POPULARITY
6 episodes with Janice Long
4 episodes with Janice Long
4 episodes with Janice Long
3 episodes with Janice Long
3 episodes with Janice Long
3 episodes with Janice Long
2 episodes with Janice Long
2 episodes with Janice Long
2 episodes with Janice Long
Shaun Tilley celebrates the special relationship Top of the Pops and BBC Radio 1 enjoyed during the 60's, 70's and 80's. Sharing their memories with him are former hosts Pete Murray, Tony Blackburn, David Symonds, Dave Lee Travis, Johnnie Walker, Greg Edwards, Paul Burnett, Rosko, David Hamilton, Kid Jensen, Peter Powell, Mike Read, Andy Peebles, Simon Bates, Steve Wright, Richard Skinner, Adrian Juste, Gary Davies, Pat Sharp, Bruno Brookes, Dixie Peach, Paul Jordan, Simon Mayo and Adrian John! Plus there's archive chats he recorded with David Jacobs, Dave Cash and Ed Stewart as well as Janice Long, alongside classic clips and rare recordings of all those presenters in action fronting the BBC's most iconic TV music show!!
In dieser Woche spreche ich mit Janice - und wie inspirierend unser Interview war! Wir sprechen über Long Covid, Pacing, Raelan Agle & den Rückhalt der Familie! Links mentioned in this episode: Janice: IG: schanitze Superhelden Ohne Cape: IG: superheldenohnecape E-Mail: superheldenohnecape@yahoo.com This podcast is hosted by ZenCast.fm
Formed in Oxford in 2019 Jody And The Jerms released their third full-length album called "Wonder" via JATJ Records. Prior to Wonder, they released Flicker in 2022 and Deeper from 2020. "Wonder," a collection of 12 tracks is produced, mixed and mastered by RIDE frontman Mark Gardener . Loaded with a healthy dose of melodic chrystallised indie pop that is heartfelt and honest, they present endearing jangle-pop songs that are both evocative and relatable.Championed by the late Janice Long at BBC, among others, Jody and the Jerms is Jody Jeger (vocals) and Niall Jeger (guitars and vocals) with other band members coming from The Anyways, who have graced the pages of NME, played with Radiohead and Supergrass and were featured on Mark Radcliffe at BBC Radio 2. As a summer surprise for the world, they just released a new single called "Liberation" also produced by Mark Gardener. https://jodyandthejerms.comhttps://jodyandthejerms.bandcamp.com
Episode 8 of Doctoral Mentoring Master Classes, from the Office of Research and Doctoral Services at Walden University with host, Dr. Lee Stadtlander. In this session Drs. Leilani Gjellstad, Janice Long, Ethel Perry discuss Mentoring Research Recruitment.
This week's crackling logs on the conversational fire include … … the attractively unchanging sound of Joe Henry's 15 albums (the man PRs still sell as “Madonna's brother-in-law”). … the 45th anniversary of David and Mark's first meeting – at an Earth Quake gig at Salford University on February 10 1978. … Neil Tennant's letter to Janice Long. … the recommended TV tribulations of Kleo, East German intelligence operative. … “Is it a nut? Is it a boy? Is it a wino? No, just Wreckless Eric!” A flick through an old Record Mirror from 1978. … where live music costs £3 a minute. … did the Beatles and Stones ever sound remotely similar even when playing the same song? … the Beatles on Juke Box Jury (and what they said about Elvis). … Levon Helm's drum kit. … plus birthday guest David Messer on why everyone should love Bill Wyman. … and birthday guest Adrian Ainsworth recommends three classical albums – Sean Shibe's ‘Lost & Found', ‘A Verlaine Songbook' by Carolyn Simpson and Joseph Middleton, and John Adams' ‘Shaker Loops'.Grab your EXCLUSIVE NordVPN Deal by going to nordvpn.com/yourear to get a Huge Discount off your NordVPN Plan + a Bonus Gift! It's completely risk free with Nord's 30 day money-back guarantee!Subscribe to Word In Your Ear on Patreon to receive early and ad-free access to every future Word Podcast!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
This week's crackling logs on the conversational fire include … … the attractively unchanging sound of Joe Henry's 15 albums (the man PRs still sell as “Madonna's brother-in-law”). … the 45th anniversary of David and Mark's first meeting – at an Earth Quake gig at Salford University on February 10 1978. … Neil Tennant's letter to Janice Long. … the recommended TV tribulations of Kleo, East German intelligence operative. … “Is it a nut? Is it a boy? Is it a wino? No, just Wreckless Eric!” A flick through an old Record Mirror from 1978. … where live music costs £3 a minute. … did the Beatles and Stones ever sound remotely similar even when playing the same song? … the Beatles on Juke Box Jury (and what they said about Elvis). … Levon Helm's drum kit. … plus birthday guest David Messer on why everyone should love Bill Wyman. … and birthday guest Adrian Ainsworth recommends three classical albums – Sean Shibe's ‘Lost & Found', ‘A Verlaine Songbook' by Carolyn Simpson and Joseph Middleton, and John Adams' ‘Shaker Loops'.Grab your EXCLUSIVE NordVPN Deal by going to nordvpn.com/yourear to get a Huge Discount off your NordVPN Plan + a Bonus Gift! It's completely risk free with Nord's 30 day money-back guarantee!Subscribe to Word In Your Ear on Patreon to receive early and ad-free access to every future Word Podcast!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
This week's crackling logs on the conversational fire include … … the attractively unchanging sound of Joe Henry's 15 albums (the man PRs still sell as “Madonna's brother-in-law”). … the 45th anniversary of David and Mark's first meeting – at an Earth Quake gig at Salford University on February 10 1978. … Neil Tennant's letter to Janice Long. … the recommended TV tribulations of Kleo, East German intelligence operative. … “Is it a nut? Is it a boy? Is it a wino? No, just Wreckless Eric!” A flick through an old Record Mirror from 1978. … where live music costs £3 a minute. … did the Beatles and Stones ever sound remotely similar even when playing the same song? … the Beatles on Juke Box Jury (and what they said about Elvis). … Levon Helm's drum kit. … plus birthday guest David Messer on why everyone should love Bill Wyman. … and birthday guest Adrian Ainsworth recommends three classical albums – Sean Shibe's ‘Lost & Found', ‘A Verlaine Songbook' by Carolyn Simpson and Joseph Middleton, and John Adams' ‘Shaker Loops'.Grab your EXCLUSIVE NordVPN Deal by going to nordvpn.com/yourear to get a Huge Discount off your NordVPN Plan + a Bonus Gift! It's completely risk free with Nord's 30 day money-back guarantee!Subscribe to Word In Your Ear on Patreon to receive early and ad-free access to every future Word Podcast!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Katherine Priddy's 2021 debut album, The Eternal Rocks Beneath, was a revelation to me when I discovered it a few years back. Folk music it might have been, but it wasn't so inaccessible that it was too much for those who merely enjoy their rock acoustic and restrained. I'm not alone in being a fan of the singer-songwriter from Birmingham. Praise came from Cerys Matthews, Tom Robinson, Radcliffe & Maconie, Janice Long and Guy Garvey, while the great Richard Thompson was so enthused by what he heard, he told MOJO magazine the record was the “best thing he'd heard all year” and took Katherine out on tour with him. And so I thought it might be fun to get Katherine on the blower to tell me about this record, the next record, and a lot more besides. But let me warn you, if you listen to this episode, you will never, ever feel the same way about otters again. Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/
The Heavy North are a six-piece blues-rock band from Liverpool, established in 2018. The line up is Kenny Stuart (Lead Singer), Jose Ibanez (Lead Guitarist & Producer), Andrew Horrocks (Bass Player), Ste Penn (Keyboard player), Mark Rice (Drummer) and Jack Birch (Rhythm Guitarist). Following their festival debut at the Liverpool International Music Festival (LIMF) in 2019, the band self-released their debut 4-track EP ‘Dive Bar Blues' on limited edition 12” vinyl in December 2020. The Heavy North released their long-awaited, 10-track debut album ‘Electric Soul Machine' on Saturday 23rd April 2022 (Record Store Day) and announced a UK headline tour, starting in September 2022. The tour includes their biggest show to date at the Arts Club Theatre, Liverpool on Saturday 24th September where they'll be performing Electric Soul Machine in full as a 12-piece band. "The Heavy North freshen up the early-70s rock template with a soulful vocal recalling Corey Glover (The Living Colour) - 8/10" - Classic Rock Magazine (July 2022) “They've been making a great name for themselves at home in Liverpool and they've got a great cool blues thing going on” - Chris Hawkins, BBC Radio 6 Music “Love it. Stunning, absolutely stunning” - Janice Long, BBC Radio Wales
Episode 2 of Doctoral Mentoring Master Classes, from the Office of Research and Doctoral Services at Walden University with host, Dr. Lee Stadtlander. In this session Drs. Stadtlander, Cathryn Walker, Denise Land, and Janice Long discuss Creating a Community of Care
This week's episode is about writing a different kind of love song, because your own story is not like anyone else's. Making it real. Andy discusses Leonard Cohen, Janice Long, metaphors, similes, and admits how annoying it is when he talks over the music. Andy has gone into the original master recordings of Not so Far Away and you'll hear a mellotron, guitar lines, and a glockenspiel you haven't heard before. Did you spot the Marvin Gaye line on the finished album? The older songs he mentions are Vision of You and You and Your Blue Skies."If you're looking for something, it's maybe closer than you think it is."You can find the released version of Not so Far Away and stream, download or order Andy's new album 'This garden is only temporary' on Bandcamp, where all proceeds from Fire Engines, Blue Trains and Trucks, and the album it comes from, Time is a Buffalo, will go to the Ukrainian Red Cross.Please subscribe and share, thanks for your support!
In this episode we welcome the excellent Kate Mossman to our state-of-the-art recording suite and ask her about her writing career and musical passions. She talks about working with Mark Ellen at The Word and about her current employer the New Statesman, and Jasper quotes from a recent Statesman piece she wrote about her secret passion for jazz fusion.Kate's interview with "mean old daddy" Cary Raditz affords her the chance to talk about her beloved Joni Mitchell and the classic Blue song Raditz inspired. Joni's request to follow Neil Young's lead and have Blue and other albums removed from Spotify prompts discussion of the streaming platform's headaches in the wake of Joe Rogan's COVID disinformation.Another of Kate's Statesman pieces, about Lou Reed, gives her and co-hosts Mark & Barney the perfect excuse to riff on Reed's notoriously sadistic treatment of British interviewers — and the cue for Mark to talk about Martin Aston's 1989 audio interview with the ex-Velvets man. From there we turn to Lou's fellow contrarian Morrissey and the "severed alliance" between him and former Smiths bandmate Johnny Marr. With the latter releasing a new album this month, Kate and the RBP crew reflect on the very different personalities (and values) of the two Mancunians.After noting the passing of folk matriarch Norma Waterson, Mark references recently-added library pieces about Sam Cooke, Todd Rundgren and the late Janice Long. Jasper then finishes things off with observations on pieces about Glass Animals and Adele.Many thanks to special guest Kate Mossman; find her writing in the New Statesman and on RBP.Pieces discussed: Jazz fusion, Carey Raditz, Lou Reed, Lou Reed audio, Johnny Marr, the Smiths, Morrissey, Norma Waterson, Sam Cooke, Scott Walker, Steve Paul, Nona Hendryx, Vicki Wickham, Black Sabbath, Todd Rundgren, Janice Long, Laura Barton's heckler's guide, Glass Animals and Adele.
In this episode we welcome the excellent Kate Mossman to our state-of-the-art recording suite and ask her about her writing career and musical passions. She talks about working with Mark Ellen at The Word and about her current employer the New Statesman, and Jasper quotes from a recent Statesman piece she wrote about her secret passion for jazz fusion. Kate's interview with "mean old daddy" Cary Raditz affords her the chance to talk about her beloved Joni Mitchell and the classic Blue song Raditz inspired. Joni's request to follow Neil Young's lead and have Blue and other albums removed from Spotify prompts discussion of the streaming platform's headaches in the wake of Joe Rogan's COVID disinformation. Another of Kate's Statesman pieces, about Lou Reed, gives her and co-hosts Mark & Barney the perfect excuse to riff on Reed's notoriously sadistic treatment of British interviewers — and the cue for Mark to talk about Martin Aston's 1989 audio interview with the ex-Velvets man. From there we turn to Lou's fellow contrarian Morrissey and the "severed alliance" between him and former Smiths bandmate Johnny Marr. With the latter releasing a new album this month, Kate and the RBP crew reflect on the very different personalities (and values) of the two Mancunians. After noting the passing of folk matriarch Norma Waterson, Mark references recently-added library pieces about Sam Cooke, Todd Rundgren and the late Janice Long. Jasper then finishes things off with observations on pieces about Glass Animals and Adele. Many thanks to special guest Kate Mossman; find her writing in the New Statesman and on RBP. Pieces discussed: Jazz fusion, Carey Raditz, Lou Reed, Lou Reed audio, Johnny Marr, the Smiths, Morrissey, Norma Waterson, Sam Cooke, Scott Walker, Steve Paul, Nona Hendryx, Vicki Wickham, Black Sabbath, Todd Rundgren, Janice Long, Laura Barton's heckler's guide, Glass Animals and Adele. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode we welcome the excellent Kate Mossman to our state-of-the-art recording suite and ask her about her writing career and musical passions. She talks about working with Mark Ellen at The Word and about her current employer the New Statesman, and Jasper quotes from a recent Statesman piece she wrote about her secret passion for jazz fusion. Kate's interview with "mean old daddy" Cary Raditz affords her the chance to talk about her beloved Joni Mitchell and the classic Blue song Raditz inspired. Joni's request to follow Neil Young's lead and have Blue and other albums removed from Spotify prompts discussion of the streaming platform's headaches in the wake of Joe Rogan's COVID disinformation. Another of Kate's Statesman pieces, about Lou Reed, gives her and co-hosts Mark & Barney the perfect excuse to riff on Reed's notoriously sadistic treatment of British interviewers — and the cue for Mark to talk about Martin Aston's 1989 audio interview with the ex-Velvets man. From there we turn to Lou's fellow contrarian Morrissey and the "severed alliance" between him and former Smiths bandmate Johnny Marr. With the latter releasing a new album this month, Kate and the RBP crew reflect on the very different personalities (and values) of the two Mancunians. After noting the passing of folk matriarch Norma Waterson, Mark references recently-added library pieces about Sam Cooke, Todd Rundgren and the late Janice Long. Jasper then finishes things off with observations on pieces about Glass Animals and Adele. Many thanks to special guest Kate Mossman; find her writing in the New Statesman and on RBP. Pieces discussed: Jazz fusion, Carey Raditz, Lou Reed, Lou Reed audio, Johnny Marr, the Smiths, Morrissey, Norma Waterson, Sam Cooke, Scott Walker, Steve Paul, Nona Hendryx, Vicki Wickham, Black Sabbath, Todd Rundgren, Janice Long, Laura Barton's heckler's guide, Glass Animals and Adele.
In this episode we welcome the excellent Kate Mossman to our state-of-the-art recording suite and ask her about her writing career and musical passions. She talks about working with Mark Ellen at The Word and about her current employer the New Statesman, and Jasper quotes from a recent Statesman piece she wrote about her secret passion for jazz fusion.Kate's interview with "mean old daddy" Cary Raditz affords her the chance to talk about her beloved Joni Mitchell and the classic Blue song Raditz inspired. Joni's request to follow Neil Young's lead and have Blue and other albums removed from Spotify prompts discussion of the streaming platform's headaches in the wake of Joe Rogan's COVID disinformation.Another of Kate's Statesman pieces, about Lou Reed, gives her and co-hosts Mark & Barney the perfect excuse to riff on Reed's notoriously sadistic treatment of British interviewers — and the cue for Mark to talk about Martin Aston's 1989 audio interview with the ex-Velvets man. From there we turn to Lou's fellow contrarian Morrissey and the "severed alliance" between him and former Smiths bandmate Johnny Marr. With the latter releasing a new album this month, Kate and the RBP crew reflect on the very different personalities (and values) of the two Mancunians.After noting the passing of folk matriarch Norma Waterson, Mark references recently-added library pieces about Sam Cooke, Todd Rundgren and the late Janice Long. Jasper then finishes things off with observations on pieces about Glass Animals and Adele.Many thanks to special guest Kate Mossman; find her writing in the New Statesman and on RBP.Pieces discussed: Jazz fusion, Carey Raditz, Lou Reed, Lou Reed audio, Johnny Marr, the Smiths, Morrissey, Norma Waterson, Sam Cooke, Scott Walker, Steve Paul, Nona Hendryx, Vicki Wickham, Black Sabbath, Todd Rundgren, Janice Long, Laura Barton's heckler's guide, Glass Animals and Adele.
From 1982-1987, the late Janice Long made a mighty and trailblazing contribution to BBC Radio 1...which at the time was probably the world's biggest music station! Shaun Tilley introduces this special tribute edition of the series featuring Janice telling the truly unique story of ‘her' Radio 1!!
In this episode we welcome the legendary Pete Wingfield to Hammersmith to discuss his career as a keyboard player, record producer and music journalist.We start by asking Pete about Soulbeat, the fanzine he started at Wellington College, and about the network of R&B fans in mid-'60s Britain. From there we learn about Mike Vernon's Blue Horizon label (and Chipping Norton studio); about Pete's 1967 trip to America, where he met Otis Redding at Stax studios; and about the Breakfast Special album that produced his big 1975 hit 'Eighteen with a Bullet'.Fast-forwarding to 1981, Pete tells Barney, Mark & Jasper about Sylvia Robinson, the Sugarhill Gang, and cutting Mel Brooks' rap hit 'It's Good to be the King' in a basement studio in Mortlake — the same place where he produced Dexys Midnight Runners' No. 1 hit 'Geno'. A brief discussion of Dexys and Searching for the Young Soul Rebels leads into recollections of touring with the reunited Everly Brothers, producing the Proclaimers' '500 Miles' and playing on Paul McCartney's 1999 covers album Run Devil Run.Clips from Cliff White's 1980 audio interview with New Orleans great Lee Dorsey provide the perfect excuse to express our abiding love of Lee and of Allen Toussaint's Crescent City soul sound. Staying in a southern vein, we mark the passing of country-soul king Joe Simon, who died in December. We also bid a sad farewell to beloved Radio 1 deejay Janice Long.Mark talks us out with quotes from pieces about Kathy Kirby, Van Dyke Parks, Prince's Controversy and Shelby Lynne, while Jasper brings us up to date with his thoughts on Taku Sugimoto, Wolf Alice and Sampa the Great.Pieces discussed: Pete Wingfield, Twenty Essential Soul Records, The Sugarhill Gang, Dexys Midnight Runners, Searching for the Young Soul Rebels, Lee Dorsey audio, Wingfield on Toussaint, Joe Simon, Janice Long, George Harrison and Eric Clapton, The Band, Prince's Controversy, Kathy Kirby, Van Dyke Parks, Shelby Lynne, Taku Sugimoto, Wolf Alice and Sampa the Great.
In this episode we welcome the legendary Pete Wingfield to Hammersmith to discuss his career as a keyboard player, record producer and music journalist. We start by asking Pete about Soulbeat, the fanzine he started at Wellington College, and about the network of R&B fans in mid-'60s Britain. From there we learn about Mike Vernon's Blue Horizon label (and Chipping Norton studio); about Pete's 1967 trip to America, where he met Otis Redding at Stax studios; and about the Breakfast Special album that produced his big 1975 hit 'Eighteen with a Bullet'. Fast-forwarding to 1981, Pete tells Barney, Mark & Jasper about Sylvia Robinson, the Sugarhill Gang, and cutting Mel Brooks' rap hit 'It's Good to be the King' in a basement studio in Mortlake — the same place where he produced Dexys Midnight Runners' No. 1 hit 'Geno'. A brief discussion of Dexys and Searching for the Young Soul Rebels leads into recollections of touring with the reunited Everly Brothers, producing the Proclaimers' '500 Miles' and playing on Paul McCartney's 1999 covers album Run Devil Run. Clips from Cliff White's 1980 audio interview with New Orleans great Lee Dorsey provide the perfect excuse to express our abiding love of Lee and of Allen Toussaint's Crescent City soul sound. Staying in a southern vein, we mark the passing of country-soul king Joe Simon, who died in December. We also bid a sad farewell to beloved Radio 1 deejay Janice Long. Mark talks us out with quotes from pieces about Kathy Kirby, Van Dyke Parks, Prince's Controversy and Shelby Lynne, while Jasper brings us up to date with his thoughts on Taku Sugimoto, Wolf Alice and Sampa the Great. Pieces discussed: Pete Wingfield, Twenty Essential Soul Records, The Sugarhill Gang, Dexys Midnight Runners, Searching for the Young Soul Rebels, Lee Dorsey audio, Wingfield on Toussaint, Joe Simon, Janice Long, George Harrison and Eric Clapton, The Band, Prince's Controversy, Kathy Kirby, Van Dyke Parks, Shelby Lynne, Taku Sugimoto, Wolf Alice and Sampa the Great. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode we welcome the legendary Pete Wingfield to Hammersmith to discuss his career as a keyboard player, record producer and music journalist. We start by asking Pete about Soulbeat, the fanzine he started at Wellington College, and about the network of R&B fans in mid-'60s Britain. From there we learn about Mike Vernon's Blue Horizon label (and Chipping Norton studio); about Pete's 1967 trip to America, where he met Otis Redding at Stax studios; and about the Breakfast Special album that produced his big 1975 hit 'Eighteen with a Bullet'. Fast-forwarding to 1981, Pete tells Barney, Mark & Jasper about Sylvia Robinson, the Sugarhill Gang, and cutting Mel Brooks' rap hit 'It's Good to be the King' in a basement studio in Mortlake — the same place where he produced Dexys Midnight Runners' No. 1 hit 'Geno'. A brief discussion of Dexys and Searching for the Young Soul Rebels leads into recollections of touring with the reunited Everly Brothers, producing the Proclaimers' '500 Miles' and playing on Paul McCartney's 1999 covers album Run Devil Run. Clips from Cliff White's 1980 audio interview with New Orleans great Lee Dorsey provide the perfect excuse to express our abiding love of Lee and of Allen Toussaint's Crescent City soul sound. Staying in a southern vein, we mark the passing of country-soul king Joe Simon, who died in December. We also bid a sad farewell to beloved Radio 1 deejay Janice Long. Mark talks us out with quotes from pieces about Kathy Kirby, Van Dyke Parks, Prince's Controversy and Shelby Lynne, while Jasper brings us up to date with his thoughts on Taku Sugimoto, Wolf Alice and Sampa the Great. Pieces discussed: Pete Wingfield, Twenty Essential Soul Records, The Sugarhill Gang, Dexys Midnight Runners, Searching for the Young Soul Rebels, Lee Dorsey audio, Wingfield on Toussaint, Joe Simon, Janice Long, George Harrison and Eric Clapton, The Band, Prince's Controversy, Kathy Kirby, Van Dyke Parks, Shelby Lynne, Taku Sugimoto, Wolf Alice and Sampa the Great.
In this episode we welcome the legendary Pete Wingfield to Hammersmith to discuss his career as a keyboard player, record producer and music journalist.We start by asking Pete about Soulbeat, the fanzine he started at Wellington College, and about the network of R&B fans in mid-'60s Britain. From there we learn about Mike Vernon's Blue Horizon label (and Chipping Norton studio); about Pete's 1967 trip to America, where he met Otis Redding at Stax studios; and about the Breakfast Special album that produced his big 1975 hit 'Eighteen with a Bullet'.Fast-forwarding to 1981, Pete tells Barney, Mark & Jasper about Sylvia Robinson, the Sugarhill Gang, and cutting Mel Brooks' rap hit 'It's Good to be the King' in a basement studio in Mortlake — the same place where he produced Dexys Midnight Runners' No. 1 hit 'Geno'. A brief discussion of Dexys and Searching for the Young Soul Rebels leads into recollections of touring with the reunited Everly Brothers, producing the Proclaimers' '500 Miles' and playing on Paul McCartney's 1999 covers album Run Devil Run.Clips from Cliff White's 1980 audio interview with New Orleans great Lee Dorsey provide the perfect excuse to express our abiding love of Lee and of Allen Toussaint's Crescent City soul sound. Staying in a southern vein, we mark the passing of country-soul king Joe Simon, who died in December. We also bid a sad farewell to beloved Radio 1 deejay Janice Long.Mark talks us out with quotes from pieces about Kathy Kirby, Van Dyke Parks, Prince's Controversy and Shelby Lynne, while Jasper brings us up to date with his thoughts on Taku Sugimoto, Wolf Alice and Sampa the Great.Pieces discussed: Pete Wingfield, Twenty Essential Soul Records, The Sugarhill Gang, Dexys Midnight Runners, Searching for the Young Soul Rebels, Lee Dorsey audio, Wingfield on Toussaint, Joe Simon, Janice Long, George Harrison and Eric Clapton, The Band, Prince's Controversy, Kathy Kirby, Van Dyke Parks, Shelby Lynne, Taku Sugimoto, Wolf Alice and Sampa the Great.
It's the first Planet Porky of 2022 as Lesley-Ann Jones joins Mike Parry in the hot seat once again for their unique look at some of the week's big stories. Topics include: keeping hold of your old phone, modern device complications, drinking in converted churches, Henry VIII controversy, Bill Wyman's collections, challenges for fans wanting to pay their respects, David Bowie's catalogue being sold, Paul McCartney's grounding, merchandise not signed by the relevant celebrity, Lady Colin Campbell, the death of Janice Long, Amanda Holden's daughter taking up modelling and loads more. It's the podcast that can never be accused of phoning it in, it's Life on Planet Porky. Follow the show on Twitter: @PlanetPorky or Mike is: @MikeParry8 while you can find Lesley-Ann: @LAJwriter. Or you can email us questions or comments to: planetporkypod@gmail.com. We'd love to hear from you!
Julian Worricker on Janice Long, the pioneering female DJ who was heard on Radios 1 and 2 and was a familiar face on Top of the Pops. “Marvellous” Marvin Hagler, one of the greatest middleweight boxing champions of all time. Esther Bejarano, one of the last survivors of the Auschwitz women's orchestra who devoted her life to campaigning against racism. Leslie Bricusse OBE, the prolific songwriter behind dozens of hits for stage and screen, including songs for the Bond films, Willy Wonka and Doctor Dolittle. Producer: Dan Hardoon Interviewed guest: Annie Nightingale CBE Interviewed guest: Peter “Hooky” Hook Interviewed guest: Sugar Ray Leonard Interviewed guest: John McDonald Interviewed guest: Antonella Romeo Interviewed guest: Kutlu Yurtseven Interviewed guest: Evie Bricusse Interviewed guest: Dame Joan Collins Interviewed guest: Craig McLean Archive clips from: YouTube, Janice Long Radio 2 Presenter on 3-2-1 in 1978; YouTube, Janice Long 1986 interview with Billy Jam 10/09/2020; Top of the Pops, BBC1 07/03/1985; Rob Bonnett interview with Marvin Hagler, BBC TV 11/06/2005; On Side, BBC1 09/03/1998; YouTube, Marvin Hagler vs Alan Minter 1980, Fight Collective 07/03/2021; YouTube, Marvin Hagler vs Sugar Ray Leonard, Top Rank Boxing 06/04/2020; YouTube, Esther Bejarano & Coincidence, ‘Mir Lebn Ejbig'; BBC4, Shooting the War: Women 03/02/2010; YouTube, Kölner Treff - Mit Jeanette Hain und Esther Bejarano 30/03/2019; Esther Bejarano & Microphone Mafia, ‘Avanti Popolo'; BBC Radio 2, Graham Norton 05/11/2017.
NBA News, NFL News, MLB News, NHL News, WNBA News, Coronavirus impact on the sports & entertainment, ABC's Big Sky, Farewell to John Madden, Jeff Dickerson, Tom Skibosh, Chad Stuart, Sayaka Kanda, JD Crow, Desmond Tutu, Jean-Marc Vallee, Wayne Thiebaud, Candy Palmater, Janice Long & Nicholas Georgiade. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/on-the-radar/support
From its launch in 1973, right through the 70's, 80's and 90's...The Radio 1 Roadshow was the world's biggest free broadcasting event! In this edition of the series Shaun Tilley and Smiley Miley visit BBC Radio Wales with guests Gary Davies and Mike Read as they share their Welsh stories of fronting the Roadshow. Plus there's memories from Adrian Juste, Paul Burnett, Janice Long, Andy Peebles, Simon Mayo, Emperor Rosko, Dave Pearce and more!!
UK music artist Otto found excitement over the press coverage for his summer release “Amelia.” There was a noteworthy moment leading up to this excitement. Otto caught the attention of Eurythmics co founder Dave Stewart. Otto had been holed up in his historic post office apartment when we last spoke, but the solitude allowed Otto to do a good deal of songwriting and recording. In this conversation Otto details his excitement over the press coverage for “Amelia,” which included an interview with BBC Radio presenter Janice Long and the attention he received from various BBC Radio outlets. We also had a laugh about his love/hate relationship with social media. Yes he still does his own social media posts. Please enjoy! This episode was powered by Music Marketing Method, a program for indie musicians looking to grow their music career but don't know. Learn more! This episode was powered by Podcast Startup, helping new podcasters overcome the obstacles that stem from tech, marketing, editing and more. Learn More about Podcast Startup! Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support. Visit our Crowd Sponsor page Mentioned in this Episode Amelia (video) iGoByOtto.com Trackd The Gigging Musician Podcast with Jared Judge Related Episodes Collaboration, Music Discovery and Trackd Music–Grant Tilbury-Jaiswal (Ep 194) Emerging Collaboration Tools Could Bring Life to New Music Genres – Grant Tilbury, Trackd (Ep 174) Record Anywhere With Great Results–Markus K (Ep 176) Music Collaboration App Trackd Changed Her Life – Rachel Hearnden (Ep 175) The Art of Collaboration–Otto (Ep 181) Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Music Marketing Method – The program that helps musicians find fans, grow an audience and make consistent income Podcast Startup – The podcast learning platform for creative voices Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music More Resources for musicians Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Visit UnstarvingMusician.com/Podcasts for related links, episode transcripts and past guests. Sign up for the Unstarving Musician email newsletter at UnstarvingMusician.com Stay in touch! @RobonzoDrummer on Twitter and Instagram @UnstarvingMusician on Facebook and YouTube
The Chart Music works do – held after Christmas, because we’re proper mingebags – is kicking right off, and we’re only at the halfway mark of the ’83 Xmas extravaganza. Mike Smith has a wide-on for some Real Aussie Men, Our Sarah uncorks a stupendous slam poetry re-enactment of Bonnie Tyler’s finest five-and-a-bit minutes, Annie Lennox glares at us, Janice Long gets massively full-on, and there’s some rammel Thatcherite American dance-arse. TUCK IN, POP-CRAZED YOUNGSTERS! Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki | Patreon See acast.com/privacy for privacy and opt-out information.
How many true radio greats are on air in a generation? A dozen? Jane Garvey is high on my version of that list. And if the list is a chart, she's still on the way up. She leaves Woman's Hour at just the right time to carve out a Jane-shaped future - where she can own the next decade in UK radio and beyond. Like most greats, her brilliance sounds effortless - and, frankly, I doubt she does have to put in the effort many would have to when seeking anything like the standards she does. Authentic, irreverent, intelligent, honest. All the traits which show radio at its best. A baby boomer - just - inspired by the likes of Janice Long - and the poetic Ray Moore, she arrived at Radio 4's Woman's Hour via Radio Wyvern in Worcester, BBC Hereford and Worcester and the launch of BBC Five Live. Thirteen years later, she left the programme - and this clip is from the final edition of Woman's Hour on 31st December 2019. She's joined by the wonderful Elizabeth Day - who will also be a big part of radio's next era - and I've gone to pains to add on Jane's intro to the drama at the programme's end...
Aled's guests of 2020 share Christmas music and memories. Featuring John Sergeant, Paula Wilcox, Jonathan Harvey, Janice Long, Dr Hilary Jones, Judith Holder, Paul Jackson and Curtis Stigers
As we prepare to launch series three, we look back on the second series of The Lonely Arts Club.Series two was mostly recorded whilst the UK was under lockdown restrictions, meaning a lot of guests joined us virtually. And although the quality of some of episodes vary slightly, the series was still packed full of funny anecdotes and words of wisdom.Author, presenter & founder of Indian street food restaurant, Mowgli - Nisha Katona MBE. Nisha takes us through her journey of growing up in Lancashire and practicing as barrister for 20 years before making the life changing decision to open her first Mowgli restaurant in Liverpool. BAFTA Winning Screenwriter - Joe Ainsworth. Initially wanting to be a singer, Joe tells us how his passion for writing took over and how he ended up working for soap operas such as Brookside and more recently, Holby City. Business developer & host of The Anfield Wrap podcast and filmmaker - Neil Atkinson. Neil takes listeners through the journey of where The Anfield Wrap began and the story behind its success. We hear about the wider meaning of the podcast and what it means to Liverpool fans in a more cultural sense. Art curator, writer & director of Liverpool Biennial - Fatos Ustek. Starting off in Turkey in the 1980s, Fatos tells us how she studied hard and dreamt of becoming a mathematician. We hear about the transition into the arts, which has allowed Fatos to travel and work around the world before coming to Liverpool. Founder of production company, Pinball London - Paula Vaccaro. Paula takes us on her journey from growing up in Argentina to establishing her own production company in the UK. We hear what it takes to be successful in the media industry. Musician & guitarist of Echo & The Bunnymen - Will Sergeant. Will reflects on where his love for music and style came from and how his visits to Liverpool music venue, Eric's inspired him to create his own unique sounds leading him onto achieving global success with Echo & The Bunnymen. Author & award winning journalist - Brian Reade. Brian speaks openly about the bigger moments as his journey through journalism began to unfold. Poignant memories for Brian include his involvement in campaigning for the Hillsborough disaster and once spending the day with sporting legend, Muhammad Ali. Co-founder of Doc Society (formerly Brit Doc) - Beadie Finzi. As Beadie discovered her passion for filmmaking, we hear how her career started and where the dream of The Doc Society first began.Radio & TV presenter - Janice Long. Janice takes a trip down memory lane as she reflects on growing up in Liverpool. Starting off her media career in the studios of BBC Radio Merseyside, we hear how this path then led Janice to become one of the first female broadcasters on BBC Radio One.Former Managing Director (Channel 4) & CEO (Channel 5) - Dawn Airey. Heading up teams that commissioned programmes such as Supermarket Sweep, This Morning and Father Ted, Dawn tells us all about the ups and downs of being in such powerful positions. Playwright - Willy Russell. Taking a trip down memory lane, Willy recalls the horrors of school as a youngster in comparison to the joy he found in going back to education as an adult where he found his passion for writing.
Joining me on 'Pressure' Episode 006 of the Feeling Versonic Podcast is Indie Singer-Songwriter Jack Perrett. During the episode we chat around Jack's musical influences and inspirations, songwriting and coping with the weight of modern day expectation and pressure. "Over the years I've given first sessions to The Smiths, Primal Scream, Amy Winehouse and many more. I get a buzz and a tingle when I hear something special. that's what happened when Heard Jack Perrett". (Janice Long, BBC Radio). This is episode is brought to you by Scott's Menswear. scottsmenswear.com --- Send in a voice message: https://anchor.fm/stephen-connor2/message
The latest episode of the podcast which asks: if The Smiths were still making singles today, would they have a still from Sex Lives Of The Potato Men on the cover?The latest episode – another five hour-plus plunge into the very depths of your favourite Pop TV show – lands us on the very perineum ‘twixt Band Aid and Live Aid, in a shameful era when even the Weetabix are pretending to be American street youths, and on the very cusp of the achingly slow decline of The Pops. The majority of the Zoo Wankers have been culled, the flags and balloons are being reined in, and even though it’s Valentine’s Day, the roiling sexual chemistry between Simon Bates and Janice Long has been dialled right down. Thank God.Musicwise, oof: Top Of The Pops throw the kitchen sink of Pop at us, with no less than 21 acts getting a shine, resulting in 1985 looking better than it has any right to be. This Year’s Most Lovable Bisexual puts a wrecking ball plastered with mirrors through the wall of the charts while he threatens legal action against his label for being mingebags. The Commodores don a black vinyl poppy for their fallen comrades. Bill Sharpe and Gary Numan look at a fax machine. The entire show is derailed when Jonathan King forces us to look at some chlorinated American stodge, but put firmly back on track when Jaz Coleman stares at us. Morrissey machine-guns the audience. Kool and the Gang channel the spirit of Girlyman. And there’s a load of mid-Eighties rammel.Taylor Parkes and Neil Kulkarni wrap their Dads’ ties around their heads and join fellow Street Punk Al Needham for a rampage through the streets of 1985, veering off on such tangents as rubbish Americans not understanding Ribena, getting started on for laughing at the death of Apollo Creed, why standing on a boardroom table for a publicity shot isn’t a good idea, why sneering at girls singing a love song directly at their music teacher is a worse idea, and a revisit to the Perils of Priapic Price. You know there’s gonna be swearing.Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki See acast.com/privacy for privacy and opt-out information.
The latest episode of the podcast which asks: if The Smiths were still making singles today, would they have a still from Sex Lives Of The Potato Men on the cover?The latest episode – another five hour-plus plunge into the very depths of your favourite Pop TV show – lands us on the very perineum ‘twixt Band Aid and Live Aid, in a shameful era when even the Weetabix are pretending to be American street youths, and on the very cusp of the achingly slow decline of The Pops. The majority of the Zoo Wankers have been culled, the flags and balloons are being reined in, and even though it’s Valentine’s Day, the roiling sexual chemistry between Simon Bates and Janice Long has been dialled right down. Thank God.Musicwise, oof: Top Of The Pops throw the kitchen sink of Pop at us, with no less than 21 acts getting a shine, resulting in 1985 looking better than it has any right to be. This Year’s Most Lovable Bisexual puts a wrecking ball plastered with mirrors through the wall of the charts while he threatens legal action against his label for being mingebags. The Commodores don a black vinyl poppy for their fallen comrades. Bill Sharpe and Gary Numan look at a fax machine. The entire show is derailed when Jonathan King forces us to look at some chlorinated American stodge, but put firmly back on track when Jaz Coleman stares at us. Morrissey machine-guns the audience. Kool and the Gang channel the spirit of Girlyman. And there’s a load of mid-Eighties rammel.Taylor Parkes and Neil Kulkarni wrap their Dads’ ties around their heads and join fellow Street Punk Al Needham for a rampage through the streets of 1985, veering off on such tangents as rubbish Americans not understanding Ribena, getting started on for laughing at the death of Apollo Creed, why standing on a boardroom table for a publicity shot isn’t a good idea, why sneering at girls singing a love song directly at their music teacher is a worse idea, and a revisit to the Perils of Priapic Price. You know there’s gonna be swearing.Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki See acast.com/privacy for privacy and opt-out information.
The latest episode of the podcast which asks: if The Smiths were still making singles today, would they have a still from Sex Lives Of The Potato Men on the cover?The latest episode – another five hour-plus plunge into the very depths of your favourite Pop TV show – lands us on the very perineum ‘twixt Band Aid and Live Aid, in a shameful era when even the Weetabix are pretending to be American street youths, and on the very cusp of the achingly slow decline of The Pops. The majority of the Zoo Wankers have been culled, the flags and balloons are being reined in, and even though it’s Valentine’s Day, the roiling sexual chemistry between Simon Bates and Janice Long has been dialled right down. Thank God.Musicwise, oof: Top Of The Pops throw the kitchen sink of Pop at us, with no less than 21 acts getting a shine, resulting in 1985 looking better than it has any right to be. This Year’s Most Lovable Bisexual puts a wrecking ball plastered with mirrors through the wall of the charts while he threatens legal action against his label for being mingebags. The Commodores don a black vinyl poppy for their fallen comrades. Bill Sharpe and Gary Numan look at a fax machine. The entire show is derailed when Jonathan King forces us to look at some chlorinated American stodge, but put firmly back on track when Jaz Coleman stares at us. Morrissey machine-guns the audience. Kool and the Gang channel the spirit of Girlyman. And there’s a load of mid-Eighties rammel.Taylor Parkes and Neil Kulkarni wrap their Dads’ ties around their heads and join fellow Street Punk Al Needham for a rampage through the streets of 1985, veering off on such tangents as rubbish Americans not understanding Ribena, getting started on for laughing at the death of Apollo Creed, why standing on a boardroom table for a publicity shot isn’t a good idea, why sneering at girls singing a love song directly at their music teacher is a worse idea, and a revisit to the Perils of Priapic Price. You know there’s gonna be swearing.Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki See acast.com/privacy for privacy and opt-out information.
The latest episode of the podcast which asks: if The Smiths were still making singles today, would they have a still from Sex Lives Of The Potato Men on the cover?The latest episode – another five hour-plus plunge into the very depths of your favourite Pop TV show – lands us on the very perineum ‘twixt Band Aid and Live Aid, in a shameful era when even the Weetabix are pretending to be American street youths, and on the very cusp of the achingly slow decline of The Pops. The majority of the Zoo Wankers have been culled, the flags and balloons are being reined in, and even though it’s Valentine’s Day, the roiling sexual chemistry between Simon Bates and Janice Long has been dialled right down. Thank God.Musicwise, oof: Top Of The Pops throw the kitchen sink of Pop at us, with no less than 21 acts getting a shine, resulting in 1985 looking better than it has any right to be. This Year’s Most Lovable Bisexual puts a wrecking ball plastered with mirrors through the wall of the charts while he threatens legal action against his label for being mingebags. The Commodores don a black vinyl poppy for their fallen comrades. Bill Sharpe and Gary Numan look at a fax machine. The entire show is derailed when Jonathan King forces us to look at some chlorinated American stodge, but put firmly back on track when Jaz Coleman stares at us. Morrissey machine-guns the audience. Kool and the Gang channel the spirit of Girlyman. And there’s a load of mid-Eighties rammel.Taylor Parkes and Neil Kulkarni wrap their Dads’ ties around their heads and join fellow Street Punk Al Needham for a rampage through the streets of 1985, veering off on such tangents as rubbish Americans not understanding Ribena, getting started on for laughing at the death of Apollo Creed, why standing on a boardroom table for a publicity shot isn’t a good idea, why sneering at girls singing a love song directly at their music teacher is a worse idea, and a revisit to the Perils of Priapic Price. You know there’s gonna be swearing.Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki See acast.com/privacy for privacy and opt-out information.
The latest episode of the podcast which asks: if The Smiths were still making singles today, would they have a still from Sex Lives Of The Potato Men on the cover?The latest episode – another five hour-plus plunge into the very depths of your favourite Pop TV show – lands us on the very perineum ‘twixt Band Aid and Live Aid, in a shameful era when even the Weetabix are pretending to be American street youths, and on the very cusp of the achingly slow decline of The Pops. The majority of the Zoo Wankers have been culled, the flags and balloons are being reined in, and even though it’s Valentine’s Day, the roiling sexual chemistry between Simon Bates and Janice Long has been dialled right down. Thank God.Musicwise, oof: Top Of The Pops throw the kitchen sink of Pop at us, with no less than 21 acts getting a shine, resulting in 1985 looking better than it has any right to be. This Year’s Most Lovable Bisexual puts a wrecking ball plastered with mirrors through the wall of the charts while he threatens legal action against his label for being mingebags. The Commodores don a black vinyl poppy for their fallen comrades. Bill Sharpe and Gary Numan look at a fax machine. The entire show is derailed when Jonathan King forces us to look at some chlorinated American stodge, but put firmly back on track when Jaz Coleman stares at us. Morrissey machine-guns the audience. Kool and the Gang channel the spirit of Girlyman. And there’s a load of mid-Eighties rammel.Taylor Parkes and Neil Kulkarni wrap their Dads’ ties around their heads and join fellow Street Punk Al Needham for a rampage through the streets of 1985, veering off on such tangents as rubbish Americans not understanding Ribena, getting started on for laughing at the death of Apollo Creed, why standing on a boardroom table for a publicity shot isn’t a good idea, why sneering at girls singing a love song directly at their music teacher is a worse idea, and a revisit to the Perils of Priapic Price. You know there’s gonna be swearing.Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki See acast.com/privacy for privacy and opt-out information.
Joining us on this week's episode of The Lonely Arts Club is radio and TV broadcaster, Janice Long.Janice takes a trip down memory lane as she reflects on growing up in Liverpool.Starting off her media career in the studios of BBC Radio Merseyside, we hear how this path then led Janice to become one of the first female broadcasters on BBC Radio One.Making herself known in a male dominated industry was no mean feat and it wasn't long before Janice became a household name. During this episode, Janice relives highlights like being the only female broadcaster to cover the Live Aid concert.“I had a friend of mine, Andy Catlin and we decided to meet up and go to Live Aid at the same time, quite early so it was just as the sun was rising. We milled around and got our instructions and I remember standing on the stage and watching the people arrive and they were like little dots, you can imagine and they got bigger and bigger and bigger as they got towards the stage. And I remember being told that if Status Quo “if it doesn't work, you go on”. And I was thinking, “I'm not a stand-up comedian, what the hell am I gonna do!?” But it worked and Tony Hadley and I just hugged each other and we were in tears!”Sadly, Janice passed away in December 2021. Janice continued to share her passion for new music and through to the end of her career gave emerging artists a platform on her BBC Radio Wales show. We hope that you join us in celebrating the vibrant character that Janice was as she shares with us the highs and lows of her phenomenal broadcasting career.
I was 19 as 1986 began. Technically an adult, drinking in pubs and even had my own car; a 1968 Mini Clubman estate, blue with fake wood side panels. I still lived with my parents even though my YTS placement had turned into a full-time job, albeit a very low paying one. I worked alternate weeks on a night-shift until 11pm but that was OK, I listened to Janice Long and John Peel while I worked, writing down what caught my ear to buy at the weekend. When not working, evenings were spent rehearsing with the band, down one of the local village pubs and, at weekends, Chedworth discos! The idyllic life of a teenage Gloucestershire country bumkin!
Janice joins Aled to reflect on her long career in broadcasting and lifelong love of music. Janice shares stories of working at BBC Radio Merseyside, through to her days at BBC Radio 1, 2, Top of the Pops and 6Music - and in her new home, here on BBC Radio Wales.
Richard Coles and Suzy Klein are joined by writer Marian Keyes, who has just published her 14th novel and has over 30 million of her books sold to date in 36 languages. Also with us is Tori Amos, the Grammy nominated singer-songwriter who has made 15 studio albums, sold 15 million records and also branched off into the worlds of classical music and musical theatre. John Partridge is known for his contribution to EastEnders and Celebrity MasterChef - which he won - he'll be talking about how cooking helped him through difficult stages of his life. And Flavian Obiero, the Sussex pig farmer who arrived in the UK from Kenya aged 15 and, as a keen sportsman, entered Britain's Fittest Farmer competition. We have the Inheritance Tracks of DJ and presenter Janice Long who chooses Happiness performed by Ken Dodd and Love Song by The Cure, and your thank yous. Producer: Corinna Jones Editor: Eleanor Garland
Happiness performed by Ken Dodd and Love Song by The Cure
We talk to Newport-based singer-songwriter Jack Perrett on choosing music over sport after being inspired by Oasis, busking outside Kasabian and Liam Gallagher gigs, playing the famous Cavern Club, the invaluable support from Janice Long and his love for Newport. He also talks about being selected as one of the Horizons/Gorwelion 12 in 2019, working with producer Steffan Pringle, This Feeling and being recognised by Miles Kane at the IOW festival. Jack also chooses Goldie Lookin Chain's debut album, Greatest Hits, as his favourite Welsh album and inducts it in to the Welsh Music Hall of Fame. Featuring new music from Dan Burridge. Follow us on Twitter @welshmusicpod and visit www.welshmusicpodcast.co.uk for more information and to submit a track to showcase.
Broadcaster Janice Long sits down with Marie Curie bereavement expert Jason Davidson to explore her experiences of death and grief.On the Marie Curie Couch is a new podcast that aims to open up conversations about death, break down the taboo and encourage people to share their end-of-life plans.This podcast is made by Marie Curie – the UK’s leading charity providing care for people at the end of their lives. For more interesting perspectives on dying and death, head to mariecurie.org.uk/talkabout. You'll also find resources and support to help you start the conversation with your family and friends.On the Marie Curie Couch is produced and edited by Marie Curie, with support from Ultimate Sound and Vision. The music featured is Time Lapse by PanOceanic. See acast.com/privacy for privacy and opt-out information.
Relish another 7 days of radio bygones. The Desert Island Discs anniversary; Two Strangers and a Wedding; the death of Wogan; FTP becomes Galaxy; and Janice Long leaves Radio 2. Enjoy the last week in radio history, ending January 31st 2020.
The Laughter for All Podcast is for people who appreciate funny clean comedy. It’s for those who want some Good Medicine, encouragement and inspiration. You will Laugh, be Entertained and Encouraged Each Monday, Join Comedian Nazareth as he welcomes Comedians, Artists, Musicians, Pastors, Leaders and other interesting people to entertain and encourage you. https://www.nazarethusa.com/
The Bambi Slam special with Roy in conversation with David Eastaugh After releasing 3 singles in 1987 on Product Inc./MUTE Records in the UK, put out by Rough Trade Records as the "Is" EP in the US. They then released their debut and only full length CD on Blanco y Negro/WEA in the UK, a huge thrill as the band where great fans of label mates the Jesus and Mary Chain, and Warner Bros Records put the record out in the US. The band played and toured with the likes of My Bloody Valentine, Iggy, PiL, the Cult, Big Black, Fields of Nephilm , Sonic Youth , the Pixies etc. and was managed by Andrew Eldridge, singer of The Sisters of Mercy and his partner Boyd Steemson at Merciful Mngmt. They also did BBC radio sessions for both John Peel and Janice Long.
Age of Chance special with Neil Howson in conversation with David Eastaugh Steve Elvidge was a Leeds native, and attended St Michael's College (R.C.); being the most notable musical alumnus of that school since Jake Thackray. Neil Howson, (guitar) also from Leeds studied at Jacob Kramer College of Art, Geoff Taylor (Liverpool) and Jan Perry (Stockport) were students at Leeds Polytechnic, now Leeds Beckett University. Age of Chance first came to national attention in 1985, when their debut single, "Motorcity/ Everlasting Yeah" released on their own label, Riot Bible, was picked up and championed by BBC Radio 1 DJ, John Peel. A session followed, recorded at Maida vale studios and four songs, "Going, Going Gone Man", "Mob Hut", "The Morning After the Sixties" and "I Don't Know and I Don't Care" were recorded. "I Don't Know.." was re-recorded for Gunfire and Pianos, a compilation album released by Zigzag magazine. They released their second self-funded single, "Bible of the Beats" / "Liquid Jungle" in January 1986, which led to an invitation to contribute a track, "From Now On, This Will Be Your God" on the NME C86 compilation tape. The band made their London debut at the ICA Rock week in July 1986. A second Peel session was recorded in June 1986, with "Be Fast, Be Clean, Be Cheap", "From Now On, This Will be Your God", "Kiss" and "How the West was Won". "Kiss" was recorded for the John Peel session while the Prince single was still in the charts. The band then signed to the Sheffield independent record label, Fon, for "Kiss" and its remix 12"s and six track mini-LP Crush Collision. "Kiss" was No. 2 in John Peel's Festive Fifty for 1986. The band signed to Virgin in January 1987, and embarked on a nationwide UK tour. They recorded a Janice Long session comprising "Who's Afraid of the Big Bad Noise", "Hold On" and "Bible of the Motorcity Beats." They began recording their first single for Virgin with producer Howard Gray: "Who's Afraid of the Big Bad Noise/Big Bad Rap" and then started their first Virgin album, One Thousand Years of Trouble. A second single "Don't Get Mad, Get Even" was released in October, followed by the album. In 1988, Channel 4 began using "Don't Get Mad..." as the music for the American Football programme, which ran over the next three years. The band began recording their second Virgin album in the summer at Rockfield in Wales. Original singer Steven-E left in September 1988, during the recording of their second LP, forcing the rest of the band to recruit a new singer, Charles Hutchinson, in January 1989, and "re-vocal" the LP, which was released as Mecca in 1990. The main single from that collection, "Higher Than Heaven" reached No. 53 in the UK, despite being voted "record of the week" by BBC Radio 1's breakfast show listeners. When Hutchinson left, Perry took on vocal duties briefly before the band split in 1991.
The Hit Parade special with Julian Henry talking about life in music, the creative process, starting a record label & much much more The first Hit Parade's records were released in 1984. The Hit Parade's second and third singles "My Favourite Girl" and "The Sun Shines in Gerrards Cross" were played on BBC Radio 1 by DJs John Peel, David "Kid" Jensen and Janice Long but were dismissed by the music press as twee and inconsequential. The band originally consisted of three schoolfriends, Julian Henry, Raymond Watts and Matthew Moffatt. Watts moved to Berlin in 1989 to work with KMFDM, Henry developed a business in marketing and journalism, while Moffatt founded his own film lighting company. But they continue to release records, proclaiming the Latin motto "Semper Eadem" ("alvvays the same"). The Hit Parade record for JSH UK record label producing 7" vinyl singles in limited editions. The first Hit Parade single 'Forever' was released in 1984 with a mock-vorticist manifesto. A year later The Hit Parade signed to Stiff Records but the label went out of business before anything (other than a track on a compilation album) was released. The first pressing of the band's 'See You in Havana' single JSH5 with Stiff Records logo is collectible. The first Hit Parade LP "With Love From The Hit Parade" was released on their own label in 1988 to unfavourable reviews: 'mire of cheesy mundane tunes' 'oblivious to musical developments of the last 24 years' (Q Magazine) 'twee like you wouldn't believe' (MM), apart from NME which declared the Hit Parade to be the 'perfect pop machine'. But the band's diy approach was lauded by fanzines (Caff, Are You Scared To Get Happy, Especially Yellow) and the album sleeve was self-taken 'selfie album cover'. The album has been re-issued and is now regarded as 80s indie classic.[2][3]Following its release Henry was approached by Cherry Red Records and arranged[4] nine songs on the first Would-be-goods album. In the 1990s, The Hit Parade signed to Sarah Records label and recorded "In Gunnersbury Park" b/w "Harvey". After live shows in Tokyo shopping malls in the 90s the Hit Parade were linked to the Shibuya-kei movement alongside groups The Pastels, Orange Juice and Flipper's Guitar in Japan. The Hit Parade signed to Vinyl Japan and later Polystar Records, had a minor hit with "Hello Hannah Hello". They toured Japan several times, played at the opening of the Virgin Megastore Shinjuku, Tokyo, appearing on MTV Japan and other music TV shows, and signed to Minty Fresh Records, Chicago, in the United States releasing their first US single, "Hello Hannah Hello". The Hit Parade produced their fifth album with St Etienne producer Ian Catt in 2006 The Return of the Hit Parade, and 9th single "My Stupid Band", the story of a failed pop group doomed to a life of obscurity. It was published with a Manifesto that called for Food Lovers Fairs to be banned and for JG Ballard to be knighted. In 2007 the Hit Parade single "You Didn't Love Me Then", appeared on Sanctuary Records C86 double album Cd86: The Birth of Indie Pop. The 10th Hit Parade 7" single was a tribute to Le Corbusier's 'Unite D'Habitation', featuring Manchester singer Cath Carroll. "I Like Bubblegum" b/w "Zennor Mermaid" raised funds for the Porthmeor Studio in St Ives Cornwall restoration fund and was voted one of the best singles of 2010 by Drowned in Sound. Julian Henry was interviewed in The Guardian in 2011. In 2014 the Hit Parade released "Cornish Pop Songs", songs set in South West England, described by Cornishman art critic Lee Trewhela as 'the best album made about Cornwall this century" and "a glorious collection of melodic, memorable guitar-based tunes". The album was re-issued on vinyl in 2016. Henry and Watts have been recording new Hit Parade material for 2019 release ; their 13th single "Happy World", released in 2018 to mark Record Store Day was described by the Arts Desk as "the very definition of twee Eighties style indie".
A compilation of archive material from Janice Long's years at Radio 1.
Podcast Presenter Davie Scott guests on The Janice Long Show on BBC Radio Wales.
In 2008 Janice Long moved from Vancouver to Victoria and with her she brought decades of Interior Design experience. She is the proud owner of Calla Design in Oak Bay, a boutique design shop. Her store carries beautiful items you won't see anywhere else on the Island. If you are thinking of renovating or just looking for a nice gift you can find it all at Calla Design! In the first half of the video Janice talks about the different areas she moved to in Victoria until finally settling in Colwood. She describes the commute like being on vacation with all the beautiful views. This is podcast you won't want to miss!http://calla.design
In 2008 Janice Long moved from Vancouver to Victoria and with her she brought decades of Interior Design experience. She is the proud owner of Calla Design in Oak Bay, a boutique design shop. Her store carries beautiful items you won't see anywhere else on the Island. If you are thinking of renovating or just looking for a nice gift you can find it all at Calla Design! In the first half of the video Janice talks about the different areas she moved to in Victoria until finally settling in Colwood. She describes the commute like being on vacation with all the beautiful views. This is podcast you won't want to miss!http://calla.design
Janice talks about her years as a DJ at BBC Radio 1
Roger Bolton follows up the issues that are concerning listeners and asks if the BBC Reality Check team can combat the spread of 'fake news'. With audiences across the world getting caught out by viral stories, and dodgy statistics and shocking facts beginning to have a direct impact on politics, the BBC is responding with concrete efforts to tackle the growing phenomena of 'fake news'. The corporation has established a permanent statistic verification team called Reality Check. From the central newsroom of the BBC, News Editor James Stephenson details the inner workings of this group and what he hopes they will achieve, and discusses how much attention the BBC should give to stories based on 'fake news'. Ahead of Donald Trump's inauguration as President of the USA, Michael Gove was invited onto Radio 4's Today Programme to discuss his exclusive interview with the President Elect. But some listeners were left scratching their heads over the heavyweight 8:10am slot being given to a backbencher - and the lengthy time he was allocated. Listeners have also been expressing their dismay at the news that Radio 2 are axing live overnight presenters Alex Lester and Janice Long from the After Midnight show - to be replaced with repeats and pre-recorded playlists. Roger Bolton asks Lewis Carnie, the relatively new head of BBC Radio 2, to justify the cutbacks. And can music be the flame to ignite radio drama? Listeners give their poignant and personal reflections to recent Radio 4 drama On Kosovo Field, which was inspired by and written from previously unreleased music by PJ Harvey. Writer Fin Kennedy explains how he translated emotive lyrics into dramatic narratives. Producer: Karen Pirie A Whistledown production for BBC Radio 4.
On this weeks XS Noize Music Podcast Larry Love from The Alabama 3 talks to Mark Millar about the bands new album ‘Blues' and 20 year anniversary. Alabama 3 are set to release brand new album on the Hostage Music label on the 28th of October 2016. ‘Blues', is their thirteenth long player and was recorded and co-produced with Wizard (Chemical Brothers, Dizzee Rascal, X-Press 2, Wiley, DJ Fresh, M.I.A. / Diplo, Chase & Status) at Dean Street Studios in London this year. The new album features ten tracks, including the forthcoming new single ‘(I'll Never Be) Satisfied', and brings together their now trademark chain gang clarion calls, bittersweet dope laments, sleazy whiskey rhythms, wailing harmonicas and obligatory Delta slide to great effect. Too many highlights to mention, this is a essentially a straight ahead Rock 'n' Roll record that captures and embraces every human emotion and is possibly the infamous London band's most complete and finest collection of songs to date. This weeks featured track is ‘Runaway' the latest single from Manchester indie band ‘Affairs'. With a run of 3 singles: Blood Science, Brothers and Play, Manchester band AFFAIRS have established themselves on the UK indie music scene and now come with their debut EP Stained Gold featuring the single Runaway. With support from DJs Steve Lamacq, John Kennedy, Chris Hawkins, Tom Robinson, Janice Long, Dermot O'Leary, Alan Raw and Jim Gellatly, tracks on TV channels BBC One / Football Focus, BT Sport, BT Music, Virgin Media and SUBtv plus rave reviews on many websites & blogs including Clash Magazine and the Guardian's Little Indie Blogs, AFFAIRS have an ever-growing fanbase eager to get their hands on the Stained Gold EP. Get in touch: podcast@xsnoize.com Twitter: @xsnoizemusic Facebook: https://www.facebook.com/xsnoizemusic
On the 30th anniversary of the day four people who were there — Janice Long, Dylan Jones, Mark Ellen and David Hepworth — talk about what it was like, how it didn't quite happen as planned, how people and press reacted at the time and what it changed about music and media. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
On the 30th anniversary of the day four people who were there — Janice Long, Dylan Jones, Mark Ellen and David Hepworth — talk about what it was like, how it didn't quite happen as planned, how people and press reacted at the time and what it changed about music and media. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
On the 30th anniversary of the day four people who were there — Janice Long, Dylan Jones, Mark Ellen and David Hepworth — talk about what it was like, how it didn't quite happen as planned, how people and press reacted at the time and what it changed about music and media.
Stuart Clarkson is in for Trevor again, and has a chat with Janice Long as she starts her new midnight shows on BBC Radio 2, plus radio news with Roy Martin and David Lloyd's Radio Moments.
Trevor Dann reports from GLR's 25th birthday party. The BBC's station for London opened in 1988 offering 'rock n rolling news'. Matthew Bannister, Janice Long, Gideon Coe, Peter Curran, Richard Skinner and David Hepworth are among the alumni in their anecdotage
Janice Long, Jude Rogers and Andrew Harrison convene in the pod to discuss Top Of The Pops, that Michael Jackson statue, and the t-shirts of rock.
Janice Long, Jude Rogers and Andrew Harrison convene in the pod to discuss Top Of The Pops, that Michael Jackson statue, and the t-shirts of rock. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
Janice Long, Jude Rogers and Andrew Harrison convene in the pod to discuss Top Of The Pops, that Michael Jackson statue, and the t-shirts of rock. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
What does it take to become a pop radio DJ? Almost 30yrs ago, four djs tried to answer that question - Simon Young and Larry Gogan from RTE Radio 2, Janice Long from BBC Radio 1 and Declan Meehan from Capital Radio London. Top tips..... (Broadcast 1985)
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