Podcast appearances and mentions of Mary Katrantzou

What does the evolution of a designer look like? How do designers find their DNA? For designer Mary Katrantzou, who started off by pursuing a career in architecture and interior design and then found fashion as her medium of expression, her journey led to her breakout collection being featured in London Fashion Week's 2008 graduating show, to then launching her eponymous label in 2009. Today, she's the Creative Director of Bulgari Leather Goods and Accessories. Given the moniker Queen of Print, Mary's iconic designs have redefined how prints can tell stories, becoming her undeniable USP. However, her journey is much more than her designs—it's a testament to the evolution of a designer and the discovery of one's creative DNA. Honest and candid, this episode offers a rare glimpse into the conversations Deena and Mary share regularly. Their friendship is deeply rooted in mutual trust, and this podcast is a product of that bond—two women, longtime confidantes, connecting over their shared journeys and creative philosophies. Hosted on Acast. See acast.com/privacy for more information.

Under hösten och vintern visades utställningen Rebel: 30 Years of London Fashion på Design Museum i London. Den var ett samarbete med British Fashion Council vars satsning NewGen firade trettio år. NewGen är – ett onekligen framgångsrikt – initiativ som stöder unga designtalanger och vars målsättning är att hjälpa dem bygga upp globala  premiummodemärken. Lee Alexander McQueen, Christopher Kane, Christopher Raeburn, Erdem, Peter Pilotto, Jonathan Saunders, Henry Holland, Kim Jones, J.W. Anderson, Mary Katrantzou, Molly Goddard, Roksanda, Simone Rocha, Priya Ahluwalia, Saul Nash, Grace Wales Bonner, Bianca Saunders är bara några designers som stöttats av NewGen genom åren. Hur kommer det sig att London varit så bra på att få fram unga nya designers? Och hur hänger kreativitet, mångfald och städer ihop?I dagens avsnitt vänder vi blicken mot kultursidan av mode. I en tid då så mycket kring mode bara handlar om shopping, hur kan mode bli intressant igen?  Vi träffar Sarah Mower, mångårig kritikchef på Vogue.com, Ambassador for Emerging Talent vid British Fashion Council och ordförande för NewGen. Hon var också curator för utställningen Rebel: 30 Years of London Fashion. Vi pratar också med Charlotta Mellander, professor i nationalekonomi vid Jönköping International Business School och expert på städer, kreativitet och regional utveckling. Jordana Guimaraes, grundare till FashinNovation , berättar hur hennes företag arbetar aktivt mot olika städer och länder för att med kombinationen mode och tech få fart på hållbarhetsutvecklingen. Här utlovas samtal om designskolor, om en mångfald som berikar, om unga stjärnskott, om att vända det ohållbara ryggen, om vad staden och staten gör och inte gör för att stötta mode, om städers livskraft och om platsers önskan att profilera sig. Programmet leds av Jenny Lantz, docent i företagsekonomi med inriktning på kulturekonomi vid Handelshögskolan i Stockholm. Inslaget med Jordana Guimares görs av modejournalisten Sofia Hedström de Leo. Tack för att du lyssnar! Följ oss gärna på Instagram.

Guest host Simon Chilvers speaks to Trino Verkade, Chief Executive of The Sarabande Foundation, a beacon of support and inspiration for emerging talent in the creative world. Founded by the legendary Alexander McQueen in 2006, Sarabande has blossomed into a nurturing space offering not only studios but also a wealth of knowledge through talks and workshops spanning various disciplines. Trino Verkade's journey intertwines deeply with the legacy of Alexander McQueen himself. Hailing from Liverpool, she began her career as McQueen's first employee, standing witness to the genius and innovation that defined his work until his untimely passing in 2010. Since then, she has continued to shape the landscape of fashion, lending her expertise to renowned brands such as Mary Katrantzou and Thom Browne. However, her heart ultimately found its home at Sarabande in 2017, where she now orchestrates every facet of the foundation's operations. In this special episode, Trino Verkade sits down with Simon to share her insights, experiences, and aspirations. From her intimate beginnings with McQueen to her tireless dedication to nurturing the next generation of creatives, she talks about what makes Sarabande unique and its plans for the future. https://sarabandefoundation.org/  

On this episode of the Lead With Purpose podcast host, Tze Ching Yeung talks to Sabinna Rachimova, founder of her own sustainable fashion brand, Sabinna to talk about her career and what drives her. KEY TAKEAWAYS I don't have a family background in fashion or the creative industry. I learned traditional Tartar handcraft from my grandmother who was a teacher but was very into making, because back in the USSR you didn't have the money to buy anything so you had to teach yourself those skills. This is how I got into fashion and why I wanted to work in the industry. I didn't know anyone in the industry, so I had to start from scratch building my network, understanding how it worked, getting support and backing from people. It's always been about handcraft for me: I wanted to be a designer, creating beautiful things, selling my products.  I always knew I wanted to start my own business. I went out there and saw how other people did things, how corporations worked, how luxury worked, how fast fashion worked. You have to walk the walk to talk the talk, especially without the background or contact in the industry. Being an immigrant child probably helped because that's exactly what you're doing for your entire childhood when you move a lot with your family. I saw how the entire fashion industry worked and was able to apply that to my own business in terms of what I can change. I'm actually quite an introverted person. As a child I never wanted to talk because most of my childhood I had to cope with language barriers and I would not always be very confident in speaking the language of where I was living at that time. I was desperate because I had something to say and if I didn't up my game and advocate for myself nothing would happen. Every year that you work in the industry you have higher exposure, bigger network, and with that comes responsibility. It's not only that you should be using it for yourself but what can you actually do to create more spaces for marginalised groups or your own communities. How can you make sure people from different backgrounds are heard? BEST MOMENTS‘I have a naive approach towards the industry, but not in a negative sense, more that I only saw the magical lens of the beauty of creating something, connecting your emotions, your story, the heritage of your family that has been passed on.'‘Sustainability is rooted in my thoughts since I always had that huge focus on the maker, it just never crossed my mind that for other professionals this wasn't the case.'‘In the first three years of the business there was a lot of trial and error and a journey of finding myself, my voice and the confidence to actually communicate properly what we need in terms of change in our industry.'‘People created space for me which is why I'm so big on mentoring programmes, passing on my knowledge and expertise, and supporting the next generation where I can. People like me profited a lot from all these approaches.' ABOUT THE GUESTSabinna Rachimova is an opinion leader for the future generation of creatives. After graduating from Central Saint Martins College of Art and Design, she worked for the leading fashion house Christian Dior and contemporary London brand Mary Katrantzou. As a child, she learned traditional soviet handcraft from her grandmother, developing a deeply ingrained appreciation for the craft. This early influence was a key inspiration for her namesake brand. As a double immigrant (born in Central Asia, raised in Europe, and now based in London) Sabinna is incredibly passionate about inclusivity and equal opportunities.In addition to her work as an acclaimed designer, Sabinna is a public speaker, spreading the word about both fashion tech and sustainable fashion, as well as a consultant with a focus on fashion start-ups and education across Europe and the UK. Since 2018, she has lectured at the University of Arts London, teaching on the MA Fashion Entrepreneurship & Innovation course, focusing on sustainable business concepts to encourage her students to disrupt the industry. In 2019, Sabinna was named one of Forbes 30 under 30 DACH for her achievements as an entrepreneur in the sustainable fashion industry.Website: https://www.sabinna.com/ LinkedIn: https://www.linkedin.com/in/sabinna-rachimova/ Instagram: @sabinna_rachimova ABOUT THE HOSTTze Ching started her entrepreneurial journey back in 2007 with the launch of a sustainable clothing and home furnishing ecommerce business. Next, she created a sustainable fashion brand.In 2019, she launched a social enterprise to help raise awareness about the negative impact of fashion at schools and colleges. Through the 15-year journey, she learned so much, but easily the most meaningful lesson learned was about the importance of marketing. She now focuses on channelling those insights to help others succeed, through We Disrupt Agency, a business coaching, mentoring and digital marketing company. Tze Ching's mission is to create a community of global change makers and to contribute to positive change in both people and planet. CONTACT DETAILSTze Ching's website: https://wedisruptagency.com Facebook: https://www.facebook.com/wedisruptagency Instagram: https://www.instagram.com/wedisruptagency/Twitter: https://www.twitter.com/wedisruptagency LinkedIn: https://www.linkedin.com/in/tzechingyeung/ 

Sabinna Rachimova is the founder of the fair fashion brand SABINNA. She runs a female-led conscious lifestyle brand that offers both products and experiences in a studio retail space in East London, and a knitwear studio in Vienna. Sabinna has been featured in publications including Forbes, VOGUE, Huffington post, and, after graduating from Central Saint Martins College of Art and Design, in London, she worked for the leading Parisian Fashion house Christian Dior and London brand Mary Katrantzou.Since 2018 she is also a lecturer at the University of Arts London, teaching on the MA Fashion Entrepreneurship & Innovation course. In 2019, Sabinna was named one of Forbes 30under30 DACH. Mic drop.We learned so much about the world of sustainable fashion in this episode, as well as her incredible journey as a young entrepreneur.  

Nombreux sont ceux qui vantent son expertise au regard de l'industrie de la mode et du luxe. Et pour cause, après avoir évolué dans le retail et le merchandising, Serge Carreira est devenu responsable de l'initiative marques émergentes à la Fédération de la Haute Couture et de la Mode. Son rôle est d'accompagner les créateurs dans leur développement de marque pour ainsi mieux s'intégrer au vaste écosystème de la mode. Que ce soit au niveau commercial, technologique, médiatique ou institutionnel, il établit une synergie significative entre ces acteurs. Bien plus qu'une question de sensibilité, la mode est aussi un sujet d'étude qu'il décrypte, analyse et s'attache à transmettre lors de ses conférences à Sciences Po Paris. Une présence sur le champ théorique qui lui permet d'équilibrer et de raisonner avec justesse sur son approche de terrain. Dans cet épisode, il nous livre son regard analytique sur le système de la mode et sur les modèles de distribution. Il nous partage également des clés essentielles pour intégrer le calendrier de la FHCM. « Il n'a jamais été aussi facile de créer une marque mais paradoxalement, durer n'a jamais été aussi difficile. » Ce que vous allez apprendre dans cet épisode : Le parcours de SergeLes apprentissages de ses expériencesSes enseignements à Sciences PoL'évolution de la mode et du luxePourquoi il a dédié sa vie à ce secteurLa Fédération de la Haute Couture et de la ModeLes critères pour rentrer à la FHCMLes marques émergentes L'accompagnement La structure interne Vers la fin du modèle wholesale ?Le showroom Sphere de la FHCMComment exister dans un paysage saturé de marquesLes points communs de ceux qui réussissentLes projets qui ne connaissent pas de croissance Ce qui lui plaît dans ses activitésCe qu'il ferait différemmentSes conseils pour Réuni « Enseigner est une occasion de prendre du recul et de s'extraire complètement du quotidien. » « Ce que j'aime dans la mode, c'est cette création qui permet à chaque individu de construire son identité dans un contexte social et historique donnés. » « Cette nouvelle génération est à la fois idéaliste, très engagée et très pragmatique. » N'oubliez pas de vous inscrire à la newsletter de Entreprendre Dans La Mode, les industries créatives et l'art de vivre sur www.entreprendredanslamode.com Aussi, si vous souhaitez me contacter ou me suggérer de nouveaux invités, vous pouvez le faire sur Instagram sous le pseudonyme @entreprendredanslamode Enfin, le plus important : laissez-moi un avis sur Apple Podcast ou iTunes, 5 étoiles de préférence ; cela m'aide à faire connaître le podcast à plus de monde et me motive à faire de meilleures interviews ! Merci de soutenir ce podcast et à bientôt pour un nouvel épisode ! Références: La Fédération de la Haute Couture et de la Mode : https://fhcm.paris/fr/ Les marques émergentes : https://fhcm.paris/fr/les-marques-emergentes/ Le showroom Sphere : https://fhcm.paris/fr/les-marques-emergentes/sphere/ Comité Colbert : http://comitecolbert.com Mary Katrantzou : https://www.marykatrantzou.com/about/ Le Festival International de Mode, Photographie et Accessoires de Hyères : https://villanoailles.com/festivals/36e-festival-international-de-mode-de-photographie-et-daccessoires-de-mode-hyeres LVMH Prize : http://lvmhprize.com Andam : https://andam.fr @kennethize : https://www.instagram.com/kennethize/ @thebemagugu : https://www.instagram.com/thebemagugu/ @christophe_rumpf : https://www.instagram.com/christoph_rumpf/ @ludovicdesaintsernin : https://www.instagram.com/ludovicdesaintsernin/ @bode : https://www.instagram.com/bode/ Plateforme de logistique Stellae : http://www.stellae.us.com My Theresa : https://www.mytheresa.com SSENSE : https://www.ssense.com 24S : https://www.24s.com/fr-fr/ Net-a-porter : https://www.net-a-porter.com See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jonny Seymour   Jonny Seymour is a non binary homosexual, music producer, sound stylist, activist, agathist, community builder and collaborator. They work with artists & institutions across many disciplines including dance, film, fashion, theatre, song & experimental art forms. They produce music with Paul Mac as stereogamous and have worked with artists such as Yaeji, Electric Fields, George Michael, Kylie, Grace Jones, LCD Sound System, RÜFÜS, Sia, The Presets, Brendan Maclean, Jamaica Moana, The Working Bitches and Shaun J Wright.   They have performed at major festivals (remember them?) including Glastonbury, Burning Man, Sydney Mardi Gras, pride festivals from Hobart to Helsinki as well as iconic clubbing institutions Berghain & Horse Meat Disco. They are music directors for Sydney Fashion Week & Melbourne Fashion Festival and sound tracked runways and parades  in London, NYC, Paris and Barcelona. They have collaborated with designers Jenny Kee, Romance Was Born, Akira Isogawa, Philip Treacy, Mary Katrantzou, Carla Zampatti and several more for the past twenty years.    They are resident at Queerbourhood, a weekly LGBTIQA performance art night at The Bearded Tit now on its 6th year of bringing light and love to nightlife cultures.they are cofounders (with Dj gemma)  of Club Kooky, the intergenerational iconic queerdo community gathering, now on its 26th year. They were resident at Kens At Kensington, the legendary gay bath house and released 3 mixed “gay make out album” compilations of queer producers and bands.    They collaborate with cultural bodies & institutions such as The Powerhouse Museum, Performance Space, Sydney Mardi Gras, Carriageworks, National Gallery of Victoria, Force Majeure, The Red Rattler and Sydney Theatre.   Their mission is to collaborate in all mediums, sharing platforms for inducing positivity & resonating joy vibe for all.   --   Kat Dopper   Kat Dopper is a queer arts practitioner living and working in Sydney. The most recent role was the 2020 Creative Director of Sydney Mardi Gras 2020. Kat is Creative Director & Founder of Heaps Gay, a successful arts organisation and media platform which she launched in 2013. Kat sits on a number of cultural advisory panels including the City Of Sydney and recently Kat was on the core team to pitch for World Pride Sydney in 2023 in Athens. Kat's other experience lies in the music and youth market and has over a decade of experience in agency land and freelance working on creative campaigns. This stems brands such as Red Bull Music, FBi Radio, Splendour In The Grass, Absolut Vodka,  Junkee Media, MTV, Electronic Music Conference, Semi Permanent, Karla Spetic, Westpac & Cake Wines +++ --   Kelly Lovemonster   You can often find self-proclaimed international party dad and nightlife producer Kelly Lovemonster twirling on the dance floor in a pastel pink thong and cowboy hat. The brains behind Sydney's cheekiest event Leak Your Own Nudes, a queer undie dance party and San Francisco's Swagger Like US, an arts hub and daytime event featuring emerging QTPOC artists. Lovemonster is a child of the night with a passion for music and performance.

Acclaimed fashion designer Mary Katrantzou talks to Sophia Neophitou-Apostolou, editor-in-chief of 10 Magazine, about how their Greek heritage informs their work, overcoming naysayers and enduring through challenging times. See acast.com/privacy for privacy and opt-out information.

The London-based women's wear designer, Mary Katrantzou, discusses her recent collaboration with the Italian luxury brand Bulgari. She explains how her work with Bulgari began by pairing Bulgari high jewelry with her Spring/Summer 2020 collection which she presented in October 2019 at the Temple of Poseidon. Mary references this grand scale fashion presentation throughout the conversation. Staging it amidst the awe-inspiring backdrop of the ancient Athens landmark, she celebrated the heritage, history and culture of her homeland, Greece, and also the 30th anniversary of the Association of Friends of Children with Cancer.  Mary explains venturing to Bulgari's legendary archive in Rome before setting to work on three handbags for a capsule line known as “Serpenti Through The Eyes of Mary Katrantzou.” Mary recalls designing a bottle and the formula for her first perfume with Bulgari. Entitled Bulgari Omnia by Mary Katrantzou, she delves into working on the scent with Alberto Marias. This award-winning Spanish master perfumer has created iconic perfumes like Le Must de Cartier, Giorgio Armani's Aqua di Gio, as well as Calvin Klein's groundbreaking gender fluid perfume CK One. Mary shares the challenges and rewards of working on this game-changing collaboration during lockdown. She also looks back on her upbringing in Athens, her education at the Rhode Island School of Design and London's Central Saint Martins College of Art and Design. She considers the all-important relationship which she forged with American Vogue's renowned fashion critic, Sarah Mower.

In 2019, Zandra Rhodes and Fern Mallis discussed "Zandra Rhodes: 50 Fabulous Years in Fashion," a book that celebrates Rhodes' 50-year career in fashion and textile design. Both a fashion trailblazer and a consummate textile designer, Zandra Rhodes influences the work of contemporary labels such as Mary Katrantzou and Alice Temperley. The book honors the centrality of textile design in Rhodes's work, while exploring the versatility of her imagination throughout her long career.   Watch the full video with captions on YouTube. The Museum at FIT (MFIT) is the only museum dedicated exclusively to the art of fashion in New York City. https://www.fitnyc.edu/museum    

I'll never forget the first time I discovered the work of Mary Katrantzou. It was in London in 2008 I believe, and I just happened to wander into a room where a rack of her now-famous perfume bottle printed dresses was on display. On hand was her mother who was proudly showing off the stunning creations her daughter had dreamt up. And Mary's mom had every right to be proud. Her work was unlike anything else going on in fashion at that time. Advancements in printing and computer technology had made it possible for this young woman to create architectural designs on fluid fabrics. Blending beautifully her passion for interior designs and her studies in the field of architecture at Rhode Island School of Design with her Bachelor of Arts in Textile Design and her Master's in Fashion from Central Saint Martins. But it wasn't just the print work that set Mary apart from the pack,it was that combined with her choice of vibrant rainbow colorways. The result was a collection that was the harbinger of the 2010s colorful print fashion revolution. Since she started her signature brand in 2008 Mary, who was born in Athens, Greece, has found a way to modernize trompe l'oeil, help women fall in love with print and color again, and showed the world that clashing aesthetics can be boldly feminine and empowering. This is why powerful women like Michelle Obama, Cate Blanchett, Beyoncé, Lizzo, Jane Fonda, and Zendaya have all flocked to her creations. But Mary's success goes beyond her ability to reinvent her core design principles every season. She is a very savvy businesswoman who saw early on in her career the power that collaborating with other creatives and brands could have in expanding her reach and name recognition. Her recent partnership with the high jewelry company Bulgari on a line of limited edition bags is a perfect example of this. But so is her work with Victoria's Secret, Longchamp, Topshop, and Adidas Original. And her recent decision to create the size-inclusive year-round holiday capsule collection called Mary-Mare also is indicative of how Mary is able to deftly read the fashion tea leaves as the industry shifts away from seasonal shows and moves into a space where smaller drops throughout a year feels more in keeping with the times we live in. With over a decade in fashion, Mary Katrantzou is still innovating and challenging herself as a creative, and her devoted clients couldn't be happier.

Hear Me, See Me Podcast with Syd Hayes, session stylist.I had a great chat with Syd just before the end of lockdown getting ready to to get back out there.Syd Hayes ranks among fashion's most exciting new talents, creating looks inspired by London's youth-driven culture. He collaborates regularly with some of the most established and respected photographers in the industry, including Mert Alas & Marcus Piggott, David Sims, Alasdair McLellan, Willy Vanderperre, Sølve Sundsbø, and Juergen Teller. His work has been featured in Vogue Italia, British Vogue, Self Service, i-D, and Love, and for clients including Louis Vuitton, Gucci, Miu Miu, Loewe, Valentino, Versace, Missoni, and Givenchy to name a few. Syd has also keyed fashion shows for brands such as Miu Miu, Matty Bovan, Mary Katrantzou, Hogan Shrimps, Christopher Shannon, Pringle of Scotland, Sibling, and Versus. He currently is acting as Brand Ambassador to BaByliss PRO.” Owner of Q Cut Salon in Kew Gardens and a Green Libertine for Green Salon Collective. Instagram : @sydhayeshair, @qcutkew, @babylisspro, @babyliss, @greensaloncollective, @artandcommerce Haircuts4Homeless : https://www.haircuts4homeless.com/Produced by : https://svnty6production.com/Artwork by : https://www.dvsyart.com/Support this show http://supporter.acast.com/hear-me-see-me. See acast.com/privacy for privacy and opt-out information.

This episode is conversation between Zara Korutz and Aleksandar (Aleks) Mitrovic who both graduated with an MA from Central Saint Martins in 2020 during the pandemic. Zara graduated with an MA in Fashion Communication: Fashion Critical Studies and Aleks graduated with an MA in Fashion (womenswear pathway). Aleks spent the past 7 years at Central Saint Martins on the journey of becoming an elite fashion designer earning an MA, BA (Hons) and Foundation diploma in Fashion. He also received the Ye Lin Scholarship and Nina Stewart award. Aleks is currently is an Associate Designer at DIETY New York and has interned at Hillier Bartley, JACQUEMUS, J.W. Anderson, Mary Katrantzou, and his designs have been featured in Vogue and 1 Granary. When launching his final MA collection during London Fashion Week 2020, Aleks expressed that in some ways the collection is a continuation of his pre-collection that was inspired by 1990’s dull office look. Aleks' final collection structurally stands on its own and is similar to the designer who was born in Serbia during the Bosnian Civil War era. To Aleks, “The MA is all about looking inside of yourself instead of looking at outside sources.” He continued, “They drum into you it’s all about your vibe and things you are interested in.” This sentiment reinforces the idea that becoming a fashion designer at CSM is rooted in self-expression and is a journey of discovery. Considered to be an elite global fashion training ground, Central Saint Martins (UAL) is an art and design school in London, England with a history dating back to 1896. The MA Fashion course, launched in October 1978 by Bobby Hillson, has birthed internationally renowned fashion designer ‘gods’ like Alexander McQueen, John Galliano, Christopher Kane, Stella McCartney, Craig Green, Sarah Burton, Kim Jones, Ricardo Tisci, Jonathan Saunders, and more. According to Business of Fashion, the MA Fashion course at Central Saint Martins, led by Fabio Piras, is ranked 1st in the world with a 11% acceptance rate, 56% international student population, 98% graduation rate, and 23:1 student teacher ratio. At Central Saint Martins, the fashion tuition for international students is as follows: MA is approx. $46,000, BA is approx. $95,116, and Foundation is approx. $25,315 (source: https://www.arts.ac.uk/colleges/central-saint-martins). Please join us for a conversation between two CSM MA graduates of the class of 2020 during the pandemic, fashion school as part of the fashion structural system, and discuss the reality of pursuing a career as a fashion designer. --- Send in a voice message: https://anchor.fm/zara-korutz/message

Hear Me, See Me. Podcast. Hairdressing Icon, Sam McKnight.This episode was an absolute joy for me as it is one of my absolute hair heroes, Sam McKnight.Celebrated session hair stylist, Sam McKnight, is the hairdresser's hairdresser. He boasts a legendary career spanning over four decades encompassing catwalk, editorial and advertising campaigns for fashion houses such as Chanel, Fendi, Balmain, Burberry and Tom Ford. A regular contributor to both British and international Vogues, W, Harper's Bazaar, Vanity Fair, i-D and Love, he has over 100 covers to his name from British Vogue alone. McKnight is also a Contributing Beauty Editor at British Vogue. McKnight has collaborated with some of the world's most prominent photographers including Patrick Demarchelier, Mario Testino and Nick Knight. A long-time stylist for the late Princess Diana, McKnight was the creative behind her iconic short, slicked back hairstyle in the now-famous 1990 Demarchelier shoot for British Vogue, a partnership that led to him becoming her personal hair stylist for seven years.One of the original session stylists, McKnight initially trained as a teacher before working as an assistant at a local hairdresser in his native Scotland. Moving to London in the early 1970's, McKnight secured a position at Molton Brown, which at the time was a leading hair salon in London's South Molton Street. He worked on projects for London-based magazines 19 and Honey before landing his first editorial shoot with British Vogue in 1977. While working in London, he was introduced to stylists Liz Tilberis (later editor of British Vogue and Harpers Bazaar US) and Lucinda Chambers (British Vogue), who were instrumental in hiring him for high-profile editorial shoots.McKnight has been bestowed the Lifetime Achievement Award at both the Scottish Fashion Awards and Creative Head Awards 2015. He is hugely respected within the hairdressing community and is often cited as a source of inspiration or named as ‘the hairstylist I would most like to work with' by his peers.On November 2nd 2016, Somerset House launched Hair by Sam McKnight, a major exhibition celebrating McKnight's impressive career. Never before has an exhibition of this kind taken place, looking at hair from a new perspective and celebrating the significant role of session hair styling in both fashion and culture throughout the decades.In tandem, McKnight also released his first book: Hair by Sam McKnight (Rizzoli), a hardback anthology of his magazine covers, editorial shoots and personal insights into working at the heart of the fashion industry.June 2017 saw McKnight launch a brand: Hair by Sam McKnight, in Liberty of London, injecting fashion, glamour and ease into haircare and styling. The collection is the culmination of McKnight's knowledge and experience in the industry, giving women the tools and confidence to style their hair themselves.PhotographersAlasdair McLellan, Andrea Spotorno, Angelo Pennetta, Arthur Elgort, Ben Hassett, Bruce Weber, Carter Smith, Charlotte Wales, Clara Giaminardi, Corinne Day, Craig McDean, David Bailey, David Sims, David Slijper, Derek Kettela, Elaine Constantine, Ellen Von Unwerth, Emma Summerton, Erik Torstensson, Glen Luchford, Hedi Slimane, Inez and Vinoodh, Irving Penn, Javier Vallhonrat, Johnny Dufort, Juergen Teller, Jem Mitchell, Josh Olins, Karl Lagerfeld, Lachlan Bailey, Liz Collins, Marcus Ohlsson, Mario Sorrenti, Mario Testino, Mert & Marcus, Mikael Jansson, Mikael Schulz, Miles Aldridge, Morelli Brothers, Jean-Baptiste Mondino, Jem Mitchell, Josh Shinner, Juergen Teller, Nadine Ijewere, Nick Knight, Paolo Roversi, Patrick Demarchelier, Paul Wetherell, Peter Lindbergh, Phil Poynter, Regan Cameron, Robin Derrick, Richard Avedon, Richard Burbridge, Sean Ellis, Sharif Hamza, Simon Emmett, Sølve Sundsbø, Terry Richardson, Tim Walker, Tom Ford, Tom Munro, Vincent Peters, Willy Vanderperre, Viviane SassenEditorialAnother, Another Man, Chaos, CR Fashion Book, Dazed, Elle, Evening Standard, Garage, Glamour (UK,US), GQ, Harper's Bazaar (UK,US), i-D, Interview, Love, Madame Figaro, Marie Claire, Numero, Ponystep, POP, Porter, Showstudio.com, The Edit, Vanity Fair, V Magazine, V Man, Visionaire, Vogue (Chinese, French, German, Italian, Japanese, Spanish, British, US), W MagazineAdvertising / PRAlberta Ferretti, Angelo Marani, Aquascutum, BaByliss, Barrie Knitwear, Blumarine, Bottega Veneta, Brioni, Burberry, Calvin Klein, Chanel, Chloé, Christian Dior, Clinique, David Morris, Dior Homme, DKNY, Dolce & Gabbana, Estée Lauder, Etro, Equipment, Fendi, Gap, GHD, Givenchy, Giorgio Armani, Gucci, Hogan, Huawei Watches, Jean Paul Gaultier, Jimmy Choo, Jo Malone, Joop, Joseph, Just Cavalli, Kurt Geiger, Lancôme, Liu-Jo, Louis Vuitton, L'Oréal, Mac Cosmetics, Mango, Marni, Massimo Dutti, Max Factor, Michael Kors, Montblanc, Mulberry, Nina Ricci, Patrick Cox, Philosophy, Pirelli, Pantene, Pollini, Ralph Lauren, Reserved, Revlon, Rimmel, Roberto Cavalli, RMK Cosmetics, Salvatore Ferragamo, Shiseido, Sportmax, Stella McCartney, Stuart Weitzman, Swarovski, Tods, Tom Ford, Tommy Hilfiger, Topshop, Ungaro, Uniqlo, Versace, Vivienne Westwood, Yves Saint Laurent, Z ZegnaCelebritiesAlexa Chung, Alicia Vikander, Amanda Seyfried, Anne Hathaway, Audrey Tautou, Bella Hadid, Cara Delevingne, Carey Mulligan, Carla Bruni-Sarkozy, Cate Blanchett, Cindy Crawford, Claire Foy, Clara Paget, Claudia Schiffer, Cora Corre, Diana Princess of Wales, Diane Kruger, Drew Barrymore, Ellie Bamber, Élodie Bouchez, Emilia Clarke, Emma Corrin, Emma Watson, Eva Green, Evan Rachel Wood, Florence Welch, Georgia May Jagger, Geraldine Chaplin, Gigi Hadid, Gisele Bündchen, Hailey Baldwin, Helena Bonham Carter, Helena Christensen, Hilary Swank, Jennifer Lawrence, Kate Bosworth, Kate Moss, Kate Winslet, Kendall Jenner, Keira Knightley, Kim Basinger, Kim Kardashian West, Kirsten Dunst, Kristen Stewart, Kristin Scott Thomas, Kaia Gerber, Kylie Minogue, Laetitia Casta, Lady Gaga, Lara Stone, Lauren Bacall, Léa Seydoux, Lennon Gallagher, Lily Cole, Lily Collins, Lily Donaldson, Lily-Rose Depp, Linda Evangelista, Liv Tyler, Lou Doillon, Madonna, Maggie Cheung, Marion Cotillard, Margot Robbie, Marine Vacth, Mary Kate & Ashley Olsen, Michelle Williams, Milla Jovovich, Monica Bellucci, Naomi Campbell, Naomi Scott, Naomi Watts, Nicole Kidman, Penelope Cruz, Pharrell Williams, Rafferty Law, Riley Keough, Rita Ora, Sarah Jessica Parker, Sharon Stone, Sienna Miller, Suki Waterhouse, Taylor Swift, Tilda Swinton, Uma Thurman, Vanessa Paradis, Winnie HarlowFashion ShowsAlberta Ferretti, Alexandre Vauthier, Anna Molinari, Antonio Berardi, Anya Hindmarch, Ashish, Asprey, Aquascutum, Bally, Balmain, Blugirl, Blumarine, Brioni, Burberry, Carolina Herrera, Chanel, Chloé, DKNY, Dolce & Gabbana, Dries Van Noten, DSquared2, Emporio Armani, Etro, Fendi, Gareth Pugh, Gianfranco Ferre, Giorgio Armani, Halpern, Iceberg, Isabel Marant, Jasper Conran, Jill Stuart, Julien Macdonald, Krizia, La Perla, Lancetti, Margaret Howell, Marios Schwab, Mary Katrantzou, Matthew Williamson, Max Mara, Micheal Halpern, Miu Miu, Monot, Moschino, Moschino Cheap & Chic, Mulberry, Nicholas Kirkwood, Nicole Farhi, Oscar de la Renta, Paul Smith, Philosophy, Ports 1961, Prada, Pringle, Ralph Lauren, Ralph & Russo, Roberto Cavalli, Roland Mouret, Ryan Lo, Salvatore Ferragamo, Sonia Rykiel, Sportmax, Thierry Mugler, Tom Ford, Topshop, Trussardi, Ungaro, Valentino, Vivienne Westwood, 16ArlingtonBio : http://www.premierhairandmakeup.com/hair/1-sam-mcknight/bio/Haircuts4Homeless : https://www.haircuts4homeless.com/Produced by : https://svnty6production.com/Artwork by : https://www.dvsyart.com/Support this show http://supporter.acast.com/hear-me-see-me. See acast.com/privacy for privacy and opt-out information.

Die Corona-Krise machte auch vor der Modewelt nicht Halt und stellte ihre Funktionsweise mehr denn je in Frage: Aufwendige Fashion-Shows, kurzlebige Zyklen und Kollektionen. Die Branche versprach Besserung. Aber wie glaubwürdig sind diese Ankündigungen? Mit ihrem Label SABINNA will die Designerin Sabinna Rachimova heute Ästhetik mit Ethik verbinden. Davor arbeitete sie für die Modehäuser Christian Dior und Mary Katrantzou. Im WIENERIN Podcast spricht Sabina Rachimova über Greenwashing und das verkürzte Feminismus-Verständnis in der Branche – aber auch darüber, warum kleine Labels schon länger nicht mehr Teil des Modezirkus sein wollen.  Mehr zum Thema auf wienerin.at

In Episode 8 of Raw Talent Alexander inspires us with his 9 year journey starting out at Mary Katrantzou soon after finishing university, jumping in at the deep end he worked across design and sales to help support the growth of the brand ultimately going on to lead the sales team as the brand gathered momentum. In the last two years, as a consultant he has been helping luxury brands plot their overall strategy and execution whilst guiding focused merchandising and global sales plans.

They call her the “Queen of Prints” – and for good reason. Athens-born fashion designer Mary Katrantzou’s eye-popping digital prints have lit up the catwalks of London, Paris, Milan and New York. It was only recently though that Katrantzou fulfilled her ambition of hosting a show in Athens: a once-in-a-lifetime experience at the ancient Temple of Poseidon. Katrantzou joins us from London to give a vivid retelling of what she calls the biggest challenge of her career, and how she draws inspiration from the many faces of Athens.

Kaleidoscopes Of Joy… “Be inquisitive, be curious and be more creative than ever before.” Through this positive call to action, Mary Katrantzou perfectly encapsulated our “On Creativity” mission statement. Her much admired eponymous label sparks positivity in the eye of the wearer and the beholder through dazzling prints and color palettes. In 2019, SCAD was honored to host an exhibition in honor of ten years of the Katrantzou brand at the SCAD FASH Museum of Fashion + Film in Atlanta. During the exhibition, Paula Wallace sat with Katrantzou to explore the vibrant world of Katrantzou’s design aesthetic, her business model, and how artists can best describe their work to clients, critics, and everyone in between.

Vikki Kavanagh is the Global Buying and Merchandising Director at THE OUTNET, the sister e-commerce website to Net-a-porter and Mr. Porter. And the reason she has held that venerable position at the company for almost three years now is because she is a true buyer’s buyer. What I mean by that is that she has the art of buying coursing through her veins. Since she was a teenager she has been fascinated by this aspect of the fashion industry. And it was right out of school, at her first job working in a House of Fraser department store, where she first laid eyes on the glamours women who were crisscrossing the world ordering up the stock that would line the shelves of the store in the season to come, that she knew that being a buyer was going to be her calling. She liked the idea of finding just the right products for the people who frequented the store she worked for, be that online or within the walls of a storefront. To find for them both the things she knew they would need, but also those they didn’t know they needed until she found it for them and those items that they didn’t need at all, but wanted, and couldn’t live without. Over the years, she has proven herself to be very skilled at being in tune with her customers. Be that buying for Fenwicks, House of Fraser, Harvey Nichols, the fashion e-tailer Very Exclusive or The Outnet. THE OUTNET, which just celebrated its 10 year anniversary, has become so much more than just a place where the end of season stock goes on sale. In fact, today 90% of the stock is sourced directly from the brands on buying trips Vikki makes with her team to the fashion capitals of the world. She has helped build deeper relationships with brands which has lead to exclusive partnerships like a recent one the company did with Mary Katrantzou as well as unexpected collaborations. Vikki helped put into place a collaboration between the brands in house line - Iris and Ink, which - by the way - consistently ranks in the company’s top 5 selling brands on its website, with the style icon, model and entrepreneur, Julia Restoin Roitfeld – A first for the company. Today, for Vikki, being a fashion buyer means being nimble, using data to help hone your choices but, making sure to still leaving room to follow your gut. In our conversation, Vikki talks about what it takes to be a great buyer, the evolution of the luxury consumer and the new landscape of seasonless shopping as well as THE OUTNET's role in a circular economy and why she will never understand the appeal of bicycle shorts.

People pleasing is a big issue for many people and I know that was a huge part of what led to my break down. Feeling like I could never say no to anyone and that I had to keep everyone happy was a real issue so I was over the moon when Ryan said he would love to discuss people pleasing for his episode.Ryan Lanji is a Fashion & Art Curator, his curatorial direction on shows, PR events, collaborations and launches have led to global recognition in fashion and art alike, bringing together some of the biggest names across the industry, including Nick Knight, Gilbert & George, Vidal Sassoon and Mary Katrantzou. More recently curating 'Conservation Couture: The Animal Ball Collection' at the V&A Museum, it featured over forty fashion houses including Chloe, Burberry, Jean-Paul Gaultier, and Thierry Mugler. Alongside his work in fashion and art he is the Cultural Producer of Hungama, East London’s Queer Bollywood hip hop night. Hungama translates to 'chaos' and although Ryan’s music selection may be chaotic, he wanted to create the exact opposite… a safe space allowing queer South Asian people the chance for their culture and sexuality to seamlessly co-exist within a club night.During this installment of #tiwik we seem to cover a lot! From coming out to parents who at the time didn’t understand, to dropping out of school to follow your dreams. We discuss chance encounters and how they can change the direction of your life and how pleasing our parents can lead to never fully actualising who we are at our core. The conversation drifts through community and music, to juggling multiple projects and skills where you’re expected to be everything to everyone, to working for free to create and build your dream. We chat cancelling your diary to create space, the fear of loss, rejection and hiding from people in the cinema just to get some peace! “Everytime you people please you lose a bit of yourself.” so hopefully through listening to this episode you can gain a bit of yourself back. EPISODE INFO AND LINKS:Instagram: https://www.instagram.com/mslanji/https://www.instagram.com/hungama_ldn/ USEFUL LINKS:If you need help with your mental health, please reach out to get help. There are amazing charities where you can find help:Samaritans  - Confidential support for people experiencing feelings of distress or despair. Call for free on 116 123 - 24 hours a day 365 days a year. Website:  https://www.samaritans.org Mind - Charity for better mental health https://www.mind.org.uk/information-support/types-of-mental-health-problems/depression/#.XclfYZL7TOQSwitchboard - For over 45 years, Switchboard’s volunteers have been answering millions of UK calls, talking to LGBT+ people who need someone with empathy and insight. https://switchboard.lgbt/Stonewall  - https://www.stonewall.org.uk/ABOUT THE SHOWTIWIK is a love letter to my younger self. A conversation about all the things we were told not to talk about. A sharing of knowledge, emotions and laughs. A potential handbook (or the audio equivalent) on how to master your mental health and fall back in love with yourself!Nothing is off limits. We talk about everything from dating, suicide and mental health through to make up, skin care, magic and spirituality. It's all the things I wish I'd known when I was younger so hopefully me and my guests will save you some heartache, provide some laughs, and inspire you to try something new helping you to grow from the inside out.Join the conversation by tagging @welfordwellbeing on:Instagram - https://www.instagram.com/welfordwellbeingFB - https://www.facebook.com/welfordwellbeingusing the hashtag #tiwikFor more information on Welford Wellbeing check out www.welfordwellbeing.com You can listen and follow on:Spotify - https://open.spotify.com/show/0q3RxJ6fRED4oBoCpwPukV?si=TR-87oDDS9Os-Rern07bGg Apple Podcasts https://podcasts.apple.com/gb/podcast/things-i-wish-id-known/id1479344250or check out https://www.welfordwellbeing.com/tiwikpodcast for more information 

At the spring/summer 20/20 ready-to-wear shows, the hairstyles Sam McKnight created were recognized as conclusive trends. These included neon feather bangs beautifying Dries Van Noten and Christian Lacroix’s epic collaboration, the striking center part defining Virginie Viard’s Chanel debut and the slicked back tresses seen at Mary Katrantzou’s Athenian extravaganza. This is an abridged version of Bronwyn Cosgrave’s conversation with Sam McKnight which Japanese Vogue described as “a definitive profile of a master at work.”

We are living in unusual times, with access to a wealth of information, yet increasing levels of confusion and diminishing levels of trust. We are told our viewpoint and opinions count, however, we do not feel they are reflected in what we see in front of us. In striving to take control of our own destiny we end up working around the clock, our lives becoming more rather than less demanding. You may think, how on earth can we talk about fashion at a time like this? Well, the answer is, fashion drives immense cultural and economic value.  Also, when we consider that women, many of whom want a shift in work-life balance, work in the fashion industry and are increasingly owners of SME businesses we can see why what we wear really does matter. Fashion through the ages has shown times of change in one of two ways. By offering an alternative view of maximalism and escapism, or by stripping back and holding close the essence of what we believe to be true and essential. Hanna Fiedler is a contemporary British fashion designer who identifies with the latter approach. Her namesake brand’s understated, contemporary tailoring and captivating minimalist style is exactly what we want to wear right now. With a capsule collection ‘Prologue’ and her first full collection ‘Chapter I’, Hanna’s poetic narrative and meticulous attention to detail coupled with a purist fabric selection makes today’s woman feel confident she can navigate her day with ease and elegance. We met Hanna at the recent London Fashion Week, Positive Fashion Showrooms and instantly fell in love with her luxury womenswear. Made to order in London, from pattern to execution, Hanna’s garments are a beautiful example of uncompromising craftsmanship. In this podcast we find out what impact growing up in Germany’s Bavarian countryside still has today on Hanna’s approach to her life and work. We also discuss her training at the Berlin Opera House and London College of Fashion, plus what she has learnt from working with Mary Katrantzou, Maria Grachvogel, Gabriela Hearst and on Alexander McQueen’s McQ collection. We are very happy to share Hanna’s first-ever podcast interview. www.hannafiedler.com www.blackneondigital.com

We are living in unusual times, with access to a wealth of information, yet increasing levels of confusion and diminishing levels of trust. We are told our viewpoint and opinions count, however, we do not feel they are reflected in what we see in front of us. In striving to take control of our own destiny we end up working around the clock, our lives becoming more rather than less demanding. You may think, how on earth can we talk about fashion at a time like this? Well, the answer is, fashion drives immense cultural and economic value.  Also, when we consider that women, many of whom want a shift in work-life balance, work in the fashion industry and are increasingly owners of SME businesses we can see why what we wear really does matter. Fashion through the ages has shown times of change in one of two ways. By offering an alternative view of maximalism and escapism, or by stripping back and holding close the essence of what we believe to be true and essential. Hanna Fiedler is a contemporary British fashion designer who identifies with the latter approach. Her namesake brand’s understated, contemporary tailoring and captivating minimalist style is exactly what we want to wear right now. With a capsule collection ‘Prologue’ and her first full collection ‘Chapter I’, Hanna’s poetic narrative and meticulous attention to detail coupled with a purist fabric selection makes today’s woman feel confident she can navigate her day with ease and elegance. We met Hanna at the recent London Fashion Week, Positive Fashion Showrooms and instantly fell in love with her luxury womenswear. Made to order in London, from pattern to execution, Hanna’s garments are a beautiful example of uncompromising craftsmanship. In this podcast we find out what impact growing up in Germany’s Bavarian countryside still has today on Hanna’s approach to her life and work. We also discuss her training at the Berlin Opera House and London College of Fashion, plus what she has learnt from working with Mary Katrantzou, Maria Grachvogel, Gabriela Hearst and on Alexander McQueen’s McQ collection. We are very happy to share Hanna’s first-ever podcast interview. www.hannafiedler.com www.blackneondigital.com

In any conversation about Mary Katrantzou, the words ‘colour’ and ‘print’ are never too far behind. And yet, in reality, the Greek-born fashion designer is poles apart from the maximalist that people believe her to be, as she explains... It wasn’t until studying under the late Professor Louise Wilson OBE that designer, Mary Katrantzou, would find her creative confidence. Now, just over a decade after presenting her seminal Central Saint Martins MA collection, Katrantzou is regarded among the leading lights of the global fashion stage – collaborating with the likes of Swarovski and Longchamp, and designing for the New York City Ballet. In 2018, the Dallas Contemporary Museum hosted Mary, Queen of Prints – a curation of 180+ looks, to coincide with her label’s 10th anniversary.

Season Two has arrived! Join Mariella as she continues exploring what luxury truly means in a modern world in conversation with the industry’s most notable minds and creatives. In this series, she's joined by designers Mary Katrantzou and Charlotte Olympia Dellal, Interior Designer Ashley Hicks, Agent Provocateur Creative Director Sarah Shotton, Jeweller Carolina Bucci and hairdresser George Northwood.

Hedi Slimane gets poor reviews and Brett Kavanaugh comparisons for his Celine debut collection. Mary Katrantzou has designed a collection for Victoria's Secret that will be revealed at the VS Fashion Show in November. Naomi Campbell discusses the Harper's Bazaar icons party incident between Nicki MInaj and Cardi B.

Inspired by Mary Katrantzou’s exhibition at Dallas Contemporary, "Mary, Queen of Prints," Annette Becker, Director of the Texas Fashion Collection, discusses the role of prints in fashion design, innovations in technology, and fashion as fine art. Slideshow: http://dallascontemporary.org/assets/dc_printinfashionhistory.pdf

Chit Chat with fashion designer Mary Katrantzou + Nasiba Adilova discussing Katrantzou's ten years of innovation in fashion with her exhibition at Dallas Contemporary, "Mary, Queen of Prints."

For this Port Eliot Festival special, the London-based Greek fashion designer sits down with Danielle Radojcin and Claire Ptak to discuss her mentors Sarah Mower and the late Louise Wilson from Central Saint Martins; how she's learned to be a businesswoman; and her plans for where she's going to take her successful international fashion label next.

Mary Katrantzou - Jazz Shapers with Mishcon de Reya

Fashion designer Mary Katrantzou interviewed by Alex Fury on 1 April 2010.