Podcasts about fillmore auditorium

These days, when you see a show at the Fillmore Auditorium in San Francisco, you might be lucky enough to get your very own poster for free. They're a highly anticipated parting gift given out at the biggest shows. “The posters are artifacts, pieces of time,” says this week's question asker ,Ben Kaiser. “They're as much [a part] of the concert as the concert.” That got him wondering: the posters of the Fillmore are so legendary, who is the person behind them? From 1985 to 2019, the answer was Arlene Owseichik. In this episode, we meet the woman behind the posters, and learn about the creative process that went into the creation of each one. Bay Curious answers your questions about the San Francisco Bay Area each week. If you have a question you'd like us to answer, submit it at baycurious.org. Additional Reading: Meet the Woman Behind Thousands of Famous Fillmore Posters Read the transcript of this episode Sign up for our newsletter Enter our Sierra Nevada Brewing Company monthly trivia contest Your support makes KQED podcasts possible. You can show your love by going to https://kqed.org/donate/podcasts This story was reported by Bianca Taylor. Bay Curious is made by Olivia Allen-Price, Katrina Schwartz and Christopher Beale. Additional support from Jen Chien, Katie Sprenger, Maha Sanad, Alana Walker, Holly Kernan and the whole KQED family.

The Ringer's Bill Simmons is joined by Ryen Russillo LIVE from Fillmore Auditorium in Denver, CO, to give Nikola Jokic his flowers and discuss the Nuggets' NBA Cup win vs. the Warriors, Bill and Ryen's NBA biases this season, a new segment called the NBA Worry Scale, Bo Nix's surprising rookie season, Ryen's top five TV/movie girlfriends, how Bill and Ryen first met, a sports edition of “would you rather,” and much more! Host: Bill Simmons Guest: Ryen Russillo Producer: Kyle Crichton The Ringer is committed to responsible gaming. Please visit www.rg-help.com to learn more about the resources and helplines available. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Cannabis, COVID, and Concerts: A Grateful Dead Fan's Journey"Larry Mishkin is back from a break spent in South Carolina with his granddaughter he shares his experience of contracting a mild case of COVID, attributing his quick recovery to his cannabis use. He references studies suggesting that certain strains of sativa marijuana may mitigate COVID symptoms.The episode features a detailed discussion of a special Grateful Dead concert from July 15, 1989, at Deer Creek Music Theater in Noblesville, Indiana. Larry reminisces about the venue, the band's setlist, and the memorable experience shared with friends. He highlights key performances from the show, including "Bertha," "Greatest Story Ever Told," "Candyman," "Walkin' Blues," and others.Larry also covers recent music news, mentioning Melissa Etheridge's performance in Colorado and her upcoming summer tour. He shares updates on the String Cheese Incident's New Orleans-themed show at Red Rocks and Phish's recent appearance on The Tonight Show with Jimmy Fallon, where they performed "Evolve" from their new album. Grateful DeadDeer Creek Music Theater CenterNoblesville, INGrateful Dead Live at Deer Creek Music Center on 1989-07-15 : Free Borrow & Streaming : Internet Archive With:  Judy, Andy K., Lary V., AWell and others First Dead show ever at Deer Creek which had just opened that year.  Became a regular stop on the Dead's summer tour thereafter and one of the favorite places for the Deadheads given its relatively small size as compared to the stadium venues that soon became the norm for summer tours.  Ironically, two days after this one-off Dead played their final 3 shows at Alpine Valley, switched to Tinley Park in 1990 and then starting in 1991 Chicago summer  tour shows were confined to Soldier Field with 60,000 attendees. INTRO:                                 Bertha                                                Track #2                                                1:20 – 3:00 Garcia/Hunter – first appeared on Grateful Dead (live) aka Skull and Roses or Skullfuck (1971)Played: 401First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 27, 1995 at the Palace of Auburn Hills, Detroit, MI  SHOW No. 1:                    Walkin Blues                                                Track #5                                                1:38 – 3:20 "Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions. "Walkin' Blues" was not a commercial success when it was issued as a "race record" marketed to black listeners.  However, the song was received with great enthusiasm by a small group of white jazz record collectors and critics. Producer John Hammond chose "Walkin' Blues" and "Preachin' Blues" as the records to be played at his 1938 From Spirituals to Swing concert, when Johnson himself could not appear (Johnson had died a few months earlier).[15] The 1961 Johnson compilation album King of the Delta Blues Singers was marketed to white enthusiasts. According to most sources, John Hammond was involved in the production and the selection of tracks. The album included the two House-style songs and a song with House-style guitar figures ("Cross Road Blues" and excluded songs in the commercial style of the late 1930s. Notable exclusions were Johnson's one commercial hit, "Terraplane Blues", and two songs which he passed on to the mainstream of blues recording, "Sweet Home Chicago" and "Dust My Broom". Dead first played it in 1966, once in 1982 and 4 times in 1985.  Then, beginning in 1987 it became a standard part of Dead song lists, peaking in 1988 when it was played 23 times.  Became one of Bobby's early first set blues numbers with Minglewood Blues, CC Rider and Little Red Rooster. Played: 141First:  October 7, 1966 at Fillmore Auditorium, San Francisco, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA   SHOW No. 2:                    Crazy Fingers                                                Track #12                                                4:30 – 6:12 Pretty standard second set song, usually pre-drums.  Fist played in 1975, a few times in 1976 and then dropped until 1982 at Ventura County Fairgrounds (day after my first show).  Played 7 times that year, dropped until 1985 (10 times), then dropped until 1987 and then played regularly until the end.  Great tune, Jerry often forgot the lyrics and this version is great because Bobby saves him on the lyrics when Jerry starts to go astray.  Good fun considering how many times Bobby would forget the words to his songs. But one of those things you remember if you see it happen Garcia/Hunter, released on Blues For Allah (Sept. 1, 1975)Played: 145 timesFirst:  June 17, 1975 at Winterland Arena, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis)  SHOW No. 3:                    Truckin                                                Track #13                                                7:00 – end Hunter/Garcia/Weir/Lesh/Kreutzman (Pigpen went inside to take a nap) by the side of a pool.Released on American Beauty (November, 1970) final tune on the albumPlayed: 532 timesFirst:  August 17, 1970 at Fillmore West, San Francisco, CA, USALast:  July 6, 1995 at Riverport Amphitheatre in Maryland Heights, MO                                                  INTO                                                Smokestack Lightning                                                Track #14                                                0:00 – 0:36  "Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf (Chester Burnett) in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it.  Recorded at Chess Records in Chicago and released in March, 1956 with You Can't Be Beat on the B side. Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s,[1] when he was performing with Charley Patton in small Delta communities.[1] The song, described as "a hypnotic one-chord drone piece",[2] draws on earlier blues, such as Tommy Johnson's "Big Road Blues",[3] the Mississippi Sheiks' "Stop and Listen Blues",[4] and Charley Patton's "Moon Going Down".[5][6] Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In a song review for AllMusic, Bill Janovitz described "Smokestack Lightning" as "almost like a distillation of the essence of the blues... a pleasingly primitive and raw representation of the blues, pure and chant-like. Wolf truly sounds like a man in otherwise inexpressible agony, flailing for words."[8] In 1999, the song received a Grammy Hall of Fame Award, honoring its lasting historical significance.[13]Rolling Stone magazine ranked it at number 291 in its list of the "500 Greatest Songs of All Time"[7] and the Rock and Roll Hall of Fame included it in its list of the "500 Songs that Shaped Rock and Roll".[14] In 1985, the song was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings" category[15] and, in 2009, it was selected for permanent preservation in the National Recording Registry of the U.S. Library of Congress. Janovitz also identifies "Smokestack Lightning" as a blues standard "open to varied interpretation, covered by artists ranging from the Yardbirds to Soundgarden, all stamping their personal imprint on the song".[8] Clapton identifies the Yardbirds' performances of the song as the group's most popular live number.[17] They played it almost every show, and sometimes it could last up to 30 minutes. Dead often played it out of Truckin, would also play the blues tune Spoonful out of Truckin. Played:  63 timesFirst:  November 19, 1966 at Fillmore Auditorium, San Francisco, CA, USALast:  October 18, 1994 at Madison Square Garden, New York, NY, USA   SHOW No. 4:                    Space                                                Track #17                                                7:45 – 9:20  On November 28, 1973, Grateful Dead guitarist Jerry Garcia and drummer Mickey Hart staged a performance at San Francisco's Palace Of Fine Arts. At the time, Hart – whose 80th birthday is today – was on a sabbatical from the Dead, having last performed in public with Garcia and the band in February 1971. Hart would rejoin the Dead for good in October 1974.A poster promoting the concert shows a clean-shaven Garcia dressed in black beside an equally freshly shaven Hart wearing all white. At the bottom of the advertisement was printed “An Experiment in Quadrophonic Sound.”Hart recalled his experience at the duo concert with Garcia in 1973 that was not only a Seastones precursor but also planted the seeds for the band's mind-bending “Space” jams.“There were so many exciting that we've done together. Adventurous musical things. He was also into adventure and creating new spaces, so we had that in common. We got together many times out of the ring – where he first discovered synthesizers, being able to synthesize his guitar, which led to MIDI.“The first concert we did was in 1973. It was just a duo. He got an Arp [Odyssey], an electric instrument, a keyboard, and he plugged his guitar into it and that was the first time I had heard his guitar I had heard his guitar running through sophisticated synthesizers.“I just thought of that concert, which kind of was the beginning of ‘Space' – ‘Drums' and ‘Space' actually – it might have been the very beginning of it. And I think of that on his birthday, the seminal things we did together.” After the November 28, 1973 concert, the Grateful Dead began to occasionally incorporate elements of a “Space” jam into their shows. In January 1978, Dead shows almost always included a nightly “Drums” jam paired with a freeform “Space” jam, consistently showing up mid-second set throughout the rest of their career. Played:  1086First:  March 19, 1966 at Carthay Studios, Los Angeles, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL   OUTRO:                               Brokedown Palace                                                Track #22                                                5:04 – 6:43  The lyric to “Brokedown Palace” was written by Robert Hunter as part of a suite of songs that arrived via his pen during a stay in London in 1970. He entitled it “Broke-Down Palace,” and now that it exists as a piece of writing, it seems to have always existed. It was composed on the same afternoon as “Ripple” and “To Lay Me Down,” with the aid of a half bottle of retsina.Its first performance was on August 18, 1970, at the Fillmore West in San Francisco, and became a staple of the live repertoire. After the 1975 hiatus, “Brokedown Palace” appeared almost exclusively as the closing song of the show, as an encore. It had the effect of sending us out of the show on a gentle pillow of sound, the band bidding us “Fare you well, fare you well…”Garcia/HunterReleased on American Beauty (Nov. 1970) Played: 219 timesFirst:  August 18, 1970 at Fillmore West, San Francisco, CA, USALast:  June 25, 1995 at RFK Stadium in Washington, D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Remembering Bill Walton: Basketball Star and Grateful Dead SuperfanIn this episode of the Deadhead Cannabis Show, Larry Mishkin covers various topics, including a historic Grateful Dead show, personal concert experiences, and music news. Larry starts with a deep dive into the Grateful Dead's June 3, 1976, concert at the Paramount Theater in Portland, Oregon. This show marked the band's return after a year-long hiatus, featuring five new songs and a revived tune from a four-year break. He highlights the opening track, written by Jerry Garcia and Robert Hunter, which nostalgically reflects on the band's Festival Express tour, a legendary 1970 train journey across Canada with prominent rock bands.Larry then discusses the song "Lazy Lightning," introduced at the same 1976 concert. Written by Bobby and John Perry Barlow, it became a fan favorite for its melody and message of living in the moment, though it was retired from the Grateful Dead's repertoire by 1984. He transitions into music news by honoring Doug Ingle of Iron Butterfly, who recently passed away. Larry reminisces about the band's iconic 1968 track "In-A-Gadda-Da-Vida" and its influence on the late 60s music scene.The podcast also pays tribute to Bill Walton, the legendary basketball player and devoted Deadhead who passed away at 71. Larry shares stories of Walton's deep connection with the Grateful Dead, including his record of attending 869 concerts, significantly more than his total basketball games played. Larry recounts Walton's influence on fellow athletes and his unique presence at Dead shows.Finally, Larry describes his recent experience at a Dead & Company concert at the Sphere in Las Vegas. He marvels at the venue's immersive visual technology, which enhanced the concert experience, likening it to a planetarium. Despite the advanced visuals sometimes overshadowing the music, Larry enjoyed the performance and the unique atmosphere. He also mentions a mini-exhibition featuring Dave Lemieux's tape collection and the significance of tape trading in Grateful Dead fandom.In summary, this episode covers a blend of Grateful Dead history, personal concert experiences, tributes to influential music figures, and the latest in concert technology, providing a rich narrative for Deadheads and music enthusiasts alike.  Grateful DeadJune 3, 1976  (48 Years Ago)Paramount TheaterPortland, ORGrateful Dead Live at Paramount Theatre on 1976-06-03 : Free Borrow & Streaming : Internet Archive First show back after 1975 year offPrior show:  Sept. 28, 1975 – last of the four shows in 1975, this show is 9 months later.  Long wait for Deadheads. Dead did not disappoint with five new songs and a breakout after a 4 year hiatus.  INTRO:                                 Might As Well                                                Track #1                                                1:15 – 2:50 “Take that ride again”                 Might as Well” is a song written by Jerry Garcia with lyrics penned by Robert Hunter. Released on Garcia's 3d solo album, Reflections, in February, 1976.  It's one of the tracks from Garcia's solo career, showcasing his musical versatility and unique ability to transform personal experiences into joyful music.  The song takes a nostalgic look back at the Grateful Dead's time on the Festival Express Tour, a memorable rail trip that brought together prominent artists of the '60s for a raucous, whisky-fueled journey across America.                 Festival Express is the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends.  Later made into a movie             Festival Express was staged in three Canadian cities: Toronto, Winnipeg, and Calgary (Montreal and Vancouver were also originally scheduled but both dropped)  during the summer of 1970. Rather than flying into each city, the musicians traveled by chartered Canadian National Railwaystrain, in a total of 14 cars (two engines, one diner, five sleepers, two lounge cars, two flat cars, one baggage car, and one staff car).[5] The train journey between cities ultimately became a combination of non-stop jam sessions and partying fueled by alcohol. One highlight of the documentary is a drunken jam session featuring The Band's Rick Danko, the Grateful Dead's Jerry Garcia and Bob Weir, New Riders of the Purple Sage's John Dawson, as well as Janis Joplin.             Here, it is played as the show opener.  Ultimately, became more of a first set closer, a popular one along with Deal, another Garcia solo tune.                     Played 111 times                First:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW  19 times that year              Last:  March 23, 1994 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USA – only time played that year, 6 times in ‘91                 SHOW No. 1:                    Lazy Lightning                                                Track #6                                                0:00 – 1:46 Written by Bobby and John Perry Barlow, paired with Supplication in concert and released with Supplication as the opening tracks on the album, Kingfish, released in March, 1976. Lazy Lightning is often interpreted as a metaphorical representation of the pursuit of a carefree and leisurely lifestyle amidst the chaos and hardships of reality. The lyrics depict a whimsical scenario where the protagonist encounters a bolt of lightning that transforms into a woman, symbolizing the allure and transitory nature of fleeting pleasures. The song encourages listeners to embrace the present moment and let go of the rigid expectations and responsibilities that burden their lives. It is a celebration of spontaneity, freedom, and the pursuit of personal bliss. Lazy Lightning became a fan favorite due to its infectious melody, poetic lyrics, and the sense of liberation it evoked. Grateful Dead fans often resonated with the song's message of embracing the present moment and shedding societal expectations. It became a rallying cry for those seeking to live life on their own terms, igniting a sense of camaraderie and freedom among concert-goers. Usually, a late first set number.  Unfortunately, dropped from the repertoire in 1984.  I got to hear it three or four times.  A fun number. Played:  also played 111 timesFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW!!Last:  October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA  MUSIC NEWS – Intro music:  In A Gadda Da Vida:  IRON BUTTERFLY - IN A GADDA DA VIDA - 1968 (ORIGINAL FULL VERSION) CD SOUND & 3D VIDEO (youtube.com)Start - :45 is a song recorded by Iron Butterfly, written by band member Doug Ingle and released on their 1968 album of the same name.At slightly over 17 minutes, it occupies the entire second side of the album. The lyrics, a love song from the biblical Adam to his mate Eve, are simple and are heard only at the beginning and the end. The middle of the song features a two-and-a-half-minute Ron Bushy drum solo.  Famously featured on a Simpson's episode when Bart switches the organist's regular music for this tune and hands out the words to the congregation who sing along.  The older organ player plays the entire organ solo (although they only feature a part of it) and then at the end promptly slumps over at the keyboard. Featured today as a tribute to Doug Ingle, songwriter, keyboard player and vocalist for the song, who passed away on May 24th at the age of 78.  He was the last surviving member of the original band lineup.Bill Walton passed away on last Monday, May 27th at the all too young age of 71.  Couldn't miss him at the shows, 7 foot redhead dancing away or else up on stage.Dead & Co. at the Sphere, saw the June 1st show.                SHOW No. 2:                    Supplication                                                Track #7                                                2:00 – 3:30 Written by Bobby and John Perry Barlow, paired with Lazy Lightning in concert and released with Lazy Lightning as the opening tracks on the album, Kingfish, released in March, 1976. The song delves into the universal theme of the human experience, specifically emphasizing the concept of surrender and humility. It explores the idea of surrendering oneself to a higher power, relinquishing control, and embracing the unknown. The lyrics touch upon the vulnerability and humility required to let go and trust in something beyond our comprehension. Supplication encourages listeners to reflect upon their own lives, urging them to question their beliefs, values, and the significance of surrendering to a greater force. Played:  111 times (a good number for the lottery, keeps coming up), always paired with Lazy LightningFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW!!Last:  October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA SHOW No. 3:                    Dancin In the Streets                                                Track #11                                                0:00 – 1:42 "Dancing in the Street" is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version was released on July 31, 1964 and reached No. 2 on the Billboard Hot 100 chart for two weeks, behind "Do Wah Diddy Diddy" by Manfred Mann and it also peaked at No. 4 on the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song.A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter. I saw it as the first night show opener on June 14, 1985 at the Greek Theater as part of the band's 20 Anniversary celebration.  A really fun concert tune.  The 1970's versions always had strong Donna support backing up Bobby's lead vocals. This show was the first time the band had played the song since Dec. 31, 1971 (203 shows) Played: 131 timesFirst:  July 3, 1966 at Fillmore Auditorium, San Francisco, CA, USALast:  April 6, 1987 at Brendan Byrne Arena, East Rutherford, NJ, USA MJ NEWS Blake Schneider passed away May 27th at 69.  Legendary cultivator who created the best strain of marijuana I ever smoked.  We just called it Blake weed and put it up against any other strain, anywhere, any time.  Folks would say they had the best weed until I let them smoke some of the Blake weed.  They never failed to concede.  Eccentric, temperamental, hospitable, mentor and good friend.  And self titled “best joint roller in the worlds.”  Was one of my Bulls season ticket partners during the Jordan era.  Every home game began with a pregame at Blake's loop residences including great wines, gourmet appetizers and snacks, top shelf liquor (on the way out the door we always did our “Go Bulls” shots) and more marijuana than anyone should ever smoke.  With four of us in the room, he would have 3 joints circulating at all times.  With his ever present life partner, Jeanne, an evening at Blakes was as much fun as the actual game itself.  Ran into a problem with the Green County Sheriff, but gave them the finger when the feds took the case over and Blake only had to serve 11 months at a fed minimum risk prison instead of the 20 years that Green County said was a done deal given the number of plants he was growing at his farm house in Argyle, WI.  They were not happy campers when the feds moved in to take over the case due to the value of the property they could sieve and force Blake to buy back from them.  Blake was a true party legend and will be sorely missed by those of us that knew him, loved him and tolerated him. 2.        Marijuana Terpenes Are ‘As Effective As Morphine' For Pain Relief And Have Fewer Side Effects, New Study Finds 3.        CBD Is Effective In Treating Anxiety, Depression And Poor Sleep, Study Finds4.        Marijuana And Hemp Businesses At Odds Over Consumable Cannabinoid Ban In House Farm Bill  SHOW No. 4:                    Samson and Delilah                                                Track #12                                                0:00 – 1:45 "Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with Bobby singing lead vocals and in the ‘70's with Donna joining in. It was frequently played on Sundays due to the biblical reference. Released by the band in 1977 on their album Terrapin Station. Although Weir learned the song from Reverend Gary Davis, several earlier versions had been recorded under various titles, including "If I Had My Way I'd Tear the Building Down"/"Oh Lord If I Had My Way" by Blind Willie Johnson in 1927.[1] The song has since been performed by a wide variety of artists ranging from Dave van Ronk, Bob Dylan, Charlie Parr, The Staple Singers, Ike and Tina Turner, Clara Ward, Dorothy Love Coates & The Gospel Harmonettes, to Peter, Paul and Mary, The Washington Squares, The Blasters, Willie Watson, Elizabeth Cook, Robert Randolph and the Family Band, and Bruce Springsteen and the Seeger Sessions Band (in Verona, Italy 2006). Guest star Simon Oakland sings the song with the drovers around a campfire in the Rawhide episode "Incident of the Travellin' Man", aired in season six on October 17, 1963. A long time favorite tune with a distinctive drummers intro that tipped off the song and got the crowd fired up. Settled into a set opener, more frequently a second set opener and often played on Sundays due to its biblical reference with Bobby's “This being Sunday . .”  Played:  365 timesFirst:  June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOWLast:  July 9, 1995 at Soldier Field OUTRO:                               The Wheel                                                Track #22                                                2:48 – 4:30                 One of their most beloved songs, “The Wheel,” holds a special place in the hearts of fans worldwide. Written by Jerry Garcia, Robert Hunter, and Bill Kreutzmann, this folk-rock anthem has captivated listeners with its enigmatic lyrics and catchy melody. The song's meaning has been widely debated among enthusiasts, and its cryptic nature has allowed for multiple interpretations.            “The Wheel” reflects the transient nature of life, offering a philosophical perspective on the cycles we all experience. The lyrics suggest that life is like a wheel, constantly turning and repeating itself. The song evokes a sense of impermanence and reminds us of the cyclical patterns we encounter throughout our existence. This theme resonates strongly with the band's philosophy and their connection to the spiritual and psychedelic culture of the late 1960s and early 1970s.                “The Wheel” was released on the Grateful Dead's album “Garcia” in 1972.             “The Wheel” is characterized by its infectious melody and intricate guitar work. The song showcases the Grateful Dead's ability to seamlessly blend folk, rock, and improvisational elements into a cohesive piece of music.            Normally, a second set tune, into or out of drums/space although it moved around a bit in the second set.  Here it is the encore which is more of a rarity.            Played 259 times           First: June 3, 1976 at Paramount Theatre, Portland, OR, USA  THIS SHOW            Last:  May 25, 1995 at Memorial Stadium, Seattle, WA                                         .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The Fillmore Auditorium is so chock full of musical history, it feels like the building itself has a soul. Nowhere is that better on display than in the theater's iconic poster room, filled with colorful framed signs for hundreds of shows through the decades. Since 1985, concertgoers have gotten their own free copies of the posters as they leave the theater. But who is the person behind these awesome keepsakes? Reporter Bianca Taylor introduces us to Arlene Owseichik, the creative director responsible for more than 2,000 of them. Additional Reading: Meet the Woman Behind the Fillmore's Famous Posters Check our episode on the Fillmore apples Read a transcript of the episode Enter our Sierra Nevada Brewing Company monthly trivia contest Your support makes KQED podcasts possible. You can show your love by going to https://kqed.org/donate/podcasts This story was reported by Bianca Taylor. Bay Curious is made by Olivia Allen-Price, Amanda Font, Christopher Beale and Brendan Willard. Additional support from Cesar Saldana, Jen Chien, Katie Sprenger, Jasmine Garnett, Carly Severn, and Holly Kernan.

Live from the Emerald City, we interview Joe Paganelli, CEO of New Rising Sun, producers of the Pacific Northwest's iconic Bumbershoot Arts & Music Festival, which is celebrating its 50 anniversary this year. Joe joins us at the Event & Venue Marketing Conference for our second live episode of Adventures In Venueland. We learn all about his start in live events with legendary promoter Bill Graham Presents, his time with The Fillmore Auditorium in San Francisco, his work as a Music Supervisor with Sony Pictures television, his work on the ticketing side with EDM artists and festivals, and his time with Seattle's McCaw Hall. Joe has seen all sides of the industry and has plenty of interesting stories about his career path, including lots of tips for people wanting to break into the industry. Hear about this year's Bumbershoot and what he and his team are focusing on with the festival – including more community engagement, artist showcases, and a workforce development program supporting LGBTQ+ and BIPOC individuals. If you missed the conference, enjoy this fun way of listening in on a live, unfiltered episode of the podcast featuring audience reactions and questions, and great stories chock full of interesting career advice. Grab some coffee, dust off your favorite grunge rock album, and join us in Seattle.Joe Paganelli: LinkedIn | EmailBumbershoot Arts & Music Festival: Facebook | Twitter | Instagram

'A Benefit for Laughter, Love, and Music', Memorial for Bill Graham, Polo Field, Golden Gate Park, San Francisco, CALegendary concert promoter Bill Graham's influence on rock-n-roll is undeniable.   Presiding over the Fillmore Auditorium and Winterland Ballroom he was central to the rise of bands and artists like the Grateful Dead, Jefferson Airplane, Jimi Hendrix and Big Brother and the Holding Company with Janis Joplin.  On the anniversary of his untimely passing,   Larry Mishkin and   Rob Hunt pay tribute to his legacy and review The Grateful Dead's 1991 Halloween run.Produced by PodConxDeadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast

Mike Villano - Former frontman of the Metal Rap bands Chaos Theory, Alien Pimp & Inhumanity. Villano is better known as “Mike V” in music. After having an extensive musical career performing live and producing multiple albums Including Mike V.'s solo album “Game Face Vision”. Mike now focuses on live music production for Colorado Venues including Red Rocks, Fillmore Auditorium & multiple Denver venues. Mike is also the owner and operator of “Mike's Killer Fish” raising, breeding, and rescuing exotic freshwater fish for domestic and commercial aquariums. Outside of music and fish Villano focuses on self-wellness by helping others with the vision through meditation and stretching. Tune in as Mike Villano joins Bobby Marshall in studio to discuss music, Colorado, life lessons, fish, aquariums, life lessons, mountain life, and so much more. Please subscribe or like us on social media platforms for updates on shows, events, and episode drops.www.themountainsidepodcast.comwww.facebook.com/MikesKillerFish Sponsor Linkswww.jockofuel.comMountain Side listeners receive 10% off all Jocko Fuel products! Use Code TMS10 to save.www.ONNIT.comMountain Side listeners use Discount code TMS to receive 10% off ONNIT products! www.OriginMaine.comMountain Side listeners receive 10% off Origin & Jocko Fuelproducts! Use Code TMS10 to save. Other Affiliates Links

THEME: Great Blues Rock Sounds from the 60's.* The poster on the left is from San Francisco's "Fillmore Auditorium" featuring Fresno's "Canterbury Fair."PLAYLIST:00:00 | DJ | DICK LEE AND THE ICEMAN00:20 | WHAT I'D SAY | THE BRYMERS01:13 | DO YOU THINK YOU LOVE ME | BRYMERS02:48 | I'M A MAN | YARDBIRDS05:28 | BORN IN CHICAGO | PAUL BUTTERFIELD09:19 | MOTOR CYCLE MAMA | SAILCAT12:09 | DON'T LET ME BE MIS-UNDERSTOOD | ANIMALS15:51 | TORTURE YOU | BRYMERS20:52 | STATESBORRO BLUES | TAJ MAHAL25:00 | ON THE ROAD AGAIN | CANNED HEAT29:23 | CROOKED EYE TOMMY | CROOKED EYE TOMMY32:27 | INTERVIEW- RANDY LESSLY | (SAN ANDREAS FAULT)38:11 | A NEW DAY | SAN ANDREAS FAULT40:41 | I'M GOING HOME | 10 YEARS AFTER44:19 | I'M A GOOD WOMAN | COLD BLOOD47:48 | TIME IS ON MY SIDE | ROLLING STONES51:29 | JUMPIN' JACK FLASH | JOHNNY WINTER55:32 | MIDNIGHT SPECIAL | CCR57:30 | HOUSE OF THE RISING SUN | ANIMALS59:21 | HOLD ON I'M COMING | BRYMERS"Dick Lee and 60's Garage Rock from California" is a weekly one hour show that features great California Garage Rock along with the hits of the day. The show can be heard on KOOL 100.7 FM-Saturdays-12:00 noon (PST-Hanford, CA), Amsterdam International Radio, WYML 99.9 FM (Chicago), M.A.D. FM - New Zealand, Replay Radio FM (U.K.), Way Out Radio FM (U.K.), Experience FM 103.9 ( Indianapolis), 60's Chart Busters (Cyprus), KCEG (N.D.), Supreme VIB-Z Radio (Jamaica), So Faking Radio (Arizona), KOGY 95 FM-Hawaiian Pacific Radio, The Rock 97.3 (Morro Bay, CA), Atlantic Radio FM (U.K.), Riot Radio (Maryville, IL), Black Hole FM (Milford, CT.), Community Radio-Long Island, (N.Y.), KEWL 98 FM (New Jersey), Akaroa World Radio-90.1 FM (New Zealand), FAB Radio Internation (Manchester, England), Classic Rock XL, (Ontario, Canada), Northern Pirate Radio (U.K.), HD Radio Network, (Dealfield, Wisconsin), KHJ FM 105.3 (Albany, Oregon), Canal Side Radio, (U.K.), Remember Then Radio (U.S.) WRTR(Tuscaloosa, Ala), Sixties City Garage Rock, (U.K.), 57 Chevy Radio (U.S.), NWCZ Radio (Seattle-Tacoma), WCNX 1710 AM (Middletown, CT), KRYZ 98.5 FM (Mariposa, CA), WCSQ 105.9 FM (Cobleskill, NY), Brill 1449 Radio (U.K.), WZPH Radio (Dade City, FL), SG1 Radio (U.K.), Radio Flawless (New York), KWRH (St. Louis, MO), KWCZ (Seattle, WA). KITZ (Gilchrist, OR), KNCP (LA Pine, OR.), KZSR (Paso Robles, CA.) KOWS Radio (Sonoma County/Santa Rosa, CA), Heat FM Radio (NY), Griffiti Radio (U.K.), Bay and Basin 92.7 FM-Australia, ZANJ Radio (Jamaica), Dusty Discs Radio (B.C., Canada), The Phoenix Radio Network (U.K.), KCIW 100.7 FM (Brookings, OR), Q95 Oldies (S.C.), KALH Radio (N.M.), KSHD-FM, (OR), Mystery Train Radio (U.K.), Drive-In-A Go-Go Radio (Ontario, Canada), E.K FM Radio (U.K.), Rebel Radio (U.K.), GR8 Chats Radio (U.K.), Thunder Radio Canada (Ontario, Canada), Total Mixx Radio (Virginia), Veterans Family Radio (U.K.), KSVB 91.4 FM (Big Bear, CA), Destiny Radio (U.K.) Fantasy Radio (U.K.), Curve Radio (U.K.), Beatz Radio (Bangladesh), Ambron Radio (U.K.), Curve Radio (U.K.), Fantasy Radio (U.K.), Ohio Broadcast Network (Columbus, OH), Solar FM (U.K.), Sho Off Radio (U.K.), Max Radio (N.Y.), On Air Hits (TX), Sea Wall Radio (Galvaston, TX), Now Hits Radio (U.K.), Cruize Radio (Australia), Urban Essex Radio (U.K.), Corvette Retro Radio (Athens, Ohio), "HU 1 Radio" (U.K.), "Bulls Eye Radio" (New York), Cofton Radio (U.K.), Radio For Fun (Australia), Sanctuary Radio (Denver, CO), Mad Wasp Radio (U.K.), Kings FM Radio (U.K.), OwlTail.com, Cherokee Nation Radio, AKA Radio, (California), Madness FM Radio (U.K.), Global Community Radio (New York), iHeart Radio, Fish Creek Radio (San Antonio, TX), Chris Max Radio (N.Y.), Hot Tunez Radio (U.K.), QSKY Radio (New York), I.E. Radio (U.S. and U.K.), BHP Radio (U.K.), The Mix 96 FM (La, Ala, Ga, and the U.K.), Ken Versa's Power Hit Radio (Colorado), Radio Hawk (Cornwall, Canada), KMBY 95.9 FM (Monterey, Santa Cruz, Carmel), CABMZK Radio (U.K.), 70's Greatest Hits Radio (U.S.), KFOK Radio (Georgetown, CA), KINT 98 FM (El Paso, TX), Scream Radio (UK), A.M.R. Radio (Atlanta, GA), Seabird Radio (U.K.), Thames Valley Community Radio (UK), Arvada Rocks Radio (Colorado), Shore Shore Radio Blackpool (U.K.), KFOK 95.1 FM (CA), Peak Wireless Radio (U.K.), Your Radio (U.K.), KYXZ 107.9 FM (Grover Beach, CA), "Classic Rock XL" (McElmon Media Group - London and Ontario),  "Cool Vibes Radio (U.K.), 121 Radio (U.K.),  P.V.R. Radio (U.K.), My Mix 94.3 FM (St. Louis, MO), Sound Up Station NFSR (Osaka, Japan), Indie Radio Music (Madison, WI), and "WNYC-DB New York City Oldies Radio365."   

“We went from working with one band to working with hundreds of musicians and artists like Dave Matthews, Jack Johnson, Michael Franti, The Dead and so many others!”   Justin Levy (5:11-5:23)   It all started when Justin Levy had an idea 20 years ago to teach young people how to fight against hunger by hosting a food drive at a concert. He was attending University of Colorado at the time and as a part of his senior thesis he held a food drive at Fillmore Auditorium in March 2002 at a String Cheese Incident concert. In exchange for donating, concert goers received a limited edition poster to commemorate the experience and they ended up bringing in over 4,000 pounds of donations. Now, Conscious Alliance is a movement of artists, musicians, food makers and music lovers on a mission to end hunger in underserved communities nationwide with over 119 festivals and concerts under their belt.   The first drive benefited the Pine Ridge Reservation in South Dakota where 40,000 Oglala Lakota Native Americans live. Pine Ridge Reservation is one of the most economically isolated communities in the country and is about the same size as the state of Connecticut. For 40,000 people it only has one grocery store! Conscious Alliance has since opened a food pantry and started working with all 15 schools on the reservation to make sure kids going to school have plenty of healthy food to eat.   “We started developing relationships with schools knowing that where the kids go every day we can reach a lot of families with the backpack program approach.” Justin Levy (14:16-14:39)   Along the way, Conscious Alliance has met plenty of “hungry heroes”, many of whom are in the natural food community, like Justin Gould from Justin's Peanut Butter. These brands helped shine a light on the huge amount of food waste going on in the United States, which triggered Conscious Alliance to work out logistically how they can go to different brand's warehouses as they tour with musicians throughout the country and pick up food before it hits the landfill… food that grocery stores won't buy or will throw out because it's, for example, within 90 days of hits shelf life, the brand is getting crowded out or is going through a reprint. Great brands like Applegate, Conagra, Hormel, and many more you know have all partnered with Conscious Alliance.   Think your kids are obsessed about trading cards? Try concert goers and their posters! At every event, an attendee can make a food or monetary donation and receive a limited edition screen printed poster with the band, venue and date on it. It's a special reminder of the opportunity the concert goer had to give back, make a difference, and of course a memory of the amazing time they had.   Conscious Alliance was still able to make an impact during the pandemic when, of course, live music events were on pause. At the beginning of lockdown, one of CA's board members (who happens to own a restaurant) asked Justin if he had a way to distribute meals if the restaurant made them. Justin connected with a kindergarten teacher on the Advisory Board and ended up working with three teachers who were going to their kids' doorsteps and dropping off dinners made from various restaurants in Boulder, Colorado. This way, the teachers could check in on their students and make sure their family's were okay, and everyone was receiving quality nutrition during this scary time.   “One of the first days of the lockdown in March 2020 we had a board member who owns a restaurant and say, ‘If we prepare meals, do you have an outlet to give them away?'” Justin Levy (16:01-16:20)   This caught the attention of the World Central Kitchen, a non-profit that sets up mobile kitchens in areas that need them most, like war zones for example. When partnering with WCK, Conscious Alliance went from serving around 160 restaurant meals a week to almost 2000, making for about 2.6 million meals total in 2020.    Now that restrictions are removed and we're “coming back to life”, Conscious Alliance is back at it again with concerts, festivals and music events. How can you get involved or find out where they'll be next? Simply visit their website and find a listing of upcoming events or a way to donate virtually. You might see a band or event you've been dying to go to, or some of your favorites like Jack Johnson, The Dead, Umphrey's McGee and many more that you can now see live again!   How to get involved Join The Produce Moms Group on Facebook and continue the discussion every week!  Reach out to us - we'd love to hear more about where you are in life and business! Find out more here.    If you liked this episode, be sure to subscribe and leave a quick review on iTunes. It would mean the world to hear your feedback and we'd love for you to help us spread the word!  

Kent reunites with Cordelia at the Highland Hospital in Oakland, where with a doctor they witness King Lear's awakening and recognition of his youngest daughter. Meanwhile, at the Cow Palace in San Francisco, Regan confesses to Edmund that she fears he is not loyal only to her, but also to her sister. Edmund tries to reassure her, but he is interrupted by Goneril and Albany, who arrive to negotiate on how to proceed with their battle plans. Once Goneril, Regan and Edmund are gone, Edgar slips in, disguised, and delivers a message to Albany to summon him upon their victory. Elsewhere, Edmund takes a moment to contemplate his future, vowing to win the battle and dispense with Albany when the time comes. Later, on Market Street in The Warfield, Edgar finds a place for Gloucester to take refuge as the battle rages. Once he learns that Lear's forces have been defeated, he encourages his father not to lose hope and together, they flee to another refuge. In the Fillmore Auditorium in The Cow Palace, Edmund savors his victory as Lear and Cordelia comfort each other in shackles. Edmund sends them to prison and instructs an army captain to follow his command concerning their fate. Albany arrives to challenge Edmund's authority in dealing with the prisoners, leading to an argument between Edmund, Albany, Goneril, and Regan, who becomes increasingly unwell as the scene progresses. The fight culminates in Albany accusing Edmund and Goneril of treason, vowing to present his proof when the trumpets sound. Edmund accepts the challenge and dares his accuser to approach. The Play On Podcast series KING LEAR, was translated into modern English verse by MARCUS GARDLEY and directed by ERIC TING.  The Cast is as follows: KEITH DAVID as King Lear GINA DANIELS as Goneril AMY KIM WASCHKE as Regan FRANCESCA FERNANDEZ McKENZIE as Cordelia CHRISTIANA CLARK as the Earl of Kent ALDO BILLINGSLEA as The Fool BERNARD WHITE as the Earl of Gloucester TRAMELL TILLMAN as Edmund DANIEL JOSE MOLINA as Edgar and the Duke of Burgundy LANCE GARDNER as Oswald and The King of France J.D. MOLLISON as the Duke of Albany and the Doctor REX YOUNG as the Duke of Cornwall Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: REBECCA CLARK CAREY Episode scripts were adapted and produced by CATHERINE EATON.  Original Music, Sound Design, and Sound Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Additional Engineering by DANIEL BEN-SHIMON. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Line Producer: JORDAN MOORE. Managing Producer: ROBERT CAPPADONA. Senior Producer: MIRIAM LAUBE. Executive Producer: MICHAEL GOODFRIEND. The Senior Manager of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series King Lear is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit N C PODCASTS DOT COM for more about the Play On Podcast Series. Visit PLAY ON SHAKESPEARE DOT ORG for more about Play On Shakespeare. New episodes go live every Friday. Please subscribe, rate & review on your app of choice. Visit ncpodcasts.com/playonpodcast for bonus content including interviews, images and bios of the full cast & creative team. Visit playonshakespeare.org for more about Play On Shakespeare.

Segundo episódio da série sobre as lendárias salas de concentos “Fillmore”, administradas pelo promotor Bill Graham. Neste episódio apresentamos gravações ao vivo e um pouco da história da casa seminal e genuína, Fillmore Auditorium, o primeiro espaço administrado por Bill e que tornou-se um dos espaços essenciais para o desenvolvimento… Source

Programa “O Mundo é um Som” apresenta uma série dedicada ao grande promotor musical e empresário Bill Graham e suas casas de concertos “Fillmore” (Auditorium, West, East e Winterland). Bill foi uma figura fundamental na cena musical e da contracultura de San Francisco ganhando espaço em todo EUA e mesmo… Source

Join me for this great conversation with singer-songwriter Bob Hillman. We chat about why reading is so important and why having a core song critique group can be the single most important thing! Bob shares a song he rewrote three times - changing it from being about an altercation in a Target parking lot to a love song about the night he met his wife. Bob also shares about some unexpected silver linings that have surfaced as a result of the pandemic. Bob Hillman, a San Francisco singer/songwriter, is well into the second act of a career that began in the late 1990s in New York City, where he fell in with Jack Hardy’s long-running songwriting group, which met every Monday night in Greenwich Village to eat pasta and share new songs. Bob’s career flourished in the early 00s, then survived ten years of “real jobs,” and resumed in 2016. Bob’s most recent full-length album, Some of Us Are Free, Some of Us Are Lost, was released in April 2019. Bob has toured extensively with Suzanne Vega playing venues like the Fillmore Auditorium and Bowery Ballroom. Most recently, Bob wrote and recorded Inside & Terrified, a five-song EP written during and about the COVID-19 lockdown.

In this week’s episode we explore Dick’s Picks Vol. 16 from the Fillmore Auditorium in San Francisco, CA on November 7 and 8, 1969. PRIMAL DEAD! Coming just a few weeks shy of the Altamont Festival & the end of the 1960’s, we hear The Dead in a period of growth and transition. Just three months later they’ll be performing what many consider their greatest shows of all time (2/13-14/70 at the Fillmore East), we hear the seeds of that show, while also taking a reflective look back at their thematic brilliance of the 1960s.In Disc One, we hear an early, up-beat & extended take on “Dire Wolf,” a fiery “China Cat Sunflower -> I Know You Rider,” and the first ever “Cumberland Blues.” Disc Two is up there with the best of the entire series as “Dark Star” jams deep before transitioning into a stunning segment which reads: “-> The Other One -> Dark Star -> Uncle John’s Band Jam -> Dark Star -> St. Stephen -> The Eleven.” Displaying their fluidity during the era, while also preluding some of their lengthy excursions from the early 70’s, it’s a monumental jam segment & should be a standard CD in every Deadhead’s car. Finally, in Disc Three, we throw the reigns to Pigpen while hearing some of the wildest psychedelic/blues jamming in Dead history. 36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---Join the 10 million who have tried Harry’s. Claim your special trial offer by going to HARRYS.COM/36FTV.Please check out Synlanwn at: https://www.synlawn.com/36ftv/Visit Section 119 at: Section119.com and enter the Promo Code: 36FROMTHEVAULTPlease visit Sunset Lake CBD at: sunsetlakecbd.com and enter the Promo Code: VAULT15---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 17 in anticipation of our next episode which will drop on Monday, November 2. See acast.com/privacy for privacy and opt-out information.

The distinctive sound of the Psychedelic Era was not just component of the rock music of the period. There was a good bit of Folk Music which was influenced by the times. That sound did not end with advent of the 1970s and lives on in many artists today. On the next two shows, we’ll look back to that magical period and to artists that carry that spirit on through to today. This week we'll hear some classic music from Bob Dylan, Jefferson Airplane and Paul Siebel among others. We’ll also hear some contemporary players like In Gowan Ring, Helen Dorothy and The Creaking Tree String Quartet. Getting your freak folk on … this week on The Sing Out! Radio Magazine. Episode #20-31: Psych Folk, Pt.1 Host: Tom Druckenmiller Artist/”Song”/CD/Label Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways The Creaking Tree String Quartet / “Zig Zag” / The Creaking Tree String Quartet / Self Produced Bob Dylan / “Mr. Tambourine Man” / Bringing it All Back Home / Columbia In Gowan Ring / “On the Butterfly's Wing” / Hand-Eye / H-E Pat Kilrory / “The Magic Carpet” / Light of Day / Elektra Jefferson Airplane / “The Other Side of this Life” / Live at the Fillmore Auditorium 11/25 & 27/66 Sony Helen Dorothy / “Be Kind to Your Heart” / Light Time & Sound / Self Produced Strawbs / “Pieces of 79 & 15” / Strawbs / A+M The Creaking Tree String Quartet / “Scotland Yard” / The Creaking Tree String Quartet / Self Produced Lal & Mike Waterson / “Bright Phoebus” / Bright Phoebus / Domino Fairport Convention / “Chelsea Morning” / Fairport Convention / Polydor John Martyn / “Solid Air” / Live at Leeds & More / Scrapper Quicksilver Messenger Service / “Shady Grove” / Shady Grove / BGO Paul Siebel / “Then Came the Children” / Woodsmoke & Oranges / Elektra Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

It’s March 42nd and I chat with my old pal John Rose sound engineer for Fillmore Auditorium and AEG and Live Nation gigs in Denver CO.

Email: droppedamongthiscrowdpod@gmail.comTwitter: https://twitter.com/amongthiscrowdShow Facebook Page: https://www.facebook.com/droppedamongthiscrowd/Website: https://droppedamongthiscrowdpod.weebly.com/Tour Dates: http://www.umphreys.com/tour/Episode 90: https://tinyurl.com/wqxr5d7Last time Eric was on the show- Episode 39: https://tinyurl.com/v27ydeaSetlists for the shows discussed:January 31st: http://allthings.umphreys.com/setlists/?date=2020-01-31February 1st: http://allthings.umphreys.com/setlists/?date=2020-02-01Where you can listen to the shows discussed: January 31st: UMLive: https://tinyurl.com/r7cyo34NUgs.net: https://tinyurl.com/t2gpaj9Archive.org: https://archive.org/details/um2020-01-31.mk4.flac24February 1st: UMVIP Set: UMLive: https://tinyurl.com/wcpyajbNUgs.net: https://tinyurl.com/qr5jfrnRegular show: UMLive: https://tinyurl.com/wcpyajbNUgs.net: https://tinyurl.com/uotr6ceDIME: https://dime-detroit.com/Episode when Joel was on talking about his book " a realist guide to a successful music career":  Episode 62: https://tinyurl.com/tz67rupWhere you can purchase Joel's book "a realist guide to a successful music career" : https://tinyurl.com/s2c873z

Sassy Mouth's Flashy Camera Club on location in Breaux Bridge, Louisiana with Dog Daze Photo's Lisa Siciliano, first aired March 4, 2019! Lisa is an incredibly talented photographer, I've followed her work ever since, I am a fan!!Watch on Youtube here: www.youtube.com/watch?v=shsQNoxT2aIFrom her website, www.dogdazephoto.com"Lisa is a self-taught photographer who still uses real black & white film for her rock & roll photography.The photos you see on this site represent some of the work she has created over the last 18 years shooting as a house photographer for Red Rocks, The Boulder Theater, The Colorado Sound, Chautauqua Music hall, Bellco Theater & Marquee Magazine. The black & white photos were all shot on genuine film, hand processed in a tank & in most cases printed in her own basement darkroom. Lisa has photographed over 20 CD covers, shot numerous band promotional photos, and has work hanging back stage at Red Rocks, on the wall at The Fillmore Auditorium, Cloud Medical offices, The Riverside, in the Lobby of The Boulder Theater, backstage at Bellco Theater and in numerous homes throughout the world. She is hired by music producers, record companys and band publicists nationwide In addition to rock & roll photography, Lisa also does weddings, portraits & promotional photos as well as events!"Thank you Lisa for joining me & chatting!XOXO,Marisa Balletti-LavoieQueen of SassCr. Photographerwww.sassymouth.net

Email: droppedamongthiscrowdpod@gmail.comTwitter: https://twitter.com/amongthiscrowdShow Facebook Page: https://www.facebook.com/droppedamongthiscrowd/Website: https://droppedamongthiscrowdpod.weebly.com/Episode 83: https://tinyurl.com/yje49cxjUmphreaks Anonymous 2019 year in review survey: http://umanon.com/survey/Setlists for the shows discussed:December 30th: http://allthings.umphreys.com/setlists/2019.html#setlist-2019-12-30December 31st: http://allthings.umphreys.com/setlists/2019.html#setlist-2019-12-31Where you can listen to the shows discussed:December 30th:UMLive- UMVIP: https://tinyurl.com/yduowy45Nugs.net- UMVIP: https://tinyurl.com/ygfvhejtDecember 30th:UMLive: https://tinyurl.com/yg7p9sg8Nugs.net: https://tinyurl.com/yjqng5vlArchive.org: https://archive.org/details/UM2019-12-30.NSLDecember 31st:UMLive: https://tinyurl.com/yeggbh3wNugs.net: https://tinyurl.com/ygfyboawArchive.org: https://archive.org/details/UM2019-12-31.NSLTara Gracer Foto:December 30th: https://tinyurl.com/yjgrx4knDecember 31st: https://tinyurl.com/ygen2nkbYouTube Video of "Ringo": https://tinyurl.com/yesqkepeThe Doom Room: https://www.facebook.com/groups/179654962953652/Umphrey's Tour Information: http://www.umphreys.com/tour/Doom Flamingo w/ Marcus Rezak's Gateway to The Galaxy : https://tinyurl.com/vsvumlb"Fresh Start" from The Bottom Half: https://tinyurl.com/yx8dz7p6Original "Dick in a box" skit: https://tinyurl.com/y9e26tmfUmphrey's "Dick in a box" 12/31/2006 : https://tinyurl.com/skpx7wu"Bullshit Anthem" by Fantastic Negrito: https://tinyurl.com/scujudaLink to photo of paper set list from night 3: https://tinyurl.com/wdzuuul"Suxity" : https://tinyurl.com/u859reh     

Email: droppedamongthiscrowdpod@gmail.comTwitter: https://twitter.com/amongthiscrowdShow Facebook Page: https://www.facebook.com/droppedamongthiscrowd/Website: https://droppedamongthiscrowdpod.weebly.com/Episode 83: https://tinyurl.com/yje49cxjUmphreaks Anonymous 2019 year in review survey: http://umanon.com/survey/Tour Dates: http://www.umphreys.com/tour/Northwest String Summit: https://stringsummit.com/Setlists for the shows discussed:December 27th: http://allthings.umphreys.com/setlists/?date=2019-12-27December 28th: http://allthings.umphreys.com/setlists/?date=2019-12-28Where you can listen to the shows discussed:December 27th:UMLive: https://tinyurl.com/yewt5bsmNUgs.net: https://tinyurl.com/ygategpvArchive.org: https://archive.org/details/UM2019-12-27.NSLDecember 28th:UMLive: https://tinyurl.com/yewt5bsmNugs.net: https://tinyurl.com/yftbln64Archive.org: https://archive.org/details/UM2019-12-28.NSLTara Gracer Foto:December 27: https://tinyurl.com/yfwl6ga9December 28th: https://tinyurl.com/yjta22lqJanuary 29th 2017: http://allthings.umphreys.com/setlists/?date=2017-01-29Video of "Baba O' Riley" from December 27th: https://tinyurl.com/yece4ry5

Steve Miller Blues Band signed with Capitol Records for $750,000. The Rolling Stones released the album "Got Live If You Want It" in the U.S. The Grateful Dead played their first concert. The show took place at the Fillmore Auditorium in San Francisco, CA.. The first Billboard Music Awards took place. Janet Jackson was the big winner with eight trophies. So many great music memories from this day in music history.

We're going bi-weekly in November with our interview with author, Jesse Jarnow. In episode 009 (Listen HERE) we talked about Jesse's background as a Dead Head and writer and how the two streams combined. Then we began tearing into a survey of the recorded history of 1967 Grateful Dead. That's where our conversation picks up this time. There's a fair bit of music left to discuss so we get right on into it. Segment 1: 1967-09-29 Fillmore Auditorium, San Francisco, CA  Golden Road > New Potato Caboose   Segment 2: 1967-10-22 Winterland Arena, San Francisco, CA  Morning Dew, Cryptical Envelopment > The Other One > Cryptical Envelopment   Segment 3: 1967-11-11 Shrine Auditorium, Los Angeles, CA  Alligator > Caution (Do Not Step On The Tracks) 1967-11-14 American Studios  Dark Star It was a pleasure chatting with Jesse and whipping this show together with him so I hope you all enjoy it. I strongly encourage you to check out his books:Big Day Coming: Yo La Tengo And The Rise Of Indie Rock (amazon) and Heads: A Biography Of Psychedelic America (amazon). You can also check out Jesse Jarnow on Twitter @bourgwick and @headsnews as well as on his website, jessejarnow.com. We hope you enjoy this tenth episode and tell a friend to check us out. Please, don't forget to follow the @BrokedownPod twitter account for regular news, live tweetstorms of shows as I listen, and other minutiae. We also now have an Instagram account. If you like pictures of things, you can find that here: BrokedownPod Instagram. Also, if you use iTunes, please consider posting a review as it really help get the word out. As always, Thank you for listening.

Elvin Bishop is a living legend whose great contributions to American music have been solidified by his induction into the Rock And Roll Hall of Fame followed soon after by the Blues Hall of Fame. He played a significant role in the success of the Paul Butterfield Band as a founding member and the lead guitarist on three classic albums during the 1960's before becoming a regular at the famed Fillmore Auditorium jam sessions alongside Jimi Hendrix, Eric Clapton and BB King. Elvin had a top Billboard smash hit in 1976 with the gold record “Fooled Around And Fell In Love” which was prominently featured in a recent blockbuster film. Following his 2014 Grammy-nominated album, his new critically acclaimed release is called “Big Fun Trio” out now on the Alligator record label.

Working Class Audio Session #111 with Nathan Harlow!!! Nathan Harlow grew up in San Francisco, played in bands and eventually found his way into the world of live sound. 20 years later, his experience touring, mixing, recording and doing system design has allowed him the opportunity to work with artists such as Prince, Rob Zombie, Sonic Youth, Bebel Gilberto, Medeski, Martin and Wood and Primus. His skills are also in demand at the Fox Theater in Oakland, California, the Warfield Theater and Fillmore Auditorium in San Francisco, California. On top of his live sound skills doing monitors or front of house Nathan is also trained in systems management and room acoustics. He states that his intention is to use his unique set of skills to assist in the creation of beauty and inspiration with elegance and grace.  Matt heads into San Francisco to chat with Nathan in person in his studio South of Market.  Enjoy!  

The Shreveport, La., quartet Seratones mixes Southern soul with garage rock swagger on their debut album, "Get Gone." Fronted by the powerful singer A.J. Haynes, the band earned a spot on Paste Magazine's "20 Best New Bands of 2015" list. The band stopped into the CPR Performance Studio prior to a show at Denver's Fillmore Auditorium with St. Paul & the Broken Bones. They performed three songs from "Get Gone" and spoke with Jeremy Petersen about the multitude of genres the band incorporates, the music scene in their hometown of Shreveport and adjusting to life as a touring band.

With the resurged popularity of blues and jazz, Zakiya Hooker is looking to make her mark. The daughter of blues great Jon Lee Hooker, Zakiya has performed on some of the greatest stages in the world, including Radio City Music Hall, Fillmore Auditorium, The San Francisco Blues Festival and The Monterey Jazz & Blues Festival. She has released her 5th and 6th projects "In The Mood" and the outstanding performance production "Zakiya Hooker Live at the International BluesFest Eutin, Germany". We talk to Hooker about her influences coming into both projects, her new music video, and  performing across the planet.

On January 1st 2015, STS9 transformed the Fillmore Auditorium in Denver, CO as never before seen, and played a set of music unlike any other in their history. ONE / ONE: Live from The Fillmore Auditorium Podcast: A Beautiful Chaos (Improv) Peace One (Improv) Pianoir Outro (Improv) Modular (Improv) D&B (Improv) Black Satin (Improv) Dub (Improv) Crystal House (Improv) Something in E (Improv)   Every STS9 live show is also available for digital download at www.1320Records.com.

It was magical to close 2014 and launch an epic 2015 over 3 nights at the Fillmore Auditorium in Denver.   Thanks everyone for an amazing year, and all of your support.  Enjoy these highlights from the run.  WMIOD PODCAST VOL. II:World Go Round >TotemBlu MoodOil & Water >4 year PumaTrinocular >VibylMobsters (Too High)Rent (Sweet Dreams)We'll Meet In Our Dreams…And Some Are Angels >Breathe In part IIEvery STS9 live show is also available for digital download at www.1320Records.com.

It was magical to close 2014 and launch an epic 2015 over 3 nights at the Fillmore Auditorium in Denver.   Thanks everyone for an amazing year, and all of your support.  Enjoy these highlights from the run.  WMIOD PODCAST VOL. I:Summit >    Click Lang Echo >    Moon SocketJebezLife’s Sweet BreathWater SongEvasive Maneuvers >Potamus >KamuyRamones & EmiglioMusic, UsEvery STS9 live show is also available for digital download at www.1320Records.com.

show#57212.28.14    Too Slim & The Taildraggers - New Years Blues from Blue Heart 2013 (5:16)    Every Day Will Be Like A Holiday from The Frank Bey & Anthony Paule Band(3:24)    Bill Blue - It's gotta change from Mojolation 2013 (3:56)    Otis Rush - Walking the Back Streets and Crying from Any Place I'm Going 1998 (7:02)    Rory Block - Rosaline from Tornado 1996 (3:19)    Muddy Waters Blues Band - Trouble No More from Live at The Fillmore Auditorium 1966 (2:45)    Luther 'Snake Boy' Johnson - Woman, You Don't have To Go from Nitty Gritty (Live Radio Broadcast 1976 (5:53)    George Harmonica Smith - Soul Feet from No Time For Jive 1969 (3:47)    Mac Arnold & Plate Full o' Blues - U Dawg Gone Right from Backbone and Gristle 2008 (4:35)    Omar & the Howlers - Everywhere I Go from Muddy Springs Road 1995 (4:08)    Cold Blue Steel - Louisiana Mojo Man from Driving to Mexico 1995 (3:13)    Lisa Haley - Louisiana from Louisiana 2000 (3:38)    Medford Slim Band - Frustration Overplay from Come And Get It! 1994 (4:11)    Curtis Salgado - Let Me Make Love To You from Soul Shot 2012 (3:51)    Dave Riley And Bob Corritore - No Cussin' from Hush Your Fuss! 2013 (5:10)    Aki Kumar - Wish Me Well from Don't Hold Back 2014-10-09 (3:57)    Oz Noy - Just Groove Me (feat Dave Weckl) from Twisted Blues Vol 2 2014 (4:59)    B.B. King - Ain't Nobody Home from Deuces Wild 1997 (5:00)    Melvin Taylor - Right Place, Wrong Time from Dirty Pool 1997 (5:10)    Mae West - My New Year's Resolutions from Wild Christmas 1966 (2:43)    Jerome Godboo - New Years Eve from Sanctuary City 2013 (6:40)    Lightening Hopkins - Happy New Year from Blue Yule 1991 (3:14)    Bottle Rockets - The Bar's on Fire from Brand New Year 1999 (3:47)

00:00 Bad Friday *& (12.31.13 - Fillmore Auditorium, Denver, CO) 06:01 Nemo > 08:03 Dear Lord > 12:11 Nemo (12.29.13 - Fillmore Auditorium, Denver, CO) 14:27 The Bottom Half > 18:19 "Jimmy Stewart"^ > 25:24 The Bottom Half (12.28.13 - Fillmore Auditorium, Denver, CO) 28:23 No Diablo& (12.31.13 - Fillmore Auditorium, Denver, CO) 33:25 jam > 38:42 Orfeo** (12.30.13 - The 1up – Colfax, Denver, CO) 43:52 Booth Love& (12.31.13 - Fillmore Auditorium, Denver, CO) 54:36 Amble On&& (12.29.13 - Fillmore Auditorium, Denver, CO) 62:08 Things Can Only Get Better^^& (12.31.13 - Fillmore Auditorium, Denver, CO) Total Broadcast Length 67:48 Notes: * debut & with Mad Dog's Filthy Little Secret ^ with lyrics ** full band && with Joshua Redman on saxophone ^^ debut (Howard Jones)

        show#508        09.21.13        1. Mickey Jupp - Politics - 1979 - from Long Distance Romancer (2:21)        2. Chris James & Patrick Rynn - Just Another Kick In The Teeth - 2013 - from Barrelhouse Stomp (3:51)        3. Baby Face Leroy - Rollin' and Tumblin' Pt. 2 - - from (2:45)        4. Charlie McCoy - A Tribute To Little Walter - 1991 - from Harpin' The Blues (2:45)        5. Shawn Holt And The Teardrops With John Primer - Buddy Buddy Friends - 2013 - from Daddy Told Me (4:20)        6. David Gogo - Bad 'n' Ruin - 2013 - from Come On Down (4:13)        7. John Ginty, Albert Castiglia - Damage Control - 2013 - from Bad News Travels (5:12)                    Spinner's Section:        8. Sunny And Her Joy Boys: you're my thrill (5:04) (Introducing..., Stony Plain, 2009)        9. Too Slim & the Taildraggers: baby likes to ride (3:33) (The Fortune Teller, Underworld, 2007)       10. Willy DeVille: I can only give you everything (4:58) (Backstreets Of Desire, Fnac, 1992)       11. Sugar Ray Norcia: money, marbles and chalk (4:20) (Sweet & Swingin', Bullseye Blues, 1998)       12. Nine Below Zero: crawl 'n' shake (3:31) (Give Me No Lip Child, Indigo, 2000)       13. Trickbag: been waitin' for you (2:58) (Goin' Downtown, Magic, 2011)       14. Paladins: soulfarm (2:53) (El Matador, Lux/CRS, 2003)       15. Paul deLay Band: why can't you love me (5:31) (The Other One, Criminal, 1990)       16. Moreland & Arbuckle: shadow never changes (4:06) (Just A Dream, Telarc, 2011)       17. Red Devils: backstreet crawler (your time to cry) (5:32) (2 Meter Sessies, Dutch radio broadcast, 1993)        Back To Beardo: All LIVE Tunes!!!        18. Roosevelt Sykes - I'm A Nut - - from The Original Honeydripper (2:09)        19. Ratso - Bluebird Blue - 1986 - from Playing With Rats (4:16)        20. Band Of Gypsys - Voodoo Child (Slight Return) - 1970 - from Fillmore East 1/1/1970 Late Show (6:01)        21. B.B. King - How Blue Can You Get? - 1975 - from Nassau Coliseum 7/6/1975 (7:00)        22. Eddie Money - Call On Me - 1977 - from Old Waldorf 10/8/1977 (6:47)        23. Herbie Mann Quintet - Memphis Underground - 1972 - from Newport Jazz Festival New York 7/8/1972 (12:56)        24. James Brown - Kansas City - 1969 - from Newport Jazz Festival 7/6/1969 (4:43)        25. Jefferson Airplane - Tobacco Road - 1967 - from Fillmore Auditorium 2/6/1967 (3:54)        26. Hot Tuna - 99 Year Blues - 1973 - from Winterland 10/2/1973 (4:53)       

00:00 Ocean Billy (The Bottom Half) 03:29 "Jimmy Stewart" (3.29.03 - Fox Theatre, Boulder, Colorado) 12:03 Pennis (Local Band Does Oklahoma) 15:50 "Jimmy Stewart" ^ (9.4.03 - Buskirk-Chumley Theater, Bloomington, Indiana) 28:30 Ocean Billy (11.1.03 - State Theatre, Kalamazoo, Michigan) 36:04 Ocean Billy (3.9.12 - Fillmore Auditorium, Denver, Colorado) Total Broadcast Length 57:54 Notes: ^ with lyrics Read the companion piece to this podcast, Ocean William Comes of Age, over at The Floor.

00:00 Glory (11.02.02 - Fox Theatre, Boulder, Colorado) 02:57 40's Theme > 07:32 "Jimmy Stewart"* > 16:18 40's Theme* (3.29.03 - Fox Theatre, Boulder, Colorado) 20:17 Believe the Lie (3.05.07 - Fox Theatre, Boulder, Colorado) 32:08 Resolution > 44:02 Visions of Parin > 48:12 "Jimmy Stewart"^ > 52:16 Roulette (2.5.04 - Cervante's Masterpiece, Denver, Colorado) 57:00 Bright Lights, Big City (2.11.11 - Fillmore Auditorium, Denver, Colorado) 69:32 Sociable Jimmy** (7.17.03 - Double Diamond, Aspen, Colorado) Total Broadcast Length 80:43 Notes: * with Jamie Janover on toy guitar, percussion ^ with lyrics ** with alternate Latin and November Rain endings

00:00 Slacker > 02:11 Dear Lord > 05:40 Slacker (3.14.10 - First Avenue, Minneapolis, Minnesota) 10:22 Wizard Burial Ground > 14:57 Wappy Sprayberry > 29:17 Miss Tinkle's Overture (1.23.10 - Fillmore Auditorium, Denver, Colorado) 38:29 Steppin' Razor > 45:12 Mullet (Over)^ (1.20.10 - The Depot, Salt Lake City, Utah) 52:28 1348 > 56:23 All Things Ninja > 71:57 1348 (3.05.10 - Newport Music Hall, Columbus, Ohio) Total Broadcast Length 73:51 Notes: ^ with Allie Kral (Cornmeal) on fiddle

In the 11th episode of Portroidcast, I interview comedian Jen Kirkman backstage at the Fillmore Auditorium in Denver. We discuss comedy, social networks, her role on Chelsea Lately and are joined mid-way by comedian Randy Sklar. Enjoy!   Jen Kirkman before our interview Surprise guest Randy Sklar

In the 11th episode of Portroidcast, I interview comedian Jen Kirkman backstage at the Fillmore Auditorium in Denver. We discuss comedy, social networks, her role on Chelsea Lately and are joined mid-way by comedian Randy Sklar. Enjoy!   Jen Kirkman before our interview Surprise guest Randy Sklar

(0:00) Tombstone Blues, 2/20/99, Boulder Theater, Boulder, CO (SBD) (7:14) I Shall Be Released, 5/5/99, Arcadia Theater, Dallas, TX (Taper: Larry Fox) (24:06) Tom Thumb Blues, 8/1/03, Horning's Hideout, North Plains, OR (Taper: Jason Ho) (31:05) Tangled Up In Blue, 4/7/05, Big Easy Concert House, Spokane, WA (Taper: Ryan NeRoy) (40:37) My Back Pages, 4/22/04, Zepp Tokyo (SBD) (44:33) It Takes a Lot to Laugh (It Takes a Train to Cry), 10/16/04, The Backyard, Austin, TX (Taper: Joe Billerbeck) (48:24) You Ain't Goin' Nowhere, 3/26/05, Fillmore Auditorium, Denver, CO (Taper: Phil Rollins) (54:56) Meet Me in the Morning, 11/25/06, Fabulous Fox Theatre, Atlanta, GA (Taper: Joe Billerbeck) (1:01:14) Quinn the Eskimo, 10/28/01, Landmark Theater, Syracuse, NY (Taper: Benjamin Fleahman) (1:11:40) Knockin' on Heaven's Door, 3/25/02, Fillmore Auditorium, Denver, CO (Taper: Dave Koorey)

00:00 Cemetery Walk > 07:18 Cemetery Walk II (3.13.09 - Egyptian Room, Indianapolis, Indiana) 20:08 Morning Song (3.07.09 - UC Patio, Coral Gables, Florida) 28:28 Tribute to the Spinal Shaft > 47:16 13 Days (2.01.09 - First Avenue, Minneapolis, Minnesota) 51:48 Intentions Clear > 67:38 The Fussy Dutchman (1.24.09 - Fillmore Auditorium, Denver, Colorado) Total Broadcast Length 74:42

00:00 Resolution (09.27.06 - Town Ballroom, Buffalo, New York) 16:30 Rocker* (09.22.06 - Fillmore Auditorium, Denver, Colorado) 23:42 Senor Mouse (09.07.06 - The Intersection, Grand Rapids, Michigan) 32:22 Thin Air^ (09.08.06 - Robert J. Fischgrund Amphitheater, South Bend, IN) 43:06 2nd Self > 49:04 "Jimmy Stewart" (09.29.06 - Higher Ground, Burlington, Vermont) 60:29 Pay the Snucka (09.30.06 - Higher Ground, Burlington, Vermont) Total Broadcast Length 74:22 Notes: * with Brendan on acoustic ^ with Jamie Magera on guitar The Resolution that opened the two-week East Coast swing would set the tempo for much of the band's style for the rest of the year. Often times playing without a setlist, every song was a potential springboard that could lead into extended improv. Chick Corea's Senor Mouse is among the most difficult covers that Umphrey's tackles. Jake and Brendan welcomed their old guitar teacher, Jamie Magera, on-stage to pay respect to the man responsible for introducing them to many of the stylings that define their sound today. The 2nd Self is another example of the open-ended improvisation, as the band traverses through several different moods. Astute listeners may recognize a Jake lego from the 6/2/06 Great American, one of the tracks on "Jimmy Stewart" The Second Album.

00:00 Last Train Home (09.28.06 - The State Theatre, Ithaca, New York) 04:19 Nemo > 06:22 "Jimmy Stewart" > 11:32 Nemo (09.22.06 - Fillmore Auditorium, Denver, Colorado) 13:50 Nothing Too Fancy > 37:15 Orfeo (09.07.06 - The Intersection, Grand Rapids, Michigan) 43:53 Passing* (09.22.06 - Fillmore Auditorium, Denver, Colorado) 47:55 Uncle Wally* > 53:03 Memories of Home* (09.08.06 - Robert J. Fischgrund Amphitheater, South Bend, IN) 57:33 Sociable Jimmy > 65:33 Bridgeless (09.27.06 - Town Ballroom, Buffalo, New York) Total Broadcast Length 76:13 Notes: * acoustic A cover of Pat Metheny's Last Train Home displays a more gentle Umphrey's McGee, with careful attention to arrangement, dynamics and space. An improvisationally augmented Nemo gives way to an explosive Nothing Too Fancy, which becomes a gateway for an extended narrative jam lead by Jake. The rare Orfeo, one of the band's earliest songs, let's Joel Cummins showcase his writing talents, while Memories of Home displays another side of Jake Cinninger's musical personality.

(0:00) Crazy Angel, Honkytonk Homeslice, 1.8.06 Jamcruise IV (Taper: Eric Himko) (8:36) Fleezer, End Of Time Observatory (11:58) The Bridge, Remarkable Elba Kramer, 1.8.06 Jamcruise IV (Taper: Eric Himko) (17:50) Take Five, Bill Nershi and Friends, 2.25.05, Powder Mountain Hoedown, Eden Utah (29:00) Oh, Lei!, Comotion, 10.7.00, King Cat Theatre, Seattle, Washington (37:04) Take Me Back, Billy and Liza, 1.4.04, The Culture Room, Ft. Lauderdale, Florida (41:16) Unnamed Track, Zilla, 1.12.06, Jamcruise IV (Taper: Eric Himko) (49:23) Unnamed Track, Zuvuya, 12.30.02, Slim's, San Francisco, California (Taper: Caleb Barnas) (55:23) Resume Man, Grateful Grass, 4.8.06, Fillmore Auditorium, Denver, Colorado

(0:00) Crazy Angel, Honkytonk Homeslice, 1.8.06 Jamcruise IV (Taper: Eric Himko) (8:36) Fleezer, End Of Time Observatory (11:58) The Bridge, Remarkable Elba Kramer, 1.8.06 Jamcruise IV (Taper: Eric Himko) (17:50) Take Five, Bill Nershi and Friends, 2.25.05, Powder Mountain Hoedown, Eden Utah (29:00) Oh, Lei!, Comotion, 10.7.00, King Cat Theatre, Seattle, Washington (37:04) Take Me Back, Billy and Liza, 1.4.04, The Culture Room, Ft. Lauderdale, Florida (41:16) Unnamed Track, Zilla, 1.12.06, Jamcruise IV (Taper: Eric Himko) (49:23) Unnamed Track, Zuvuya, 12.30.02, Slim's, San Francisco, California (Taper: Caleb Barnas) (55:23) Resume Man, Grateful Grass, 4.8.06, Fillmore Auditorium, Denver, Colorado

(0:00) Don't Stop Til You Get Enough, 10.26.05, Berkeley Community Theatre, Berkeley, CA (Taper: John Hart) (10:58) Swampy Waters, 9.30.05, Mother Hall, Osaka, Japan (Tapers: Nigel Mouncey and Larry Fox) (16:09) Next to You, 3.22.03, Fillmore Auditorium, Denver, CO (Taper: Pete Coffan) (28:40) Drums, 3.20.03, Fillmore Auditorium, Denver, CO (Taper: Pete Coffan) (30:49) Fearless, 8.12.01, Horning's Hideout, North Plains, OR (Taper: Jim Pollock) (41:23) Rainbow Serpent, 4.5.05 Snow King Center, Jackson, Wyoming (Taper: Eric Himko) (47:44) Drums, 8.27.96, Great American Music Hall, San Francisco, CA (SBD) (53:09) Late in the Evening, 11.21.98, Liberty Lunch, Austin, TX (SBD) (1:00:48) Time Alive, 12.31.03, Auditorium Theatre, Chicago, IL (Taper: Jason Ho)

(0:00) Don't Stop Til You Get Enough, 10.26.05, Berkeley Community Theatre, Berkeley, CA (Taper: John Hart) (10:58)Swampy Waters, 9.30.05, Mother Hall, Osaka, Japan (Tapers: Nigel Mouncey and Larry Fox) (16:09)Next to You, 3.22.03, Fillmore Auditorium, Denver, CO (Taper: Pete Coffan) (28:40)Drums, 3.20.03, Fillmore Auditorium, Denver, CO (Taper: Pete Coffan) (30:49)Fearless, 8.12.01, Horning's Hideout, North Plains, OR (Taper: Jim Pollock) (41:23)Rainbow Serpent, 4.5.05 Snow King Center, Jackson, Wyoming (Taper: Eric Himko) (47:44)Drums, 8.27.96, Great American Music Hall, San Francisco, CA (SBD) (53:09)Late in the Evening, 11.21.98, Liberty Lunch, Austin, TX (SBD) (1:00:48)Time Alive, 12.31.03, Auditorium Theatre, Chicago, IL (Taper: Jason Ho)

(0:00) It Is What It Is, 3.26.05, Fillmore Auditorium, Denver, CO (Taper: Joe Billerbeck) (11:16) Come As You Are, 3.10.00, Hilton Ballroom, Eugene, OR (SBD+AUD matrix) (29:57) Cedar Laurels, 7.19.02, Radio City Music Hall, New York, NY (Taper: Matt Varady) (38:36) Rollover, 8.11.01, Horning's Hideout, North Plains, OR (Taper: John Hart) (57:56) Desert Dawn, 10.23.04, Thomas Wolfe Auditorium, Asheville, NC (Taper: Jim Pollock) (1:05:46) San Jose, 10.29.02, Rimac Auditorium, San Diego, CA (Taper: John Hart) (1:26:38) Shine, 5.25.03, Georgia Frontiere Performing Arts Center, Sedona, AZ (Taper: John Hart)

(0:00) It Is What It Is, 3.26.05, Fillmore Auditorium, Denver, CO (Taper: Joe Billerbeck) (11:16) Come As You Are, 3.10.00, Hilton Ballroom, Eugene, OR (SBD+AUD matrix) (29:57) Cedar Laurels, 7.19.02, Radio City Music Hall, New York, NY (Taper: Matt Varady) (38:36) Rollover, 8.11.01, Horning's Hideout, North Plains, OR (Taper: John Hart) (57:56) Desert Dawn, 10.23.04, Thomas Wolfe Auditorium, Asheville, NC (Taper: Jim Pollock) (1:05:46) San Jose, 10.29.02, Rimac Auditorium, San Diego, CA (Taper: John Hart) (1:26:38) Shine, 5.25.03, Georgia Frontiere Performing Arts Center, Sedona, AZ (Taper: John Hart)

00:00 Der Bluten Kat (11.12.05 - Fillmore Auditorium, Denver, Colorado) 27:29 Push the Pig > 39:51 Slacker (11.17.05 - 9:30 Club, Washington, D.C.) 47:28 Robot World > 55:26 Norwegian Wood > 60:57 Walletsworth (11.19.05 - Irving Plaza, New York, New York) 66:58 Heart and Soul* 70:39 Pay the Snucka (11.18.05 - Irving Plaza, New York, New York) Total Broadcast Length 79:56 Notes: * with Huey Lewis on vocals Umphrey's McGee opened up at the Denver Fillmore with, one of their oldest tunes and concert staples, the epic Der Bluten Kat. The post-rock Robot World leads into the band's unique interpretation of Norwegian Wood. Huey Lewis guests on a cover of one of his tunes, Heart and Soul, continuing the relationship started at the Jammy's in 2005, and continuing to his guest slots on Safety in Numbers.

(0:00) MLT 3/22/03, Fillmore Auditorium, Denver, CO (Taper: Pete Coffan) (11:35) Way Back Home, 11/10/01, Asheville Civic Center, Asheville, NC (Taper: Daniel Shay) (26:08) Boo Boo's Pikanic, 12/30/03, Auditorium Theatre, Chicago, IL (Taper: Jason Ho) (31:50) Dirk->Jungle Boogie->Dirk, 4/28/02 Saenger Theatre, New Orleans, LA (Taper: John Hart) (47:26) Got What He Wanted, 10/24/00, Sideshow Music Hall, Buffalo, NY (Taper: Ian Stone) (59:18) Yo Se, 8/8/04, Sunshine Daydreams, Terra Alta, WV (Taper: Jason Ho)

(0:00) Texas, 12/8/03 Fox Theatre, Redwood City, CA (15:32) On The Road, 6/22/02, Bonnaroo, Manchester, TN (31:10) Smile, 3/21/03, Fillmore Auditorium, Denver, CO (40:08) Windy Mountain, 8/12/01, Horning's Hideout, North Plains, OR (50:02) Born on the Wrong Planet, 12/5/03, Wiltern Theatre, Los Angeles, CA

(0:00) Galactic, 4/20/02 Fox Theatre, Atlanta, GA (17:03) San Jose, 6/18/99, Telluride Bluegrass Festival, Telluride, CO (30:06) Shantytown, 3/22/03, Fillmore Auditorium, Denver, CO (38:54) 100 Year Flood, 3/20/03, Fillmore Auditorium, Denver, CO (52:57) Smile, 3/21/03, Fillmore Auditorium, Denver, CO

(0:00) Close Your Eyes, 7.18.02, Merriweather Post Pavilion, Columbia, MD, (Taper Jim Pollock) (16:04) Restless Wind, 2.19.00, Fillmore Auditorium, Denver, Colorado (SBD) (31:05) Sand Dollar->Up the Canyon->Sand Dollar, 4.14.02, Hill Auditorium, Ann Arbor, Michigan (Taper: Jason Ho) (54:01) Born On The Wrong Planet, 12.5.03, Wiltern Theatre, Los Angeles, California (Taper: Joe Billerbeck) (1:10:43) Turn This Around, 8.1.03, Horning's Hideout, North Plains, Oregon (Taper: Jason Ho)