Podcasts about Yohji Yamamoto

From Jan 2024. Dive into the provocative world of artistic "theft" as Ty and Nathan explore how creative innovation truly emerges from our influences. This conversation challenges the myth of pure originality, arguing instead that the greatest artists throughout history have been masterful collectors and transformers of ideas.Beginning with Japanese fashion designer Yohji Yamamoto's transformative quote—"Start copying what you love... at the end of the copy you will find yourself"—the duo examines how creative development flourishes through strategic borrowing. From Quentin Tarantino's open acknowledgment of film references to David Bowie's musical influences, the most distinctive voices often emerge from those who've absorbed the most diverse inspirations.They unpack wisdom from creative legends including Jim Jarmusch, Paul Schrader, and Jean-Luc Godard, who all emphasize that true originality lies not in where you take ideas from, but where you take them to. Art movements throughout history—from Impressionism to Abstract Expressionism—evolved through artists stealing ideas from each other while working side by side, proving that innovation rarely emerges in isolation.What distinguishes mere imitation from transformative theft? When does copying become finding your voice? The conversation offers practical advice for artists at every stage: diversify your influences, document what moves you and why, maintain an "omnivorous" approach to inspiration, and create systems to capture ideas when they strike. Ultimately, the episode makes a compelling case that the most authentic artistic expression comes not from avoiding influence, but from embracing it wholeheartedly.Follow us on Instagram @ty_nathan_clark and @nathanturborg to continue exploring how creative influences shape artistic development.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Again we're back to talk about fashion. Enjoy this unfiltered opinion filled episode on the state of the industry, notes on the FW25 shows, the economic impact, and some recent moments in fashion culture that have left us disappointed and bored.---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @laurenmelanie & Jai @jai_stylefactoryFollow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Prendre position, proposer une mode non genrée, réclamer l'inclusion et pas l'exclusion : ce sont les messages forts exprimés par les designers Jeanne Friot, Walter Van Beirendonck et Louis Gabriel Nouchi. Les maisons japonaises Issey Miyake et Yohji Yamamoto prônent un vestiaire simple, confortable, gorgé de poésie. Et tous, de travailler avec des matières extraordinaires.

Designers Jeanne Friot, Walter Van Beirendonck and Louis Gabriel Nouchi have taken a stand to defend gender-neutral fashion, calling for inclusion rather than exclusion. Meanwhile, Japanese labels Issey Miyake and Yohji Yamamoto propose a simple, comfortable wardrobe, underpinned with poetry. All of these designers have opted for extraordinary fabrics to create their latest collections. FRANCE 24 takes a closer look.

Architekci mody, mistrzowie awangardy, czarne kruki – japońscy projektanci, którzy w Paryżu przełomu lat 70. i 80. XX wieku dokonali prawdziwej rewolucji, na głowie stawiając dotychczasowy system i konwenanse. Ich wizja odzieży wstrząsnęła Francją. Krytycy początkowo nazywali ją „Post-Hiroshima” albo po prostu „zaniedbaną”. Czym się wyróżniali Kenzo Takada, Issey Miyake, Yohji Yamamoto i Rei Kawakubo? Jak zachodni system przyjął ich nowoczesną wizję? I który z nich wjechał na swój pokaz na słoniu?Podcastu „Kroniki paryskie” możesz posłuchać na platformach Spotify, Apple Podcasts oraz YouTube.

Luxury fashion is big business. To stay relevant, big luxury houses and independent labels alike know to constantly refresh their communication strategies. Celebrity endorsement still holds enormous sway, but the clothes themselves need to tell a story. Today, that story is increasingly one of liberté, égalité and fraternité! For proof, look no further than the latest collections from Louis Vuitton Homme, Jeanne Friot, Imane Ayissi and Yohji Yamamoto.

La mode et, notamment le secteur du luxe, représente un immense business. Pour qu'il perdure, les groupes de luxe, comme les maisons indépendantes, doivent constamment adopter de nouvelles stratégies. L'effet "Waouh" généré par les célébrités est loin de se tarir, mais aujourd'hui tout produit doit s'insérer dans un univers et porter un message. Priorité à la liberté, l'égalité, la fraternité. Décryptage, avec Louis Vuitton Homme, Jeanne Friot, Imane Ayissi et Yohji Yamamoto.

At more than 80 years old, Yohji Yamamoto still enjoys reassembling fabric like a child. At Issey Miyake, Satoshi Kondo offers a collection inspired by traditional Japanese papermaking. The Franco-Japanese designer Tatiana Quard creates silhouettes with intersecting tubes and lines. This as the Togo International Fashion Festival hosts its second-ever foreign edition. In the 1980s, Paris welcomed a new generation of Japanese designers, propelling Japanese fashion onto the global stage. Is the same thing now happening with Africa?

In conversation with Alessia of Milan based @shop_the_story on growing up with a mother dressed in Yohji Yamamoto, dancing in Margiela throughout her club era, rewarding herself with Miu Miu shoes during Uni, Dries Van Noten's honourable exit from fashion, her love for Come Des Garcons,  Miuccia Prada referencing the past the right way, Luxury brands cutting off their traditional clientele, the change in attitudes towards vintage in Milan and so much more

You could have heard this episode early and gotten access to giveaways, exclusive episodes, and more over on our HeroHero!It's time to get real with reality show star, magazine editor in chief, and all around fashion superstar Blake Abbie! Tune in to listen as Sol and Michael chat with Blake about his work with A Magazine Curated By, working to craft narratives with designers like Glenn Martens and Peter Do, the inherent politics of the fashion industry, how to ride the line between being a personality and being beholden to brands, the impacts of and differences between the various international fashion weeks, up-and-coming Chinese brands, reality TV and the resulting impact on public perception, and a weirdly in-depth conversation about socks!Thanks for tuning in, and we hope you enjoy! Don't forget to follow us on your favorite streaming platform and to leave us a rating! SolSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a month Links: Instagram TikTok Twitter/X Sol's Instagram Michael's Instagram Michael's TikTok

Pierre Rougier, a distinguished fashion publicist and founder of PR Consulting, boasts a career spanning several decades. After studying political science in Bordeaux, Rougier honed his skills in Paris and London with Hermès, Yohji Yamamoto, and Maison Margiela before making his mark in New York in 1993. There, he directed communications while representing icons like Helmut Lang and Alexander McQueen. Establishing PR Consulting in1997, he catapulted emerging talents like Narciso Rodriguez and Nicolas Ghesquiere, then at Balenciaga, to prominence, also fostering brands like Proenza Schouler and Hood By Air. Renowned for discovering and championing young designers, Rougier continues to hold the opinion that a strong vision and sometimes counter-trending codes are often the precursors to a designer's success. Episode Highlights: Rougier grew up far from the front of culture, and though his interests in fashion were indirect at first until he moved to Bordeaux—a larger city—to study.  He started his work in fashion boxing Hermes products before moving to London, still employed at Hermes, learning English and partaking in '80s gay club culture there. Yohji Yamamoto employed Rougier to work a PR position, giving him his first taste of serious work and long hours associated with the industry. Using his London connections, he opened his own PR firm as the Antwerp Six were coming into the spotlight, and worked under Martin Margiela for four years, until he felt that his aesthetic and vision were too overwhelmingly connected to that one house. Moving to New York, Rougier worked as communications director for a company that held brands like Vivienne Westwood, Helmut Lang, and Michael Kors. Rougier speaks on learning that the antithesis of what's trending is always on the precipice of an arrival. He says the conversations in fashion are less now about what designers like and more about what designers find that works, and is successful.  Before the internet, there were few photos of shows and most people waited to see items in stores to determine the zeitgeist; now, Rougier says, the urgency of marketing makes everything “extremely transactional.”  He says it's fair to say that in fashion, elitism has trended out with a shift to exclusive community identities. Learn more about your ad choices. Visit megaphone.fm/adchoices

La mode peut-elle transformer le réel, ou est-ce le réel qui transforme la mode ? À cette question, Dior répond par un féminisme qui s'inspire des sixties de Marc Bohan. Yohji Yamamoto, lui, déstructure les silhouettes. Issey Miyake n'a de cesse d'explorer ce qui n'a pas encore été découvert. CFCL prône le confort par le tricot. Maxhosa ressuscite les motifs Xhosa. Mossi, à travers ses collections et son école de mode, veut permettre aux jeunes de rêver. Et tous, de se battre pour propager l'idée d'une mode qui fasse sens.

What exactly goes on in designers' heads? Wim Wenders claims that Yohji Yamamoto has the power to heal people without the need for a therapist's chair. Meanwhile Jeanne Friot delves into her own lesbian love story. Stéphane Rolland invites students from two Paris fashions schools on stage, as his collection questions the relationship between East and West. And Julien Fournié embraces the Hitchcock heroine aesthetic to bring down the patriarchy. 

Qu'il y a-t-il donc dans la tête des esprits créatifs ? Wim Wenders affirme que Yohji Yamamoto guérit les gens, sans les mettre sur un sofa. Jeanne Friot reprend sa propre histoire d'amour lesbienne, tandis que Stéphane Rolland, adepte de la transmission, fait défiler deux écoles de mode et questionne la relation entre Orient et Occident. Julien Fournié, quant à lui, reprend le vestiaire des héroïnes hitchcockiennes et prône les tenues sexys pour combattre le patriarcat. La mode servirait-elle à combattre les démons ?

What you'll learn in this episode: How Saudia is preserving her mom Cara Croninger's legacy Why Cara Croninger's resin and plastic jewelry was—and still is—groundbreaking How Cara Croninger refined her jewelry making process, and why she didn't want her pieces to be perfect What it was like to grow up in an artistic family in the heyday of New York's art jewelry scene How Saudia's mom and dad influenced her music career today   About Saudia Young Saudia Young is a New York City-born actress/singer and storyteller in theater and film. Born on the Lower East Side and brought up between Tribeca and LA, Young explores the notion of home, love, justice, and identity through her art.   The recently repatriated artist lived in Berlin, Germany, for a long chapter of performing, writing, and producing. The Ameripolitan Awards 2023 Female Rockabilly Singer nominee released her 7" single ‘Noir Rockabilly Blues,' produced by Lars Vegas-DE and featuring 'The Wobble' on the A and Iggy Pop's 'Lust for Life' on the B side, in 2017, followed up by her 12” debut ‘Unlovable' in 2018. The LP was recorded live at Berlin, Germany's legendary Lightning Recorders.   Young founded a Dark Kabarett and a Rockabilly Noir Blues band in Berlin, co-created the Lost Cabaret and the Schwarze Liste Kabarett theater projects and wrote and produced the award-winning short film The Gallery. While in Berlin, she was cast in the lead voice-over role of Oskar in School for Vampires (the English version of the Hahn Film cartoon series).   Young co-wrote and performed the solo show Sneaker Revolution and is currently writing a theater/film piece about her actor father, Otis Young, and sculptor/designer mom Cara Croninger. Photos Available on TheJewelryJourney.com Additional Resources: Saudia's Website Saudia's Instagram Saudia's Youtube   Transcript:   To jewelry lovers, Cara Croninger was a groundbreaking artist whose work was shown at iconic galleries Artwear and Sculpture to Wear. To musician and actress Saudia Young, she was just mom. Today, Saudia is working to preserve her mother's legacy and secure her place in art jewelry history. She joined the Jewelry Journey Podcast to talk about how Cara made her pioneering resin jewelry; how Cara's work evolved with the times; and why Saudia thinks of her mom every time she performs. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com.   Today, we're speaking to my guest, Saudia Young, who is located in Philadelphia. She has an interesting background. Her mother was a very well-known jeweler, and her father was an actor. She was born in New York and grew up between New York and Los Angeles. Welcome back.   Were you aware she was doing this? Were you aware that she went to different galleries, that she didn't have a sales rep when you were growing up? Were you aware of this?   Saudia: Yeah, of course. There was one point in the 90s where she had a showroom. Tony Goldman and Janet Goldman had a showroom called Fragments, and she was in the showroom for some years. She had different reps throughout her life. Ten Thousand Things was a store. They still exist, and they have incredibly beautiful work. For a while in the Meatpacking District, they had a nice cadre of artists, and my mom was one of the artists. They also did wholesale for her. So, they represented her work to other people.   Sharon: I have a few pieces, just a smattering, but do you have a lot of her work? Do you have an archive of her work?   Saudia: Oh, yeah. That's part of what I've been dealing with. My sister and I have our own personal collections. Throughout the years, my mom collected the best pieces of each group and gave us our personal collections. Then I have basically all the work she left behind when she passed away. I've been trying to organize that. There was a big section of it shown at the Aspen Art Museum two years ago for about a year. Jonathan Burger had a show called The Store. My mom's jewelry and sculptures were in one show. That was really exciting, to have both together. Actually, 14 small sculptures sold during that show and, fingers crossed, about seven pieces will be donated to an institution. I'm not going to say which one. That takes a long time.   Right now, there are pieces that are actively being sold. Lisa Berman—not a family member, just the same last name—from Sculpture to Wear sold some of my mom's work at her first gallery. She also helped sell some pieces when I came out and was trying to figure out what to do and how to secure the legacy, meaning literally a storage space to hold everything. It's a big responsibility.   Sharon: You're referring to Lisa Berman.   Saudia: Yeah, who is not your blood relation but of the same name. Obviously, she introduced us and was part of the first interview. She's consulted with me. She's another one of the angels. There's a whole host of people who are still in awe of my mom's work and in support and cheerleading. It includes Robert Lee Morris.   I'm still trying to figure out what to do with the work to secure the legacy. It is being sold at Studio Hop in Providence, Rhode Island. That's introducing the work to some people who have not seen it before. It's introducing it to a new audience, which is really nice. Jussara Lee, who used to sell it in Manhattan and is now in Connecticut, has been selling it. Other than that, I have an Artwork Archive website for her so people can see the work. I'm not selling it from that website, but there is a section of it that's still being sold. Then there's a section I'm holding in case I can get it accepted into an institution.   Sharon: I remember a few years ago, I fell in love with a bracelet and I didn't end up getting it. I think it was the first time I ever heard of her, and I thought it was so neat.   Saudia: Yeah, it sold a lot of work. They stopped selling after she passed away. They also had a hard time. Everybody is just recovering now from Covid. A lot of people had a very hard time in the past few years. Some stores closed and sales went down. There were several stores who were carrying her work who have closed since Covid.   Sharon: What did you do to make it through Covid and to have money come in?   Saudia: I cried. I don't know. I did whatever I could. I was going back and forth between Germany and here. There was a grant in Germany—actually, it wasn't a grant; it was a loan—but there was a Covid loan they were giving to artists in Germany. Here, I went on unemployment for a while and then I went off it, whatever I could. We all did what we could to survive.   Sharon: That's very true. I know there were different things we had to do. I agree with you that people are just coming out of it now.   Saudia: And now we have two wars, so it's like, “Great, thank you.” Can't catch a break.   Sharon: Which is worse? I don't know. I guess if you're in the field over there, it's worse.   Saudia: Yeah.   Sharon: A lot worse. How does it feel to have a mother who's mentioned by people you don't know? You say you're the daughter and all of a sudden, they say, “Oh, I love your mom,” or “I love her jewelry.”   Saudia: What do you mean? How does it feel?   Sharon: Yeah. If I said, “Oh, I have a really neat bracelet,” and the person says, “I've not heard of that person,” how does it feel?   Saudia: First of all, a young man—he's probably my age. It's so funny I still think of myself as a teenager. Timothy Reukauf is a stylist. He's another angel who introduced me to the manager and owner of Screaming Mimis Vintage clothing and jewelry store in New York. When I brought the work, because they brought the work to a vintage show, and they're showing the work and trying to sell it, she was so enthusiastic and happy and excited. It was nice because it's an extension of my mom, and I miss my mom. I feel like it's that, as opposed to anything ego-based. It's more emotional—now you're going to get me emotional. But it's nice to know because I really miss her, and when I hear people loving her work, it's heartening. It's heart filling.   Sharon: That's a good word, heart-filling. I've heard different things. It's Croninger with a hard g. I've heard that as Croninger with a soft g. Which one is it?   Saudia: Oh lord, that's a good one. It's Cara Croninger with a hard g, but people have called her Croninger with a soft g. People have called her Cara. She's even called herself Cara, but it's Cara Lee. Her Michigan name was Cara Lee Croninger, but it depends on who you are. Are you Dutch? Are you German? Are you from New Jersey?   Sharon: Did she support your career as an artist?   Saudia: Do you mean my dreaming? Yeah, she supported me being a dreaming, silly person, definitely. She put me in dance school. She always thought I should be a painter, actually. She'd say, “You should be a painter,” because I had a natural ability to draw and to work with my hands. After being a child laborer with her, I could make things. But all jokes aside, she was very supportive of me being an artist or whatever it was that I wanted to be, political activist or artist. My sister was an architect. She was very supportive of that. She was beloved by a lot of the young artists who were around Dumbo, our friends, our extended family. She was a positive influence, a positive auntie, elder, second mom, to a lot of people.   Sharon: It sounds like it.   Saudia: Yeah. I shared her as a mom figure with a lot of people.   Sharon: Tell us more about your singing. Do you think of her when you sing?   Saudia: Yeah, I think of her with whatever I do, for sure. There's one song—I think you wrote it down on the question list—It Don't Mean a Thing (If It Ain't Got that Swing), doo wop, doo wop, doo wop, doo wop. I think it was Louis Armstrong. She was working on some kind of saying or branding because she was really into the earrings having a nice swing. She coined it when I was helping her make them. The holes had to be big enough so the lyre could be comfortable enough so the earrings could swing. She incorporated that into some of her branding.   But yeah, I listened to a lot of music growing up. She was very into Judy Collins and Kurt Weill, a wild range. She dated one of the Clancy Brothers—they were very into folk music in the 60s—and my dad and her were into soul and Otis Redding and Taj Mahal and Bonnie Raitt. I'm wandering, but yes.   Sharon: What years was she most popular? It seems like she had a real high.   Saudia: I think the 80s. The minute she started doing the resin stuff, she went into Sculpture to Wear, which was a very prestigious gallery. I'd say the early 70s through the 80s. Then Artwear closed and she was on her own. She did really well in the 90s as well. She was pretty prolific, but I think the 80s were the time when there were tons and tons of fashion articles and fashion shoots with all the supermodels of that time.   Sharon: Talk about wandering, because I'm looking at my list of questions. Tell us how you were involved in making her jewelry. You told us a little bit, but did you ever cut the hearts?   Saudia: The hearts were made in molds. She created molds and poured, and then we would open the rubber molds. I would help sand. I would help drill holes. I can drill a hole. I would help with polishing. Like I said, I would help with finishing work and stringing cords on the hearts. Trying to influence her businesswise, she was not having it.   Sharon: Would she say, “That color doesn't look better in the green. It looks better in the purple,” or something that?   Saudia: No, not really because once something is poured, it's a done deal. That would be like, after you've made 500 brownies, saying, “I wish we had blueberry muffins.” It's too late now.   Sharon: She could say, “Well, you can have it then, and I'll try and sell the purple one,” or something.   Saudia: No, the work was too labor-intensive. Once things were made, you really needed to get them out there. They were like donuts in a way. You need to get them out so they don't go stale. Keep the energy, keep them moving. The only thing she was conflicted about was pricing. There was a point in jewelry where everything—remember when the Y necklaces came out? Everything was really tiny. There was a point where it was trendy to have really tiny jewelry, and that freaked her out because her work was so big and sculptural. She would get freaked out about that kind of stuff. The editors loved her work because it was big and you could see it. It went incredibly with beautiful clothes like Issey Miyake and these avant garde designers. The tiny stuff, you can't see it in an editorial. It's so funny; you'll have a cover article and it'll be like, “Earrings by whomever,” and I'm like, “Where are they? What earrings?”   Sharon: That's interesting. Miyake or Yohji Yamamoto, they're high-end, but they've become very—they're not that valued anymore.   Saudia: Now they're mainstream, yeah.   Sharon: Do you think your mother's jewelry would be considered avant garde today?   Saudia: Yeah, it still is in a way because of the designs and the fact that it was really handmade. She was making her own work. Maybe Lisa would call that studio jewelry. She was in her studio making it herself. She did have a short relationship with a company in Japan where they were making work that would only be sold there. It was fine, but you could really see the difference and feel the difference. It wasn't Cara. It wasn't special, unfortunately. We're grateful that they did it, that she had that relationship and that we could go to Japan and travel there. That was awesome.   So, I think she was avant garde as an artist. I don't agree that Yohji is no longer avant garde. His designs are so beautiful. He's really focused on craftsmanship, having amazing makers creating his work. In a way that is avant garde, as opposed to crap being made. You know what I mean?   Sharon: You're right, 100%.   Saudia: In a factory.   Sharon: I can't think of another one, but there are a lot of designers whose work you can't afford—I'm talking about clothing—who have developed their own less expensive lines.   Saudia: Yeah. I remember when they would call it the junior line, and it would be for the younger kids. It would be lighter and cheaper and faster and funnier and all that. Now there are lots of layers of that, but you have these throwaway clothes being made by companies like H&M and so forth.   Sharon: Do you think she would fit in, like she'd make a smaller version of something that she made large?   Saudia: She did do some smaller things when she was working with the Japanese company. That led her into making some tiny silver hearts and medium-size silver. Then she had to do her big pieces. She could not let go of her love affair with big, sculptural pieces. I think she was conflicted about the McDonaldizing of fashion and accessories. Of course, she wanted to put food on the table, but she was really conscious of the environment. Even though she was working in plastics, she was very conscious of workers and workers' rights. Where does something come from? How is it made, and what's the impact of it being made?   Sharon: It sounds like she carried that through the 80s, into the 90s, into today.   Saudia: Definitely. She definitely had something to do with me being political, her and my father. She was very righteous.   Sharon: I know you do cabaret and rockabilly. What else do you do? What do you sing?   Saudia: My main focus is mental health. It's a really hard time right now, I feel, but I think it's actually a good time to continue to do the rockabilly, but to circle back to the dark cabaret I was doing before the rockabilly. So, I'm working on that. I'm working with a few musicians here in Philly, and I have some shows with musicians in other parts of the country. For Thanksgiving, I'm going to be in Illinois with Patrick Jones and 3 On The Tree. It's a band. We're going to do a rockabilly Thanksgiving tour. Then in March, I'll be in California, in Orange County.   Sharon: Doing what?   Saudia: Doing rockabilly with The Hi-Jivers and Abby Girl. In Orange County, we're going to do just a rockabilly R&B show. Then in April, I'll be with Viva Las Vegas again, which is a rockabilly weekend. I'll do an R&B show and rockabilly. In between, I'm just trying to stay sane, make a living, take care of my mom's work, tell her story. I'm supposedly writing a story about my mom and my dad, sort of a solo show. I don't know if it's a solo show or a documentary, but it's about their relationship as an interracial couple in the 60s and an interracial artist couple.   Sharon: That'll be very interesting   Saudia: They were both known as being difficult people, but most artists are in a way. It takes a lot of energy to do that work, so you can ruffle a lot of feathers. So, that's what I'm doing.   Sharon: I hope I'll get to meet you then. Thank you so much. This was very interesting.   Saudia: Thank you so much. Sharon: Thank you. Well will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey. She would always think about, “What am I going to pour?” It might be a ruby red, which was really popular and beautiful. One of the most popular pours, I think I said in the last interview, was the black and white, where she would have black and white and it would come out in a striped formation. Then she would pour into her different molds, the bangles, the C cuffs, the earrings.   Just as important as the colors were the processes. For the slice earrings, she would pour the layers so it would be striped into a block like a loaf of bread, a small, little, long brownie. Then she would slice it on a bandsaw and you would get to see the stripes. Part of her process was the actual cutting, carving, sanding to get the shapes, and then making the decision whether she was going to have them polished or matte without polish.   Sharon: A mask?   Saudia: Matte, sorry. What the finish would be. If she had faceted bangles or hearts or whatever, she was very aware of not making anything perfect. She used the fact that it had scratches to show the layers of work and to show that it's made by a human. It wasn't something that needed to be absolutely perfect. She was very into wabi sabi, the Japanese art of the imperfect. She loved wavy shapes and asymmetry in her designs.   Sharon: Who did the selling for the first years, when you were getting it off the ground?   Saudia: I was a kid, so I wasn't going to get it off the ground. I was just eating the food she was putting in the refrigerator. When she first started with the leatherwork, she was just going around to different boutiques in the Village or whatever and selling them, either having them buy it straight out or on consignment. I think one of the worker's galleries was the original Sculpture to Wear. That was near where MAD Museum is right now. I'm forgetting the name of the hotel. That was one of her galleries. I'm sure there were other stores I don't know about.   That was in 1971 or something like that. That was very close to when she started working in plastic. She got taken in and accepted really quickly. At that time, Robert Lee Morris was also selling at Sculpture to Wear. He was a wunderkind. He was opening up his own gallery, Artwear, and brought my mother into that gallery. During that time, that also gave the artists recognition and amplified their voices. They were able to have their work in stores in Boston and in California because of being in Artwear.   Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.    

On this episode we are back with Philippe to discuss this past men's season shows at Pitti Uomo, Milan, and Paris. We talk about the contrast between Luca Magliano and S.S. Daley, Gucci, Prada, and Zegna (best of season in Milan), why Rick Owens was the show of the season and Yohji Yamamoto was a letdown, the continued elegance of Dries Van Noten, and Rei Kawakubo's uncharacteristic feeling of lightness, Hermès' uncompromising quality, why the Japanese newcomers TAAKK and MASU (not covered by Vogue Runway, but covered by us) made Paris exciting, and which small brands we loved and why we are going to lean into supporting smaller brands this year. We wonder out loud, how bad can Louis Vuitton and Dior get? We cheat a little in the end by discussing Galliano's Maison Margiela Artisanal show, because how could we not?!Support the show

Pre-Loved Podcast is a weekly vintage fashion interview show, with guests you'll want to go thrifting with! For more Pre-Loved Podcast, subscribe to our Patreon! On today's show, we're chatting with Dominik Halas, the Master Authenticator of Vintage for the RealReal. Dominik has been collecting, renting and reselling designer archive collections— primarily Helmut Lang, Yohji Yamamoto and the early work of Hedi Slimane— for over a decade. He now lends his vintage and archival expertise to The RealReal's New York office, and his work at The RealReal and vintage expertise was featured in The New York Times at the end of 2022. Now, I mentioned Manhattan Vintage, which if you're not familiar is a vintage wonderland convening 90+ dealers featuring collections from every era, style, and it's a true New York City spectacle.  This February Show kicks of a partnership between the RealReal and Manhattan Vintage, and you heard it here first on Pre-Loved Podcast.  I'll link an episode in the shownotes that I did with the Manhattan Vintage co-owner, Amy Abrams, who – as you're listening to this today (January 29) actually has a ‘Tastemaker Edit' launching on therealreal.com of her favorite rare vintage items. Additionally, The RealReal will present a curated selection from its newly launched Rare Finds category at the Winter Show, offering shoppers an array of its most storied and often one-of-a-kind vintage pieces. Tune in to get a sneak preview of some of the incredibly rare pieces that will be at the show this weekend.  It's a really fun episode today, so let's dive right in!  DISCUSSED IN THE EPISODE: [3:26] Growing up in then Czechoslovakia, Dominik discovered an early love for fashion.  [8:41] Dominik started collecting via Japanese reseller forums. [10:11] His journey to the RealReal. [16:03] Working on the 20,000+ piece vintage collection of Keni Valenti. [18:21] The RealReal is partnering with the Manhattan Vintage winter show, brining some of their most storied and one-of-a-kind pieces from their Rare Finds collection. [23:02] Vintage has grown to the point where there are now trends in vintage.  [25:27] Dominik's personal fashion archive, featuring a lot of Helmut Lang, Yohji Yamamoto and the early work of Hedi Slimane. [29:46] The wildest length's Dominik has gone to for a piece for his collection. [31:20] An exclusive preview at the Rare Finds that will be at Manhattan Vintage. EPISODE MENTIONS:  The RealReal @dominikhalas “He Helps the RealReal Keep It Real” from the NYTimes Manhattan Vintage @thevintageshow Pre-Loved Podcast with Amy Abrams Walk Your Values: a NYFW Vintage Runway Show 2007 Hedi Slimane Keni Valenti Johnny Petrizino (@johnnypet and @parlourhairstudio) Alessandra Canario on Pre-Loved Podcast @allybirdvintage Bill Cunningham New York Yohji Yamamoto SS97 Yves Saint Laurent Rive Gauche by Hedi Slimane (1997-2000) The Alexander McQueen hair label LET'S CONNECT: 

Zidane s'installe a Paris, Pharrell au galop chez Louis Vuitton et Yohji Yamamoto est immortel

In conversation with Aley of @wheresbambii⁠ and also A Current Affair's Arcade Shops about her journey in the vintage industry, collecting and appreciating designers like Issey Miyake, Jun Takahashi, Yohji Yamamoto and Rei Kawakubo, the punk scene in Salt Lake City, the Jeffery Campbell era, her love for Anime, how she would dress her own cartoon, the future of fashion and so much more

Ever wondered how a brush stroke influenced by the past can paint a future of unique artistic expression? This episode serves as your canvas, guiding you through the complexities of imitation and innovation in the art world. We start by unraveling the controversy of copying in art—a topic that often stirs heated debate among creators. Fashion mogul Yohji Yamamoto's provocative stance on imitation anchors our discussion, as we dissect the transformative journey from imitating the greats to developing one's own creative language. Whether you're a fledgling painter or a seasoned sculptor, this dialogue promises an enlightening exploration of artistic growth and the quest for originality.Imagine finding your artistic soulmate in the brushstrokes of Jean-Michel Basquiat, or in the cinematic genius of Woody Allen and Jim Jarmusch. This episode shares the tale of an art student who did just that, finding inspiration and a deep sense of purpose in the raw energy of Neo-expressionism and the underrepresented voices in art. But it's not just about who inspires us—it's about how we take that spark and fan it into a flame of our own. We delve into the stories of artists and mentors who have navigated these waters, sharing their wisdom on the importance of diverse influences and the beauty of artistic collaboration. Join us as we celebrate the gift of mentorship and the infinite possibilities that arise from truly listening and learning from one another.As we draw this episode to a close, we turn our attention to the sensory feast that is creative exploration. We emphasize the importance of engaging every sense to tap into the wellspring of creativity that surrounds us in the most ordinary moments. From the unexpected artistry of road salt patterns to the profound simplicity of a pen gliding across paper, we discuss how to cultivate an environment rich with stimuli that can propel your artistic endeavors forward. We sign off with a collection of thought-provoking quotes from a mosaic of artistic visionaries, beckoning you to seize your tools of creation and add to the ever-evolving tapestry of expression. So, connect with us, share your journey, and let's continue this conversation beyond the airwaves.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Japanese stylists have been making their mark on the Paris fashion scene since the 1980s, and continue to prove their mastery of the art of merging form and movement. Yohji Yamamoto, Yusuke Takahashi for CFCL, Maiko Kurogouchi and Satoshi Kondo for Issey Miyake – all these designers have a knack for taking the pulse of the planet, and, in turn, proposing new ways of dressing. We went to meet them in this edition of Fashion.

Yohji Yamamoto, Yusuke Takahashi pour CFCL, Mame Kurogouchi, Satoshi Kondo pour Issey Miyake… Ils et elle ont en commun de prendre le pouls de la planète et de proposer de nouvelles façons de se vêtir. Les créateurs japonais, omniprésents sur la scène parisienne depuis les années 1980 restent encore les maîtres incontestés de l'espace qui sépare la peau du vêtement, autrement dit, les artistes du plaisir de s'habiller. 

The influence of Carolyn Bessette-Kennedy has never been more deeply felt. From the work of designers such as Khaite, The Row, and Yohji Yamamoto, to the mood boards of many a bride to be, her distinct look continues to inspire. Journalist and author Sunita Kumar Nair discusses her seminal new book CBK: A Life In Fashion (Abrams). Together we explore this rare beauty, gone too soon, but impossible to forget. Follow author Sunita Kumar Nair Follow CBK: A Life In Fashion Follow host Mosha Lundström Follow NEWSFASH on TikTok Shop the book

London-born photographer and SHOWstudio founder Nick Knight has remained at the forefront of what's contemporary since his emergence into the fashion photography scene in the 1970s. Over the course of an illustrious career, Knight has worked closely with the likes of Alexander McQueen, Lady Gaga, Bjork and John Galliano, as well as with fashion houses such as Christian Dior, Tom Ford, Louis Vuitton, and Yves Saint Laurent, among many others. Bringing an outsider's insight into the fashion and art worlds, he began pushing boundaries in the '80s in collaborations with i-D magazine and revolutionary designer Yohji Yamamoto. He has directed the trailblazing fashion film platform SHOWstudio for over two decades, pioneering new modes of artistic expression and audience connection. In a thoughtful conversation with Christopher Michael, Knight reflects on how he maintains a sense of artistic integrity and urgency—with or without the validation of commercial success. His hunger to continue to learn has driven not only a varied career spanning music, art, and fashion through the lens of the camera, but also kept him at the forefront of technological innovation, whether with SHOWstudio or a riveting perspective on AI—comparing it to the birth of photography and the internet—and how we will evolve.

Carolyn Bessette Kennedy was the beautiful fashion PR who married the most eligible bachelor in America, John Kennedy Jr. The couple, and Carolyn's sister Lauren, tragically lost their lives when a plane flown by Kennedy crashed into the ocean in 1999.But Bessette Kennedy had an outsize influence on style and fashion in the 1990s that endures today, and her legacy has been celebrated in a new book, CBK: Carolyn Bessette Kennedy: A Life in Fashion, by the British author and fashion creative director Sunita Kumar Nair, with a foreword by Gabriela Hearst, and preface by Edward Enninful, OBE.On Episode 5 of Season 4 of Rodeo Drive - The Podcast, Kumar Nair talks with Lyn Winter about her carefully curated and sumptuously illustrated book, which tracks Bessette Kennedy's fairytale rise, starting with a job at a Calvin Klein store in a mall where she was, ”plucked by a corporate executive at Calvin Klein, and offered the golden ticket – come to New York.”From there the willowy blonde with a knack for an ultra-chic and minimal “thrown together look,” became a fashion muse herself, in an era when American fashion traded padded shoulders and power suits for the understated elegance and comfort of Klein, Donna Karan and Ralph Lauren.Kumar Nair shares anecdotes about the celebrities – Kate Moss, Jennifer Aniston, Sharon Stone – and the great names in fashion and design who worked with Bessette Kennedy, and were inspired by her. She says the photographer Mario Sorrenti “remembers a time when they were sitting on the floor, talking about what the goals were for the advertising,” and corporate would want to know, “what does Carolyn think?”She also talks about Bessette Kennedy's powerful sense of self, wearing what pleased her despite societal expectations. When she married into American royalty, she might have taken to “wearing perhaps Dior or Yves Saint Laurent,” as well as the jewelry she inherited from her late mother-in-law Jackie Kennedy, also a fashion icon. “But instead she chose to wear Yohji Yamamoto and Ann Demeulemeester, and I think the only piece of jewelry (of Jackie Kennedy's) that she would wear often was Jackie's Cartier Tank.”Finally, Kumar Nair explains how Bessette Kennedy's allure endures today, in part because of how she approached life and clothes, with discretion and simplicity. “I think there is just this demand for her because there's a dignity in the way that she lived and I think it's inspiring for people who didn't grow up with her to pick up a book and discover her and her world.”Season 4 of Rodeo Drive – The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.Season 4 Credits:Executive Producer and Host: Lyn WinterOn behalf of the Rodeo Drive Committee: Kathy GohariScriptwriter and Editorial Advisor: Frances AndertonEditor and Videographer: Hans FjellestadTheme music by Brian BanksProduction Assistant: Isabelle AlfonsoListen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.Visit the website: https://rodeodrive-bh.com/podcast/Join us on Instagram @rodeodrive Hosted on Acast. See acast.com/privacy for more information.

Avec son premier défilé évènement pour Louis Vuitton, Pharrell Williams a frappé fort. Le nouveau directeur créatif des collections homme de la marque française de luxe a décidé de dérouler le tapis rouge sur les 238 mètres du Pont-Neuf. C'est là que les vedettes du rap, des mondes réel et digital, du sport et du business ont été invitées à assister à la présentation de sa première collection. À l'autre bout du spectre, les stars se sont également pressées pour saluer le maître qui fêtera cette années ses 80 printemps, Yohji Yamamoto.

It was the fashion event of the season, if not the decade! Fashion journalists, buyers, celebrities and influencers from around the world descended on the French capital to see Paris's oldest bridge, le Pont Neuf, decked out in resplendent gold. The occasion was Pharrell Williams's first ever collection as head of menswear at Louis Vuitton. Another big celebrity draw elsewhere in Paris was the indefatigable Yohji Yamamoto, who's just a few months away from his 80th birthday. FRANCE 24 got a glimpse of the action.

Le couturier franco-libanais âgé de bientôt 50 ans qui jouera cette année les jurés au festival Design Parade, à Hyères, nous reçoit chez lui. Un espace « simple et fonctionnel » qui lui ressemble.Rabih Kayrouz, âgé de bientôt 50 ans, évoque son enfance dans un petit village au nord de Beyrouth auprès de parents qui avaient le goût du vêtement et de la convivialité, les odeurs de la boulangerie de son père, les défilés découverts au journal télévisé, son arrivée à 16 ans à Paris, son admiration pour le travail d'Yves Saint Laurent, de Yohji Yamamoto ou de Jean Paul Gaultier, sa redécouverte de Beyrouth dans les années 1990 où il lance sa maison, son exploration du prêt-à-porter, son amour du Bauhaus, sa fascination pour les aventurières qui cassaient les codes et plus généralement pour les femmes qui restent sa première source d'inspiration, sa passion pour la peinture classique de la Renaissance et sa recherche de la lumière et le douloureux après de l'explosion du port de Beyrouth.Il revient aussi longuement sur l'affirmation de son style : « J'étais tout jeune, j'étais très intimidé par les clientes. Pour les séduire, au lieu de dessiner, je montrais le vêtement. Donc je drapais le tissu directement. J'avais un geste premier et ce geste a fait mon style. Cette simplicité et cette spontanéité que j'avais sont restées. »Depuis quatre saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Imène BenlachtarRéalisation : Emmanuel BauxMusique : Gotan Project Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

All fashion designers have one thing in common: whatever the challenges, however much the odds appear stacked against them, they find a way to keep working. Yohji Yamamoto, having recently lost two close family members, uses his anger as the force behind a period of contemplation. Meanwhile, Ukrainian designers Svitlana Bevza and Lilia Litkovska ensure they find ways to express themselves through clothes, despite living in a country at war. 

Mutual Muse is a colourful consignment store that helps rehome your unloved clothes and inject colour into your wardrobe with pieces from your own neighbourhood. Expect bright and bold pieces up to size 24 from labels including Acne, Yohji Yamamoto, Alpha60, Obus, Suk Workwear and Arnsdorf. Plus, at a new Omakase Bar in South Yarra, two Korean chefs – whose combined experience includes Shoya, Kisume and Nobu – hold centre stage on a simple timber bench. Featured on today's episode:  Aoi Tsuki Mutual Muse  New episodes of Broadsheet Melbourne Around Town drop Monday, Wednesday, Friday each week. Subscribe on the LiSTNR app to make sure you don't miss an episode. And keep up-to-date on everything Broadsheet has to offer at www.Broadsheet.com.au, or at @Broadsheet_melb. Broadsheet CITY Around Town is hosted by Katya Wachtel and produced by Nicola Sitch. Deirdre Fogarty is the Executive Producer.See omnystudio.com/listener for privacy information.

On this episode we reunite with our regular guest, fashion editor and critic Philippe Pourhashemi, to reflect on the Fall / Winter '23 Men's season. We discuss Pitti Uomo, Milan, and Paris shows, from Jan-Jan Van Essche to Rick Owens to Yohji Yamamoto to Sacai, the debacle that was the Gucci show without Alessandro Michele, and more!Support the show

La quasi-totalité des collections Automne-Hiver 2023/2024 présentées à Paris portent aujourd'hui un nom, toujours évocateur, parfois intriguant, jamais gratuit : "Enfants Terribles", pour la griffe japonaise Kidill – qui ressuscite les années 1990 ; "Don't do that", pour Yohji Yamamoto ; "We need new eyes to see the future", pour Walter Von Beirendonck ; "Luxor Men's", pour Rick Owens ; "Red Warriors", pour Jeanne Friot. Des collections engagées, unisexes, mais pas que, qui donnent envie d'aller se rhabiller. 

If there was one word to describe the latest round of ready-to-wear offerings for summer 2023, it would be freedom, a desire to liberate bodies – and minds – from all forms of restraint. Japanese designer Yohji Yamamoto rejects any fashion that treats women like dolls rather than people, while his compatriot Hidenori Kumakiri reimagines military uniforms and French designer Mossi Traoré finds inspiration in binmen's uniforms. Meanwhile, French stalwart Isabelle Marant does what she's always done, championing fashion that transcends space and time.

"Liberté" : un mot prononcé par la totalité des designers venus à Paris présenter leur collection. Libérer les corps et les esprits de toutes formes de contraintes. Yohji Yamamoto ne peut pas supporter l'idée que l'on traite les femmes comme des poupées. Hidenori Kumakiri imagine une reconstruction des uniformes militaires et Mossi Traoré s'inspire, lui, des costumes d'éboueurs. De son côté, Isabel Marant revendique le fait de pouvoir traverser tous les lieux, toutes les époques, en étant toujours à sa place.

L'émission 28 Minutes du 01/12/2022 Au programme de l'émission du 01 décembre 2022 ⬇ Tilda Swinton : l'actrice caméléon ressuscite PasoliniCostumes, robes, manteaux, chapeaux… Près d'une trentaine d'œuvres tissées, cousues, teintes sont à voir lors de la performance originale “Embodying Pasolini”, qui rend hommage au célèbre artiste italien, réalisateur de “L'Évangile selon Saint Matthieu”, “Œdipe Roi”, ou encore “Les Mille et une nuits”. Créée par l'historien de la mode Olivier Saillard, qui a dirigé environ 170 expositions, notamment “Yohji Yamamoto, juste des vêtements” et “Christian Lacroix. Histoire de vêtements”, et incarnée par l'actrice Tilda Swinton, cette performance réunit pour la première fois les costumes vibrants conçus par Danilo Donati. Depuis 2012, le duo Swinton-Saillard se produit régulièrement en imaginant des créations autour du vêtement lors de la Fashion Week et du Festival d'automne. “Embodying Pasolini” est à voir du 3 au 10 décembre à la Fondazione Sozzani à Paris, et Tilda Swinton et Olivier Saillard sont sur notre plateau pour en parler !France / États-Unis : à quand le retour du grand amour ?  Pour la deuxième venue du président français, les États-Unis ont sorti le tapis rouge. Il s'agit de la première visite d'État accordée par Joe Biden à un chef d'État étranger depuis son élection en janvier 2021. L'Élysée a pris soin de souligner le “privilège rare” accordé à la France, “marque de l'excellence des relations franco-américaines”. Pourtant, les points de discordes se sont multipliés ces dernières années, notamment avec la crise des sous-marins en 2021, vécue par la France comme une “trahison” de la part de son allié. Sans oublier le protectionnisme américain et le “America First” plaidé par Joe Biden, au détriment de l'industrie européenne qui se trouve pénalisée par l'“Inflation Reduction Act”. Et enfin, il y a les désaccords en politique étrangère, concernant la Russie et la Chine. Cette rencontre peut-elle raviver la flamme entre Paris et Washington ? On en parle avec nos invités. Enfin, retrouvez également les chroniques de Xavier Mauduit et d'Alix Van Pée ! 28 Minutes est le magazine d'actualité d'ARTE, présenté par Elisabeth Quin du lundi au vendredi à 20h05. Renaud Dély est aux commandes de l'émission le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement : 01 décembre 2022 - Présentation : Élisabeth Quin - Production : KM, ARTE Radio

“Kimono“ au musée du quai Branly – Jacques Chirac, Parisdu 22 novembre 2022 au 28 mai 2023Interview de Anna Jackson, Conservatrice en chef du département Asie du Victoria and Albert Museum, Londres, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 21 novembre 2022, durée 16'41.© FranceFineArt.(avec l'aimable traduction de Anne Geurts)https://francefineart.com/2022/11/22/3355_kimono_musee-du-quai-branly/Communiqué de presseCommissaires :Anna Jackson, Conservatrice en chef du département Asie du Victoria and Albert Museum, LondresJosephine Rout, Conservatrice au département Asie du Victoria and Albert Museum, LondresRéférent scientifiqueJulien Rousseau, Responsable de l'unité patrimoniale Asie au musée du quai Branly – Jacques Chirac, ParisAu fil d'un parcours regroupant près de 200 kimonos, vêtements inspirés du kimono et objets associés, dont certains sont exposés pour la première fois en France, l'exposition retrace l'histoire de ce vêtement depuis le début de l'époque Edo – au 17e siècle. En même temps qu'elle met en lumière l'importance esthétique, sociale et vestimentaire du kimono, l'exposition souligne le grand dynamisme d'un vêtement trop longtemps perçu comme traditionnel et immuable mais dont pourtant l'influence sur la mode contemporaine, et mondialisée, est majeure depuis le 17e siècle.Vêtement iconique, le kimono est probablement le symbole japonais ultime, vénéré au Japon comme l'incarnation de la culture et de la sensibilité nationales, et considéré internationalement comme un fascinant objet d'exotisme. Son statut symbolique et sa forme demeurée inchangée au travers de nombreux siècles lui confèrent une image d'habit traditionnel, immuable et hors du temps. Cette exposition choisit de renverser cette vision pour souligner tout à la fois sa fluidité et sa capacité à s'adapter à la mode, aussi bien au Japon qu'ailleurs. Ou comment le kimono se livre en emblème d'un Japon qui influence le monde et se laisse influencer par lui.L'exposition présente des pièces rares et remarquables, dont un kimono créé par Kunihiko Moriguchi, « trésor national vivant » au Japon, mais aussi des tenues célèbres associées à la culture populaire comme les costumes originaux des films Star Wars par Trisha Biggar. Des créations de Paul Poiret, Yohji Yamamoto et John Galliano révèlent l'importance du rôle du kimono comme source d'inspiration pour les plus grands couturiers.Le kimono au JaponLa mode des kimonos s'épanouit au Japon durant l'époque Edo (1603-1868), période marquée par une stabilité politique, une croissance économique et une expansion urbaine sans précédent. Kyoto devient le centre d'un artisanat de luxe du kimono et l'esprit créatif qui l'anime se conjugue au dynamisme commercial de sa voisine Osaka, faisant de cette région le berceau d'un style et d'un raffinement nouveaux. À l'orée du 18e siècle, l'attention se déplace sur Edo, actuelle Tokyo, où règne une bouillonnante culture entremêlant divertissements, glamour et érotisme, désignée sous l'appellation de ukiyo ou « monde flottant ». Pendant cette période, la mode constitue une force sociale et économique majeure au Japon. La plupart des kimonos conservés de l'époque Edo correspondent à des tenues de luxe, vendues dans des boutiques spécialisées. Si les clients ont la possibilité de se procurer des tissus afin de coudre eux-mêmes leur kimono, les somptueux vêtements portés par l'élite fortunée correspondent à des commandes spécifiques. [...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today's episode is a story time about my trip to my local tailor last week. I hope you are enjoying the pod and if you are be sure to leave us a 5 star review.Host:  https://www.instagram.com/drewjoiner_/

Yerrr! In this week's episode of the Off The Dome Podcast, Lani and Yesus are joined by the “The Originator” himself, Frosty Preme. Tune in as they discuss the latest and greatest in the fitted and streetwear worlds. As per usual, the weekly segments such as Pickups, Sleeper Hats of the Week, "What's Your Fit???", and "Look into the Past" get covered.  In Sneakers and Streetwear: Mad happy X Yankees Joe Fresh Goods and New Balance are back at it again.  Supreme tabs Yohji Yamamoto for a crazy collab with Tekken  Release of the Week:                                                                                                              Lids HD Lights out collection Panic Hat of the week: RMDCC28 pro image Phillies crossover Worst hat of the week: Hat Club Rose Gold Collection SHOULDABEENA… Pro image DPM office pack Darryl Sleeper of the week: Future Reference's  Travis Scott pack Pt. 1 Pins of the week: Fitted Foos X PBJ Loso P- Wing Look forward: Pro image fox hills 4U CAPS mega drop Canadian dad bod QB pack & Jetsons pack Define Mo & Brim Feen X Proimagesports Colorado Sleeper fitted: Yote Cards   Follow the “Off The Dome Podcast” on Instagram!!! Follow Yesus on Instagram!!! Follow Jelani on Instagram!!!    

In a rare interview, the influential Japanese designer speaks with BoF's Imran Amed about the philosophy that underpins his boundary-breaking career. Background:  After graduating from Keio University with a law degree, Yohji Yamamoto realised he wasn't interested in the law. “I didn't want to join the ordinary society,” he says. “So I told my mother after graduation … ‘I want to help you.'”  She agreed to let him work at her dressmaking shop in Kabukicho, an entertainment district in Tokyo's Shinjuku ward, and learn from the sewing assistants if he enrolled at Bunka Fashion College, now famous for training designers such as Kenzo Takada, Junya Watanabe and Yamamoto himself. After graduating, Yamamoto went on to set up a small ready-to-wear company that slowly acquired buyers in all of Japan's major cities. This success eventually led him to Paris, where his signature tailoring and draping in oversized silhouettes created an aesthetic earthquake at Paris Fashion Week in 1981. Since then, Yamamoto has developed a cult following of loyalists who swear by his avant-garde designs. “I'm not working in the mainstream,” he says. “I'm working in the side stream.” This week on The BoF Podcast, we revisit Imran Amed's rare interview with the legendary Japanese designer about his storied career — and the mindset designers need to succeed.  Key Insights: Yamamoto says the fashion industry's increasingly fast-pace has come at the expense of true creativity. “For me the fashion business became a money business,” he said. “I felt I've been losing my competitors year by year.” Yamamoto believes that modern technology can be a distraction. “When I speak with young designers, I [tell] them shut your computer,” he said. “If you really want to see real things, real beauty, you have to go there by walking.” Yamamoto believes it's a designer's job to completely immerse themselves in design. “If you want to create something, keep resisting the mediocracy of ordinary things. It's a life's work. Are you ready to sacrifice yourself to create something?” Additional Resources:  Watch the full interview here: Inside Yohji Yamamoto's Fashion Philosophy The Magic of Yohji Yamamoto  

On today's What to Watch: Peacock's reboot of Queer as Folk debuts, reimagining some similar story lines from the original U.K. and U.S. versions, and starring Ryan O'Connell, Johnny Sibilly, Jesse James Keitel, Kim Cattrall, Juliette Lewis, and more. It's down to the House of Juicy Couture and the House of Yohji Yamamoto on the season finale of the ballroom vogue competition Legendary, and one of them will win $100,000 plus additional prizes from Dolce and Gabbana. And the young superhero sidekicks wrap up their journey on the season 4 finale of the DC animated series Young Justice — subtitled 'Phantoms.' Plus, entertainment headlines — what Melissa McCarthy says about a potential cameo in Thor: Love and Thunder, and Bob Saget's comments about death in a podcast interview he recorded months before his own untimely passing — and trivia. More at ew.com, ew.com/wtw, and @EW. Host/Producer: Gerrad Hall (@gerradhall); Producer: Ashley Boucher (@ashleybreports); Editor: Lauren Klein (@ltklein); Writer: Calie Schepp; Executive Producer: Chanelle Johnson (@chanelleberlin). Learn more about your ad choices. Visit megaphone.fm/adchoices

He doesn't often speak to the media, but when he does, we listen. Since 2018, Italian designer Riccardo Tisci has been at the helm of British fashion powerhouse Burberry. The chief creative officer speaks to us exclusively about his life and his sartorial vision. Back in Paris, we take a look at the latest offerings from Yohji Yamamoto and Christelle Kocher, who both place diversity and cultural exchanges at the heart of their work.

L'homme s'exprime très peu, sa parole n'en a que plus d'importance. À Londres, Riccardo Tisci, qui a pris en main depuis 2018 les destinées de la vénérable maison Burberry, s'est confié, en exclusivité pour le magazine "Mode", sur sa vie et son œuvre. Il partage avec Yohji Yamamoto et Christelle Kocher ce sentiment important : sans la diversité, l'échange et le partage, la mode n'existerait plus.

00:25min - “Die Mode hechelt den Trends hinterher. Ich will zeitlose Eleganz. Die Mode hat keine Zeit. Ich schon.” ~ Yohji Yamamoto-01:00 Gastvorstellung: Thomas Hansen von Werkhaus Fashion (Hamburg)-10:40min - Die Challenge, Nichen-Marken an Kunden zu bringen? Stationär vs Online Handel-22:20min - Werden Kunden jünger?-31:00min - Verantwortungsbewusster Konsum in der Avantgarde-Szene-39:15min - Order-Phasen in Zeiten von Corona-48:00min - Wie würdest du, Thomas, deinen persönlichen Stil beschreiben?-54:20min - Welche Marke/ Designer:in findet Thomas momentan spannend?-58:40min - Was bedeutet für Thomas die Farbe schwarz?

Meet Michael Lastoria. Michael is an American serial entrepreneur and co-founder of &pizza, a creatively led, mission-driven, culture carrying, pizza chain voted one of Fast Company's Most Innovative companies in 2018 and 2019 for Social Good. Referred to by Bloomberg as “what Jesus might look like if he walked in a Yohji Yamamoto show,” Lastoria grounds &pizza in a commitment to better flavor, quality ingredients, livable wages, and real actions. Lastoria has appeared on Fox Business, CNBC, MSNBC, and Yahoo, and has been featured in Forbes, AdWeek, the New York Times, and Washington Post as a distinguished entrepreneur and thought leader in the industry. Speaking on topics including the value of design-based thinking, innovation, and entrepreneurship, Lastoria has talked at Harvard Business School, George Washington University, and Georgetown to inspire the next generation of business leaders. Lastoria co-founded Innovation Ads which sold to a private equity firm in 2006, and JWALK which sold to beauty powerhouse Shiseido in 2017 before starting &pizza. Lastoria is a fair wage fighter and member of the advocacy network Business at a Fair Minimum Wage. He's promoted increases in minimum wage across the Mid-Atlantic and Northeast and with Barack Obama's Secretary of Labor, Thomas Perez. He introduced the Raise the Wage Act with Senator Sanders, Senator Pelosi, and Senator Schumer in 2016 and 2017 respectively. At Lastoria's direction, &pizza was the first national restaurant chain to commit to a $15 minimum wage that has donated to over 1,000 local causes aligned with the company's core values. Lastoria has been identified as one of the country's top executives, listed in QSR's 2019 and 2020 Readers' Choice Awards as a Most Admired Fast-Casual Leader, on ILC's as the 2018 Icon of Culture, on Nation's Restaurant News' Annual Power List in 2018, 2019, 2020, 2021 and Fast Casual's Movers and Shakers List in 2018, 2019, 2020 and 2021, in the Washington Business Journal's 40 Under 40, and was named Business Person of the Year in 2017 by the Small Business Council of America. Missed any previous episodes, access all here https://growthbysabir.com/liveshow Your business stuck in a rut? Contact Sabir at Growth by Sabir here https://growthbysabir.com #entrepreneurship #founder #startup #pizza Topics covered: entrepreneur,entrepreneurship,entrepreneurs,startup,startups,founder,founders,founder story,pizza business,pizza,pizza shop,pizza store,pizza chain,pizza products,entrepreneur motivation,entrepreneur advice,bigcommerce,dtc,ecommerce,influencer marketing,influencers,shopify,thisweekwithsabir,shopify dropshipping,ecommerce business,ecommerce website,instagram influencer marketing,influencer marketing strategy,Michael Lastoria,andpizza,&pizza --- Support this podcast: https://anchor.fm/sabir-semerkant/support

After almost two years of empty catwalks, summer 2022's ready-to-wear collections were finally able to be shown in public, and designers rose to the occasion. Yohji Yamamoto's collection was all about the perils of climate change. But the standout feature of this season is an approach to fashion that privileges the female gaze, with Marine Serre, Dior and Isabel Marant all presenting clothes designed to be worn by women and enjoyed by women – rather than having men looking at them!

On this episode, I have a conversation with Adeju Thompson founder of Lagos Space Programme, a non-binary, luxury design project exploring African futures. Adeju describes Lagos Space Programme as an ethical movement built on a foundation of collaboration, shared ideas, chosen family and craftsmanship. Adeju's sources of inspiration are vast, from Yohji Yamamoto to architecture, to the New York Ballroom scene of the 80s to Yoruba cosmology. In this episode, we discuss the importance of preserving and celebrating Yoruba textile traditions, navigating the fashion industry as a queer Nigerian, and their experiences exploring South-Western Nigeria.To find out more about Adeju's work, follow Lagos Space Programme on Instagram at @lagosspaceprogramme.You can find me, on Instagram reading and reviewing books @mayowa_reads or send me an email (mayowainconversation@gmail.com)! Hosted on Acast. See acast.com/privacy for more information.

Marie-Pierre Nicoletti grew up in a small town in the French Alps, in a bicultural French and Italian family. After graduating college with a BA in both Applied Foreign Language for International Business in English and Italian, and Italian Language and Civilization, she moved to Paris to attend fashion school. Upon graduating, she worked for the fashion house of Yohji Yamamoto as a trilingual marketing assistant and brand manager. In late 1990, she traveled to the US for a six-month sabbatical in Boulder, Colorado. Eight weeks after arriving, she met her future husband. Ten years later, now a resident of the US and a mother of a young family, she founded the Language of Food, a French culinary, cultural and language program for children and adults. Missing France, she returned to Paris, working in fashion while also researching culinary trends. Several years later, she made a permanent move back to Boulder, rebranding and growing her original program into Blossom Bilingual International Preschool, set to open its doors in May, 2022.

Embrace Kimberly Wong, Founder of cukimber, infectious inspiration with passion driven focused episode. Kimberly Wong is a Chinese American entrepreneur, designer, and community organizer who has lived in Shanghai for 10 years. She is an extrovert and passionate person, living by “take action, NOW”. She is a do-er, making steps every day to create positive systemic change. Kimberly is the Chairperson of Democrats Abroad China, and founded Asian Americans Together which supports Asian Americans living in China. Ali and Weilyn dive into Kimberly's diverse work and interests that all stem from being in touch with your passions, pursuing your life long dreams, and showing yourself self-care. Kimberly graduated from New York University Leonard N. Stern School of Business in 2008. After graduating, she moved to Japan to be an English teacher in Mihara, Hiroshima Prefecture. She started her own food/cooking blog in English teaching foreigners how to find ingredients to create western food, dedicated time to volunteering at an orphanage, and also created her own jewelry line called cukimber. She joined the WUJIE restaurant group, a Michelin starred vegetarian restaurant. She spoke at the World Economic Forum Young Global Leaders about the importance of living a healthy life through food. At that time, she also was a host on the television show called “Restaurant Investigator” on ICS. She became a partner at Sproutworks, another restaurant group that she helped expand from 2 to 7 locations across Shanghai and Beijing including another brand called ban ban. She became a leader in the field of healthy living, working on partnerships with brands like Nike, Lululemon, and has worked extensively as an advisor to Food Heroes, China's first food education program founded at the World Economic Forum to integrate nutrition and sustainability. Finally, after a year of painting she felt it was time to try making fabric in August 2018. She was self taught along the way, and her clothing line, cukimber, debuted with the first collection Bohemian Dreams in 2019 in the first floor of Xintiandi Plaza next to Jason Wu and Yohji Yamamoto. Learn more about Kimberly and cukimber here: https://www.linkedin.com/in/kimberlyjwong/?originalSubdomain=cn https://www.cukimber.com/

The title of graphic designer doesn't really do justice to the entire world of high-voltage kick and verve that Paul Boudens brings with him – both professionally and as a human being.  For one, his work has become entirely synonymous with Belgian fashion. He's also internationally prized as one of the must-hire artisans propelling the visual language of art, theatre and dance forward. You immediately recognise a Paul Boudens-original when you see it as his work has this yet unmatched kinetic energy, containing a multitude of layers with a standout hand-crafted finish.  From his early-day bombshell Jurgi Persoons and Walter Van Beirendonck artwork, his forever resonating work as the co-founder of (N°) A Magazine to his book designs for Yohji Yamamoto, Myung-il Song or MoMu Fashion Museum Antwerp, there's no denying the Paul Boudens signature.  A former military kid, Paul spent a few years flailing around Antwerp as a self-described "80s Kim Kardashian", when a chance encounter sent him on the path of graphic design and illustration  After an initial introduction to Walter Van Beirendonck that got him working on his ‘Fashion is Dead' newspaper, Paul was asked to design prints for the Antwerp Six-member's collections, which later on meant living through and thriving during Walter's iconic W.&L.T. days. Thirty years later, the two are still working together.  Paul talks to Dominique about navigating the inception, growth and eventual loss of (N°) A Magazine, how he tries to embody the multitude of personalities of his clients without losing his own way. The two also discuss how much blood is needed to design a 90s Jurgi Persoons invitation and what it was like to have Jun Takahashi's UNDERCOVER team biking through your Versailles-sized flat. 

The title of graphic designer doesn't really do justice to the entire world of high-voltage kick and verve that Paul Boudens brings with him – both professionally and as a human being.  For one, his work has become entirely synonymous with Belgian fashion. He's also internationally prized as one of the must-hire artisans propelling the visual language of art, theatre and dance forward. You immediately recognise a Paul Boudens-original when you see it as his work has this yet unmatched kinetic energy, containing a multitude of layers with a standout hand-crafted finish.  From his early-day bombshell Jurgi Persoons and Walter Van Beirendonck artwork, his forever resonating work as the co-founder of (N°) A Magazine to his book designs for Yohji Yamamoto, Myung-il Song or MoMu Fashion Museum Antwerp, there's no denying the Paul Boudens signature.  A former military kid, Paul spent a few years flailing around Antwerp as a self-described "80s Kim Kardashian", when a chance encounter sent him on the path of graphic design and illustration  After an initial introduction to Walter Van Beirendonck that got him working on his ‘Fashion is Dead' newspaper, Paul was asked to design prints for the Antwerp Six-member's collections, which later on meant living through and thriving during Walter's iconic W.&L.T. days. Thirty years later, the two are still working together.  Paul talks to Dominique about navigating the inception, growth and eventual loss of (N°) A Magazine, how he tries to embody the multitude of personalities of his clients without losing his own way. The two also discuss how much blood is needed to design a 90s Jurgi Persoons invitation and what it was like to have Jun Takahashi's UNDERCOVER team biking through your Versailles-sized flat. 

Welcome back to The Academy of Imperfection - a conversational lecture series that features guest lecturers talking with students Hugh, Ryan, Josh and you about different areas of imperfection. Today, designer, author and teacher, James Victore talks about CREATIVITY. Before writing his brilliant 2019 book ‘Feck Perfuction: Dangerous Ideas on the Business of Creativity', James created commerical work for Moet & Chandon, Time magazine and Yohji Yamamoto and has had his work exhibited in Nwe York's MoMA and The Louvre in Paris. Oh... AND HE'S WON AN EMMY. James is verrrrry passionate and hence there's a language warning on this ep. For more James Victore stuff, please visit him on his website jamesvictore.com or on Instagram @jamesvictore.

Welcome back to The Academy of Imperfection - a conversational lecture series that features guest lecturers talking with students Hugh, Ryan, Josh and you about different areas of imperfection. Today, designer, author and teacher, James Victore talks about CREATIVITY.Before writing his brilliant 2019 book ‘Feck Perfuction: Dangerous Ideas on the Business of Creativity', James created commerical work for Moet & Chandon, Time magazine and Yohji Yamamoto and has had his work exhibited in Nwe York's MoMA and The Louvre in Paris. Oh... AND HE'S WON AN EMMY.James is verrrrry passionate and hence there's a language warning on this ep.For more James Victore stuff, please visit him on his website jamesvictore.com or on Instagram @jamesvictore.See omnystudio.com/listener for privacy information.

La settimana della moda francese fra mondanità ed eccentricità. La scoperta di un mondo: Yohji Yamamoto, Rei Kawakubo, Issey Miyake.Una serie ideata e prodotta da Dr Podcast Audio Factory.

En el episodio de hoy, tenemos como invitada a Daniela Dominique. Daniela es una modelo profesional, originaria de Tijuana, Baja California. que comenzó su carrera en Ciudad de México, donde logró catapultarse a un nivel internacional al ser invitada a participar en New York Fashion Week, en donde ella considera que comenzó su desarrollo profesional como modelo profesional en pasarela, asistiendo también a Londres, Milán, París, Tokyo y Berlin fashion week. Hasta la fecha ha trabajado con diseñadores como Hugo Boss, off white, Rick Owens, Prabal Gurung, Carolina Herrera, John Paul Gaulthier, Yohji Yamamoto, entre otras grandes marcas. Con portadas de Vogue México, Harpers Bazar , l’officiel, editoriales en Elle, Nylon, Madame fígaro y más alrededor del mundo. Y en este episodio, Daniela y yo platicamos sobre su trayectoria, cómo fue su proceso para posicionarse en el mundo de la moda a nivel internacional y vivir de lo que le apasiona. Te dejo con el episodio con Daniela Dominique.

In this episode, The Digital Cowboy has invited Karsten Kroening aka Meme Saint Laurent to discuss Yohji Yamamoto Pour Homme, Spring/Summer 2002, memes, and other current trends.

This is News Round-Up, the weekly series catching you up on all the important stories happening within the fashion industry from the past week. You can catch all of the new episodes of the News Round-Up every Saturday on Spotify and Apple Podcasts. If you enjoy the content in this series please check out our other weekly series Deep Dive and all of our guest interviews. What Does It Mean to Be a ‘Transparent Fashion Brand'? Link: https://www.wsj.com/articles/is-radical-transparency-the-future-of-the-fashion-industry-11614623981?page=1 Alejandro Gutierrez Interview: https://anchor.fm/thefashioncollective/episodes/The-Fashion-Collective-The-Alejandro-Gutierrez-Graziano--Gutierrez-Interview-ensbdt Noah NY's "Not Dead Yet" Program Link: https://www.highsnobiety.com/p/noahs-not-dead-yet-recycling-scheme/ New York Cares: https://www.newyorkcares.org/ Attention Yohji stans: 30 rare archive pieces are about to drop Link: https://www.dazeddigital.com/fashion/article/52109/1/attention-yohji-stans-30-rare-archive-pieces-are-about-to-drop LN-CC: Sign-up for The Fashion Collective Newsletter: https://thefashioncollectivepodcast.substack.com/?r=9xo1t&utm_campaign=pub&utm_medium=web&utm_source=copy Hello, I'm Alexander Walker of The Fashion Collective Podcast! If you're a returning listener, welcome back! If you're a new listener, then thank you for taking the time to check us out! The Fashion Collective Podcast is a place for creatives to learn, share, collaborate, and support each other. Each week, you'll get in-depth interviews with creators talking about their creative process, inspirations, giving advice, and sharing their opinions on the industry's major topics. If you're interested, I would encourage you to follow us on social media to get updates on all new podcasts. Website: Link: https://anchor.fm/thefashioncollective/support Support: https://anchor.fm/thefashioncollective/support Social Media: Instagram: @thefashioncollectivepodcast & @alexwalkerph Available Platforms: The Fashion Collective Podcast will be available on Apple Podcast, Spotify, YouTube, and Patreon. Patreon: To get full access to all the podcast episodes, private playlists, live streams, videos, and much more, you can sign up to be a patron on our Patreon page. Link: https://www.patreon.com/bePatron?u=35257084 The Fashion Collective Mix Apple Music: https://music.apple.com/us/playlist/the-fashion-collective-mix-2/pl.u-MDAWvJjFGaBqkR Spotify: https://open.spotify.com/playlist/2pe55VPWVvt04XiqT4cS0z?si=AzriDzDCRAGh4CvMBactuA --- Support this podcast: https://anchor.fm/thefashioncollective/support

Cynthia invite au comptoir Joe Fellaga: afro-caribéen, parolier, ghost writer, scénariste, rappeur love et aficionado de lecture à ses heures perdues. Dans cet épisode, Joe et Cynthia continuent la conversation sur les thématiques de la sexualité, l'Amour, parentalité...Cathy Wood, Arkinvest de Yohji Yamamoto. Prenez place, hydratez-vous bien et get ready ! Hâte d'avoir vos retours. Bonne écoute et à très vite. ALLEZ PLUS LOIN Écouter Apple Music Spotify Soundcloud Youtube Chanson | new jiggle du podcast Joe Fellaga feat Matthew Peter - Philtre d'Amour - ❤️ Réseaux Sociaux site internet - Joe Felllaga Instagram - @joefellaga page Facebook - @Joe.Fellaga Twitter - @joefellaga Continuons la discussion sur l'app Clubhouse Podcast mentionné Si Maman M'avait Dit - Scheena Donia Livre mentionné Goodbye, things, Fumio Sasaki Films & séries mentionnés Un heureux événement, Rémi Bezançon Les Noces rebelles, Sam Mendes Queen Sugar, Ava DuVernay The Surrogate, Jeremy Hersh Sex Education, Netflix série --- Send in a voice message: https://anchor.fm/philosophiedecomptoir/message

L’été prochain ! Nous ne savons pas de quoi il sera fait, mais nous savons qu’il faudra nous habiller et choisir entre deux grandes tendances, présentées à Paris : streetwear… ou drapé ? Allez-vous adopter le style protecteur du maître japonais Yohji Yamamoto ou celui, coquin, de Prune Goldschmidt ? Allez-vous préférer les modèles du plus parisien des créateurs africains, Lamine Kouyaté (Xuly Bët), ou la street couture de Christelle Kocher ? Faites votre choix, en 360 secondes chrono.

No one really knows what next summer will bring, but one thing's for sure. When it comes to ready-to-wear fashion, there's a choice between two standout trends: streetwear and drapery. Will the seductive volumes of Yohji Yamamoto carry the day, or will it be the often tongue-in-cheek style of Prune Goldschmidt? Or will it be a choice between the form-hugging creations of Malian-Senegalese designer Lamine Kouyaté and the relaxed "street couture" of Christelle Kocher? FRANCE 24 takes a closer look.

Episode 3 of the General Release Podcast Instagram:@generalreleasepodcast Twitter:@theGRPodcasters

Zach Macklovitch and Nathan Gannage of Saintwoods join us on the latest episode to talk the hottest products in fashion. Led by host Noah Thomas, the podcast kicks off with a discussion on the best sneakers to pop up in recent days, followed by commentary surrounding some key streetwear collaborations. After providing listeners with a bit of background on their multifaceted outfit, Zach and Nathan give their thoughts on Bottega Veneta’s couch-like loafers that are perfect for office wear in the winter. From there, talk transitions to Hender Scheme and The North Face's new must-have release, which blends utility and style. This week's fashion news centers around a series of streetwear collabs from Virgil Abloh's Off-White™️ and Stüssy, Palace and Happy Mondays, and Supreme and Yohji Yamamoto. We also discuss this year's CFDA Fashion Awards winners to round out the segment. Press play above to hear Zach Macklovitch and Nathan Gannage of Saintwoods delve into the latest in footwear and fashion, and be sure to stay on the lookout for their tenth collection dropping at the end of the month and a monumental collab with Helmut Lang coming at the end of the year. Relevant Links: Bottega Veneta’s Couch-Like Loafer Might Be Fall’s Comfiest Footwear Hender scheme x The North Face  @dior’s CD1 continues to evolve every season and here’s the FW20 edition. Virgil Abloh Reveals First Look at New Off-White™ x Stüssy Collab Palace x Happy Monday Supreme Is Far From Over, the Yohji Yamamoto Collab Proves It With a Big CFDA Fashion Award Win, Kerby Jean-Raymond Shows What’s Next 4SDesigns @willsmith partners with @airbnb to celebrate the @freshprince 30th anniversary, listing the iconic Bel-Air mansion on the home-sharing platform. ⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes the Fit Check is the podcast. That’s how you know it’s good. The Core 4 are back on their bullshit, leaving no tangent unexplored and meandering like it’s their goddamn job because, well, it is. From male grooming and supply chain breakdowns to Roomba attempted suicide and Yohji Yamamoto, this one really has it all, including Jimmy and Larry’s latest fight that leaves the groms painfully speechless. For more Throwing Fits, check us out on Patreon: www.patreon.com/throwingfits

了解歷史，還有知曉科技就能預測未來。Supreme一如我十幾年前文章寫過的那麼強壯，甚至現在達到如巨獸一般。為什麼會這樣？聽看看吧！ Apple Podcast Spotify THURS台北 Facebook THURS台中 Facebook 網站：www.thethurs.com The Thurs Company 台北市北市大安區忠孝東路四段181巷35弄1-3號 電話：02-27210501 台中市西屯區市政北三路131號 電話：04-22238063

Episode 23 - This week's guest is Director of Makeup at MAC Cosmetics, Romero Jennings. On Instagram, Romero has over 130k followers and his TikTok is rapidly growing with over 60k followers. We talk to Romero about his journey to where he is now, his views on the industry, creativity, working with MAC, and travel along the way.Episode links:InstagramTiktokPortfolioMAC CosmeticsMentions:Kansai YamamotoYohji YamamotoJunya Watananbe / Commes Des GarconsDebbie HarryGrace Jones

The weather is hot, but the podcast is even hotter. We're back in action with another 2+ hour Pair of Kings Podcast CLASSIC. Listen in as Sol attempts to give away John's address AND credit card info, we discuss everything from the ethics of wearing fur to mixing Nike and adidas, and John goes on his first food related rant! Additionally, a lack of fashion news at the beginning of the pod makes for one of the most fun openers in PoK Podcast HISTORY. Thank you everyone for listening!

FASHION STORYTELLING. CREATING THE DREAM - the photographer, creative leader in luxury fashion advertising and marketing and one of Ebony's Power 100 - on staying anchored in a sense of peace, grace and gratitude. Chidi speaks about the importance for creatives to open their ears and eyes to the beauty of everyday life and everyday truth and about the power of brands as forces for the common good - CHANGING THE WORLD !   SHOW NOTES_ Enjoyed this episode?                                                                                      Then please subscribe, leave a 5-star rating and a review. Happy to hear your feedback and questions. If you'd like to connect, follow us on Instagram: https://www.instagram.com/catwlk_soultlk/                                                  And share this good 'n' beautiful story with someone else in the world. You can listen to the conversations with my wonderful CATWLK SOULTLK guests on Apple podcast, Spotify, Stitcher. THANK YOU for listening to the show dear friend!   Explore further and be inspired by some beautiful people, projects, books - as mentioned in conversation with CHIDI ACHARA ARTISAN - founded by Steve Cole - connecting people in the media, arts and fashion industries around UNITY: https://artisancore.org CREATIVE DIRECTOR - Sir John Hegarty, BBH: https://www.bartleboglehegarty.com PHOTOGRAPHER - Bruce Webber: iconic Calvin Klein campaign, 80s PHOTOGRAPHER - Collier Schorr: Simon Malls campaign 2020 http://artistcommissions.com/collierschorr/collections PHOTOGRAPHER - Nick Knight: Y-3 SHOW SS14, iconic Yohji Yamamoto campaign, 80s PHOTOGRAPHER - Jason Evans http://www.jasonevans.info PHOTOGRAPHER - Chidi Achara http://www.chidiachara.com/info DIGITAL BANKING PLATFORM - Stash

00:24min - “Modern zu sein bedeutet, die Seele aus allem heraus zu ziehen” ~ Yohji Yamamoto-01:11min - Gastvorstellung: Jesper Hansen-10:00min - Jesper’s “Mode Werdegang”-29:00min - Last Cops Jesper: Arizona Birkenstock, Yohji Yamamoto Pour Homme Coat-Shirt-35:55min - Meinung zu Influencern-57:00min - Welche Werte haben für dich oberste Priorität? (In Mode, Kunst etc.)-01:05:10min - Größte Angst (bei Kunst bzw. Kunstwerken)-01:10:20min - Portrait: Isabel Benenato-01:29:50min - Made on Earth

00:25min - ”Die Spinner von gestern sind die Gewinner von morgen” ~ Udo Lindenberg “Die Mode hat keine Zeit, ich schon” ~ Yohji Yamamoto-08:30min - Meinung zu Kenjima & Vuja De-12:50min - Was macht eurer Meinung nach einen eigenen eigenen Stil aus?-20:04min - Wärst du lieber Designer oder Bildhauer?-23:10min - Margiela oder Helmut Lang?-26:25min - Werden Air Force zu viel getragen, sodass man sie nichtmehr sehen kann?-28:25min - Warum ist Mode wichtig für unsere Gesellschaft?-31:40min - Einen Abend verbringen mit Rick Owens oder Jun Takahashi?-34:00min - Welche Runway-Show ist besser: Balenciaga oder Undercover?-35:50min - Ab wann ist man alt genug für Mode?-38:20min - Künstlerische Mode oder Kommerzielle Mode?-43:30min - Verschwimmt in der Streetstyleszene “Frauen mit Männermode”?-46:30min - Existenz von Karma?-52:10min - Meinung zu MISBHV?-52:40min - Lieblingspizza?-55:20min - Für wen kleidet ihr euch?-01:00:00min - Wird Demna Gvasalia jemals Balenciaga verlassen?-01:00:20min - Wenn ihr von einer Brand euer Leben lang ausgestattet werden würdet, welche wäre es und wieso?-01:02:40min - Portrait: Reese Cooper-01:10:40min - Portrait: Ann Demeulemeester

This week I’m sharing a conversation with Dan Thawley, Editor in Chief of A Magazine Curated By. The magazine is unique in the landscape of fashion publications. The project was started in 2004 with the concept that each issue would be guest curated by a fashion designer, who would be given free rein over the content of the magazine.“Each issue celebrates a designer’s ethos: their people, passion, stories, emotions, fascinations, spontaneity, and authenticity.”The magazine presents an opportunity for designers to get beyond just fashion, and show the broader context of their work. The reader is invited to see the world of collaborators, references, and inspirations that contribute to a designer’s perspective. We get to understand the unique point of view of each designer who curates an issue, and, as you get to the final pages, you realize that you’ve had a truly intimate experience.I’m talking to Dan on the occasion of the release of A Magazine Curated By’s 21st issue, curated by Lucie and Luke Meier, the creative directors of fashion house Jil Sander. In our conversation Dan and I talk about his 10+ year history with the magazine, how he became Editor in Chief when he was just 20 years old, and the process behind the scenes of working with the designers. Over the years, Dan has developed a unique perspective on how visual culture influences clothing design.A Magazine Curated By has a great website where you can get a peak into iconic past issues with designers such as Martin Margiela, Thom Browne, Yohji Yamamoto, Simone Rocha, Jun Takahashi and many more. You can find this archive at amagazinecuratedby.com or on Instagram @amagazinecuratedbyDan Thawley is on Instagram @danthawleyI want to thank Dan Thawley, and the whole team at A Magazine Curated By, as well as the Lucie and Luke Meier for putting together such a beautiful, timely issue.Get your copy of A Magazine Curated By Issue No 21 online at amagazinecuratedby.com .Our show is produced by Sarah Levine and our music is by Jack and Eliza. Find us on Instagram @image.culture or @william.jess.laird

La mode, toujours en avance d’une saison, se définit sans relâche en accord avec les bouleversements qui agitent nos sociétés. Chanel fait défiler des mannequins fines et rondes, blanches et noires en habits de mousquetaires. Balmain réinvente une bourgeoise qui n’a de cesse de ne plus en être une. Le Nigérian Kenneth Ize et le Sud-Africain Thebe Magugu mettent à nu et en avant leurs racines. Les Japonais Issey Miyake et Yohji Yamamoto encouragent la pensée rebelle à devenir un esprit positif.

Fashion is always one season ahead, defined by its link to the disruptions that push our society forward. For its winter 2020 ready-to-wear collections, Chanel sends both slim and voluptuous models down the catwalk; black and white women dressed as musketeers. Balmain rethinks the very concept of the bourgeoisie, while Nigerian designer Kenneth Ize joins his South African colleague Thebe Magugu in turning to his roots for inspiration. Last but not least, Japanese designers Issey Miyake and Yohji Yamamoto look to the future with a rebellious and positive outlook.

Сегодня, когда от жаркой погоды уже не осталось ни следа перейдем к рассмотрению более густого, плотного аромата, который в свою очередь еще не успел утратить летней свежести Yohji Yamamoto His Love Story от японского бренда и дизайнера. Аромат увидел свет в еще далеком 2013 году, но звучит современно, успевая за всеми модными тенденциями, парфюмер на официальном сайте нам не предоставляется, так что остается довольствоваться названием бренда и основателя Yohji Yamamoto. позиционируется, фужерный, свежий, пряный. Приступим к более близкому рассмотрению аромата: Как только мы открываем упаковку и делаем несколько пшиков на себя, в воздухе сразу же повисает свежий плотный обволакивающий аромат, на мой нос больше всего ощущается запах Мяты, Лаванды и Фиалки. Чуть позже добавляется запах Герани, но он играет лишь на фоне, гармонично поддерживая композицию, а не вырываясь вперед. Запах мускатного ореха и кардамона придает некую элегантность, торжественность аромату, так что смело берите его на торжественный вечернее мероприятие или на уютную прогулку в ночном парке. После прошедшего часа, аромат становится уже не таким взрывным, вместо этого он набирает плотность и теплоту и элегантность, окружая обладателя фужерным дорогим звучанием начальных нот с раскрывающими базовыми нотами Пачули, Ветивер с Сандалом, больше всего ощущается Пачули) Какие ноты слышите вы, пишите ниже! ;) Перейдем к рассмотрению аудитории аромата, кому и когда его лучше всего покупать: можно ли использовать аромат как унисексовый? Точно нет, аромат включает большое количество древесных нот, звучит достаточно плотно, обволакивающе и заполняющий пространство в своем радиусе действия. В качестве целевой аудитории я буду рекомендовать: 1) мужчин, лет 23-50, аромат фужерный, роскошный, пряный. Что собственно и определяет основную целевую аудиторию. P.S. на самом деле при выборе определенного стиля одежды, прически, наличия растительности на лице – запросто прибавит пару годков, так , даже в 18 лет Yohji Yamamoto His Love Story может лечь и зазвучать ничем не хуже, чем на 30 летнем солидном предпринимателе на вечернем мероприятии  2) подойдет для людей с любым цветотипом кожи, будет хорошо звучать на всех, что брюнетах, что блондинах ;)3) единственное что, беря в расчет, что страна дизайнера Япония и Yohji Yamamoto творческая личность – смело говорим, что для творческих личностей, творческих вечеров и подобного рода мероприятий аромат будет смотреться в выигрышном положении, при этом, никого не душА своим резким запахом. Теперь перейдем к стилю одежды и сезону: 3) Аромат в меру универсален и, если соблюдать простые правила, можно будет пользоваться достаточно часто. Звучать он будет всегда и везде хорошо, но изюминку потеряет. (Аромат должен дополнять образ, образ человека, его одежду , настроение, удачно вписываясь в окружающую среду.) Так, если вы хотите раскрыть максимальный потенциал данного парфюма - оставьте его на прогулку или, в идеале, на мероприятие (только не клуб, с дискотекой) для весны вечера нежаркого лета, осени. Ближе к зиме, при холодной погоде он начинает звучать несколько иначе, интересно достаточно, можете попробовать, но будет много ароматов конкурентов, которые запросто перебьют этот фужер. Если вкратце, избегайте сильно холодной и жаркой погоды. В одежде старайтесь придерживаться классики и минимализма (инь янь, черное белое, небольшое лирическое отступление). Идеальнее всего я вижу мужчину лет 30 , в хорошем дорогом смокинге Аналоги: имее т схожее звучание с Bleu de Chanel Chanel for men, я бы даже сказал больше в сторону edf версии, нежели edt, но опять же точной копией назвать нельзя, звучит схоже, имеет схожие ноты, такие как: мята, ветивер, мускатный орех , пачули. Но благодаря амбре и ладану Bleu de Chanel звучит более таинственно, роскошно, звучит дороже(больше всего это слышится в edp версии). Если бы я покупал для постоянного пользования, я бы расставил так: 1) Bleu de Chanel edp 2) His Love Story 3) Bleu de Chanel edt. Туалетная версия Bleu de Chanel имеет больше положительных отзывов и используя ее очень тяжело встретить людей, которым она не понравится, аромат более цитрусовый, более легкий и менее специфичный. Так что, если вам нравятся более цитрусовые и легки ароматы – список с местами будет пронумерован в совершенно другом направлении. В туалетной версии мне не хватает мощности древесных, бальзамических нот, остроты, которая в His Love Story обыгрывается при помощи нот черного перца, кардамона и благородного легкого запаха лаванды, в Bleu de Chanel edp это достигается при помощи янтаря и амбры(шикарные, но дорогие ноты). Что касается цены за 100мл, Amazon: 90$ за His Love Story 120$ за Bleu de Chanel edt 150$ за Bleu de Chanel edpВ Беларуси можно найти, опять же за 100мл, интернет магазины : 70$ за His Love Story 110$ за Bleu de Chanel edt 120$ за Bleu de Chanel edp Теперь подведем итоги, выставив оценочные баллы по нескольким категориям, небольшая ремарка, ваше мнение, как и впечатление может отличаться, у каждого своя химия кожи, так что обязательно тестируйте на СВОЕЙ коже перед покупкой и дайте хотя бы час времени для раскрытия, а лучше 3. Оценим нашего красавчика: 1) How much is safe* - 8.5 2) Silage* - 6 3) Performance* - 7 4) Girls reaction* - 8 5) Versatility* - 6 6) Longevity* - 7 Summary 7.1 В результате получили хороший сбалансированный парфюм, с достаточно хорошей степенью уникальностью, цена несколько завышена, но за нее мы получаем хороший, дорогой, вечерний, фужерно-пряный-свежий аромат для вечернего мероприятия или вечерней прогулки, His Love Story от Yohji Yamamoto поможет подчеркнуть уникальность, мужественность и придаст шарма и выгодно подчеркнет и дополнит гардероб, состоящий из классических вещей. Что касается шлейфа: парфюм достаточно спокойный и его можно уловить в расстоянии метра, полтора в начале и, по прошествии 2-3 часов – садится на расстоянии до 30-50см, через часов 5 садится близко к коже и сидит так еще до часов 10, но тут уже, чтоб почувствовать – остается носом, что только уткнутся. Так, если хотите, чтобы еще кто-то слышал, кроме вашей девушки, которая уткнулась вам в шею – обновляйте парфюм через каждые 5 часов, у кого-то это время может быть больше, у кого-то меньше, в зависимости уже от кожи и от температуры и влажности воздуха.В результате получаем хороший вечерний элитный фужер с изысканными нотами, который подчеркивает статус, мужественность, элегантность и утонченность обладателя, придает шара и уверенности. Больше всего подходит для вечернего мероприятия, свидания в ресторане, в кинотеатре, прогулок по парку, или попросту удачная туристическая поездка на выходных. Так же хорошо подойдет для работы в офисе или другом каком-нибудь помещении, никого точно не удушите, а след в душе оставите.This podcast is powered by Pinecast.

Découvrez RÉUNI, mon nouveau projetEcoutez le podcast Building RÉUNI sur Apple Podcast I Spotify I SoundcloudSuivez les aventures de RÉUNI sur InstagramJe partage chaque vendredi dans ma newsletter des actus, des outils, des process et des stratégies pour vous aider à monter votre marque. Inscrivez-vous sur www.entreprendredanslamode.comPour soutenir le podcast:1. S'inscrire sur Entreprendre dans la mode pour ne rater aucun épisode.2. Mettre 5 étoiles sur Apple Podcast pour aider d'autres entrepreneurs et acteurs de la mode à découvrir le podcast.3. Vous pouvez aussi me soutenir en participant au financement de ce projet sur https://www.patreon.com/entreprendredanslamodeMusiques : Théo DarcelDans ce nouvel épisode, nous allons à la rencontre de Pascal Monfort, il est le fondateur de REC trends marketing.SE RETROUVER DANS L’EPISODE00:51 Pascal se présente et revient sur son parcours.01:05:26 Ce que fait REC, comment les clients viennent à lui.01:28:30 L’offre du cabinet, la manière dont il travaille et ce qu’il apporte à ses clients.01:48:11 Est-ce que parfois les choses se passent mal, la durée des projets, comment sentir l’air du temps, ce qui l’impressionne.02:04:30 Le lancement d’un magazine publié par REC, le sujet sustainability, les 20 prochaines années pour lui, qui souhaiterait-il entendre dans ce podcast.KEYLEARNINGSL’élément premier dans notre métier si vous voulez être bon, c’est la curiosité sincère. C’est-à-dire qu’il faut être curieux, ça, certains vous diront que c’est inné ou non néanmoins, c’est comme un muscle, tu peux le travailler. La seule façon de le travailler, si à la base, tu ne l’es pas, c’est de se forcer à s’intéresser et à comprendre un truc qui à priori ne vous plait pas.C’est dans la faille que vous trouverez les nouvelles solutions.On est convaincus que l’optimisme est la clé du succès.Il ne faut pas avoir peur de régler les choses qui ne fonctionnent pas.Quand vous vous cassez la figure alors que l’environnement dans lequel vous êtes leader explose, c’est de votre faute et seulement de votre faute. On peut toujours se trouver énormément énormément d’excuses, tous, mais les dirigeants les plus malins, les plus intelligents sont ceux qui n’essayent pas de s'en trouver.On n’est plus à l’heure de la dépense inutile.Une tendance, pour qu’elle devienne une tendance lourde, met 5 ans à s’installer.En poursuivant ses rêves, on en obtient d’autres.Le conseil que je donnerais au Pascal de 20 ans ? Valide des satisfactions. Aimez les petites victoires, car la grande victoire n’existe pas vraiment.REFERENCESREC trends marketing https://www.trendsmarketing.paris/Vogue Hommes https://www.vogue.fr/vogue-hommesi-D https://i-d.vice.com/frTerry Jones (fondateur i-D) https://en.wikipedia.org/wiki/Terry_Jones_(i-D)The Face magazine https://fr.wikipedia.org/wiki/The_Face_(magazine)Thrasher magazine https://www.thrashermagazine.com/Alexander McQueen https://fr.wikipedia.org/wiki/Alexander_McQueenStella McCartney https://fr.wikipedia.org/wiki/Stella_McCartneyJohn Galliano https://fr.wikipedia.org/wiki/John_GallianoHussein Chalayan https://fr.wikipedia.org/wiki/Hussein_ChalayanMartin Margiela https://fr.wikipedia.org/wiki/Martin_MargielaThe Guardian https://www.theguardian.com/ukMode Spé https://www.modspeparis.com/Clark’s magazine https://etapes.com/guillaume-le-goff-clark-etait-un-magazine-unique-en-france/M le Monde https://www.lemonde.fr/m-le-mag/Bureau Betak http://www.bureaubetak.com/Tecknikart magazine https://www.technikart.com/Ariel Wizman https://fr.wikipedia.org/wiki/Ariel_WizmanPulp Paris https://fr.wikipedia.org/wiki/Pulp_(discoth%C3%A8que)Martine Le Herpeur https://martineleherpeur.com/ Comme des garçons http://www.comme-des-garcons.com/Yohji Yamamoto https://fr.wikipedia.org/wiki/Yohji_YamamotoWho’s next https://whosnext.com/frClark’s magazine https://www.scopalto.com/magazine/clarkNike https://www.nike.com/fr/A Bathing Ape https://bape.com/index/Barbara Guinet https://www.linkedin.com/in/barbara-guinet-39b617/Palais de Tokyo https://www.palaisdetokyo.com/Etnies https://www.etnies.com/eu/Asics http://www.asics.comPuma https://eu.puma.com/fr/fr/homeHedi Slimane https://fr.wikipedia.org/wiki/Hedi_SlimaneJeremy Scott https://fr.wikipedia.org/wiki/Jeremy_Scott_(mode)Jalouse magazine https://fr.wikipedia.org/wiki/Jalouse_(magazine)Havaianas https://www.havaianas-store.com Sport & Style https://www.lequipe.fr/Sport-et-style/Première Vision https://www.premierevision.com/fr/Polartec https://www.polartec.comHurley https://www.nike.com/fr/fr_fr/c/hurley?nst=0&cp=euns_kw_bra!fr!goo!pure!c!e!hurley!162069965697&ds_rl=1252249&gclid=Cj0KCQjw3PLnBRCpARIsAKaUbgvGt7mmReYdtVSjZsk6sDYorlHQM7kTe3Oe9EA5sPkUBH6g9Lj_Hn4aAreWEALw_wcB&gclsrc=aw.dsStance https://euro.stance.eu.com/Rei Kawakubo https://fr.wikipedia.org/wiki/Rei_KawakuboDover Street Market https://www.doverstreetmarket.com/Alessandro Michele Gucci https://www.vogue.fr/mode/inspirations/diaporama/fwah2016-les-inspirations-dalessandro-michele-pour-les-defiles-gucci/25900Sébastien Kopp https://soundcloud.com/entreprendre-dans-la-mode/85-sebastien-kopp-veja-centreVéja https://www.veja-store.com/Ramdane Touhami https://soundcloud.com/entreprendre-dans-la-mode/50-ramdane-touhami-officineBully https://www.buly1803.com/fr/Sézane https://www.sezane.com/frGlossier https://www.glossier.com/Magazine publié par REC, sortie le 18 juin : IN CORPORE SANO https://www.instagram.com/in.corpore.sano/Librairie Yvon Lambert https://shop.yvon-lambert.com/Golgotha https://www.glgth.com/Adrian Joffe https://www.businessoffashion.com/community/people/adrian-joffe

Comenzamos con el primer episodio de esta serie sobre el Diseño de Vanguardia. Les hacemos una pequeña intro sobre la vanguardia en la moda y que significa, como identificarla en la semana de la moda y lo mas importantes que diseñadores la abanderan. El Hiroshima Chic siendo uno de los movimientos a principios de los ochenta en donde tres diseñadores japonés toman por sorpresa a la respringada moda francesa. Una paleta de colores neutra, rasgados versus encajes, agujeros que parecieran hechos por larvas, la sobre protección a la silueta femenina, pliegues y pliegues, mangas que no son mangas y un sin fin de simbología a la tristeza y melancolía que representa el haber crecido en terreno nuclearmente lúgubre. Comentanos que tal te pareció esta primera parte y cual/es es/son tus diseñadores de vanguardia favoritos, colecciones o hasta editoriales.Contacto: vipsisters@gmail.comSíguenos en Instagram:https://www.instagram.com/vipsisters https://www.instagram.com/ivanapinahttps://www.instagram.com/vainannie Chequea el video de este episodio y no te pierdas de las referencias gráficas (fotos) en el video show: https://www.youtube.com/channel/UCt7L9r1gMt6VQDUR_bchz7A?view_as=subscriber

This year marks the 150th anniversary of the stealth wealth luxury brand Moynat. And just like the company, which is thought to be one of the oldest heritage French trunk-making houses in the world, the man behind the brand, creative director Ramesh Nair, is someone who likes to let the quality of his work speak for itself. But don’t let Ramesh’s soft spoken, unassuming appearance fool you. He might not be a designer who craves the fashion limelight but he is a man with a clear vision for Moynat - and he has the fashion chops to make that vision a reality. During his career he has worked with some of the most talented and creative designers living today. Not only did he work with Yohji Yamamoto and Christian Lacroix he spent 11 years as senior designer at Hermès soaking up everything he could from his legendary mentor Martin Margiela and later incomparable Jean Paul Gaultier. All of this before he was chosen in 2011 by Bernard Arnault, the chairman and ceo of LVMH, to breath life back into the Moynat brand, which had laid dormant for 35 years. Ramesh has had quite an impressive career considering that fashion design wasn’t a childhood dream and that he pretty much fell backwards into fashion when he applied to study at new branch that had opened up in India of the FIT New York, back in 1986, as an alternative to joining the army. Even he was surprised when he was accepted, and during his time at the school he learned that he loved how fashion could be used as a form of visual expression of self and he discovered that he was actually pretty fluent in the language of fashion and luxury. I had the honor and privilege of speaking with Ramesh inside the Moynat flagship store on rue Saint-Honoré in Paris. A location that is like an oasis of calm at the heart of the bustling city. And just like the company he represents Ramesh is the epitome of refinement and grace. He is all about celebrating the best that life has to offer. Be that great food, great conversation or great design…life is too short for anything less.

In episode 47 UNP founder and curator Grant Scott is in his shed considering working for free, the relevance of stoicism to the photographer, and the importance of retaining photographic integrity to work within advertising photography. Plus this week Grant re-visits a recorded conversation he had with legendary fashion and portrait photographer Paolo Roversi in London in 2011. Born in Ravenna, Italy in 1947, Paolo Roversi's interest in photography was kindled as a teenager during a family vacation in Spain in 1964. On returning home, he set up a darkroom in a cellar with another keen amateur, the local postman Battista Minguzzi, and Paolo began developing and printing his own black & white work. In 1970 he began working with the Associated Press and on his first assignment, was sent to cover the poet and writer Ezra Pound's funeral in Venice. During the same year he opened, with his friend Giancarlo Gramantieri his first portrait studio, located in Ravenna, photographing local celebrities and their families. In 1971 by chance he met the legendary Art Director of Elle magazine Peter Knapp and at Knapp's invitation, Paolo visited Paris in 1973 and he has never left. In Paris he started working as a reporter but gradually, began to approach fashion photography. The British photographer Lawrence Sackmann took Paolo on as his assistant in 1974 but after just nine months he started out on his own with small commissions for magazines such as Elle and Depeche Mode before Marie Claire magazine published his first major fashion story. A Christian Dior beauty campaign brought him wider recognition in 1980, the year he started using the 8" x 10” Polaroid format that would become his trademark. During the 1980s the fashion industry started to produce catalogues which allowed photographers to express creative and personal work and designers such as Comme des Garcons, Yohji Yamamoto, and Romeo Gigli gave Paolo that opportunity. Since the the 80's his work has been subject to many exhibitions and books and he has received many awards for his work. Today Paolo is a regular contributor and collaborator with the most interesting and influential fashion designers and fashion magazines around the world. www.paoloroversi.com You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-life and Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer in Professional Photography at the University of Gloucestershire, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. He is currently work on his next documentary film project Woke Up This Morning: The Rock n' Roll Thunder of Ray Lowry www.wokeupthismorningfilm.com. His documentary film, Do Not Bend: The Photographic Life of Bill Jay has been screened across the UK and the US in 2018 and will be screened in the US and Canada in 2019. © Grant Scott 2019

Ce îmi place la ea? Ambiția constantă. Asta a dus-o la ceea ce este astăzi. Elegantă, la propriu și la figurat, modestă, caldă, dar și fermă în argumente atunci când vine vorba despre modă și stil. Astăzi, Janina Nectara.

Listen to Harlem leader, Heike Jarick, as he talks Harlem Makers Collective Artisan Christmas Sale 2018 and more, with host Danny Tisdale, on The Danny Tisdale Show.Which is why we love events like the Harlem Makers Collective Artisan Christmas Sale 2018 in Harlem. The Harlem Makers Collective exhibition was organized by three Harlem creatives, artist and jewellery designer Maiko Suzuki, milliner Karema Deodato and fashion designer Heike Jarick. The events goal is to showcase some of the best local innovators and authentic contributors of Harlem. Harlem Makers Collective aims to provide forward thinking Harlem creatives with a platform to showcase their brands and generate a supportive community to share and grow their ideas. Today we have Heike Jarick, Jarick is a German-born, London-schooled, Milan-trained and globally focused fashion designer living in Harlem. She worked at fashion designer Yohji Yamamoto subsidiary collection in Tokyo. Jarick launched heike in 2015, a contemporary ready-to-wear label based in NYC with a focus on luxury outerwear and knits. She finds inspiration in contemporary art, music and architecture, namely the Bauhaus theory with a focus on “crafts and the fine arts”, and she uses fabric from Italy and Japan. heike pieces are often multi-use, multi-purpose and highly versatile, focusing on construction and deconstruction.SUBSCRIBE to our YouTube channel for more videos: www.youtube.com/harlemworldmagazine.comwww.facebook.com/harlemworldmagazine.comwww.harlemworldmagazine.comSupport the show (https://www.patreon.com/theharlemworldmagazinepodcast)

You probably know about ROLAND MOURET’s famous "Galaxy" dress. Fitted, flattering, cap-sleeved and much-copied, it was a phenomenon in the 2000s, worn by everyone from Beyoncé and Scarlett Johansson to Demi Moore and Victoria Beckham. You might also know about another of his glamorous clients, Megan Markle, who wore a chic navy Roland Mouret dress the day before her wedding to Prince Harry. What is less well-know is the designer’s strong interest in sustainability. He's thought deeply about this subject, and questioned everything around it, from how and why he makes things, and how that has evolved, to the impacts of over-consumption, the power of fashion to communicate a message and how we can make sustainability hot—and not just hot right now. We doubt there's anyone better placed to contextualise fashion’s perpetuation of addictive desire than Roland Mouret. His design magic lies in making women feel amazing in his clothes. He says a dress doesn't come alive until a woman wears it.  This thought-provoking, winding conversation takes us through his life, from rural French butcher's son, to modelling for Jean Paul Gaultier and Yohji Yamamoto, to him tearing up the dance floor at legendary Paris fashion hangout Le Palace. These days, he finds his balance by escaping to the country. “I never thought I would go for that life,” he says. Recorded in Roland’s head office in Mayfair, with Dave the dog in tow, we discuss change, reflection, maturing, and the idea that sustainability is now, as he puts it, “so present a problem that we have to face it.” Follow Clare on Instagram and Twitter @mrspress Love the podcast? We have a Patreon page if you'd like to support us. We are always grateful for ratings and reviews on iTunes - it helps new listeners to find us. You can find us on Spotify now too.  

Yohji Yamamoto has been reinterpreting the rules of fashion for over four decades. In light of the Australian premiere season of Yohji Yamamoto: Dressmaker screening exclusively as part of Melbourne Fashion Week at ACMI, film programmer James Nolen will be joined by fashion experts, fashion historians and Yamamoto super fans, as they delve into the history of this celebrated Japanese designer. We are delighted to have hosted Australian fashion legend Joe Saba, specialist retailers Thi Lam, Yahav Ron, Sebastian Supel and Octavius La Rosa and Yamamoto collector Dr Gene Sherman.

In episode 92, Kestrel welcomes Lyn Slater, the woman behind Accidental Icon, to the show. A cultural influencer, professor, model, writer, content creator and speaker, Lyn has been featured in Women’s Wear Daily, Refinery29, WhoWhatWear, and more. She shares the true story of how she got the name Accidental Icon, and how it wasn't as much of an accidental story as the press has led us to think. "She is the woman who ... does not consume garments, she lives her life in them and dresses honestly."  -Lyn Slater, Accidental Icon Throughout this episode, Kestrel and Lyn discuss ideas around whether or not fashion and consumption innately have to go hand-in-hand. Lyn shares her distinct thoughts on personal style or "no style", and how she's always been interested in the connection between dressing and identity. Additionally, Lyn outlines how she has always used fashion in what she calls a "performative way" to express her identity at any given time in the world. For Lyn, she has never let her education get stagnant - she is always pushing forward to keep up, to understand more, and to continue to learn.  The below thoughts, ideas + organizations were brought up in this chat: Yohji Yamamoto, designer Lyn often wears Orange Fiber, by Ferragamo Parsons School Of Design, building their fashion program around sustainability "It's also for me a really supreme act of creativity - I get a lot of pleasure from composing an outfit. It's almost like sculpting and clothes and accessories are my materials that I use." -Lyn  "I'm experimenting with who I am, and I'm doing it every day and all the time, and clothes are a big part of it." -Lyn  Tavi Gevinson, Editor-In-Chief of Rookie Magazine The Crossroads of Should And Must by Elle Luna "Remember you're always an educator, but not a lecturer." -Lyn  The Craftivist Collective, UK-based gentle activism approach to change ________________________________________________________ This week's Conscious Chatter episode is brought to you by: Soluna Collective, an eco and ethical design company that makes products for your home. As a company, they respect the environment and the people living in it. INTERESTED IN CHECKING IT OUT? Use promo code CONSCIOUSCHATTER for an exclusive 15% discount off of your Soluna Collective order!

In a rare interview, Yohji Yamamoto speaks to BoF's Imran Amed about the fashion philosophy that underpins his revolutionary career. To sign up to the Daily Digest newsletter click the link here: http://bit.ly/BoFnews  For a limited time only we are offering our podcast listeners an exclusive 25% discount on an annual BoF Professional Member. To get 25% off your first year of an annual membership click the link here: http://bit.ly/2KoRRBH, select the annual package and then enter the invitation code PODCASTPRO at checkout.  To contact The Business of Fashion with comments, questions, or speaker ideas please e-mail podcast@businessoffashion.com. For all sponsorship enquiries, please e-mail advertising@businessoffashion.com. 

Charlie & Taku ZELDA、YOHJI YAMAMOTO、日光東照宮などについて話しました。 Twitter ハッシュタグ #oddlifetokyo Show Notes THE ACOUSTICS ゼルダの伝説 ブレス オブ ザ ワイルド YOHJI YAMAMOTO 日光 東照宮 餃子フェス メガネのハマヤ 掌

Joining me in this episode is Eugene Souleiman, the trend-setting hair stylist responsible for the looks at major fashion shows including Yohji Yamamoto, DKNY, Chloe and Pucci, whose work is frequently featured in Vogue, W, i-D Magazine, Dazed & Confused and Harper's Bazaar. To say he is accomplished is an understatement...Eugene joined me for a chat during a busy day at the Wella Institute in Central London where, among other things, he was launching the new Oil Reflections range (launching in July) to press in his role as Creative Ambassador. I stole an hour with him over a sushi lunch and before a dash to Nike Town to pick up some new runners. We had a giggle, we geeked out over comic books and I want to live in his head - although truthfully I think it'd blow my mind...You can also download The Beauty Podcast with Emma G on iTunes and Soundcloud.Links from this episode include:Instagram - Eugene Souleiman Wella Creative AmbassadorEugene Souleiman Portfolio You can get in touch with me via my website Emma Gunavardhana, where you can also sign up for the show's newsletter or on social media; Twitter @EmmaG_Beauty and Instagram where I'm @emmaguns Permalink See acast.com/privacy for privacy and opt-out information.

Eugene Thacker‘s wonderful Horror of Philosophy series includes three books – In the Dust of this Planet (Zero Books, 2011), Starry Speculative Corpse (Zero Books, 2015), and Tentacles Longer than Night (Zero Books, 2015) – that collectively explore the relationship between philosophy (especially as it overlaps with demonology, occultism, and mysticism) and horror (especially of the supernatural sort). Each book takes on a particular problematic using a particular form from the history of philosophy, from the quaestio, lectio, and disputatio of medieval scholarship, to shorter aphoristic prose, to productive “mis-readings” of works of horror as philosophical texts and vice versa. Taken together, the books thoughtfully model the possibilities born of a comparative scholarly approach that creates conversations among works that might not ordinarily be juxtaposed in the same work: like Nishitani, Kant, Yohji Yamamoto, and Fludd; or Argento, Dante, and Lautramont. Though they explore topics like darkness, pessimism, vampiric cephalopods, and “black tentacular voids,” these books vibrate with life and offer consistent and shining inspiration for the careful reader. Anyone interested in philosophy, theology, modern literature and cinema, literatures on life and death, the history of horror…or really, anyone at all who appreciates thoughtful writing in any form should grab them – grab all of them! – and sit somewhere comfy, and prepare to read, reflect, and enjoy. For Thacker’s brand-new book Cosmic Pessimism (published by Univocal with a super-groovy black-on-black cover) go here. Thacker is co-teaching a course with Simon Critchley on “Mysticism” at the New School for Social Research this fall 2015. You can check out the description here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eugene Thacker‘s wonderful Horror of Philosophy series includes three books – In the Dust of this Planet (Zero Books, 2011), Starry Speculative Corpse (Zero Books, 2015), and Tentacles Longer than Night (Zero Books, 2015) – that collectively explore the relationship between philosophy (especially as it overlaps with demonology, occultism, and mysticism) and horror (especially of the supernatural sort). Each book takes on a particular problematic using a particular form from the history of philosophy, from the quaestio, lectio, and disputatio of medieval scholarship, to shorter aphoristic prose, to productive “mis-readings” of works of horror as philosophical texts and vice versa. Taken together, the books thoughtfully model the possibilities born of a comparative scholarly approach that creates conversations among works that might not ordinarily be juxtaposed in the same work: like Nishitani, Kant, Yohji Yamamoto, and Fludd; or Argento, Dante, and Lautramont. Though they explore topics like darkness, pessimism, vampiric cephalopods, and “black tentacular voids,” these books vibrate with life and offer consistent and shining inspiration for the careful reader. Anyone interested in philosophy, theology, modern literature and cinema, literatures on life and death, the history of horror…or really, anyone at all who appreciates thoughtful writing in any form should grab them – grab all of them! – and sit somewhere comfy, and prepare to read, reflect, and enjoy. For Thacker’s brand-new book Cosmic Pessimism (published by Univocal with a super-groovy black-on-black cover) go here. Thacker is co-teaching a course with Simon Critchley on “Mysticism” at the New School for Social Research this fall 2015. You can check out the description here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eugene Thacker‘s wonderful Horror of Philosophy series includes three books – In the Dust of this Planet (Zero Books, 2011), Starry Speculative Corpse (Zero Books, 2015), and Tentacles Longer than Night (Zero Books, 2015) – that collectively explore the relationship between philosophy (especially as it overlaps with demonology, occultism, and mysticism) and horror (especially of the supernatural sort). Each book takes on a particular problematic using a particular form from the history of philosophy, from the quaestio, lectio, and disputatio of medieval scholarship, to shorter aphoristic prose, to productive “mis-readings” of works of horror as philosophical texts and vice versa. Taken together, the books thoughtfully model the possibilities born of a comparative scholarly approach that creates conversations among works that might not ordinarily be juxtaposed in the same work: like Nishitani, Kant, Yohji Yamamoto, and Fludd; or Argento, Dante, and Lautramont. Though they explore topics like darkness, pessimism, vampiric cephalopods, and “black tentacular voids,” these books vibrate with life and offer consistent and shining inspiration for the careful reader. Anyone interested in philosophy, theology, modern literature and cinema, literatures on life and death, the history of horror…or really, anyone at all who appreciates thoughtful writing in any form should grab them – grab all of them! – and sit somewhere comfy, and prepare to read, reflect, and enjoy. For Thacker’s brand-new book Cosmic Pessimism (published by Univocal with a super-groovy black-on-black cover) go here. Thacker is co-teaching a course with Simon Critchley on “Mysticism” at the New School for Social Research this fall 2015. You can check out the description here. Learn more about your ad choices. Visit megaphone.fm/adchoices