Podcasts about scholastic book fairs

This week on The Halloween Podcast, Lyle and Meghan take a nostalgic trip back to the Scholastic Book Fair, when a colorful flyer, a few dollars, and tables full of books could turn an ordinary school day into something special. They look back at the history of the Book Fair, the excitement of choosing your own books, and the spooky shelves filled with ghosts, monsters, haunted houses, and unforgettable covers. Along the way, they revisit childhood favorites including Goosebumps, Scary Stories to Tell in the Dark, and other memorable Book Fair titles. Lyle also shares personal stories about struggling with reading, discovering books on cassette, staying at the Book Fair so long that he missed the bell, and starting a fifth-grade scary club beneath the playground equipment. Follow The Halloween Podcast: Website:https://www.TheHalloweenPodcast.com Facebook:https://www.Facebook.com/TheHalloweenPodcast Instagram:https://www.Instagram.com/TheHalloweenPodcast Email:Info@TheHalloweenPodcast.com Haunt Line:731-400-0472 Support the show on Patreon:https://www.Patreon.com/TheHalloweenPod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today we are rehashing Younger Season 5, Episode 11: "Fraudlein." Join us as we discuss the Empirical team traveling to Frankfurt for a book fair, the return of Cheryl, a spontaneous Cabaret performance and so much more!

On the #amwriting podcast's Margin Notes, host Jennie Nash talks with Caroline Bicks, Stephen E. King Chair in Literature at the University of Maine and co-host of the Everyday Shakespeare podcast, about her book Monsters in the Archives: A Year of Fear with Stephen King. Bicks describes how she became the first invited into King's Bangor archives after King called to meet her, and how her sabbatical became a year of researching five formative works (including Carrie, Night Shift, The Shining, Salem's Lot, and Pet Sematary) to understand how horror language creates lasting fear. She explains choosing a first-person narrative that blends literary criticism, archival discovery, and her own anxiety, including eerie moments in the archive and insights into King's word-level edits, literary influences, and Shakespearean foundations, especially The Shining's ties to Hamlet.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Read the Book* Monsters in the Archives by Caroline BicksTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Welcome, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work and creative lives.I'm here today with a super special guest. I'm so excited to speak with Caroline Bicks. She is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. And she's the author of all kinds of very cool books ... about Shakespeare, including one on cocktails.Um, and, uh, is the co-host of the Everyday Shakespeare podcast, and we are here today to talk with her about her new book called [00:01:00] Monsters in the Archives: A Year of Fear with Stephen King. Welcome.Caroline: Thank you. Thanks for having me.Jennie: So this is gonna be the strangest interview you've probably ever done. ICaroline: don't know.Because- I've talked to a lot of people around the world about this Stephen King book.Jennie: I couldn't read your book. I, I couldn't read it. I can't read horror. Yeah. Which listeners of this podcast are gonna laugh about, ‘cause I'm actually coaching someone live and they're writing gothic horror, and they're probably like, “All you talk about is horror, Jennie.”But, um, it's actually the reason why I wanted to talk to you, because you made a decision in the writing of this book that I thought was super cool. Mm. Which was you put yourself in it.Caroline: Yeah.Jennie: And you're a scholar.Caroline: Yeah.Jennie: And you've written scholarly books, and you approach this with a scholarly perspective, but you, you really put yourself in it.And, and so [00:02:00] I was reading it for that part of the story and I had to skip over huge chunks of, of the, of the work. Because what you're doing in this book is you're getting at this question of- W- what, what is scary in writing? Like, how does it actually work? How does it act- what is the magic or the function that makes us feel this thing?And you actually feel it yourself while you're going through it, and I found it quite terrifying actually. So, um, that's kinda what I wanted to talk about is how did you make the decision? Well, first of all, you were the first person, I wanna make sure I get this right, ‘cause this is very cool. Yeah. You were the first person who was invited to the archives, the Stephen King archives.Caroline: Yeah. I mean, it's, it's a bit of a story, so I won't spend too much time on it, but just the mo- Oh, no, do. It's good ... when I ch- when I took this position... So I've been a Shakespeare professor my whole adult life, ba- as soon as I graduated from grad school in the late ‘90s, [00:03:00] and I was at Boston College for 15 years.I took this position at University of Maine nine years ago as a Shakespearean. Um, so it is an endowed chair in Stephen King's name because he's our most famous alum. So when I took the position, I, it was because I'm a Shakespearean, not because I'm a horror specialist. Um, I had always been a Stephen King fan since I read him when I was 12, and he scared the beje- Jesus out of me, um, with The Boogeyman story.Jennie: Right.Caroline: Um, so when I took this position though I was told, “You're never gonna meet Stephen King. Don't even make contact with him.” I'm like, “Fine, you know, this is still a great job. I'm excited.” Um- ThanksJennie: for the money. Yeah.Caroline: Thanks for... You know, no, it's a wonderful fund. It was funded by the Harold Alfond Foundation, and it's to support the public humanities, which is an incredible mission.So, um, I get to give money away to people. You know, it's a great, great position, but I was not a horror specialist. And particu- a- and as an adult, I actually wasn't reading horror because it scares me too much. You know? Yeah, yeah. Um, but it had grabbed me when I was a teenager. So it was about four years into the [00:04:00] job when I got a call at home from Stephen King, which just, uh, uh, my jaw hit the floor.And he said, “You know, I think it's time we meet.” I'm like, you know, I, I really fan-girled because I really, I have so much admiration for him and respect. Um, I invited him to come talk to our students. He was brilliant, generous, funny, kind, and I felt so at ease that I felt like I could ask... You know, and I got to know him professionally.We had a good professional relationship that developed from there. When I had a sabbatical year coming up the next year- I could have written another Shakespeare book. I had another one in my head. I've written a bunch of them but I knew that he and Tabitha had just collected all of his manuscripts and put them in a climate-controlled space attached to their home in Bangor, and I thought, “You know, this is an incredible opportunity.I would love to dig in there and be the first one in there, and just read those early drafts of the books that scared me so much when I was a teenager, and try to just explore why. Why were they sticking in my head still?” Um, again, I am not a specialist in... I'm not a cognitive scientist. I'm not a [00:05:00] specialist in horror literature, but I'm obviously highly trained in how to do literary analysis and how to do archival work, not Shakespeare, because we don't have any of his works, but, you know, I, I understand what that process is.So back to your question about why I wanted to bring myself into it, which was, you know, I had been experimenting with first-person storytelling after I got tenure. You know, ‘cause it's a long process, Kate. Right. And most of my writing had been academic writing, but I really had always loved storytelling And I got a piece into the Modern Love column.I started to have some success with publishing my first-person stories, and I was like, “You know, I love this.” So when I had this opportunity to go into his archives, they generously said yes, was amazing. I thought, “You know, I really wanna tell this story. I don't wanna write an academic book. I want this to be the story of a literature scholar, but really the story about a scared kid.”Jennie: Yeah.Caroline: You know, you, you never lose that scare, you know, I don't... This is the thing. Fear has stuck with me with those stories [00:06:00] for 40 years. So I was fascinated, and I just wanted to understand how he had crafted the language so that it was sticking in my head still. Because when I was talking to people around, you know, whenever you mention Stephen King to people, you know, if they've read him, they remember specific lines and specific words, and I was like, “That's an extraordinary, um, 50 years on to have that power.”So, um- Well- Anyway. Yeah. Go ahead. I, I could talk about this forever, so you tell me- Oh, no, it's- ... where you wanted to pick up from this.Jennie: It's so good. Well, I have to tell you this funny anecdote, which is that my college roommate was from Bangor, Maine, and babysat his kids in that house.Caroline: Oh, that's insane.Jennie: So when I went to visit her, she drove me by that house.There you go. And I was like, “Oh, hell no- Yeah ... would I ever babysit in that house.” Like, it's-Caroline: It's ‘cause it's like a gothic, it's like straight out of Haunting of Hill House ...Jennie: actually, and like these spiderweb gates that, and you describe that in the [00:07:00] book and, and the- Yeah ... archives are in that house. They'reCaroline: in the house.They're attached to the back. I know. And it, it was so, it was, it was insane. It was like a full-on 360 experience writing this book. Um, and I, I knew, like, so I did the research for a year. I didn't even know if this would be a book. I just knew I wanted to have the opportunity to be in there because it, I knew it was a great opportunity, and I was so curious, you know?Yeah. So I, I came out of the year with just tons of notes and observations, but I didn't have a book, you know? Yeah. And then I started experimenting with writing a chapter, and I just, the storytelling just came forward and then when I got an agent and she, you know, s- I, I, I was able to get a contract based on a proposal and that one chapter I had written and I was really fortunate to have a fabulous editor, David Ebershoff, at Hogarth, who is just such a wonderful writer himself, and he really encouraged me to bring my voice in and bring my story in even [00:08:00] more.Um, so that's- And- ... that's the story of that.Jennie: Was it hard for you as a scholar to do that?Caroline: You know what? It was so freeing and so fun that it actually wasn't, you know? Because I, I knew this wasn't going to be an academic book, so once I let go of that- Yeah ... um, I was like, wow, I have the, and yet I have this skill set I can bring forward, and I knew that's what would make this unique.Um, but I can combine my two favorite ways of writing, ‘cause I do actually love writing literary criticism. Like it's, I get a thrill out of it. I wouldn't be doing it this long if I didn't get a thrill out of it, but I also love telling my own stories and drawing a reader in. And so for me it was like just a circus carnival.Like it was so fun to be able to do it. Once I had the permission and I had a contract, I was like, fine, you know? I, I, who am I writing this book for? I'm writing it for me, you know? Like this is just something I wanna do because I'm so passionate [00:09:00] about it and I, and I love Stephen King. And, um, once I got into it that way and wasn't thinking about who's gonna criticize me for this, like how will academics view this, I was like, I don't care.I just don't care. I know I've got a great story to tell that people are gonna love to read because there's so many people that love not just Stephen King, but people who love reading about how great books get written, you know? Yeah. And so that was the audience I had in my mind when I, when I was crafting it.It was really, in my mind, anybody who cares about books and writing. It doesn't have to be... So when you say, you're not the first person who's said to me, “I can't read your book,” or, “I can't read-” Oh, I'm so glad. “... Stephen King books,” you know, and I'm like, “That's okay. You can skip, you know, the parts that really scare you,” because there's plenty about just like that first chapter I wrote about Pet Sematary, just his sticky notes back and forth with his copy editor, which is so fun I think.You know, it's just like, wow.Jennie: Totally. Yeah. But the thing that you do is you- Allow yourself to confront that fear-Caroline: Yeah ...Jennie: [00:10:00] that, that I feel that the people can't, that can't read horror feel. You know, anybody that even allows themselves to be scared feels. And-Caroline: Yeah ...Jennie: and you, you do some very specific things, um, which I, I found fascinating, including tracking down on eBay the original copy of that book you read as a- Yeah, I wanted-as a teenager.Caroline: Yeah, that was part of the process for me, was I wanted to make sure I was reading... So before I would go into the archives for each work, and I'd spent like two... I only picked five, because I wanted to... First of all, I knew I wanted to make this personal. Um, and those were the five that scared me the most when I was a teenager.So I grew up in the ‘70s and the ‘80s as a teenager, so for me, it was in real time when the books were coming out practically. So it was- Yeah ... Carrie, Night Shift, The Shining, Salem's Lot, Pet Sematary. Um, I'm forgetting one of course. Uh, but I went -Jennie: The other one.Caroline: The other one. Had a huge impact on me. [00:11:00] So it was those five, and I, I knew those were the ones I was gonna do a deep dive into, and that I wanted to really re-engage with, and bring my whole self to.So I wanted to find the copies that I had read in the ‘70s and the early ‘80s. And fortunately, it's pretty easy to find them. Uh, so yeah, but eBay sometimes I had to go on, or go into a used bookstore and, you know, find the like actual 1979 paperback, you know.Jennie: Um- I mean, that- Um ... I just, there's some, there's so much to say about that because-Caroline: YeahJennie: like, I just, um- We, we just had a new bookcase built, um, which is something I've wanted to do well for eight years in this house. But it's a thing I've always wanted to have, which is like a grand bookcase, and it just was finished last week, and we had all the books packed up in storage, and we brought all the books back.Then we went through this discernment process of what goes [00:12:00] on those shelves. And I, you know, I had all those books from when I was a kid, even when I was a kid-kid, and they're yellow, and moldy and falling apart, and the covers aren't on, and they're taped and-Caroline: Yeah ...Jennie: eh, but I cannot let them go-Caroline: Yeah ...Jennie: because those...that was the object.Caroline: That's the object. This is what I feel sad for kids now, because they're not gonna have those same memories, um, of books. Yes. You know? And I don't think they stick in your head the same way if you don't have the full sensory embodied experience with a book.Jennie: Right. You know? Even when you open...I read on Kindle, which I love for so many reasons. Yeah. But you don't even see the cover.Caroline: You don't see the cover, right. And for me, it's so much. Like, I remember going to the Scholastic Book Fair and being like- Yes ... “I'm getting Summer of My German S- Soldier because Christy McNichol's on the cover,” you know?Yes. Yes. So yeah, that was part of the journey for me was I did wanna just [00:13:00] reconnect with those books again, try to h- and as much as you can, you know, reexperience the feelings of f- like The Shining, I actually... the only one I still have from 1977 is the actual Shining that I read. Um, and that's, for me, that woman in room 217.Well, I know you haven't read it ‘cause you're probably... What? But, um, it, that particular one I still have from, from when I was growing up. Um, and I love that I still have it, and it still has the photo... You know, it's the version that has the photo inserts that includes the Kubrick film photos. Oh, okay.Jennie: Okay.Yeah, yeah.Caroline: And I read it before I saw the film, so I remember being- 15 reading it and then seeing the pictures and being like you know? And that's part of the experience, but it wasn't, it's different than seeing the film, you know? And I really, I wanted to write this book as a love letter to language and to books, and not to film.Like, there's, that's a whole other category I think that enters people's brains in totally different ways. It's a very different experience. For me it's about, like going back to your original question [00:14:00] about like why, why, why do stories cause fear, and like what's the value perhaps in that? Yeah. That was something I came to after this long journey really, and talking to people and thinking about why.And also by understanding and reading more about Stephen King's books and talking to him about them, and realizing for him how much these stories are rooted in personal experiences or fears of grief and loss. And- Yes ... that was really profound for me. And like The Night Shift, which is the ur-text that I start with, ‘cause that's the one I read when I was 12, and that's his first collection of short stories.It came out in 1978. It's 20 short stories. But he ends it with a story about his mother dying, and it's, I mean, it's thinly veiled autobiography. It's about a man who's watching his mother die in the hospital. Um, but it's clearly a mirror of his own experience losing his mother when he was 26. And I'm like, wow, what's that doing in a collection of horror stories?[00:15:00] And it's like, what? ‘Cause that is of course, at least for me and I think for a lot of people, that's the core fear we first have, is that where's mommy, right? Yeah. Right? You lose the person who's in charge of taking care of you, and if you're lucky, does it well and with care. Um, but even if it's not, like Carrie, you know, the more I was looking through the Carrie drafts, I was like, right, he's really homing in on Carrie calling out for her mother even though her mother's terrible and abusive to her, right?So it's, there's just this, I don't know. It's a long way around to say I think horror, and he writes about this really eloquently, is a way for us to metabolize our deepest fears. Um, and to look at trauma not head-on but sideways. Um, and he writes about that, um, a number of different places in a really powerful way.He's just such an extraordinary human. You know, he's been thinking about this and for so long.Jennie: Yeah. Yeah. So, so your willingness to [00:16:00] confront that, those particular fear, fears in your own self and on behalf of the reader, really puts you in it. I mean, like you, there's a really lovely moment where you are reading I think it's, I think it's Pet Sematary, reading the actual book, and you have to turn it over so you- Yeahdon't see, like on your nightstand so you don't see the cover. I'mCaroline: scared, I'm scared of the cover, right, still.Jennie: Yeah.Caroline: Yeah.Jennie: And then there's moments, se- several where you're driving And you're sort of holding your breath while you drive past a place that he writes about or, or- Mm-hmm ... you know, um, well you have to tell the story, I'm sure every interviewer asks you about the, um, the doorknob in the archive.You have to, like, I was-Caroline: Yeah, not too many people have asked me about that, but I'm like, that to me was the scary moment-Jennie: Wait, shut up ... the most, theCaroline: most sturdy. I'm like, wh- uh, why did that happen? But of course, I mean, there's a reason why it happened. It's, it's, it [00:17:00] automatically locks if, you know, the, if you- Okaydon't lock it So let's, let's play- So but it just happened that we were inside the archive room. It was me and, and Julie Ugli, who is their assistant, who was helping me through this whole process. And I know, and I was, like, literally holding the first page of the first draft of The Boogeyman, the story that had scared me so badly when I was 12, about a monster that comes out of closets, and we're like in this room.And the, the archive room, it actually, it almost feels like a closet. It's not huge at all. You know, it's just-Jennie: Yeah ...Caroline: top to bottom, ceiling to floor stacked shelving with, you know, boxes of materials. And yeah, and we were in there, and I'm holding the first page, and the lock closes on its own. It just goes...And I'm like, I'm looking at Julie, I'm like, “What is, what's happening?” We don't have our cell phones with us. I'm like, “Are we stuck in here? Like, what's gonna happen?”Jennie: In the scary archive- In this, I was terrified ... in the back of the scary house. Like-Caroline: I know, I know. It was like, you can't make this stuff up.That's why I was like, I [00:18:00] couldn't wait, when I finally got a chance to write the book and sit down and write, I was like, I can't wait to tell these stories, because they just... I, I'm not a fiction writer. Like, I, I have such mad respect for- I don't know about that ... well, I've m- We'll see I don't know. I have mad respect for people who can write fiction.For me, I only can write what I know and exper- So I'm like, ah. But these stories were just so amazing. Or like when I was reading The Shining, like the first draft of The Shining, which is crazy. I mean, it's so different from the published version. And like getting to the woman in room 217, and like reading th- and literally my head w- like I thought I was having a stroke.Like it was like, like... And it's like, and then I find an interview where Stephen King writes about how he was scared to go back to that scene when he was revising it, the book, because he was dreading it. And I was like, oh, my God, have I just like had some kind of telepathic experience with Stephen King?Like- Right ... across time, space, and yeah, it was amazing.Jennie: Well, yeah. I mean, [00:19:00] it's just, um, uh, I actually made myself go through the whole book skipping giant chunks.Caroline: I feel so badly I put you through this.Jennie: I know. I, I feel like why, I kept saying, “Why? Why did I think this was a good idea?” Um, and it- I mean, even just tangentially, I, I don't know.It's interesting. I have, I'm sure you have this too, anybody who reads a lot or spends a lot of time with words, you have a capacity to sort of pay half attention, if that makes sense.Caroline: Mm-hmm.Jennie: Um, like you c- could sort of look at it without letting it all the way in. Yeah. But I, I just was, I just was riveted by the thread of, of your story and your putting yourself through that as a scholar and a human.But, but then some really cool things happen, and I, and I have flagged, um... Do you, [00:20:00] w- would you mind reading a tiny piece? It's- No, not at all ... it's on page 82, and it's the p- the paragraph that starts, “These manuscripts.”Caroline: Yeah.Jennie: That would be amazing.Caroline: Absolutely. So this is actually the moment I just described to you, where my head was like, I got...Oh, actually, I had just discovered the last 150 pages of the original Shining manuscript in a random folder in the archives, and I was like, “What is this doing here?” And I was getting obsessive about the manuscripts at this point, clearly- Yeah. Yeah ... just like the main character in The Shining, Jack Torrance, who gets obsessed with the manu- with the papers in the basement of the Overlook Hotel.But here we go. “These manuscripts are definitely getting into my head, and not just its rational part. In his memoir, when King describes books as being a uniquely portable magic, he doesn't specify what kind of magic. What if manuscripts can absorb and store more than just ink and words? [00:21:00] What if their pages can pass on dark energy along with dark stories?Ghosts have more than one way of making sure their stories are heard, of ensuring that the past is not forgotten, but rather pressed into our minds, even if we wrench our heads off the pillow and refuse to listen.” And that last is a reference to my, I used to see a ghost when I was five, and I write about that in the book too.Jennie: I mean, when I read that, I was like, “That's, that's me.” Like, these ghosts and horrors are pressing themselves into my mind, and I'm refusing to listen, and they still, they still do. And, um, King's stories in particular are so iconic, you can't really escape them. Like, you, you know the scenarios, you know the characters, you know-Caroline: YeahJennie: you know. And, and so it was interesting for me reading this book that that described my [00:22:00] experience where I was both repelled and magnetized at the same time.Caroline: That's beautiful the way you just put that. I mean, I think that is exactly our relationship also, of course, to our own fears. You know, again, what makes these stories endure, and I didn't go into this book thinking like, “This is a book about promoting Stephen King,” and, you know- Rightlike, I don't work for Stephen King. I just want to put that out there. Right. He, you know, he graciously agreed to let me go into the archives. He's been very generous about answering all my questions I had about the manuscripts, but he never at any point was like, “You can't say this,” or, “This is how you're supposed to say this.”So, but what I came away with after this process was exactly what you're describing, why we need these stories, why they endure, actually, is because they tap into our very real human fears. It's not about the monsters. It's about the grief and loss that's coming for all of us if we live long enough, you know?So you, and you have to at some point confront that, you know? So if it's- Yeah ... you can [00:23:00] try to run away from it, but it's coming, and that's part of being human. That's the human experience, obviously. Not to be glib, but it's like-Jennie: Yeah ...Caroline: you will experience loss. You will experience grief. And if these stories help you metabolize that or have a cathartic experience with that feeling without having to actually experience your worst fear, right?Um, like Aristotle says, it's cathartic, right? It's you watch a play, a, a tragedy because you experience a catharsis.Jennie: And did you, did you get to that in your own process?Caroline: That's a really good question. Um- You know, I, I think I became more aware of it. You know, I am, you know, and I write about this very openly in the book, that I was an extremely anxious little kid, um, which is part of why I think the boogeyman triggered me in the particular way it did, you know.Um, and that I grew into a pretty [00:24:00] anxious adult, you know? Yeah. I think anxiety is one of those things that, you know, I... Again, I was born in the ‘60s, so we didn't have this language for this back then. Like, my parents wouldn't have known to call me an anxious child, you know? Right. They probably would've said, “Oh, she's shy,” or, “She's whatever.”Um, so I think I, you know, like, and I as an adult, I think I've, I've found ways to manage it pretty well, but I am definitely a control freak. Like, that's part of how I manage it. I shouldn't use that language, but you know, it's like I, I like to just control what I can control, and that makes me feel that I can put the anxiety at bay.So I will say I think it's been interesting for me, Nick, now when I have those moments that are my worst fear moments that sometimes still will creep up on me just even though when I think I've figured it out, like doom s- doom scenarios. I tend to go to doom scenarios. So, like, if I can't reach... Uh, I will say Life360 has been, like, the best invention on the planet for me-with my two kids [00:25:00] and my husband. I'm like, “I know exactly where everyone is.” Yeah. It has saved me a lot of worry. Sometimes Life360 doesn't work, or sometimes a person still doesn't answer the phone, and then I have to manage my anxie- And then it's like... So I will say it's been interesting going through this process and having to confront or revisit the core of what scares me and, like, why that impacts, you know, why certain moments come forward for me still.So I think, yeah, I think it has helped me to a degree. Like, I can recognize it more clearly now. I'm like, “Oh, right, that's why I'm scared of that,” you know? Um-Jennie: That's so cool.Caroline: Yeah.Jennie: And it feels like that's the, the, um, the transformation in the book is you're exploring how that actually works and the language and the stories.Mm-hmm. But you're, you're also exploring how it works in your own self, how it did when you were young, how it does now- Yeah ... these moments when you're scared. So it- Mm-hmm ... there's such [00:26:00] a depth to it and, I mean, I just, uh, even in my half reading of it, I just loved it. Thank you. And, um, there's something that happens That's kind of crazy, which is, so you're a Shakespeare scholarCaroline: Mm-hmmJennie: And I ha- I, I know from reading Steve, a- about Stephen King, from reading his book On Writing, of course, and, um, interviews and such that, uh, I'm, I'm probably gonna say this in a disrespectful way, and I don't mean it to be so, but the, the easiest way I can describe it is that he's always had sort of a chip on his shoulder that he's just a popular writer and not taken seriously in a literary way.Mm. I don't know if that's, if that is fair to say, but that's how I'm saying it. Uh,Caroline: yeah.Jennie: And, um, what, what I found incredible was that [00:27:00] here comes this Shakespeare scholar into his archives doing proper scholarly archiver, arch- archival work, and there's this moment when you begin to see Shakespearean themes in his, in his work, and you can't ignore it, and particularly in, in Carrie and- Yeahparticularly around exactly the thing you were wrestling with, which is like a young girl's- I don't know, sense of, of not being fitting in the world or, um-Caroline: Yeah ...Jennie: right? And so that, um, there's, on page, since you have the book in your hand, um, I think it's pageCaroline: 202. Mm-hmm.Jennie: And it refers back to that passage you just read about portable magic.It's the one that's I remembered.Caroline: [00:28:00] Right. Okay. So this is going back to when I first was, um, I was in the final round of the job for the Stephen E. King Chair in Literature, and I was working on a book about Shakespeare's, the girls in Shakespeare's plays and world and teenage girls and their cognition.Like, the how were people during Shakespeare's day thinking about girls' brains? Yeah. So I'd been working on this for 10 years. Um, and then I was getting ready to give my job talk. This was the first time Stephen King and Shakespeare came together for me, and it was getting ready, and this, again, this is an authentic story, like write what you know.So I was getting ready for the job talk. I remembered that King's 1974 novel, Carrie, featured a 16-year-old girl whose telekinetic powers are unleashed when she gets her first period in the school shower. I started rereading it, and within a few pages came across an uncanny phrase. When she's walking home after being dismissed early, Carrie feels her brain flexing in a new way, [00:29:00] as if her powers have been waiting below the surface for her to reach, quote, “mental puberty.”I couldn't have wordsmithed this dynamic cognitive change better myself. In the last part of my job talk, I used the phrase to connect the brain work of Juliet Capulet, who's described as being two weeks away from seeing the change of 14 years, to Carrie's newly activated adolescent mind. It felt like a moment of pure portable magic between Stephen King, Shakespeare, and me.Jennie: Ugh, so beautiful.Caroline: Oh, thank you. Yeah. I mean, that was just so gobsmacking. Like, when that happened, I was like, I ca- I can't believe it, but yeah.Jennie: And then, now I may be getting some of the things wrong here, but then you- You realize, is it Carrie that, that you realize he was, you thought he was emulating a play, a Shakespeare play?Caroline: I think you're thinking of Shining. I mean, definitely at the end of the Carrie [00:30:00] chapter I return to, I did notice echoes of Macbeth, and I was convinced that that must have been what he was thinking about. And, and what's funny is, so one of the conversations I got to have with him, I mean, he's so generous with his time, one of my last conversations with him was about the end of Carrie, and that's a book that he actually doesn't like very much.You know, it was his first published novel, he was 26, and he's like, “I think that was written by a young man who thought he knew more than he did.” So he's, it's not a book that he goes back to. He recognizes it's important, and it's important to him, but, ‘cause it started his whole career, his whole trajectory.Um, but he didn't particularly, he hasn't returned to it. Yeah. So that was a fun chance for me to sort of talk to him and say, “Hey, you know what? I think you should maybe go back,” ‘cause it's it's, there's a lot of Shakespeare in there. Anyway, but the Shining chapter, what was fascinating, so there's this first draft, which I, I write a lot about, called The Shine, that's in the archives, with a totally different ending.Um, and when I looked at it, [00:31:00] he'd also divided it into acts and scenes, like Roman numeral acts and little- Mm ... Roman numeral scenes. And I was like, “This, what is this? This is like a Shakespeare play.” Like, that's what it looked like. And then sure enough, I found out he was imagining, he was thinking of a Shakespeare tragedy when he wrote The Shining.And that was the first moment where I was like, “What? This is insane.” Like, this- Yeah ... like, ob- obviously that became, for me, the story I wanted to tell about that particular set of manuscripts, was sort of uncovering, like, what's the Shakespeare play? Like, what's the tragedy? And I didn't wanna ask him because I didn't want- I wanted to go in with my mind clear, like, of any outside influence.I just wanted to see what my Shakespeare brain, because I'm so embedded in Shakespeare. I also have a Shakespeare podcast I do with my best friend. Like, we're, I'm always thinking about Shakespeare and how it relates to everyday life. You know, and so I'm like, “Well, how does it relate to The Shining?” Which is, like, an ur-American text.Like, this, like, say what you want about horror, [00:32:00] like- I'd be shocked if people don't know what The Shining's about, even if they haven't read it even if they haven't seen the film. Like, you probably know something about The Shining, right? Right. So I was like, if there's a Shakespeare tragedy at the foundation of this, you know.And here's the thing about Stephen King that I came to learn, again, reading all of his notes and finding these edits, and I did find traces of Macbeth in the first draft of The Shine, um, that he ended up taking out. So I was like, “Oh, is it Macbeth? It feels like it could be Macbeth.” There's so many things it has in common with it, with hallucinations and with baby bashing.And, you know, all of these horrible things that are in Macbeth are certainly in that book. Um, but I really wanted to go in, like, just on an adventure, like, see what I saw. So I didn't ask him which chi- tragedy until I was fully done with all my research and I felt like I had it all done. And that's when he drops that he was thinking of Hamlet.And once he said that, of course, it became so ... I mean, I [00:33:00] had seen traces, there were references to Ophelia that also didn't make it into the final published draft. So you wouldn't know this. This is the beauty of archival work, like you're gonna see things that other people will never know about unless you tell the story.That's why I felt so passionate about this. Like, “I need to tell people-” Yeah ... “that Ophelia was in the first draft, that he was thinking of Ophelia.” ‘Cause of course, you know, again, even if you don't know The Shining, the woman in the tub, the woman in the bathtub, like a drowned woman in a tub, like ah, Ophelia.Yeah. Like Ophelia's another one of those ur, like she's so, she's such a part of our cultural air, right? I mean, like no matter what country you're in. Right. There's a reason Taylor Swift has a whole, you know, song The Fate of Ophelia. Like people know what that means. Um, so I was like, “Oh my gosh, this is, this is incredible.This is even deeper than I thought it was gonna be.” Um, but also it made me appreciate how much that book is about intergenerational trauma. Um, and it's not ... So he doesn't like the Kubrick film [00:34:00] for reasons that, you know, a couple different reasons. One is that it flattens out the character of Jack Torrance, and Jack Torrance is an abused child himself, and he passes on that abuse to his son, Danny, right?Um, but you wouldn't know that from Kubrick's film. While Hamlet, of course, is about a father's ghost coming forward. Like, “The past is a ghost,” King writes, which is so f- powerful, right? Um, here's this ghost saying, “You need to kill for me.”Jennie: Yeah.Caroline: Yeah. And that's what happens to Jack. Yeah, so anyway, that's a long way to say that wasEach chapter was my favorite in different ways, but that one I loved being able to do the deep Shakespeare dive.Jennie: And was that ... You know, so I started that question by saying I, I had heard or understood or maybe inferred that, um, you know, King himself had this sort of desire- Okay ... to be taken more seriously.Was that, that must have been, I don't know, powerful for both you and him, uh, to [00:35:00] come to that? Not like, “Oh, you're the only person that's ever made him feel that way” or-Caroline: Yeah,Jennie: no,Caroline: I agree ... or agree with that, but. Like I, yeah. And, um, I mean, I will say I think part of the reason he was always really ... I mean, first of all, he's just so generous, and any writer who's ever worked with him has the same experience.Like he just gives his time. He just loves writing and writers so much that he will just, he'll just t- like any email I would send him, he'd write back in like an hour with a response. The part about how he feels about academia, you know, and I never directly asked him that because I didn't wanna ... You know, if he wanted to bring it up, great.But I think- Yeah ... my, after going on this journey with him, he clearly loves talking about- literature. He's the most well-read person I've ever met. I'm just gonna say that hands down. Like, the guy reads- Really? ... cons- constantly and if you read his early works, like even when he was 17, he wrote The Long Walk, okay, which just came out as a film, [00:36:00] and in that, he's citing T.S.Eliot, he's cit- he's citing Poe at 17. Okay? So he's, he, he, this, he comes by this honestly. He's not just trying to seem smart. Like, he literally is constantly reading and it's clear when you read his manuscripts or when you read his published books, he's making references to all, whether it's Shirley Jackson or Wallace Stevens or, you know, uh, he's so capacious in his knowledge of literature.And, like, just a couple months ago, he sent me an email, I don't, I can't remember, we were talking about something about Salem's Lot, and he was like, “Yeah, when I was writing Salem's Lot,” which again, this is 1975 when he's writing Salem's Lot, so that's a long time ago. He's like, “I was really into James Dickey's poetry.”Jennie: Whoa.Caroline: You know, who was an American no, you know, poet laureate. Uh, he's like, “And I was reading everything I could read of, of his and then I read Deliverance, and then I went back to his poetry, and that really impacted how I wrote the chapters [00:37:00] about the Lot,” which if you've read Salem's Lot, has some very lyrical, poetic chapters about the town, like, “The town knew about darkness.The town had its secrets and knew how to kept it.” And then he, like, sends me the entire poem that he was thinking about that James Dickey wrote. So I mean, it's, he's, and it's not performative. He's not, like, he has nothing. He doesn't need to prove anything to me, you know?Jennie: Right, to anyone, yeah.Caroline: He just literally loves, he loves literature.Like, this guy, he loves poetry. I mean, he actually writes poetry. He wrote poetry as an undergraduate. Uh, it was actually the core start for him of The Stand, was a poem he wrote called The Dark Man one day when he was, like, hungover in the school, like, cafeteria. Like, so it's like he, he's been thinking about literature and living with literature and, uh, since he was a teenager, if not earlier.His mom brought him, uh, Bram Stoker out of the public library when he was nine, so I mean, the guy- Whoa ... ‘cause he asked for it. He asked for Dracula. [00:38:00] I wasn't reading Dracula when I was nine. Were you? I mean-Jennie: No,Caroline: no. I was reading Little House on the Prairie. I mean-Jennie: Yeah. Yeah, exactly. Wow. Wow. So- I mean, this book, again, it's called Monsters in the Archives: My Year of Fear with Stephen King by Carolyn Bicks.It's just incredible, whether you're a King fan, whether you're a horror fan, um, but for sure for all writers, which are all our listeners. If you can, if you can bear it.It's very specific, um, a very specific- specific exploration of, of how good writing works really. Yeah. Right. And, and how you... You know, there's always that perennial question of how do you get emotion on the page? How do you make your reader feel something? And you, you show it very specifically, and I wanted so badly [00:39:00] to, to get into the details, and I, and I, I just, I just couldn't.Um, maybe someday, but, um, I just, I just can't recommend it enough for, for, um, this audience and, um, you know, anyone who's interested in any of these things we've talked about.Caroline: Thank you so much. I really appreciate that. And I will say, like, the Pet Sematary chapter, which is the first one, that was the first day I was in the archives.One of the things I discovered about him day one was how much attention he pays to word sounds. So I think for any writer interested in sort of doing a deep dive into, like, how one word change, right- Yeah ... can make a difference, you know? Yeah. And I didn't appreciate that about his writing until I went in there and saw his notes to the copy editor where he's like, “Nope, the word's clitter, not clatter.This is why.” You know? Like,Jennie: he's- There's a, um- Yeah ... yeah, there's a book I love, it's probably right behind me, um, called The Artful Edit by Susan Bell, in which she [00:40:00] shows examples of that kind of very careful change in, um, The Gre- The Great Gatsby and The English Patient and various works of, of literature, and your, your whole book is like that.It's, it's just amazing. Um- Thank you ... so is the next book gonna be the Shakespeare one you had thought of before? Or are you gonna- ... go in the, in the personal direction?Caroline: You know, it's such a good question. I think right now I'm just taking a break, you know, because I'm the kind... Like, I immerse myself in a project, and this has been so all-consuming.Um, and I'm back to doing my Everyday Shakespeare podcast, which I love and I missed. Um, so I'm doing that. And I, I really don't like to think too far ahead about what I'm going to write. I like to have it come organically.Jennie: Yeah.Caroline: Um, so I could go back into the archives. I could write another one of these kinds of books, but I don't know if that's the [00:41:00] right thing for me right now.Jennie: Yeah.Caroline: Um, I want to make sure whatever I write next- You know, I loved writing this book so much. It's my favorite... I mean, it's, it was such a powerful experience for me, um, because I could bring my personal experiences into it and my scholarly self into it. I don't... You know, it's gonna be hard to recreate that.Yeah. I think it can be done, but I don't wanna force it. Yeah. So I'm gonna wait and see what the next, what the next oneJennie: is. Don't you, don't you love the interviewer who's like, “Hey, congratulations. You wrote a book. What, what's your nextCaroline: one?” What are you working on now? What are you doing now? I know. And I get that.I'm like-Jennie: So mean ...Caroline: I'm just, I'm just reading books I wanna read. I'm doing my laundry. I'm getting to know my dog again. You know?Jennie: Oh, wow. Well, thankCaroline: you. But, you know, it's a fair question. Yeah.Jennie: Yeah, yeah. Thank you for coming and chatting about this, and for writing such a cool book. And- Thank you ... um, I'm looking forward to seeing what you do next.Caroline: Thank you, Jennie. It was a [00:42:00] pleasure.Jennie: Well, for our listeners, until next time, stop playing small and write like it matters.The #amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about pocket books, podcast publicity, and a quirky vocab. Then, stick around for a chat with David Weiden! David Heska Wanbli Weiden, an enrolled citizen of the Sicangu Lakota nation, is the author of Wisdom Corner, forthcoming in July, 2026 from Ecco/HarperCollins. He's also the author of the national bestseller Winter Counts (Ecco, 2020), which was nominated for an Edgar Award for Best First Novel. The book was also the winner of the Anthony, Thriller, Lefty, Barry, Macavity, Spur, High Plains, Tillie Olsen, CrimeFest (UK), Crime Fiction Lover (UK) Awards, and was the winner of the Electa Quinney Award from the Association for the Study of American Indian Literatures. The novel was longlisted for the Hammett Prize, Shamus Award, Colorado Book Award, Reading the West Award, and the VCU Cabell First Novel Award. The novel was a New York Times Editors' Choice, an Indie Next pick, main selection of the Book of the Month Club, and named a Best Book of the year by NPR, Amazon, Publishers Weekly, Library Journal, The Guardian, and other magazines. The novel is included in Time magazine's list of the 100 best mystery and thriller novels of all time. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome back, WIFs.This week, Lauren and Michelle are tackling a question that feels surprisingly relevant in today's world:Is reading becoming a luxury?Not financially.Mentally.Between endless notifications, social media feeds, short-form videos, and the constant temptation to check our phones, uninterrupted focus feels harder to come by. Getting lost in a book for hours? These days, it almost feels like a superpower.In this episode, the sisters take a nostalgic trip back to Scholastic Book Fairs, library visits, summer reading challenges, and the days when an afternoon could disappear inside a great story. They reflect on how reading shaped their childhoods and why spotting someone reading an actual book in public now feels oddly inspiring.Along the way, Lauren and Michelle discuss attention spans, doomscrolling, and the modern struggle to stay present. They also ask a simple question: When was the last time you got completely lost in something?A book. A movie. A hobby. A conversation. A walk.The sisters also dream up their ideal cozy bookstore and coffee shop, share what's helping them slow down lately, and explain why creating spaces for readers—and the "I swear I'm going to read more" crowd—feels more important than ever.Plus, they're sharing what they're currently reading and watching, along with a simple joy bringing a little extra peace to the week.Press play, get cozy, and join the conversation about books, focus, nostalgia, and finding your way back to the things that deserve your full attention.Because sometimes the most rebellious thing you can do is put your phone down and read a damn book.ResourcesSpeakpipe! Leave a message on our house phone. Get your ticket now!Shop our seasonal candles. Check out our website.Thank you to our sponsors ⁠Let It Be Us⁠ and ⁠Chicago Private Wealth Group.⁠

On today's episode Big T and PFT are joined by Zac to discuss the current and future state of AI. They get into the Open AI trial involving Sam Altman and Elon Musk. Plus, we discuss the hantavirus, Lane Kiffin's most recent discourse, the Scholastic Book Fair, Fun Facts and much more. Enjoy! (00:04:19) Hantavirus Update (00:10:09) Lane Kiffin (00:20:13) Scholastic Book Fair (00:33:36) Hantavirus Update (cont.) (00:41:43) Washington Wizards (00:47:43) Fun Facts (01:11:48) Elon Musk Vs. OpenAIYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/macrodosing

From the vault *creaking noise* please enjoy this pre-Mother's Day delight which originally aired on May 10, 2021.84: Maybe We are a Pyramid Scheme?As Mother's Day looms, we have happily reconvened the council of Moms (™) and wow do we have a business opportunity for you!! Get in our downline! This episode we're tackling a subject near and dear to our hearts - MLMs  (otherwise known as Multi-Level Marketing)! From your Rodan & Fields to your LulusRoe, we have you covered on all the dumb tactics, terrible products, recovered memories, dangerous advice (hello, essential oils), and invites to awkward parties we've grown to loathe.Some other momversations include the exhausting nature of both Teacher Appreciation Week (teachers deserve money, not plants) and the Scholastic Book Fair. We're here to tackle all the capitalistic and sexist issues at your elementary school!TSHE Moms are InfluencedThis is a RobberyYoungerGrande Cosmetics LASH-LIFT Heated Lash CurlerShadow and BoneThe IrregularsConnect with the show!This is your show, too. Feel free to drop us a line or send us a voice memo to let us know what you think. Facebook group: This Show Has EverythingEmail: tsheshow@gmail.com 

Today we share a fun, real-life update filled with everything from emergency snack stashes and trip planning to home projects, car ride chaos, college prep, and the excitement of the Scholastic Book Fair. They also touch on more meaningful updates, including health progress, the ongoing juggle of IEP meetings, and insights from Temple Grandin, leading into a deeper conversation about puberty, anxiety, and learning styles in autistic individuals—reminding us, as always, to focus on strengths, keep a sense of humor, and turn challenges into understanding. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Live to tape from Tee's Living Room it's Stays Krunchy inMilk. Let's start with a reasonable statement, Sex Work, is work and Sex Workers deserve workplace security. We chat about sex work as a side hustle, the need for people to be bullied some to correct their behavior. Word up tothe Scholastic Book Fair.  Babies are amazing because they are new to everything and just figuring it out. When's thelast time you did something sweet for your partner and it wasn't a gift giving holiday? What's the deal with people who aren't excited about anything? Like everything is fine or middling. Private Equity ruined restaurants. Box was sentan item from a seller that was not as described. He breaks down why that was hoe shit. Tee and his folk took advantage of a Cleveland winter to go out on the then frozen Lake Erie. Also, Tee paid his car off, so we celebrate that. We then head to Reddit for some AITA before wrapping it up with our entertainment recommendations.Thanks for joining us, see you next time.“Peep facts, in the game so deep fiends could catch a, freezeoff my kneecaps, can y'all believe that?”Team SKiMTatum | TAYREL713 | Lunchbox | LISTEN | RSS | Apple Podcast | Spotify | TuneIn | Bluesky | Amazon Music | YouTube | Email | Amazon Wish List | Merch | Patreon  PHONE l 216-264-6311 Alternative Title – Lactaid By The Gallons   RedditAITA for making my friend pay for my Uber home after she "surprised" me? AITA for refusing to give my mom my savings after she found out how much I have? (19F)

Join me (Anna Stone) and guest host Azanta from Azanta Reads as we discuss A Little Princess by Frances Hodgson Burnett and the 1995 film adaptation. In this episode, we bond over a mutual experience at the Scholastic Book Fair, consider our conflicting reactions to the movie now, and struggle to cast child actors for Sara and Becky.Follow Azanta on TikTok @azantareadsFollow on Instagram @stonestoptens and @azantareadsEmail stonestoptens@gmail.comKeywordsA Little Princess, Frances Hodgson Burnett, film adaptation, classic literature, themes of generosity, morality, nostalgia, character analysis, 90s films, cultural representation, Cultural Representation, Found Family, Character Performances, Costume Design, Book Adaptations, Soundtrack Analysis, Modern Casting, Movie Review

In this episode, Mars and Geeg dive into a detailed discussion about Emily Rath's latest book, 'Pucking Strong.' They explore character development, relationships, and the themes of identity and representation within the narrative. The conversation also touches on social issues, humor, and the anticipation for future installments in the series. Oh, and they talk about Scholastic Book Fairs.

  Our adventures with futuristic Eastern European cartoon felines continue with our look at the overlooked Cat City, the beloved (in Hungary) classic from 1986. Is this musical animal adventure any more entertaining than the oft-discussed Hugo the Hippo? We'll determine it once and for all. Additionally: the match-up of a life-time: Audio Tracks versus Video Tracks - which are more important to an enjoyable viewing experience? Also! We do one of those famous Good/Bad/Weird segments: but with cinematic cats! So #DonloydNow and enjoy this bite-sized Junk Food Supper. We got all this plus whether or not calling Kevin's buttocks is a good idea, is Little Jimmy talking about Billy again?, the latest in Japanimation news, the Hamilton report, the 90210 recap, yet another longing reference to the heyday of Scholastic Book Fairs, sneezes, blank stares, gleeks and so much more!! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll look at trees for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

What do the Virgo archetype and the Guinness Book of World Records have in common? Tune in to hear about that and:fun facts about all the fun facts!chart synthesis on the founders of the Book and the actual launch dateits relationship with the beerour weird obsession with the Guinness Book of World Records (& the Scholastic Book Fair!)and more!Until next time… Stay Curious!–Explore our first full season (Episodes 1-50) to explore our living astrological library!Ready to look at charts in the most beautiful and functional way? Look no further than →⁠⁠ ⁠⁠LUNA Cloud Astrology Software⁠⁠⁠⁠ ← this link saves you 10%.Follow us on →⁠⁠ ⁠Instagram⁠⁠⁠Drop us some love in the form of a 5-star review and follow. :)

‘The Baby-Sitters Club' turns 30 this month, so it's time to go back for a quick visit down memory lane, starting in 1986 when the book series first kicked off. We're getting into the Scholastic Book Fair of it all, friendship, and how this series will likely never die. All of that and then some! Read The Baby-Sitters Club: https://kids.scholastic.com/content/kids64/en/books/baby-sitters-club.htmlCrushgasm:Official Site: https://crushgasmpodcast.comTwitter: https://twitter.com/CrushgasmPodInstagram: https://www.instagram.com/crushgasmpodcastFacebook: https://www.facebook.com/CrushgasmAnchor: https://anchor.fm/crushgasmiHeartRadio: https://www.iheart.com/podcast/269-crushgasm-105402093/ Stitcher: https://www.stitcher.com/show/crushgasmYouTube: https://www.youtube.com/channel/UCV5fMDy4_uGsQ-izsXURCXAGoodpods: https://goodpods.com/podcasts/crushgasm-190310Brought to you as part of the I Did Not Make These Rankings Podcast NetworkAn Evening at the MoviesCrime RewindCrushgasmLiterature ReapersLove is Black PodcastMass-DebatersThe Sip Listidnmtrpodcastnetwork.blog

The Notes: Will's mom is stalking him, but the police refuse to act! The dwarves know us as Deucedoublin! If you don't hashtag, Nelson will die! The Peter Pan performance where nobody clapped! Tinkerbell on the Challenger! This was your fault, kids, not NASA! We did it, we solved racism! Diff'rent Strokes to Obama to us! Judy Blume's snake cult! Ramona Quimby was one of the Manson women! Why you so stingy with the fudge, Scholastic Book Fair!? Fudge truths! Know your fudge dealer, kids! Kid cocaine! 9 is the perfect age for starting Breaking Bad! That O. Henry does it again! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Bluesky: @doubledeucepod.bsky.social Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider and Amber Fraley, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

The greatest week of school was the book fair! In this episode we celebrate the Scholastic Book Fair, the books we couldn't live with out, the Book Mobile, and more! Corey (Podcasting After Dark), Diallo (TV Obscura), & Zak (Territory Marks) are joined by fellow “Night Boy” John Toma aka “That 80s Dude” as they reminisce on their love (or in Corey's case lack of love) for the “Book Fair.” John also discusses his new book Nostalgia Nation: The Definitive Chronicle of Growing Up Gen X. Enjoy! Watch the full episode on our YouTube channel here! Don‘t forget to subscribe too! You can order John's book here. Check out That 80s Dude's website here. And don't forget to visit his instagram page here. Watch the full episode on our YouTube channel here! Don‘t forget to subscribe too! Special shoutout to Two Dollar Late Fee & Podcasting After Dark Patreon member Magdalena Saucedo for the topic suggestion! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Buy the 80s Kids Unite t-shirt here! Diallo's links can all be found here! 80s Kids Unite is a monthly Podcasting After Dark / Two Dollar Late Fee / TV Obscura / Territory Marks crossover show powered by our Patreon members! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Dig our show? Please consider supporting us on Patreon for tons of bonus content and appreciation: www.patreon.com/twodollarlatefee Please follow/subscribe and rate us on Spotify and Apple Podcasts! Apple Podcasts: podcasts.apple.com/us/podcast/two-dollar-late-fee Spotify: open.spotify.com/show/ Instagram: @twodollarlatefee Instagram: @territorymarks Subscribe to our YouTube 80s Kids Unite logo by VideoForce Facebook: facebook.com/Two-Dollar-Late-Fee-Podcast Merch: https://www.teepublic.com/user/two-dollar-late-fee IMDB: https://www.imdb.com Two Dollar Late Fee is a part of the nutritious Geekscape Network Every episode is produced, edited, and coddled by Zak Shaffer (@zakshaffer) & Dustin Rubin (@dustinrubinvo) Learn more about your ad choices. Visit megaphone.fm/adchoices

This month on 80s Kids Unite, Zak, Corey, and Diallo are joined by John Toma aka That 80s Dude on Instagram as they reminisce on their love (or in Corey's case lack of love) for the Scholastic Book Fair! John also discusses his new book Nostalgia Nation: The Definitive Chronicle of Growing Up Gen X. Enjoy!Special shoutout to Two Dollar Late Fee & Podcasting After Dark Patreon member Magdalena Saucedo for the topic suggestion! You can watch the full video version of this episode on our YouTube page! Give us a like and leave a comment letting us know what your favorite Scholastic Book Fair memories were!— SUPPORT PODCASTING AFTER DARK —PATREON - Two extra shows a month including Wrap-Up After Dark and The Carpenter Factor, plus other exclusive content!MERCH STORE - We have a fully dedicated merch store at TeePublic with multiple designs and products!INSTAGRAM / FACEBOOK / LETTERBOXD - Follow us on social media for updates and announcements!This podcast is part of the BFOP Network

The greatest week of school was the book fair! In this episode we celebrate the Scholastic Book Fair, the books we couldn't live with out, the Book Mobile, and more! Corey (Podcasting After Dark), Diallo (TV Obscura), & Zak (Territory Marks) are joined by fellow “Night Boy” John Toma aka “That 80s Dude” as they reminisce on their love (or in Corey's case lack of love) for the “Book Fair.” John also discusses his new book Nostalgia Nation: The Definitive Chronicle of Growing Up Gen X. Enjoy! Watch the full episode on our YouTube channel here! Don‘t forget to subscribe too! You can order John's book here. Check out That 80s Dude's website here. And don't forget to visit his instagram page here. Special shoutout to Two Dollar Late Fee & Podcasting After Dark Patreon member Magdalena Saucedo for the topic suggestion! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Buy the 80s Kids Unite t-shirt here! Diallo's links can all be found here! 80s Kids Unite is a monthly Podcasting After Dark / Two Dollar Late Fee / TV Obscura / Territory Marks crossover show powered by our Patreon members! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Dig our show? Please consider supporting us on Patreon for tons of bonus content and appreciation: www.patreon.com/twodollarlatefee Please follow/subscribe and rate us on Spotify and Apple Podcasts! Apple Podcasts: podcasts.apple.com/us/podcast/two-dollar-late-fee Spotify: open.spotify.com/show/ Instagram: @twodollarlatefee Instagram: @territorymarks Subscribe to our YouTube 80s Kids Unite logo by VideoForce Facebook: facebook.com/Two-Dollar-Late-Fee-Podcast Merch: https://www.teepublic.com/user/two-dollar-late-fee IMDB: https://www.imdb.com Two Dollar Late Fee is a part of the nutritious Geekscape Network Every episode is produced, edited, and coddled by Zak Shaffer (@zakshaffer) & Dustin Rubin (@dustinrubinvo) Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're tapping into source energy with Chris's Oh, Mary! castmate Hannah Solow. And where better to have profound thoughts than a suburban teen's home movie theater? Topics may include: makeover montages, the Scholastic Book Fair, a dental hygienist's bridesmaid gossip, sun-drenched Pokemon, Temptation Island, and a British TV show about meeting dogs (seen out of order on TikTok, naturally). And Mona Lisa returns, with new accents! Hannah is on TikTok and Instagram @babymcgoo, and at hannahsolow.com. If you're in New York, she'll be performing her solo show on a double bill with our very own co-captain Chris Renfro on Monday, May 12 at the UCB Theatre! One of Us is hosted and produced by Chris Renfro and Fin Argus. It's executive produced by Myrriah Gossett and Erica Getto for Good Get. Myrriah Gossett is our sound designer, and our theme music is produced by Fin Argus and Brendan Chamberlain-Simon. Our show art was drawn by Fin Argus, and photographed by ⁠⁠Mike⁠⁠ and ⁠⁠Matt McCarty⁠⁠. You can follow One Of Us on ⁠⁠Instagram⁠⁠ and ⁠⁠TikTok⁠⁠ at @oneofus.pod. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's show: Alyssa is wearing glasses today and we all have thoughts, opinions, and questions. What's the most unusual way you obtained someone's phone number, or vice versa? Fyre Festival 2 has officially been cancelled. Good Vibes at 6:55! Hash It Out: Dani and Caleb live together but not for long. What's the next step in their relationship? Alyssa's College of Knowledge! Find out what Benson Boone REALLY sounds like. Damn, concert tickets are REALLY expensive right now. Plus, Bill has many thoughts on the Scholastic Book Fair.

Auri eats some pretty mid pea soup. We talk about the phrase “to a tee”, the wordplay in how Auri names things in the underthing, and give Jordana some advice.

In this Freestyle Friday episode, we chat about our experiences with online dating before we were together, what we've been watching lately (White Lotus, Love is Blind, Survivor, Deal or No Deal Island), a new game we're playing, some celebrity gossip from a 1996 issue of 'Teen Magazine, nostalgic technology, and a Scholastic Book Fair purchase Pete remembered recently! Support the show on Patreon Our Instagram Our Website Our Facebook Our TikTok  

One of my own kids favorite events during their elementary school years was the annual book fair. A section of the cafeteria would be set up with a huge display put on by the folks at Scholastic Books. On their website, Scholastic Books tells us that just last year alone, twenty-eight million kids attended school book fairs, and that one hundred million books got into kids' hands from the fair. If you click around on the Scholastic Books website you'll soon discover that the company is now promoting a “read with pride” campaign, as they are, and I quote, “proud to celebrate LGBTQIA+ stories with new and award winning books for kids and teens!” Scroll down the page and you will learn about pride-themed books for young adults, for kids ages eight to twelve, and for readers as young as three to five. Our kids are forming their beliefs and behaviors all through their childhood and teen years. And with so many voices teaching them about sex and gender, it's imperative that we teach them God's design.

In September 2023, Schubes was joined by Delia in Vienna, VA to cover one of the wildest official installments of the PJO series. Also, Sherry led quite possible the best Q&A we've ever done! Topics include: Vanna White, The Flap, Uncle Rich, middle school cafeteria pizza, Chuck E. Cheese, handwriting, Clotho, Larry the Cable Guy, Cosmo, Scholastic Book Fair, Fight Club, Samwise Gamgee, Hot Hephaestus, Renesmee, Goldilocks, owl pellets, the lyre, dunking scorpions, The Balrog, Scooby Doo, James Avery, pickle juice, LazyTown, tofu scales, The Roman Empire, funky socks, Delilah Galapagos, Mark Sherbert, bird choices, "Pride, Prejudice & Percy Jackson," and more! TNO HoO Signed Posters & Beads: www.thenewestolympian.com/merch TNO live in VA & TX: www.thenewestolympian.com/live — Find The Newest Olympian Online —  • Website: www.thenewestolympian.com • Patreon: www.thenewestolympian.com/patreon • Twitter: www.twitter.com/newestolympian • Instagram: www.instagram.com/newestolympian • Facebook: www.facebook.com/newestolympian • Reddit: www.reddit.com/r/thenewestolympian • Merch: www.thenewestolympian.com/merch — Production —  • Creator, Host, Producer, Social Media, Web Design: Mike Schubert • Editor: Sherry Guo • Music: Bettina Campomanes and Brandon Grugle • Art: Jessica E. Boyd — About The Show —  Has the Percy Jackson series been slept on by society? Join Mike Schubert as he reads through the books for the first time with the help of longtime PJO fans to cover the plot, take stabs at what happens next, and nerd out over Greek mythology. Whether you're looking for an excuse to finally read these books, or want to re-read an old favorite with a digital book club, grab your blue chocolate chip cookies and listen along. New episodes release on Mondays wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoices

E431 John Schu is an author of best selling children's books, the children's librarian for Bookelicious, a part-time lecturer at Rutgers University, and has served as the Ambassador of School Libraries for Scholastic Book Fairs for almost 6 years. He's also recovered from childhood anorexia and is a champion and advocate for kids, everywhere. His […]

The leaves are falling, and that's a sure sign of the book fair rolling into your schools. And if you're lucky, a local bookstore is giving you a taste of the book fair you remember fondly from your youth, but making it fun for your adult self. This week we're reminiscing about the book fair, talking facts about the beginning of the Scholastic Book Fair, and of course sharing all about our upcoming public school book fairs and our adult Boozy Book Fair! We've got bookseller Bailey on the podcast to talk about everything she has prepped and it's a fun one full of nostalgia.  Note: In the episode Amanda begins discussing the story of the Minotaur, Ariadne, and who unalives who... You can read about the myth here.    Ellyn's Currently Reading | The Last Murder At the End of the World by Stuart Turton & Imminent: Inside the Pentagon's Hunt for UFOs by Luis Elizondo Amanda's Currently Reading |  What I Ate In One Year by Stanley Tucci & Good Dirt by Charmaine Wilkerson Bailey's Currently Reading | Lady Audley's Secret by M.E. Braddon  Books coming out this week: Hot Mess: Diary of a Wimpy Kid by Jeff Kinney, Patriot by Alexei Navalny, & Everyone This Christmas Has A Secret: A Festive Mystery by Benjamin Stevenson Don't miss author Neal Stephenson at Dog-Eared Books on Sunday, October 27, at 6 PM. Get your tickets HERE. ______________________________________________________________________ Make sure to subscribe and rate the Bubbles & Books Podcast. And don't forget to share it with your friends. Learn more about a Dog-Eared Books book subscription HERE. Follow us on Instagram: @bubblesandbookspodcast Follow Dog-Eared Books on Instagram: @dogearedbooksames Interested in audiobooks? Listen while supporting Dog-Eared Books HERE. Visit us! www.dogearedbooksames.com

The first conversation we've had about cover design in games! We discuss how book covers are often the first thing people see of our games, how a well-designed cover can stick in someone's memory, and how a great cover isn't just about first impressions—it can make you want to pick up a book again and again. And a special thanks to our editor, Rob, for letting us know that yes, Scholastic Book Fairs do still exist. Link here: https://bookfairs.scholastic.com Covers mentioned: The Martian Chronicles (Link to cover, art by Michael Whelan) The Hitchhiker's Guide to the Galaxy (Link) The Golden Compass (Link to cover, art by Eric Rohmann) Our covers mentioned, all by Evan Rowland: Questlandia original edition Questlandia second edition Noirlandia Mud: A Golem Memoir Links/Credits: Website: turtlebun.com Patreon: patreon.com/turtlebun Design Doc intro/outro theme by ipaghost: https://www.ipaghost.com/ Episode edited by Rob Abrazado: https://robabrazado.com/ Support Design Doc with a coffee: https://ko-fi.com/designdoc Get in touch: Designdocpod (at) gmail (dot) com Turtlebun Discord: https://discord.gg/XD4WVDjvbz instagram.com/turtleandbun

Welcome back to another episode of KentNow!  We have a jam-packed show for you this week!  October brings forward a lot of celebrations and days to be recognized, so the team starts with Cyber Security Month highlighting the incident this week with Verizon. We then jump into the disaster Hurricane Helene brought to Ashville, North Carolina, and other states. There's the discussion about SPOOKY SEASON, movies, and the scholastic book fair.  This week Kyle, Josh and Tracy talk to Executive Director Gaila Haas from the Kent Downtown Partnership and the Cider and Ale trail coming to downtown Kent. If you are looking for more info or how to get tickets, click here!  Josh provides a quick Kent City Council Wrap up from this week, you can watch that here!  There's a LONG list of amazing events happening in the city, and info on what you can bring to the upcoming recycling event is available at this link!  If you have a comment or suggestion on what you would like to hear on the pod, please drop us a line at Communications@kentwa.gov  Have a great day!   

We're headed back to school inside the blanket fort this week! Our case files for today's episode are both school-themed. Larisa is talking about a cozy YA graphic novel set at a magical boarding school and Joy does a deep dive on the Scholastic Book Fair! Then we both share our cozy back to school tips that you can use for work or as you transition from fall to summer.  You can also watch our podcast on YouTube.  Follow us on Instagram.

Sploosh, supernatural serendipity, and the “Troubled Teen Industry”… Oh lawd, it's about to get pretty dark! Join these ‘90s kids to celebrate and unpack what is, arguably, one of the best book-to-film adaptions ever created. This time, they'll revel in magical, mystical romance, wax poetic about generational curses and cycles, plus build character while exploring deeper themes of abuse in teen “rehabilitation” programs, and America's dark history with segregation and racial prejudice. This is a heavy one, Darklings, but it's important, and your Ghost Hosts hope you enjoy it with all the same curiosity you'd bring to the Scholastic Book Fair.Email us at thatsprettydarkpodcast@gmail.comGive to our Patreon for extra content: patreon.com/tpdpodcastFollow us on Instagram and Facebook @thatsprettydarkpodcastMentioned in this episode:MANSCAPED June 2024IPX7 rated to protect against immersion in up to one meter of fresh water for up to 30 minutes. Learn more at www.manscaped.com/waterproof.

This week in the Video Dungeon we are stomping through the Pacific Northwest in search of the legendary Bigfoot! Featuring John Lithgow as George Henderson, Melinda Dillon as Nancy Henderson, and Kevin Peter Hall as the lovable Harry, this film delivers Sasquatch-sized laughs and heartwarming family moments. Tim Nugent from Tapes from the Crypt joins us to wax about illegal cable boxes, expired cookies, the Scholastic Book Fair, and growing up watching that big lovable skunk ape! With so many movies about the big guy spreading across different genres, we're breaking it down to see if this really is the best Bigfoot movie. So, grab a Filet-O-Fish, hide your 15th birthday corsage, and bury your taxidermy because Harry's moving in! Head over to tapesfromthecrypt.net and use promo code DUMPSTER15 at checkout for 15% off your order!

Truth Be Told with Booker Scott – Read with Pride week 2024 is here. It is the Scholastic Book Company's creation, and they promote it to your children and grandchildren. So, parents, beware before you send money with your children to the book fair in their public school. Make sure you have a conversation with your children before they buy something you wouldn't want them to read or see...

Ave Maria University and Ignatius Press have teamed up to offer Ignatius Book Fairs, a Catholic-focused book fair for parents and schools who want to offer their children an alternative to the Scholastic Book Fairs, which have recently become a haven for inappropriate content for children. Today, on “Follow to Lead” we're talking with Fr. Joseph Fessio, SJ, about the current state of book fair content and this new Catholic-based approach. National alternatives to such inappropriate and harmful content have not existed until now, leaving Catholic schools in a difficult position when they want to provide great books to their students. Ignatius Book Fairs has been launched to fill this void, with the ability to ship a high-quality, beautiful and fun book fair anywhere in the United States.

Do you ever find yourself consumed with the 'voice inside your head'? How do you separate out what is helpful vs what is harmful?  When do you speak up to obtain the necessary tools and resources to come out of a difficult situation? These are some of the topics discussed in the latest episode of the podcast! Author John Schu stops by the podcast to discuss his latest book 'Louder Than Hunger' and he and Joe get into a deep conversation about how to navigate some of life's most difficult times growing up. Also, because John is a librarian there are plenty of discussions around libraries, enjoy! About John Schu John Schu has made a career out of advocating for the people and things he cares about most: kids, books, and the people that connect them. He was named a Library Journal Mover and Shaker for his dynamic interactions with students and his passionate adoption of new technologies as a means of connecting authors, illustrators, books, and readers. He is the children's librarian for Bookelicious, a part-time lecturer at Rutgers University, and shares his love of reading with countless educators and students around the world. He served as the Ambassador of School Libraries for Scholastic Book Fairs for almost 6 years. He is the author of This Is a School (Candlewick Press, 2022) illustrated by Veronica Miller Jamison, This Is a Story (Candlewick Press, 2023) illustrated by Caldecott Honor artist Lauren Castillo, Louder Than Hunger (Candlewick, 2024) and The Gift of Story: Exploring the Affective Side of the Reading Life (Stenhouse, 2022). He is a contributor to The Creativity Project (Little, Brown, 2018), edited by Colby Sharp. John Schu lives in Naperville, Illinois. About 'Louder Than Hunger' Revered teacher, librarian, and story ambassador John Schu explores anorexia—and self-expression as an act of survival—in a wrenching and transformative novel-in-verse. But another voice inside me says, We need help. We're going to die. Jake volunteers at a nursing home because he likes helping people. He likes skating and singing, playing Bingo and Name That Tune, and reading mysteries and comics aloud to his teachers. He also likes avoiding people his own age . . . and the cruelty of mirrors . . . and food. Jake has read about kids like him in books—the weird one, the outsider—and would do anything not to be that kid, including shrink himself down to nothing. But the less he eats, the bigger he feels. How long can Jake punish himself before he truly disappears? A fictionalized account of the author's experiences and emotions living in residential treatment facilities as a young teen with an eating disorder, Louder than Hunger is a triumph of raw honesty. With a deeply personal afterword for context, this much-anticipated verse novel is a powerful model for muffling the destructive voices inside, managing and articulating pain, and embracing self-acceptance, support, and love.   Make sure to check out the Dtalkspodcast.com website! Thanks to Empire Toys for this episode of the podcast! Nostalgia is something everyone loves and Empire Toys in Keller Texas is on nostalgia overload.   With toys and action figures from the 70's, 80's, 90's, and today, Empire Toys is a one-stop-shop for a trip down memory lane and a chance to reclaim what was once yours (but likely sold at a garage sale)   Check out Empire Toys on Facebook, Instagram, or at TheEmpireToys.com AND Thanks to Self Unbound for this episode of the podcast: Your quality of life: physically, emotionally, mentally, and spiritually, is a direct reflection of the level of abundant energy, ease, and connection your nervous system has to experience your life!    At Self Unbound, your nervous system takes center stage as we help unbind your limited healing potential through NetworkSpinal Care.    Access the first steps to your Unbound journey by following us on Facebook, Instagram, or at www.selfunbound.com  

Whitney Clark takes us on a trip down memory lane! Her guest this week is Laura Sharp, the owner of a Gilbert-based pop-up bookstore. Literally, A Bookshop is a children's bookstore that also hosts events for grown-ups! Think the Scholastic Book Fair, but instead of your school gymnasium, events for adults are hosted at wine bars and breweries across the Valley. You can buy a book while drinking a beer or a glass of wine, while also connecting with your fellow readers. Laura shares why she started the events for adults, what it's like owning an independent bookstore, and the magic of introducing kids to books. 

Smart Mark is covered up with work stuff this week and as such we welcome back Corey Ryan Forrester to guest host in his stead. Corey and Trae will get into the latest ravings from conservatives on the evils of…Scholastic Book Fairs? Also a number of salacious stories involving GOP politicians, and a smattering of dumbassery. Join us. Support the show

Our friend/comedian Blair Socci joins to discuss scamming her way into programming the Scholastic Book Fair, the benefits of faking the funk, the dangers of getting contact high on kush, CutCo, Orange County and The OC, Bill Maher following exclusively 5 bikini babes, Club Random, and did Tomi Lahren and Trevor Noah smash in 2016? We have a laugh, we have a think, and we all grow so much. Her new special "Blair Socci: Live From The Big Dog" is on Veeps. Tap in!!!!! https://veeps.com/blairsocci/772d44f2-1dd6-40d6-8ed7-ef73d4eb7983 Jamel's album "Out The City" is out on everything. Go see Brandon LIVE this January and February and running his hour last minute next week in Brooklyn. https://linktr.ee/Brandonwardell 12/20 Brooklyn, NY (LAST MINUTE INTIMATE SHOW) @ Union Hall 1/16 Nashville, TN @ Zanies 1/18-1/19 Atlanta, GA @ The Earl  1/20 Athens, GA @ Georgia Theater 2/25 San Francisco, CA @ Cobbs Comedy Club JOIN THE DAMN PATREON. SPICY ROAD DOG DIARIES AND THE KINDA SPICY EPISODES WE COULD NEVER GIVE U FOR FREE https://www.patreon.com/thebrandonjamelshow BUY OUR MERCH https://thebrandonjamelshow.myshopify.com/

Full episode at patreon.com/thicklinespod. Katie and Sally discuss Beauty by Kerascoët and Hubert (2014/2023, NBM), but first take a glance at the Fantagraphics upcoming 2024 titles. Sally also runs down her trip to the Scholastic Book Fair. Thank you to our Patreon subscribers for making this episode possible! Catch Katie at Permanent Damage on Sunday, December 10 in Los Angeles, CA: https://www.instagram.com/permanent_damage_comix_show/ Follow us on Instagram @thicklinespod.

Everyone Needs an Aquarius with Dom and D returns after a hectic last week. This episode they discuss: (0:01:21) Surviving Diddy continues (0:05:08) Debate on whether Diddy will attend the Grammys  (0:08:39) What is going to happen to REVOLT? (0:15:02) Tasha K still hasn't learned from the Cardi B situation. Allowing brother Bilaal to discuss the Smiths flagrantly on her platform (0:32:12) They are trying to mess up with book fairs by trying to dismiss race from books (0:45:43) Darryl proposes to use Montana as a prison state Go cop your candles from Dom at www.saint-angeles.com/candles  and use the promo code: Aquarius Email the show at straightolc@gmail.com         Follow SOLC Network online Instagram: https://bit.ly/39VL542                                  Twitter: https://bit.ly/39aL395                                   Facebook: https://bit.ly/3sQn7je                          To Listen to the podcast Podbean https://bit.ly/3t7SDJH                              YouTube http://bit.ly/3ouZqJU                              Spotify http://spoti.fi/3pwZZnJ                              Apple http://apple.co/39rwjD1                                                       IHeartRadio http://ihr.fm/2L0A2y 

Kirk Cameron became a household name on hit sitcom "Growing Pains" in the late 80s, but has decided to use his fame to provide families an alternate to mainstream children's programming that has gone completely woke. He joins us to discuss how the Scholastic Book Fair we used to know and love, is now full of X-rated content. He exposes that content, gives parents action steps to get involved and explains what lead him to this path.  Kirk also weighs in Marvel's latest woke flop, the content he's putting out with Brave Books and all we have to be grateful for going into Thanksgiving.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we're joined by our friend Kirk Cameron to talk about his new book, "The Fox, the Fair, and the Invention Scare," as well as the rise of inappropriate books for children in schools and why it matters to fight back. First, we recap our last conversation with Kirk, in which he declared public schools enemy number one. Is this still the case, and what should Christians who work in public schools do to combat the ever-growing hostility toward their worldview? We look at where inappropriate children's books are coming from and explain how Scholastic Books is a wolf in sheep's clothing attempting to force gender ideology books among the books we know and love. Kirk shares about his alternative to Scholastic Book Fairs, SkyTree Books Fairs, and we discuss why he feels to passionately about this subject and why it's so important for us as Christians to stand against the indoctrination of kids. We end with some encouragement on creating good soil for our children and the optimism we can have. --- Timecodes: (01:12) Public education (07:30) Scholastic Books (13:06) Sky Tree book fairs (14:30) How did Scholastic get to this point? (16:30) People who say it's unloving to get involved (22:33) Why Kirk speaks up  (30:01) Christian influence (41:17) Good soil for our children (49:01) Kirk's new book --- Today's Sponsors: Good Ranchers — get $30 OFF your box today at GoodRanchers.com – make sure to use code 'ALLIE' when you subscribe. You'll also lock in your price for two full years with a subscription to Good Ranchers! Range Leather — highest quality leather, age old techniques and all backed up with a “forever guarantee." Go to rangeleather.com and use coupon code "ALLIE" to receive 15% off your first order. PublicSq. — download the PublicSq app from the App Store or Google Play, create a free account, and begin your search for freedom-loving businesses! Patriot Mobile — go to PatriotMobile.com/ALLIE or call 878-PATRIOT and use promo code 'ALLIE' to get free activation! --- Relevant Episodes: Ep 618 | Kirk Cameron on Homeschooling & Raising Godly Kids https://podcasts.apple.com/us/podcast/ep-618-kirk-cameron-on-homeschooling-raising-godly-kids/id1359249098?i=1000561947796 Ep 721 | C*vid Jab or Death, Drag Queens or Bust | Guests: Kirk Cameron, Chrissy & Lee Hick https://podcasts.apple.com/us/podcast/ep-721-covid-jab-or-death-drag-queens-or-bust-guests/id1359249098?i=1000589465209 --- Buy Allie's book, You're Not Enough (& That's Okay): Escaping the Toxic Culture of Self-Love: https://alliebethstuckey.com/book Relatable merchandise – use promo code 'ALLIE10' for a discount: https://shop.blazemedia.com/collections/allie-stuckey Learn more about your ad choices. Visit megaphone.fm/adchoices

Glenn and Stu discuss the various losses Republicans experienced across the country in the recent elections as Glenn's radio program director, Dom Theodore, shares how a county in Michigan ousted multiple city council members. The election outcomes across the country may paint a dire picture for the 2024 presidential election. Rep. Rashida Tlaib wept after she was censured for criticizing Biden for his support of Israel. FCC Commissioner Brendan Carr joins to discuss Biden's new proposal to nationalize the internet and what the new regulations would mean for free speech online. Rep. Thomas Massie joins to discuss the government abusing impaired driving prevention technology to control you. Actor and SkyTree Book Fairs spokesperson Kirk Cameron joins to discuss how parents can no longer trust the Scholastic Book Fair to promote safe books for children. Former investment banker Carol Roth joins to discuss how the government is furthering our debt as Americans struggle.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Grace and Alvina have an odds and ends episode where they discuss how to talk to kids about difficult topics, the Scholastic Book Fairs controversy, Halloween, and Alison Morris shares book recommendations. See complete show notes at www.bookfriendsforever.com. Click here to become a Patreon member: https://www.patreon.com/Bookfriendsforever1. See info about Grace Lin's events for CHINESE MENU here: https://gracelin.com/news-events/

Ronny Chieng & Michael Kosta tackle the latest news including Trump's former lawyer, Sidney Powell's plea deal, AI technology developed by researchers at the University of Kentucky that reads ancient scrolls, and The Daily Show's Troy Iwata discusses the Scholastic Book Fair's decision to create a separate section for race and gender books. Ever wonder about the man behind Joe Biden's iconic whisper? Meet Nolan Peacock (Michael Kosta), Sr. Whisper Advisor. And wilderness guide & self-reliance expert Jordan Jonas discusses how he developed the skillset to win season six of “Alone”, his personal connection with nature and conservation and why building a fire is the most important survival skill.See omnystudio.com/listener for privacy information.

Acclaimed author Laurie Lico Albanese is Marissa's guest. Laurie's latest novel, Hester, takes us back to 17th century Salem Massachusetts where we learn the origin story of Hester Prynne and about her relationship with a local man named Nathaniel Hawthorne. Marissa and Laurie also discuss the alarming growth rate of book bans, the Scholastic Book Fair scandal and which books are getting groups like Moms for Liberty in a lather. All why making French almond cakes. Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode 1563, Jack and Miles are joined by super producer, Joelle Monique, to discuss… Sh*tshow 2024: RFK Jr. Will Now Run As An Independent, FOX IS MAD AT HIM, Scholastic Book Fairs: Now With More Censorship, New NASA Spacesuits Will Be Made By Prada For Some Reason and more! Sh*tshow 2024: RFK Jr. Will Now Run As An Independent RFK JR's Campaign Speech Failure Robert F. Kennedy Jr.'s 2024 Launch Goes Viral For Wrong Reasons Biden Should Probably Be Worried About RFK Jr. RFK Jr. goes independent. Does that hurt Biden or Trump? Republicans turn on Robert F. Kennedy Jr. as he launches independent bid How Trump's Vaccine Support Is Splitting His Base RFK Jr. super PAC got $5M from megadonor who had backed Trump Pro-RFK Jr. Super PAC Has Deep Ties to Marjorie Taylor Greene, George Santos Scholastic Book Fairs: Now With More Censorship The nostalgic joys of the Scholastic Book Fair, explained BOOK FAIRS WILL SEE AN INCREASE IN CENSORSHIP ATTEMPTS THIS YEAR Scholastic Under Fire for Allowing Schools to Opt Out of ‘Diverse Books' for Book Fairs The Fleeting Magic of Scholastic Book Fairs LET ME RUIN YOUR CHILDHOOD: THE INEQUALITY OF SCHOOL BOOK FAIRS Scholastic Accused of Misusing Book Clubs Inside the Succession Drama at Scholastic, Where Harry Potter and Clifford Hang in the Balance New NASA Spacesuits Will Be Made By Prada For Some Reason What Did Playtex Have to Do With Neil Armstrong? The improbable story of the bra-maker who won the right to make astronaut spacesuits The astronaut wears Prada: Axiom taps fashion house to help design spacesuits for 2025 NASA moon mission What to know about Axiom Space, the company behind the first all-private mission to the ISS LISTEN: Sambassim by DJ PatifeSee omnystudio.com/listener for privacy information.

Trick or Treat, Cuties! While we're sorry to play a trick on you by re-releasing an old episode today, we're thrilled to give you the treat of TWENTY SEVEN (that's 27! Count em') minutes of bonus content ONLY EVER HEARD BEFORE ON PATREON! Deputy Editor of US Weekly and host of “Here For the Right Reasons” podcast, Sarah Hearon, joins Donny and Chelsea to recap ‘I Know What You Did Last Summer,' and the duo may have done research to pronounce her last name correctly, but they still don't know a damn thing about the movie they're covering. The three praise the Scholastic Book Fair, IMDB, and Kevin Bacon's “The Following.” Also, they dig into horrifying childhood trauma and Donny is forced to send a HR form to Sarah when Chelsea reveals her opinions on Sarah Michelle Gellar. Then, the three discuss which of the cast is the closest to a can of beans. (This episode originally aired October 16, 2022.) For bonus episodes and unedited & unhinged audio and video recaps, subscribe to our Patreon! If today's episode makes you laugh (or scream), please do us a favor and rate our show 5 STARS on Apple or Spotify Follow Us on Social Media! TikTok: @cuteonepodcast Chelsea: @ohnochels Donny: @realdonnywood Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices

Start of the show. 0:09Welcome to stitch please, official podcast of black women's stitch.Black women at quilt con.Finding a safe place from her heart to land.Quilting as a way to escape mathematics.What does “I miss hope” bring to me? 3:33The scale of I miss hope.The frustration and tension of following the news.The intersection of quilting and activism.The process of creating a statement quilt.Defining risks as risks. 8:38Risks in her work and how she defines them.Being featured by scholastic.Being a Scholastic Book Fair girl.Black girl math magic. 12:56The Black girl math magic subscription box.The Renwick museum acquisition process.All makers except hetero white males.The call from the Renwick curator.America owns my quilt. 18:05America owns her quilt.The poker metaphor, bet on yourself and win.Bipac quilters are being relegated to a separate category.The binary of beautiful quilts and statement quilts.How she thinks about balance in her work. 22:22The 10th anniversary of quilt con.How quilting has changed over the last decade.A scene from Amadeus.Balance between texture and the overall aesthetic of the piece.How to leave space without leaving space? 25:57How to quilt with an out-of-focus line.How Instagram is controlling quilting.Small pieces of art on a wall.Creating a quilt for instagram.The words “I can't breathe” 29:38Chawne makes the words to express his thoughts.The title of the episode, patchwork to power.Black women's liberatory stitching traditions.Power, liberation and process of stitching quilts.The power of the needle and needle. 34:12The power of the needle and needle.Words of wisdom for the interviewee.Take care of yourself and your health.Support Black Women Stitch on Patreon.