Podcast appearances and mentions of Pauline Black

As a documentary about her life reaches cinemas, musician and activist Pauline Black, the lead singer in 2-tone hit band The Selecter, talks about her career. We hear from the curators of the Waters Rising exhibition at Perth Museum, which features representations of flooding in literature and art over many centuries. And as an unfinished play by award-winning writer Oliver Emanuel comes to Radio 4, and an unstaged play by writer, poet and musician Beldina Odenyo is produced in Glasgow, we discuss posthumously completing a loved one's creative work. Presenter: Kate Molleson Producer: Mark Crossan

This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY,  about the 1981 2 Tone concert film DANCE CRAZE. We discuss the film's volatile production, how the film's genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelin's The Song Remains The Same movie, Garvick Losey's involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specials' tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.So lip up fatty and get into this week's episode of Revolutions Per Movie!DANIEL RACHEL:https://danielrachel.com/Book tour w/ Daniel Rachel:https://danielrachel.com/events/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Rewind Scotland 2024 returned to the spectacular grounds of Scone Palace in Perth on Friday 19th till Sunday 21st of July to celebrate music icons of the 80s and beyond. Allan Russell went along and spoke with Pauline Black, lead singer of English 2 tone ska revival ban, The Selecter. Image: Rewind Scotland logo. A white square with 'REW!ND' written in bold black capital letters, underlined with a bold black line and underneath written in one neat row and separated by small black dots: 'Scotland', 'North', 'South.'

In Episode 99, Patrick chats to Mark Llewelyn Evans, from the ABC of Opera, about their work bringing Opera into Primary education, with books and workshops (0:56);Pauline Black gives a preview of her and Simon Purcell's MTA Conference session, The Jazz Mindset, looking bringing Groove into the classroom (14:21); And Nate Holder discusses his new book, If I Were a Racist, expanding on his 2020 poem of the same name, and challenging what music we teach, why we teach it, and how we teach it (21:03).Presented and produced by Patrick Johns.http://academyofbarmycomposers.com/https://twitter.com/akapaulineblackhttp://nateholdermusic.com/ © Music Teachers' Association www.musicteachers.org

Daniel Rachel's book Too Much Too Young: The 2 Tone Records Story is a new history of the iconic record label. He's joined by Pauline Black, lead singer of The Selecter, to discuss the cultural impact of the Ska music it released. Actor Martin Shaw remembers the late, great theatre impresario Bill Kenwright, whose productions included Willy Russell's Blood Brothers and Andrew Lloyd-Webber's Joseph and the Amazing Technicolor Dreamcoat, who has died at the age of 78. The game of squash and a family overcoming grief are at the heart of Chetna Maroo's debut novel, Western Lane, which has been shortlisted for the 2023 Booker Prize. She talks to Samira about creating the story which centres on a spirited 11-year-old protagonist, Gopi. In Lyonesse, Kristin Scott Thomas plays Elaine, a star who gave up her career and retreated to a remote house on a Cornish cliff. 30 years later she decides she must return and tell her story. Kate, played by Lily James, is a young film executive, juggling work, a toddler and a peripatetic director husband. She comes to help Elaine – and is transformed. But who will control her story, who will get to tell it? Playwright Penelope Skinner tells Samira Ahmed about her new drama of female solidarity and male power. Presenter: Samira Ahmed Producer: Paula McGrath

Pauline Black brings radical optimism to the MOJO Record Club, as she reveals the folk roots of The Selecter, and the liberating brilliance of Pentangle's Basket Of Light. Then stick around for new releases, as Andrew Male and John Mulvey explore the latest records from Arooj Aftab and Lana Del Rey. Bongwater comparisons, anyone?Tracklisting: 1. Human Algebra, from the Human Algebra album, written by Pauline Black and released on DMF records2. Light Flight, (the theme music for the BBC's first-ever colour drama series, Take Three Girls), from Basket of Light, written by Jansch, Thompson, McShee, Renbourn, Cox and released on Transatlantic Records in 19693. Once I had a Sweetheart, written by Jansch, Thompson, McShee, Renbourn, Cox and released on Transatlantic Records in 19694. To Remain, To Return, from the album Love in Exile, written by Arooj Aftab, released on Verve5. A&W from Did You Know That There's a Tunnel under Ocean Boulevard? by Lana Del Rey, released by Polydor

This week kicks off the month of SKAUGUST! To start with we are venturing back to the year 1980 and talking about one of the progenitors of 2-tone ska, The Selecter and their debut full length Too Much Pressure.  Join our Patreon to get bonus audio, videos, blog posts, and access to our Discord for only $1 at patreon.com/punklottopodPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:The Selecter - Three Minute HeroThe Selecter - Missing WordsThe Selecter - Too Much Pressure

The first CD Sadie Dupuis saved up her own money to purchase was "Let's Face It" by The Mighty Mighty Bosstones. The first concert she begged her mom to take her to was No Doubt. And on a recent NPR segment, Sadie talked about the huge influence The Selecter's Pauline Black had on her. Pauline, through example, taught her that music could be a political toolThese days Sadie plays in the indie-rock band Speedy Ortiz, and she also releases music under the moniker Sad13. But she hasn't forgotten about her love for ska. In fact, she makes a plea to JER for a Sadie Dupuis / Skatune Network collaboration. (Hopefully, you're listening JER!) We also get into a lot more, like how Sadie's parents worked at record labels in the 70s. Her mom worked at the UK ska/reggae label Rock Steady Records. We talk about how The Specials' "Ghost Town" is a perfect song, we discuss the ska leanings of 100 gecs. And she talks about sending an AIM message to I Voted For Kodos. We also talk about booking MySpace tours, Sinéad O'Connor, and her love for Weezer. (Her favorite non-album track is "Blast Off!!"). We also talk about a ska band Sadie played in when she was a kid called "Walker Exists." They had no bass player! (She also mentions the ska band that Kevin Bacon's kid used to play in.) We talk about her songwriting process, fostering dogs, and get into the 2 Tone ska influences on the Brit-pop genre. But most importantly, she tells us her AOL and AIM screen names from back in the day. They both are ska-related. Be sure and check out Speedy Ortiz's new album Rabbit Rabbit, which releases on Sept 1! Support the show

In today's episode I talk to Phil Reis. Phil is a singer, songwriter and percussionist who has performed with major renowned artists. He was in the well known band Talk Talk for many years. Phil has worked with major musicians such Neneh Cherry, Louise Goffin, The Blockheads and Massive Attack, and his music career has taken him across the globe. Now he was originally taught by a master drummer in Lagos Nigeria as a nine year old. While in Africa he said it changed his whole world for the rest of his life. He returned to the UK, and played percussion in local bands before being invited onto John Peels show in the 70's. He then moved to London and joined Pauline Black's band. At one of her shows the chief road manager of Talk Talk alerted Mark Hollis the lead member of the group who asked him to turn up at rehearsals and that was the beginning to his long and successful career in the music business. Currently he is working on a new project with a French band, that includes Mel Gaynor who is the ex Simple Minds drummer. Phil talks about his childhood dreams of becoming a musician to the realisation of his dream by becoming part of a top selling band. Phil also shares his spiritual and healing path and his role as a Reflexologist which has led him to explore another and more deeper side of life.

Alongside Chris this time is musical pioneer and stye icon, Pauline Black of the 2-Tone legends The Selecter. The Coventry ska band not only influenced many UK post-punk bands, but would also later help shape Trip-hop and the American punk scene in the 1990s. There's much to enjoy in this warm and open conversation, including why a chance meeting at a folk club set Pauline on her musical path, how Jimi Hendrix and Angela Davis helped her find her style and why a Bob Marley gig proved to be so critical to future of The Selecter.

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and '70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and '70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and '70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and '70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and '70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and '70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and '70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and '70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and '70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and '70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution of both musicians and artists hoping to create the future. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

On this 'Round Up' episode of the Banned Biographies Podcast, host - Tom Austin-Morgan - looks back at his time in Europe playing with Sham 69 and the connections he made with the rest of the band as well as complete strangers and of course thanks all those who got in touch after listening to it and a very special thanks to Smokey for sitting in  for the whole four and a half hours!News this month concerns Grade 2, Dickies, Paramore, The Misfits, Sick New World Festival, Gina Birch, Peter Hook and The Light, Reagan Youth, Iggy Pop,  U.K. Subs, New Found Glory, Alexisonfire, Madness, Keith Levene, AFI, Dropkick Murphys, The Distillers, Flogging Molly, Pauline Black, Punk Rock Bowling, Slam Dun Festival, Thin Lizzie, The Damned, 2000Trees Festival, Amyl and the Sniffers, Social Distortion, Shaky Knees Festival, The Dwarves, Brakrock Festival, Punk Rock Holiday, Lagwagon, Jet Black, Bottles To The Ground Records, Rancid, The Interrupters and Frank Turner, Wattie from The Exploited, Siouxsie Sioux, and NOFX.Single reviews include Anti-Flag's NVREVR (feat. Stacey Dee of Bad Cop/Bad Cop), Skindred's Gimme That Boom, Grade 2's Under The Streetlight, The Interrupters' Raised By Wolves (acoustic), Paramore's The News and This Is Why, Weezer's I Want A Dog, Iggy Pop's Strung Out Johnny, New Found Glory's Dream Born Again and Get Me Home, Avril Lavigne and YUNGBLUD's I'm A Mess, We Are Scientists' Lucky Just To Be Here, The Lathums' Turmoil, Metallica's Aeterna, The Linda Lindas' Groovy Xmas, and The Offspring's Bells Will Be RingingAlbums reviewed are The Meffs' Broken Britain Part 1 EP, The Nervous Eaters' Monsters + Angels, Strike Eagles' Operation Mj​ö​lnir, Disturbed's Divisive, Madness' The Get Up!, and NOFX's Double Album. All this and more. See you in the pit!Merch: https://my-store-cfdac5.creator-spring.comContactTwitter: @BannedBiogsFacebook: @BannedBiographiesInstagram: @bannedbiographiesE-mail: bannedbiographies@gmail.com

Pauline Black has been called “the Queen of Ska”. She came to prominence in the 1970s as the lead singer of the renowned 2-Tone band The Selecter. Pauline has also been an actress with roles in film and television shows. She is a deputy lieutenant for the West Midlands and was recently awarded an OBE by the King. But throughout her childhood, growing up as an black child adopted by a white family in Essex Pauline says she felt like a “cuckoo, in somebody else nest”. Education and Music were her escapes. As she puts it: “Any band is like a surrogate family.”Warning: Contains discussions of sensitive subjects including racism, and sexual abuse.Additional supportwww.adoptionuk.orgwww.nspcc.org.uk Hosted on Acast. See acast.com/privacy for more information.

Hannah and Stuart face-off in this Thursday edition of the PopMaster Podcast with Ken.

This concert crystalizes a moment in time, representing a changing of the guards in the alternative music world, when The Beat—or The English Beat as they were called on this side of the pond—come to Alumni Hall in London, Ontario with a new, unknown American band called R.E.M. in tow as the opening act.  The show took place as The Beat were in the last throes of their career but also peaking in popularity in North America.  Meanwhile, R.E.M. released their classic debut LP, “Murmur,” during the week of this concert. Retrospectively, it marks the sundown of one era and the sunrise of the next. Returning Special Guest Phil Robinson has a lot of great memories from the night which he shares.   Tune in next time for stage invasions, a cultural shift, and wondering what the hell I was thinking. We also discuss R.E.M. at Glastonbury and in Ottawa, why the Buzzcocks were the nicest guys in punk rock, hanging out with INXS, standing next to Jerry Dammers at the Blackheath festival, and seeing Pauline Black at Manchester Mardi Gras. See the original blog entry on mylifeinconcert.com here Next on Stage: Tune in next time for what was quite an, er, interesting evening, when San Francisco's sludge rock contrarian refuseniks Flipper come to town to decimate Fryfogle's and its audience, about 6 weeks after the Beat/R.E.M. show.  An evening of debauchery and indulgence ensues for myself and crew of people on that night, one that involves missing persons, dangerous fire escapes, and a foggily-remembered aftershow party comprised of massed stimulant consumption and much silliness, with Flipper — both as persons and performers — interweaving with us at various points of our night (and lining up to see Return of the Jedi, too). (EP 25, no. 17) Fucked Up Once Again: Flipper, Fryfogle's, London, Ontario, Canada, Monday May 30, 1983 mylifeinconcert.com

Front Row is live from the 2021 Turner Prize Ceremony at Coventry Cathedral. Samira Ahmed hears from Turner Prize judges actor Russell Tovey and curator Zoe Whitley, and the director of Tate Britain Alex Farquharson, about why they chose artists' collectives for this year's shortlist. Pauline Black reflects on what it means to Coventry to host this year's Turner Prize exhibition as part of the City of Culture celebrations and curator Hammad Nasar explains how he put together an exhibition of work that's not usually shown in galleries. And the winner of this year's Turner Prize is announced live on air. Presenter: Samira Ahmed Producer: Olivia Skinner

Songs To Live By is a podcast celebrating different generations of Black culture through a shared love of music. Host Vick Hope is joined by two guests, who grew up at different times, to share the songs that shaped their lives. In this episode Vick is joined by singers Enny and Pauline Black to talk about listening to pirate radio in the night-time, what's in a name, and Black music in 1970s Britain sound-tracked by Sweet Female Attitude, Billie Holiday, BeBe and CeCe Winans, and Steel Pulse. Enny was catapulted to international fame with her song Peng Black Girls. Pauline Black is the lead singer of the two-tone band, The Selecter, and has been described as the Queen of British Ska. Producer: Cecile Wright

Disney’s much-anticipated 101 Dalmatians prequel Cruella is the visually stunning origin story of the woman who becomes the puppy-stealing force of evil from Dodie Smith’s original 1956 story. Starring Emma Stone and Emma Thompson and directed by I, Tonya’s Craig Gillespie, it is set in late '70s London and channels much of punk’s dark energy and aesthetic. Larushka Ivan-Zadeh joins Front Row to assess whether it makes for compelling viewing – and for what age group. 2 Tone: Lives & Legacies is the first major exhibition dedicated to the music, the message, and the memorabilia of the ska movement. As it opens at the Herbert Art Gallery & Museum to mark the start of Coventry’s year as UK City of Culture 2021, Pauline Black, founding member and lead singer of The Selecter, talks to Samira about the impact 2 Tone had on her and British culture. “Why shouldn’t God send a miracle to Merthyr?” asks Carys, the 16-year-old girl in The Merthyr Stigmatist. She claims to have the wounds of Christ, bleeding from her hands and feet every Friday evening. Her teacher, Siân, isn’t convinced; she thinks Carys should keep quiet, get out of the Merthyr Tydfil and go to university. But why should she have to leave to lead a fulfilling life? Lisa Parry’s talks about her new play, in which faith, reason, class, fame and language all collide. Presenter: Samira Ahmed Producer: Julian May Main image: 2 Tone band The Selecter's lead singer Pauline Black in 1979

Chris Mason presents political debate and discussion from Coventry Cathedral

We hear from former Prime Minister of Australia Julia Gillard who is working to help children from developing countries get a quality education. Josephine Kamara and Selina Nkoile are Youth Leaders for Global Partnership for Education and are campaigning to keep girls in education. Pauline Black, lead singer of ska band The Selecter talks about her upbringing and the 2 Tone anti-racism message of the late 70s. Professor Basky Thilaganathan from St George’s Hospital talks about the rarely seen and often complex work being carried out inside the womb to save the lives of unborn babies. We also hear from Susie who developed Twin to Twin transfusion syndrome while pregnant with triplets. Christine Grosart is a key volunteer for the group Ghost Fishing UK. She is also an expert diver and environmental champion. She talks about the beauty of the seas and the damage humans have caused. Plus broadcaster Emily Dean on the trend for ‘pandemic puppies’ and the unique relationship that women have with their dogs. Presenter: Anita Rani Producer: Paula McFarlane Editor: Beverley Purcell

The original rude girl and ‘Queen of Ska’ Pauline Black was working as a radiographer when she came to prominence in the late 1970s as the lead singer of the 2 Tone ska revival band The Selecter. Pauline joins Anita to talk about being the only girl on tour alongside The Specials and Madness, expressing herself as a young black woman through music, playing the role of Billie Holiday and, 40 years on, the remastering the band’s album Too Much Pressure. It is estimated that 129 million girls worldwide remain out of school and face multiple barriers to education. Julia Gillard, the former Prime Minister of Australia, is the Chair of the Board of Directors of the Global Partnership for Education – an organisation working with governments around the world to help children in lower-income countries get a quality education. The UK has supported eight million girls worldwide and in 100 days from now will be hosting the Global Education Summit with Kenya. Anita Rani discusses the issues with Julia and Josephine Kamara and Selina Nkoile, Youth Leaders for the GPE. In a new series of authored interviews Milly Chowles reports on women at risk of having their children removed from their care. Drug and alcohol misuse are often part of the problem. Milly, who is in recovery herself, had a baby last year. She was given many chances to change and fears that many mothers are not given the same opportunities. Today she talks to Lydia. They went to school together and took different paths in life but both ended up focussing on the stories of mothers in crisis. Presented by Anita Rani Producer: Louise Corley Editor: Beverley Purcell

Tercer episodio de la Tercera Temporada de Paroxis Histérica, dedicado a hacer un recorrido por el reggae jamaiquino y el ska británico a través de las artistas que aportaron tanto a estos géneros y desde esos inicios denunciaron la violencia contra las mujeres, incluyendo la violencia sexual. Grandes artistas con posturas políticas muy claras y contundentes: Doreen Shaffer y The Skatalites, Margarita Mahfood, The Bodysnatchers, Pauline Black y The Selecter, Saffiyah Khan y The Specials.

“The End of Radio” host Matt Diehl has an especially outspoken conversation here with two multi-dimensional artists, Pauline Black and Rhoda Dakar – iconoclastic heroines who helped move the U.K.'s late-'70s “2 Tone” movement into musical legend. With Black fronting The Selecter and Dakar leading The Bodysnatchers, the two joined artists like The Specials, The Beat, and Madness in combining punk and ska to forge a new, politically conscious sound and vision. Black and Dakar remain active and wildly influential, continuing on to further triumphs – neither resting on their laurels in creating awareness mixed with hip-shaking rhythm, as well as expanding their scope beyond music.

This week we learn some ska history via the life of Pauline Black, lead singer of The Specter. Matt and RJ discuss some strange places they have found ska. RJ tells us about a ska band from Argentina. Lastly, Matt and RJ give you their ska picks of the week. Ska History: Pauline Black (The Selecter) https://amp.theguardian.com/lifeandstyle/2011/jul/30/pauline-black-the-selecter-adoption-memoir https://theselecter.net On The Upbeat: www.instagram.com/ontheupbeatska www.facebook.com/ontheupbeatska Ska Aound The World: Esaopa https://esaopaar.bandcamp.com/releases Ska Picks: Millie Manders and The Shutup https://millie-manders.com Dang!t https://www.instagram.com/dangitband/ Theme music written and preformed by Millington https://millingtonband.bandcamp.com

Wherein: Steve and Adrienne discuss the activism wrapped in Ska of the Pauline Black led Selecter Scroll down to play Podcast                                          Too Much Pressure at Discogs                           2 Tone Records Wiki Page                           The Selecter Official Website         Three Minute Hero Video from You Tube              Pauline Black story from The Guardian                       Our review of the movie Babylon                                  Our SGS Podcast on The Pressure Boys                 James Bond video from You Tube       The Specials Sock It To Em JB from You Tube               Celebrate The Bullet at Discogs                                Black By Design at Goodreads                                 Article about coffee naps at Vox          

Welcome back to the Horror. Cult. Trash. Other. Podcast! This week we’ve dipped back into our requests vault to talk about the bizarre British cult movie, Funny Man. During the episode we discuss Thelma from Scooby-Doo’s role in the film, The Selecter lead singer Pauline Black’s Psychic Commando character and the surprisingly great practical effects and set designs. Email us at horror.cult.trash.other@gmail.com and check us out on Social Media at the following links www.facebook.com/horrorculttrashother Twitter - @horrorculttrash Instagram - @horror.cult.trash.other Theme song is Stick Around by Gary’s band, One Week Stand. Check them out on Spotify, iTunes and many other digital distributors!

Think of punk and ska in 1980s Britain and you may well picture bands like The Clash and The Specials. Pauline Black, however, is the original rude girl. As the driving force behind Coventry 2-tone group The Selecter, she was a rare woman of colour making her way in music and sticking two fingers up to the skinheads while she was at it. Today Pauline is a style icon and a cultural force, with her signature fedora, Doc Martens and formidable attitude, as documented in her book, Black By Design: A 2-Tone Memoir. She invited The Last Bohemians into her immaculate home in the Midlands to discuss how she became the first lady of 2-Tone, its multicultural vision, and the fight to make her voice heard. ​ Presenter: Kate Hutchinson Producer: Renay Richardson Photos: Laura Kelly www.thelastbohemians.co.uk @thelastbohemianspod

Chris Watts tells the story of 2 Tone! Interviews with Neville Staple, Horace Panter, Lee Thompson, Suggs, Ranking Roger, Pauline Black and Rhoda Dakar

This week we get funny with 1994's Funny Man by Simon Sprackling! Join us as we delve into this gem of 90's schlock. Funny Man is a 1994 British comedy-horror film written and directed by Simon Sprackling. When Max Taylor (Benny Young) wins the ancestral home of Callum Chance (Christopher Lee) in a game of poker, little does he realise that the game is far from over. After moving into the ancestral home with his family the nightmare begins after Max spins a wheel of chance, (a wheel with four parts, two saying win, and two saying lose). It lands upon lose, and this awakens a demonic creature that lives in the soil of the ancestral home. Soon, one by one, Max's family are murdered by this strange creature known as the Funny Man (Tim James), a Mr Punch-like jester with a varied and imaginative repertoire of homicidal techniques and a highly irreverent sense of humour. This sense of humour is shared with the audience. He is the only character that addresses the audience directly, as in a pantomime. He kills off Max's wife and both kids in gruesome yet humorous ways. Max's son being the 1st, after walking around a pillar in circles playing with Funny Man, he stops and is killed off screen. After, Funny Man changes his voice to sound like Max's son and talk Max's wife while looking at her through a key hole, he is then seen dragging the child's body away and telling the audience "when hosting a party, it's always good to put the little ones down first.". Max's wife is beaten to death with a club after failing to escape an endless room. Max's daughter is killed while playing a Gameboy after Funny Man hooks jumper cables up to her head, electrocuting her to death to the point where she catches fire. Meanwhile, Max's brother, Johnny Taylor (Matthew Devitt), is on his way to the mansion with a bunch of hitchhikers who will be lucky to survive the night. Among the hitchhikers is a voodoo woman (Pauline Black) who after using tarot cards later learns about the awakening of the Funny Man. At first, after arriving at the ancestral home, everything seems fine. But the Funny Man has made his targets, and his evil game has begun. It soon becomes a Scooby-Doo Rock'n'Roll madhouse with bizarre scenes, gruesome kills and lots of humorous moments. "Just remember, there's no rest for the wicked." Music by Zapsplatwww.zapsplat.com

Check out our October 21st show! Tons of cool music and an interview with the Queen of 2Tone Ska, Pauline Black of the Selecter!  Also, check out Randi Lavik’s BTS Report!

Pauline Black is an author, actress, and lead singer of 2 Tone Ska revival band The Selecter from Coventry, England. The racially diverse band led by a female singer originally formed in 1979 and have been creating conscious music ever since. Pauline talks about the business of running a band, gender and race politics, and the music of the spheres. We talk about 2Tone culture, racial unity, how people can come together through music. We also talk about their new album Daylight. The name refers to the sun rising and chasing away the dark, it also refers to the fact that sun will always rise. Even if we blow ourselves up in a nuclear apocalypse. The sun will rise. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/DreamNation/support

Russel and the legendary Pauline Black travel back to the birth of the 2 Tone label and relive the birth of The Specials, Madness, Selector and more great bands.Each week join Russel as he meets current and future musical legends to delve into the obscure and wonderful corners of their minds. So, step inside, fire up the dream machine and hold on tight...

Russel and the legendary Pauline Black travel back to the birth of the 2 Tone label and relive the birth of The Specials, Madness, Selector and more great bands. Each week join Russel as he meets current and future musical legends to delve into the obscure and wonderful corners of their minds. So, step inside, fire up the dream machine and hold on tight...

The Dead Ladies Show is a series of entertaining and inspiring talks about women who achieved amazing things against all odds, presented live on stage in Berlin at ACUD. This podcast is based on that series. Because women's history is everyone's history. In this episode, writer Alix Berber unveils the original vamp, Theda Bara. We also debut our segment Living Legend, with a conversation about Pauline Black, Queen of British Ska, lead singer of the The Selecter, writer, fashion icon, and so much more. With music from Lorin Sklamberg and Los Sundayers. See Theda at her barest, and hear Pauline at her finest at: deadladiesshow.com/2018/04/25/podcast-8-theda-bara/ Follow us on social media @deadladiesshow and please share, rate, and review the show as it helps others to find our feminist women's history podcast The Dead Ladies Show was founded by Florian Duijsens and Katy Derbyshire. The podcast is created, produced, edited, and presented by Susan Stone. We now have a Patreon! https://www.patreon.com/deadladiesshowpodcast

Pauline Black is the lead singer of The Selecter. A 2Tone revival ska band from the UK. We talk about the business of running a band, gender and race politics, and their new album Daylight.

Check out our July 30th, which features an interview with Pauline Black of The Selecter. Keep in mind, i’s a podcast, so the ticket giveaway is over

It's two for the price of one this week as Pauline Black and Gaps Hendrickson from The Selecter join Matt to discuss music, politics, society & culture in a particularly powerful and topical episode of Life In The Stocks. Open your hearts, minds & ears and enjoy the show.Follow Matt Stocks on Facebook / Twitter / Instagram: @mattstocksdjCheck out the Life In The Stocks Patreon page here: www.patreon.com/lifeinthestocks See acast.com/privacy for privacy and opt-out information.

Jake Gyllenhaal on his latest movie Life, a sci-fi thriller about a team of scientists aboard the International Space Station who find a rapidly evolving life form from Mars. He discusses the practicalities of simulating zero gravity on film and also his current role in the musical Sunday in the Park with George on Broadway.Choreographer Christopher Wheeldon talks about directing the Tony Award-winning musical An American in Paris, which has just opened in London. This year thirteen new musicals will receive a Broadway premiere, but in the UK only two new musicals are slated for West End premieres, so is the UK is being left behind by America? Jamie Hendry, producer of the forthcoming West End musical, The Wind in The Willows, and Zoë Simpson, independent producer and board member of the Musical Theatre Network discuss the business of putting on a musical.Pauline Black, lead singer of Midlands ska band The Selecter, reviews One Love: The Bob Marley Musical at The Birmingham Rep. Written and produced by director, actor and playwright Kwame Kwei-Armah, the show brings the reggae star's global hits to the stage for the first time and delves into the political turmoil of Marley's native Jamaica.Presenter: Kirsty Lang Producer Rachel Simpson.

Pauline Black, the singer who found fame with the ska band The Selecter, on how Harper Lee's "To Kill A Mockingbird" helped her understand her place as a black girl adopted by a white family. She both identified with Scout, the tomboyish main character, while it was the first book she read in which the black characters "shared a dignity and gravitas". It allowed her to understand the racial tensions and hypocrisy which surrounded her childhood. "This novel gave the little black girl that timidly lingered inside me the security to come out and fight against racial injustice with my chosen profession, music." Producer: Smita Patel.

This week: Hip-hop duo Run The Jewels explains the cat sounds in their new album… Graphic novelist Adrian Tomine tells us why he writes about confused dads… “Eat, Pray, Love” author Elizabeth Gilbert gives us passive-aggressive advice… Ska legend Pauline Black of The Selecter​ spins us a spunky and soulful soundtrack… We learn about the […]

Garry’s guest tonight is Pauline Black - the charismatic leading lady of 2-Tone, the musical movement that combined the anger of punk with the joyous bounce of Jamaican Ska. Arriving after the first waves of punk were receding, the new blue-beat bands put dancing and tunes back into pop. Pauline’s combo The Selecter were one third of 2-Tone’s Holy Trinity along with The Specials and Madness. She was one of the very few women in the male-dominated movement; but as a mixed-race girl growing up in an all-white working class part of Romford, Essex, Pauline was used to being an outsider - and tough enough to confront the sexism as well as the racism of the early 1980s. Today, as a Eton-educated British Prime Minister David Cameron loftily proclaims that “multiculturalism has failed”, maybe we should hear from Pauline – the woman who got both skinheads and rude boys dancing together. Pauline for Prime Minister? Don’t rule it out. Pauline’s memoir Black By Design is available now. Download the show as mp3 file Subscribe in iTunes Be a wonderful human being and support us with a donation

Rewind 30 years to the 1980s. Hairstyles may best be forgotten but the pop music of the time had more to recommend it. Punk was fading into softer, more electronic genres as music technology evolved. The ‘New Romantics’ emerged as a dominant force in music championing fantasy and the imagination with bands such as Spandau Ballet and Culture Club enjoying chart success. The early part of the decade saw a revival of Ska whilst the charts were later dominated by pop producers Stock Aitken Waterman. Take a trip down music memory lane and recall the significance of the 80s on the music scene. Speakers include Gary Kemp (musician, songwriter and actor) and Pauline Black (lead singer of The Selecter, song writer, broadcaster and author). The event will be chaired by Robert Elms (writer and broadcaster).

Richard Coles with The Selecter's Pauline Black, poet Kate Fox, Natasha Owen Jones who traced her long-lost brother only to find he was a convicted killer and who has just returned from meeting him for the first time, one of the original inhabitants of Milton Keynes, the story of a beloved breadboard, and the Inheritance Tracks of comedian Ben Miller. Producer: Dixi Stewart.

“Before reggae there was rock steady, and before that, ska,” writes Cedella Marley in the foreword to Heather Augustyn’s 2010 book Ska: An Oral History (McFarland, 2010). By way of interviews with dozens of ska musicians, Augustyn traces the history of the music from its Jamaican roots, through its 2Tone revival in 1970’s and 80’s England, to its current regional popularity in the United States. She interviewed Derrick Morgan, Doreen Shaffer, Laurel Aitken, Toots Hibert, Judge Dread, Roddy Radiation, Dave Wakeling, Pauline Black, Kix Thompson, and Buster Bloodvessel to name just a few. The book provides a solid understanding of ska as a music with roots in American jazz and soul mixed with the indigenous music of the Carribean. Augustyn’s interviews also highlight the importance of Jamaica’s status as a former colony in the creation of English ska as well as providing an insight into the music’s reflection of British and Jamaican race and class relations. Most importantly, Ska gives voice to many of the artists responsible for the creation of one of the most enduring musical genres of the last fifty years. Heather Augustyn is a correspondent for The Times of Northwest Indiana. Her work has appeared in numerous publications, including The Village Voice, In These Times, and The Humanist. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Before reggae there was rock steady, and before that, ska,” writes Cedella Marley in the foreword to Heather Augustyn’s 2010 book Ska: An Oral History (McFarland, 2010). By way of interviews with dozens of ska musicians, Augustyn traces the history of the music from its Jamaican roots, through its 2Tone revival in 1970’s and 80’s England, to its current regional popularity in the United States. She interviewed Derrick Morgan, Doreen Shaffer, Laurel Aitken, Toots Hibert, Judge Dread, Roddy Radiation, Dave Wakeling, Pauline Black, Kix Thompson, and Buster Bloodvessel to name just a few. The book provides a solid understanding of ska as a music with roots in American jazz and soul mixed with the indigenous music of the Carribean. Augustyn’s interviews also highlight the importance of Jamaica’s status as a former colony in the creation of English ska as well as providing an insight into the music’s reflection of British and Jamaican race and class relations. Most importantly, Ska gives voice to many of the artists responsible for the creation of one of the most enduring musical genres of the last fifty years. Heather Augustyn is a correspondent for The Times of Northwest Indiana. Her work has appeared in numerous publications, including The Village Voice, In These Times, and The Humanist. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Before reggae there was rock steady, and before that, ska,” writes Cedella Marley in the foreword to Heather Augustyn’s 2010 book Ska: An Oral History (McFarland, 2010). By way of interviews with dozens of ska musicians, Augustyn traces the history of the music from its Jamaican roots, through its 2Tone revival in 1970’s and 80’s England, to its current regional popularity in the United States. She interviewed Derrick Morgan, Doreen Shaffer, Laurel Aitken, Toots Hibert, Judge Dread, Roddy Radiation, Dave Wakeling, Pauline Black, Kix Thompson, and Buster Bloodvessel to name just a few. The book provides a solid understanding of ska as a music with roots in American jazz and soul mixed with the indigenous music of the Carribean. Augustyn’s interviews also highlight the importance of Jamaica’s status as a former colony in the creation of English ska as well as providing an insight into the music’s reflection of British and Jamaican race and class relations. Most importantly, Ska gives voice to many of the artists responsible for the creation of one of the most enduring musical genres of the last fifty years. Heather Augustyn is a correspondent for The Times of Northwest Indiana. Her work has appeared in numerous publications, including The Village Voice, In These Times, and The Humanist. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pauline Black: My Boy Lollipop - Millie Small; Get Up Stand Up - Bob Marley

Richard Coles with psychologist and persuasion expert Kevin Dutton, poet Salena Godden, a man working with young people to stop them joining street gangs, and one of Britain's oldest bookies. There's a Crowdscape from Chipping Norton and The Selecter's Pauline Black shares her Inheritance Tracks.

Pauline Black: My Boy Lollipop - Millie Small; Get Up Stand Up - Bob Marley

This week Anita Anand is joined by David Westhead, Thapelo Motsumi, Kamin Mohammadi, Pauline Black and Paul Magid. David Westhead is an actor and filmmaker who organised a photographic course for disadvantaged teenagers from Johannesburg townships. Thapelo Motsumi was one of the young people who attended the course and is now working as a professional photographer. An exhibition of their photographs, 'Wembley to Soweto', is at the Oxo Gallery in London. Kamin Mohammadi is a journalist who fled the Iranian revolution in 1979 aged nine with her mother, father and sister, leaving behind their large, close-knit family. They came to London where she found a very different world. It took her nearly twenty years to return to her homeland and she tells her story in the book 'The Cypress Tree', which is published by Bloomsbury. Pauline Black is the actor/director and lead singer with 2-Tone band, The Selecter. Born of Anglo-Jewish/Nigerian parents, she was adopted by a white, working class family from Essex in the fifties. Never quite at home there, she escaped her small town background, and discovered a different way of life, making music. Her memoir, 'Black by Design', is published by Serpent's Tail. Paul Magid is part of The Flying Karamazov Brothers, the anarchic Californian jugglers who are performing in London for the first time in seventeen years. He founded the group on the streets of Haight-Ashbury in San Francisco in the 1970s, born out of the old beat generation and the anti-war movement. 'The Flying Karamazov Brothers' is at London's Vaudeville Theatre.