Podcasts about Royal Danish Academy

Today we explore the life and legacy of the physicist Niels Bohr through the reflections of his grandson Tomas Bohr. Tomas is an Emeritus Professor at the Technical University of Denmark. He studies fluid dynamics, biophysics, chaos, turbulence and statistical mechanics, and he has a long and distinguished career publishing in these fields. He is a member of the Royal Danish Academy of Sciences and Letters.

All organisms from fruit flies to humans share the same mechanism for controlling the day and night rhythms also called the circadian rhythms. This mechanism is considered fundamental to all advanced life forms, and it has a surprising feature. It binds us genetically to live on earth. Michael Rosbash received the Nobel Prize in Medicine in 2017 for the discovery of the circadian rhythms together with Jeffrey Hall and Michael Young. He is a professor and Howard Hughes Medical Institute investigator at Brandeis University. In 2019 he was invited by The Royal Danish Academy of Sciences and Letters to give the nineteenth Royal Academy Nobel Laureate Lecture in Copenhagen and was interviewed by science journalist Jens Degett. Photo credit: Chris Heller for Science Stories. Release date: 10 September 2025 [Best of] Circadian Rhythms By Science Stories is

This episode is a conversation between architect and Atelier Bow-Wow-founding-member Momoyo Kiajima and curator Haris Giannouras. It was recorded right after the opening of the exhibition Suturing Together by Atelier Bow-Wow on 12 September 2025. Their discussion focuses on care work in architecture, books and their forms in designing and understanding the build environment, 1980s Japanese comedy shows, Sutemi Horiguchi, and the importance of love in building someone's home. Atelier Bow-Wow Suturing Together 12.9. – 16.11.2025 The exhibition Suturing Together includes a site-specific intervention covering almost the entire right arch of the Secession's foyer, an extended archive showing the studio's practice spanning over the last 30 years, a thatch-seating made using thatch in collaboration with students from Vienna and a poster with detailed essays and an analytical index of Atelier Bow-Wow's past projects. Exploring material networks, supply chains and ad hoc architecture, the term “Suturing” becomes a stand-in for the studio's synergetic approach: piecing together things that have been torn up, forms, communities, histories and memories. This episode was recorded on 12 September 2025 at the Secession. Atelier Bow-Wow, based in Tokyo, was founded in 1992 by Momoyo Kaijima and Yoshiharu Tsukamoto. Yoichi Tamai was appointed partner in 2015. Atelier Bow-Wow is an acclaimed international practice with an extensive portfolio of work as well as exhibitions and publications. The firm's projects range from residential buildings to public spaces and are characterized by a commitment to sustainability, social impact, and an understanding of human behavior in the built environment. Tsukamoto and Kaijima received the RIBA International Fellowship in 2012 and the Wolf Prize in Architecture in 2022. Atelier Bow-Wow is the 2024– 2026 Rothwell Co-Chair at the University of Sydney. Momoyo Kaijima has been serving as professor of architectural behaviorology at ETH, Zurich, since 2017 and vice president of the NPO Cheer Art, where she became president in 2024. She also taught as a visiting professor at the Department of Architecture at the Harvard Graduate School of Design in 2003 and 2016, as well as at the Royal Danish Academy of Fine Arts in 2011–2012, at Rice University in 2014–2015, at Columbia University in 2017, and at the Yale School of Architecture in 2023. In 2018, she was the curator of Japanese pavilion at the 16th International Architecture Exhibition – La Biennale di Venezia. In 2024, she was appointed to the planning and management committee of TOTO Gallery·Ma and made a member of the Berlin Academy of Arts. Haris Giannouras works with artists to make exhibitions, artworks, publications and events. He is currently a curator at the Secession in Vienna. Before that he worked at MUSEUM MMK FÜR MODERNE KUNST in Frankfurt and Museum Abteiberg in Mönchengladbach. Recent projects include work with Studio for Propositional Cinema, Cana Bilir-Meier, Atelier Bow-Wow, Andrea Büttner, Jamie Crewe, Beatrice Gibson, Onyeka Igwe, Eleanor Ivory Weber, Hiwa K, Ghislaine Leung, Lin & Lam, Duane Linklater, Karī Mugo, Fiona Banner aka The Vanity Press, and the Estate of Suzan Pitt. Secession Podcast: Members is a series of conversations featuring members of the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producers: Jeanette Pacher & Bettina Spörr

If you're struggling to make more money with your online community, check out my FREE resources to learn how to do just that: professorgame.com/freecommunity-web What can a 40-year-old machine teach us about loyalty, engagement, and creative freedom? In this episode, Jesper Juul returns to the Professor Game Podcast to talk about his new book Too Much Fun, diving deep into the legacy of the Commodore 64. From hacking and game development to subculture and hardware design, Jesper unpacks the "five lives" of the C64 and what they reveal about user retention, tinkering, and systems that last. If you're designing for engagement today, this is a nostalgia-fueled masterclass in getting it right—and where we started getting it wrong. Jesper Juul is a video game theorist and occasional developer working at the Royal Danish Academy. He has previously taught at MIT and New York University. His books include Half-Real, and recently “Too much Fun” about the Commodore 64, his first computer, on which he wrote games and demos. Here's his first episode on the podcast: Jesper Juul and Handmade Games Rob is a host and consultant at Professor Game as well as an expert, international speaker and advocate for the use of gamification and games-based solutions, especially in community building and education. He's also a professor and workshop facilitator for the topics of the podcast and LEGO SERIOUS PLAY (LSP) for top higher education institutions that include EFMD, IE Business School and EBS among others in Europe, America and Asia.   Guest Links and Info Website: jesperjuul.net X/Twitter: @jesperjuul BlueSky: @jesperjuul.bsky.social   Links to episode mentions: Jesper's new book: Too Much Fun: The Five Lives of the Commodore 64 Computer   Lets's do stuff together! Get started in Gamification for FREE! LinkedIn Twitter Facebook Instagram TikTok YouTube Ask a question

Konsthantverkspodden meets Anna Mlasowsky, who since 2023 is professor of glass and ceramics at the Department of Crafts at Konstfack in Stockholm. She was born in Germany in 1984 and is now based in Seattle. She holds a BA in glass from the Royal Danish Academy and an MFA in sculpture from the University of Washington. Anna gives us an international look on art education in Sweden, ideas for the future of studio glass and some insights into her own artistic research. Konsthantverkspodden features Ida Netterberg, Lisa Maria Pettersson, Petter Rhodiner and Evelina Dovsten. The podcast is made in collaboration with Konsthantverkscentrum, and with support from Kulturrådet. Sound: Umami produktion. Music: Karin Fjellman Dovsten _______Konsthantverkspodden träffar Anna Mlasowsky, som sedan 2023 är professor för glas och keramik, institutionen för konsthantverk, på Konstfack i Stockholm. Hon föddes i Tyskland 1983 och är nu verksam i Seattle. Hon har en BA i glas från Royal Danish Academy och en MFA i skulptur från University of Washington. Anna ger oss en internationell blick på konstutbildningarna i Sverige, idéer om studioglasets framtid och en inblick i hennes konstnärliga forskning.  Avsnittet är på engelska. Konsthantverkspodden görs av Ida Netterberg, Lisa Maria Pettersson, Petter Rhodiner och Evelina Dovsten. Podden görs i samarbete med Konsthantverkscentrum, och med stöd av Kulturrådet. Ljud: Umami produktion. Musik: Karin Fjellman Dovsten.

I grew up in the countryside on a small island in Denmark. Everyone knew each other in our village, all the kids played together, and looking back it felt like every day was sunny. In 2017 I graduated from The Royal Danish Academy of Art and Design and immediately packed my bags and headed to Vancouver, Canada. Since then this has been home and I've carved out a wonderful career here as an illustrator, lettering artist, and all-around creative.

Anne Brandhøj with the interactive sculptures she created for Designmuseum Danmark, which are permanently installed in the museum's garden. Anne Brandhøj is a Danish artist and designer whose practice centers around sustainability. From sourcing and harvesting timber to drying, processing, and finishing each piece by hand, her distinct designs take form around the natural irregularities of each length of wood. Its grain, knots, splits, and coloration guide her decisions and remain as elements of the final work. Rather than imposing her creative ideas on the material, Brandhøj works with the chance variations offered by nature, allowing her to incorporate offcuts that might otherwise end up as waste. Their unique textures and patterning are highlighted, polished into delicate eddies and currents that reveal the innate beauty of the material, whether made from oakwood, walnut, Douglas fir, cherry, or beech. In addition to her playful functional objects, she creates large-scale sculptures whose undulating vertical forms reiterate abstract motifs as though materializing the movement of sound—its waves, ripples, and echoes. “I die a little bit inside every time I see furniture with a smooth surface where you cannot see any structure, any knot, anything at all,” says Brandhøj. “It's a shame when there is so much beauty in the wood to show.” Brandhøj received a bachelor's and master's degree in furniture design from the Royal Danish Academy of Fine Arts. She is a founding partner of Bly Studio, and currently serves as a teaching assistant at The Royal Academy. Brandhøj has exhibited throughout Denmark and internationally. In 2022, she was commissioned by Designmuseum Danmark to create a permanent sculptural installation for the museum, in collaboration with the Kay Bojesen Foundation. Inner Beauty Pedestals, 2023 Cherry 58.5" H x 17.5" W x 15.75” D 75", H x 12.5" W x 10.25” D 51.25", H x 10.25" W x 8.75” D. Works by Anne Brandhøj installed at Hostler Burrows New York Sculpture, 2024, ash, 9.5" H x 7.5" W x 5.25" D, Rooting 11, 2023, maple and glazed porcelain, 8" L x 4.75" Dia. (collaboration with Signe Fensholt),  Rooting 22, 2023, cherry and glazed porcelain, 17" H x 10.25" Dia. (collaboration with Signe Fensholt), Rooting 6, 2023, cherry and glazed porcelain, 10" H x 7" Dia. (collaboration with Signe Fensholt), Sculpture, 2024, cherry, 12.25" H x 7.5" W x 6.5” D Pedestal, 2024, cherry, 16"H x 11.5" Dia.

All organisms from fruit flies to humans share the same mechanism for controlling the day and night rhythms also called the circadian rhythms. This mechanism is considered fundamental to all advanced life forms, and it has a surprising feature. It binds us genetically to live on earth. Michael Rosbash received the Nobel Prize in Medicine in 2017 for the discovery of the circadian rhythms together with Jeffrey Hall and Michael Young. He is a professor and Howard Hughes Medical Institute investigator at Brandeis University. In 2019 he was invited by The Royal Danish Academy of Sciences and Letters to give the nineteenth Royal Academy Nobel Laureate Lecture in Copenhagen and was interviewed by science journalist Jens Degett. Photo credit: Chris Heller for Science Stories.

Send us a message!In Episode 46 Kelli Soika and Lynn Morstead interview Amiss Baucum, currently doing a Master's program in Urbanism and Societal Change at the Royal Danish Academy of Architecture. Amiss grew up in Louisiana in a tight community, which informs his interest in the value of connection and the importance of designing for interaction with the people living around us.They cover a wide range of topics and perspectives from his program and experiences living in Europe, from how to accommodate population growth with repurposing of buildings to the challenges of making a new and different way of living together attractive so we can get serious about sustainable growth.Listen in to learn more.If you'd like to get in touch with Amiss, he can be contacted at patrickbaucum@gmail.com or @stilljustaman on Instagram.For more information about CoHousing Houston, please check out our website at www.cohousinghouston.com. Let us know if you have any comments or ideas by emailing us at info@cohousinghouston.com. 

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Suzan Peeters (°1999) is a Belgian accordionist, composer, and experimentalist. She is constantly looking for new timbres and sound textures within the accordion, pushing its acoustic spectrum to its limits by manipulating the interplay between her body and the body of her instrument. Suzan studied classical accordion at KASK & Conservatorium in Ghent and at the Royal Danish Academy of Music in Copenhagen. She is currently studying Live Electronics at the Royal Conservatory of Brussels. MUSIC MENTIONS Eurovision Maria Kalaniemi Sara Salvérius Lausanne Underground Film & Music Festival (LUFF) Sonda Festival Q&A TLF Trio CTM “Wind” album by “CTM” Discovering music today (26:00): Concerts, friends Spotify Artists discovered in the past year (28:55): Able Noise BEX Astrid Sonne Lucy Walton First album ever purchased (33:35): “STUFF.” by Stuff. Most recent album purchased (00): “Bitterzoet” by Eefje de Visser Desert island discs (37:01): “Het Will” by Hendrik Lasure “Sweet Harmony” by TLF Trio “Grapes from the Estate” by Oren Ambarchi

In this conversation, I had the pleasure of speaking with my high school mate, flautist Beata Preisaitė-Šidiškienė. Our discussion revolved around the complexity of musical careers, emphasizing the importance of recognizing their non-linear nature. We delved into our early experiences as forming musicians, highlighting the significance of nurturing expansive dreams in both music-making and career development.Beata pursued her musical education at prestigious institutions such as the Saarbrucken Academy of Music in Germany, the Faculty of Music at the University of California, Fullerton in the USA, as well as the Royal Danish Academy of Music, where she earned her master's degree. As a soloist, Beata has performed with the Kaunas City Symphony Orchestra, the Lithuanian Chamber Orchestra, the Southern California Philharmonic Orchestra and the University of California Fullerton Orchestra. The flutist has also played in the Danish National Radio Orchestra, the Copenhagen Philharmonic and other orchestras.Support the podcast Check out more info about the host Monika LozinskienėYoutube channel PianoBuffs (NEW) www.monikapianiste.com/InstagramEpisode music - Rosehip "Bloom". Big thanks to my good friend, inspiring music creator Rosehip, who provided music for this episode. Carl Reinecke - Flute Sonata Undine, Op. 167 (Performed by B. Preisaitė-Šidiškienė and Galya Kolarova)

Winner of 2023 Golden Melody Award in Best Arrangement, Jen-Ting Chien 簡任廷 and Jen-Yu Chien 簡任佑 are the two pieces of Twincussion 雙子二重奏. Jen-Ting and Jen-Yu trained at the Royal Danish Academy of Music. In 2018 they played in Carnegie Hall. In 2023 they were selected for Center Stage, a cultural-exchange program from the U.S. Department of State. The brothers are versatile in Western classical music, Taiwanese folk, and new works by contemporary composers. This episode is fun to listen to, but it's even more fun to watch!This is the podcast edition of Game Changers with Emily Y. Wu - where we speak with emerging leaders. These are the fresh faces of Taiwan you must get to know. Watch the video edit of this conversation on TaiwanPlus - https://gimpod.me/gamechangers-twincussion-musicGet in touch with Ghost Island MediaFacebook - https://fb.com/ghostislandmeInstagram - @ghostislandme  Twitter - @ghostislandmeProduced by Ghost Island MediaProducer, Host - Emily Y. Wu Associate Producer, Co-Writer - Ting YehResearcher - Min Chao Podcast Editor - Dino LinProduction Assistance - Teresa Yen, Gerald WilliamsDirector for Video - Laticia Fan Post-Production Supervisor - Kaley EmersonVideo Editor - Emma Chou, Vivi WangCopyright by, and First Broadcasted on TaiwanPlusExecutive Producer - Shirley Keng, Kelly Kuo    Supervisor - Eric Yang    Production Coordinator - Jenny LuoSupport the show: https://patreon.com/TaiwanSee omnystudio.com/listener for privacy information.

Swedish fibre artist Mia Hultgren studied at the The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation (BA) in Copenhagen and later at the Royal College of Art (MA) in London.  Mia Hultgren was invited to be the first Artist in Residence at the Nordic Art Agency gallery in the autumn of 2023.  On this episode host Juliet discusses how Mia's initial visual intention towards the project evolved, how her creative practice has been informed during the residency and how the interaction with gallery visitors has impacted her approach to the new body of works.The current solo exhibition ASPECTS by Mia Hultgren includes all of the fiber art pieces created  during this intense two month residency period of the Artist Residency.  This includes ten small abstract framed portraits Secret Meetings  and 18 individual Lacuna pieces.  In addition. Mia created three larger more geometric works called Connections and some small circular suspended works.ASPECTS is open at the Nordic Art Agency gallery until December 2nd and the digital exhibition catalogue can be view online. You can follow Mia Hultgren on Instagram 

Bjørn Friborg by Joe Kramm Bjørn Friborg is a Danish glass artist based in Denmark. Friborg challenges traditional methods of glass-making with a physically demanding approach that stretches the limits of both the material and technique. His technique is not a means to an end but a performance, as he fearlessly punches, penetrates, manipulates, and ruptures the molten substance to achieve otherworldly and sublimely beautiful results. Friborg's movements are a tour de force reflective of his mastery. Friborg starts each artwork by blowing a large object that is then penetrated with a mass of silver nitrate-based glass poured on top. The molten nitrate-based glass sculpts the shape, freezes, and becomes an artwork. This process is described as “A blast of energy… all that power that you channel into the material gives it the expression.” Says Friborg. “That's what it contains, and that's what I mean when I say that I'm just trying to find the maximum of honesty that it just has. I'm just trying to push myself to the limits. Everything is just really impulsive; all the mixes … are created at the moment. Creating something is coming closer to yourself, and getting to know yourself better. It's like an addiction, both in terms of doing and not being able to stop doing it.” Friborg began working in the glass industry in 1999 as as a high school drop-out. He then attended the technical school in Kosta for three years and got a job straight out of school at the Orrefors Glassworks where Kosta Boda produced all of their art glass. Friborg received a BFA from The Royal Danish Academy of Fine Arts School of Architecture, Design and Conservation in 2013 after studying in Sweden at the Åfors Glasbruk, V.1 Mästare Ingvar Carlsson “Kalle Pack” and the Kosta Glass School. His work has been exhibited nationally in Denmark and the Scandinavian region and internationally. Installation view of Bjørn Friborg: Imploded, Photo by Joe Kramm Installation view of Bjørn Friborg: Imploded, Photo by Joe Kramm Bjørn Friborg, Implosion, 2023, Hand-blown glass 18" Dia. x 7” D, Photo by Joe Kramm  

Hani Rashid, ein renommierter Architekt und Mitbegründer des New Yorker Büros Asymptote Architecture, hat zusammen mit Lise Anne Couture vielbeachtete Beiträge im Bereich radikaler Entwürfe geleistet. Eines der bemerkenswerten Projekte in Hani Rashids Portfolio ist das Yas Marina and Hotel in Abu Dhabi, das 2011 fertiggestellt wurde. Ein weiteres Projekt ist das ARC Multimedia Museum in Daegu, Südkorea, das 2017 fertiggestellt wurde. Das Museum ist ein Beweis für das Interesse von Asymptote an der Schaffung immersiver und technologisch fortschrittlicher Räume. Auch der 2020 fertiggestellte Hauptsitz der ING Bank in Gent, Belgien, zeigt einen funktionalen und ästhetisch radikalen Ansatz für die Gestaltung von Unternehmensgebäuden. Hani Rashid hat sich nicht nur in der Praxis hervorgetan, sondern im wissenschaftlichen Kontext gearbeitet. Er hatte Lehraufträge an renommierten Institutionen wie der Royal Danish Academy, der Princeton University, der ETH Zürich, der Harvard Graduate School of Design und der Columbia University Graduate School of Architecture, Planning, and Preservation inne. Im Jahr 1998 war Rashid Mitbegründer des Advanced Digital Design Program an der Columbia University, mit dem er die Grenzen der architektonischen Ausbildung erweitert hat. Derzeit ist Hani Rashid Leiter des Studio 3, eines Designstudios an der Universität für angewandte Kunst Wien, Institut für Architektur. Rashids Beiträge zur Architekturgemeinschaft wurden durch verschiedene Auszeichnungen gewürdigt. Im Jahr 2000 vertrat er die Vereinigten Staaten auf der 7. Architekturbiennale von Venedig mit. 2004 wurde Asymptote Architecture mit dem Frederick Kiesler Prize for Architecture and the Arts ausgezeichnet. Hani Rashid wurde im TIME Magazine als Innovationsführer des 21. Jahrhunderts vorgestellt. Portrait-Photo (c) Nick Kova

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH."Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH."Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH."Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH.www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Happy World Environment Day! Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH."Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Happy World Environment Day!Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH."Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Happy World Environment Day! Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH."Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Happy World Environment Day! Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH."Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Happy World Environment Day! Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH."Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Happy World Environment Day! Ditte Lysgaard Vind is a renowned circular economy and design expert and author of Danish Design Heritage & Global Sustainability (Routledge 2023) and A Changemakers Guide to the Future. She is the Chairwoman of the Danish Design Council and founder of The Circular Way. She is known for pioneering new materials as well as business models, while sharing the knowledge gained from practice through teaching and thought leadership, and is a member of the Executive board of The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation as well as the global SDG innovation lab UNLEASH."Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions."www.thecircularway.comhttp://danishdesigncouncil.dk/enwww.routledge.com/Danish-Design-Heritage-and-Global-Sustainability/Vind/p/book/9781032198200www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Reciprocal framing creates a grid-like patterned structure, relying on a system for load transfer instead of single element-to-element load transfer. While visually pleasing, the analysis of this type of system can be somewhat complex. However, with the advancement of parametric design tools coupled with the sustainability benefits of this type of system, it becomes easier to design and is a good fit for material reuse. Dr. Olga Popovic Larsen, MSc, Architect MAA is a structural engineer, architect and Professor of Structures in Architecture at The Royal Danish Academy in Copenhagen, Denmark and expert and published author in Reciprocal Frame Architecture. Jens Hübertz Larsen, MSc, MIStructE is a Senior Project Manager at COWI Consulting Engineers in Copenhagen, Denmark and is well versed in the structural design and construction implementation of Reciprocal Frame Structures.In this episode, we discuss the Waste Wood Canopy. Through research and full-scale testing, the design team was able to use reclaimed wood pieces and develop customized and repetitive connections that ultimately proved instrumental to the success of this project.If you enjoy this show and want more content like this, visit gablmedia.comMentioned in this episode:Gabl Membership

Jakob Jørgensen by Dorte Krogh Jakob Jørgensen was born in 1977 in Nyborg, Denmark. He studied fine art in his early twenties, attending The New Art School, Odense, Denmark and Guildhall School of Fine Arts in London, as well as completing an apprenticeship with Studio Palla in Carrara, Italy. In 2008, he graduated from the Royal Danish Academy for Design, and went on to found a successful design studio. As his interest in large scale steel sculpture developed, he submitted a proposal to the Danish National Workshop in 2017, and was granted access to their vast metalworking facilities. He continued his exploration of the medium, building a dedicated studio tailored to working with steel pipe on the island of Bornholm in 2020. Jørgensen's work has been exhibited internationally in solo and group exhibitions including at the Musée d'Art Moderne de Paris, France; Louisiana Museum of Modern Art, Humlebæk, Denmark; Designmuseum, Copenhagen, Denmark; and the 21st Century Museum, Kanazawa, Japan. He has been the recipient of numerous awards and grants including the Finn Juhl Prize, the Bodum Design Award, and the IFDA Goldleaf Award. Installation image of Take Root, From left to right: Resistance, Freedom Vessel, The Wound, The Tree, The Punch, Branch Out II, Branch Out I, 2022, Photo by Joe Kramm. Installation image of Take Root, Wall sculptures from left to right: The Bean, The Beat, The Hole, 2022, Floor sculpture: Freedom Vessel, 2022, Photo by Joe Kramm. The Wound, 2022 Photo by Dorte Krogh https://museumofnonvisibleart.com/interviews/wp-content/uploads/2023/03/The-Burning.mp4

Githa Ben-David – Sing Yourself Free of Trauma and HealAired Monday, February 13, 2023 at 11:00 AM PST / 2:00 PM EST / 7:00 PM GMT / 8:00 PM CETEmotional stress is a significant cause of physical illness. From cancer to other autoimmune and chronic diseases, we explore the ancient practice of sound healing and voice medicine to heal our lives.Join Voice Visionary Kara Johnstad and sound therapist author Githa Ben-David as they explore vocal sound healing. How can we benefit from the healing effects of having a voice practice? What is Regressive Cell-Singing? Does each of us carry within our unique personal Note from Heaven? From the Australian Aboriginal's ‘Songlines' to today's more pragmatic ultrasound therapy, humanity has used sound for therapeutic purposes. Githa has been researching the possibilities of the human voice as a therapeutic tool for over three decades. Her experience shows that our voice's sensitivity and intuition sets it above any other form of sound stimulation and a superior choice to heal our lives.Join in the conversation at OM Times Radio, the Voice Rising Show.GUEST: Githa Ben-DavidGitha Ben-David is a sound therapist, singer, musician, composer, and writer. She graduated from the Royal Danish Academy of Music in Copenhagen in 1987, majoring in classical saxophone. Githa studied Indian singing by Mangala Tiwari in India. Githa is a trained regression therapist and trained in Mystical Therapy, a mode of healing developed by Master Hosé, Spain.” The Note from Heaven” has been Githa's guiding star since she experienced this elevation of being in India at 25. Githa has taught since and has developed a method that releases traumas by embracing somatic experiences with devoted song. She has described her process in 7 books on sound Therapy and sound healing, including the novel” Liluja” and “Terapeuternes Mysterieskole” co-written with Lars Muhl. Five of Githa's books have been published in English: “The Note from Heaven”, “Regressive Cell-singing”, and “Vocal Sound Healing”: In the trilogy -“The Ultimate Book on Vocal Sound Healing.”#GithaBenDavid #VoiceRising #KaraJohnstadVisit Githa Ben-David http://githabendavid.dkTo get in touch with Kara, go to http://www.karajohnstad.com/Visit the Voice Rising show page https://omtimes.com/iom/shows/voice-rising/Subscribe to our Newsletter https://omtimes.com/subscribe-omtimes-magazine/Connect with OMTimes on Facebook https://www.facebook.com/Omtimes.Magazine/ and OMTimes Radio https://www.facebook.com/ConsciousRadiowebtv.OMTimes/Twitter: https://twitter.com/OmTimes/Instagram: https://www.instagram.com/omtimes/Linkedin: https://www.linkedin.com/company/2798417/Pinterest: https://www.pinterest.com/omtimes/

Jim talks with Morten Christiansen and Nick Chater about their new book The Language Game: How Improvisation Created Language and Changed the World. They discuss the game of charades & its relevance to the evolution of language, the false myth of a pure language, language as self-organizing system, Captain Cook's encounter with indigenous South Americans, pidgins & creoles, gesture & vocalization, language & tool construction, the communication iceberg metaphor, misunderstandings in relationships, the now-or-never bottleneck, language understanding vs language production, genetic capacity for sequence-action-sequence tasks, chaotic improvisation as the core, the complaint that the young are ruining the language, the unbearable lightness of meaning, the miracle of sloppiness, order & disorder, word order & frozen accidents, language evolution without biological evolution, ChatGPT as a demonstration of how far learning from experience can get you, a poetry Turing test, and much more. The Language Game has been featured on Behavioral Scientist's Notable Books of 2022. Morten and Nick's previous co-authored book Creating Language: Integrating Evolution, Acquisition, and Processing (MIT Press 2016) was named the Choice Outstanding Academic Title in 2017. Episode Transcript JRS EP75 - Nick Chater: “The Mind Is Flat” The Language Game: How Improvisation Created Language and Changed the World, by Morten Christiansen & Nick Chater Simpler Syntax, by Peter Culicover & Ray Jackendoff Syntactic Nuts: Hard Cases, Syntactic Theory, and Language Acquisition, by Peter W. Culicover Morten H. Christiansen is the William R. Kenan, Jr. Professor of Psychology at Cornell University, Professor in Cognitive Science of Language at the School of Communication and Culture and the Interacting Minds Centre at Aarhus University, Denmark, as well as a Senior Scientist at the Haskins Labs. His research focuses on the interaction of biological and environmental constraints in the evolution, acquisition and processing of language. He was awarded the Cognitive Psychology Section Award from the British Psychological Society in 2013 and a Charles A. Ryskamp Research Fellowship from the American Council of Learned Societies in 2006. Christiansen was elected as a foreign member of the Royal Danish Academy of Sciences and Letters and of the Royal Norwegian Society of Sciences and Letters, as well as elected Fellow of the Association for Psychological Science and of the Cognitive Science Society. Christiansen is the author of over 250 scientific papers and has edited four books and authored two monographs. Nick Chater is a Professor of Behavioral Science at Warwick Business School. His research focuses on the cognitive and social foundations of rationality, with applications to business and public policy. He has (co-)written more than two hundred research papers and six books. His research has won awards including the British Psychological Society's Spearman Medal (1996); the Experimental Psychology Society Prize (1997); and the Cognitive Science Society's life-time achievement award, the David E Rumelhart Prize (to be awarded in 2023). His book, The Mind is Flat, won the American Association of Publishers PROSE Award in 2019, for Best book in Clinical Psychology. Nick is a fellow of the British Academy, the Cognitive Science Society and the Association for Psychological Science. He is a co-founder of the research consultancy Decision Technology; has served on the advisory board of the Behavioural Insight Team (popularly known as the 'Nudge Unit'); and been a member of the UK government's Climate Change Committee. He co-created, and was resident scientist on, eight series of the BBC Radio 4 show The Human Zoo.

Silas Inoue was born in 1981 and graduated from the Royal Danish Academy of Fine Arts, Copenhagen, Denmark in 2010. He currently lives and works in Copenhagen. Inoue's work has been widely exhibited internationally; recent exhibitions include; Barbe á Papa, Musée d'art contemporain de Bordeaux, Bordeux, France; Night Bloom Central, Ulterior Gallery, New York, NY (2022, solo); Minimalism-Maximalism-Mechanissmmm, Art Sonje Center, Seoul, South Korea and Kunsthal Aarhus, Aarhus, Denmark (2022); Naturen Taler #1, Sorø Kunstmuseum, Sorø, Denmark (2021); eat & becʘ̃me, Augustiana Kunsthal, Augustiana, Denmark (2020, solo); and Altering, Lothringer 13, Munich, Germany (2019). Many notable collections include his artwork, such as: Danish Arts Foundation, Bornholm Art Museum, Noma, and Horsens Kunstmuseum, where his first museum solo exhibition is scheduled to open in 2023. Silas Inoue Future Friture-Turritopsis Dohrnii, 2022 Sugar, silicon and cooking oil in acrylic aquarium on concrete plinth 42 1/8 x 13 x 13 in (107 x 33 x 33 cm) Photo Credit: Jason Mandella Courtesy of Ulterior Gallery, New York Silas Inoue Infrastructure, 2022 Acrylic cover, wood, silicon, plastic, mold, and bronze respiratory system 25 1/4 x 26 x 9 1/4 in (64.1 x 66 x 23.5 cm) Photo Credit: Jason Mandella Courtesy of Ulterior Gallery, New York Silas Inoue Mesh, 2022 Graphite and watercolor on paper 35 x 37 5/8 in (88.9 x 95.6 cm) 41 x 44 x 2 1/2 in (104.1 x 111.8 x 6.4 cm) Framed Photo Credit: Jason Mandella Courtesy of Ulterior Gallery, New York

What is the oral tradition of Chinese storytelling about and what is the connection to the great Chinese novels? How to translate a Chinese classic such as the famed and defamed “Jin Ping Mei”? And how to handle the dilemma of steering one's boat between enormous amounts of scholarship on the novel without drowning, and keeping up the tempo of translation day after day? NIAS senior researcher Vibeke Børdahl joined NIAS Press Student Assistant, Julia Heinle, to discuss her upcoming publications “Jin Ping Mei i vers og prosa”, I-X (Vandkunsten, 2011-2022) and “Jin Ping Mei – A Wild Horse in Chinese Literature” (ed. by Vibeke Børdahl and Lintao Qi) (NIAS Press 2022). Dr. Vibeke Børdahl is a senior researcher at NIAS and is generally recognized as one of the most accomplished scholars in the study of Chinese oral literature. As well as doing much research on the interplay of oral and written traditions in Chinese popular literature and performance culture, over the past decade she has translated the full work of Jin Ping Mei into Danish. The publication is celebrated with a symposium 26-28 October supported by the Royal Danish Academy of Sciences and Letters, the Carlsberg Academy and NIAS. Find the NIAS Press book here. Translation editions by Vandkunsten are here. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. About NIAS: www.nias.ku.dk Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is the oral tradition of Chinese storytelling about and what is the connection to the great Chinese novels? How to translate a Chinese classic such as the famed and defamed “Jin Ping Mei”? And how to handle the dilemma of steering one's boat between enormous amounts of scholarship on the novel without drowning, and keeping up the tempo of translation day after day? NIAS senior researcher Vibeke Børdahl joined NIAS Press Student Assistant, Julia Heinle, to discuss her upcoming publications “Jin Ping Mei i vers og prosa”, I-X (Vandkunsten, 2011-2022) and “Jin Ping Mei – A Wild Horse in Chinese Literature” (ed. by Vibeke Børdahl and Lintao Qi) (NIAS Press 2022). Dr. Vibeke Børdahl is a senior researcher at NIAS and is generally recognized as one of the most accomplished scholars in the study of Chinese oral literature. As well as doing much research on the interplay of oral and written traditions in Chinese popular literature and performance culture, over the past decade she has translated the full work of Jin Ping Mei into Danish. The publication is celebrated with a symposium 26-28 October supported by the Royal Danish Academy of Sciences and Letters, the Carlsberg Academy and NIAS. Find the NIAS Press book here. Translation editions by Vandkunsten are here. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. About NIAS: www.nias.ku.dk Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

What is the oral tradition of Chinese storytelling about and what is the connection to the great Chinese novels? How to translate a Chinese classic such as the famed and defamed “Jin Ping Mei”? And how to handle the dilemma of steering one's boat between enormous amounts of scholarship on the novel without drowning, and keeping up the tempo of translation day after day? NIAS senior researcher Vibeke Børdahl joined NIAS Press Student Assistant, Julia Heinle, to discuss her upcoming publications “Jin Ping Mei i vers og prosa”, I-X (Vandkunsten, 2011-2022) and “Jin Ping Mei – A Wild Horse in Chinese Literature” (ed. by Vibeke Børdahl and Lintao Qi) (NIAS Press 2022). Dr. Vibeke Børdahl is a senior researcher at NIAS and is generally recognized as one of the most accomplished scholars in the study of Chinese oral literature. As well as doing much research on the interplay of oral and written traditions in Chinese popular literature and performance culture, over the past decade she has translated the full work of Jin Ping Mei into Danish. The publication is celebrated with a symposium 26-28 October supported by the Royal Danish Academy of Sciences and Letters, the Carlsberg Academy and NIAS. Find the NIAS Press book here. Translation editions by Vandkunsten are here. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. About NIAS: www.nias.ku.dk Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

What is the oral tradition of Chinese storytelling about and what is the connection to the great Chinese novels? How to translate a Chinese classic such as the famed and defamed “Jin Ping Mei”? And how to handle the dilemma of steering one's boat between enormous amounts of scholarship on the novel without drowning, and keeping up the tempo of translation day after day? NIAS senior researcher Vibeke Børdahl joined NIAS Press Student Assistant, Julia Heinle, to discuss her upcoming publications “Jin Ping Mei i vers og prosa”, I-X (Vandkunsten, 2011-2022) and “Jin Ping Mei – A Wild Horse in Chinese Literature” (ed. by Vibeke Børdahl and Lintao Qi) (NIAS Press 2022). Dr. Vibeke Børdahl is a senior researcher at NIAS and is generally recognized as one of the most accomplished scholars in the study of Chinese oral literature. As well as doing much research on the interplay of oral and written traditions in Chinese popular literature and performance culture, over the past decade she has translated the full work of Jin Ping Mei into Danish. The publication is celebrated with a symposium 26-28 October supported by the Royal Danish Academy of Sciences and Letters, the Carlsberg Academy and NIAS. Find the NIAS Press book here. Translation editions by Vandkunsten are here. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. About NIAS: www.nias.ku.dk Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

What is the oral tradition of Chinese storytelling about and what is the connection to the great Chinese novels? How to translate a Chinese classic such as the famed and defamed “Jin Ping Mei”? And how to handle the dilemma of steering one's boat between enormous amounts of scholarship on the novel without drowning, and keeping up the tempo of translation day after day? NIAS senior researcher Vibeke Børdahl joined NIAS Press Student Assistant, Julia Heinle, to discuss her upcoming publications “Jin Ping Mei i vers og prosa”, I-X (Vandkunsten, 2011-2022) and “Jin Ping Mei – A Wild Horse in Chinese Literature” (ed. by Vibeke Børdahl and Lintao Qi) (NIAS Press 2022). Dr. Vibeke Børdahl is a senior researcher at NIAS and is generally recognized as one of the most accomplished scholars in the study of Chinese oral literature. As well as doing much research on the interplay of oral and written traditions in Chinese popular literature and performance culture, over the past decade she has translated the full work of Jin Ping Mei into Danish. The publication is celebrated with a symposium 26-28 October supported by the Royal Danish Academy of Sciences and Letters, the Carlsberg Academy and NIAS. Find the NIAS Press book here. Translation editions by Vandkunsten are here. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. About NIAS: www.nias.ku.dk Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast

Dr. Olaf Andersen is a Professor of Physiology and Biophysics at the Weill Medical College of Cornell University and Director of the Tri-Institutional MD-PhD Program in New York City. His research aims to understand all of the mechanisms by which small molecules can manipulate the functions of cells or whole organisms. How do these molecules work and what are they doing? These questions are particularly relevant for pharmacology and toxicity. When he's not doing science, Olaf keeps busy reading and brewing beer. His ambition as a brewer is to make a beer with a deep beer flavor but really low alcohol percentage. Olaf keeps a brewing diary that holds 20 years worth of notes on each batch he has ever brewed. He was awarded his MD from the University of Copenhagen in Denmark and completed postdoctoral research at the University of Copenhagen and Rockefeller University before joining the faculty at Cornell University. Olaf has received many awards and honors including being named a Foreign Member of The Royal Danish Academy of Sciences and Letters, receipt of the K. S. Cole Medal from the Biophysical Society, being named an Honorary Fellow of the Cornell University Weill Medical College Alumni Association, receipt Distinguished Service Award from the Biophysical Society, and receipt the Inaugural Bruce Ballard Mentoring Award. In this interview, Olaf shares more about his life and science. 

Sheila Jasanoff, the Pforzheimer Professor of Science and Technology Studies at Harvard University's John F. Kennedy School of Government, is a pioneer in the field of STS. That acronym can be unpacked as either ‘science and technology studies' or ‘science, technology and society.' Jasanoff -- who describes herself as a sociologist of knowledge and a constructivist, trained in law, working in the tradition of the interpretive social sciences – is content with either use. “I think that represents two phases of the same field,” she tells interviewer David Edmonds in this Social Science Bites podcast. “First of all, it's the field that looks in detail at the institutions of science and technology and asks, ‘What are they like?' ‘What does it feel like to be doing them?' ‘What do they operate like as social institutions, as cultures, as formations in society?' The other face of STS – science, technology and society – is more about how science and technology function when they get out into the world at large.” Amid that expansive view, some areas, of course, particularly interest Jasanoff. “The more interesting turn,” she details, “was the turn that tried to occupy the territory previously given to philosophy of science, and started asking sociological and political questions about it.” One such question is the eternal “What is truth?” STS, a brash newcomer, took on the inquiry with gusto. “It took a kind of arrogance, if you will, certainly a bravery, in the 1970s, to say that, ‘Hey, truth isn't just out there. It's not just a Platonic thing and we try to approximate it. We can actually study truth as if it was a social production.' That,” she explains, “was the heartland of science and technology studies.” In the interview, Jasanoff outlines how science is often presented as a capital-T repository of Truth even in an age where the ‘death of the expert' has become a common trope. Citing the pandemic and how scientific advice changed on mask wearing, Jasanoff argues that “people should not be surprised that in crisis mode the way we know things changes and therefore the advice may change. Science has been sold as a bill of goods for so long that it is the Truth, it is reliable, a fact is always fact the moment we assert it, that these sorts of commonsensical things that we ought to understand have become difficult for people to grasp.” (Jasanoff's own research often looks at cross-national differences in her research, and after looking at mask-wearing in 16 nations she reports that “only in America has it become an article of faith – are you for science or against science” – based on your mask usage.) Remember, she continues, “The expert is not an embodiment of scientific fact. An expert is a particular kind of person who is qualified in particular ways, and every time we say ‘qualification,' something about the English language or about language in general, forces us to look at the skills that allow one to be considered qualified. “In fact, we should look at the external periphery of the qualification; a qualification sets boundaries on what you know, but it also sets boundaries on what you don't know.” Expertise is this double edged-thing.” Jasanoff is the founder and director of Harvard's Program on Science, Technology and Society. She's the author of several books aimed at both the academy and the public, such as 1990's The Fifth Branch: Science Advisers as Policymakers, 2012's Science and Public Reason, and Can Science Make Sense of Life? in 2019. The University of Bergen, acting for the Norwegian Ministry of Education and Research, awarded her the Holberg Prize in March. That was the latest in a slew of honors for her research, including the University of Ghent Sarton Chair and the Reimar Lüst Award from the Alexander von Humboldt and Fritz Thyssen Foundations, a Guggenheim fellowship in 2010, and in 2018 the Albert O. Hirschman Prize from the Social Science Research Council. She is an elected foreign member of the Royal Danish Academy of Sciences and Letters, and a fellow of the American Association for the Advancement of Science, where she served on the board of directors.

Hans Petersen grew up in Copenhagen, Denmark where he studied architechure at the Royal Danish Academy or Art. Upon graduation he began working at a graphic design studio in Copenhagen and then followed a love interest to New York. Once in NY, Hans found work at a printing company and that is where he first learned about color. Eventually, he started his own graphics design firm in Manhattan and worked in it for 10 years.  He followed his wife to Charoltte, NC and started over. After many "cold" reach outs, Hans secured the International Home Furnishing Center as a client and produced material for them for 15 years. Then in 2005, they became part of a bigger organization and Hans was out of work. What was next? His wife suggested he paint, something he loved doing as a child. In this episode he explains how he learned about the art business and has grown into a professional artist.  Episode Takeaways: 1. Being a professional artist takes committment to paint every day. 2. The inspiration comes, but it is not initially what gets him painting. 3. They learned while doing tent shows, researching galleries and talking to gallery owners. 4. When you are trying to determine "what's next" think back to your childhood. What did you love doing then? Thanks so much for listening. Subscribe on Apple Podcast, Stitcher , Google Podcast. or Spotify Follow up on Facebook and Instagram You can email me with questions or comments at wendy@heyboomer.biz – You can support the ongoing work of Hey, Boomer at But Me a Coffee, through a one -time donation or a yearly membership. – You can find Hans at hanspetersenart.com 

This week is our penultimate episode of The Game Dev Show and we are delighted to be joined by Rasmus Poulsen, Franchise Art Director for IO Interactive. Rasmus talks to us straight about his journey from the Royal Danish Academy of Fine Arts – School of Design, to being an Art Director on numerous AAA projects at several Studios. He stresses the importance of establishing art direction early on and how aesthetics matter. We also chat about the creative process, how to activate your inspiration, Hitman, Star Wars and of course Bond, James Bond!

In this interview, we talk to Jesper Juul, a scholar of video games and a professor at the Royal Danish Academy of Fine Arts. He's written books such as A Casual Revolution: Reinventing Video Games and their Players, which looks at how mobile games have changed where, when, how, and even why we game, and The Art of Failure: An Essay on the Pain of Playing Video Games, which grapples with the pain involved in game overs and other ways of losing at games. He's also a game designer and developer who's experimented with casual games, conceptual games, and multiplayer games. We brought Jesper on to discuss his most recent book, Handmade Pixels: Independent Video Games and the Quest for Authenticity, a book that tells a history of indie games running from 1998 to the present. We cover a lot of ground in our conversation, talking about topics including how to define an indie game, what happens when platforms for indie games (like Flash) disappear, and whether or not the question, “is it really a game?” is a productive one.

In today's episode, Tara chats with Anne-Sofie Søby Jensen—a Danish singer. They speak about how Anne-Sofie's musical trek took her from Denmark to the UK and the journey of really learning to own and love who she is as a singer. Her story may inspire any singer who struggles with comparison and trying to find their own niche in singing.   Anne-Sofie grew up in a small village in Denmark in a family where piano music was often hear. Her parents were both pianist and she took piano lessons first from her grandmother. It set the stage for her music. Anne-Sofie also took part in some drama and theater in her teen years. During that time, the had a teacher who encouraged her to study classical music, thinking that her voice was be a perfect fit. This teacher (whom she had at 14) was super supportive of Anne-Sofie's singing and helped her learn the art of becoming an expressive singer. When she met other teens in the classical world of music, her comment was: “I didn't know that you could be a cool teenager having a normal teenage life and still sing classical.”   In her pre Academy days, she gained a love for oratorio through a workshop put on by an organist and choral conductor. It made her delve into Baroque music more and learn to love it. She did end up going to the Royal Danish Academy of Music and after some time there, felt stuck. But another teacher—a guest professor—helped her understand her voice better and encouraged her to pursue new things. This was Professor Susan McCulloch from the UK. So, Anne-Sofie took the leap and moved to the UK in 2017.  Some of the hardships she struggled with as a singer was simply comparing herself to other singers.  Once she acknowledged that her voice was not a lyric mezzo but more of a lower mezzo/contralto, she found more joy. “Finally realizing and honoring that has given me a freedom to sing the repertoire that I feel fits me. And not to feel that I have to press myself into a box that I don't have to fit in.” In her freedom, she could do this: “I decide what I want to do. I don't have to do an audition…” She also has been influenced by the book “The Artist's Way” by Julia Cameron. On singing and performing, she loves this: “It's the way that we can move other people.”  She also has found so much life in allowing herself to “play”.  “Letting go of everything and getting back that joy and of singing through ‘messing around'. “ Her final advice to singers is this: “Stop comparing yourself to others. Own who you are.” You can find Anne-Sofie at these places to follow: Instagram: @annesofiesoeby TikTok: @annesofiesoeby Facebook: www.facebook.com/ansomezzo Website: www.annesofiejensen.com YouTube: https://www.youtube.com/channel/UCs8hMAMe7TbLNQSwBXrJOqg    Remember also friends, that **THE SINGING STRAW** is now available for you right here: http://lddy.no/f7zu  You can get 10% off with my code: tarab   For more info about this episode and to hear other episodes, go to: www.theengagingvoice.com    You can find this and other episodes at Stitcher, Google Play, Spotify, iHeart radio, and Apple Podcasts. Please go to Apple Podcast and click on RATINGS AND REVIEWS to rate this podcast. I would be so grateful! Thank you! https://podcasts.apple.com/us/podcast/the-engaging-voice/id1448497465