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The Krewe gets an exclusive inside look at Expo 2025 Osaka with Sachiko Yoshimura, the Director General of Public Relations & Promotion! We dive into the massive planning behind the event, Japan's rich history with World Expos, what to expect at the event, best times to travel, & of course... the story behind the viral mascot, Myaku-Myaku! A must-listen for potential Expo-goers!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Travel Episodes ------Checking Out Miyagi ft. Ryotaro Sakurai (Guest Host, William Woods) (S5E5)Explore Matsue ft. Nicholas McCullough (S4E19)Travel Hiroshima ft. Joy Jarman-Walsh (S4E4)Travel Aomori ft. Kay Allen & Megan DeVille (S3E17)Hungry For Travel ft. Shinichi of TabiEats (S3E15)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Border Closures Couldn't Stop These Visas! ft. Rob Dyer & Allan Richarz (S3E11)Natsu Matsuri Mania: Summer Festivals in Japan (S3E3)Off the Beaten Path: Kansai ft. Rob Dyer [Part 2] (S2E12)Off the Beaten Path: Kansai ft. Rob Dyer [Part 1] (S2E11)Japan Travel Destination: Hokkaido ft. Kay Allen (S2E7)Japanese Theme Parks ft. Chris Nilghe of TDR Explorer (S2E4)Navigating Nippon: Where to Go in Japan? ft. Kay Allen of JNTO (S1E11)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ About Expo 2025 ------Expo 2025 WebsiteExpo 2025 on IG------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Season 6 kicks off with laughter, tradition, and international flair! The Krewe sits down with Katsura Sunshine, a Canadian-born rakugo performer bringing Japan's 400-year-old comedic storytelling art to audiences around the world. In this episode, we explore what makes rakugo so unique, how Sunshine became one of the few non-Japanese rakugo-ka, and how this traditional form of entertainment is finding new life on the global stage. Plus, hear about the possibility of a rakugo event in New Orleans this fall!Whether you're a longtime fan of Japanese culture or just curious about this captivating performance style, this episode is the perfect way to kick off Season 6 of the Krewe of Japan Podcast!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Traditional / Historical Japan Episodes ------The Castles of Japan ft. William de Lange (S5E19)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)The Thunderous Sounds of Taiko ft. Takumi Kato (加藤 拓三), World Champion Taiko Drummer (S5E13)Yakuza: Past, Present, Future ft. Jake Adelstein, Author of Tokyo Vice (S5E12)The Real World of Geisha ft. Peter Macintosh (S5E7)Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)The Intricate Culture of Kimono ft. Rin of Mainichi Kimono (S4E7)Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo Lens (S4E1)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Natsu Matsuri Mania: Summer Festivals in Japan (S3E3)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)Yokai: The Hauntings of Japan ft. Hiroko Yoda & Matt Alt (S2E5)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)Talking Sumo ft. Andrew Freud (S1E8)------ About Katsura Sunshine ------Katsura Sunshine on IGRakugo.lol------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
LET THEM COOK! Over the last 5 months, the Krewe has been hard at work cooking up a massive Season 6 line-up. While the main course will begin being served on May 16, how about an appetizer? Just like the carb-loaded instant yakisoba, this preview is CHOU CHOU CHOU Gigamax packed with sneak peeks at what's to come in Season 6. Some snippets include:- Laughing & learning about the world of Rakugo with master storyteller Katsura Sunshine- Prepping for Expo 2025 with Sachiko Yoshimura, Director General of Public Relations & Promotion for Expo 2025- Studying Japanese via language schools with Nihongo enthusiast Langston Hill- Bridging New Orleans & Japan through music with Jazz Trombonist Haruka Kikuchi- Kicking off 2 episodes on Japan's soccer footprint domestically & worldwide with journalist Dan Orlowitz- Exploring vegan cuisine in Japan with Leonore Steffan of ItadakiHealthy- Diving into social media's role in establishing perceptions of Japan - Revisiting Matsue with Sister City Exchange participants Katherine Heller & Wade Trosclair- Brewing up some craft beer with Chris Madere of Baird Brewing & Chris Poel of Shiokaze BrewLab- Restoring some abandoned homes with Akiya enthusiast & YouTuber Anton Wormann of Anton in JapanThis is only HALF of what's to come this season... the 2nd half is top secret! So stay tuned for our season 6 premiere on May 16, 2025 and stick around for the rest of the season to find out what else we have in store on Season 6 of Krewe of Japan Podcast!!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Matt delivers a brief review of Marigold's final show before Korakuen Hall, from a sold out Lily Arena MITO in Ibaraki, including a monumental day for Megaton, a first main event for Rea Seto and a first main event pinfall for 'Psycho Speed' Misa Matsui! Patreon Schedule: Monday (Free Feed): The Marigold Standard #40 Bitesize Review & The Marigold Standard #41 Tuesday: Alternate Commentary – Nanae Takahashi vs. Momo Watanabe Wednesday: What If? - AZM Won the Cinderella Tournament Friday (Free Feed): The Stardom Cast #244 Saturday (Free Feed): Talk Joshi #5 Sunday: Roundtable Discussion - What are the 5 Best Cinderella Matches Ever? Subscribe to the podcast: https://linktr.ee/talkjoshi Our Socials: The Stardom Cast Twitter: https://www.twitter.com/thestardomcast The Marigold Standard Twitter: https://www.twitter.com/MarigoldPodcast Instagram: https://www.instagram.com/talkjoshi Threads: https://www.threads.net/talkjoshi Bluesky: https://bsky.app/talkjoshi.bsky.social YouTube: https://tinyurl.com/2s4zrf3r Discord: https://discord.gg/bbDcAwc
Após 6 rodadas, o Kashima recebe o Urawa em um jogo difícil, que acabou em empate. No entanto, o time de Ibaraki segue firme na liderança.Deixe seu recado para o Hinomaru abaixo do vídeo ou participe pelo nosso e-mail hinomarupodcast@gmail.com
Mokuhanga can be a standalone medium or combined with other artistic practices, offering endless opportunities for experimentation and creative exploration. In this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Karen Kunc, who has worked with mokuhanga for many years. She integrates it into her broader printmaking practice, which includes book arts, mixed media, letterpress, Western woodblock, and more. We discuss her early encounters with mokuhanga, her travels to Japan, and her experience printing with Akira Kurosaki. Karen also shares how nature influences her work, the importance of taking creative risks, and her perspective on mokuhanga today. Plus, we talk about her own Constellation Studios and its role in her artistic journey. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Karen Kunc - website, Instagram Aqua Alta - 26" x 72", woodcut Jocelyn Art Museum - is a fine arts museum located in Omaha, Nebraska, USA. The museum was opened in 1931. More info, here. The Agony and The Ecstasy - is a biographical novel by the American author Irving Stone (1903-1989). It goes into detail of the life of Michelangelo Buonarroti (1475-1564). The novel was published in 1961. Awaji Island - located in Japan's Seto Inland Sea, has a rich history dating back to ancient times. According to the Kojiki(Records of Ancient Matters), it is considered the birthplace of Japan—the first island created by the gods Izanagi and Izanami in Japanese mythology. Historically, Awaji played a vital role as a strategic hub for maritime trade and travel, connecting the Kansai region with Shikoku and Kyushu. During the Edo period, it was governed as part of the Tokushima Domain under the Hachisuka clan. Today, Awaji is renowned for its natural beauty, traditional industries such as Awaji Ningyō Jōruri (puppet theater), and its connection to mainland Japan via the Akashi Kaikyō Bridge—the world's longest suspension bridge. Kyoto Seika University - located in Kyoto, Japan, is a leading private institution specializing in art and design education. It offers undergraduate and graduate programs in fields such as painting, sculpture, graphic design, and manga. Known for its rigorous curriculum, Kyoto Seika emphasizes both practical skills and creative expression. With a strong tradition of nurturing talented artists and designers, the university fosters a dynamic environment that encourages innovation and artistic growth. Akira Kurosaki (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Aurora - 13" x 17" colour woodcut (1982) ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century. Utagawa Kuniteru (1808-1876) Sumo Wrestler (1861) Peter Max - is an American artist who is associated with the American Pop Art movement of the 1950's and 1960's. He used vibrant colours in his work. Max's art was seen on posters, paintings, even running shoes. More info, here. Outer Spectrum - serigraph 8.75" x 12.5" (1978) Mary Brodbeck - is a mokuhanga printmaker, based in Kalamazoo, Michigan. She has been producing mokuhanga for nearly 25 years. Her work refelcts nature, and the power it contains. Mary's interview with The Unfinished Print can be found, here. GAZE - 10" x 14" MI Lab - is a mokuhanga artists residency located in Awatabe Town, Echizen City, Fukui, Japan. More info can be found, here. Center For The Science of Human Endeavor - also known in Japanese as 一般社団法人産業人文学研究所 is a program to "research, study, design for a life style in the 21st Century," and is associated with MI Lab. There is a brick and mortar gallery located in Shinbashi, Tōkyō. McClains Woodblock Print Supply Co. - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print: A Mokuhanga Podcast interview with Daniel Jasa of McClain's can be found here. nishinouchi paper - is a Japanese washi which is produced in Nishinouchi Kami no Sato, located in Hitachiomiya City, Ibaraki, Japan. More info can be found, here. The Japanese Paper Place- is a Toronto based Japanese paper store servicing the mokuhanga and arts community in Toronto and around the world for many years. Nancy Jacobi of The JPP and her interview with The Unfinished Print: A Mokuhanga Podcast can be found, here. Constellation Studios - is the studio of Karen Kunc located in Lincoln, Nebraska, USA. More info can be found, here. Penland School of Craft - is a school which welcomes students from all over the world. Located in North Carolina, the school offers eight-week workshops in many different types of mediums. More info, here. Anderson Ranch Arts Center - since the 1960s, Anderson Ranch Arts Center, located in Colorado, has been a beacon for the arts in the United States. The Ranch offers master classes, workshops, artist-in-residence programs, and more. For additional information, please click here. Virginia Center for the Creative Arts (VCCA) - founded in 1971, is located at Mt. San Angelo in Amherst, Virginia. It provides residency opportunities for artists and writers across various disciplines, offering a supportive environment for creative work. More info can be found, here. Wayne Crothers - is an Australian mokuhanga printmaker, curator and artist who lives in Japan. Patricia Olynyk - is a Canadian multimedia artist, photographer, who resides in The United States. Patricia's work explores the way " social systems and institutional structures shape our understanding of our place in the world." More information can be found, here. Oculus - digital sculpture Ralph Kiggell (1960-2022) - was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print: A Mokuhanga Podcast can be found, here. Park Winter Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print: A Mokuhanga Podcast can be found here. Daizuyama - 23cm x 34cm (2009) Kari Laitinen - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. Dimensions VII - 48cm x 76cm (2017) Venice Printmaking Studio - is a printmaking residency located in Murano, Italy. Malaspina Printmakers - is a printmaking residency located in Vancouver, British Columbia, Canada. MNmore info, here. Annu Vertanen - is a Finnish printmaker who has used mokuhanga in her work. Annu is currently a professor at the Academy of Fine Arts, University of the Arts Helsinki. Aspect Guanlan I - 95cm x 65cm © Popular Wheat Productions Opening and closing musical credit - Bruce Springsteen, Atlantic City (1982). From the album Nebraska (Columbia Records) logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
2024 was a special year for Carnival and the Japan-New Orleans connection! Lafcadio Hearn's life & works inspired the theme for Rex Parade 2024: "The Two Worlds of Lafcadio Hearn - New Orleans & Japan". But why Hearn? What went into the float design? What other ways has Hearn left a lasting impact on both New Orleans & Japan? Find out today with a super-sized special Mardi Gras bonus episode, featuring insights from Rex historian/archivist Will French & historian/archivist emeritus Dr. Stephen Hales, Royal Artists float designer/artistic director Caroline Thomas, Lafcadio Hearn's great grandson Bon Koizumi, legendary chef John Folse, Captain of the Krewe of Lafcadio John Kelly, JSNO's resident Lafcadio Hearn expert Matthew Smith, and even the Mayor of Matsue Akihito Uesada! Get ready for Mardi Gras 2025 by reflecting on this unique connection between New Orleans & Japan!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Music Credits ------Background music provided by: Royalty Free Music by Giorgio Di Campo for Free Sound Music http://freesoundmusic.eu FreeSoundMusic on Youtube Link to Original Sound Clip------ Audio Clip Credits ------Thanks to Dominic Massa & everyone at WYES for allowing us to use some of the audio from the below Rex Clips:Segment about Royal Artist & Float DesignFull 2024 Rex Ball Coverage (Krewe of Lafcadio/Nicholls State segment)Thanks to Matsue City Hall & Mayor Akihito Uesada for their video message below:Message from Matsue Mayor Akihito Uesada------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Hearn/Matsue/History Episodes ------Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about Rex ------2024 Rex Parade/Float PDF with Full DesignsCaroline Thomas's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Two people died and three others went missing after a fishing boat capsized off the coast of Ibaraki Prefecture, northeast of Tokyo, early Monday morning, the Japan Coast Guard said.
An outbreak of highly pathogenic avian influenza has been confirmed at a poultry farm in the town of Yachiyo, Ibaraki Prefecture, eastern Japan, the prefectural government said Sunday.
This season was a long one! The Krewe re-groups to reflect on Season 5 as a whole, and everything that went into it... with a SPECIAL GUEST! Join us for one last audio journey in Season 5 as we discuss all the milestones, top moments, challenges, & fun anecdotes, in addition to a look ahead to Season 6 & listener feedback! Let's GO!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
How many original castles does Japan ACTUALLY have standing? Where is Japan's oldest castle located? When counting castles in Japan, do castle ruins factor in? The Krewe is joined by William de Lange, the author of An Encyclopedia of Japanese Castles & many other Japan-related publications, to get the answer to these questions and so many more!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Architecture & History Episodes ------Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Change in Urban & Rural Japanese Communities ft. Azby Brown (S5E15)KOJ Podcast S5E6 - Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)------ Links about William de Lange ------An Encyclopedia of Japanese Castles (Amazon)Japan Then & Now (Amazon, Released June 2024)Walking the Edo Sanpu (Amazon, Released August 2024)William's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
金属買い取り店を捜索する警視庁の捜査員、１８日午前、茨城県古河市太陽光発電所の銅線ケーブルを狙うタイ人窃盗団が摘発された事件で、警視庁捜査３課は１８日、盗品等有償譲り受け容疑で、ケーブルの売却先だった栃木、茨城両県の金属買い取り店４店を家宅捜索した。 Tokyo police Monday raided four metal shops in the eastern prefectures of Tochigi and Ibaraki for allegedly buying copper cables stolen by a group of Thai thieves, knowing they were stolen goods.
Tokyo police Monday raided four metal shops in the eastern prefectures of Tochigi and Ibaraki for allegedly buying copper cables stolen by a group of Thai thieves, knowing they were stolen goods.
This one goes out to all the ladies out there... well, and the fellas too if you're interested! The Krewe sits down with avid shojo enthusiast Taryn of Manga Lela Instagram/TikTok fame to talk all things shojo. Together they explore the variety of shojo genres, some challenges faced in the shojo industry, & what makes shojo different from those rambunctious shonen titles! Don't miss out!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Anime/Manga/Pop Culture Episodes ------The Japanese Pop Music Scene ft. Patrick St. Michel (S5E10)Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)The History of Nintendo ft. Matt Alt (S4E18)Visiting Themed Cafes in Japan ft. Chris Nilghe of TDR Explorer (S4E15)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)City Pop & Yu ft. Yu Hayami (S3E14)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Pro Wrestling ft. Baliyan Akki (Part 2) (S3E6)Japanese Pro Wrestling ft. Baliyan Akki (Part 1) (S3E5)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Japanese Theme Parks ft. TDR Explorer (S2E4)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)Why Japan ft. Matt Alt (S1E1)------ Links about Taryn/Manga Lela------Taryn's LinksTaryn on TikTokTaryn on InstagramTaryn on Twitter/X------ JSNO Upcoming Events ------JSNO Event CalendarJapan Fest Sign-UpJSNO Annual Meeting RegistrationJoin JSNO Today!
臨界事故から２５年で、黙とうする茨城県東海村の職員、３０日午前、同村茨城県東海村の核燃料加工会社ジェー・シー・オーで起きた臨界事故から２５年となった３０日、同村役場では職員約１２０人が、死亡した作業員２人の冥福を祈って１分間の黙とうをささげた。 Japan on Monday marked the 25th anniversary of a fatal criticality accident that happened at a facility of nuclear fuel processing company JCO Co. in the village of Tokai in the eastern prefecture of Ibaraki.
Japan on Monday marked the 25th anniversary of a fatal criticality accident that happened at a facility of nuclear fuel processing company JCO Co. in the village of Tokai in the eastern prefecture of Ibaraki.
Historians Nathan Ledbetter & Dr. Samantha Perez rejoin the Krewe to continue our conversation on foreign-born samurai, this time highlighting the life of William Adams! In this episode, we explore his relationships with both Japanese & non-Japanese while in Japan, the similarities between William Adams's story & House of the Dragon (what?!), how he was a big inspiration for James Clavell's classic novel (and the adaptations) Shogun... AND SO MUCH MORE!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ History Episodes ------Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)------ Links about Nate ------Ubisoft's Echoes of History "Japan's First Unifier: Oda Nobunaga"Ubisoft's Echoes of History "Samurai vs Shinobi: The Tensho Iga War"Nate on BlueSky------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Joined by guest host Dr. Samantha Perez, the Krewe sits down with Princeton's Nathan Ledbetter to unpack how the term "samurai" evolved over the centuries and dig into foreign-born samurai, specifically Yasuke. Uncover everything they you need to know about the African samurai right here in this episode... AND SO MUCH MORE!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ History Episodes ------Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)------ Links about Nate ------Ubisoft's Echoes of History "Japan's First Unifier: Oda Nobunaga"Ubisoft's Echoes of History "Samurai vs Shinobi: The Tensho Iga War"Nate on BlueSky------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
What's your Japan version of "Ain't Dere No More"? Between changes within the megalopolis of Tokyo to the struggles of keeping countryside communities alive & thriving, Azby Brown returns to the podcast to discuss urban migration, depopulation, revitalization projects, centuries-old feuds raging on today... AND SO MUCH MORE!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:53:00)------ Links about Azby ------KOJ Podcast S5E6 - Inside Japanese Homes & Architecture ft. Azby BrownAzby's WebsiteTitles by Azby (Amazon)Azby on Twitter/XAzby on IG------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
KC, Damon, Pro Joe and Ryan look forward to some Olympic golf from Paris, we explore Ibaraki prefecture and the Love/hate relationship with the Japanese delicacy of nato! Pro Joe gets fit for the GT and we discuss the best (and worst) non-golf experiences to do in Japan. Add to that the latest news from the tours, more LIV talk and Ryan gets a lesson in fundamentals from Joe! Titleist Fitting in Japan sponsors this podcast:https://golf-in-japan.com/titleist-fitting-experience
Grab your bachi and join the Krewe as they sit down with Takumi Kato (加藤 拓三), world champion taiko drummer, to explore the sounds of taiko, his personal experiences and approaches to taiko, & his current adventure across the United States performing 1,000 times in all 50 states.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, YouTube, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:26:27)------ Past KOJ Episodes on Music ------The Japanese Pop Music Scene ft. Patrick St. Michel (S5E10)Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo Lens (S4E1)City Pop & Yu ft. Yu Hayami (S3E14)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)------ Links about Takumi Kato & Peaceful Forest ------Takumi Kato's Homepage (ENG)Donate to Support Takumi's Taiko InitiativeNHK World Program about Takumi Kato & "Peaceful Forest"Performance Here in New OrleansTakumi Kato on IGPeaceful Forest on IGTakumi on FacebookTakumi Kato on YouTube------ JSNO Upcoming Events ------JSNO Event Calendar
The Krewe is joined by journalist & author of Tokyo Vice, Jake Adelstein, to dive into the yakuza. How did these organizations gain prominence in Japanese society, and how have the police & government responded over time to their presence? What behind-the-scenes decisions went into the TV adaptation of Jake's thrilling memoir? Find out all this and more in today's episode!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, YouTube, Spotify, Amazon, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Donate today to Japan Society of New Orleans!Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:47:50)------ Links about Jake Adelstein ------Jake on X/TwitterJapanKenkyu on X/TwitterJake on InstagramJake on FacebookJake's Website: Japan SubcultureTokyo Vice on AmazonThe Last Yakuza on AmazonPre-Order Tokyo Noir on AmazonThe Evaporated: Gone with the Gods (Jake's Podcast)------ JSNO Upcoming Events ------JSNO Event Calendar
Prepare for lift off as the Krewe sits down with returning guest Dr. Kate Kitagawa of JAXA to look deep into the past, present, and future of Japan's space program! From pencil rockets & SLIM landers to international collaborative efforts, discover Japan's role in exploring the far reaches of outer space.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, YouTube, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:58:25)------ Past Episodes with Dr. Kate Kitagawa ------The Age of Lady Samurai (S01E12)------ Links about JAXA & Dr. Kate Kitagawa ------JAXA (English) on TwitterJAXA (Japanese) on TwitterJAXA on InstagramJAXA (English) on FacebookJAXA (Japanese) on FacebookJAXA Website (Japanese)JAXA Website (English)ISAS (English) on TwitterISAS (Japanese) on TwitterISAS on InstagramJAXA on YouTubeJAXA Space Education Center Website (English)MMX GameLunarcraft GameSLIM The Pinpoint Moon Landing GameKate's Book "The Secret Lives of Numbers"Kate's Website------ JSNO Upcoming Events ------JSNO Event Calendar
The Krewe is joined by Patrick St. Michel, Japan-based writer for the Japan Times and author of Make Believe Melodies blog. Patrick shares his passion and expertise on all things J-Pop, what's popular now, where to find it, and so much more! Are you a life-long fan of Japanese pop music? Or maybe you are looking for ways to discover more about J-Pop after hearing Yoasobi's latest hit? This episode is for you!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, YouTube, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:53:00)------ Links about Patrick St. Michel ------Patrick on Twitter/XPatrick on InstagramMake Believe Melodies SubstackPatrick's Work for Japan Times------ JSNO Upcoming Events ------JSNO Event Calendar
Kyoto-based geisha culture guru Peter Macintosh joins the Krewe to take a look at geisha culture, reality vs. perception, how societal changes impact the geisha scene today & much more. If you are a fan of traditional Japanese culture, this episode is for you! ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, YouTube, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Liquid IV Offer Link to save 20% Off your Entire Order! (00:03:28)Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:53:00)------ Links about Peter Macintosh ------Peter's WebsitePeter on IGReal Geisha, Real Women on IGReal Geisha, Real Women Documentary on YouTubeReal Geisha, Real Women WebsitePeter's YouTube Channel------ JSNO Upcoming Events ------JSNO Event Calendar2024 Matsue-New Orleans Sister City Exchange Program Application
What's the first thing that comes to mind when you think of a Japanese home? Is it the scent of tatami mats? Shoji-style sliding doors? What are other major components and influences that go into making the Japanese home, be it traditional or modern, as well as Japanese Architecture as a whole? With special guest Azby Brown, the Krewe is going to dig into that today!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Liquid IV Offer Link to save 20% Off your Entire Order! (00:03:28)Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:53:00)------ Links about Azby ------Azby's WebsiteTitles by Azby (Amazon)Azby on Twitter/XAzby on IG------ JSNO Upcoming Events ------JSNO Event Calendar2024 Matsue-New Orleans Sister City Exchange Program Application
This episode we look at the reign of Tamura, aka Jomei Tenno. For references and more, check out https://sengokudaimyo.com/podcast/episode-105 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is episode 105: Onsen and Uprisings The general paced back and forth behind the walls of the fortress. Glancing around, he couldn't help but notice how empty it now seemed. The palisades were holding, but most of the soldiers had gone, disappearing in the night. Outside the walls of the fortress, he could hear the Emishi laughing and singing. They were in good spirits—and why wouldn't they be? The great army of Yamato sent to chastise them had been routed, and they had besieged them in their fortress, built in these still wild lands of northeastern Honshu, on the edge of an area known to many as Michi no Oku, roughly: the end of the road. And for the general, it looked like this might be the end of the road for him. His options were limited, and he was clearly outnumbered. It was beginning to look like his troops had the right idea. Of course, it meant leaving his wife and other women to fend for themselves, but fear can do a lot to motivate someone. The general eyed the walls and the trees beyond. If he could slip past the besieging forces in the darkness, perhaps he could escape. It wouldn't be the most honorable way out of this situation, but it would at least leave him with his head. And so, as night fell, he decided to make his move… Greetings everyone, and welcome back! Before I get into it, a quick shout out an thank you to YamiRaven for supporting us on Patreon, and thanks to Johnny for a supporting us on Ko-Fi.com. If you'd like to join them, and help us keep this thing going, we'll have more info at the end of the episode. Speaking of: This episode we are going to be talking about events during the reign of Prince Tamura, also known as Okinaga Tarashi-hi Hiro-nuka, or by the name given to him by the 8th century chroniclers: Jomei Tennou. As we discussed back in episode 103, Prince Tamura came to power in an interesting turn of fate. The grandson of Nunakura Futodamashiki, aka Bidatsu Tenno, his father, Prince Hikobito no Ohoye was killed during the tumultuous period following Nunakura's death. After several short-lived reigns, it was Kashikiya Hime, wife to Nunakura, who took the throne, known to us as Suiko Tennou. Kashikiya Hime had named an heir, Crown Prince Umayado, aka Shotoku Taishi, but he died before she did and by the time that Kashikiya Hime passed away, there was nobody clearly set up to take the throne, though two candidates did stand out. There was Prince Yamashiro no Ohoye, the son of Crown Prince Umayado, whom a strict lineal succession might seem to indicate was next up to inherit, but Yamato inheritance tradition was not so cut and dried. Soga no Emishi, the son of Soga no Umako, the powerful Oho-omi who helped run the government during Kashikiya Hime's reign, campaigned to put Prince Tamura on the throne, rather than Yamashiro no Ohoye, despite—or perhaps because of—the fact that Yamashiro no Ohoye was actually a close relative to Emishi. Now Prince Tamura was on the throne and Soga no Emishi was the Oho-omi, taking his father's place. And yet, despite the chaotic start to the reign in 629, the majority of it was almost tame and nondescript. Don't get me wrong, Tamura, as I'll keep referring to him, was on the throne for a respectable thirteen years, and during that time there were certainly events that move our narrative forward in many ways. However, much of the years of his reign are filled with discussions of things like rain storms and celestial phenomena. In fact, the only thing that apparently happened in all of 634 was that they saw a comet in the sky. The year before that, in 633, the only entry was the return of envoys from the Tang. For two years, then, there is hardly a mention of politics and anything else going on. And yet, this is a period that would set the stage for what was coming next. Shortly after Tamura was appointed sovereign, he appointed his consort, Princess Takara, as his queen. Takara was, herself, a great-great grand-daughter of Nunakura Futodamashiki, a granddaughter of Prince Hikobito and daughter of Prince Chinu—presumably niece to Tamura, then, which is basically par for the course. She was also a royal descendant on her mother's side, tracing back to Nunakura's father, Ame Kuniyoshi, aka Kinmei Tennou. In fact, her mother, Kibitsu Hime, is said to have been buried in her own kofun at the head of Ame Kuniyoshi's kofun—and today it is the site of the 7th century saruishi figures that I mentioned in the talk about traveling around Asuka. Takara would give birth to three children of note. The first was her eldest son, Prince Katsuraki, who would, spoiler alert, later be known as Crown Prince Naka no Ohoye. He was around three years old when his father took the throne. He had a sister by Takara, named Hashibito, and a brother, whose name you may have heard me mention previously: Oho-ama. Yes, Naka no Ohoye and Oho-ama are the future sovereigns Tenji and Temmu, but for now they are still relatively young. In fact, Oho-ama wouldn't be born until several years into his father's reign, in 631. Some of the early events of the reign were carryover from Kashikiya Hime's time on the throne. In 629, for instance, Tanabe no Muraji went to Yakushima, returning the following year, and with people coming to Yamato from Yakushima the year after that. There were also a fair number of foreign embassies, including an Embassy from Goguryeo and Baekje. These may have been missions of condolences and congratulations—typical international diplomacy at the time when a neighboring ruler passed away and a new one ascended the throne, it would seem. They arrived in the third month of 630 and departed in the 9th month of that same year—a 6 month visit, all told. We also have the first actual account of ambassadors sent off to the Tang dynasty: Inugami no Mitasuki and Yakushi no E'nichi, each of Dainin rank. These are some of the first true kentoushi, or Ambassadors to the Tang court, that were sent, but over time their influence would be felt across Yamato and the archipelago. These ambassadors—or at least Mitasuki—would return in 632 with a Tang ambassador, Gao Biaoren, along with student-priests Ryou'un and Soumin, as well as Suguri no Torikahi. Perhaps most tellingly, they would arrive with Silla escort envoys, which would seem to indicate that passage to the Tang court was not done without Silla's assistance. As you may recall, Silla had entered into a nominal alliance with the Tang against Goguryeo. The Tang Ambassadors eventually reached Naniwa, where they were met with boats decked out with drums, flutes, and flags, and where they exchanged formal greetings before being escorted into the official residence. The Nihon Shoki takes pains to note the different individuals involved in the duties, from the initial greeting, guiding them to the residence, and then preparing them in the residence, along with a welcome drink of sake brewed on temple rice land. And then, three months later, they depart once more. Nothing else is said of their visit. Meanwhile, in the time between when Mitasuki went to the Tang court and when he returned with Gao Biaoren and company, a few things had happened. For one we get a note about Tamura moving to a new palace complex known as Okamoto no miya, supposedly at the foot of Asuka hill, hence the name, which means “foot of the hill”. This would not have been much of a change from Kashikiya Hime's palace, still within the sacred area defined by the Soga temple of Asukadera as well as various other temples being stood up in that area as well. A move was to be expected, though in this case it is interesting that he didn't go very far. There is also mention, still in 630, of the repairing the official residences in Naniwa where ambassadors from the continent would be quartered during their trips to Yamato 631 opens with something of a treat – so it would seem, anyway. We are told that in the third month of Tamura's third year on the throne, Prince Pung—named Pungjang in the Chronicles—was sent to the Yamato court by his father, King Wicha of Baekje. On the one hand, the Korean sources do agree that Prince Pung was, indeed, sent to Yamato, where he would live as a guest and diplomatic hostage. We've talked about this practice in the past, which seems to have strengthened bonds between nations, although we rarely hear of Yamato returning the favor by sending hostages to the continent. It may have also helped keep a potential heir out of harm's way in case of a coup or other such politics. Several times, heirs returned to Baekje to be enthroned with Yamato assistance, if the Chronicles are to be believed. Except that this entry is probably not quite right. You see, Wicha wouldn't even come to the throne until 641—he wasn't even made Crown Prince until 632—so why would he send his son as a diplomatic hostage in 631? Johnathan Best, translating the Baekje records of the Samguk Sagi, suggests that perhaps the Chroniclers were off by a factor of 10 or 12 years. You see, as we mentioned earlier, the East Asian calendrical system was based on a series of ten stems and twelve branches. The stems represented the elemental forces, and the branches were identified with the twelve signs of the zodiac. Incrementing each one each year led to a series of 60 years before it started repeating, and based on the way that the records for this reign are dated, it looks like the records the Chroniclers were drawing from used this system for their dates. However, if you misread—or even miswrite—one of these characters it can change your date by ten or even twelve years. It would make much more sense for Prince Pung to have arrived twelve years later, in 643. Similarly, we find other records, particularly having to do with Baekje, which may be a bit jumbled, possibly indicating they came from a similar source that either had things in the wrong chronological order or was simply vague or poorly scribed so that the Chroniclers had to figure out exactly what was happening when—which they may have made mistakes with, from time to time. So Prince Pung arriving as a hostage is probably misplaced, and likely didn't happen during Tamura's reign. Which means that other than people from Yakushima showing up in 631 the only other major event of the year was Tamura going to the hot springs of Arima, in Settsu, where he stayed for about three months. Now I know I've mentioned hot springs, or onsen, before in the narrative. After all, the volcanic islands that make up the Japanese archipelago are full of them, and it isn't like they were suddenly discovered during this reign, but it does look like this might be the first formal mention of them in the Nihon Shoki—which gives Arima, in the mountains north of Kobe, some serious bona fides to be considered the oldest known hot spring town in Japan. And that would be a cool side note in most reigns, but for Tamura it seems to have been a habit. He apparently went for a dip at least three times in his reign—the second time, in 638, he apparently went to the “Arima no Miya”, or the Arima Palace, which suggests that he had something built specifically for his visits. And then, in 639, he headed to the hot springs in Iyo. The country of Iyo is better known today as Ehime prefecture, on the western edge of the island of Shikoku. The largest city in Ehime is Matsuyama, home to the famous Dougou Onsen, which also lays a claim to being the oldest operating hot springs in the archipelago. Dougou Onsen is not only the traditional place in Iyo where Tamura, aka Jomei Tennou, took the waters, as they might say in the west, but in the Iyo Fudoki it is said that its fame goes back even further. As we mentioned back in Chapter 18, it is said that the legendary figures Ohonamuchi and Sukuna Bikona met there, back in ancient times. In more recent times, relatively speaking, Dougou Onsen was the inspiration behind the fantastical bathhouse created by Hayao Miyazaki in the Studio Ghibli film, Spirited Away. For all that these visits to the hot springs are somewhat interesting, they don't exactly tell us a lot about what was happening with government, and in fact tend to make it seem almost as though Tamura was skipping out, at least in the fall to early winter. And to be honest, can you blame him? Winter is one of the best times to go take advantage of the volcanic springs. Many of the other records appear to be natural phenomena, mostly having to do with the heavens: rain, storms, lightning, and more. Some of the more intriguing are comets—stars with “long tails” that appeared in the skies. There are also mentions of eclipse and what may have been a meteor—a star in 636 “floated east to west, with a noise like thunder.” The Priest Soumin, from the Tang, said it was the sound of the Celestial Dog, a creature from the ancient Han or possibly pre-Qin text, the Classic of Mountains and Seas, a fantastical account of mythical geography and various animals, including the nine tailed fox and the celestial dog, whose bark was said to be like Thunder. This book was considered to be a true account up through the Tang dynasty. One could probably track the celestial phenomena and see if there is any correlation with known sightings, but it is also just as likely that some of it was taken from continental records and inserted into the Chronicles as appropriate. Besides such phenomena, there were accounts of more missions, especially from Baekje. Yamato was still using the cap rank system attributed to Prince Umayado during Kashikiya Hime's reign, and some of the envoys were given cap rank, or granted a promotion—a gesture that was likely pure diplomacy, as the rank wouldn't necessarily convey any special rights back in their home country. There are a few more things of note. First, in 636, we are told that all those who had affairs with the uneme at court were put on trial and punished—which likely means they were put to death. The uneme, as you may recall, were women sent to serve at the court, and as such they were apparently off-limits, at least while they were serving. That clearly didn't stop people from having some late night escapades, though. The main reason it likely comes up, though, is that we are told that one of the accused was a man named Miwa no Kimi no Osazaki, and that he took his own life by stabbing himself in the throat because the examination—by which I'm sure they meant torture—was too much to bear. And here I have to wonder how similar Yamato's sense of justice was to that of their neighbor, the Tang dynasty. In the case of the latter, there was often a suspicion that any person accused of a crime must be guilty of at least something—after all, why would they have been accused if they didn't do something to upset the peace, even if it was just that they didn't get along with their neighbors. It was considered de rigeur to submit suspected criminals to torturous ordeals with the idea that this would elicit a confession. Unfortunately, this idea that harsh and torturous examinations can be used to uncover the truth often still persists, despite evidence that, under enough duress, most people will say anything. In this case, it drove Osazaki to take his own life. Later in that same year, the Okamoto palace caught fire and burned down, and so Tamura moved to a new palace, called the Tanaka palace, or the Palace in the Middle of the Rice Fields. We also have a little more court action, as Prince Ohomata, a son of Nunakura Futodamashiki by one of his consorts, reached out to Soga no Emishi—called in this record the Toyoura no Oho-omi, likely because his mansion was in or near Toyoura, in Asuka. Prince Ohomata suggested to Soga no Emishi that the ministers had not been attending court properly. He suggested that they should be there by roughly 5 or 6 AM—an hour before daybreak—and they should stay until 10 or 11 AM. Specifically he mentioned the hour of the hare and the hour of the serpent, as each ancient hour was actually two, with twelve hours making up the day, each named for one of the twelve signs of the Asian zodiac. To enforce all of this, Ohomata also recommended having a bell rung that would let people know that it was time to start or end work. This was all common practice in the continental courts of the day, and it wasn't like they were asking for a modern 40 hour work week, even: the court ministers would literally be serving for maybe 5 to 6 hours at court, with the rest of the time to handle their own affairs. Still, Soga no Emishi apparently didn't think much of the idea and so was not inclined to support it. All of this is kind of an odd mention. First, Ohomata is an obscure Prince—he's only mentioned three times in the Chronicles, and once just in a list of Nunakura's children. Second, the idea doesn't go anywhere. Third, they don't call Soga no Emishi by the name they used in both the previous or the next reign, but use Toyora no Ohoomi, for whatever reason. It just sticks out as odd, and I wonder if it was added to show that Soga no Emishi was resistant to change and new ideas. At the same time, it does give us a clue that Soga no Emishi was still running things. His name may not have been on a lot, but then again, neither was Tamura's, so we can only infer what was actually going on during this period. It's almost a lacuna in the history. There were a few other events worth noting, however, one of which took more than a bit of the Chroniclers' ink, and this was a rebellion by the Emishi people. First off, because it can be confusing: There is no apparent link between Soga no Emishi and the Emishi people that I'm aware of. Emishi, of course, is the name given to the people living outside of the Yamato cultural sphere in the northeast, from modern Ibaraki prefecture north. They were apparently expected to pay tribute at court, and are clearly treated differently from other outside groups, like Baekje and Silla. Some of them were likely members of the groups that had lived in the region since the Jomon period, who never fully adopted the Yayoi and later Kofun lifeways, and they may be related to the Ainu people who still live in modern Hokkaido, though there is also evidence that some of the Emishi may have been ethnic Wa people who had gone to live outside the Yamato court's reach—though that is more evident in later centuries than in the current narrative. I would also note that “Emishi” is an exonym—that is a name given by outsiders, in this case, by the Wa people of Yamato. In fact, other than what we can see in the archaeological record, what we know of the Emishi comes from Yamato sources, which are almost entirely biased. We don't really have any good telling of their story from their own perspective. For instance,did they feel oppressed by Yamato in general, and not think they should have to keep bringing tribute? Or was there a more specific event that occurred, much like the conflicts we see later between the Wajin, the ethnic Japanese, and the Ainu up in Hokkaido? It is unclear. To subdue the Emishi, and bring them back under Yamato hegemony, the court appointed Kamitsukeno no Kimi no Katana, a courtier of Dainin cap rank, as general. Spoiler alert: he's the general in the story at the beginning of this episode. Based on his name, it would seem he was from the family in charge of Kamitsukenu, later shortened to Kozuke Province in modern Gunma prefecture, north of Tokyo. As such, he would have been well positioned to know something of the Emishi on his border. That said, he apparently didn't know them so well that it gave him an advantage. His forces were routed and they retreated back to their fortress, where they were besieged by the Emishi. Now when I say “fortress” please don't picture some grand castle, like Himeji, Azuchi, or Matsumoto. In fact, don't really picture a castle at all. More likely than not, this was simply an area enclosed by a wall—possibly some earthworks and maybe a moat, but perhaps just a quickly erected palisade structure. True castle structures wouldn't come until later. For those familiar with American history, this may have been something like the fort at Jamestown or even the quickly assembled and ill-fated Fort Necessity—though perhaps a little larger if it was capable of housing the forces and the noncombatants that had accompanied them. And so, when some of Katana's soldiers decided they didn't really want to be there any longer they apparently just up and left. Presumably they found a time when nobody was looking and just yeeted themselves over the walls and did their best to hide from the surrounding Emishi forces. Pretty soon just about all of the able-bodied soldiers had taken this approach, and Katana was thinking about joining them. In fact, he was getting ready to when his own wife noticed what he was doing. That's right, his wife was there with him. Whether she was a combatant or simply part of the train it isn't entirely clear, but she wasn't going to have her husband run off and abandon his post. She poured out sake for him to drink and as he did so, she took his sword and girded it to herself. She then went and found all of the bows and handed them out to all of the other women and people who had been left behind when the soldiers deserted, and they started pulling the bowstrings back and making a sound like they were being shot. Upon seeing this, Katana roused himself, grabbed a weapon himself, and advanced out of the fortress. The besieging Emishi were not sure what to make of this. They could hear the twang of bows, and it sounded as though there was quite a force, so as general Katana stepped out of the fortress they pulled back, thinking that there was a much bigger force than he actually had. As they did that, some of Katana's own forces, who had escaped, but not too far, started to gain hope. They regrouped and attacked the Emishi with fresh energy, eventually defeating them. Of course, Katana's wife remains nameless throughout this whole episode, even though she was the one who helped turn the tide—first by turning her husband, but then by organizing the others to make it seem like they had a lot more people than they did. After this fascinating story, the Chronicles getback to the normal records of storms, of fruit trees blossoming, of hot springs, and tribute. It wasn't until two years later, in 639, that we get something interesting that we might easily overlook. This was the start of a new temple on the banks of the Kudara River, known to us as Kudara dera, or Kudara Temple. Kudara Temple is definitely a bit of an enigma. It is mentioned quite heavily in later records, and yet it would eventually disappear without a trace, or so it seemed. It wasn't until modern times that archaeologists identified a temple that we believe is Kudara dera. We are told that it had a nine-story pagoda, which may reflect ideas from Tang or Silla practice—somewhat ironic given that “Kudara” is a name used to refer to Baekje. In this case, the name seems to have come from the Kudara River, on whose banks the temple was built. From the 80s through the 2000s there were a series of excavations at the site of Kibi Pond north of Asuka, closer to the center of Sakurai. Here a temple was found, which we believe to be the site of Kudara dera. The pond itself was dug at a later point in time, on the site of the temple, which was likely moved. Today, there is a small Kudara temple to the northwest of the old site, but it isn't nearly as grand as it once was. By all accounts, the construction of Kudara temple took years, in contrast to the building of royal palaces, which went up relatively quickly. This is because the palaces, for all of their size, were still being made using largely local construction methods. Posts were placed directly into the ground and the roofs were thatched. Being made of wood, these buildings went up relatively quickly, which was good seeing as how every reign the sovereign and court would move to a new palace. Of course, I also wonder if the tradition of moving didn't come from the fact that the palace would likely have started rotting away on its own after a while. Then again, even in a single reign you might change palaces multiple times, as Tamura did. In contrast, we have temple construction from the mainland. Here, rocks were set down, and the posts were placed on those, which gave a firm foundation and prevented water from easily getting in and ruining the base of the pillar. Packed earth and stone construction were used in places, along with heavy tile roofs, for which thousands of rooftiles had to be constructed. Centuries of architectural knowledge were used to design and create structures that were meant to outlast any patrons who helped to build them. Add on to that the nine story pagoda. If you consider that the beautiful and imposing tenshukaku, or main keep, of Himeji castle, built in the early 17th century, is six stories and rises over 46 meters, or about 152 feet, this pagoda may have been about the same height or even a bit higher, assuming that relative proportions were similar to those in other pagodas from the time, such as that of Yakushiji. It must have been a towering beacon at the time, and the temple is considered one of the four great temples of the Asuka era, at least by some. That this temple was commissioned by Tamura and not by Soga no Emishi is something that may indicate some unspoken tensions at the time. Tamura's previous palaces were in Asuka, near Asuka temple, the chief temple of the Soga family, and situated in a Soga stronghold. Kudara temple was built significantly outside of this area, though still within walking distance, so not so far as to be a complete move—it isn't like he moved it up to lake Biwa or anything, wink wink. In 640, Tamura returned from his trip to the hot springs in Iyo—again, modern Ehime prefecture—and came back to a new palace at Umayazaka, but just six months later he moved into the Kudara palace, which was presumably nearby Kudara temple, effectively moving the court out of—or at least to the periphery of—Soga controlled territory. Unfortunately, his stay at Kudara palace would only last about a year, as he passed away there in the 10th month of 641. He was roughly 48 years old. His son, and heir apparent, Prince Hirakasuwake, aka Naka no Oe, pronounced the funeral elegy. And just like that, the throne was vacant again. There was an heir apparent, but Naka no Oe was only 16 years old, and so his mother, Takara, would take the throne, presumably until he was ready. She would be known as Ame Toyo Takara Ikashi-hi Tarashi Hime, aka Kougyoku Tennou, and her reign was anything but quiet. To give some context: if we had a little over 50 or so events recorded during the 13 years that Tamura was on the throne, while we have over 60 events recorded in just the first year of Takara's reign. So, you know, there's that. But I'm going to have to ask you to wait a little bit for us to dig into that. For one thing, the politics are going to start getting hot and heavy, as anyone who may recognize the name “Naka no Oe” likely knows. As this young prince was coming into his own he was going to come face to face with the power of the Soga family. All that, starting next episode. Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. Thank you, also, to Ellen for her work editing the podcast. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.
-Mario Aburto interpuso una demanda de amparo en contra de la decisión de la FGR-El 20 de marzo es el Día Mundial de la Salud Bucodental-Terremoto de 5.3 sacudió la prefectura de Ibaraki, en Japón-Más información en nuestro podcast
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Vinyl record grooves, The Flaccid and the Furious, horny goat weed, White Van Scam, ranch sauce, your wife has been kidnapped, Caesar salad, your AI existence, alcoholic dog now sober, offensive shirt at Walmart, Resident Evil 4 upskirt, 18,000 cows, cocaine hippo hit by SUV, Apple store robbed, Fabrizio, Japanese fight festival, man buys coffee but gets latte, Least Attractive Prefecture Pre-show F–k Dungeon Rebel Wilson Tribute A Facef–k to Remember Double X Quantimino Groove The Flaccid and the Furious Horny goat weed Booba Gettz spotted in the wild in Arthur's Nextdoor feed: ‘SCAM: Watch out for the “White Van Speaker Scam” in the area. A guy pumping gas next to me, at Exxon, almost fell for it. The scammer was in a white truck “selling” a home entertainment system.' Ranch “Your wife has been kidnapped and is being held in a location 30 mins away. You're driving to rescue her. It's a warm night and your windows are down. Do you listen to music on the drive there yes or no” Plug In & Hate - What I Had For Lunch: Caesar salad What if you found out you were an AI bot? Did Arthur Dream of Electric Podcasts? This Is The Newz Alcoholic dog who got addicted to drinks left out by owner now sober Walmart removes offensive shirt with hidden curse after complaints Ashley breaks the fourth wall in Resident Evil 4 Remake if you try to upskirt her 18,000 cows killed in explosion, fire at Texas dairy farm may be largest cattle killing ever Re-enactment Newz: Brian is the newscaster in the helicopter. Gemini is the SUV driver. Burrito is the hippo. One of Pablo Escobar's 'cocaine hippos' dies after being hit by an SUV in Colombia Washington Apple store robbed of $500,000 in iPhones after thieves tunnel through coffee shop wall Fabricio/Fabrizio Burrito's Nippon Newz Fights break out at Japanese fight festival Man arrested for trying to kill a convenience store owner over a cup of coffee Japanese prefecture replaces Ibaraki as Least Attractive Prefecture in annual ranking Deepfake Sponsors: Julio Tejas, Booba Gettz The Crazy One, Thicccum Farmz Slam City Radio 24/7 x https://slamcity.co/scr247/
It's time for the Comic Talk Headlines with Generally Nerdy! SO MANY LEAKS! Mortal Kombat 1, Microsoft, Deadpool 3. Plus a TON more!Tune in Wednesdays for the regular show. Plus, don't forget to subscribe for more fresh content. MusicNew Music/VideoCorey Taylor - We are the Rest https://youtu.be/HIzNqsvqpbE Sorry Me https://youtu.be/Dlg_oMUwO54 Who needs Stone Sour?††† (Crosses) - Light As A Feather https://youtu.be/E9kkaxYpZH0 Synthwave Chino Moreno isn't so bad…Everclear - Sing Away https://youtu.be/4vWGr89qzu0 Alex Alexakis and crew can still write a damn good tune. One of the new songs on the “Live at the Whiskey A Go Go” album out now.Whitechapel - Without You | Without Us https://youtu.be/CtDBryaeLw0 can we just name a metal subgenre after these guys?
It's time for the Comic Talk Headlines with Generally Nerdy! SO MANY LEAKS! Mortal Kombat 1, Microsoft, Deadpool 3. Plus a TON more!Tune in Wednesdays for the regular show. Plus, don't forget to subscribe for more fresh content. MusicNew Music/VideoCorey Taylor - We are the Rest https://youtu.be/HIzNqsvqpbE Sorry Me https://youtu.be/Dlg_oMUwO54 Who needs Stone Sour?††† (Crosses) - Light As A Feather https://youtu.be/E9kkaxYpZH0 Synthwave Chino Moreno isn't so bad…Everclear - Sing Away https://youtu.be/4vWGr89qzu0 Alex Alexakis and crew can still write a damn good tune. One of the new songs on the “Live at the Whiskey A Go Go” album out now.Whitechapel - Without You | Without Us https://youtu.be/CtDBryaeLw0 can we just name a metal subgenre after these guys?
Fresh off the killing of Anahobe and the destruction of the Mononobe, Soga no Umako is riding high as a new sovereign, Prince Hasebe, takes the throne. Surely things will have finally settled down, won't they have done? For more, check out our podcast page at: https://sengokudaimyo.com/podcast/episode-92 Rough Transcription: Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is Episode 92: Death or Taxes, aka Don't Piss Off Umako. Before we get going, a quick recap: we are still in the late 6th century, and since the death of Nunakura Futodamashiki, aka Bidatsu Tennou, things have been a bit crazy. The number of apparently legitimate heirs was rather impressive. There were the various siblings of Nunakura, both full and half-siblings, and there were his children and his siblings' children. On top of that, there were some truly tense politics amongst some of the most powerful families in the realm, particularly the ancient Mononobe and the more recent Soga family, who had tied themselves so closely with the royal family through marriage that at this point just about every possible heir to the throne was in some way a Soga descendant. The stories of this era have been filled with stories of death, war, and struggles for the throne. Finally, there is the tension between Buddhism, which was first introduced in the early 6th century, and the established worship of the various kami, which also speaks to the tensions between various sources of spiritual political authority. As we discussed int the last two episodes, when Nunakura passed away, Prince Anahobe tried to take the throne, and he was initially thwarted by Miwa no Kimi no Sakahe, aka Sakahe no Kimi. Anahobe, possibly with the assistance of his brother, Prince Hasebe, as well as Mononobe no Ohomuraji no Moriya, killed Sakahe no Kimi, pissing off Nunakura's former Queen, Kashikiya Hime. Next, Nakatomi no Muraji no Katsumi, in support of Mononobe no Moriya, attempted to curse several of the candidates with stronger claims on the throne, and when that didn't work, he just out and out killed Crown Prince Hikobito, getting offed himself in the process. Throughout all of this, another prince, Tachibana no Toyohi, apparently ascended, briefly, but seems to have died of natural causes. In the process, however, he provided legitimacy for his own children as Royal Princes and Princesses to also contest for the throne. Moriya's support of Anahobe led to the death of Prince Anahobe, Prince Yakabe, and Moriya and his family—and many of his supporters, as well. And yet, despite the loss of the Mononobe and Prince Anahobe, the next heir to the throne, with the approval of Queen Kashikiya Hime, was none other than Prince Hatsusebe, aka Hasebe, a full brother to the rebel Prince Anahobe and the focus of this episode. If this all seems a bit confusing regarding the individuals and different factions, then congratulations, you've been paying attention. The narrative certainly seems to be missing some key information, likely lost in the attempt to either whitewash some of the more contentious historical records, or simply due to the Chroniclers' attempts to create a more straightforward narrative out of a complex era which probably saw various courts competing to be recognized as the court that was actually making the decisions—something that doesn't exactly fit in with the attempt to tell the story of a relatively unbroken royal line. And yet, despite the chaos, we do see a solidification of power and control in general, as evidenced by the shift in late 6th century tomb structures. As I may have mentioned in previous episodes, the Yamato area continued to build monumental round keyhole shaped tombs, but that shape of tomb simultaneously declined in nearby regions, which saw more round or square shaped—or even square keyhole shaped—tombs instead. On the other hand, at the periphery, at the farthest reaches of the archipelago, we continue to see round keyhole shaped tombs in the Yamato style. This is all likely due to a consolidation of Yamato's power and authority. Previously we had seen that start with the proliferation of the Yamato style tomb, but even from early times those round keyhole tombs were interspersed with other, typically smaller tombs. The general assumption, based on the size, grave goods, and other archaeological features, is that the round keyhole tomb, at least in a Yamato context, was reserved for the Yamato royal family and only those of the most elite status. In the Yamato and Kawachi regions, this seems to have held true, but further afield, local magnates adopted the round keyhole tombs for themselves, perhaps even appropriating some of the prestige of that tomb shape for themselves. Similarly, it is very likely that Yamato did not have the power to stop local rulers from building whatever the heck they wanted, despite the impression given by the Chroniclers that all was hunky-dory as soon as Mimaki Iribiko and Ikume Iribiko sent out people to subdue the four corners of the archipelago. Whether because of an increased military might, or because of a cultural change in accepting Yamato's leadership, more and more lands seem to have been more directly under Yamato's sway, following their customs and accepting their position in the Yamato hierarchy. To put it another way: in many parts of the archipelago, particularly those closer to Yamato, we do not see continued claims of “kingship” by the local elite. They have accepted a lower status in the evolving hierarchy, presumably gaining some security and access to resources of the entire Yamato polity in the process, though that isn't entirely clear to me based purely on the archaeological evidence. But according to our tomb theory, those on the periphery, where Yamato's control remained the weakest, continued to build their own round keyhole tombs, indicating they still considered themselves somewhat independent, even as they remained influenced by Yamato's overall cultural affectations. Into this world, Prince Hasebe ascended the throne. Prince Hasebe was another half-brother to Nunakura Futodamashiki. Like his full brother, Prince Anahobe Hasetsukabe, he was a Soga descendant through the maternal line. We are told that his ascension was endorsed by Kashikiya Hime, his half-sister, and another Soga-descended royal. He assumed the throne almost immediately following the turmoil that resulted in Anahobe's death and the destruction of Mononobe no Moriya. This was in 587, and for the next five years, the reign appeared to be similar to any other, but I suspect that things hadn't quite settled, yet. How could they? It seems clear that it was way too easy for political violence to break out, and despite the Chronicles' insistence that everything was fine, many of the systemic issues that led to the violence in the first place were still there. To start with, you still had all of those potential heirs to the throne, and no clear succession tradition or precedence. On top of that, each household, while created to serve the Court, had grown into its own political entity, vying for their own level of power and control. No doubt some of this was exacerbated as Yamato's influence grew, bringing more people directly under Yamato's authority. I also can't help but notice that there appears to be a lack of any kind of clear justice system. In fact, laws in general at this time appear to be based on precedent and tradition, likely oral tradition: although we have writing, we don't have a written system of laws just yet. We have artifacts with writing on them. We also have records of books coming over from the continent, which presumably people were able to read. However, what was writing being used for? It appears to have been used for communication—for example, diplomatic missions, or to send instructions and receive information back from the various lands under Yamato's rule. David Lurie notes that this was a kind of practical writing, and it wasn't the same as the kind of extensive journaling that we would see later. It makes sense that much of the laws and traditions at this time were probably based on memorized precedent. Groups like the Kataribe were organized around an oral tradition, and even the Kojiki was based on a tradition of oral recitation that was still in place by the late 7th century. I suspect that different families maintained their own memories of precedence and tradition, collectively advising on what should be done in any given situation. This isn't exactly the kind of legal system with firm and fast rules, with everyone equal under the law, and some sort of immutable code. That wasn't solely because it wasn't written down, mind you—there are plenty of cultures with oral traditions that maintain very clear sets of laws. However, in this case it was not written down and given what we see and what we know about later court, legal precedent was kept in the memories of various individuals in different families, all of whom were competing for their place in the hierarchical structure that had been created. Therefore, as long as you could get enough people on your side, then you determined what was just and what was not. And of course it was the winners who wrote—or at least remembered—the history. Strong leadership may have been able to keep things stable, but during any change things could get messy, as we've seen time and again. And had Anahobe and the Mononobe been triumphant we'd likely be reading a very different telling of events. Hasebe's ascension didn't really change any of that, other than the person at the head of the system. Still, things seemed to hold together alright, and with the recent purges, hopefully things would settle out after a while. The reign started with the standard ceremonies. Soga no Umako was confirmed as Oho-omi, and though other “Ministers and Daibu”, or high officials, were confirmed, nobody else is named. Hasebe's palace was set up at Kurahashi, presumably in the hills south of modern Sakurai. His wife was Koteko, daughter of Ohotomo no Nukade. In his first year, Baekje sent envoys that included Buddhist priests and relics, along with various Buddhist artisans. We'll probably touch on them more at a later date, but for now I'll note that with their coming, Soga no Umako consulted with them on several matters regarding Buddhism, and then he went ahead and pulled down the house of a man named Konoha and started work on another temple. This one was known as Hokoji, though it is more popularly known to us by its common name: Asukadera. Asukadera is perhaps the oldest purpose-built Buddhist temple commissioned by the state, and I think we can do an entire episode just on that temple alone. The Chronicles make out that it was built to commemorate the supernatural support granted to Umako in his battle against Mononobe no Moriya, though it is impossible to know for certain how much of that is true. What we can say is that this time there were no dissenting voices from the Mononobe nor the Nakatomi, and Asukadera would become one of the major temples of the Asuka period. Later, when the capital was built up at Heijo-kyo, in modern Nara, the temple was moved to the new capital, and the complex in Asuka dwindled in importance. Today you can still visit a temple at the site of Asukadera, but it is a shell of its former self, having been rebuilt on a much smaller footprint than before. You can, however, go and see the original Buddha statue—or at least the reconstructed form of it, as the original icon was severely damaged in a fire at one point. But building up a proper temple and pagoda in the continental fashion would all take time—for now it appears that they were just breaking ground on a new construction, rather than just repurposing a part of an existing house into the temple, as they had seemingly done in the past. This was going to take some time. At the same time, it wasn't just buildings that were needed, and we are told that several Buddhists returned to Baekje along with the envoys. We are told that they were going to Baekje to gain further instruction in Buddhist teachings. This was the nun Zenshin, daughter of Shiba Tattou, and her companions, who had been ordained at the order of Soga no Umako to help staff his first attempt at building a worship site at his house. The following year, in 589, we are told that there were three “inspections” that were sent out along the various circuits, or roadways, of eastern Honshu. These circuits were regions of Japan, and come from a continental tradition that would be formalized in the law codes of the early 7th century. Generally speaking there are usually 7 circuits—8 once Hokkaidou comes into the picture—and then the capital region, often known as the home territories around Yamato and the Nara basin. Kyushu and Shikoku were each covered by their own circuits: The Saikaidou, or Western Sea Circuit, covered all of Kyushu, and eventually the Ryukyu islands as well, while the Nankaidou, or Southern Sea circuit covered from the south of the Kii peninsula and the island of Shikoku. Western Honshu was covered by another two circuits—there was the San'indou, the Mountain Yin Circuit, and the San'yodou, the Mountain Yang Circuit. Yin being related to the dark and the north, the San'indou covered the areas to the north of the Western mountain range along the Japan Sea coast, from the land of Tanba west to Iwami, including the lands of Inaba and Izumo. In contrast, Yang was related to the south, and so the San'yodou covered the regions from Harima, next to the land of Settsu, part of modern Ohosaka, and stretched along the southern side of the mountains to the Seto Inland sea to the western land of Nagato, part of modern Yamaguchi Prefecture, and included the ancient land of Kibi. Finally, there were the three circuits of Eastern Honshu, which were the subject of the Chronicles entry in 589. First off was the Tousando, or the Eastern Mountain Circuit. Whereas western Honshu can be largely divided by the mountains into a northern and southern region, eastern Honshu was a little different, as the Japanese alps created difficulties that meant that the Tousandou covered the inland regions, starting at Afumi, around lake Biwa, out to Kenu—modern Gunma and Tochigi prefectures, north of Tokyo. It would eventually include the distant regions of Dewa and Mutsu, which covered much of the Tohoku region up to Hokkaido, although those were still largely outside of the area of Yamato influence, and home to those that the Yamato court called Emishi. The man sent to inspect this region was named Afumi no Omi no Kamafu—fitting given that Afumi was at the western end of the circuit. Next they sent Shishibito no Omi no Kari to inspect the Toukaidou, or Eastern Sea circuit. This circuit proceeded from Iga, Ise, and Owari, eastward along the Pacific coast to Hitachi, in modern Ibaraki prefecture. It includes much of modern Tokyo, and is likely one of the more well known, if only for things like the JR Tokaido line. This route became well traveled in the Edo period both for the daimyo processions of the sankin-kotai as well as the pilgrimages from Edo to Ise, and onward to points even further west. Finally, we have a member of the Abe no Omi heading out to inspect the Hokurikudou, the Northern Land Circuit. This was largely the area known in the Chronicles as Koshi, along the Japan Sea Coast. The Abe family may have had some influence in that region, though it is said that they originally came from the land of Iga, just east of Yamato. However, we aren't given a specific individual's name—Abe no Omi is just the family name and their kabane rank, and could indicate any member of the Abe family. This may have to do with the actions of Abe no Hirafu in the late 7th century, but at this point in the story it is unclear. We are provided the given names of the other inspectors, however—Kamafu and Kari—so it stands out that we have nothing for the inspector of the Hokurikudou other than their family name. Other than the mention of the circuits, and the inspections that the court was conducting, this seems to be a fairly mundane entry—though it does link to some later events. Still, it provides a little more evidence for the expansion of Yamato's direct control. The idea that there were court inspectors checking up on these territorial circuits suggests that they were a somewhat active part of the bureaucracy of the court. Previously the court had set up the Miyake, or royal granaries, which were extensions of royal authority in various areas. Now we see an additional layer of government that would have been going through the areas and making sure that things were being administered as Yamato believed. It also suggests that there were those in these circuits who were beholden to Yamato in that they were required to produce some kind of evidence for what they were up to. The year after, in 590, the big news was apparently the return to Japan of Zenshin and others, and we are told that they took up residence at a temple in Sakurai – very possibly a reference to Hokoji or Asukadera, the newly-founded temple we just discussed. Asuka is outside of the modern bounds of Sakurai city, but at this time the name Sakurai may have referred to a slightly larger and more nebulous area. On the other hand, they could have settled at another temple in the area that just wasn't part of the state funded program. In that same vein, later in 590 we are told that people went up into the hills to get timber for building Buddhist temples, and many more people, most of them with connections to the mainland, and especially the Korean peninsula, were ordained. Buddhism was starting to grow more popular and it was being better patronized by the elites, and soon we will start to see more and more temples popping up. In 591, we see the final burial of Nunakura Futodamashiki, aka Bidatsu Tennou. This was now many years since his death, but that isn't entirely surprising given the fighting and general turmoil that followed his death. Building a tomb mound was not exactly a simple feat, and if one wasn't already prepared by the time he passed away, then it would have taken a while to prepare it—and even more time if much of your labor force was being split and repurposed in the fights for the throne. As you may recall, Nunakura died of a disease, so it is unlikely that there had been a lot of preparation for his death, so we can assume that his body, after resting in the palace of temporary interment for a while, was eventually given a temporary burial and then they likely were reburying the bones several years later. This isn't exactly unheard of, but it does seem that this was an exceptionally long period between death and final burial. The location of his tomb is said to be on the western side of the mountains, outside of the Nara Basin, in the area of modern Taishi, in the south of Ohosaka. This seems to have been a new region for royal burials, from what I can tell, but there would be several important Asuka era burials located in this region. Later in that same year, Hasebe and the court indulged themselves in something that was becoming almost a tradition: Wondering aloud if they should go marching over to the peninsula and re-establish Nimna. There's apparently no thought the fact that Nimna had not been a going concern for quite some time now, and this may have just been the popular casus belli of the Yamato court. Of course, all of the ministers were for it, agreeing that it would be just the best if they could go over there and get Nimna started again. And so they set in motion the necessary work of gathering an army. This wasn't a simple task and would take quite some time to get the word out, gather men together, and then have them all meet down in Tsukushi at the court's outpost down there. Not only that, but there would need to be boats made, and armor and weapons would have to be ready. This was quite the undertaking. We are told that they eventually gathered over 20,000 men, though that could easily be an exaggeration. They named five generals, or Taishogun. This is different from the “Shogun” of later years—the Sei-I Taishogun, or General for Subduing Barbarians. This is just the title of general, Taishogun, and there were apparently five people who were running things—possibly referring to five different forces that were going to go over, or it may have been a political thing to ensure that people of rank were given opportunities. It is interesting to see the names, as we have heard some of the family names, at least, before. The five generals were: Ki no Womaro no Sukune, Kose no Omi no Hirafu, Kashiwade no Omi no Katafu, Ohotomo no Kuhi no Muraji, and Katsuraki no Wonara no Omi. Then various other Omi and Muraji level individuals were placed in charge below them. They were all stationed in Tsukushi and two men, Kishi no Kana and Kishi no Itahiko were sent to Silla and Nimna respectively, presumably to try to work something out before things got ugly. That was all listed in the 11th month of 591, and preparations were still ongoing by the time of the next entry, in the 10th month of 592. So remember how I mentioned at the top of the episode about how many of the systemic issues that had led to so much war and bloodshed were still a thing? Yeah—despite the seemingly rosy and downright mundane picture of the last five years, things were apparently not quite as stable as they may have appeared. And I say that because of what happened in the 10th month of 592. We are told that this was the winter, possibly around late November or December according to our modern calendar—trying to map ancient lunar calendar dates to modern solar dates are a whole thing, trust me. Anyway, it was during this season that someone brought in a wild boar and presented it to the sovereign. And there was nothing too sus going on there—it wasn't a white boar or some kind of unusually large animal. No, what was remarkable wasn't the presentation at all, but what it kicked off, because apparently Hasebe looked at the boar and made an off-hand comment, which Aston translates as: “When shall those to whom We have an aversion be cut off as this wild boar's throat has been cut.” Just in case you didn't get the allusion, he was basically wondering when those people whom he didn't like would be killed—though possibly he meant cut off in another sense, I think it is pretty clear that he wanted some people taken care of, if you know what I mean. I would liken it to a phrase attributed to King Henry II of England, who is said to have wondered aloud, “Will no one rid me of this turbulent priest”, which led to several men heading out and eventually killing Thomas Becket, the then Archbishop of Canterbury. While Henry may not have actually ordered the killing of Thomas Becket, with whom he'd been in something of a power struggle, his words certainly ended up being the catalyst that led to the archbishop's eventual demise. Similarly here, that certainly seems to have been the intent, or at least that is how it was taken. Word of the sovereign's outburst made it back to none other than Soga no Umako, the Oho-omi himself, who grew more than a little bit worried. It didn't help that word was also coming that the royal household was apparently stockpiling weapons—more than usual. Soga no Umako came to believe that Hasebe was talking about him, and though there wasn't a particular reason given, it suggests that there were some things going on below the surface detailed by the Chronicles, and we can speculate on a few of them. First off, Hasebe had not been the first choice for sovereign, and he didn't really enter the picture until after the death of his brother, Prince Anahobe. Anahobe had, of course, believed that he should take the throne himself, but then he was killed. It is possible that Hasebe was appointed sovereign to appease some of Anahobe's supporters against the wishes of those such as Soga no Umako. Second, it is clear that Umako was immensely influential and powerful, and he probably had more influence than the sovereign himself. Always remember that if someone raises an army and helps put you on the throne, rather than themselves, they usually have the ability to do the same thing in reverse. Or, as so many parents are fond of saying: I brought you into this world, I can take you out! So it may be that Hasebe felt threatened by Umako's own power and felt he needed to be dealt with before Soga no Umako decided that he'd rather have someone more pliable on the throne. Of course, in another time it might have been enough to just demote him, but it is unclear if Hasebe actually had the power to do that—and if he did, would it stick. There is also another option as well—Hasebe may not have said anything at all, and it is possible that this was a story concocted to explain Umako's own reaction. This is hinted at, somewhat, in another account that basically comes in once again with the tired “blame the woman” trope. It suggests that Ohotomo no Koteko, Hasebe's consort and the mother to his two children, started the whole thing as a rumor. According to this account, she was “declining in favor”—although it is unclear just whom else she was competing against. If that record is correct, she was the one who told Umako about what Hasebe was purportedly saying, knowing that it would cause problems for her husband because she was unhappy with him. Even if that were true, we don't know whether or not Hasebe actually said what is attributed to him. Again, regardless of what Hasebe actually said, all of this suggests that things were not as solid and stable as they might otherwise appear to be, and suggests just how literally cut-throat the politics of the Yamato court could get. And so, Soga no Umako took this threat quite seriously, and he engaged the services of one Yamato no Aya no Atahe no Koma. We don't know much about Koma. The Yamato no Aya were one of several Aya families, and their name suggests that they were descended, at least in part, from ethnic Han Chinese weavers—or at least traced their lineage back to the continent with claims to the Han dynasty, just as the Hata family claimed ties back to the Qin dynasty. They had been in Japan for generations, but are still often associated with various technologies that came over from the continent. There is also a record, we are told, that says Koma's father was Yamato no Aya no Iwai—whose name is suspiciously similar to that of the Iwai in Tsukushi, or Kyushu, who had allied with Silla and tried to block trade and military support between Yamato and Baekje. It is possible, and even probable, that this was just a coincidence—after all, why would the son of a rebel who had so aggravated Yamato be in the court at all? But it was considered significant enough for the Chroniclers to mention it at the same time, and that may be because of the relationship back to that other rebel. Now, for Koma to take action, he and Umako would need to act quickly. Soga no Umako sent a message to the court ministers and claimed that he was sending someone to present the taxes of the Eastern provinces. As you may recall from earlier in this episode, a few years earlier inspectors had been sent out along the three eastern circuits. It would have taken them time to survey, compile their information, and collect any taxes owed, and bring that back to the court. Umako lied to the other ministers and said that the taxes were ready, and he was sending someone to the sovereign to present the taxes. Of course, he was really sending Yamato no Aya no Koma, and in lieu of taxes he brought death—somewhat fitting if you think about it. Koma killed the sovereign and then, somehow, made his escape. Unlike some of the other killings we aren't given too many details of the deed itself. What we are given is the aftermath. For later in that same month, Soga no Umako had Koma himself killed. And this is where I find it really weird, or perhaps the Chroniclers were just in denial. They claimed that Soga no Umako had learned that Koma had been having a clandestine relationship with Kawakami no Iratsume, herself a consort of the sovereign and Soga no Umako's own daughter. Koma had apparently taken her back to his place to live and made her his wife in secret—basically saying that they had carnal relations together as man and wife, though it is not clear whether or not they were consensual. Umako thought that his daughter was dead, but when he learned that Yamato no Aya no Koma had taken her, he had Koma killed. And that just all seems so very convenient. So Soga no Umako has enough influence over Koma to get him to assassinate the sovereign, but somehow misses that his co-conspirator in this has eloped with his daughter, and then kills him out of apparently justified rage? Uh-huh. Nothing fishy about that at all. I suspect that what happened at the time versus what was later recorded differed slightly. Assuming that most of it was accurate, I wouldn't be surprised if Umako got Koma to do the dirty deed, and then offed him, possibly so that he would not be immediately implicated. Even so, what were the laws around such events? With Hasebe gone, and nobody else in power to challenge him, Soga no Umako was one of the most powerful people around. He just didn't have the parental qualifications to take the throne himself. And that is probably what saved him from being labeled a rebel, himself. After all, you don't get much more rebellious than killing the king. But is it rebellion when it is self-defense? Here is where the lack of a strict law code likely came down on the side of Soga no Umako, because despite his involvement, nobody seems to have gone after him or taken him to task. In fact, he would remain a powerful figure in the Yamato court for years to come. There are also several figures who seem to have remained absent from all of this, but it would be interesting to know where they came down. The first was Prince Umayado, aka Shotoku Taishi. Did he sanction or even take part in this plot? Umayado was still somewhat young, so he may not have had much to say at this point. Then there was Kashikiya Hime, Nunakura's queen. Presumably, she had been the one to recommend Hasebe to the throne, but we also see her hand in the decision to punish Anahobe and the Mononobe, which we discussed over the last couple of episodes. She is often kept at arms length in the narrative, however, which may be because of what the Chroniclers already knew. With the court once more in need of an heir they searched high and low, and the assembled ministers finally settled on the candidate they thought would be the best of all of them: Kashikiya Hime herself. It makes sense: Kashikiya Hime, who is known today as Suiko Tennou, clearly knew how the court operated. She had sanctioned, if not outright directed, the deaths of Anahobe and Mononobe no Moriya. On the other hand, the patriarchal society of the day—and even that of modern day scholars—questioned her fitness for the job. Many have pointed to the strongman tactics of Soga no Umako, as well as the focus on Prince Umayado, whom she made her Crown Prince and whom, we are told, assisted in all areas of government. In fact, it often seems as though Umayado and Umako are the ones actually running things, with Kashikiya Hime as a puppet. On the other hand, perhaps there was something even more complex—a conspiracy between Umako, Umayado, and Kashikiya Hime. She may have also been something of a compromise candidate, someone that all of the different factions could get behind. We'll explore all of that and more as we get into her reign in the coming episodes, along with the role played by Prince Umayado. We'll also look more in depth at the spread of Buddhism, and the temple building that would pick up shortly after Kashikiya Hime came to power. Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.
This week on Krewe of Japan Podcast... the Krewe sits back down with returning guest & friend of the podcast, Shinichi Mine of TabiEats YouTube fame! Together, we explore one of Japanese most hyped and popular dish... RAMEN! From the different types and regional delicacies to etiquette and manners and recent trends, we cover it all! Bust out those chopsticks & soup spoons... ITADAKIMASU! ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Shinichi & TabiEats ------Shinichi on InstagramShinichi's World on InstagramShinichi on TikTokTabiEats on InstagramTabiEats YouTube ChannelShinichi's World YouTube ChannelI Will Always Travel For Food YouTube Channel
During the early days of the COVID-19 Pandemic, being at home with my thoughts, I kept busy by researching mokuhanga. And one of my many discoveries was the exhibition at the Portland Art Museum held from September 24, 2020, to June 13, 2021, called Joryū Hanga Kyøkai, 1956-1965: Japan's Women Printmakers and curated by Japan Foundation Associate Curator of Japanese Art and Interim Head of Asian Art Jeannie Kenmotsu. It was an exhibition of mokuhanga, etchings, and lithography of a group of printmakers I didn't know much about. Individually I may have heard their names but as a group? I needed to learn more. History is an essential part of mokuhanga; to search out those printmakers who have come before us to understand what they did and how they did it. I have learned so much from the past that I can use it in my own work for my present and future. On this episode of The Unfinished Print, I speak with Jeannie Kenmotsu, Ph.D., about the Joryu Hanga Kyokai and, the road to this exhibition, the work that went behind it. We explore how the Joryu Hanga Kyokai showed a different face of printmaking in Japan. We discuss Tokyo during the 1950s and 1960s, the mokuhanga and print culture of the time, internationalism, and how this exhibition could catalyze more research on this incredible group. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Joryū Hanga Kyōkai, 1956-1965: Japan's Women Printmakers - was an exhibition curated by Jeannie Kenmotsu from September 24, 2020 - June 13, 2021, at the Portland Art Museum. It is the first step in understanding and education on the subject of women in Japanese printmaking in modern Japan. Members of the group were Romanesque Architecture - is a style developed in the north of Italy, parts of France, and the Iberian Peninsula in the 10th century. Evolving from thick walls, no sculpture, and ornamental arches into towering round arches, massive stone and brickwork, small windows, thick walls, and an inclination for housing art and sculpture of biblical scenes. For more information abbot Romanesquwe architecture you can find that, here. Portland Art Museum - established in 1892, the PAM has established itself as one of the preeminent art musuems on the West coast of the United States. The musuem has 40,000 pieces of art and art objects. More information about PAM can be found here. The Royal Ontario Museum - also known as The ROM, is an art, world culture, and natural history museum in the city of Toronto, and is one of the oldest museums in the city. More info, here. mokuhanga in the 1950's and 1960's - Japanese woodblock printmaking became quite popular after World War II. With Japan growing exponentially post war, through industry and art, the independent philosphy that the West perpetuated began to filter into the Jpaanese art world. Sōsaku hanga became increadingly popular where there is only one carver, printer and draughtsman. These prints touched on various themes, but especially in the abstract. Artists such as Shigeru Hatsuyama (1897-1973), and Kiyoshi Saitō (1907-1997) spring to mind, who created a new kind of mokuhanga by using various techniques, colours, and sizes that were unique and expressive. Oliver Statler's book, written in 1956, Modern Japanese Prints : An Art Reborn, was published because the art form was growing so quickly. It is a great summary on the sōsaku hanga movement during that time. Edo Period prints - woodblock prints of the Edo Period (1603-1867) were predominantly of kabuki actors (Sharaku), and courtesans (Harunobu) beginning in the middle of the 18th century. The traditional system of production came into play when making ukiyo-e of this period, designer, carver, printer, and publisher. Famous designers of the day were Hiroshige (1797-1858), Hokusai (1760-1849). Lewis and Clark Centennial Exposition - was an international fair in 1905 held in Portland, Oregan, USA from June 1 - October 15 and attracted over 1 million visitors. It helped to showcase Portland and its environs, promoting the movement and expansion West by settlers. The Portland Art Museum began shortly after the Exposition as The Portland Art Association needed its own space to showcase art pieces from the Exposition. The Metropolitan Museum of Art - is the largest art museum in North and South America. It began to be assembled by John Jay (1817-1894) in the late 19th century. Incorporated in 1870, the museum has collected many essential pieces, such as the works of Henri Matisse (1869-1954) and Pierre-Auguste Renoir (1841-1919). For more information about the MET, you can find it here. Adolphe Braun (1812-1877) - was a German-born photographer who helped to establish photography as an art form. His work with the reproduction of art furthered art history throughout the world. Chizuko Yoshida (1924-2017) - was the wife of painter and printmaker Hodaka Yoshida. Beginning as an abstract painter, Chizuko, after a meeting with sōsaku hanga printmaker Onchi Kōshirō (1891-1955), Chizuko became interested in printmaking. Chizuko enjoyed the abstraction of art, and this was her central theme of expression. Like all Yoshida artists, travel greatly inspired Chizuko's work. She incorporated the colours and flavours of the world into her prints. Rain B (1953) 14 3/4 x 9 7/8" Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925. Osaka Castle (1935) Fujio Yoshida (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida. Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio. Yellow Iris (1953) Hodaka Yoshida (1926-1995) - was the second son of woodblock printmaker and designer Hiroshi Yoshida (1876-1950). Hodaka Yoshida's work was abstract, beginning with painting and evolving into printmaking. His inspirations varied as his career continued throughout his life, but Hodaka Yoshida's work generally focused on nature, "primitive" art, Buddhism, the elements, and landscapes. Hodaka Yoshida's print work used woodcut, photo etching, collage, and lithography, collaborating with many of these mediums and making original and fantastic works. Outside of prints Hodaka Yoshida also painted and created sculptures. Dawn At Sea (1969) - silkscreen 25 5/8" x 19 3/8" (AP) Tōshi Yoshida (1911-1995) - was the second child of Hiroshi Yoshida and Fujio Yoshida, although the first to survive childhood. Beginning with oil paintings and then apprenticing under his father with woodblock cutting. By 1940 Tōshi started to make his mokuhanga. After his father's death in 1950, Tōshi began to experiment with abstract works and travel to the United States. Later travels to Africa evolved his prints, inspiring Tōshi with the world he experienced as his work focused on animals and nature. Irises and Ducks - 19 5/8" x 11 3/4" Ayomi Yoshida - is the daughter of Chizuko and Hodaka Yoshida. She is a visual artist who works in mokuhanga, installations and commercial design. Ayomi's subject matter is colour, lines, water, and shape. Ayomi's lecture referred to by Jeannie at PAM can be found here. She teaches printmaking and art. You can find more info here. Black Marks (1999) 20 1/2 × 20 1/8 in (AP) Guide to Modern Japanese Woodblock Prints: 1900-1975 - is a book published by the University of Hawai'i in 1995. It is a reference book describing artists, publishers, and carvers. It contains no images but is a valuable resource for the mokuhanga academic. Uchima Toshiko (1918-2000) - was a Manchurian-born Japanese artist who worked in mokuhanga, liothography, assemblages and collage. She was one of the founders of the Joryū Hanga Kyōkai in 1955/56. She lived most of her life in the United States, specifically New York City. Package From Italy - collage 19.8"x16.8" in Ansei Uchima (1921-2000) - was a mokuhanga printmaker in the sōsaku hanga style of Japanese printmaking. He was the translator for Japanologist Oliver Statler (1915-2002). Way For Hakone (1966) 13 3/4 x 21 in Oliver Statler (1915-2002) - was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” Iwami Reika (1927-2020) - was a Japanese-born artist and one of the founders of the Joryū Hanga Kyōkai. For a short video about Iwami Reika's work, check out Artelino.com. Round Shadow C (1957) sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints. Yoseido Gallery - is a fine print gallery located in the Ginza district of Tōkyō, Japan since 1953. More information can e found, here. Francis Blakemore (1906-1997) - was an American-born artist, writer, philanthropist and curator of modern Japanese mokuhanga. She lived in Japan for over fifty years and helped to support the burgeoning sōsaku hanga print movement of the 1950s. Blakemore worked in mokuhanga (collaborating with Watanabe Shōzaburō) and making self-printed and carved prints. She also worked in oils. Far Eastern Madonna (1939) white line woodblock print Japanese Economy of the 1950's - from 1945-1991 Japan had its most prosperous period of economic growth. By 1955 the economic began to grow twice as fast as prior to '55. According to The Berkley Economic Review the advancement of technologies, accumulation of capital, increased quantity and quality of labor, and increased international trade were the main reasons that strenghtend Japan. For more information regarding the begining of this growth you can find the BER article here. intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here. Minami Keiko (1911-2004) - was a Japanese-born artist and a founder of the Joryū Hanga Kyōkai. Keiko's work is abstract, whimsical and youthful. She lived mainly in Paris, France, where she studied aquatint etching under Johhny Friedlaender (1912-1992). More information about Minami Keiko's art and life can be found here. House With Sun and Trees : watercolour and gouache 14 3/4x11 in. Yōzō Hamaguchi (1909-2000) - was a Japanese-born mezzotint printmaker who lived in Paris, France, for most of his life. He was the husband of Minami Keiko. Bottle With Lemons and Red Wall (1989) mezzotint 30 x 24 in. mezzotint - is a style of printmaking which uses a copper plate, “rocked” with a tool called a rocker, and then burnished with various devices. A good video showing the entire process from start to finish of a mezzotint print can be found here by the artist Julie Niskanen Skolozynski. Kobayashi Donge - is an aquatint etching artist who's subject is generally women and literature. Roses Go Well With Mount Fuji (1993) etching with hand colouring on paper Tokyo University of the Arts (Geidai) - founded during the merger of the Tokyo Fine Arts School and the Tokyo Music School in 1949, TUA offers Masters's and Doctorate degrees in various subjects such as sculpture, craft and design as well as music and film. It has multiple campuses throughout the Kantō region of Japan. More information regarding the school and its programs can be found here. 担当者 - is a Japanese word which means “person in charge." Nihon Hanga Kyōkai - is the Japanese Printmakers Association. It was created in 1918, focusing on the new sōsaku hanga print movement. It evolved into a modern print organization covering various types of printmaking, such as relief, intaglio, planographic (lithography and offset printmaking), and stencil. You can find more information on their website in Japanese and English here. First Thursday Society (一木会) - was created by printmaker Onchi Kōshirō (1891-1955). The group brought artists and collectors to discuss the growing sōsaku hanga (creative print) movement to collaborate, share their work, and it acted as a mentorship program. Un'ichi Hiratsuka (平塚 運一) - (1895-1977) - was one of the important players of the sōsaku hanga movement in mokuhanga. Hiratsuka was a proponent of self carved and self printed mokuhanga, and taught one of the most famous sōsaku hanga printmakers in Shikō Munakata (1903-1975). He founded the Yoyogi Group of artists and also taught mokuhanga at the Tōkyō School of Fine Arts. Hiratsuka moved to Washington D.C in 1962 where he lived for over thirty years. His mokuhanga was multi colour and monochrome touching on various subjects and is highly collected today. Landscape (1934) College Women's Association of Japan - was started by the alumnae of Mount Holyoke College from Massachusetts. Later expanding to other universities and colleges in the US, the CWAJ established Japanese women to study abroad through travel grants and scholarships, thereby promoting Japanese culture. What began as a fundraising program from 1956 onward, the annual print show has become one of the most essential print shows in the world, showcasing prints of all types. It is the largest juried print show in Japan. More information about the CWAJ and its print show can be found here. Kantō (関東地方) - is a region located on the main island of Honshu, Japan, which encompasses the Prefectures of Gunma, Tochigi, Ibaraki, Saitama, Tōkyō, Chiba and Kanagawa. The Kantō Regional Development Bureau of the Ministry of Land Infrastructure, Transport and Tourism oversees these prefectures. More information can be found here. Kansai (関西地方) - is a region located on the main island of Honshu, Japan, which encompasses the Prefectures of Nara, Kyoto, Wakayama, Osaka, Hyōgo, Shiga and Mie. It has the most UNESCO world heritage sites in Japan. For tourist information about Kansai, see here. Jun'ichirō Sekino (1914-1988) - was a Japanese mokuhanga printmaker of the sōsaku hanga creative prints movement. Sekino's works are landscapes and portraits and are black and white and colourful. Sekino studied under Onchi Kōshirō. He was invited to the United States several times as a visiting professor at Oregon State University, the University of Washington, and Penn State University in 1963, where he taught classes on mokuhanga. You can find more information about Sekino and his work and life on his website here. U.S Army Officer (1948) 24"x18.8" in. Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers; Shikō is renowned for his prints of women, animals, the supernatural and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work. Night Birds (The Fence of...) 7.4"x11.5" in. Aomori (青森県) - is a prefecture in north Japan. Located about an hour and a half from Tōkyō, Aomori is known for its incredible nature, festivals, sports and outdoor activities in all four seasons. More information can be found here. Kobe, Japan - is the capital city of Hyōgo Prefecture in Japan. One of the few ports open to Western trade, Kobe has always had a great vibe. With a lot to visit and see, Kobe has many attractions, such as its harbour, Mount Rokkō, and various museums and mansions on the hill; its proximity to Osaka and Kyoto makes it an ideal place to visit. For more information about Kobe, Japan, see here. Shirokiya - was a department store company which started in Japan with various stores throughout Japan and Hawai'i. It was founded in Tōkyō in 1662 and went out of business in 2020. The store was famously depicted in a Hiroshige print, View of Nihonbashi Tori-itchome 1858. Sarah Lawrence College - is a liberal arts college in Yonkers, New York. Founded in 1926, Sarah Lawrence has been dedicated to the education process and inclusivity of its student body since its inception. For more information about the school and their work can be found here. Pratt Institute - is a private university located in Brooklyn, New York. Established in 1887 and founded by American business magnate Charles Pratt (1830-1891), the Pratt Institute focuses on the liberal arts such as architecture, art and design, shaping leaders of tomorrow. For more information about TPI, you can look here. Elise Grilli (d.1969) - was an art critic and author who wrote for the Japan Times. She lived in Japan throughout the 1940's into the 1960's. Her book The Art Of The Japanese Screen is considered a classic. Charles Terry (1926-1982) - was an author and translator of Japanese in Tōkyō for Harry J. Abrams. James A Michener (1907-1997) - a Pulitzer Prize winning writer, scholar and academic who wrote on Japanese prints, amongst many more topics. Shima Tamami (1937-1999) - was a mokuhanga printmaker who joined the JHK when they had already established themselves. Her career was short, moving to the United States in the 1960s. Her mokuhanga depicts Japanese aesthetics and themes producing still lives. Her work was featured in James Michener's book, The Modern Japanese Print: An Appreciation, in 1962. For more information and images of Tamami Shima's work, please check out the Viewing Japanese Prints site here. Bird B (1959) 11.9"x16.3" in. Noriko Kuwahara - is a scholar, curator, and author of Japanese art in Japan. PoNJA-GenKon - is an online listserve group which means Post-1945 (Nineteen Forty Five) Japanese Art Discussion Group Geidai Bijutsu Kondankai. It was established in 2003 to bring together specialists in Japanese art in the English speaking world. For more information about what PoNJA-GenKon does search here. Philadelphia Museum of Art - originating with the Centennial Exhibition of 1876, the PMA has over 200,000 pieces of art and objects and is one of the preeminent museums in the US. More information can be found here. Sakura City Museum of Art - is a fine art museum located in Sakura City, Chiba, Japan. It is dedicated to the arts of those form Sakura City and Bosho. More information in Japanese here. Ao no Fūkei (Landscape in Blue) - is a mokuhanga print created by Chizuko Yoshida in 1972. Futurism - is an art movement which began in Italy. It was established in the early 20th Century by artists Filippo Tommaso Marinetti (1876-1944), Umberto Boccioni (1882-1916), and Carlo Carrà (1881-1966), amongst others. The idea of Futurism was to reject the past and celebrate the speed and power of the present, of industrialization and modernity through art. Futurism influenced other artistic communities around the world. The Endless Manifesto - Started by Tommaso Marinetti's original manifesto on Futurism called Manifesto of Futurism, the Futurists wrote many manifestos about their ideas on art, history, politics, literature, music, among other topics, until 1914, as well as books, articles in literary journals, magazines and newspapers. The MoMA has written a good article on the Futurists and their manifestos and writings here. © Popular Wheat Productions opening and closing musical credit - Joe Chambers "Ruth" released on Blue Note Records (2023) logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
This week on Krewe of Japan... Jenn & Doug sit down with Chris Carlier of Mondo Mascots to explore the wide & wacky world of Japanese Mascots. Kumamon, Domo-Kun, Chiitan and so many others... Chris shares his expertise & passion for these lovable characters through stories about how they have evolved from marketing & branding tools to international sensations and cultural ambassadors, help drive tourism for small communities, & so much more. ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram:@kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Chris Carlier (Mondo Mascots) ------Mondo Mascots on TwitterMondo Mascots on InstagramMondo Mascots Blog
Episode 146. Do you judge a book by it's cover? Or even more likely, perhaps you've purchased a sake based only on the label? Since we've all been there, we thought it might be fun to explore the world of sake labels and share some likes, dislikes and survival tips for navigating your way around a bottle of sake. In particular, learn our technique to read a Japanese sake label "by the numbers". Whether they are all in Japanese, all graphics or including some english, the sake bottle labels can have a major impact on sales so it is well worth learning more. So, get ready to judge sake bottles by more than just their covers in this episode, as we take you through the ins and outs of understanding whats on the label. #sakerevolutionSupport the show
This week on the Season 3 penultimate episode of Krewe of Japan... Everyone knows the term culture shock, but this week Jenn & Doug back it up and put it in reverse... and take a look at REVERSE culture shock. They talk about the difference between culture shock & reverse culture shock, share some experiences with it, and how to cope when going through reverse culture shock. Travel's been back on the menu the back half of this season... but you eventually gotta go home. Might as well be prepared!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!
The Zoo Police Playlist We asked for music to listen to and yall delivered! we have a 58 song playlist for you today. It grew so quick we had to stop adding songs so if your band wasn't added we will be doing these kinds of episodes once a month so submit your songs to @AIR0127 or @VIPlaylistpod on Instagram and we will get it added to a playlist. Thank you everyone who sent us music. Shout out to Image Intent for letting us use their unreleased song "Ryan Gosling" go presave the song!!! it comes out December 2nd and if you are hearing this after December 2nd then go listen to the full song!. Make sure to follow us @VIPlaylistpod on all socials to keep up with playlists and interviews. Special thanks to Ghostshaft, Boo Lay, Keanu DiCaprio and FBD Media for making that amazing tune you hear at the end of the episode. Go check out their socials and jam some of their tunes on Spotify. Artists on The Zoo Police playlist are Royal Hearts, stop.drop.rewind, Little Geronimo, Spanish Love Songs, Secret & Whisper, Invent Animate, Avoid, Greyhaven, L.S.Dunes, Sufferer, KXNG Crooked, Juneva, Lee McKinney, Syncatto, Coevality, Spear of Cassius, Ghosts in Motion, Fight From Within, Wish//Ender, Ando San, Granite Hands, Regressor, Asleep At The Helm, The Holy Ghost Tabernacle Choir, Dayseeker, Bartees Strange, Daydream Plus, Dead7, Polar Shift, Neon Casket, Doses, All Systems Go, Johnny Booth, Asraya, The Curse Within, p.s.you'redead, Aaron Harrell, Cold Night For Alligators, Astronoid, Visions of Atlantis, Destrage, Persefone, Ibaraki, Drug Church, Sea of Cars, Karat's Gold, Revelry, If Hope Dies India, Pieces of the Past, Years Down, The Lousekateers, ATRIA, Let the Wolves In, Jared Dines, See You Next Tuesday, Feast of the Antipathy, Grayshape, Islands of Pear --- Send in a voice message: https://podcasters.spotify.com/pod/show/viplaylistpod/message
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This week on Krewe of Japan Podcast... with the borders re-opened, the Krewe is on a travel kick lately (and is ALWAYS on a food kick)... so this week the Krewe put the two together! Joined by Shinichi of TabiEats YouTube Channel fame, we explore Japan with a food-focused filter. From crazy vending machines to a cuisine breakdown by region, this episode will help you figure out how to plan your trips around your meals... and not the other way around! ITADAKIMASU! ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Shinichi & TabiEats ------Shinichi on InstagramShinichi's World on InstagramTabiEats on InstagramTabiEats YouTube ChannelShinichi's World YouTube ChannelI Will Always Travel For Food YouTube Channel
The time and dedication that it takes to make mokuhanga is well known. And if it isn't then it really should be. It feels that it's easy to follow social media, and watch the pretty prints come out of nowhere, but behind all those nice pictures is a lot of hard work, and dedication. One person who is a prime example of this hard work, dedication and passion for the craft, is Lucy May Schofield. Based in England, Lucy has been making mokuhanga for some time. She has travelled the world, using her environment, and her passion to create mokuhanga that is expressive and powerful. On this episode of The Unfinished Print, I speak with Lucy about how she discovered mokuhanga, her time at MI Lab, Lucy's love of bokashi, and her mokuhanga relationships; those that have helped her along the way. Lucy also speaks on the Mokuhanga Sisters Collective, how grants and scholarships assist in Lucy's artistic pursuits, as well as how her other artistic endeavours affect her mokuhanga. Lucy's is a story which explores independence, pilgrimage, freedom, and how it affects a persons life. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Artists works follow after the note about them. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Lucy May Schofield - website, Instagram Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here. Untitled 2015-14 (2015) Royal Academy of Arts - is an English art institution which as been in operation for 250 years. More info, here. Fukuoka, Prefecture, Japan - is a Prefecture in the second most southern part of the Japanese archipelago. It is known for is temples, hot springs, and natural beauty. Fukuoka tourist website, here. kotatsu - is a low table, electrically heated by an internal heater underneath the table itself, more info, here. Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers, Shiko is famous for his prints of women, animals, the supernatural, and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work. Hizakura no Saku (1978) colour lithograph New Year Card - called nengajo (年賀状) in Japanese, these cards have been traditionally passed from person to person since the Heian Period (794-1185). Mokuhanga practitioners make them as well, creating a new one every year focusing on the zodiac sign of the year as a theme. shina - is a type of wood used in mokuhanga. It is part of the linden family of trees. This wood is produced in various parts of the world, such as Japan and Russia. Not all shina is created equal so buyer beware. magnolia wood - a straight grained hard wood located in North America and Asia. more info, here. washi paper - (和紙) is a type of Japanese paper made with the fibres of either gampi, mitsumata, or mulberry. It is versatile and can be used in many ways. International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here. Ralph Kiggell (1960-2022) - was one of the most important mokuhanga practitioners to have made work. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour for his work. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here. Pool Diver (1996) Keiko Hara - is an artist who works, and teaches in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga. Untitled (2019) Keiko Kadota - (d. 2017) was a director of MI Lab and of Nagasawa Art Park, previously. She was a mentor to many mokuhanga practitioners and helped to promote mokuhanga around the world. MI Lab - is a mokuhanga residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here. Kate MacDonagh - is an Irish mokuhanga printmaker based in Dublin, Ireland. Kanreki was an exhibition curated by Kate MacDonagh at The Model, Sligo. Kate's website. Katsutoshi Yuasa - is a printmaker and artist based in Tokyo, Japan. His work tends to be large scale, and created through photography, bits, and focuses on the overall "image" itself. His interview with The Unfinished Print can be found, here. website, Instagram I-know-not-what (2022) oil-based mokuhanga kirazruri - is a style of printing which uses mica to give a silver, glittering tone to the print. Mica is used as a lovely addition to your print. You can find more information, here. Hiroki Satake - is a mokuhanga printmaker, and instructor based in Japan. He has taught at MI Lab, as well as given demonstrations regarding tool sharpening, around the world. Carol Wilhide Justin - is a mokuhanga printmaker based in London, England. Her work focuses on the natural world and the process of making mokuhanga. Carol's interview with The Unfinished Print can be found, here. Asemic Writing Tochigi, Prefecture - is a Japanese Prefecture sandwiched between Saitama, Ibaraki, Fukushima, and Gunma Prefectures. It is famous for its autumnal leaves, temples, and UNESCO World Heritage Site, Nikkō. More info, here. Nishijin - is an area in Fukuoka City known for its shopping district. inaka (田舎) - is a Japanese word for “country-side.” Kurokawa Onsen (黒川温泉) - is a hot spring town located on the island of Kyushu, near Mount Aso, the largest active volcano in Japan. It is famous of its traditional style inns, hot springs, baths, and food. More info, here. Beppu (別府市) - is a hot spring town located in Kyushu. More info, here. matsuri (祭り）- is the Japanese word for “festival.” Japan is a country famous of it's festivals. Each Prefecture, city, town, municipality has a special festival for their area, connected to the seasons, gods, or harvests. Itoshima (糸島市) - is a city in Fukuoka Prefecture, popular for its beaches, surfing, and nature. Northumberland, Britain - is a county located in the northernmost area of Britain. It shares a border with Scotland. It is known for its nature, industry, castles, and history. https://www.visitnorthumberland.com cyanotype - a type of work which uses iron compounds, and when exposed to UV light creates various blues. More info, here. Indigo dyeing - made famous in the Edo Period (1603-1968), indigo dyeing has been a part of Japanese handicrafts for a long time. Shikoku is famous for it, towns such as Mima, Wakimachi, Tokushima, amongst others continue to produce hand dyed garments of indigo.More info can be found, here, and here. Awagami - is arguably the largest paper making company in Japan at the moment. With a large International name, Awagami sponsors, and promotes its paper all over the world. More information can be found on its website, here. 88 Temple Pilgrimage - associated with the Buddhist priest Kōbō Daishi (Kūkai) [774-835]. It is one of the few circular pilgrimages in the world. You can walk, or drive the pilgrimage. You can also see it in parts, called kuguri-uchi. Essentially you can walk this pilgrimage in order, backwards or frontwards as they are all temples associated with Kūkai. If you do make the pilgrimage by foot, it is a commitment, but extremely rewarding. Pilgrims are called ō-henro. More info, here. Ō-settai - are gifts, such as lodging, food, money, or clothing. They are given by non-pilgrims to pilgrims on they journey of the 88 Temples. More info can be found, here. QEST - is the Queen Elizabeth Scholarship Trust, and is given to British craftspeople who are given money to pursue training and education in their specific field and medium. More info, here. kōzo - is a paper made from the bark of the mulberry bush. It is used in mokuhanga frequently, and comes in various weights. YInMn - is a blue colour discovered by Professor Mas Subramanian in 2009. Helen Frankenthaler (1928-2011) - was an American abstract impressionist painter who enjoyed experimenting, discovering new ways of expression through paint. More info, here. Echizen - is a region in Fukui Prefecture, Japan associated with Japanese paper making. It has a long history of paper making. There are many paper artisans in the area. One famous person is Iwano Ichibei whom Megan mentions in this episode. He is a Living National Treasure in paper making, and the ninth generation of his family still making paper today. More info can be found here in English, and here in Japanese. Paul Furneaux - is a Scottish born mokuhanga printmaker and teacher who uses the medium of mokuhanga in order to create pieces of work that are third dimensional, and abstract. The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. Instagram Yasuyuki Sato - is the Chair of Center for the Science of Human Endeavor/CfSHE, and Director of the Mokuhanga Conference. Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. More Beer...For Instance (2013) Katie Baldwin - a woodblock printmaker, letterpress, screen printer. website, Instagram Raft (shore) #2 (2013) Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California. Her work can be found, here. Mariko is also a part of the collective, wood+paper+box, which can be found, here. Between Times - folded screen with mokuhanga wood+paper+box - is a collaborative art group made up of Katie Baldwin, Mariko Jesse, and Yoonmi Nam. It is based on their experiences at Nagasawa Art Park, the precursor of MI Lab. Patty Hudak - is an American artist who splits her time between Vermont and NYC, who works in installation, and mokuhanga. She has travelled the world, and is a part of three artist collectives. Patty's interview with The Unfinished Print can be found, here. Melissa Schulenberg - is a woodblock printmaker and professor of Art and Art History at St. Lawrence University, Canton, NY. Some of her work can be found, here. Newcastle University - is a public research university located in Newcastle-Upon-Tyne, Britain. London College of Printing - now called the London College of Communication, is an art college associated with the University of the Arts London. Toshio Sayama - is an instructor at MI Lab as well as on the MI Lab Committee Board. Borderless scroll - is the Mokuhanga Sisters collaborative scroll. Shown in Nara during the International Mokuhanga Conference, as well as at the Southern Vermont Art Center. nori - is a type of paste made from starch. It is usually used when making mokuhanga. You can make nori from any type of material made of starch. For instance, paste can be made with tapioca, rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here. bokashi - is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Utamaro - A Prelude To Desire Series - is a series created by Kitagawa Utamaro (1750-1806) in 1799. His designs changed the whole perspective of shunga, erotic prints. Below is as print as designed by Utamaro and Lucy's self-produced print, Prelude To Desire IV. shunga (春画)- is a type of mokuhanga which is connected with the ukiyo-e period of the Japanese print. The theme is sexuality, whether male-female, or male-male. Many print designers helped to create these prints, and were very popular. Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here. Ōmayagashi - from One Hundred Famous Views of Edo Northumberland National Park - is a park in Northumberland , England. It is considered a “dark skies” park where the night sky is preserved by having no artificial lighting in the area. Holbein - is a pigment company with offices located in Japan, The United States, and Canada. They offer high end gouache, watercolour, and pigment pastes. scrolls - called kakemono 掛物 or emakimono 絵巻物 in Japanese. These scrolls contain many different types of themes and subjects. More info can be found, here. The Legend of Gisho Turner Design Gouache - is a company based in Osaka, Japan. The make acrylic and design (water based) gouache. Oak gall - is a type of plant swelling, which can be found in various plants. Oak gall is made by the Gall Wasp. The ink and pigment made form oak gall has been used for centuries. hanshita - is a thin sheet of gampi paper that is pasted, reverse side, on a piece of wood. This is a guide, carved onto the block and is generally used for the key block and subsequent colour blocks. Methods such as acetate with water based pigment, can also be used rather than the thin gampi paper, which can cause misregistration if not pasted correctly. The Japanese Paper Place - is a Toronto based Japanese paper store servicing the Mokuhanga community for many years. Interview with the Nancy Jacobi of the JPP can be found, here. Ozuwashi - is a brick and mortar paper store located in the Nihonbashi district of Tōkyō. More info here. You can purchase all types of paper that Lucy mentions ion her interview, such as pansion, and sekishu. Chine-collé - is a two layered printmaking process where the paper is placed onto an inked metal plated run through a press. More info, here. © Popular Wheat Productions opening and closing musical credit - The Smiths - The Headmaster Ritual from the album Meat Is Murder (1985) logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
This week on Krewe of Japan Podcast... news of the Japanese borders re-opening to foreign independent-travelling tourists has everyone hyped! While this announcement of visa waivers & removal of daily caps isn't officially official just yet, all things are pointing to this being cemented soon. However, up until this point, 2022 hasn't been the easiest for people trying to get into Japan. However, it wasn't impossible! Doug sits down with special guest hosts (and friends-of-the-podcast) Rob Dyer of The Real Japan & Allan Richarz of Tokyo Confidential Podcast to discuss which visas helped them get into the country, their travels while there, and all the red tape and shocking surprises along the way! ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Rob Dyer ------The Real Japan websiteRob's Twitter ProfileHow to Travel in Japan Without Speaking Japanese (Audiobook)Rob's Travel Diary from his Most Recent Trip11 Unique Things to Do in Osaka------ More Info on Allan Richarz ------Allan's Twitter ProfileTokyo Confidential Twitter ProfileTokyo Confidential PodcastAllan's New York Times WorkAllan's Recent Bloomberg Article on Transit Accessibility in Japan
Join the guys this week as they talk about REVENANTS!!!! Listen as moses talks about the different tales and monsters that make up the modern day vampire.! heres the link to listen to Gerard Way in all his black metal greatness on the new IBARAKI (singer of triviums "black metal" album https://www.youtube.com/watch?v=v7rn2BhWHAg follow us on ig instagram.com/weirdhistoryeerietalespod source for this episode can be found and purchased below: https://read.amazon.com/kp/embed?asin=B005IQ63WA&preview=newtab&linkCode=kpe&ref_=cm_sw_r_kb_dp_SGJVFYRREYC1HTYXAAMC Music used and their licenses can be found below: Inspiring Noir Piano Waltz by MusicLFiles Link: https://filmmusic.io/song/8785-inspiring-noir-piano-waltz License: https://filmmusic.io/standard-license Puppet Piano Waltz by MusicLFiles Link: https://filmmusic.io/song/8417-puppet-piano-waltz License: https://filmmusic.io/standard-licens
RIP TREVOR STRNAD Well .... What did Mike think of the new Silverstein record? Listen and find out. But also we discuss Stand Atlantic, Simple Plan, Ibaraki, and more! Another Top 5 for you this week, and at least one album about pirates! As always get the full list on Mike's Instagram @slappyslam! Need band merch? Look no further than Rockabilia for all your needs! They have over 500,000 unique merch items at the lowest prices ... BUT use promo code SHANE to save an additional 10% off! rockabilia.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Some potential break-out records and long-awaited works populate May reviews with Ibaraki, Malevolence, Static Dress, Cave In, Puppy, Septicflesh, and Casket Feeder, but first, after the heartbreaking news we remember the wonderful Trevor Strnad.Ibaraki 26:53Malevolence 58:15Static Dress 1:13:28Cave In 1:25:46Puppy 1:42:36Septicflesh 1:55:56Casket Feeder 2:08:51
Heavy Pod Is Heavy Cast! Prog metal week, I guess. And by that I mean Haken, Ibaraki, Fallujah, and other notable prog metal bands like DRUGS, Guerilla Warfare, Darkane, and Veil of Maya. Then, cool people time with prog metal bands like Russian Doll 2 and The Northman. Enjoy! Join our community on Facebook! Or, if you want to get more involved, with exclusive content and stuff, support us on Patreon! By the way, the NYN album Entropy: Of Chaos And Salt is finally out, so check it out!
Heavy Pod Is Heavy Cast! This episode we finally spill the secrets on why albums from big bands get good reviews from big journalism outlets. Also, we actually talk about music from cool bands like Ibaraki, Nekrogoblikon, Meshuggah, Deserted Fear, Animals As Leaders, Ark, Soilwork (kind of, just let me have the SEO), and Opeth. Then, cool people time with Airborne Kingdom, Patrick's Parabox, The Batman, Severance and Mythic Quest. Enjoy!
This week Sam and Marcos touch on the tragic passing of Foo Fighter's drummer Taylor Hawkins, review the newest release from the prince of pop punk Machine Gun Kelly, and Gerard Way is a screamer? Reviews: 10:02 We discuss new albums from Machine Gun Kelly, Crown Magnetar, and Telltale! News: 54:30 We've cover new music from Dance Gavin Dance, Willow, Northlane, Bury Tomorrow, PUP, Dayseeker, Noahfinnce, Bodysnatcher, Ibaraki, Windwaker, Brennan Savage, Johnnie Guilbert, Secrets, and more! Plus Lorna Shore at Lollapalooza, August Burns Red signs to Sharptone, and the line-up for Furnace Fest 2022 is announced! Playlist: https://open.spotify.com/playlist/0jp0fpudUz7gvu0SFaXhK3?si=j2BEVESFTGWkOyewnqLgaA Patreon: Patreon.com/sotspodcast Promo: Sotspodcast.com/contact Discord: https://discord.com/invite/3egU3Dk Merch: Sotspodcast.com/merch Twitter: https://twitter.com/SOTSPodcast Facebook: https://www.facebook.com/sotspodcast Instagram: https://www.instagram.com/sotspodcast
Matt Heafy of Trivium & I have a conversation about how he coped with 2020/2021, his 1st beers, the soundtrack of his youth, his 1st shows, Twitch, "In the Court of the Dragon", Extreme Metal, Ibaraki, balance & his hangover cure. Throughout this chat, I enjoyed BreWskey - Pub & Taproom 's "BREW JUICE - Chocolate, Raspberry, Blueberry & Marshmallow". This 5.2% Fruited Sour poured out with a glorious red purple veil, smashed chocolatey berries on the nose & slapped a slightly tart chocolate fueled finish. This is a Heavy Montreal presents Vox&Hops episode! Heavy Montreal is Montreal's premier metal promoter. They host one of North America's best Metal Festivals & present countless amazing events during the rest of the year. I am truly honored & extremely excited to have them involved in the podcast. Make sure to check out Vox&Hops' Brewtal Awakenings Playlist which has been curated by the Metal Architect Jerry Monk himself on either Spotify or Apple Music. This playlist is packed with all the freshest, sickest & most extreme albums each week!!! Photo Credit: Sarah Dope Episode Links: Website: https://www.voxandhops.com/ Join The Vox&Hops Mailing List: http://eepurl.com/hpu9F1 Matt Heafy Twitch: https://www.twitch.tv/matthewkheafy Trivium: https://www.trivium.org/ Ibaraki: https://www.ibarakiband.com/ BreWskey: https://www.brewskey.ca/ Heavy Montreal: https://www.heavymontreal.com/ Vox&Hops Brewtal Awakenings Playlist: https://www.voxandhops.com/p/brewtal-awakenings-metal-playlist/ Sound Talent Media: https://soundtalentmedia.com/ Evergreen Podcasts: https://evergreenpodcasts.com/ Vox&Hops Metal Podcast Merchandise: https://www.indiemerchstore.com/collections/vendors?q=Vox%26Hops
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