Podcasts about I Write Sins Not Tragedies

On this week's episode, host Sequoia Holmes welcomes Emo historian and author of the My Emo Diaries series, My Emo Diaries. The two discuss the career of emo staple Panic! At The Disco, analyze the state of the scene during their career peak, and bring up the pressing question: why all the contention towards emo kids? All this & more! Highlights Religious Trauma to Emo music pipeline A Fever You Can't Sweat Out Brendon Urie Brandon Flowers beefWhen We Were Young Soulful emo singers My Emo Diaries Vol 1 & 2Long nonsensical song naming conventions that we love   Follow My Emo DiariesWebsiteTiktok Instagram Follow Sequoiahttps://www.instagram.com/sequoiabholmeshttps://www.tiktok.com/@sequoiabholmeshttps://twitter.com/sequoiabholmesFollow BPLP Podhttps://www.instagram.com/bplppodhttps://twitter.com/bplppodhttps://www.tiktok.com/@bplppod

In this episode, we review the dynamic debut from pop-punk / emo pop / dance punk group Panic! At the Disco - A Fever You Can't Sweat Out.Blenderstyle Hosts: Casey, Matthew, NathanFollow/Subscribe:YouTube: https://www.youtube.com/c/blenderstylePodcast: https://blenderstyle.buzzsprout.comBlenderstyle Merch: https://blenderstyle.square.siteInstagram: https://www.instagram.com/blenderstylemusicFacebook: https://www.facebook.com/blenderstylemusicWebsite: http://blenderstyle.netListen to the albumYouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_k2E-Yj9gl7wF1hyP-zG97fWAo5dARbg2cSpotify: https://open.spotify.com/album/2YeOhhJg3OWpN0F1VYPxtWApple Music: https://music.apple.com/us/album/a-fever-you-cant-sweat-out/80456435Panic at the Disco, A Fever You Can't Sweat Out, Reaction, Brendon Urie, Ryan Ross, Spencer Smith, Brent Wilson, The Only Difference Between Martyrdom and Suicide is Press Coverage, Lond Beckoned Songs About Money Written by Machines, Nails for Breakfast Tacks for Snacks, Camisado, Time to Dance, Lying is the Most Fun a Girl Can Have Without Taking Her Clothes Off, But It's Better If You Do, I Write Sins Not Tragedies, I Constantly Thank God for Esteban, There's a Good Reason These Tables Are Numbered Honey You Just Haven't Thought of It Yet, Build God Then We'll Talk, Blenderstyle, Bakersfield0:00 Intro0:25 Album Review14:30 Nathan's Rating15:25 Matt's Rating15:42 Casey's Rating18:40 Outro

Im zweiten Teil unseres Meilensteine-Weihnachtsspecials geht es um die Musik von Ryan Adams, Mike Viola und der deutschen Band "The Jeremy Days. Mit dabei ist auch Dirk Darmstädter von "The Jeremy Days". Mike Viola ist Sänger, Produzent, Musiker und Songwriter und auch wenn er selbst nicht zu den ganz großen Stars gehört, so hat er doch schon mit einigen zusammengearbeitet. Mit dabei waren zum Beispiel Ryan Adams, auf den wir später noch zu sprechen kommen und auch die Band "Panic! At The Disco" rund um Sänger Brendon Urie. Diese wurde Mitte der 2000er Jahre immer bekannter und konnte sogar Preise wie den MTV Video Music Award und Grammys gewinnen. Vor allem ihre Songs "I Write Sins Not Tragedies" und "High Hopes" waren international sehr erfolgreich. "Panic! at the Disco"-Sänger Brendon Urie wirkte im Umkehrschluss auch bei Mike Violas neuem Album "Paul McCarthy" mit. Allerdings nicht als Sänger, sondern am Schlagzeug – eine Hand wäscht eben die andere. Besonders spannend ist bei der Musik von Mike Viola, dass er immer wieder auch mit popkulturellen Referenzen spielt, was zum einen seine persönliche Meinung dazu übermittelt und zum anderen bei Pop-Afficionados das ein oder andere Schmunzeln hervorruft. Für Sänger und Songwriter Dirk Darmstädter ist es definitiv das beste Popmusik-Album, das er in diesem Jahr gehört hat, erzählt er im SWR1 Meilensteine Podcast. "Jeder der wirklich mal eintauchen möchte in die magische Welt, was Popmusik eigentlich sein könnte, der möge sich diese Platte anhören", empfiehlt Dirk Darmstädter von der Hamburger Band "The Jeremy Days". Taylor Swift ist großer Fan von Ryan Adams Der Titel von seinem Album "1989" kommt einem als Popmusik-Fan durchaus zurecht bekannt vor. Es ist nämlich ein Coveralbum von Taylor Swift's gleichnamigem Album. Textlich ist es quasi identisch, musikalisch dabei aber vollkommen anders. Die Musik des Singer/Songwriters ist keine episch ausproduzierte Popmusik, sondern sehr zarter und zurückgenommener (fast) Akustik-Pop. Spannend ist dabei zu entdecken, wie viel mehr an Möglichkeiten in der Musik von Popstar Taylor Swift steckt. "Er hat wirklich etwas Neues daraus gemacht", sagt SWR1 Musikredakteurin Katharina Heinius. Neu ist für Sie, bei Songs wie "Shake It Off" zum Beispiel, dass Ryan Adams dabei die ganzen elektronischen Elemente durch organische Instrumente ersetzt, dadurch den Sound komplett verändert und die Songs mehr atmen lässt. Sängerin Taylor Swift ist übrigens überhaupt nicht böse gewesen, dass sich Ryan Adams an ihren Songs bedient hat. Ganz im Gegenteil, sie fühlte sich dadurch sogar richtig geehrt. The Jeremy Days – Circushead "Circushead" ist das zweite Album der Band "The Jeremy Days". Und die zweite Platte ist – wir haben es schon öfter erwähnt – das schwierigste Album für einen Künstler oder eine Band, denn daran entscheidet sich oft: war die Band nur ein Zufallserfolg, oder kann man sich doch vielleicht als seriöser Künstler etablieren? Was Dirk Darmstädter und seiner Band in den 80ern wichtig war: sie wollten vor allem nicht nach Neuer Deutscher Welle klingen und das in Deutschland war dieser Sound und diese Musik gerade das Nonplusultra. Also machte die Band das, was für sie am sinnvollsten erschien: sie zogen um! Von Hamburg nach London. "Damit (NDW) wollten wir überhaupt nix zu tun haben. Wir fühlten uns in Hamburg nicht als Teil irgendeiner Szene und wir fühlten uns auch nicht verstanden. Und alle unsere musikalischen Helden [...] waren alle in dieser magischen Stadt: London", erzählt Dirk Darmstädter im Podcast. In London waren die Künstler, die die Band selbst feierte und es war die Stadt, in der sie ihre musikalischen Soundwünsche am ehesten verwirklichen lassen konnten. Daher hat die Musik der "Jeremy Days" auch diesen sehr internationalen britischen Sound. __________ Über diese Songs wird im Podcast gesprochen: (01:19) – "Brand New Toy" von The Jeremy Days(01:40) – "Are You Inventive" von The Jeremy Days(03:48) – "That Thing You Do" von Mike Viola(06:04) – "Paul McCarthy" von Mike Viola(11:47) – "Love Letters From a Childhood Sweetheart" von Mike Viola(14:25) – "I Think I Thought Forever Proof" von Mike Viola(20:48) – "Shake It Off" von Taylor Swift(21:10) – "Shake It Off" von Ryan Adams(24:09) – "Blank Space" von Taylor Swift(25:00) – "Blank Space" von Ryan Adams(26:13) – "Welcome To New York" von Taylor Swift(27:16) – "Welcome To New York" von Ryan Adams(33:20) – "Time Is On My Side" von den Rolling Stones(35:11) – "Give It a Name" von The Jeremy Days(40:02) – "Julie Thru The Blinds" von The Jeremy Days(43:27) – "Sylvia Suddenly" von The Jeremy Days(50:59) – "Roam To Revolution" von The Jeremy Days(59:39) – "History (of the World Part II)" von The Jeremy Days(01:02:48) – "Clouds of Maine" von The Jeremy Days(01:06:54) – "Beauty in Broken" von The Jeremy Days __________ Shownotes: Homepage der Jeremy Days: https://thejeremydays.com/ Die Jeremy Days im Rockpalast: https://www.ardmediathek.de/video/rockpalast/the-jeremy-days-crossroads-festival-2022/wdr/Y3JpZDovL3dkci5kZS9CZWl0cmFnLWY3YTU0NmJjLTNiOGEtNDEwNi1hMDYxLWNlYjhjOTU4YzdmZA Rockpalast-Artikel über die Jeremy Days: https://www1.wdr.de/fernsehen/rockpalast/bands/ueber-the-jeremy-days-100.html Dirk Darmstädters Radioshow bei Bremen 2: “Sounds like Dirk”: https://www.bremenzwei.de/sendungen/sounds-like-dirk-100.html^ Portrait der Jeremy Days bei laut.de: https://www.laut.de/The-Jeremy-Days Mike Violas Homepage mit Videos: https://www.mikeviola.com/ Youtube-Kanal von Ryan Adams: https://www.youtube.com/channel/UCiYhdA1f18cZiBbcxvSfWkg  Artikel der “Süddeutschen Zeitung” zu Ryan Adams Version von “1989”: https://www.sueddeutsche.de/kultur/cover-versionen-im-pop-kann-das-gutgehen-1.2662883 Interview des Guardian mit Ryan Adams über seine Version von “1989”: https://www.theguardian.com/music/2015/oct/25/ryan-adams-1989-album-taylor-swift-like-shakespeare-interview “Paul McCarthy” Vorstellung des Mike Viola Albums beim „Tracks Magazin“: https://tracks-magazin.ch/mike-viola-paul-mccarthy/ SWR1-Meilensteine Folge zu “Electric Ladyland” von Jimi Hendrix: https://www.ardaudiothek.de/episode/swr1-meilensteine/jimi-hendrix-electric-ladyland/swr1/85537468/ Podcast-Tipp: "Starthilfe" vom Saarländischen Rundfunk: https://www.ardaudiothek.de/sendung/starthilfe-der-musik-podcast-mit-den-stars-von-morgen/94673504/ __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

Get ready for a blast from the past as Chris and Amanda take a nostalgic trip back to the 2000s in this week's episode of Song Swap Showdown. To celebrate the Fourth of July, we're only featuring songs by American-based artists, bringing a mix of iconic hits and hidden gems to the table. Amanda's picks for Chris include the catchy 'It Wasn't Me' by Shaggy and Rik Rok, the unforgettable 'Ms. Jackson' by Outkast, and the soulful 'Three More Days' by Ray LaMontagne. On the other hand, Chris has chosen some unique tracks for Amanda, including the powerful 'Numb' by Linkin Park, the dramatic 'I Write Sins Not Tragedies' by Panic at the Disco, and the indie classic 'Maps' by Yeah Yeah Yeahs. Tune in to find out which songs will get the highest rating on their 1-5 record scale, and whose playlist will win this 2000s-themed showdown. Remember to share your ratings and thoughts on these songs in the comments section or through our social media platforms. So, whether you're reminiscing about the 2000s or discovering these songs for the first time, let the melodies of our chosen jams transport you back to a memorable decade in music. Join us for this exciting episode of Song Swap Showdown and discover your new favorite 2000s anthems! Songs featured in this episode: Amanda's Picks for Chris: "It Wasn't Me" by Shaggy and Rik Rok "Ms. Jackson" by Outkast "Three More Days" by Ray LaMontagne Chris's Picks for Amanda: "Numb" by Linkin Park "I Write Sins Not Tragedies" by Panic at the Disco "Maps" by Yeah Yeah Yeahs Wheel of Show Themes Sponsor: NextGen Podcaster -⁠ https://nextgenpodcaster.com/mastering-chatgpt-for-podcasters/.⁠ LEAVE US A VOICEMAIL! https://podcasters.spotify.com/pod/show/songswapshowdown/message Watch the video version - ⁠⁠https://www.youtube.com/watch?v=VKJ9AoCTKsc&t=114s⁠ *Pick up some new music - ⁠⁠https://www.pinterest.com/chrisvaglio/song-swap-showdown-recommendations/⁠⁠ ***SPONSOR: Campsite.bio***   A Blazing Fast Bio Link Made Your Way! Add Campsite.bio to any of your social sites now and CONVERT more followers into customers with a link in bio tool created just for you. SIGN UP FOR FREE or get $10 off a prop plan by using this code TBGVWRT5, at checkout ⁠https://campsite.bio/landing/songswapshowdown⁠   Join our Facebook Community - ⁠https://www.facebook.com/groups/1161768424439762⁠ Listen to our ⁠Song Swap Showdown 2023 Playlist ⁠⁠ Connect with us at - ⁠http://campsite.bio/songswapshowdown⁠   Feel free to support this show for as little as ⁠$2 a month through Buy Me a Coffee⁠ Email us at info@songswapshowdown.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/songswapshowdown/message Support this podcast: https://podcasters.spotify.com/pod/show/songswapshowdown/support

On today's ep we'll be discussing the band Panic! At The Disco due to their close affiliation to Fall Out Boy. So please leave all overcoats, canes, and top hats with the doorman as we talk about one of the biggest bands to come out of our hometown! Panic! At the Disco is an American rock band that was formed in Las Vegas, Nevada, in 2004. The band's original lineup consisted of lead vocalist and multi-instrumentalist Brendon Urie, drummer Spencer Smith, guitarist Ryan Ross, and bassist Brent Wilson. The band's debut album, "A Fever You Can't Sweat Out," was released in 2005 and became a commercial success, with hits like "I Write Sins Not Tragedies" and "But It's Better If You Do." The album's unique blend of pop punk, emo, and cabaret influences established Panic! At the Disco as a new force in the alternative music scene. Over the years, Panic! At the Disco has undergone several lineup changes, with Urie being the only constant member. Despite these changes, the band has continued to evolve and experiment with their sound, incorporating elements of pop, rock, electronic, and even hip hop into their music.

In 2005, it sucked seeing your girl wtih someone else, and the two dueling kings of Las Vegas bands had feelings about it. But who wrote the superior jealousy song, The Killers with "Mr. Brightside" or Panic! at the Disco's "I Write Sins Not Tragedies"? 

Wat is de emo, poppunk scene zonder zijn klassiekers. Nu schrokken onze Lesley en Bart er behoorlijk van dat een aantal juweeltjes in hun 2,5-jarige KINK FAST carrière nog nooit voorbij waren gekomen. Daarom is het nu tijd voor de ‘Hit or Miss’ Top 5 waarin hits voorbijkomen die de mannen hebben gemist. Dit met o.a. Hawthorne Heights, Fall Out Boy en Taking Back Sunday. Daarnaast komt natuurlijk de nieuwe single van Paramore voorbij, maar ook muziek van Loveless, Alden Ave en Thrice. Van laatstgenoemde kun je trouwens deze week kaarten winnen. Wil je op 23 oktober naar Thrice, Coheed and Cambria en Touché Amoré in 013 Tilburg? Volg dan @lesleyklaverdijk, @baart87 of @kinkdistortion op Instagram en stuur ze een DM. Playlist: 01. New Found Glory – Hit Or Miss 02. Hawthorne Heights – Ohio Is For Lovers03. Jimmy Eat World – The Middle04. Loveless – Worst Case Scenario 05. Thrice – Open Your Eyes and Dream 06. Taking Back Sunday – MakeDamnSure 07. Panic! At The Disco – I Write Sins Not Tragedies 08. Alden Ave – One Last Night 09. Paramore – This Is Why 10. Fall Out Boy – Grand Theft Autumn / Where Is Your Boy 11. All Time Low – Coffee Shop Soundtrack

Wat is de emo, poppunk scene zonder zijn klassiekers. Nu schrokken onze Lesley en Bart er behoorlijk van dat een aantal juweeltjes in hun 2,5-jarige KINK FAST carrière nog nooit voorbij waren gekomen. Daarom is het nu tijd voor de ‘Hit or Miss’ Top 5 waarin hits voorbijkomen die de mannen hebben gemist. Dit met o.a. Hawthorne Heights, Fall Out Boy en Taking Back Sunday. Daarnaast komt natuurlijk de nieuwe single van Paramore voorbij, maar ook muziek van Loveless, Alden Ave en Thrice. Van laatstgenoemde kun je trouwens deze week kaarten winnen. Wil je op 23 oktober naar Thrice, Coheed and Cambria en Touché Amoré in 013 Tilburg? Volg dan @lesleyklaverdijk, @baart87 of @kinkdistortion op Instagram en stuur ze een DM. Playlist: 01. New Found Glory – Hit Or Miss 02. Hawthorne Heights – Ohio Is For Lovers03. Jimmy Eat World – The Middle04. Loveless – Worst Case Scenario 05. Thrice – Open Your Eyes and Dream 06. Taking Back Sunday – MakeDamnSure 07. Panic! At The Disco – I Write Sins Not Tragedies 08. Alden Ave – One Last Night 09. Paramore – This Is Why 10. Fall Out Boy – Grand Theft Autumn / Where Is Your Boy 11. All Time Low – Coffee Shop Soundtrack

Quem assistiu à MTV nos anos 2000 provavelmente viu clipes de músicas como "I Write Sins Not Tragedies", do Panic! At The Disco. Esse e outros hits são símbolos do emo e do pop punk que dominaram a indústria musical nos anos 2000 com uma estética melancólica e juvenil. Quinze anos depois do auge desse movimento com vocais gritados e letras bem sentimentais, a cena mainstream americana resgatou essa sonoridade. Um dos maiores exemplos é Olivia Rodrigo, uma das cantoras mais ouvidas de 2021 no Brasil e no mundo.  O maior sucesso da artista é a canção “Good 4 U”, que já foi muito comparada com a música "Misery Business", lançada em 2007 pela banda Paramore, um dos principais nomes do emo e do pop punk dos anos 2000. A Avril Lavigne, um dos maiores nomes desse movimento, ficou alguns anos distante do emo e agora volta a surfar na onda que ela mesma ajudou a criar. O Expresso Ilustrada dessa semana debate o que motivou e como tem sido o retorno do emo e do pop punk nas paradas musicais. Para isso, o episódio conversa com o músico e produtor Lucas Silveira, vocalista da Fresno, e Leandro Carbonato, empresário na produtora Powerline Music, que produz bandas e traz shows internacionais de pop punk ao Brasil. See omnystudio.com/listener for privacy information.

Horror Nights: Mike is making claims that somehow, some way Jeff and Jim agreed to limitations on the amount of haunted houses he will have to experience!Theme Parks: A couple of drunks and ramblings about theme parks, it's quite a journey and the boys are excited.Karaoke: It's post DIRTY THIRTY, we've been going for over 4 hours, might as well break out some karaoke, fire up DROPS OF JUPITER!KILL LESS PEOPLE!, ARNOLD!, LAST ACTION HERO!, THE JACKSONS!, CAN YOU FEEL IT!?, SHINY GLOVE!, LEGENDS!, 2 WEEKS!, MASK!, THE HYPE!, JEFF'S NOTES!, GAL PACINO!, REALTIME!, WINZIP!, I'M A MAN!, LAUGHING!, MEMPHIS JIM!, RELIGION!, JESUS!, OFFICERS!, POLICE!, BIBLE BELT!, CHURCH!, UBER!, COASTAL ELITES!, CITY BOY!, THE SOUTH!, DALLAS!, NOSE MANUAL!, THRILLER!, LETTERMAN JACKET!, WEREWOLF!, THEME PARKS!, TRIPS!, RIP TOUR!, UNIVERSAL!, SPLESH!, CABANA!, NEW SWIM TRUNKS!, MURDER SLIDE!, BLEACHED!, HALLOWEEN BOY!, HAUNTED HOUSES!, LIMITS!, 2 HOUSES!, TAP OUT!, SOUTHERN LAWYER!, PUSS OUT!, BEETLEJUICE!, HILL HOUSE!, TEXAS CHAINSAW MASSACRE!, TERROR RESPITE!, THE DESCENT!, STELLA!, PUTTING IN WORK!, RESERVATIONS!, LIVESTREAM!, JAMZ!, FORGOT!, COMPLETE PUSSY!, MATTERHORN!, SKI GOGGLES!, HARRY POTTER!, MAKING IT WEIRD!, GODPARENT!, DUDLEY DO RIGHT!, POPEYE!, WHATABURGER!, IN N OUT!, HOUSTON!, CITRUSY CAKE!, HAUNTED MANSION!, RIPTIDE ROCKET!, ADDERALL!, GOOFY MOVIE!, GOOD RIDDANCE!, GREEN DAY!, RUN OVER BY A TRAIN!, THE PEST!, ALEX JONES!, JOEY BUTTZ!, GUY COVERED IN ACID!, CHAN FRANK!, JOEY PORK!, THE LIVING MULE!, 8 BEERS JIM!, KARAOKE!, DROPS OF JUPITER!, TRAIN!, PANIC AT THE DISCO!, THE TOADIES!, POSSUM KINGDOM!, I WRITE SINS NOT TRAGEDIES!, WHEATUS!, TEENAGE DIRTBAG!, I'M NOT OK!, MY CHEMICAL ROMANCE!, LOST TIME!You can find the videos from this episode at our Discord RIGHT HERE!

[FORMAT ÉTÉ]Retour en 2007 avec Panic! at the Disco et le titre « Build God, Then We'll Talk ».Au programme : du bon rock américain pour ado, une ambiance cabaret et un spectacle de mime très particulier...Pour plus de contenu exclusif et chaud comme la braise, viens suivre le N'importe cul sur InstagramSi tu es curieuse·x... Build God, Then We'll TalkLe clip de "Build God, Then We'll Talk"Les paroles de la chansonAutres sources citéesLe clip "I Write Sins Not Tragedies" de Panic! At The Disco La reprise de "This is Halloween" par Panic! At The Disco pour la sortie 3D de "L'Étrange Noël de M. Jack" en 2007La scène "My Favorite Things" dans la "Mélodie du Bonheur"Le clip "7 rings" d'Ariana GrandeLa reprise de "Bohemian Rhapsody" par Panic! At The Disco pour le film "Suicide Squad"La chanson "The Greatest Show" de Panic! At The Disco pour le film "The Greatest Showman"Le clip "Into the Unknown" de Panic! At The Disco pour le film "La Reine des neiges 2"CréditsCréé et animé par Mina et Jade. Produit par Mauvaises Ondes. Générique par Jade. Musique de Stefano Mastronardi. Illustration d'Amandine Jonniaux. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Shane Drake, legendary music video director for emo acts such as Paramore, Fall Out Boy, Panic! at the Disco, Hawthorne Heights, The Rocket Summer, and Forever the Sickest Kids stops by to answer all of our burning questions about what it was like to be on set with some of our biggest heroes. We are honestly stunned this interview even happened, and we're more shocked at the level of intimate detail he provided for each music video we talked about. There are tons of behind-the-scenes looks at everything from early 2000's screams acts like Underøath, all the way up to directing music videos for American Idol, and his transition into the country scene. Tons of great detail that you won't be able to find anywhere else, and I'm just not sure what life we're living right now because this is undoubtedly the coolest thing to ever happen on the show.   BONUS EPISODES AND PHOTOS ON PATREON!     Check out Shane Drake's work below: SAY SO PICTURES Rising Star on Amazon Prime   Shane's Music Videos Mentioned: Pressure by Paramore -listen to the Pressure episode! Emergency by Paramore Decode by Paramore I Write Sins Not Tragedies by Panic! at the Disco -listen to the I Write Sins Not Tragedies episode! But It's Better If You Do by Panic! at the Disco Nine In The Afternoon by Panic! at the Disco Ready To Go by Panic! at the Disco Bullet to Binary by mewithoutyou Face: Face by Norma Jean When the Sun Sleeps by Underøath Saturday by Fall Out Boy Ohio Is For Lovers by Hawthorne Heights So Much Love by The Rocket Summer -listen to the So Much Love episode! Whoa Oh (Me vs Everyone) by Forever The Sickest Kids -listen to the Whoa Oh (Me vs Everyone) episode! -check out our article about the Whoa Oh music video! The Queen and I by Gym Class Heroes The Way I Are by Timbaland     Hit us up online! Patreon | Twitter | Instagram | SpaceHey

For this episode I tackle doing an album review. I review Fever You Can't Sweat Out by Panic! At The Disco. I go over Time to dance, Camisado, and the final song of the album Build God, Then We'll Talk. The Y is I Write Sins Not Tragedies. There are some great podcast questions so feel free to reach out on Instagram @jd4unc and answer those. The themes in this album are interesting and similar to what most in the music industry write about. Hope everyone has a great week. Explicit for content in the lyrics. Music Credits for This Episode: : Intro The Alan Parsons Project Sirius, Time to Dance, Camisado, Better If You Do, Build God, Then We'll Talk, and I Write Sins Not Tragedies all by Panic! At The Disco. The outro Midsummer Madness Instrumental Prko. Sources: YouTube, LyricFind.com, Pulp-usu.com “Pulp Ranked Panic! At The Disco's Albums” by Alyssa Maria Gil, shanideasblog.wordpress.com “Track By Track: A Fever You Can't Sweat Out, Panic! At The Disco” by Shani Goloskov, The Pop Song Professor “I Write Sins Not Tragedies is Super Deep Panic! At The Disco Lyrics Explained” by Clifford, Getalternative.com “It Holds Up: Panic! At The Disco- ‘A Fever You Can't Sweat Out'” by the editor of this website, Rocksound.tv “Hall Of Fame: Panic! At The Disco – A Fever You Can't Sweat Out” by Andy Ritchie, and songfacts.com.

Los Lovely Boys! Cover! Panic! At The DiscoThis week's episode breaks down "I Write Sins Not Tragedies", the landmark single of Panic! At The Disco in 2006. Here's a quick look at what was discussed in this week's episode:  Ryan walks us through how the...

Panic! At the Disco dropped their debut album “A Fever You Can’t Sweat Out” in late 2005 and kind of took the entire world by storm. At that time, the whole circus freak vibe wasn’t super mainstream (was it ever?) and music THAT catchy wasn’t often heard side by side with such outlandish imagery. However, Panic! had just the right amount of something that made them a massive success. This week the guys take a look back at the first time they heard the big single “I Write Sins Not Tragedies”, reveal some 15 year kept “secrets” about acquiring the album, and discuss the meaning behind the music video.   BONUS EPIOSDES AND PHOTOS ON PATREON!   Links: I Write Sins Not Tragedies Music Video   Songs of the week: Window by Charlie Rae Jepson Scram! by Jeff Rosenstock   Hit us up online! Patreon | Twitter | Instagram | Facebook

HAPPY NATIONAL EMO DAY! ... I guess join us, as we talk about emo music or whatever. Do what you want, I don't feel good today. Today I guess we're celebrating with a super cool person and we're surprised he even noticed us, comedian and musician Cory Barringer (Twitter: @HunkyCory / Instagram: HunkyCory / The Kelps on Bandcamp)!! LET'S PARTY!! Find Holiday Party online – Patreon: patreon,com/HOLIDAYPARTY Twitter: @HOLIDAYPARTYPOD / Instagram: HOLIDAYPARTYPODCAST / Facebook: @HOLIDAYPARTYPODCAST / HOLIDAYPARTYPODCAST.COM Find Alyssa – Twitter: @alyssapants / alyssapants.com Find Disa – Spotify: open.spotify.com/user/1243777842 SHOW NOTES History/Fun facts about the topic Definition and history--What exactly is emo, you ask? To start, Dictionary.com gives a two-part definition of emo as a noun 1. A type of guitar-based music developed from emocore but having a softer, pop, or mainstream sound 2. A fan of emo, especially a person who is overly sensitive and full of angst or adopts a certain style characterized by dyed black hair, tight t-shirts and jeans Wikipedia further defines Emo as “a rock music genre characterized by an emphasis on emotional expression, sometimes through confessional lyrics.”  Urban Dictionary has over 1400 entries for the definition of emo, with the top entry outlining three applications of the word as: an emotional person, a style, and a genre of music, from user “One of the few people who will say what the labels are instead of my opinion on them” in February 2008. This was their only submission to the site According to NME, emo might be “music’s dirtiest word,” one that “attracts scorn like few others.”  As a genre, It emerged as a style of post-hardcore from the mid-1980s hardcore punk movement in Washington DC, where it was known as ‘emotional or emotive hardcore’ or ‘emocore’.” The origin of the term itself is hard to pin down, though evidence shows that it was coined in 1985. Some attribute its birth to a 1985 Thrasher article in which Embrace and other Washington DC bands were referred to as “emo-core,” while others claim that Minor Threat frontman Ian MacKaye used it self-mockingly in a magazine, and yet other people give credit to an audience member at an Embrace show, who shouted as an insult that the band was “emocore.” Either way, the general consensus is that the term was intended as an insult from the very beginning, and none of the flagship bands wanted anything to do it Though The Beach Boys’ 1966 album “Pet Sounds” was labelled “the first emo album” by Treble Zine’s Ernest Simpson, the first Emo band is often cited to be Rites of Spring, ostensibly because of their lyrics, such as, “I woke up this morning with a piece of past caught in my throat/And then I choked,” from their song “For Want Of.” Apparently the members of Rites of Spring hate being called emo, though, with Guy Picciotto once saying, “I’ve never recognized ‘emo’ as a genre of music… the reason I think it’s so stupid is that--what, like the Bad Brains weren’t emotional? What--they were robots or something? It just doesn’t make any sense to me.” In 1980, Minor Threat frontman Ian Mackaye founded the Dischord record label where it signed many DC hardcore punk bands. Later on, it went on to sign MacKaye and Picciotto’s iconic band Fugazi. Fugazi were not emo, drawing in elements of hardcore, funk, and jazz instead, but they did inspire bands in the mid 90s to abandon conventional hardcore roots The first wave of emo took off with Revolution Summer 1985, which was an attempt deliberately sought by emo-core bands like Gray Matter, Beefeater, Dag Nasty, Soulside, and Embrace to break the limitations of hardcore punk in favor for a fresh idea of creativity. It was a social movement that challenged the initial wave of hardcore music, the attitudes of fans and bands before them, and also the image mainstream media protrayed of punks. The bands that spawned from Revolution Summer often took a stand against violence, especially at shows in the form of slamdancing, as well as standing up against the sexism of the scene. During the 90s, a second wave of emo began to spread out and started splintering into different subgenres, and became to be defined by an emotional intimacy between bands and their fans. According to the altpress.com article “What is Emo, Anyway? We Look at History to Define a Genre,” this is where we saw the birth of screamo, with bands like Antioch Arrow and Swing Kids.  In Seattle, Sunny Day Real Estate drew elements of grunge and alt-rock, and were in fact often pegged as the “next Nirvana” by industry insiders before they broke up for the first time in 1995. Farther down the West Coast in California, Green Day, Rancid, Jawbreaker, and Weezer were exploding onto the national scene The emo scene was particularly prolific in the Midwest at this time, giving us bands such as The Promise Ring, Cap’n Jazz, American Football, and The Get Up Kids, as well as many of the stereotypes that continue to this day--that emo is “boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music,” according to author Andy Greenwald, who wrote “Nothing Feels Good: Punk Rock, Teenagers, and EMO,” a 2003 book that explores the evolution of the emo scene and how this culture has affected its largest group, teenagers. According to The Chicago Reader critic Leor Galil, Midwest, or second-wave, emo was critical in transforming DC emo into “something malleable, melodic, and cathartic--its common features included cycling guitar parts, chugging bass lines, and unconventional singing that sounded like a sweet neighbor kid with no vocal training but plenty of heart.” The 2000s saw a third wave of emo music, and saw pop-punk and emo become inexorably intertwined. It was during this period when bands like Jimmy Eat World, Thursday, Taking Back Sunday, At The Drive-In, Saves The Day, and Brand New were at their respective peaks. We also saw the likes of Atreyu, the Faint, Bright Eyes, and Coheed and Cambria. As altpress notes, “one thing about all of these bands [is that] they all sound wildly different from one another. The sonic palette of emo is widening as quickly as outside influences can be embraced.” With the advent of MySpace in the mid 2000s, emo blew up into a full-blown counter-culture, with groups such as Fall Out Boy, AFI, My Chemical Romance, Paramore, Relient K, Plain White T’s, and Panic! At the DIsco at the forefront, giving us all the inspo to go full “mall emo.”  Through that entire decade, emo purists were incensed, claiming that “emo” is already dead, horrified that bands like the Used and Senses Fail were being called “screamo,” and referring to their precious OG screamo bands as “skramz” instead.  According to NME, “this is an era that countless emo purists like to reject, but it saw the genre take flight like never before.” The last decade has seen emo take two clear paths. There has been something of an underground revival, with many newer bands finding inspiration from emo’s second wave the 90s, while the emo acts from the mid-2000s explosion have gone on to huge pop success and transitions to other genres.   With artists such as Lil Peep, Princess Nokia, nothing, nowhere, and Ghostmane, the next generation of emo may see the continuation of blending emo elements with hip-hop. Wherever it goes, we can surely expect the OG emo gatekeepers to keep their pearls clutched close and their tissues even closer The most significant update to the world of emo, as least to me, is taking place practically as we speak. The return of My Chemical Romance commences tomorrow, December 20th, at the Shrine Expo Hall In LA. The saga to this reunion has been a long and painful one. First, they stomped on the souls of emos around the world when they announced their breakup on March 22nd, 2013.  Then in July 2016, they posted to their social media for the first time in years a video with the piano intro from “Welcome to the Black Parade,” ending with a cryptic date, “9/23/16”, which stoked hopes for a reunion announcement. It ended up being the reissue date of The Black Parade with unreleased demos.  Next, in June of this year, Joe Jonas claimed that he saw the band was rehearsing in a New York studio space. Frank Iero sort of quashed these rumors, and a lot of people speculated that Joe Jonas may have confused Iero’s band, Frank Iero and the Future Violents, with My Chemical Romance.  Turns out that MCR just sucked at being sneaky. They announced on Halloween 2019 that they would be performing in LA, then followed up that announcement a week later with more dates in Australia, Japan, and New Zealand for 2020 Since the reunion announcement, Pitchfork issued a retrospective review of Three Cheers for Sweet Revenge, giving it an 8.2 score, describing it as “an operatic pop-rock behemoth that became an icon for outcasts.” Criticisms and controversies (from Wikipedia) Emo music was blamed for the suicide of teenager Hannah Bond by the coroner at her inquest and her mother, with emo music reportedly glamorizing suicide. She had an online presence in emo forums where she discussed the “glamour” of hanging, as well as telling her parents that her self-harm was an “emo initiation ceremony.” A qualitative study showed emo respondents reporting “attitudes including high acceptance for suicidal behavior and self-injury,” and concluded, “the identification with the emo youth subculture is considered to be a factor strengthening vulnerability towards risky behaviors.” Emo has been criticized for being androcentrist, with Andy Greenwald citing that there are few women in emo bands and those who are have little influence on lyrical content. “Emo’s popularity and its “lonely boy’s aesthetic” have lead to a litany of one-sided songs in which men vent their fury at the women who have wronged them. Some emo bands’ lyrics disguise violent anti-women sentiments with a pop-music veneer.” The emo genre experienced backlash in response to its rapid growth. Some bands rejected the label for its social stigma and controversy. The backlash intensified in 2008, when anti-emo groups attacked teenagers in Mexico City, Queretaro, and Tijuana. Legislation was proposed in Russia’s Duma regulating emo websites and banning emo attire in schools and government buildings, with the subculture perceived as a “dangerous teen trend” promoting anti-social behavior, depression, social withdrawal, and suicide. In 2012, the BBC reported that Shia militias in Iraq shot or beat to death as many as 58 young Iraqi emos.  As we know, “emo” isn’t a term only to denote a genre of music, but also a fashion statement, a lifestyle, and a collection of personality traits Wikipedia succinctly informs us that “emo fashion was originally clean-cut and tended towards geek chic”, with comparisons made to Fred Rogers and Buddy Holly. As emo entered the mainstream, fashion began to include skinny jeans, tight t-shirts, studded belts, converse sneakers, Vans, and black wristbands. Thick black eyeliner and black fingernails also became common, though the most ubiquitous facet of emo fashion is the hairstyle: flat, straight, usually jet-black hair with long bangs covering much of the face.  As emo became a subculture, people who dressed in emo fashion and associated themselves with its music were known as “emo kids” or “emos”.  An “emo kid,” according to Urban Dictionary is: A social classification that has been bastardized by scenesters, rich preps, and wannabe goths united. A true emo kid does not label him/herself as being “emo”...often this label is foisted on him or her against the alleged emo kid’s will. True emo kids listen to whatever the hell music they feel like, and it is often poetic or expressive. Emo is not a clothing style, cutting our wrists, or being a frequent buyer at Hot Topic. Those who call themselves “emo” are most likely just trying to be “scene” and have really screwed up the genre through wearing generic, borderline gothic clothing that all their sad little friends wear.” In other words, a “true” emo kid is someone who gatekeeps being an emo kid The most common Emo stereotypes, as taken from thetoptens.com, wikipedia,  Emos hate themselves They self harm or are suicidal They’re Emo for attention Emos have fake cut marks They whine a lot They’re depressed Their poetry is bad Emo songs are bad Emos wear their mom’s makeup (pro-tip: don’t share mascara or eyeliner with anyone unless you want some attention-grabbing eye infections) They wear black clothing in hot weather (this is a good idea though!) Have spiky hair Only wear converse Their hair covers one of their eyes (sounds painful if hair is indeed spiky) Worship the devil According to National Today, emo is responsible for starting some well known trends, including Ear gauges, which NT describes as “the default millennial piercing option Social media--”Back when you couldn’t see the point in getting a Facebook page, emos were tricking out their Myspaces with glitter, animations, and their favorite songs on autoplay” Selfies: “Emos pioneered the art of self-photography, before phones even had a selfie camera!” And skinny jeans, “the official ‘00s pants style for both men and women started in the emo community first” History of National Emo Day From definithing.com, “national emo day takes place on december the 19th, and is celebrated all around the world, by emo’s and non-emos alike. It is a day for emos to celbrate their sub-culture, and for non-emos to pretend to be emo, for a day, sometimes people use the day, as an excuse tyo National emo day A day for the all emos to congregate together for a m-ss non-celbration, and general whine about life. Celebrated on the 19th of december “Oh my god… my life is like, so totally hard.” “Yeah me too… i hate my life, like so much” “What” “Go to national emo day” “Omg yeaaaah!! I mean, like. Okay, whatever, man.” Also known as-ned Its where you act emo, dress emo, be emo! Its always on may 4th. Its to make fun of the fake emo kids who are scene! “Hey are you celebrating national emo day?” “H-ll yeah i am! I cant wait to act depressed all day!” Now according to Uncyclopedia, National Emo Day “was created in 1927, created by a group of Christians who wanted to reach out to more people. In a desperate attempt they had 10K people sign a document stating they would created a holiday to celebrate the life of Emos. As they continued to publicize the petition to create the holiday they got little to know [sic] results so they decided to change their approach on the topic, They decided to instead of publicising it as an emo holiday to publicise it as a petition to make “Girls Gone Wild” videos for free. Within only 6 days they had achieved 10k signatures.” But for real, the earliest reference I could find to National Emo Day was an Urban Dictionary entry by BlackSouledBeast from December 5th, 2009, which states, and this may sound familiar, “National Emo Day takes place on December the 19th, and is celebrated all around the world, by emo’s and non-emos alike. It is a day for emos to celbrate their sub-culture, and for non-emos to pretend to be emo, for a day. Sometimes people use the day, as an excuse tyo” There was another UD entry from December 5th, 2009, by user Johnatronn, which stated, “a day for the all emos to congregate together for a mass non-celbration, and general whine about life. Celebrated on the 19th of December.” There are a grand total of 4 entries on Urban Dictionary entries for National Emo Day. The other two were added May 1st, 2018, by CRIMSON_WOLF, and June 9, 2018, by Moncricket Killer. So take that information for what it’s worth Activities to celebrate Take part in our National Emo Day social media challenge, which is to post as many sad sack updates as you can throughout the day, ending each of them with the hashtag #NationalEmoDay and the :( emoji Become emo! WikHow gives a helpful breakdown of precisely how to be an emokid. First, look the part and get an emo appearance.  Start with getting “emo hair,” which usually refers to a layered haircut in which long bangs are swept and styled to one side usually held in place with mousse, hair gel, or pomade. The color is mainly natural, but sometimes “emo hair” is dyed black and sometimes features a bright highlight of blonde or other “punky” colors Then break out the black eyeliner and don’t be shy with it. Get your full waterlines, and don’t skimp on the corners of your eyes You’re also going to need nail polish, specifically black. Don’t be afraid to wear different colors or mix them Consider getting piercings! Snake bites in particular are a very common piercing among the emos  Dress in emo fashion. Stock your closet with skinny jeans, hoodies, vintage t-shirts, and checked shirts that will pair great with your concert tees. Wear emo bands t-shirts, even if you’ve never seen them live Wear thick horn rimmed glasses, even and especially if you have perfect eyesight Shoes should be converse or vans. WikiHow says that you do not have to buy them new, and that’s a lie. If you don’t have an outlandish collection of limited edition high-tops and canvas slip-ons, you’re a poser and not doing emo correctly Accessorize with scarves, stripy socks, wristbands, studded belts, safety pins that are doing nothing, badges, and fingerless gloves.  Embrace androgyny.  Don’t forget to cuff your jeans, cut thumb holes into your hoodies, and be sure to own at least two items with characters from The Nightmare Before Christmas Next, you have to understand Emo, so learn all about it. You’re off to a good start with this episode. Learn about the history as well as the subgenres, including emocore (Rites of Spring); post-emo indie rock/Midwest emo (Sunny Day Real Estate); Emo pop (Jimmy Eat World); screamo (Heroin); and emo rap (MC Lars).  Understanding emo includes appreciating emo music. You can listen to the classics of the subgenres, as well as explore using music streaming services like SoundCloud, Bandcamp, Pandora, Spotify, and Youtube to find less well-known emo bands. Develop a passion for different kinds of music. Generally speaking, all emo music has two things in common: big, sweeping, extremely melodramatic guitar-based music, either aggressive and harsh or acoustic and gentle, that contain confessional or explicitly personal lyrics, often about heartbreak and loneliness. You can listen to Death Cab for Cutie or My Chemical Romance or both (you lunatic) and still be emo. Learn to tell the difference between emo and other subcultures.  Emo is a subculture that is based around music, and deals with emotions, self-expression, and self-exploration. Being emo means you understand your roots, listen to emo music, and participate in the community Scene is a subculture which emerged from members of the chav subculture in England experimenting with alternative fashions. It’s a mixture of several styles including emo, indie pop, rave, and punk. Scenes tend to wear brighter colors, and have teased or backcombed hair which may feature “cool tails.” Scene kids tend to listen to genres like metalcore, deathcore, and crunk core Goth is a subculture which emerged from the British post-punk scene in the late 70s/early 80s. Goths primarily listen to goth rock, cold wave, deathrock, and darkwave. And finally, participate in emo culture by going to shows, cultivating a creative persona, picking up an instrument, or making or customizing your own clothes (pins, patches, color on your shoes) If you don’t know where to start with your emo music adventure, you have some options. If you’re feeling brave, you could throw a dart at Wikipedia’s list of emo artists, You can get some recommendations from Rollingstone’s article “40 Greatest Emo Albums of All Time”, which lists the top ten as  10. MCR “Three Cheers for Sweet Revenge (2004) 9. FOB “From Under the Cork Tree” (2005) 8. JEW “Bleed American” (2001) 7. Cap’n Jazz “Burritos, Inspiration Point, For Balloon Sports…” (1995) 6. American Football “American Football” (1999) 5. Braid “Frame and Canvas” (1998) 4. Jawbreaker “Dear You” (1995) 3. The Promise Ring “Nothing Feels Good” (1997) 2. Rites of Spring “Rites of Spring” (1985) 1. Sunny Day Real Estate “Diary” (1994) Make sure to check out our NATIONAL EMO DAY Mixtape. This is the first one I’ve made that intentionally doesn’t have a specific listening order, though I did put them in order of their album release dates. Since I don’t know what kind of ~emotions~ you’ll be needing to connect with when you listen, I encourage you to hit shuffle and keep clicking “next” until you find your emo unicorn song.  Wouldn’t it Be Nice by The Beach Boys (1966) For Want of by Rites of Spring (1985) In Circles by Sunny Day Real Estate (May 10, 1994) Buddy Holly by Weezer (May 10, 1994) Here Come the Rome Plows by Drive Like Jehu (1994) Red & Blue Jeans by The Promise Ring (1997) Napoleon Solo by At The Drive-In (1998) Never Meant by American Football (1999) At Your Funeral by Saves the Day (2001) The Middle by Jimmy Eat World (2001) A Favor House Atlantic by Coheed and Cambria (2003) A Decade Under the Influence by Taking Back Sunday (2004) Vindicated by Dashboard Confessional (2004) I’m Not Okay (I Promise) by My Chemical Romance (2004) All That I’ve Got by The Used (2004) Sugar, We’re Going Down by Fall Out Boy (2005) Streetcar by Funeral For A Friend (2005) I Write Sins Not Tragedies by Panic! At The Disco (2005 Everything is Alright by Motion City Soundtrack (2005) Misery Business by Paramore (2007) 20 Dollar Nose Bleed by Fall Out Boy (featuring Brendon Urie) (2008) In Exile by Thrice (2009) Your Eyes Are Bleeding by Princess Nokia (2018) Uncomfortably Numb by American Football (featuring Hayley Williams) (2019) SOURCES https://en.wikipedia.org/wiki/Emo https://www.urbandictionary.com/define.php?term=emo https://www.urbandictionary.com/define.php?term=emo%20kid https://www.thetoptens.com/false-emo-stereotypes/ https://www.dictionary.com/browse/emo https://www.wikihow.com/Be-Emo https://www.altpress.com/features/what_is_emo_history_definition/ https://www.nme.com/blogs/nme-blogs/emo-wave-guide-evolution-2302802 https://www.facebook.com/events/national-emo-day/1304009436379814/ https://nationaltoday.com/national-emo-day/ https://www.urbandictionary.com/define.php?term=National%20Emo%20Day http://mirror.uncyc.org/wiki/The_Only_Emo_Holiday:_National_Emo_Day https://definithing.com/national-emo-day/ https://www.rollingstone.com/music/music-lists/40-greatest-emo-albums-of-all-time-23526/my-chemical-romance-three-cheers-for-sweet-revenge-2004-158842/ https://en.wikipedia.org/wiki/List_of_emo_artistshttps://www.ranker.com/list/emo-bands-and-musicians/reference

Fomos enfeitiçadas por PATD desde I Write Sins Not Tragedies e agora somos verdadeiras formiguinhas divulgadoras da palavra do Brendon Urie

When I got the chance to sit down with DJ Shawn Denae and Charlie Harding from the hit music podcast, Switched on Pop, I knew I had to do a panel/roundtable talk about pop music. We discuss artists becoming more involved songwriting and producing, and the increase of transparency in the songwriting process. We also chat about my favorite group, Panic! at the Disco. Sinners and Vros, stick around as we break down and analyze, "I Write Sins Not Tragedies," "Death of A Bachelor," and "Hey look ma, I made it." ⁣⁣Songs Featured: ⁣"I Write Sins Not Tragedies" - Panic! at the Disco⁣"Intermission" - Panic! At The Disco⁣"Death Of A Bachelor" - Panic! At The Disco⁣"Gettin' it In" - Jadakiss feat. Kanye West⁣"Ain't No Love In The City" - Bobby Blue Bland⁣"The Facade" - Melba Moore ⁣"Hey! Look Ma, I Made It" - Panic! At The Disco⁣"Macarena" - Los Del Rio⁣⁣Switched On Pop⁣Charlie Harding on Twitter⁣Shawn Denae on Twitter⁣Shawn Denae on Instagram

Patreon picked it and Miel and Demi punched it, together! On a meta, riff heavy and guestless mirage of an episode, Miel and Demi finally tackle the widely requested Panic! At The Disco emo/alternative/pop-punk/who cares classic, "I Write Sins Not Tragedies". BONUS CONTENT ALERT – Patrons get a BEHIND THE SCENES MAKING-OF THE PUNCH-UP VIDEO! Subscribe to the PUTJ Patreon: https://www.patreon.com/punchupthejamUNPUNCHABLE JAMS: "Black Sheep" by Metric, "Dead On Arrival" by Fall Out Boy

  FALA GAAALERA! Uma viagem ao passado igual a esta frase clichê! No episódio de hoje, Fernando Belucci e Eduardo Ferreira trazem sucessos que há 10 anos bombavam nas rádios e não saía da sua cabeça! Temos Gnarls Barkley, Black Eyed Peas, Ok Go, The All American Rejects, até rock nacional com Charlie Brown Jr., CPM22, Hateen e ainda um bloco com MUITO EMO MAIS MÚSICA! Segue a trilha! "Crazy" Gnarls Barkley "Promiscuous" Nelly Furtado featuring Timbaland "Here it Goes Again" Ok Go "Upside Down" Jack Johnson "Feel Good Inc." Gorillaz "My Humps" The Black Eyed Peas "Dani California" Red Hot Chili Peppers "Lonely Day" System of a Down "Welcome To The Black Parade" My Chemical Romance "Photograph" Nickelback "You Give Me Something" James Morrison "Far Away" Nickelback "Move Along" The All­-American Rejects "I Write Sins Not Tragedies" Panic! at the Disco "Dance, Dance" Fall Out Boy "Rehab" Amy Winehouse "Apostas & Certezas" CPM 22 "Senhor do Tempo" Charlie Brown Jr. "1997" Hateen Faltou algum artista ou música que você queria ouvir? Teve ideia para uma playlist? Não guarde para você, PARTICIPE com sugestões, críticas, elogios ou ideia para novos temas pelo feedback@geekvox.com.br ou comentários aqui mesmo no post, twitter, iremos ler o máximo possível. Esse é o LADO A, com mais música! Semana que vem tem o LADO B, com comentários, informações, interação e muita diversão! Até terça-feira que vem! NOSSO FEED PARA SEU AGREGADOR: http://feeds.feedburner.com/geekvoxpodcast NOSSAS ATRAÇÕES: DOMINGO - GEEKVOX / TERÇA - GEEK TRACKS / QUINTA - GEEK HERO

This is our second musical! Songs that can be heard are (and not neccessarily in this order): Britney Spears- "One More Time" Panic! At The Disco- "I Write Sins Not Tragedies" Avril Lavigne- "Sk8er Boi" KT Tunstall- "Black Horse And The Cherry Tree" Fall Out Boy- "Dance Dance" Gorrilaz- "Feel Good Inc" White Stripes- "Blue Orchid" Good Charlotte- "Boys and Girls" B-52s- "Love Shack" The Killers- "Somebody Told Me" Elton John- "Rocket (Penis) Man"

Featuring music by: Taylor Hollingswort, Duct Taped Heart; Carbonfour, From The Start; Karmella’s Game, One Phone Call; Pippa Rogers, Happy; Panic At The Disco with I Write Sins Not TragediesAACMP3

Hey! I have a new dance video, from a place long-time visitors should remember. Click, watch, and comment, if you please. :) [Apple format]   [Windows format] I Write Sins Not Tragedies Ahhhhh, good ol' Plantland. Lots of fun to be had there. I'll have more from there in a few days, if the heat doesn't kill me first. Bye! - Daily Dancer