Podcasts about let me roll it

‘Winging It'Welcome to another episode of The Long Live Rock ‘N' Roll Podcast - where we dive deep into the world of music and dissect iconic albums that have left an indelible mark on the industry. In this episode, we're turning our attention to one of the most celebrated albums of the 1970s: ‘Band on the Run' by Wings.Having lost some of his musical credibility for his work post-Beatles amongst critics, Paul McCartney travelled to Nigeria, 2 band members down, to record an album that would restore any faith that fans and critics had (foolishly!) lost in him and his songwriting abilities!‘Band On The Run' is full of intricate songwriting, lush production and catchy melodies that have become staple McCartney songs - making it one of Paul's most respected and renowned works. From the infectious title track to the soulful "Let Me Roll It" and the anthemic "Nineteen Hundred and Eighty-Five," we'll explore the album's diverse mix of rock, pop, and experimental sounds as well as the concept-style lyrics exploring themes of escape, liberation and resilience!So join us as we celebrate the work of McCartney and explore why this album remains a cornerstone of Paul's post-Beatles career and a beloved masterpiece in the annals of rock music history.Episode 69 Playlist: https://open.spotify.com/playlist/4gAX93zYMxDhoJoI41dJdP?si=61590e807f684248

00:00 - Intro 1:05 - Twenty Flight Rock 4:05 - Magical Mystery Tour 7:10 - Jet 12:32 - All My Loving 15:22 - Let Me Roll It 21:37 - I've Got A Feeling 26:24 - My Valentine 30:00 - Nineteen Hundred and Eighty-Five 35:15 - Lady Madonna 39:50 - In Spite of All the Danger 45:30 - Love Me Do 48:50 - Who Cares? 52:20 - Birthday 55:50 - Fuh You 1:00:00 - Get Back 1:04:20 - Ob-La-Di, Ob-La-Da 1:08:30 - Band On The Run 1:14:32 - Hi Hi Hi 1:18:45 - I Saw Her Standing There 1:22:15 - Sgt. Pepper's Lonely Hearts Club Band (Reprise) 1:23:30 - Helter Skelter 1:27:25 - Outro All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here  please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY

Vor rund 50 Jahren ist im Dezember 1973 mit "Band on the Run" das dritte Studioalbum von Paul McCartney & Wings und das fünfte Studioalbum von Paul Mc Cartney nach der Trennung der Beatles erschienen. Paul McCartney hat die Band Paul McCartney & Wings im Jahr 1971 zusammen mit seiner Frau Linda McCartney gegründet — ein Jahr nach der Trennung der Beatles. Linda hat die Beatles zuvor schon als Fotografin begleitet und teilweise auch Vocals bei verschiedenen Alben hinzugesteuert. John Lennon hat einige Jahre zuvor bereits mit seiner Frau Yoko Ono die Plastic Ono Band gegründet. "Band on the Run" kann für Paul McCartney als eine Art Befreiungsschlag von seiner musikalischen Vergangenheit gesehen werden, den Beatles. Paul McCartney zeigt auf diesem Album, dass er es noch draufhat, losgelöst von seinem kongenialen Partner John Lennon als Songwriter, als Bassist und als Sänger zu arbeiten. Turbulente Produktionsbedingungen "Band on the Run" wurde in Afrika, in Nigeria, genau genommen in Lagos produziert. Für Paul McCartney klang das nach Sonne, nach Entspannung, das klingt danach, als könnte man hier ganz entspannt in wunderschöner afrikanischer Umgebung ein tolles Album aufnehmen. McCartney hatte die Koffer bereits gepackt, Demos und Songideen im Gepäck. Gitarrist Henry McCullough und Schlagzeuger Denny Seiwell sollen schon länger nach einem Grund für den Ausstieg gesucht haben. McCartney hat sie ihrer Meinung nach zu schlecht bezahlt und sie konnten sich künstlerisch nicht in dem Maße einbringen, wie sie das gerne wollten. Bis zum Tag des Abfluges am 9. August 1973 hatten beide gekündigt. Denny Laine war als einziger von den ursprünglichen Wings neben Paul und Lina McCartney mit nach Lagos geflogen. Was ein Glück — er war nämlich auch Multiinstrumentalist und konnte somit McCartney kräftig unterstützen. Trotzdem konnte er sich nicht so mit einbringen, wie er es gerne getan hätte. Dennoch — die drei waren produktiv und haben sich durchaus auch von Afrika musikalisch inspirieren lassen, zumindest rhythmisch. Ursprünglich wollte McCartney das Album sogar mit afrikanischen Musikern aufnehmen, hat sich dann aber dagegen entschieden, weil er viel Gegenwind bekommen hat. Zurück zum Tag der Ankunft in Lagos, Paul McCartney & Wings werden auf offener Straße überfallen. Alle Tapes und Ideen, die Paul bisher in irgendeiner Form für "Band on the Run" gesammelt hatte, waren also weg. Sie standen mit leeren Händen da und mussten alles aus ihrem Gedächtnis rekonstruieren. Auch eine gewisse Angst nach dem Überfall begleitete die McCartneys, die sie versucht haben mit Gras zu bekämpfen. Paul McCartney erlitt — vermutlich infolge übermäßigem Konsums — eine Panikattacke und musste ins dortige Krankenhaus. Zu den Aufnahmen war er zurück und hat gemeinsam mit Linda im Studio gearbeitet. Seine Frau war von Beruf aus Fotografin und hat während der Albumaufnahmen intensiv gelernt, die Instrumente zu spielen, vor allem das Klavier. Unter diesen katastrophalen Produktionsbedingungen, an denen andere Musiker und Musikerinnen womöglich verzweifelt wären, erschafft McCartney in diesem Kosmos ein großartiges Album und er schafft es wieder geliebt zu werden, so Fahrig weiter. Durchbruch von "Band on the Run" Es war nicht leicht für Paul McCartney nach der Trennung der Beatles. Nicht nur John Lennon sondern auch George Harrison sollten ihm musikalisch ernsthafte Konkurrenz machen. Seine beiden ersten Soloalben verkaufen sich zwar gut und sind erfolgreich, doch die Kritiker lassen ihn durchfallen und das soll noch schlimmer werden bei Paul McCartney and Wings. Trotzdem gab es 1973 eine große Auftragskomposition für James Bond 007 — der Durchbruch für Paul McCartney & Wings. "Band on the Run" ist der Welthit für Paul McCartney & Wings. Die Bande auf der Flucht, textlich wie musikalisch teilt sich dieser Song auf in 3 Teile. Ein dramaturgies, durchkomponiertes Meisterwerk. Diese Aufteilung und Strukturierung erinnerten stark an die Beatles-Ära, in der Paul diese Technik bereits perfektioniert hat. Musikalischer Scheidungskrieg zwischen McCartney und Lennon Im Jahr 1967 haben sich Linda Eastman und Paul McCartney das erste Mal getroffen, haben sich ineinander verliebt und dann 1969 geheiratet. Noch in einer Zeit, in der Paul McCartney aktives Mitglied der Beatles war. Sie hat alle Hochs und Tiefs der Band an der Seite ihres Mannes erlebt, und da gab es einige, gerade in den Endjahren der Beatles. Nach der offiziellen Trennung im April 1970 haben Paul McCartney und John Lennon einen Art offenen musikalischen Scheidungskrieg über Songs geführt. Den Anfang macht Paul McCartney 1971, er singt in "Too Many People" darüber, dass Lennon seine Glückssträhne zerbrechen hat lassen. Dieser antwortet darauf in seinem Album "Imagine" 1971 mit dem Song "How Do You Sleep?" mit den Worten "Das einzige, was du je geschafft hast, war "Yesterday". Wie kannst du schlafen?". McCartney antwortet seinerseits in "Band on the Run" mit dem Song "Let Me Roll It". Ein Song, wie John ihn selbst schreiben könnte, so Fahrig. "Let Me Roll It" ist ursprünglich eine Textzeile aus einem George Harrison-Song "I'd Have You Anytime" aus dem Album "All Things Must Pass" von 1970. McCartney und Lennon haben sich bald getroffen und sich einigen können. John Lennon bezeichnete seinerseits das Album "Band on the Run" sogar als fantastisches Werk. Paul McCartney – Lyrics Im November 2021 erschienenen Buch von PaulMcCartney "Lyrics" betrachtet er sein Leben und Werk intensiv im Prisma von 154 eigenen Songs. "Band on the Run" – Ein Meilenstein der Musikgeschichte Die Gruppe, die Band, die Bande auf der Flucht. Was genau hinter dem Albumtitel steckt, wieso die Band tatsächlich irgendwie auf der Flucht war und wie es Picasso auf dieses Album geschafft hat, warum Lagos vermeintlich kein guter Ort war, um eine Platte aufzunehmen und viel mehr, wird in dieser Episode besprochen. __________ Über diese Songs vom Album "Band on the Run" wird im Podcast gesprochen (15:50) – "Bluebird"(25:24) – "Jet"(29:49) – "Band on the Run"(48:33) – "Let Me Roll It"(52:27) – "Picasso's Last Words (Drink to Me)"__________ Über diese Songs wird außerdem im Podcast gesprochen (47:31) – "Too Many People" von Paul McCartney und Lina McCartney(49:14) – "I'd Have You Anytime" von George Harrison __________ Paul Mc Cartney & Wings Rockshow Live: https://youtu.be/BiCboZoKOcw?si=xPYLZJiAC3KyKQyh Rolling Stone: Paul McCartney & Wings veröffentlichen "Band on the Run": https://www.rollingstone.de/rewind-today-1973-paul-mccartney-wings-veroeffentlichen-band-on-the-run-362018/ Musik-Sammler Release: "Band on the Run": https://www.musik-sammler.de/release/paul-mccartney-wings-band-on-the-run-2-cd-358897/ YouTube Paul McCartney "Band on the Run": https://youtu.be/LulVVED_93c?si=ZU0uORCdXgIEfFq8 John Lennon singt das Album "Band on the Run": https://youtu.be/FPkC54xEEnU?si=JEzTPGiD4fno63oa Paul McCartney & Wings "Band on the Run" BBC-Doku: https://www.youtube.com/watch?v=Z9dEqN-dQtY __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

This week on Classic Vinyl Podcast, Justin and Tyler review Paul McCartney and Wings 3rd studio album Band on the Run on the 50th anniversary of its release. With many commercial hits like the title song, Jet, Mrs. Vandebilt, Let Me Roll It, and Nineteen Hundred and Eighty-Five, this has long been considered one of McCartney's best offerings. Give it a listen and let us know how you rate it. Support our podcast and buy us a beer https://www.buymeacoffee.com/classicvinylpod

Growing up in the 1970s and 80s, one assumed that Paul McCartney was always universally loved because of his work in The Beatles, his 70s solo work and that with Wings, and his positive peace & love attitude. However, in 1973 Paul found himself in a bit of turmoil. Though he'd enjoyed some success as a solo artist, particularly in the US, Paul was being criticized for the adult contemporary nature of his music vs. the output of the other Beatles and the harder rocking music of the day. He was skewered in the British press after he released Leave Ireland to the Irish on the heels of Bloody Sunday in 1972 and had lost several members of Wings over being treated as hired hands and the presence of Linda in the band despite her lack of musical ability. However, Paul forged ahead with Linda and Denny Laine to create Band on the Run, released on December 5, 1973 in the US (November 30, 1973 in the UK). The title track is one of redemption and freedom inspired by George Harrison during their ongoing Apple Corps meetings and negotiations. Jet is an upbeat song that climbed the charts around the world despite it being about his dog and getting to know Linda's father. Songs like Bluebird, Mrs. Vanderbilt, Let Me Roll It and Nineteen Hundred and Eighty-Five became AM and classic rock radio staples in the US where the album not only went to #1 but sold more than 3 million copies. As the album that gave Paul back his credibility with the critics and allowed Paul and Wings to continue through the end of the 70s turns 50, we give it our classic track by track treatment. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10% during the holidays! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in the 1970s and 80s, one assumed that Paul McCartney was always universally loved because of his work in The Beatles, his 70s solo work and that with Wings, and his positive peace & love attitude. However, in 1973 Paul found himself in a bit of turmoil. Though he'd enjoyed some success as a solo artist, particularly in the US, Paul was being criticized for the adult contemporary nature of his music vs. the output of the other Beatles and the harder rocking music of the day. He was skewered in the British press after he released Leave Ireland to the Irish on the heels of Bloody Sunday in 1972 and had lost several members of Wings over being treated as hired hands and the presence of Linda in the band despite her lack of musical ability. However, Paul forged ahead with Linda and Denny Laine to create Band on the Run, released on December 5, 1973 in the US (November 30, 1973 in the UK). The title track is one of redemption and freedom inspired by George Harrison during their ongoing Apple Corps meetings and negotiations. Jet is an upbeat song that climbed the charts around the world despite it being about his dog and getting to know Linda's father. Songs like Bluebird, Mrs. Vanderbilt, Let Me Roll It and Nineteen Hundred and Eighty-Five became AM and classic rock radio staples in the US where the album not only went to #1 but sold more than 3 million copies. As the album that gave Paul back his credibility with the critics and allowed Paul and Wings to continue through the end of the 70s turns 50, we give it our classic track by track treatment. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10% during the holidays! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Support the Official Release You can listen to Band of Horses' Infinite Arms on: Apple Music Spotify Or purchase Infinite Arms on: Amazon Music Links Marvis Pro, the iOS music player Michael mentioned using to see his play counts. Vacationer's Relief, the only album that came close to Infinite Arms's play count number in Michael's library. You can read Michael's previous review on the record here. Michael mentioned having a Fracture print of Infinite Arms, which is a picture printed directly on glass for a minimal, sleek presentation. This is his current collection. Sun Kil Moon's Benji, the album Marc claimed to be a perfect foil to the easily digestible and repeatable Infinite Arms. You can listen to our previous discussion on the record in Episode 8. Band of Horses' new lineup during Infinite Arms, and would remain unchanged for years—the first “true” Band of Horses lineup: Benjamin Bridwell Creighton Barret Ryan Monroe Bill Reynolds Tyler Ramsey The star at the center of the pivot point in the album art is Polaris (more commonly known as the “North Star”). The star seems to stand still in long exposure photography while the rest of the northern hemisphere stars spin around it due to the North Star being in a (mostly) direct line with the Earth's rotational axis with respect to the North Pole. Christopher Wilson, the Photographer for Infinite Arms's cover art and all the band's album art up to that point. (information courtesy of the Albums app on iOS). Michael's insane graph of “vibrancy”/”energy” by track number Infinite Arms was nominated for “Best Alternative Music Album” for the 53rd Grammy Awards in 2011, the same year Arcade Fire famously secured Album of the Year with The Suburbs. You can read Marc's thoughts on The Suburbs here. Marc found “Factory” to share similarities with Paul McCartney and Wings's “Let Me Roll It” off 1973's Band on the Run and Vacationer's “Turning” off 2018's Mindset. You can read Marc's review of Band on the Run here or listen to our discussion on Mindset in Episode 14. “Factory” utilizes both a Memotron and Theremin. The Theremin also appeared in Lord Huron's “Love Like Ghosts” & “Way Out There” off 2015's Strange Trails, and you can listen to our previous discussion on that record in Episode 2. Michael's writeup on Jimmy Buffett's A1A mentioned during the show can be found here, the finest publication on the site thus far. The Last Bison's Quill, a record Michael felt was similar to “Compliments” since they both are high in character and charm in large part because of their imperfections. Grizzly Bear's Yellow House, the record Marc felt similarly leaned into “everything & the kitchen sink” production. Eagles, a classic rock band Michael could very easily see playing “Laredo” ChrisCorradi's comment on the “bullet in my Kai Lorenzo” lyric on genius.com “Band Of Horses Survived… Barely”, The SPIN interview Marc mentioned where Ben touches on his then-recent separation with his spouse. “Grumpy Old Men” (the 1993 film) and “Old City Bar” by Trans-Siberian Orchestra both evoked similar feelings and visuals in Michael as “Blue Beard”. The Explorer's Club, a classic rock & roll and classic pop-influenced band that Marc found strikingly similar to Band of Horses' experiments in “Blue Beard” and “Dilly”. “I need more cowbell!” Long in the Tooth and Repo Records referenced in the show are Marc's favorite record haunts in the Philly area. Support your local music stores! Marc kept saying “Dilly” was very “70's” but meant to say “60's” (oops). Ludo's “Good Will Hunting by Myself”, the song Michael mentioned takes the stereotypical “I'm better off without you, anyway” attitude from pop breakup songs and cranks it up to a comical extreme. Admiral Fallow, the band Michael mentioned was also sometimes similarly “rough” in vocal delivery like in “Evening Kitchen” and also works because of those edges. Arcade Fire's “We Used To Wait”—which explicitly and intentionally makes the audience “wait” for a final chorus that never again returns—Michael cheekily claimed to be the antithesis to the infinitely repeating chorus in “Older”. “Basement Shows” (also known as “House Shows”), a staple of Philadelphia college life. “Are You My Neightbor?”, a deep cut Marc made to the classic VeggieTales episode. Yes, this was a real thing. Grizzly Bear's “Colorado”, a song Marc found just as boring as “Neighbor”. Yes Michael, I will put it down there. The Arcade Fire lyric Marc was flopping around trying to remember is “Took a drive into the sprawl / To find the house where we used to stay”, where their usage of “house” instead of “home” is meant to communicate emotional distance and lack of attachment to the physical place they grew up. Please use a good podcast player! Rooibos tea is best tea. Premium Steap and August Tea are incredible tea suppliers and are “Marc & Michael Approved”. Don't just drink Lipton and say our tea tastes like soap, anonymous coworker of Michael's. References Listed in order of reference on the show. “We actually started with a tonne of songs—about twenty-five or so—so we didn't even know which ones would make it, or which ones were good or bad really. So you don't really know until you're recording them, because we weren't really playing a lot of them live, so once they're recorded you're like, ‘Okay, this actually sounds like a real song, and this one sounds like a joke'—we're just taking the piss out of some soul song or something, you know? So we kinda learned as we went, like, ‘Oh wow, is what the record sounds like'.” “Band Of Horses Interview”, CLASH “‘We have this time off before we gotta go back out on the road again—let's just go do it ourselves. We'll get another engineer… We think we know what the songs sound like—let's just go for it'. And so we were like, “This is actually really fun”. That's when we really discovered we don't have to beat each other up on this, we can just have fun with it and enjoy the process.” “Band Of Horses Interview”, CLASH “I did stretch myself pretty much to being broke, at the same time we didn't have to worry about anybody even coming in and hearing mixes or anything, we could really take our time with it.” “Band Of Horses Interview”, CLASH “It's the first time the line-up hasn't been this revolving door. With this record it's a real band that I'm part of. No one's going anywhere, everyone's contributing to the songwriting process and this is our coming-out party.” “Band of Horses: Infinite Arms Q&A with Ben Bridwell, Uncut Magazine (archive)” “… But that's the best part about it—the fact that it is a mystery. People get the lyrics wrong—I do that all the time with my favorite songs. You read the lyrics five years later, or hear it differently, and you're like, ‘Oh, I always kinda sang something to that effect when I was singing along, but I didn't really realize what they were talking about', you know? In a way it's like little hints come around and the mystery kinda reveals itself, but the fact that people don't really know is my favorite part, because that's what I appreciate about songs as well.” “Band Of Horses Interview”, CLASH [With Regards to “Factory”] “I was listening to a lot of Nick Drake and was really enamored by the string arrangements in his songs. Also, I was trying to make it a bit dramatic sounding in a Bittersweet Symphony kinda way.” “Track-byTrack: Band of Horses' Infinite Arms”, THE SKINNY “I was actually out writing songs for the new record, and I had some crazy stuff going on. That song just kind of ended up tapping me on the shoulder. Even though some of it is a bit maybe too autobiographical for my own tastes, a lot of it dances around subjects like all my songs do. I try not to be too specific.” “Infinite Arms: A conversation with Band of Horses' Ben Bridwell”, Mike Ragogna of HuffPost Entertainment “We got to the point where we were touring so much that nowhere was really home. So I figured, at least if I'm gonna come home after these long stretches of traveling, it would nice to be around my family; my parents, and my brother and sister are having babies. So it was like, when I come home, at least I'm close enough so I get to see them at least twice a year compared to like maybe once a year.” “Band Of Horses Interview”, CLASH “This song [‘Infinite Arms'] deals a lot with the major theme of the record, and being the title track that's maybe a little obvious, but this is one I'm not quite ready to unveil the mask on. But I can tell you that it almost didn't make the record.” “Track-byTrack: Band of Horses' Infinite Arms”, THE SKINNY “We went bonkers with Infinite Arms, because we could. It was a challenge to see what we could do, but we also overcooked some shit.” “Band of Horses: Mystery Riders”, Magnet Magazine Art ♫︎

"Let Me Roll It" is a song by Paul McCartney and Wings, released on their 1973 album Band on the Run. The song was also released as the B-side to "Jet" in early 1974, and has remained a staple of McCartney's live concerts since it was first released.The song is unique in the Beatles catalogue, since it combines contributions from McCartney, Lennon, Harrison and Bob Dylan!Of course, McCartney is credited as the composer, but he took the title (and the phrase in the lyrics) from "I'd Have You Anytime". And that song was written by George Harrison and Bob Dylan.The connection with Lennon is clear, but details are still debated; some say that Let Me Roll It was McCartney's version of Lennon's :Cold Turkey". Indeed, the dominating guitar riff is very reminiscent of Cold Turkey.Others maintain that Lennon used "Let Me Roll It" for his 1974 song "Beef Jerky."We will probably never know for sure, but what we DO know is what it sounds like if Lennon had covered Let Me Roll It.........

What would've happened if the Beatles reunited to make an album in 1973 based on the four albums recorded that year? We draw from Mind Games, Band on the Run, Living in the Material World, and Ringo to compile a 12-track album that we think would be even better if all four Beatles played and contributed to the songs. Chris and Dave both had different approaches to their album construction, but they both work well as listens. If only that had happened... Dave's album: Band on the Run, Jet, Photograph, Out The Blue, Don't Let Me Wait Too Long, I'm The Greatest, Give Me Love (Give Me Peace on Earth), Mind Games, Bluebird, Bring on the Lucie (Freeda People), Who Can See It, and 1985. Chris's album: I'm the Greatest, Band on the Run, Sue You Sue Me Blues, Mind Games, Photograph, Let Me Roll It, One Day at a Time, Give Me Love, Bluebird, Be Here Now, I Know I Know, 1985 Enjoy! Complete episodes can be found at https://ivegotabeatlespodcast.podbean.com. Email: ivegotabeatlespodcast@hotmail.com Twitter: @ivegotabeatles Facebook: I've Got A Beatles Podcast Our video venture: "Song Album Career!" https://www.youtube.com/channel/UClqNdoDpQxpj6QMNDmXYYog

Mateus Falci joins us in the basement for a funky-fresh convo about his band, Gratis, and their two music video collaborations with Haunted Basement. We also talk about the home movies we made as kids, deciding on film school (three of us), deciding against a film career (one of us), the most bad-ass wedding processional ever, visualizing cyborg tango music and a break-up song in outer space, and why “Let Me Roll It” by Wings contains the most effective pre-chorus in rock and roll history. You can watch Android Eyes and Two In The Morning at hauntedbasement.video. Listen to your new favorite band, Gratis, on Spotify, Apple Music, or Soundcloud, and follow them on Instagram. Subscribe//Follow for future episodes. Haunted Basement is a full-service video production company that creates professional content to promote your business or brand. Visit hauntedbasement.video or contact hello@hauntedbasement.video for more.

Singles Going Around- Le Cigare VolantThe term “Le Cigare Volant” makes reference to a ordinance adopted in 1954 in a village in Châteauneuf, which by decree prohibited the landing of UFOs in their vineyards. This episode is named after their efforts.Paul McCartney & Wings- "Let Me Roll It"Bob Dylan- "Highway 61 Revisited"The Pixies- "Gigantic"Sun Ra and the Blues Project- "The Penguin Chase"The Stooges- "No Fun"Huey Smith- "Little Chickee Wah Wah"J.J. Cale- "Call Me The Breeze"Otis Redding- "Rock Me Baby"The Rolling Stones- "Stray Cat Blues"The Beatles- "Happiness Is A Warm Gun"The Detroit Cobras- "Break-a-way"The Raconteurs- "It Aint Easy"The White Stripes- "I Just Don't Know What to Do With Myself"Frank Black & The Catholics- "Le Cigare Volant"The Band- "We Can Talk"The Rolling Stones- "Far Away Eyes"*All selections taken from vinyl records.

** This episode was previously a Patreon podcast exclusive ** TRIMMING THE CLASSIC POD: Paul McCartney made both a critical and commercial return to form with his band Wings' 1973 classic - Band On The Run. Featuring evergreen classics like its title track, Jet and Let Me Roll It, it is Macca's biggest post-Beatles success. But, which song would you remove from it if you had to?  That‘s the task podcast hosts Stephen & Paul have set themselves whilst also looking to select their favourite.  We're ready to go on the run. Are you?  Like the podcast? Why not show your appreciation by buying Paul & Stephen a coffee - https://www.buymeacoffee.com/trimmingthh Podcast website - trimmingthemusicalfat.com / Email us - trimthemusicalfat@gmail.com / Tweet us - https://www.twitter.com/MusicalTrimming?s=20 / Join our Facebook group - https://www.facebook.com/groups/274805337346926 / Check out our YouTube channel - https://www.youtube.com/channel/UCm_P5WlRZ0i3tR3jEavD_5A / TikTok - @trimmingthemusica --- Send in a voice message: https://podcasters.spotify.com/pod/show/ttmf/message

#154 Nesse samba dos branquelos de cuca fundida (opa!) requebramos ao som dos 80 anos do Paul McCartney com Let Me Roll It e sorvemos cada acorde da Demo (eba!) do David Bowie, afinal são 50 anos do Ziggy tocando guitarra. Tivemos a volta do Almanaque e da Imagem Falada! Para analisar a etapa de El Salvador, Júlio Adler, João Valente e (trio completo!) Bruno Bocayuva convocaram ninguém menos que Marcelo Bôscoli, analista sênior do Por Dentro do Tour, podcast vizinho e amigo. Como esperado, não houve gritaria, esperneio e nem palavras de ordem - o cavalheirismo reinou incólume - lamentamos informar. Nosso único compromisso é com o fracasso. --- Send in a voice message: https://anchor.fm/boia/message

Which album did Rolling Stone say was "the masterpiece everyone has always known Paul McCartney could make"? Who did Ike & Tina Turner "steal" their cover of With A Little Help From My Friends from? What is Let Me Roll It about? Join Stevie Nix as he answers all of these questions and more on this episode that believes we can work it out if we listen to what the man said.WARNING: This episode contains traces of Ebony & Ivory.Featured songs [in chronological order]:I Saw Her Standing ThereFrom Me To You [Ane Brun]Things We Said Today [Margo Timmins]We Can Work It Out [Humble Pie]With A Little Help From My Friends [Ike & Tina Turner]The Fool On The Hill [The Kid Daytona]Maybe I'm Amazed [Freelance Hellraiser]Junk [Hailey Tuck]Too Many PeopleUncle Albert/Admiral HalseyDear FriendLet Me Roll It [Tanya Donelly & The Parkington Singers]Nineteen Hundred and Eighty Five [Timo Maas & James Teej]Magneto & Titanium ManLet 'Em In [The Bros Landreth]Frozen JapRaincloudsHere TodayFuh YouHelter SkelterHidden track: Long Tailed Winter Bird [Idris Elba Remix]Bonus track: Paul McCartney medleyCurated Spotify playlists:Paul McCartney Mix Tape [Beatles]Paul McCartney Mix Tape [Solo/Wings Acoustic]Paul McCartney Mix Tape [Solo/Wings Electric 1970-1982]Paul McCartney Mix Tape [Solo/Wings Electric 1989-2020]Best Paul McCartney lyricsJoin Stevie on Spotify and Instagramwww.songsungnew.com

PIZZZAAAAA ANTSY PRODUCTS: https://antsyproducts.com/Use code "BIGBOY" for 10% off your purchase! Andrew Warren: https://twitter.com/ventura_blvd818s & Heartbreak: https://podcasts.apple.com/us/podcast/818s-and-heartbreak/id1549805653 Aya Lehman: https://twitter.com/ayalhmnKevin Cookman: https://twitter.com/KevinCookmanContact/Mailbag: ayavsthebigboys@gmail.com A Merry-Go-Round Magazine Podcast: https://merrygoroundmagazine.com/Support Merry-Go-Round Magazine!: https://www.patreon.com/mgrm 

IIIIII SHOULDA KNOWN BETTA WIT A GURL LIKE UUUUUUU

In The Cold Open #43, The Licorice Pizza Edition, Robert Sickels and Kynde Kiefel discuss Paul Thomas Anderson’s electrifying new film at length. Our intro and outro this week are Sonny & Cher’s “But You’re Mine” and Paul McCartney and Wings’ “Let Me Roll It,” both from The Licorice Pizza Soundtrack. The Cold Open Podcast is available on Apple Podcasts and Spotify, so please rate, review, and subscribe!

#160-158Intro/Outro: Old Man and Me (When I Get to Heaven) by Hootie & the Blowfish160. The Eminem Show by Eminem (Without Me & Business & Cleaning Out My Closet & 'Till I Collapse)159. Yourself or Someone Like You by Matchbox Twenty (Real World & Push & Long Day & 3 A.M. & Back 2 Good)158. Band on the Run by Wings (Band on the Run & Jet & Let Me Roll It & Helen Wheels)The Eminem Show album artYourself or Someone Like You album artBand on the Run album artVote on Today's Album ArtWeek 6 Round 1 Winners (episodes 326-330)Vote on Week 6 Round 2 Album ArtWeek 5 Round 2 Winner!! (Moves on to Round 3)Round 3 starts when we have three more Round 2 winnersWeeks 1-4 Round 3 Winner!! (Moves on to Round 4)Round 4 starts when we have five Round 3 winners

Beatles nerds rejoice again, as synth queen Seja Vogel joins me to delve into the album that brought Paul McCartney back to the toppermost of the poppermost in 1973, 'Band on the Run'. We talk about Paul’s uneven solo trajectory after the Beatles breakup, the volatile story of how the album was made in Lagos (band members quitting, stolen demo tapes, Fela Kuti, etc), Paul’s drumming, the use of synths on the record, covering Let Me Roll It, how McCartney has become the ambassador to Beatledom, our experiences seeing Paul live, our love for Nineteen Hundred and Eight-Five and Mrs Vanderbilt and the song we think should’ve been left off the album.

The Early 70's found Paul McCartney working hard to establish an identity separate to The Beatles   See omnystudio.com/listener for privacy information.

The Early 70's found Paul McCartney working hard to establish an identity separate to The Beatles See omnystudio.com/listener for privacy information.

Our final episode for the month of July is all about the album that was number one in the summer of 1974 - 'Band On The Run' from Paul McCartney and Wings. It was the album that would legitimize Paul McCartney as a solo artist thanks to the hit singles "Band On The Run", "Jet", "Helen Wheels" plus "Nineteen Hundred and Eighty-Five". Along with the hits came album tracks that have gone to become classics including "Mrs. Vandebilt", "Let Me Roll It", "Blue Bird", "Mamunia", "No Words" and "Picasso's Last Words (Drink To Me)"). Get the stories behind all of the songs (including the one Paul wrote on a dare from actor Dustin Hoffman) and the album's iconic album cover in episode 19 of DISCovery!SIDE ONE:1. "Band on the Run" 2. "Jet"3. "Bluebird" 4. "Mrs. Vandebilt" 5. "Let Me Roll It" SIDE TWO:1. "Mamunia" 2. "No Words" 3. "Helen Wheels" 4. "Picasso's Last Words (Drink to Me)"5. "Nineteen Hundred and Eighty Five"Find DISCovery on Facebook at www.facebook.com/TheDISCoverypodcasthomeThe DISCovery theme song "A Billion Years Ago" by The Special Pillow (www.specialpillow.com)

Giving thanks to everyone for listening Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Thank You by Led Zeppelin on Led Zeppelin II (Atlantic) 4′58″ Thank You (Falettin Me Be Mice Elf Agin) by Sly & the Family Stone on Single (Epic) 8′18″ Thank God For You by Sawyer Brown on Outskirts of Town (n/a) 11′00″ Thank you by Bonnie Raitt on Bonnie Raitt (Warner Bros. ) 14′29″ Thank You by Nathaniel Rateliff & The Night Sweats ((Self-Released)) 17′01″ I Want To Thank You by Otis Redding on single (n/a) 20′39″ Let Me Roll It by Paul McCartney on Paul Is Live (Apple) 24′28″ Cigarettes and Coffee by Otis Redding on The Soul Album (Stax) 28′53″ First Time I Met The Blues by Buddy Guy on Buddy's Blues (2015 U-2) 30′21″ I'm Gonna Move To The Outskirts Of Town - Live by Albert King on Thursday Night in San Francisco (Fantasy) 37′02″ When You Got A Good Friend by Robert Johnson on King of the Delta Blues Singers (CBS) 40′40″ Sitting On Top Of The World by Howlin' Wolf, Eric Clapton on London Sessions (Geffen) 44′56″ Me by Otis Rush on Mourning in the Morning (Atlantic) 48′45″ Keep On Growing by Derek & The Dominos on Layla (Polydor) 54′34″ All Things Must Pass by George Harrison on Early Demos (Apple) 57′02″ The Holiday Song by Pixies on Come On Pilgrim (4AD) 61′16″ In The Cold, Cold Night by The White Stripes on Elephant (V2) 63′43″ The Bright New Year by Bert Jansch on Birthday Blues (Sanctuary Records) 65′05″ Tear The Fascists Down by Woody Guthrie on Woody at 100: The Woody Guthrie Centennial Collection (Smithsonian Folkways) 67′32″ Riding In My Car by Woody Guthrie on Woody at 100: The Woody Guthrie Centennial Collection (Smithsonian Folkways) 70′56″ Thanks, Bastards! by Mischief Brew on Songs From Under The Sink (Fistolo Records) 73′28″ Thanks for the Ride by The Wonder years on Sleeping in Trash (No Sleep) 77′03″ Thanksgiving Theme by Vince Guaraldi Trio on A Boy Named Charlie Brown (Concord Music Group) 79′30″ In My Life by The Beatles on Rubber Soul (Apple Records) 81′40″ Friendship by Pops Staples on Don't Lose This (n/a) 85′29″ Every Dog Has Its Day by Eddie Bo on UBB (Street Beat Records) 87′02″ Little Green Bag by George Baker Selection on Reservoir Dogs (Soundtrack) (Geffen Records) 90′27″ Illegal Smile by John Prine on Live On Tour (Atlantic) 95′51″ Your Love Is A Fine Thing by Reigning Sound on Too Much Guitar (In the Red Recordings) 98′09″ Friday On My Mind by The Easybeats on It's 2 Easy (Albert Productions) 101′33″ My Baby's So Sweet by Dave Van Ronk on Down In Washington Square (n/a) 104′25″ Just To Be With You by Buddy Guy & Junior Wells on Chicago Blues Festival 1964 (n/a) 108′04″ Hell and You by Amigo the Devil on Volume 1 (n/a) 111′37″ Fool For You by The Impressions on People Get Ready (N/A) 115′29″ Even The Losers by Tom Petty and the Heartbreakers on Damn The Torpedos (Geffen) 117′26″ Big Cheeseburgers & Good French Fries by Blaze Foley on The Dawg Years (1975-1978) (Fat Possum) Check out the full archives on the website.

Giving thanks to everyone for listening Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Thank You by Led Zeppelin on Led Zeppelin II (Atlantic) 4′58″ Thank You (Falettin Me Be Mice Elf Agin) by Sly & the Family Stone on Single (Epic) 8′18″ Thank God For You by Sawyer Brown on Outskirts of Town 11′00″ Thank you by Bonnie Raitt on Bonnie Raitt (Warner Bros.) 14′29″ Thank You by Nathaniel Rateliff & The Night Sweats ((Self-Released)) 17′01″ I Want To Thank You by Otis Redding on single 20′39″ Let Me Roll It by Paul McCartney on Paul Is Live (Apple) 24′28″ Cigarettes and Coffee by Otis Redding on The Soul Album (Stax) 28′53″ First Time I Met The Blues by Buddy Guy on Buddy's Blues (2015 U-2) 30′21″ I'm Gonna Move To The Outskirts Of Town - Live by Albert King on Thursday Night in San Francisco (Fantasy) 37′02″ When You Got A Good Friend by Robert Johnson on King of the Delta Blues Singers (CBS) 40′40″ Sitting On Top Of The World by Howlin' Wolf, Eric Clapton on London Sessions (Geffen) 44′56″ Me by Otis Rush on Mourning in the Morning (Atlantic) 48′45″ Keep On Growing by Derek & The Dominos on Layla (Polydor) 54′34″ All Things Must Pass by George Harrison on Early Demos (Apple) 57′02″ The Holiday Song by Pixies on Come On Pilgrim (4AD) 61′16″ In The Cold, Cold Night by The White Stripes on Elephant (V2) 63′43″ The Bright New Year by Bert Jansch on Birthday Blues (Sanctuary Records) 65′05″ Tear The Fascists Down by Woody Guthrie on Woody at 100: The Woody Guthrie Centennial Collection (Smithsonian Folkways) 67′32″ Riding In My Car by Woody Guthrie on Woody at 100: The Woody Guthrie Centennial Collection (Smithsonian Folkways) 70′56″ Thanks, Bastards! by Mischief Brew on Songs From Under The Sink (Fistolo Records) 73′28″ Thanks for the Ride by The Wonder years on Sleeping in Trash (No Sleep) 77′03″ Thanksgiving Theme by Vince Guaraldi Trio on A Boy Named Charlie Brown (Concord Music Group) 79′30″ In My Life by The Beatles on Rubber Soul (Apple Records) 81′40″ Friendship by Pops Staples on Don't Lose This 85′29″ Every Dog Has Its Day by Eddie Bo on UBB (Street Beat Records) 87′02″ Little Green Bag by George Baker Selection on Reservoir Dogs (Soundtrack) (Geffen Records) 90′27″ Illegal Smile by John Prine on Live On Tour (Atlantic) 95′51″ Your Love Is A Fine Thing by Reigning Sound on Too Much Guitar (In the Red Recordings) 98′09″ Friday On My Mind by The Easybeats on It's 2 Easy (Albert Productions) 101′33″ My Baby's So Sweet by Dave Van Ronk on Down In Washington Square 104′25″ Just To Be With You by Buddy Guy & Junior Wells on Chicago Blues Festival 1964 108′04″ Hell and You by Amigo the Devil on Volume 1 111′37″ Fool For You by The Impressions on People Get Ready 115′29″ Even The Losers by Tom Petty and the Heartbreakers on Damn The Torpedos (Geffen) 117′26″ Big Cheeseburgers & Good French Fries by Blaze Foley on The Dawg Years (1975-1978) (Fat Possum)

In celebration of the incredible 50th-anniversary edition of The White Album, we are bringing back Cover to Cover for The Fab Four. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ I Want To Hold Your Hand by Al Green on Love Ritual (Hi Records) 2′53″ Can't Buy Me Love by Scary Pockets on Kitsch Funk 4′26″ A Hard Day's Night by The Supremes on A Bit of Liverpool 6′54″ I Feel Fine by Chet Atkins on Picks On The Beatles 8′20″ Ticket to Ride by Vanilla Fudge on Vanilla Fudge 11′41″ Day Tripper by Otis Redding on Complete 15′14″ We Can Work It Out by Stevie Wonder on Signed, Sealed, and Delivered (Motown) 18′15″ Eleanor Rigby by The Four Tops on Four Tops Now (Motown) 21′08″ Come Together by The Meters on Kickback (Warner Bros) 24′32″ Strawberry Fields Forever by Richie Havens on 20th Century Masters 27′07″ Norwegian Wood by Waylon Jenning on Nashville Rebel (Sony) 30′40″ Fixing A Hole by The Wood Brothers on Up Above My Head (Indirecto) 33′19″ With A Little Help From My Friends by Steve Cropper on Dedicated 38′11″ Jealous Guy by Hurray For The Riff Raff on My Dearest Darkest Neighbor (This is American Music) 41′37″ Let Me Roll It by Lake Street Dive on Fun Machine 44′18″ All Things (Must) Pass by Billy Preston on Encouraging Words (Apple) 48′09″ Cold Turkey by The Soft Boys on A Can of Bees (Yep Roc) 51′54″ Instant Karma by Midnight Oil on King of the Mountain (Midnight Oil) 54′29″ Working Class Hero by Green Day on Instant Karma: The Amnesty International Campaign to Save Darfur (Warner Bros.) 60′02″ Happiness is a Warm Gun by The Breeders on Pod (Rough Trade) 64′19″ Mother Nature's Son by John Denver on Best Of 68′01″ Michelle by Ben Harper on This Bird Has Flown (Concord) 74′39″ Run For Your Life by Thee Headcoatees on The Kids Are All Square 77′16″ Help by The Damned on Damned Damned Damned (MCA Records) 80′04″ I'm Looking Through You by Mark Heard on Second Hand 84′43″ And Your Bird Can Sing by The Jam on Sound Affects (Polydor) 89′16″ She's Leaving Home by Billy Bragg on Reaching to the Converted (Cooking Vinyl) 94′40″ Got To Get You Into My Life by Daniel Johnston on 1990 99′14″ What Goes On by Sufjan Stevens on This Bird Has Flown (Concord) 103′44″ Sgt Pepper's Lonely Hearts Club Band by Jimi Hendrix on Atlanta Pop Festival (Sony) 107′12″ Taxman by Junior Parker on Funny How Time Slips Away (LRC Ltd.) 111′32″ In My Life by Johnny Cash on American VI: Ain't No Grave (American) 113′00″ Because by Elliott Smith on American Beauty (Geffen) 117′38″ Medley: Sun King / Mean Mister Mustard ... by Booker T. & The M.G.'s on McLemore Avenue (Stax)

Guitars from Let Me Roll It and Cold Turkey have a little spat.

A collection of some of my favorite post Beatles tunes... John speaks... 1) Back Off Bugaloo by Ringo Starr 2) Wah Wah by George Harrison 3) Every Night by Paul McCartney 4) Mother by John Lennon 5) It Don't Come Easy by Ringo Starr 6) Ballad of Sir Frankie Crisp (Let It Roll) by George Harrison 7) Let Me Roll It by Paul McCartney & Wings 8) Crippled Inside by John Lennon 9) The No No Song by Ringo Starr 10) Simply Shady by George Harrison 11) Wild Life by Paul McCartney & Wings 12) Watching the Wheels by John Lennon 13) Photograph by Ringo Starr 14) If Not For You by George Harrison 15) Nineteen Hundred Eighty Five by Paul McCartney & Wings 16) God by John Lennon Ringo says farewell...

Сегодня мы приглашаем вас на концерт Пола Маккартни и его группы Wings: Wings over America или Крылья над Америкой 1976 года. Концерт "Wings over America" 1976 года Трэк лист: 1 Venus And Mars / Rock Show / Jet 10:22 2 Let Me Roll It 3:44 3 Spirits Of Ancient Egypt 4:05 4 Medicine Jar 4:06 5 Maybe Im Amazed 5:20 6 Call Me Back Again 5:15 7 Lady Madonna 2:37 8 The Long And Winding Road 4:28 9 Live And Let Die 3:20 10 Picassos Last Words 1:53 11 Richard Cory 3:05 12 Bluebird 3:43 13 Ive Just Seen A Face 2:10 14 Blackbird 2:27 15 Yesterday 1:56