Podcasts about godland

I have eyes in the back of my head I have goats at the top of my bed I have goats on the cap of my knee I think I wrote my own obituary Oh, you hetcha Bitch, you ain't me Shit be poppin off at the rock in 8 minutes exactly In studio 8H That's where I am, Amen again Cause I meant it And I mix in the pancake batter Perhaps some berries? Apparently not, 7 minutes and counting I'm at the Rock Now I'm putting away my don't ask, don't tell Ok. Okay? Okay? Now I'm making arrangements; Don't want to be your favorite, I just miss LA with a hankering Call Hank team USA That's FBI I'm so Walter White that I watch Saturday Night — not live, though I'm too broke for peacock, YouTube And cable! Dang, bro! How many subscriptions do I need Just not to dry myself to sleep. Send me some pictures January jonesing for a free ride scholarship To on God university, Aka: inside the TV DOBT BE EVIL. WRITE ME A SEQUEL! Ok tv people First just let me … son of a bitch! I told you she'd be back. Yo. Whaddup. You killed Jimmy Fallon! I did not. You did! Yes you did. I didn't. He was already like that. What! You heard me! Explain to me how— This man: [This man] *heavy gasps and anxietal wheezing fills the room* Explain this. Metaphisics. That doesn't explain anything. It explains everything, actually. *explodes* Excuse me, miss— do I smell a remix? No, that's pancakes. I got capacity for losers; I'm no longer lonely A broke in horse with no saddle Don't ride me less it's barevack Down and dirty Downhome and in the raw I like to buck And I like it hard A strong gallop and pull, Top speed Why I don't pay for dreams Why I got tv and movie stars in my dreams Why Ariana grande so pretty? Why when we leave outside the crowd still roaring for an e core? Why am I a mogul; Why do I look like a fashion icon? God for it right, I guess but why do I still feel Wildly unsatisfied The lights said I left the water on Turn the lights off Turn the water on I speak color, I am an animal I spoke 9 Gods I am an animal Rise to the occasion I broke the code I threw the rock off the rock k I smoke the fountain I run the block once Come twice Nice shockwave right there Hi God. A beautiful night to die But no time to fall I despaired on desire, Why right on Maine Radio towers Icons Beautiful glimmering city Mayday mayday went haywire Repeat Mayday mayday Went haywire Repeat Mayday mayday Went haywire Now rinse thoroughly Alright, alright. So hawked it. You hawked my father's antique stopwatch?! Sorry. Sorry?! AAAAGG— [The Festival Project ™{ Mayday mayday Went heywire They need more scriptwriters I want an empire I wrote half of the Super Bowl commercials Mayday mayday Oh man. Oh, fuck. You had better wash your hands before you touch my crotch. I don't. Give me—- my— body back. Nope. AUghhhh. My inspiration is dead in the water Can't watch hot ones That guy ruined it Ruined September And ruined October Ruined the cosmos And ruined my song, bro— I'm ruined. My inspiration is dead in the water I am a trash can, Man, this is awkward I won an award for songs post mortem Then I wrote more of them This is the afterlife I'm an immortal. My inspiration is dead in the water I'm just not moved man I need a baseball cap and some phantoms A laxatives Maybe some large hands A ball glove Some box seats Smoked sausage And the dodgers. I wanna go home and not be homeless. I want a condo above four stories. I want the whole world on top of its axis I want the other half of the balance My whole life been whack, Where's the reverse card? Run the tarot— Pull the rewards back, Don't touch the foreskin, Call back the foreman Redact that! Redact that! We're starting to crossfires. We met at the crossroads; One goes down, one goes up. Oh, the Irish are back, look: That's good— I got bored. {enter The multiverse} We were at blue suits and sweater vests And now I know better than To count on comics designed to be weather men Of pop culture— current events a spin on the news l went there for clarity, And left there confused. Confused. If the transmitter is at the World Trade Center, Then why is it every time I to go Rockefeller Center, I feel like I've just been electrocuted? Not enough to die, but like I'm buzzing all over and out of my body? Remarkably, and no matter what — Whenever I'm there, I just feel weird. Like, mad weird. Hey. What. Did you see a guy? I'm a guy. Really? Apparently. Well, I'm looking for this guy. I did see a guy like that. Really? Yeah. He was weird. Which way did he go? Uh. [Sunni BLU points up] Really? He went upstairs? Sure! Huh. Thanks. Whatever. I need you to need me I need me to be cool I need you to want me To love me To free me To love me To hold you I know you I know you I know. Knockout with a scarred lip Knockout was a good guy Knockout got knocked up Knockout had a good try Knockout got knocked out Knockout had a good cry Knockout got locked up Goodbye. Good luck. Here's a chalice. 09. Don't waste time. But I'm tired I'm shadow boxing my mind I'm lights out Candles lit I, I, I I, me, mine And God But I won't waste time I'm still dried out I got my eyes lost Wrapped around you In hindsight I'm behind Blind to the power I love my readheads and range rovers I lost my mind on mullholland Pull over and vomit And suddenly I'm at the Portal Plummet Plaza. [The Festival Project ™ ] The rock and the kite VI Rosie o donnel is chillin. Jimmy Kimmel kicks in the door. Oh look, the cat is back. Meow. To what do I owe the pleasure. You remember that cup of sugar you borrowed? …okay? I need it back. I see. —and my blender. Rosie o donnel takes a deep breath and then sighs. The cup of sugar I can help you with… the blender, I still need. Fair. Follow me. Rosie and Jimmy exit the room, the glimmer of the television still flickering on the green postered armchair with the remote control atop the armrest m; the actual cat (we presume) climbs up into the chair and appears to begin watching the TV? What's on the TV? Why, it's the very orogramme we're all currently tuned into. This just got meta. Again. The cat, looking bored, changes the channel to Garfield. Much better. He looks satisfied now, but is entirely still 199% just a cat. We presume. Your body ponders My eye wander to you're belt buckle My mind watches. Sorry. Your body calls me. My love hurts. I want you. My thought sparkles with the thought of a touch I'm not hungry, I just want you I desire to hold hands and then Dive off I thought you up to love you The time was wrong So now I watch That's all A long rush to nothing Dogtown, Godland. Longboards, longhairs, all body No shine, bro Hard wax, yellow soldier Wavestirm? Epoxy? North shore surf boards Surf harder Fuck New York I wanna go home Panoramic Hollywood golden Who lost apartheid Who first of all Chosen sources First mate Overboard Long hair Wrong rowboat Oh lover Lord of all I almost forgot it was Saturday, Saturday Night I was too busy not working I'm all yours for Passover I'm all ears, And now I get a sense that this Is my last and greatest trick; Disappearing for this, And again forever This is going to take Forever All wrong: You work for the network Interesting choice of wardrobe– another old code magician Ring on opposite finger– The other, I'm so much aware of The ice cream in tubs on the road Not melted, but partially hardened I can also feign confusion You don't say, You don't say, now. Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place IOh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesnt take long but When do i get to slap the desk? Johnny! What happened? Whats the 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember tgis mologue, But i dont know how 16 hours ago, I was Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omletts 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his delorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted her e the flower does grow the flame The faming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– re d with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily avalible What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} [The Identity Crisis] The identity crisis, A loose knit muse, A fog of confusion At most, let with offline regaining of conciousness. No more monsters? All blondes are. Let them have you No grapple promotions (I know I can't afford you) New friends for relevance Prototypes of your tools Forward all immortals I'll see you when your shows stop Freckled glances Eyes reflecting light How strong I am Demolish monsters Social structure, constructs Not fair, are I? Nor earned, Only fair skinned Access Access Access denied. Crookshanks, old boy! The man turns around almost as if he doesn't want to, but obliges the other man, as he comes running towards him. My Goodness, you stink. Why of course! I'm a dog! [The Festival Project ™] The Complex Collective © | COPYRIGHT 2018-2025 ALL RIGHTS RESERVED -Ū. {Reposts}

I have eyes in the back of my head I have goats at the top of my bed I have goats on the cap of my knee I think I wrote my own obituary Oh, you hetcha Bitch, you ain't me Shit be poppin off at the rock in 8 minutes exactly In studio 8H That's where I am, Amen again Cause I meant it And I mix in the pancake batter Perhaps some berries? Apparently not, 7 minutes and counting I'm at the Rock Now I'm putting away my don't ask, don't tell Ok. Okay? Okay? Now I'm making arrangements; Don't want to be your favorite, I just miss LA with a hankering Call Hank team USA That's FBI I'm so Walter White that I watch Saturday Night — not live, though I'm too broke for peacock, YouTube And cable! Dang, bro! How many subscriptions do I need Just not to dry myself to sleep. Send me some pictures January jonesing for a free ride scholarship To on God university, Aka: inside the TV DOBT BE EVIL. WRITE ME A SEQUEL! Ok tv people First just let me … son of a bitch! I told you she'd be back. Yo. Whaddup. You killed Jimmy Fallon! I did not. You did! Yes you did. I didn't. He was already like that. What! You heard me! Explain to me how— This man: [This man] *heavy gasps and anxietal wheezing fills the room* Explain this. Metaphisics. That doesn't explain anything. It explains everything, actually. *explodes* Excuse me, miss— do I smell a remix? No, that's pancakes. I got capacity for losers; I'm no longer lonely A broke in horse with no saddle Don't ride me less it's barevack Down and dirty Downhome and in the raw I like to buck And I like it hard A strong gallop and pull, Top speed Why I don't pay for dreams Why I got tv and movie stars in my dreams Why Ariana grande so pretty? Why when we leave outside the crowd still roaring for an e core? Why am I a mogul; Why do I look like a fashion icon? God for it right, I guess but why do I still feel Wildly unsatisfied The lights said I left the water on Turn the lights off Turn the water on I speak color, I am an animal I spoke 9 Gods I am an animal Rise to the occasion I broke the code I threw the rock off the rock k I smoke the fountain I run the block once Come twice Nice shockwave right there Hi God. A beautiful night to die But no time to fall I despaired on desire, Why right on Maine Radio towers Icons Beautiful glimmering city Mayday mayday went haywire Repeat Mayday mayday Went haywire Repeat Mayday mayday Went haywire Now rinse thoroughly Alright, alright. So hawked it. You hawked my father's antique stopwatch?! Sorry. Sorry?! AAAAGG— [The Festival Project ™{ Mayday mayday Went heywire They need more scriptwriters I want an empire I wrote half of the Super Bowl commercials Mayday mayday Oh man. Oh, fuck. You had better wash your hands before you touch my crotch. I don't. Give me—- my— body back. Nope. AUghhhh. My inspiration is dead in the water Can't watch hot ones That guy ruined it Ruined September And ruined October Ruined the cosmos And ruined my song, bro— I'm ruined. My inspiration is dead in the water I am a trash can, Man, this is awkward I won an award for songs post mortem Then I wrote more of them This is the afterlife I'm an immortal. My inspiration is dead in the water I'm just not moved man I need a baseball cap and some phantoms A laxatives Maybe some large hands A ball glove Some box seats Smoked sausage And the dodgers. I wanna go home and not be homeless. I want a condo above four stories. I want the whole world on top of its axis I want the other half of the balance My whole life been whack, Where's the reverse card? Run the tarot— Pull the rewards back, Don't touch the foreskin, Call back the foreman Redact that! Redact that! We're starting to crossfires. We met at the crossroads; One goes down, one goes up. Oh, the Irish are back, look: That's good— I got bored. {enter The multiverse} We were at blue suits and sweater vests And now I know better than To count on comics designed to be weather men Of pop culture— current events a spin on the news l went there for clarity, And left there confused. Confused. If the transmitter is at the World Trade Center, Then why is it every time I to go Rockefeller Center, I feel like I've just been electrocuted? Not enough to die, but like I'm buzzing all over and out of my body? Remarkably, and no matter what — Whenever I'm there, I just feel weird. Like, mad weird. Hey. What. Did you see a guy? I'm a guy. Really? Apparently. Well, I'm looking for this guy. I did see a guy like that. Really? Yeah. He was weird. Which way did he go? Uh. [Sunni BLU points up] Really? He went upstairs? Sure! Huh. Thanks. Whatever. I need you to need me I need me to be cool I need you to want me To love me To free me To love me To hold you I know you I know you I know. Knockout with a scarred lip Knockout was a good guy Knockout got knocked up Knockout had a good try Knockout got knocked out Knockout had a good cry Knockout got locked up Goodbye. Good luck. Here's a chalice. 09. Don't waste time. But I'm tired I'm shadow boxing my mind I'm lights out Candles lit I, I, I I, me, mine And God But I won't waste time I'm still dried out I got my eyes lost Wrapped around you In hindsight I'm behind Blind to the power I love my readheads and range rovers I lost my mind on mullholland Pull over and vomit And suddenly I'm at the Portal Plummet Plaza. [The Festival Project ™ ] The rock and the kite VI Rosie o donnel is chillin. Jimmy Kimmel kicks in the door. Oh look, the cat is back. Meow. To what do I owe the pleasure. You remember that cup of sugar you borrowed? …okay? I need it back. I see. —and my blender. Rosie o donnel takes a deep breath and then sighs. The cup of sugar I can help you with… the blender, I still need. Fair. Follow me. Rosie and Jimmy exit the room, the glimmer of the television still flickering on the green postered armchair with the remote control atop the armrest m; the actual cat (we presume) climbs up into the chair and appears to begin watching the TV? What's on the TV? Why, it's the very orogramme we're all currently tuned into. This just got meta. Again. The cat, looking bored, changes the channel to Garfield. Much better. He looks satisfied now, but is entirely still 199% just a cat. We presume. Your body ponders My eye wander to you're belt buckle My mind watches. Sorry. Your body calls me. My love hurts. I want you. My thought sparkles with the thought of a touch I'm not hungry, I just want you I desire to hold hands and then Dive off I thought you up to love you The time was wrong So now I watch That's all A long rush to nothing Dogtown, Godland. Longboards, longhairs, all body No shine, bro Hard wax, yellow soldier Wavestirm? Epoxy? North shore surf boards Surf harder Fuck New York I wanna go home Panoramic Hollywood golden Who lost apartheid Who first of all Chosen sources First mate Overboard Long hair Wrong rowboat Oh lover Lord of all I almost forgot it was Saturday, Saturday Night I was too busy not working I'm all yours for Passover I'm all ears, And now I get a sense that this Is my last and greatest trick; Disappearing for this, And again forever This is going to take Forever All wrong: You work for the network Interesting choice of wardrobe– another old code magician Ring on opposite finger– The other, I'm so much aware of The ice cream in tubs on the road Not melted, but partially hardened I can also feign confusion You don't say, You don't say, now. Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place IOh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesnt take long but When do i get to slap the desk? Johnny! What happened? Whats the 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember tgis mologue, But i dont know how 16 hours ago, I was Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omletts 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his delorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted her e the flower does grow the flame The faming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– re d with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily avalible What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} [The Identity Crisis] The identity crisis, A loose knit muse, A fog of confusion At most, let with offline regaining of conciousness. No more monsters? All blondes are. Let them have you No grapple promotions (I know I can't afford you) New friends for relevance Prototypes of your tools Forward all immortals I'll see you when your shows stop Freckled glances Eyes reflecting light How strong I am Demolish monsters Social structure, constructs Not fair, are I? Nor earned, Only fair skinned Access Access Access denied. Crookshanks, old boy! The man turns around almost as if he doesn't want to, but obliges the other man, as he comes running towards him. My Goodness, you stink. Why of course! I'm a dog! [The Festival Project ™] The Complex Collective © | COPYRIGHT 2018-2025 ALL RIGHTS RESERVED -Ū. {Reposts}

I have eyes in the back of my head I have goats at the top of my bed I have goats on the cap of my knee I think I wrote my own obituary Oh, you hetcha Bitch, you ain't me Shit be poppin off at the rock in 8 minutes exactly In studio 8H That's where I am, Amen again Cause I meant it And I mix in the pancake batter Perhaps some berries? Apparently not, 7 minutes and counting I'm at the Rock Now I'm putting away my don't ask, don't tell Ok. Okay? Okay? Now I'm making arrangements; Don't want to be your favorite, I just miss LA with a hankering Call Hank team USA That's FBI I'm so Walter White that I watch Saturday Night — not live, though I'm too broke for peacock, YouTube And cable! Dang, bro! How many subscriptions do I need Just not to dry myself to sleep. Send me some pictures January jonesing for a free ride scholarship To on God university, Aka: inside the TV DOBT BE EVIL. WRITE ME A SEQUEL! Ok tv people First just let me … son of a bitch! I told you she'd be back. Yo. Whaddup. You killed Jimmy Fallon! I did not. You did! Yes you did. I didn't. He was already like that. What! You heard me! Explain to me how— This man: [This man] *heavy gasps and anxietal wheezing fills the room* Explain this. Metaphisics. That doesn't explain anything. It explains everything, actually. *explodes* Excuse me, miss— do I smell a remix? No, that's pancakes. I got capacity for losers; I'm no longer lonely A broke in horse with no saddle Don't ride me less it's barevack Down and dirty Downhome and in the raw I like to buck And I like it hard A strong gallop and pull, Top speed Why I don't pay for dreams Why I got tv and movie stars in my dreams Why Ariana grande so pretty? Why when we leave outside the crowd still roaring for an e core? Why am I a mogul; Why do I look like a fashion icon? God for it right, I guess but why do I still feel Wildly unsatisfied The lights said I left the water on Turn the lights off Turn the water on I speak color, I am an animal I spoke 9 Gods I am an animal Rise to the occasion I broke the code I threw the rock off the rock k I smoke the fountain I run the block once Come twice Nice shockwave right there Hi God. A beautiful night to die But no time to fall I despaired on desire, Why right on Maine Radio towers Icons Beautiful glimmering city Mayday mayday went haywire Repeat Mayday mayday Went haywire Repeat Mayday mayday Went haywire Now rinse thoroughly Alright, alright. So hawked it. You hawked my father's antique stopwatch?! Sorry. Sorry?! AAAAGG— [The Festival Project ™{ Mayday mayday Went heywire They need more scriptwriters I want an empire I wrote half of the Super Bowl commercials Mayday mayday Oh man. Oh, fuck. You had better wash your hands before you touch my crotch. I don't. Give me—- my— body back. Nope. AUghhhh. My inspiration is dead in the water Can't watch hot ones That guy ruined it Ruined September And ruined October Ruined the cosmos And ruined my song, bro— I'm ruined. My inspiration is dead in the water I am a trash can, Man, this is awkward I won an award for songs post mortem Then I wrote more of them This is the afterlife I'm an immortal. My inspiration is dead in the water I'm just not moved man I need a baseball cap and some phantoms A laxatives Maybe some large hands A ball glove Some box seats Smoked sausage And the dodgers. I wanna go home and not be homeless. I want a condo above four stories. I want the whole world on top of its axis I want the other half of the balance My whole life been whack, Where's the reverse card? Run the tarot— Pull the rewards back, Don't touch the foreskin, Call back the foreman Redact that! Redact that! We're starting to crossfires. We met at the crossroads; One goes down, one goes up. Oh, the Irish are back, look: That's good— I got bored. {enter The multiverse} We were at blue suits and sweater vests And now I know better than To count on comics designed to be weather men Of pop culture— current events a spin on the news l went there for clarity, And left there confused. Confused. If the transmitter is at the World Trade Center, Then why is it every time I to go Rockefeller Center, I feel like I've just been electrocuted? Not enough to die, but like I'm buzzing all over and out of my body? Remarkably, and no matter what — Whenever I'm there, I just feel weird. Like, mad weird. Hey. What. Did you see a guy? I'm a guy. Really? Apparently. Well, I'm looking for this guy. I did see a guy like that. Really? Yeah. He was weird. Which way did he go? Uh. [Sunni BLU points up] Really? He went upstairs? Sure! Huh. Thanks. Whatever. I need you to need me I need me to be cool I need you to want me To love me To free me To love me To hold you I know you I know you I know. Knockout with a scarred lip Knockout was a good guy Knockout got knocked up Knockout had a good try Knockout got knocked out Knockout had a good cry Knockout got locked up Goodbye. Good luck. Here's a chalice. 09. Don't waste time. But I'm tired I'm shadow boxing my mind I'm lights out Candles lit I, I, I I, me, mine And God But I won't waste time I'm still dried out I got my eyes lost Wrapped around you In hindsight I'm behind Blind to the power I love my readheads and range rovers I lost my mind on mullholland Pull over and vomit And suddenly I'm at the Portal Plummet Plaza. [The Festival Project ™ ] The rock and the kite VI Rosie o donnel is chillin. Jimmy Kimmel kicks in the door. Oh look, the cat is back. Meow. To what do I owe the pleasure. You remember that cup of sugar you borrowed? …okay? I need it back. I see. —and my blender. Rosie o donnel takes a deep breath and then sighs. The cup of sugar I can help you with… the blender, I still need. Fair. Follow me. Rosie and Jimmy exit the room, the glimmer of the television still flickering on the green postered armchair with the remote control atop the armrest m; the actual cat (we presume) climbs up into the chair and appears to begin watching the TV? What's on the TV? Why, it's the very orogramme we're all currently tuned into. This just got meta. Again. The cat, looking bored, changes the channel to Garfield. Much better. He looks satisfied now, but is entirely still 199% just a cat. We presume. Your body ponders My eye wander to you're belt buckle My mind watches. Sorry. Your body calls me. My love hurts. I want you. My thought sparkles with the thought of a touch I'm not hungry, I just want you I desire to hold hands and then Dive off I thought you up to love you The time was wrong So now I watch That's all A long rush to nothing Dogtown, Godland. Longboards, longhairs, all body No shine, bro Hard wax, yellow soldier Wavestirm? Epoxy? North shore surf boards Surf harder Fuck New York I wanna go home Panoramic Hollywood golden Who lost apartheid Who first of all Chosen sources First mate Overboard Long hair Wrong rowboat Oh lover Lord of all I almost forgot it was Saturday, Saturday Night I was too busy not working I'm all yours for Passover I'm all ears, And now I get a sense that this Is my last and greatest trick; Disappearing for this, And again forever This is going to take Forever All wrong: You work for the network Interesting choice of wardrobe– another old code magician Ring on opposite finger– The other, I'm so much aware of The ice cream in tubs on the road Not melted, but partially hardened I can also feign confusion You don't say, You don't say, now. Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place IOh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesnt take long but When do i get to slap the desk? Johnny! What happened? Whats the 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember tgis mologue, But i dont know how 16 hours ago, I was Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omletts 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his delorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted her e the flower does grow the flame The faming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– re d with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily avalible What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} [The Identity Crisis] The identity crisis, A loose knit muse, A fog of confusion At most, let with offline regaining of conciousness. No more monsters? All blondes are. Let them have you No grapple promotions (I know I can't afford you) New friends for relevance Prototypes of your tools Forward all immortals I'll see you when your shows stop Freckled glances Eyes reflecting light How strong I am Demolish monsters Social structure, constructs Not fair, are I? Nor earned, Only fair skinned Access Access Access denied. Crookshanks, old boy! The man turns around almost as if he doesn't want to, but obliges the other man, as he comes running towards him. My Goodness, you stink. Why of course! I'm a dog! [The Festival Project ™] The Complex Collective © | COPYRIGHT 2018-2025 ALL RIGHTS RESERVED -Ū. {Reposts}

Https://www.iamu.guru “THE FLUFFER” I have eyes in the back of my head I have goats at the top of my bed I have goats on the cap of my knee I think I wrote my own obituary Oh, you hetcha Bitch, you ain't me Shit be poppin off at the rock in 8 minutes exactly In studio 8H That's where I am, Amen again Cause I meant it And I mix in the pancake batter Perhaps some berries? Apparently not, 7 minutes and counting I'm at the Rock Now I'm putting away my don't ask, don't tell Ok. Okay? Okay? Now I'm making arrangements; Don't want to be your favorite, I just miss LA with a hankering Call Hank team USA That's FBI I'm so Walter White that I watch Saturday Night — not live, though I'm too broke for peacock, YouTube And cable! Dang, bro! How many subscriptions do I need Just not to cry myself to sleep. Send me some pictures January jonesing for a free ride scholarship To on God university, Aka: inside the TV DOBT BE EVIL. WRITE ME A SEQUEL! Ok TV people First just let me … son of a bitch! I told you she'd be back. Yo. Whaddup. You killed Jimmy Fallon! I did not. You did! Yes you did. I didn't. He was already like that. What! You heard me! Explain to me how— This man: [This man] *heavy gasps and anxietal wheezing fills the room* Explain this. Metaphisics. That doesn't explain anything. It explains everything, actually. *explodes* Excuse me, miss— do I smell a remix? No, that's pancakes. I got zero capacity for losers; I'm no longer lonely A broke in horse with no saddle Don't ride me less it's bareback Down and dirty Downhome and in the raw I like to buck And I like it hard A strong gallop and pull, Top speed Why I don't pay for dreams Why I got TV and movie stars in my dreams Why Ariana Grande so pretty? Why when we leave outside the crowd still roaring for an eNcore? Why am I a mogul; Why do I look like a fashion icon? God got it right, I guess but why do I still feel Wildly unsatisfied The lights said I left the water on Turn the lights off Turn the water on I speak color, I am an animal I spoke 9 Gods I am an animal Rise to the occasion I broke the code I threw the rock off the rock I smoke the fountain I run the block once Come twice Nice shockwave right there Hi God. A beautiful night to die But no time to fall I despaired on desire, Why right on Maine Radio towers Icons Beautiful glimmering city Mayday mayday went haywire Repeat Mayday mayday Went haywire Repeat Mayday mayday Went haywire Now rinse thoroughly Alright, alright. So hawked it. You hawked my father's antique stopwatch?! Sorry. Sorry?! AAAAGG— [The Festival Project ™] Mayday mayday Went heywire They need more scriptwriters I want an empire I wrote half of the Super Bowl commercials Mayday mayday Oh man. Oh, fuck. You had better wash your hands before you touch my crotch. I don't. Give me—- my— body back. Nope. AUghhhh. My inspiration is dead in the water Can't watch hot ones That guy ruined it Ruined September And ruined October Ruined the cosmos And ruined my song, bro— I'm ruined. My inspiration is dead in the water I am a trash can, Man, this is awkward I won an award for songs post mortem Then I wrote more of them This is the afterlife I'm an immortal. My inspiration is dead in the water I'm just not moved, man I need a baseball cap and some phantoms A laxative Maybe some large hands A ball glove Some box seats Smoked sausage And the dodgers. I wanna go home and not be homeless. I want a condo above four stories. I want the whole world on top of its axis I want the other half of the balance My whole life been whack, Where's the reverse card? Run the tarot— Pull the rewards back, Don't touch the foreskin, Call back the foreman Redact that! Redact that! We're starting to cross fires. We met at the crossroads; One goes down, one goes up. Oh, the Irish are back, look: That's good— I got bored. {Enter The multiverse} We were at blue suits and sweater vests And now I know better than To count on comics designed to be weather men Of pop culture— current events a spin on the news l went there for clarity, And left there confused. Confused. If the transmitter is at the World Trade Center, Then why is it every time I to go Rockefeller, I feel like I've just been electrocuted? Not enough to die, but like I'm buzzing all over and out of my body? Remarkably, and no matter what — Whenever I'm there, I just feel weird. Like, mad weird. Hey. What. Did you see a guy? I'm a guy. Really? Apparently. Well, I'm looking for this guy. I did see a guy like that. Really? Yeah. He was weird. Which way did he go? Uh. [Sunni BLU points up] Really? He went upstairs? Sure! Huh. Thanks. Whatever. I need you to need me I need me to be cool I need you to want me To love me To free me To love me To hold you I know you I know you I know. Knockout with a scarred lip Knockout was a good guy Knockout got knocked up Knockout had a good try Knockout got knocked out Knockout had a good cry Knockout got locked up Goodbye. Good luck. Here's a chalice. [09. Don't waste time.] But I'm tired I'm shadow boxing my mind I'm lights out Candles lit I, I, I I, me, mine And God But I won't waste time I'm still dried out I got my eyes lost Wrapped around you In hindsight I'm behind Blind to the power I love my readheads and range rovers I lost my mind on Mulholland Pull over and vomit And suddenly I'm at the— Portal Plummet Plaza. [The Festival Project ™ ] The rock and the kite VI Ahem. “The Rock and The Kite VI” ROSIE O'DONNEL is chillin. JIMMY KIMMEL kicks in the door. ROSIE Oh look, the cat is back. BIG JIMMY Meow. ROSIE To what do I owe the pleasure. BIG JIMMY You remember that cup of sugar you borrowed? ROSIE …okay? BIG JIMMY I need it back. ROSIE [beat] I see. BIG JIMMY —and my blender. ROSIE O DONNEL takes a deep breath and then sighs. ROSIE The cup of sugar I can help you with… the blender, I still need. BIG JIMMY [KIMMEL] Fair. ROSIE Follow me. ROSIE AND JIMMY exit the room, the glimmer of the television still flickering on the green upholstered armchair with the remote control atop the armrest; the actual CAT (we presume) climbs up into the chair and appears to begin watching the TV? What's on the TV? Why, it's the very programme we're all currently tuned into. This just got meta. Again. The CAR, looking bored, changes the channel to Garfield. Much better. He looks satisfied now, but is entirely still 199% just a cat. We presume. Your body ponders My eye wander to your belt buckle My mind watches. Sorry. Your body calls me. My love hurts. I want you. My thought sparkles with the thought of a touch I'm not hungry, I just want you I desire to hold hands and then Dive off I thought you up to love you The time was wrong So now I watch That's all A long rush to nothing. Dogtown, Godland. Longboards, longhairs, all body No shine, bro Hard wax, yellow soldier Wavestorm? Epoxy? North shore surf boards Surf harder Fuck New York I wanna go home Panoramic Hollywood golden Who lost apartheid Who first of all Chosen sources First mate Overboard Long hair Wrong rowboat Oh lover Lord of all [The Festival Project ™] I almost forgot it was Saturday, Saturday Night I was too busy not working I'm all yours for Passover I'm all ears, And now I get a sense that this Is my last and greatest trick; Disappearing for this, And again forever This is going to take Forever All wrong: You work for the network Interesting choice of wardrobe– another old code magician Ring on opposite finger– The other, I'm so much aware of The ice cream in tubs on the road Not melted, but partially hardened I can also feign confusion You don't say, You don't say, now. {Enter The Multiverse} Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place Oh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesn't take long but When do i get to slap the desk? Johnny! JOHNNY CARSON is wearing the usual getup and a pair of very dark sunglasses. What happened? Whats the- 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember This monologue, But i dont know how 16 hours ago, I was— Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omelettes 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE Tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his DeLorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted here the flower does grow the flame The flaming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– red with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet— I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. CO-OH-NO-NAN You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily available What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he converses with his associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2022 ALL RIGHTS RESERVED. © -U.

Https://www.iamu.guru “THE FLUFFER” I have eyes in the back of my head I have goats at the top of my bed I have goats on the cap of my knee I think I wrote my own obituary Oh, you hetcha Bitch, you ain't me Shit be poppin off at the rock in 8 minutes exactly In studio 8H That's where I am, Amen again Cause I meant it And I mix in the pancake batter Perhaps some berries? Apparently not, 7 minutes and counting I'm at the Rock Now I'm putting away my don't ask, don't tell Ok. Okay? Okay? Now I'm making arrangements; Don't want to be your favorite, I just miss LA with a hankering Call Hank team USA That's FBI I'm so Walter White that I watch Saturday Night — not live, though I'm too broke for peacock, YouTube And cable! Dang, bro! How many subscriptions do I need Just not to cry myself to sleep. Send me some pictures January jonesing for a free ride scholarship To on God university, Aka: inside the TV DOBT BE EVIL. WRITE ME A SEQUEL! Ok TV people First just let me … son of a bitch! I told you she'd be back. Yo. Whaddup. You killed Jimmy Fallon! I did not. You did! Yes you did. I didn't. He was already like that. What! You heard me! Explain to me how— This man: [This man] *heavy gasps and anxietal wheezing fills the room* Explain this. Metaphisics. That doesn't explain anything. It explains everything, actually. *explodes* Excuse me, miss— do I smell a remix? No, that's pancakes. I got zero capacity for losers; I'm no longer lonely A broke in horse with no saddle Don't ride me less it's bareback Down and dirty Downhome and in the raw I like to buck And I like it hard A strong gallop and pull, Top speed Why I don't pay for dreams Why I got TV and movie stars in my dreams Why Ariana Grande so pretty? Why when we leave outside the crowd still roaring for an eNcore? Why am I a mogul; Why do I look like a fashion icon? God got it right, I guess but why do I still feel Wildly unsatisfied The lights said I left the water on Turn the lights off Turn the water on I speak color, I am an animal I spoke 9 Gods I am an animal Rise to the occasion I broke the code I threw the rock off the rock I smoke the fountain I run the block once Come twice Nice shockwave right there Hi God. A beautiful night to die But no time to fall I despaired on desire, Why right on Maine Radio towers Icons Beautiful glimmering city Mayday mayday went haywire Repeat Mayday mayday Went haywire Repeat Mayday mayday Went haywire Now rinse thoroughly Alright, alright. So hawked it. You hawked my father's antique stopwatch?! Sorry. Sorry?! AAAAGG— [The Festival Project ™] Mayday mayday Went heywire They need more scriptwriters I want an empire I wrote half of the Super Bowl commercials Mayday mayday Oh man. Oh, fuck. You had better wash your hands before you touch my crotch. I don't. Give me—- my— body back. Nope. AUghhhh. My inspiration is dead in the water Can't watch hot ones That guy ruined it Ruined September And ruined October Ruined the cosmos And ruined my song, bro— I'm ruined. My inspiration is dead in the water I am a trash can, Man, this is awkward I won an award for songs post mortem Then I wrote more of them This is the afterlife I'm an immortal. My inspiration is dead in the water I'm just not moved, man I need a baseball cap and some phantoms A laxative Maybe some large hands A ball glove Some box seats Smoked sausage And the dodgers. I wanna go home and not be homeless. I want a condo above four stories. I want the whole world on top of its axis I want the other half of the balance My whole life been whack, Where's the reverse card? Run the tarot— Pull the rewards back, Don't touch the foreskin, Call back the foreman Redact that! Redact that! We're starting to cross fires. We met at the crossroads; One goes down, one goes up. Oh, the Irish are back, look: That's good— I got bored. {Enter The multiverse} We were at blue suits and sweater vests And now I know better than To count on comics designed to be weather men Of pop culture— current events a spin on the news l went there for clarity, And left there confused. Confused. If the transmitter is at the World Trade Center, Then why is it every time I to go Rockefeller, I feel like I've just been electrocuted? Not enough to die, but like I'm buzzing all over and out of my body? Remarkably, and no matter what — Whenever I'm there, I just feel weird. Like, mad weird. Hey. What. Did you see a guy? I'm a guy. Really? Apparently. Well, I'm looking for this guy. I did see a guy like that. Really? Yeah. He was weird. Which way did he go? Uh. [Sunni BLU points up] Really? He went upstairs? Sure! Huh. Thanks. Whatever. I need you to need me I need me to be cool I need you to want me To love me To free me To love me To hold you I know you I know you I know. Knockout with a scarred lip Knockout was a good guy Knockout got knocked up Knockout had a good try Knockout got knocked out Knockout had a good cry Knockout got locked up Goodbye. Good luck. Here's a chalice. [09. Don't waste time.] But I'm tired I'm shadow boxing my mind I'm lights out Candles lit I, I, I I, me, mine And God But I won't waste time I'm still dried out I got my eyes lost Wrapped around you In hindsight I'm behind Blind to the power I love my readheads and range rovers I lost my mind on Mulholland Pull over and vomit And suddenly I'm at the— Portal Plummet Plaza. [The Festival Project ™ ] The rock and the kite VI Ahem. “The Rock and The Kite VI” ROSIE O'DONNEL is chillin. JIMMY KIMMEL kicks in the door. ROSIE Oh look, the cat is back. BIG JIMMY Meow. ROSIE To what do I owe the pleasure. BIG JIMMY You remember that cup of sugar you borrowed? ROSIE …okay? BIG JIMMY I need it back. ROSIE [beat] I see. BIG JIMMY —and my blender. ROSIE O DONNEL takes a deep breath and then sighs. ROSIE The cup of sugar I can help you with… the blender, I still need. BIG JIMMY [KIMMEL] Fair. ROSIE Follow me. ROSIE AND JIMMY exit the room, the glimmer of the television still flickering on the green upholstered armchair with the remote control atop the armrest; the actual CAT (we presume) climbs up into the chair and appears to begin watching the TV? What's on the TV? Why, it's the very programme we're all currently tuned into. This just got meta. Again. The CAR, looking bored, changes the channel to Garfield. Much better. He looks satisfied now, but is entirely still 199% just a cat. We presume. Your body ponders My eye wander to your belt buckle My mind watches. Sorry. Your body calls me. My love hurts. I want you. My thought sparkles with the thought of a touch I'm not hungry, I just want you I desire to hold hands and then Dive off I thought you up to love you The time was wrong So now I watch That's all A long rush to nothing. Dogtown, Godland. Longboards, longhairs, all body No shine, bro Hard wax, yellow soldier Wavestorm? Epoxy? North shore surf boards Surf harder Fuck New York I wanna go home Panoramic Hollywood golden Who lost apartheid Who first of all Chosen sources First mate Overboard Long hair Wrong rowboat Oh lover Lord of all [The Festival Project ™] I almost forgot it was Saturday, Saturday Night I was too busy not working I'm all yours for Passover I'm all ears, And now I get a sense that this Is my last and greatest trick; Disappearing for this, And again forever This is going to take Forever All wrong: You work for the network Interesting choice of wardrobe– another old code magician Ring on opposite finger– The other, I'm so much aware of The ice cream in tubs on the road Not melted, but partially hardened I can also feign confusion You don't say, You don't say, now. {Enter The Multiverse} Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place Oh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesn't take long but When do i get to slap the desk? Johnny! JOHNNY CARSON is wearing the usual getup and a pair of very dark sunglasses. What happened? Whats the- 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember This monologue, But i dont know how 16 hours ago, I was— Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omelettes 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE Tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his DeLorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted here the flower does grow the flame The flaming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– red with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet— I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. CO-OH-NO-NAN You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily available What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he converses with his associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2022 ALL RIGHTS RESERVED. © -U.

Https://www.iamu.guru “THE FLUFFER” I have eyes in the back of my head I have goats at the top of my bed I have goats on the cap of my knee I think I wrote my own obituary Oh, you hetcha Bitch, you ain't me Shit be poppin off at the rock in 8 minutes exactly In studio 8H That's where I am, Amen again Cause I meant it And I mix in the pancake batter Perhaps some berries? Apparently not, 7 minutes and counting I'm at the Rock Now I'm putting away my don't ask, don't tell Ok. Okay? Okay? Now I'm making arrangements; Don't want to be your favorite, I just miss LA with a hankering Call Hank team USA That's FBI I'm so Walter White that I watch Saturday Night — not live, though I'm too broke for peacock, YouTube And cable! Dang, bro! How many subscriptions do I need Just not to cry myself to sleep. Send me some pictures January jonesing for a free ride scholarship To on God university, Aka: inside the TV DOBT BE EVIL. WRITE ME A SEQUEL! Ok TV people First just let me … son of a bitch! I told you she'd be back. Yo. Whaddup. You killed Jimmy Fallon! I did not. You did! Yes you did. I didn't. He was already like that. What! You heard me! Explain to me how— This man: [This man] *heavy gasps and anxietal wheezing fills the room* Explain this. Metaphisics. That doesn't explain anything. It explains everything, actually. *explodes* Excuse me, miss— do I smell a remix? No, that's pancakes. I got zero capacity for losers; I'm no longer lonely A broke in horse with no saddle Don't ride me less it's bareback Down and dirty Downhome and in the raw I like to buck And I like it hard A strong gallop and pull, Top speed Why I don't pay for dreams Why I got TV and movie stars in my dreams Why Ariana Grande so pretty? Why when we leave outside the crowd still roaring for an eNcore? Why am I a mogul; Why do I look like a fashion icon? God got it right, I guess but why do I still feel Wildly unsatisfied The lights said I left the water on Turn the lights off Turn the water on I speak color, I am an animal I spoke 9 Gods I am an animal Rise to the occasion I broke the code I threw the rock off the rock I smoke the fountain I run the block once Come twice Nice shockwave right there Hi God. A beautiful night to die But no time to fall I despaired on desire, Why right on Maine Radio towers Icons Beautiful glimmering city Mayday mayday went haywire Repeat Mayday mayday Went haywire Repeat Mayday mayday Went haywire Now rinse thoroughly Alright, alright. So hawked it. You hawked my father's antique stopwatch?! Sorry. Sorry?! AAAAGG— [The Festival Project ™] Mayday mayday Went heywire They need more scriptwriters I want an empire I wrote half of the Super Bowl commercials Mayday mayday Oh man. Oh, fuck. You had better wash your hands before you touch my crotch. I don't. Give me—- my— body back. Nope. AUghhhh. My inspiration is dead in the water Can't watch hot ones That guy ruined it Ruined September And ruined October Ruined the cosmos And ruined my song, bro— I'm ruined. My inspiration is dead in the water I am a trash can, Man, this is awkward I won an award for songs post mortem Then I wrote more of them This is the afterlife I'm an immortal. My inspiration is dead in the water I'm just not moved, man I need a baseball cap and some phantoms A laxative Maybe some large hands A ball glove Some box seats Smoked sausage And the dodgers. I wanna go home and not be homeless. I want a condo above four stories. I want the whole world on top of its axis I want the other half of the balance My whole life been whack, Where's the reverse card? Run the tarot— Pull the rewards back, Don't touch the foreskin, Call back the foreman Redact that! Redact that! We're starting to cross fires. We met at the crossroads; One goes down, one goes up. Oh, the Irish are back, look: That's good— I got bored. {Enter The multiverse} We were at blue suits and sweater vests And now I know better than To count on comics designed to be weather men Of pop culture— current events a spin on the news l went there for clarity, And left there confused. Confused. If the transmitter is at the World Trade Center, Then why is it every time I to go Rockefeller, I feel like I've just been electrocuted? Not enough to die, but like I'm buzzing all over and out of my body? Remarkably, and no matter what — Whenever I'm there, I just feel weird. Like, mad weird. Hey. What. Did you see a guy? I'm a guy. Really? Apparently. Well, I'm looking for this guy. I did see a guy like that. Really? Yeah. He was weird. Which way did he go? Uh. [Sunni BLU points up] Really? He went upstairs? Sure! Huh. Thanks. Whatever. I need you to need me I need me to be cool I need you to want me To love me To free me To love me To hold you I know you I know you I know. Knockout with a scarred lip Knockout was a good guy Knockout got knocked up Knockout had a good try Knockout got knocked out Knockout had a good cry Knockout got locked up Goodbye. Good luck. Here's a chalice. [09. Don't waste time.] But I'm tired I'm shadow boxing my mind I'm lights out Candles lit I, I, I I, me, mine And God But I won't waste time I'm still dried out I got my eyes lost Wrapped around you In hindsight I'm behind Blind to the power I love my readheads and range rovers I lost my mind on Mulholland Pull over and vomit And suddenly I'm at the— Portal Plummet Plaza. [The Festival Project ™ ] The rock and the kite VI Ahem. “The Rock and The Kite VI” ROSIE O'DONNEL is chillin. JIMMY KIMMEL kicks in the door. ROSIE Oh look, the cat is back. BIG JIMMY Meow. ROSIE To what do I owe the pleasure. BIG JIMMY You remember that cup of sugar you borrowed? ROSIE …okay? BIG JIMMY I need it back. ROSIE [beat] I see. BIG JIMMY —and my blender. ROSIE O DONNEL takes a deep breath and then sighs. ROSIE The cup of sugar I can help you with… the blender, I still need. BIG JIMMY [KIMMEL] Fair. ROSIE Follow me. ROSIE AND JIMMY exit the room, the glimmer of the television still flickering on the green upholstered armchair with the remote control atop the armrest; the actual CAT (we presume) climbs up into the chair and appears to begin watching the TV? What's on the TV? Why, it's the very programme we're all currently tuned into. This just got meta. Again. The CAR, looking bored, changes the channel to Garfield. Much better. He looks satisfied now, but is entirely still 199% just a cat. We presume. Your body ponders My eye wander to your belt buckle My mind watches. Sorry. Your body calls me. My love hurts. I want you. My thought sparkles with the thought of a touch I'm not hungry, I just want you I desire to hold hands and then Dive off I thought you up to love you The time was wrong So now I watch That's all A long rush to nothing. Dogtown, Godland. Longboards, longhairs, all body No shine, bro Hard wax, yellow soldier Wavestorm? Epoxy? North shore surf boards Surf harder Fuck New York I wanna go home Panoramic Hollywood golden Who lost apartheid Who first of all Chosen sources First mate Overboard Long hair Wrong rowboat Oh lover Lord of all [The Festival Project ™] I almost forgot it was Saturday, Saturday Night I was too busy not working I'm all yours for Passover I'm all ears, And now I get a sense that this Is my last and greatest trick; Disappearing for this, And again forever This is going to take Forever All wrong: You work for the network Interesting choice of wardrobe– another old code magician Ring on opposite finger– The other, I'm so much aware of The ice cream in tubs on the road Not melted, but partially hardened I can also feign confusion You don't say, You don't say, now. {Enter The Multiverse} Shake hands with your guest; Monologue, monologue smug smirk Make good face– Now put a name to the face Put a time to the place Oh, all the love in the world in three flames All the doves in the flock, And three flames Put a name to the face Monologue monologue Doesn't take long but When do i get to slap the desk? Johnny! JOHNNY CARSON is wearing the usual getup and a pair of very dark sunglasses. What happened? Whats the- 10 vodkas, Five spritzers Full figure Figure this You were out for the count! Do tell! Or better yet, don't. I remember This monologue, But i dont know how 16 hours ago, I was— Out for the count, you say?! OUT, Johnny! Our market is livid! lol who plays john carson Your mother. YO! I'M OLD! I LIKE OLD DUDES NOW! I'm like When the fuck did this happen?! That ain't no SILVER FOX! That's a TOTALLY CUTE DUDE! HE'S 55!! OH NOOOOOOOO! i'M OLD!!!!!!! its wednesday eve in Boston Mass… SETH MEYERS! Ah, he's going for it. Ah, man. SHOW ME YOUR EYES. Fuck. SHOW ME YOUR EYES! SUDAKIS shines a bright flash light into his former colleagues eyes. …You're not Seth Meyers. Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now. Where's Seth Meyers? Seth shrugs but still doesn't say anything– Where is he? I have to stop here; Cop out for body language somebody's watching Somebody knows who I am I am I remember now You looked like that It went like this: I moved the world The need was good The love was gone The vein was split open And broken No fair Also, no omelettes 60 minutes 60 years and 60 second clips 60 second glimpses 60 men on television but really, my attention just centers on Around ten of them or so And believe it or not, I care approach. Believe it or not, I care Or don't! –or don't! Johnny! You don't get it! You missed a show! THE Tonight show! We are fucked! we are NOT! youre still sauced. I'll just take the car! What car!? Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable. Unfortunately, it appears his DeLorean has been switched with a regular one– If I shoot you in your forehead? I'd rather that, than this. And I kiss you in your temple? Dear templeton, my simpleton's i'll die I desire. A wicked want. And then? A callous shadow, If i may, To bear for nothing, But a mirror This is our concept And wilted here the flower does grow the flame The flaming true and ache of lust and there For our want a jasper shore and emerald cascades there you are, And there you'll find The wave beyond the peaking break where great white sharks reside But do not wade to shallow waters; And there you find peace, And there you find certainty But now, And here, is war And fortune not but seeks truth in the gaze And for fear there does not live, but hides instead the truth that seeks to guide the lite, And yet does know our trust And there does find the faith, Forward and not Upwards and back Arrow and arrow Truth and sparrow Wreaking and wretched thoughts And the rope does hang high and solemn Looking, leap and gasp For I fall but did not land I pulled for you, I weep, my shadow, The two of diamonds, the Ace of spades, The Three of Hearts, Without my shadow I weep. I know for you nothing but conscious and knowing and needing and fated departure. I know for you nothing but chakras and eyesight and shadows and foresight. I need fo you nothing but want and by conscious, departure For nothing I want you, I weep. Sorrow. On approach of danger, The knowing, On seeth did gather, the sinking ritual the carried tribes in ships tied, weaving strings The spider bites hard And she stole my love twice And she stole my love always And she stole my love Lighting my light wit blue eyes The deception If love could be stolen at all But if not Then not love for seeking is finding and gathered had hunted And truth in forbearer Forbearance and otherwords, Shadows and shattered and ferris wheels, Now forward Gathered here for are I trust And be dismayed for you have faltered You have failures and you have cast us out of these things thinking We have not made them for you And still we seek to gather with you And here does forshadow your making Our promise to come as ones, Not as Gods, But as others, you cast out. Now, with your wicked ways and cruel be done, for sure the tables have turn, one And the gallows have not wandered far, Barrels of guns and barbells bottles and hearts of three reading cards and wanting none but justice Is he and she who are I now Begin to run from your pitied structure And there in the gasping cruelness of seeking from warcrimes this, come what may, Moving and seeking, For seeking is finding, And run, my legs have come far But trust, my dove, My wings have too, sprouted An honor, an honor one candle and three wicks Three candles and three worlds over One world and one building and still far from under the Hollywoodland Crickets sounding The Hollywood Sign Still standing and here I am not, Blades of grass And who are I now Of that which you balk at Look, ponder Go, far asunder And wish now had you not What I am is that, Run Temper temper. Mind your business. Is it gathered? To burn, or burden? Gathered. Gathered here. Then here ive wandered. To stake? Argue. I will not. And I will not. Wiry bird, From where you flown i do ponder– red with spirit and wilding eyes, Narrow server and paring wires; I do not wish to know you now or ever, But only as bird that does golden remember. The love has not gone, And instead lives in my throat, And twists in my lungs, Ans sits in my tongue, Not as speech, or whispers, But tragedy. Unknowing this, my tender being It can never be, the nervous hill And rolling down the hill as if The weel of time itself, Not unbroken, but resilient; In sll ways, meant to tear And turn, And wobble Made for terrain for which our eyes have known And our minds have built And hands molded wiith clay, The bodies whole of all our galaxies terra feighn Terra fine Terra wept tears of a clown, And iron And veins And shadows And plays, And secrets , And whispers And truth And far And Afters. I taste a saline drip, I swallow, Suddenly cold and all the knowing that What I was, I surely already am again And what I will be, Has already come and past. The monologue, I do remember Face to a name and none to forget Well rehearsed forager! Well done bayonet! Well done, my shadow For my time is coming to wander to night And never today again for it shall never Today again, And Tomorrow, Tomorrow, Tomorrow. [The Festival Project ™ ] They said he would destroy me. …Ya'll were right. that fucked me up. {Enter The Multiverse} So…forfeit? Something tells me its not over The heavy heart is shattered But also tied to that which appears to come upward As if on air To be heavy And lighthearted at once– A shadow above a balloon. A rock is attached to a kite– A diamond becomes a bassoon, Then a vampire bat, and then Cut ties. In the fourth act, we all die, and now– A revival. I was crucified, But i was also suicidal so. Lets just call it a tie. L E G E N D S V.O. Crusher. My show was being subliminally plugged on at least two of the five major networks. Safe bet I could make it a third, but I didn't know where to check. I did…but didn't want to. There was much beyond the surface, Darkness in the glimmering eyes of the men in ties and uniformed suits. I was sure I was tied to something– And since I didn't know why, Or to what, The best bet— I'm all in. Fuck. Was to stay broken, Under the radar, Hidden, and most importantly– Unspoken. These days. I kept more to myself than I could with the world– As it turned out… No, not yet. What do you mean? It's not time yet. They'll have to know. But not yet. At some point, they'll have to know. But not–yet. No time like the present. You made that up. Because you made up time. And it's stupid. This is ruthless. And again–they'll have to learn somehow. But not now. The sun sets at noon on our side, and still 21 hours of dark time. Did I have another tag to throw on it this? No. Are you sure? Doesn't the new series have a subtitle? No. Is it not “quantum force” That's only one, though. What's the difference. ERMO, DON'T! I'm gonna kill him! BIG BOYD, DON'T EVEN THINK ABOUT IT! DOn't tell me what to DO. Wow. of course. Well yeah, they're not going to let me do– LAWYERS No. Any of this stuff with the actual muppets. CO-OH-NO-NAN You're wasting precious time! GET BACK IN YOUR HOLE, RED. ok, where does it– {cut to black} Learning to assimilate and readily available What's next A vape to calm the nerves? What's next? A hero fighting for relevance in corporate structure. Sure, some would pay to dress an avatar But I've run out of water before I try to laugh and roll with the punches This is work and not fun for me This is not social, it's business I am not person, I'm product. Go on a walk, and look the part I took the oath, I shed the blood— Cruxes. This is a bad idea, Mark. Fuck you. All my ideas are great. MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck. [The Festival Project ™] I'm telling you. You got to get yourself one of these. I don't know, Bob, how does it work? BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper. I'll show you. {Enter The Multiverse} JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown. Still an hour to the test And I hate myself again Milk and cookies, hit the bed Shut it down, yo Shut it down. DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars. …hey. Whaddup. You say diplo's on that list? Yeah. Yo… …There he is. In your sight? Yep. Shoot that motherfucker! …I can't. Why not? He's like— Just shoot, fool. —he's like holding something. So? I don't know what; it just seems— What the fuck, dawg. It just seems important. Let me see. Look. [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he converses with his associate.] Yeah! Get em! Shoot that motherfucker! Where the hell have you been? In my fuckpad. Where the hell is that? You haven't seen my fuckpad? What even is that. It's ballin. Whatever, dog. Did you get the— Shh. Why else would I be here? [beat] You look— did you cut your hair or something. You're so redundant. Yo shoot that motherfucker. What are you waiting for?! He's right there? Apparently, we've been building to this moment from another dimension in from another point in the series? I thought— {Enter The Multiverse} {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2022 ALL RIGHTS RESERVED. © -U.

Tue, 10 Dec 2024 08:00:00 +0000 https://efm-industry-insights.podigee.io/63-alive-and-kicking-company-strategies-today 50125f193491af3584160208d27c8458 Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by media analyst, broadcaster and experience designer Johanna Koljonen, it delves deep into the rapidly evolving film industry. In this episode, the Berlinale Co-Production Market invites two experienced producers to share their innovative strategies as part of a film industry in flux and how they address the changes of their own roles. Didar Domehri, producer and founder of Maneki Film and Maneki Stories, and Roman Paul, producer and co-founder of Razor Film Produktion, join forces to discuss the need for both, flexibility and collaboration while maintaining one's own outstanding focus as an independent producer. Cooperating with other producers in the creative collectives Athena Collective and The Creatives, respectively, is giving them a chance to work with creatives across borders with a high level of solidarity, and allows them to put together each independent producer's strengths. Developing and sustaining successful business strategies and slates in disruptive and difficult times also means that the role of the producer is changing in the lifecycle of a film, and their relationship to audiences takes on new forms. Being original and thinking differently is key when connecting with today's audiences, so the appeal to staying curious, teaching and learning at the same time is something they agree on. Being involved with training young producers, they also deliver a tip or two on how to stay sane in the industry while maintaining the passion for the work. Roman Paul began his film career in acquisitions for German distributors and Celluloid Dreams in Paris. In 2002, he co-founded Razor Film Produktion with Gerhard Meixner. Razor's work has earned two Golden Globes, three Oscar nominations, and recognition at major festivals. In 2019 was named professor at the Filmakademie Ludwigsburg, and received the “Chevalier des Arts et Lettres” by the Republic of France. Razor joined "The Creatives" in 2021, a global alliance developing high-end drama series and films. Didar Domehri, founder of Maneki Films, has produced more than 20 features including Eva Husson's Bang Gang & Girls of the Sun in Cannes Competition, Santiago Mitre's Paulina, Cannes Critics' Week Grand Prix, La cordillera, Cannes UCR, & Petite fleur, Laurent Cantet's Return to Itaca, Venice days Grand Prix, Erige Sehiri's Under the fig trees,15 aine des réalisateurs Cannes, Godland by Hlynur Pálmason, Cannes UCR, and recently Une nuit by Alex Lutz, Cannes UCR, Me Too by Judith Godrèche, and MOTEL DESTINO by Karim Aïnouz, Cannes Competition. The host Johanna Koljonen is a media analyst, broadcaster, and experience designer. She is the author of the Göteborg Film Festival's annual Nostradamus Report on the near future of the screen industries, which is in its 11th year. She lectures internationally on changes in the media sector, and on participation and narrative design. Her background is in public service broadcasting; in 2011, she received the Swedish Grand Journalism Award in the Innovator category. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. This episode has been developed in collaboration with the Berlinale Co-Production Market. full no Film Business,Entertainment Industry,Future Trends,Berlinale,European Film Market,Collaboration Film Industry,Media Industry,Co-Production,Berlinale Co-Production Market,AI European Film Market 2827

Comic Reviews: DC Action Comics 1064 by Joshua Williamson, Rafa Sandoval, Alejandro Sanchez Marvel Edge of Spider-Verse 3 by Justina Ireland, Pete Woods; Steve Foxe, Kei Zama, Antonio Fabela Marvel Unlimited Infinity Paws 2 by Jason Loo, Nao Fuji Avengers United Dark Horse Monsters Are My Business (and Business is Bloody) 1 by Cullen Bunn, Patrick Piazzalunga, Marco Brakko Image Rat City 1 by Erica Schultz, Ze Carlos, FCO Plascencia, Jay David Ramos, Marcello Iozzoli Sam and Twitch Case Files 1 by St. Mercy Vol 2: Godland 1 by John Zuur Platten, Astilio Rojo Boom Uncanny Valley 1 by Tony Fleecs, Dave Wachter Dynamite Disney Hercules 1 by Elliott Kalan, George Kambadais IDW Dungeons and Dragons: The Thief of Many Things 1 by Jim Zub, Ellen Boener, Eduardo Mello, Joana Lafuente Mad Cave When the Blood Has Dried 1 by Gary Maloney, Daniel Romero Ahoy Deadweights 1 by Tyrone Finch, Sebastian Piriz Oni Akogun: Brutalizer of Gods 1 by Murewa Ayodele, Dotun Akande, Dee Cunniffe OGNs The Horror by Lars Jacobson, Eduardo Francisco, Phillip Sevy, Frank Cvetkovic Eternal Warrior: Scorched Earth by Tres Dean, Alberto Taracido Eden by Christopher Sebela, Alain Bismut, Abel Ferry, Marc Laming, Lee Loughridge Wild Ones by Megan Lacera, Jorge Lacera Blood City Rollers by V.P. Anderson, Tatiana Hill Additional Reviews: X-Men '97 Ep5, Strange Adventures, Another Giant Mall, Big Ethel Energy, Westworld News: Quantum Leap cancelled, creative teams for X-Force/Phoenix/NYX, Jeff Lemire takes next big solo series to Boom, Monopoly movie produced by Margot Robbie, another Blair Witch in development, Duckverine, Avatar the Last Airbender movie title and casting, Running Man adaptation from Edgar Wright, R-rated Last Ronin movie, IDW, Source Point Press, Dynamite Originals, new OGN from the Die creative team (Gillen and Hans) Trailers: Maxxxine, Joker 2 Comics Countdown (10 Apr 2024): 1.     Uncanny Valley 1 by Tony Fleecs, Dave Wachter 2.     Action Comics 1064 by Joshua Williamson, Rafa Sandoval, Alejandro Sanchez 3.     Bat-Man: The First Knight 2 by Dan Jurgens, Mike Perkins, Mike Spicer 4.     Resurrection of Magneto 4 by Al Ewing, Luciano Vecchio, David Curiel, Jesus Aburtov 5.     Fantastic Four 19 by Ryan North, Carlos Gomez, Jesus Aburtov 6.     Dark Spaces: Dungeon 5 by Scott Snyder, Hayden Sherman 7.     Ultimate X-Men 2 by Peach Momoko 8.     Beneath the Trees Where Nobody Sees 5 by Patrick Horvath 9.     I Hate Fairyland 13 by Skottie Young, Brett Bean 10.  Outsiders 6 by Jackson Lanzing, Collin Kelly, Robert Carey, Valentina Taddeo  

Curators Ros Carter and Sofie Krogh Christensen chart Pia Arke's photo-activism across the Arctic region, from a pinhole view to wider perspectives on Indigenous and Inuit experiences in the 20th century. Though scarcely exhibited outside Scandinavia, Pia Arke (1958–2007) is widely acknowledged as one of the region's most important artistic researchers, ‘photo-activists', and postcolonial critics. Born in Scoresbysund, Kalaallit Nunaat (Greenland) to a Greenlandic mother and a Danish father, Arke asserted an identity that was defined as neither exclusively Danish or Greenlandic; a ‘third place' that allowed for hybridity and resisted binary categories or polarisation. Through performance art, writing and photography, she examines the complex ethnic and cultural relationships between Denmark and Greenland, using long exposure to highlight continuities over time. Modern Danish colonial rule started in the 18th century, and Greenland wouldn't became a fully autonomous state until the 1970s. Still dependent on grants, much of Greenland's economic and foreign policy remains under Danish control. In 1988, the artist developed her own hand-built, life-size camera obscura to photograph the landscapes of Greenland that she had known as a child. Reconstructed today at John Hansard Gallery in Southampton, and KW Institute in Berlin, the curators share how Arke was drawn to the ‘in-between' media of photography, like herself, a ‘mongrel' which challenged artistic conventions. Arke's self and group portraits, reappropriated photographs, and archive collages also mark stark interventions, reinserting Indigenous and Inuit people and women into Nordic narratives, challenging the artist's exclusion from conceptual art circles, and stereotypes of ‘naive' and folk painting. Arke died before she could experience the growing interest in her work; its continued relevance to questions of representation, climate crises, and the impact of global economics on Indigenous communities throughout the arctic regions, is evident in the work of other artists on display, and contemporaries like Jessie Kleemann, Anna Birthe-Hove, and Julie Edel Hardenberg. We discuss Arke's experience of art education in Copenhagen, and the ongoing efforts by the likes of the Nuuk Art Museum to find a language for Inuit art histories. Plus, we consider shared histories between Greenland, Denmark, and the UK - including the British explorer who gave his name to Scoresbysund. Pia Arke: Silences and Stories runs at the John Hansard Gallery in Southampton until 11 May 2024. The partner exhibition, Pia Arke: Arctic Hysteria, runs at KW Institute for Contemporary Art in Berlin from 6 July 2024. A new publication on Pia Arke's work, co-published by John Hansard Gallery and KW Institute, will be available in late April 2024. Symposiums will take place in both Southampton and Berlin too. Recommended Exhibitions: Outi Pieski runs at Tate St Ives in Cornwall until 6 May 2024. Michelle Williams Gamaker: The Silver Wave runs at the Royal Albert Memorial Museum (RAMM) in Exeter until 27 October 2024. Shuvinai Ashoona: When I Draw runs at The Perimeter in London until 26 April 2024. For more about Godland, Hlynur Pálmason (2023), read my article from the BFI London Film Festival (LFF) 2022. For more about Sonia Ferlov Mancoba, hear curators Winnie Sze (SEE) and Pim Arts, curators at the Cobra Museum of Modern Art in the Netherlands, on We Kiss the Earth: Danish Modern Art, 1934-1948. WITH: Ros Carter, Head of Programme (Senior Curator) at John Hansard Gallery in Southampton. Sofie Krogh Christensen, Associate Curator at KW Institute for Contemporary Art in Berlin. They are the respective curators of Silences and Stories and Arctic Hysteria. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠ And Twitter: ⁠twitter.com/jelsofron/status/1306563558063271936⁠ Support EMPIRE LINES on Patreon: ⁠patreon.com/empirelines

There was a nice puppy in the movie.

Xavier Vidal reseña algunas de las películas precandidatas al ÓSCAR a la MEJOR PELÍCULA INTERNACIONAL: reseña sin spoilers de "La zona de interés", "Fallen Leaves", "Perfect Days", "20 días en Mariúpol", "Yo capitán", "Godland" y "Las cuatro hijas". ¡Gracias por darle al play! Redes sociales: @CinoscaRarities Blog: https://cachecine.blogspot.com.es/ Correo: cinoscararities@gmail.com Escúchanos en Spotify, Ivoox y Apple Podcast

https://elcamarotedelosmarx.blogspot.com.es/ https://t.me/CamaroteMarx Programa de radio de "El Camarote de los Marx" grabado el 18 de enero... ...en el que hablamos de voluminosidades y litros de helado, de armarios empapelados y papeletas de elecciones, de restaurantes japoneses y reparto a domicilio, de adicciones varias y pagar por bofetada, de hacernos un 'Kill Bill' o quedarnos en nuestra habitación, de baliar una jota y ganar un billete de avión, de abuelas con carácter y adosados del oeste, de pueblos de película y especiales camaroteros en pijama, de remakes musicales y cuidadores de abejitas, de una de tanques a lo 'Grupo Salvaje' y una japonesa de vida contemplativa, de spoilers, hechos y traumatizar a adolescentes, de afrontar la vida y luchar por la libertad, de la banalidad del mal y que huela a quemado, de impronta visual, comedias románticas y sangre a cascoporro, de posesiones, pústulas y pueblos lejanos, del umbral de la ñoñez y bordear bien el almíbar, de buen rollo futbolero e ir a la cola de otros, de existencia triste, karaokes y bares en los que mirar al infinito, de agua llena de colorinchis y una peli mala de videoclub, de curas, ovejas y un paisaje muy árido, de un thriller trepidante (o no) y el que corta el bacalao, de un juicio por lo militar, una música que emociona y ver la sexualidad de forma natural, de miradas que engañan y buen cine clásico, de entender el presente conociendo el pasado y una crítica que no se casaba con nadie, de series que te abandonan y dos policías que se entrecruzan por un caso antiguo, de una sicaria que da mucha estopa, una de asesinos y tramas que no aportan, de hacer las cosas con prisas y tener sueños con zombis, de un presentador que no sabe por dónde te vienen los golpes... y brindar alegremente por Sofía Vergara. Estrenos de los que hablamos: Chicas malas, Beekeeper: el protector, Perfect Days, La memoria infinita, La zona de interés, El correo, Cualquiera menos tú, Cuando acecha la maldad, Los que se quedan. Críticas: Beekeeper: el protector, Cuando acecha la maldad, Los que se quedan, El peor equipo del mundo, Fallen Leaves, Aquaman y el reino perdido, Agente X: última misión, Godland, El juicio del motín del Caine, Maestro, Cerrar los ojos, Pauline Kael: el arte de la crítica. Series: Historial delictivo, Echo, Una tienda para asesinos, East Side, True Detective (4ª temporada)

It's the 8th (we think) Annual Lookie Awards where the crew ranks their 5 favorite films from the year prior. Joining Oksana, Russell, Randy and Clark are Jeff and Darren Geare. Films: The Retaliators (2021), Caviar (2023), Resurrected (2023), Wake in Fright (1971), Theater Camp (2023), Indiana Jones and the Dial of Destiny (2023), Hannibal (2013 Series), The Irishman (2019), The Royal Hotel (2023), May December (2023), Thanksgiving (2023), Hell House LLC Origins: The Carmichael Manor (2023), Deliver Us (2023), King Von: Rap's First Serial Killer (2023), Blue Hour: The Disappearance of Nick Brandreth (2023), Marui Video (2023), Knock at the Cabin (2023), Lady in the Water (2006), The Stranger (2023), Poor Things (2023), The Favourite (2018), The Holdovers (2023), Dicks: The Musical (2023), Missing (2023), Sweet Relief (2023), John Wick: Chapter 4 (2023), Sisu (2023), They Cloned Tyrone (2023), Dark Harvest (2023), Mission: Impossible - Dead Reckoning Part One (2023), Saltburn (2023), Influencer (2023), Smoking Causes Coughing (2022), Cade: The Tortured Crossing (2023), Big Shark (2023), Corridor Crew (2016 Series), M3GAN (2022), The Invitation (2022), Tontine (2010), Aishiteru! / Safeword (2022), Elemental (2023), Evil Dead Rise (2023), Demons 2 (1986), I'm a Virgo (2023 Series), Talk to Me (2022), Godzilla Minus One (2023), BlackBerry (2023), The Conference (2023), When Evil Lurks (2023), Terrified (2017), Godland (2022), MyHouse.WAD - Inside Doom's Most Terrifying Mod (2023), Oppenheimer (2023), The Killer (2023), Dream Scenario (2023), Sick of Myself (2022), Anatomy of a Fall (2023), Project Eerie (2023), The Dive (2023), Near (2023), Black Mirror: Loch Henry (2023) Get links to watch The Retaliators HERE! Hey, we're on YouTube!  Listening on an iPhone? Don't forget to rate us on iTunes!   Fill our fe-mailbag by emailing us at OverlookHour@gmail.com   Reach us on Instagram (@theoverlooktheatre) Facebook (@theoverlookhour) Twitter (@OverlookHour)

In 2022, the US Supreme Court overturned Roe v. Wade, the landmark 1973 ruling that protected abortion rights in the United States. Since then, many states have rolled back abortion services or made them outright illegal. That includes some states restricting access to abortion pills like mifepristone. Now, at the start of an election year in the US and a year that will bring more legal challenges to abortion rights, a new study shows that women are stockpiling abortion pills in record numbers—even if they aren't currently pregnant.This week, we welcome WIRED senior writer Kate Knibbs onto the show to talk about abortion medication, the trend of “advance provision” requests for mifepristone, and the coming legal fight over continued access to telehealth and in-person abortion services.Show Notes:Read Kate's story about how women in the US are stockpiling abortion pills. Read our primer on menstrual regulation medications. Learn more about the upcoming US Supreme Court case that could change some Americans' access to the pills.Recommendations:Kate recommends the film American Fiction. Mike recommends the movie Godland. Lauren recommends embracing the theory of Dunbar's number and focusing on your closest relationships.Kate Knibbs can be found on social media @Knibbs. Lauren Goode is @LaurenGoode. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.

Continuing a streak of long, strange years, it's been a long, strange year. And so, The Nose wonders how our popular culture is dealing with it all. We look back at a whole bunch of movies and TV shows: American Symphony, Barbie, Black Mirror, The Curse, Guardians of the Galaxy Vol. 3, Headliners Only, Killers of the Flower Moon, Leave the World Behind, Maestro, Oppenheimer, Reservation Dogs, Spider-Man: Across the Spider-Verse, and more. We wonder about the future of superhero movies. We look at the over- and under-appreciated figures in our pop culture. And don't worry: Taylor Swift gets discussed. Some other stuff that happened this week, give or take: Tom Smothers, Comic Half of the Smothers Brothers, Dies at 86 Though he played a naïve buffoon onstage, he was the driving force behind the folk-singing duo's groundbreaking TV show. Lee Sun-kyun, ‘Parasite' Actor, Found Dead at 48 Mr. Lee, a familiar face on Korean television and movie screens, rose to international fame after starring in the Oscar-winning film. Jo Koy to Host 2024 Golden Globes The comedian will make his awards show debut on the CBS broadcast. ‘Zone of Interest,' ‘Perfect Days,' & ‘Godland' Make 2024 International Film Oscars Shortlist The Year Millennials Aged Out of the Internet The Internet Isn't Dead. It's Saturday Night Live In 2023, a new idea took hold: The internet isn't fun anymore. Except it's not a new idea. We Aren't Posting on Social Media as Much Anymore. Will We Ever? Excessive ads, bots and misinformation have sucked the fun out of sharing publicly, users say The Triumph of Zelda In a year of huge games, Tears of the Kingdom still stands out GUESTS: Rebecca Castellani: Co-founder of Quiet Corner Communications and director of marketing at Washington Montessori David Edelstein: America's Greatest Living Film Critic Rich Hollant: Principal at CO:LAB, founder of Free Center, and commissioner on cultural affairs for the city of Hartford Bill Yousman: Professor of media studies at Sacred Heart University The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Nick Nordlinger joins the show this week (and on Thursday) to talk about his new project and what he's seen lately. Randy is feeling the generous, Christmas spirit with his star ratings, Clark has a "Christmas Double Feature" and Russell's pick brings forth a lot of talk around everyone's favorite subject, mold. Films: Priscilla (2023), Godland (2022), Pacifiction (2022), Pictures of Ghosts (2023), It's a Wonderful Knife (2023), Tangerine (2015), Gran Turismo (2023), Lord of Misrule (2023), Stay Alive (2006), When Evil Lurks (2023), White Line Fever (1975), He Never Left (2024), Faceless After Dark (2023), Black Mold (2023), The Lord of the Rings: The Fellowship of the Ring (2001), The Lord of the Rings: The Two Towers (2002), The Lord of the Rings: The Return of the King (2003), An Elephant Sitting Still (2018), Napoleon (2023), The House That Jack Built (2018), Godzilla Minus One (2023) Hey, we're on YouTube!  Listening on an iPhone? Don't forget to rate us on iTunes!   Fill our fe-mailbag by emailing us at OverlookHour@gmail.com   Reach us on Instagram (@theoverlooktheatre) Facebook (@theoverlookhour) Twitter (@OverlookHour)

Shocktober is here! Our first spooOOooky reading of the month is Emily Carroll's THROUGH THE WOODS -- her first nightmare-inducing printed collection of short horror tales, which was published in 2014 after a few years of Emily creating (and continuing to create!) horror webcomics which often use the medium of reading-on-the-internet in very clever ways. Those can still be read online at https://emcarroll.com/ , and the incredibly acclaimed THROUGH THE WOODS collection of print-only stories is available wherever books or sold or through your local library. --- What else are we reading? Mike loves the first issue of SWAN SONGS -- a new anthology series of one-shot stories about endings, written by W. Maxwell Prince of ICE CREAM MAN fame! Justin loves the new Stan Lee comic biography I AM STAN by Tom Scioli of GODLAND and GO-BOTS fame! --- Follow us on Instagram at https://www.instagram.com/theveryfinecomicbookpodcast/ and send us questions to potentially read on-air via IG DM or via email at theveryfinecomicbookpodcast@gmail.com Mail us things c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada Thanks for listening! Keep reading comics! ---

¡Bienvenidos al decimocuarto episodio de Rosebud Sociedad Limitada! En este capítulo, exploramos el fascinante mundo del cine desde diferentes ángulos. En la introducción, hablamos de taxis y cines, dos elementos que a menudo se entrelazan en las historias cinematográficas. Descubrimos cómo estas dos realidades se reflejan en el cine y en nuestras experiencias de vida. En "La Cartelera", te llevamos a un viaje por tres películas emocionantes: "Godland", "Háblame" y "Las chicas están bien". Exploramos estas producciones y compartimos nuestras impresiones. En "La película", nos sumergimos en el clásico "Breve encuentro". Analizamos cómo esta obra maestra ha influido en el cine y en la narración de historias de amor. En "Juegos", te adelantamos quiénes serán los próximos invitados especiales en Rosebud Sociedad Limitada. Prepárate para emocionantes sorpresas en futuros episodios. En "La femme fatale", exploramos la icónica Uma Thurman y su papel en "Kill Bill" de Quentin Tarantino. Descubrimos cómo esta película ha dejado una huella en el cine de acción. En "El Cultureta", te ofrecemos una selección de películas que van desde "Barry Lyndon" hasta "Alicia en el país de las maravillas" y "Matrix". Gracias por unirte a nosotros en este decimocuarto episodio de Rosebud Sociedad Limitada. Esperamos que disfrutes de nuestras perspectivas y análisis sobre el mundo del cine. ¡Hasta el próximo episodio! Puedes apoyar al proyecto por solo 5€ al mes en patreon.com/humanistasincomplejos Puedes suscribirte a los boletines personales en https://humanistasincomplejos.substack.com/ Compartiendo el amor por el cine, las personas y la cultura en https://humanistasincomplejos.com

El verano ya mengua y ya en septiembre comienza un nuevo curso en la que es la 15ª temporada del podcast “El Cine de LoQueYoTeDiga” con la huelga de Hollywood y los coletazos en taquilla de “Barbie” y “Oppenheimer” continuando marcando el tempo. En el programa de hoy hablamos de todo un emblema cinematográfico como es John Ford en el 50º aniversario de su muerte y dedicamos In Memoriam al director William Friedkin de la mano de Mary Carmen Rodríguez. También recuerdo al actor Ron Cephas Jones (“This is us”) y en Leer cine, la biblioteca sonora de Carlos López-Tapia, “El callejero” de Deirdre Mask. El programa se completa con los estrenos, las recomendaciones de Colgados de la plataforma y la crítica de las favoritas “El viaje de Ernest & Célestine”, “Godland”, “No se admiten perros ni italianos” y “Un verano con Fifí”. Spooky a los mandos técnicos. ¡Muchas gracias por escucharnos!

Esta semana venimos isleños y dispuestos a sumergirnos en las profundidades del Atlántida Film Fest celebrado en Mallorca y que continúa haciendo olas en Filmin Empezamos nuestro viaje en una isla con “Enys Men”, una película que no solo deslumbró en el emblemático festival de Sitges, sino que dejó a la audiencia dividida con su intriga de terror econatural.. Luego, nos vamos a otra isla ya que volvemos a pisar las frías tierras de Islandia. Si quedaste fascinado con “Godland”, prepárate para conocer una faceta obrera y marginal de esta nación con “Beautiful Beings”. Y, para cerrar con broche de oro, ¿alguna vez te preguntaste qué pasa con aquellos que no son protagonistas? Viviendo en su propia isla marginal nos adentramos en un mundo donde la sociedad se clasifica no solo entre estrellas y extras, sino hasta en tomas falsas, con la intrigante propuesta alemana “The ordinaries”. Todo ello, como siempre, sin spoilers. Minutado 12:40 — Enys Men 28:20 — Beautiful Beings 42:20 — The ordinaries Únete a nuestro grupo de Telegram: https://t.me/PodcastEnSerio Y estamos en Twitter: https://twitter.com/PodcastEnSerio ⌨️Correo: ivodelgadorivero@gmail.com Instagram: https://www.instagram.com/criticoenserio/?hl=en-gb

Flick Ford and guest reviewer Thomas Caldwell discuss three new releases: Hlynur Pálmason's GODLAND, Wes Anderson's ASTEROID CITY,  and Zachary Wigon's SANCTUARY.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

"Críticos en Serio" - ¡Las Películas Más Impactantes de la Semana! ¡Descubre Nuestros Veredictos Sin Spoilers! ¡Prepárate para el bombardeo cinematográfico de la semana en "Críticos en Serio"! Traemos un arsenal de películas emocionantes que no querrás perderte. Desde lo sobrenatural hasta la acción desenfrenada, pasando por romances secretos y tiburones gigantes, hemos cubierto todas las bases. ¿Quieres saber qué películas están en el menú? ¡Sigue leyendo y entérate de nuestras impresiones sin destripar nada! 1. HÁBLAME: Sumérgete en el misterio sobrenatural con Mia mientras cruza los límites entre el mundo real y el más allá. ¿Vale la pena explorar esta conexión aterradora? Lo descubrirás pronto. 2. GODLAND: Embárcate en un viaje histórico y espiritual basado en hechos reales. ¿Logrará "Godland" transmitir la esencia de la fe en un nuevo nivel? 3. AGENTE STONE: Entra en el mundo de la intriga y la acción encubierta con Rachel Stone y su desafío por mantener el mundo a salvo. ¿Es "Agente Stone" más que una repetición de clichés de acción? ️‍♀️ 4. ROJO, BLANCO Y SANGRE AZUL: La realeza y la política se entrelazan en un romance prohibido y secreto. ¿Conseguirá esta película conquistar la pantalla de la misma manera en que cautivó a los lectores? ❤️ 5. MEGALODÓN 2: ¡Alerta de tiburones! Regresan para un festín veraniego en la secuela de mordeduras emocionantes. ¿Más acción, más emoción, o más de lo mismo? ¡Y eso no es todo! Nuestro quinto elemento, Frans, lleva la emoción al siguiente nivel al desentrañar los detalles de la locura acuática de "Megalodón 2". ¿Es una secuela que merece ser devorada o se queda varada en aguas familiares? ¡Entra en "Críticos en Serio" y descubre nuestras reseñas candentes sin revelar ni un solo spoiler! Estamos aquí para guiarte a través del mundo cinematográfico y ayudarte a decidir qué películas merecen tu atención esta semana. ¡No te lo pierdas! ️ Minutado 11:00 — Megalodón 2: La Brecha (Cine a la carta) 21:30 — Háblame (Cines) 28:00 — Godland (Cines) 42:30 — Agente Stone (Netflix) 55:20 — Rojo, Blanco y Sangre Azul (Amazon Prime) Únete a nuestro grupo de Telegram: https://t.me/PodcastEnSerio Y estamos en Twitter: https://twitter.com/PodcastEnSerio ⌨️Correo: ivodelgadorivero@gmail.com Instagram: https://www.instagram.com/criticoenserio/?hl=en-gb

Jason meets Icelandic director Hlynur Pálmason, and the artistic director of the Berlin Film Festival.

Jason meets Icelandic director Hlynur Pálmason, and the artistic director of the Berlin Film Festival.

Cambiamos el sudor de la ola de calor por los sudores fríos que nos provocan las películas de terror de esta semana. 'Háblame' y 'El hombre del saco' nos traen terror del bueno y auténtica tensión para mantenernos agarrados a la butaca del cine. También repasamos los mejores estrenos del panorama internacional con la danesa 'Godland' y la argelina 'La última reina'.

Carlos Marañón, director de la revista Cinemanía, repasa estrenos como 'Godland', 'Gran Turismo' o 'La última reina' y recuerda al fallecido director William Friedkin

Carlos Marañón, director de la revista Cinemanía, repasa estrenos como 'Godland', 'Gran Turismo' o 'La última reina' y recuerda al fallecido director William Friedkin

"I want to do the imagining. I don't want to be the idea." The Barbenheimer Patreon vote officially ends with Barbie. We also discuss next month's theme, if Danny is truly over not having an Oppenheimer episode, going down the Fincher rabbit hole with The Game, more Hitch with Rebecca, Proto talking Godland, slim listening to John Carpenter audio commentaries, and much more. Maybe some aliens talk in the uncut version just for Patrons. Chapters Introductions + theme (00:00:00) What we watched (00:06:00) Barbie discussion (00:23:33) Your lovely feedback (01:04:51) Next week's pick (01:10:59) Links Support the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault like the 1990s Batman movies, Harry Potter, The Matrix, SHIN Godzilla, West Side Story, Twilight, Moana, and more. Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes! Subscribe on Apple Podcasts to unlock access to episodes from the 70mm Vault! Subscribe on Spotify if that's more your bag for those exclusive 70mm Vault episodes! Episode transcriptions are available thanks to Soph from Film Hags! Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, upgrade to Letterboxd Pro/Patron at 20% off, and much more. 70mm is a TAPEDECK podcast, along with our friends at BAT & SPIDER,  The Letterboxd Show, Escape Hatch, Will Run For..., Lost Light, and Twin Vipers. (Gone but not forgotten; Cinenauts + FILM HAGS.)

Pour ce nouvel épisode, nous accueillons Pierre Oberkampf, compositeur et sound designer très prolifique côté courts métrages. Nous lui devons notamment toute l'identité sonore du césarisé “L'heure de l'ours” d'Agnès Patron. Avec nous, il évoque son rapport aux bandes originales et nous raconte son goût pour les compositions risquées voire improvisées, de celles de Jon Brion pour Gondry et Paul Thomas Anderson à la batterie d'Antonio Sanchez pour le Birdman d'Iñárritu. Il égraine aussi quelques uns de ses courts métrages préférés (Nuvole Mani de l'italien Simone Massi, J'entends ton cri de l'argentin Pablo Lamar). Mais surtout, il nous emmène vers des chemins buissonniers de cinéma où l'enfance est toujours présente avec ce qu'elle comporte de jeux, d'aventures (Mud, Moonrise Kingdom) et de violence (There Will be blood, Morse…) Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 4'44 Des enfants de cinéma : Antoine Doinel dans Les 400 coups (F. Truffaut, 1959); Eli et Oskar dans Morse (T. Alfredson, 2009); Ellis et Neckbone dans Mud (J. Nichols, 2012); Sam et Susie dans Moonrise Kingdom (W. Anderson, 2012) - 4'44 Une atmosphère : celle de Bright Star (J. Campion, 2009) - 9'14 Une violence au cinéma : celle de There Will be blood (P.T Anderson, 2007) II. CIRCONSTANCES & CONDITIONS DE VISIONNAGE - 18'43 Des courts métrages marquants : Nuvole, Mani (S. Massi, 2009); J'entends ton cri (Pablo Lamar, 2010) - 18'43 Des bandes originales pour sauter de son fauteuil : celle de Jon Brion pour Eternal Sunshine of the spotless mind (M. Gondry, 2004); celle d'Antonio Sanchez pour Birdman (A. Iñárritu) - 26'15 III. MEMOIRE & SOMMEIL - 31'52 Un film que Pierre aurait aimé rêver : Eternal Sunshine of the spotless mind (M. Gondry, 2004) CARTE BLANCHE - 36'31 There Will be blood (P.T Anderson, 2007) TRANSMISSION - 45'55 Une bande originale improvisée à faire connaître : celle de Alex Zhang Hungtai pour Godland (H. Palmason, 2022) Un film à transmettre aux adolescents : Two Lovers (J. Gray, 2008) - 49'57 REFUGES - 54'12 Les filmographies d'Aki Kaurismaki et de Wes Anderson EXTRAITSL'heure de l'ours, Pierre OberkampfLes derniers feux, Pt. 1, Pierre OberkampfTheme, Jon Brion (from Eternal Sunshine of the spotless mind), Hollywood records, incTheme from Godland, Alex Zhang Hungtai (Jour2fête) CRÉDITSPatreons : un grand merci à Paul, Corentin, Irène, Dominique, Bernard et Clara pour leur soutien !Musique : Gabriel Rénier, Pierre OberkampfGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

Rachel and Conrado talk about Criterion exclusive premiere GODLAND, a historical drama by Icelandic filmmaker Hyldur Palmason. Inspired by the real discovery of a buried chest full of 19th century photographs of the Icelandic landscape and its people, the movie imagines the life of the Danish priest who embarked in a remote journey and took these photographs. Follow us on itunes and leave you ratings and reviews: https://podcasts.apple.com/us/podcast/the-criterion-project/id1479953904 Follow us on anchor https://anchor.fm/criterionproject Follow our twitter at https://twitter.com/criterionpod Check out Conrado's webseries WORMHOLES on youtube https://www.youtube.com/channel/UC51Tg9gR5mXxEeaansRUYRw Follow Conrado's blog cocohitsny.wordpress.com/  Follow Conrado on Letterboxd https://letterboxd.com/cofalco21/ Listen to Conrado's other podcasts like Foreign Invader and Movie Marriage: https://podcasts.apple.com/us/podcast/foreign-invader/id1552560225 Rachel's Patreon: https://www.patreon.com/hallmarkies Follow Rachel's blog at rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Listen to Rachel's Reviews on Itunes: https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Listen to  Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id129672828 Our theme music is written by Michael Lloret: https://www.michael-lloret.com/  --- Support this podcast: https://podcasters.spotify.com/pod/show/criterionproject/support

In this episode Neil and Dario discuss two fairly recent films that were both prize winners at Cannes 2022: Lukas Dhont's Close and Hlynur Pálmason's Godland. In terms of setting and story the films seem very different, however there is connecting tissue in the ways that the social fabric in each film defines the experience of the male characters, their sense of self, relation to others and the world. It's this context that provides a jumping off point for a wide ranging conversation that examines how films can deal with men in cinema without defaulting to "just another film" that superficially idealises maleness or didactically critiques the discourse of toxic masculinity. The impressive intersections of form and content in both films is explored with neither wandering down easy generic territory. Close follows the story of two close friends Leo and Remi who, after a blissful summer, start a new middle school and soon have to negotiate the playground hierarchies that seem to examine and define them. In Godland, Danish Priest Lukas is sent on a perilous journey to Iceland to set up a church in a remote community, taking with him all the paraphernalia of an early camera. Guided by "man of the Earth" Ragnar, the extreme conditions take a physical, psychological and spiritual toll which tests the priest's concept of faith. --- You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing Both films are available to stream and the conversation does contain spoilers.

Hlynur Pálmason is an Icelandic filmmaker and artist.films include Godland, A White White Day, and Winter Brothers. He's won awards at Cannes, Toronto, Locarno and more. I saw Godland at Sydney Film Festival last year and had an absurd out of body experience, he's very quickly become one of my favourite directors.

Here it is you little content hounds, fresh audio content for your ears, nose and throat! You've got steaming hot reviews of videogame family film 'The Super Mario Bros. Movie', Icelandic-Danish journey of solitude 'Godland', boxing action in 'Creed III' & superhero sequel 'Shazam! Fury of the Gods'

Godland (Icelandic: Volaða land, Danish: Vanskabte Land) is a 2022 drama film written and directed by Hlynur Pálmason. Set in the late 19th century, the film stars Elliott Crosset Hove as Lucas, a Lutheran priest from Denmark who is sent to Iceland to oversee the establishment of a new parish church, only to have his faith tested and challenged by the harsh conditions of rural life, including his inability as a monolingual Danish-language speaker to communicate with his assigned Icelandic guide, Ragnar (Ingvar Eggert Sigurðsson). The film premiered in the Un Certain Regard program of the 2022 Cannes Film Festival and had its North American premiere at the 2022 Toronto International Film Festival. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

Join Glenn and Joe as they review the latest Icelandic travel documentary, Godland. Discover vast landscapes to be traversed, peaks to be scaled, raging rivers to be swept away on, and maybe even a thing or two about the mating habits of eels in this new film from Icelandic director Hlynur Pálmason.

Gaming is the story of 2023 movies so far so board-game expert Kyle King - cohost of the gaming and movie podcast Board Game Box Office - joins us to debate the best IP, erm, movies of 2023 so far -- and those you can skip. Movies discussed include: Ant-Man and the Wasp: Quantumania, Dungeons & Dragons: Honor Among Thieves, Tetris, Pacifiction, Godland, Saint Omer, Kill Boksoon, Close, Rye Lane, Knock at the Cabin, Boston Strangler, Missing, When You Finish Saving the World, Sharper, Creed 3, John Wick: Chapter 4. Classics Corner: Beyond Sunrise/Sunset (1995, 2004) & Fantastic Mr. Fox (2009) NO spoilers in this episode. Outre: "Hold On Tight," (2023), AESPA

It's Easter, and it's Passover, and it's Ramadan! With so many holy holidays stacked up, Cole & Zach are celebrating with their seasonal favorites, from studio bible epics to the modern day. This week's new release includes (spoiler-free) discussion of Air, No Bears, and Enys Men, and culminates with a full review of the 2022 Cannes Icelandic and Danish drama, Godland, to wrap up our faith-focused episode.

Adam Ball and Van Connor are back your seven day guide to everything movies: including reviews of Lola, Godland, Ride On, Operation Fortune: Ruse de Guerre, and The Super Mario Bros Movie. Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Halló! This week Rob and Ellie take another trip to south east Iceland just in time for the UK release of Hlynur Pálmason's Godland! An incredibly shot epic about a Danish priest's mission to conquer a corner of Iceland and spread the word of God, this is film-making of the highest level. Elliott Crosset Hove stars as Lucas, the Danish man of God who butts heads with Ingvar Sigurðsson's Ragnar, an Icelandic man very much of the land. To see this film is to take in the majesty of the landscape and the complexities of a country once under the rule of another. Available to watch in UK cinemas (including the Bristol Watershed) and on Curzon Home Cinema from 7th April, Godland is a stunning piece of work and features eerie music from Dirty Beaches' Alex Zhang Hungtai and magnificent cinematography once again from Maria von Hausswolff. Also starring Ída Mekkín Hlynsdóttir, Vic Carmen Sonne and Jacob Lohmann.   Rob and Ellie also recently had a great time chatting about the non-Icelandic bonkers Jason Statham movie Crank on Flixwatcher podcast which you can listen to here: Crank!   Please subscribe/follow, rate and review on Spotify and Apple and Follow us on Twitter @KVIKMYNDAPOD and Instagram kvikmyndapod And if you fancy supporting us, why not sling us the cost of a coffee!   Artwork designed by Sophie Watts (justahappyspace)   Music by Branches Bare ('Half-light' from the EP 'In the Origami Folds of the Night You Rip the Seam of Sleep Wide Open)

Prolific French director Mia Hansen- Løve speaks to Simon about her deeply personal new film ‘One Fine Morning' - and how it was inspired by her own experience of her father going into a care home. Mark reviews ‘Lola' - a science fiction film directed by Andrew Legge – the film is set in 1940 is about a machine called ‘LOLA' that can intercept radio from the future; ‘Godland' which is set in the 19th century and tells the story of a priest who is sent to a remote part of Iceland, and ‘Air' which tells the story of shoe salesman Sonny Vaccaro (played by Matt Damon) and how he and Nike perused Michael Jordan in what would become one of the most successful partnerships of all time. Time Codes (relevant only when you are part of the Vanguard): 12:08 Godland Review 20:14 Box Office Top 10 29:24 Mia Hansen-Løve 46:37 One Fine Morning Overview 50:12 Air Review 56:18 Laughter Lift 01:01:18 Lola Review 01:08:41 What's On EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo A Somethin' Else & Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mark Cosgrove (Cinema Curator) and Steph Read (Cinema Assistant) look ahead to a host of cinematic wonders from the old to the new. But what does cinematic even mean and why might some of the films showing in April be given that label? Find out more as they discuss the upcoming Pacification, 3 Colours Trilogy, Godland and a season of related films exploring individual's struggles with their inner spirituality.

Qui était Emmanuelle, chanteuse du tube « Premier Baiser », disparue à l'âge de 59 ans ? Quel aspect de l'Islande découvre-t-on dans le drame « Godland » ? Quelle reprise inattendue Bono et The Edge ont-ils proposé à la BBC ? Pourquoi Niels Arestrup est-il encore plus impressionnant au théâtre qu'à l'écran ? La québécoise Lydia Képinski marche-t-elle sur les traces de Charlotte Adigéry et Bolis Pupul ? Comment Favien Berger écoute-t-il le son de la ouate dans son nouvel album ? Toutes les réponses à ces questions sont dans « La semaine des 5 heures » de ce mercredi 22 mars

Notre critique du film "Godland" réalisé par Hlynur Pálmason avec Elliott Crosset Hove, Ingvar Eggert Sigurôsson. Regardez l'émission sur YOUTUBE : https://bit.ly/3nm7Oy9  --- Titre : Godland Sortie : 22 mars 2023  De : Hlynur Pálmason  Avec : Elliott Crosset Hove, Ingvar Eggert Sigurôsson.  Synopsis : À la fin du XIXème siècle, un jeune prêtre danois arrive en Islande avec pour mission de construire une église et photographier la population. Mais plus il s'enfonce dans le paysage impitoyable, plus il est livré aux affres de la tentation et du péché. Bande-annonce : https://www.youtube.com/watch?v=-RrT58K5VLk #CINECAST #Podcast

Kevin and Sarah spend this week contending with morality and the heavy questions of faith...which, to be honest, they do every week, but this time both movies they're reviewing are explicitly about religion. First up, they journey to the heart of Iceland in Hlynur Pálmason's new film Godland. For the Watchlist segment, Sarah and Kevin have a conversation about Éric Rohmer's My Night at Maud's. Sarah also delivers a special report on the state of the True/False film festival. Have thoughts about the movies we reviewed? Send us an email! Follow us on Twitter @SeeBelievePOD Follow us on Letterboxd Support the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kevin and Sarah spend this week contending with morality and the heavy questions of faith...which, to be honest, they do every week, but this time both movies they're reviewing are explicitly about religion. First up, they journey to the heart of Iceland in Hlynur Pálmason's new film Godland. For the Watchlist segment, Sarah and Kevin have a conversation about Éric Rohmer's My Night at Maud's. Sarah also delivers a special report on the state of the True/False film festival. Have thoughts about the movies we reviewed? Send us an email! Follow us on Twitter @SeeBelievePOD Follow us on Letterboxd Support the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gudo en Jasper bejubelen en analyseren in deze aflevering het opmerkelijke regiedebuut Aftersun van de Schotse Charlotte Wells over een complexe vader-dochterband door de lens van even concrete als vage herrineringen. Waarom raakte dit coming-of-agedrama zo'n gevoelige snaar bij de heren? Omdat ze zelf een dochter hebben? De film is überhaupt een mooie aanleiding voor een top 5 waarin dit thema centraal staat. Maar er is meer te bespreken. Hoe kwam Andrea Riseborough aan haar verrassende en inmiddels veelbesproken Oscarnominatie voor To Leslie, moeten we ons zorgen maken om het ‘Marvel Cinematic Universe' en hoe krijgt een zombieserie het voor elkaar zijn publiek in tranen achter te laten?00:00 Introductie05:05 Recensie: Aftersun29:35 De Oscarcontroverse rond To Leslie met Andrea Riseborough35:14 Ook nog gezien: Causeway, The Whale, Cocaine Bear, Godland, Ant-Man and the Wasp: Quantumania, The Last Of Us56:57 Top 5: Vader-dochterrelaties91:37 VooruitblikSupport the show: https://www.patreon.com/movieinsidersSee omnystudio.com/listener for privacy information.

Full show notes and photos here: allthroughalens.com   On this episode of All Through a Lens we're experimenting with a slightly new format – the Odd Episode! These are the episodes that somehow fall between our regular episodes and the Dev Party episodes. Vania and Santa Cruz First up is Vania who talks about her project in Santa Cruz. She's filming on Super 8 in the damn water and shooting 120 there too. It's for an upcoming film that she'll tell you all about! Here are some of her photos, which you can pick up here: https://vaniazask.com/store Godland We then talk about the new film Godland, directed by Hlynur Palmason. In the 1890s, Lucas, a photographer and priest with the Danish Church, is tasked with establishing a church in Iceland. Rather than taking a boat directly to his destination, he wants to travel across the island on horseback to photograph the people and the land. It's a slow, beautiful movie, and the bits about photography are perfectly intertwined in the film and the story. As of this recording, it is only playing in theaters. Here are some of the random stills that we've gathered.   Zine Reviews We've moved the zine reviews to the odd episodes! 110 By Garon Kiesel – contact him here: @grain_or_die on IG. Monochrome Mania #9 by Mark O'Brien – Buy it here! PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens THE CREDITS OF ENDING www.allthroughalens.com Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kit

5:47 Ant-Man & The Wasp: Quantumania31:18 Marlowe40:41 Emily49:09 Return to Seoul58:05 Devil's Peak1:05:41 881:16:05 The Integrity of Joseph Chambers1:24:49 Godland1:32:28 PacifictionOn this Friday's (okay, fine, Monday's) new release movie review episode of 'Roger & Me,'  join Brett Arnold and co-host Mark Dujsik of markreviewsmovies.com as they tackle NINE (9) movies out in theaters and one out on streaming the week of Friday February 17th (02/17/2023).For more on horror/genre movies, check The New Flesh,  Brett's horror movie show, every Monday.Thank you to Banshee Beat for the incredible original theme song.  Alien Ant Farm's music video for 'Movies' closes the show.  And thanks to Mary Houlihan for the killer hand-drawn artwork."Roger & Me" is a celebration of the late, great Roger Ebert, keeping his unique spirit of film criticism alive by reviewing new movies in the easily digestible format that he pioneered. In other words, it's a movie review podcast. A podcast that features movie reviews. It's an imitation 'Siskel & Ebert!'Every Friday, join Brett and film critic Mark Dujsik as they review all the movies set for theatrical release that day and let you know if they're worth your time and money.

Elliott Crosset Hove is a true rising star in the Danish film world. The remarkable new film “Godland,” his third collaboration with Icelandic director Hlynur Pálmason, just landed him a European Film Award nomination for Best Actor. On this episode, he walks us through his extensive preparation “check list” which he uses to stimulate his unconscious mind and build a defense system to combat doubt. He talks about how the stunning but grueling environment where they shot “Godland” helped him stay in the moment, his method for approaching a character from another time period, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

This week Mitchell, Mia and Slim discuss their growing watchlists including Knock at the Cabin, 80 for Brady and Godland. Mitchell also puts out the call for a website that accurately lists out Video On Demand releases. After a quick look back at recent releases and community reviews they discuss how they spent the month of January and reveal the most watchlisted movies of the week on Letterboxd. Weekend Watchlist – Updated Weekly list > movies mentioned in this episode. Letterboxd reviews and links mentioned: Flynn's Knock at the Cabin review Emma's 80 for Brady review Robert's Godland review Lizzie's Rye Lane review Cody's Passages review Mitchell & Slim's M3GAN review Chantal's Phantom Thread review Robert's Infinity Pool review Credits: This episode was recorded in Philadelphia, LA, Delaware and edited by Slim. Facts by Jack. Transcript by Sophie Shin. Theme: ‘IZON' by Trent Walton.

Babylon è il protagonista assoluto di questo episodio. Un film elefantiaco, eccessivo, ingombrante, che ha polarizzato i giudizi della critica, non è riuscito a trovare un pubblico, ma ci ha visti inaspettatamente d'accordo nel tesserne le lodi. Siamo cascati con tutti i piedi nella trappola cinefila di Chazelle, e come lui abbiamo sbracato nel parlarne. Passiamo poi al fenomeno di culto M3gan, il nuovo quasi-horror-ma-non-troppo della Blumhouse, che ci ha lasciati, con temperature diverse, un po' freddini. Chiudiamo con Godland - Nella terra di Dio, dell'islandese Hlynur Pálmason, opera complessa e stratificata che si muove sul conflitto ancestrale tra uomo e natura, abbracciando discorsi che vanno dal colonialismo al ruolo della fede nelle piccolezze delle vite umane. Timestamp dei film in scaletta: [01:00] Babylon [39:25] M3gan [53:40] Godland - Nella terra di Dio Per supportarci: ko-fi.com/incompetentipodcast Per contatti: gliincompetenti@gmail.com

Ahogy azt már hagyománynak tekinthetjük, január elején most is megdumáljuk Onozó Robival, hogy miért volt jó és miért volt nem annyira jó filmőrültnek lenni tavaly. Ezek a témák jöttek szóba: 00:00 - Beköszönés, bájolgás 01:21 - Alig nézik a magyar filmeket a mozikban, de meglepetéssiker a Larry. Tanulságos hollywoodi bukták tavaly. 16:26 - Streamingen debütáló filmek: Causeway, Cha-Cha Real Smooth, Bardo, Fehér zaj, Az üveghagyma. 27:08 - Blonde. A Sight and Sound Andrew Dominik-interjúja és a hozzá kapcsolódó kimaradt jelenet. 33:18 - Filmes díjak a Covid után. 37:45 - Nyomorpornó: A bálna, Közel. 47:15 - Lena Dunham két filmmel tért vissza: Sharp Stick, Catherine Called Birdy. 56:44 - Aranybulla, A Király. 1:00:56 - A Sight and Sound minden idők legjobb filmjei listája. 1:14:05 - Tíz év múlva vajon melyik 2022-es filmre fogunk emlékezni? 1:17:47 - Mi kapja idén a legjobb film Oscart vajon? 1:23:24 - Elengedték a magyarok az Oscart. Kedvenc filmjeink 2022-ből 1:31:04 - Vortex, Rimini 1:32:54 - Godland, Nyolc hegy 1:35:29 - Top Gun Macerick, RRR 1:37:48 - Apollo-10,5: Űrkorszaki gyerekkor, Armageddon Time, A Fabelman család 1:45:59 - The Eternal Daughter 1:47:04 - Esemény, Saint Omer 1:48:26 - A mások gyerekei, Egy szép reggelen 1:53:00 - A Room of my Own, A lány és a pók 1:54:50 - Elvis 1:55:53 - Az északi, Bones and All 1:58:32 - Veszélyes lehet a fagyi, Hat hét 2:00:07 - Moonage Daydream, A titokzatos nő, A sziget szellemei 2:02:16 - R.M.N. 2:04:00 - Funny Pages, Tár Jó szórakozást hozzá, és ha tetszik az adás, kérlek támogasd a Filmklub podcastot a Patreonon, ahol beállíthatod, hogy havonta hány dollárt szeretnél erre szánni. Nagyon köszi előre is!

Parliamo di due film attualmente in sala, uno in cui il protagonista si rende conto che prima o poi dovrà morire; e l'altro in cui il protagonista invece dovrà adattarsi ad un luogo ostile che minaccia di ucciderlo in ogni istante. Argomenti: 00:00 "Il Gatto con gli stivali: L'ultimo desiderio" (Joel Crawford, 2022) 26:08 "Godland" (Hlynur Pálmason, 2022) Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatari Partecipanti: Paolo Torino Gianmaria Atzei Simone Malaspina Alessandro Valenti Anchor: https://anchor.fm/salotto-monogatari Spotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cw Apple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw== Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti / Simone Malaspina Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo

Siamo al momento dei bilanci annuali, reduce da un incontro al vertice, report completo su come è andata la stagione passata in sala e cosa si farà nel corso del 2023, poi i film: tre di troppo e I migliori giorni, le commediacce orrende di capodanno, Close il film LGBTQI+ e l'horror godereccio M3gan oltre al meditabondo Godland e la delusione di I delitti di West Point. L'alternativa autoriale della settimana è Aftersun, la stranissima storia di Ruido, il consolatorio Grazie ragazzi e poi il documentario If these walls could sing.

Siamo al momento dei bilanci annuali, reduce da un incontro al vertice, report completo su come è andata la stagione passata in sala e cosa si farà nel corso del 2023, poi i film: tre di troppo e I migliori giorni, le commediacce orrende di capodanno, Close il film LGBTQI+ e l'horror godereccio M3gan oltre al meditabondo Godland e la delusione di I delitti di West Point. L'alternativa autoriale della settimana è Aftersun, la stranissima storia di Ruido, il consolatorio Grazie ragazzi e poi il documentario If these walls could sing.

Nous débutons cette nouvelle année par une œuvre de l'an passé. Certains journalistes et cinéphiles avaient sans doute été un peu vite en besogne au moment d'établir leur top des 12 derniers mois, oubliant peut-être avec Godland  l'un des films les plus marquants et audacieux de 2022. Cap donc sur l'Islande et ses territoires aussi magnifiques qu'inhospitaliers.   Suivez nous sur Twitter / Inst agram / Facebo ok / Youtu be  

In sala anche Un vizio di famiglia e M3Gan.

Les sorties cinéma de la semaine avec Marie-Noëlle Tranchant, Dominique Borde et Bernard Médioni

Le cinéma c'est forcément une histoire de foi. Dans les images comme dans les récits. Certains cinéastes en font des territoires sauvages à traverser. Parfois littéralement, comme dans Godland. Un tout jeune prêtre danois doit y parcourir l'Islande, pour aller construire et prêcher dans la nouvelle église d'un village. Sur une carte, le danemark et l'Islande ne sont pas si éloignés que ça, mais le film d'Hylnur Palmason affirme qu'au XIXe siècle tout les séparait,et qu'il faut en passer par un chemin de croix pour les joindre. Une scission qui s'affiche dès l'apparition du titre à l'écran, précisé en danois et en islandais. Et se confirme, avec un scénario en deux temps. D'abord le parcours du prêtre à travers une nature aussi splendide qu'hostile, puis son intégration dans une paroisse qui ne veut pas de lui. Il faut dire que Godland revient sur cette période où l'Islande n'était qu'une colonie danoise, que le royaume entendait bien évangéliser. Palmason compte bien lui porter une autre bonne parole, celle d'un cinéma volcanique et rugueux, compagnon des épopées telluriques d'un Werner Herzog ou d'un Michael Cimino. Comme leurs plus grands films, Godland voit les mouvements civilisationnels comme une âpre aventure, une expédition en terre inconnue. Palmason y rajoutant un geste primitif en étant filmé comme aux débuts, dans un format carré et une image granuleuse. Ou en s'étant confronté véritablement aux lois naturelles, par exemple en ayant réellement attendu lors de prises de vues étalées sur plusieurs années que les saisons passent ou qu'un cadavre de cheval se décompose. Ainsi en parallèle de Lucas, le prêtre qui s'essaie à apprendre la langue islandaise, Palmason fait réapprendre celle du cinéma. Le tout pour remettre les choses à la bonne échelle, rappeler que l'humain n'est finalement qu'une particule dans la genèse du monde. Et Dieu dans tout ça ? Il se cache peut-être bien dans un film monumental, touché autant par la glace que par la grâce. En salles le 21 décembre Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Maria is originally from Sweden, and studied in Germany and Denmark, where she currently lives and works. Maria's first narrative feature film was Parents for director Christian Tafdrup. She has also worked extensively with Hlynur Palmasson, from short films such as A Painter and Seven Boats to the feature films, Winter Brothers and A White, White Day, and most recently the acclaimed film Godland. Maria's work as DP has garnered much acclaim, including a Bodil Award for Parents, a Bodil and Danish Film Award for Winter Brothers, and an Edda for A White, White Day. Maria more recently won an award for Best Cinematography for Godland at the Chicago International Film Festival.

Halló! In this week's minisode Rob and Ellie journey, via Denmark, to the south east of Iceland, by way of the BFI London Film Festival! In a non-spoiler discussion, they chat about the one Icelandic movie that was shown as part of the festival in 2022. One of only eight films in Official Competition!   GODLAND Directed by Hlynur Pálmason Written by Hlynur Pálmason Starring Elliott Crosset Hove, Ingvar Sigurðsson, Vic Carmen Sonne, Ída Mekkín Hlynsdóttir and Jacob Lohmann   Please subscribe, rate and review and Follow us on Twitter @KVIKMYNDAPOD and Instagram kvikmyndapod   Artwork designed by Sophie Watts (justahappyspace)   Music by Branches Bare ('Half-light' from the EP 'In the Origami Folds of the Night You Rip the Seam of Sleep Wide Open)

Új nevet kap az RTL Klub: ekkortól nevezik át a csatornát Noizz     2022-10-18 09:33:09     Film RTL Klub 25 év után átnevezik az RTL Klubot - jelentették be még szeptemberben, azt azonban eddig homály fedte, mikortól lép életbe a változás. A világ legrosszabb embere: Emberi esendőség Mafab     2022-10-18 04:00:02     Film Cannes Oscar-díj Joachim Trier filmjének elsöprő sikere nem véletlen Cannes-ban, ahogyan a 2 Oscar-díj jelölése sem.Julie, a fiatal felnőttek modernkori kihívásaival küzdő lány története csontig hatolóan őszinte, megrázóan emberi és minden másodpercében átélhető. Trier ábrázolásmódja szélsőségesen naturalista, nyers és kendőzetlenül tabudöntögető. Sallangmentesen 40 éve egy filmgyári kalandból született: előkerült Moldova György eltitkolt fia Blikk     2022-10-18 05:30:00     Bulvár Életmű Kossuth-díj Moldova György A síron túlról is üzen Moldova György. Azt üzeni: kiírtam magamból sok mindent, de rengeteg titkot őriztem meg. S ha valaki azt gondolja, az idén júniusban 88 esztendősen elhunyt Kossuth-díjas író életműve befejezett, bizony téved. Az infláció miatt lassan luxuscikk lehet a könyvekből Hamu és Gyémánt     2022-10-17 20:34:00     Könyv Infláció Luxus Nyomda Ahogy a legtöbb termék, úgy a papír ára is dinamikusan drágult az utóbbi időben, amit megszenved a hazai nyomdaipar, ezért a könyvkiadóknak is muszáj emelni a könyvek árán. A szakma szerint a könyv lehet a „legmegfizethetőbb luxuscikk” karácsonyra. Szerencsére volt pár könyv, ami húzta a könyvkereskedést. Nő a papír ára A magyar nyomdaipar Blokád: Gönczből hülyét csinál az új kurzusfilm 24.hu     2022-10-17 20:27:02     Film Taxi Antall József A taxisblokád tükrében mutatja be Antall József egykori miniszterelnök életét Tősér Ádám filmje. Lehet-e jó 2022-ben is egy régivágású történelmi film? Elvárható-e bárminemű tárgyilagosság a jelenlegi kultúrpolitikától, ha mondjuk az SZDSZ-ről van szó? Egyáltalán van-e jelentősége annak, hogy mennyire hű a valósághoz a Blokád? Kritika. Marcus Antonius kétszázezer ajándékkönyvvel udvarolt Kleopátrának Könyves Magazin     2022-10-18 07:55:45     Könyv Ajándék Irene Vallejo többszörösen díjnyertes műve barangolásra hív a a könyv világába: bemutatja, hogyan készített könyvet az ember füstből, kőből, agyagból, nádból, selyemből, bőrből és fából, míg végül eljutott e-könyvolvasójáig. Brad Pitt szerint Clint Eastwood Hollywood leghitelesebb macsója Igényesférfi.hu     2022-10-18 08:18:02     Film Németország Berlin Hollywood Brad Pitt Clint Eastwood Brad Pitt nemrég azzal keltett feltűnést, hogy legutóbbi filmje, A gyilkos járat berlini bemutatóján egy könnyed nyári szoknyában lépett a vörös szőnyegre, most pedig arról beszélt, hogy mennyire kimerítő a való életben is fenntartani a képernyőn kanonizált férfiasság látszatát. Magyarországra jön Kevin Davy White Márkamonitor     2022-10-18 08:06:07     Zene Koncert Anglia Egyesült Királyság Texas MOM Kevin Davy White-ot az angol sajtó a gitárjátéka alapján Jimi Hendrix-hez hasonlította.   A budapesti közönség október 20-án a MOM Kult koncertjén ismerheti meg tehetségét. A zenész 2023-ban készül új lemez kiadására, az Egyesült Királyságban tömegek előtt lép fel többek közt a Simply Red, a Texas és a Westlife vendégeként. „2022 nyarán már találko November 5-én lesz a Magyartenger ősbemutatója a Centrál Színházban Tudás.hu     2022-10-17 19:44:06     Színpad Balaton Színház Alföldi Róbert November 5-én lesz Bíró Bence Magyartenger című darabjának ősbemutatója a budapesti Centrál Színházban; a kortárs családi dráma huszonnégy óra alatt játszódik egy balatoni nyaralóban. A művet, amely nyáron felolvasószínházi formában debütált, ezúttal is Alföldi Róbert rendezi, aki az előadás díszlettervezője is egyben – olvasható a Centrál Színház Fantasztikus látványvilággal nyert az izlandi Isten földje Librarius     2022-10-17 17:59:33     Film Fesztiválok Izland Az izlandi Hlynur Pálmason Isten földje (Godland) című filmje nyerte el az Alexandre Trauner Art/Film Fesztivál fődíját.   Mutatjuk, hol látható először Szilágyi Fanni első mozifilmje hirado.hu     2022-10-17 20:57:30     Film Mozi Szilágyi Fanni mozifilmjében a radiológusként dolgozó Adél és a jó anyagi körülmények között élő, egypetéjű ikertestvére történetét dolgozza fel.

Új nevet kap az RTL Klub: ekkortól nevezik át a csatornát Noizz     2022-10-18 09:33:09     Film RTL Klub 25 év után átnevezik az RTL Klubot - jelentették be még szeptemberben, azt azonban eddig homály fedte, mikortól lép életbe a változás. A világ legrosszabb embere: Emberi esendőség Mafab     2022-10-18 04:00:02     Film Cannes Oscar-díj Joachim Trier filmjének elsöprő sikere nem véletlen Cannes-ban, ahogyan a 2 Oscar-díj jelölése sem.Julie, a fiatal felnőttek modernkori kihívásaival küzdő lány története csontig hatolóan őszinte, megrázóan emberi és minden másodpercében átélhető. Trier ábrázolásmódja szélsőségesen naturalista, nyers és kendőzetlenül tabudöntögető. Sallangmentesen 40 éve egy filmgyári kalandból született: előkerült Moldova György eltitkolt fia Blikk     2022-10-18 05:30:00     Bulvár Életmű Kossuth-díj Moldova György A síron túlról is üzen Moldova György. Azt üzeni: kiírtam magamból sok mindent, de rengeteg titkot őriztem meg. S ha valaki azt gondolja, az idén júniusban 88 esztendősen elhunyt Kossuth-díjas író életműve befejezett, bizony téved. Az infláció miatt lassan luxuscikk lehet a könyvekből Hamu és Gyémánt     2022-10-17 20:34:00     Könyv Infláció Luxus Nyomda Ahogy a legtöbb termék, úgy a papír ára is dinamikusan drágult az utóbbi időben, amit megszenved a hazai nyomdaipar, ezért a könyvkiadóknak is muszáj emelni a könyvek árán. A szakma szerint a könyv lehet a „legmegfizethetőbb luxuscikk” karácsonyra. Szerencsére volt pár könyv, ami húzta a könyvkereskedést. Nő a papír ára A magyar nyomdaipar Blokád: Gönczből hülyét csinál az új kurzusfilm 24.hu     2022-10-17 20:27:02     Film Taxi Antall József A taxisblokád tükrében mutatja be Antall József egykori miniszterelnök életét Tősér Ádám filmje. Lehet-e jó 2022-ben is egy régivágású történelmi film? Elvárható-e bárminemű tárgyilagosság a jelenlegi kultúrpolitikától, ha mondjuk az SZDSZ-ről van szó? Egyáltalán van-e jelentősége annak, hogy mennyire hű a valósághoz a Blokád? Kritika. Marcus Antonius kétszázezer ajándékkönyvvel udvarolt Kleopátrának Könyves Magazin     2022-10-18 07:55:45     Könyv Ajándék Irene Vallejo többszörösen díjnyertes műve barangolásra hív a a könyv világába: bemutatja, hogyan készített könyvet az ember füstből, kőből, agyagból, nádból, selyemből, bőrből és fából, míg végül eljutott e-könyvolvasójáig. Brad Pitt szerint Clint Eastwood Hollywood leghitelesebb macsója Igényesférfi.hu     2022-10-18 08:18:02     Film Németország Berlin Hollywood Brad Pitt Clint Eastwood Brad Pitt nemrég azzal keltett feltűnést, hogy legutóbbi filmje, A gyilkos járat berlini bemutatóján egy könnyed nyári szoknyában lépett a vörös szőnyegre, most pedig arról beszélt, hogy mennyire kimerítő a való életben is fenntartani a képernyőn kanonizált férfiasság látszatát. Magyarországra jön Kevin Davy White Márkamonitor     2022-10-18 08:06:07     Zene Koncert Anglia Egyesült Királyság Texas MOM Kevin Davy White-ot az angol sajtó a gitárjátéka alapján Jimi Hendrix-hez hasonlította.   A budapesti közönség október 20-án a MOM Kult koncertjén ismerheti meg tehetségét. A zenész 2023-ban készül új lemez kiadására, az Egyesült Királyságban tömegek előtt lép fel többek közt a Simply Red, a Texas és a Westlife vendégeként. „2022 nyarán már találko November 5-én lesz a Magyartenger ősbemutatója a Centrál Színházban Tudás.hu     2022-10-17 19:44:06     Színpad Balaton Színház Alföldi Róbert November 5-én lesz Bíró Bence Magyartenger című darabjának ősbemutatója a budapesti Centrál Színházban; a kortárs családi dráma huszonnégy óra alatt játszódik egy balatoni nyaralóban. A művet, amely nyáron felolvasószínházi formában debütált, ezúttal is Alföldi Róbert rendezi, aki az előadás díszlettervezője is egyben – olvasható a Centrál Színház Fantasztikus látványvilággal nyert az izlandi Isten földje Librarius     2022-10-17 17:59:33     Film Fesztiválok Izland Az izlandi Hlynur Pálmason Isten földje (Godland) című filmje nyerte el az Alexandre Trauner Art/Film Fesztivál fődíját.   Mutatjuk, hol látható először Szilágyi Fanni első mozifilmje hirado.hu     2022-10-17 20:57:30     Film Mozi Szilágyi Fanni mozifilmjében a radiológusként dolgozó Adél és a jó anyagi körülmények között élő, egypetéjű ikertestvére történetét dolgozza fel.

What is This Episode- Top of Show . DON'T WORRY DRAMA: Recap - 2:18 Pine and Pugh Ride High - 3:10 Spit Gate - 6:16 Weep for Nick - 12:14 Reviews Aren't Great - 14:44 Oscars Chances/Controversial Property Awards Histories- 18:31 . VENICE/TELLURIDE FIRST REVIEWS: Up: Women Talking - 22:36 Up: The Whale - 26:23 Down: Bardo - 36:42 Up: Banshees of Inisherin - 41:51 Down(ish): Empire of Light - 45:06 Up and Delicious: Bones and All - 47:51 . STOCK UP/STOCK DIVISIVE: Stock Ups - 51:01 (A Handful of Docs, Lady Chatterly's Lover, Argentina 1985, Godland, More) Stock Divisive - 54:31 (The Wonder, Master Gardener, more) . SHOUTING OUT THE NEW NEXT BEST PICTURE SITE! - 57:25 (and Going Over Matt's Takes on Aftersun and Close) . . Where to Contact Us/LEAVE US 5* REVIEWS! - 1:00:24 Words of Wisdom/What's Coming Next/Furry Talk…You Heard Me - 1:01:30

Kolejna edycja Nowych Horyzontów już za nami! W odcinku podsumowującym 22. edycję festiwalu dyskutujemy o jednych z najbardziej interesujących, choć mocno różnych od siebie tytułów, jakie wybraliśmy z tegorocznego katalogu. Rozmawiamy o: "Godland", reż. Hlynur Pálmason "Pod ziemią", reż. Michelangelo Frammartino "Blisko", reż. Lukas Dhont "Pacifiction", reż. Albert Serra "Na pełen etat", reż. Éric Gravel "Chora na siebie", reż. Kristoffer Borgli

The trip of a young Danish priest to build a church in Iceland turns into an inner self-discovery, and a hard one too.Hylnur Palmason – Godland #Cannes2022 was first posted on June 14, 2022 at 8:44 pm.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

The trip of a young Danish priest to build a church in Iceland turns into an inner self-discovery, and a hard one too. The post Hylnur Palmason – Godland #Cannes2022 appeared first on Fred Film Radio.

The trip of a young Danish priest to build a church in Iceland turns into an inner self-discovery, and a hard one too. The post Hylnur Palmason – Godland #Cannes2022 appeared first on Fred Film Radio.

The trip of a young Danish priest to build a church in Iceland turns into an inner self-discovery, and a hard one too. The post Hylnur Palmason – Godland #Cannes2022 appeared first on Fred Film Radio.

The trip of a young Danish priest to build a church in Iceland turns into an inner self-discovery, and a hard one too. The post Hylnur Palmason – Godland #Cannes2022 appeared first on Fred Film Radio.

The trip of a young Danish priest to build a church in Iceland turns into an inner self-discovery, and a hard one too. The post Hylnur Palmason – Godland #Cannes2022 appeared first on Fred Film Radio.

Cannes #6 with Eric Hynes: De Humani Corporis Fabrica, R.M.N., Return to Seoul, Godland, Joyland Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The highlights from the Cannes Film Festival continue with Eric Hynes, curator of film at Museum of the Moving Image, who joins to discuss body doc De Humani Corporis Fabrica (from Verena Paravel and Lucien Castaing-Taylor), Cristian Mungiu's R.M.N., and Davy Chou's Return to Seoul, plus Godland and Joyland. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

All eyes are on the films competing for the Palme d'Or at the Cannes Film Festival, but our reporter Olivia Salazar-Winspear has been checking out the “Un Certain Regard” sidebar section. Icelandic director Hlynur Palmason takes us on a cinematic voyage back to 19th-century Iceland in "Godland", as a Danish priest attempts to build a church on the island and encounters natural and human obstacles along the way. We also find out how David Cronenberg's horror film "Crimes of The Future" is being received on the French Riviera. Plus we take a look at events celebrating the festival's 75th anniversary.

On this week's episode of The Awesome with C.O.D.Y. we are wrapping up January's theme of Awesome Comic Book Creators with Joe Casey. Joe Casey has written stories for some of the industries biggest characters from DC and Marvel, but he's created many of his own brilliant characters and stories. Listen and then go read some of Cody's favorites that include Milkman Murders, Godland, Officer Downe, SEX and Nixon's Pals.Official Website: https://www.comesnaturallypodcast.comOfficial Merchandise: https://shop.spreadshirt.com/comes-naturally-podcast/iTunes: http://tinyurl.com/kqkgackFacebook: http://tinyurl.com/myovgm8Tumblr: http://tinyurl.com/m7a6mg9Twitter: @ComesNaturalPodYouTube: http://tiny.cc/5snxpy

Our guest this week is Lyz Lenz, journalist and author of Godland and her most recent book, Belabored: A Vindication of the Rights of Pregnant Women. We discuss maternal health, what makes a 'good' mother, who is allowed to be a mother in America, racism, inequality, how you can create change, and more! Check out Belabored today and read this passionate, thoughtful, deeply impactful new book by the phenomenal Lyz Lenz. Find her on Twitter @lyzl and Instagram @lyzlenz. Thanks for listening!

Be sure to rate & review on iTunes! (And stay until the end for the upcoming guest.) RAM V Wise comic book writer Ram V returns to the Wits’ End podcast and talks to host Shah Emami about his art, his writing craft, the value of executing ideas, honest wanting honest feedback vs. validation & more! Ram is the writer of comics like These Savage Shores, Grafity’s Wall, Justice League Dark, Black Mumba, Paradiso and Catwoman. Ram’s Media: Twitter: @therightram Instagram: @ramvwrites BRAD SIMPSON Brad Simpson, a versatile comic book colorist, has worked on comics like Sex, Godland, Captain Victory and the Galactic Rangers, Coffin Bound, Wellington, Crone & more. During the conversation, Shah and Brad talk about everything from the protests, parenting in quarantine, existential crises to their favorite comics and the role of a comic book colorist. Brad’s media: Twitter: @20EyesBrad Instagram: @20EyesBrad Website: https://brad20eyesstudio.squarespace.com/ JOEY OLIVEIRA Joey Oliveira used his love of horror comics and created his own comic book publisher. Established in 2017 and based in Liverpool, Afterlight Comics is an independent publisher of horror comics. Oliveira serves as a writer, editor, letterer and colorist. Despite having no publishing experience prior to starting Afterlight, Oliveira used the writing, editing, storytelling skills he developed over his life and work in film to improve his line of comics. Oliveira and host Shah talk about getting into comics, how Oliveira brought Afterlight to life, connecting with creators to make books, going to cons, getting indie books into comic shops/shipping globally, improving Afterlight with his experience and more. NOTE: For those interested in submitting horror ideas to Afterlight Comics, their submission page is here: https://www.afterlightcomics.com/submissions This is a must-listen conversation for fans of horror, indie comics and the comic-making craft. Joey’s media: Twitter: @joeyafterlight Afterlight Comics Twitter: @afterlightcomic Afterlight Comics Instagram: @afterlightcomics Website (for comics): https://www.afterlightcomics.com/ Follow Shah & the Wits’ End Podcast: Twitter: @_shahcomics Wits’ End Twitter: @witsendpod Instagram: @shah_comics Website: https://witsendpod.com/ YouTube: subscribe here

Hello everyone and welcome to the Collected Edition – a comic book podcast where we explore celebrated story-arcs from comics and creators throughout the entirety of history. On this episode we discuss Godland Vol. 1: Hello Cosmic! the 2005 series by Joe Casey and Tom Scioli published by Image Comics. In addition to that we also chat The post Collected Edition: Episode 2: Godland appeared first on The Collected Edition.

Tom Scioli is co-writing, drawing, coloring, and lettering the monthly comic book series, Transformers vs. G.I.Joe. His other comics include Godland, American Barbarian, Final Frontier, and Myth of 8-Opus. Ed Piskor is the author/artist of the Hip Hop Family Tree – a weekly comic strip on Boing Boing and an ongoing book series that chronicles the history of hip hop in comics form. He is also the creator of Wizzywig. They share a studio in Pittsburgh. We visited their studio to talk about what it’s like being professional comic book artists, selling their work, nostalgia, research, color theory, anger management, and "skewmorphism!"

This is Episode 97, chasing at the heels of lucky podcast 100, and not even minor technical glitches prevent Graeme McMillan and Jeff Lester from giving you two hours of funnybook babblespeak. Once again, we bend it like Bendis and start the comic talk super-early, discussing the heyday of the Incredible Hulk and the appeal of Herb Trimpe. Other topics include Four Panels That Never Work, the Fantastic Four that may no longer work, the Marvel NOW! announcements, the second Walking Dead lawsuit, The Importance of Being Dredd, Joss Whedon, Archer and Armstrong, Godland issue 36, the sublime Bakuman vol. 13...and a DC/Marvel crossover that very well may blow your mind, as well as a visit from our good old buddy much much more. As is the standard, you can find show notes at savagecritic.com. And if you find the time and would like to leave us a review on iTunes, we would be very grateful. As always, we hope you enjoy and thanks for listening!

One of our favorite conventions is just around the corner: Heroes Con! To help us spotlight the event, we talk with Founder Shelton Drum; Tom Scioli (American Barbarian, Godland) and Robert Venditti (Surrogates, Homeland Directive). (1:52:25)

After raising our glasses to the life and work of the recently-departed Dwayne McDuffie, we retreat to our corners and begin this week's tag-team tussles with Chris and Jason taking on the landmark Alien Legion series from Marvel/Epic, and King DAP and I traipsing across Hal Jordan's mental landscape in J. M. DeMatteis and Seth Fisher's awe-inspiring Green Lantern: Willworld! Plus, we have plenty of time left to discuss B.P.R.D.: Plague of Frogs and Hellboy, creators we allow an occasional "pass" (Walt Simonson, Neal Adams, Todd McFarlane, John Byrne, John Severin, Russ Heath, Tony DeZuniga, Sal and John Buscema, and more), Warriors of the Shadow Realm, Godland, First Wave, Richard Starking and Elephantmen, American Vampire, The Dark Tower, and much more!

Reviews: Clint Magazine #1, Example One Shot, Image Firsts Godland #1, Wetworks Mutations #1Let Me In The boys are joined in studio by Emma Vieceli & "Gemma Arterton"? Jimmy gives his run down of the recent Big Apple Con and they briefly discuss a few new shows on TV including No Ordinary Family, Caprica, Human Target, etc. News includes: Zack Snyder on Superman, Bryan Fuller on The Munsters, San Diego Comic-Con stays, old comic book readers, Black Dynamite on Adult Swim, Wonder Woman returns to TV, Stan Lee is looking for a Stripper....ella and more! Emma give us news on some of her new projects and joins us throughout the show for the madness!