Podcasts about Monsieur Verdoux

Join hosts Jason Christian and Anthony Ballas, as well as a new guest, Paul Klein, as they discuss the iconic actor and director Charlie Chaplin and his late talkie masterpiece Monsieur Verdoux (1947). Paul is a film scholar who writes at the intersection of film and history. His research focuses on the cultural, political, and technological aspects of Hollywood and American filmgoing practices. He also write about how and why movies matter at Reading Movies (howtoreadmovies.com) As for Chaplin, he hardly needs an introduction, but many people don't realize that he was a victim of Red Scare harrassment from the media and feds and was eventually exiled from the United States. Monsieur Verdoux is a bold film in that it asks a viewer, just two years after the end of WWII, to consider state-sponsored mass murder (e.g. war) and what Engels calls "social murder" (murder by deprivation), as opposed to individual crimes, which are easier to identify and denounce.  It's also a Chaplin film full of his signiture gags. The combination of these two registers, deadly serious and comical, makes for a fascinating but jarring cinematic experience.  As always, please suscribe to the podcast, and don't forget to leave us a review! Follow Jason on Twitter (X) at @JasonAChristian, Anthony at @tonyjballas, and Paul at @ptklein, the latter two are also on BlueSky.  Please drop us a line anytime at coldwarcinemapod@gmail.com. Happy listening!

Känsloreglering, förmågan att påverka sitt känslotillstånd, har beskrivits som den viktigaste psykologiska färdighet som finns. I två avsnitt tar vi upp tio verktyg för bättre känsloreglering, här är del 1.Klipp:10.30 Start lista Brenda Lee - Emotions klipp17.25 Shrek36.24  Monsieur Verdoux39.01 Brenda Lee - Emotions Vill du slippa reklamen? Prenumerera på Dumma Människor för 19 kr/månaden (ink moms). https://plus.acast.com/s/dummamanniskor. Hosted on Acast. See acast.com/privacy for more information.

At the beginning of the 20th century, a deranged serial killer was convicted of seducing, marrying, robbing, and murdering over a dozen women.  It is believed that he killed many, many more than that.  So the lovable Tramp himself, Charlie Chaplin, decided to portray him in a movie.  What's his light-hearted take on this unexpected premise?  Human society is diseased and nothing matters.  In a funny way, though. Join our  Patreon and support the podcast!  Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Richard Linklater's Dazed and Confused (1993).

Director Henri-Georges Clouzot maps out one of the all-time great thrillers.  “Explosive” is the right word in all possible ways to describe this film. Join our  Patreon and support the podcast!  Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Charles Chaplin's Monsieur Verdoux (1947).

Este hombre no necesita presentación. Sin duda fue una de las figuras más influyentes del siglo XX y una persona determinante para el desarrollo del cine. Pero fue algo más: mujeriego, director tiránico, perfeccionista obsesivo… Y alguien a quien le gustaban las mujeres demasiado jóvenes. Dos de sus cuatro esposas se casaron con él siendo menores de edad. Además, acabó sus días en el exilio, incapaz de regresar a los Estados Unidos, involucrado en un escándalo político, y sufrió un oscuro episodio incluso después de morir. Escucha este episodio para descubrir todos los oscuros secretos detrás del bigote y el bombín más famosos del séptimo arte.Si quieres ampliar información, te dejo aquí un listado con las películas y libros mencionados:

The House Unamerican Activities Committee starts calling witnesses. Their hearings with Tinseltown celebrities create a sensation and put Hollywood's alleged communists in the spotlight. Dalton Trumbo is among those summoned to Washington for hearings. Oona Chaplin explains why her grandfather Charlie was not called to appear, despite his reputation as a leftist. Actress Katharine Hepburn takes a public stand against HUAC, mocking its hearings at a Los Angeles rally. Archive used: Testimony of J. Edgar Hoover before HUAC, National Archives and Records Administration, 1947 Hedda Hopper's Hollywood Show, 25 February 1951 Katharine Hepburn for Progressive Citizens of America at Gilmore Stadium, Alco Records, 1947 ‘Monsieur Verdoux', Charlie Chaplin, United Artists, 1947 Recordings of House of Unamerican Activities Committee by Paramount Newsreels

Cosa vedere sui canali televisivi SBS? Ecco i nostri consigli per la settimana dal 23 al 29 febbraio. In Australia, potete poi guardare il vostro programma preferito o recuperare quello che avete perso su SBS On Demand.

durée : 00:35:02 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Charlie Chaplin a 60 ans" est une émission de 1949, en forme de "documentaire-fiction", qui effectue un survol scénarisé de la carrière du cinéaste et comédien Charlie Chaplin, de ses débuts dans les années 1910 à son film "Monsieur Verdoux". - réalisation : Virginie Mourthé

durée : 01:31:11 - Les Nuits de France Culture - par : Philippe Garbit - Que vaut la dernière période de Chaplin ? Claude Chabrol, Henri Colpi et Pierre Etaix nous répondent dans un volet des "Mardis du cinéma" d'avril 1986. Il analysent les derniers films de Charlie Chaplin : "Monsieur Verdoux", "Limelight", "Un Roi à New York et, en 1967, "La Comtesse de Hong-Kong". - invités : Pierre Etaix; Georges Sadoul Historien et critique de cinéma (1904-1967); Philippe Soupault Poète, journaliste; Claude Chabrol Réalisateur français

durée : 00:34:59 - Les Nuits de France Culture - par : Philippe Garbit - "Charlie Chaplin a 60 ans" est une émission de 1949, en forme de "documentaire-fiction", qui effectue un survol scénarisé de la carrière du cinéaste et comédien Charlie Chaplin, de ses débuts dans les années 1910 à son film "Monsieur Verdoux".

durée : 00:30:00 - Les Nuits de France Culture - par : Philippe Garbit - Par Paul Guimard - Avec Géo London, Henri Magnan et Henri Jeanson

Billy Bragg mencionó un “bloody, bloody ring” en su canción “The marriage”, pero no pretendía sugerir que el anillo nupcial fuese de veras sangriento. El nuevo episodio de Pop y muerte versa, asimismo, sobre matrimonios mortales. Algunos, como Raymond Fernández & Martha Beck (aka The Lonely Hearts Killers), Karla Homolka & Paul Bernardo (aka Ken & Barbie), o los spree killers negros Debra Brown y Alton Coleman, fueron parejas que mataron a terceros. Henri Landrú, el célebre Barbazul de la vida real, por el contrario, prefería matar a sus propias esposas (mayormente viudas de guerra, a las que apiolaba tras hacerse con sus pertenencias). Este episodio consta de un invitado muy especial, el experto en cine Manel Carrasco, que nos hablará de versiones ficcionalizadas de dichos crímenes, como Monsieur Verdoux (1947) o The honeymoon killers (1970).

Listen up maggots! This is our penultimate Kubrick episode, and we join the Marine Corps to talk about Full Metal Jacket (1987). Kubrick had been constantly attracted to war, but what exactly is it that makes this master of cinema return again and again? We attempt to find out! We talk about Vietnam, Tarantino and multiple takes! In our Trailers features we also talk about: The Man Who Shot Liberty Valance (1962), Monsieur Verdoux (1947), Electra Glide in Blue (1973), Triangle of Sadness (2022), Mad Max (1979), Mad Max 2 (1981), Weird: The Al Yankovic Story (2022). Time Stamps: Welcome and Introduction: - 0:00:01The Man Who Shot Liberty Valance - 0:03:13Monsieur Verdoux - 0:04:23Electra Glide in Blue - 0:07:16Triangle of Sadness - 0:12:32Mad Max & Mad Max 2 - 0:13:49Weird: The Al Yankovic Story - 0:16:48*Feature Presentation* Full Metal Jacket - 0:19:55The Ranking & Ratings - 1:10:47We hope that you enjoy the show and return in future to the congregation!Show Website: https://film-church-radio.captivate.fm/listenBranden's Letterboxd: https://letterboxd.com/selmanscope/Lewis' Letterboxd: https://letterboxd.com/walkerlewis3007/Past Episodes: https://podcasts.apple.com/us/podcast/film-church-radio/id1603164927Instagram: https://www.instagram.com/filmchurchradio/

The Buzz 1: “Aren't I a human being? Don't I yearn and…ache and shop? Don't I deserve love... and jewelry?” [Addams Family Values, 1993 film] The Buzz 2: “Invest wisely. Safely, at least. Land, houses, or better still, jewelry.” [Monsieur Verdoux, 1947 film] The Buzz 3: “Ladies, the Confederacy asks for your jewelry on behalf of our noble cause.” [Gone with the Wind, 1939 film] The Buzz 4: “You think you can buy me with jewelry?” [Scarface, 1983 film] The Buzz 5: “Daddy gave me all this jewelry because he loves me so much.” [Casino, 1995 film] From ChatGPT: The history of jewelry is rich and varied, spanning thousands of years and cultures. Jewelry has been used for adornment, as a symbol of status or power, and as a medium of exchange. In ancient times, people made jewelry out of materials like shells, bones, and stones. As civilizations progressed, materials like gold, silver, and precious gems were used. In more recent times, the use of jewelry as a form of self-expression has led to some humorous and whimsical designs, such as brooches shaped like hamburgers, earrings shaped like cupcakes, and bracelets shaped like sushi rolls. We'll ask jewelry industry experts Victoria Wieck, Michele Lau, Susan Chandler and Haider Sayed for their take on The Future of the Jewelry Industry and Technology: All That Glitters?

The Buzz 1: “Aren't I a human being? Don't I yearn and…ache and shop? Don't I deserve love... and jewelry?” [Addams Family Values, 1993 film] The Buzz 2: “Invest wisely. Safely, at least. Land, houses, or better still, jewelry.” [Monsieur Verdoux, 1947 film] The Buzz 3: “Ladies, the Confederacy asks for your jewelry on behalf of our noble cause.” [Gone with the Wind, 1939 film] The Buzz 4: “You think you can buy me with jewelry?” [Scarface, 1983 film] The Buzz 5: “Daddy gave me all this jewelry because he loves me so much.” [Casino, 1995 film] From ChatGPT: The history of jewelry is rich and varied, spanning thousands of years and cultures. Jewelry has been used for adornment, as a symbol of status or power, and as a medium of exchange. In ancient times, people made jewelry out of materials like shells, bones, and stones. As civilizations progressed, materials like gold, silver, and precious gems were used. In more recent times, the use of jewelry as a form of self-expression has led to some humorous and whimsical designs, such as brooches shaped like hamburgers, earrings shaped like cupcakes, and bracelets shaped like sushi rolls. We'll ask jewelry industry experts Victoria Wieck, Michele Lau, Susan Chandler and Haider Sayed for their take on The Future of the Jewelry Industry and Technology: All That Glitters?

The Buzz 1: “Aren't I a human being? Don't I yearn and…ache and shop? Don't I deserve love... and jewelry?” [Addams Family Values, 1993 film] The Buzz 2: “Invest wisely. Safely, at least. Land, houses, or better still, jewelry.” [Monsieur Verdoux, 1947 film] The Buzz 3: “Ladies, the Confederacy asks for your jewelry on behalf of our noble cause.” [Gone with the Wind, 1939 film] The Buzz 4: “You think you can buy me with jewelry?” [Scarface, 1983 film] The Buzz 5: “Daddy gave me all this jewelry because he loves me so much.” [Casino, 1995 film] From ChatGPT: The history of jewelry is rich and varied, spanning thousands of years and cultures. Jewelry has been used for adornment, as a symbol of status or power, and as a medium of exchange. In ancient times, people made jewelry out of materials like shells, bones, and stones. As civilizations progressed, materials like gold, silver, and precious gems were used. In more recent times, the use of jewelry as a form of self-expression has led to some humorous and whimsical designs, such as brooches shaped like hamburgers, earrings shaped like cupcakes, and bracelets shaped like sushi rolls. We'll ask jewelry industry experts Victoria Wieck, Michele Lau, Susan Chandler and Haider Sayed for their take on The Future of the Jewelry Industry and Technology: All That Glitters?

Kerry and Collin are joined by their good friend, Jim Peebles, to talk about the holiday classic, the original "Miracle On 34th Street." For a movie that gives the viewer a lot of reasons to doubt Santa Claus, it nevertheless has stood the test of time and remains a Christmastime favorite. What's the key to its success? What makes the film's trailer so unusual? How are letters to Santa handled in this movie as opposed to how they're used in many other Christmas movies? All this, plus a Book segment and a SPECIAL ANNOUNCEMENT ABOUT THE SHOW! Book titles covered: "The Shop On Main Street" (1965) "Monsieur Verdoux" (1947) "Paris, Texas" (1984)

Charlie Chaplin alias "Monsieur Verdoux" tut was ein Mann nach Verlust des Jobs in Zeiten der Weltwirtschaftskrsie in den 30ern des letzten Jahrhunderts tun muss: überflüssige Witwen entsorgen und ihr Geld in Sicherheit bringen. Und das macht er mit Verve.Patrick Lohmeier vom Podcast "Bahnhofskino" wusste lange nicht, ob er sich diesem schwarzhumorigen Vergnügen stellen sollte. Für "Erstkontakt - Die Filmische Begegnung" überwand er sich und wurde vielleicht mit einer kleinen Sternstunde der Schwarzhumorigen Kunst belohnt. Schaltet ein... überzeugt euch selbst!

Ab dieser Folge hört ihr im Vorlauf zur neuen Episode, mit welchen Erwartungen meine Gäste an den von ihnen ausgewählten Film herangegangen sind. Was denken sie, was auf sie zu kommt? Wird es witzig, spannend, oder kann einen sogar ein Stinker erwarten?Heute hatte schon mal Patrick Lohmeier vom Podcast "Bahnhofskino" die undankbare Aufgabe, als erster Gast ohne jede Vorlage sich dieser Aufgabe zu stellen. Hat er trotzdem super gemacht, und daher vielen Dank!

Brandon, James, Britnee, and Hanna discuss four classic comedies directed by Charlie Chaplin, starting with the anti-fascist satire The Great Dictator (1940) https://swampflix.com/ 00:00 Welcome 00:57 Elevator to the Gallows (1958) 05:25 Last Night in Soho (2021) 09:45 Bad Day at Black Rock (1955) 13:05 Studio 666 (2022) 18:50 The Great Dictator (1940) 38:30 City Lights (1931) 47:00 Modern Times (1936) 1:01:45 Monsieur Verdoux (1947)

Hoy pasearemos, bastón en mano, por la procelosa biografía de Charles Spencer Chaplin, Charlot, el comediante que tuvo los santos cojones de hacer chistes sobre el desagradable de Hitler cuando este estaba vivo, que hacerlo ahora, sabiendo que ya no paga la factura del gas, es mu fácil. Chaplin nació en el seno de una familia de artistas y en el coseno de un campamento gitano cerca de Birmingham. Su padre, alcohólico, era actor y cantante y su madre actriz de MusicHall y varietés aunque nunca estuvo en el teatro imperial con Pedro Osinaga. Donde si estuvo la mujer varias veces fue en un psiquiátrico aquejada de delirios producidos por la depresión nerviosa que padecía. Así te puedes imaginar que la infancia del pequeño fuera más difícil que encontrarle unos zapatos que le estén buenos a Romay. Vivió en un orfanato y desarrolló todo tipo de trabajos que intercalaba con una incipiente carrera artística. Fue recadero, soplador de vidrio, vendedor ambulante y no pasó el casting de Ciudadanos para trincar puesto en la Junta de Andalucía por no llevar bien puesto el Rymmel en la entrevista. Así que pronto el muchacho hizo sus pinitos en el mundo del bodeville y la actuación en teatros, cafés y circos… dando más vueltas que Falete quitándose un sostén. Lo fichó una compañía con la que giró por toda Inglaterra y con la que cruzó el charco presentándose en Canadá, Nueva York y Filadelfia, donde descubrió el queso de untar. Hablando de descubrir, en esta gira le echó el ojo un productor de cine que lo fichó para sustituir al actor Ford Sterling, un actor que tenía siempre la cara de venir de abrir una carta certificada de Hacienda. Era la época dorada del cine mudo y la primera aparición del personaje de Charlot fue en una producción de 1914 llamada ‘Carreras Sofocantes’. Pese a que por el título pudiera parecerlo no va de los estudios de Pablo Casado. El personaje pronto caló en el público por presentar la imagen de un vagabundo de modales refinados, cándido y algo torpón… he dicho torpón, no Borbón. Torpón y Borbón que no hacen oximorón ¡Clan, clan! Firmó un contrato por 670.000 dólares de la época con una importante productora para rodar una docena de comedias, entre las que se encuentran: Charlot bombero, Charlot músico ambulante, Charlot en la tienda y la inédita, hasta ahora, Charlot en la oficina del español. Fundó junto a un grupo de colegas la productora United Artist, que aún existe, y con la que trató de escapar del monopolio de las grandes productoras y distribuidoras. Pese a la llegada del cine sonoro, Chaplin siguió haciendo cine mudo, porque para hablar largo y tendido ya llegaría años después Luis Bárcenas. Siempre se mostró muy activo en las opiniones políticas y en la película Monsieur Verdoux criticó al capitalismo y afirmó que el mundo alentaba las matanzas en masa mediante las guerras y las armas de destrucción masiva. Esto le ocasionó no pocos problemas y esta historia ya nos la sabemos aquí por lo del NO A LA GUERRA. Así que en 1953 y después de las presiones del Comité de Actvidades Antiamericanas que mantenía que su vida en Hollywood contribuía a destruir la fibra moral de América, Chaplin se exilió a Suiza donde vivió hasta el final de sus días en una parcelita con alberca que le había salido muy bien de precio. Ustedes siempre podrán recordarle cada vez que piensen que alguien es tonto por no abrir la boca o siempre que alguien trate de imponerles lo que tienen o no que pensar.

On Episode #12 of Floating Through Film, we continue our series on Chaplin with a discussion of two of his last films, 1947's Monsieur Verdoux (2:25) and 1952's Limelight (36:17). We hope you enjoy! Music: - Intro from Limelight - Outro from Limelight Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)

In this episode we discuss French serial killer Henri Désiré Landru, pre-invented inventions, lonely hearts adverts, surprisingly animated heads, four-figured ovens, and Charlie Chaplin's Monsieur Verdoux. We also discover that Mark is a Duke.

Charlie Chaplin darf sich in City Lights aus dem Jahr 1931 als der mittellose Tramp in ein blindes Blumenmädchen aus ärmlichen Verhältnissen verlieben. Dieses hält ihn für einen eleganten reichen Typen, kein Wunder, besucht er sie doch immer wieder, bringt ihr Geldgeschenke und Essen und bezahlt schließlich sogar ihre Augenoperation. Woher der Tramp das Geld hat? Von einem betrunkenen reichen Taugenichts, der ihn nur unter Einfluss von Alkohol als besten Freund erkennt, dann aber für ihn Partys schmeißt und ihn reich beschenkt. Das beste von Chaplin in einem Film: Slapstick, Romantik und ...Ach überhaupt alles was das Genius von Chaplin ausmacht. Plor im Vergleich zu Monsieur Verdoux vom letzten Mal; wieviel Genius siehst du in diesem Film? Bitte beachte, dass die richtige Antwort “100% Genius und kein einziger Punktabzug, weil perfekter Film” ist, und wir uns prügeln müssen wenn du es wagst eine andere Meinung zu haben.

Wherein Beth and Matt admit that it's going to take three parts to discuss this episode. Bluebeard and Paradise Lost figure heavily. It's the penultimate, people. Perrault's The Story Of Blue Beard at Project Gutenberg Charlie Chaplin's ‎Monsieur Verdoux  Struck and White's The Elements of Style  “In-Famous” scene from Three Amigos Milton's Paradise Lost at Project Gutenberg Dante's The Divine Comedy at Project Gutenberg Terence Young's Wait Until Dark Roman Polanski's The Tenant Buffy Episode The Harsh Light of Day Andrew Dominik's The Assassination of Jesse James by the Coward Robert Ford Sidney Lumet's The Verdict   

This week, we go back to Charlie Chaplin to discuss his immensely significant career, focusing on his 1947 Oscar-nominated dark comedy MONSIEUR VERDOUX. Hosted by Austin Johnson and Connor Eyzaguirre Music by Cooley Cal New episodes every Sunday! E-mail us at filmgazm@gmail.com, subscribe on iTunes, Spotify, Google Podcasts, Breaker, Overcast, Pocket Casts, RadioPublic, Amazon Music, or Anchor.fm, follow us on Twitter, Facebook, Instagram, YouTube or leave a comment below if there's a movie you want us to review! Visit https://www.filmgazm.com for movie reviews, articles, podcasts, and trailers of upcoming movies. DISCLAIMER - We do not own nor do we pretend to own any posters, artwork, music, or trailers. We mean only to review and discuss movies fairly and without bias. All trademarks are the property of the respective trademark owners. --- Support this podcast: https://anchor.fm/the-filmgazm-podcast/support

Nuestra segunda elección del legendario Charles Chaplin nos lleva a una historia sobre la cual muchos dirían que no es posible hacer comedia, y mucho menos comedia inteligente y fina. Pero henos aquí, hablando de la comedia inteligente y fina que es esta película que también es un drama donde los haya. En noticias: compras, fechas y festivales. Menú 02:41 - Toma Tres se presenta 04:26 - Toma Tres comenta 45:56 - Toma Tres mal-reseña 55:33 - Toma Tres informa Audios y Música: Toot Toot Tutsie, de The Jazz Singer (1927): https://www.youtube.com/watch?v=nFcFXGyyCio News jingle, de Lobo Loco: https://freemusicarchive.org/music/Lobo_Loco/Jingles_for_films__podcasts/News_Jingle_1_ID_410 Jingle 2, de Monplaisir: https://freemusicarchive.org/music/Monplaisir/Surtout_ne_pas_se_perdre_vol2_2011-2018/Monplaisir_-_Surtout_ne_pas_se_perdre_vol2_2011-2018_-_10_Jingle_2   

Today Spencer Chaplin talks to the very talented Multi Grammy-nominated violinist Philippe Quint.Remembering some of Philippe Quint’s greatest moments, we’ll be talking about some of his most special performances to date. Discussing everything from his album ‘Chaplin’s Smile’, to his admiration for Charlie Chaplin’s music composition for many of his movies (Modern times, Monsieur Verdoux, Limelight etc...), you will not want to miss this exclusive chat with Philippe Quint. 

Un podcast audio sur le cinéma, cette saison 03 est axée sur les films inspirés de faits réels ! ▽▽▽▽▽▽ Des jolis liens ci dessous ! ▽▽▽▽▽▽ On parle, entre autres, et sans spoiler, des films : - Monsieur Verdoux (1947) de Charlie Chaplin (Le tueur Landru) - La balade sauvage (1973) de Terrence Malick - (Le tueur Charles Starkweather) - Zodiac (2007) David Fincher - (Le tueur du zodiaque) MERCI à la team : Aude, Adrien, Joss et moi même. MERCI aussi à notre invité JUAN du podcast Pardon Maman.

Wir reden über Charles Chaplins Killermärchen Monsieur Verdoux aus dem Jahr 1947 und den Tanz-Horror-Streifen Climax von Gaspar Noé aus dem Jahr 2018. Und damit stehen auch schon zwei sehr unterschiedliche Filme auf dem Programm: Monsieur Verdoux ist der Versuch Chaplins sich von seiner Rolle des Tramps zu lösen. Johannes sieht in ihm ein ebenso charmantes wie ambivalentes Thrillerdrama, das seiner Zeit in vielerlei Dingen weit voraus ist. Florian ist überrascht, wie viele Momente des klassischen Chaplins und auch der Tramp-Figur Einzug in den Film erhalten haben. Climax ist vor allem ein radikaler Film, irgendwo zwischen Tanzfilm, Psychodrama und Horrorthriller. Während Florian geneigt ist, sich für diese Wahl zu entschuldigen, findet Johannes den Film deutlich weniger zermürbend als erwartet. Seiner Meinung nach versagt Climax in seinem Vorhaben mit maximalem Shock Value eine düstere Geschichte zu erzählen. Und auch die Tanzchoreografien können Johannes nicht von den Socken hauen. Es gibt also einiges, über das wir diskutieren müssen...

A podcast about political cinema and our crumbling world. Hosted by Will Sloan and Luke Savage. With Biden's victory all but confirmed, we discuss the aftermath of the U.S. presidential election: the narratives being spun to explain the results, Trump's response, why four years of Biden/McConnell will almost certainly be bad, and why there still may be cause of optimism. Then we discuss a movie for times like this: Charlie Chaplin's career-destroying anti-capitalist black MONSIEUR VERDOUX (1947), a film that told America, "Things are bad, and have always been bad."

With Biden's victory all but confirmed, we discuss the aftermath of the U.S. presidential election: the narratives being spun to explain the results, Trump's response, why four years of Biden/McConnell will almost certainly be bad, and why there still may be cause of optimism. Then we discuss a movie for times like this: Charlie Chaplin's career-destroying anti-capitalist black MONSIEUR VERDOUX (1947), a film that told America, "Things are bad, and have always been bad."

Part three of my review of James Agee's film reviews get us through some more of THE NATION reviews, including his review of MONSIEUR VERDOUX, the Chaplin classic.

durée : 00:34:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Charlie Chaplin a 60 ans", une émission de 1949, une sorte de "documentaire-fiction" qui effectue un survol scénarisé en une trentaine de minutes de la carrière de Chaplin jusqu'à son dernier film, à l'époque, "Monsieur Verdoux". - réalisation : Virginie Mourthé

This week on the InSession Film Podcast, Patreon supporter Amy Smith joins us as we review Alfred Hitchcock's classic slasher film Psycho and we continue our Charlie Chaplin Movie Series with his 1947 comedy Monsieur Verdoux! - Review: Psycho (3:57) - Notes / Discussion (41:06) - Charlie Chaplin Movie Series (56:29) Thanks for listening and be sure to subscribe on iTunes, Google Play, Stitcher, Soundcloud or TuneIn Radio! iTunes: https://itunes.apple.com/us/podcast/insession-film-podcast/id605634337 Spotify: https://open.spotify.com/show/5LIi40D5BTFnsRMP57O5nG IHeartRadio: https://www.iheart.com/podcast/269-insession-film-podcast-30916083/ Google Play: https://play.google.com/music/listen?authuser&u=0#/ps/It5foal422yoktioaclalk3ykyi Stitcher: http://www.stitcher.com/podcast/insession-film Soundcloud: https://soundcloud.com/insession-film TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/ Listen Now: http://insessionfilm.com/insession-film-podcasts-listen-now/

In part 5 of our Charlie Chaplin Marathon, we discuss Chaplin like you have never seen him before -- villainous, out for murder, and talking!

Bonjour à tous, on s'attaque aujourd'hui à un des monstres sacrés du cinéma en la personne de Charlie Chaplin ! Sorti en 1947, Monsieur Verdoux est le début d'un tournant majeur dans la carrière de Chaplin. Le film est inspiré de l’affaire Landru et est issu d'une idée originale d’Orson Welles, crédité au générique. Pour resituer l’affaire Landru, c’est un fait divers impliquant un homme français qui pendant la première Guerre Mondiale a escroqué et assassiné onze femmes pour gagner de l’argent suite à diverses déconvenue professionnelles.  Bonne écoute ! 

Versión breve de mi reportaje sobre MATRIMONIOS EN EL CINE, incluido en el Podcast 233 de ElCineDeLoQueYoteDiga, con presentación previa de su Director, Nacho Gonzalo. Con una forma de verlo diferente. Entre otras: Secretos de un matrimonio, El graduado, Besen a quienes quieran, La Dama de Shangay, Una maravillosa familia de Tokio, El porqué de las cosas, Monsieur Verdoux, Primavera en Normandía, Hombres hombres, etc. El Podcast íntegro de ElCineDeLoQueYoTeDIga se puede escuchar aquí: https://www.ivoox.com/podcast-el-cine-loqueyotediga-n-233-11x09-audios-mp3_rf_44933582_1.html Y mi reportaje íntegro de Matrimonios en el Cine, aquí: https://www.ivoox.com/matrimonios-en-el-cine-version-extendida-audios-mp3_rf_23321036_1.html

Versión breve de mi reportaje sobre MATRIMONIOS EN EL CINE, incluido en el Podcast 233 de ElCineDeLoQueYoteDiga, con presentación previa de su Director, Nacho Gonzalo. Con una forma de verlo diferente. Entre otras: Secretos de un matrimonio, El graduado, Besen a quienes quieran, La Dama de Shangay, Una maravillosa familia de Tokio, El porqué de las cosas, Monsieur Verdoux, Primavera en Normandía, Hombres hombres, etc. El Podcast íntegro de ElCineDeLoQueYoTeDIga se puede escuchar aquí: https://www.ivoox.com/podcast-el-cine-loqueyotediga-n-233-11x09-audios-mp3_rf_44933582_1.html Y mi reportaje íntegro de Matrimonios en el Cine, aquí: https://www.ivoox.com/matrimonios-en-el-cine-version-extendida-audios-mp3_rf_23321036_1.html

Host Paul Booth reviews Oscar-Nominee Daniel Raim's new Film Image Makers.  Daniel's films get to the very heart of why we love Cinema. He presents a perfect balance of what we know, want to know and need to know. He writes, Directs and edits in this incindiary-Documentary. It has informative interviews with Oscar-Nominees John Bailey A.S.C. (Ordinary People), Rachel Morrison A.S.C. (Mudbound) and others. Featured cinematographers and selected filmography Billy Bitzer (April 21, 1872 – April 29, 1944) A Corner in Wheat (1909), The Birth of a Nation (1915), Intolerance (1916) Roland Totheroh, ASC (November 29, 1890 – June 18, 1967) The Rink (1916), The Kid (1921), The Gold Rush (1925), The Circus (1928), City Lights (1931), Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947) Charles Rosher, ASC (November 17, 1885 – January 15, 1974) Little Lord Fauntleroy (1921), Little Annie Rooney (1925), Sunrise: A Song of Two Humans (1927), What Price Hollywood? (1932)   William H. Daniels, ASC (December 1, 1901 – June 14, 1970) Foolish Wives (1922), Greed (1924) Grand Hotel (1931), Ninotchka (1939), The Shop Around the Corner (1940), The Naked City (1949), Cat on a Hot Tin Roof (1958), Valley of the Dolls (1967) Karl Struss, ASC (November 30, 1886 – December 15, 1981) Ben-Hur (1925), Sunrise, Abraham Lincoln (1930), Dr. Jekyll and Mr. Hyde (1931), The Great Dictator (1940), Limelight (1952), The Fly (1958) James Wong Howe, ASC (August 28, 1899 – July 12, 1976) Peter Pan (1924) The Thin Man (1934), Kings Row (1942), Yankee Doodle Dandy (1942), Sweet Smell of Success (1957), Hud (1963) Gregg Toland, ASC (May 29, 1904 – September 28, 1948): Wuthering Heights (1939), Intermezzo (1939), The Grapes of Wrath (1940), Citizen Kane (1941), The Best Years of Our Lives (1946)

Sir Charles Spencer Chaplin KBE (16 April 1889 – 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, "The Tramp", and is considered one of the most important figures in the history of the film industry. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy. Chaplin's childhood in London was one of poverty and hardship, as his father was absent and his mother struggled financially, and he was sent to a workhouse twice before the age of nine. When he was 14, his mother was committed to a mental asylum. Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the prestigious Fred Karno company, which took him to America. He was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon developed the Tramp persona and formed a large fan base. He directed his own films and continued to hone his craft as he moved to the Essanay, Mutual, and First National corporations. By 1918, he was one of the best-known figures in the world. In 1919, Chaplin co-founded the distribution company United Artists which gave him complete control over his films. His first feature-length film was The Kid (1921), followed by A Woman of Paris (1923), The Gold Rush (1925), and The Circus (1928). He refused to move to sound films in the 1930s, instead producing City Lights (1931) and Modern Times (1936) without dialogue. He became increasingly political, and his next film The Great Dictator (1940) satirized Adolf Hitler. The 1940s were a decade marked with controversy for Chaplin, and his popularity declined rapidly. He was accused of communist sympathies, while he created scandal through his involvement in a paternity suit and his marriages to much younger women. An FBI investigation was opened, and Chaplin was forced to leave the United States and settle in Switzerland. He abandoned the Tramp in his later films, which include Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957), and A Countess from Hong Kong (1967). Chaplin wrote, directed, produced, edited, starred in, and composed the music for most of his films. He was a perfectionist, and his financial independence enabled him to spend years on the development and production of a picture. His films are characterized by slapstick combined with pathos, typified in the Tramp's struggles against adversity. Many contain social and political themes, as well as autobiographical elements. He received an Honorary Academy Award for "the incalculable effect he has had in making motion pictures the art form of this century" in 1972, as part of a renewed appreciation for his work. He continues to be held in high regard, with The Gold Rush, City Lights, Modern Times, and The Great Dictator often ranked on lists of the greatest films of all time. This podcast uses the following third-party services for analysis: AdBarker - https://adbarker.com/privacy Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp Chartable - https://chartable.com/privacy

Sir Charles Spencer Chaplin KBE (16 April 1889 – 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, "The Tramp", and is considered one of the most important figures in the history of the film industry. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy. Chaplin's childhood in London was one of poverty and hardship, as his father was absent and his mother struggled financially, and he was sent to a workhouse twice before the age of nine. When he was 14, his mother was committed to a mental asylum. Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the prestigious Fred Karno company, which took him to America. He was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon developed the Tramp persona and formed a large fan base. He directed his own films and continued to hone his craft as he moved to the Essanay, Mutual, and First National corporations. By 1918, he was one of the best-known figures in the world. In 1919, Chaplin co-founded the distribution company United Artists which gave him complete control over his films. His first feature-length film was The Kid (1921), followed by A Woman of Paris (1923), The Gold Rush (1925), and The Circus (1928). He refused to move to sound films in the 1930s, instead producing City Lights (1931) and Modern Times (1936) without dialogue. He became increasingly political, and his next film The Great Dictator (1940) satirized Adolf Hitler. The 1940s were a decade marked with controversy for Chaplin, and his popularity declined rapidly. He was accused of communist sympathies, while he created scandal through his involvement in a paternity suit and his marriages to much younger women. An FBI investigation was opened, and Chaplin was forced to leave the United States and settle in Switzerland. He abandoned the Tramp in his later films, which include Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957), and A Countess from Hong Kong (1967). Chaplin wrote, directed, produced, edited, starred in, and composed the music for most of his films. He was a perfectionist, and his financial independence enabled him to spend years on the development and production of a picture. His films are characterized by slapstick combined with pathos, typified in the Tramp's struggles against adversity. Many contain social and political themes, as well as autobiographical elements. He received an Honorary Academy Award for "the incalculable effect he has had in making motion pictures the art form of this century" in 1972, as part of a renewed appreciation for his work. He continues to be held in high regard, with The Gold Rush, City Lights, Modern Times, and The Great Dictator often ranked on lists of the greatest films of all time. This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy Support this podcast

Mi nuevo reportaje sobre Cine con un tema que siempre es polémico: DINERO. Algo que mueve el mundo, pero que much@s aborrecemos. Entre otras: Wall Street, El Lobo de Wall Street, Entre pillos anda el juego, La Ley del Mercado, Monsieur Verdoux, Arcadia, El Capital, La Teranyina, El Reino, etc. Con canciones que hablan de dinero o algo parecido, de Joan Manuel Serrat, Bruce Spingsteen, Pink Floyd, Michel Sardou, Donna Summer, Ana Belén, Jacques Dutronc, Raffaella Carrà, etc.

Mi nuevo reportaje sobre Cine con un tema que siempre es polémico: DINERO. Algo que mueve el mundo, pero que much@s aborrecemos. Entre otras: Wall Street, El Lobo de Wall Street, Entre pillos anda el juego, La Ley del Mercado, Monsieur Verdoux, Arcadia, El Capital, La Teranyina, El Reino, etc. Con canciones que hablan de dinero o algo parecido, de Joan Manuel Serrat, Bruce Spingsteen, Pink Floyd, Michel Sardou, Donna Summer, Ana Belén, Jacques Dutronc, Raffaella Carrà, etc.

durée : 00:30:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Paul Guimard - Avec Géo London, Henri Magnan et Henri Jeanson - réalisé par : Viginie Mourthé

Charlie Chaplin was, perhaps, the most beloved comic artist of all time. His Little Tramp character in the silent era was known from the US to the Far East. That's why it was so courageous of him to star in and direct this film about a "Bluebeard" killer. Set in the aftermath of the depression and just before the rise of Fascism, Chaplin's Verdoux preys on woman for their money in a coldly calculating manner stating that it's "just business". Cerebral and nihilistic, Monsieur Verdoux was a flop when it was released in 1947, partially because of its anti-hero narrative but also because of Chaplin's reputation at the time of being a communist sympathizer.  Azed and Jay discuss the finer points of Chaplin's deconstruction of the logical endpoint of Capitalism and also get into an extended discussion of the Mueller report, the current state of journalism and as always some poo and pee.

Esta vez abordamos la vida y adaptacion al cine del Asesino en serie Henri Desire Landru. Tras un resumen de su vida abordaremos 2 peliculas basadas en sus andanzas. La francesa y muy fiel LANDRU (1963) de Calude Chabrol, y la adaptación algo mas libre que realizó Chaplin en el 1947 "Monsieur Verdoux". Garrapato, Lentes, Soziedator y Plissken tras los micros. @misiondeaudaces misiondeaudaces@gmail.com * Música incluida de Urano Players y Erik&Zar1

Esta vez abordamos la vida y adaptacion al cine del Asesino en serie Henri Desire Landru. Tras un resumen de su vida abordaremos 2 peliculas basadas en sus andanzas. La francesa y muy fiel LANDRU (1963) de Calude Chabrol, y la adaptación algo mas libre que realizó Chaplin en el 1947 "Monsieur Verdoux". Garrapato, Lentes, Soziedator y Plissken tras los micros. @misiondeaudaces misiondeaudaces@gmail.com * Música incluida de Urano Players y Erik&Zar1

查理•卓别林 Charles Chaplin城市之光 City Lights (1931)摩登时代 Modern Times (1936)The Great Dictator (1940)凡尔杜先生 Monsieur Verdoux (1947)舞台春秋 Limelight (1952)纽约之王 A King in New York (1957)

NOTE: Watch Adolfo Acosta on Turner Classic Movies, introducing CITY LIGHTS with Ben Manciewicz, this Sunday, October 14 at 11 AM CT/12 PM ETOn today's adventure, Adolfo and Mark go back to the silent era for Charles Chaplin's CITY LIGHTS (1931)! The film that got Adolfo a fan programmer spot on TURNER CLASSIC MOVIES(!) On this week's show:Discovering Charlie Chaplin movies.The best introduction to ChaplinSilent films in the “Talkie” eraCITY LIGHTS isn't really a “silent” filmChaplin's reluctance to transition to talking picturesHow the film was originally conceivedThe hate-hate relationship between Chaplin and Virginia CherrillThe butler is a jerkChaplin's favorite scene in the film“Can you see now?”FILMS REFERENCED:THE KID (1921)THE GOLD RUSH (1925)THE JAZZ SINGER (1927)MODERN TIMES (1936)GONE WITH THE WIND (1939)THE GREAT DICTATOR (1940)MONSIEUR VERDOUX (1947)BICYCLE THIEVES (1948)LIMELIGHT (1952)SALO OR THE 120 DAYS OF SODOM (1975)LINKS:SOCIAL MEDIATWITTER: @EssentialFilms, @FPMoviePodcast, @Adolfo_Acosta, @Sportsguy515FACEBOOK: The Essential Films

Overviews of Chaplin's feature films A WOMAN OF PARIS and MONSIEUR VERDOUX.

Mi reportaje íntegro sobre los MATRIMONIOS EN EL CINE, de manera poco ortodoxa en lo mostrado. Entre otras: Secretos de un Matrimonio, El porqué de las cosas, Atracción fatal, Una maravillosa família de Tokio, Matrimonio a la italiana, Los Roper, La boda de Muriel, Una nueva amiga, French Women, Monsieur Verdoux, El pastel de boda, etc.

Mi reportaje íntegro sobre los MATRIMONIOS EN EL CINE, de manera poco ortodoxa en lo mostrado. Entre otras: Secretos de un Matrimonio, El porqué de las cosas, Atracción fatal, Una maravillosa família de Tokio, Matrimonio a la italiana, Los Roper, La boda de Muriel, Una nueva amiga, French Women, Monsieur Verdoux, El pastel de boda, etc.

In The Great Dictator, Chaplin played a Jewish Barber who was often like The Tramp, but not officially. In Monsieur Verdoux, he is playing something brand new. It is a character without the hopeful aspirations, instead he is a serial killer who keeps marrying and murdering women so he can financially support his original family. How do the guys react to Chaplin's much darker experiment of a film?    Charlie Chaplin's Five 1) The Gold Rush 2) City Lights 3) Modern Times 4) The Great Dictator 5) Monsieur Verdoux   –Leave us your thoughts on this movie at TheArtImmortal.com –Subscribe to Eric’s video game YouTube channel, Constant Diversion –Listen to Austin’s other podcast, The Immortals.   Email Twitter iTunes YouTube   Join us next Wednesday for their wrap-up of Charlie Chaplin and the announcement of their next Five! Artwork by Ray Martindale Theme Song by Adam Lord

Chaplin speaks! After three films where The Tramp only went as far as singing gibberish, Chaplin takes on two roles filled with important dialog in The Great Dictator. One is the Jewish barber returning home to see his neighborhood has been turned into a World War II ghetto. The other is a childish cruel dictator who has the same mustache as Chaplin... The results are groundbreaking cinema concluding with a perfect ending.    Charlie Chaplin's Five 1) The Gold Rush 2) City Lights 3) Modern Times 4) The Great Dictator 5) Monsieur Verdoux   –Leave us your thoughts on this movie at TheArtImmortal.com –Subscribe to Eric’s video game YouTube channel, Constant Diversion –Listen to Austin’s other podcast, The Immortals.   Email Twitter iTunes YouTube   Join us next Friday for their review of Monsieur Verdoux. Artwork by Ray Martindale Theme Song by Adam Lord

Segunda parte de los dos programas especiales que vamos a dedicar a Charles Chaplin (Charlie Chaplin), uno de los directores y humoristas más famosos de todos los tiempos. En este programa hablamos de su etapa sonora, a partir de Tiempos modernos, cómo fue criticado y casi perseguido por sus mensajes revolucionarios, su salida de Estados Unidos a Suiza y su etapa cinematográfica europea. Además, analizaremos con detalle las siguientes películas: - Tiempos Modernos (Modern Times, 1936) - El Gran Dictador (The Great Dictator, 1940) - Monsieur Verdoux (1947) - Candilejas (Limelight, 1952) - Un Rey en Nueva York (A King in New York, 1957) - La Condesa de Hong Kong (A Countess from Hong Kong, 1967) Programa dirigido y presentado por Víctor M. Yeste, con las aportaciones de Giacco, Maite Araez y Raúl Martín. Un especial... de otra época.

Segunda parte de los dos programas especiales que vamos a dedicar a Charles Chaplin (Charlie Chaplin), uno de los directores y humoristas más famosos de todos los tiempos. En este programa hablamos de su etapa sonora, a partir de Tiempos modernos, cómo fue criticado y casi perseguido por sus mensajes revolucionarios, su salida de Estados Unidos a Suiza y su etapa cinematográfica europea. Además, analizaremos con detalle las siguientes películas: - Tiempos Modernos (Modern Times, 1936) - El Gran Dictador (The Great Dictator, 1940) - Monsieur Verdoux (1947) - Candilejas (Limelight, 1952) - Un Rey en Nueva York (A King in New York, 1957) - La Condesa de Hong Kong (A Countess from Hong Kong, 1967) Programa dirigido y presentado por Víctor M. Yeste, con las aportaciones de Giacco, Maite Araez y Raúl Martín. Un especial... de otra época.

Tyler and David discuss what they've been watching, including The Interrupters, Django Unchained, 13th, Monsieur Verdoux, The Girl on the Train, Miss Peregrine's Home for Peculiar Children, Mishima: A Life in Four Chapters, Meet Me in St. Louis, Elle, Illusions, The Last Temptation of Christ, The Thing and Survivor.

Picking up where last week’s episode left off, we’ll catch up with Chaplin’s post-The Great Dictator activism, talk about Chaplin’s savage satirical follow-up, Monsieur Verdoux, and explain the witch hunt that ended with him forced to leave his adopted home, and Hollywood career, behind. This episode is brought to you by Audible.com, who has more than 180,000 audiobooks and spoken-word audio products. Get a free audiobook of your choice at audible.com/REMEMBER. This episode is also brought to you by Blue Apron. You can get your first two meals for free at BlueApron.com/REMEMBER. Learn more about your ad choices. Visit podcastchoices.com/adchoices

May 16th, 1955—60 years ago before this recording—James Agee died of a heart attack in the back of a New York taxi at the all too young age of 45. In his wake, he left a mountain of unprecedented writing, including the foundations for the first wave of serious film criticism in America. In this special episode, Scott Nye and Kristen Sales join Peter to discuss Agee's work and life. From his Southern roots in literature, including his poetic depiction of the depression, to his adoration of the silent comedies and vitriolic defense of one of Charles Chaplin's most contentious films. The conversation spreads from criticism to narrative prose to photography and finally to Agee's work within the moving image, especially his contribution to one of the all time great films, The Night of the Hunter. 0:00-4:19 Opening4:40-22:30 "Comedy's Greatest Era" and Let Us Now Praise Famous Men23:05-33:39 On Billy Wilder's Double Indemnity and The Lost Weekend34:20-51:37 Monsieur Verdoux and "Knoxville: Summer 1915"52:36-1:00:20 In The Street1:00:56-1:03:15 Mubi Sponsorship - Mother and We Can't Go Home Again1:04:22 -1:22:38 The Night of the Hunter1:22:42-1:24:49 Close / Outtake

Celebrating Thanksgiving with a couple of Turkeys this week, Mike and Sean take a look at two films that flopped on their initial release: Charlie Chaplin's 1947 Monsieur Verdoux and Brian DePalma's Bonfire of the Vanities, from 1990. They also discuss the career of Charlie Chaplin, get the inevitable onslaught of award-talk rolling and make their picks for Essential Cinema Feast.

Segundo programa de una serie de cinco capítulos donde esta semano nos centramos en una de las películas clásicas y emblemáticas del maestro del cine. Monsieur Verdoux, de la mano de nuestro gran colaborador Jose Luís Dana en su sección los Olvidados.