Podcasts about boito

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After I post a Countermelody episode on a cherished singer, my relationship with these artists continues: one of those manifestataions is that I never stop seeking out rare and unusual recordings featuring those singers. This results in a grab-bag of fascinating and often obscure material that is simply too good not to share with my listeners. Today I present you with the second episode of such genre, which I have collectively dubbed “Rescue Mission.” On this episode I feature singers you've heard on the podcast over the course of the past several weeks and months, including, among many others, Janet Baker, Oralia Domínguez, Eugene Holmes, Ellabelle Davis, Gilda Cruz-Romo, Benjamin Luxon, Mara Coleva, Hugo Hasslo, Margaret Marshall, Gloria Davy, and Mady Mesplé, performing work by Handel, Verdi, Weill, Bach, Brahms, Boito, and Mozart. The episode concludes with Eleanor Steber (because, as I affirmed laast week, you can never have enough of her), in a 1949 performance of “Ah, Perfido!” that will have you picking your dislocated jaw up off the floor. Also expect shout-outs to friends of the podcast, old and new, as well as a certain amount of political snippiness! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In a world where fast fashion is everywhere, Richa Maheshwari is taking a different path—one that honors tradition and keeps India's lost crafts alive. Through her brand, Boito, she's working closely with artisans in Odisha to ensure their skills and stories are preserved for generations to come. This episode dives into her journey, the challenges of slow fashion, and why handmade pieces carry so much meaning.

A cura di Paolo PellegriniArrigo Boito “Mefistofele”Mefistofele, Nicolai GhiaurovFaust, Carlo BergonziMargherita, Gabriella TucciElena, Simona Dall' ArgineMartha, Armanda BonatoWagner, Ottorino BegaliPantalis, Luciana RezzadoreCoro e Orchestra dell'Arena di VeronaFranco Capuana, direttoreVerona, 12 agosto 1964

Dando início à Segunda temporada do LAP Editor's Choice, nos juntamos ao renomado cientista político marxista e teórico Armando Boito para discutir seu recém-lançado livro "Reform and Political Crisis in Brazil: Class Conflicts in Workers' Party Governments and the Rise of Bolsonaro Neo-fascism" (disponível em inglês). O livro examina o processo político brasileiro entre os anos de 2003 e 2020, focando nos governos do Partido dos Trabalhadores (PT), suas políticas reformistas, a crise política que levou ao impeachment da presidente Dilma Rousseff, e a ascensão do neofascismo com Bolsonaro. Com base em uma estrutura teórica marxista, Boito argumenta que conflitos ideológicos e partidários estão intimamente ligados aos conflitos distributivos baseados em classe social dentro da sociedade brasileira em geral. Portanto, após a quarta derrota consecutiva nas eleições presidenciais, partidos políticos representando o capital internacional, segmentos da burguesia e a classe média abandonaram normas democráticas com o objetivo de acabar com o ciclo de governança do PT, pavimentando o caminho para a ascensão do neofascismo. Armando Boito é professor de Ciências Políticas na Universidade Estadual de Campinas (UNICAMP), Brasil, e editor do jornal Crítica Marxista. "Reform and Political Crisis in Brazil" pode ser comprado online através do site Haymarket Books: https://www.haymarketbooks.org/books/2019-reform-and-political-crisis-in-brazil Outras leituras do LAP e Armando Boito: https://journals.sagepub.com/doi/full/10.1177/0094582X221140419 https://journals.sagepub.com/doi/abs/10.1177/0094582X19887910 Para mais informações sobre Latin American Perspectives, nossos podcasts e convidados, por favor, entre em contato com: latampodcasts@gmail.com ou lap@ucr.edu  Esse episódio foi co-produzido pelos estagiários do LAP, Lara Paredes e Mateus Quesada.  

Questa settimana Gianluca Gatta legge IL COLLARE DI BUDDA di Camillo Boito un racconto che narra la storia di un giovane bancario invaghito di una ragazza che sembra ricambiarlo con intensa passione. Fino a che non ci si mettono di mezzo la vecchia madre di lei e, soprattutto, Budda, il cane di un tenente della marina militare.

Two sisters, Magi and Memo, track down an American man accused of sexual abuse at a children's home in Kenya. It's a story spanning two continents… following those who give everything to make things right. This episode is a 2024 Gracie Award Winner.This story, while not graphic, does involve child abuse, including sexual abuse, and the death of a child. Sensitive listeners, please be advised.Thank you so much to everyone in this story. To Magi and Memo, for sharing your lives with us over the past two years. Magi has started a GoFundMe to raise money for the survivors of the Dow Children's Home.To Janice and especially to Joy — Kongoi for your courage and your strength. Kongoi as well to Geoffrey Ng'tich, Beatrice Korir, and Joshua Abudoh.Translation by Caroline ChebetRecording engineers: Josh Wilcox, Ryan Geesaman, and CoconutOriginal score by Renzo GorrioProduced and reported by Halima Gikandi and John FecileArtwork by Teo DucotSnap Classic - Season 15 – Episode 22

Em podcast, o cientista político Armando Boito Jr. alerta: anistiar os envolvidos na intentona bolsonarista de 8 de janeiro de 2023 significa abrir caminho para um futuro golpe. Boito relembra um precedente: em 1961, militares que tentaram impedir a posse de João Goulart, após a renúncia de Jânio Quadros, foram anistiados.Reportagem de: Adriana Vilar de MenezesMixagem e edição do podcast: Octávio Augusto B. F. SilvaFonte(s) usadas na produção deste podcast:ANDRADE, Auro Moura. Em sessão do Congresso Nacional, anuncia renúncia de Jânio Quadros. In: Grandes momentos do parlamento brasileiro. Brasília: Senado Federal, 1998. v. 1, CD 2

This week on the Arts to Heart Podcast, our host Charuka Arora has an insightful conversation with Richa Maheshwari, who is a designer on a mission to bring back the arts and crafts that are fading due to the advent of fast fashion. Richa has been in the software services industry by profession, where she worked as a product manager for a German company for almost 16 years. As COVID hit, much like everyone else, Richa took a break to spend more time at home. This was her chance to restart and explore, and she took it. After going to an office for so many years, Richa longed to be on the ground where she could do something much more substantial and tangible, and that is when she was able to connect to an international labor organization which marked the beginning of her life with traditional crafts.  As a child, Richa was always interested in stories that were rich in culture, and now she has the opportunity to tell those stories to the rest of the world in an innovative way. With its textile legacy, Odisha has many stories to tell, and so Richa decided to direct her energy towards uplifting the local artisan community in a way that helped the artists as well as introducing their craft to the world. For Richa, it is very much about the “ability to build narratives in a fun way so that the audience is able to receive it simply”. As she built her brand, Boito, Richa has had many things to learn and unlearn. From forming trustworthy relationships with the local community to finding a balance where their culture and traditions can be shared with the rest of the world, Richa has come a long way. She has opened doors for other artists who dream of utilizing their craft in a way that doesn't succumb to the fast fashion industry. So, tune in to this week's podcast to listen to Richa and Charuka talk about the world of fashion and why it's important for us as a society to not lose touch with our roots. We're delighted to announce that we are now accepting art submissions for the sixth edition of ATH Magazine! If you are someone whose artworks dare to question the norm and sparks interesting conversations, then this is your chance! Submit your artwork . We are calling women artists from around the globe for our upcoming event, the “101 Art Book Contest", which aims to boost recognition, fame, and exposure for female artists. Submit your artwork .' We are also calling all emerging female artists for our “100 Emerging Artists: 2024 Women's Edition”. This edition marks the inaugural launch of our landmark publication designed to spotlight and celebrate emerging women artists from around the globe. Apply . Order Arts To Hearts Magazine #4 here:  Learn how you can UNLOCK YOUR CREATIVE POTENTIAL in 2023. Sign up for our FREE Mini guide & workbook. Check out the Arts To Hearts Shop at  Join ATH directory for women artists here:  Listen and subscribe on Apple  Artist Services:       

Hacía tiempo que no disfrutábamos de la voz de un gran bajo de verdad. Por eso traemos aquí a uno de los más señalados de la segunda posguerra, que ya fuera visitante de nuestro programa hace años. Tras describir su rocosa y penumbrosa voz lo escuchamos en interpretaciones de O, tu, Palermo de Las vísperas sicilianas y de parte del dúo de bajos de Don Carlo, ambas de Verdi, esta con un imponente Boris Christoff. Luego dedicamos un amplio espacio al Mefistofele de Boito, del que Neri hacía una gran creación. Cerramos con el aria del malvado Alvise Badoero de La Gioconda de Ponchielli y con unos compases del final de Don Sebastiano de Donizetti..Escuchar audio

[@ 4 min] Canadian-American bass John Relyea goes ‘Inside the Huddle' with us from Rome where he just completed a run in the title role of Boito's "Mefistofele". Little did he know that he would be bargaining with his OWN soul when he agreed to be interviewed... [@ 24 min] It's a field report from PJ and pals on the Met's "Tannhäuser", and the #Callas100 countdown continues… [@ 37 min] Tributes are flooding in for the late Marlena Malas. We share some with you in the ‘Two Minute Drill'... GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

durée : 00:14:09 - Le Disque classique du jour du mardi 12 décembre 2023 - Marina Rebeka chante une sélection des plus grands airs d'opéra avec l'Orchestre de l'Opéra de Wrocław sous la direction de Marco Boemi. Au programme des airs de Puccini, Boito, Cilea, Tchaïkovski, ou encore Giordano, Leoncavallo, Dvorak et Catalani

In pop culture, beekeepers are generally portrayed as quirky side characters. There are exceptions, of course. The movie Ullee's Gold with Peter Fonda, comes to mind, as does The Secret Life of Bees, first as a novel and later a movie. Now, there is a new book where both bees and an entomologist are the subject, victim, and heros! Today, author and screenwriter, David Boito, join Jeff and Becky to talk about his newly released book, Bee Conspiracy. David talks about why he chose the characters he did and why he set bees as both the focus of the heros and the villan of his novel. Part cop-buddy, murder mystery, futuristic and agro-terrorism, Bee Conspiracy, is a fun winter read for anyone interested in insects and especially honey bees.  Interesting and entertaining, today's episode is one you will want to listen to! Leave comments and questions in the Comments Section of the episode's website. Links and websites mentioned in this podcast: Honey Bee Conspiracy on Amazon -  https://www.amazon.com/Bee-Conspiracy-David-Boito/dp/B0CJLCNQZY/ Honey Bee Obscura - https://www.honeybeeobscura.com   ______________ Betterbee is the presensting sponsor of Beekeeping Today Podcast. Betterbee's mission is to support every beekeeper with excellent customer service, continued education and quality equipment. From their colorful and informative catalog to their support of beekeeper educational activities, including this podcast series, Betterbee truly is Beekeepers Serving Beekeepers. See for yourself at www.betterbee.com This episode is brought to you by Global Patties! Global offers a variety of standard and custom patties. Visit them today at http://globalpatties.com and let them know you appreciate them sponsoring this episode!  Thanks to Strong Microbials for their support of Beekeeping Today Podcast. Find out more about heir line of probiotics in our Season 3, Episode 12 episode and from their website: https://www.strongmicrobials.com Thanks for Northern Bee Books for their support. Northern Bee Books is the publisher of bee books available worldwide from their website or from Amazon and bookstores everywhere. They are also the publishers of The Beekeepers Quarterly and Natural Bee Husbandry. _______________ We hope you enjoy this podcast and welcome your questions and comments in the show notes of this episode or: questions@beekeepingtodaypodcast.com Thank you for listening!  Podcast music: Be Strong by Young Presidents; Epilogue by Musicalman; Walking in Paris by Studio Le Bus; A Fresh New Start by Pete Morse; Wedding Day by Boomer; Original guitar background instrumental by Jeff Ott Beekeeping Today Podcast is an audio production of Growing Planet Media, LLC Copyright © 2023 by Growing Planet Media, LLC

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Margherita - Elena Mauti Nunziata | Elena - Adelaide Negri | Marta - Flora Raffanelli | Mefistofele - Nicola Ghiuselev | Faust - Veriano Luchetti | Wagner - Giampaolo Corradi | Pantalis - Luisa Gallmetzer | Nereo - Giuliano Ansalone | Conductor: Maurizio Arena | Arena di Verona | 2 August 1979 | In-house recording

Two sisters, Magi and Memo, track down an American man accused of sexual abuse at a children's home in Kenya. It's a story spanning two continents… following those who give everything to make things right. This story, while not graphic, does involve child abuse, including sexual abuse, and the death of a child. Sensitive listeners, please be advised. Thank you so much to everyone in this story. To Magi and Memo, for sharing your lives with us over the past two years. Magi has started a GoFundMe to raise money for the survivors of the Dow Children's Home. To Janice and especially to Joy — Kongoi for your courage and your strength. Kongoi as well to Geoffrey Ng'tich, Beatrice Korir, and Joshua Abudoh. Translation by Caroline Chebet Recording engineers: Josh Wilcox, Ryan Geesaman, and Coconut Original score by Renzo Gorrio Produced and reported by Halima Gikandi and John Fecile Artwork by Teo Ducot Season 14 - Episode 19

Frank & Frank learn more about Don's work as the mayor of Foxfire Village and how small municipal governments support larger governmental activities. https://www.foxfirenc.com/

A cura di Paolo PellegriniArrigo Boito MefistofeleMefistofele, Cesare SiepiFaust, Mario del MonacoMargherita, Renata TebaldiElena, Floriana CavalliMartha, Lucia DanieliWagner, Piero di PalmaPantalis, Lucia DanieliNereo, Piero di PalmaCoro e Orchestra dell'Accademia di Santa CeciliaTullio Serafin, direttore

BOITO: Aria de Margarita “L’Altra notte in fondo al mare” (Mefistófeles, Acto III) (7.28). M. Callas (sop.), Orq. Philarmonia de Londres. Dir.: T. Serafin. ZOLOTAREV: Sonata nº 3 para acordeón (Cuarto movimiento: Allegro vivace con anima) (10.46). J. Mozo Colmenero (acordeón). QUANTZ: Concierto para flauta, cuerda y continuo en Re mayor (13.02). J. Wentz (traverso), Musica Ad Rhenum. DUTILLEUX: La fille du diable (selec.) (Prèlude, Une promenade qui finit mal) (4.38). Orq. Nac. des Pays de la Loire. Dir.: P. Rophe. ALBÉNIZ: El Albaicín (7.14). A. de Larrocha (p.). Escuchar audio

Verdi's last opera, Falstaff, was his first comic opera in over 50 years. Verdi and his librettist, Boito, kept the composition secret since Verdi was somewhat less comfortable with comic opera, and he wanted to have the option of canceling the production—even after the dress rehearsal. Boito's libretto has its basis in Shakespeare's The Merry Wives of Windsor with additional material from Henry VI, parts 1 and 2. The premiere at the Teatro alla Scala was a triumph, but, as always, Verdi continued to make adjustments to the score for both the Rome and Paris premieres; these changes were incorporated into the final version of the score.

Appuntamento delle grandi occasioni all'Arts Centre di Melbourne con la messa in scena del Mefistofele di Arrigo Boito interpretato da Ferruccio Furlanetto con la direzione d'orchestra di Andrea Battistoni.

Author David Boito joins Ron and Tom to talk about his debut novel, "Valley Fliers". The plot of his book relies very heavily on the rc airplane hobby to tell his tale. Tune in to hear our conversation!   ******************* We want you to be our guest! Fill out the form: https://rcplanelab.com/guest   Join our Discord server: https://rcplanelab.com/discord   Take a moment to fill out our listener survey: https://rcplanelab.com/listener-survey/   Support us by becoming a Patron! https://rcplanelab.com/patreon​​​   Or Support us through Paypal https://paypal.me/rcplanelab     Questions, comments?   Email: Ron@rcplanelab.com Tom@rcplanelab.com   Text or leave a voicemail: (818) 351-9846   Website: https://rcplanelab.com​​​

Culminamos el estudio que hemos dedicado a la eximia soprano a los cien años de su nacimiento. Comenzamos escuchando páginas verdianas: Oh patria mia de Aida, en donde la voz brilla refulgentemente, la maravillosa aria Tu, che le vanità de Don Carlo y tres números de Traviata, Ah fors’è lui, Sempre libera y el final de la ópera. Después admiramos a la cantante en Io son l’umille ancella de Adriana Lecouvreur de Cilea seguida de un fragmento del dúo entre Fausto y Margarita de Mefistofele de Boito, en donde Alfredo Kraus acompaña a la diva. Todo culmina en belleza con Deh vieni, non tardar de Las bodas de Fígaro de Mozart. Grabaciones en vivo en la mayoría de los casos. A lo largo de programa recogemos algunas de las afirmaciones y comentarios que la soprano nos hizo en entrevista de junio de 1991. Escuchar audio

Primer programa de los que vamos a dedicar a esta ilustra dama del canto a los 100 años de su nacimiento. Analizamos su voz, su técnica y su arte y recordamos algunas de sus opiniones al respecto. La escuchamos en Addio del passato de La traviata de Verdi, Vissi d’arte de Tosca de Puccini, L’altra notte il fondo al mare de Mefistofele de Boito, Plegaria de Mosé in Egitto de Rossini, Ritorna vincitor de Aida de Verdi y, también del compositor de Busseto, Recordare (con Cloe Elmo) y final del Liberame del Requiem, con Toscanini en el podio. Escuchar audio

David Boito (Author) stops by to talk with Cory about his new book, Valley Fliers.www.simplyearth.comwww.breezzo.com

Mark interviews David Boito, a screenwriter and novelist about his new novel VALLEY FLIERS, writing screenplays and scripts, and so much more. Prior to the main content, Mark shares a personal update, and a word about this episode's sponsor. You can learn more about how you can get your work distributed to retailers and library systems around the world at starkreflections.ca/Findaway. In their conversation, Mark and David talk about: What you call the role of a flyer The similarities with the way that a radio controlled model aircraft has with a full scale aircraft How David first got interested in RC controlled aircraft and the nearby Apollo 11 Flight field e inspiration to write a story based on this intriguing locale Initially beginning to write this novel in screenplay format and then later adapting it into a novel David's other script work, including writing an episode of the last 1980s TV sitcom Head of the Class starring Howard Hesseman How, once you have the screenplay you have a solid outline Making the decision to self publish and where David turned (Reedsy) How spying in the Hitchcock "Rear Window" era is significantly different with spying that can be done via modern drones The difference between flying a drone and flying an aviation model aircraft Advice David would offer to authors thinking of writing a novel or screenplay And more... After the interview, Mark reflects on the craft skills and IP leverage that can come from creating a screenplay, as well as those manuscripts that stay locked in a drawer. Links of Interest: David Boito Findaway Voices Win a Free Audiobook Launch from Findaway Voices Chirp Listing for Canadian Werewolf series Write for the Win Storybundle TikTok FEAR AND LONGING IN LOS ANGELES Giveaway video The Canadian Mounted Patreon for Stark Reflections The Relaxed Author Buy eBook Direct Buy Audiobook Direct Publishing Pitfalls for Authors An Author's Guide to Working with Libraries & Bookstores Wide for the Win Mark's Canadian Werewolf Books This Time Around (Short Story) A Canadian Werewolf in New York Stowe Away (Novella) Fear and Longing in Los Angeles Fright Nights, Big City Lover's Moon   David Boito resides with his wife and son in the San Fernando Valley suburb of Los Angeles, near the miniature airfield that inspired Valley Fliers, his debut novel. He is a longtime fan of aviation and always looks to the sky as a plane goes by. David also works as a screenwriter and has authored short stories. He has been published in the UCLA literary journal, Westwind, among others.

BONUS! Episode featuring author David Boito! David shares about exploring the world of remote control flyers, why he chose to write a book, why self-publishing, and more! Find out more...

Parole che possono apparire incomprensibili, che però stimolano i nostri sensi provocando in noi delle emozioni.

Mefistofele is an opera in a prologue and five acts, then reduced to four and an epilogue, written and composed by Arrigo Boito inspired by Goethe's Faust.The first performance took place in Milan, at the Teatro alla Scala, on March 5, 1868, conducted by Boito himself, but it ended in a sensational fiasco, perhaps due, in addition to the excessive length of the work, to the strongly ideological content of some episodes, then suppressed. The work was then reduced and reworked by the author, who among other things transposed the part of Faust for tenor, originally for baritone; moreover, the figure of Margaret assumes central importance in the context of Faust's saving drama. The new version was successfully staged at the Teatro Comunale in Bologna on October 4, 1875, conducted by Emilio Usiglio in the presence of the composer.Purchase the music (without talk) at:http://www.classicalsavings.com/store/p1403/Boito%3A_Mephistophele.htmlYour purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Il residuato bellico è stato rinvenuto vnerdì mattina nel quartiere di Magrè, fra le vie Boito e Rossini, durante i lavori di scavo per la sostituzione di alcuni tubi dell'acquedotto. E' stata agganciata e spostata insieme alla terra da un'escavatrice di ViAqua. Sul posto son giunti carabinieri e quindi gli artificieri, che dopo averla messa in sicurezza l'hanno spostata in una cava della provincia, dove verrà fatta brillare.

Autor: Friedrich, Uwe Sendung: Fazit Hören bis: 19.01.2038 04:14

A. Boito Mefistofele

Keturah begins this episode speaking with conductor, Karen Kamensek, who talks to her about a moment in Verdi and Boito’s Otello that moves her.  They also talk about Falstaff, and the frustrations of being an artist during Covid.Keturah’s second interview is with librettist and playwright, Greg Pierce, who collaborated with Gregory Spears on Fellow Travelers, Nico Muhly on The Glitch, and is in the process of collaborating with Kevin Puts on The Hours, which will premiere at the Met.  They discuss adaptation, as well as the differences between writing plays and writing libretti.Karen Kamensek: https://www.karenkamensek.com/Arrigo Boito: https://www.britannica.com/biography/Arrigo-BoitoGreg Pierce: https://www.lyricopera.org/about/company/artists-musicians/composers-librettists/greg-pierce/Gregory Spears: http://www.gregoryspears.com/Nico Muhly: http://nicomuhly.com/Kevin Puts: http://www.kevinputs.com/

This classic tale of a man who makes an ill-advised deal with the devil has inspired many operas over the years, including Busoni’s Doktor Faust, Boito’s Mefistofele, and Lutz’s Faust et Marguerite. But no operatic version of this legend has come close to the instant success and enduring popularity of Gounod’s version. Today we have a pre-performance lecture from our “Talking about Opera” archives, featuring lecturer and writer Father Owen Lee, giving us an in-depth history and analysis of the music and creative inspiration behind this legendary work.

Keturah starts her Second Season talking to a myriad of singers, conductors, and directors about how opera text affects them.Sound bites from:Joseph Mechavich https://www.ada-artists.com/conductor-joseph-mechavichStephen Costello https://stephencostellotenor.com/Karen Kamensek https://www.karenkamensek.com/Daniel Kramer http://www.danielkramerdirector.com/indexAlexandra Deshorties https://www.opera-arias.com/singers/alexandra-deshorties/Emily Fons https://www.emilyfons.com/Frederica Von Stade http://www.fredericavonstade.com/Efrain Solis https://www.efrainsolis.com/Thaddeus Strassberger https://www.tstrassberger.com/Patrick Summers https://www.opus3artists.com/artists/patrick-summers/Jonathan Lemalu https://jonathanlemalu.com/Steven Osgood http://www.srosgood.com/Alexandra LoBianco https://imgartists.com/roster/alexandra-lobianco/Crystal Manich https://www.crystalmanich.com/David Walker https://pbopera.org/about-us-2/general-director/Alexandra Loutsion https://www.alexandraloutsion.com/Ned Canty https://operawire.com/qa-opera-memphis-general-director-ned-canty-on-equity-in-the-arts-and-30-days-of-opera/Eva Maria Westbroek https://www.evamariawestbroek.com/William Burden https://www.opus3artists.com/artists/william-burden/

Como parte do II Simpósio Direitas Brasileiras - “Bolsonaro no poder”, apresentamos a entrevista com o professor Armando Boito Jr., professor titular do departamento de Ciência Política do IFCH/Unicamp. A entrevista foi realizada pelo professor Sávio Cavalcante (Sociologia - Unicamp) e por Luís Brasilino, jornalista e editor do Le Monde Diplomatique Brasil e tem como tema "Neofascismo hoje". O simpósio teve como objetivo reunir pesquisadoras e pesquisadores que contribuem para a compreensão da chegada ao poder de Jair Bolsonaro e dos rumos de seu governo. O evento tem apoio do Centro Brasileiro de Análise e Planejamento (Cebrap), Programa de Pós-Graduação em Sociologia da Unicamp, Programa de Pós-Graduação em Ciências Sociais da Universidade Federal de Juiz de Fora e do jornal Le Monde Diplomatique Brasil.

Eine Frau begibt sich auf die gleichermaßen schmerz- wie lustvolle Reise in die tiefsten menschlichen Abgründe.

XVI amžiuje gyvenęs mokslininkas keistuolis Johannas Faustas tapo legendine figūra pirmiausia nemirtingoje W. Goethes poemoje, o dėka jos persikėlė į bemaž keturias dešimtis įvairiausių žanrų muzikinius kūrinius. Faustas tapo R. Wagnerio, R. Schumanno, Ch. Gounod, A. Boito, I. Stravinskio ir daugybės kitų partitūrų herojumi, o kur dar faustiana pop-muzikoje, miuzikluose ir baladėse. Laidos autorius svarsto ir apie Fausto temos gelmę, jos traktuotę tuose kūriniuose, populiarias operas, kuriose jau girdisi būsimų miuziklų atšvaitai. Ved. Giedrius Kuprevičius.

Os conflitos de classe nos governos Lula e Dilma

I'm so pleased to introduce my guest today: Professor of Music Theory and History, Professor Nicholas Baragwanath! His book “The Italian Traditions and Puccini”, a major study of compositional theory and practice in 19th-century Italy, was published in 2011 by Indiana University Press. It surveys the once commonplace fundamentals, methods, and formulas that were taught at Italian music conservatories, and explores their significance for composition through case studies from Rossini, Bellini, and Donizetti to Verdi, Boito, and Puccini. His upcoming book, "The Solfeggio Tradition: A Forgotten art of melody in the long 18th century", will be released in the summer of 2020, published by Oxford University Press. ----- 1:17 What is your musical background? 1:35 What was your area of research in academia? 2:32 How did you end up researching solfeggio? 4:14 Authentic partimenti realizations tend to be rare but are solfeggi manuscripts complete by comparison? 5:16 Are there historical treatises on how to do Solfeggio? 8:03 Did they use “Ut” instead of “Do”? 9:49 What do you mean by 84, aren't there just 7 clefs? 10:23 Would someone with absolute or perfect be bothered by this Italian solfeggio? 11:24 So does Italian solfeggio have similarities to moveable do? 11:36 If hexachord means six notes, where did that 7th note Si or Ti come from? 13:31 Are modes (like Aeolian or Dorian) relevant to solfeggio? 14:44 What are key differences between 17th, 18th and 19th century solfeggi? 16:20 Is solfeggio always tied with a bass? 16:59 How did students learn counterpoint and composition through solfeggio? 19:34 Talking about Solfèges d'Italie and how a single syllable could yield multiple notes of different pitches 20:49 Adding extra notes to Do and Re 22:05 Did the Neapolitan students study singing for 3 years or 6 years? 22:19 What is the difference between basic Lettura or note reading and l'arte del canto: Solfeggio cantato meant with graces? 25:32 Would these Neapolitan students be familiar with Music Schema like the Prinner? 26:28 Would you have to look at a lot of solfeggi examples to build that vocabulary? 27:21 What was the trickiest thing for you to learn, when you started doing solfeggio? 30:09 How should one start solfeggio training from the very beginning? 33:41 As a trained pianist, do you look at your old music scores differently with this solfeggio insight? 35:18 What's the difference in style between the strict style solfeggi and the more popular style solfeggi? 36:37 Did you have choral training in your musical background? 37:05 What was the contemporary reception of Italian solfeggio? 38:12 Have you collaborated with people in historical performance regarding your research in solfeggio? 39:56 To prepare for your book, what should interested musicians and students practice and have prepared? 41:03 Going back to perfect pitch, would pitch matching be erased if someone learned the italian solfeggio way because of the similarities to moveable do? 42:06 Did they use “Do” or the letter “C”? 42:48 It's a very moveable-doish sort of perception? 43:10 Is Italian solfeggio robust enough a system to tackle “progressive” 19th and 20th century music? 44:48 How does solfeggio tackle dissonance? 46:17 How did solfeggio die out? 47:43 You seem to have cracked the mastery of solfeggio.. are there more mysteries left to be uncovered? 50:46 What does it mean: singing the wrong pitch to the right syllable? 51:46 What musical tools and skills did you “discard”, as you've evolved as a musician? 53:38 Upcoming events 54:33 Wrapping Up

O Boito é meu amigo de infância e de vida adulta também. Poucas pessoas me conhecem tanto quanto este cara. De passagem por São Paulo, decidimos falar sobre a plataforma de receitas maravilhosas chamada Meu Rango do Dia, da qual o Boito é o idealizador. Também descambamos para papos absurdos sobre os anos 90 e sobre saber todas as marcas e modelos de pneu só de ver a marca deles no chão.

Frequent Verdi librettist Arrigo Boito wrote only one complete opera in his lifetime, a take on "Faust", entitled MEFISTOFELE. Sacrilegious, mystical, and captivatingly beautiful, Boito’s opera recounts the tale from the devil’s perspective, sung this season at the Met by bass-baritone Christian Van Horn. In this episode, Juilliard faculty member and Guild lecturer John J.H. Muller guides us through Boito’s work in this comprehensive pre-performance talk.

In den nächsten Monaten ist der Tenor Joseph Calleja mehrere Male an der Bayerischen Staatsoper zu Gast - in Werken von Verdi, Boito und Puccini. Im Interview spricht er über die Rolle des Macduff, die Entwicklung seines Repertoires - und warum er Puccini im Grunde für einen Filmemacher hält.

In questa puntata tratteremo del Simon Boccanegra, opera di G. Verdi su libretto di A. Boito, che sarà presto rappresentata alla Scala di Milano.Durante la puntata ascolteremo diverse arie tratte dall'opera ed interpretate da diversi cantanti. Sarà presente durante questa puntata Aron Milani che ci darà spiegazioni sulle tendenze artistiche del tempo e le scelte stilistiche degli scenografi.

This week Maureen was away, so Natalie Moore Williams was in the studio. We chatted with Jonathan O'Boyle about the London transfer of Pippin to the Southwark Playhouse and Oliver Boito about his new EP, Notes of Love. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Bob Wilcox and Gerry Kowarsky review (1) BUYER AND CELLAR, by Jonathan Tolins, at the Rep Studio Theatre, (2) JERRY SPRINGER THE OPERA, by Richard Thomas & Stewart Lee, at New Line Theatre, (3) PAUL ROBESON, by Phillip Hayes Dean, at The Black Rep, (4) RADIUM GIRLS, by D.W. Gregory, at the Kirkwood Theatre Guild, (5) SIGHT UNSEEN, by Donald Margulies, at the New Jewish Theatre, (6) THE PHANTOM OF THE OPERA, by Andrew Lloyd Webber, et al., at the Fox () Theatre, (7) YOU CAN'T TAKE IT WITH YOU, by George S. Kaufman, at the Theatre Guild of Webster Groves, (8) OTELLO, by Verdi & Boito, at Winter Opera Saint Louis, and (9) THE LITTLE PRINCE, by John Scoullar & Rick Cummins, adapted from Antoine de Saint-Exupery, at COCA Presents.

  I present the Garden Scene and the Prison Scene from Boito's Mefistofele, featuring two of the greatest verismo sopranos, Magda Olivero and Virginia Zeani. The Olivero performance is from Macerata, 1972, and features Cesare Siepi and Giorgio Merighi. The Zeani performances is from Trieste, 1970, and features Nicola Rossi-Lemeni (Virginia's husband) and Umberto Grilli.     (61 min.)

 An all-star cast in Boito's Mefistofele under Lamberto Gardelli. Renata Tebaldi, Carlo Bergonzi, and Nicolai Ghiaurov make this a marvelous performance.  (73 min.)

 Scenes from a most exciting 1964 Scala performance of Boito's "Mefistofele," featuring Nicolai Ghiaurov, Carlo Bergonzi, and Raina Kabaiwanska, under Gianandrea Gavazzeni. (70 min.)

This is a great performance of Boito's Mefistofele. The 1931 recording,under Lorenzo Molajoli,features Mafalda Favero,Nazzareno de Angelis, Antonio Melandri, Giannina Arangi-Lombardi, and Ida Mannarini. This is true verismo singing.   (71 min.)

An abridged performance of Boito's Mefistofele, featuring Norman Treigle, one of the greatest singing actors in opera history. Julius Rudel conducts this 1970 performance which features also Gilda Cruz-Romo  and Robert Nagy. I heartily recommend the book as pictured in the photo. (68 min.)

Highlights from a brilliant performance of Boito's "Mefistofele" from Houston, 1992 under John DeMain. Featured are two superb singers whom I have known for so many years, Sam Ramey and Diana Soviero. Also the role of Faust is sung by Franco Farina, and Elena is sung by Elizabeth Holleque. I know you will love this one!!   (73 min.)

 A tribute to Jerome Hines, a great artist. The selections are anounced and biographical material is included. (73 min.) The American Jerome A. Hines (November 8, 1921 – February 4, 2003) was a well-known basso opera singer who was associated with the Metropolitan Opera for many years. His height (6ft 6 inches, or 2m), stage presence and stentorian voice made him ideal for such roles as Sarastro in The Magic Flute, Mephistopheles in Faust, Ramfis in Aida, the Grand Inquisitor in Don Carlos, the title role of Boris Godunov and King Mark in Tristan und Isolde. Hines was born Jerome Albert Link Heinz in Hollywood, California. He studied mathematics and chemistry at the University of California, while also taking vocal lessons. Hines made his operatic debut at the San Francisco Opera in 1941, singing Monterone in Rigoletto. He changed his surname to Hines at the suggestion of his manager Sol Hurok to avoid the anti-German feelings prevalent during World War II.[1] In 1946, Hines made his debut at the Met as the Sergeant in Boris Godunov. He went on to sing forty-one seasons there, longer than any other Met singer, encompassing forty-five roles in thirty-nine operas. During this time he pursued further voice studies with Samuel Margolis and Vladimir Rosing. In 1953, Hines made his European debut with Glyndebourne as Nick Shadow at the Edinburgh Festival in the first British performances of Stravinsky's The Rake's Progress. In 1958, he made his debut at La Scala in the title role of Handel's Hercules. From 1958 to 1963, he sang at Bayreuth in the roles of Gurnemanz, King Mark and Wotan. In 1961, he first appeared at the San Carlo in the title role of Boito's Mefistofele. In 1962, he sang Boris Godunov at the Bolshoi in Moscow, famously for Soviet leader Nikita Khruschev on the eve of the resolution of the Cuban Missile crisis. Hines turned to coaching later in his career, founding the Opera-Music Theatre Institute of New Jersey in 1987, but he continued performing virtually until the end of his life; among his last appearances was a concert performance as the Grand Inquisitor with the Boston Bel Canto Opera in 2001 at the age of 79. A born-again Christian and member of the Salvation Army, Hines composed an opera on the life of Jesus, I Am the Way. He sang the role of Jesus at the Met in 1968 and performed the work many times around the world. Hines wrote a memoir, This is My Story, This is My Song (1969) ISBN 0-8007-0313-8, and two books on singing, The Four Voices of Man (1997) ISBN 0-87910-099-0 and Great Singers on Great Singing (1982) ISBN 0-87910-025-7. Hines died of undisclosed causes in 2003, at age 81 at a Manhattan hospital. Hines was married to the soprano Lucia Evangelista from 1952 until her death from amyotrophic lateral sclerosis in 2000. They had four children, David, Andrew, John and Russell. For most of his life, he lived in South Orange, New Jersey. [edit] External links