Podcasts about Goodman

Go Love Together -  looks at the three “Greats” in the New Testament - The Great Commandment , the Great Commission, and the Great Collaboration. We are all familiar with the Great Commission and the challenge to “Go.” There has been much taught on the Great Commandment and the need to go with “Love.” But it is the last part of Jesus' mission – which was Jesus' final prayer – that we have forgotten. It's the Great Collaboration – that we are to go in love Together!

In this episode we chat with Max Bickerton, Head coach of Grapple Collective. We talk about Injana Goodman's journey from a purple belt in 2023 to winning ADCC Trials in 2026, CLA, how Max thinks about mount and back in grappling, and more. Hope you enjoy! Download Sherpa, the free AI-powered journaling app for athletes. Join the convo with Josh on Discord here.Use the code "BJJHELP" for 50% off your first month on Jake's Outlier Database to study match footage, get links to resources, and more.Use code “BJJHELP” at submeta.io to try your first month for only $8!

On this episode Chris and the boys call up some of his Homegirls to find out if women want a good man or a successful one.

Young people today face extraordinary pressures. Social media overload, academic stress, peer expectations, school violence, immigration fears, and family instability have all contributed to rising rates of anxiety and depression among teenagers. For many young people, the burden becomes even heavier when incarceration, deportation, or injustice directly impacts their families.At the same time, adults navigating serious health challenges face their own emotional struggles, including fear, uncertainty, and the need to find meaning amid illness and change.In two compelling conversations, author and criminal justice activist Amy Friedman and surgeon-author Dr. Anthony Goodman explore the emotional realities of trauma, healing, compassion, and resilience from very different perspectives — yet with remarkably similar themes of humanity and hope.Amy Friedman, co-founder of POPS (Pain of the Prison System) the Club and editor of A SECRET CHORD: Stories, Poetry, and Art, discusses how PATHfinder and POPS Clubs across the country provide teenagers affected by incarceration, deportation, and injustice with safe spaces to express themselves through writing and art. These programs allow young people to transform pain into creativity while finding support, understanding, and connection.Friedman explains why policymakers, educators, parents, and community leaders must prioritize the mental health and emotional well-being of teenagers, especially during a time of growing uncertainty and fear. She also highlights the importance of encouraging creative expression through essays, poetry, storytelling, music, photography, and visual art as powerful tools for healing and self-discovery.Joining the program as well is Dr. Anthony Goodman, a highly respected surgeon whose career spanned decades of major medical advances before the era of CAT scans, MRIs, and minimally invasive surgery. In his book GREAT SAVES AND TERRIBLE LOSSES: The Journeys of a Surgeon, Dr. Goodman reflects on the triumphs and heartbreaks of life in medicine — and on the deeply personal challenge of being diagnosed with mild Alzheimer's disease.Now experiencing healthcare from the patient's perspective, Dr. Goodman offers a rare and honest look at living with Alzheimer's while maintaining purpose, joy, and dignity. Accompanied by his wife, Maribeth, he discusses coping strategies, treatment approaches, and the emotional impact of the diagnosis. He also addresses larger issues within today's healthcare system, including how profit-driven medicine can undermine compassion and trust between doctors and patients.Together, these two conversations reveal the profound importance of empathy, storytelling, emotional support, and human connection. Whether helping teenagers process trauma through creative expression or helping patients navigate devastating medical diagnoses with dignity and hope, both guests remind us that healing is about far more than medicine or policy alone — it is about being heard, understood, and cared for as human beings.Become a supporter of this podcast: https://www.spreaker.com/podcast/late-night-health-radio--2804369/support.

Juan Carlos (Tercer Cielo) pide perdon a Lilly Goodman y su familia .mp3 by #radiocristiana #versiculodeldia #deultimominuto #emisoracristiana©️ Radio Ebenezer RDConviértete en un supporter de este podcast: https://www.spreaker.com/podcast/radio-ebenezer-rd--3279340/support.ESCUCHAR RADIO 

You have Christ in you. The question is, are you doing anything with that?Fr. Dominic opens this homily with something personal. At 27 years old, Fr. Dom gave his life to Christ and could not stop taking Him everywhere: to strangers, to the workplace, to every corner of his life. That is exactly what it means to be a Christian. And most men are not doing it.Fr. Dom breaks open the 6th Sunday of Easter readings and zeroes in on one of the most underappreciated figures in the entire Book of Acts, Philip. He is casting out demons, healing the paralyzed, and filling an entire city with joy. He goes to Samaria because that is exactly where the darkness was thickest. He does not wait for permission. He goes.Then Peter and John show up from Jerusalem to finish what Philip started by the laying on of hands on the newly baptized and conferring the Holy Spirit. What you are watching in this first reading is the Catholic Church being built in real time. Baptism. Confirmation. The diaconate. The episcopate. All of it right there in Acts of the Apostles. The same Church you walked into this Sunday.Here is the challenge: The most dangerous thing in the world is when good men do nothing in the face of evil. You are fully initiated. You have been baptized. You have been confirmed. You carry the same Holy Spirit that Philip carried into Samaria. The world is not waiting for a priest or a bishop to fix it. It is waiting for you. Walk out those doors and engage.

Young people today face extraordinary pressures. Social media overload, academic stress, peer expectations, school violence, immigration fears, and family instability have all contributed to rising rates of anxiety and depression among teenagers. For many young people, the burden becomes even heavier when incarceration, deportation, or injustice directly impacts their families.At the same time, adults navigating serious health challenges face their own emotional struggles, including fear, uncertainty, and the need to find meaning amid illness and change.In two compelling conversations, author and criminal justice activist Amy Friedman and surgeon-author Dr. Anthony Goodman explore the emotional realities of trauma, healing, compassion, and resilience from very different perspectives — yet with remarkably similar themes of humanity and hope.Amy Friedman, co-founder of POPS (Pain of the Prison System) the Club and editor of A SECRET CHORD: Stories, Poetry, and Art, discusses how PATHfinder and POPS Clubs across the country provide teenagers affected by incarceration, deportation, and injustice with safe spaces to express themselves through writing and art. These programs allow young people to transform pain into creativity while finding support, understanding, and connection.Friedman explains why policymakers, educators, parents, and community leaders must prioritize the mental health and emotional well-being of teenagers, especially during a time of growing uncertainty and fear. She also highlights the importance of encouraging creative expression through essays, poetry, storytelling, music, photography, and visual art as powerful tools for healing and self-discovery.Joining the program as well is Dr. Anthony Goodman, a highly respected surgeon whose career spanned decades of major medical advances before the era of CAT scans, MRIs, and minimally invasive surgery. In his book GREAT SAVES AND TERRIBLE LOSSES: The Journeys of a Surgeon, Dr. Goodman reflects on the triumphs and heartbreaks of life in medicine — and on the deeply personal challenge of being diagnosed with mild Alzheimer's disease.Now experiencing healthcare from the patient's perspective, Dr. Goodman offers a rare and honest look at living with Alzheimer's while maintaining purpose, joy, and dignity. Accompanied by his wife, Maribeth, he discusses coping strategies, treatment approaches, and the emotional impact of the diagnosis. He also addresses larger issues within today's healthcare system, including how profit-driven medicine can undermine compassion and trust between doctors and patients.Together, these two conversations reveal the profound importance of empathy, storytelling, emotional support, and human connection. Whether helping teenagers process trauma through creative expression or helping patients navigate devastating medical diagnoses with dignity and hope, both guests remind us that healing is about far more than medicine or policy alone — it is about being heard, understood, and cared for as human beings.Become a supporter of this podcast: https://www.spreaker.com/podcast/late-night-health-radio--2804369/support.

Juan Carlos (Tercer Cielo) pide perdon a Lilly Goodman y su familia .mp3 by #radiocristiana #versiculodeldia #deultimominuto #emisoracristiana©️ Radio Ebenezer RDConviértete en un supporter de este podcast: https://www.spreaker.com/podcast/musica-cristiana--4958188/support.

Sam Pinkleton is the Tony Award-winning director of Oh, Mary! and the 9-time Tony Award-nominated revival of Richard O'Brien's The Rocky Horror Show on Broadway at Studio 54. His work as a director also includes Josh Sharp's TA-DA!, Morgan Bassichis' Can I Be Frank?, Noah Diaz' You Will Get Sick, The Wizard of Oz, Elizabeth Swados' Runaways, Head Over Heels (with Jenny Koons), La Cage Aux Folles, and UNTITLED DANCESHOWPARTYTHING (with Ani Taj). Highlights of his work as a choreographer include Stephen Sondheim's final musical Here We Are, Jeanine Tesori and David Henry Hwang's Soft Power, and eight shows on Broadway including Natasha, Pierre, and the Great Comet of 1812 (Tony Nomination), Macbeth, and Machinal. His film/TV work includes Dying for Sex and the musical The End, starring Tilda Swinton. His upcoming projects include the participatory Scottish dance musical Ceilidh and You're a Good Man, Charlie Brown.On this episode, Sam discusses the deliciously Dionysian alchemy of Rocky Horror, his blending of stagecraft and witchcraft, and why theatre is collective magic in action.Pam also talks about excavating both personal and historical roots of theatrical magic, and answers a listener question about conjuring supernatural support for a canine familiar.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Wheel of Fate, Mithras Candle, BetterHelp, Blessed Be Magick, and Zouz IncenseWe also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

Dane Laffrey is a Tony Award-winning designer, creative and producer based in New York City. He studied at Australia's National Institute of Dramatic Art and resided in Sydney from 2002 - 2006. On Broadway he's designed the set for The Lost Boys (Palace) Maybe Happy Ending (Belasco) which won the 2025 Tony Award for Best Musical and for which Dane won Tony, Drama Desk Awards and Henry Hewes Awards, Parade (Jacobs) which won the 2023 Tony Award for Best Revival of a Musical; set and costumes for Charles Dickens' A Christmas Carol (Nederlander), which he co-conceived with director Michael Arden and for which he is nominated for Hewes and Tony Awards; the 2018 Tony-winning revival of Lynn Ahren's and Stephen Flaherty's Once On This Island (Circle in the Square) for which he received Henry Hewes, Drama Desk and Tony Award nominations; set and costumes for the acclaimed Deaf West revival of Duncan Sheik and Steven Sater's Spring Awakening (Brooks Atkinson); set for the Broadway premiere of Sam Shepard's Fool For Love (Friedman). In New York, around the US, and internationally Dane has designed world premiere plays and musicals by writers including Todd Almond, Will Aronson and Hue Park, Nell Benjamin, Rachel Bonds, Nilo Cruz, Lindsey Ferrentino, David Greenspan, Noah Haidle, Lucas Hnath, Sam Hunter, Sarah Jones, Tom Kitt, Michael John LaChiusa, Dan LeFranc, Matthew Lopez, Craig Lucas, Charles L. Mee, Alan Menken, Kim Rosenstock, Martin Sherman, Jenny Schwartz, Stephen Schwartz and Jen Silverman. Dane's work in New York has been seen at theatres including Roundabout Theatre Company, Manhattan Theatre Club, Lincoln Center Theatre, The Public Theatre, Second Stage Theatre, Atlantic Theatre Company, Transport Group, MCC, Playwrights Horizons, B.A.M. Harvey, Vineyard Theatre, The Joyce, SoHo Rep., Labyrinth, The New Group and Rattlestick Playwrights Theatre, among others. His work has been seen at major theaters around the US including Center Theatre Group, The Geffen Playhouse, The Goodman, The Humana Festival, The Hollywood Bowl, The Old Globe, Huntington Theatre Company, Arena Stage, Dallas Theatre Center, Actor's Theatre of Louisville, Williamstown Theatre Festival, Baltimore Center Stage, Deaf West / Wallis Annenberg Center, Shakespeare Theatre D.C., Denver Center Theatre Company, Cincinnati Playhouse in the Park, South Coast Rep., Baltimore Center Stage, Seattle Rep., Woolly Mammoth, Two River Theatre, Goodspeed Musicals, The Studio Theatre D.C, Yale Opera, Long Wharf Theatre, Chautauqua Theatre Company, Signature Theatre Company, and others. Internationally, Dane has worked in Hamburg, Tokyo, Osaka, Fukuoka, Oslo and throughout Australia. Dane has served on the advisory committee for Lincoln Center Theatre's LCT3 and as a guest artist / guest designer at Yale School of Music, The Juilliard School, NYU, Carnegie-Mellon University,  Interlochen Arts Academy, The University of Western Sydney and NIDA. He has served on the faculty of Purchase College. Dane won a 2017 Obie Award for Sustained Excellence of Set and Costume design and has been nominated for 3 Tony Awards, 3 Drama Desk Awards, an Outer Critics Circle Award, 9 American Theatre Wing Henry Hewes Design Awards, 5 Ovation Awards (winning 2), and a Sydney Theatre Award, as well as numerous regional accolades.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Por amor a mi mamá, por la tranquilidad de mi esposa, que nada tiene que ver con esto, de mi familia y de mi propio corazón, he decidido cerrar este tema aquí no porque niegue lo que viví o lo que siento, sino porque hay momentos donde seguir y buscar la paz vale más que seguir explicando. A quienes entendieron mi corazón, gracias. Nunca hablé desde el odio, sino desde la memoria y desde el peso de haber estado presente en muchos momentos que marcaron mi vida, mi carrera y ministerio. Dios conoce cada historia completa, incluso la parte que nadie vio. Hoy prefiero seguir adelante enfocado en mi familia, en mi música y en todo lo que pueda traer luz, paz y bien a los demás.

In this episode of the Fog of Truth, Bart John and Justina delve into the complexities of disinformation, the role of media in society, and the necessity of critical thinking in navigating the digital landscape. They emphasize the importance of being informed and discerning consumers of information. But mostly is it about Amy Goodman and the great film that Carl Deal and  Tia Leesin made about her. In a world where mainstream media often prioritizes corporate interests over the truth, Amy Goodman stands out as a beacon of integrity and relentless pursuit of justice in journalism. The recent film "Steal This Story Please" explores her remarkable journey and the impact of her work with Democracy Now!, an independent news source that provides the public with uncensored information.  This blog post unpacks the key insights from the film and highlights why Goodman's contributions are vital to understanding contemporary media. ## About Amy Goodman Amy Goodman is the founder and executive producer of Democracy Now!, a groundbreaking independent news program that operates without corporate sponsorship. For years, she has dedicated her career to covering stories often overlooked by mainstream media. Her fearless reporting, especially in war zones and during protests, showcases her commitment to uncovering the truth and holding those in power accountable. ## The Relentless Pursuit of Truth One of the film's most striking themes is Goodman's unwavering dedication to her craft. From chasing down officials at climate summits to covering war zones, Goodman's tenacity is emblematic of her commitment to journalistic integrity. - **Why It Matters:** In an era where news is frequently sanitized, Goodman's approach provides a refreshing reminder of the essential role of journalists in democracy. - **Example from the Film:** The opening scene highlights her determination as she relentlessly pursues a government official for comments, showcasing her physical and mental stamina in the field. - **Common Mistake:** Many journalists may shy away from confrontation or challenging the status quo, but Goodman exemplifies the importance of persistence in reporting. ## The Importance of Independent Media Goodman's work with Democracy Now! emphasizes the necessity of independent journalism in today's media landscape. - **The Conventional Thinking: ** Many believe that mainstream media provides a comprehensive view of current events, but this is often far from reality. - **What the Film Reveals:** The film contrasts the coverage of major networks during pivotal events, like the 2008 Republican Convention, with Goodman's on-the-ground reporting of protests and grassroots movements. - **Why This Matters:** Independent media sources like Democracy Now! challenge the narratives presented by corporate news outlets, ensuring that diverse voices and perspectives are heard.

Por amor a mi mamá, por la tranquilidad de mi esposa, que nada tiene que ver con esto, de mi familia y de mi propio corazón, he decidido cerrar este tema aquí no porque niegue lo que viví o lo que siento, sino porque hay momentos donde seguir y buscar la paz vale más que seguir explicando. A quienes entendieron mi corazón, gracias. Nunca hablé desde el odio, sino desde la memoria y desde el peso de haber estado presente en muchos momentos que marcaron mi vida, mi carrera y ministerio. Dios conoce cada historia completa, incluso la parte que nadie vio. Hoy prefiero seguir adelante enfocado en mi familia, en mi música y en todo lo que pueda traer luz, paz y bien a los demás.

Te presento el contraste entre la historia que narra Lilly Goodman sobre el origen de la canción «Al Final» y la respuesta de Juan Carlos Rodríguez (vocalista y productor del dúo Tercer Cielo), quien compuso y produjo dicho tema. El testimonio de Lilly Goodman En el fragmento de audio, Lilly Goodman explica el momento difícil que la inspiró a escribir la canción: Crisis familiar: Se encontraban en una situación crítica y de peligro con un familiar muy cercano con el que no tenían contacto ni información. Momento de entrega: Ante la desesperación y la imposibilidad de hacer algo más, se puso de rodillas y le entregó la situación a Dios, declarando que, sin importar si el desenlace era "bueno o malo", ella confiaría en Su soberanía. La reacción que detonó la canción: Tras sentir paz, le comunicó su tranquilidad a otra persona de la familia (alguien de mucha fe), quien reaccionó con dudas y cuestionó cómo Lilly podía ser tan positiva en un momento así. Ver esa flaqueza y el cuestionamiento a su convicción fue lo que la impulsó a querer escribir la canción. El desenlace: A los pocos días la situación familiar se resolvió de forma victoriosa, confirmando para ella que Dios permite llegar al límite para que las personas suelten el control. La versión de Juan Carlos Rodríguez. Por su parte, Juan Carlos Rodríguez desmiente categóricamente que las canciones de ese álbum —especialmente «Al Final»— hayan nacido de la vivencia narrada por Lilly: Negación del testimonio: Afirma que nunca estuvo enterado de esos supuestos testimonios y señala que las canciones del álbum Sin Miedo a Nada (incluyendo «Al Final») no se escribieron ni nacieron de ningún testimonio personal de ella, en contra de lo que ella ha declarado en entrevistas. Proceso de composición: Explica que él creó ese álbum en su propia casa (donde hospedó a Lilly durante el proceso) y que su método de trabajo siempre consiste en diseñar primero toda la música (melodías, progresiones de acordes, introducciones y voces guía) antes de trabajar en las letras. Asegura que gran parte de las letras ya estaban hechas por las mañanas antes de que ella bajara a tomar café. Habilidad para escribir: Sostiene que en esa época Lilly no sabía escribir mucho, razón por la cual recurría a otros compositores como Jesús Adrián Romero y a él mismo. Añade que con su método es muy fácil que cualquiera colabore con él, se ahorre casi todo el proceso melódico y luego pretenda adjudicarse la autoría diciendo "yo escribí". Motivaciones personales: Aclara que no busca fama ("sonido") ni dinero, ya que lleva más de 25 años viviendo de sus producciones y valora más pasar los fines de semana con su familia que viajar en aviones o buscar reconocimiento en premios (mencionando que incluso ha evitado recibir el Premio Galardón de Danny Ramírez por varios años). Por fin, ¿Quién tiene la razón?Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/radio-ebenezer-rd--3279340/support.ESCUCHAR RADIO 

Go Love Together looks at the three “Greats” in the New Testament - The Great Commandment , the Great Commission, and the Great Collaboration. We are all familiar with the Great Commission and the challenge to “Go.” There has been much taught on the Great Commandment and the need to go with “Love.” But it is the last part of Jesus' mission – which was Jesus' final prayer – that we have forgotten. It's the Great Collaboration – that we are to go in love Together! Check out week two of Go Love Together

Message me your 'Takeaways'.Ask 10 men what a good man actually is, and you'll get 10 different answers. Ask most of them to live it out, and they go silent. We've spent more than a decade arguing about what masculinity is, picking it apart, telling men what they shouldn't be. And somewhere in the noise, we forgot to give men something to aim at.In this episode, I walk you through the three-part framework I use with every man I coach: Define Him. Find the Gap. Vote Him Into Existence. This isn't about telling you who to be. It's about helping you figure that out for yourself — and then start closing the gap between who you are now and the man you actually respect.You'll learn:- Why most men are chasing better with no real target, and how to fix that- The difference between values and standards, and why both matter- How to audit your calendar to see what you actually value (not what you think you do)- The four pillars: Strong Body, Calm Mind, Clear Purpose, Confident Life- The four gaps that keep men stuck: skills, experiences, environments, and identity beliefs- What timeline therapy is, and why it was completely transformative for me- The three voting moments every man faces daily, and how to win them- Why you don't become a good man at some future point. You become him in the next decision.Free Life Performance Scorecard (takes less than 4 minutes) → https://scorecard.lachlanstuart.com.au/Support the showTake the "Life Performance" Scorecard: HEREFollow Lachlan:Instagram: https://www.instagram.com/lachlanstuart/YouTube: https://www.youtube.com/@LachlanJStuartLINKEDIN: https://www.linkedin.com/in/lachlan-stuartmtc/Website: https://www.lachlanstuart.com.au/Newsletter: https://lachlan-stuart-tmtcp.ck.page/profileDo Something Today To Be Better For Tomorrow

Te presento el contraste entre la historia que narra Lilly Goodman sobre el origen de la canción «Al Final» y la respuesta de Juan Carlos Rodríguez (vocalista y productor del dúo Tercer Cielo), quien compuso y produjo dicho tema. El testimonio de Lilly Goodman En el fragmento de audio, Lilly Goodman explica el momento difícil que la inspiró a escribir la canción: Crisis familiar: Se encontraban en una situación crítica y de peligro con un familiar muy cercano con el que no tenían contacto ni información. Momento de entrega: Ante la desesperación y la imposibilidad de hacer algo más, se puso de rodillas y le entregó la situación a Dios, declarando que, sin importar si el desenlace era "bueno o malo", ella confiaría en Su soberanía. La reacción que detonó la canción: Tras sentir paz, le comunicó su tranquilidad a otra persona de la familia (alguien de mucha fe), quien reaccionó con dudas y cuestionó cómo Lilly podía ser tan positiva en un momento así. Ver esa flaqueza y el cuestionamiento a su convicción fue lo que la impulsó a querer escribir la canción. El desenlace: A los pocos días la situación familiar se resolvió de forma victoriosa, confirmando para ella que Dios permite llegar al límite para que las personas suelten el control. La versión de Juan Carlos Rodríguez. Por su parte, Juan Carlos Rodríguez desmiente categóricamente que las canciones de ese álbum —especialmente «Al Final»— hayan nacido de la vivencia narrada por Lilly: Negación del testimonio: Afirma que nunca estuvo enterado de esos supuestos testimonios y señala que las canciones del álbum Sin Miedo a Nada (incluyendo «Al Final») no se escribieron ni nacieron de ningún testimonio personal de ella, en contra de lo que ella ha declarado en entrevistas. Proceso de composición: Explica que él creó ese álbum en su propia casa (donde hospedó a Lilly durante el proceso) y que su método de trabajo siempre consiste en diseñar primero toda la música (melodías, progresiones de acordes, introducciones y voces guía) antes de trabajar en las letras. Asegura que gran parte de las letras ya estaban hechas por las mañanas antes de que ella bajara a tomar café. Habilidad para escribir: Sostiene que en esa época Lilly no sabía escribir mucho, razón por la cual recurría a otros compositores como Jesús Adrián Romero y a él mismo. Añade que con su método es muy fácil que cualquiera colabore con él, se ahorre casi todo el proceso melódico y luego pretenda adjudicarse la autoría diciendo "yo escribí". Motivaciones personales: Aclara que no busca fama ("sonido") ni dinero, ya que lleva más de 25 años viviendo de sus producciones y valora más pasar los fines de semana con su familia que viajar en aviones o buscar reconocimiento en premios (mencionando que incluso ha evitado recibir el Premio Galardón de Danny Ramírez por varios años). Por fin, ¿Quién tiene la razón?Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/musica-cristiana--4958188/support.

In this episode of the Build Show Podcast, Matt Risinger sits down with Jordan Smith to work through the full spectrum of residential HVAC mechanical systems — from the bare minimum to the over-engineered. The conversation moves quickly from what not to do (single-stage compressors with flex duct in unconditioned attics) to what actually performs: separate air handlers per floor, dedicated dehumidification, and ERV systems for continuous fresh air. For two-story homes, both agree that zone dampers are a dead end and that two independent systems are the only real solution. The middle-ground sweet spot they land on is dual single-stage units paired with at least one dehumidifier and a basic fresh-air intake strategy. A recurring theme is that equipment brand matters far less than installer quality — a well-installed Goodman beats a poorly installed premium unit every time.  Huge thanks to our episode sponsor,  JELD-WEN. Learn more at: https://www.jeld-wen.com/en-us Watch full episodes of Matt on Facebook, Instagram and Build Show Network. https://www.facebook.com/buildshownetworkhttps://www.instagram.com/risingerbuild/https://buildshownetwork.com/go/mattrisinger Don't miss a single episode of Build Show content. Sign up for our newsletter.

Resumen de Comentarios Controversia Juan Carlos (Tercer Cielo) y Lilly Goodman - By Smaily Rosario by #radiocristiana #versiculodeldia #deultimominuto #emisoracristiana©️ Radio Ebenezer RDConviértete en un supporter de este podcast: https://www.spreaker.com/podcast/radio-ebenezer-rd--3279340/support.ESCUCHAR RADIO 

Resumen de Comentarios Controversia Juan Carlos (Tercer Cielo) y Lilly Goodman - By Smaily Rosario by #radiocristiana #versiculodeldia #deultimominuto #emisoracristiana©️ Radio Ebenezer RDConviértete en un supporter de este podcast: https://www.spreaker.com/podcast/musica-cristiana--4958188/support.

Send episode requests hereA few weeks ago, I walked away from a good man  after dating him for over a year and a half.In this episode, I'm breaking down what made me walk away from a man most women would have stayed with and why I don't regret it for a second. You'll discover why looks and investment alone don't move me anymore, what happens when you try to adjust a man into generosity instead of requiring it from the start, and why you don't need a "good enough reason" to leave when something stops being in alignment with you.Ready to stop staying with men just because they look good on paper and start trusting your decisions even when the room disagrees? Listen now.Book a sales call HERE to learn more about private 1:1 coaching with me.Follow me on Instagram for more dating gems at: @torahcents @curved2cuffed 

Juan Carlos Rodríguez, de Tercer Cielo, arremete contra Lilly Goodman por "falta de gratitud" en los inicios de su carrera. El reconocido productor, compositor e integrante del dúo de música cristiana Tercer Cielo, Juan Carlos Rodríguez, ha encendido las redes sociales tras publicar una serie de contundentes declaraciones en sus historias de Instagram. En ellas, acusa directamente a la cantante Lilly Goodman de ignorar deliberadamente el crédito y el esfuerzo de quienes la ayudaron a consolidar su carrera musical desde cero. A través de varios mensajes, Rodríguez expresó el dolor y la frustración que siente al ver cómo Goodman supuestamente omite su nombre y el de otros colaboradores clave en las entrevistas donde habla de su trayectoria. "Trabajamos por amor a nuestra amiga y sin dinero" El productor reveló detalles sobre el arduo trabajo detrás de los primeros y más grandes éxitos de la artista de origen dominicano. Recordó los inicios difíciles, asegurando que el esfuerzo invertido no estuvo motivado por intereses económicos. "No fuimos solo dos amigos. Demasiado más que eso. Lo dimos absolutamente todo. Marcos y yo. Interminables horas de esfuerzo. Cero dinero, sudando el alma en el estudio para verla triunfar", manifestó Rodríguez. Asimismo, detalló su rol fundamental en la creación de los álbumes más emblemáticos de Goodman. Señaló que él escribió, produjo, mezcló y grabó casi la totalidad del disco Sobreviviré (2006), destacando que la intérprete solo escribió el tema "Cúbreme". También mencionó que la icónica canción "Iglesia", del álbum Contigo Dios (2001), originalmente la había escrito para sí mismo, pero decidió cedérsela. Bloqueado tras reclamar reconocimiento La polémica aumentó cuando Juan Carlos Rodríguez mostró una captura de pantalla que sugiere que Lilly Goodman lo habría bloqueado de sus redes sociales luego de que este le reclamara por la falta de menciones a su trabajo. "El reclamarle porque jamás me honra ni me menciona, prefirió bloquearme", denunció el líder de Tercer Cielo. Ante las críticas de algunos usuarios que señalaban que en la música cristiana "la honra es solo para Dios", el productor fue tajante en diferenciar la gloria espiritual del agradecimiento humano: "La gratitud no debería sentirse como una deuda, sino como algo natural cuando alguien estuvo contigo desde el inicio... Pero cuando alguien fue parte tan importante de tu camino, también es humano sentir dolor cuando actúan como si nunca estuviste ahí". Promete contar todo en un podcast Para cerrar, Rodríguez dejó claro que la historia no termina aquí. Al mostrar una captura del megaéxito "Al Final" —el cual cuenta con más de 750 millones de reproducciones en YouTube—, el productor advirtió que planea lanzar un podcast próximamente para contar a fondo cómo escribió y produjo dicha canción, así como la mayoría de los éxitos de Lilly Goodman. Hasta el momento, la intérprete de "Al Final" no ha emitido ninguna declaración oficial ni comentarios al respecto en sus plataformas digitales.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/radio-ebenezer-rd--3279340/support.ESCUCHAR RADIO 

Juan Carlos Rodríguez, de Tercer Cielo, arremete contra Lilly Goodman por "falta de gratitud" en los inicios de su carrera. El reconocido productor, compositor e integrante del dúo de música cristiana Tercer Cielo, Juan Carlos Rodríguez, ha encendido las redes sociales tras publicar una serie de contundentes declaraciones en sus historias de Instagram. En ellas, acusa directamente a la cantante Lilly Goodman de ignorar deliberadamente el crédito y el esfuerzo de quienes la ayudaron a consolidar su carrera musical desde cero. A través de varios mensajes, Rodríguez expresó el dolor y la frustración que siente al ver cómo Goodman supuestamente omite su nombre y el de otros colaboradores clave en las entrevistas donde habla de su trayectoria. "Trabajamos por amor a nuestra amiga y sin dinero" El productor reveló detalles sobre el arduo trabajo detrás de los primeros y más grandes éxitos de la artista de origen dominicano. Recordó los inicios difíciles, asegurando que el esfuerzo invertido no estuvo motivado por intereses económicos. "No fuimos solo dos amigos. Demasiado más que eso. Lo dimos absolutamente todo. Marcos y yo. Interminables horas de esfuerzo. Cero dinero, sudando el alma en el estudio para verla triunfar", manifestó Rodríguez. Asimismo, detalló su rol fundamental en la creación de los álbumes más emblemáticos de Goodman. Señaló que él escribió, produjo, mezcló y grabó casi la totalidad del disco Sobreviviré (2006), destacando que la intérprete solo escribió el tema "Cúbreme". También mencionó que la icónica canción "Iglesia", del álbum Contigo Dios (2001), originalmente la había escrito para sí mismo, pero decidió cedérsela. Bloqueado tras reclamar reconocimiento La polémica aumentó cuando Juan Carlos Rodríguez mostró una captura de pantalla que sugiere que Lilly Goodman lo habría bloqueado de sus redes sociales luego de que este le reclamara por la falta de menciones a su trabajo. "El reclamarle porque jamás me honra ni me menciona, prefirió bloquearme", denunció el líder de Tercer Cielo. Ante las críticas de algunos usuarios que señalaban que en la música cristiana "la honra es solo para Dios", el productor fue tajante en diferenciar la gloria espiritual del agradecimiento humano: "La gratitud no debería sentirse como una deuda, sino como algo natural cuando alguien estuvo contigo desde el inicio... Pero cuando alguien fue parte tan importante de tu camino, también es humano sentir dolor cuando actúan como si nunca estuviste ahí". Promete contar todo en un podcast Para cerrar, Rodríguez dejó claro que la historia no termina aquí. Al mostrar una captura del megaéxito "Al Final" —el cual cuenta con más de 750 millones de reproducciones en YouTube—, el productor advirtió que planea lanzar un podcast próximamente para contar a fondo cómo escribió y produjo dicha canción, así como la mayoría de los éxitos de Lilly Goodman. Hasta el momento, la intérprete de "Al Final" no ha emitido ninguna declaración oficial ni comentarios al respecto en sus plataformas digitales.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/musica-cristiana--4958188/support.

Juan Carlos Rodríguez, de Tercer Cielo, arremete contra Lilly Goodman por "falta de gratitud" en los inicios de su carrera. El reconocido productor, compositor e integrante del dúo de música cristiana Tercer Cielo, Juan Carlos Rodríguez, ha encendido las redes sociales tras publicar una serie de contundentes declaraciones en sus historias de Instagram. En ellas, acusa directamente a la cantante Lilly Goodman de ignorar deliberadamente el crédito y el esfuerzo de quienes la ayudaron a consolidar su carrera musical desde cero. A través de varios mensajes, Rodríguez expresó el dolor y la frustración que siente al ver cómo Goodman supuestamente omite su nombre y el de otros colaboradores clave en las entrevistas donde habla de su trayectoria. "Trabajamos por amor a nuestra amiga y sin dinero" El productor reveló detalles sobre el arduo trabajo detrás de los primeros y más grandes éxitos de la artista de origen dominicano. Recordó los inicios difíciles, asegurando que el esfuerzo invertido no estuvo motivado por intereses económicos. "No fuimos solo dos amigos. Demasiado más que eso. Lo dimos absolutamente todo. Marcos y yo. Interminables horas de esfuerzo. Cero dinero, sudando el alma en el estudio para verla triunfar", manifestó Rodríguez. Asimismo, detalló su rol fundamental en la creación de los álbumes más emblemáticos de Goodman. Señaló que él escribió, produjo, mezcló y grabó casi la totalidad del disco Sobreviviré (2006), destacando que la intérprete solo escribió el tema "Cúbreme". También mencionó que la icónica canción "Iglesia", del álbum Contigo Dios (2001), originalmente la había escrito para sí mismo, pero decidió cedérsela. Bloqueado tras reclamar reconocimiento La polémica aumentó cuando Juan Carlos Rodríguez mostró una captura de pantalla que sugiere que Lilly Goodman lo habría bloqueado de sus redes sociales luego de que este le reclamara por la falta de menciones a su trabajo. "El reclamarle porque jamás me honra ni me menciona, prefirió bloquearme", denunció el líder de Tercer Cielo. Ante las críticas de algunos usuarios que señalaban que en la música cristiana "la honra es solo para Dios", el productor fue tajante en diferenciar la gloria espiritual del agradecimiento humano: "La gratitud no debería sentirse como una deuda, sino como algo natural cuando alguien estuvo contigo desde el inicio... Pero cuando alguien fue parte tan importante de tu camino, también es humano sentir dolor cuando actúan como si nunca estuviste ahí". Promete contar todo en un podcast Para cerrar, Rodríguez dejó claro que la historia no termina aquí. Al mostrar una captura del megaéxito "Al Final" —el cual cuenta con más de 750 millones de reproducciones en YouTube—, el productor advirtió que planea lanzar un podcast próximamente para contar a fondo cómo escribió y produjo dicha canción, así como la mayoría de los éxitos de Lilly Goodman. Hasta el momento, la intérprete de "Al Final" no ha emitido ninguna declaración oficial ni comentarios al respecto en sus plataformas digitales.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/meditacion-del-dia--4064350/support.ESCUCHAR RADIO 

Send us Fan MailIn this episode of the OnStage Blog Theatre Podcast, Rachel Wagner and Jacklyn Collier explore the growing movement of “Silver Haired Editions” — productions that cast senior citizens in roles traditionally played by younger performers — and why these shows are creating such meaningful theatrical experiences.In the first half of the episode, they are joined by Alan Ornsby, State Director of AARP Utah, and the director of the silver-haired version of "You're a Good Man, Charlie Brown" Heidi Mendez. Together, they discuss creativity, community, inclusion, and the importance of providing older adults with opportunities to remain artistically engaged.In the second half, they speak with cast members Amy Hallet (Evie), James Hutchings (Carlos), and Diana Sorenson (Mal) from the current “Silver Haired Edition” production of Disney's *Descendants* at The Empress Theatre in Magna, Utah (running through May 23). They share what it's like playing teenagers later in life, audience reactions to the production, and why the experience has been both hilarious and deeply rewarding.This episode is a celebration of theatre without age limits and the joy of storytelling across generations.Featuring:• Alan Ornsby (AARP Utah)• Heidi Mendez• Amy Hallet• James Hutchings• Diana Sorenson#TheatrePodcast #CommunityTheatre #MusicalTheatre #Descendants #SeniorTheatre #AARP #OnStageBlog #DisneyDescendants #TheatreLife #Podcastonstageblog.comfacebook.com/onstageblogtwitter.com/onstagebloginstagram.com/onstagebloghttps://www.youtube.com/@onstageblog8213

Don and Dude channel Ren & Stumpy and search for "Happy, Happy, Joy, Joy." The boys explore two joyful records that turned pure happiness into chart gold and lifelong fan obsessions. From psychedelic club anthems to bar band singalongs, the guys trace how these albums turned big smiles, tight grooves, and radio hooks into proof that joy never goes out of style.The AlbumsDeee-Lite – World Clique (1990)A colorful debut blending house grooves, funk samples, and club culture idealism, powered by Lady Miss Kier's vocals, guest appearances from Bootsy Collins and Q-Tip, and a world clique vision of global connection through rhythm and joy.Huey Lewis and the News – Sports (1983)A polished bar band record built from tight pop rock hooks, relatable adult themes, and a mix of modern production with classic R&B and country touches, delivering 37 minutes of earnest, sweaty, sing-along happiness that defined mid-80s radio.Diggin' AlbumsAshley McBryde – Wild (2026)Gritty country rock balancing hard-driving energy with vulnerable storytelling about sobriety and survival.The Cars – The Cars (1978)Sleek new wave debut bridging rock guitars and synth textures into radio-ready hooks that shaped the sound of the early 80s.Modest Mouse – An Eraser and a Maze (2026)Pacific Northwest indie rock exploring progress, self-sabotage, and navigating chaos through Isaac Brock's jagged guitar work and anxious lyrics.Death Cab for Cutie – I Built You a Tower (2026)Reflective indie rock from Ben Gibbard circling themes of loss and grief, building an inner tower to hold heavy experiences while moving forward.Follow & SupportFollow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing with another music obsessive who still loves hearing whole albums front to back."Happiness is anyone and anything at all that's loved by you." - from You're a Good Man, Charlie Brown, music and lyrics by Clark Gesner (1967)

A man in northeast Ohio saved a 46-year-old mom and 8-year-old daughter from their sinking car in a pond. STORY: https://www.wdjx.com/man-saves-a-woman-and-her-daughter-from-sinking-car/

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The Reverend Dr. James B. Lemler gives his sermon on the Seventh Sunday of Easter at Christ Church Cranbrook.

Go Love Together looks at the three “Greats” in the New Testament - The Great Commandment , the Great Commission, and the Great Collaboration. We are all familiar with the Great Commission and the challenge to “Go.” There has been much taught on the Great Commandment and the need to go with “Love.” But it is the last part of Jesus' mission – which was Jesus' final prayer – that we have forgotten. It's the Great Collaboration – that we are to go in love Together! Check out week one of Go Love Together

In this episode I'm joined by writer Courtney Ann LaFaive to discuss the life and work of the famous 20th century astrologer Linda Goodman, who wrote the highest-selling astrology book of all time. In 1968, Linda's book Sun Signs became a runaway phenomenon, selling millions of copies and becoming the first astrology book to make the New York Times bestseller list. Goodman's approachable writing style appealed to a wide variety of readers, and helped to catalyze a massive boom in astrology in the late 1960s and 70s, serving as the gateway for millions of people to discover their full birth chart. She then followed this up in 1978 with another successful book titled Love Signs, which was on relationship compatibility between zodiac signs. This book set a record at the time for the highest advance ever paid to an author, which was 2.25 million dollars, and helped to make the question "What's your sign?" a ubiquitous cultural catchphrase. However in her later years Goodman struggled to cope with immense personal loss, most notably the tragic death of her daughter in 1973, and her inability to distinguish between reality and illusion. Courtney is the author of a new book titled Follow the Signs: Searching for Linda Goodman, America's Forgotten Astrology Queen. The book is a memoir about a period of her life spent researching Linda Goodman's biography for her PhD thesis, and the difficulties she faced in the process of piecing together Linda's nebulous story. Together, we explore and attempt to document the incredible life, complex legacy, and lasting astrological impact of Linda Goodman. This is episode 536 of The Astrology Podcast. Courtney's Book Follow the Signs: Searching for Linda Goodman, America's Forgotten Astrology Queen Timestamps 00:00:00 Introduction00:00:42 Introducing Courtney Ann LaFaive00:03:08 Introducing Linda Goodman00:04:49 How Courtney & Chris First Found Linda00:10:42 Astrology in the First Half of the 20th Century00:18:47 Linda's Early Life & Entry into Astrology00:20:46 Linda's Birth Chart00:23:09 Early Career in Writing and Radio00:25:34 First Marriage, Children, and Early Trauma00:35:00 Getting into Astrology and Writing Sun Signs00:48:28 The Release of Sun Signs in 196800:51:10 The 1968 Virgo Solar Eclipse00:52:35 NYT Bestseller Status00:55:40 Comparing the 1960s Astrology Boom to the 2020s Boom00:58:49 Introducing the Full Birth Chart to the Public01:05:25 Impact on the Astrology Publishing Industry01:08:44 Key Features of the Sun Signs Book01:15:00 Using Pop Culture & Celebrities to Teach Astrology01:18:25 Popularizing Modern Planetary Rulerships01:24:32 The Gap Decade & The Shift to Metaphysics01:29:45 The Tragic Loss of Her Daughter01:40:00 The Gemini Lunar Eclipse of 197301:50:54 Love Signs Book Released in 197801:58:48 Later Works: Star Signs (1987) and Gooberz (1989)02:13:25 Becoming the Epitome of a Pop Astrologer02:25:05 Linda Passes Away in 199502:27:10 Scorpio Eclipse When She Passes Away02:32:39 Final Analysis of Linda's Chart02:42:50 Concluding Discussion on Courtney's Book02:49:41 Credits Watch the Video Version of This Episode https://www.youtube.com/watch?v=2B_y17cyGpg - Listen to the Audio Version of This Episode Listen to the audio version of this episode or download it as an MP3:

Have any questions, insights, or feedback? Send me a text!Length: 1 hour 28 minutesSynopsis: This morning (5/15/26), in our Friday morning Sefer Iyov series for women, we moved on to the next - and last! - subseries within our overarching series on Iyov. Over the course of the next eight chapters, the Rambam presents his views on God's knowledge, hashgachah, and Sefer Iyov. Today we covered his overview of the false views: what led the philosophers to deny God's omniscience, and the four false views of hashgachah held from ancient times. Next time (בג"ה) we'll learn through the Rambam's presentation of the Torah's view and his own take on it.-----מקורות:רמב"ם - מורה הנבוכים ג:טז-יזLenn E. Goodman and Phillip I. Lieberman, "The Guide to the Perplexed: A New Translation"-----The Torah content for the month of Iyyar is sponsored by Naomi Schwartz Rothschild in memory of her mother, Breindel Bracha bas Mordechai z”l, whose yahrzeit falls on the 8th of Iyyar. She learned and lived Torah, and was a tremendous baalas chesed.-----If you've gained from what you've learned here, please consider supporting my work via Patreon, Venmo, Zelle, or PayPal — links below. Even a small contribution helps cover production costs and gives me the freedom to create more Torah content. To sponsor a day's or week's worth of content, or to inquire about tutoring or teaching, reach me at rabbischneeweiss at gmail. Thank you for listening, reading, and supporting my efforts to make Torah ideas available and accessible to everyone.Patreon | [Venmo: @Matt-Schneeweiss] | [Zelle/PayPal: mattschneeweiss at gmail]Substack | YouTube | YUTorah | InstagramPodcasts: The Stoic Jew | Machshavah Lab | The Mishlei Podcast | Rambam Bekius | The Tefilah PodcastWhatsApp Content Hub | Old Blog | Amazon Wishlist

On this episode of the podcast, Amanda Head sits down with Justin Goodman of the White Coat Waste Project to discuss explosive whistleblower allegations involving the National Institute of Health's (NIH) Rocky Mountain Laboratories in Hamilton, Montana.Goodman details claims that NIH officials concealed a dangerous laboratory exposure involving Crimean-Congo hemorrhagic fever after a researcher was reportedly bitten by an infected monkey. He also breaks down allegations that three NIH experimenters smuggled virus samples from Africa back into the United States, triggering an FBI investigation and raising new concerns about oversight, transparency, and biosecurity at some of America's highest-level research facilities.The conversation dives into the culture surrounding Fauci-era leadership at the NIH, ongoing concerns over taxpayer-funded virus research, and why Goodman believes major reforms, budget cuts, and leadership changes are urgently needed. Goodman and Head also discuss the broader push for government accountability and what these revelations could mean for the future of federal public health agencies.You can follow this podcast, Amanda Head, Justin Goodman and White Coat Waste Project on X by searching for their respective handle: @FurthermorePod, @AmandaHead, @JustinRGoodman, @WhiteCoatWaste.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 47: Inside The Spud Goodman Radio Show #47 (Originally aired 1-11-2018) A look at "The Peaked Too Early Episode" featuring Actor/Author Robert Wagner (Austin Powers/Two and a Half Men/Hart to Hart) and Comedian/Host Jordan Klepper (Comedy Central's The Daily Show). Musical Guest: Spirit Award. Spud reveals he peaked in the 9th grade in most phases of his life and has come to grips with it. TV On Radio! Visit Spud's website at: spudgoodman.com

When Shiv's hot take from a previous episode sparked a bigger conversation, we knew we had to go there. In this honest and unfiltered episode, Shiv and Dave dive into the question so many women quietly (or loudly) ask… are there actually good men out there? Together, they unpack the beliefs, wounds, experiences, and expectations that shape how we see men, relationships, and what it really means to be “good.” From challenging assumptions to exploring what personal growth actually looks like on both sides, this conversation is full of perspective shifts, hard truths, and plenty of hot takes along the way.   Ready to do the work and go deeper in your own healing? Book a consultation or find Dave's course here: Dave: https://stan.store/davemartinell Shiv: https://calendly.com/siobhanmartinell/30min   ⟡ Instagram:   / https://www.instagram.com/allofyoupodcast/ ⟡ TikTok:   / https://www.tiktok.com/@allofyoupodcast ⟡ Email: Hello@allofyoupodcast.com

God's purpose and calling for Men is clear even in a confusing culture. Discover the 5 Traits of a Godly Man and become the men we need. Godly men don't bend to culture but to God's Word. Check out week five of Forged here!

This week on Sinica, in a special episode recorded as a live joint webcast with NYRB/Poets and Equator Magazine, I sit down with Eleanor Goodman — poet, scholar, research associate at Harvard's Fairbank Center, and one of the most accomplished translators working between Chinese and English — to talk about the extraordinary Sichuan-born poet Zheng Xiaoqiong (郑小琼).Born in 1980 in a mountain village, trained as a nurse, Zheng joined the great tide of internal migration in her early 20s, ending up on the assembly line of a hardware factory in Dongguan in the Pearl River Delta. She picked up a pen after a workplace injury — part of her finger taken off by a lathe — and what came out across poems, essays, and reportage has made her one of the most singular voices in contemporary Chinese literature. Her trajectory from the assembly line to the editorial desk of an official literary magazine is, as far as I know, essentially without parallel.Eleanor has been translating Zheng since around 2013, and the partnership they've built has given Anglophone readers access to a body of work that defies easy categorization — at once intimate and historical, ethnographic and lyric, tender and unsparing. We talk about how they met, about Zheng's resistance to the "migrant worker poet" label, about the bodily feminism that runs through her verse, about her unmoralizing portraits of sex workers, about lost youth and the way the body keeps the ledger of factory time. Eleanor reads Zheng's poem "Woman Worker: Youth Pinned to a Workstation" (女工: 被固定在卡桌上的青春) in both Chinese and her English translation — and it is, every time, devastating.Huge thanks to Abigail Dunn at NYRB Poets and Ratik Asokan at Equator for organizing this conversation and for inviting me to host it, to Eleanor for her generosity and her brilliance, and most of all to Zheng Xiaoqiong, whose voice — even when she cannot be with us in person — comes through with absolute clarity.Eleanor's translation of Zheng Xiaoqiong's In the Roar of the Machine is available from NYRB Poets. The Equator selections, drawn from Zheng's long-form prose, are available at Equator Magazine.05:07 — How Eleanor and Zheng met in 2013, and why a book had to happen08:14 — Navigating the awkward proposition of China for the Western left10:50 — Zheng's trajectory: from a Sichuan village to the assembly line to the editor's desk16:29 — Resisting the "migrant worker poet" (打工诗人) label20:47 — Conventions of the genre: exhaustion, iron, lost identity, the screw in the machine24:58 — Who gets translated into English, and why28:34 — The translator's ethics: how do you render a factory poem honestly?32:42 — Eleanor reads "Woman Worker, Youth Pinned to a Workstation" (女工被固定在卡桌上的青春) in Chinese and English37:14 — Zheng's bodily feminism: irregular periods, a different way of caring40:37 — Lost youth and the passage of time44:36 — Sex work and women's labor: portraits without moralizing49:59 — Whose work actually counts in Chinese urban discourse?52:45 — Why Zheng Xiaoqiong wasn't able to join us, and how censorship really works54:44 — Rose Courtyard and what's next: classical allusions, ancestral homes, embroidering grandmothers57:39 — Audience Q&A: American worker poets, the WeChat communities of migrant writers, and Zheng's standing in Chinese lettersSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Day Break | They Rigged The System—Now Republicans Are Taking It Back --- 00:00 - Monologue 18:54 – Justin Goodman, Senior Vice President of the White Coat Waste Project. Goodman discusses recent efforts to reduce the use of cats and dogs in experimental testing. He explains recent wins tied to the Farm Bill and broader efforts to reform animal research practices. 27:45 – Peter Gillooly, CEO of The Wellness Company. Gillooly discusses ongoing conversations surrounding anti-parasitic drugs and their potential role in cancer treatment research. He also talks about leadership changes involving the Surgeon General nomination and broader healthcare policy discussions. Visit twc.health/GRUBER and use promo code GRUBER to save 10%. 37:46 - Monologue Featuring Ivey Gruber 56:51 – Ashley Davis, national security expert and author of Power Pivot. Davis discusses the rapid expansion of data centers, including a proposed 40,000-acre project in Utah. She breaks down the potential economic benefits, infrastructure concerns, and national security implications. 1:05:45 – Garrett Rice, CEO of Master Boat Builders and Vice Chair of the Shipbuilders Council of America. Rice discusses concerns surrounding a potential Jones Act waiver during the Iran crisis. He explains why some in the industry believe such a move could benefit China and weaken American shipbuilding. 1:15:51 - Monologue 1:24:50 – Ron Rademacher, travel writer and Michigan backroads expert. Rademacher highlights major events and activities happening across Michigan this week. He shares travel ideas and seasonal attractions listeners may want to check out. 1:35:01 – Tim Golding, Michigan State Director for Americans for Prosperity. Golding discusses the results of Michigan's State Senate District 35 special election and what they could mean politically moving forward. 1:43:52 – Ivey Gruber, President of the Michigan Talk Network. Gruber discusses developments in California's Democratic primary race and broader political dynamics shaping the contest. --- Check out our brand new podcast, 'Forgotten America'... Episode 13 is live NOW at Steve Gruber on YouTube! Link below: https://youtu.be/iBGFsN7Xtbg