Podcasts about post production supervisor

In this episode, Tara Sands and Steve Yurko interview Gerry Beyer. At 4Kids, Gerry worked on the promos and shows as the Post Production Supervisor and Senior Video Editor from 2002-2011. He worked on projects like Chaotic, Fighting Foodons, Ultraman Tiga, Yu-Gi-Oh! and more! You can see some of his work on his page at https://www.youtube.com/@euganot and watch some promos at https://www.youtube.com/watch?v=774gQrXLQ2I , https://www.youtube.com/watch?v=Qq9ZHzhTaDU , https://www.youtube.com/watch?v=9qO4kQHkp4o and https://www.youtube.com/watch?v=ndRFTvzdpvc&feature=youtu.be 4Kids Flashback is a behind the scenes podcast about the 4Kids era of television as told by the people who were actually there. 4Kids is the company that brought Pokémon, Yu-Gi-Oh!, One Piece and many other anime series to English speaking audiences. Our website is https://www.4kidsflashback.com/ Subscribe at https://www.patreon.com/4KidsFlashback for episodes one week early and ad-free plus bonus content! For merch go to https://4kids-flashback.printify.me/products Leave us a voice message at www.Speakpipe.com/4KidsFlashback Autographs for Charity available at https://www.ebay.com/usr/flashback4kids Watch videos at https://www.youtube.com/@4KidsFlashback Disclaimer: The views and opinions expressed in this program are those of the speakers and do not necessarily reflect the views or positions of any entities they represent or of this podcast and/or it's hosts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever had a hunch that you'd be reeaaally, really good at something- or that you *should* be following a certain path, but wish you could get a little confirmation? It turns out the stars can help ( no, not those stars ! ) Today's episode is all about illuminating your purpose -with the help of astrology.My guest this week is former Post-Production Supervisor, Flight Attendant, and brilliant Astrologer, Kim Stefan. Kim helps clients understand how their unique astrological blueprint can connect them with their strengths and what they came here to learn. She teaches people how to use their gifts for getting through the hard parts of life, push through indecision -and into understanding their purpose! Tune in to learn how to navigate changes in your career and life - and connect with your authenticity, through the insights of the stars.In this episode we get into:Why we feel so vulnerable any time we reinvent our identity- and why its  hardest to share what we're up to with our peers and the people we've known the longest Reflections on  being of service- and the transformative magic of compassionFinding your authenticity and navigating life's transitions through astrologyConnect with Kim: Email - berlyann5@aol.comJoin the Club :Follow on instagram - @hollywoodsecondactclubSign up for our Newsletter. Subscribe here. Coaching Services:If you are interested in coaching and working together, schedule a time for a virtual coffee and let's talk! I'd love to hear about your goals and see if I can be helpful hello@hollywoodsecondactclub.com Rate, Review, & Follow on Apple Podcasts:"I heart Alexis and The Hollywood Second Act Club Podcast" If that sounds like you, please consider rating and reviewing my show! This helps me support more entertainment industry professionals–just like you–in crafting their own Fabulous Second Acts. Click here, scroll to the bottom, tap to rate with five stars, and select “Write a Review.” Then, be sure to let me know what you loved most about the episode!Also, if you haven't already, follow the podcast wherever you get your fix . I'll be adding lots of goodies to the feed–and if you're not following–there's a good chance you'll miss out. Follow now!00:00 Introduction to the Hollywood Second Act Club00:29 Meet the Host: Alexis Walker00:58 The Power of Personal Transformation01:36 Overcoming Fear and Embracing Change04:50 Kim's Journey: From TV Production to Flight Attendant08:18 Finding Fulfillment and Facing Challenges12:58 Discovering Astrology and Personal Gifts14:39 The Importance of Service and Connection15:49 Reflecting on Life's Stepping Stones18:57 Navigating Life's Transitions21:51 Understanding Your Astrological Blueprint22:19 Personal Examples and Career Insights24:30 Elemental Distribution and Life Path26:03 The Age of Aquarius and Collective Shifts30:49 Navigating Career and Life Transitions33:28 Finding Your Authenticity Through Astrology35:11 Rapid Fire Questions and Personal Reflections40:12 Upcoming Projects and Contact Information42:48 Final Thoughts and Podcast OutroLove This Episode ? Send Me A Text Message and Let Me Know What Hit Home!

Quincy Ledbetter talks about the filmmaker's journey for black film directors. He shares his thoughts on the art of film and the filmmaking process. Quincy is a filmmaker, musician, and artist with a focus on narrative, documentary, andbranded/commercial projects—primarily as a director, writer, DP, editor, and composer. He has extensive experience as a Video Director, Producer, and Post-Production Supervisor in news and digital media with brands such as Mashable, NPR, Time, Mic.com, HuffPost, Yahoo!, The New York Times, Vox, Instagram, among others. His work has won two Edward R. Murrow Awards (2018 and 2021), two Webby Awards (2016 and 2021), an ASME Ellie Award (2018), and two Emmy Nominations (2017 and 2022). In 2018 Quincy won the Project CRE8 competition by BET Films and Paramount Players to direct his first feature film Alieu the Dreamer, released in 2020. His animated short film The Black Disquisition garnered multiple awards at festivals for Best Director and Best Animated Short, and is currently exhibited in museums across the U.S. In 2020, Quincy and his partner, Yuki Maekawa-Ledbetter, co-founded ML-NEBULA, a production company focused on creating a safe and open environment for filmmakers and artists to thrive. You can find him at http://www.qledbetter.com/

I talk with Post Production Supervisor Chris Keith about how his job was to be the last person to see an animated episode before it went out to the audience, ensuring the proper mix of dialogue, sound effects, and music. He talks about his work on Goof Troop, Bonkers, Biker Mice from Mars, Darkwing Duck, and the 2nd season of Family Guy (including some great stories about working with Seth MacFarlane), as well as working on the original Tron film. In our "Back in Time" segment, Chris reveals a certain popular film he had a chance to work on, but declined. And great advice as always about getting into post production, even in this slow time. Go check out his book and podcast, Ghosts of Greystone Beverly Hills https://www.youtube.com/@ghostsofgreystonebeverlyhills --- Send in a voice message: https://podcasters.spotify.com/pod/show/inside-animation/message Support this podcast: https://podcasters.spotify.com/pod/show/inside-animation/support

Did you know what it takes to be a post production supervisor? Or that it's a possible way to climb up the track to Executive Producer? LESLIE CONVERSE is both a producer and a post-Production Supervisor. She tells us about her start in the industry, assisting Director Frank Oz on movies such as  The Indian in the Cupboard, In & Out starring Kevin Kline, and Bowfinger starring Steve Martin and Eddie Murphy, she goes into how she started as a post-production supervisor and what that usually entails, and working closely with directors such as Ron Howard, Steven Soderbergh, Frank Oz, Noah Baumbach, and more. She has worked on incredible films such as Marriage Story with Adam Driver, Scarlett Johannsen, Laura Dern, Ray Liotta and Alan Alda, The Laundromat with Meryl Streep, Gary Oldman, Antonio Banderas, David Schwimmer, The Stepford Wives starring Nicole Kidman, Bette Midler, and Matthew Broderick, and more, Hillbilly Elgy starring Amy Adams and Glenn Close, just to name a few. She also discusses getting into producing and how much of a commitment that means, especially as a mother. One of her latest projects was Noah Baumbach's White Noise starring Adam Driver and Greta Gerwig, which she was both a post-production supervisor and executive producer. In this episode, we talk about: • The awesome story about going out to LA to interview to be Director Frank Oz's assistant and working on THE INDIAN AND THE CUPBOARD • What goes into being Post-production Supervisor on a film and her responsibilities • Organizing ADR and finding actors for looping and loop groups • Being bumped up to co-producer, in addition to post production, for STEPFORD WIVES • Why someone should hire a post-production supervisor for in pre-production • Missed the jump from 35mm to digital because she took off working to parent • Finished reshoots for Hillbilly Elegy when the pandemic hit, so post production looked very different • Bumped to EP for White Noise, also directed by Noah Baumbach for 2.5 years Guest: IMDb LinkedIn Host: Instagram: ⁠⁠⁠@MentorsontheMic⁠⁠⁠ ⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠ Twitter: ⁠⁠⁠@MentorsontheMic⁠⁠⁠ ⁠⁠⁠@MichelleSimoneM⁠⁠⁠ Facebook page:⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠ Website:⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠ Youtube: ⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠ If you like this episode, check out Becoming... Film Producer Gaylyn Fraiche and former VP of Film & TV of Hello Sunshine ("Sisterhood of the Traveling Pants 2," "Cheetah Girls 2") ⁠⁠⁠⁠⁠Click here to join our Mailing list.⁠⁠⁠ Ads: Check out ⁠⁠⁠Cave Day⁠⁠ right now. Only $40 for the first 3 months! --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

Kevin is joined by Nancy Kirhoffer, a highly experienced post-production supervisor, to delve into the intricacies of successfully bringing movies to completion.Nancy Kirhoffer, Post-Production SupervisorToday we have the pleasure of speaking with Nancy Kirhoffer, a distinguished post-production specialist with over 150 films to her name. With a remarkable career spanning indie films to blockbuster hits, Nancy has gained a wealth of knowledge and experience in the art of bringing movies to completion. In this episode, Nancy shares her insights on the intricacies of post-production, the challenges and rewards of audience test screenings, and the secrets to delivering a successful final product. What is the role of a post-production supervisor/producer? (3:04)Kevin and Nancy discuss the role of a post-production producer and the difference between a post-production producer and a post-production supervisor and how her role has changed over time.How Nancy got her start by working with one of her idols (7:30)Nancy recounts getting her start in Hollywood, crashing film classes, and how she went from a PA to working as an assistant with one of her idols, Mary Lambert.Guiding first-time filmmakers through the screening process (16:07)Nancy has done a lot of work with independent filmmakers and first-time directors. Kevin asks Nancy what it is like walking a first-time director through the screening process. Nancy discusses the importance of getting out of the editing room and into a theater to see how the movie plays on the big screen, and in front of an audience.Screening surprises and Neighbors 2 (20:35)Kevin asks Nancy about the biggest surprise she has seen at an audience test screening. Nancy talks about the screening for Neighbors 2 and the changes that had to be made to improve the testing scores.Walking Olivia Wilde through her first test screening (22:54)Nancy shares a story about the first audience screening for the movie Booksmart and walking first-time director Olivia Wilde through the screening process.Working with Screen Engine/ASI and what sets them apart (28:19)Nancy talks about working with Kevin's company, Screen Engine/ASI, and how the moderators at Screen Engine have a real and genuine love of movies. The pair discuss some of the intricacies of audience screen testing, and how the moderator's enthusiasm for movies can add authenticity to the screening process.The most important questions asked at a screen test (32:18)Kevin asks Nancy about moderator questions during a focus group. Kevin and Nancy both share the questions that they find to be the most useful to the filmmakers. Advice for anyone wanting to go into the field of post-production (37:21)Nancy discusses the role of post-production, and the skill set required to be a good post-production supervisor. She talks about money and time and being able to manage both while keeping a project on track.Host: Kevin GoetzGuest: Nancy KirhofferProducer:  Kari CampanoFor more information about Nancy Kirhoffer:LinkedIn: https://www.linkedin.com/in/nancy-kirhoffer-b75007a/IMDB: https://www.imdb.com/name/nm0449331/For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website:

This week Alrik and Liz welcome producer, post supervisor, film accountant and all around indie film hero Mark Stolaroff on the show to talk about how he likes to work with filmmakers and what it takes to produce an indie feature. After that, we play a round of The Game presented by new listener Colin Stryker, we read a brand new iTunes review. Enjoy! Order The Alternate on Itunes Out Now: https://itunes.apple.com/us/movie/the-alternate/id1640576609?ls=1 Go to www.thewerkingwriter.com/school to sign up today and use code MMIH for 10% off from now until January 31st! For 20% off your Jambox subscription use code MMIH @ jambox.io Check out the ISA at: www.networkisa.org

On this episode of GET TO KNOW YOU, we discuss  another thought-provoking topic; ‘How can we actively hear one another?'. This week, I'll be sitting down with Emily Mc Guiness. She worked for BOOM! Studios, on shows like Swamp Murders and for YouTube royalty FBE, she also self-published a few books including: Dead Stinky Animals A-Z (https://bit.ly/deadstinkyanimals) and full length graphic novel: Ties. She is also a Screencraft Short Screenplay Semi Finalist. She is currently working as a Post Production Supervisor for BRUD. She is also one of the makers of The Zombie Game graphic novel (IG @thezombiegame). When speaking with her you immediately feel at ease. Her introspective analysis naturally allows for her deep dialog to unravel. Tune in as we discuss why people can not or will not actively listen and how we can actively hear one another. Stay tuned to the end of the episode to find out how you can join the conversation on the Get To Know You Café.CreditsMusic- Sara Oliveira Support the show (https://www.buymeacoffee.com/gettoknowyouwtf)

Conversations with Dead People is back, and with hardly any time at all between episodes! Seriously, for all you could tell I recorded this episode the same night as our last one. Seamless!   Hollywood hotshot Michael Holland is here and we share a few words about the Apple TV+ series The Afterparty, which debuted recently and for which Michael served as Post-Production Supervisor, before continuing our journey through Angel Season 2. “Untouched” introduces us to writer Mere Smith, who will go on to pen some of the finest episodes of the series, and here considers sexual agency and trauma from the angle of two different Wolfram & Hart “special projects.” Then, in “Dear Boy,” the Boreanaz and Benz chemistry boils through the subterranean convent roof. And lastly, “Guise Will Be Guise” as Angel goes to therapy and Wesley bluffs his way into Virginia.   NEXT: our very own voice of the Watcher Council, the exceedingly British Wesley “Wezzo” Mead joins me to talk about episodes 207, “Darla,” 208, “The Shroud of Rahmon,” and 209, “The Trial.”     BREAKDOWN 00:00:55  -  Intro / Guest 00:21:41  -  Main Topic 01:33:22  -  Outro / Next     MUSIC “Conversations (feat. Wesley Mead)” by Azura (2017) “Everybody Have Fun Tonight” by Wang Chung, Mosaic (1986)

Paul Vitello (Stereo Sound Effects - Voltron: DOTU), one of the members of the original crew for the pilot and all 124 episodes of Voltron: Defender of the Universe and Fleet of Doom, is here on the podcast to talk to Marc and Greg about his fantastic career, Voltron and a great story about what it was like to work with Peter Keefe, the Executive Producer of Voltron: Defender of the Universe.Paul Vitello, who is credited with Stereo Sound Effects on Voltron: Defender of the Universe, also started his own company (Vitello Productions), and is credited for many other shows after Voltron.  His many roles included Post-Production Supervisor, Sound Editing, Editing, Producing, Directing and Casting. And here is a small list of some of the projects his credits include:Voltron: Defender of the UniverseSaber Rider & The Star SheriffsPeanuts Holiday SpecialsCaptain Simian & The Space MonkeysThe Fantastic Four: The Animated SeriesMr. BogusWidget, The World WatcherWildfireand many, many more...Paul Vitello is also  a Volunteer Business Mentor for SCORE. SCORE is the Non-Profit Resource Partner to the United States Small Business Administration Contact Info: paul.vitello@scorevolunteer.orgIf you would like to watch this same podcast on our YouTube Channel, go HERE!Our next podcast will be our 8th Anniversary Celebration!As Always, Thanks for watching and listening! Let's Voltron!!

For Video Edition, Please Click and Subscribe Here:  https://youtu.be/A3oDGdeIXRc https://en.wikipedia.org/wiki/Howard_Murray Howard Murray is a television director, born in NYC. He is the son of the late Jan Murray, a prolific American comedian, actor, and game show host. Moved with family to Beverly Hills. Attended Beverly Hill High School. Attended USC School of Cinematic Arts. Worked on everything from game shows to music videos to commercials in a variety of jobs. Joined the Director’s Guild of America in 1978. Got first sitcom job as a Post Production Supervisor on many shows, including The Cosby Show. First directing job on a sitcom You Again? Starring Jack Klugman and John Stamos. Went on to direct over 100 episodes of prime time sitcoms. Grace Under Fire, King of Queens, The Big Bang Theory are just a few of those titles. He retired in 2012. Met his wife, Molly Cheek, while directing her in Harry and the Hendersons. Raised around his Dad’s friends...Milton Berle, Jerry Lewis, Buddy Hackett, etc. Got his son a job after he finished film school on The Big Bang Theory. He worked his way up during the 12 seasons. Highlight for Howard was getting to work with him.

Chris J. Russo, Sue Taylor, Chiah Rodriques and Face2Face host David Peck talk about their new film Lady Buds, Cannabis, big business, trailblazing, racism, sexism, happy accidents, the war on drugs and our authentic selves.More about the movie here.See it at Hot Docs 2021Synopsis:Following the widely praised 2016 decision to legalize cannabis in California, six courageous women emerge from the shadows to enter the new commercial industry. As farmers, entrepreneurs and activists, these modern-day pioneers find their initial optimism is quickly replaced with uncertainty and fear as the new legislation favors deep pocketed corporations. Those who shaped the foundations of the cannabis industry for decades soon find themselves struggling to fight for their piece of the American Dream in a market they helped create.Lady Buds features second-generation cannabis farmer Chiah Rodriques, 72-year-old African American retired Catholic school principal turned dispensary owner Sue Taylor, Latinx queer activist Felicia Carbajal, serial entrepreneur Karyn Wagner, and Humboldt elders The Bud Sisters. Their stories speak to the many opportunities and issues facing commercial cannabis today: the complicated dynamics of raising a family on a cannabis farm, the ongoing fight for those adversely affected by the War on Drugs, educating seniors citizens about the healing power of cannabis, and honoring the LGBTQ activists who fought for legalizing medical marijuana over 25 years ago.At every turn these trailblazers defy stereotypes, while revealing that cannabis is much more than a plant-it's a community.ln her feature debut, award-winning filmmaker Chris J. Russo offers an insightful journey into the lives and work of the women who are the backbone of the cannabis culture in California. Their struggles and triumphs paint a picture of an industry in fux as it grapples with preserving its storied heritage while looking toward the future.About Chris, Chiah and Sue:Chris J. Russo's award-winning short films have screened all over the world, including the Sundance Film Festival, and have been broadcast on Showtime, PBS, lFC, LOGO and NETFLlX. She is a 2018 fellow of the Sundance lnstitute/Women ln Film Financing lntensive with Lady Buds, and is also a fellow of Film lndependent's Director and Screenwriters Labs, with her project, Directed By Dorothy Arzner. Notable short film credits include, A Woman Reported, about the moments before a hate crime occurs; Size 'em Up, a coming of age story; Straight Down The Aisle: Confessions of Lesbian Bridesmaids, winner of the Outfest Best Short Documentary Award for its poignant view on marriage non-equality (pre-Prop 8); and numerous music videos.After receiving two art degrees in Photography - a BFA from the University of Buffalo and MFA from the Visual Studies Workshop in Rochester, NY - Russo moved to Hollywood and worked for Kodak for 15 years and as a Post Production Supervisor on over 15 feature films. Russo is an exhibited fine art photographer, with recent group shows in Los Angeles, West Hollywood and Beverly Hills. She has dedicated the last four years to producing and directing Lady Buds, her first feature film, which will be having its World Premiere at Hot Docs 2021.Sue Taylor is a 72-year old retired Catholic school principal whose mission is to open the first cannabis dispensary for seniors citizens to offer alternatives to pharmaceuticals. As an African- American businesswoman in a white, male-dominated industry, Sue presses forward despite financial concerns, repeated delays and the frustrations of dealing with the local bureaucracy.Chiah Rodriques grew cannabis plants under blackberry trees and hid from federal helicopters growing up. As an adult and second-generation farmer, she's lived most of her life in the shadows until California legalized cannabis, which offered her the opportunity to become a permitted cultivator. With the price of weed dropping and a leap of faith into the unknown, Chiah must find balance between working on the farm and parenting her two sons amidst the harsh financial pressures of legalization.Image Copyright and Credit: Chris J. Russo.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Chris J. Russo's award-winning short films have screened all over the world, including the Sundance Film Festival, and have been broadcast on Showtime, PBS, IFC, LOGO and NETFLIX. She is a 2018 fellow of the Sundance Institute/Women In Film Financing Intensive with Lady Buds, and is also a fellow of Film Independent's Director and Screenwriters Labs, with her project, Directed By Dorothy Arzner. Notable short film credits include, A Woman Reported, about the moments before a hate crime occurs; Size ‘em Up, a coming of age story; Straight Down The Aisle: Confessions of Lesbian Bridesmaids, winner of the Outfest Best Short Documentary Award for its poignant view on marriage non-equality (pre-Prop 8); and numerous music videos.After receiving two art degrees in Photography — a BFA from the University of Buffalo and MFA from the Visual Studies Workshop in Rochester, NY — Russo moved to Hollywood and worked for Kodak for 15 years and as a Post Production Supervisor on over 15 feature films. Russo is an exhibited fine art photographer, with recent group shows in Los Angeles, West Hollywood and Beverly Hills. She has dedicated the last four years to producing and directing Lady Buds, her first feature film which will be having its World Premiere at Hot Docs 2021.

I spoke to Grace Bridger and Runyararo Mapfumo who are a producer / director duo that work together under the banner DessyMak films and have made a number of short films through that company. They have their own careers separately and we talk about both of them, but that producer-director relationship is such a unique thing and so I was keen to ask them about how they formed that bond and what their journey together has been like! Their short film MASTERPIECE premiered at the BFI London Film Festival in 2017 and was selected as a Vimeo Staff Pick. Grace then went on to develop and produce DAWN IN THE DARK, written and directed by Runyararo, which was supported by BBC Films and BFI NETWORK and which premiered at BFI London Film Festival 2019 and has also been selected for festivals such as Encounters Film Festival, Underwire Festival and the Norwich Film Festival. Grace then produced Runyararo's BBC and Google Arts commissioned short SENSATIONAL SIMMY which was released and broadcast on BBC and BBC iPlayer and then Grace developed and secured funding from Uncertain Kingdom for Runyararo's documentary WHAT'S IN A NAME? which was released as part of an anthology of films aiming to provide a portrait of contemporary UK. Grace is originally from Perth in Australia, and has most recently worked on a number of films with producer Tracy O’Riordan at Moonspun Films; as a Production Secretary on Clio Barnard’s Ali & Ava, and then as a Producer’s Assistant and Assistant Producer, working in post-production on Hong Khaou’s Monsoon. As well as continuing to work with Runyararo, Grace is also currently working with Producer Fiona Lamptey as Post Production Supervisor on four Sci-Fi short films supported by Film4. Meanwhile Runyararo is currently developing her debut feature film and has recently finished directing block 2 of Netflix’s Sex Education, Season 3. We talk about their respective career paths, setting up their own production company, the learning curves along the way and how they’ve supported each other, we also chat about making shorts, transitioning to bigger projects, making career pivots and asking stupid questions. This is episode 77 of Best Girl Grip.  

Welcome to the Ink and Paint Girls podcast- a look at animation through the women folk who make it! Hosted by Cassie Soliday   Today's guest is post-production supervisor, Meghan Caporali!   After seeing How to Train Your Dragon, Meghan knew she wanted to work in Animation. But how would she get there? When there's so much that you can't control when looking for work, the one thing you can control is what you do- how you choose to prepare for what you want. Meghan shares what she's learned through the winding road of internships, post-college classes, gigs in live action, and the moment she finally broke into animation. And you best believe, the learning doesn't end there.   Find Meghan online: https://www.linkedin.com/in/meghanecaporali/   --- This podcast is produced in partnership with Women in Animation womeninanimation.org "Today, women hold only 20% of the creative roles in animation. WIA wants to make it 50/50 by 2025!"   Ink and Paint Girls on Social Media: Twitter: @InkNPaintGirls Instagram: @inkandpaintgirls  

Joshua Fearn is a Video Editor and has experience as a Post-Production Supervisor. During the Covid-19 pandemic, he was the Editor on the Griffith Film School short film 'Love Club' made in 2020 as part of the Griffith Graduate Film Slate.Access the 2020 Griffith film projects here and watch 'Love Club' - https://www.griffith.edu.au/arts-education-law/griffith-film-school/graduate-productions/2020

Episode Description: Deborah Zara Kobylt talks with Sheryl Benko. Sheryl grew up in southern Colorado, graduating from the University of Colorado at Colorado Springs, with a B.A. in Communication. Her studies in film and television laid the foundation for a career in motion pictures, allowing her to work with some of the most esteemed filmmakers in the industry. Sheryl currently resides in Los Angeles, working as a Post Production Supervisor.Her love of movies is also expressed through writing screenplays, and producing and directing short films. The Last of Will is her first novel.

Next episode is up with Janace Tashjian!Post Production Supervisor-Production Manager-Mother of one boy and Stepmother of two boys-we are excited to share this interview with everyone. Janace has had a pretty remarkable career. Jumping right in to Production at an early age after moving to California she started working on commercials as a PA.Her first experience with an LA production company was shooting “Back to the Future,” trailers on the central coast. Janace explains growing up with a strict upbringing she had no idea what an actual “trailer,” for a movie was lol but quickly figured it out and the film industry hooked her. She landed a job on the Universal lot at 19 years old, and steadily built her career from there. From job to job-growing her network and putting all her efforts and time into her career-she tells us that she “feels like her career has taken on a very steady slow progression, with very regular growth.” As a Producer, she is drawn to “bringing people together, and finding pieces that can be brought together to get great results.” It’s really incredible to hear how Janace met her ex-husband and became a Step Mother to his two children fairly quickly. She then had a child of her own-another boy-and learned to navigate her career and life as a Mother. We talk life with kids, childcare, co-workers, and the importance of family and co-parenting. After hearing her talk about a recent experience where a College student told her that they had been TOLD “You can’t have a family AND work in the film industry,” “Janace is determined to make a difference and help change the narrative as she is a prime example that you CAN-“-being a Woman who has done both. Parenthood to Janace is…”The Best Thing Ever.” Janace’s Mantra: “The Way is Simple, but the Road Takes Courage”. This is very meaningful to me and I keep it in my mind and heart all the time, particularly when I am facing adversity and needing personal strength.

Julia Sub, post-production supervisor at NYBA Films, INC/HBO, joins Media x Women team member Nejla Katica to discuss determination, mentorship and asking for what you want. In this episode, you'll hear more about navigating in a corporate environment and learning new skills. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/media-x-women/support

This week, we are getting another look at "CYST", the new horror film from our friends at Narrative Films with an exclusive interview with Co-Producer and Post Production Supervisor; Jeremy Morrison and the Director of Photography of the film, Nick Gardner. These two showcase their experiences working in the film industry as an editor, producer, and cinematographer for a number of productions including Rome: The Rise and Fall of an Empire and Live Free and Die Hard. They also detail how they got involved with CYST and some of the behind the scenes magic that goes into creating an independent film like CYST. Narrative Films Website Cyst- Twitter/Facebook/Instagram MERCH AND ANNOUCEMENTS Our co-host, John Wooliscroft, has a brand new film channel on youtube. Check it out and Subscribe at J DUB'S VIDEO NASTIES Use the coupon code "psychosnation" and save 25% on our TeePublic Store!  Sign up for PSYCHOS NATION: Our Monthly Newsletter HELP US SPREAD THE MADNESS! Help us spread the madness by tweeting!  Click here to post a tweet! Did you really like this episode?  If so consider leaving us a rating, a review, or subscribe! WAYS TO SUBSCRIBE TO THE CINEMA PSYCHOS SHOW! Apple Podcasts Stitcher Spotify Pandora Android RSS Feed FEEDBACK AND CONTACT US Gotta a movie or question you want to throw our way?  Or did we trash one of your favorite films and you want to know where to send a dead horse.  Either way, drop us a line!  We welcome your questions and dead horses.   NEW !!!  Leave us voicemail! - @Speakpipe Email cinemapsychosshow@gmail.com Twitter - @psychosshow Facebook - @psychosshow Instagram - @psychosshow Website - cinemapsychosshow.com Brian Cottington - @briancottington John Wooliscroft - @theunrealjwools Laine Wooliscroft - @la_croft Epicast Network - epicastnetwork.com Theme Music: TITLE: “Red Alert” AUTHOR: Jack Waldenmaier PUBLISHER: Music Bakery Publishing (BMI) WARNING: UNAUTHORIZED USE OF THE MUSIC CONTAINED IN THIS PRODUCTION IS SUBJECT TO CRIMINAL PROSECUTION. All copyrights, licensing, duplication and distribution rights are held exclusively by Music Bakery Publishing (BMI). 214-636-5887 musicbakery.com

On this episode of GET TO KNOW YOU, we discuss another thought-provoking topic; ‘How can we actively hear one another?’. This week, I’ll be sitting down with Emily Mc Guniess. She worked for BOOM! Studios, on shows like Swamp Murders and for YouTube royalty FBE, she also self-published a few books including: Dead Stinky Animals A-Z (https://bit.ly/deadstinkyanimals) and full length graphic novel: Ties. She is also a Screencraft Short Screenplay Semi Finalist. She is currently working as a Post Production Supervisor for BRUD. She is also one of the makers of The Zombie Game graphic novel (IG @thezombiegame). When speaking with her you immediately feel at ease. Her introspective analysis naturally allows for her deep dialog to unravel. Tune in as we discuss why people can not or will not actively listen and how we can actively hear one another. Stay tuned to the end of the episode to find out how you can join the conversation on the Get To Know You Cafe.CreditsMusic- Sara Oliveira

On this episode, Phil sits down with Matt Frank, Sr. Post Production Supervisor at MotorTrend Group (and editor of this podcast!). Matt talks about how he first entered the entertainment business, and the journey he took from starting as an intern, to managing an entire Post Production department of his own. Matt will divulge his tips on what you need to do to make it in the industry, and how to continue climbing that ladder of success towards your goals.

This episode is the the Q&A with Lisa Robison, CCE. Moderated by Kerry McDowall, Post Production Supervisor and Chair of the VPA. Lisa has been editing for 20 years on a variety of television and film projects. She has been recognized for her work internationally. Lisa talks about her path on becoming an editor and her aspects of editing. Lisa entered the film industry in 1989, initially working as a camera assistant and in 1995 changed careers moving into post-production. She settled into her first editing job in 1998 and she has been editing ever since. Lisa is a highly regarded editor with movie and series credits for Lifetime, Disney, Sony, Showcase, Hallmark, USA, ABC, CBC, CTV, and Grenada. Her determination and work ethic as an editor has been recognized with many nominations and awards.  Lisa has been nominated for three Daytime Emmys (Monsterville: Cabinet of Souls and two for R.L. Stine's The Haunting Hour), she has 10 Awards and 14 nominations. Lisa is best known for her work on My Life Without Me, Loudermilk, Unspeakable, The L Word, You Me Her, R.L. Stine's: The Haunting Hour and Continuum.

FXF_S06EP01 INNOVATIONS IN POST - THE NEXT FRONTIER - GEMINI MAN with Tim Squyres, Derek Schweickart, Jennifer Lane and Andrew Leven As movie-going audiences choose more often to view their entertainment on the smaller screens of home theaters, tablets and phones, movies like GEMINI MAN directed by Ang Lee and shot in 4K resolution, at 120 frames per second, for 3-D projection are intentionally built to create a hyper real immersive experience that will incentivize audiences to experience films on a big screen in a large theater with a crowd and participate in vital communal catharsis. For the filmmakers, the choice to work in this format was on almost every level a technological experiment. For the post-production team especially, the format became a valuable testing ground for every aspect of media exchange along the pipeline. In this episode, I sat down with GEMINI MAN's Picture editor, Tim Squyres, 3D Digital Intermediate Supervisor, Derek Schweickart , First Assistant Editor, Andrew Leven and Associate Producer and Post-Production Supervisor, Jennifer Lane to talk about why this pioneering format required that they construct their own mobile lab to process the media and how they believe the format ultimately supports better storytelling. Frame By Frame is presented by Post New York Alliance because it's how you finish that counts. This episode marks the beginning of a new series exploring innovations in post-production and the vanguard film professionals in New York that are leading the way. We welcome your comments and suggestions -- write us atframebyframe@postnewyork.org or share your comments via iTunes. Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project. Stay tuned for the upcoming episode of Frame By Frame with the team behind the APOLLO 11.

As movie-going audiences choose more often to view their entertainment  on the smaller screens of home theaters, tablets and phones, movies like GEMINI MAN  directed by Ang Lee and shot in 4K resolution, at 120 frames per second, for 3-D projection are intentionally built to create a hyper real immersive experience that will incentivize audiences to experience films on a big screen in a large theater with a crowd and participate in  vital communal catharsis. For the filmmakers, the choice to work in this format was on almost every level a technological experiment. For the post-production team especially, the format became a valuable testing ground for every aspect of media exchange along the pipeline. In this episode, I sat down with GEMINI MAN’s Picture editor, Tim Squyres, 3D Digital Intermediate Supervisor,Derek  Schweithart , First Assistant Editor, Andrew Leven and Associate Producer and Post-Production Supervisor, Jennifer Lane to talk about  why this pioneering format required that they construct their own mobile lab to process the media and how they believe the format ultimately supports better storytelling.   Frame By Frame is presented by Post New York Alliance because it’s how you finish that counts. This episode marks the beginning of a new series exploring innovations in post-production and the vanguard film professionals in New York that are  leading the way.

FXF_S06EP01 INNOVATIONS IN POST - THE NEXT FRONTIER - GEMINI MAN with Tim Squyres, Derek Schweickart, Jennifer Lane and Andrew Leven   As movie-going audiences choose more often to view their entertainment  on the smaller screens of home theaters, tablets and phones, movies like GEMINI MAN  directed by Ang Lee and shot in 4K resolution, at 120 frames per second, for 3-D projection are intentionally built to create a hyper real immersive experience that will incentivize audiences to experience films on a big screen in a large theater with a crowd and participate in  vital communal catharsis.   For the filmmakers, the choice to work in this format was on almost every level a technological experiment. For the post-production team especially, the format became a valuable testing ground for every aspect of media exchange along the pipeline.   In this episode, I sat down with GEMINI MAN’s Picture editor, Tim Squyres, 3D Digital Intermediate Supervisor, Derek  Schweickart , First Assistant Editor, Andrew Leven and Associate Producer and Post-Production Supervisor, Jennifer Lane to talk about  why this pioneering format required that they construct their own mobile lab to process the media and how they believe the format ultimately supports better storytelling.      Frame By Frame is presented by Post New York Alliance because it’s how you finish that counts.   This episode marks the beginning of a new series exploring innovations in post-production and the vanguard film professionals in New York that are  leading the way.   We welcome your comments and suggestions -- write us atframebyframe@postnewyork.org or share your comments via iTunes   Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project. Stay tuned for the upcoming episode of Frame By Frame with the team behind the APOLLO 11.

Natasha Chee is a Music Supervisor and Post-Production Supervisor for the film Best F(r)iends Volume 1+2 as well as an Attorney of Business and Legal Affairs. 

Leslie Simmer of Kartemquin Films talks about the journey to edit social justice motivated documentary films and docu-series. Leslie Simmer is Kartemquin's Director of Editing as well as Senior Editor on staff. For over 19 years Leslie has worked at Kartemquin in various capacities. She is currently working on the multi-part series America to Me. Her most recent project before that was Raising Bertie, which she edited and co-wrote, and which premiered at Full Frame in 2016. Leslie edited and co-wrote the Emmy Award-winning film, The Homestretch, which world premiered at Hot Docs 2014 and screened on PBS’s Independent Lens in 2015. She edited and co-wrote the Emmy-nominated feature documentary As Goes Janesville, a co-production between Kartemquin and 371 Productions which screened on PBS Independent Lens in October, 2012. She also edited with Steve James on the ESPN film No Crossover: The Trial of Allen Iverson. She edited the Emmy-nominated In the Family (Best Editing, "Best of the Midwest Awards”). In 2005, Leslie was co-editor with Steve James on The War Tapes. From 2001-2004 she wore dual hats on the seven-part PBS series The New Americans as both Series Story Editor and Post Production Supervisor. Prior to putting on her editing hat full-time, Leslie worked in various different production and post-production roles on a number of Kartemquin Films, including Stevie, Refrigerator Mothers, 5 Girls, and Vietnam: Long Time Coming. Leslie got her BA in Communication/Theater Arts (Phi Beta Kappa) from Kalamazoo College in Michigan. She did graduate work in film at Columbia College, Chicago, where she began her long and passionate relationship with the Avid. When not in the edit room, she enjoys travel, music, good food and liquor, snorkeling (and beaches in general), and helping animals. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/americanfilmmaker/support

Filmmaker Mike Nichols who died in 2014, first became famous performing as part of an improvisational comedy duo with writer-director Elaine May-- What began as an improvised skit with Chicago’s Compass Players, expanded to a radio show which then moved to television and ended as a Broadway hit and Grammy winning album.  Nichols the comedian, Nichols the director of movies and television, Nichols the director of plays, Nichols the producer, the writer, whose work earned him four Emmys, a Grammy, an Oscar, and nine Tonys was also an urbane man about town whose wit and humanity preceded him in reputation and attracted the admiration and loyalty of the best actors and artists in television film and theater.From his first film Who’s Afraid Of Virginia Woolf, nominated for 13 Oscars and winner of 5 to The Graduate, Catch 22 Carnal Knowledge Silkwood, Wit, Angels in America and Charlie Wilson’s War he established himself as an important cultural leader in multiple disciplines.In this episode of Frame By Frame, you’ll meet the collaborators who helped craft films such as Angels in America, Primary Colors and Charlie Wilsons War, including music editors Suzana Peric and Nancy Allen, ADR Supervisor Deborah Wallach, re-recording mixer, Lee Dichter, Sound Supervisor, Ron Bochar, Post Production Manager, Ann Gray and Producer and Post Production Supervisor, Paul Levin.You can share this conversation through our website bit.do /framebyframe—or via Twitter at @postny. You can write us at framebyframe@postnewyork.org

Live Weeknights Mon-Frid 9 PM-Midnight PThttps://www.lightingthevoid.comMarshall Lefferts is Resonance Science Foundation’s President of the Board of Directors, as well as co-author and core faculty of the Resonance Academy’s Delegate Program. He is a lifelong explorer of cosmic geometry, music, unified physics and the fractal-holographic nature of the cosmos.For 41 years he has studied and synthesized a variety of pioneering research, including the work of Buckminster Fuller, David Bohm, Nassim Haramein, Foster Gamble, Richard Merrick and others, culminating in his groundbreaking book, Cosmometry — Exploring the HoloFractal Nature of the Cosmos (available in June 2019). He is founder and director of the Cosmometry Project, an Associate Producer of the documentary film THRIVE: What On Earth Will It Take? and Co-Director of Visual Effects and Post-Production Supervisor for Thrive II: This is What It Takes! (currently in production; www.ThriveOn.com), former co-director of the Foundation for Conscious Evolution and consulting producer for the Buckminster Fuller Institute (both 1999-2004), and a Producer of media projects for over 26 years. He is also a lifetime member of and regular presenter at CoSM – Chapel of Sacred Mirrors (www.cosm.org).http://www.cosmometry.comMusic By Chronox at https://www.chronoxofficial.comGuitar By Bundy

FXF_S04EP06: VICE NEWS' CHARLOTTESVILLE: RACE AND TERROR, The Team Behind The Most Watched News Doc in History: TIM CLANCY, JOHN CHIMPLES, DENNY THOMAS and CAMERON DENNIS PLAY PODCAST VICE news tonight's Charlottesville: Race and Terror began as an idea for a five minute piece that producer and reporter Ellie Reeve pitched a few days before the Unite the Right Rally scheduled to take place on a mid-August weekend in, 2017. The half hour program broadcast on VICE on HBO that Monday August 14th received over 65 million views within the first week and garnered an Emmy, ACE Eddy and Pebody for the post production team. In this episode of Frame By Frame talks with Executive Producer and Editor Tim Clancy, Post Production Supervisor, Mike Morrison, Picture editors, John, Chimples, Cameron Dennis and Denny Thomas about how the episode came together in less than 30 hours. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunes Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project. Stay tuned for upcoming episodes of Frame By Frame with the editors of THE MARVELOUS MRS. MAISEL.

FXF_S04EP06: VICE NEWS' CHARLOTTESVILLE: RACE AND TERROR, The Team Behind The Most Watched News Doc in History: TIM CLANCY, JOHN CHIMPLES, DENNY THOMAS and CAMERON DENNIS PLAY PODCAST VICE News tonight's Charlottesville: Race and Terror began as an idea for a five-minute piece that producer and reporter Ellie Reeve pitched a few days before the Unite the Right Rally scheduled to take place on a mid-August weekend in, 2017. The half-hour program broadcast on VICE on HBO that Monday, August 14th received over 65 million views within the first week and garnered an Emmy, ACE Eddy, and Peabody for the post-production team.In this episode of Frame By Frame talks with Executive Producer and Editor Tim Clancy, Post Production Supervisor, Mike Morrison, Picture editors, John, Chimples, Cameron Dennis, and Denny Thomas about how the episode came together in less than 30 hours.We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunesFrame By Frame is a podcast series hosted, produced, and edited by Isabel Sadurni, that introduces you to the most influential, respected, and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process, and technique, we'll recognize and celebrate the iconic films and people who have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry.Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project.Stay tuned for upcoming episodes of Frame By Frame with the editors of THE MARVELOUS MRS. MAISEL.

Join us for a conversation with Post-Production Supervisors Roz Silvestrin and David Birrell. In today’s episode, host Kim Lord leads a discussion with Roz and David about the roles and functions of a Post-Production Supervisor and how they benefit the production of film and television. Today’s episode is brought you by the Australian Screen Sound Guild in association with the Australian Editors Guild and Screenwest.

Post Supervisor Katie talks to host Kevin Dawson about how she entered the industry via Bond before working on Harry Potter for 11 years as well as 3 Tim Burton films, Justice League and more. She also talks about the three stage process of post-production, what happens at movie premieres, and the many facets that can make or break the quality of a film.

The Prayer of Examen is a spiritual practice of reviewing the day to retune ourselves to the sacred in ordinary life. Usually lasting 15–20 minutes and done in the evening, the prayer prompts us to remember God’s presence, express gratitude, reflect on the day, and prepare for the day to come. The video above uses contemplative imagery captured from daily life with our coworkers to show how the prayer’s application is both organic and accessible. We encourage you to watch slowly and prayerfully, using this video and prompts below as an opportunity to practice this ancient prayer in your own life. Note: All footage for these videos is original to FULLER studio and was filmed in Southern California. Credits: Lauralee Farrer, Director; Tamara Johnston, Senior Producer; Becky Still and Michael Wright, Writers; Ron Allchin, Supervising Producer; Kathryn Sangsland, Project Manager; Nate Harrison, Director of Photography; Zach Hammill, Cinematography and Sound Design; Reid Bode, Sound Recordist; Patrick O’Neil Duff, Editor and Post Production Supervisor; Lindsey Sheets, Editor and Colorist; Lauren Meares and; Aaron Dorsey, Music Composers; Mitch Ebbott, Recording Engineer; Ran Jackson, Recording Engineer and Mixer; Lauren Meares, Dana VanValin, September Penn, Julie Tai, Rene Velarde, Vocalists; Aaron Dorsey, Acoustic Guitar; Lauren Meares, Piano, Kalimba, Accordion; Peter Lim, Mandarin Narrator; Eun Ah Cho, Korean Narrator; Ines Velásquez-McBryde, Spanish Narrator; Kia Hammill, English Narrator Featuring: Dana and Eric VanValin with “Baby Girl” (“Ask God for Light”); Elijah Davidson and Randa Hinton (“Give Thanks”); Various Fuller employees and Randa Hinton (“Review the Day”); Lauren and Matthew Meares, Ran Jackson, Ricky and April Jackson, Amanda Lindsey (“Face Your Shortcomings”); Lindsey and Michael Wright (“Look Toward the Day to Come”) (c) 2019 FULLER studio, filmed on location around the Pasadena, California, campus of Fuller Theological Seminary.

Episode 5 brings an old friend to the show, Armen Fetulagian, who happens to be a Post Production Supervisor for an upcoming Netflix show called Umbrella Academy. --- Support this podcast: https://anchor.fm/3-way-podcast/support

FXF_S03EP06: MIKE NICHOLS: SUZANA PERIC, NANCY ALLEN, DEBORAH WALLACH, ANN GRAY, LEE DICHTER, RON BOCHAR, PAUL LEVINPLAY PODCAST Filmmaker Mike Nichols who died in 2014, first became famous performing as part of an improvisational comedy duo with writer-director Elaine May-- What began as an improvised skit with Chicago's Compass Players, expanded to a radio show which then moved to television and ended as a Broadway hit and Grammy winning album. Nichols the comedian, Nichols the director of movies and television, Nichols the director of plays, Nichols the producer, the writer, whose work earned him four Emmys, a Grammy, an Oscar, and nine Tonys was also an urbane man about town whose wit and humanity preceded him in reputation and attracted the admiration and loyalty of the best actors and artists in television film and theater. From his first film Who's Afraid Of Virginia Woolf, nominated for 13 Oscars and winner of 5 to The Graduate, Catch 22 Carnal Knowledge Silkwood, Wit, Angels in America and Charlie Wilson's War he established himself as an important cultural leader in multiple disciplines. In this episode of Frame By Frame, you'll meet the collaborators who helped craft films such as Angels in America, Primary Colors and Charlie Wilsons War, including music editors Suzana Peric and Nancy Allen, ADR Supervisor Deborah Wallach, re-recording mixer, Lee Dichter, Sound Supervisor, Ron Bochar, Post Production Manager, Ann Gray and Producer and Post Production Supervisor, Paul Levin. You can share this conversation through our website bit.do /framebyframe—or via Twitter at @postny. You can write us at framebyframe@postnewyork.org. This session was recorded at Bang Music & Audio Post in New York City. Today's podcast recording was engineered by BANG's senior audio engineer, Paul Vitolins. Frame By Frame is expanding to include short interviews spotlighting up and coming new york post professionals talking about their collaborations with bold new filmmakers in snapshot conversations called New York Minute. Listen for upcoming mini-episodes inserted within the larger podcasts soon. We welcome your suggestions - write to us at framebyframe@postnewyorkalliance.org Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced by Isabel Sadurni and Ben Baker.

FXF_S03EP06: MIKE NICHOLS: SUZANA PERIC, NANCY ALLEN, DEBORAH WALLACH, ANN GRAY, LEE DICHTER, RON BOCHAR, PAUL LEVINPLAY PODCAST Filmmaker Mike Nichols who died in 2014, first became famous performing as part of an improvisational comedy duo with writer-director Elaine May-- What began as an improvised skit with Chicago's Compass Players, expanded to a radio show which then moved to television and ended as a Broadway hit and Grammy winning album. Nichols the comedian, Nichols the director of movies and television, Nichols the director of plays, Nichols the producer, the writer, whose work earned him four Emmys, a Grammy, an Oscar, and nine Tonys was also an urbane man about town whose wit and humanity preceded him in reputation and attracted the admiration and loyalty of the best actors and artists in television film and theater. From his first film Who's Afraid Of Virginia Woolf, nominated for 13 Oscars and winner of 5 to The Graduate, Catch 22 Carnal Knowledge Silkwood, Wit, Angels in America and Charlie Wilson's War he established himself as an important cultural leader in multiple disciplines. In this episode of Frame By Frame, you'll meet the collaborators who helped craft films such as Angels in America, Primary Colors and Charlie Wilsons War, including music editors Suzana Peric and Nancy Allen, ADR Supervisor Deborah Wallach, re-recording mixer, Lee Dichter, Sound Supervisor, Ron Bochar, Post Production Manager, Ann Gray and Producer and Post Production Supervisor, Paul Levin. You can share this conversation through our website bit.do /framebyframe—or via Twitter at @postny. You can write us at framebyframe@postnewyork.org. This session was recorded at Bang Music & Audio Post in New York City. Today's podcast recording was engineered by BANG's senior audio engineer, Paul Vitolins. Frame By Frame is expanding to include short interviews spotlighting up and coming new york post professionals talking about their collaborations with bold new filmmakers in snapshot conversations called New York Minute. Listen for upcoming mini-episodes inserted within the larger podcasts soon. We welcome your suggestions - write to us at framebyframe@postnewyorkalliance.org Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced by Isabel Sadurni and Ben Baker.

This week we welcome a very special guest, Kyle Wilson, Post-Production Supervisor on Step Up: High Water! He's here to join your hosts Justin, Tyler and Elizabeth as they take a look at the brand new YouTube Red series based on Step Up. Star ratings help us build our audience! Please rate/review/subscribe to us on Apple Podcasts or wherever you listen, and share us with your twin dancing brother or sister. Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Kyle Wilson.

Dylan Reeve, Co-Director of the Tickled Movie and post production supervisor in television. Host Blair Walker enquiries how Tickled became an international smash hit and the background of making this film. This episode also explores the process in making long form television for one of NZ’s most well-known TV shows.     Show Links: Images & Sound TVNZ Shortland Street Bunker https://tickledmovie.com/ Dylan Reeve - Twitter Editshare   Pro Video Picks: Avid BlackMagic Design RedShift BroGraph BroGraph Tutorials How David Fincher Hijacks Your Eyes David Fincher - Mindhunter Trailer The Loneliest Whale   Pro Video Podcast Online: Blair Walker - Twitter Pro Video Podcast - Slack Pro Video Podcast - Facebook Group Pro Video Podcast - Twitter Pro Video Podcast - Website

This week The Animation Network is excited to have Alexis Block back in the booth with us to discuss her time and promotion since we last heard from her way back in Season 1 of this podcast!

Thomas Fleming is the Media Manager for Trancas International Films, and was the Post Production Supervisor on The Hatred. ContactThomas Fleming-- TwitterDave Bullis— Official Site— Youtube— Twitter— Instagram— FacebookSupport the Podcast1. Sign Up for Dave's email list2. Rate the Podcast on iTunes3. Buy on Amazon.com using my affiliate link Subscribe to the Podcast— Podbean — iTunes — Stitcher— Google Play Podcast

The Nickelodeon Summer miniseries continues with today's amazing guest, Post Production Supervisor Amy Reynolds! Amy shares her story of working on a variety of animated shows such as American Dad! and The Cleveland Show, as well as Nickelodeon's The Loud House, Pinky Malinky, and even her stint in reality television. Find … Continue reading

So how can a Post Production Supervisor save your butt? Well I've been a Post Production Supervisor for over 15 years and have seen a lot of indie filmmakers get beaten up, taken advantage of and just plain ripped off in the post production process.In short the Post Production Supervisor is there to protect the film or project from going over budget, ripped off and making sure everything is done on time and budget. Here is the official definition of a Post Production Supervisor:Post Production Supervisors are responsible for the post production process, during which they maintain clarity of information and good channels of communication between the producer, editor, supervising sound editor, the facilities companies (such as film labs, CGI studios and negative cutters) and the production accountant. The Post Production Supervisor has a pivotal role in ensuring that the film's post production budget is manageable and doable, and that all deadlines are met. Take a listen!

This week we spoke with Post Production Supervisor Paul Cichocki at Pixar Animation Studio. Paul joined Pixar in 1999 during the production of toy story 2 and has supervised the post production on all feature and short films since then. He is responsible for many of the efforts that take place outside of the studio including actor recording sessions, music composition and recording, international translations and theatrical quality control. Cichocki also works very closely with the Skywalker Sound team where all of the studios films have been edited and mixed.

On this week's episode of Cinematic Immunity, we bring you part two of our interview with post-production supervisor, editor, writer and director Dan McMellen. This time we get into the more technical side of the post-production process, talking in depth about editing technique and theory, the gear and equipment used, and the role of Digital Imaging Technicians and Digital Downloaders. Dan also shares a few valuable lessons learned from renowned editor and author, Walter Murch. Enjoy part two of our interview with Dan McMellen! P.S. We love hearing from you guys, so feel free to leave your comments in the section below, or get in touch with us via Twitter, Facebook, Instagram or our email form, and don't forget that you can subscribe to the podcast on iTunes, and listen to the show on SoundCloud and Stitcher. Thanks!

On this week's episode of Cinematic Immunity, we talk to Dan McMellen, post-production supervisor, editor, director, producer, and all around awesome podcast guest, about how he got his start in the entertainment industry, mastering his craft, and what professionals like himself look for in an assistant. Plus, he separates the fact from the fiction when it comes to editing one oft-maligned programming genre: reality TV shows. Read more about Dan McMellen here, and be sure to check back next Tuesday for Part 2 of his interview, in which we discuss some the equipment and technical know-how essential to the post-production process. c Immunity, we talk to Dan McMellen, post-production supervisor, editor, director, producer, and all around awesome podcast guest, about how he got his start in the entertainment industry, mastering his craft, and what professionals like himself look for in an assistant. Plus, he separates the fact from the fiction when it comes to editing one oft-maligned programming genre: reality TV shows.

AWARD-WINNING INTEGRATED MEDIA PROFESSIONAL - This week our guest is Jill Demby Guest. Jill is an Award-Winning Integrated Media Professional. She has interviewed entertainment icons including: George Lucas, Martin Sheen, Yoko Ono, George Carlin, film directors, producers, writers, cryptologists, astronauts of the International Space Station and many others. As a writer, producer, blogger, studio executive consultant and celebrity interviewer, she has extensive expertise in video biographies and behind the scenes documentaries for television and DVD releases for major studios. In addition, she has written and produced trailers, national TV campaigns and promotions for: Warner Brothers, Disney, CBS, NBC, ABC and Lifetime. For her work in public television, she was nominated for 2 Emmy Awards. INTERVIEW QUESTIONS INCLUDE: How do you get a job as: Audio Book Producer, Post Production Supervisor, Editor, Celebrity Interviewer? JILL DEMBY GUEST WEBSITE: jilldembyguest.com

In this episode, Gordon interviews Matt Cahill, a post super here in Toronto about 3D post. It is important to note that the audio was never intended to be a part of a podcast but after hearing the content we decided to release it.

Parke won Summit, Addy, and Telly awards as IBM Tivoli's Manager of New Media, and later in 1999, he launched Pointsphere, a new media consulting firm.Parke was the Post Production Supervisor on the CNBC television series American Made and Associate Producer for the Emmy Award winning PBS documentary series, The State of Tomorrow.In 2007, with partners Allison Turrell and Lyman Hardy, Parke formed Stuck On On, an audio and visual post production company, where he is the lead colorist and editor. Parke had contributed to the films including: Take Shelter, Where Soldiers Come From, Restive, Blacktino, The Eyes of Me, and The Happy Poet.The film Take Shelter is about a young husband and father questions whether to shelter his family from a coming storm, or from himself, starring Michael Shannon.

FatFreeFilm 43 - Debbi BossiDebbi Bossi, Post-Production Supervisor, (Mission Impossible 3, Elizabethtown, White Chicks, Vanilla Sky, Timeline, For the Love of the Game) walks us through the post-production process.