Podcasts about Rimmel

Today we're honoured to be joined by a Chef who's worked for the greats, a TV star who's created 9 TV series of his own, an author who's written 5 award wining cookbooks - but most importantly he's Ben's Hero - in the gloriously charming - Valentine Warner! We discuss his crazy upbringing which often saw him sat round the table debating with Harold Pinter whilst sampling his mums genius culinary creations, his tough years at school where he was bullied and called 'Fat Val' which led him to skip sports in the afternoons and instead steal the local trout farmers fish before he was whipped within an inch of his life, his career as a chef working for Alistair Little and getting brutally rejected by Rick Stein, setting up his catering company which became famous in London and catered all the high end fashion parties of the 90s including an infamous incident with Kate Moss one evening at a Rimmel party, ruining a member of the royal families birthday with the worst cake ever invented, illegal fishing trips to India, his regrets on not making more of his 9 TV series, his amazing new spirits company 'Hepple', his new project 'Kitchen In The Wild' where you escape on a luxury week away into Kenya to be cooked food by Jackson Boxer and much much more........ ------- Please leave us a great rating and a comment and share it with your friends - it really helps us grow as a show.  If you're in the industry and are looking for the greatest POS system in the world than look no further as Blinq are tearing up the rulebook—no long-term contracts, no hidden fees, and no per-device charges. Just £49 a month for unlimited devices and 24/7 UK-based support that's always there, in person when you need it. Built for hospitality, by hospitality, blinq is the fastest, easiest POS system on the market—so intuitive, anyone can use it. And while others take weeks to get you up and running, with blinq, you're live in just 2 hours. Join the hospitality revolution today & use the code GOTOBLINQ to get your first month free - https://blinqme.com/ @valentinewarner49 @kitchenitw www.kichenithewild.org @hepple_spirits Www.hepplespirits.com Valentine Warner Food YouTube

Ali Smith, a portrait and documentary photographer, moved to the UK from NYC, where she built a career shooting for The Guardian, The New York Times, and more. She's shot campaigns for Rimmel, Disney, and Johnson & Johnson and published two acclaimed photography books—Momma Love earned praise from The NY Times and Gloria Steinem. Her work, rooted in gender equality and environmentalism, includes a grant-funded project on incarcerated mothers. She's exhibited and taught internationally, mentoring young women in photography. Also a writer and former touring musician, her memoir The Ballad of Speedball Baby dropped back in January 2024 via Blackstone Publishing.

Una puntata di Bollicine tutta dedicata alla musica italiana presente nella classifica del 1975: svettava "Rimmel" di Francesco De Gregori, ma c'erano anche personaggi oscuri come "Genova e Steffan" o i "Romans". Medaglia d'argento per la suite di Profondo Rosso dei Goblin. Scaletta su www.bolliblog.com

Übertr: Gebetsstätte Marienfried,, Pfaffenhofen (Bistum Augsburg), Ref.: Pfr. Reinfried Rimmel Catholic Summer Festival, Living Hope, der Jugend 2000 in der Gebetsstätte Marienfried in Pfaffenhofen.

From making headlines as the youngest bride on Married at First Sight to becoming a celebrated podcaster, brand ambassador, and creator, Tahnee Cook has truly done it all—and picked up countless beauty tips along the way. Today, we're unzipping her makeup bag and diving into her beauty routine. We'll discover the miracle powder that saved her during MAFS filming and the must-have eyeshadow palette she went to extraordinary lengths to get, even setting up an American PO box just to have it shipped here. LINKS TO EVERYTHING MENTIONED:  ESTETIKA Makeup Case - The HOMEE $189 ESTETIKA Makeup Bag - The BABEE $149 Rimmel Multi Tasker Better Than Filters $29 FENTY BEAUTY Precision Foundation Brush $56 Rimmel Kind & Free Tint $21.95 Bourjois HEALTHY MIX serum foundation makeup base $32 Rimmel Kind & Free Pressed Powder $18 REFY Glow and Sculpt Face Serum Primer with Niacinamide $34 Rhode peptide glazing fluid $30 Rimmel London Multi Tasker Concealer Fair $19 FENTY BEAUTYCheeks Out Freestyle Cream Bronzer $52 Real Techniques Expert Face Brush $25 MAKEUP BY MARIO Soft Pop Plumping Blush Veil $55 Charlotte Tilbury Pillow Talk Matte Beauty Blush Wand $60 RARE BEAUTY Soft Pinch Liquid Blush $45 Charlotte Tilbury Hollywood Glow Glide Face Architect Highlighter $69 MAKEUP BY MARIOMaster Mattes Eyeshadow Palette $94 Charlotte Tilbury Luxury Palette $89 Rimmel London Thrill Seeker Mascara Each $25 Charlotte Tilbury Matte Revolution $54 Charlotte Tilbury K.I.S.S.I.N.G In Icon Baby $54 BANGN BODY Lip & Cheek Gloss Balm - Raspberry Drop $28 RARE BEAUTY Brow Harmony Flexible Lifting Gel $30 Anastasia Beverly HillsBrow Freeze Gel $23 SUBSCRIBE:  Subscribe to Mamamia Sign up for our free You Beauty weekly newsletter for our product recommendations, exclusive beauty news, reviews, articles, deals and much more! Want to try our new exercise app? Click here to start a seven-day free trial of MOVE by Mamamia  GET IN TOUCH: Got a beauty question you want answered? Email us at youbeauty@mamamia.com.au or send us a voice message, and one of our Podcast Producers will come back to you ASAP. Join our You Beauty Facebook Group here. You Beauty is a podcast by Mamamia. Listen to more Mamamia podcasts here. CREDITS: Host: Lucy Neville Guest: Tahnee Cook Producer: Cassie Merritt Audio Producer: Lu Hill Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

În februarie 2017 Adina a devenit PRO Makeup artist RIMMEL LONDON, după ce în martie 2016 a câștigat concursul “Live The London Look” din 3000 de înscrieri. A reprezentat România, alături de bloggeri de beauty din toată lumea, mergând la Londra și cunoscând-o pe Rita Ora. Înainte de experiența RIMMEL, Adina a fost make-up artist pentru Oriflame (2015-2017) participând la toate campaniile majore cu vedetele lor: Adela Popescu, Alina Eremia, Razvan Fodor, Teo Trandafir, Andreea Raicu. În paralel, portofoliul a crescut de la publicații locale: VIVA, Beau Monde, Gentleman's Car până la coperți GLAMOUR, Marie Claire și Harper's BAZAAR, pentru care a fost colaborator extern beauty. Dintotdeauna a participat la proiecte independente, a predat cu drag ateliere de makeup și a fost parte din echipe internaționale pentru campanii de publicitate importante: Vodafone, LIDL, Samsung, Dunhill, Lenor. Recent a lansat cartea - Machiaj de bună purtare - un ghid de makeup simplificat, în pași simpli, menit să aducă încredere și frumos pe chipul femeilor. Cartea o gasiti aici: https://adinavlad.ro/

She's the woman responsible for creating some of the world's most loved fragrances, and today she's sitting down with Lucy for a deep dive into the world of fragrance and beauty. We're exploring the art of perfume creation and getting a peek into Jo's collection of balmy, luminous beauty essentials. Plus, discover the five-second ice water hack that has transformed Jo's makeup routine, helping her achieve that perfect glowy base every time. LINKS TO EVERYTHING MENTIONED:  M·A·C Cosmetics Studio Radiance Face & Body Foundation $66 M·A·C Cosmetics Strobe Cream $68 Rimmel Multi-Tasker Concealer $19 Bobbi Brown Bronzing Powder $86 Jones Road Miracle Balm In Dusty Rose $38 PIXI On-the-Glow Bronze In Rich Glow $33 CHANEL LES BEIGES Healthy Glow Powder $105 Grande Cosmetics 2 in-1 Tinted Brow Gel + Brow Enhancing Serum $48 1000hour Eyelashes & Brow Dye Kit Dark Brown $12 Maybelline Great Lash Volumizing Mascara $15 Sculpted By Aimee Bare Basics Palette $65 CHANEL ROUGE COCO GLOSS Moisturising Glossimer $65 TARTE Maracuja Juicy Lip Plump In Mixed Berries $45 FAUX FILLER Extra Shine Lip Gloss In Bombshell $28 Charlotte Tilbury Charlotte's Magic Cream $149 Silicone Face Mask $55 Aeology Blue Ice Globe Facial Massager $64 SUBSCRIBE:  Subscribe to Mamamia Sign up for our free You Beauty weekly newsletter for our product recommendations, exclusive beauty news, reviews, articles, deals and much more! Want to try our new exercise app? Click here to start a seven-day free trial of MOVE by Mamamia  GET IN TOUCH: Got a beauty question you want answered? Email us at youbeauty@mamamia.com.au or send us a voice message, and one of our Podcast Producers will come back to you ASAP. Join our You Beauty Facebook Group here. You Beauty is a podcast by Mamamia. Listen to more Mamamia podcasts here. CREDITS: Host: Lucy Neville Guest: Jo Malone Producer: Cassie Merritt Audio Producer: Lu Hill Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Welcome back to the Once You're In You're In podcast! ———————————————————— COACHING: For coaching enquiries, please feel free to DM us on instagram or fill out the application form below! FK Physiques - https://docs.google.com/forms/d/e/1FAIpQLSdi4b1glGKVb0EKeGa_dcYFC9DRSgxkDVFmBzpNy2evDondnQ/viewform?usp=sf_link  Team RFit - https://docs.google.com/forms/d/e/1FAIpQLSeaZGqZJEGPhNKzbsRtc2aKFsmqnF1SiC_MXdH4Z2lVdYwnag/viewform  ———————————————————— INSTAGRAM:  https://www.instagram.com/finnkelly_coach/  https://www.instagram.com/reecefit/  https://www.instagram.com/fkphysiques/  https://www.instagram.com/teamrfit/ https://www.instagram.com/onceyoureinyourein_podcast/  ———————————————————— YOUTUBE:  https://www.youtube.com/@finnkelly316  https://www.youtube.com/@reecefit3909   ———————————————————— SUPPLEMENTS: https://contehsports.com FINN10 / REECE10

This week Natalie is joined by acclaimed beauty editor and podcast host Emma Guns to talk the rise of menowashing, building back better after hitting rock bottom and the highs and lows of 90's nostalgia. As the host of the hugely successful Emma Guns Show and OK! Magazine's former beauty editor of 10 years, Emma takes us on a trip down memory lane as we discuss 90's beauty and the popularity of iconic products such as Rimmel's Heather Shimmer and Mac's Spice lip liner. We talk how diet and pop culture shaped our beauty ideals in the 2000's and how the dark side of the decades recent resurgence is prompting conversations around disordered eating and the use of medications such as ozempic amongst those looking for quick fix weight loss solutions. Elsewhere Natalie and Emma discuss the rise in the commercialisation of menopause, with Emma bringing her expertise to the table and noting that many of the so called menopause products available online and in store today are actually products with unchanged formulations but clever brand marketing that preys on the desperation of women looking to ease symptoms. On a more personal note Emma speaks openly about her struggles with anxiety and depression and how in her late 30's she hit rock bottom. She notes how this was a time of reflection and taking accountability and that in doing so it has enabled her to build back better and have a deeper understanding of herself and the things she needs to prioritise to protect her mental health and wellbeing. Join us for a dynamic and candid conversation that takes us behind the scenes of the beauty industry with one of the UK's most trusted voices in women's health & beauty. For more information on Emma you can follow her on Instagram at www.instagram.com/emmaguns or stream the acclaimed podcast The Emma Guns Show on all podcast platforms.

Season 21 gets off to a Myrka start with Warriors of the Deep. The Silurians return and bring along the Sea Devils for extra impact - but does anything actually happen until the last 5 mins?

REDIFF - Vous ne l'avez peut-être pas remarqué mais jetez un œil et vous vous rendrez compte qu'elles sont sur quasiment toutes vos fermetures à glissière, le nom précis de ce système. Car Eclair, c'est le nom d'une société française qui a déposé en 1942 cette marque devenu un nom commun, un joli exemple d'antonomase, c'est-à-dire un nom propre devenu un mot du vocabulaire, comme Abribus, Rimmel ou Stabilo. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.

Listen as we sit down and chat with Kernels pitcher, Niklas Rimmel.

Saates “Harri Kingo ja sõbrad” saame tuttavaks Kai Rimmeliga (EKRE), kes on olnud Riigikogu liige ning kandideerib parlamenti ka praegu. Kai Rimmel on EKRE Naisühenduse esinaine ning tema töised teemad on seotud eeskätt toiduainetööstusega. Saatejuht tuntud telenägu Harri Kingo.

Episode Description:  Karen talks with Sarah Rimmel, Founder of Slow Integration Coaching, about the value of going slow to go fast; the power of healing, repair, and play; and operating in alignment with our values.  Sarah discusses the entrepreneurial journey and the process of integrating growth, as well as personal and collective embodiment of transformation.  Karen and Sarah wrap up with a coaching conversation around finding the right leads, getting no's, and trusting the process.Links:Schedule an Exploratory Call with Karen: https://calendly.com/karenbartlett/30minLearn more about Kite + Dart Group:  www.kiteanddartgroup.comRegister for an upcoming event:  https://www.eventbrite.com/o/the-kite-dart-group-16435043586Learn more about Slow Integration Coaching:  https://www.sarahrimmel.comConnect with Sarah Rimmel:  https://www.linkedin.com/in/sarahrimmel/Connect with Carin Huebner at Public Good Media:  publicgood.mediaOriginal music credit goes to DJ Ishe:  https://soundcloud.com/ishe

Dal Mascara al Rimmel, una storia molto più lunga di quello che pensi. Ascolta la playlist riservata alle invenzioni che hanno cambiato la storia. - https://spoti.fi/3xdfmYM Iscriviti al canale Telegram per rimanere sempre aggiornato/a - https://t.me/storiedibrand SPONSOR che sostengono lo show --> https://znap.link/brandy

seconda parte dell'episodio 11 sui mascara

Vous ne l'avez peut-être pas remarqué mais elles sont sur quasiment toutes vos fermetures à glissière, le nom précis de ce système. Car Eclair, c'est le nom d'une société française qui a déposé en 1942 cette marque devenu un nom commun, un joli exemple d'antonomase, c'est-à-dire un nom propre devenu un mot du vocabulaire, comme Abribus, Rimmel ou Stabilo. Les Grosses Têtes vous proposent de découvrir ou redécouvrir le nouveau podcast de Florian Gazan. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals. Découvrez la page Facebook Officielle des "Grosses Têtes" : https://www.facebook.com/lesgrossestetesrtl/ Retrouvez vos "Grosses Têtes" sur Instagram : https://bit.ly/2hSBiAo Découvrez le compte Twitter Officiel des "Grosses Têtes" : https://bit.ly/2PXSkkz Toutes les vidéos des "Grosses Têtes" sont sur YouTube : https://bit.ly/2DdUyGg

Vous ne l'avez peut-être pas remarqué mais jetez un œil et vous vous rendrez compte qu'elles sont sur quasiment toutes vos fermetures à glissière, le nom précis de ce système. Car Eclair, c'est le nom d'une société française qui a déposé en 1942 cette marque devenu un nom commun, un joli exemple d'antonomase, c'est-à-dire un nom propre devenu un mot du vocabulaire, comme Abribus, Rimmel ou Stabilo. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.

Mascha is a multifaceted creative director with over sixteen years of experience in the creative field and the past seven in software. She's a certified digital marketer who develops and executes authentic visual stories that bring brands to life across different organic and paid channels. She is hands-on at every project step and works closely with her trusted network of established photographers, designers, editors, and engineers for small or large-scale projects. She guides every project from concept thru production, on set direction to the final post-production, and delivers them on time and on brand. She worked on ad campaigns and editorials, produced fashion runway shows, designed and built e-commerce stores, and can offer a holistic approach to your project. She worked on projects with many fashion and beauty brands, retailers, and publications such as Harper Bazaar, Vogue, Theory, Barneys, Zegna, Nike, InStyle, Tresemme, and Rimmel, to name a few. Mascha invested in, designed, and developed networking and event software HATCH and gained a US utility patent. Regarding technology, she is passionate about healthy user experiences that serve and benefit users with minimal interruption to their lives and always follows the principles of the Humane Technology Institute. https://www.hatch.vision https://ideateandexecute.com --- Send in a voice message: https://anchor.fm/thinkfuture/message Support this podcast: https://anchor.fm/thinkfuture/support

Il 26 Luglio si chiude con il tripudio vero, il Marostica Summer Festival. Questa volta il Covid sposta ma non cancella.Ci aspettavamo una serata tranquilla, adagiati sulle nostre sedie ad ammirare due nobili uomini che hanno segnato la storia della musica italiana. Pensavamo con ingenuità di dover essere noi a dare il ritmo al concerto, magari col timore di sentirci schiacciati dalla poesia di De Gregori o dalla veracità di Venditti.Mai davvero avremmo pensato di partecipare a un evento rock, stile Vasco o Ligabue. La batteria che si mescolava col sax, suoni di chitarra che smuovevano le anime, assoli di violino degni dei Two Cellos: brividi e adrenalina. Loro due (fenomeni), smaglianti come due ragazzini a scuoterci dal torpore estivo con voci da rockstar, a fumare sigarette mai spente sul palco. Due voci che forse neppure a vent'anni avevano, piene di spregiudicata passione. Vita allo stato puro,  gioia, forza e neppure un accenno di malinconia, che non ci sarebbe stato nulla di male, s'intende.Cantavano in duetto, ogni tanto rubandosi pure le parole, tanta era la loro voglia di cantare. Felici e spensierati hanno cantato tutto ciò che ci aspettavamo: da Rimmel a Notte prima degli esami, da Generale a Sotto il segno dei Pesci. Partendo da Bomba o non bomba non si poteva che arrivare a Roma. E cantare Grazie Roma, appunto, ci siamo arrivati dopo Buonanotte Fiorellino.Alla fine noi più stanchi di loro che hanno cantato due ore e mezza, e impazziti di gioia sotto il palco come fossimo a un concerto dei Gun's N'roses, con Venditti a incitare ad alzarsi quei pochi che si ostinavano a rimanere inchiodati alle loro sedie.Si esce a bocca aperta, continuando a ripetere come un mantra pazzesco, pazzesco, anzi pazzeschi loro. Che ballavano e fumavano sul palco come due pischelli, che ci incitavano come fossimo stati allo stadio: e per l'applauso del pubblico pagante non c'era bisogno di sentire la Donna Cannone, né la carezza a Paolo Rossi, che era un ragazzo come noi, né l'omaggio a Lucio Dalla, con Canzone. La fisarmonica sotto il cappello di Francesco, gli occhiali a goccia di Antonello al piano, e quella felicità di cantare Viva l'Italia, con appartenenza, nonostante tutto, così intensamente che ci viene quasi da piangere.Anche se viviamo in un Mondo di ladri, la Storia Siamo noi, attenzione, nessuno si senta escluso. Ti dicono "Tutti sono uguali, tutti rubano alla stessa maniera". Ma è solo un modo per convincerti a restare chiuso dentro casa quando viene la sera.

Seconda puntata di tre della festa per i 10 anni di "Cantando con... Te!" Webradio Karaoke Show. In questa puntata oltre a 9 sfidanti che gareggiano per vincere il soggiorno in Trentino per 8 persone per 7 giorni, sempre offerto, come da 10 anni a questa parte, da Happy holidays Marilleva, ci sono due ospiti a sorpresa. Ascolta la puntata per scoprire chi sono! :) Ecco le canzoni che potrai ascoltare in questa puntata: 1. Perdoname (Sigla) by Deorro 2. Uno su mille by Gianni Morandi (Beppe) 3. L'ultima notte al mondo by Tiziano Ferro (Matteo) 4. Sono solo parole by Noemi (Silvana) 5. All I want by Olivia Rodrigo (OSPITE: JENNY LUCY - Instagram: @jennyylucy) 6. Non voglio mica la luna by Fiordaliso (Carmen - Rosy) 7. Rimmel by Francesco De Gregori (Antonio) 8. Perdere l'amore by Massimo Ranieri (Tia - Dave) 9. Ovunque sarai by Irama (Gioia) 10. Pezzi di te by Toto (OSPITE: TOTO - Instagram: @_iamtoto_) 11. Amore Amaro by Gigi Finizio (Francesco) 12. Passione Maledetta by Modà (Seve)

This video was recorded in December of 2020. We talked about how he got started writing Noobtown, Jim as an older character, and Ryan's publishing woes for the first book. I love this series and hope you enjoy this interview even though it is older. Also, the Facebook groups he is mentioning are LitRPG and Game Lit Society. I am more active on Game Lit Society and that is mainly because it has a bunch of authors I enjoy as active members of the group.

Este cuento pertenece al libro "Cuentos para leer sin Rimmel" de Poldy Bird.

Dopo un album in coppia con Venditti e due dischi praticamente ignorati, nel 1975, Francesco De Gregori pubblica Rimmel che lo porterà in classifica per la prima volta, vendendo nel solo 75, circa 500mila copie, inimicandosi però sia la critica colta che lo accusò di aver perso la purezza sia, soprattutto, i "compagni" che gli diedero del venduto, arrivando ad interrompere un suo concerto al Palalido.

La storia, traccia per traccia, del quarto disco in studio di Francesco De Gregori.

Cristina Frascà"La supplente"Garzanti Editorehttps://www.garzanti.it/Un romanzo che dovrebbero leggere tutti per scoprire cosa vuol dire fare il lavoro più bello e difficile del mondo: l'insegnante.Enrico GalianoAnna ha trent'anni e non ne fa una giusta. Sarà per questo che non ha ancora realizzato il sogno di insegnare; o forse perché la strada per ottenere un posto di ruolo– si sa – è lunga e tortuosa. Così, quando scopre di aver ottenuto una supplenza per un intero anno non può credere alle sue orecchie, e poco le importa che in quell'istituto professionale le sue amate materie umanistiche non siano le più importanti. Anna è armata di buone intenzioni e nessuno le impedirà di essere il perfetto insegnante in stile Attimo fuggente. Quando però si trova davanti Rimmel, Bruzzo, Mito, il Principe e Panik le sue certezze vacillano: i nomignoli dei nuovi alunni sono anche simpatici, ma loro non lo sembrano affatto, e non hanno alcuna intenzione di ascoltarla. Ma Anna ha una strategia segreta per provare a coinvolgerli: niente libro di testo, niente cattedra. La poesia è un linguaggio che arriva al cuore di tutti e persino il dizionario Treccani, se usato alla ricerca dei neologismi più strani, non è poi così difficile da consultare. Giorno dopo giorno, si avvicina sempre dipiù ai suoi studenti, scoprendo che, sotto una solida corazza, nascondono le paure di tutti gli adolescenti. Per loro, l'amicizia e l'amore hanno ancora il gusto pericoloso ma unico dell'ingenuità, e, più che di un voto, hanno bisogno di essere ascoltati. Quello che non avrebbe mai immaginato è che sarebbero stati loro a cambiare la sua vita. A insegnarle che le sue fragilità sono una risorsa e che l'incontro inaspettato con Sasha e la sua passione per gli scacchi è più speciale di quanto credesse. Anna ha finalmente capito qual è il segreto dell'insegnamento: non smettere mai di imparare.Cristina Frascà è un'insegnante che ha deciso di porre al centro del suo esordio fresco e sincero il mondo della scuola. Un romanzo in cui la protagonista è in cerca di sé stessa e non avrebbe mai pensato di capire chi è veramente grazie ai suoi alunni.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

ANCHE IO SO FARTI COMPAGNIA - RIMMEL E DANDELION

Übertr: Gebetsstätte Marienfried, Pfaffenhofen an der Roth (Bistum Augsburg)

Fallait-il attendre la réouverture des terrasses des bars en France, le 19 mai 2021, pour que l'équipe du Riff Machine s'occupe du cas de Mötley Crüe ? En vrai, c'est un heureux hasard mais il faut se dire que ce jour-là, c'était un peu le Sunset Boulevard de nos vies. Alors imaginez, les années 80, où ces stars du glam metal américain ont commencé à sévir : c'était le 19 mai tous les jours pour eux. En effet, depuis 1981, Mick Mars, Nikki Sixx, Tommy Lee et Vince Neil (puis d'autres...) n'ont eu de cesse d'exposer leur mode de vie extrême où l'adage "sex, drugs & rock'n'roll" prenait tout son sens. Est-ce que leur discographie était aussi marquante que leur vie était sulfureuse ? Est-ce qu'un groupe de glam metal peut traverser les décennies sans perdre trop de Rimmel ? Est-ce que "c'était mieux avant" ? On essaie de répondre à tout cela et davantage dans ce 7ème épisode du Riff Machine. Dispo sur : Spotify | iTunes | Soundcloud | YouTube | Google Drive Rejoignez-nous sur Facebook

his week the grapes sit with @hemali.mistry formerly known as Ready to Glow, who is just not a beauty influencer but also a voice for the South Asian community. She started her journey back in 2016 by creating mini online tutorials to market herselfas a makeup artist.

Ricordarsi di Giocare alla Vita...

What is the most important thing Corey's learned in his entrepreneur journey? Why is quantity more important than quality when starting out as a brand? How early should you monetize a creative media brand? What are the first steps for building a team as a creator or entrepreneur? All this gets answered and more with entrepreneur and co-founder of the cannabis dispensary brand, Feel State. CHECK OUT Feel State Social Media Platforms: (Website) https://myfeelstate.com/ (Instagram) https://www.instagram.com/myfeelstate/ (Facebook) https://www.facebook.com/MyFeelState (YouTube) https://www.youtube.com/channel/UCt44f_W1KbO_pq-IIUWxgUQ (LinkedIn) https://www.linkedin.com/company/feel-state/ (SUBSCRIBE - New Episodes Released Every Monday @8am) Episode #022 Show notes: www.purpleelephantcollective.com/radio/eps-22 --- Support this podcast: https://anchor.fm/purple-elephant-radio/support

A seasoned brand marketer and general manager with over 25 years of experience, Kimberly is widely recognized as a leading business executive that is known for driving transformative growth among existing and emerging Brands and Companies. She sites her ability to stay connected with consumers and culture, cultivate strong collaborative partnerships, unlock revenue growth opportunities, and build inspired and empowered teams as keys to her success. Kimberly recently joined ViacomCBS as EVP, Chief Marketing Officer, BET Networks. In this role she is responsible for managing and implementing brand strategy across all platforms including the BET and BET Her linear networks, BET+ streaming, BET Social and stewards the highly successful BET Live Events business. Prior to joining BET, Kimberly was the Chief Operating and Brand Officer, Sundial Brands where she partnered with founder and CEO, Richelieu Dennis, to craft the overall strategic direction for future growth across the entire Sundial portfolio, including SheaMoisture, Nubian Heritage, Madam C.J. Walker Beauty Culture, and Nyakio. Kimberly oversaw Operations, Marketing, International, and Sales, and played a leading role in the launch and marketing of the $100M New Voices Fund in support of Women of Color Entrepreneurs. Prior to Sundial, Kimberly was Chief Marketing Officer of the Beauty Division of Coty, Inc., the makers of several fragrances and iconic beauty brands such as COVERGIRL, Clairol, Sally Hansen, and Rimmel. During her time at Coty, Kimberly stewarded the U.S. relaunch of several flagship brands, including Rimmel's Street Beauty, the modernization of Sally Hansen, and Clairol's Nice N' Easy relaunch which delivered the most significant innovation in the hair color category in the last 50 years. Prior to joining Coty, Kimberly worked at The Coca-Cola Company (TCCC) for 16 years in various roles in North America and Global. Her roles included Vice President, Venturing and Emerging Brands (VEB) where she was responsible for leading marketing, innovation and assessing high growth merger and acquisition opportunities of emerging beverage brands. She is widely known for her leadership, turnaround and delivery of record growth of the $3.5B Sprite and Flavors portfolio. During her leadership, she relaunched The Coca-Cola Company's 2nd and 3rd largest global brands and led key marketing partnerships with the NBA, LeBron James, Drake and many others. Kimberly started her career in Brand Management at Procter & Gamble in Cincinnati, OH. She has a Bachelor of Arts Degree in Communications & Business from Howard University and a MBA from Clark Atlanta University. She has been recognized as one of the Top Marketing Executives to Watch, interviewed by leading industry publications and has spoken on a number of panels on Women's empowerment, how to expand brands globally and effectively market to youth, millennials and multicultural consumers. She is actively involved in many professional and social organizations and has been nationally recognized for her efforts to address childhood literacy. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/humovemakers/message Support this podcast: https://anchor.fm/humovemakers/support

EPISODE 109./Hello pod fam! Happy new week and another new podcast episode. Lots of beauty news to cover from the last week, but firstly, we’ve gotta talk about Lisa’s Youfoodz hunger strike cause it’s the cause of her crazies in this episode. Kicking off news with another beauty Youtuber pregnancy announcement. Congratulations to Zoella on the announcement of her tiny baby prodigy and a big HA HA to everyone who said that her and Alfie no longer loved each other. Next up, Jaclyn Hill is doing the unthinkable, relaunching a lipstick line for Jaclyn cosmetics, KVD Vegan Beauty has rebranded AGAIN and Chloe Morello … or Face Halo have released some seriously questionable and outrageously expensive merch. This weeks product trial is nothing short of a miracle. A legitimate Glossier dupe sourced directly from the drugstore. We trialled the Rimmel Wonder Cloud Liquid Eyeshadow (and primer!). Not only is it a fantastic dupe for Glossier Skywash, it’s also a fairly decent eyeshadow primer too. What a win-win! Great work Rimmel. Finally, you spoke and we listened, the secret skincare sound is no more. You hated the segment and now it’s gone forever, but if you’re wondering what it was… Congratulations if you guessed Sunday Riley Good Genes. Products Mentioned: Jaclyn Hill Lipsticks: http://bit.ly/2OMsmkq KVD Vegan Beauty: http://bit.ly/2PWaHqV Face Halo Merch: http://bit.ly/3ey5wb7 Rimmel Wonder Cloud Liquid Eyeshadow: https://bit.ly/3rG3YQ1 Glossier Skywash: http://bit.ly/38CkEQK Azclear Azaleic Acid: http://bit.ly/38aPwow Briogeo Dry Shampoo: https://bit.ly/3vn0e8f See acast.com/privacy for privacy and opt-out information.

There's lots of things people don't tell you about having a baby... One of the most surprising is that after giving birth your beauty routine will pretty much need an overhaul, that pregnancy glow will disappear without a trace.  So how do you get it back while dealing with sleep deprivation AND your hormones. dropping? Plus now that makeup Includes skincare ingredients can we chuck out our serums etc?  Leigh & Kelly are here to help! Hear more info about skincare infused makeup here.  The list of products mentioned in this episode are below: Shop My Stash  Leigh - Sally Hansen Nail Rehab $16.95 https://bit.ly/3bRy6kC Kelly - BeautyBlender $28 https://bit.ly/2ZYNZAn Spendy Leigh - Charlotte Tilbury Hollywood Exagger-Eyes Liner Duo $47 https://bit.ly/3svFqZS Kelly - Ere Perez Argan Brow Hero $35 https://bit.ly/2OdUKeP Savey  Leigh - Rimmel Wonder Last Brow Tint $21.95 https://bit.ly/37Syz4Y Kelly -  Wotnot 30 SPF Natural Baby Sunscreen $19.95 https://bit.ly/3suXZNU   CREDITS Hosts: Leigh Campbell and Kelly McCarren Producer: Lize Ratliff & Gia Moylan   GET IN TOUCH: Got a beauty question you want answered?  Email us at podcast@mamamia.com.au or call the podphone on 02 8999 9386.  Join our You Beauty Facebook Group here...  https://www.facebook.com/groups/2112109512358240/ Want this and other podcasts delivered straight to your inbox?  Subscribe to our podcast newsletter...  https://www.mamamia.com.au/subscribe/ You Beauty is a podcast by Mamamia. Find more shows here .... https://www.mamamia.com.au/podcast/ Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander cultures. See omnystudio.com/listener for privacy information.

Ollarikchen soll Kuchen zum Schuster Rimmel bringen und erzählt von seinem Raben Jakob.Support the show (http://paypal.me/AxelScheele)

Hear Me, See Me. Podcast. Hairdressing Icon, Sam McKnight.This episode was an absolute joy for me as it is one of my absolute hair heroes, Sam McKnight.Celebrated session hair stylist, Sam McKnight, is the hairdresser's hairdresser. He boasts a legendary career spanning over four decades encompassing catwalk, editorial and advertising campaigns for fashion houses such as Chanel, Fendi, Balmain, Burberry and Tom Ford. A regular contributor to both British and international Vogues, W, Harper's Bazaar, Vanity Fair, i-D and Love, he has over 100 covers to his name from British Vogue alone. McKnight is also a Contributing Beauty Editor at British Vogue. McKnight has collaborated with some of the world's most prominent photographers including Patrick Demarchelier, Mario Testino and Nick Knight. A long-time stylist for the late Princess Diana, McKnight was the creative behind her iconic short, slicked back hairstyle in the now-famous 1990 Demarchelier shoot for British Vogue, a partnership that led to him becoming her personal hair stylist for seven years.One of the original session stylists, McKnight initially trained as a teacher before working as an assistant at a local hairdresser in his native Scotland. Moving to London in the early 1970's, McKnight secured a position at Molton Brown, which at the time was a leading hair salon in London's South Molton Street. He worked on projects for London-based magazines 19 and Honey before landing his first editorial shoot with British Vogue in 1977. While working in London, he was introduced to stylists Liz Tilberis (later editor of British Vogue and Harpers Bazaar US) and Lucinda Chambers (British Vogue), who were instrumental in hiring him for high-profile editorial shoots.McKnight has been bestowed the Lifetime Achievement Award at both the Scottish Fashion Awards and Creative Head Awards 2015. He is hugely respected within the hairdressing community and is often cited as a source of inspiration or named as ‘the hairstylist I would most like to work with' by his peers.On November 2nd 2016, Somerset House launched Hair by Sam McKnight, a major exhibition celebrating McKnight's impressive career. Never before has an exhibition of this kind taken place, looking at hair from a new perspective and celebrating the significant role of session hair styling in both fashion and culture throughout the decades.In tandem, McKnight also released his first book: Hair by Sam McKnight (Rizzoli), a hardback anthology of his magazine covers, editorial shoots and personal insights into working at the heart of the fashion industry.June 2017 saw McKnight launch a brand: Hair by Sam McKnight, in Liberty of London, injecting fashion, glamour and ease into haircare and styling. The collection is the culmination of McKnight's knowledge and experience in the industry, giving women the tools and confidence to style their hair themselves.PhotographersAlasdair McLellan, Andrea Spotorno, Angelo Pennetta, Arthur Elgort, Ben Hassett, Bruce Weber, Carter Smith, Charlotte Wales, Clara Giaminardi, Corinne Day, Craig McDean, David Bailey, David Sims, David Slijper, Derek Kettela, Elaine Constantine, Ellen Von Unwerth, Emma Summerton, Erik Torstensson, Glen Luchford, Hedi Slimane, Inez and Vinoodh, Irving Penn, Javier Vallhonrat, Johnny Dufort, Juergen Teller, Jem Mitchell, Josh Olins, Karl Lagerfeld, Lachlan Bailey, Liz Collins, Marcus Ohlsson, Mario Sorrenti, Mario Testino, Mert & Marcus, Mikael Jansson, Mikael Schulz, Miles Aldridge, Morelli Brothers, Jean-Baptiste Mondino, Jem Mitchell, Josh Shinner, Juergen Teller, Nadine Ijewere, Nick Knight, Paolo Roversi, Patrick Demarchelier, Paul Wetherell, Peter Lindbergh, Phil Poynter, Regan Cameron, Robin Derrick, Richard Avedon, Richard Burbridge, Sean Ellis, Sharif Hamza, Simon Emmett, Sølve Sundsbø, Terry Richardson, Tim Walker, Tom Ford, Tom Munro, Vincent Peters, Willy Vanderperre, Viviane SassenEditorialAnother, Another Man, Chaos, CR Fashion Book, Dazed, Elle, Evening Standard, Garage, Glamour (UK,US), GQ, Harper's Bazaar (UK,US), i-D, Interview, Love, Madame Figaro, Marie Claire, Numero, Ponystep, POP, Porter, Showstudio.com, The Edit, Vanity Fair, V Magazine, V Man, Visionaire, Vogue (Chinese, French, German, Italian, Japanese, Spanish, British, US), W MagazineAdvertising / PRAlberta Ferretti, Angelo Marani, Aquascutum, BaByliss, Barrie Knitwear, Blumarine, Bottega Veneta, Brioni, Burberry, Calvin Klein, Chanel, Chloé, Christian Dior, Clinique, David Morris, Dior Homme, DKNY, Dolce & Gabbana, Estée Lauder, Etro, Equipment, Fendi, Gap, GHD, Givenchy, Giorgio Armani, Gucci, Hogan, Huawei Watches, Jean Paul Gaultier, Jimmy Choo, Jo Malone, Joop, Joseph, Just Cavalli, Kurt Geiger, Lancôme, Liu-Jo, Louis Vuitton, L'Oréal, Mac Cosmetics, Mango, Marni, Massimo Dutti, Max Factor, Michael Kors, Montblanc, Mulberry, Nina Ricci, Patrick Cox, Philosophy, Pirelli, Pantene, Pollini, Ralph Lauren, Reserved, Revlon, Rimmel, Roberto Cavalli, RMK Cosmetics, Salvatore Ferragamo, Shiseido, Sportmax, Stella McCartney, Stuart Weitzman, Swarovski, Tods, Tom Ford, Tommy Hilfiger, Topshop, Ungaro, Uniqlo, Versace, Vivienne Westwood, Yves Saint Laurent, Z ZegnaCelebritiesAlexa Chung, Alicia Vikander, Amanda Seyfried, Anne Hathaway, Audrey Tautou, Bella Hadid, Cara Delevingne, Carey Mulligan, Carla Bruni-Sarkozy, Cate Blanchett, Cindy Crawford, Claire Foy, Clara Paget, Claudia Schiffer, Cora Corre, Diana Princess of Wales, Diane Kruger, Drew Barrymore, Ellie Bamber, Élodie Bouchez, Emilia Clarke, Emma Corrin, Emma Watson, Eva Green, Evan Rachel Wood, Florence Welch, Georgia May Jagger, Geraldine Chaplin, Gigi Hadid, Gisele Bündchen, Hailey Baldwin, Helena Bonham Carter, Helena Christensen, Hilary Swank, Jennifer Lawrence, Kate Bosworth, Kate Moss, Kate Winslet, Kendall Jenner, Keira Knightley, Kim Basinger, Kim Kardashian West, Kirsten Dunst, Kristen Stewart, Kristin Scott Thomas, Kaia Gerber, Kylie Minogue, Laetitia Casta, Lady Gaga, Lara Stone, Lauren Bacall, Léa Seydoux, Lennon Gallagher, Lily Cole, Lily Collins, Lily Donaldson, Lily-Rose Depp, Linda Evangelista, Liv Tyler, Lou Doillon, Madonna, Maggie Cheung, Marion Cotillard, Margot Robbie, Marine Vacth, Mary Kate & Ashley Olsen, Michelle Williams, Milla Jovovich, Monica Bellucci, Naomi Campbell, Naomi Scott, Naomi Watts, Nicole Kidman, Penelope Cruz, Pharrell Williams, Rafferty Law, Riley Keough, Rita Ora, Sarah Jessica Parker, Sharon Stone, Sienna Miller, Suki Waterhouse, Taylor Swift, Tilda Swinton, Uma Thurman, Vanessa Paradis, Winnie HarlowFashion ShowsAlberta Ferretti, Alexandre Vauthier, Anna Molinari, Antonio Berardi, Anya Hindmarch, Ashish, Asprey, Aquascutum, Bally, Balmain, Blugirl, Blumarine, Brioni, Burberry, Carolina Herrera, Chanel, Chloé, DKNY, Dolce & Gabbana, Dries Van Noten, DSquared2, Emporio Armani, Etro, Fendi, Gareth Pugh, Gianfranco Ferre, Giorgio Armani, Halpern, Iceberg, Isabel Marant, Jasper Conran, Jill Stuart, Julien Macdonald, Krizia, La Perla, Lancetti, Margaret Howell, Marios Schwab, Mary Katrantzou, Matthew Williamson, Max Mara, Micheal Halpern, Miu Miu, Monot, Moschino, Moschino Cheap & Chic, Mulberry, Nicholas Kirkwood, Nicole Farhi, Oscar de la Renta, Paul Smith, Philosophy, Ports 1961, Prada, Pringle, Ralph Lauren, Ralph & Russo, Roberto Cavalli, Roland Mouret, Ryan Lo, Salvatore Ferragamo, Sonia Rykiel, Sportmax, Thierry Mugler, Tom Ford, Topshop, Trussardi, Ungaro, Valentino, Vivienne Westwood, 16ArlingtonBio : http://www.premierhairandmakeup.com/hair/1-sam-mcknight/bio/Haircuts4Homeless : https://www.haircuts4homeless.com/Produced by : https://svnty6production.com/Artwork by : https://www.dvsyart.com/Support this show http://supporter.acast.com/hear-me-see-me. See acast.com/privacy for privacy and opt-out information.

SUBSKRYBUJ FREAKERY ➡ https://www.thefreakery.com/subskrybuj Oczy są zwierciadłem duszy – to wyświechtane stwierdzenie musi być wyjątkowo głęboko zakorzenione w naszej kulturze, ponieważ ponad 70% kobiet nie wyobraża sobie wyjścia z domu bez pomalowanych rzęs. Choć w ciągu życia zużywamy setki opakowań tego produktu, mało kto zastanawia się nad jego historią. Kobiety od zawsze pragnęły uwodzić spojrzeniem… Czytaj więcej »Historia tuszu do rzęs, czyli Rimmel, Twiggy i wibrujące szczoteczki [Historia makijażu].

SUBSKRYBUJ FREAKERY https://www.thefreakery.com/subskrybuj Oczy są zwierciadłem duszy – to wyświechtane stwierdzenie musi być wyjątkowo głęboko zakorzenione w naszej kulturze, ponieważ ponad 70% kobiet nie wyobraża sobie wyjścia z domu bez pomalowanych rzęs. Choć w ciągu życia zużywamy setki opakowań tego produktu, mało kto zastanawia się nad jego historią. Kobiety od zawsze pragnęły uwodzić spojrzeniem rzucanym spod długich, gęstych i ciemnych rzęs – stosowały do tego żmudne, domowe metody. Nic więc dziwnego, że w roku 1860 tak chętnie rzuciły się na rewolucyjny produkt Rimmela – pierwszy gotowy do użycia tusz do rzęs. Od ponad 100 lat to niezmiennie jeden z najpopularniejszych kosmetyków. Chcesz dowiedzieć się więcej? Oglądaj Freakery!

Welcome to You Beauty Daily. Over the next 20 days, we're going to be bringing you a daily dose of You Beauty. And today, Kelly and Leigh are going through their spendy and savey of the week, as well as their empties... A $10.00 Lip Gloss that Leigh Campbell swears by? Yes, please. Today on You Beauty we hear what products Kelly and Leigh have emptied this week, including dew drops, deodorant, and magic cream.  Plus, the spendy’s and savey’s of the week... All the products mentioned... Leigh's: SAVEY: Mario Badescu Hyaluronic Dew Drop Serum, $48 https://bit.ly/38BhdKV  SPENDY: Goldwell Kerasilk Reconstruct Split Ends Recovery Concentrate, $29.95 https://bit.ly/35uU22J  EMPTIES: Ena Rose Geranium and Lavender Body Oil, $44 https://bit.ly/3blTv74  Rimmel Oh My Gloss Plump in 210 - 1999, $9.99 https://bit.ly/2Lk2lYm  Kelly's  SPENDY: Evolis Reverse Promote Serum $65.00 https://bit.ly/3nxSAmu  SAVEY: Essano Skin Tone Perfector Niacinamide $24.00 https://bit.ly/3skEwAv  EMPTIES: Biode Deodorant $19.00 https://bit.ly/38w6S2E  Charlotte Tilbury Magic Cream Mini $45.00 https://bit.ly/3q7vWmG  Supple Skin Dew Drops $42.00 https://bit.ly/39cANMg  CREDITS Hosts: Leigh Campbell and Kelly McCarren Producer: Lize Ratliff & Leah Porges GET IN TOUCH: Got a beauty question you want answered?  Email us at podcast@mamamia.com.au or call the podphone on 02 8999 9386.  Join our You Beauty Facebook Group here...  https://www.facebook.com/groups/2112109512358240/ Want this and other podcasts delivered straight to your inbox?  Subscribe to our podcast newsletter...  https://www.mamamia.com.au/subscribe/ You Beauty is a podcast by Mamamia. Find more shows here .... https://www.mamamia.com.au/podcast/ See omnystudio.com/listener for privacy information.

This episode is an honest outlet of experiences and realization with Alaa Balkhy. Alaa shares what it's like being a serial entrepreneur, juggling multiple career roles and the organic consequences of dealing with wins and failures. She opens up about going through online therapy, prioritizing her mental health and positively impacting whether as an influencer or an entrepreneur. She’s a passionate person connecting continents with her work, living between Jeddah, New York, and Dubai. Episode is out now!Alaa Balkhy is a Serial Entrepreneur from Jeddah, Saudi Arabia, who works as a Cultural Consultant, Art Director, and Illustrator. She recently launched her own podcast called “Minnana Minnakum". Her work focuses on brand development, art direction, business development, and design strategy. Alaa launched a whimsical illustration brand “Fyunka”. With culture being the focus of her youthful artistic direction, Alaa’s brand quickly became a success both locally and internationally. Under her creative direction, Fyunka went on to collaborate with names like Rimmel and Netflix.

Una performance memorabile e una canzone immortale per dirsi addio. https://www.youtube.com/watch?v=O6dF8Gjm-X8

Andrew Bloch is the founder of Frank, one of the UK's most successful and established creative PR agencies responsible for some of the nation's most famous campaigns. Clients include big name brands such as Aldi, Burger King, VW, KLM and Rimmel. Andrew recently stepped down from the day-to-day side of agency life to become a non-executive director at Frank. He plans to spend his spare time consulting agencies in the creative and marketing services space, as well as taking on a number of advisory and board level positions. Andrew has acted as official spokesperson for Lord Sugar since 2001, and has handled the PR for all The Apprentice winners since the show started in 2005. He is listed in the ‘PR Week Power Book'​ – 'The Definitive Guide To The Most Influential People in PR' and is ranked as the most influential PR person on Twitter (@AndrewBloch). He is a founding mentor of the School of Communication Arts, a member of the Superbrands Council and a business mentor to The Princes Trust. Join our fully interactive Q&A sessions hosted by a different business expert every day. Pick up valuable tips and advice and discover practical positive steps you can take in the months ahead. You ask all the questions — add yours in the comments section of YouTube or Facebook or use the #QBATE hashtag on Twitter. #QuickBooks #LiveStream #YouTubeLive #AskTheExpert The world's largest workforce works for themselves. We work for them by providing smarter business tools. QuickBooks is always backing you. https://quickbooks.intuit.com/uk/ Subscribe to our YouTube channel: https://bit.ly/2ycNB3g Follow us on Facebook: https://www.facebook.com/QuickBooksUK/ Follow us on Twitter: https://twitter.com/QuickBooksUK Follow us on Instagram: https://www.instagram.com/quickbooksuk/

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Décimo capítulo del audiolibro del libro: Brage, J., "Sin miedo", Palabra, Madrid 2017Escucha este episodio completo y accede a todo el contenido exclusivo de Meditaciones diarias. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/874295

Brendan and Andrew interview Lesley Rimmel (https://history.okstate.edu/people/emeriti), a professor emerita of history at Oklahoma State University who specializes in the history of Russia under Stalin. Rimmel pushes back against the efforts by Grover Furr––a Maoist writer newly popular among pro-Stalinist (“tankie”) youth––to “normalize” and defend Stalin. She and the co-hosts discuss Stalin’s direct role in the mass repression campaign of the late 1930s––which Furr has characterized as a rogue anti-government operation!––as well as Furr’s contention that Stalin persistently attempted to “democratize the government of the Soviet Union.” The discussion then turns to considering Furr’s work, and young tankies’ embrace of it, as an instance of denialism, and to exploring how to fight this and other forms of denialism. During the discussion of the mass repression campaign, reference is made to the infamous 1937 Politburo order No. 00447. For further information, see: an image of its first page (https://upload.wikimedia.org/wikipedia/commons/thumb/5/5e/NKVD_Order_No._00447.jpg/800px-NKVD_Order_No._00447.jpg); a Russian transcription of the order’s full text (https://ru.wikisource.org/wiki/%D0%9F%D1%80%D0%B8%D0%BA%D0%B0%D0%B7_%D0%9D%D0%9A%D0%92%D0%94_%D0%BE%D1%82_30.07.1937_%E2%84%96_00447); and historian Nicolas Werth’s account (https://www.sciencespo.fr/mass-violence-war-massacre-resistance/en/document/nkvd-mass-secret-operation-n-00447-august-1937-november-1938.html) of it. Elsewhere in the interview, reference is made to Rimmel’s doctoral dissertation (https://search.proquest.com/docview/304211519); to Furr’s book Khrushchev Lied (https://www.amazon.com/Khrushchev-Lied-Revelation-Khrushchevs-Communist/dp/061544105X) and his two-part (https://ojs.library.ubc.ca/index.php/clogic/article/view/191861/188830) article alleging (https://ojs.library.ubc.ca/index.php/clogic/article/view/191862/188831) that Stalin struggled for democratic reform; and to short pieces in which Deborah Lipstadt (https://www.threemonkeysonline.com/defending-history-deborah-e-lipstadt-and-holocaust-denial/) and Robert P. Crease (https://physicsworld.com/a/fighting-science-denial/) discuss denialism and how to fight it. Plus: current-events segment on how to de-Trumpify America after Trump. The co-hosts intervene in a discussion recently kicked off by John Feffer (http://www.tomdispatch.com/post/176718/tomgram%3A_john_feffer%2C_the_de-trumpification_of_america_/) and Paul Rosenberg (https://www.salon.com/2020/08/01/on-the-de-trumpification-of-america-it-definitely-wont-be-easy-but-it-must-be-done/).

Il 1974 è segnato dalla strage di Brescia a Piazza della Loggia. Le canzoni più importanti di quest'anno sono scritte ancora da Guccini, De Gregori, ma è Riccardo Cocciante a prendersi la scena. Edoardo Bennato dà prova di grande analisi/satira sociale col brano “In fila per tre”. Si fa sentire anche Piero Ciampi con “Andare camminare lavorare”, e siamo giunti al 1975. Qui Bruno Lauzi porta al successo altri brani di Paolo Conte tra i quali “Genova per noi”. De André adesso scrive assieme a De Gregori e pubblica il suo “Volume 8”, mentre l'altro contemporaneamente produce uno dei suoi capolavori: l'album “Rimmel”.  Illustrazione creata da Lindartifex. All'interno delle puntate, sono utilizzati dei brevi accenni musicali fatti in maniera conforme ai buoni usi e nella misura giustificata dallo scopo divulgativo e utile per la corretta comprensione della narrazione. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shivani Sharma is a leading British Asian model and the face of Charlotte Tilbury, Sabyasachi, Becca Cosmetics, Harrods, Vero Moda, ASOS, Rimmel & Anita Dongre to name a few. Not to mention my social media girl crush! Shivani holds a BSc in Marketing from Aston University and has worked in 7 countries over the past 8 years.This episode is aimed for those thinking of becoming the face of their brand and an insight into the modelling/fashion industry. Shivani opens up about diversity in the industry and how she has built and sustained her social media presence. Not to mention the mindset she has created and we discuss how she has had to adapt modelling during lockdown. Find out more about Shivani Sharma via: Instagram, YouTube and TikTok (ivaanisworld).A new episode EVERY WEEK, showcasing the journeys of inspirational entrepreneurs, side hustlers and their mentors. We discuss their successes, challenges and how they overcame setbacks. Focusing mainly on what they wish they had known when starting out. The podcast aims to give aspiring entrepreneurs the confidence to Start Up and Start Now by showcasing real and relatable entrepreneurs. After all, seeing is believing! Join the conversation using #startupstartnow and tagging us on Instagram, Twitter, Facebook and LinkedIn. Don't forget to leave a review as it really helps us reach those who need it and allows us to get the best guests for you! Connect with Start Up. Start Now. and to nominate a guest please visit: www.startupstartnow.co.uk.  To connect with Sharena Shiv please visit: www.sharena.co.uk.

Sir Sidney McSprocket introduces two Great Minds – Eugene Rimmel and Sir James Dyson, and shows how being adaptive is an important quality for creative people.  See omnystudio.com/listener for privacy information.

The Lads Get together for a catch up and to shoot the shit!! Who knew Kim Kardashian loves Rimmel eh.....

Tässä jaksossa puhutaan meikeistä. Perehdytään meikkien historiaan ja muistellaan omia kokemuksia vuosien varrelta. Lopuksi kuullaan myös meidän top 3 lista lemppari tuotteista.

This is the seventh episode of the Tiger Heart Chats podcast featuring Tiger Heart CEO Sanj Surati and PR Guru Andrew Bloch recorded on Thursday 4th June 2020. Andrew Bloch is Founder and Non-Executive Director of Frank, one of the UK's most respected consumer PR agencies. Frank represents some of the nation's best-known brands including the likes of Aldi, Burger King, Coca-Cola, Direct Line, Volvo, Rimmel, Paddy Power and Weetabix. Frank is one of the industry's most decorated agencies, responsible for some of its most famous campaigns, and is the only agency to have been named 'Agency of The Year' 3 times by Marketing Magazine. On this podcast, Sanj probes Andrew on his history working on the PR world and asks Andrew about some of the projects he is most proud of. Some of the topics raised include: Frank – https://welcometofrank.comMarketing Creative PR Agency Communications Talkability Ad campaign Lynne Franks PR - https://lynnefranks.comAbsolutely Fabulous - https://www.bbc.co.uk/programmes/b00jm3msKetchum - https://www.ketchum.comGraham Goodkind - https://www.linkedin.com/in/goodkind/Enero - https://www.enero.comEquity Covid 19Sky News - https://news.sky.com/ukMarketing Magazine - http://www.marketingmagazine.co.ukBrand RepublicHaymarket - https://www.haymarket.comEmap - https://www.emap.comHP Brown Sauce - https://www.hpsauce.co.uk/product/100118200001/hp-brown-sauceMasters Snooker Tournament - https://wst.tvTracy Zetter - https://www.linkedin.com/in/tracey-zetter-74993446/Jimmy White - https://www.jimmywhitesnooker.comhttp://news.bbc.co.uk/sport1/hi/funny_old_game/4245973.stmBBC - https://www.bbc.co.ukRonnie O'Sullivan - https://twitter.com/ronnieo147Social Media PR Week - https://www.prweek.com/uk'The Definitive Guide to The Most Influential People in PR' - https://www.prweek.com/pwrbookhomeLord Sugar - https://twitter.com/Lord_SugarAmstrad - https://en.wikipedia.org/wiki/AmstradNick Hewer - https://twitter.com/Nick_HewerCountdown - https://www.channel4.com/programmes/countdownThe Apprentice - https://www.bbc.co.uk/programmes/b0071b63Tom Pellereau - https://styltom.co.ukLeah Totten - https://www.drleah.co.ukMark Wright - https://climb-online.co.ukRicky Martin - https://www.hyperec.comCarina Lapore - https://twitter.com/carinaleporeSuperbrands Council - https://www.superbrands.uk.comSponsorshipAdvisory Board Propel - https://www.propelmypr.comZach Cutler - https://twitter.com/zachmcutlerFunding Places:Australia BritainWembley Arena - https://www.ssearena.co.ukAdvice:You'll never be ready, so just do it – What is the worst that can happen Keep Challenging yourself Nurture your curiosity Find things that are fresh Opportunity is everywhere Adversity brings the best in people You'll attract more clients if you do good workYou have to have intergrityAndrew Bloch Links:ab@andrewbloch.co.ukhttps://www.instagram.com/blochstagram/https://twitter.com/AndrewBlochSanj Surati & Tiger Heart https://www.instagram.com/sanjsurati/ https://www.instagram.com/tigerhearttech/ https://www.twitter.com/sanjsurati/ https://www.twitter.com/tigerhearttech/You can listen to the Podcast on the following links: Apple: https://podcasts.apple.com/us/podcast/tiger-heart-chats/id1507957892?uo=4 Google: https://bit.ly/2znRXIKDeezer: https://www.deezer.com/show/1048492Don't forget to share: #tigerheartchats https://www.tigerheartlondon.comTiger Heart is an innovation agency that specialises in emerging technologies set up by Digital Atelier Sanj Surati. Sanj is an award winning multi-disciplined Digital Atelier with over twenty years of experience within the music, fashion and luxury industries. London-based Sanj has been working within digital and technology since 1998. He has seen the cultural shift in human habit and behaviour as we all evolve into digital consumers. Some of his successes have been burgeoning, ground breaking and, more importantly, culturally relevant.

Niklas Rimmel, einer der deutschen Baseball Sterne im Minor League System spricht in Folge 17 mit uns über Off-Season Training, Vorbereitung, Krafttraining. In dieser Folge tauchen wir ein tiefer als sonst in den Trainingsansatz von Niklas Rimmel und wie ihm die Vorbereitung auf dem Internat Regensburg geholfen hat sich bei den Minnesota Twins schnell einzufinden. Außerdem geht es darum wie wichtig Rhythmus für Pitcher ist und was es bedeutet ein Profi zu sein, also Accountable zu sein - und wie man sich das schon als Nicht-Profi aneignet und warum man Accountability braucht, wenn man es schaffen will. --- Support this podcast: https://anchor.fm/elbakademie/support

Join our fully interactive Q&A sessions hosted by a different business expert every day. Pick up valuable tips and advice and discover practical positive steps you can take in the weeks ahead. You ask all the questions — add yours in the comments section of YouTube or Facebook or use the #QBATE hashtag on Twitter. Andrew Bloch is the founder of Frank, one of the UK's most successful and established creative PR agencies responsible for some of the nation's most famous campaigns. Clients include big name brands such as Aldi, Burger King, VW, KLM and Rimmel. Last month, Andrew stepped down from the day-to-day side of agency life to become a non-executive director at Frank. He plans to spend his spare time consulting agencies in the creative and marketing services space, as well as taking on a number of advisory and board level positions. Andrew has acted as official spokesperson for Lord Sugar since 2001, and has handled the PR for all The Apprentice winners since the show started in 2005. He is listed in the ‘PR Week Power Book'​ – 'The Definitive Guide To The Most Influential People in PR' and is ranked as the most influential PR person on Twitter (@AndrewBloch). He is a founding mentor of the School of Communication Arts, a member of the Superbrands Council and a business mentor to The Princes Trust. #QuickBooks The world's largest workforce works for themselves. We work for them by providing smarter business tools. QuickBooks is always backing you. https://quickbooks.intuit.com/uk/ Subscribe to our YouTube channel: https://bit.ly/2ycNB3g Follow us on Facebook: https://www.facebook.com/QuickBooksUK/ Follow us on Twitter: https://twitter.com/QuickBooksUK Follow us on Instagram: https://www.instagram.com/quickbooksuk/

Niklas Rimmel ist einer der wenigen aktiven deutschen Spieler im Profibaseball. Er ist aktuell bei den Minnesota Twins unter Vertrag und in seiner zweiten vollen Saison nach Vertragsunterzeichnung in 2017. In Teil 1 spricht er mit uns aus dem Twins Complex in Florida über seinen Werdegang von den Fürth Pirates über das Sportinternat Regensburg in die Minor League, wie schnell er in den USA seinen Platz gefunden hat und die vielen positiven Erlebnisse. Außerdem erzählt er uns von seinen ersten Treffen mit Max Kepler und wie Max ihm indirekt bei seinem eigenen Weg zu den Twins geholfen hat. Niklas Rimmel is one of a few active German players in professional baseball. He plays for the Minnesota Twins in his second full season after signing in 2017. In Part 1 we reach him at the Twins training facility in Florida and chat about his baseball beginnings at the Führt Pirates, his time in Regensburg and his current gig as a pitcher for the Twins organisation. He talks about meeting Max Kepler and how Max inspired his own path to and in the Twins organisation. --- Support this podcast: https://anchor.fm/elbakademie/support

Tijd voor een nieuwe Brand Perspective: Hoe zetten andere merken influencers succesvol in? Wij vroegen het Jennifer Heuijerjans van Rimmel die haar persoonlijke visie deelt over waar de markt heen gaat, het belang van gelaagdheid in influencer marketing programma's en veel meer interessante insights! Hosts: Rosanne van de Leemkolk en John Meulemans

Lewys Ball proves that “makeup is for everybody to wear.” With nearly a quarter of a million followers on Instagram and over 28 million views on YouTube, his DIY beauty vlogs have earned him lots of fans and the attention of leading cosmetic brands who want to work with him. In this episode, he tells Shanie how vulnerable he felt posting his first videos, what it's like to walk into a shop and buy a make-up haul as a guy and how he deals with online trolls. In this series, we'll dig deep to get to know the real person behind the digital fame. Shanie will introduce you to some incredible people, with amazing journeys and stories that you can either relate to, learn from or be inspired by.

Der Launch von Warcraft 3 Reforged ging in die Hose und er hat es geahnt: Jannes “neo” Tjarks ist zusammen mit seinem Kollegen Remo “remodemo” Rimmel der bekannteste deutsche Esports-Kommentator für das in die Jahre gekommene Spiel. Jannes und Remo haben die WC3-Community über Jahre am Leben gehalten: Mit Erklärvideos, dem Casten einzigartiger Replays und eigenen Turnieren. Im unmuted-Podcast spricht er mit Yannic Hannebohn über die aktuellen Probleme des Publishers Blizzard, über die Ziele ihres Projekts Back2Warcraft und warum die Chinesen immer noch die Nase vorn haben. Für mehr Infos rund um unseren Podcast, folgt uns auf Twitter (www.twitter.com/unmuted_esports) und joint unserem Discord-Server (https://discord.gg/MGbRXAj).

HISTORIA DEL MAQUILLAJE Rimmel   Desde hace muchas semanas ando muy obsesionada con la cosmética vintage. Voy curioseando todo el tiempo vía internet, foros y tiendas de antigüedades sobre los primeros productos cosméticos, formulaciones, envases, etc… Y me ha sorprendido gratamente el mundo tan interesante que hay sobre el principio de la cosmética. Hoy en día tenemos al alcance de nuestra mano cualquier tipo de producto cosmético. En el mercado podemos encontrar productos para cubrir cualquier tipo de necesidad, pero esto no siempre ha sido así. La industria de la cosmética y la belleza tuvo que comenzar en algún momento. Hoy voy hablaros de los inicios de Rimmel London, una empresa que nació en el año 1834 y que ha día de hoy sigue siendo una marca líder y muy conocida entre las consumidoras de maquillaje y cosmética. En este link que te comparto puedes acceder a la entrada del blog para poder ver las fotos que comparto sobre este tema.   https://bymariajose.com/historia-del-maquillaje-los-comienzos-de-rimmel/  

In this week’s episode of Blogosphere: Serious Influence, Alice Audley (Blogosphere’s founder) speaks to influencer Lewys Ball, known online as Looking for Lewys. Lewys started his YouTube channel as a child, and has been balancing uploading content with his studies - first at school and then at university - for around a decade. He has worked on many brand campaigns including Rimmel. Series 3 of Blogosphere: Serious Influence is sponsored by the music licensing platform, Lickd (https://lickd.co/) .

Kylie Jenner has decided to sell 51% of her company Kylie Cosmetics. She now has a new business partner, conglomerate Coty. Coty also owns beauty brands such as Covergirl, OPI, Rimmel, GHD and Clairol.

This week we bring THREE spooky stories from Steve, Joe and Gav. Don't have nightmares. And if you do, it's not our fault. It's Matt's.

Spring has sprung which means pool time is not too far away, but does chlorine have an effect on your skin?  Kelly and Amy chat about the best way to protect your skin, and your hair, in a chlorine filled pool.  Plus, we discuss the best beginner makeup brands and products for tweens. And in our Spendy Savey segment, Amy recommends a $12 hyaluronic acid serum that’s just as good as the exxier ones. The list of products mentioned in this episode are below;  L’Occitane Shower Oil, $39. https://www.adorebeauty.com.au/loccitane/l-occitane-almond-shower-oil-250ml.html? Nivea In Shower Rich Body Lotion Skin Conditioner, $7.99. https://www.priceline.com.au/nivea-in-shower-rich-body-lotion-skin-conditioner-400-ml Tween beauty recommendations: Garnier BB Cream, $15.95. https://www.chemistwarehouse.com.au/buy/64315/garnier-bb-cream-miracle-skin-perfector-spf15-02-light-50ml?rcid=3614 MCoBeauty Highlight and Glow Stick, $8.40. https://www.woolworths.com.au/shop/productdetails/816687/mcobeauty-highlight-glow-stick-champagne Nude By Nature:https://nudebynature.com.au/ Maybelline:https://www.priceline.com.au/brand/maybelline Australis:https://www.australiscosmetics.com.au/ Rimmel:https://www.chemistwarehouse.com.au/shop-online/1004/rimmel-cosmetics Elf:https://www.elfcosmetics.com.au/ NYX: https://www.nyxcosmetics.com/ Amy’s Spendy: True Me Wide Straightener, $179. https://trueme.com.au/product/true-wide/ Kelly Spendy: ELEMIS Frangipani Monoi Body Oil, $86. https://www.mecca.com.au/elemis/frangipani-monoi-body-oil/I-031217.html Amy Savey: The Inkey List Hyaluronic Acid, $12. https://www.sephora.com.au/products/the-inkey-list-hyaluronic-acid/v/default Kelly Savey: Any exfoliating gloves from the supermarket/chemist CREDITS Hosts:Amy Clark and Kelly McCarren Producer:Rachael Hart  With thanks to our makeup expert Maddie Swan.  GET IN TOUCH: You Beauty is a podcast by Mamamia. Find more shows here .... https://www.mamamia.com.au/podcast/ Got a beauty question you want answered?  Email us at podcast@mamamia.com.au or call the podphone on 02 8999 9386.  Join our You Beauty Facebook Group here...  https://www.facebook.com/groups/2112109512358240/ Want this and other podcasts delivered straight to your inbox?  Subscribe to our podcast newsletter...  https://www.mamamia.com.au/subscribe/

In this week's episode, we're breaking down the history of the iconic makeup brand, Rimmel London. To learn more head to https://www.cavesocial.com/rimmel

Ceri Wheeldon of Fab after Fifty chats to make-up trainer Jo Jewitt of the Make-Up Training Company about how great Make Up can boost confidence over 50 and help midlife women look and feel fabulous.In the past Jo has worked her magic on Princess Di, Bette Midler, Barbra Streisand and Madonna. Today Jo wants all women to have the tools and techniques to transform their make-up in just 5 minutes using just 9 products in 9 steps. Jo is passionate about what she does - it's a lively conversation!! ----more----Episode transcript:[00:00:04] I'm Ceri Wheeldon. And welcome to the Fab after Fifty podcast. Leading the pro age conversation, talking about all things life after 50. [00:00:17] Hello and welcome to this week's episode of the Fab after Fifty podcast. And I have with me today Jo-Anne Jewitt,  make up trainer extraordinaire. Hello, Jo, and welcome to Fab up to 50. [00:00:28] Hello. Hello. Great to be here talking to like minded people. [00:00:33] Absolutely, we've had fabulous chats haven't we outside of this podcast and I think it's important to share your philosophy with our listeners and the readers of the website. But first of all, can you tell us a little bit about your own backgrounds in the makeup industry? [00:00:49] Well, How long have you got? I know it's a long. It's a long. I am now 61. So it started when I was 19 and I had a broken heart. And I joined the promotion team for Helena Rubinstein, gone to the south of France to be a nanny, realized I hated kids. And then I came back with my tail between my legs, had a little jaunt  in the police force and then realised I was going to be the worst policewoman that's ever been known to man. So I joined Rubenstein  and I started travelling. And basically I used to sit with women for hours on end and everybody else would say buy two products and I'll give you a bathrobe and. And amazingly, everybody was just there would be queuing up to see me, which even then it was was quite a revelation. And it made me realise that actually people woould actually come in for advice. They didn't want a free bathrobe or, you know, three free products. They wanted. They wanted proper advice. So I started with that because I was very successful at what I did. I came to the attention of Liz Laverne, who was our director. I was being poached by various different people because obviously I was having humongous sales. And basically they said, what can we do to keep you? So I said, well, I'd like to be properly trained. So they sent me off to Fabourge St. Honore in Paris and I did my makeup training there.  When I came back. They kind of exploited that. I know that's fine, but that's fine because I benefited from it. [00:02:34] And then I used to do private one to ones with with elite clients, if you like. YOu've had some very elite clients haven't you?  And I did. I did. And all of them were, you know, weren't really planned in that way. But I had the beautiful Princess Di who came to me because I'd done quite a few of her friends, what we used to call back in the day, Sloane Rangers and a few of her friends had already been to me. So she came for advice because she was getting engaged and she was wearing a blue suit. And we had a big fight about blue liner because at that point, all she did actually was have her eyelashes tinted navy, weirdly,  But you know what I mean? And until we had this kind of big performance and we had a wonderful one to one, she was gorgeous, very, very, very shy, giggly young country girl who had never worn makeup. But cleverly, she actually realised that because of that point, she was being papped everywhere. And she realised that she didn't have a makeup artist permanently on her side. So she needed to learn how to use makeup for herself. And I like to think that that I taught her that. And we became quite good friends. We saw again each other. Unfortunately, I didn't realise who she was marrying at that point. And when she asked me about the wedding date, I said, oh, I'm not here. I mean, the wrong move. But good for Barbara Daley. But as well as the Princess  I had Barbra Streisand, Bette Midler and Madonna. But Madonna was just same age as me. [00:04:24] She was just really a little pop star. Really. I didn't think she was going to turn into the icon that she is today and that the two of us would be still some being aware, doing our thing at 61. But here we are. Madonna, she's the same age as me. But. And Princess ALEXANDRA, various different people. But also, you know, just normal people and, you know, great people that just because they were celebrities or celebrities, they're just women the same as you and me, you know, they just want to look their absolute best. You know, some of the people like Barbra Streisand, she wouldn't say she's got a kind of classic beauty look. But Crikey, she does know how to make the best of herself. And that was quite an inspiration as well, because that was good. And then I went off and I did some freelance stuff. And because we bought Armani perfume, I started doing the makeup for Armani. And it was all very exciting stuff. But it all kind of, for a little girl from Sunderland who just arrived in the in the big smoke. They all used to say, say something? And I'd say. What do you want me to say? Like, oh, listen to it, isn't she sweet because it was the days before Big Brother. So I was very, very unusual in the fact that I was from the Northeast, but it was great fun and and obviously it looks great on my portfolio. But once more, with feeling that just normal women who are the same as you and I, they just want to look like themselves but better. [00:05:52] But when it comes to our age as sort of well, you're 61, I think I'll be 60 by the time this one goes oou. Don't be frightened, Ceri. It's fine. I'm not frightened. I'm not frightened I have so many other things going on. But when you get to be over 50, why do you think it's important for us to wear makeup and perhaps even sort of take a look at how we wear that makeup? [00:06:17] Well I wrote my book when I was 50, I like most, not like most women. I retired and hung up my makeup brushes when I had my first child. Cameron, who is now 32. And and I you know, I put that to one side. I used to do occasional things. But when I reached 45, I think and I think this is a time when we all look in the mirror and then we realise that, you know, certainly at 50, I think you realise that things have changed and our beauty needs change. And, you know, all the kind of the look that I had when I was younger, I always took it for granted. And then I noticed, you know, the inevitable lines and wrinkles and dark shadows. And, you know, you're ever changing menopausal skin where you've got hair grown out of your chin instead of your eyebrows. And, you know, we've got the kind of ... My mother said to me, when you reach 50, things start to drop off. And I had no idea what she was talking about until I reached 50. And I think at that point, I realised that I needed to change my routine, my routine. You know, beauty needs have change. I needed to look after my skin more. You know, definitely I needed to use eye creams and just things were changing. And so at that point, I also obviously lots of my friends were the same age as me. [00:07:52] And they were saying, you know, I just my face is completely you know, sometimes you just wake up and all of a sudden it's just there is n't. You raise your children, you've done your career. You've worked hard to, you know, maintain a mortgage and do all the things that you do in life, chips away at you. Really. And then I think women are eternal martyrs. You know, they are we are the ones who kind of give to everyone, your children, your businesses, your husband, like everything else. And we put ourselves really at the back of the list. And I think that's that when you do the you know, the children have grown up, they've gone off. And then you think, oh, my God, there's me. At that point, I think it's really important to revisit your face and really start thinking about grown up makeup and put your money towards that. But the thing that got me the most at that stage was where do you go? Does a discerning woman over 40 or 50 do go into a department store? I don't think so. I mean, I was that soldier back in the day, but 90 percent. Well, you've got to understand that beauty consultants work for a company. I've made sure that I'm not allegiant to any company. So I cherry pick exactly what I feel is right and I use what I absolutely know is right for my clients and you know, the people that I talk to. [00:09:22] But I think, wait, where do you go? I mean, I don't want to go into a department store and talk to a young, albeit enthusiastic young girl, you know, who just looks as if she's been asleep on a mars bar. But I don't want to look like that. That's not the look that I'm trying to achieve. I just want to, you know, look, highlight the best that that that's there. You know, at this point in time, my lids have got heavier, my eyebrows gone white. You know, like I said, you've got the inevitable hair that comes out in the wrong place. Your eyebrows grow straight ahead instead of the behaving  themselves and going the other way. You know that all of these things are a bit of a challenge. And that can be really depressing if you you know, if you just concentrate on them. A lot of the people that come to me are quite concerned about things like that. But, you know, the thing is, don't become a Botox junkie. That's not that's not going to work. I don't think, you know, the right makeup is the right way is the most powerful weapon for women our age. It's very important that we kind of revisit retire, you know, the blue eye shadow, the fuscia lips, the orange blusher. the over arched eyebrows that we did in the past, you know, and what we've got to do is kind of embrace a new way. [00:10:44] So I developed the technique which I use all the time now, which is minimal, because, again, you know, I think that what we have got to understand, that we need things that are minimal and effortless. And, you know, we need to know what works and what doesn't. And I think that's that's key to everything. Nobody wants to be sitting in front of a mirror for three quarters of an hour, putting false eyelashes on and try to get that perfect eyeliner flick. You know, harsh lines have got to go. You know, all of the things that we used to get away with. You know, the lip liner in one colour and the lipstick in another and tentilly lip gloss. You know, it doesn't look right now. We can't do that. But we can capture a totally natural look and still and get that glow. But as I said, it's very important that the eyeliner, the harsh lines. You know, those those things have got to go. You've got to really start thinking about the technique is designed to contour your face and, you know, and actually shape your eye, you know, the heavy lid, if you just use a very small amount of matte taupe into the centre of the crease of your eye, that makes such a difference. It's quite it's quite extraordinary. And sometimes I even shock myself when I'm doing somebodies makeup. We both go back. It's emotional. [00:12:14] It is. And I think also I mean, when we started wearing makeup in our teens. We wanted to look older, didn't we? We wanted to look more grown up. So we were that  crazy. [00:12:24] You know, when we were doing things to make us look older. [00:12:26] If we don't change them, look, you know, we're not doing our current faces any justice, are we? [00:12:34] Not at all. And I think this is the issue that, you know. If you don't change the way that you have used, make it. If you haven't changed your makeup in the last, say, 10 years, then you're not really doing your face justice. You know, we need to start thinking in terms of, like I said, just using contour powders and showing off your cheekbones and getting your colours right. You know, I mean, the colours are really important. The amount of people who at the minute, you know, the biggest thing I wish I could get hold of Theresa May. You're listening, Theresa. I'm available. She's my MP. So if  you pay me a visit? Well, if you see her, just say Jo- wants to see her. Well next time I'm in  Waitrose I'll Look out for her. Perfect. Do that. Just take her to one side one side. You might end up with a black eye yourself, but I don't think so. I don't think she is. No, I don't think she is aggressive in the slightest. She might have a few words for Boris, but never mind. The main thing is that you know that like this dark lipstick that when you've got thinning lips as you get older, you you know, I certainly know my lips seem to have just disappeared. So, you know, there are certain tricks that you can use. But one of the most important things is don't use really deep pink lipstick or red on thinning, ageing lips. It just doesn't work. You know, and like I said, what worked for us when we were kids just doesn't work anymore. So, you know, you've got to really look at that. And and and like I said, revisit your face and remember, you know, makeups an expression of who you are, not who you were. [00:14:17] You said something earlier, which I thought was a lovely phrase, that great makeup can reclaim you. I love that. You mentioned that earlier. [00:14:26] Yeah, well, it's true, isn't it? You know, I mean, the thing is that all of the things that we used to do when we were kids, it was it it was then we could get away with it. And as you rightly say, and you know, when we were younger, we used to put makeup on to try and look older. And and I think a lot of the time now, you know, my daughter is twenty three and she's 24 now. How did that happen? But she you know, she has her look and, you know, the Love Island kind of eyebrows and things like that. We've all gone through the gimmicks of makeup. And, you know, when we were kids, you know, it was teal eyeshadow and they're, you know, orange blusher and all these things that we developed basically to try to get people to buy another range of makeup. You'd have the spring colours and then the summer colours and then the autumn colours to try and make you buy so much stuff. And the tragedy is certainly at our age the more things that you buy. You know, when people come to my workshops or master classes, certainly if it's a one to one, I have a kind of end of the session where I go through people's makeup bags and say, right, you know, this is give that to someone you hate. And you know, and again, at that point, you have got to be brutal because great things happen that are very, very small makeup bag. [00:16:00] You shouldn't have lots and lots of products, but you should have the right product and you should have the right colours that work for you. And I you know, I don't advocate lots and lots of colours. You're either one range or you're another range. And once you master that, because again, if if you start, it's like with skincare, you know, if people start to branch out onto loads and loads of stuff. I had somebody here on Friday who she literally trotted her makeup in , you know, and then went back and brought some more in. And it was quite sad because she had three different colours of touche eclat that she'd been sold. She'd had all these different palettes of, you know, 10 eye shadows and that she'd bought at great expense. And not one of the colours in the palette was right for it. And it felt awful. But, you know, I said, you really just got to ditch it. You've got to be brutal. Get rid of it all and start again and do it from a minimal point of view. You know, you needed certain colours, eyes, cheeks and lips matching and, you know, and very little foundation and no makeup. You know, these brushes and C.C. creams and b b creams and Double d creams. I mean, what is going on? Primers and serums. And you could go on for ever. [00:17:25] And I think my biggest, biggest message is keep it simple. Keep it real. That you can do it and you can actually achieve it because buying this product, we're just feeding into the cosmetic companies greed and you know, they're more than happy for you to go on buying four different colours of touche eclat. [00:17:47] But it's not going to give you the look that you want. It will never, ever do that. So it's very important that we are realistic about what what it is that we need. And I'm probably a bit of an anarchist. As regards makeup, that's somebody called me.  It's good they call you something isn't it. As long as they are talking about you. That's still good. [00:18:14] Maybe urban guerrilla of the cosmetic industry . You can be the expert in the Cape or something like that. [00:18:22] Absolutely. I'd buy a cape and be a crusader. So, you have to be heather and berries and or peaches and cream. But with the new products that are out there  I mean,  I get sent them to review and I'm very happy to review them, I like  playing with pots of stuff. But do we need to look at new formulations that are especially developed for mature or does the standard make up range still work for us? [00:18:48] Well, again, I think, you know, I mean, there are so many different products that have been brought out onto the market all the time. And makeup is makeup. You know, there are certain ones that that are devised or designed around more mature skin. And, you know, that's all very well and good. And some of the things are really great. I'm sure that you've, you know, had things that you think are absolutely marvellous and then other things that, you know, in your heart are just a gimmick. It's whether, it's miss or miracle isn't net. You've got to kind of really use your common sense. And by the time we've got to 50 and certainly now that I'm 60, I have got a large amount of common sense. I can see through, you know, sales patter and I can see through the gimmicks that people put out. And the cosmetic industry is is world renowned for doing that. You know, there's always something incredible that's going to do everything that you wanted to do. But the most important thing is, like I said and what I do, because I think what I'm doing is bridging the gap in the makeup industry and certainly in the beauty industry, because it again, where do you go for honest advice? And this is the thing. You know, there's usually an angle, too. And, you know, don't get me wrong, I'm filming. As I explained to you, I'm going to be filming very soon and I'm going to do an online makeup course which people will have to pay for. [00:20:25] So that's fine. But I'm not apologising for that. I think our age group would definitely pay to be taught how to use makeup. I don't use and I am certainly no supermodel, you know. I mean, at the end of the day, I think it's it's very difficult. Sometimes I look at the things that are on YouTube and I look at the things that are on Instagram and whatever else. And 90 percent of the women that are showing you these miraculous things, they're actually beautiful anyway, you know, so I'm not talking to the women that haven't got challenges, you know, aren't talking to the women who the people that come to me, you know, have got all of a sudden the their eyes, they are thinking in terms of, do I get an eye lift? Well, no. You can use makeup. It's it can have exactly the same effect without the dramatic cost, not only for your purse, but also, in my opinion, to you, to your face. You know, I had a melanoma in my eye and I had to get it cut out. And I've never been more terrified of anything in my life. And I can remember thinking, if women do this and pay for it just to get an eye lift, then that's wrong. You know, I mean, the makeup is it's so miraculous if it's used in the right way. And so that's that's what I'm trying to tell people. [00:21:50] You don't have to be a Botox junkee. You don't have to go and get you know, I know you don't have to do surgery. You just need to really just look like yourself and then and embrace the way you look, because it's it's fine. You know, it's OK. We're none of us the 20 anymore. And that's good. You know, we can applaud that. And the fact that a lot of my friends have made it to this age. So, you know, at the end of the day, it's about embracing what you've got. I've earned my lines, crow's feet, you know, laughter lines. They to me, they're equal to a life well lived where I got, you know, the. Cause I've got heavy lids, I've got all of those things, and it would be very easy to get depressed about it, especially if you've been incredibly beautiful and then all of a sudden things start. As my mother would say, to drop off. But I think, you know, you've got to really just stop being positive about yourself. When I put my makeup on, you know, my spirits rise. I feel confident and I feel able to kind of, you know, feel the world. And it is quite miraculous. I feel better about myself. You know, I've got confidence and I'm back in the room. I'm 60, but that's fine. And then usually people saying you look you look really radiant today. Jo and I say, yes. [00:23:20] And also, I live in a very little village in the middle of the peak district. So a lot of the time I walk around with no makeup on. And then when I do put it on, everybody is kind of taken aback. Yeah, in a good way and a good way. [00:23:34] I mean, I mean, I never go out without makeup. That's just me. And I was reminded by our friend very recently and we've been friends since we were in our 20s. And her daughter wanted to go out somewhere in a hurry. And she said, oh, hang on, I just got to put my mascara and lipstick on. Why is that? Because, Ceri, I had said to her when I was like 24 years old or something. We were going somewhere and she was going to rush out without makeup and had it only takes five minutes to put this on. You'll feel better about yourself all day. And since then she's never left the house without mascara. She said just said that I can't because she knows that she would be like the wrath of Ceri. No, I can't say to Ceri that I left the house without my mascara on. I don't even remember that conversation? But she said she thinks that every time she picks up her mascara brush. That's the way to do it. [00:24:27] Well, it's probably helped her through a life in the fact that she does probably realise that when she puts mascara on, all of a sudden her eyes come alive. You know, speaking as one who is like albino ish without makeup on, because I  always remember when I was about, I don't know, 13, 14 discovering mascara. And it was a revelation. And I think that's when I fell in love with makeup, because I again, my mother said, I think our Jo-Anne's going to be very plain. Oh, that's awful! I know. Because even as a child, I was I've got white eyelashes, white eyebrows. And I'm, you know, kind of a very, very, you know, pasty faced person. So I suppose that's why I fell in love with makeup, because I realized the power of makeup even around about 15. But, you know, then I kind of reached my 20s and then we do all that kind of multicoloured stuff. And, you know, I mean, I used to go out and make something of Star Trek when I was 20, 22. And I can remember doing, you know, different makeup on, you know, Whitney Houston, when we all used to wear like try and get as many colours on your lids as we possibly could. But, you know, that was then and it was great fun. But this is now. [00:25:48] And, you know,  I think the biggest thing is trying to release ourselves from the gimmicks of what makeup was. And I think the game changes when you're 50, it really does. I don't want to say that you can't wear, you know, lots of makeup. Some people feel perfectly fine wearing large amounts of makeup. And, you know, I've just recently had the biggest one of the biggest tasks with the most lovely woman. But she had been wearing so much foundation for so long and she'd never changed her makeup for 30 years. And so and it was quite dramatic. You know, black eyeliner. It was very dramatic. And it she knew that she needed to change, but she really didn't have the confidence to actually let go. And and so obviously, she was going in still buying all of this stuff and the things that she was sold. Honestly, Ceri, don't go and see this person, this consultant, because she must have just thought she must be wearing a bottle of, you know, I wont name. foundation a week. And the problem was that underneath that, she actually has got the most beautiful skin and beautiful face. But this was a mask that she'd actually been using. And she knew she needed to change, but she did know where to go. [00:27:25] And there isn't anywhere. So that that's where we come in with the makeup training company. Look there. Well, it's a fact. And, you know, that's why I started really, it was a mission. That's why I wrote the book initially. And so now hopefully, you know, we'll get the online course along. So my in my head, there'll be an online course. There'll be a book that people can read either hard copy or an e-book and then a makeup kit. And it's picking those colours again. And as you know, I have it in two colour schemes. So it's very, very simple to follow. [00:28:03] Why two colour schemes? [00:28:05] Well, again, it's the simplicity of it, really. And strangely enough, I did start you know, I realised that I needed to get a a range of makeup that makes sense to people, you know, that actually they can understand. So, you know, when you stop going into delving into, you know, all of the gimmicks that the companies put out, like I said, all these different season colours and everything else. People just want, you know, something a routine that is minimal. that's effortless, that they can actually go to and apply and they know immediately they're going to look brilliant. And so consequently, the main thing that I designed back then. Absolutely 100 percent I know it works now is if you've got blue eyes. The priority is to bring out the colour of your eyes. It's nothing to do with the outfit that you're wearing, because to me, with a make up range. The colours that you wear. Somebody was asking me, is it Colour Me Beautiful or something? No, it's not really. It's just being sensible about it. If you've got blue eyes, then if you use peach above the lashes, it brings out the blue in your eyes. So you use that. So it's peach above the lashes then bronzes, brown's creams, that kind of stuff. So whatever you choose on your eyes, you follow through  on your cheeks and on your lips. [00:29:36] So, you know, again, everybody needs to show off the cheekbones. Not like the Mars Bar. Look, I'm talking about, you know, just gently contouring your face. And there is a trick trick to that as well, which is, you know, you take it from the ear and push forward towards your nose. When we were kids, everybody used to just brush it back the way and then you get that big clump at the front of your face. Well, that's. We can't do that now. So you have to turn your face. It's very difficult to explain it without showing you. But anyway. So contouring your face and then a pop of like a coral blush and then a peachy, you know, soft, peachy coral lipstick. And once you actually as soon as you get to that final end where you put the lipstick on, it's like a revelation. Everybody is like, oh, my God, look at that. That's amazing. And then, you know, and the priority again is that you're able to do it yourself. When people come to me for a one to one, for instance, I do half of these and they do the other half, which is, you know, is a great way of doing it. If I do groups, it's great because everybody can see the colours being put on. And then, you know, you've got Heathers and Berries, which now if you've got green eyes, if you yet again back in the day we all used to put green eye shadow on. [00:30:59] Well, if you think about it, if you're trying to show off an emerald, you'd never put it on a green background. So, you know, that doesn't work. So you need to wear something that completely contrasts with the green of your eyes. In which case you're talking about Heathers. No, I'm not talking about Plum here, because Plum has red in it. It has to be like a very soft heathers on your eyes and and and a kind of pink, shimmery pink above the lashes. That's the only place you put glitter. We have got to stop wearing any kind of glitter on the face or shimmer because shimmer highlights wrinkles. Remember that, if nothing else. So don't you know that above the lashes is a highlight? That's fine. So and then you follow through with the kind of contour again in more or less like a deep, plummy kind of contour  powder and then a pink blush. Sometimes I use a one from clinic which looks absolutely, massively hugely bright pink. But when you put it on, it's amazing. It's actually really beautiful. And then a very soft pink lipstick. So, you know, again, eyes, cheeks and lips or matching. [00:32:14] If you've got brown eyes, you know, the world is your hamster. You can get away with most things, to be quite frank. But I think at that point you've got to start looking at the colour of your skin. Normally with brown eyes, you'll either be more of a sallow skin or, you know, Asian, a woman of colour. That kind of thing. So and oriental, definitely. [00:32:36] Because, we've got Jenny who are using the book, and Lauren who I use in the book, who Jenny's Chinese. So we used because she's got more of a sallow skin. They work beautifully because obviously they're just give back colour to a face. Yeah. And again, simplifying it down to what works for you and then sticking to it. [00:33:02] And typically, if you were to say take say the peaches and cream makeup look, how many products would you expect somebody to have to buy to do that? [00:33:13] Well, first of all, you need  in the technique altogether, there are nine steps. So first of all, you've got to concealer stick, which you need as to cover up any redness, any broken beans. I've got broken veins at the front of my face. [00:33:31] So you use and I used just bog standard Rimmel concealer stick, which works for me. Also, you need to use it as an eyeshadow base, although there are some really good ones, they usually really expensive and probably not worth paying for. I just use Rimmel concealer stick , Touche Eclat is a great thing to actually cover up any dark shadows and the smallest amount of foundation that you can possibly get away with and use it from the back of your hand and use your fingertip to actually press it on your face. [00:34:04] No brushes are sponges because then you're going to get this kind of heavy makeup thing and makeup again can really highlight wrinkles. I'm sure you've seen it where people have had far too much foundation on and you can see it immediately because it just sinks into the lines. So you're just using it to kind of create a canvas, really? And then we need eyebrows are absolutely essential as we get older, as you and I both know, and it's again, getting that eyebrow shape is hugely important. So there are many different products, but I personally just use an eyebrow pencil and then use the brush to brush it out. And that works brilliantly well. Some people there are lots and lots of different eyebrow products out there now. The realisation that eyebrows are essential to your final look is pretty clear. See? And then you need really a quad. I would say four eye colours, one above the rushes, one below the brow and much taupe, which is absolutely essential to anybody which goes and it has to be matt. I didn't put my glasses on properly the other day and I was put my eye make up on , put the shimmer and even I was shocked. Oh, my God. The wrinkles. So definitely has to be matt. And you put that into the into the center of the eye, into the socket of the eye, and then brush it up to the brow and decide if you do nothing else. [00:35:37] That is a really good thing to do. Just use the concealer effect as a base and then just brush that into the centre of the eye. Because we all need that definition, because as you get older, you know, we lose the definition in our eyes and then and then a bronzer. If you were going to get anything at all, then. But again, it has to be a matt no shimmer bronzer and not too orange either. Studio 10 do a really good one and Rimmel do a good one. It just needs to be used as a contour powder on you temples from your ear towards your nose, a little bit on your chin and a little bit on your nose. And that's the thing that gives you your face definition. And then a blush and lipstick. That's it. Mascara, please, yourself. You know, mascara is mascara. I don't know how people get too excited about mascara. I do particularly like a violet mascara from a YSL. They're all they do. And it has to be violet, not the plum. The plum makes you look as if you'd been bashed in the eye. The violet just is absolutely really pretty. But again, then that's it. Just keep to that. That's that's as much as you need. So it's kind of nine steps, nine products. That's it. [00:36:58] And how long, if you're doing on yourself, should that take? [00:37:03] If I'm doing it, say I'm doing some kind of talk and I know that people are going to be scrutinising my face and kind of looking for any anything wrong. She calls herself a makeup artist. Look at that. And then I will take probably about half an hour. If I'm just literally going out the shops or whatever, I can do my makeup in five minutes. If it's if it's more than that, my life, which is not worth while, my husband will be going off, for God's sake. [00:37:37] When you know how to do it, it shouldn't take that long. [00:37:41] No, it shouldn't at all. And I think if it does take I mean, if I'm really going for it, then I'll probably take, like I said, 20 minutes . But if if if I'm just literally getting ready to go to the pub or go shopping or something, then definitely five minutes. It takes time to get to that because obviously, you know, you need to start playing with Julia, who have just been explaining about it. I mean, this is a massive transition in her makeup. It's you know, it's taken it from the extreme to, you know, this minimal amount. And believe it or not, that that's difficult when you've been it's like anything if you've been doing the same thing for 30 years and then somebody says, actually, don't do that, do this. It's going to take a little while to start rethinking your regime and how you actually use it. But again, it just it works. And so as time goes on, I've got so many clients that come back to me and and, you know, see the most beautiful things to me, which is which is great, because at the end of the day, it can change your life. It's not just makeup, this stuff. You know, it make it how you feel about yourself, how you present yourself. The confidence that it gives you. Because, you know, we've all gone through. Like I said once more with feeling as we get older, we've all gone through life's challenges, haven't we? You know, we've all had to deal with. I'm trying not to swear because I don't know exactly. You know, well, you know, we've all had to deal with the things that go wrong in our lives. And at the end of the day, it chips away at you. And a lot of people that come to me, you know, I've had people that have come to me that got divorced. [00:39:41] Their husbands run off with a younger model. You know, that old that old story or they've had bereavement in their lives. And, you know, or had illness. And, you know, to be honest with you, I've had all of them bot not actually gone through with the divorce. We got back together. But I you know, I mean, I've had emotional challenges, they really take a toll on you. And when things go wrong and things can happen in your life, it can actually affect how you feel about yourself. And that's wrong because, you know, we are all you know, we've all got that that young girl inside of us suddenly. You know, the carefree, you know, don't get going I may swear again. I don't give a shit. You know, the person who is a natural, carefree girl completely, completely at ease with yourself and able to cope with life. And I think this one of that one of the things that does happen, you know, not want to be too psychologically drawn into this, but is that your confidence is chipped and and, you know, the menopause. All of these things, your hormone imbalances, everything. It just it just kind of grab a hold of you. But we do have to stop all of that. And I think makeup does really play a role in how you feel about yourself. You know, I'm massively overweight. I've got about three strands of hair. It seems to have come off my head and come out in my chin. You know, there are certain things that I would love to change about myself. There are you know, I've had you know, this is the thing, but I'm absolutely fine. [00:41:29] I put my makeup on and I know I look absolutely fine. And I can go out there and face the world. And I think for anybody who's listening to this, I you know, I am that soldier. We are those soldiers. We all feel like that, you know, anxiety grabs hold of you. You know, you start to lose belief in yourself. There are certain things that happen in your life that do that. [00:41:54] But get a great,  (I was going to swear again) Get a great set of makeup. Change the way you look. Not in a bad way. Just emphasise the beauty that is there because it is that it's in every single one of us. We just need to really come to terms with how things are changing because we're all in the same boat. [00:42:19] You know, we all you know what? You know, as time goes on, these are the things that we're all facing. But, you know, like I said once more, we're feeling a lot of my friends haven't made it to 61. So let's not worry about, you know, don't sweat the small stuff. Just embrace what you what you are. [00:42:38] Highlight the beauty that is there, because it is. And you know, and and, you know, again, just kind of celebrate your crow's feet in your life. Laughter lines. You know, like I said, it's a life well lived. [00:42:53] Absolutely. So would you say those would be your three tips. . To embrace highlights and celebrate. [00:43:01] Yes. Embrace, highlight and celebrate. That's a good way to put it. I like that. That's why you're good at what you do, because you can put these words in.  No, I think that's a really good thing to put forward. And because, you know, again, once more, with feeling as we get older, it's a lot of women do feel and I'm talking. If you're feeling like that, whoever is listening to this, if there's anybody listening, you were there. Just start celebrating the fact that, you know, we're all beautiful and try to start thinking in terms of celebrating the fact that we are beautiful and highlight the best bets, the colour of your eyes, the shape of your face, the contour of your face, and never let your make up walk into a room before you do. If you're wearing too much makeup, you're masking yourself. And that's that's wrong. And if you haven't changed your makeup in the last ten years, start thinking about it because it doesn't suit you anymore. There are things out there and you need to start really rethinking. So if I was going to send a message, I would probably be that. [00:44:08] So if people wanted to get in touch with you or find out about more more about what you do and your makeup techniques, how would they go about it? [00:44:17] Well, I've got hoping that you'll put any kind of link, you know, if they want to contact me, that obviously there's the makeup training company website. And that does actually have, you know, training courses that I do, because obviously I do public ones, which, you know, we do. I'm doing one at HawCross Hall on Saturday. I do private one to ones. And I do private groups. I do corporate training. And I'm also doing some makeup courses for younger beauty therapists and beauty professionals that again, need to be taught how to address older skin because, you know, it's all great for a 23 year old, but to start looking. But if they start putting the makeup that they wear on me, I'm going to look ridiculous. So it's again, it's retraining the trainers, if you like. But in the grand scheme of things that we do, all of these things, hopefully in January next year, we'll get the online course available. And at that point, like I said, hoping that that will get more of the kind of coverage I want to be on the Lorraine show, I really fancy Lorraine. [00:45:44] But I haven't been on her show, but I've met quite a few times and she's been lovely every single time. [00:45:50] She she is lovely, I can say I did do Denise Robertson, who was on this morning, who unfortunately died, she's from Sunderland where I'm from. And I remember she came to me just to get some tips. And she actually did write a lovely piece to put on the back of my book. Yeah. With your book, Jo, because you've mentioned your book, but you haven't thought of what it's called or where we can find it.  It's called The Beautiful Truth Makeup Made Easy. I'm not I don't sell it on online, actually. But if anybody wants to contact me, certainly they can that I can get one sent out. No problem whatsoever. And and, you know, generally, if people want to get in touch with me, they can get in touch with me through the website. I'm also on Instagram, Facebook Linkedin all of the above. And and, you know, get in touch. Happy to talk to anybody about anything. It's a mission that we're on. Hopefully we'll get the make up set. Hopefully we'll get the online academy going in or make up course going in January. But if anybody wants to come along  to a one to one. Anyway, it's all out there. I'm here and ready to talk to anybody who needs me. That's for sure. [00:47:17] Well, thank you so much for taking the time out today, sharing your tips and talking about how makeup can really, as you said, help us to see that great makeup, can help us to reclaim ourselves. And it shouldn't take that long or too many products. We're not looking at a massive investment either in terms of cost or time, are we? [00:47:34] No, we're not. No, we're not. And, you know, the priority is keep the faith because it's all out there. All you've got to do is, you know, is learn how. And I suppose that's where we are bridging the gap in the makeup industry and the beauty industry as a whole. And don't spend too much. You just need to get the right product and remember it. It's the most powerful weapon, you know, to make you feel great. [00:48:02] And if there's anybody feeling wretched out that you're not alone, you know, and it might not take might just take five, five, five minutes and nine products, just to give you that lift, it only has to be temporary, put a smile on your face and I guess walk out the door. Put that spring in your step, doesn't it really? [00:48:18] Absolutely. It can change your life. Lots of people. And I'm not saying that in a you know, in a flippant way, because people have actually come back to me and said it has changed their life. And that is the reason why I continue to do what I do to hopefully inspire and give that knowledge out there, which is very important to all women. We've we've done our bit for King and Country. It's our time now. [00:48:46] But I actually couldn't agree more. Thank you so much for joining us. We'll put all the links and details on the show notes that go along with this podcast. And thank you for doing this today. You know, maybe you can join us again with some some more tips, and especially when your you know, your course is online and available and and talk about that. [00:49:08] Absolutely. That would be lovely, Ceri. It's lovely to speak to you. Great to talk to somebody who knows what I'm talking about. Thank you so much, Joe. Okay. All right. No worries. OK. [00:49:23] Thank you for joining us today. Please do subscribe and also send the link to friends and be part of the pro age conversation. Life really is meant to be fabulous at every age, but especially after 50.     

terza puntata dedicata alle canzoni italiane ispirate dal colore rosso. Ecco la scaletta: CCCP – Fedeli Alla Linea.Roco, Roço, Rosso;..Elio e le Storie Tese.La terra dei cachi;..Massimo Ranieri.Rose rosse;..Patty Pravo.Pensiero stupendo;..Rino Gaetano.Cogli la mia rosa d'amore;..Lùnapop.50 Special;..Mau Mau.La Ola..Francesco De Gregori.Rimmel;..Nicola Di Bari.La prima cosa bella;..Sergio Endrigo.Ho Visto Un Prato

terza puntata dedicata alle canzoni italiane ispirate dal colore rosso. Ecco la scaletta: CCCP – Fedeli Alla Linea.Roco, Roço, Rosso;..Elio e le Storie Tese.La terra dei cachi;..Massimo Ranieri.Rose rosse;..Patty Pravo.Pensiero stupendo;..Rino Gaetano.Cogli la mia rosa d'amore;..Lùnapop.50 Special;..Mau Mau.La Ola..Francesco De Gregori.Rimmel;..Nicola Di Bari.La prima cosa bella;..Sergio Endrigo.Ho Visto Un Prato

A question I get sent over and over again is, ‘Vix, I’m doing so many free collaborations for gifts or for ‘exposure’ and I don’t know how to turn them into paid collaborations’.   Let me tell you - there’s a lot to unpack here.   I begun taking on paid collaborations around 6 months into blogging but was that a good thing? Fuck no! The brands weren’t right. The products weren’t aligned with my audience. The fees were less than minimum wage. I didn’t have a relationship with the brand as soon as I pressed published. Neither of us knew if there was any return on that investment or if I’d done a good job at all!   I get it though, we see our favourite bloggers and influencers getting paid, being able to do the job full time and we feel like we’re sat on the otherside of a door that we don’t know how to unlock.   In this episode, I’m going to break down paid vs gifting collaborations, how to rock them and how to ask that age old question, ‘excuse me sir’, in the style of bloody Oliver Twist, ‘please can I have some budget?’   How did this all start? Seriously? Who remembers the ‘olden’ days? We used to blog about Rimmel lipsticks, Tunnocks Tea Cakes and Easyjet Speedy Boarding because we stanned. Not because they were paying us, or they’d gifted us or we hoped to work with them.   Well, I suppose the influencer industry boomed. Brands saw that by collaborating with influencers, to provide air quotes authentic promotion of their product that they’d tapped into a more organic form of marketing.   So influencer marketing became an actual department and budgets started to rise. But the actual experience, theory and knowledge of how influencer marketing REALLY works, didn’t necessarily develop as quickly as the rest of the industry did.   So influencer outreaches - who found themselves new to the role - had to hobble together approaches based on their limited experience and knowledge as well as their bosses.   In the beginning, the benefit of using influencers for marketing was simple - more influence for a lot less money.   Magazine, TV, radio and celebrity endorsements are EXPENSIVE, and in an expanding digital world, much less useful. Influencers paved the gap.   Brands aren’t stupid - if they can get the same amount of coverage to an audience 10% the size of a celebrity and pay them 1% of what they’d pay a celebrity, they’re laughing.   So how do blogger and brand collaborations work? Well there are lots of different schemes, facets and approaches nowadays but the main two, I suppose, are ‘gifted’ collaborations and ‘paid’ collaborations.   I’m going to preface this to say I fucking haaaate the word gifted. A gift is what you get from your boyfriend when you get your period or a shitty calendar from your Aunt at Christmas. It is not an item in exchange for hours worth of work poured into creating content. PR product seems a better fit!   Anyway, how these collaborations work are as follows…   Gifted   A brand reaches out to an influencer and offers a product or service in exchange or a piece of content to be created.   Paid   A brand reaches out and offers money in exchange for content creation.   Now, way back before blogging was a business - everyone had air quotes regular jobs and just did it as a fun hobby on the side, you can bet your arse we were DELIGHTED to be offered a meal out, a voucher for a high street shop or a lipstick and OF COURSE we’d make an amazing piece of content to show how grateful we are. It was, and still is, a huge privilege to work with a brand in this way - which I’ll get more to later.   But as the influencer business grew and marketeers and PRs got more savvy - so did bloggers. We started to notice that other creators were working on ‘sponsored’ content with brands and we thought - dayum, if that person can actually get PAID, maybe so can I? So hand in hand, we started to be offered paid work and we started to seek it.   Somewhere along the way - probably on Twitter - we started to see creators begin to complain about gifting because they were then doing work ‘for free’ where other creators were being financed. And suddenly, being gifted something was seen by some as an insult. Eh, I’m not good enough to be paid?   Which, by the way is a hugely multi-layered thing that I’ll get into.   And this is the first misconception I want to quash. And again it goes back to how we’re using our platforms.   Remember when we’d DIE to be gifted a Mac lipstick? It’s because we were obsessed with Mac lipsticks. Of COURSE we’d love to feature them on our blogs - we loved them.   But then we started accepting gifts for things we weren’t obsessed with, or didn’t love - in the name of being seen as a successful blogger - and so then gifting collaborations where we took stuff we didn’t love just for ‘content’ left us feeling used and unfulfilled.   Listen, I wouldn’t have gotten a single paid collaboration without doing some unpaid ones first.   So here’s the crux. Content creation - good content creation - isn’t a piece of piss thing you can do on a whim in 2 seconds and bosh it up. It takes time, energy, ideas, creativity - these things should absolutely be compensated for.   How then do we navigate this?   Should we take gifting collaborations to build up a relationship? To build a portfolio? Should we always ask for money?   Because from a brand perspective, perhaps their budgets this time only stretch to paying certain influencers but can gift to thousands. Do we say no to the gifting, even if it could start a long term collaboration?   I’m going to tell you how I approach it - is it the right way? Who knows if there is a right way, but here’s what I do.   And let’s flow chart this shit up, grab your pen paper or notes app or whatever!   Firstly I get an exciting email. My first three branches are - is this a brand I love? Is this a brand I’m intrigued by? Is this a brand that’s not for me.   Then off of, ‘not for me’ we can branch down to a bubble that says, ‘reject politely’ and we tell them thanks but no thanks and all the best - or even, if you’re feeling particularly kind, suggest other influencers who’d be a better fit - it’s what I do. I believe in karma.   Then let’s think if it’s a brand we love. So for me, my favourite brand at the moment is & Other Stories. If & Other Stories were to slide into my box with an email offering me free clothes - I’d be BLOODY ECSTATIC. But here’s where the dilemma goes in, and under the other two bubbles of brand you love and brand you’re intrigued by, you’re going to want to put, ‘is there an obligation to post - yes or no?’ And here’s where our thinking comes in.   If Other Stories said I could have free clothes but in exchange I’d have to do a post for them weekly or monthly, an obligation to post, I’d need to work out here whether to ask for budget or whether because they’re a brand I already love and spend my money with, are the air quotes free clothes good enough compensation? No one can make this decision for you by the way, it’s down to you.   However, if they were a brand I was only intrigued by, and I didn’t know if I’d post about them organically if they weren’t going to gift me something, but I am still obligated to post, it might be here that I’d start to think - hmm, maybe I need to be compensated on top of the gift.   But let’s go back to if there’s no obligation to post. In this case, it often means that brands do not have a budget for sponsored fees. They just want you to try out the product and if you like it, post about it. Of course you can ask for budget - if that’s what you want to do, but bear that in mind.   So right, you’re back at the stage where you’ve had an exciting email from an exciting brand with an exciting proposition to collaborate on content and in exchange for a gifted item you are OBLIGATED to provide content, and you’ve decided you want to ask for a fee but you don’t know how to do that? Here’s how…   Dear Sexy Brand,   Thank you so much for reaching out. I am a fan of/intrigued by Sexy Brand and would be delighted to try your product. May I just ask if there is a budget for sponsorships for the content you’d like me to produce?   Looking forward to discussing further. Vix   THAT’S IT. Don’t over complicate. Don’t over egg the pudding. Don’t say, ‘well because for instagram I usually charge x’ - the ball is in their court. You’ve asked if there’s budget. There will only be 3 outcomes here, usually.   You get ignored. Kewl. They say they don’t have budget - let’s come back to this. They say they do and ask you your fees - fab go back to them with your fees.   But at the point where they say they don’t have budget - it’s just the gifted product, you can ask yourself further questions. Are you ok with that? Would it be content you’d make anyway? Then go ahead and take them up on their offer and lay the seeds of a longer term relationship with that brand.   But if it’s pissed you off a bit that they want hundreds of pounds of work off of you in exchange for a lower-value product, then I often would reply back and say, ‘Completely understand. Happy to try the product and post about it organically, in a way I see fit, however if you’d like guaranteed coverage with your key messages relayed, there will be an associated fee.’   Here, they’ll come back to you and either say thanks, no thanks or they’ll agree to send you the item with no obligation to post.   Whatever the outcomes of the flowchart and the circumstance, one thing is clear. You are in control of your content. If you’re happy to work in exchange for gifted items, great. If you insist you must be paid for every piece of content you create - that’s on you too.   Like I said though, it’s a many layered thing. And a good portion of my paid collaborations have happened because I did unpaid, natural or organic content for that brand first.   I’d also send out a word of warning that if you’re just starting out - no audience, no brand work pieces to show off, no experience with working with brands, no return on any investment (whether that’s building brand presence or actual click throughs and sales etc) to go straight in asking for money is going to be tough.   Sometimes, working with a brand on a gifted basis, to then show them your value and what you can produce - or even to show other brands your value is worthwhile.   But again it’s all down to you. So let’s chat about it - gifted or paid? What are your thoughts? Do you now feel equipped to turn those gifted conversations into paid ones? Let me know!

Montse Passolas is a highly qualified Global Marketing and Branding board level executive with over 18 years of experience in marketing and communications, digital, new product development, retail, PR and business development strategy within leading brands and companies. Montse is a true international profile with experience working in Spain, France UK, US, and with an emphasis on the beauty and luxury markets with a proven ability to adapt and work efficiently in fast-paced organizations. She is a marketer with strong commercial acumen, online discipline and consumer focus; excellent leadership, charisma and communication abilities.

During this Botcast episode, we talk to Natalia Solnica, Product Director at Beamly (https://www.beamly.com) who combine agile product and engineering with an integrated digital agency - all under one roof. We talk to Natalia about Beamly's work with top brands including Debenhams, Adidas, Gucci, Marc Jacobs, Cover Girl, Rimmel and Max Factor as well as discuss the growth and evolution of chatbots and AR in the fashion and beauty industry. We talk about how chatbots are set to evolve from now until 2025 and Natalia offers words of advice to companies dubious about chatbot adoption. As always, we love to hear what you're enjoying, what you're not and what you'd like to hear more of so please send your questions/ requests/ feedback to us via the Anchor.fm app directly or using #thebotcast on any of our social channels listed below. Twitter - @webuild_bots Instagram - @we_build_bots Facebook - @webuildbotsai Linkedin - @webuildbots

Dr. Devgan sits down with Liz Bert, founder of Valnoir, Columbia Law student and fashion model. Listen as Liz talks about her luxury fashion brand, that sits at the intersection between luxury and lounge, her incredibly successful modeling career, working with brands such as Rimmel and Michael Kors, and her analytical side that she expresses through her studies at Columbia.

Dr. Devgan sits down with Liz Bert, founder of Valnoir, Columbia Law student and fashion model. Listen as Liz talks about her luxury fashion brand, that sits at the intersection between luxury and lounge, her incredibly successful modeling career, working with brands such as Rimmel and Michael Kors, and her analytical side that she expresses through her studies at Columbia.

Part Two of our Skull Sessions on everything Paranormal, mysteries, a bit of history and a few cocktails! Justin Rimmel is the Producer/Host of both Mysterious Circumstances & Rev. 9:6 found on all your podcatchers and Conflict Radio on Youtube!      Sysco has been looking into the paranormal for decades since her first run in with an angry ghost!    Grab our SWAG at TEEPUBLIC.COM/sysco   Send us your stories to Journeythroughthegate@gmail.com

There’s a lot of talk about trust between brands, digital communities and consumers. But in Episode 15 of Insider InSites from MediaVillage we’re talking about trust between agency and client that drives good marketing. Hear from Chandra Coleman, VP, US Marketing, for Rimmel, part of Coty, and Brent Poer, Pres. and Exec Creative Dir. for Branded Content at Zenith, on what makes their relationship thrive, how to be nimble in the competitive beauty industry, and successfully introducing a cosmetic brand to the US market today. Here are the edited highlights: E.B. Moss: Brent and Chandra, you worked together at Publicis and P&G respectively and now, at Zenith and Coty, you’re collaborating again on media, content and creative. How have you redefined the typical agency/client relationship? Chandra Coleman: ...The new Coty recently celebrated its one-year anniversary. As with any change, it's been an evolving journey...with a lot of centered around creating a local success model for Rimmel -- leveraging local insights and creating local content, which is a first for the London-rooted brand. We’re a small and nimble brand, so we jump in and do what it takes. I think this relationship is different in that we have to be more creative and think more entrepreneurially.... Brent Poer: I hadn't seen Chandra for years, but we've had success in the past on different brands, so you have that immediate trust. We have a shorthand so can go very quickly because we understand the other person's point of view. This journey has been about finding Rimmel a new voice for the American consumer....  Moss: Do you think that embracing both competition and friends, or “frenemies”, in whole different way has to be the wave of the future? Coleman: Yes, because everything is evolving so rapidly...from retailers and the environments where we're selling our products, to the way consumers buy and how they interact. So, the relationships with agencies also have to change for us to figure out new and different ways to really connect with our consumers. You can generate a higher output when you know you can trust the person and their opinions.    Brent: Sometimes I feel like I'm actually a Coty vs a Zenith employee just based on the amount of exchange and creativity and collaboration we do on a daily basis. I think we're seeing a lot more of this; budgets are not increasing for brands to be able to market and communicate to consumers so they have to be much more intelligent about what they're doing, how they're doing it. And it means that we're building media partnerships and relationships with some of our publishers that can help us create additional assets for all of our own platforms. Moss: What’s a recent success story and how did your personal relationship help make it a reality? Coleman: ...I needed to quickly develop a launch plan for ScandalEyes, one of our largest base mascaras. Brent and I just riffed on the phone about what was so great about the product. We were able to develop some local content by taking Rimmel insights and building on what the brand has always stood for: edge, irreverence, confidence and self-expression. And we were able to pull it off and boost the business, I think almost 20%! Poer: Yeah. It was a four-week turnaround. We had no assets for ScandalEyes so we had to start explaining what “Edge your Look” meant for a US market. We had to create an original television commercial and content from the ground up in that very short window.   E.B. Moss: Did the “edge” product positioning inspire innovative multi-platform tactics? Poer: We were the first beauty brand to ever do a how-to video tutorial on Snapchat, which was a big launch for us. Chandra and I use this phrase all the time: “see and say”; you need to be able to see the look so that you can demonstrate what the benefit of the product is, but also say what “edge” means to that consumer...and use the right media platforms to make sure we're getting enough reach of the right consumer. E.B. Moss: How do you also develop a relationship with the consumer and build their trust in today’s environment? Coleman: By changing with them. [For example] we've started ‘street beauty’...to tap into edgy and emerging beauty trends that are literally born underground and worn in communities all around us. It's self-expression that's creative and it's cool and it exemplifies what Rimmel is all about. Brands have to find out a way to always be true to who they are, by not being stale or afraid to evolve. And that's the way in which you connect with consumers. Poer: Consumers are really smart, and they can sniff out someone being fake or someone trying to play into culture in ways that don't feel like it's connected to that product or what that brand really stands for. We have also been incredibly focused on reflecting who our consumer is and showing far more diversity. E.B. Moss: How are you going to come up with the next best thing? Coleman: I think it’s about discomfort; Brent and I are constantly saying that if we haven't made each other feel uncomfortable, pushed it far enough, then we aren't going to create magic.   Poer: When we brief our partners we say, "Don't come back with anything that you would do for any other brand." Be scared that you're going to have gone so far off the rails with an idea or a potential execution that you're nervous about presenting it to us -- because that's where we want to live. Listen to the podcast for more on how Rimmel and Zenith are also embracing #AI and #AR, using experiential activations to reach GenZ and #Millennials, and their predictions for mobile, influencer and user-generated content as part of what's happening in beauty.  

Grace Victory is an award-winning blogger, YouTuber and TV presenter and soon to be author. She was voted best YouTuber for Cosmopolitan Magazine and was awarded Most Inspiring Role Model by InStyle Magazine. Grace is an inspiration to thousands of young people around the world and hailed as the “most inspiring person on the net” and the “Internet's Big Sister”, being one of the only mainstream fashion and beauty bloggers to cover mental health issues. Last year Grace made her BBC 3 documentary debut called Clean Eating’s Dirty Secrets. The documentary was one of the most watched shows on BBC Three Online, achieving over 1.5 million views. Grace's second documentary for BBC Three, The Cost of Cute: The Dark Side of The Puppy Trade is a hard hitting look at the designer dogs industry. Grace has exclusively presented London Fashion Week and has worked with brands including Clinique, L'Oreal, ASOS, Rimmel and New Look, the list goes on. She speaks about bullying, anxiety and body image and i respect her hugely and her debut book NO FILTER is out with Headline is out July 27th which you can now pre-order. See acast.com/privacy for privacy and opt-out information.

Model and Transgender activist Geena Rocero understands the power of speaking your truth and taking control of your narrative. At 17 years old, Geena immigrated from the Philippines to the U.S. to pursue a modeling career. Over the next 12 years, she modeled for brands like Target, Rimmel, Cover Girl, Marriott Hotels and Macy's, but she didn't feel like the people around her knew her full story. So when Geena turned 30, she courageously ‘came out' at her TED talk as trans to bring more visibility to the transgender community. Since then, Geena co-founded GenderProud, an advocacy and media production company that produces media to elevate justice and equality for the transgender community. On the podcast, Geena discusses her first job as a transgender beauty queen, seeing the 'F' on her driver's license for the first time, and the challenges facing the transgender workforce today.

Model and Transgender activist Geena Rocero understands the power of speaking your truth and taking control of your narrative. At 17 years old, Geena immigrated from the Philippines to the U.S. to pursue a modeling career. Over the next 12 years, she modeled for brands like Target, Rimmel, Cover Girl, Marriott Hotels and Macy’s, but she didn’t feel like the people around her knew her full story. So when Geena turned 30, she courageously ‘came out’ at her TED talk as trans to bring more visibility to the transgender community. Since then, Geena co-founded GenderProud, an advocacy and media production company that produces media to elevate justice and equality for the transgender community. On the podcast, Geena discusses her first job as a transgender beauty queen, seeing the 'F' on her driver's license for the first time, and the challenges facing the transgender workforce today.

The London Look International Contest With Rita Ora Teaser

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Viaggio in California con The Byrds, Faith no more e Best Coast e poi omaggio ai 40 anni di "Rimmel" di De Gregori.

Why do women care so much about their eyelashes? From science and ancient history to to a mascare inventor named Rimmel, Cristen and Caroline get deep about these not-so-superficial hairs. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

In this edition of the Women's Wear Daily Podcast, I discuss two of the top stories in the October edition of the Women's Wear Daily magazine. Below are the topics discussed: - An Update on the Missoni Family Tragedies. - Rita Ora Teams up with Rimmel on Brand New Make-Up Line! An action packed, fully informative episode of the WWD Podcast. Always a fun show full of insider information directly from the pages of the Women's Wear Daily magazine!!!

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