Podcasts about Appalachian

Tonight, we welcome JJ from Southern Demonology, joining us from Virginia. His paranormal encounters began in an old Appalachian log cabin, but they did not end there. Tonight, JJ will take us from the shadowed mountains of Virginia to the mist-shrouded landscapes of Japan, sharing unsettling encounters from two very different cultures. Different countries, different beliefs, but perhaps the same unseen world waiting in the darkness.More information on this episode on the podcast website:Southern Demonology Podcasthttps://www.youtube.com/southerndemonologyIf you enjoy this podcast, please support the show with a virtual coffee:https://ko-fi.com/ufochroniclespodcastFollow and Subscribe on X to get ad-free episodesX: https://x.com/UFOchronpodcast/Want to share your encounter on the show?Email: UFOChronicles@gmail.comOr Fill out Guest Form:https://forms.gle/uGQ8PTVRkcjy4nxS7Podcast Merchandise:https://www.teepublic.com/user/ufo-chronicles-podcastHelp Support UFO CHRONICLES by becoming a Patron:https://patreon.com/UFOChroniclespodcastAll Links for Podcast:https://linktr.ee/UFOChroniclesPodcastThank you for listening!Like share and subscribe it really helps me when people share the show on social media, it means we can reach more people and more witnesses and without your amazing support, it wouldn't be possible.Become a supporter of this podcast: https://www.spreaker.com/podcast/ufo-chronicles-podcast--3395068/support.

The world lost a legend recently, and we wanted in some small way to pay tribute to the great Dolly Parton. So we're playing you an episode from a series we had a small part in back in 2017, Dolly Parton's America. The series kicked off with a simple question: How did the queen of the boob joke become a feminist icon? Helen Morales, author of “Pilgrimage to Dollywood,” gave us a stern directive – look at the lyrics! So we dive into Dolly's discography, starting with the early period of what Dolly calls “sad ass songs” to find remarkably prescient words of female pain, slut-shaming, domestic violence, and women being locked away in asylums by cheating husbands. We explore how Dolly took the centuries-old tradition of the Appalachian “murder ballad”—an oral tradition of men singing songs about brutally killing women—and flipped the script, singing from the woman's point of view. And as her career progresses, the songs expand beyond the pain to tell tales of leaving abuse behind. How can such pro-woman lyrics come from someone who despises the word feminism? Best to let Dolly tell you herself. EPISODE CREDITS: Reported by - Jad Abumrad and Shima Oliaee Produced by - Jad Abumrad with help from - W. Harry Fortuna Original music from - Alex Overington Sound design contributed by - Alex Overington and Edited by - Suzie Lechtenberg Signup for our newsletter!! It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab's science programming is provided by the Simons Foundation and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, we reflect on Dolly Parton's passing and her legacy in the region.Also, the Adaptive Climbers Festival at Kentucky's Red River Gorge feels like home for climbers with disabilities from around the world.  And, a new book spotlights Appalachian plants and encourages readers to get in touch with nature.  You'll hear these stories and more this week, Inside Appalachia. 

Gen Z has a list of Millennial habits it wants retired, from skinny jeans and side parts to LOL, Facebook Messenger, statement jewelry, and dial-up nostalgia. Austin and his cohost decide which critiques land and which can be ignored. The show also remembers Dolly Parton's humor, Appalachian roots, philanthropy, and Imagination Library legacy. Follow Wake Up America on Apple Podcasts or Spotify so every new episode lands in your feed. Watch the full video.

Something in the ancient hills of Appalachia is learning how to speak with the voices of our loved ones. In this episode of Spooky Appalachia, we dive deep into bone-chilling true accounts of entity mimicry sent in by our listeners.First, we head to Robbins, Tennessee, where security cameras capture a chilling, identical voice calling children from the woods when no one is home. Next, we join an Appalachian night patrol guard up on a lonely mountain ridge where a familiar voice cuts through the dark alongside strange supernatural omens. Finally, we travel to Pulaski, Virginia, to explore a decaying family home haunted by phantom footsteps, eerie door-knocks, and a mocking copycat voice known only as "Mr. Nobody."Turn on the lights, lock your doors, and step into the shadows of the mountains.Have your own story? Send it to us: https://www.spookyappalachia.com/submitastory.phpSign Up For Our Monthly News Letter: https://www.spookyappalachia.com/mailinglist.phpSupport Us On Patreon: https://www.patreon.com/cw/spookyappalachiaStay Spooky. Hosted on Acast. See acast.com/privacy for more information.

On the night of Sept. 27, 2024, Hurricane Helene dropped a historic wall of rain on the southern Appalachian mountains.Some 31 inches of water fell in three days. The Swannanoa River rose 27 feet. Roads, bridges, and entire communities – very little was left in the storm's aftermath.  More than 250 people died across the Southeast. More than a hundred of them in North Carolina alone. It was the deadliest hurricane to hit the continental United States since Katrina.We check in on how much western North Carolina has rebuilt in the nearly two years since the storm. And how far it still has to go. Find more of our programs online. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

A major hotel brand doesn't need to make every property feel the same. I toured the Embassy Suites Downtown Asheville with Jack Benton, Area Director of Sales & Marketing, and this hotel takes plenty of inspiration from its surroundings. Appalachian textures, mountain-inspired design, open public spaces, meeting areas that connect naturally with the rest of the hotel and guest rooms with unobstructed views give the property a strong sense of #Asheville. The hotel also packs in more than you might expect. Its 188 suites include flexible connecting-room configurations, its meeting spaces handle groups of up to 300 people, and the Michelin Guide recommends its rooftop restaurant. What I really wanted to understand was how a major #HotelBrand creates this much individuality within a familiar flag. Jack explains how the hotel team worked with the brand to develop an experience that connects directly to Asheville and the surrounding mountains. Take the tour and see how this #EmbassySuites uses design, location and the Asheville experience to give guests something much more specific than a standard branded hotel. Subscribe to No Vacancy for more hotel tours, conversations and behind-the-scenes looks at the people and properties shaping hospitality. Want the weekly roundup of news, videos, and what you might've missed from #NoVacancyNews? Text HOTEL to 66866.

In this episode of The Produce Moms Podcast, host Lori Taylor welcomes Danielle Harmon, Senior Director of Community Health & Impact, and Dr. Nika Larian, Vice President of Wellness at Appalachian Regional Healthcare (ARH), for an inspiring conversation about improving health outcomes through Food Is Medicine in rural Appalachia.

In another example of a thriving subculture in Bangkok you wouldn't expect to see, Greg and Ed interview Sunny Sachdev, a Thai Indian banjo player who is part of the informal network of musicians that drive Bangkok's local bluegrass music scene. Check out their page here.  Sunny explains that he discovered the genre through a video recommendation online and immediately felt drawn to the banjo, despite having no prior musical background. Sunny details how he connected with the local community by attending a jam session at the Srinakarin Night Market. He shares the history of bluegrass, noting its origins in the Appalachian region as a blend of immigrant folk traditions and African instruments. Sunny then describes the unique local subculture, which includes a strong passion for vintage clothing, cowboy attire, and antique instruments salvaged from overseas. Ed brings up the communal aspect of the music, and Sunny explains how jam sessions are highly inclusive, acoustic circles that eliminate typical stage fright. Sunny also highlights a specific bluegrass festival he organizes to bring these diverse musicians together. Following the interview, Greg and Ed reflect on how fascinating it is to see such a niche American subculture thriving organically in Thailand. Ed mentions how teaching music history gave him a newfound appreciation for the genre, overcoming his past snobbery. Greg concludes their discussion by emphasizing that bluegrass represents true community music, designed to be shared collaboratively rather than just performed on a stage.

Further reading: https://sharonahill.substack.com/ https://metazoan.net/54-octlantis/ https://metazoan.net/109-octopolis-and-octlantis/ Scientists discover an underwater city full of gloomy octopuses The gloomy octopus [photo by Niki Hubbard – https://www.inaturalist.org/photos/118664956, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=123044473]: Show transcript: Welcome to Strange Animals Podcast. I'm your host, Kate Shaw. As I've mentioned before, I really don't like April Fools Day, which is April first. I especially don't like it when someone makes an April fools day post online and just leaves it there afterwards. It's too easy for other people to stumble across it and think it's real. This goes double for strange animal and cryptid reports. I subscribe to geologist Sharon Hill's Pop Goes the Cryptid articles, and on March 31 she talked about a hoax called the North American Pine Squid. It got popular around Halloween of 2024. It's said to be a black squid or octopus that lives in pine trees in remote, heavily forested places like the Pacific northwest and the Appalachian mountains. Most of the time it eats small animals like birds and squirrels, along with pine cones, but if someone walks underneath its tree, the pine squid grabs the person, pulls them up into the tree, and they're never seen again. But you don't have to worry, because the pine squid isn't a real animal. It's also not even a new story. It's based on another hoax called the Pacific Northwest tree octopus, which dates back to 1998. In the case of the tree octopus, it wasn't created as a hoax or an April fool's joke but as a study about whether children can tell if a website is reliable or not. The researchers made a page with information about a type of octopus that lived in the ocean but that also climbed trees. Then they asked several classrooms of children around age 11, from different schools in different countries, to read the page, look at the pictures provided, and answer some questions. The study found that most of the children thought the page contained reliable information. Only a few figured out that the tree octopus wasn't real. The study has been used repeatedly to argue that children need more lessons in how to evaluate a website to know if it contains reliable information, and of course that's always a good thing. But it makes me a little angry too, because how were the kids supposed to know that octopuses can't climb trees? There are so many amazing and strange animals out there, a tree octopus sounds perfectly normal if you don't know very much about octopuses. So I argue that kids should be taught about everything, and taught in as interesting a way as possible so that they remember it better. The same goes for adults. But this episode isn't actually about April fools day, tree octopuses, or pine squids. It is about a type of octopus, and what I'm going to tell you is so weird that I have to reassure you that it's actually true. It's not a hoax or an April fools joke or anything like that. It's about the gloomy octopus and the underwater cities some populations have created, referred to as Octopolis and Octlantis. I swear I'm not making this up! The gloomy octopus lives off the eastern coast of Australia and the northern coast of New Zealand. It's mainly brown and gray, but it has orange on the undersides of its arms, and it's covered in little bumps that help camouflage it. Its eyes are white. On average, it has an armspan of about 6 ½ feet, or 2 meters, with females generally larger than males. Like many other octopuses, when the female lays her eggs, she stops eating completely and protects the eggs until they hatch. After they hatch, she dies. The gloomy octopus lives in shallow warm water and especially likes places with lots of rocks, seagrass, reefs, and other places where it can hide. It spends a lot of time in a den it digs into the sea floor, only coming out at night to hunt. It especially likes scallops, but it will eat pretty much anything it can catch, including sea snails, crabs, seahorses, and even other gloomy octopuses. It usually brings its food back to its den to eat. The gloomy octopus was thought to be a solitary animal until 2009. That's when a biologist named Matt Lawrence was exploring Jervis Bay in New South Wales. In this particular part of the bay, the sand is silty and there are a lot of predators, so it's not great for the gloomy octopus. But not only did Lawrence find a gloomy octopus there, he found 16 of them living in close proximity. The octopuses' dens were very close to each other, surrounding a human-made object that's so encrusted with sea life that it can't be identified. Scientists think it was a piece that fell off a boat at some point. Even more interesting, there are so many shells around, especially scallop shells, that instead of making dens in the sand, the octopuses are basically making dens in huge piles of scallop shells. The octopuses spend time moving the shells to improve their dens. In other words, Lawrence had found an octopus city. Admittedly, it's a very small city by human standards, with only 16 residents identified at any given time, but for a supposedly solitary animal, that's pretty amazing. The site was nicknamed Octopolis, and scientists think the presence of the piece of boat actually started the site. When it fell into the sand, it provided a great place for a gloomy octopus to hide. Since gloomy octopuses bring mollusks back to the den to eat, naturally they discard the shells near their dens. Once enough discarded shells had piled up, it provided better building material for another den. Another octopus moved in as the first one's neighbor, which meant twice as many shells being discarded. Pretty soon another octopus joined the first ones, and eventually there were 16 separate dens in a little community. Then, in 2017, another octopus city was discovered not far from Octopolis. Instead of a human-made object at its center, it has a few rocks sticking up in the middle of the city, which has been nicknamed Octlantis. Observations of the octopuses living in these communities are surprising. The octopuses come out during the day even though ordinarily the gloomy octopus is most active at night, especially around dawn and dusk. They interact with each other in various ways, sometimes fighting, sometimes pairing off to mate, sometimes sneaking into another octopus's den and trying to take it over. It might not be full of underwater skyscrapers and underwater scallop vendors on busy corners, but there's a lot of hustle and bustle in these cities. When biologists revisited Octopolis in 2023, they only found three octopuses. Octlantis had a little more activity and a few more octopuses, but nothing like its busy 2017 numbers. But this doesn't mean that the cities are deserted. Low Octopolis populations were also discovered in 2010 and 2013, but a high population in between. The biologists also noted that the presence of sharks caused the octopuses to move, and in 2023 a shark was hanging around Octopolis. Another reason for the changing population sizes at the sites is that gloomy octopuses don't live very long. A three-year-old gloomy octopus is really old, since most die before they reach their first birthday. The octopuses spotted in Octopolis and Octlantis in 2023 might be as much as 14 generations removed from the ones seen in 2009. Young octopuses have to continually repopulate the cities as the older ones die off, and that might take longer some years than others. Just because we know about Octopolis and Octlantis doesn't mean those are the only two octopus cities in existence. There are probably a lot more. Scientists just haven't noticed them yet. In years where sharks are spending too much time in Octopolis, the octopuses might just move to a city we don't know about. Octopolis and Octlantis might even be really small in comparison to some cities. If you're a diver around Australia or New Zealand, keep a sharp eye out for an octopus city. You might be the first human to visit New Octleans. Thanks for your support, and thanks for listening!

This is a Grave Talks CLASSIC EPISODE! PART TWOThere's something unusual surrounding Ellijay, Georgia—and it goes far beyond local legend. In this episode of The Grave Talks, the team behind Unknown Ellijay—Brad Kennedy, Luke Pilgrim, and Ellis Treece—share what led them to explore one of North Georgia's most quietly active paranormal hotspots.Through their docuseries, they've documented real accounts of unexplained encounters, from sightings in the dense Appalachian woods to stories tied to homes and land with long, unsettled histories. What drew them in wasn't just the stories themselves, but how often they seemed to repeat—and how many people were willing to share similar experiences.As they discuss their work, they explore the line between folklore and firsthand encounters, and why some places seem to hold onto more than just history.Because sometimes, what's hiding in plain sight isn't trying to stay hidden at all.#TheGraveTalks #UnknownEllijay #Cryptids #BigfootSightings #Dogman #HauntedSouth #ParanormalDocumentary #AppalachianMystery #SupernaturalEncounters #ParanormalPodcastLove real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

This is a Grave Talks CLASSIC EPISODE!There's something unusual surrounding Ellijay, Georgia—and it goes far beyond local legend. In this episode of The Grave Talks, the team behind Unknown Ellijay—Brad Kennedy, Luke Pilgrim, and Ellis Treece—share what led them to explore one of North Georgia's most quietly active paranormal hotspots.Through their docuseries, they've documented real accounts of unexplained encounters, from sightings in the dense Appalachian woods to stories tied to homes and land with long, unsettled histories. What drew them in wasn't just the stories themselves, but how often they seemed to repeat—and how many people were willing to share similar experiences.As they discuss their work, they explore the line between folklore and firsthand encounters, and why some places seem to hold onto more than just history.Because sometimes, what's hiding in plain sight isn't trying to stay hidden at all.For more information, visit their website at sozobearfilms.com and watch the series on their YouTube channel by clicking here.#TheGraveTalks #UnknownEllijay #Cryptids #BigfootSightings #Dogman #HauntedSouth #ParanormalDocumentary #AppalachianMystery #SupernaturalEncounters #ParanormalPodcastLove real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Tonight, I have two terrifying stories from deep within the Appalachian wilderness, where the forests stretch for miles, help is far away, and danger can take forms you'd never expect.Leaving a rating or review helps us grow the show.So turn off the lights, get comfortable, and let's get into it.Linktree: https://linktr.ee/its_just_creepyStory Credits:►Sent in to https://www.justcreepy.net/Timestamps:00:00 Intro00:00:57 Story 100:51:31 Story 2Music by:►'Decoherence' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.auBusiness inquiries:►creepydc13@gmail.com#scarystories #horrorstories

This week, a Japanese Shinto garden took root in Southwestern Virginia because of family connections spanning geography and generations. Also, in Whitesburg, Kentucky a new mosaic uses recovered objects to honor the town's people after the flood of 2022. And, the young adult novel “Verity Vox and the Curse of Foxfire” mixes historical fact with spooky Appalachian folklore.You'll hear these stories and more this week, Inside Appalachia.

August 8, 2026- Sandra and Coleen talk about the Appalachian folklore of Moon-eyed people. See omnystudio.com/listener for privacy information.

Football training camp has arrived and the guys are joined by Ahmad "Ammo" Robinson to discuss the origin of one of the all-time great nicknames and his role as one of this year's team captains. Plus, Bret and Adam cycle through some of the great nicknames in the history of App State athletics. #DSOTDP

Roughly 6.5 million people in the U.S. live in areas that are highly susceptible to landslides. West Coast residents - including on the Oregon Coast and Washington’s Puget Sound - face the second greatest exposure to landslides, after Appalachian communities in and around W. Virginia.    University of Washington researchers made these findings using the Landslide Exposure Database, an online tool they spent three years creating and recently made publicly available. The scientists say the database provides the first-ever building level assessment of landslide susceptibility across the U.S. for nearly 130 million homes and buildings.   The database also accounts for socioeconomic data, revealing an urban-rural divide to how natural disasters can impact communities. For example, residents in rural areas who are vulnerable to landslides may have fewer financial resources to move or recover from landslides compared to urban residents living in homes perched on hillsides in affluent neighborhoods.   Joe Wartman is a professor of civil and environmental engineering at University of Washington and the director of the Natural Hazard and Disaster Reconnaissance Facility. He joins us for more details.  

A three-year-old girl's imaginary friend turned out to be a real man – one who had been dead for fifteen years before she was born.BOOK: “They Told Me My Newborn Died – They Lied: A Global History of Stolen Babies” by Darren Marlar: https://amzn.to/45fNXptEPISODE BLOG PAGE (includes sources): https://weirddarkness.com/heidiwyrickREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/5a4fwj7tFEATURED STORIES IN THIS EPISODE: Deep in the Balsam Mountains of North Carolina, a shaggy eight-foot creature has been stealing gems and watching women bathe since the early 1900s — and the word used to name him came from a Lewis Carroll poem written the moment after a sleepless night at a dying man's bedside. (The Boojum) *** In 1980, a group of artists in Baltimore took out an ad in a major international magazine — not to sell anything, and not to promote a show. They were sending an invitation. The guests they were hoping to attract just hadn't been born yet. (Krononauts Party) *** A three-year-old girl in rural Georgia started playing with an imaginary friend — and then her family found out he was real, and had been dead for fifteen years. The question that nobody has been able to answer isn't whether she knew him. It's how. (The Heidi Wyrick Haunting)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:23.333 = Show Open00:03:14.569 = The Heidi Wyrick Haunting, Part 100:13:30.069 = The Heidi Wyrick Haunting, Part 2 ***00:32:01.091 = The Boojum ***00:53:27.330 = Krononauts Party ***01:01:57.222 = SONG: “Krononauts Party” by Dark Weirdness (https://weirddarkness.com/music)01:06:24.212 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:The Heidi Wyrick Haunting: https://weirddarkness.com/heidi-wyrick/The Boojum: https://weirddarkness.com/boojum/Krononauts Party: https://weirddarkness.com/krononauts-party/(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: August 11, 2026Weird Darkness moves through three cases this episode: a decade-long haunting in rural Georgia that a university parapsychologist wired with scientific instruments, an eight-foot gem-hoarding creature that Appalachian locals have hunted for over a century, and a 1980 Baltimore art stunt that advertised a party for time travelers.It opens with the Wyrick haunting, which began in March of 1989 when three-year-old Heidi Wyrick walked in from the backyard of her family's new home on Swint Loop in Ellerslie, Georgia, and asked to keep swinging with an old man her mother couldn't see. The friend Heidi called Mr. Gordy matched James Gordy, a former caretaker of the property who had died in 1974, down to his silver hair, dark suit, and top hat; a second, wounded visitor she named Con matched Lon Batchelor, a man who lost his hand in a cotton gin accident and died in 1957. Before she could read, Heidi ran straight to Gordy's headstone in a cemetery of hundreds and later picked his face from a blind photo lineup. By 1993 the activity had turned violent, with a faceless dark figure, claw marks appearing on Heidi and her father Andy across consecutive nights, and a ribbon found wound around the throat of infant daughter Jordan, and the family brought in Dr. William Roll, a parapsychologist known from Unsolved Mysteries, who recorded an electromagnetic spike past 40 milligauss, elevated positive ions, and nearby seismic activity, then admitted he could not explain the scratches. Medium Amy Allan, later of The Dead Files, and a second psychic working separately placed the same entities in the same rooms, and the Wyricks finally left the house after Andy and Lisa found Heidi suspended upside down above her bed. The case appears in the Discovery Channel's 2002 film A Haunting in Georgia and the 2013 movie The Haunting in Connecticut 2: Ghosts of Georgia, and in The Veil: The Heidi Wyrick Story, the firsthand account written by Heidi's aunt Joyce.From there the episode climbs into the Balsam Mountains of western North Carolina for the legend of the Boojum, a creature said to stand six to eight feet tall, covered in shaggy gray hair, with a disturbingly human face. According to Haywood County lore, the Boojum hoards the region's real gemstones – North Carolina is the only state that holds all four major precious gems, and the 1,869-carat uncut emerald pulled from the North American Emerald Mine in Hiddenite in 2003 is a matter of record – stashing them in moonshine jugs buried in hidden caves. The first written accounts cluster around the Eagle Nest Hotel, a forty-room hay-fever resort that opened on Eagle Nest Mountain in 1900 and burned in 1918, where guests were warned that the Boojum hid in the mountain laurel to watch women bathing in the forest pools. At the center of the legend is a woman named Annie, who chose to live with him as his wife and whose calls across the ridges are said, in local folk etymology, to have given the word "hootenanny" its name. The segment traces the creature's name back to Lewis Carroll's 1876 nonsense poem The Hunting of the Snark, sets the story against the Cherokee removal along the Trail of Tears and the eviction of Appalachian families to create Great Smoky Mountains National Park, and lands in present-day Waynesville, where Boojum Brewing carries the legend's name.The episode closes with the Krononauts, a group from Baltimore's avant-garde art scene who, in January of 1980, ran an advertisement on page 90 of Artforum magazine inviting time travelers to a party in Baltimore on March 9th, 1982, a date chosen because all nine planets would line up more closely than they had in nearly two hundred years, an alignment popularized by the 1974 book The Jupiter Effect. Hundreds of people came, the New York Times covered it and described the scene as an epidemic of temporary lunacy, and no one produced any evidence of time travel, since the organizers' real aim was the permanent paper trail, built on the logic that a documented invitation could be found and answered from any point in the future. The segment follows the same experiment forward through MIT graduate student Amal Dorai's 2005 Time Traveler Convention and physicist Stephen Hawking's 2009 reception at Gonville and Caius College in Cambridge, where Hawking mailed the invitations only after the party had ended and took the empty room as evidence for his chronology protection conjecture, and it ends with an original song, "Krononauts Party," by Dark Weirdness.LIKE WHAT YOU'RE HEARING? Get the daily WEIRD DARKNESS podcast (seven days per week) at WeirdDarkness.com • Paranormal, true crime, UFO, cryptid, ghost, and unexplained stories every day • Listen FREE wherever you get podcasts • My “OFFICIAL WEIRDOS” at https://WeirdDarkness.com/OFFICIAL get the commercial-free version, along with at least two bonus episodes each week, live chats every weeknight, free audiobooks I narrate, and more!

Thomas Sowell is one of the thinkers I have recommended for years, particularly for his criticism of simplistic explanations for racial disparities. But I think one of the central arguments in Black Rednecks and White Liberals does not hold up as well as many conservatives assume.In this reaction, I respond to Hunter Matz's discussion of Sowell's thesis on the Joe Rogan Experience and examine the argument that Southern “redneck” culture was largely responsible for the cultural problems of black Americans.I look at the West Indies comparison, the distinction between Appalachian and Southern plantation culture, the influence of the planter class, the history of slavery and Reconstruction, Northern education, Booker T. Washington, the Great Society, and the cultural changes that followed.My argument is not that culture does not matter. Quite the opposite. Culture matters enormously. But history is complicated, and I do not think we can explain modern black American problems by simply pointing to Southern rednecks.As I say toward the end of the video, I have not argued that anything is in anyone's DNA or blamed one group of white people for everything. I am arguing that the history is more complicated than this particular explanation allows.Jon's Music: jonharristunes.comTo Support the Podcast: https://www.jonharrismedia.com/support/Become a Patronhttps://www.patreon.com/jonharrispodcastSubstack: https://substack.com/@jonharris Follow Jon on Twitter: https://twitter.com/jonharris1989Follow Jon on Facebook: https://www.facebook.com/jonharris1989/00:00 – Why I Am Reacting to Joe Rogan02:43 – Thomas Sowell's “Black Rednecks” Thesis04:00 – The Problem With the West Indies Comparison06:35 – Are Ghettos and Black Culture Unique to America?08:33 – Did Black Americans Simply Adopt “Redneck Culture”?10:00 – The Cornwall and Ebonics Argument12:10 – Who Actually Lived in the Southern Black Belt?15:35 – Why Eugene Genovese Matters16:58 – Reconstruction, Education, and Booker T. Washington20:50 – The Great Society, Northern Influence, and Who Is Responsible?Support this podcast at — https://redcircle.com/conversations-that-matter8971/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Happy Spooky Wednesday, dear listeners! And HAPPY BIRTHDAY, BRITTANY! This week for Brittany's birthday surprise, Kala is feeding into her current focus on Appalachian spooky stories. We're covering three crytpids from that neck of the woods: Cabwaylingo Vampire Bat, Tommy Rawhead, and the Wood Booger. The bat is creepy. The Wood Booger is confusing, but also creepy. And the tale of Tommy Rawhead is downright scary! Brittany wraps everything up with her own most recent paranormal experience! What a way to spend a birthday!

APPALACHIAN DREAD - Strange Legends & Spooky Folklore from the SouthBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Welcome to the daily304 – your window into Wonderful, Almost Heaven, West Virginia. Today is Tuesday, Aug. 11, 2026. #1 – From COALFIELD DEVELOPMENT – Coalfield Development seeks the next generation of Solutionists Great ideas can come from anywhere—and Coalfield Development is looking for the people behind them. The Huntington-based nonprofit is accepting applications for its Solutionists Program, a year-long leadership initiative that helps people turn bold ideas into real solutions for their communities. Designed especially for individuals who may have limited access to traditional leadership programs, funding or professional networks, the program provides coaching, skill development and mentorship to help participants bring their ideas to life and create lasting community impact. Learn more and apply here: Read more: https://coalfield-development.org/solutionists/ #2 – From WV EXPLORER – Following George Washington's footsteps Long before George Washington became America's first president, he explored the rugged frontier that would become West Virginia. A feature from WV Explorer highlights several destinations connected to Washington's early expeditions, including historic forts, mineral springs and scenic overlooks that helped shape his understanding of the American frontier. Today, visitors can follow those same paths while discovering the history and natural beauty that influenced one of the nation's founding leaders. Read more: https://wvexplorer.com/george-washington-west-virginia-places-to-visit/ #3 – From TRAVEL + LEISURE – Charleston earns national travel recognition West Virginia's capital city is gaining national attention as one of Appalachia's must-visit destinations. A new guide from Travel + Leisure showcases Charleston's thriving culinary scene, locally owned shops, public art, live music and walkable downtown. The publication also highlights the city's easy access to outdoor recreation, making Charleston an ideal destination for travelers looking to experience authentic Appalachian culture with a modern twist. Read more: https://www.travelandleisure.com/charleston-west-virginia-guide-12029319 Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty, and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter, and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo. That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.

This week Adam May joins Melinda to discuss TVA Grants for Teachers. Welcome to HEARD IT ON THE SHARK with your show host Melinda Marsalis and show sponsor, Mississippi Hills National Heritage Area.  HEARD IT ON THE SHARK is a weekly interview show that airs every Tuesday at 11 am on the shark 102.3 FM radio station based in Ripley, MS and then is released as a podcast on all the major podcast platforms.  You'll hear interviews with the movers and shakers in north Mississippi who are making things happen.  Melinda talks with entrepreneurs, leaders of business, medicine, education, and the people behind all the amazing things happening in north Mississippi.  When people ask you how did you know about that, you'll say, “I HEARD IT ON THE SHARK!”  HEARD IT ON THE SHARK is brought to you by the Mississippi Hills National Heritage area.  We want you to get out and discover the historic, cultural, natural, scenic and recreational treasures of the Mississippi Hills right in your backyard.  And of course we want you to take the shark 102.3 FM along for the ride.     Bounded by I-55 to the west and Highway 14 to the south, the Mississippi Hills National Heritage Area,  created by the United States Congress in 2009 represents a distinctive cultural landscape shaped by the dynamic intersection of Appalachian and Delta cultures, an intersection which has produced a powerful concentration of national cultural icons from the King of Rock'n'Roll Elvis Presley, First Lady of Country Music Tammy Wynette, blues legend Howlin' Wolf, Civil Rights icons Ida B. Wells-Barnett and James Meredith, America's favorite playwright Tennessee Williams, and Nobel-Laureate William Faulkner. The stories of the Mississippi Hills are many and powerful, from music and literature, to Native American and African American heritage, to the Civil War.  The Mississippi Hills National Heritage Area supports the local institutions that preserve and share North Mississippi's rich history. Begin your discovery of the historic, cultural, natural, scenic, and recreational treasures of the Mississippi Hills by visiting the Mississippi Hills National Heritage Area online at mississippihills.org.   Musical Credit to:  Garry Burnside - Guitar; Buddy Grisham - Guitar; Mike King - Drums/Percussion     All content is copyright 2021 Sun Bear Studio Ripley MS LLC all rights reserved.  No portion of this podcast may be rebroadcast or used for any other purpose without express written consent of Sun Bear Studio Ripley MS LLC      

In this episode, we sit down with singer, songwriter, and musician Cody Tyler to explore the roots of his authentic Appalachian sound and the stories that shape his music. Growing up in the foothills of Appalachia with deep family ties to coal country and the Rust Belt, Cody shares how his heritage influences his songwriting and why his style goes beyond traditional "red dirt country." We also discuss the legendary artists who inspired him—including Merle Haggard, Waylon Jennings, The Allman Brothers Band, and Sturgill Simpson—and how he and his band have crafted a road-tested, multigenerational sound that resonates with audiences everywhere.  ???? Connect with Cody Tyler:  ✅ Website: https://www.codytylermusic.com/ ✅ Facebook: https://www.facebook.com/codytylermusic ✅ Instagram: https://www.instagram.com/codytylermusic ✅ TikTok: https://www.tiktok.com/@codytylerofficial ✅ YouTube: https://www.youtube.com/codytyler Thank you for watching Lancaster Connects! This is the show about small business and small charity success in Lancaster county - we showcase the battle on Main Street, big vs. small David vs Goliath, and bring you the best of what makes Lancaster so great. ???? Want to create live streams like this? Check out StreamYard: https://StreamYard.CastAhead.net ➡️ Get your FREE copy of Ben McClure and Jeff Giagnocavo's book - "Sleep Better" https://gardnersmattressandmore.com/sleep-betterLIVE SHOW PODCAST & REPLAYS: ???? Connect with Lancaster Connects:✅ Official: https://lancasterconnects.com/ ✅ YouTube: https://www.youtube.com/@LancasterConnects ✅ LinkedIn: https://www.linkedin.com/company/lancaster-connects✅ Facebook: https://www.facebook.com/LancasterConnectsLancaster Connects is produced by Chris Stone at Cast Ahead:  https://CastAhead.net 

The Appalachian Bluegrass Music Hour with Danny Hensley. A weekly program featuring the latest in Bluegrass Music track distribution by record labels such as Pinecastle, Billy Blue, Compass, Mountain Home Music, Mountain Fever Records, Turnberry Records, Sound Biscuit, Gravy Records, Sugar Hill, Rebel Records, Rounder Records and music distribution sources such as Get it Played and Airplay Direct.

Rates of black lung disease amongst Appalachia's coal miners are at the highest they've been in 50 years. Recent data shows that a third of veteran miners have the disease. The epidemic is also striking younger workers, too. On The Sunday Story, Howard Berkes investigates the devastating human cost on Appalachian families, decades of regulatory failures, and why life-saving protections from toxic silica dust remain stalled in federal court.Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show's perks include sponsor-free listening. Learn more at plus.npr.org.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

STRANGE MYSTERIES Episode #21 with Steve Stockton - "Some doors to the past were never meant to be opened—and some who walked through them never returned." Welcome to Strange Mysteries, the ongoing anthology series dedicated to the world's most baffling historical enigmas, unsolved disappearances, and eerie phenomena. Presented in a classic, deep-dive documentary format, each volume explores the archival shadows where conventional history breaks down and the unexplained begins. From ships found drifting empty on frozen seas to ancient messages carved into desert clay, we examine the facts, the folklore, and the disturbing questions left behind.

April 12, 1861. Charleston Harbor. The cannons opened fire—and America changed forever.In this episode of the Willie Jackerson Experiment, we head back to Fort Sumter and the explosive events that ignited the American Civil War.How did a standoff at a small fort in Charleston Harbor become the opening battle of a conflict that would tear the nation apart? Who fired first? Why was Fort Sumter so important? And what happened during those brutal 34 hours of bombardment?We're digging into Major Robert Anderson, General P.G.T. Beauregard, the Confederate bombardment, the Union surrender, and the chain of events that followed.And because this is the Willie Jackerson Experiment, we're not stopping at the history books. We're bringing the story to life with an original metal song inspired by Fort Sumter—blending Southern speed metal, melodic death metal, Appalachian banjo, blistering guitar work, and a whole lot of cannon-fire energy.

The Appalachian Sunday Morning is a two hour all Southern Gospel & Bluegrass Gospel Music Radio program with radio station & program host Danny Hensley. The program is recorded live each Sunday morning while being broadcast on 91.7 FM Community radio, streamed through our radio station APP and streamed world wide on www.sbbradio.org. This program is uploaded to SoundCloud, RSS.com, radio4all, Podbean and iTunes

In 1779, on the Georgia frontier, a group of armed Loyalist soldiers forced their way into Nancy Hart's cabin, demanding a hot meal from a helpless woman and her daughter.Instead, they found themselves face to face with one of the American Revolution's toughest and fiercest patriots.Join us as we tell the story of Nancy Hart, whose courage, quick thinking, and daring stand against soldiers loyal to the British crown made her one of the most celebrated heroines of the southern Appalachian frontier, another one of the Stories of Appalachia.Don't forget to subscribe to the Stories podcast, available wherever you get your favorite podcasts.Thanks for listening!

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comToday I'm so honored to have back on the show once again: Masonic Ritual Abuse Victim, Survivor and now Whistleblower for the first time, medical intuitive biofeedback practitioner for 40+ years, empath entrepreneur, public speaker and improv comedian, clean farming and nature lover, podcast regular, and an incredible hero coming forward to advocate for whistleblower and survivor protection and safety and to do everything in her power to facilitate the change she wishes to see in the world: Allison AdamsHere's a little bit about Allison in case you're new here, missed her previous riveting episodes, or need a little recap:Long before tragedy sought her out, Allison had already forged a remarkable path as an outsider by choice and circumstance. Diagnosed with juvenile myoclonic epilepsy as a child, she refused to let the condition define her. For 45 years she mastered it through an unwavering commitment to clean food, restorative sleep, mindfulness, and inner sovereignty. What began as biofeedback evolved into her superpower - a disciplined daily practice of awareness and control that kept her vibrant, grounded, and free. Her days overflowed with simple, genuine joys: gym friendships, miles of hiking through the pristine woods of the Appalachian foothills, lunch dates, and the deep sharing that arises from authentic human connection. She moved through life with openness and trust, befriending a woman at the gym whose warmth and companionship blossomed into shared hikes, stories exchanged in the soulful quiet of the forest, and a sense of belonging she had long sought.But that trust was brutally weaponized. For two years, a sophisticated network stalked and targeted her, harvesting her personal details and turning them into traps. Then in April 2020, on the patio of an acquaintance named Marty, a James Beard-nominated chef connected to the network, Allison was drugged with at least four substances and plunged into ten harrowing missing hours of ritualistic horror: violation, strangulation, hazing, and orchestrated terror at the hands of an organized collective of community pillars, restaurant owners, and others who gathered to inflict pain on her. Yet even in that altered state, her decades of biofeedback training awakened. While her body appeared unconscious, her mind remained hyperaware - absorbing fragments that would later become the foundation of her reconstructed truth.Allison was not born into a multi-generational cult family. She was a “regular” woman - lured, hunted, and caught by the cult-group who abused her - revealing how insidious and organized the darkness can be, and how anyone can become a target when trust is exploited. In the brutal months and years of recovery that followed, she patiently gathered clues, memories, and inner knowing. Piece by piece she reconstructed what happened, applying the same mastery that once tamed her epilepsy to survival and healing. Physical imprints remained: a high-impact collarbone injury that physical therapists associated only with extreme trauma, hair that transformed overnight from stick-straight to dramatically curly for years, and a debilitating mystery illness she later identified as stemming from injected parasites that left her bedridden for days at a time, attacked her liver, produced agonizing rashes, and nearly claimed her life. Through relentless self-advocacy, research, and protocols including ivermectin and related antiparasitics, she fought her way back toward remission, reclaiming energy, clarity, and vitality.Allison is still living in the town where the attack occurred, still navigating ongoing targeting - including a home invasion we detailed on her last episode. She knows the risks yet will not be deterred. Survival, for her, is not passive endurance; it is active rising, speaking, organizing, and loving the vulnerable more fiercely because she knows the cost. Rooted in inner discipline, practiced awareness, and unyielding courage, she has become a force of justice and healing. She calls for safety, shelter, support, and protection for those brave enough to expose the darkness. Her message is clear and urgent: “Do what you can, but do something.”

Comics writer Philip Kennedy Johnson (The Infernal Hulk, Superman) breaks down his new project Midnight Spider-Man, one of the flagship titles launching Marvel's brand-new Midnight Universe this fall. In this panel plunge, Philip shares how the project came together, why Spider-Man was the perfect character for a full-fledged body horror reimagining, and the surprising influences behind the series including David Cronenberg, John Carpenter, Junji Ito, and manga storytelling to the corporate paranoia of Alien. He goes on to explain how Marvel challenged him to take creative risks, how artist Scie Tronc brings an entirely new visual language to the character, and why this version of Spider-Man may be the boldest reinvention of the character ever. We also explores the larger themes driving the book, including power, responsibility, corporate corruption, and how modern anxieties shape today's superhero stories. Beyond Midnight Spider-Man, we dive into Philip's Incredible Hulk run, exploring his love of Appalachian folk horror, Southern Gothic storytelling, and the inspirations behind my favorite character in the book, Charlie Tidwell, and tease about the upcoming Hulk War crossover. "What the world has actually shown us is that power makes monsters almost invariably. Peter exists in a world in which power makes monsters every time, but he's the one who sets out to prove that it's not true—even while it's physically, visibly changing him into a monster." — Philip Kennedy Johnson Phillip's website Follow Comic Book Yeti

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

Secretary of State Michael Adams tells the Fancy Farm crowd he's not running for governor and is endorsing Congressman James Comer. We hear from attendees about the candidates they support. Another sign Gov. Andy Beshear may run for president in 2028. A new report shows a record number of Kentuckians face food insecurity. Christmas comes early in Rockcastle County.

Darkness Radio Presents: Hunt For The Appalachian Bigfoot: Valley Of The Giants with Investigator/Filmmaker, Jessi Doyle! Deep within Georgia's rugged Blood Mountain Wilderness, Jessi and Joe Doyle of Hellbent Holler lead an expedition into one of the region's most active Bigfoot hotspots. Joined by field investigators Steve Strange and Brooke Moreland, the group ventures into the dense Blue Ridge high country to follow up on compelling eyewitness accounts and persistent regional folklore.Chase the Bigfoot of Blood Mountain. Hunt For The Appalachian Bigfoot: Valley of the Giants is a new full-length documentary from Jessi Doyle of Hellbent Holler, presented by Small Town Monsters. It appears on Small Town Monsters' YouTube channel currently, and you can find it here:  https://www.youtube.com/watch?v=Ui8-ug-aoQQCheck out Hellbent Holler on YouTube:  https://www.youtube.com/@hellbenthollerCheck out Hellbent Holler's website:  https://hellbentholler.com/Want a new spot to hang out, have that perfect dinner, and see some great entertainment? Look no further than Jellybean and Julia's in Coon Rapids, MN! https://jellybeanandjulias.com/Make sure you update your Darkness Radio Apple Apps!And subscribe to the Darkness Radio YouTube page:  https://www.youtube.com/@DRTimDennisDarkness Radio Hoodies! Fleece Pants! Bucket Hats! Mugs! Glasses! and MORE!There are new and different (and really cool) items all the time in the Darkness Radio Online store on our website!  Check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/Want to be an "Executive Producer" of Darkness Radio? Email Tim@darknessradio.com for details! #paranormal  #supernatural  #metaphysical  #paranormalpodcasts  #darknessradio  #timdennis #jessileigh #jessidoyle #joedoyle #stevestrange #brookemoreland #hellbentholler #huntfortheappalachianbigfoot #valleyofthegiants #bloodmountain #georgia #bigfootvocalizations  #mountainmonster #smalltownmonsterspublishing  #Aliens  #UFO #UAP #Alienspaceships #Cryptids #Cryptozoology #bigfoot #sasquatch #yeti 

As the 2026 football reports for training camp, several players and coaches visit with Adam Witten as a part of media day at Kidd Brewer Stadium. #DSOTDP

Darkness Radio Presents: Hunt For The Appalachian Bigfoot: Valley Of The Giants with Investigator/Filmmaker, Jessi Doyle! Deep within Georgia's rugged Blood Mountain Wilderness, Jessi and Joe Doyle of Hellbent Holler lead an expedition into one of the region's most active Bigfoot hotspots. Joined by field investigators Steve Strange and Brooke Moreland, the group ventures into the dense Blue Ridge high country to follow up on compelling eyewitness accounts and persistent regional folklore.Chase the Bigfoot of Blood Mountain. Hunt For The Appalachian Bigfoot: Valley of the Giants is a new full-length documentary from Jessi Doyle of Hellbent Holler, presented by Small Town Monsters. It appears on Small Town Monsters' YouTube channel currently, and you can find it here:  https://www.youtube.com/watch?v=Ui8-ug-aoQQCheck out Hellbent Holler on YouTube:  https://www.youtube.com/@hellbenthollerCheck out Hellbent Holler's website:  https://hellbentholler.com/Want a new spot to hang out, have that perfect dinner, and see some great entertainment? Look no further than Jellybean and Julia's in Coon Rapids, MN! https://jellybeanandjulias.com/Make sure you update your Darkness Radio Apple Apps!And subscribe to the Darkness Radio YouTube page:  https://www.youtube.com/@DRTimDennisDarkness Radio Hoodies! Fleece Pants! Bucket Hats! Mugs! Glasses! and MORE!There are new and different (and really cool) items all the time in the Darkness Radio Online store on our website!  Check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/Want to be an "Executive Producer" of Darkness Radio? Email Tim@darknessradio.com for details! #paranormal  #supernatural  #metaphysical  #paranormalpodcasts  #darknessradio  #timdennis #jessileigh #jessidoyle #joedoyle #stevestrange #brookemoreland #hellbentholler #huntfortheappalachianbigfoot #valleyofthegiants #bloodmountain #georgia #bigfootvocalizations  #mountainmonster #smalltownmonsterspublishing  #Aliens  #UFO #UAP #Alienspaceships #Cryptids #Cryptozoology #bigfoot #sasquatch #yeti 

As many as one in three longtime miners in Appalachia have tested positive for black lung disease, according to new federal research. On this episode of The FRONTLINE Dispatch, a replay of reporter Howard Berkes' 2019 interviews with several miners experiencing varying stages of black lung disease about how it has irrevocably changed their lives.

A Bigfoot threw rocks at him while he sat by the river and paced him out of the woods while hiking. A UFO flew right past him. He came face to face with two mountain lions. David grew up near Mt. Airy, North Carolina and has seen it all. He came on to share his experiences with us!David's YouTube Channel: Wilkes County Wildmanhttps://youtube.com/@daviddemarcey?si=VCHQQmrUXMszgyz9Have you had experiences with the strange and unexplained? Reach out and let us know! Maybe you could be a guest on the show! Please like, hype, comment, and share if you enjoyed this episode. Please share and subscribe if you enjoyed this episode. Support our channel by becoming a YouTube member for special emojis, members only lives, new Ozark Howler episodes, and bonus paranormal episodes. Click the JOIN button under this video. Join us on Patreon https://www.patreon.com/fromtheshadowsVisit our Merch Shop https://www.fromtheshadowspodcast.com/shop/ Follow us on:TikTok - https://www.tiktok.com/@fromtheshadowspodcastFacebook - https://www.facebook.com/fromtheshadowspodcastInstagram - Shane Grove - https://www.instagram.com/shanegroveauthorInstagram - Podcast - https://www.instagram.com/fromtheshadowspodcast#Bigfoot #UFO #NorthCarolina #MountainLions #NC #MtAiry #BigfootEncounter #Paranormal

Blood Mountain has become ground zero for one of America's strangest Bigfoot investigations. Documentary filmmaker and Hellbent Holler founder Jessi Doyle joins Dave Schrader to go behind the scenes of "Hunt For the Appalachian Bigfoot: Valley of the Giants" (https://www.youtube.com/watch?v=Ui8-ug-aoQQ), the chilling new documentary chronicling an expedition into one of Georgia's most active Sasquatch hotspots. What began as a search for physical evidence quickly spiraled into an unsettling encounter with high strangeness. Hunt For the Appalachian Bigfoot - The Paranormal 60 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Roadside farmstands with homemade jams and bread are a common sight in Appalachia. Because they're unmanned, many of them work on the honor system: Take a carton of berries, leave some cash. But the humble farm stand is changing to keep up with an increasingly cash-free society. Folkways Reporter Wendy Welch recently visited a stand in Wythe County, Virginia and has this.  The post The Changing Appalachian Farmstand, This West Virginia Morning appeared first on West Virginia Public Broadcasting.

Grab your favorite tonic and settle into your comfiest chair! In this episode of The Twilight Tonic, host DeeDee Moonflyer welcomes back author, historian, and folklorist Mark H. Roe to explore his book, The Ohio Witch's Field Guide. Rooted in his own Appalachian upbringing and Cherokee heritage, Mark takes us on a deep walk through the forest hollows of Southern Ohio. Discover the forgotten wisdom of mountain "grannies" and cunning folk—from the healing and moisture-retaining power of forest moss poultices to the protective virtues of angelica root and cedar heartwood. Learn why you should think twice before throwing away dandelion roots, how Native American traditions blended herbs and cherry bark into soothing smoke infusions like Kinnikinnick, and how to spot nature's warnings (including why you must always trim the center dot out of Queen Anne's Lace bloom!). Whether you're curious about traditional herbal remedies, dowsing for water with willow branches, or spirit protection charms, Mark shares a treasure trove of historical lore and practical folk wisdom.

On this missing episode, we discuss Mike Heron who became missing in the Appalachian mountain range!  Have a missing story you'd like us to do a show about? email us at info@cryptidcreatures.co

In a small Appalachian town, sociology teacher Alex Campbell turns his classroom into an unlikely crime lab; tired of standardized lessons, he challenges his students to investigate a 40-year-old string of unsolved murder known as the Redhead Murder. Learn more about your ad choices. Visit megaphone.fm/adchoices

A viewer shares a legend past down for generations of an Appalachian family who claims it's very true. A legend about the thing that mutilated cattle and seemed to have no fear of humans. This story and more in today's episode. Listen to my other podcast, tales from the break room, for more stories right now https://pod.link/1621075170 Support us for ad-free listening and bonus episodes https://eerie.fm/premium Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back to The Bourbon Road, recorded live at the Bourbon Road Bar in Simpsonville, Kentucky. Hosts Jim Shannon and Todd settle in for a double-barrel recording day — two episodes back to back — and they've dedicated this session entirely to finished whiskeys. Four bottles make it to the mat tonight, each one showcasing a different finishing technique: rum barrels, French and Appalachian oak staves, honey-coated barrels, and maple syrup casks. It is a sweet, sessionable lineup that ranges from 101 to 110 proof, proving that finished whiskeys can be approachable without sacrificing character. On the Tasting Mat: - Wheel Horse Double Mash Whiskey, Finished in Caribbean Rum Barrels (101 proof): A limited-edition blend of Green River Straight Bourbon (70% corn, 21% rye, 9% malted barley) and Straight Rye (95.5% rye), each aged a minimum of five years and then finished for up to two years in three styles of Caribbean rum barrels. Distilled at Latitude Spirits (Green River), MSRP $45. The nose opens with molasses, leather, and cooked brown sugar — rich but not heavy. On the palate it delivers a sweet, easy-drinking profile with a noticeable rye bite and a finish that runs a little shy. An excellent candidate for cocktails, highballs, or a few cubes. *(00:03:20)* - Gypsy Explorer Straight Bourbon, Finished with French and Appalachian Oak Staves (103 proof): The inaugural release in the Explorer series from Eric Church's Gypsy brand. A blend of two six-year-old bourbons — a low-rye Kentucky distillate (sweetness-forward) and a high-rye Indiana distillate (spice-forward) — yielding a combined mash bill of 66% corn, 30% rye, and 4% malted barley, reduced to 103 proof and then finished with staves sourced from the forests of Tronçais, France, and the Appalachian Mountains. MSRP $69.99. The nose is standout: rich, layered, and inviting. The palate softens dramatically into buttery Danish butter cookie territory, with dried apricots, honey, pistachios, and a baklava-like sweetness. Vanilla from the French oak weaves throughout. Approachable enough for any drinker, complex enough to contemplate neat. *(00:10:03)* - Pursuit x Meat Church Honey Hog Barrel Bourbon (105 proof): A limited-edition collaboration between Pursuit Spirits and Matt Pittman's Meat Church BBQ, designed as a tabletop companion to smoked meats. The blend combines Kentucky (78% corn, 10% rye, 12% malted barley) and Tennessee (80% corn, 10% rye, 10% malted barley) straight bourbons. Finishing involved coating barrels with over 55 gallons of Texas wildflower honey sourced from Burleson's Honey in Waxahachie, Texas. 105 proof, MSRP $79.99 for a 700 ml bottle, primarily available through the Pursuit P Club and the Pursuit Louisville location. The nose is sweet, floral, and unmistakably wildflower honey. The palate follows suit with a large honey presence alongside classic bourbon caramel — forward and sweet. A natural companion for the grill or as a warm-weather sipper. *(00:23:50)* - Short Barrel Sapsquatch Straight Bourbon, Finished in Maple Syrup Barrels (110 proof): Short Barrel's maple-forward annual release begins with a blend of Kentucky (70% corn, 21% rye, 9% malted barley, aged 6–8 years) and Indiana (75% corn, 21% rye, 4% malted barley, aged 6–8 years) bourbons. Unusually, the whiskey first conditions in stainless steel with sugar maple fusion spirals for six to eight weeks, building a foundation of maple depth and caramelized sugar before ever entering a finishing barrel. It then moves into Kelvin Cooperage toasted barrels that previously held maple syrup sourced from Vermont and Ohio. 110 proof, MSRP $89.99. The nose is dark and maple-rich but measured — not syrup-bomb territory. On the palate: whole-grain pancakes, warm butter, caramelized sugar, and toasted marshmallow, with the maple remaining present but disciplined. Notably, the finish pivots away from sweetness toward toasted oak, giving the whiskey structure and length. *(00:36:01)* Whether you're a fan of rum-influenced blends, buttery French oak, honey-laced barbecue whiskeys, or maple-driven dessert drams, this episode has something to satisfy every sweet tooth on the tasting mat. Jim and Todd also remind listeners about the upcoming Sample Soirée on August 22nd at the Corner Rick House in Frankfort, Kentucky — home of the Frankfort Bourbon Society — where all those accumulated sample bottles finally get cracked open for the roadies. Sign up at thebourbonroad.com to reserve your spot and grab your official Roadie membership card for the door.

This week Sabrina is joined by Morgan Absher and Kaelyn Moore (Clues, Two Hot Takes & Heart Starts Pounding), for a Reddit horror story swap that's creepy, chaotic, and hilarious. We trade some of the internet's most unsettling stories from Appalachian legends, cryptids, and Bigfoot, to spooky situations that prove humans are scarier than ghosts. We also learn about the time Kaelyn got stuck at the Scientology Center for nine hours, Sabrina's Edinburgh haunting and Morgan's old Hollywood ghost.  Watch the video version here. Have ghost stories of your own? E-mail them to us at twogirlsoneghostpodcast@gmail.com New Episodes are released every Thursday and Sunday at 12am PST/3am EST (the witching hour, of course). Corinne and Sabrina hand select a couple of paranormal encounters from our inbox to read in each episode, from demons, to cryptids, to aliens, to creepy kids... the list goes on and on. If you have a story of your own that you'd like us to share on an upcoming episode, we invite you to email them to us!  If you enjoy our show, please consider joining our Patreon, rating and reviewing on iTunes & Spotify and following us on social media! Youtube, Instagram, TikTok, Facebook, and Discord. Edited and produced by Jaimi Ryan. Original music by Arms Akimbo! Disclaimer: the use of white sage and smudging is a closed practice. If you're looking to cleanse your space, here are some great alternatives! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're sharing two segments. Appalachians Against Uranium First up is a conversation with two activists of Appalachians Against Uranium in eastern Tennessee about the expansion of a nuclear weapons development in Jonesborough in the Tri-Cities near the border with North Carolina, Kentucky and Virginia in the Blue Ridge Mountains. For the interview we speak about the legacy of the nuclear industry in the region, health impacts on locals, some of the companies (like BWXT) involved, concerns of pollution and building off the work of past and ongoing civic activism in the region. Find our guests online at their website or find them on bluesky for further information. If you missed our prior interview talking about other and related elements of the nuclear industries in the US, check out the chat with M.V. Ramana from our July 19th episode, found at our website. Eastern TN Nuclear Links Scott Perez article on "economic hostages" available thanks to Dine CARE Dr. Michael Ketterer's filings on behalf of ECAN (Erwin Citizens Awareness Network) with National Regulatory Commission related to, among other things, levels of radioactivity in the Nolichucky River: https://www.nrc.gov/docs/ML2231/ML22319A251.pdf Eastern TN Community Coalition: ETNCC.org wise-uranium.org The Ulm 5 Case in Germany [00:50:00] After this, you'll hear a recording from May 14th, 2026 of journalist Roser Garí Pérez speaking in Freiberg, Germany, about the the case of the Ulm 5: five activists from various countries held in pre-trial detention since September of 2025 in Germany on charges of taking action against an Elbit Systems Deutschland factory in that country. Elbit Systems is an Israeli arms manufacturer whose products bring death to people in Palestine. The defendants have experienced long term isolation, extraordinarily long pre-trial detention without the option of bail. This segment appears in episode 104 of B(A)D News from the A-Radio Network, and was submitted and recorded by Radio Ausbruch from Freiberg As a note for US listeners, the use of the term protocol in this segment can be translated to mean taken notes. You can keep up on the case, find how to write letters or send support, at https://ulm5.info/ and find updated writings on the case by Roser Garí Pérez on their instagram or their author page at The Left Berlin Announcement Support Request by 2020 Uprising Prisoner Khalif Miller We received correspondence from Khalif Miller who was arrested in Philadelphia. Acording to his GoFundMe, "Khalif was held on pre-trial detention for 2 years and eventually sentenced to 5 years in Federal prison. As he was on probation at the time of his indictment he was additionally given a 1-10 year state sentence for probation violation." According to his page on UprisingSupport.org, Khalif had this to say: "I was working, I was trying to get my business up and running, I was going to school. I was doing things not just to help my family, I was trying to help communities. The day that I went to the protest… the night before when I was even making my signs. I spent 4 hours just making signs and writing down a bunch of people who were unfairly killed by police officers. This is something I really feel passionate about. People say all the time, you can do anything you want in America. You can be whatever you want to be. Growing up, I heard it but I never really believed it because I felt like my resources were limited. The world has so many possibilities. I would like to teach that. That's one of the things I would like to be able to pass along to the younger generations when I come home." Check the show notes for links to how you can write to Khalif and how you can offer him support during this long period of repression. Write letters: Smart Communications / PA DOC Khalif Miller / #QQ9287 SCI Forest PO Box 33028 St. Petersburg, FL 33733 Send books: Khalif Miller #QQ9287 268 Bricker Road Bellefonte, PA 16823 . … . .. Featured Track: TFSR by The Willows Whisper Certain Kind of Bounce by The Willows Whisper

Dan's first of two tales is a really in-depth and unsettling modern encounter claim revolving around a doll. As a little girl, Caroline quickly realized something was wrong with the doll in the blue dress. And the longer she had it, the more wrong it became. Then we head back almost a century to unearth an old, documented paranormal legend.  During one terrifying winter in 1939, something with a scream "like a banshee" sent an entire corner of West Virginia into a frenzy, drawing hunters from across the country into the Appalachian wilderness. Was the mysterious Blue Devil simply the last gray wolf in the state or did the people of Grassy Creek spend months chasing something far stranger? Then Lynze brings us two really big tales this week! Her takes place in a very unassuming place, a conference center. Did the overnight security guard encounter the spirit of a woman or was his mind only playing tricks on him? Lastly, Grant Mansion is the fictitious name this fan gives to the very real and very haunted house she grew up in.  Wednesday, July 29th at 2pm, the one and only Bad Magic Skatepark is opening!! There is going to be a fun ribbon cutting ceremony with food and prizes! The local media will be there too! IF you are anywhere near the area, PLEASE show up and show some love to Skate Ohio, the non profit you helped us donate to that made this happen. If you go, please be good stewards of Bad Magic! Wear the merch, say nice things, show them how good us Bad Magicians can be! 266 Oakwood Dr Mansfield, OH  44906. It shows up as “Maple Lake Tennis Courts” on the map for now. Working on getting that fixed! LAST EVER Wet Hot Bad Magic Summer Camp 2026: Have you heard?! We have some amazing friends joining us at camp! Astonishing Legends and True Crime Campfire will both be bringing their shows to the live stage this summer! If you want to see them and us, get your tickets at badmagicproductions.com  Do you want to get all of our episodes a WEEK early, ad free? Want to help us support amazing charities? Join us on Patreon! Want to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcast. Send stories to mystory@scaredtodeathpodcast.com Send everything else to info@scaredtodeathpodcast.com Please rate, review, and subscribe anywhere you listen. Thank you for listening! Follow the show on social media: @scaredtodeathpodcast on Facebook and IG and TT Website: https://www.badmagicproductions.com/ Facebook: https://www.facebook.com/scaredtodeathpodcast Instagram: https://bit.ly/2miPLf5 Mailing Address: Scared to Death PO Box 3891 Coeur d'Alene, ID 83816 Opening Sumerian protection spell (adapted): "Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened. Our life you may not steal, though we may feel SCARED TO DEATH." Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Well hey there, family. Old Gods of Appalachia is on a short break before the final story arc of season six begins, and will return on July 30th, 2026. But we can't leave our family hanging for too long, so we have a special treat for y'all — a story from some cousins who spin their tales in the dark of night — a podcast called Spooked. It's full of spirit and magic, and is hosted by our good friend Glynn Washington. Spooked features true-life supernatural stories, told firsthand by people who can barely believe it happened themselves, and every story has an original score. So come with us, family, and explore a little place called… Dismal Falls. There are some places, deep in the woods, far away from civilization, that are magical. Chuck is hiking deep in the Appalachian woods when he stumbles upon one of these places: Dismal Falls. But Dismal Falls isn't all fairies and rainbows. It's a place of dark magic.This story comes to us from the Spooked podcast. Spooked features true-life supernatural stories, told firsthand by people who can barely believe it happened themselves. You can listen to Spooked on any podcast platform! Episodes drop weekly. Be afraid.You can also find Spooked here:Instagram:@spookedpod Facebook: https://www.facebook.com/spookedpod X: https://x.com/SpookedPod Youtube: https://www.youtube.com/@spookedpodcast Produced by Greta Weber, original score by Clay Xavier, artwork by Teo Ducot.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.