay, what's going on here?Maybe our conceptions of this need reevaluating. Now the reason we don't do this on the regular, even in modernity, is because it takes a lot of effort and time to focus. And that's another benefit that I get as a disabled person, right? Because I can't use my time for a whole bunch of things that non disabled folks can.So I've got more time, I've got a different relationship to time and space, which means that I can sit and look at things with that differing relation to time and space, and be like "Huh, I never noticed that." And then I get to talk [00:50:00] about this stuff to folks like you, and people get surprised.And they're like, "you think about this all the day." I'm like, "no, I don't think about this. This is my life. This is how I live. This is my embrace of life, right? And this is my freedom to literally, Be like, " well, okay, my restrictions. How do they actually open me to the world?" And I'm not offering a prescription here, because everybody's different.But it strikes me that even the most nomadic person always carry stuff with them, right? And to borrow from Ursula K. Le Guin with her "Carrier Bag Story of Fiction," which Bayo talked about in We Will Dance The Mountains, the idea of what we're carrying is really interesting, but how often do we rummage in our own bags?Hmm. [00:51:00] Right? How often do we take off our backpacks and rummage just for the sake of it? Often we just look in the backpacks for something specific. Hmm. Right? Oh, I need a map. Oh, I need a chocolate bar. Oh, I need my, you know my iPad. We rarely stick our hands in and notice the way our clothing might shift around our fingers or the way, you know, the waterproofing is possibly coming off and means that the fabric has these different textures because we don't take the time and there's nothing wrong with that, but it's the fact that we don't have that relationship to time and space.And babies, kids do. It's why kids put things in their mouth. All those things where you're like, "Oh no, don't put that in your mouth, it's bad for you." They don't know that. But the whole point of putting it in their mouth and feeling it is to try and not [00:52:00] understand it, not get it.There's nothing there in a baby in its early function that says, "I must understand what that is." The understanding comes upon you through experience. But there's no bit, at least as far as I can work out, that's like, "I must understand what it is that I'm putting in my mouth."It's more like, "hmm, that tastes interesting, it has some interesting textures," and then your brain does all the work or your brain and your body mind do all the work, but the personhood isn't also doing all the work, just like the "I" of my body, right, my relationship with the "I", as in my sense of self, I have to expand that to my entire body, You know, because there's so much going on right now in this conversation that I'm not aware of, right?There's stuff going on in my room that I'm [00:53:00] not aware of, but it's going on now. And so I have to expand and that expansiveness also means I sometimes have to venture into realms of pain, right? Because I have chronic pain. And in order to fully experience that, sometimes I have to encounter that pain.I have to slow down and focus and go, "Oh, the chronic pain that I was mostly ignoring because just in the background, it suddenly leaped to the fore because I'm paying attention." Now, modernity says you shouldn't do that. You shouldn't do stuff that causes you pain. Understandable in a certain context, but If I didn't understand that the pain was also part of the experience and changes how I move, if I didn't understand that chronic pain changes how time stretches, then I wouldn't be where I am.So the more than human permeates the human in ways [00:54:00] that the human is either deliberately trained to deny or doesn't even know is going on and the pandemic basically was, in my eyes, the more than human kind of knocking on the door going you are not this completely hermetically sealed box, right? Your society is not a hermetically sealed box. Chris: Amen. Amen. I mean, could have gone in a lot of different directions, but here we are, at least being able to reflect on it in a good way, and I'm reminded, this notion of abeyance and attention and, and the expansion of the I.I'm reminded of this, this line from Simone Weil who said that "absolutely unmixed attention is prayer." And so, I think that it, something like that is worthy of the times we, we wish to live in and perhaps sometimes do. Craig: [00:55:00] Definitely.Chris: And so, you know, I wish we had more time, Craig really getting into some beautiful black holes there. But hopefully we get the opportunity to speak again sometime.Craig: I'd be, be happy to. Be happy to. Chris: And so before we depart, I'd just like to ask the kind of token question that always comes at the end of interviews, which is where can our listeners find your work?And I'm pretty sure you had a book that came out last year entitled, Goetic Atavisms, if I'm not mistaken. Craig: Yes, I did. So you can find me on my mostly moribund, but strange little blog at cold-albion.net. And you can also pick up the book, which is, to be clear, more of an occult angle on this, but it also brings in the disability angle directly from the publisher Hadean Press or you could get it from, you know, the Bezos Behemoth, if you really [00:56:00] wanted. I am also not really on social media as a project, but I'm also on you know Blue Sky, so you can search me up there, or Mastodon, which you could always search me up there, and I occasionally post things on there.Chris: Wonderful. Well, I'll make sure that all those links and connections are available for our listeners once the episode launches. And I very much look forward to reading Goetic Activisms myself. So, thank you so much, Craig.Chris: Thank you, Chris. Get full access to ⌘ Chris Christou ⌘ at chrischristou.substack.com/subscribe

We're back!! Wow! What a way to come back with our top five worst sci fi sequels!! Cohost Ian Kapplin has been backed up with baby Aerin so editing and dropping the episodes is a challenge for sure! Brace for new content as we drop our 3 most recent episodes for your listening pleasure! Check us out on Facebook!!!

On this episode, my guest is Manish Jain, a man deeply committed to regenerating our diverse local knowledge systems, cultural imaginations and inter-cultural dialogue. Inspired by MK Gandhi, Rabindranath Tagore,  Ivan Illich, his illiterate village grandmother, his unschooled daughter, indigenous communities and Jain spiritual philosophy, he is one of the leading planetary voices for deschooling our lives and reimagining education. He has served for the past 25 years as Chief Beaver (ecosystems builder) of Shikshantar: The Peoples' Institute for Rethinking Education and Development based in Udaipur, India and is co-founder of some of the most innovative educational experiments in the world - the Swaraj University, the Jail University, Complexity University, Tribal Farmversity, the Creativity Adda, the Learning Societies Unconference, the Walkouts-Walk-on network, Udaipur as a Learning City, the Families Learning Together network, Berkana Exchange.  He co-launched the global Ecoversities Alliance with 500+ members in 50 countries. Show Notes:Kidnapped by the American DreamGrandma's UniversityReclaiming our Cultural ImaginationCultural Imagination for the Culturally HomelessThe Radical and Exponential Power of TrustUnlearning Cultural Appropriation in the Oral TraditionJugard, or “playful improvisation”Being Reclaimed by AncestorsSwaraj University - Money, Love, and DeathAlivelihoods and DeadlihoodsTraditions of Hospitality in RajasthanEcoversitiesHomework:Swaraj University WebsiteEcoversities WebsiteJugaad (Wikipedia)Transcript:[00:00:00] Welcome, Manish, to the End of Tourism podcast. Thanks for joining me today. Thank you, Chris. Great to be here. Great to be with you. Speaking of here, I was wondering if you could share with our listeners where you find yourself today and maybe what the world looks like for you where you are. Yes, I live in a very magical place called Udaipur.It's in Rajasthan, India. I have been here for the last 25 years. Before that I was moving cities every year. I was living in the U. S. and Europe. And my village is about two hours from where I live, from the city. And I have lots of relatives here, lots of ancestors around. And this happens to be one of the major tourist destinations of India.So it's an interesting combination of very [00:01:00] cosmopolitan kind of global jet set coming in, but also lots of traditional culture, local knowledge, still alive. We were lucky to be called backwards and underdeveloped. And so many things have remained but again under, under continuous threat by kind of urbanization and global economy.But yeah, it's a very beautiful place, lots of palaces, lakes all kinds of animals on the street. On a good day you'll see an elephant walking down the street or a camel just in our neighborhoods and yeah, I love it here. So it's, I mean, it's found a place in my heart for sure. Hmm. What a gift. What a gift to, to live in a place that you love and, you know, it seems to be that question at the heart of the themes of the podcast and in that regard, I wanted to begin by asking you a little bit about your journey, Manish. So[00:02:00] from what I've read, from what I've heard, a lot of your work centers around de schooling and unlearning, specifically with Swaraj University and other educational endeavors, Ecoversities being one of them.And I'd like to return to those themes and projects in a little bit and start by asking you, among other things, about your earlier accolades as a Harvard graduate and someone with a degree from Brown University. One of your bios says that you worked for, among others the American multinational investment bank, Morgan Stanley, as well as UNESCO, UNICEF, World Bank, and USAID in South Asia, Africa, and the former Soviet Union.And so I'm wondering if you'd be willing to share what led to your initial involvement in these rather prominent institutions, and then subsequently, what led to leaving them behind thereafter? Yeah, thank you. Yeah, hearing that [00:03:00] always gives me the shivers a little bit. It's like such a long time ago now. But so I kind of actually grew up with a deep sense of wanting to serve, serve the world. And when I was growing up I actually, I tell people I was kidnapped when I was three years old, born in India, but then taken to the U. S. Kidnapped by the American dream, which I over time realized was a nightmare for most of the planet. So this deep sense of service has always been, been with me, maybe from my mother, from my father, from my grandparents, many, many sources from, inspired by also Gandhi and, and Tagore and many other Indian freedom fighters.But I kind of grew up with this narrative, if you want to serve, you should go to the big places, the places of big power, those institutions, that's where you can influence, that's where you can make the most impact. And so that kind of was a trajectory that I, I kind of [00:04:00] got put on I kind of was very good.I never liked being in these institutions, but I was very good at faking it I faked it through school all the way to Harvard and, and so I was pretty good at faking it and eventually it caught up with me and I started feeling like I was becoming a fake. So, but going to those places I thought there were, you know, those were the centers of power and that when I got there, I started feeling that these places, each of these places, one by one, I started realizing that they were actually quite powerless in many ways, surrounded by a sense of scarcity and fear and very limited imagination.And so one by one, I became disillusioned with each of each of those places. I was expecting that, you know, these would be the places which could help serve humanity, but I realized that they were built on, you know, this continuous model of extraction and colonization and exploitation of [00:05:00] life.And so even with education, I felt like, okay education will be the solution and I started realizing that education was a huge part of the problem. And so that's what led me started me on the de schooling path to try to see how we can find other ways besides relying on these institutions and the logic of capitalism and commodification to solve our problems. You know, over time I started really developing a severe mistrust of experts.I was one of them, like, although I'm fake and so are the rest of these guys. So by the time I was 28, I hit the wall. And I was like I don't have anywhere else to go, I've been to all these big places, and I don't really see, see any hope from them. I don't think they can be repaired either or that they can actually take the kinds of initiatives that are needed to change the game.So that's what led me back to India then[00:06:00] to be with my illiterate village grandmother. And I thought I'll take care of her. And then I, my wife and I realized that we had inadvertently become part of our grandmother's university and she was our unlearning guru. To both Get beyond I would say a lot of our own fears and anxieties, get beyond a lot of the, let's say Western liberal do gooder frameworks, get beyond our attachment to institutions just to solve things for us and start to understand and remember, I think remembering is a word that I have discussed many times with old common friend of ours, Gustavo Esteva, but start to remember that we have much more richness and wealth and creativity, possibility within us and our, and within our communities. So that's been a little bit of the journey to re remember and reclaim and reimagine things.I [00:07:00] remember seeing in one of your talks that you said that your work or to you, what you understood your work to be is, is a way of reclaiming our cultural imagination. I'm wondering if you could elaborate a little bit on that. Yeah, I think basically I think the deepest form of colonization has happened is to our imaginations.And there is a phrase from the eighties from Ronald Reagan and Margaret Thatcher called TINA. "There Is No Alternative." So, as there was an uprising that started happening around the world questioning the dominant development paradigm, the global economy, it was quickly suppressed, repressed by this phrase, TINA.This is the best system that we have, and you know, there's, there's nothing beyond it, so you should just try to improve what's there. And so I think what then [00:08:00] people are forced into is to try to fix or let's say work with what is the existing frameworks and definitions that we have been fed about things like progress or development or success or happiness and then we are all in a very deep endless losing race to try to catch up with something.And we're not even sure what happens when you win. Maybe that's where it hit me. You know, there's a saying, if you, if you beat them at their own game, you lose everything. And so I kind of started realizing that personally, and also when I was looking at the development paradigm more different more closely.So I think, you know, what else is possible first of beyond the kind of logic of the rational mind, what's possible beyond the anthropocentric perspectives that we have on life, what's possible beyond global corporations and institutions deciding what's best for us, what's [00:09:00] possible beyond markets and technologies as the solutions for all of the planet's woes.I think that's what we're trying to explore when I talk about cultural imagination. And I, I think that the first step is to open up the definitions again. This is another thing I think many of my elders, Gustavo, and, Ivan Illich and a person here in India who was a friend of Gustavo's, Claude Alvarez, many were urging us that we need to open up the definitions of things.So that's what usually I think in a lot of the decolonial movements, what didn't happen that we accepted their definitions of development of the good life, all of those things. And then we started pursuing that, but actually it's a very exciting time that we can actually crack that open. And see, okay, what is it?Little Bhutan, a country of 700, 000. People asking, you know, what is happiness? And saying that[00:10:00] you know, the West, you guys have all the money, you guys have all the technology, you have all the armies, but are your people happy? So I think, you know, this is happening in obviously in Latin America, "buen vivir," in India, Swaraj, so many movements, which I think are challenging the given definitions and creating a space for us to dream differently, to tap into a different worldview which recognizes a sense of the sacred and recognizes that we are not just, you know, cogs in the machine in terms of our purpose on this earth. So I think those are, that's a little bit of what I mean by reclaiming the cultural imagination. Hmm. And you mentioned Swaraj and I'm really excited to dive into that and see where this notion of reclaiming cultural imagination fits there in a place and not just in philosophies.But I wanted to ask you this kind of this little follow up question in regards to the cultural imagination. Because we've [00:11:00] had the great honor to befriend and learn from people like Gustavo. But I think of my family and friends and compañeros, colleagues in Toronto, major North American metropolis.And I wonder how reclaiming the cultural imagination looks like or could be for people who would consider themselves either cultural orphans or culturally homeless. You know I mean, you and I have distinct ties, it seems, and a lived memory to the places our people moved or migrated from or still live in.And so there's a bridge of sorts that already exists that on some level can still be crossed. What about the people who have no lived memory of where their people come from or who would admit, or at least can offer up the idea that they have no culture? Yeah, so, oh, that's a great question. So, [00:12:00] I think maybe the first thing I would kind of offer in that situation is that one is a question of how to reconnect to the land and the territory you live in the place, the water, the rivers, the mountains, the forests. There's a tremendous amount of memory that, that lives in the place which can help us recover parts of ourselves that have been lost. The other is, I think, in terms of reconnecting to our bodies again, there's a tremendous amount of wisdom. We can recover again from our own bodies, from our breath also reconnecting to our breath in a very profound way and help us recover things.And also when I talk about culture, I think the essence of culture without being an essentialist, is is what I call gift culture. Mm-Hmm. So this culture of, of connection, of care, of kindness, of trust, of hospitality, of [00:13:00] forgiveness. There's so many traditions like that, wherever we are, and we can also create new traditions around these things.And so, a lot of times we confuse culture for the food or for the clothes or for the music of a place. But I think the deeper level of all culture is a gift culture, which is a reminder of the interconnectedness of life, the thread that is woven through all of us, connects us to something very sacred and even divine in some sense.So, I think that reconnecting to the spirit of kindness and care is a huge step. We've been doing a lot of experiments over the years around gift culture and reconnecting to a field of trust again. I call it the radical and exponential power of trust.Much of our work and I would almost say in the miracles that I see every day in our work are because of this field of trust that we have been able to reconnect to and this is what my [00:14:00] grandmother, I think, was helping me to reconnect to in terms of culture is because I remember growing up in the U. S. this continuous thing of don't trust anyone, don't trust your neighbors, don't trust anyone, somebody, anybody is being kind to you because they may have an angle. They may steal from you or cheat from you or whatever, and I think it took me a lot of healing to come out of that and that has been a phenomenal journey in terms of opening up possibilities for how I connect, and one other thing I would say is that.A lot of, I know this has been a major unlearning area because I used to be very critical of all of this cultural appropriation that we see in the West, people picking up things in here, here and there. But as I've been in India and I've become more connected to the oral traditions, very different kind of ethics and philosophy and ways of, of living and doing things that lives in an oral tradition.Like [00:15:00] I grew up with this strong fear of, you know, plagiarism. You know, that was the one thing Harvard and Brown hammer you is about plagiarizing. Cite every word. Chris said this, or Gustavo said this, right? And I found in the oral tradition, there's a different kind of trickster level playfulness that you can take anything, play with anything.You don't have to cite, you can modify, you can change, you can adapt. And I think I've been trying to bring that more into these conversations around cultural appropriation, because I think people get so afraid nowadays of being bashed for exploring a different culture for taking things.Obviously, there is a level of depth and engagement and commitment, dedication to understanding something that I would invite in that. But being able to pick up things, I think has been part of our culture. People take things and spread them and appropriate them in ways that keep them alive and moving so it's something I've been exploring a [00:16:00] lot is that it seems very much more controlling and part of the old paradigm to say that we need to protect and there are certain cultural gatekeepers and certain kinds of people who who will tell you you're right or wrong in the culture.So I also would want to open up that conversation, exploration with people. Thank you. You know what I mean? You know what I mean with that? Yeah. Yeah, definitely. It definitely points towards a notion of cultures being static and that there being a degree of authenticity, a kind of original foundation or culture for a people which seems to be a relic of 19th century anthropology and things like that.And, and a restriction that we are just these bodies in this present time. You know, in India, obviously we talk about reincarnation and so there, there may be other, other cultures within us and that we've lived that [00:17:00] want to express themselves and want to be opened in this life as well, which maybe our body and our place doesn't necessarily give us that opportunity, but the possibility exists, or the the desire even if is there so. I would want to invite us to all of that as well. Mm hmm, and you've been speaking a lot about how your time in India has really been an opportunity for you to unlearn, maybe disassociate a little bit from the taught worldview that you had in the United States.And this next question comes from a friend of ours dear friend Erin, and She wanted to ask about your move to India or move back depending on how you choose to understand it and how that experience has been for you as someone who grew up on the other side of the world and what do you think it means in the context of [00:18:00] your migration to be claimed or reclaimed by a place.Beautiful. Yeah. I think it's been quite a powerful and even I would say magical journey because as you said, the place and the people reclaim me. Part of it is that, you know, my relatives are here, my ancestors are here. And so at times when I felt, you know, a little bit out of place they reminded me that I belong here and I'm welcome here.And I think what I've made a very strong effort to do is to reground myself in different ways and maybe those ways have been made the transition more smooth or beautiful in one way. So one is like, you know, a lot of the ideas, for example, or work that I'm doing I've tried to find cultural reference points and stories that makes sense because initially when I came, a lot of the things I was talking about, [00:19:00] people were like, oh, that's another Western idea. That's something you're just bringing. It's not Indian, blah, blah, whatever. So I started to look for stories in the past. So when I talk about my university, Swaraj University, I tell people it's 5, 000 years old. Our first chancellor was from the Mahabharata, Ekalavya, the story of Ekalavya, the first documented, self-designed learner and so that all of a sudden something clicks differently for people of how they hear it, how they connect it. When I talk about, for example, when we used to talk a lot, Erin, since you brought her up, we explored a lot of zero waste and upcycling together.There's a word in Hindi, jugard, which means playful improvisation. So, using our own words to describe it rather than trying to take everything from English and translate it. But also I'd say, you know, like people would say, again, zero waste. This is a Western sustainability thing. I said, no no, wait a second.Our grandmothers are all zero waste masters. So, you [00:20:00] know, let us understand that all of these ideas are actually connected to many things that we have in our own culture. So that's made it a very beautiful thing because it's not only being welcoming, it's actually unleashing a lot of energy that had been pent up with people like fear and you know, self -limiting, self-belief, self -suppression in a sense.So all of a sudden hearing that, Oh, this is actually has roots in who we are, has opened up a lot for ways we engage in people to accept me and some of the ideas and experiments we've been sharing. So that's been good. And I think the other thing is really a kind of regrounding. So when I moved back, I was good at PowerPoint and Excel.My worldview was through Microsoft products, right? So what I learned again was to reconnect to farming and our food systems. And I think Aerin and Yeyo's journey is also, we've been together on this for many years, but [00:21:00] also to local language again, and you know, making our own clothes, building our own buildings, you know our own healing techniques and plants here. So, just reconnecting to a lot of those things have helped the place to welcome me in different ways and also me to be able to build different relationships with a lot of diverse people here as well. And I think the third thing is really that just to add was like this, one of the deschooling ideas was to core is to shed these labels of failures of looking, you know, at only educated people as intelligent.So there's so much wisdom and creativity and beauty and love that is with people who don't have degrees. And so being able to see that because I was able to let go of these labels and these frameworks has really helped me again, beautifully connecting with many people and many energies here.Wonderful. And [00:22:00] do you think that those, those points that you just mentioned, that they were causes or consequences of you and your people there opening Swaraj University? Or did it evolve into that? It happened, you know, like I said, we have more than a thousand faculty in Swaraj University, and they are grandmothers and farmers and artisans and mountains and lakes and, and trees, the human, the more than human. The one other thing that's really been very powerful is, you know, the place I live in, I would say about 80 percent of the people living here talk to their ancestors. Like without a shaman, they can, you know, like my cousins or my aunt can channel ancestors and we would have all night prayer rituals to talk, connect with them, invite them.And it's like people, and for me with my western trained scientific mind, I [00:23:00] couldn't understand this initially and then it started to open up once I kind of allowed myself to breathe with it opened up a whole different set of possibilities also in engagement to the place where the ancestors were welcoming me. As well to this place. So, that has been beautiful. And another thing that happened was I met, again, a lot of traditional healers. So 25 years ago when I was meeting them was a huge amount of skepticism. My mother's a doctor in the U. S. and she doesn't trust anything Ayurvedic or folk medicines or anything.So when I met them, I was skeptical, but as I spent time with them, and started seeing that they're, they actually have some very deep power. And when I asked them, you know, how did you learn all of this stuff? Because you think of this plant with this, you know, the bark of this and the, you have to boil that with the roots of this and mix it with this.I'm like, so many combinations and permutations, right? And I'm like, they didn't have supercomputers. [00:24:00] So I asked them, how did you guys learn this? And they said, what do you think? And I very proudly used to say trial and error, you know, that must be the scientific method. And they would laugh like crazy.And I'm like, what, what was it like that? That's so primitive trial and error. It's so primitive. I'm like, what? And they would, I said, how did they do it? They said, Oh, we could, our ancestors could talk to the plants. And so once I kind of started to allow that worldview to permeate me, it started to create a different sense of connection to the place, I think.And so it's been a very beautiful journey to in a sense, one can say rewild myself here. And are those, are those themes incorporated into swarajs, and I don't want to say curriculum, because we all know that's a four letter word for a lot of people, but but in terms of de schooling, in terms of unlearning, in terms of, these kinds of old time [00:25:00] learnings, what does a student maybe encounter at Swaraj?Yeah. So there's no curriculum per se, but we have, you know, a few different elements to it. It's all derived from living together, right? So, one is obviously, we call it learning from the gift of conflict. So as you're living together, there's conflicts that start to emerge all the time.So those conflicts are very beautiful entry points into kind of reflecting, if you, once you move beyond the blame narrative to reflect on yourself, what's triggering you, why do you feel disturbed about it? So very, very powerful opportunities to reflect on oneself. We have also what we call a lot of unlearning challenges.So those are optional, but we've created different challenges because we felt there's a lot of conditioning that people come into. Swaraj with and they're around many different areas, but I would say three of the common ones are around most [00:26:00] common around money unlearning our free fear, anxiety scarcity that's related to the money system.Even our self worth gets tied so much to the money system. So, we have a lot of different experiments around that. The second is around love. Both starting with self love, but then how we understand love, how we relate, notions of jealousy, inferiority, all kinds of things which are tied to love.And the third is then death. Death. And so are so these are places that we explore a bit. We have different experiments where people can, you know, for example, and imagine your death would be an invitation that we would invite people into a process. So there's a lot of unlearning experiments. And then the third is that people actually then have a lot of space to design their own personal programs of what they want to explore.And in that process, because you're living in a community, lots of informal learning is happening. Peer to peer, your friend is doing [00:27:00] something. Maybe you start, like, I'm not interested, but after a month of seeing your friend, or a few months, you start, it's just something starts, you know, entering into your system and you realize, Oh, maybe I do like this or this is interesting.And your friend leaves it. I've seen cases, a friend leaves it and the other person picks it up and you know, takes it forward also. So, all of this kind of cross pollination is happening all the time, which is very beautiful. So those are some of the things that happen in Swaraj. And I think where we would invite this is we are becoming more, I think we've become more and more bold over the years, like with this idea of ritual and the sacred. So, in India, there was a lot of, you know first from the left, a lot of bashing of ritual and sacred as these were Brahmanical tools to suppress and these are superstitious. And these tools are, you know, the Marxist idea that these are to [00:28:00] control the masses.And then also, it was bashed because these are ways to cement a kind of fascist Hindu paradigm which is against minorities and things. So, there was a lot of, lot of stories running in our heads around ritual. And then our own personal experiences that oftentimes meaningless, they become fractured, they become rigid and so what we've tried to do is really reclaim the space of ritual in Swaraj.And part of that is with our ancestors or with the more than human. And so inviting people to look at ritual in a very different way has been very interesting. And sometimes I'm involved in rituals and I'm like, what are you doing? The inner voice says, dude, what are you doing?You know, like, who are you at this? And, you know, so all of that old stuff that we kind of grew up with in terms of the scientific analytical mind, which sees everything that it can't understand as [00:29:00] superstition sometimes reappears in certain ways, but I think it's been part of the journey to really create a space at least to engage with this, and so in Swaraj very much it's, it's there as well, and, and maybe the, the way we explain it is there's a need to go beyond the kind of the rational, there's a, there's limits to the rational, logical fragmented mind of how it can see or what it can make sense of.We often even talk about, you know, the way we're trained to think about the crisis is part of the crisis. So, you know, so this space of entering into kind of a liminal energy, a different frequency together is maybe very powerful. And those can be through many different ways, right? Through music, through dance, through food, through fasting.In India, it's really through silence, you know, so it doesn't always have to be plant medicines, which you find more in Latin America and Africa, but in India, meditation and silence and fasting were and [00:30:00] breathing were really different ways that have been experimented over the centuries for people to enter into a different kind of consciousness together.Well, it sounds like an incredible place and an incredible project. I hope if the winds allow me to travel again in a way that maybe they once did that I'd be able to experience that myself. Yes, we have a long, we Udaipur and Oaxaca. So the chances for those winds appearing are pretty good.Amen. Amen. And speaking of Oaxaca our mutual friend, Yeyo had wanted me to ask you about this formulation of yours and all he wrote was livelihoods as opposed to deadlihoods. Oh yes, a alivelihoods, alivelihoods. We made a distinction because a lot of people are wondering what can I do today [00:31:00] in the world. And so the first thing is to help them see that most of what the university, the conventional university is preparing us for are what I call deadlihoods. The work, whether you're in law or in finance or in psychology or I.T., somehow or other, they're tied to a deadlihoods economy that is extractive, military, violent. So, how can we start to understand how we ourselves are implicated in that kind of economy. And so that's one part of it. But then to also think about, you know, the work that's needed today in the world is what I call alivelihoods. And that starts with, you know, what makes my spirit come alive?Because we've we've heard this, "lots of work is soul sucking." So, what is the work that actually nourishes our soul? And gives us meaning and purpose, you know? Lets us reconnect that, you know meaning, purpose, spirituality is not something you [00:32:00] just do on a Sunday or you do in a class, but it's actually tied to the work you're doing in the world and how do we integrate that?What is the kind of work that is helping my community come alive? That is actually shifting power from global corporations back into communities, which are kind of, what is the work that's building, weaving the bonds of trust? And care, kindness, compassion back into community life. And what is the work that is regenerating our ecosystems?So what I call our real wealth. So how do we compost the money system? And start to regenerate real wealth with it. Our health, our forests, our soils, our waters, which are all over the world are in massive, massive degradation stages right now. And how do we regenerate the social bonds again?The trust networks again, that can give us a sense of security, of care, of belonging, of respect, of [00:33:00] dignity. So that's kind of the loose framework we have for that. And I think one other element is that what is the work that will help us shift the worldviews that we have?So the worldview of the planet is being a dead entity and human beings being the only intelligent beings on this planet and the kind of fear that is driving much of the decision making. How do we start to shift to a different worldview that many indigenous communities had a sense of, much better sense of.So, what is the work that can help us shift the narratives of who we are? Why are we on this earth together? Why are we, you know, perpetuating these ideas of ownership or of borders of you know, so many things that we have kind of internalized, which are fundamental to the modernist project.Is there a way to start to unravel these or shift these? So what is the work that allows us that? So I call all of that, all of that a livelihoods, really, and the invitation is to help [00:34:00] people think about how they can be doing that. And I think the other element in that, which is really important is, how do we move beyond this like individual self help kind of narrative we've been fed. You know, like the problem is in you. You have to fix yourself. Whereas how, how do we shift it more to how do we want to understand the systems and the institutions and how they're operating, but also, you how do we focus more of our care and our energy and our healing around healthy community, rebuilding healthy community, because that's what will give us a different sense of power, a different sense of possibility and things.So that's a little bit about it. There's much more, many layers, but just to give you a sense.Yeah, thank you for that. You know, I'm reminded in this, in this context of deadlihoods and the kind of modern condition and the economies that prevail as a result. There is and has been, especially in the last two centuries, this kind of not only degradation of community, but of course, the dissolution[00:35:00] of community and in the sense of people moving to the big city or other countries for better lives.And sometimes necessarily. So like sometimes it's simply their only option, right? And, this is very, very much evident to me in the work that I do here in Oaxaca. And you know, I had come across this declaration from 2009 in a, a very rural village in the Mixtec region of Oaxaca, where a group of peasant families from different villages alongside their migrant kin or family spoke for days about the consequences of their movements, and at the end of that three day assembly, declared alongside the right to migrate, the right to stay home and the right to not migrate, and so I'm kind of curious what kind of dynamics you've seen in India In terms of that economic impulse to [00:36:00] move, to leave the village, to migrate and maybe what part Swaraj and endeavors like it might play in those dynamics.Yeah. So I think, part of it is you're saying is physically forced displacement due to development projects, massive development projects or war. But a lot of the displacement has been sold to people package as to people that the urban lifestyle or the American lifestyle is the lifestyle and what you're leading is impoverished, is insignificant, is backwards. You know, there's all kinds of ways. And so much of what education role was is to convince us that somehow the urban lifestyle is what is to be aspired for. So a lot of people move because of that. I have my experience with rural people and working with rural people is that a lot of them, they're like, "we're quite happy where we're at. But what happens is when our cousin comes from the city, they bring [00:37:00] fancy phones and motorcycles and money and they show off and that's what really makes us feel really bad." And then we have to, what we've tried to do is to counter that with, you know reminding people of what a shitty life urban life is.Most people are living in slums. Most people are, if you're not, you're living under continuous stress and tension to make ends meet in polluted environments these days and lots of traffic. And so I at least, you know, try to remind people that in their villages, they may not have that many material things but they're the Kings of the village.They have fresh air. They have clean places, good water to drink still. They have good food, fresh food they're eating. So that's been an interesting journey. Sometimes people understand, particularly the older people understand. This is the other thing that schooling played a major role is to try to kill the voices of wisdom.So, like my grandmother or other elders would be [00:38:00] told, "Oh, you're uneducated. What do you know about what is a good life or what is, you know, the way forward? And so those voices still are silenced quite a bit because young people go to school for some years and then they think they are much more knowledgeable about what life is all about or what's important in life.So, I think what's interesting is that what we're saying about the breakdown of what the urban success story was or the urban model, it's becoming more and more clear to people, like they're seeing that so there are people I know who are moving back. Udaipur is a very small city and a lot of people who have been connected with us have decided to stay in Udaipur rather than moving to Delhi or Bombay, which has been the trend.And so I think it's a very important thing to keep looking at. I think if people see if they have a good life in smaller places, a lot of people are ready to come [00:39:00] back. Because the stress, the continuous stress and speed of big city life is I feel is taking a toll on people and also the whole promise is there's jobs and everything.And so you see more and more unemployment also happening in big cities. So, I think there's an interesting question right now in people's minds of what, what to do and where to go.So you know, it very much seems that one of the ways that what I'll call, I guess, well, either modern people or cultural Americans seem impoverished by is in the realm of hospitality. The lack of hospitality towards not only their neighbors at home, but, but abroad among hosts, you know, most people stay in hotels or Airbnbs. Most tourists anyways, they eat at chain restaurants. They're taught a transactional worldview and all exchange tends to end up in a customer service evaluation. And I feel that this is very much what [00:40:00] tourism has done to that part of the culture, that we would otherwise refer to as hospitality.And so I'm curious in your opinion how would you define radical hospitality? And how have you seen it perhaps as an antidote for the industrial hospitality modern people so often encounter. Yeah. I would that's a great question. So I think I've had the experience in being in Rajasthan of many traditions of hospitality and I would even say radical in the sense that all over India we say that " treat our guests like gods." So that's probably as radical as you could get with hospitality, if I treat you like a god, right? And what it means to me is, not to God in the sense of the pedestal of God or somebody remote, but actually God in the sense of this is my way [00:41:00] to find another connection to the divine in all of us, the divine that connects all of us.And so when I am able to receive somebody with that spirit, I'm able to touch into something very deep within myself also. And we have so many traditions here which again, in our work, we're trying to recover and remind people, remember in different ways. I would just share a couple of things around that.So one is like, in the desert, when it gets really hot up to 50 degrees Celsius, probably the most hospitable and sacred thing you can do is offer somebody water. So with the industrial consumer tourism, we have a parallel underground system happening.So you can go to stores and you'll see bottled water, for example, where people are paying and they buy it. But if you kind of look closely, you'll see on almost every corner of the old city where, where [00:42:00] most of the tourists come, there are clay pots, which people fill up every day for which are called piaos.So the tradition was that to offer any passerby, any stranger, water, is one of the highest gifts you can honor with them because it's so hot and so I've seen women fill water and carry it from even very far away to offer it to strangers, which is so humbling and so powerful that people would actually be able to offer this.So you can see these pots, people are sitting there sometimes, sometimes the pots are just filled and left with a glass for people to fill themselves and drink. But this is a very powerful way to remind us that there is a different way to relate both to resources like water and how we see it, which is non commodified.And so my grandmother would never think of charging money for water. If I ever told her, she'd be like, what is wrong with those [00:43:00] people? There must be some real deep sickness in them. "Let's go charge money for water." And so I think that, you know, that's an example of an entry to a different understanding of what is water, what is our relationship with each other and I wouldn't say what is water, almost you could say who is water. That question gets opened up as well through this act.And so the other thing around radical hospitality and I care, I would say there's some traditions that are called guptan here, which is kind of the invisible giving tradition.So a lot of what do you find, hospitality these days, is around showing off or people should know who's serving you and who's giving you. And here, there's another sense of care that is given where nobody knows who is the giver and to try to remove that arrogance of the giver when care is offered.And so it's offered with a deep sense of service, but to try to remove the ego element that I am the giver, I'm the one who's [00:44:00] helping somebody or being hospitable to them in some way. So I think that's also been quite inspiring to me, how to enter into that real space of humility as part of a radical hospitality tradition.And I think that these things do have a very essential role to play in challenging what's happening in the world and, and building different kinds of models and systems, because if care and connection is not part of that I don't know what the, what the new models, what they would stand on.And so these are this has to be the foundation of something that can grow. And every time, you know, if you ask me every few years, it deepens and changes because of experiences here. When I first I heard about it from Gustavo. I was like, "Oh, this is so beautiful." But I had relatively little ideas of how it would actually look every day.I see more and more examples of it in living practice here where I live. So yeah, it gives me a lot of hope that [00:45:00] maybe that's one of the keys to finding our way forward.Well, thank you, Manish, for your time today and this wonderful, wonderful conversation. Before I let you go to sleep and probably tend to family, I'd like to ask, how might our listeners find out more about your work, about Swaraj University, and I know we didn't have time to speak about it, but the Ecoversities project.Yeah, it's been wonderful to, to talk with you, Chris. I do hope that we can welcome you someday to Udaipur as well. The one thing I would say is that Swaraj University is part of this alliance, translocal alliance around the world called Ecoversities, so a network of like 500 plus alternative universities in 50 countries. And the idea [00:46:00] was that, you know, these are, in a sense, kind of part of an underground railroad, if you would say for people who are walking out of the system or trying to figure out how they can live differently on the planet together. And the beautiful thing is that, you know, anyone can declare themselves an ecoversity, their community.And there's a huge diversity of things, ranging from the farmversities and the forestversities and the riverversities to, you know, like deathversities and travelersversities grandmothers' universities and jail universities and all kinds of spaces. So, this is really to reclaim different kinds of knowledge systems and different learning processes that have never been valued by conventional universities.And to maybe start to create a space, as I said, to live together, to reclaim our hands and our hearts and our bodies and [00:47:00] our homes as well as our holistic heads And to try to dream, to dream something together. So we have a website, we have gatherings, I would invite people to, to come and and visit us and connect with different eco overseas around the world.I have a 21 year old daughter. She's been unschooled. She never looked at a textbook or an exam or a classroom really in her life, except, you know, like we took her to see children in a classroom, like you take kids to see animals in the zoo so she could see what it was like for a couple of days.But so, you know, really wanted to create a model, not only, I mean, for myself, for her, for other young people to be able to learn and be in different kinds of communities and experiments around the world. So, we invite you all to help create the new models that the world needs with us.I'll make sure that all of those links and [00:48:00] resources that you mentioned, Manish, are there on the End of Tourism website when the episode launches. And on behalf of our listeners, blessings on your day, your path, your tongue, and thank you so much for joining me today. Thanks, Chris. Thanks for your wonderful work and good luck with the new projects that are emerging in your life.Thank you, Manish. Get full access to ⌘ Chris Christou ⌘ at chrischristou.substack.com/subscribe

In this Nirvana Sisters Podcast episode, we share our latest product reviews for May. Amy shares the headache solution she found on Amazon that has been helpful in relieving her headaches and migraines. Katie reviews her new favorite luxury perfume from AERIN called Rose de Grasse. We also discuss hair and body mists from the brand Skylar. Amy shares her new find from Fenty Beauty that should be in everyone's handbag this summer. Lastly, just in time for your summer tan, Amy chats about a self-tanner from Saint-Tropez that gives a deep olive tan. Listen to hear the details and more on our favorite products for May. 00:05:30 - Review of AERIN Rose de Grasse Perfume 00:10:59 - Pixi On The Glow Blush Review 00:13:15 - Fenty Beauty Invisimat Setting Blotting Powder Review 00:16:30 - Saint-Tropez Self Tan Supreme Violet Bronzing Mousse Review 00:20:00 - Experience with Elf Stay All Night Microfine Setting Mist Brands/Mentions + Shop this episode here For more on this episode, read the full show notes here Follow us @nirvanasisters on Instagram Find us at www.nirvanasisters.com Shop our Amazon Store Say hi at hello@nirvanasisters.com Please subscribe, rate, review and share

On this episode of Passport to Everywhere, Melissa is joined by her friend Aerin Lauder, who is also the granddaughter of Esteè Lauder and the founder and Creative Director of AERIN, a global luxury lifestyle brand. Melissa and Aerin discuss how Aerin's travels have inspired her brand, including special childhood trips with her grandmother. Aerin also shares stories and travel recommendations for destinations that have a special place in her heart – from London to Paris, Palm Beach and the Hamptons. Aerin's passion for travel has taken her all over the world, and those journeys have allowed her to incorporate the sights, sounds, and scents of the various destinations she has visited into the fashion, beauty, and home décor lines of AERIN. She also discusses how her grandmother's legacy has influenced her own approach to beauty, and some of her favorite travel beauty and style tips. And on this week's Indagare Insights, Melissa shares her own packing tips and how her travels have inspired and influenced her method.Learn more at AERIN's website: aerin.comFollow AERIN on Instagram: instagram.com/aerinFollow Indagare:Website: indagare.comInstagram: instagram.com/indagaretravelYoutube: youtube.com/indagaretravelFollow Melissa on Instagram: instagram.com/indagarefounder

This week Ray and I were joined by Aerin! We talked about: Aerin's hockey and Caniac origin story, including the fact that Aerin is a sled hockey player. We recap the week's game including some bright spots even in the Winnipeg debacle. We talk a bit about the looming trade deadline and what we're looking for there.

Welcome back Alchemists!! Today's episode Emily and KristaLyn are joined by Aerin Fogle to dive into core patterns! Join Emily and KristaLyn on their Italy retreat! ⁠⁠⁠⁠https://trovatrip.com/trip/europe/ita...⁠. The Alchemists inkwell now has a patreon! Follow the link to get early access episodes, Q+A's, voting abilities for episode topics and bonus episodes exclusive to patreon! ⁠⁠⁠⁠ / thealchemistsinkwell Watch the video version on the Alchemists Inkwell Youtube: ⁠⁠ / ⁠ ⁠ @thealchemistsinkwell Find more of Emily and KristaLyn here: Follow Emily on TikTok and Instagram @likerofwords Follow KristaLyn on Instagram: @magicspreken Follow KristaLyn on Tiktok: @magicspokenThis podcast is edited and managed by @thealysonlaruehello@alysonroselarue.com

Scott Wolf, MD is the Founder & Chief Medical Officer of Aerin Medical, where they are providing products to bring relief from nasal airway obstruction and chronic rhinitis. Scott is a prolific medical device entrepreneur across a broad range of therapeutic areas, and has also been a venture capitalist. In this episode we discuss how he identifies ideas, what criteria he uses to select ideas to work on, how VC's evaluate opportunities, what entrepreneurs should know before they meet with investors, the problems Aerin is addressing, and how they are serving the ENT community.Links from this episode:Scott Wolf, MD LinkedIn https://www.linkedin.com/in/sjwolf/Aerin Medical  https://aerinmedical.com/Support the showConnect with Mastering Medical Device: Website: https://www.masteringmedicaldevice.com LinkedIn: https://www.linkedin.com/company/mastering-medical-device Patrick Kothe LinkedIn: https://www.linkedin.com/in/patrick-kothe Patrick Kothe Twitter: https://twitter.com/patrickkothe Support the show for as little as $3/month: https://www.buzzsprout.com/1286645/support Thanks for listening!

Aerin Fogel was a consultant on the 21st century remake of the 1996 film, The Craft. It was her job to make sure the magic was real. The spells. The rituals. Years of practice have made her a go-to for occult matters. Basically she's the person every goth girl aspired to be in high school. And some of us, still aspire to be. She's also a musician and professional astrologer based in Toronto, who specializes in a form of channeling called Core Pattern Reading. If you have no idea what that last part means, I didn't either. In fact, I'm still not sure if I entirely get it, but I have friends who've had real breakthroughs after sessions.  Aerin founded Venus Fest, a Toronto-based music festival she organized for seven years. When she makes music—which is all her life—she is Queen of Swords. Her latest album is Year 8. Join ART of the ZODIAC's C 'Vivi' Henriette as she TALKTALKTALKS with Aerin on origins, inspiration, a life devoted to divine expression. TOPICS COVERED The Craft: Legacy, Magic, Core Pattern Readings , Toronto, Queen of Swords Band, energy work, spell work, ritual curation, Venus Fest, Toronto music   WATCH THE VIDEO on YouTube FOLLOW AERIN FOGEL IN ALL THE PLACES On Linktr.ee ENJOYED THIS VIDEO?  Follow ART of the ZODIAC in ALL the places: On Instagram On Threads  On Youtube  SUBSCRIBE for  TALKTALKTALK delivered straight to your inbox— it's FREE!  On Substack  SUPPORT THE RADICAL ACT OF CONVERSATION on Patreon

Aerin Lauder is the Founder & Creative Director of AERIN, a global luxury lifestyle brand. Granddaughter of Estée Lauder, the founder of her eponymous cosmetics brand, Aerin has been key to supporting the growth and success of the family-owned luxury giant and currently serves as the Style and Image Director for her family brand. Aerin has emerged as a distinct voice in the world of beauty, fashion, and home décor with her AERIN brand, following in the entrepreneurial footsteps of her grandmother.

Aerin Lauder is the Founder & Creative Director of AERIN, a global luxury lifestyle brand. Granddaughter of Estée Lauder, the founder of her eponymous cosmetics brand, Aerin has been key to supporting the growth and success of the family-owned luxury giant and currently serves as the Style and Image Director for her family brand. Aerin has emerged as a distinct voice in the world of beauty, fashion, and home décor with her AERIN brand, following in the entrepreneurial footsteps of her grandmother.

Aerin, sorry I mean, Erin once again joins John for the fifth installment of the hypothetical question series. While indulging in a bottle of Dreaming Tree, Erin decides to change her name, settles for $1,000 per day for the rest of her life while wearing socks to bed. Fun and laughter ensue. What would you choose?  GET YOUR #DONTWAIT MUG! :: https://amblind.creator-spring.com/listing/destiny-dont-wait-black?product=1565  :: PODCAST LINKS :: For show notes, guest profiles, photos, blog and more information, visit AmbiguouslyBlind.com and connect on:    Instagram | Facebook | Twitter | Linkedin  Like what we're doing? Support us: Buy Me A Coffee  This is a listener supported podcast.  Please consider donating to build and sustain our community  :: EPISODE LINKS ::  All Hypothetically Speaking Episode ::  https://www.ambiguouslyblind.com/category/hypothetically-speaking/  More episodes with Erin :: https://www.ambiguouslyblind.com/guests/erin/     

Chris Adams is joined by cloud sustainability advocate and founder of Cloud Sustainably, Aerin Booth in this episode of TWiGS brought to you by the Green Software Foundation. On this episode Aerin provides his insight into the cloud to discuss cloud zombies, the effect that generative AI is having on the environment and exciting developments from Xbox (including a list of some of Aerin's favourite nostalgic games!). We also touch on GreenOps and the future for green software developers.

This week Melissa is joined by her friend Aerin Lauder, who is also the granddaughter of Esteè Lauder and the founder and Creative Director of AERIN, a global luxury lifestyle brand. In this episode, Melissa and Aerin discuss how Aerin's travels have inspired her brand, including special childhood trips with her grandmother. Aerin also shares stories and travel recommendations for destinations that have a special place in her heart – from London to Paris, Palm Beach and the Hamptons. Aerin's passion for travel has taken her all over the world, and those journeys have allowed her to incorporate  the sights, sounds, and scents of the various destinations she has visited her travels into the fashion, beauty, and home décor lines of AERIN.She also discusses how her grandmother's legacy has influenced her own approach to beauty, and some of her favorite travel beauty and style tips. And on this week's Travel Hacks, Melissa shares her own packing tips and how her travels have inspired and influenced her method.  Follow AERIN on InstagramLearn more at AERIN's websiteFollow Melissa on InstagramLearn more about Indagare Travel 

Hey Mamas! Welcome back to the Hey Mama Memos Podcast! I'm so excited to start season 2 with this episode's incredible guest, Dianuh Aerin! She is a work-from-home mama, watercolor artist, illustrator, and content creator. We chat about how motherhood has inspired her in life and business, steps that we can take to start pursuing our passions, navigating uncertain seasons of life, and how we can rediscover our self-worth. It was truly an honor having Dianuh here to share her story. I hope that you'll feel supported and inspired by today's episode! Connect with Dianuh!https://www.instagram.com/dianuhaerin/https://www.youtube.com/@DianuhAerinhttps://www.dianuhaerin.com/https://www.chasinglinen.com/Let's connect!https://www.instagram.com/happilyevernancyhttps://www.instagram.com/heymamamem

In this episode, I interviewed Aerin Lim, a coach, writer, storyteller, and teacher at the Hoffman Institute. Aerin was born and grew up in Korea. Before Aerin embarked on her spiritual journey, she followed the path of achieving material success, getting an Ivy League degree at Brown University, taking up prestigious roles in Investment Banking in NYC and later at tech startups and venture fund companies in the Silicon Valley. However, her world was shaken up when we lost her mother to cancer, led her to begin a profound journey of self-discovery, healing, and transformation. Her experiences led her to create her own map of healing that incorporated different modalities of healing and carved her unique path to serve, surrender, and channel her passion into writing, coaching, and teaching. She shared with us how she found her personal mission statement, how she recommitted to her path over and over again, despite fear, her daily process to stay spiritually grounded, the one question she asks herself everyday to stay on course, what wholeness means to her, and how she engages with her meditation process to be in touch with extraordinary consciousness in the present moment. I hope you will enjoy this episode!! About Aerin: Aerin is a coach, writer, storyteller and teacher at the Hoffman process. She inquires, explores, and holds space for others' unfolding. She is driven by her curiosity to understand consciousness, people, and the world so we take care of each other collectively as a community. Her personal mission is to meditate, play, and serve. She hopes to make our world brighter by deepening our presence and elevating our well-being through coaching, teaching, and authentic storytelling. To connect with Aerin: Website: https://aerinlim.com/ Social: @embrace_by_aerin / @aerin_lim SUBSCRIBE TO THE PERMISSION TO BECOME PODCAST Apple Podcast Spotify

CW: This episode includes reference to bees, as well as elements of betrayal, restraint/paralysis and player v. player. If any of this would be problematic for you, please skip 36:00 to 36:10 for the insect reference and 35:37 to 51:18 for the betrayal, restraint/paralysis and player v. player. Your safety is important to us.Eight and Rou continue to escort Latherial through the forest, sharing stories of their past adventures as they do. When Rou mentions that there have been some people that have been “less than cool”, Latherial prods at that. The group then gets into a discussion of what makes someone good or bad.Eventually, Latherial asks if they've ever met someone named Aerin. As Rou and Eight recall who they're referring to, it is revealed that their client is here for more than the job originally entailed.Follow us on Twitter @RoadsUnchartedFollow Dax @GM_Dax, Kappa @TheKappaChris, Wren @ThornyDryad and Sebastian @sebastianyue

About AerinAerin is a Cloud Sustainability Advocate and neurodiverse founder in tech on a mission to help developers understand the real impact that cloud computing has on the world and reduce their carbon emissions in the cloud. Did you know that internet and cloud computing contribute over 4% of annual carbon emissions? Twice that of the airline industry!Aerin also hosts "Public Cloud for Public Good," a podcast targeted towards developers and senior leaders in tech. Every episode, they also donate £500 to charities and highlight organisations that are working towards a better future. Listen and learn how you can contribute towards making the world a better place through the use of public cloud services.Links Referenced: Twitter: https://twitter.com/aerincloud LinkedIn: https://www.linkedin.com/in/aerinb/ Public Cloud for Public Good: https://publicgood.cloud/ duckbillgroup.com: https://duckbillgroup.com TranscriptAnnouncer: Hello, and welcome to Screaming in the Cloud with your host, Chief Cloud Economist at The Duckbill Group, Corey Quinn. This weekly show features conversations with people doing interesting work in the world of cloud, thoughtful commentary on the state of the technical world, and ridiculous titles for which Corey refuses to apologize. This is Screaming in the Cloud.Corey: This episode is sponsored in part by our friends at Uptycs, because they believe that many of you are looking to bolster your security posture with CNAPP and XDR solutions. They offer both cloud and endpoint security in a single UI and data model. Listeners can get Uptycs for up to 1,000 assets through the end of 2023 (that is next year) for $1. But this offer is only available for a limited time on UptycsSecretMenu.com. That's U-P-T-Y-C-S Secret Menu dot com.Corey: Cloud native just means you've got more components or microservices than anyone (even a mythical 10x engineer) can keep track of. With OpsLevel, you can build a catalog in minutes and forget needing that mythical 10x engineer. Now, you'll have a 10x service catalog to accompany your 10x service count. Visit OpsLevel.com to learn how easy it is to build and manage your service catalog. Connect to your git provider and you're off to the races with service import, repo ownership, tech docs, and more. Corey: Welcome to Screaming in the Cloud. I'm Corey Quinn and I am joined what feels like roughly a year later by a returning guest, Aerin Booth. How long have you been?Aerin: I've been really great. You know, it's been a journey of a year, I think, since we sort of did this podcast even, like, you know, a year and a bit since we met, and, like, I'm doing so much and I think it's doing, like, a big difference. And yeah, I can't wait for everything else. It's just yeah, a lot of work right now, but I'm really enjoying it. So, I'm really well, thank you.Corey: Normally, I like to introduce people by giving their job title and the company in which they work because again, that's a big deal for an awful lot of people. But a year ago, you were independent. And now you still are. And back when I was doing my own consulting independently, it felt very weird to do that, so I'm just going to call you the Ted Lasso of cloud at this point.Aerin: [laugh].Corey: You've got the mustache, you've got the, I would say, obnoxiously sunny disposition. It's really, there's a certain affinity right there. So, there we go. I feel like that is the best descriptor for what you have become.Aerin: I—do know what, I only just watched Ted Lasso over Christmas and I really found it so motivational in some ways because wow, like, it's not just who we'd want to be in a lot of ways? And I think, you know, for the work that I do, which is focused on sustainability, like, I want to present a positive future, I want to encourage people to achieve more and collaborate, and yeah, basically work on all these problems that we need to be worked on. And yeah, I think that's [laugh] [crosstalk 00:02:02]—Corey: One of the challenges of talking to you sometimes is you talk about these depressing things, but there's such a—you take such an upbeat, positive approach to it that I, by comparison, invariably come away from our conversations during, like, I'm Surly McBastard over here.Aerin: [laugh]. Yeah, you can be the bad cop of cloud computing and I'll try and be the good cop. Do you know, you say that the stuff I talk about is depressing, and it is true and people do worry about climate change. Like I did an online conference recently, it's focused on FinOps, and we had a survey, “Do you worry about climate change?” 70% of the people that responded said they worry about it.So, we all know, it's something we worry about and we care about. And, you know, I guess what I'm really trying to do is encourage people to care a bit more and start taking action and look after yourself. Because you know, when you do start taking action towards it, when you join those communities that are also working on it, it is good, it is helpful. And, you know, I've gone through some ups and downs and some of this, like, just do I throw in the towel because no one cares about it? Like, we spoke last year; I had attended re:Invent for the first time.This year, I was able to speak at re:Invent. So, I did a talk on being ethical in tech. And it was fun, it was good. I enjoyed what I delivered, but I had about 35 people sign up to that. I'm pretty sure if I talked about serverless or the next Web3 blockchain product, I would have got hundreds more. But what I'm starting to realize is that I think people just aren't ready to, sort of, want to do this yet. And yeah, I'm hoping that'll change.Corey: Let's first talk about, I guess, something that is more temporally pressing than some other things. Not that it is more important than climate change, mind you, but it feels like it's on a shorter timeline which is, relatively soon after this recording, there is a conference that you are kicking off called The State of Open. Ajar, Aerin. The State of Open is ajar. What is this conference? Is it in person? Is it virtual? Is it something where you and three friends are going to show up and basically talk to each other? How big? How small? What is it? What's it about? Tell me more, please. I'm riveted.Aerin: So, State of Open conference is a conference that's been in the works now for maybe about two weeks, a little bit longer in the planning, but the work we've been putting in over the last two weeks. It'll be on the seventh and eighth of February in London as a physical event in the QEII Conference Centre, but it will also be available online. And you know, when we talk about the State of Open, it's that question: what is the State of Open? The state of open-source, the state of open hardware, and the state of open data. And it is going to be probably the first and hopefully the biggest open-source conference in the UK.We already have over 100 confirmed guest speakers from Jimmy Wales, the co-founder of Wikipedia, to many of our great guests and headliners who haven't even announced yet for the plenary. So, I'm really excited. And the reason why I wanted to get involved with this is because one of the coolest things about this conference—compared to some others like re:Invent, for example—is that sustainability and diversity run through every single thing that we do. So, as the content director, I reviewed every single CFP for both of these things. I mean, you couldn't get a better person than someone like me, who's the queer person who won't shut up about sustainability to sort of do this thing.So, you know, I looked after those scorings for the CFPs in support of the CFP chairs. And now, as I'm working with those individual speakers on their content and making sure that diversity is included in the content. It's not just the diversity of the speaker, for example it's, who were the other people whose voice you're raising? What other people if you worked on this? Are there anyone that you've mentored, like, you know, actually, you know, let's have this as a wider conversation?Corey: Thank God. I thought you were about to say diversity of thought, and I was about to reach through the screen to strangle you.Aerin: [laugh]. No, no. I mean, we're doing really well, so of the announced speakers online, we are 40% non-male and about 18% non-white, which to be honest, for a fair sheer conference, when we didn't really do that much to specifically call this out, but I would probably raise this to Amanda Brock, who is the CEO of OpenUK, you know, she has built a community in the UK and around the world over the last few years which has been putting women forward and building these links. And that's why we've had such a great response for our first-year conferences, the work she's put in. It's hard.Like, this isn't easy. You know, we've had to do a lot of work to make sure that it is representative, at least better than other conferences, at least. So, I'm really excited. And like, there's so much, like, open-source is probably going to be the thing that saves the world. If we're going to end up looking at two different futures with monopolies and closed systems and all the money going towards cloud providers versus a fair and equitable society, open-source is the thing that's going to get us closer to that. So yeah, this conference will be a great event.Corey: Is it all in person? Is it being live-streamed as well? What is the deal here?Aerin: So, in person, we have loads of different things going on, but what will be streamed online if you sign up for virtual ticket is five different tracks. So, our platform engineering track, our security track, government law and policy, open data, and open hardware. And of course, the keynote and plenaries. But one of the things I'm also really proud about this conference is that we're really focusing on the developer experience, like, you know, what is your experience at the conference? So, we also have an unconference, we have a sub-conference run by Sustain OSS focused on workshops related to climate change and sustainability.We have loads of developer experience halls in the event itself. And throughout the day, over the two days, we have two one-hour blocks with no speaking content at all so that we can really make sure that people have that hardware track and are out there meeting each other and having a good time. And obviously, of course, like any good conference, the all-hands party on the first night. So, it really is a conference that's doing things differently from diversity to sustainability to that experience. So, it's awesome.Corey: One of the challenges that I've seen historically around things aiming at the idea of open conferences—and when we talk open-source, et cetera, et cetera—open' seems like it is a direction parallel to, we haven't any money, where it's, “Yes, we're a free software foundation,” and it turns out conferences themselves are not free. And you wind up with a whole bunch of folks showing up to it who are, in many cases, around the fringes of things. There are individual hobbyists who are very passionate about a thing but do not have the position in the corporate world. I'm looking through the lengthy list of speakers you have here and that is very much not this. These are serious people at serious companies. Not that there are not folks who are individual practitioners and passionate advocates and hobbyists than the rest. This is, by virtually any way you look at it, a remarkably diverse conference.Aerin: Mmm. You know, you are right about, like, that problem in open-source. It's like, you know, we look at open and whether we want to do open and we just go, “Well, it won't make me any money. I can't do that. I don't have the time. I need to bring in some money.”And one of the really unique things, again, about this conference is—I have not even mentioned it yet—we have an entrepreneurship room. So, we have 20 tables filled with entrepreneurs and CEOs and founders of open-source companies throughout the two days where you can book in time to sit at that table and have conversations with them. Ask them the questions that you want to ask about, whether it's something that you want to work on, or a company you want to found, and you'll be able to get that time. I had a very similar experience in some ways. It was re:Invent.I was a peer talk expert and you know, I had 15 or so conversations with some really interesting people just because they were able put that time in and they were able to find me on the website. So, that's something we are replicating to get those 20 also entrepreneurs and co-founders out to everyone else. They want to be able to help you and support you.Corey: That is an excellent segue if I do say so myself. Let's talk about re:Invent. It's the one time of the year you and I get to spend time in the same room. One thing that I got wrong is that I overbooked myself as I often do, and I didn't have time to do anything on their peer talk expert program, which is, you more or less a way that any rando can book time to sit down and chat with you. Now, in my case, I have assassination concerns because it turns out Amazon employees can read that thing too and some of them might work on billing. One wonders.So yeah, I have to be a little careful for personal reasons but for most people, it's a non-issue. I didn't get as much time as I wanted to talk to folks in the community. That is not going to repeat itself at the end of this year. But what was your take on re:Invent, because I was in meetings for most of them?Aerin: So, comparing this re:Invent to the re:Invent I went to, my first re:Invent when we met in 2021, you know, that was the re:Invent that inspired me to get into sustainability. They'd announced stuff to do with the shared responsibility model. A few months later, they released their carbon calculator, and I was like, “Yeah, this is the problem. This is the thing I want to work on and it will make me happy.” And a lot of that goes into, you know, finding a passion that keeps me motivated when things aren't that great.When maybe not a lot of money is coming in, at least I know, I'm doing everything I can to help save the world. So, re:Invent 2021 really inspired me to get involved with sustainability. When I look at re:Invent 2022, you might have Adam Selipsky on the main stage saying that sustainability is the problem of our generation, but that is just talk and bluster compared to what they were putting out in terms of content and their experience of, like, let's say the sustainability—I don't know what to call it—tiny little square in the back of the MGM Grand compared to the paid hall in the expo. Like, you know, that's the sort of thing where you can already see the prioritization of money. Let's put the biggest sponsors and all the money that we can bring it in the big hall where everyone is, and then put the thing we care about the most, apparently—sustainability—in the back of the MGM.And that in itself was annoying, but then you get there in the content, and it was like a massive Rivian van, like, an advert for, “Oh, Amazon has done all this to electrify Rivian and deliver you Prime.” But where was the people working on sustainability in the cloud? You know, we had a couple of teams who were talking about the customer carbon footprint tool, but there was just not much. And I spoke to a lot of people and they were saying similar things, like, “Where are the announcements? Where are the actual interesting things?” Rather than just—which is kind of what I'm starting to realize is that a lot of the conversations about sustainability is about selling yourself as sustainable.Use me rather than my competitors because we're 88% more, kind of, carbon neutral when it comes to traditional data centers, not because we are really going to solve these problems. And not to say that Amazon isn't doing innovative, amazing things that no one else can't do, because that is true, and cloud as part of the solution, but you know, sustainability shouldn't be about making more sales and growing your business, it should be about making the world a better place, not just in terms of carbon emissions, but you know, our life, the tech that we can access. Three billion people on this planet have never accessed the internet. And as we continue to grow all of our services like AI and machine learning and new Web3, bloody managed services come online, that's going to be more carbon, more compute power going towards the already rich and the already westernized people, rather than solving the problems we need to solve in the face of climate change.So, I was a little bit disappointed. And I did put a tweet thread out about it afterwards. And I just hope it can be different next year and I hope more people will start to ask for this. And that also what I'm starting to realize is that until more Amazon customers put this as their number one priority and say, “I'm not going to do business with you because of this issue,” or, you know, “This is what we really care about,” they're not going to make a change. Unless it starts to impact their bottom lines and people start to choose other cloud providers, they're not going to prioritize it.And I think up until this point, we're not seeing that from customers. We're kind of getting some people like me shouting about it, but across the board, sustainability isn't the number one priority right now. It's, like what Amazon says, security or resiliency or something else.Corey: And I think that, at least from where I set, the challenge is that if you asked me what I got out of re:Invent, and what the conversations I had—going into it, what are my expectations, and what do I hope to get and how's it going to end up, and then you ask you that same question—though maybe you are a poor example of this—and then you ask someone who works out as an engineer at a company that uses AWS and their two or three years into their career, why don't you talk to a manager or director or someone else? And the problem is if you start polling the entire audience, you'll find that this becomes—you're going to wind up with 20 different answers, at least. The conference doesn't seem like it has any idea of what it wants to be and to whom and in that vacuum, it tries to be all things to all people. And surprise, just like the shooting multifunction printer some of us have in our homes, it doesn't do well with any of those things because it's trying to stand in too many worlds at the same time.Aerin: You know, let's not, like, look at this from a way that you know, re:Invent is crap and, like, do all the work that everyone puts it is wasted because it is a really great event for a lot of different things for a lot of different people. And to be honest, the work that the Amazon staff put into it is pretty out of this world. I feel sorry though because you know, the rush for AWS sell more and do this massive event, they put people through the grinder. And I feel like, I don't know, we could see the cracks in some of that, the way that works. But, you know, there's so many people that I speak to who were like, “Yeah, I'm definitely not going again. I'm not even going to go anywhere near submitting a talk.”And, sort of, the thing is, like, I can imagine if the conference was something different; it was focused at sustainability at number one, it was about making the world a better place from everything that they do, it was about bringing diverse communities together. Like, you know, bringing these things up the list would make the whole thing a lot better. And to be honest, it would probably make it a lot more enjoyable [laugh] for the Amazon staff who end up talking at it. Because, you know, I guess it can feel a bit soulless over time is all you're doing is making money for someone else and selling more things. And, yeah, I think there's a lot more… different things we can do and a lot more things we can talk about if people just start to talk about, like you know, if you care about this as well and you work at Amazon, then start saying that as well.It'll really make a difference if you say we want re:Invent to look different. I mean, even Amazon staff, [laugh] and we've not even mentioned this one because I got Covid straight after re:Invent, nine days and staring at a wall in hotel room in Vegas was not my idea of a good time post-conference. So, that was a horrible, horrible experience. But, you know, I've had people call it re:Infect. Like, where are the Covid support?Like, there was hardly any conversation about that. It was sort of like, “Don't mention it because oh, s”—whatever else. But imagine if you just did something a little bit differently to look like you care about your customers. Just say, “We recommend people mask or take a test,” or even provide tests and masks. Like, even if it's not mandatory, they could have done a lot more to make it safer for everyone. Because, yeah, imagine having the reputation of re:Infect rather than re:Invent?Corey: I can only imagine how that would play out.Aerin: Only imagine.Corey: Yeah, it's it feels like we're all collectively decided to pretend that the pandemic is over. Because yeah, that's a bummer. I don't want to think about it. You know, kind of like we approach climate change.Aerin: Yeah. At the end of the day, like, and I keep coming across this more and more, you know, my thinking has changed over the last year because, like, you know, initially it was like a hyperactive puppy. Why are we caring about this? Like, yeah, if I say it, people will come, but the reality is, we have to blinker ourselves in order to deal with a lot of this stuff. We can't always worry about all of this stuff all of the time. And that's fine. That's acceptable. We do that in so many different parts of our life.But there comes to a point when you kind of think, “How much do I care about this?” And for a lot of people, it's because they have kids. Like, anyone who has kids right now must have to think, “Wow, what's the future going to look like?” And if you worry about what the future is going to look like, make sure you're taking steps to make the world a better place and make it the future you want it to look like. You know, I made the decision a long time ago not to have kids because I don't think I'd want to bring anyone into the world on what it might actually end up being, but you know, when I speak to people who are older in the 60s and they're like, “Oh, you've got 100 years. You don't need to worry about it.” Like, “Maybe you can say that because you're closer to dying than I am.” But yeah, I have to worry about this now because I'll still be eighty when all this shit is kicking off [laugh].Corey: This episode is sponsored in part by our friends at Strata. Are you struggling to keep up with the demands of managing and securing identity in your distributed enterprise IT environment? You're not alone, but you shouldn't let that hold you back. With Strata's Identity Orchestration Platform, you can secure all your apps on any cloud with any IDP, so your IT teams will never have to refactor for identity again. Imagine modernizing app identity in minutes instead of months, deploying passwordless on any tricky old app, and achieving business resilience with always-on identity, all from one lightweight and flexible platform.Want to see it in action? Share your identity challenge with them on a discovery call and they'll hook you up with a complimentary pair of AirPods Pro. Don't miss out, visit Strata.io/ScreamingCloud. That's Strata dot io slash ScreamingCloud.Corey: That I guess is one of the big fears I have—and I think it's somewhat unfounded—is that every year starts to look too much like the year before it. Because it's one of those ideas where we start to see the pace of innovation is slowing at AWS—and I'm not saying that to piss people at Amazon off and have them come after me with pitchforks and torches again—but they're not launching new services at the rate they once did, which is good for customers, but it starts to feel like oh, have we hit peak cloud this is what it's going to look like? Absolutely not. I don't get the sense that the world is like, “Well, everything's been invented. Time to shut down the patent office,” anytime soon.And in the short term, it feels like oh, there's not a lot exciting going on, but you look back the last five years even and look at how far we've come even in that period of time and—what is it? “The days are long, but the years are short.” It becomes a very macro thing of as things ebb and flow, you start to see the differences but the micro basis on a year-to-year perspective, it seems harder to detect. So longer term, I think we're going to see what the story looks like. And it's going to be satisfying one. Just right now, it's like, well, this wasn't as entertaining as I would have hoped, so I'm annoyed. Which I am because it wasn't, but that's not the biggest problem in the world.Aerin: It's not. And, you know, you look at okay, cool, there wasn't all these new flashy services. There was a few things are announced, I mean, hopefully that are going to contribute towards climate change. One of them is called AWS Supply Chain. And the irony of seeing sort of like AWS Supply Chain where a company that already has issues with data and conversations around competition, saying to everyone, “Hey, trust us and give all of your supply chain information and put it into one of our AWS products,” while at the same time their customer carbon footprint tool won't even show the full scope for their emissions of their own supply chain is not lost on me.And you do say, “Maybe we should start seeing things at a macro level,” but unless Amazon and other cloud hyperscalers start pulling the finger out and showing us how they have got a vision between now and 2040, and now in 2050, of how they're going to get there, it kind of just feels like they're saying, “It'll all be fine as long as we continue to grow, as long as we keep sucking up the market.” And, you know, an interesting thing that just kicked off in the UK back in November was the Competition and Markets Authority have started an investigation into the cloud providers on how they are basically sucking up all these markets, and how the growth of things that are not hyperscale is going. So, in the UK, the percentage of cloud has obviously gone up—more and more cloud spending has gone up—but kind of usage across non-hyperscalers has gone down over that same period. And they really are at risk of sucking up the world. Like, I have got involved in a lot of different things.I'm an AWS community builder; like, I do promote AWS. And, you know, the reason why I promote cloud, for example is serverless. We need serverless as the way we run our IT because that's the only way we'll do things like time shifting or demand shifting. So, when we look at renewable energy on the grid if that really high, the wind is blowing and the sun is shining, we want more workloads to be running then and when they're tiny, and they're [unintelligible 00:21:03], and what's the call it serverless generally, uh—Corey: Hype?Aerin: Function as a Code?Corey: Function—yeah, Function as a Service and all kinds of other nonsense. But I have to ask, when you're talking about serverless, in this context, is a necessary prerequisite of serverless that scale to zero when it's [unintelligible 00:21:19].Aerin: [laugh]. I kind of go back to marketing. What Amazon releasing these days when it relates to serverless that isn't just marketing and saying, “Oh, it's serverless.” Because yeah, there was a few products this year that is not scaled to zero is it? It's a 100-pound minimum. And when you're looking at number of accounts that you have, that can add up really quickly and it excludes people from using it.Corey: It's worse than that because it's not number of accounts. I consider DynamoDB to be serverless, by any definition of the term. Because it is. And what I like about it is I can have a separate table for every developer, for every service or microservice or project that they have, and in fact, each branch can have its own stuff like that. I look at some of the stuff that I build with multi-branch testing and whatnot, and, “Oh, wow. That would cost more than the engineer if they were to do that with some of the serverless offerings that AWS has put out.”Which makes that entire philosophy a complete non-starter, which means that invariably as soon as you start developing down that path, you are making significant trade-offs. That's just from a economics slash developer ergonomics slash best practices point of view. But there's a sustainability story to it as well.Aerin: Yeah. I mean, this sustainability thing is like, if you're not going to encourage this new way of working, like, if you're not going to move everyone to this point of view and this is how we need to do things, then you kind of just propagating the old world, putting it into your data center. For every managed service that VMware migrated piece of crap, just that land in the cloud, it's not making a real difference in the world because that's still going to exist. And we mentioned this just before the podcast and, you know, a lot of focus these days and for a lot of people is, “Okay, green energy is the problem. We need to solve green energy.”And Amazon is the biggest purchaser of power purchase agreements in renewable energy around the world, more than most governments. Or I think that the biggest corporate purchaser of it anyway. And that all might sound great, like, “Oh, the cloud is going to solve this problem for me and Amazon is going to solve it for me even better because they're bigger.” But at the end of the day, when we think about a data center, it exists in the real world.It's made of concrete. You know, when you pour concrete and when you make concrete, it releases CO2. It's got racks of servers that all are running. So, those individual servers had to be made by whoever it is in Asia or mined from rare earth metals and end up in the supply chain and then transported into the data centers in us-east-1. And then things go wrong. You have to repair you have to replace and you have to maintain them.Unless we get these circular economies going in a closed system, we can't just continue to grow like this. Because carbon emissions related to Scope 3, all those things I've just been talking about, basically anything that isn't the energy, is about 80 to 90% of all the carbon emissions. So, when Amazon says, “Oh, we're going to go green and get energy done by 2030”—which is seven years away—they've then got ten years to solve 90% of the problem. And we cannot all just continue to grow and think of tech as neutral and better for the world if we still got that 90% problem, which we do right now. And it really frustrates me when you look at the world and the way we've jumped on technology just go on, “Oh, it must be good.”Like Bitcoin, for example. Bitcoin has released 200 million metric tons of CO2 since its inception. And for something that is basically a glorified Ponzi scheme, I can't see how that is making the world a better place. So, when cloud providers are making managed services for Web3 and for blockchain, and they're selling more and more AI and machine learning, basically so they can keep on selling GPU access, I do worry about whether our path to infinite growth with all of these hyperscalers is probably the wrong way of looking at things. So, linking back to, you know, the conference, open-source and, you know, thinking about things differently is really important in tech right now.And not just for your own well-being and being able to sleep at night, but this is how we're going to solve our problems. When all companies on the planet want people to be sustainable and we have to start tackling this because there's a financial cost related to it, then you're going to be in the vogue. If you're really good developer, thinking about things differently can be efficient, then yeah, you're the developer that's going to win in the future. You might be assisted by ChatGPT three or whatever else, but yeah, sustainability and efficiency can really be the number one priority because it's a win, win, win. We save the world, we make ourselves better, we sleep better at night, and you just become a better developer.I keep monologuing at this point, but you know, when it comes to stuff like games design, we look at things like Quake and Pokemon and all these things when there's like, “How did they get these amazing games and these amazing experiences in such small sizes,” they had boundaries. They had boundaries to innovate within because they had to. They couldn't release the game if they couldn't fit into the cartridge, therefore, they made it work. When the cloud is sold as infinitely scalable and horizontally scalable and no one needs to worry about this stuff because you can get your credit card out, people stop caring about being innovative and being more efficient. So yeah, let's get some more boundaries in the cloud.Corey: What I find that is super helpful, has been, like, if I can, like, descri—like, Instagram is down. Describe your lunch to me style meme description, like, the epic handshake where you have two people clasping hands, and one side is labeled in this case, ‘sustainability advocates,' and the other side should be labeled ‘cloud economists,' and in the middle, it's, “Turn that shit off.” Because it's not burning carbon if it's not running, and it's not costing you anything—ideally—if it's not running, so it's one of those ideas where we meet in the middle. And that's important, not just because it makes both of us independently happy because it's both good for the world and you'll get companies on board with this because, “Wait. We can do this thing and it saves us money?” Suddenly, you're getting them aligned because that is their religion.If companies could be said to have a religion, it is money. That's the way it works. So, you have to make it worth money for them to do the right thing or you're always going to be swimming upstream like a depressed salmon.Aerin: I mean, look at why [unintelligible 00:27:11] security is near the top: because there's so many big fines related to security breaches. It will cost them money not to be secure. Right now, it doesn't cost companies money to be inefficient or to release all this carbon, so they get away with it or they choose to do it. And I think that's going to change. We see in regulations across you're coming out.So, you know, if you work for a big multinational that operates in Europe, by next year, you'll have to report on all of your Scope 3 carbon emissions. If you're a customer of AWS right now, you have no ability to do that. So, you know, this is going to be crunch time over the next 18 months to two years for a lot of big businesses, for Amazon and the other hyperscalers, to really start demonstrating that they can do this. And I guess that's my big push. And, you know, I want to work with anyone, and it's funny because I have been running this business for about, you know, a couple of years now, it's been going really well, I did my podcast, I'm on this path.But I did, last year, take some time, and I applied into AWS. And you know, I was like, “Okay, maybe I'll apply for this big tech company and help Amazon out.” And because I'll take that salary and I'll do something really good with it afterwards, I'll do my time for three years and attend re:Invent and deliver 12 talks and never sleep, but you know, at the end of it, I'll say, “Okay, I've done that and now I can do something really good.” Unfortunately, I didn't get the role—or fortunately—but you know, when I applied for that role, what I said to them is, “I really care about sustainability. I want to make the world a better place. I want to help your customers be more sustainable.”And they didn't want me to join. So, I'm just going to continue doing that but from the outside. And whether that means working with politicians or developers or anyone else to try and make the world better and to kind of help fight against climate change, then, yeah, that's definitely what I'm doing.Corey: So, one last question before we wind up calling it an episode. How do we get there? What is the best next step that folks can take? Because it's easy to look at this as a grand problem and realize it's too big to solve. Well, great. You don't need to solve the entire problem. You need take the first step. What is that first step?Aerin: Individuals, I would say it's just realizing that you do care about it and you want to take action. And you're going to say to yourself, “Even if I do little things, I'm going to move forward towards that point.” So, if that is being a more sustainable engineer or getting more conversations about climate change or even just doing other things in your community to make the world a better place than it is, taking that action. But one thing that I can definitely help about and talk a bit more of is that at the conference itself, I'll be running a panel with some great experts called the, “Next Generation of Cloud Education.” So, I really think we need to—like I said earlier in the podcast—to think differently about the cloud and IT.So, I am doing this panel and I'm bringing together someone like Simon Wardley to help people do Wardley Mapping. Like, that is a tool that allows you to see the landscape that you're operating in. You know, if you use that sort of tool to understand the real-world impact of what you're doing, then you can start caring about it a bit more. I'm bringing in somebody called Anne Currie, who is a tech ethicist and speaker and lecturer, and she's actually written some [laugh] really great nonfiction books, which I'd recommend everyone reads. It starts with Utopia Five.And that's about asking, “Well, is this ethical? Can we continue to do these things?” Can't—talks about things about sustainability. If it's not sustainable for everyone, it's not ethical. So, when I mentioned 3 billion people currently don't use the internet, it's like, can we continue to just keep on doing things the same way?And then John Booth, who is a data center expert, to help us really understand what the reality is on the ground. What are these data centers really look like? And then Amanda Brock, from OpenUK in the conference will joining as well to talk about, kind of, open-source and how we can make the world kind of a better place by getting involved in these communities. So, that'll be a really great panel.But what I'm also doing is releasing this as an online course. So, for people who want to get involved, it will be very intimate, about 15 seats on each core, so three weeks for you to actually work and talk directly with some of these experts and me to figure out what you want to do in the world of climate change and how you can take those first steps. So, it'll be a journey that even starts with an ecotherapist to help us deal with climate grief and wonder about the things we can do as individuals to feel better ourselves and be happier. So, I think that'd be a really great thing for a lot of people. And, yeah, not only that, but… it'll be great for you, but it also goes towards making the world a better place.So, 50% of the course fees will be donated, 25%, to charity, and 25% supporting open-source projects. So, I think it kind of just win, win, win. And that's the story of sustainability in general. It's a win, win, win for everyone. If you start seeing the world through a lens of sustainability, you'll save money, you'll sleep better at night, you'll get involved with some really great communities, and meet some really great people who care about this as well. And yeah, it'll be a brighter future.Corey: If people want to learn more, where can they find you?Aerin: So, if you want to learn more about what I'm up to, I'm on Twitter under @aerincloud, that A-E-R-I-N cloud. And then you can also find me on LinkedIn. But I also run my own podcast that was inspired by Corey, called Public Cloud for Public Good talking about cloud sustainability and how to make the world a better place for the use of public cloud services.Corey: And we will, of course, put a link to that in the [show notes 00:32:32]. Thank you so much for your time. I appreciate it, as always.Aerin: Thank you.Corey: Aerin Booth, the Ted Lasso of cloud. I'm Cloud Economist Corey Quinn, and this is Screaming in the Cloud. If you've enjoyed this podcast, please leave a five-star review on your podcast platform of choice, whereas if you've hated this episode, please leave a five-star review on your podcast platform of choice, along with an angry and insulting comment that I will immediately scale to zero in true serverless fashion.Corey: If your AWS bill keeps rising and your blood pressure is doing the same, then you need The Duckbill Group. We help companies fix their AWS bill by making it smaller and less horrifying. The Duckbill Group works for you, not AWS. We tailor recommendations to your business and we get to the point. Visit duckbillgroup.com to get started.Announcer: This has been a HumblePod production. Stay humble.

This episode is also available as a blog post: https://thecitylife.org/2023/01/11/the-metropolitan-museum-of-art-elects-new-trustees-julia-koch-aerin-lauder-and-adrienne-arsht/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

The journey to science is rarely straightforward and clear cut. In this week's episode, both our storytellers share their tales of how they came to science. Part 1: With her truck stuck in the mud in the Serengeti, Aerin Jacob learns three important lessons. Part 2: At four years old, Daniel Miller became one of the youngest people in the state of Texas ever to testify in court -- against his own mother, for sexual assault. As an adult, he struggles for stability, but finds hope in physics. (Warning: this story contains disturbing and potentially triggering events.) Aerin Jacob is a Postdoctoral Fellow at the University of Victoria and a Wilburforce Fellow in Conservation Science Fellow. Trained as an ecologist, she works to develop management strategies that incorporate local, Indigenous, and scientific knowledge to achieve conservation objectives while maintaining human well-being. She works with First Nations communities in British Columbia to study the environmental and socioeconomic outcomes of marine management in the Great Bear Rainforest. Aerin is also a member of the Sustainable Canada Dialogues, a network of scholars developing viable, science-based policy options to reduce greenhouse gas emissions and guide sustainable development in Canada. Her previous work includes studies of land-use change, restoration ecology, and animal behaviour in East Africa and western North America. Aerin earned her PhD at McGill University and her BSc at the University of British Columbia. Daniel R. Miller is a Ph.D. student and research assistant at the MIT Kavli Institute for Astrophysics and Space Research. Using large telescopes in the Chilean Andes to observe our Universe as it was 12 billion years ago along with state-of-the-art high performance computer simulations, he works at the intersection of observational and theoretical astrophysics on subjects including cosmology, cosmic structure, and reionization. He also spent several years doing research in plasma physics and controlled nuclear fusion on the MIT Alcator C-Mod experimental tokamak reactor. When not thinking strictly about physics, he may be found in the Future of Life Institute working on potential existential risks including climate change, nuclear proliferation, and artificial intelligence. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's not every day you get to hear from a seasoned watercolor artist who has worked with big brands like Google, Nordstrom, and Givenchy. But, today, we get to do just that! We're sitting down with our girl, Dianuh Aerin of Chasing Linen. In this episode, she's talking about how she fearlessly followed her JOY and decided to reinvent her Instagram account by creating a more lifestyle-centric brand. Listen in as she reveals not only how this shift naturally magnetized brands to her but also how she actively pitched and landed creative partnerships she'd been dreaming about for years! Let's be friends! Find us on Instagram http://instagram.com/bizbirthdaybash @bizbirthdaybash. For all show notes please visit http://www.bizbirthdaybash.com/podcast Grab your FREE Training -- 4 Essentials You Need to Turn Your Biz into a Profit Party: https://bizbirthdaybash.com/free-training

Episode 556: Two Beauties from the Team USA rivalry series join the show to talk hockey Video Link: https://youtu.be/5yzjOTC3noQ Shop Merch: https://ilovetulameen.com/.../i-only-touch-greatness-podcast

A long awaited reunion, a showdown, a reluctant goodbye. The Hyacinth finally catches up, and Aerin must face consequences five years in the making.***The transcript for this episode can be found at https://tinyurl.com/IRicarusfalling***Credits and Attributions (in order of appearance)Leader: Claire ColeAerin: Coco SchoglerErik: Matthew WilsonNell: Bee WilliamsCory: Abbie RongongYakov: Kit PatersonDorian: Jamie AdamsPip: Leo McCall Jack: Brigitta LarsonKay: Peter HowlBeau: Alex AbrahamsXander: Arthur Peregrine KeywoodAiken: Abel KentMarietta: Ailsa Milligan***Written by Beth BarrettProduced by Flynn Burgess and Peter Howl Sound Design by Will Freiburg and Ellis RobinsonMusic by Alex Kingsley and Chris Rundell "Take-off" written by Sawyer NischanScript Edited by Jess Singley Art by MackaTranscript by Casey FSound effects for this episode from https://quicksounds.com and https://freesounds.org Hosted on Acast. See acast.com/privacy for more information.

As the Hyacinth draws closer, both crews prepare for what lies ahead. Joined by an unlikely friend, Aerin waits for them to arrive***The transcript for this episode can be found at https://tinyurl.com/IRjetsam***Credits and Attributions (in order of appearance)Aerin: Coco SchoglerCory: Abbie RongongYakov: Kit PatersonMarietta: Ailsa MilliganDorian: Jamie AdamsJack: Brigitta LarsonPip: Leo McCallBeau: Alex AbrahamsXander: Arthur Peregrine KeywoodKay: Peter Howl***Written by Beth BarrettProduced by Flynn Burgess and Peter Howl Sound Design by Will Freiburg and Ellis RobinsonMusic by Alex Kingsley and Chris Rundell "Take-off" written by Sawyer NischanScript Edited by Jess Singley Art by MackaTranscript by Casey FSound effects for this episode from https://quicksounds.com and https://freesounds.org Hosted on Acast. See acast.com/privacy for more information.

The Hyacinth are closer than they've ever been to capturing Aerin and are preparing themselves for a fight.***The transcript for this episode can be found at https://tinyurl.com/IcarusLull***Credits and Attributions (in order of appearance)Beau: Alex AbrahamsErik: Matthew WilsonJack: Brigitta LarsonPip: Leo McCallDorian: Jamie AdamsNell: Bee WilliamsCory: Abbie RongongEissen: Joseph VauseAerin: Coco SchoglerCrewmates: Harvey Saralis-Wheatley, Claire Cole, Abel KentKay: Peter HowlXander: Arthur Peregrine KeywoodMarietta: Ailsa Milligan***Written by Beth BarrettProduced by Flynn Burgess and Peter Howl Sound Design by Will and Ellis RobinsonMusic by Alex Kingsley and Chris Rundell "Take-off" written by Sawyer NischanScript Edited by Jess Singley Art by MackaTranscript by Casey FSound effects for this episode from https://quicksounds.com and https://freesounds.org Hosted on Acast. See acast.com/privacy for more information.

Kyle's finally back! Besides that boring news, this week we sit down with the incredible Aerin Frankel! She's one of the best to ever put on the pillows at Northeastern, and certainly one of our heros!  We talked  -Northeastern -Shattuck -Her first and last ever face off win  -So much more!  Follow, Subscribe, and Rate the podcast!  --- Support this podcast: https://anchor.fm/betweentwoposts/support

In this episode of the sales leader network, we sit down with one of my old bosses! (now who has the guts to do that…) We dive into a wide range of topics, from Aerins 13 years working for CARD, Chico Area Recreation District (Which is a city municipality focused on sports for the youth) to how there's literally no onboarding or training for sales leadership, it's way too much of “learn as you go.” Other topics include: Making the leap from retail to Saas, and the complete shift in sales approach Knowing when to be direct with your team and when to hold back. The process of building that trusting relationship with your team What does job “satisfaction” actually mean in the rol And as usual, plenty of motivational moments sprinkled throughout this episode. If you get value from this episode, be sure to subscribe and share the episode with your friends, as we all can benefit from more positivity and leadership in todays society. Go to www.salesleadernetwork.com to get episodes sent directly to you inbox and get the weekly newsletter.

What makes a good cover? What makes a cover great? Aerin and Kim share some of their favourite homages in the first episode of our two-part series on cover tunes.

What's on your list for Sephora's Spring VIB Sale? Let me know over on IG @Cmichellestyles or email the podcast at: podcast@cmichellestyles.comLouis Vuitton Felecie Pochette Unboxing: https://youtu.be/IcNuwoe4K-oProduct Of The Week: Hibiscus Palm by AERIN: https://shopstyle.it/l/bFAr4Products Mentioned:Nécessaire- Thé Body Wash-With Niacinamide: https://shopstyle.it/l/bFAsfCarolina Herrera- Good Girl Eau De Parfum Rollerball: https://shopstyle.it/l/bFAssChanel Chance Eau Tendre Parfum: https://shopstyle.it/l/bFAsFSupergoop Handscreen: https://shopstyle.it/l/bFAsTTauchland-Power Mist Hydrating Hand Sanitizer: https://shopstyle.it/l/bFAs9Farmacy- Green Clean Makeup Removing Cleansing Balm: https://shopstyle.it/l/bFAuDBriogeo: Scalp Revival Charcoal + Coconut Oil Micro-exfoliating Scalp Scrub Shampoo: https://shopstyle.it/l/bFAuTBriogeo: Don't Despair Repair Deep Conditioning Hair Mask: https://shopstyle.it/l/bFAuJMon Guerlain Eau De Parfum: https://shopstyle.it/l/bFAuXPeter Thomas Roth-Water Drench Hyaluronic Acid Moisturizer: https://shopstyle.it/l/bFAvaKosas-Cloud Set Baked Setting & Smoothing Talc Free Powder: https://shopstyle.it/l/bFAtLHonorable Mentions: Danessa Myricks: Yummy Foundation: https://shopstyle.it/l/bFAugDior BACKSTAGE Concealer: https://shopstyle.it/l/bFAx2Dior Forever Matte Foundation SPF 15: https://shopstyle.it/l/bFAwD Chantecaille Furture Skin Gel Foundation: https://shopstyle.it/l/bFAyhConnect With Me On Socials: Instagram: http://www.instagram.com/cmichellestyles Pinterest: http://www.pinterest.com/Cmichellestyles Facebook: http://www.facebook.com/CmichellestylesSign Up For My Weekly Emails: https://view.flodesk.com/pages/61c0dd92d2fc90968d6f4673 See acast.com/privacy for privacy and opt-out information.

On this special episode of The Morning Skate; we're talking Northeastern Women's Hockey. Brownie was able to sit down with All Galaxy Goalie Aerin Frankel and Associate Head Coach Nick Carpenito ahead of their payback game vs Wisconsin (spoiler alert: they dusted the Badgers). Everything you need to know about this wagon of a team in time for the Frozen Four weekend. #HowlinHuskies

Getting an inside look at what really goes down at a Fragrance house is rare, but this week, we've done it. I am so honored to be joined by Firmenich Perfumer Alexis Grugeon (creator of hit scents like Ariana Grande R.E.M. and Polo Sport Fresh) and Fragrance Development Manager Segolene Dewey (TFF Notables Class of 2022). You will learn about what they each do, how they work together (and apart), their backgrounds and educations that led them to where they are today, plus(!) we get a special, intimate look at 7 of Firmenich's most iconic creations over the last thirty years including the personal stories, social contexts, and processes of how they were created. FRAGS MENTIONED: Glossier You, Aerin, Polo Sport Fresh Ralph Lauren, Hermès Vetiver Tonka, Dior Homme, Zegna Verdigris, Zegna Cyprium, Calvin Klein CKOne, Estee Lauder Pleasures, D&G Light Blue, Marc Jacobs Daisy, Maison Margiela Replica Beach Walk, Yves Saint Laurent Black Opium, Baccarat Rouge 540 FOLLOW OUR GUESTS: @firmenichfine @sigolean @alexisgrugeon PERFUME ROOM IG: @perfumeroompod EMMA'S TIKTOK: @emma_vern

Kim and Aerin continue their exploration of the best new music of 2022.

Se você chegou aqui e não tem medo de spoiler, vá na fé. Mas saiba que: esse episódio é sobre a continuação de Os Amadores, da Sara Shepard (link do ep: https://anchor.fm/podcast-terminei/episodes/43---Os-Amadores-eh3qqb) A continuação da investigação de Seneca, Maddox, Madison e Aerin vem mais pesada e ainda mais intrigante. Além disso conta com mais um sequestro, mas agora eles já sabem quem procurar. Livro: https://amzn.to/351WIHU Twitter: @termineicast

This year we’re starting early! Aerin and Kim are back to discuss the process of building an annual “best of” playlist, what’s got us excited from the year’s releases so far, and hot tips for unearthing hot tracks. Also, we know we need new artwork. It’s coming!

Aerin and Andy try to find a way to prevent season four of the pandemic from ever happening by introducing a Christmas themed super villain or superhero Featured Show: Action Pack Season 1 Episode 01a - Fright at the Museum Episode 01b - Catching Cold -- Check us out on Twitter @STICPodcast

Aerin and Andy internalize the new-year-new-you attitude with a reimagining of a 90's property, another terrifying offering from an old friend, and lengthy discussions about childhood gameshows. Featured Shows: Legends Of The Hidden Temple (2016) Scaredy Cats Season 1 Episode 1 - The Amulet -- Check us out on Twitter @STICPodcast

Brrr it's getting cold out there! Warm yourself up with our very special holiday episode. While "Kissmas Wish" is a side quest for our amorous adventurers, you can easily enjoy this heartwarming story without listening to other episodes of Roll for Romance. Laniver heads home for the annual Kissmas festival in hopes of finally being able to meet his daughter. But when a blizzard hits, he and his friends must travel into the realm of the Frost Father to beseech the powerful Archfey to save Kissmas—and his only chance to see his daughter. Our DM is Emily Beaman. Laniver is played by Sara Beaman, Derek is played by Holly Elle, and Aerin is played by Deserae LeRoux. Any mistakes in adhering to 5e D&D rules are 100% intentional and definitely not just Emily forgetting something. Full music and sound credits for the episode can be found here. Our podcast art is by the multitalented Acid Arrow Art & Illustration.

Have you noticed the sexism in the witchcraft community? Do you think there is sexism in the community? Today we discuss this issue with Jason and random special guest Aerin!! Links for the Bitchy Witchys book series: 101 Oil Blends for Spells and Rituals: https://amzn.to/32mgwkw 101 Herbs for Your Magick Practice: https://amzn.to/3tvpIii 101 Divination Methods: https://amzn.to/3sseY3c 101 Tips for New Witches: https://amzn.to/3e9VpY8 ------------------- Buy us a coffee! https://www.buymeacoffee.com/BitchyWitchys Watch us, like and subscribe on YOUTUBE - https://www.youtube.com/channel/UCcFYaQtwUdla6dC2xI0ULpA Support our PATREON@ https://www.patreon.com/bitchywitchys Visit our WEBSITE @ https://Bitchywitchys.com Follow us on INSTAGRAM- @bitchywitchyspodcast (https://www.instagram.com/bitchywitchyspodcast) Listen and follow us on APPLE PODCAST - https://podcasts.apple.com/us/podcast/bitchy-witchys/id1501706938 EMAIL us @ talktothebwitchys@gmail.com ------------------- Music Attribution: Aunt Tagonist - Silent Film Dark by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100320 Artist: http://incompetech.com/ --- Support this podcast: https://anchor.fm/bitchywitchys/support

In this episode of Medsider Radio, we're chatting with Dr. Scott Wolf, a prolific medical device entrepreneur and investor who founded Aerin Medical to bring non-surgical therapies to patients with common nasal airway problems. Prior to founding Aerin Medical, Scott started Zeltiq Aesthetics, the maker of CoolSculpting. His other startups include Endogastric Solutions and Cardiac Dimensions, and he was a partner at Prospect Venture Partners as well as VP at Frazier Healthcare Ventures, both leading life science venture capital firms. Scott received his M.D. from George Washington University and his B.A. from the University of Pennsylvania.You won't find many people with more hands-on medtech experience than Dr. Scott Wolf, and today he's going to share his expertise with the Medsider community. In this interview, we'll discuss Aerin's technology, break down the advantages of cash-pay versus insurance reimbursement, and get Scott's advice for would-be founders hoping to turn a great idea into a real prototype.Before we jump into the conversation, I wanted to mention a few things:If you're into learning from proven medtech and healthtech leaders, and want to know when new content and interviews go live, head over to Medsider.com and sign up for our free newsletter. You'll get access to gated articles, and lots of other interesting healthcare content. Second, if you want even more inside info from proven experts, think about a Medsider premium membership. We talk to experienced healthcare leaders about the nuts and bolts of running a business and bringing products to market. This is your place for valuable knowledge on specific topics like seed funding, prototyping, insurance reimbursement, and positioning a medtech startup for an exit.In addition to the entire back catalog of Medsider interviews over the past decade, Premium members get exclusive Ask Me Anything interviews and masterclasses with some of the world's most successful medtech founders and executives. Since making the premium memberships available, I've been pleasantly surprised at how many people have signed up. If you're interested, go to medsider.com/subscribe to learn more.Lastly, here's the link to the full interview with Dr. Scott Wolf if you'd rather read it instead.

With coal exploration already happening on the Eastern Slopes of the Rocky Mountains, Y2Y conservation scientist Dr. Aerin Jacob explains what's at stake, and what it means for Canadians and our water supply. Last week, our Question of the Week asked you about quality in politics. Today's Real Talk Round Table taps into your replies, as we check in with Conservative MP Mike Lake, former Ontario PC chief of staff Sarah Letersky, former Colorado Democratic strategist Conor Brown, CEO Julia Anderson, and CFL legend Adarius Bowman. And, of course, Ryan wraps up the show with another rousing edition of Trash Talk!

This week we are joined by Northeastern Huskies goaltender Aerin Frankel. Aerin represented the USA national team against Canada last year and is also on the bounce of back to back Beanpot titles. She is arguably one of the best goalies in the women's game and a player I am fortunate to work with on a regular basis. She is a leader by the very definition in the way she conducts herself. Aerin talks about what it takes to get to the college game and her own experiences.

Dianuh Aerin, Calligraphy Artist of Chasing Linen shares her journey of taking steps of faith in her calling and business and her heart when it comes to serving others and living a life of impact. Recorded live for the 20/20 Vision Series Creative Panel Series at Collaborative Coffee. For more info on Dianuh's projects and art, checkout her website www.chasinglinen.com and IG: @chasinglinen.

In this episode, we continue our dialogue on the topic of abortion. We kick-off the show with special guest who shares her personal abortion testimony. She explains why when she became pregnant as a young woman she felt she really didn't have a choice about getting an abortion, even though she legally had the “right to choose”. We take a closer look at the social norms and subliminal messaging young women today receive about sex, motherhood, career, and success and how these messages have changed and shape a woman's decision around abortion. We want to hear your thoughts so be sure to share your comments below! Do you have a question or a topic that our panel can discuss on a future episode? If so, let us know what you want to hear by sending an email to un.believer.inbetweener@gmail.com. 

Recorded at Frieze New York, the founder of lifestyle, homeware and beauty brand Aerin is the latest inspiring figure to add to The Collector's House. Listen as she talks about her upbringing, her memories of her grandmother Estée Lauder and her own time in the industry. She also tells the stories behind the five things that inspire her most.

Episode 4!Part 1: ORIGINALSNick Davio:Rest My CaseLove Song 24Look Me UpAerin Tedesco:Thank YouSweetest DownfallOutside ChanceLindsay Weinberg:When I Was LittleSouvenirBetter in the SummerPart 2: COVERSNick Davio:Stand Up by Aerin TedescoHouse a Home by Lindsay WeinbergJoliet, IL by Michael KnudsenAerin Tedesco:No One Believes by Nick DavioPay Attention by Lindsay WeinbergSamson by Regina SpektorLindsay WeinbergLullaby 2 (Faun Song) by Aerin TedescoA Little Fail by Nick DavioPromises of Paris by Sylvie LewisFinale:All the Rowboats Sneeze (Davio/Tedesco/Weinberg cover Amos/Spektor)