Podcasts about Stirr

Nea har blivit påkommen av Johan och Hanna har somnat på mellos efterfest. Dessutom: lämna megan markle och Stirr-fia ifred!!!!! Och att besöka ny psykolog.

"There are misconceptions about Vietnam, People just think of water buffaloes, rice paddies and lanterns if you live in the big city, like Saigon, it's just like any other big city." Ever wondered where to find the best cocktails in Saigon? Join Niall Mackay as he takes you on a tour through the city's top cocktail bars, sharing insider tips and personal favorites. Whether you're a Saigon local or planning a visit, this episode is your ultimate guide to the best drinks and hidden gems in the city.Niall delves into the juxtaposition that makes Saigon so alluring, where modern cocktail bars coexist with historic buildings and hidden alleyways. From the renowned 86 Proof and Layla to the enigmatic Lost and Found, each establishment offers a unique ambiance and expertly crafted cocktails. Niall's recommendations span a diverse array of venues, from the newly opened Junka to the cozy confines of Stirr, perfectly tucked away behind a bustling market."The opinion of Vietnam is so different to the reality here. In the eight years I've been here, I've seen it change dramatically." - Niall on Saigon's evolution.Key Highlights:1. An in-depth look at trendy hotspots like 86 Proof, Layla, Stirr, Lost and Found, and more, with insights into their distinct vibes and must-try cocktails.2. The juxtaposition of old and new in Saigon's cocktail bar scene, with hidden gems tucked away in historic buildings and alleyways.3. The rise of Vietnamese-owned and inspired cocktail bars, showcasing local flavors and ingredients.4. The increasing variety of nightlife options in Saigon, catering to diverse tastes and experiences.5. Niall's personal journey and newfound passion for the city's cocktail culture, challenging assumptions about traditional Vietnamese experiences."Send me a message!"Save Frustration. And time!Let my team and I save you the time and frustration it takes to edit a podcast. From start to finish, we can help you share your story with the world with minimum fuss and cost. – Niall Mackay, The Podcast GuyAudio Episodes Edited for ONLY $27! Save $127!! Need a stunning new logo for your brand? Or maybe a short animation?Whatever you need, you can find it on Fiverr.I've been using Fiverr for years for everything from ordering YouTube thumbnails, translation services, keyword research, writing SEO articles to Canva designs and more!Whether you're a budding entrepreneur, a seasoned podcaster, or anyone in between, Fiverr has got you c Get 68% off and three months free when you join NordVPN today with Seven Million Bikes.As an affiliate partner it also means that I will get a small commission when you sign up, but at no extra cost to you. So not only will you be getting a great deal through Seven Million Bikes, you get a great VPN and you'll be supporting Seven Million Bikes Podcasts. Stay safe online and enjoy the shows you love. Any questions, just let me kSupport the Show.These are the programs the Seven Million Bikes Podcasts uses. These are affiliate links so they will give us a small commission, only if you sign up , and at no extra cost to you! You'll be directly supporting Seven Million Bikes Podcasts too.NordVPN | Descript | Buzzsprout | Fiverr |

A dramatic reading by Jason Louv of the 1819 poem "The Fall of Hyperion—A Dream" by John Keats, set to music by Jason. Not uncommon for the 19th century, it is awash in occult and Hermetic symbolism.  Show Links Magick.Me Magick.Me's Fast-Growing YouTube Channel: Like and Subscribe!!!   The full text of the poem follows: "The Fall of Hyperion—A Dream" John Keats CANTO I Fanatics have their dreams, wherewith they weave A paradise for a sect; the savage too From forth the loftiest fashion of his sleep Guesses at Heaven; pity these have not Trac'd upon vellum or wild Indian leaf The shadows of melodious utterance. But bare of laurel they live, dream, and die; For Poesy alone can tell her dreams, With the fine spell of words alone can save Imagination from the sable charm And dumb enchantment. Who alive can say, 'Thou art no Poet may'st not tell thy dreams?' Since every man whose soul is not a clod Hath visions, and would speak, if he had loved And been well nurtured in his mother tongue. Whether the dream now purpos'd to rehearse Be poet's or fanatic's will be known When this warm scribe my hand is in the grave. Methought I stood where trees of every clime, Palm, myrtle, oak, and sycamore, and beech, With plantain, and spice blossoms, made a screen; In neighbourhood of fountains, by the noise Soft showering in my ears, and, by the touch Of scent, not far from roses. Turning round I saw an arbour with a drooping roof Of trellis vines, and bells, and larger blooms, Like floral censers swinging light in air; Before its wreathed doorway, on a mound Of moss, was spread a feast of summer fruits, Which, nearer seen, seem'd refuse of a meal By angel tasted or our Mother Eve; For empty shells were scattered on the grass, And grape stalks but half bare, and remnants more, Sweet smelling, whose pure kinds I could not know. Still was more plenty than the fabled horn Thrice emptied could pour forth, at banqueting For Proserpine return'd to her own fields, Where the white heifers low. And appetite More yearning than on earth I ever felt Growing within, I ate deliciously; And, after not long, thirsted, for thereby Stood a cool vessel of transparent juice Sipp'd by the wander'd bee, the which I took, And, pledging all the mortals of the world, And all the dead whose names are in our lips, Drank. That full draught is parent of my theme. No Asian poppy nor elixir fine Of the soon fading jealous Caliphat, No poison gender'd in close monkish cell To thin the scarlet conclave of old men, Could so have rapt unwilling life away. Among the fragrant husks and berries crush'd, Upon the grass I struggled hard against The domineering potion; but in vain: The cloudy swoon came on, and down I sunk Like a Silenus on an antique vase. How long I slumber'd 'tis a chance to guess. When sense of life return'd, I started up As if with wings; but the fair trees were gone, The mossy mound and arbour were no more: I look'd around upon the carved sides Of an old sanctuary with roof august, Builded so high, it seem'd that filmed clouds Might spread beneath, as o'er the stars of heaven; So old the place was, I remember'd none The like upon the earth: what I had seen Of grey cathedrals, buttress'd walls, rent towers, The superannuations of sunk realms, Or Nature's rocks toil'd hard in waves and winds, Seem'd but the faulture of decrepit things To that eternal domed monument. Upon the marble at my feet there lay Store of strange vessels and large draperies, Which needs had been of dyed asbestos wove, Or in that place the moth could not corrupt, So white the linen, so, in some, distinct Ran imageries from a sombre loom. All in a mingled heap confus'd there lay Robes, golden tongs, censer and chafing dish, Girdles, and chains, and holy jewelries. Turning from these with awe, once more I rais'd My eyes to fathom the space every way; The embossed roof, the silent massy range Of columns north and south, ending in mist Of nothing, then to eastward, where black gates Were shut against the sunrise evermore. Then to the west I look'd, and saw far off An image, huge of feature as a cloud, At level of whose feet an altar slept, To be approach'd on either side by steps, And marble balustrade, and patient travail To count with toil the innumerable degrees. Towards the altar sober paced I went, Repressing haste, as too unholy there; And, coming nearer, saw beside the shrine One minist'ring; and there arose a flame. When in mid May the sickening East wind Shifts sudden to the south, the small warm rain Melts out the frozen incense from all flowers, And fills the air with so much pleasant health That even the dying man forgets his shroud; Even so that lofty sacrificial fire, Sending forth Maian incense, spread around Forgetfulness of everything but bliss, And clouded all the altar with soft smoke, From whose white fragrant curtains thus I heard Language pronounc'd: 'If thou canst not ascend 'These steps, die on that marble where thou art. 'Thy flesh, near cousin to the common dust, 'Will parch for lack of nutriment thy bones 'Will wither in few years, and vanish so 'That not the quickest eye could find a grain 'Of what thou now art on that pavement cold. 'The sands of thy short life are spent this hour, 'And no hand in the universe can turn 'Thy hourglass, if these gummed leaves be burnt 'Ere thou canst mount up these immortal steps.' I heard, I look'd: two senses both at once, So fine, so subtle, felt the tyranny Of that fierce threat and the hard task proposed. Prodigious seem'd the toil, the leaves were yet Burning when suddenly a palsied chill Struck from the paved level up my limbs, And was ascending quick to put cold grasp Upon those streams that pulse beside the throat: I shriek'd; and the sharp anguish of my shriek Stung my own ears I strove hard to escape The numbness; strove to gain the lowest step. Slow, heavy, deadly was my pace: the cold Grew stifling, suffocating, at the heart; And when I clasp'd my hands I felt them not. One minute before death, my iced foot touch'd The lowest stair; and as it touch'd, life seem'd To pour in at the toes: I mounted up, As once fair angels on a ladder flew From the green turf to Heaven. 'Holy Power,' Cried I, approaching near the horned shrine, 'What am I that should so be saved from death? 'What am I that another death come not 'To choke my utterance sacrilegious here?' Then said the veiled shadow 'Thou hast felt 'What 'tis to die and live again before 'Thy fated hour. That thou hadst power to do so 'Is thy own safety; thou hast dated on 'Thy doom.' 'High Prophetess,' said I, 'purge off, 'Benign, if so it please thee, my mind's film.' 'None can usurp this height,' return'd that shade, 'But those to whom the miseries of the world 'Are misery, and will not let them rest. 'All else who find a haven in the world, 'Where they may thoughtless sleep away their days, 'If by a chance into this fane they come, 'Rot on the pavement where thou rottedst half.' 'Are there not thousands in the world,' said I, Encourag'd by the sooth voice of the shade, 'Who love their fellows even to the death; 'Who feel the giant agony of the world; 'And more, like slaves to poor humanity, 'Labour for mortal good? I sure should see 'Other men here; but I am here alone.' 'Those whom thou spak'st of are no vision'ries,' Rejoin'd that voice; 'they are no dreamers weak; 'They seek no wonder but the human face, 'No music but a happy noted voice; 'They come not here, they have no thought to come; 'And thou art here, for thou art less than they: 'What benefit canst thou do, or all thy tribe, 'To the great world? Thou art a dreaming thing, 'A fever of thyself think of the Earth; 'What bliss even in hope is there for thee? 'What haven? every creature hath its home; 'Every sole man hath days of joy and pain, 'Whether his labours be sublime or low 'The pain alone; the joy alone; distinct: 'Only the dreamer venoms all his days, 'Bearing more woe than all his sins deserve. 'Therefore, that happiness be somewhat shar'd, 'Such things as thou art are admitted oft 'Into like gardens thou didst pass erewhile, 'And suffer'd in these temples: for that cause 'Thou standest safe beneath this statue's knees.' 'That I am favour'd for unworthiness, 'By such propitious parley medicin'd 'In sickness not ignoble, I rejoice, 'Aye, and could weep for love of such award.' So answer'd I, continuing, 'If it please, 'Majestic shadow, tell me: sure not all 'Those melodies sung into the world's ear 'Are useless: sure a poet is a sage; 'A humanist, physician to all men. 'That I am none I feel, as vultures feel 'They are no birds when eagles are abroad. 'What am I then? Thou spakest of my tribe: 'What tribe?' The tall shade veil'd in drooping white Then spake, so much more earnest, that the breath Moved the thin linen folds that drooping hung About a golden censer from the hand Pendent. 'Art thou not of the dreamer tribe? 'The poet and the dreamer are distinct, 'Diverse, sheer opposite, antipodes. 'The one pours out a balm upon the world, 'The other vexes it.' Then shouted I Spite of myself, and with a Pythia's spleen, 'Apollo! faded! O far flown Apollo! 'Where is thy misty pestilence to creep 'Into the dwellings, through the door crannies 'Of all mock lyrists, large self worshipers, 'And careless Hectorers in proud bad verse. 'Though I breathe death with them it will be life 'To see them sprawl before me into graves. 'Majestic shadow, tell me where I am, 'Whose altar this; for whom this incense curls; 'What image this whose face I cannot see, 'For the broad marble knees; and who thou art, 'Of accent feminine so courteous?' Then the tall shade, in drooping linens veil'd, Spoke out, so much more earnest, that her breath Stirr'd the thin folds of gauze that drooping hung About a golden censer from her hand Pendent; and by her voice I knew she shed Long treasured tears. 'This temple, sad and lone, 'Is all spar'd from the thunder of a war 'Foughten long since by giant hierarchy 'Against rebellion: this old image here, 'Whose carved features wrinkled as he fell, 'Is Saturn's; I Moneta, left supreme 'Sole priestess of this desolation.' I had no words to answer, for my tongue, Useless, could find about its roofed home No syllable of a fit majesty To make rejoinder to Moneta's mourn. There was a silence, while the altar's blaze Was fainting for sweet food: I look'd thereon, And on the paved floor, where nigh were piled Faggots of cinnamon, and many heaps Of other crisped spice wood then again I look'd upon the altar, and its horns Whiten'd with ashes, and its lang'rous flame, And then upon the offerings again; And so by turns till sad Moneta cried, 'The sacrifice is done, but not the less 'Will I be kind to thee for thy good will. 'My power, which to me is still a curse, 'Shall be to thee a wonder; for the scenes 'Still swooning vivid through my globed brain 'With an electral changing misery 'Thou shalt with those dull mortal eyes behold, 'Free from all pain, if wonder pain thee not.' As near as an immortal's sphered words Could to a mother's soften, were these last: And yet I had a terror of her robes, And chiefly of the veils, that from her brow Hung pale, and curtain'd her in mysteries That made my heart too small to hold its blood. This saw that Goddess, and with sacred hand Parted the veils. Then saw I a wan face, Not pin'd by human sorrows, but bright blanch'd By an immortal sickness which kills not; It works a constant change, which happy death Can put no end to; deathwards progressing To no death was that visage; it had pass'd The lily and the snow; and beyond these I must not think now, though I saw that face But for her eyes I should have fled away. They held me back, with a benignant light Soft mitigated by divinest lids Half closed, and visionless entire they seem'd Of all external things; they saw me not, But in blank splendour beam'd like the mild moon, Who comforts those she sees not, who knows not What eyes are upward cast. As I had found A grain of gold upon a mountain side, And twing'd with avarice strain'd out my eyes To search its sullen entrails rich with ore, So at the view of sad Moneta's brow I ach'd to see what things the hollow brain Behind enwombed: what high tragedy In the dark secret chambers of her skull Was acting, that could give so dread a stress To her cold lips, and fill with such a light Her planetary eyes, and touch her voice With such a sorrow 'Shade of Memory!' Cried I, with act adorant at her feet, 'By all the gloom hung round thy fallen house, 'By this last temple, by the golden age, 'By great Apollo, thy dear Foster Child, 'And by thyself, forlorn divinity, 'The pale Omega of a withered race, 'Let me behold, according as thou saidst, 'What in thy brain so ferments to and fro!' No sooner had this conjuration pass'd My devout lips, than side by side we stood (Like a stunt bramble by a solemn pine) Deep in the shady sadness of a vale, Far sunken from the healthy breath of morn, Far from the fiery noon and eve's one star. Onward I look'd beneath the gloomy boughs, And saw, what first I thought an image huge, Like to the image pedestal'd so high In Saturn's temple. Then Moneta's voice Came brief upon mine ear 'So Saturn sat When he had lost his realms ' whereon there grew A power within me of enormous ken To see as a god sees, and take the depth Of things as nimbly as the outward eye Can size and shape pervade. The lofty theme At those few words hung vast before my mind, With half unravel'd web. I set myself Upon an eagle's watch, that I might see, And seeing ne'er forget. No stir of life Was in this shrouded vale, not so much air As in the zoning of a summer's day Robs not one light seed from the feather'd grass, But where the dead leaf fell there did it rest. A stream went voiceless by, still deaden'd more By reason of the fallen divinity Spreading more shade; the Naiad 'mid her reeds Press'd her cold finger closer to her lips. Along the margin sand large footmarks went No farther than to where old Saturn's feet Had rested, and there slept, how long a sleep! Degraded, cold, upon the sodden ground His old right hand lay nerveless, listless, dead, Unsceptred; and his realmless eyes were clos'd, While his bow'd head seem'd listening to the Earth, His ancient mother, for some comfort yet. It seem'd no force could wake him from his place; But there came one who with a kindred hand Touch'd his wide shoulders after bending low With reverence, though to one who knew it not. Then came the griev'd voice of Mnemosyne, And griev'd I hearken'd. 'That divinity 'Whom thou saw'st step from yon forlornest wood, 'And with slow pace approach our fallen King, 'Is Thea, softest natur'd of our brood.' I mark'd the Goddess in fair statuary Surpassing wan Moneta by the head, And in her sorrow nearer woman's tears. There was a listening fear in her regard, As if calamity had but begun; As if the vanward clouds of evil days Had spent their malice, and the sullen rear Was with its stored thunder labouring up. One hand she press'd upon that aching spot Where beats the human heart, as if just there, Though an immortal, she felt cruel pain; The other upon Saturn's bended neck She laid, and to the level of his hollow ear Leaning with parted lips, some words she spake In solemn tenor and deep organ tune; Some mourning words, which in our feeble tongue Would come in this like accenting; how frail To that large utterance of the early Gods! 'Saturn! look up and for what, poor lost King? 'I have no comfort for thee; no not one; 'I cannot cry, Wherefore thus sleepest thou? 'For Heaven is parted from thee, and the Earth 'Knows thee not, so afflicted, for a God; 'And Ocean too, with all its solemn noise, 'Has from thy sceptre pass'd, and all the air 'Is emptied of thine hoary majesty: 'Thy thunder, captious at the new command, 'Rumbles reluctant o'er our fallen house; 'And thy sharp lightning, in unpracticed hands, 'Scorches and burns our once serene domain. 'With such remorseless speed still come new woes, 'That unbelief has not a space to breathe. 'Saturn! sleep on: Me thoughtless, why should I 'Thus violate thy slumbrous solitude? 'Why should I ope thy melancholy eyes? 'Saturn, sleep on, while at thy feet I weep.' As when upon a tranced summer night Forests, branch charmed by the earnest stars, Dream, and so dream all night without a noise, Save from one gradual solitary gust, Swelling upon the silence; dying off; As if the ebbing air had but one wave; So came these words, and went; the while in tears She press'd her fair large forehead to the earth, Just where her fallen hair might spread in curls A soft and silken mat for Saturn's feet. Long, long those two were postured motionless, Like sculpture builded up upon the grave Of their own power. A long awful time I look'd upon them: still they were the same; The frozen God still bending to the earth, And the sad Goddess weeping at his feet, Moneta silent. Without stay or prop But my own weak mortality, I bore The load of this eternal quietude, The unchanging gloom, and the three fixed shapes Ponderous upon my senses, a whole moon. For by my burning brain I measured sure Her silver seasons shedded on the night, And ever day by day methought I grew More gaunt and ghostly. Oftentimes I pray'd Intense, that Death would take me from the vale And all its burthens gasping with despair Of change, hour after hour I curs'd myself; Until old Saturn rais'd his faded eyes, And look'd around and saw his kingdom gone, And all the gloom and sorrow of the place, And that fair kneeling Goddess at his feet. As the moist scent of flowers, and grass, and leaves Fills forest dells with a pervading air, Known to the woodland nostril, so the words Of Saturn fill'd the mossy glooms around, Even to the hollows of time eaten oaks And to the windings of the foxes' hole, With sad low tones, while thus he spake, and sent Strange musings to the solitary Pan. 'Moan, brethren, moan; for we are swallow'd up 'And buried from all Godlike exercise 'Of influence benign on planets pale, 'And peaceful sway above man's harvesting, 'And all those acts which Deity supreme 'Doth ease its heart of love in. Moan and wail, 'Moan, brethren, moan; for lo, the rebel spheres 'Spin round, the stars their ancient courses keep, 'Clouds still with shadowy moisture haunt the earth, 'Still suck their fill of light from sun and moon, 'Still buds the tree, and still the sea shores murmur; 'There is no death in all the Universe, 'No smell of death there shall be death Moan, moan, 'Moan, Cybele, moan; for thy pernicious babes 'Have changed a God into a shaking Palsy. 'Moan, brethren, moan, for I have no strength left, 'Weak as the reed weak feeble as my voice 'O, O, the pain, the pain of feebleness. 'Moan, moan, for still I thaw or give me help; 'Throw down those imps, and give me victory. 'Let me hear other groans, and trumpets blown 'Of triumph calm, and hymns of festival 'From the gold peaks of Heaven's high piled clouds; 'Voices of soft proclaim, and silver stir 'Of strings in hollow shells; and let there be 'Beautiful things made new, for the surprise 'Of the sky children.' So he feebly ceas'd, With such a poor and sickly sounding pause, Methought I heard some old man of the earth Bewailing earthly loss; nor could my eyes And ears act with that pleasant unison of sense Which marries sweet sound with the grace of form, And dolorous accent from a tragic harp With large limb'd visions. More I scrutinized: Still fix'd he sat beneath the sable trees, Whose arms spread straggling in wild serpent forms, With leaves all hush'd; his awful presence there (Now all was silent) gave a deadly lie To what I erewhile heard only his lips Trembled amid the white curls of his beard. They told the truth, though, round, the snowy locks Hung nobly, as upon the face of heaven A mid day fleece of clouds. Thea arose, And stretched her white arm through the hollow dark, Pointing some whither: whereat he too rose Like a vast giant, seen by men at sea To grow pale from the waves at dull midnight. They melted from my sight into the woods; Ere I could turn, Moneta cried, 'These twain 'Are speeding to the families of grief, 'Where roof'd in by black rocks they waste, in pain 'And darkness, for no hope.' And she spake on, As ye may read who can unwearied pass Onward from the antechamber of this dream, Where even at the open doors awhile I must delay, and glean my memory Of her high phrase: perhaps no further dare. CANTO II 'Mortal, that thou may'st understand aright, 'I humanize my sayings to thine ear, 'Making comparisons of earthly things; 'Or thou might'st better listen to the wind, 'Whose language is to thee a barren noise, 'Though it blows legend laden through the trees. 'In melancholy realms big tears are shed, 'More sorrow like to this, and such like woe, 'Too huge for mortal tongue, or pen of scribe. 'The Titans fierce, self hid or prison bound, 'Groan for the old allegiance once more, 'Listening in their doom for Saturn's voice. 'But one of our whole eagle brood still keeps 'His sov'reignty, and rule, and majesty; 'Blazing Hyperion on his orbed fire 'Still sits, still snuffs the incense teeming up 'From man to the sun's God: yet unsecure, 'For as upon the earth dire prodigies 'Fright and perplex, so also shudders he: 'Nor at dog's howl or gloom bird's Even screech, 'Or the familiar visitings of one 'Upon the first toll of his passing bell: 'But horrors, portioned to a giant nerve, 'Make great Hyperion ache. His palace bright, 'Bastion'd with pyramids of glowing gold, 'And touch'd with shade of bronzed obelisks, 'Glares a blood red through all the thousand courts, 'Arches, and domes, and fiery galleries: 'And all its curtains of Aurorian clouds 'Flush angerly; when he would taste the wreaths 'Of incense breath'd aloft from sacred hills, 'Instead of sweets his ample palate takes 'Savour of poisonous brass and metals sick. 'Wherefore when harbour'd in the sleepy West, 'After the full completion of fair day, 'For rest divine upon exalted couch 'And slumber in the arms of melody, 'He paces through the pleasant hours of ease 'With strides colossal, on from hall to hall; 'While far within each aisle and deep recess 'His winged minions in close clusters stand 'Amaz'd, and full of fear; like anxious men, 'Who on a wide plain gather in sad troops, 'When earthquakes jar their battlements and towers. 'Even now, while Saturn, roused from icy trance, 'Goes step for step with Thea from yon woods, 'Hyperion, leaving twilight in the rear, 'Is sloping to the threshold of the West. 'Thither we tend.' Now in clear light I stood, Reliev'd from the dusk vale. Mnemosyne Was sitting on a square edg'd polish'd stone, That in its lucid depth reflected pure Her priestess garments. My quick eyes ran on From stately nave to nave, from vault to vault, Through bow'rs of fragrant and enwreathed light And diamond paved lustrous long arcades. Anon rush'd by the bright Hyperion; His flaming robes stream'd out beyond his heels, And gave a roar, as if of earthly fire, That scared away the meek ethereal hours And made their dove wings tremble. On he flared. THE END 1819

Anaward-winning, creator-first, music, entertainment, and technology platformfocused on delivering premium experiences and content worldwide throughmemberships and live and virtual events. The Company's subsidiaries includeSlacker Radio, PodcastOne (Nasdaq: PODC), PPVOne, Palm Beach Records, CPS,LiveXLive, DayOne Music Publishing, Drumify and Splitmind. LiveOne is availableon iOS, Android, Roku, Apple TV, Spotify, Samsung, Amazon Fire, Android TV, andthrough STIRR's OTT applications.

Litt av hvert denne uken! Sindre Finnes skrev rapporter, INp ønsker ikke makt, Senterpartiet bruker derimot makten sin for alt det er verdt. Kjetil Alstadheim er i Kyiv på hemmelig oppdrag mens Lars har fått noen klare beskjeder i nabolaget. Hør hele episoden hos PodMe eller i Aftenposten-appen. Få nyhetsbrevet på www.aftenpodden.no

Are podcasts becoming the brands for new creators?Vinnie Potestivo is an industry-leading media and an Emmy Award-winning Media Advisor who helps clients build and maintain the media platform they need to reach and sustain their goals. With over 25 years of experience, he and his team at VPE.TV have become well-trusted connectors who sell, develop, produce, launch, distribute, and amplify some of the most talked-about original series & talent brands in modern pop culture - even podcasts! As a television network exec at MTV Networks (98-07) he discovered talent and helped brands and business owners become hosts, stars, and producers of their own TV series.Personal brands Vinnie has helped elevate through the use of original content include Mandy Moore, Ashton Kutcher, Jessica Simpson, Ashlee Simpson, Tyrese Gibson, Lauren Conrad, Diane von Furstenberg, Rob Lowe, Danielle Fishel, Peter Thomas Roth, Kelly Osbourne, Kristin Cavallari, Nasir “Nas” Jones, Molly Sims, Vanessa Lachey, Susie Castillo, Damien Fahey, Quddus, Suchin Pak, Gideon Yago, Will.i.am, Hilary Duff among others.Corporate brands VPE: Vinnie Potestivo Entertainment, Inc. (vpetalent.com) has worked closely with include Macy's, Samsung, Nikon, MLB, Peter Thomas Roth, June Jacobs Spa, Naturally Serious Skin, Kiehl's, Hope Fragrances.I Have A Podcast with Vinnie Potestivo, a collection of conversations with celebrities and creatives who aim to inspire us in our everyday lives, can be found on Apple Podcasts and anywhere else you listen to yours. IHAP's companion video series. I Have A Podcast on Television can be seen Thursdays on DirectTV, Distro TV, and Channel 285 on STIRR via bspoketv.Vinnie is also the Editor-in-Chief of ihaveapodcast.com, a Google News source that connects independent creators with opportunities to grow their careers and get discovered.Listen as Vinnie shares:- lessons from entertainment industry titans- his legacy from creating popular Reality TV shows- the Ownership Economy and empowering creators- how to turn a podcast into a TV show- the acronym 'WALTER' in entertainment- YouTube's influence on music and content creation- the origin of rss and its creation for audio files- how creative entrepreneurship creates better relationships- adding your podcast to blockchain for wider distribution - submitting your podcast to IMDB- how to protect your digital content and IP- how to stand out and be memorable...and so much more!Connect with Vinnie:LinkedIn: http://linkedin.com/in/vinniepotestivoYouTube: https://www.youtube.com/channel/UCxuqVHZH5TmtAWGX35Am8pQAdditional Resources:"Public Relations And Media Management" w/ Brian Scott GrossConnect with me on:LinkedInFacebookInstagramLeave a rating and a review:iTunes: https://podcasts.apple.com/us/podcast/how-to-increase-brand-visibility-and-awareness-w/id1614151066?i=1000606450271Spotify: https://open.spotify.com/episode/4nZTFqCYBsnD1ttTvKJpspYouTube: https://youtu.be/m2d_juDW8JI

James Lott Jr reunites with friend and Exec Producer and Actor Jasper Cole! His new dark comedy series Kombucha Cure debuts on PopstarTV on Tuesday Feb 21st! jaspercole.comWritten by Cecilia Choi and Michael R. Snell with inspiration from their respective careers in medicine – Kombucha Cure is set in the fictional town of Verdigris Lake where doctors and their cancer patients' have taken on the healthcare insurance industry in the spirit of Robin Hood. Two-time Emmy® winner Tamara Braun (Days of Our Lives, General Hospital), Denise Boutte (The Young & The Restless, Bronx SIU), Jasper Cole (The Fall, Macgruber), multiple Emmy nominee® Jennifer Bassey (All My Children), Robert Craighead (Ruthless), Angie Kim (Extracurricular), and Jermel Nakia (This is Us) star in season one of the comedy series. Kombucha Cure season one is Executive Produced by Choi, Snell, Jonathan Chia (In the Dark), and Tarun Raj (Happy Prank Day) with Yorke G. Fryer (Extinct) and Jasper Cole (Miracle Before Christmas, Bronx SIU, Dunkleman) as co-Executive Producers.Season two is set to begin production this spring in Los Angeles with Choi, Snell, and Cole as showrunners.Kombucha Cure expands Popstar! TV's programming library of award-winning shows including The Bay, Laura McKenzie's Traveler, Killer Instinct, B-Sides, Purgatory, and The Agency. Download the Popstar! TV app on Roku, Firestick, or Apple TV, or find Popstar! TV on STIRR, PLEX TV, DISTRO TV and all LG and VIZIO Smart TVs.

In their 1978 song “Who Are You,” The Who asked “who are you? Who, who, who, who,” and in this episode, Adam and Ed ask the same question: who are you… at karaoke? Are you the same person on and off stage? Do you change who you are for different venues, different crowds? The trivia focuses on the same, sort of: artists who have crafted and released music under other personas (the trivia intro songs just keep getting worse and worse). It's all about personal brands and identity in this hour or so. Why the focus on making your mark as a brand or a talent, you ask? Today, the guys talk to Vinnie Potestivo, a man who credits the success in his career as a casting director and brand developer to karaoke–MTV's “Say What Karaoke,” in particular, which kicked off his incredible journey. He shares his experiences there, as well as some great behind-the-scenes karaoke stories from that show and others. As always, you can find more info on the website (https://www.sungpoorly.com), and on social media--the show is @sungpoorly on Twitter, Facebook, Instagram, and now even Tiktok. You can reach Adam and Ed via email by sending a message to sungpoorly@gmail.com. And if you want to support the podcast and snag yourself some great karaoke and podcast swag doing it, our store has all of that and more–www.sungpoorly.com/store. And our brand-new Patreon also has things! www.patreon.com/sungpoorly Theme song: "Gasoline" by Ben Dumm and the Deviants. Make sure to check out Ben's newest music at The Ben Dumm 3. Vinnie Potestivo is an industry-leading media and talent innovator who is widely known for his inclusive and impactful approach to brand building and personal brand development. With over 25 years of experience, he and his teams have become well-trusted connectors who sell, develop, produce, launch, distribute, and amplify some of the most talked-about original series & talent brands in modern pop culture. Personal brands Vinnie has helped elevate through the use of original content include Mandy Moore, Ashton Kutc/her, Jessica Simpson, Ashlee Simpson, Tyrese Gibson, Lauren Conrad, Diane von Furstenberg, Rob Lowe, Danielle Fishel, Peter Thomas Roth, Kelly Osbourne, Kristin Cavallari, Nasir “Nas” Jones, Molly Sims, Vanessa Lachey, Susie Castillo, Damien Fahey, Quddus, Suchin Pak, Gideon Yago, Will.i.am, Ebro, DJ Clue, LaLa Anthony, Hilary Duff, and Leah McSweeney among others. Corporate brands VPE: Vinnie Potestivo Entertainment, Inc. (vpetalent.com) has worked closely with include Macy's, Samsung, Nikon, MLB, Peter Thomas Roth, June Jacobs Spa, Naturally Serious Skin, Kiehl's, Hope Fragrances, Ciroc, Dow, Lady Foot Locker, AARP, Prudential & Allstate. I Have A Podcast with Vinnie Potestivo, a collection of conversations with celebrities and creatives who aim to inspire us in our everyday lives, can be found on Apple Podcasts and anywhere else you listen to yours. IHAP's companion video series I Have A Podcast on Television can be seen Thursdays on DirectTV, Distro TV, and Channel 285 on STIRR via bspoketv. For more information on viewing times, current episodes, and guest recommendations please visit ihaveapodcast.com. Vinnie can be seen on linkedin.com/in/vinniepotestivo where he shares business and brand strategies for people looking to inspire and impact with media. You can also find him at instagram.com/vinniepotestivo where he over-shares photos of his two mini-schnauzers @BeauWellington and @DudleyGreenfield.

Penny and Julie have met a lot of famous people in their television careers, but they agree Tom Skerritt is simply the nicest 'famous guy' they've ever met. Tom shares some stories from his movie career, goes back in time to talk about his childhood, and looks to the present and shares what he's doing now that matters most to him. He is the ultimate 'movie star' energizer bunny.Check out Tom's new project The Evrgrn Channel, on the network Stirr, at evrgrnchannel.com.

Vinnie Potestivo is an industry-leading media and talent innovator who is widely known for his inclusive and impactful approach to brand building and personal brand development. With over 25 years of experience, he and his teams have become well-trusted connectors who sell, develop, produce, launch, distribute, and amplify some of the most talked-about original series & talent brands in modern pop culture. Personal brands Vinnie has helped elevate through the use of original content include Mandy Moore, Ashton Kutcher, Jessica Simpson, Ashlee Simpson, Tyrese Gibson, Lauren Conrad, Diane von Furstenberg, Rob Lowe, Danielle Fishel, Peter Thomas Roth, Kelly Osbourne, Kristin Cavallari, Nasir “Nas” Jones, Molly Sims, Vanessa Lachey, Susie Castillo, Damien Fahey, Quddus, Suchin Pak, Gideon Yago, Will.i.am, Ebro, DJ Clue, LaLa Anthony, Hilary Duff, and Leah McSweeney among others. Corporate brands VPE: Vinnie Potestivo Entertainment, Inc. (vpetalent.com) has worked closely with include Macy's, Samsung, Nikon, MLB, Peter Thomas Roth, June Jacobs Spa, Naturally Serious Skin, Kiehl's, Hope Fragrances, Ciroc, Dow, Lady Foot Locker, AARP, Prudential & Allstate. I Have A Podcast with Vinnie Potestivo, a collection of conversations with celebrities and creatives who aim to inspire us in our everyday lives, can be found on Apple Podcasts and anywhere else you listen to yours. IHAP's companion video series I Have A Podcast on Television can be seen Thursdays on DirectTV, Distro TV, and Channel 285 on STIRR via bspoketv. For more information on viewing times, current episodes, and guest recommendations please visit ihaveapodcast.com. Vinnie can be seen on linkedin.com/in/vinniepotestivo where he shares business and brand strategies for people looking to inspire and impact with media. You can also find him at https://vpetalent.com/ https://www.instagram.com/vinniepotestivo where he over-shares photos of his two mini-schnauzers @BeauWellington and @DudleyGreenfield. Subscribe To What Up! https://bit.ly/3qRR69T More What Up Videos https://www.youtube.com/c/WhatUpOffic... CONNECT WITH US: For Business Inquiries: wuplacer@gmail.com Instagram: http://instagram.com/whatupwithroband... Facebook: https://www.facebook.com/whatupwithro... --- Support this podcast: https://podcasters.spotify.com/pod/show/what-up-with-rob-chris/support

On this episode of THE CLASSIC METAL SHOW, Neeley and Chris talk about their uneventful week. They talk about various topics including Chris' use of technology to watch wrestling, his obsession with wrestling, watching TV in 2022, commercials and much more. Get all our episodes at www.theclassicmetalshow.com. Interact with The Classic Metal Show at https://classicmetalshow.locals.com. **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** Please take a moment to subscribe, share and leave us a 5 Star Review for this episode! It helps us grow and do better episodes for YOU!! WEBSITE: http://www.thecmsnetwork.comTHE CMS PODCAST NETWORK: https://www.cmspn.comHEAVY METAL TELEVISION: https://www.heavymetaltelevision.netCMStv: https://www.cmstv.netCMSRadio: https://www.cmsradio.netCMSPN App: Search "The CMS Network" In Your iOS or Android App Store!Become A VIP On Locals: https://classicmetalshow.locals.comRUMBLE: https://rumble.com/c/cmsBITCHUTE: https://www.bitchute.com/channel/cms/ODYSEE: https://odysee.com/@ClassicMetalShow:aROKU: Search "The Classic Metal Show" in the Roku ChannelsAMAZON: Search "The CMS Network" To Add Our ChannelSOCIALSMinds: https://www.minds.com/ClassicMetalShow/Parler: https://parler.com/cmspnGab: https://gab.com/theclassicmetalshowLocals: https://classicmetalshow.locals.comGettr: https://gettr.com/user/chrisakinCENSORED BIG TECH:Facebook: https://www.facebook.com/cmspnTwitter: https://twitter.com/cmsrocksInstagram: https://www.instagram.com/cmspn1/YouTube: https://www.youtube.com/c/TheCMSPodcastNetwork**NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**#theclassicmetalshow #comedy #parody #neeley #chrisakin #shockjocks #popculture #sex #hardrock #heavymetal #celebrities #socialjustice #socialmedia #woke #politics #humor #dating #relationships

  In this episode, Brian Hunt explains, in the clearest possible terms, the total scoop on CTV for marketers. We learned its benefits and drawbacks, the differences between CTV, OTT and linear television, and why CTV is an essential medium for us to be experimenting with today. Career hint: Data science majors can write their own tickets in this field! Join us for the details of how television is becoming more digital, targetable and measurable as a marketing communications channel. About our Guest: Media industry veteran Brian Hunt is Head of OTT and CTV Advertising Sales for Sinclair Broadcast Group. In this role, Hunt is responsible for the monetization of multiple premium connected TV and over-the-top digital video services for the company, including CompulseOTT, a data-driven ad platform and the fastest-growing digital product in Sinclair's history. His responsibilities also include oversight of Sinclair's rapidly growing local broadcast inventory and national platforms for NewsON, featuring over 300 local broadcast stations, as well as STIRR, Sinclair's direct-to-consumer advertising-supported OTT service. Hunt also oversees the OTT and CTV ad sales for Bally Sports regional sports networks and The Tennis Channel. Prior to his role at Sinclair, Hunt was Corporate Vice President of TEGNA's Premion OTT Division as its first employee. During Hunt's tenure at Premion, he oversaw Sales, Publisher Relationships, Contracts, Operations and Strategy. Prior to TEGNA, Hunt held a variety of leadership positions in the industry. He was the Senior Vice President of Viamedia, a cable ad sales representation firm where he established and renewed key partnerships including Centurylink, Google Fiber, Verizon Fios, Time Warner and others. Hunt spent over 15 years at NBCUniversal as Senior Vice President of Affiliate Sales & Marketing in the Cable Distribution Group and other key NBCU positions. Hunt has a BS in Finance from Southern Illinois University, M.B.A. from Fontbonne College in St. Louis, MO and an Executive Management Degree from Harvard Business School. Hunt lives in the New York City suburbs with his wife and three children. WVU Marketing Communications Today: Horizons is presented by the West Virginia University Reed College of Media, which offers renowned online master's degree programs in Marketing Communications.  

On this episode of CHRIS AKIN PRESENTS..., Chris looks at another free streaming TV alternative called STIRR. He also talks about how, at this point, he thinks most people can maximize their cord cutting dollars while watching everything they want. Get all our episodes at www.chrisakin.net. Please SUBSCRIBE, click the notification bell, leave a comment or a like, and share this episode! **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** WEBSITE: http://www.thecmsnetwork.com THE CMS PODCAST NETWORK: https://www.cmspn.com HEAVY METAL TELEVISION: https://www.heavymetaltelevision.net CMStv: https://www.cmstv.net CMSRadio: https://www.cmsradio.net CMSPN App: Search "The CMS Network" In Your iOS or Android App Store! Become A VIP On Locals: https://classicmetalshow.locals.com RUMBLE: https://rumble.com/c/cms BITCHUTE: https://www.bitchute.com/channel/cms/ ODYSEE: https://odysee.com/@ClassicMetalShow:a SPOTIFY: https://open.spotify.com/show/1An7v0PYI2xPBjtvwEBvYm?si=5877d8bbc0a54c73 ANCHOR: https://www.anchor.fm/cmspn ROKU: Search "The Classic Metal Show" in the Roku Channels AMAZON: Search "The CMS Network" To Add Our Channel SOCIALS Minds: https://www.minds.com/ClassicMetalShow/ Parler: https://parler.com/cmspn Gab: https://gab.com/theclassicmetalshow Locals: https://classicmetalshow.locals.com Gettr: https://gettr.com/user/chrisakin CENSORED BIG TECH: Facebook: https://www.facebook.com/cmspn Twitter: https://twitter.com/cmsrocks Instagram: https://www.instagram.com/cmspn1/ YouTube: https://www.youtube.com/c/TheCMSPodcastNetwork **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** --- Send in a voice message: https://anchor.fm/cmspn/message

On this episode of CHRIS AKIN PRESENTS..., Chris looks at another free streaming TV alternative called STIRR. He also talks about how, at this point, he thinks most people can maximize their cord cutting dollars while watching everything they want.

Vinnie Potestivo is an industry-leading media and talent innovator who is widely known for his inclusive and impactful approach to brand building and personal brand development. With over 25 years of experience, he and his teams have become well-trusted connectors who sell, develop, produce, launch, distribute, and amplify some of the most talked-about original series & talent brands in modern pop culture.Personal brands Vinnie has helped elevate through the use of original content include Mandy Moore, Ashton Kutcher, Jessica Simpson, Ashlee Simpson, Tyrese Gibson, Lauren Conrad, Diane von Furstenberg, Rob Lowe, Danielle Fishel, Peter Thomas Roth, Kelly Osbourne, Kristin Cavallari, Nasir “Nas” Jones, Molly Sims, Vanessa Lachey, Susie Castillo, Damien Fahey, Quddus, Suchin Pak, Gideon Yago, Will.i.am, Ebro, DJ Clue, LaLa Anthony, Hilary Duff,  and Leah McSweeney among others.I Have A Podcast with Vinnie Potestivo, a collection of conversations with celebrities and creatives who aim to inspire us in our everyday lives, can be found on Apple Podcasts and anywhere else you listen to yours. IHAP's companion video series I Have A Podcast on Television can be seen Thursdays on DirectTV, Distro TV, and Channel 285 on STIRR via bspoketv. For more information on viewing times, current episodes, and guest recommendations please visit ihaveapodcast.com.1:00 How Vinnie Got Into The Entertainment Industry? 2:53 What has been your favorite moment when being in the entertainment industry that you can remember? 8:38 One thing to not overlook when it comes to content creators or podcasting when it comes to celebrity, influencer, or stardom? 16:37 What has been the biggest piece of adversity you had to overcome and what did you learn from it? 24:34 What made Vinnie get into podcasting? And what has been your favorite moment so far? 33:13 How does Vinnie stand out on Instagram? → CONNECT WITH VINNIE POTESTIVO ON SOCIAL MEDIA ←INSTAGRAM: https://www.instagram.com/vinniepotestivo/WEBSITE: https://vpetalent.com/mastermind/VINNIE"S PODCAST: https://vpetalent.com/i-have-a-podcast/→ CONNECT WITH ME ON SOCIAL MEDIA ←INSTAGRAM: https://www.instagram.com/officially.rory/TWITTER: https://twitter.com/officiallyroryLINKEDIN: https://www.linkedin.com/in/mitchellrory/YOUTUBE: https://www.youtube.com/user/Rory519

It's another epic episode of Cartoon Barroom when hosts ASHLEY & STEVEN as they celebrate the holidays with their first annual holiday special counting down the best of the Rankin-Bass Christmas specials with special guest DAREN R. DOCHTERMAN (co-host, Inglorious Treksperts). Don't miss this holiday treat... and don't forget to spike the egg nog. Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, THE BEST MOVIES NEVER MADE and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku right now! The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #Netflix #SCTV #TheImmortals #BloodOfZeus

It's another epic episode of Cartoon Barroom when hosts ASHLEY & STEVEN welcome the creators of Netflix's BLOOD OF ZEUS to join them for a drink and conversation about animation development and production. Charles & Vlas Parlapanides (THE IMMORTALS, BLOOD OF ZEUS) talk about their mythic journey from the world of live action feature films to creating an enormously popular adult animated series, and how their lifelong love affair with the Greek gods continues to inform their work. Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, THE BEST MOVIES NEVER MADE and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku right now! The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #Netflix #SCTV #TheImmortals #BloodOfZeus

Voice actor VANESSA MARSHALL (Spectacular Spider-Man, Harley Quinn, Star Wars Rebels) steps up to the bar for an in-depth look at her creative process and the development of Star Wars Rebels' Hera Syndulla, recently seen again in a multi-part arc on Star Wars: The Bad Batch. Join hosts ASHLEY & STEVEN for a few shots on the house as they continue their pub crawl through all things animation! Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, THE BEST MOVIES NEVER MADE and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #Netflix #SCTV #DaveThomas #Rebels #StarWars #Magic

There's a strange brew in the Barroom when SCTV's DAVE THOMAS (Strange Brew, Bob & Doug, Fast and Furious Spy Racers, Founder of Animax Entertainment) joins hosts ASHLEY E. MILLER (Showrunner; DOTA: Dragon's Blood) & STEVEN MELCHING (Netflix's Magic: The Gathering, The Clone Wars) for another shot of insight into all things animation. Pull up a stool and toss back a cold one while you find out what it takes to go from advertising to sketch comedy to running your own animation studio while voice acting and writing television procedurals. Give in to the dark side of the Force, you knobs! Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, THE BEST MOVIES NEVER MADE and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #Netflix #SCTV #DaveThomas

GET MAULED! Co-hosts STEVEN MELCHING (writer' The Clone Wars, Magic: The Gathering) and ASHLEY E. MILLER (writer/producer, DOTA: Dragon's Blood, Fringe, Black Sails) are back with actor SAM WITWER (STAR WARS: THE CLONE WARS, REBELS, SOLO) to join them on the dark side of the Barroom. Find out what it was like to play literally every Sith Lord who ever lived and if those eight mechanical legs on Darth Maul were as uncomfortable as they looked… Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, THE BEST MOVIES NEVER MADE and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #Netflix

·        WHAT IS VUit AND SHOULD YOU CARE EITHER WAY?·        SMALL STATION SPORTS DRAMA IN ST. LOUIS.Welcome to the only media centric podcast (well that we can find!) focused on traditional media as well as digital and lately the Meta-Verse.  Each Tuesday & Thursday Jackson Weaver and Keith Samuels two experienced and opinionated media execs offer their take on the business.  This is the Thursday Edition 11.18.21 of Media Insultant.  More at www.intownmedia.com  and comments at Jackson@intownmedia.com  

SEASON PREMIERE. Co-hosts STEVEN MELCHING (writer' The Clone Wars, Magic: The Gathering) and ASHLEY E. MILLER (writer/producer, DOTA: Dragon's Blood, Fringe, Black Sails) are back to kick off their second season, inviting actor Sam WItwer (STAR WARS: CLONE WARS, REBELS, SOLO) to join them on the dark side of the Barroom. Find out what it was like to play literally every Sith Lord who ever lived and if those eight mechanical legs on Darth Maul were as uncomfortable as they looked… NEXT WEEK Part Two of our conversation with SAM WITWER as the Sith really hits the fan... Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, THE BEST MOVIES NEVER MADE and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #Netflix

This week on the CARTOON BARROOM, ASHLEY E. MILLER (DOTA: Dragon's Blood) and STEVEN MELCHING (The Clone Wars, Rebels) sit down at the bar with NICOLE DUBUC as it's time for an Octo-alert as they do a deep dive into the writer's animation work on such shows as Star Wars: Forces Of Destiny, Rebels, The Rocketeer, Young Justice, Pacific Rim and The Octonauts. Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, THE BEST MOVIES NEVER MADE and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #Netflix And don't miss Ashley's new anime series DOTA: DRAGON'S BLOOD, now streaming on Netflix!!!!

This week on a very special CARTOON BARROOM, your jocular hosts STEVEN MELCHING (The Clone Wars, Rebels) and ASHLEY E. MILLER (DOTA: Dragon's Blood, Thor) bring their Inglorious Treksperts podcast counterparts to the bar to look back at the legendary Star Trek animated series from Filmation. Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, TREKSPERTS BRIEFING ROOM and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #RIck&Morty #Castlevania #Netflix And don't miss Ashley's new anime series DOTA: DRAGON'S BLOOD, now streaming on Netflix!!!!

Speaker 1 (00:00):[inaudible] Speaker 2 (00:06):Hi everybody. And welcome to this week's podcast, Joe and I am this week with the fabulous Scott Ehrlich, who is the senior vice president for growth networks and content for the Sinclair broadcast group. And I had a chance to be on a panel recently with Scott and the stuff that he has his hands on is kind of a mind blow, um, and sort of the best education of what's happening in television in terms of the distribution mechanism and all the different content models. And so I thought it would be great to talk to Scott about all the things that they're up to, um, at Sinclair, um, because it's, it's a great education, I think, for the current ecosystem. So welcome to the tech cat show Scott. Um, why don't you tell us first about your role? Speaker 3 (00:50):Well, thanks for having me. I appreciate it. Um, so I've been at the company for almost four years now. Um, and, uh, I oversee a couple of different units. Um, so my, my, my business unit is called national networks and platforms and, uh, Sinclair is at its heart, um, a local media company. So our biggest assets are our local television stations, um, and the regional sports networks that we acquired about two years ago. Um, and so we're known generally as a local media company and I was kind of brought in to be the kind of national guy. Um, so, um, that means a couple of things. So the national networks part is we have for over the air, um, broadcast networks. So yes, 25 years after I got into streaming, I got into over the air broadcasting with antennas and stuff. Um, and we'll come back to this or why that makes sense to me anyway. Speaker 3 (01:50):Um, uh, and then the other part of the job is, is, um, uh, the platforms part, our OTT platforms. So we have, uh, we have, uh, uh, a service called news on, um, which has well over 200 local newscasts aggregated into one app. And so if you're a local news junkie or your news junkie general, um, it's, it's kind of a, a real buffet. Um, and it's really, it, it, it really hits a stride in, you know, of like a hurricane hits the Gulf and you can go from a station in Shreveport to a station in mobile, to a station in Tallahassee, and you can even kind of go around and see how different people are covering the story. Um, and then of course, if you're out of market, you can, you can see, um, the news from your market and then, uh, stirs our owned and operated OTT platform we launched in, uh, in January of 18. Speaker 3 (02:48):I think it was, um, January of 19. I feel like I've been living in a time where for the last year and a half, does anybody else feel that way? Yeah, we had a year that sort of did no, it was January of 19. Um, so it's not two years old. And in stores, there's a platform that has about 130, um, uh, fast channels, uh, free ad-supported streaming television channels, um, and unique to that space, which is a space that includes people like Pluto and, and, um, uh, Samsung TV plus, and other brands in this space. We have a local curated channel for each of our markets. Um, and so right now we have 85, I think, localized channels, um, that combination of local content, um, syndicated content, um, uh, and just the mix that we think is appealing to the local broadcast audience. But, um, and then the last part of my job is, um, has to do with innovation. Speaker 3 (03:47):Um, and so I oversee a group that, um, we refer to as the content lab. Um, and about two years ago, we decided it would be really, um, helpful for all the things that we were trying to do to have a group that was just dedicated to innovation. And so we put together a cross-functional team and let's get somebody who comes from a sales background. So when it comes from a audience development background, somebody who comes from a, uh, format driven production background, um, uh, another, producer's a bit of a mad scientist kind of, um, producer and, um, uh, some research support and, and, and really kind of gave them a charter to go and break things, um, build things, um, find a different way to do things. Um, and it's been, it's been a really great group to put together and, um, really was really was eye opening, you know, when COVID hit. And we had to figure out things like, uh, like remote production, um, that team was able to dive right in and, and work with different technologies and figure out a solution so that we could, uh, we could, well, we wound up producing a newscast for, I think it was Gainesville, Florida out of a laptop in west Palm beach. Oh, cool. Speaker 2 (05:01):Cool. So like a skull, a skunkworks. Well, I would love for you to, let's take a step back now because I know you have your fingers in all these places and just sort of look at the landscape because most consumers right now have, um, and you and I were talking about this, cause it's awkward for me. I have a LG and I have a, a Firestick in it, and it takes me a while to get to the fire stick on the remote because I'm competing with the LGS own solutions. And then there's all the OTT boxes, then there's the apps. So could you kind of break it down for us? Like what are all these models and a little bit, maybe, you know, if you have any, any insights about what you think is working or why not? Because it is, it is overly complex. And I think more than ever before, especially with like what's going on in the news today with all the re aggregation now of at and T and all that, but also, um, ju just, there's so many choices for consumers. So how do we think about this? So maybe talk to us a little bit about what are all these things, which I know, you know, Sinclair and you've just mentioned has, but give it gives us, give us a sense of what this landscape is. Speaker 3 (06:17):Yeah. I mean, listen, if I really knew, um, bottle it and sell it, um, uh, uh, Speaker 2 (06:24):You know, just, we have connected TVs, right? So what we'll show, Speaker 3 (06:30):If you look the biggest issue, I think we face as a content industry right now is discovery discovery. Like discoverability of content is, is hard and getting harder. And the more content there is, the harder that problem gets. Um, and that is a common problem, no matter what, what platform you're on. Um, but, um, the way I think about it is you've got over the air, um, which is both where television started, um, and has sort of newly found its footing. Um, the largest, I think the largest growing segment of the television audience is the over the air audience. The audience, the part of the audience is getting television, um, over an antenna and digital antennas, um, are the relatively inexpensive. They started at like seven, eight, $9. Um, and you get a lot of channels, uh, here in Los Angeles. The, I actually put an antenna on my roof. Um, and when I asked my installer to do that, he was like, what? Like an antenna, like, yes, an antenna, um, I get 205 channels there, a service Speaker 2 (07:38):You're subscribing to, or it just, you buy the antenna and you just connect to TGV. Yeah. Speaker 3 (07:45):You just connect it to your TV, just old school, like you said, the rabbit rabbit ears right back in the day. Um, this is really not that different. I mean, it's a modern version of that, but it's still, it's an over the air in tennis. So there's your free over the air signals that come over FCC license, spectrum, um, and you know, you get the full uncompressed signal, um, you know, the rebroadcasting services, whether it's cable or satellite, or they have to compress the signals, um, to be able to take maximum, um, use, use their pullout platforms with maximum efficiency should have been easier to say, um, uh, over the air though, you get the full on compressed signal, um, and you know, in areas where it works, it's beautiful. Um, and you do see a lot of consumers taking this kind of hybrid approach where they'll have an antenna, they'll have, um, a streaming box of some kind, um, or a connected TV. And those are getting closer and closer in terms of the functionality that they offer. Um, and maybe they'll have one TV. Um, that's still kind of old school connected to an MVPD. Um, you know, for us as a company, it's, it's, um, it's a little like asking which of your children you prefer, right? You you're, Speaker 2 (09:09):You, you have, you have plays in all those spaces, but if, if I'm watching something over the air, are there commercials? Yep. And so, and, and there's, is there a guide or just a budget? Speaker 3 (09:22):Yeah. So the TVs, the TVs for the most part, have the guides embedded in them. Um, so the TV I have here, I plugged it into the antenna. Um, what'll happen is then it will automatically scan for channels. So the same way, like if you think about your car radio and the scan feature, um, your TV does exactly the same thing by, by, um, by default. Um, and in America you can't ship a TV that doesn't have a TV tuner. Um, so TVs all have tuners, um, but they require external antenna. So you have to plug an antenna in, um, so you probably the antenna and, and it scans for channels. And then it builds a program guide. Um, generally, um, there are some over the air DVRs, but they're all third party kind of things. I, I, haven't seen a connected TV with a built-in record function. Speaker 3 (10:12):Um, but the rest of it is built in, um, the tuners built in, uh, the program guides built in, um, all of that information gets pulled, you know, pretty big connected TV. It gets pulled through, um, through, I think he gets pulled through an internet connection. I actually don't know, but, um, but it builds the guide based on what channels it scans. Um, and one of the challenges in the, over the air space as the channels move. Um, and so we do, we did tell our audience fairly frequently to re-scan cause you might find new channels, you might find some channels have moved. Um, and so people that are regular users of antenna based TV, no to re-scan their TVs. Um, but, um, you know, like here in Los Angeles, uh, K TLA is channel five. And so that used to be channel five. Now it's technically channel five.one and this channel five, but two, and there's a channel five, three, and there's a channel five dot four. So channel five is now actually four channels Speaker 2 (11:12):And those are all intent-based or they could also be what comes with the connected box, which is another model, right. Speaker 3 (11:22):Dreaming is a different model than broadcast, right. Um, and the way that you license content, generally you will, the studios would have a different structure for, for streaming versus versus broadcast in less you're packaging them together. So for our networks, um, not all over their network stream, but ours do. Um, so TBD comet charge stadium, uh, which are four over the air national channels. Um, they all also stream, um, which we think is kind of the right approach. Like we, you know, are like my view of this is, is all broadcasting like broadcasting at the end of the day is the art of putting, putting a piece of content out, getting the broadest audience possible and then selling advertising against that audience. Um, and a free streaming channel, fast channel, um, does that a free over the air channel does that. Um, and so from my perspective, they're, they're sort of the same thing. Um, but technologically, they are different. Um, one is purely coming through the internet and the others literally coming through the air. Speaker 2 (12:34):Got it. And so for, I understand from your perspective, you're hitting all the notes because that's the way that you can incrementally build an audience, right? I mean that, that way get audience, if you're streaming, um, if you're getting it over the air, if you're getting it through your cable box, if you're getting it through a streaming streaming box or the connected TV streaming services. So all of these things, so is everyone just out there shopping for content to put on all of their different services and creating content? I mean, it seems to me an explosion of, of choices, Speaker 3 (13:12):Which leads back to the discovery issue. I was mentioning earlier. It did, there is, there's a lot of content out there right now. There's a lot of, and Speaker 2 (13:19):On all these different ways to receive the content Speaker 3 (13:24):And ways to license the content and platforms to create content for and on and on and on. Um, it's a problem that keeps sort of multiplying on itself. The more platforms you have, the more channels you have, the more programming brands you have. Um, the more acute that discovery problem gets, which is ironic. Um, I look at it a little bit differently. Um, you know, our kind of, um, mantra as a company is connecting people to content everywhere. Um, and so what that implies is it's not up to me, how you want to watch content. It's up to you. If you want to watch it on your phone, great. You want to watch it on a connected TV. Awesome. You want to watch it on a laptop? Cool. You want to watch it connected to an antenna? Awesome. Then it's then it's, then it's my job as a programmer to make sure that my product is available to you when and where you want to consume it. Speaker 3 (14:22):It shouldn't be the consumer's challenge to figure out, um, what they need to buy to experience my content as a practical matter. There's very little content that is so compelling. It gets people to buy a new device, to change a platform, um, to improve the speed of their internet connection, whatever it takes to get that content. Most people aren't willing to go that extra mile for any particular piece of content. There's some content that is so unique and so valuable. It gets people to change devices. Um, but once you get outside of sports, which is the best repository of that kind of content ever, right? And if you're a fan of the New York Yankees, and you want to watch the New York Yankees, there's only the New York Yankees there isn't, there is, I believe there is a team called the Yokohama Yankees, but it's not the same thing. Speaker 2 (15:15):You're going to find your way to, to, to get that content, whether you're paying for that sports service on whatever solution you have, but you're going to figure out how to get it. Cause it's, cause you're a fan, Speaker 3 (15:27):A fan of that. You're going to figure out how to get it. And if you have to pay for it, then you have a decision to make, right. Um, it's either worth it to you or it's not worth it to you. Um, and again, that's the, then it's our job to get it to when and where you want to have it. And that's why you'll hear us talking as a company a lot about direct to consumer, um, for the sports business. Um, and that's an important thing going forward. If you're a fan of a team and you're not a cable subscriber, you know, you should be able to still buy access to that, um, to that season or whatever. Um, and we see that more and more that people want to be. Um, people want to be connected to their content in their own ways. Um, and you know, we need to preserve value for our partners in some cases, but overall we want to make sure that the content is where the consumers want it to be. Um, so that they have an opportunity to see the thing they want to see. Speaker 2 (16:29):Now, what about, um, we also have mobile, we also have the web and we also have a VOD and STD, which is more on the cable side of things. So are you also looking at placements of content and all those other sort of models as well? Speaker 3 (16:46):Um, I mean, we work a lot in the, in the Avon space. So, um, on stir, so at the local station level, we have streaming rights to most, if not all of the syndicated content we put on there and so on a market by market basis. So part of what we've done with stir, which really from a technical standpoint, was not trivial at all, was set up a geo-fencing system so that the right shows or geo-fence to the right markets. And so it's a market where we have Ellen, you can see the last five episodes of Ellen if you're in that market, um, or for the market where we have jeopardy or Maury Povich or whatever your favorite show is. Um, and that local station is the only one that's able to present. Um, the ability to on demand, catch up with that show. Um, and that's proven to be really, really, um, popular. Speaker 3 (17:40):Um, we thought it would be, these are popular shows and they're well-known shows and well-established shows. And, um, there isn't a lot of places where they're available on demand. So, um, that was a big initiative for us. Little Ash cheer, I think. Um, uh, so we do, we are in the Avon business from the perspective of a platform of a distribution platform. Um, I don't know, um, really that we do much in the S VOD business and the subscription, the on demand business, um, tennis channel has a really cool subscription product called tennis channel plus, um, that if you're, and you don't have to be a tennis channel subscriber necessarily to, to buy it, but it gives you kind of an all access pass. So like for the French open, you can watch all of the courts and pick the match that you want to see at any given time. Um, so we do have some stuff, uh, that is in the subscription business. I think we'll have more subscription businesses in the future. Um, but today we're mostly in, you know, most of, most of the businesses I'm involved in, um, tend to be on the ad supported side. Speaker 2 (18:49):And the, the thing that I keep hearing from you too, is these, these, uh, like vertical content areas. So you mentioned sports, you mentioned tennis. Um, do you see also other models, uh, growing, um, finance, the finance channel, or like back in the early days of cable or, or that kind of famous Saturday night live episode where the mall had just a masking tape store, you know, these like really specific, um, verticals of content channels all over the place, like it was cable, but now it seems to be being born again in this world. Speaker 3 (19:27):Well, it is sort of a, you know, what what's old is new again, kind of thing. Um, when we started working on stir, we started, you know, the phrase that we used was the basic food groups of content. And if you look at basic cable, the, the original, basic cable that early eighties, basic cable, it covered the basic food groups, right. There was a news channel, there was a sports channel, there was a youth channel, there is a, a lifestyle channel. Uh, there was an, a general entertainment channel or two, um, the factual channel, right. Basic food groups. And so when we looked at how we were going to program stir for the over the air audience, uh, I mean, it's no duty service, but it's promoted a lot to an over the air audience. Um, that was the first thing was okay, well, let's make sure we have those basic food groups covered. Speaker 3 (20:22):Um, and as we've been building our own channel portfolio, um, our network portfolio is similar kind of thing, right? So comedy is a science fiction channel, uh, charges in, uh, action show channel. Um, TBD is a youth oriented channel. A stadium is a sports channel. Um, and you can see these patterns and they do repeat because there was a version of the basic food groups of cable in the eighties. And then in the nineties, when you went from analog cable to digital cable, then there was the digital tiers with whatever sorts of expanded, basic food groups right now, the luxury food groups, not the basic ones, even Speaker 2 (21:06):Now spectrum is still sort of organizing it like that. And it's very confusing, I think. But, um, so you'll see, you'll start to see. And then the other announcements that came out of, um, the new fronts a couple of weeks ago, what was the sort of talk of augmented reality and shopability, so are you guys looking at shopability for all your different channels and things like that, you know, the ability to really bring that Jennifer Anniston t-shirt metaphor that T commerce thing to make happen? Is that something that, that is of interest right now that maybe your skunkworks is looking at, or you're already playing with models? Speaker 3 (21:46):Um, I can't imagine there's a business model in the media business. I either haven't or won't play with, um, definitely it's fun Speaker 2 (21:56):To talk to you cause you've got your fingers in everything right now. Speaker 3 (22:00):Uh, well, listen to the, the, the, uh, the labs team is a, is a great, I mean, for me personally, it's a great outlet to, to work with really creative people on projects that aren't necessarily tied to an operating business, and that are really just about, you know, figuring out how we can skate to where the puck is going. Um, uh it's um, it's, it's been a lot of fun, um, in terms of commerce. Um, there are a couple of different ways to think about commerce. Um, we do have a couple of shopping channels on stir. Um, we're talking to others. Um, so my guess is we'll have more of that activity on the OTT side, um, to learn really as much as anything else. Um, I mean, some of those are big established businesses that have legacy and history and they really do know what they're doing. Speaker 3 (22:57):And, um, there are others that we're talking to, they're taking a newer fresher approach to, um, to how you combine content and commerce. Um, there's a food company that I think is, is, is doing some really interesting work, um, and, and a few others. So, I mean the short answer, yes, we're, we're playing with those kinds of models, but, uh, I think it's it, it's also, you know, how are you using your airtime? What are you, what are you, what are you using your time to sell? Um, so, you know, the notion that, you know, maybe there's products that we have to sell and we use some of the airtime to sell those products. Um, uh, maybe we partner with people, um, and, and have a, um, a deeper relationship than just a, you're an, um, uh, you know, I don't work a lot on our sports side, but, you know, look what the sports division did with ballet. Speaker 3 (23:52):Um, you know, the, all the networks are branded as valley. Um, um, that's about as deep as a partnership as you can get is, is putting the partner's name on the door. Um, so I, I think that there's a lot of room to experiment in this. Um, I also think that, um, just as everything else evolves, advertising models have to evolve as well. Um, you know, I'm sure, you know, you know, before I came to this company, I was doing a lot of work in branded content and producing movies for Marriott. And, you know, we did spots for Fiat and, uh, we also worked for companies that didn't Brian, but, um, um, but this happened, um, but, um, but you know, that notion of sort of a brand being part of the content and part of the storytelling, um, I believed in for a long time and, and we certainly haven't seen the end of it. Speaker 3 (25:02):And, um, the 32nd spot model has been a very good one for our company and continues to be. Um, but it's, you know, you have to continue the course and the pace of innovation, you can't sort of sit back and say, okay, well, this worked for 20 years or to work for the next 20 years. Um, the one constant has changed. We all know that, um, and in this, and, and, and, you know, when it comes to the, you know, the basic mechanisms by which we make money, um, we're constantly examining those to make sure that, that in a dynamic industry, um, we're up to speed. Speaker 2 (25:38):Hmm. When, if you looked at your crystal ball, we have another 10 minutes. I just want to talk about the future a little bit. And I know we mentioned discoverability, but do you think there'll be a point where literally you could go up to your TV and just say, you know, female comedy, you know, romcom, you know, meet cute or whatever your words are, and it will bring up whatever Sinclair say has on all your various things. And it'll give me a choice, you know, are we going to ever get there where you're going across all the different models and services, and it will pluck out of it, you know, what I want to watch or serve up to me, something that it thinks I want to watch based on data? Speaker 3 (26:23):Well, it's, it's the same sort of answer. Like if I, if I had the answer to the discovery problem, um, I, I, I be implementing it right now. Um, yeah, look, I think things like, uh, artificial intelligence and machine learning, um, I think we have reasonably good hopes that those will, will help us solve this discovery problem. I mean, look, I, I, for me, I, I prefer the TV. Didn't need me to ask it a question. If the TV understood my viewing habits and viewing patterns to the point where what I turned it on, my ex-husband, let me just tell you. Speaker 2 (27:04):Right. But you would prefer if it just knew Speaker 3 (27:07):Yeah. Certain level, like, you know, if the machine is able to track your consumption, it should be able at some point to predict your consumption. Um, and you know, I made some sort of, uh, uh, not too far fetched thought. Um, you know, if you, if you look at some of the services now, um, uh, one of the virtual MVPD is that I subscribed to actually does a pretty good job of figuring out what I want to watch based on my viewing patterns. It knows that, you know, when I first turned on the TV in the morning, I tune it to a news specific news channel. Um, it knows that the afternoon I tend to go to something else. And so it's, it all orders, the choices it offers me based on, on, um, based on what I've consumed. Um, and I think that's an interesting path because I, you know, I do get, um, I do get concerned when I hear people talking about personalization and customization and whatnot, because a lot of times that leads to a consumer experience. Speaker 3 (28:16):That's a lot of work for the consumer and it needs to be work for the consumer, right? The more work you make it for the consumer, the less often they will do it. It's just a general. Um, and you know, the beauty of ad supported is, um, you know, it adheres to one of the key rules of things you never have to do research on. People will always like free. Right, right. I don't feel like I need to research that. Um, but at the same time you need to connect them to the right thing. Right. Um, and my hope is that that, that as the machines get smarter, the path between consumers and the thing they want to consume get shorter. Um, and that's, you know, that's kind of the, the, the, the high-level way I like to view it. Um, now how much of that will come true? I don't know. I don't really actually have a crystal ball. Um, although if I had a time machine, that'd be pretty cool. Um, go back to my team. I go back to 1998 and buy a lot of apple stock. Speaker 2 (29:28):Where, where can we Scott learn about all the things that you're doing? Is there anywhere that folks can, can dial in so they can learn more? Speaker 3 (29:36):Um, well, certainly all the stuff that we're doing at Sinclair, um, we talk about, um, on our website, which is, uh, gi.net. Um, um, but I think, you know, stir, uh, which has to ours, second art for flavor, um, function, fun fact. They presented the brand stor, uh, when we were looking at brand choice and I was like, eh, and then the branding team came back and edited a second or two. And I'm like, now it's really cool. I thought who thought misspelling, it was the way to go. Speaker 2 (30:11):Um, it is more sexy in a way, but that's economic. Speaker 3 (30:15):It kinda, it kinda is that there's, there's actually the, the, uh, just inside baseball, but the, the development name for that, for that, uh, for that logo is the naughty ours. Um, we'll just, we'll just leave it at that. Um, but, uh, so stir.com uh, is where you can access. So you can access stir on the web. You can also access it in, uh, obviously primarily meant as an app. So, um, iOS, Android, um, uh, Roku fire, uh, we just launched on the Samsung platform, um, last week or week before last, sorry. Um, so it's now available on there. Um, news on is on all those platforms as well. Uh, except Samsung, um, that might happen soon though. Um, and, um, where else, uh, and then, you know, the, the stations, if you live in one of our markets, all of the stations have their own, uh, apps and websites as well. Um, so I think at the moment we have, we maintain, we maintain some ridiculous number, like nearly like a couple of hundred apps. Yeah. Speaker 2 (31:33):I love though the thinking around a lot of this is how a consumer consumes you, you know, which is that direct to consumer piece that you were talking about. It's just so smart. Um, well, Scott Ehrlich, who is the vice president, the senior vice president of growth networks and content and Sinclair broadcast group. Thank you so much for enlightening us. I love talking to you because honestly it is a confusing marketplace right now, and I think content creators need to understand what's going out to consumers and how to plug in, and then consumers need to understand what their options are and, and the advertising and brands in the middle of need to get like where their content is going. So it's very helpful to hear, you know, from the, from the front seat, you know, what what's happening out there. So thank you so much anytime. All right. We're going to be, um, coming back, hopefully in another week with another great episode, probably not as good as this one, cause God is so smart and interesting. Um, but we will be back again. Thanks everybody for listening and thank you again, Scott pleasure. 

Series directors SAMUEL & ADAM DEATS grab a seat at the bar with Steven and Ashley to discuss the just-released Season Four of Netflix’s smash hit original anime, CASTLEVANIA. Listen and learn as brothers and bartenders alike regale one another with insights and stories of how to make a show when you’ve never made a show before. From concept design to post production, this episode covers it all! Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, TREKSPERTS BRIEFING ROOM and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #RIck&Morty #Castlevania #Netflix And don't miss Ashley's new anime series DOTA: DRAGON'S BLOOD, now streaming on Netflix!!!!

The Journey to Iscandar continues in the Barroom as Tim Eldred (Spider-Man, Avengers Assemble) and Robert Meyer Burnett (host, The Burnettwork) join Steven and Ashley to explore what came after the historic original SPACE BATTLESHIP YAMATO concludes its three season run. From sequel animated films to live action features, StarBlazers has lived on - including the recent remake series StarBlazers 2199 and 2202. Grab your favorite beverage, pull up your favorite stool and have a listen! Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, TREKSPERTS BRIEFING ROOM and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #RIck&Morty #SolarOpposites And don't miss Ashley's new anime series DOTA: DRAGON'S BLOOD, now streaming on Netflix!!!!

Martinis, screwdrivers, scotch and soda… a Jedi craves not these things. But a clone trooper might. DEE BRADLEY BAKER (STAR WARS: THE BAD BATCH, CLONE WARS, AVATAR, KORRA) blasts into the barroom to talk to Steven and Ashley about where all those clone and creature voices come from. Plus, learn why LEGO AQUAMAN: RAGE OF ATLANTIS is actually awesome. Pull up a stool and put in your drink order, we’re ready to serve! Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, TREKSPERTS BRIEFING ROOM and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #RIck&Morty #TheBadBatch #StarWars And don't miss Ashley's new anime series DOTA: DRAGON'S BLOOD, now streaming on Netflix!!!!

The Barroom sets off for Iscandar with special guests story artist TIME ELDRED (Spider-Man, Avengers Assemble) and ROBERT MEYER BURNETT. This week, Steven and Ashley begin a deep dive into one of the most beloved science fiction anime’s of all time… STARBLAZERS (aka SPACE BATTLESHIP YAMATO). StarBlazers expert Tim surprises and delights your hosts with little known stories of the show’s development, production and how it made its way to the United States in 1979. Tim also talks about his StarBlazers feature documentary, SPACE BATTLESHIP YAMATO: THE MAKING OF ANIME LEGEND. So pull up a stool, pour yourself a frosty one and get ready to take off to Outer Space. But hurry! There are only 365 days left! Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, TREKSPERTS BRIEFING ROOM and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #RIck&Morty #SolarOpposites And don't miss Ashley's new anime series DOTA: DRAGON'S BLOOD, now streaming on Netflix!!!!

This week, JAY WADE EDWARDS (Aqua Teen Hunger Force, superconducting, space Ghost Coast To Coast, Gravity Falls) joins hosts ASHLEY EDWARD MILLER (showrunner, DOTA: Dragon's Fire) and STEVEN MELCHING (writer, The Clone Wars, Rebels) at the bar for a discussion of all things animated. Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, TREKSPERTS BRIEFING ROOM and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #RIck&Morty #SolarOpposites And don't miss Ashley's new anime series DOTA: DRAGON'S BLOOD, now streaming on Netflix!!!!

IT'S TIME FOR LUNCH! The Cartoon Barroom hosts, ASHLEY E. MILLER (DOTA: Dragon's Fire, Fringe, Black Sails) and STEVEN MELCHING (X-Men: The Animated Series, The Clone Wars) welcomes casting director MEREDITH LAYNE (Castlevania, Tales Of The Mutant Ninja Turtles, The Penguins Of Madagascar, Hercules, DOTA: Dragon's Blood) as she talks about her long career in television and feature animation including some classic Batman animated films, Blood of Zeus, Monsters Vs. Aliens....and Bubble Guppies. Along the way, the barflies explore epic moments from modern animation classic, Castlevania. What’s it like to direct an emotional scene without ever bringing your cast together? Meredith answers these and other burning questions, including (of course) what the hell she’s drinking. Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, TREKSPERTS BRIEFING ROOM and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #RIck&Morty #SolarOpposites #Castlevania And don't miss Ashley's new anime series DOTA: DRAGON'S BLOOD, now streaming on Netflix!!!!

Listen and subscribe at www.JustProWrestlingNews.com I'm Matt Carlins and this is JUST Pro Wrestling News for Thursday, April 15, 2021. A special welcome to those of you listening on TheWrestlingRevolution.com. If you want to bring our updates to your website...email us: desk@justprowrestlingnews.com. (STINGER: AEW) Darby Allin is still the TNT Champion. He baptized the AEW announce table - driving Matt Hardy through it with a Coffin Drop from a support beam high above...and got the pin. This match saw a ton of interference. The rest of the Hardy Family Office and Dark Order brawled at ringside. Ethan Page and Scorpio Sky showed up, and appeared to be targeting Sting before Lance Archer ran them off. The Young Bucks - now firmly in the camp of Kenny Omega and Don Callis - opened the show with a successful defense of the AEW Tag Titles - beating Pac and Rey Fenix. Mike Tyson took his job as special enforcer seriously. He even knocked out Cash Wheeler...as Chris Jericho used the Judas Effect to pin Dax Harwood. After the match, Jericho announced Tyson is now an “ancillary member” of the Inner Circle. Jade Cargill beat Red Velvet… And Anthony Ogogo - in his AEW in-ring debut - scored a one punch knockout on Cole Karter. Christian Cage rejected Team Taz's offer to join their ranks. That didn't sit well with Taz, who sent out Powerhouse Hobbs to lay out Christian. Hobbs and Christian will meet on next Wednesday's Dynamite. Also on next week's Dynamite - Hikaru Shida defending the AEW Women's Championship against Tay Conti. Ivelisse tweeted Wednesday that she was let go by AEW...after she chose to “speak up about mistreatment”. (STINGER: Impact) On tonight's Impact Wrestling… The official press conference for the Title vs. Title Match at Rebellion between AEW Champ Kenny Omega and Impact Champ Rich Swann. Also promoted for tonight - a retirement ceremony for Jazz. She lost a Title vs. Career match to Knockouts Champ Deonna Purrazzo over the weekend. TJP goes one on one with Josh Alexander. And Brian Myers and Matt Cardona will be in action...with a catch. They'll choose each other's opponents. Tonight's episode of Before The Impact has a clash of former tag team partners - Havok vs. Nevaeh. (STINGER: WWE) On today's NXT UK, former tag team partners face off...as Amir Jordan vs. Kenny Williams. Plus, Nathan Frazer vs. Saxon Huxley. WWE President Nick Khan told Variety “look for news coming soon.” on when WWE will hold more events in front of LIVE fans. (STINGER: ROH) This weekend's 500th episode of Ring Of Honor TV will premiere TODAY, but if you want to watch you need to know where to look. This is going to be a special treat for viewers of ROH's FREE streaming channel on the STIRR and PLEX apps. The episode airs tonight at 8PM Eastern...following a two-hour special with some of the greatest matches in the show's history. The main event of the 500th episode is Jay Briscoe vs. Mark Briscoe. Plus, Jonathan Gresham defends the Pure Title against Jay Lethal. On last night's MLW Fusion… Alex Hammerstone pinned Mil Muertes with the Nightmare Pendulum to retain the National Openweight Title. Los Parks held onto the MLW Tag Titles in a match against the Dirty Blondes And Richard Holliday pinned Gino Medina to retain the Carribean Championship. (STINGER: New Japan) Yuji Nagata acknowledged Jon Moxley's challenge to defend the IWGP U.S. Title against him. New Japan posted a video from Nagata on its social media, but there's no word on when or where the match would happen. That's JUST Pro Wrestling News for Thursday, April 15. Our next update comes your way tomorrow morning, so be sure to subscribe to this feed. We also thank you in advance for leaving a glowing rating or review.. I'm Matt Carlins. Thank YOU for listening. ~~~Full run down at www.justprowrestlingnews.com ~~~ • • • • • wwe #wrestling #prowrestling #smackdown #wwenetwork #wweraw #romanreigns #ajstyles #NXT #raw #njpw #wwenxt #SethRollins #TNA #johncena #RandyOrton #wrestlemania #ROH #WWF #summerslam #tripleh #aewdynamite #professionalwrestling #aew #allelitewrestling #aewontnt #DeanAmbrose #nxt #KevinOwens #wwesmackdown @wrestlinginc @heelbynature @mattcarlins

The supremely talented Kari Wahlgren (RICK & MORTY, SOLAR OPPOSITES, DOTA: DRAGON’S BLOOD) steps up to the bar and leaves your hosts shaken and stirred with her tales from the recording booth and her all-girl Slaughter cover band. No we’re not making that up. Join Steve and Ashley as they marvel at Kari’s ability to sound like she’s punching someone who isn’t there and demand to know what she’s drinking. Join us at the CARTOON BARROOM every SATURDAY MORNING wherever you listen to podcasts and you can watch our video podcasts on the free ELECTRIC NOW channel including CARTOON BARROOM, THE 4:30 MOVIE, INGLORIOUS TREKSPERTS, TREKSPERTS BRIEFING ROOM and more! Download from your favorite App Store today or watch on Stirr, Distro TV or Roku anytime. The CARTOON BARROOM is from the Electric Surge Network and the producers of THE 4:30 MOVIE podcast. #animation #cartoons #art #DOTA #DragonsBlood #TheCloneWars #Rebels #film #TV #RIck&Morty #SolarOpposites And don't miss Ashley's new anime series DOTA: DRAGON'S BLOOD, now streaming on Netflix!!!!

Listen and subscribe at www.JustProWrestlingNews.com I'm Matt Carlins and this is JUST Pro Wrestling News for Monday, April 5, 2021. This update is brought to you by IndyWrestling.us. (STINGER: New Japan) Will Ospreay is the top man in New Japan. He defeated Kota Ibushi at Sunday's Sakura Genesis show...to win the IWGP World Heavyweight Championship. After his crowning moment, Ospreay issued a challenge to Kazuchika Okada. Okada answered the call to the ring, but before he could answer Ospreay...Okada was interrupted by Shingo Takagi, who also wants a shot at Ospreay. Ospreay agreed to face Takagi first...then Okada. Ospreay's United Empire revealed a new member at Sunday's show: Aaron Henare - the former Toa Henare. He teamed up with Great-O-Khan and Jeff Cobb to defeat Tetsuya Naito, SANADA and Takagi. Henare pinned SANADA. The Junior Tag Titles also changed hands at Sakura Genesis. Roppongi 3K dethroned El Desperado and Yoshinobu Kanemaru. YOH debuted a new finisher - the Direct Drive - to pin Kanemaru. This the fifth Junior Tag Title reign for Roppongi 3K. But YOH - who just got back from an ACL tear - wants more. He's got his eyes on Despy's singles junior title. Hiroshi Tanahashi and Satoshi Kojima beat Jay White and Bad Luck Fale. Tanahashi pinned Fale. Then, Tanahashi went after White after the match - locking him in the Texas Cloverleaf until White tapped. Tanahashi then accepted White's challenge for his NEVER Title. In the opening match, Zack Sabre Jr. pinned one half of the heavyweight tag champs, Tanga Loa, to win a 6-man tag. After the match, New Japan Chairman Subabayashi took possession of the Iron Fingers belonging to ZSJ's tag partner Taichi. Hiromu Takahashi made an appearance at the top of the show, as he joined the commentary team. Takahashi is still out with a shoulder injury. More news from Japan... Stardom held a major show Sunday at Budokan Hall...where Utami Hayashishita fought off Bea Priestly's challenge for the World of Stardom Title. Afterward, Priestly announced that the match was her last in Stardom.. In the main event, Giulia and Syuri won the Goddesses of Stardom Titles. They dethroned Maika & Himeka. (STINGER: WWE) A new match announced for tonight's Raw - Xavier Woods vs. AJ Styles. Also tonight…women's champ Asuka teams up with her WrestleMania challenger Rhea Ripley...to face the WWE Women's Tag Champs Nia Jax and Shayna Baszler. That is a non-title match. Plus, WWE Champ Bobby Lashley in a non-title match against his former Hurt Business cohort, Cedric Alexander...and Drew McIntyre vs. Baron Corbin. WWE officially added a stipulation to the Intercontinental Title match on Night 2 of WrestleMania. It'll be Big E defending against Apollo Crews in a Nigerian Drum Match - which is essentially “no rules”. (STINGER: AEW) Tonight's AEW Dark: Elevation is promoting a DOUBLE main event - Scorpio Sky & Ethan Page teaming up for the first time to take on Matt & Mike Sydal...and Dark Order's Colt Cabana vs. Max Caster from The Acclaimed. Plus, Matt Hardy vs. Alan “5” Angels. Also in action tonight, Hangman Page...Lance Archer...and Dr. Britt Baker. (STINGER: Impact) This week will see Impact Wrestling's move to Thursday nights...and a new match for that show was announced Sunday - XXXL vs. Sami Callihan & “A Partner Of His Choosing”. The suspense surrounding this is whether Trey Miguel will tag with Callihan. (STINGER: ROH) We have a main event for the 500th episode of Ring Of Honor TV. It'll be Jay Briscoe one-on-one against his brother, Mark Briscoe! Also announced for that episode - Jonathan Gresham defending his Pure Title against fellow Foundation member Jay Lethal. Before the 500th episode of ROH TV airs on television...it'll be shown on Thursday, April 15th...as part of a 3-hour special on ROH's free streaming channel on the STIRR and PLEX apps. The new faction led by Brody King that was revealed at ROH's 19th Anniversary show now has a name - Violence Unlimited. That's JUST Pro Wrestling News for Monday, April 5. Our next update comes your way tomorrow morning, so be sure to subscribe to this feed. We also thank you in advance for leaving a glowing rating or review.. I'm Matt Carlins. Thank YOU for listening. ~Full run down at www.justprowrestlingnews.com ~ • • • • • wwe #wrestling #prowrestling #smackdown #wwenetwork #wweraw #romanreigns #ajstyles #NXT #raw #njpw #wwenxt #SethRollins #TNA #johncena #RandyOrton #wrestlemania #ROH #WWF #summerslam #tripleh #aewdynamite #professionalwrestling #aew #allelitewrestling #aewontnt #DeanAmbrose #nxt #KevinOwens #wwesmackdown @wrestlinginc @heelbynature @mattcarlins

Listen and subscribe at www.JustProWrestlingNews.com I'm Matt Carlins and this is JUST Pro Wrestling News for Monday, April 5, 2021. This update is brought to you by IndyWrestling.us. (STINGER: New Japan) Will Ospreay is the top man in New Japan. He defeated Kota Ibushi at Sunday's Sakura Genesis show...to win the IWGP World Heavyweight Championship. After his crowning moment, Ospreay issued a challenge to Kazuchika Okada. Okada answered the call to the ring, but before he could answer Ospreay...Okada was interrupted by Shingo Takagi, who also wants a shot at Ospreay. Ospreay agreed to face Takagi first...then Okada. Ospreay's United Empire revealed a new member at Sunday's show: Aaron Henare - the former Toa Henare. He teamed up with Great-O-Khan and Jeff Cobb to defeat Tetsuya Naito, SANADA and Takagi. Henare pinned SANADA. The Junior Tag Titles also changed hands at Sakura Genesis. Roppongi 3K dethroned El Desperado and Yoshinobu Kanemaru. YOH debuted a new finisher - the Direct Drive - to pin Kanemaru. This the fifth Junior Tag Title reign for Roppongi 3K. But YOH - who just got back from an ACL tear - wants more. He's got his eyes on Despy's singles junior title. Hiroshi Tanahashi and Satoshi Kojima beat Jay White and Bad Luck Fale. Tanahashi pinned Fale. Then, Tanahashi went after White after the match - locking him in the Texas Cloverleaf until White tapped. Tanahashi then accepted White's challenge for his NEVER Title. In the opening match, Zack Sabre Jr. pinned one half of the heavyweight tag champs, Tanga Loa, to win a 6-man tag. After the match, New Japan Chairman Subabayashi took possession of the Iron Fingers belonging to ZSJ's tag partner Taichi. Hiromu Takahashi made an appearance at the top of the show, as he joined the commentary team. Takahashi is still out with a shoulder injury. More news from Japan... Stardom held a major show Sunday at Budokan Hall...where Utami Hayashishita fought off Bea Priestly's challenge for the World of Stardom Title. Afterward, Priestly announced that the match was her last in Stardom.. In the main event, Giulia and Syuri won the Goddesses of Stardom Titles. They dethroned Maika & Himeka. (STINGER: WWE) A new match announced for tonight's Raw - Xavier Woods vs. AJ Styles. Also tonight…women's champ Asuka teams up with her WrestleMania challenger Rhea Ripley...to face the WWE Women's Tag Champs Nia Jax and Shayna Baszler. That is a non-title match. Plus, WWE Champ Bobby Lashley in a non-title match against his former Hurt Business cohort, Cedric Alexander...and Drew McIntyre vs. Baron Corbin. WWE officially added a stipulation to the Intercontinental Title match on Night 2 of WrestleMania. It'll be Big E defending against Apollo Crews in a Nigerian Drum Match - which is essentially “no rules”. (STINGER: AEW) Tonight's AEW Dark: Elevation is promoting a DOUBLE main event - Scorpio Sky & Ethan Page teaming up for the first time to take on Matt & Mike Sydal...and Dark Order's Colt Cabana vs. Max Caster from The Acclaimed. Plus, Matt Hardy vs. Alan “5” Angels. Also in action tonight, Hangman Page...Lance Archer...and Dr. Britt Baker. (STINGER: Impact) This week will see Impact Wrestling's move to Thursday nights...and a new match for that show was announced Sunday - XXXL vs. Sami Callihan & “A Partner Of His Choosing”. The suspense surrounding this is whether Trey Miguel will tag with Callihan. (STINGER: ROH) We have a main event for the 500th episode of Ring Of Honor TV. It'll be Jay Briscoe one-on-one against his brother, Mark Briscoe! Also announced for that episode - Jonathan Gresham defending his Pure Title against fellow Foundation member Jay Lethal. Before the 500th episode of ROH TV airs on television...it'll be shown on Thursday, April 15th...as part of a 3-hour special on ROH's free streaming channel on the STIRR and PLEX apps. The new faction led by Brody King that was revealed at ROH's 19th Anniversary show now has a name - Violence Unlimited. That's JUST Pro Wrestling News for Monday, April 5. Our next update comes your way tomorrow morning, so be sure to subscribe to this feed. We also thank you in advance for leaving a glowing rating or review.. I'm Matt Carlins. Thank YOU for listening. ~~~Full run down at www.justprowrestlingnews.com ~~~ • • • • • wwe #wrestling #prowrestling #smackdown #wwenetwork #wweraw #romanreigns #ajstyles #NXT #raw #njpw #wwenxt #SethRollins #TNA #johncena #RandyOrton #wrestlemania #ROH #WWF #summerslam #tripleh #aewdynamite #professionalwrestling #aew #allelitewrestling #aewontnt #DeanAmbrose #nxt #KevinOwens #wwesmackdown @wrestlinginc @heelbynature @mattcarlins

This week hosts JASON TOBIAS and BEVIN tackle the Senate debate of, "Should they remake the original trilogy?" In the ever expanding world of remakes, reboots and reimagining, is there merit to modernizing the original Star Wars trilogy? Find out on today's episode of The Rebel and The Rogue. Follow us on Facebook at Electric Surge and on Twitter at @Rebel&TheRogue Now you can watch THE REBEL & THE ROGUE and all your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app. #starwars #ESB #Jedi #Skywalker #Force HOSTS: Jason Tobias & Bevin PRODUCTION COORDINATOR: Peter Holmstrom PRODUCER: Natalie Masciale SOUND ENGINEER: Bill Ritter EXECUTIVE PRODUCERS: Dean Devlin & Mark A. Altman

Follow us on Facebook at Electric Surge and on Twitter at @Rebel&TheRogue Now you can watch THE REBEL & THE ROGUE and all your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app. #starwars #ESB #Jedi #Skywalker #Force

The Rebel and The Rogue are joined today by pop culture commentator to discuss the Star Wars galaxy. Follow us on Facebook at Electric Surge and on Twitter at @Rebel&TheRogue Now you can watch THE REBEL & THE ROGUE and all your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app. #starwars #ESB #Jedi #Skywalker #Force

The Rebel and The Rogue are joined today by comics artist Christian Gossett to talk of his years on the Tales of the Jedi comics series for Dark Horse Comics. Follow us on Facebook at Electric Surge and on Twitter at @Rebel&TheRogue Now you can watch THE REBEL & THE ROGUE and all your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app. #starwars #ESB #Jedi #Skywalker #Force

The Rebel and The Rogue are joined today by actor Lenny Thomas to discuss the art of villainy in the Star Wars galaxy, as well as get the inside scoop for the upcoming season of Tyler Perry's Ruthless, out soon through BET. Follow us on Facebook at Electric Surge and on Twitter at @Rebel&TheRogue Now you can watch THE REBEL & THE ROGUE and all your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app. #starwars #ESB #Jedi #Skywalker #Force

Hosts JASON TOBIAS and BEVIN are joined by Peter Holmstrom (Pandora season 2), to sit down with actor/writer/comedian/podcaster DAN FOGLER (Fanboys, Fantastic Beasts) to discuss his time in Hollywood and his love for the STAR WARS franchise. Follow us on Facebook at Electric Surge and on Twitter at @Rebel&TheRogue Now you can watch THE REBEL & THE ROGUE and all your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app. #starwars #ESB #Jedi #Skywalker #Force

Hosts JASON TOBIAS and BEVIN sit down with actor MICHAEL NATHANSON (Netflix's "The Punisher") and discuss his time under the Disney banner and his love for the STAR WARS franchise. Follow us on Facebook at Electric Surge and on Twitter at @Rebel&TheRogue Now you can watch THE REBEL & THE ROGUE and all your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app. #starwars #ESB #Jedi #Skywalker #Force

Hosts JASON TOBIAS and BEVIN sit down with Casting Director NIKKI DIONNE to discuss all things STAR WARS as well as how the franchise influenced her career. . Follow us on Facebook at Electric Surge and on Twitter at @Rebel&TheRogue Now you can watch THE REBEL & THE ROGUE and all your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app. #starwars #ESB #Jedi #Skywalker #Force

Host JASON TOBIAS speaks with Actress MARCI MILLER, covering her work on the Star Wars fan film "REBELLION" and uncovers that she was a Star Wars virgin. How is that possible in the 21st century? Listen and find out as Jason and Marci discuss stories and new adventures from a galaxy, far, far away... Follow us on Faebook at Electric Surge and on Twitter @therebel&therogue. Now you can watch THE REBEL & THE ROGUE and your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app.

Hosts JASON TOBIAS and BEVIN sit down with the author of the new must-read STAR WARS behind-the-scenes book. "STAR WARS: MY TIME IN THE (DEATH STAR) TRENCHES," CRAIG MILLER, as he shares incredible stories about the making and promoting of Star Wars and The Empire Strikes Back when he was a publicist for Lucasfilm. You don't want to miss this fascinating conversation about the early days of the franchise and how it became a pheneomon. Follow us on Facebook at Electric Surge and on Twitter at @Rebel&TheRogue Now you can watch THE REBEL & THE ROGUE and all your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app. #starwars #ESB #Jedi #Skywalker #Force

Join co-hosts and scruffy looking nerf herders and scoundrels JASON TOBIAS and BEVIN as they explore the incredible rich history of STAR WARS comics and graphic novels along with special guests. We would be honored if you would join us. Follow us on Twitter at @rebelandtherogue and on Facebook at Electric Surge. Now you can watch THE REBEL & THE ROGUE and your favorite Electric Surge podcasts on the Electric Now! streaming channel available on Stirr, Xumo and Distro TV and coming soon to the Electric Now app.

Announcing the new "Full Measure with Sharyl Attkisson" podcast! We start Season 5 of our weekly Sunday TV program on Sept. 8. Our new podcast will provide behind the scenes information and interviews on topics that powerful interests often don't want discussed. Check us out online at fullmeasure.news and click "about" for a list of TV stations and times. Go to SharylAttkisson.com and click "Full Measure" to find out how to watch on demand on our STIRR app, or online anytime! --- Send in a voice message: https://podcasters.spotify.com/pod/show/sharylattkissonpodcast/message

Adam Stirr returns to the Podcast to talk about leading a movement against horse drawn carriages in Ontario, Canada. Adam discusses his secrets to gaining media attention, dealing with the opposition, learning from mistakes, and offers tips to anyone ready to start a protest against horse drawn carriages. For more info on Adam's work, click here Facebook Page Twitter - @atwarforanimals Intragram- @atwarforanimalsniagara News of the Day Excuse of the Day: Animals don't feel anything Activist Tip of the Day: Take pictures! The Livegan Podcast Patreon Page The Livegan Podcast Facebook PageThe Livegan Podcast Instagram Page

Listen to Adam Stirr's transformative story from slaughterhouse worker to vegan animal rights activist. Please learn more about and support Adam's campaign to end fur farmingExcuse of the Day: Food Chain!The Livegan Podcast Patreon Page The Livegan Podcast Facebook Page

Professor at University of Hawaii, Anna Stirr did her PhD in Nepali Folk Music. Recently, she has been awarded Alimiya Prize in Nepal. Professor Anna has multi dimensional recognition. She is also a musician and a solo flutist. This episode is an insight of her involvement in the sector of Nepaki folk music.