Podcasts about schnittke

Een klein eerbetoon aan componist Sofia Gubaidulina, die vorige week overleed. Natuurlijk klinkt haar muziek, maar we horen ook hoe Shostakovich haar bemoedigend toesprak, ze voor Schnittke een verjaarscadeau componeerde en dat ze met Suslin en Artyomov een improvisatie-ensemble vormde. Dankjewel Sofia, voor de prachtige muziek die je nalaat! 

Two years ago for Halloween, I presented the first of my “Haunted Opera House” episodes. At the time, I had such a plethora of creepy musical material that I produced a bonus episode of material that otherwise would have ended up in the dung heap (like the body of Faust at the end of Schnittke's Faust Cantata, which closes the episode). We also hear music from Damn Yankees featuring the red-hot Gwen Verdon; Dvořák's Rusalka (a stunning duet with Teresa Stratas and Gwendolyn Killebrew); Respighi's comic opera Belfagor (in which a devil [Lajos Miller] encounters his superior in a cunning young woman [Sylvia Sass]; Ernest Bloch's Macbeth (in which Inge Borkh gives a luminous performance of Lady Macbeth's Sleepwalking Scene); Willem Pijper's strange musical drama based on the medieval legend of Halewijn, a Bluebeard of the Lowlands; La Chute de la Maison Usher, (the climax of Claude Debussy's incomplete opera based on Edgar Allan Poe's Fall of the House of Usher); and Antikrist, Rued Langgaard's unique, indescribable, and nearly unstageable mystery play. But it is Iva Bittová's gleefully deranged performance of Alfred Schnittke's gruesome Faust tango which will, I predict, find its way into your nightmares! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

durée : 00:17:38 - Le Disque classique du jour du jeudi 03 octobre 2024 - Par leur style, leur distribution, leur genre ou leur origine, les trois œuvres gravées sur cet album ont plus de différences que de points communs.

durée : 00:17:38 - Le Disque classique du jour du jeudi 03 octobre 2024 - Par leur style, leur distribution, leur genre ou leur origine, les trois œuvres gravées sur cet album ont plus de différences que de points communs.

Hindemithas ir Schnittke, tradicinė Taivano muzika su vakarietišku styginių kvartetu, vienas geriausių virtuoziško Elgaro smuiko koncerto įrašų, vizionieriškas Nalos Sinephro albumas, sujungiantis sintezatorius, orkestrą ir džiazą. Ir dar daugiau leidybinių naujienų „Kitame laike“.Ved. Domantas Razauskas

Christoph Vratz stellt das neue Album von Anna Gourari vor.

„Meine Aufgabe sehe ich nicht darin, Musik auszudenken, sondern zu hören. Es geht darum, mein Ohr nicht zu stören beim Hören dessen, was außerhalb von mir passiert.“ Sagt der Komponist Alfred Schnittke. Diese Aussage gilt auch für sein Konzert für Klavier und Streicher von 1979. Anna Gourari hat das Werk aufgenommen und – an der Seite des Orchestra della Svizzera Italiana und Markus Poschner – mit Musik von Paul Hindemith verknüpft. SWR-Kritiker Christoph Vratz über ein ungewöhnlich zusammengestelltes, kontrastreiches Album, das er nicht zum Nebenbei-Hören empfiehlt.

Kieran Hodgson praises Schnittke's Russian choral music. Robert MacFarlane enthuses over mountain scenery. Kenneth Steven reads two of his Iona poems. Mary Haddow marvels about space flight. MUSIC 1. JESUS CALLS US O'ER THE TUMULT - St Michael's Singers. 2. O for a closer walk with God - Edinburgh University singers.

Tarp muzikinių leidybinių naujienų „Kitame laike“ – legendinis „Takács Quartet“, naujas Mindaugo Stumbro leidinys, Gražinos Bacevičiūtės simfonijos ir muzika perkusijai iš „Grammy“ laureatų „Third Coast Percussion“. O laidą užbaigs po Sausio 13-osios įvykių Alfredo Schnittke parašytas kūrinys „Sutartinės“.Ved. Domantas Razauskas

In preparation for our Dracula performances, we take a look at the music of Alfred Schnittke, first through a choreographer's eye, as Jim has a discussion with Tracy Tritz. Then podcast's producer John Dawkins has a discussion with orchestral music expert, Dr. Steven Kandow.

Un programa ecléctico, cambiante, entre la comedia y la tragedia. Hablamos de la obra de Alfred Schnittke, el creador del "poliestilismo musical", junto a algunas ocurrencias de Les Luthiers.

durée : 02:00:07 - Été Classique Matin du lundi 15 août 2022 - par : Jérémie Rousseau - Au programme ce matin, promenade estivale en compagnie de Britten, Monteverdi, Morricone, Satie, Offenbach mais aussi Schnittke, Poulenc, Berlioz... - réalisé par : Emmanuel Benito

durée : 01:46:56 - Été Classique Après-midi du lundi 08 août 2022 - par : Julien Hanck - Le rendez-vous des collectionneurs et autres amoureux du disque. Cet après-midi quelques tubes de Brahms, Tchaïkovski ou encore Ravel, mâtinés de raretés signées Schnittke, Hillborg ou encore Georges Bizet. - réalisé par : Fanny Constans

Am Münchner Gärtnerplatztheater gab es soeben die Uraufführung von Shakespeares "Sturm" als modernes Ballett. Choreographie von der Norwegerin Ina Christel Johannessen und Musik unter anderen von Schnittke, Chopin und Gubaidulina. Getanzt von der Ballettcompagnie des Gärtnerplatztheaters.

Journalistische Reputation und Neutralität? Absolute Fehlanzeige! Viel mehr gleicht Folge 28 einer Dauerwerbesendung – die QVC und den Sexy Sport Clips auf DSF das Zittern lehrt. Nach einem furiosen Intro sprechen Carsten und Alex mit keinem Geringeren als dem allseits bekannten wie gleichermaßen beliebten “Mister Güdderath”. Die Rede ist natürlich von Geschäftsführer, Spielertrainer und Fußball-Enthusiast Bernd Schnittke. In illustrer Runde plaudert das fulminante Trio über Herzensangelegenheiten, den neuesten Gossip vom Pitch, warum Häkelgruppen einen Verein bereichern und über die allgemeine Entwicklung des Amateurfußballs. --- Send in a voice message: https://podcasters.spotify.com/pod/show/asche-bratwurst-dosenbier/message

Synopsis In 1952, the West Point Military Band celebrated that famous military academy's Sesquicentennial by asking prominent composers to write celebratory works to mark the occasion. Among those who responded was the American composer Morton Gould, whose “West Point Symphony” received its premiere performance on today's date in 1952, at a gala concert featuring the West Point Academy. There are two movements in Gould's “West Point Symphony.” They are titled “Epitaphs” and “Marches,” and the composer himself provided these descriptive comments: “The first movement is lyrical and dramatic… The general character is elegiac. The second and final movement is lusty… the texture a stylization of marching tunes and parades cast in an array of embellishments and rhythmic variations… At one point,” concludes Gould, “there is a simulation of a Fife and Drum Corp, which, incidentally, was the instrumentation of the original West Point Band.” Of all the pieces written in honor of West Point's Sesquicentennial in 1952, Gould's Symphony is probably the best-known. The score of the West Point Symphony calls for a “marching machine,” but on this classic 1959 recording under the late Frederick Fennell, the required sound was provided by the very real marching feet of 120 Eastman School of Music students. Music Played in Today's Program Morton Gould (1913-1996) — West Point Symphony (Symphony for Band) (Eastman Wind Ensemble; Frederick Fennell, cond.) Mercury 434 320 On This Day Births 1810 - French composer Felicien David, in Cadenet, Vaucluse; 1816 - English composer Sir William Sterndale Bennett, in Sheffield; 1938 - American composer and pianist Frederic Rzewski, in Westfield, Mass.; Deaths 1756 - Burial date of the German composer and keyboard virtuoso Johann Gottlieb Goldberg, age c. 29, in Dresden; 1826 - German composer Franz Danzi, age 62, in Schwetzingen; 1944 - French composer and pianist Cécile Chaminade, age 86, in Monte Carlo; Premieres 1742 - Handel: oratorio, "Messiah,"in Dublin (Gregorian date: April 24); 1789 - Mozart: Divertimento in Eb (K. 563) for string trio, in Dresden, by Anton Teiber (violin), Anton Kraft (cello), and the composer (viola); 1943 - Randall Thompson: "A Testament of Freedom" for men's voices and piano, at the University of Virginia; The orchestral version of this work premiered in Boston on April 6, 1945; 1952 - Morton Gould: Symphony No. 4 ("West Point Symphony") for band, during the West Point Military Academy Sesquicentennial Celebration in West Point, N.Y, by the Academy Band, with the composer conducting; 1961 - Luigi Nono: opera "Intolerance 1960," in Venice at the Teatro La Fenice; 1992 - Schnittke: opera "Life with an Idiot," in Amsterdam at the Dutch Opera; 1997 - Morten Lauridsen: "Lux Aeterna"for chorus and chamber orchestra, at Dorothy Chandler Pavilion in Los Angeles, by the Los Angeles Master Chorale, Paul Salamunovich conducting; 2000 - Danielpour: Piano Trio ("A Child's Reliquary"), at Hancher Auditorium at the University of Iowa, by the Kalichstein-Robinson-Laredo Trio; Others 1823 - Franz Liszt, age 11, performs at the Imperial Redoutensaal in Vienna; Legend has it that Beethoven attended this performance and planted a kiss on the young performer's forehead, but in fact Beethoven did not attend the concert; According to Liszt, the incident occurred a few days before at Beethoven's home, after Liszt had performed one of Beethoven's works; See Dec. 1, 1822, for Liszt's Vienna debut; 1896 - The American Guild of Organists is founded in New York City; 1958 - American pianist Van Cliburn wins the Tchaikovsky Competition in Moscow, the first American to do so. Links and Resources On Morton Gould

Segon programa dedicat a compositors russos i ucra

Do you prefer your apple crumble in a bowl with custard or deconstructed and reinvented like on Masterchef? Jon and Haz put a range of  neo-classical and neo-baroque works to the 'crumble' test. Along the way, they consider why Schnittke is a slippery fish, what the collective noun for saxophones might be and consider the art of 'thinking in the box'.Support the Show.www.artsactive.org.ukEmail a2@artsactive.org.ukTwitter @artsactiveInstagram artsactivecardiff Facebook artsactive#classicalmusic #stdavidshall #neuadddewisant #drjonathanjames #bravingthestave #musicconversations #funfacts #guestspeakers #cardiff

Kontserdid toimuvad 21.

Everyone knows and loves Silent Night, right? But you probably haven't heard it sound quite like this. It probably won't actually give you nightmares, but it will certainly stay with you (Listening time 7mins: podcast 3', music 7'). And despite the bleak music, I do wish you a happy Christmas!   Music here with pictures, played by Starikov Stepan and Nail Mavliudov:  or on Spotify or Apple Music, played by Daniel Hope and Alexei Botvinov, which you can also buy here as a download for less than £1. Tell me what you think - is this a cacophony, a joke or a thought provoking masterpiece? Comment at cacophonyonline.com If you'd like to support Cacophony, you can buy me a ko-fi here.   Please share our love of great music by sharing this episode and/or the trailer: www.cacophonyonline.com/trailer    Thanks for listening!        

The Rev'd Rebecca Barnes, Rector of St. Luke's Episcopal Church in Scranton, and Violinist Sophie Till, Associate Professor at Marywood University, speaking about a concert at 3:00 on Sunday, December 19, 2021, to dedicate the newly received 1994 Steinway Model B Grand Piano. Violinist Sophie Till and Pianist Ron Stabinsky will perform sonatas by Mozart, Schnittke, Schubert & Ravel, and admission is free. The church is located at 232 Wyoming Avenue in Scranton. www.stlukescranton.org/

Neljapäeval, 9. detsembril kell 11 on tutvustamisel Eesti Filharmoonia Kammerkoori ja Kaspars Putniņši album "Schnittke: Choir Concerto; Three Sacred Hymns; Pärt: Seven Magnificat-Antiphons" (BIS 2021).

Jess Gillam and composer Claire M Singer share the music they love, with music from Meredith Monk, Telemann, Lee Scratch Perry, Schnittke and Godspeed You! Black Emperor. Playlist: Meredith Monk – The Games: Spaceship (Arr. M Gordon for Chamber Ensemble) [Bang On A Can All-Stars] Telemann – Sonata TWV 41:f1 in F minor; I. Triste [Frans Bruggen (recorder), Anner Bylsma (cello) Gustav Leonhardt (harpsichord)] Lee Scratch Perry – Blackboard Jungle Dub Miklos Rozsa - Spellbound [LSO, John Williams] Godspeed You! Black Emperor - Storm (Excerpt) Eydis Evensen - Brotin Alfred Schnittke – Requiem aeternam [Eric Ericsons Kammarkör, Radiokören, Conductor – Tõnu Kaljuste] Eric Whitacre – October [Youngstown State University Symphonic Wind Band, Stephen Gage]

Hélène Grimaud conecta a Mozart y a Silvestrov; Daniel Hope escoge a Schnittke; Alexey Botvinov; Anja Lechner y François Couturier, Alfonsina y el mar; Misha Mullov-Abbado y Viktoria Mullova a Lepo Sumera; Vassilena Serafimova y Thomas Enhco a Bach; Aleksander Debicz y Łukasz Kuropaczewski, acompañados por Jakub Józef Orliński, al maestro Rodrigo. Y algunas líneas de Sylvain Tesson en «Un verano con Homero» para despedir agosto. Lista de canciones e intérpretes Escuchar audio

durée : 02:58:45 - Eté Classique Matin - Ce matin, retrouvez ces artistes immenses dans leurs répertoires fétiches : Bach, Brahms, Beethoven et Bartók. Mais aussi Yakov Kasman dans Schnittke ou Matthias Goerne dans Schubert.

durée : 02:57:30 - Eté Classique Matin - Mais aussi Nikolai Lugansky dans Rachmaninov, Leon Fleisher dans Brahms… Préparez-vous à vivre une matinée truffée de monstres sacrés et autres fortes personnalités !

durée : 01:57:01 - En pistes ! du mercredi 30 juin 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - "Chiaroscuro", un programme de musique espagnole de la renaissance au baroque par la Capella de Ministrers ; la pianiste Olga Pashchenko dans deux concertos de Mozart; le quatrième volume de l'histoire du trio russe avec la musique de Taneyev et Arensky; l'album arménien du Akhtamar Quartet... - réalisé par : Emmanuel Benito

durée : 00:11:43 - Beethoven, Schnittke : Concertos pour violon - Vadim Gluzman

Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.

Kieran Hodgson tells Michael Berkeley how he turned his lifelong obsession with Mahler, and his own struggle to write a symphony, into comedy gold. Fortunately for us Kieran put aside an early ambition to become a train driver and has instead forged a career as one of our most entertaining actors, writers and comedians. He’s won awards and accolades at Edinburgh for shows on the unlikely subjects of school French exchanges, British politics in the 1970s – and his obsession with late-Romantic music. You might know him from his Radio 4 show Earworms – comic introductions to the great composers – and for his television roles in Two Doors Down, Upstart Crow and God’s Own County. And you might also be one of the tens of millions of people who have enjoyed his ‘Bad TV’ parodies on YouTube. Music is central to Kieran’s life: he’s been playing the violin in amateur orchestras since childhood and composing since he was in his teens. He chooses an unfairly neglected concerto by Bruch; Schnittke’s breath-taking Choir Concerto; and music by Schoenberg, by Bernstein and – in a first for Private Passions – by the Dutch cabaret artist Wim Sonneveld. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Ši laida apie garsiausius nebaigtus kūrinius, juos supančias legendas, istorijas. O taip pat apie tuos, kurie vėliau ryžosi tokius kūrinius užbaigti. Mozartas mirė jaunas ir paliko ne tik nebaigtą „Rekviem“, bet ir daugybę kitų juodraščių. Bachas nebaigė savo paskutinės fugos. Bruckneris, Mahleris, Schubertas, Schnittke – simfonijų. Kai kurie kompozitoriai imasi iššūkio ir pabando atkurti, kaip galėjo skambėti pilni genijų kūriniai, kurių užbaigimą kadaise nutraukė mirtis, ar kitos aplinkybės. Laidoje skamba naujausi nebaigtų Mozarto ir Bacho kūrinių variantai.Ved. Domantas Razauskas

Ensemble Storstrøm åbner den nye sæson med en serie koncerter der har 250-årsfødselaren Beethoven som gennemgående tema. Ved aftenens koncert er han sat i perspektiv af Ravel og Anton Reicha. Koncerten er samtidig den første med den nye ensembleleder, Maj Kullberg ved roret. Anton Reicha: Kvartet nr. 3 i G-dur for fløjte og strygere.Ravel: Introduktion og Allegro (1905).Beethoven: Klaverkvartet i Es-dur, op. 16.Ensemble Storstrøm.(KUMUS 11. september). Ca. 21.30 Cellisten Maria Edlund, der er uddannet på Det Jyske Musikkonservatorium, spiller Schnittke, Platti og Thorvaldsdottir. Vært: Anne Bro. www.dr.dk/p2koncerten

Today's episode lands square in the midst of strange back-to-school transition. Heat, murder, love, election, health and politics. Of course, Sabbath Sessions has little to do with any of these, at least not directly. But perhaps a time out in the sonic temple can help provide some relief and clarification, should you need, or enhance the colors if you're already feeling switched ON. Touchstones for this episode (in the loosest possible way) are composer Alfred Schnittke and Roland S. Howard, guitarrorista del 'The Birthday Party'. As always, this session was improvised and recorded on the spot, in real time, with love. Thank you.

durée : 02:01:33 - Été Classique Matin du lundi 10 août 2020 - par : Julien Hanck - Après Tchaikovsky, la pampa de Ginastera, la Bohême de Dvořák, la Hämeenlinna chérie de Sibelius… Combien de lieux chers ont-ils inspiré de chefs-d’oeuvres inoubliables ? - réalisé par : Davy Travailleur

Das Rundfunk-Sinfonieorchester Berlin bei uns im Großen Sendesaal des rbb - und wir haben live übertragen. Vladimir Jurowski dirigierte Werke von Mozart und Schnittke und Igor Strawinskys "Geschichte vom Soldaten". Für die Theaterminiatur war der Berliner Schauspieler Stefan Kaminski als Sprecher im Saal. Antje Bonhage war dabei.

Today Mark Rheaume discusses the Danish String Quartet, an Emmy-nominated group named Ensemble of the Year by MusicalAmerica Worldwide who is performing at Hancher on May 4. The quartet, described as "thrilling", "exhilirating", and having a "rockstar vibe", will be performing pieces by well-known composers Bach, Webern, and Schnittke. The quartet is known for its affinity for Scandinavian composers, and their ongoing recording project, a five-album musical evolution, has been meet with a GRAMMY nomination and worldwide acclaim. The Danish String Quartet is made up of members violinists Frederik Øland and Rune Tonsgaard Sørensen, violist Asbjørn Nørgaard, and cellist Fredrik Schøyen Sjölin.

Taani Keelpillikvarteti album "Prism II" ühendab Bachi fuuga ühe Beethoveni hilise keelpillikvartetiga.

Taani Keelpillikvarteti album "Prism II" ühendab Bachi fuuga ühe Beethoveni hilise keelpillikvartetiga.

Reportage og koncert fra Santa Barbara i Californien, hvor de to danske ensembler har givet koncert og mødt det amerikanske publikum. Musik af Sjostakovitj, Schnittke, Grieg, Bach, Karin Rehnquist og Rune Tonsgaard Sørensen. (Granada Theatre, Santa Barbara, Californien 12. november). Vært: Benedikte Granvig. www.dr.dk/p2koncerten (Sendt første gang 26. november 2019).

Today on Midday, a break from the news of the day, and focus on that which is great and good about the human condition. It’s Midday on Music. A little later, we’ll be treated to some tunes by the guitar/harp duo, Robin Bullock and Sue Richards. Their performance is posted separately here on the WYPR Website).We begin today with Hanzhi Wang. This virtuoso concert accordionist was born 29 years ago in China. She lives and teaches now in Copenhagen, Denmark, and she’s playing a concert in Columbia, Maryland Saturday night. She is the first accordionist to win the prestigious Young Concert Artists Auditions in New York. Ms. Wang is not your grandfather’s polka-playing accordionist, nor is she the organ-grinder busker in Little Italy with the dancing monkey. As you will hear, she is a virtuoso on an instrument that is not usually associated with art music. We are streaming our conversations today on the WYPR Facebook Page, so you can see that the instrument she is playing -- the button accordion -- doesn’t even look like most accordions you’ve seen before. During her live performance on Midday, Hanzhi Wang plays three pieces, in this order:“My Story” by Hanzhi Wang; “Etincelles” by Moritz Moszkowski; and “La Muerte del Angel” by Astor Piazzolla. Hanzhi Wang performs Saturday night (October 5) at a concert at the Horowitz Visual and Performing Arts Center at Howard Community College in Columbia. It’s part of the Candlelight Concert Society series. She'll play music of Bach, Rameau, Scarlatti, Grieg and Schnittke. The concert starts at 7:30. Wang's latest CD is called On the Path to H.C. Anderson on the Naxos label. It includes music by contemporary Danish composers. Hanzhi Wang is on the faculty of the Royal Danish Academy of Music in Copenhagen. She posts on Instagram.

Philipp Quiring über Mahlers Klavierquartett, von dem nur der erste Satz erhalten ist. 16 Jahre ist der Komponist, hat seinen Stil noch nicht gefunden, sondern steht noch ganz im Bann der Romantiker Schubert und Brahms. Und dennoch gewährt dieses Fragment einen faszinierenden und bewegenden Blick auf die Anfänge des genialen Symphonikers.

Round Top Music Festival musicians perform chamber works by Schnittke, Britten, and Dvořák.

Mit dem Geiger Gidon Kremer verband Alfred Schnittke eine Seelenverwandtschaft. Zu vielen seiner Violinwerke wurde er durch Kremer angeregt. Auch zu seinem Violinkonzert Nr. 4, das Gidon Kremer bei den Berliner Festwochen 1984 uraufführte.

Donald Macleod explores the strange, brilliant and occasionally nightmarish world of the Soviet composer Alfred Schnittke. The music of Alfred Schnittke (1934-1998) is like being lost in a hall of mirrors. Staring back at you is the whole of music history - from Bach to modern pop via tangos, Soviet work songs, Gregorian chant and Viennese waltzes - refracted and distorted, and woven together to create a uniquely personal style. Thrilling, grotesque, occasionally nightmarish - Schnittke creates a world where everything has a hidden meaning. Beethoven's Fifth suddenly springs terrifyingly out of the darkness in the midst of an otherwise chaotic symphony. Or a cheap Russian pop song appears inexplicably amidst a Baroque chorale. Schnittke's world of suppressed meanings perfectly captured life under the cosh of Soviet Communism. All this week, Donald Macleod unpicks the strands of a musician often seen as the heir to Shostakovich - and perhaps the last truly great composer of the 20th century. Donald begins by exploring the connections - musical, psychological and spiritual - between Alfred Schnittke and the great titan of Soviet music, Dmitri Shostakovich. He then unravels the term "polystylism", which Schnittke himself coined to describe his fusing of wildly eclectic styles - from Bach to pop to hypermodernism to Tchaikovsky. We hear about Schnittke’s intense fame in the 1970s, and how his turn to a deeply devout musical style shocked the avant-garde and won him a whole new spectrum of admirers. Donald takes us through Schnittke’s most rollicking and significant year – 1985 – which saw the creation of five acknowledged masterpieces and the first of several crippling strokes. Seemingly, Schnittke’s mortality drove him to create ever more shattering music in his final years - to compose to the very bitter end, in the face of almost unimaginable physical challenges. Music featured: Concerto Grosso No 1 (arr. for flute, oboe, harpsichord, prepared piano and strings) (2nd mvt) Violin Concerto No 1 (2nd mvt) Piano Quintet (2nd mvt - "In Tempo Di Valse") Violin Sonata No 1 Symphony No 1 (2nd mvt) The Cloak (Gogol Suite) Concerto Grosso No 3 Voices Of Nature Schnittke, arr Boguslavsky Suite In The Old Style Hymn No 3, for cello, bassoon, harp, harpsichord and tubular bells Complete This Work Which I Began (Choir Concerto - 4th mvt) Gloria - Credo - Crucifixus (Symphony No 2 "St Florian") O Master Of All Living (Choir Concerto - 1st mvt) When They Beheld The Ship That Suddenly Came; If You Wish To Overcome Unending Sorrow; I Entered This Life Of Tears A Naked Infant (Psalms Of Repentance) Moz-Art A La Haydn Viola Concerto (1st & 2nd mvts) Concerto Grosso No 4 / Symphony No 5 (2nd mvt) Doctor Faustus lamented and wept...It came to pass (Faust Cantata) Menuet, for violin, viola and 'cello Stille Nacht Symphony No 6 (3rd & 4th mvts) Piano Sonata No 1 For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Schnittke: https://www.bbc.co.uk/programmes/b0bcpr22 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z Presenter: Donald Macleod Producer: Steven Rajam for BBC Wales

Ein Ritt durch die Abgründe und Höhen menschlicher Gefühle. Alfred Schnittkes 1986 uraufgeführtes Bratschenkonzert gehört zu dem Schönsten, das je für dieses Instrument geschrieben wurde, findet Autor Niklas Rudolph.

Fløjte, harpe og cello.Musik af Emil Kronke, Debussy, André Jolivet, Per Nørgård, Piazzolla, Ravel og Ibert med en triobestående af Ulla Miilmann, fløjte, Tine Rehling, harper og Richard Krug.(Kulturhuset Galaxen i Værløse 6. december). Ca. 21.30Violinisten Joel Nyman, der er debuteret fra Det Kgl. Danske Musikkonservatorium spiller Schnittke. Vært: Jakob Wivel. www.dr.dk/p2koncerten (Sendt første gang 17. januar).

Der Geiger Augustin Hadelich ist im Rahmen der BR-KLASSIK-Studiokonzerte am 9. Mai 2017 gemeinsam mit dem Pianisten Charles Owen zu hören. Auf dem Programm stehen Werke von Beethoven, Schnittke, Mozart, Strawinsky und Tschaikowsky. Im Interview erzählt er, welche ganz persönliche Beziehung er zu diesen Werken hat.

Im Rahmen der "Ouverture spirituelle", die 2016 den Schwerpunkt auf das Östliche Christentum legt, führt der Chor des BR am 29. Juli in der Kollegienkirche a-capella-Werke von Schnittke, Rachmaninow und Pärt auf. Dabei feiert Howard Arman sein erstes offizielles Dirigat als neuer Künstlerischer Leiter des Chores.

- direkte fra Unitarernes Hus på Østerbro, hvor Ensemble Nordlys sætter fokus på musik med relation til Hamborg. Komponisterne er Brahms, Mendelssohn, Gubaidulina og Schnittke. Koncerten begynder kl. 20. Først kan du høre Copenhagen Guitar Duo, der er debuteret fra Det Kgl. Danske Musikkonservatorium. De spiller musik af Anders Koppel og Martin Lohse. Vært: Mette Greiffenberg.

Béla Bartók: Violinsonate Nr. 2 | Alfred Schnittke: Violinsonate Nr. 2 "Quasi una Sonata" | Witold Lutoslawski: Partita für Violine und Klavier | Miranda Cuckson (Violine) | Blair McMillen (Klavier)

- direkte fra Musikkonservatoriet i Esbjerg, hvor overskriften er Tidsrejse. Komponisterne er Zelenka, Arne Nordheim, Anna Thorvaldsdottir, Schnittke, Purcell, Adès og Bach. Vært: Klaus Møller-Jørgensen.

Den nystartede festival omkring Brødremenigheden i Christiansfeld præsenterede i lørdags Det lettiske Radiokor i musik af Bach, Knud Nystedt, Schnittke, Hillborg, Eriks Esenvalds, Pärt, Per Nørgård, Ligeti og Peteris Vasks. Dirigent: Sigvards Klava. (Brødremenighedens Kirkesal 20. juni). Vært: Klaus Møller-Jørgensen.

Institute of Musical Research Celebrating the 80th anniversary of Alfred Schnittke's birth: Round Table with Mark Lubotsky, Dmitri Smirnov & Elena Firsova, chaired by Roger Redgate [PRESENTERS] Mark Lubotsky, Dmitri Smirnov & Elena Firsova, chai...

On this week's show, we unveil our final release for 2013: the Pacifica Quartet's Soviet Experience Volume IV, containing the last 3 Quartets (Nos. 13–15) by Dmitri Shostakovich plus the String Quartet No. 3 by Alfred Schnittke. We’ll hear Shostakovich’s single-movement Quartet No. 13 in its entirety, plus excerpts from the other 3 pieces.   November 20 The Pacifica Quartet plays Shostakovich and Schnittke DMITRI SHOSTAKOVICH (1906–1975) String Quartet No. 13 in B-flat minor, Op. 138 Adagio—Doppio movimento—Tempo primo (19:15) From The Soviet Experience Volume IV: String Quartets by Dmitri Shostakovich and his Contemporaries Cedille Records CDR 90000 145 (Disc 1 Track 1) Pacifica Quartet DMITRI SHOSTAKOVICH String Quartet No. 14 in F-sharp major, Op. 142 I. Allegretto (8:41) From The Soviet Experience Volume IV: String Quartets by Dmitri Shostakovich and his Contemporaries Cedille Records CDR 90000 145 (Disc 1 Track 2) Pacifica Quartet DMITRI SHOSTAKOVICH String Quartet No. 15 in E-flat minor, Op. 144 IV. Nocturne: Adagio (4:27) V. Funeral March: Adagio molto (5:37) From The Soviet Experience Volume IV: String Quartets by Dmitri Shostakovich and his Contemporaries Cedille Records CDR 90000 145 (Disc 2 Tracks 4–5) Pacifica Quartet ALFRED SCHNITTKE (1934–1998) String Quartet No. 3 II. Agitato (8:18) From The Soviet Experience Volume IV: String Quartets by Dmitri Shostakovich and his Contemporaries Cedille Records CDR 90000 145 (Disc 2 Track 8) Pacifica Quartet

1 - "Trio Op.86 - III mov Allegro giocoso" (Nikolai Kapustin). Emanuel Ensemble. 2 - Canto do azulão do Paraná/ Brazilian birdcall 3 - "Revis Fairy Tale - IV Polka" (Schnittke). Ksenija Sidorova, acordeon/ accordion 4 - "Tema de amor/ Love theme" da/from minissérie de TV/TV series "Os Maias" (John Neschling). Orquestra arregimentada. John Neschling, regente/conductor. 5 - Canto Yanomami/ Yanomami indian chant 6 - "Com que roupa?" (Noel Rosa). Noel Rosa e/and Bando Regional.

As part of the BBC's focus on opera in 2010, Donald Macleod explores the rich tradition of Russian opera, from Glinka in the early 19th century to Schnittke in the late 20th