Podcasts about Looking Through You

FTW Famous – Jon Hope and The Jackwagons Annie Moved On – Full Cord I’m Looking Through You – Steve Earle Spitfire – Sierra Hull Hear My Call (feat. Molly Tuttle) – Cristina Vane Dare To Dream – Red Camel Collective Heading For the Mountains – Big Country Bluegrass Spotlight – The Reeves Brothers Home Again – The Brothers Comatose & Lindsay Lou Game I Can't Win – Charley Crockett

This week we're exploring one facet of how stupid the written system of English is by featuring songs that feature words containing various pronunciations (all 6!) of "ough".    Discussed in this episode: Fleetwood Mac - Although The Sun Is Shining (1969) Stephen Stills - Thoroughfare Gap (1978) The Beatles - I'm Looking Through You (1965) The Creation - Through My Eyes (1967) Johnny Thunders & The Heartbreakers - It's Not Enough (1977) Beastie Boys - Tough Guy (1994) Misfits - Cough/Cool (1977) Butthole Surfers - Cough Syrup (1996) X - I Must Not Think Bad Thoughts (1983) Alanis Morissette - You Oughta Know (1995) Beyonce - Love Drought (2016)

** Episode 77- Live on Electromagnetic Radio**   Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure! Tracklisting: 1. Livin' In A New World...The Roots 2. The Jam...A Tribe Called Quest 3. Dreamworld...Rilo Kiley 4. Hot Knives...Bright Eyes 5. Gigantic...OK Go 6. What Difference Does It Make...Joy Zipper 7. Erotic City...Prince 8. Kids These Days...Shakey Graves 9. Best Days...Lissie 10. I'm Looking Through You...The Wallflowers 11. Crying In The Chapel...Elvis Presley vs The Wailers 12. Good & Plenty...Alex Isley, Masego, and Jack Dine 13. Can't Get Used to Losing You...The English Beat 14. International Jet Set...The Specials 15. Fat Old Sun...Maxime Denuc 16. Liars, Cops, and Thieves...FIT 17. Mustang...Kings of Leon 18. Surrender...Cheap Trick 19. Let, Let Me In...De La Soul 20. Police On My Back...The Clash 21. Los Angeles...X 22. Luxurious...Gwen Stefani 23. Italian Leather Sofa...CAKE 24. Holiday in Cambodia...Dead Kennedys 25. Everything's Gone Green (7" single)...New Order  

The Songs Of Ray Davies & The Kinks “This Is Where I Belong”:Rufus Wainwright “Across The Universe”The Wallflowers “I'm Looking Through You”Eddie Vedder “You've Got To Hide Your Love Away”Ben Harper “Strawberry Fields Forever”Sheryl Crow “Mother Nature's Son”The Songs Of Ray Davies & The Kinks “This Is Where I Belong”:Jonathan Richman “Stop Your Sobbing”Bebel Gilberto “No Return”       Josh Rouse “A Well Respected Man”      Cracker “Victoria”         Queens Of The Stone Age “Who'll Be The Next In Line”  Matthew Sweet “Big Sky” Tré Burt “Traffic Fiction”:”Kids in tha Yard””Piece of Me””Win My Heart””All Things Right””To Be a River””Told Ya Then”Escuchar audio

B.S.O. "I Am Sam":Aimee Mann And Michael Penn “Two Of Us”Sarah McLachlan “Blackbird”Rufus Wainwright “Across The Universe”The Wallflowers “I'm Looking Through You”Eddie Vedder “You've Got To Hide Your Love Away”Ben Harper “Strawberry Fields Forever”Sheryl Crow “Mother Nature's Son”Ben Folds “Golden Slumbers”The Vines “I'm Only Sleeping”Stereophonics “Don't Let Me DownThe Black Crowes “Lucy In The Sky With Diamonds”Chocolate Genius “Julia”Heather Nova “We Can Work It Out”Grandaddy “Revolution”Nick Cave “Let It Be”Aimee Mann “Lucy In The Sky With Diamonds”Neil Finn / Liam Finn “Two Of Us”Escuchar audio

We conclude our second annual Blost Weekend by discussing Ringo's short lived soccer career, the most popular Blotto by way of the call-in line, a handsome Tommy minotaur, Colin as a consummate mixologist, Colin's first Malort experience, AI cocktails, the Beatles PJ pant-wearing era, lots more DMB than any of us expected, and the fight inspired Rubber Soul track, "I'm Looking Through You."We also talk about a specific YouTube video a lot - please check out "Why Is This Beatles Song So Messy?" to hear some of the specific points we get into.As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can always drunk dial us at 1.857.233.9793 to share your thoughts, feedback, confessions, and concerns and to be featured in an upcoming episode. Enjoying the show? Buy us a beer via the tip jar (don't forget to include a message telling us what we should drink with the money).You know we're making a list of it, see the canonical, argument-ending list of Beatles songs we are assembling here: https://www.blottobeatles.com/list & listen to it on Spotify here.Please remember to always enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyGuests: Chris & ColinExecutive Producer: Scotty C.Musical Supervisor: RB (@ryanobrooks)Associate Musical Supervision: Tim Clark (@nodisassemble)#PeteBestGetThatCheck

This week is another exciting chapter of pain; The Bastard V Lois & Clark - S01E04 (I'm Looking Through You)!

In conversation with Jo Piazza A ''quite prescient and worthwhile'' writer who ''understands her characters inside and out'' (The New York Times Book Review), Jodi Picoult has authored many No. 1 bestsellers that are renowned for combining controversial topics with nuanced characters and precise descriptions of suburbia's fraught reality. Her 28 novels include House Rules, Handle with Care, Wish You Were Here, Nineteen Minutes, My Sister's Keeper, and Small Great Things, as well as the young adult novel Between the Lines, co-written with her daughter, Samantha van Leer. The author of more than a dozen books, Jennifer Finney Boylan achieved great literary success in 2003 with her critically acclaimed memoir She's Not There, the first bestselling book by a transgender American. Her other works include You Are You, Long Black Veil, and I'm Looking Through You, a memoir about her upbringing in a dilapidated mansion on Philadelphia's Main Line. Currently the inaugural Anna Quindlen Writer-in-Residence at Barnard College of Columbia University, a fellow at Harvard University's Radcliffe Institute for Advanced Study, and a trustee of PEN America, Boylan is a former longtime national co-chair of GLAAD. In their first collaborative novel, Picoult and Boylan tell the story of a woman who flees with her son to her sleepy New Hampshire hometown only to face the possibility that the teenager shares his father's explosive tendencies. (recorded 10/5/2022)

RFK Assassination Witness 54 Years AfterI'm Looking Through You 7-3-2022 Joe McBride Interviews Jamie Scott Enyart(Start of Bob Wilson's Notes)Host Bob Wilson welcomed Joseph McBride (Into the Nightmare, 2013) onto the show to interview RFK assassination witness Scott Enyart. Enyart was a teenager at the Ambassador Hotel only feet away from RFK on the night he was murdered. The mystery of what happened to the photographs taken remains an enigma that possibly could have helped determine precisely what transpired. Instead, we are left with a murky trail where the American public and the world continue to mourn this loss with no realistic hope of closure. Enyart requested his photographs from the LAPD, and a long battle ensued. In January 1996, the city attorney's office hired a private courier to transfer the negatives from the archives in San Francisco to Los Angeles. After arriving in Los Angeles, the courier rented a car to drive to the courthouse. Along the way there, he got a flat tire that was slashed by a knife. He then pulled into a service station. Within the next ten minutes, the briefcase containing the negatives was stolen. Many believe that Enyart's photographs hold the key to the controversy over who shot Robert Kennedy.Lend us your ears, and we'll give you a show.https://www.amazon.com/Into-Nightmare-Killers-President-Kennedy/dp/1939795257https://www.facebook.com/groups/663743480404547 Bob Wilson's Abbott and Costello 4 Ever Page(End Bob's Notes)BOB WILSON: Check out The Show: https://ochelli.com/series/im-looking-through-you/The Beatles Tomorrow Never Knows https://www.facebook.com/thebeatlestomorrowneverknows/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pm2 NEW Shows Coming Soon on SundaysMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days = Random Replays

Sick Host Roundtable AnarchyThe Ochelli Effect 7-1-2022 RoundtableChuck is under the weather. B Pete had to debate with Jimmy James about the constitution. Chuck asks if a one-world-government wouldn't end the war. The new Beavis and Butthead movie suck. The weather is hot in many places. The government sucks. People suck. Is there a pattern here?B PETE: http://www.bpete1969.com/ https://www.facebook.com/bpete1969LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Chuck's PayPal: blindjfkresearcher@gmail.com

Roundtable Abortion Issue PlusThe Ochelli Effect 6-23-2022 Roundtable This is the week Roe V. Wade was overturned. Bob called into harp on Baby body parts sales. B Pete talked about the logical concept of passing a law while co-hosting. Mrs.O dropped her view on the topic. Jimmy James gave his point of view. Chris called late and said something. Naturboy came on via Skype. The show started with a discussion on internet service providers. Chuck gave some updates on the new Audiobook project and talked about the limited broadcasts during the week. R.I.P Bonnie.B PETE: http://www.bpete1969.com/ https://www.facebook.com/bpete1969NATUREBOY: https://twitter.com/Natureb72175180E-mail producer1@ochelli.comLIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/Special New Audiobook SeriesPayPal & Contact for special arrangements: blindjfkresearcher@gmail.comOchelli Effect Patreon https://www.patreon.com/ochelliSign-up on Ochelli.comhttps://ochelli.com/membership-account/membership-levels/

Sovereign Stops Monkey Suit TwisterThe Age of Transitions and Uncle LIVE 6-24-2022AOT #356Aaron was witness to sovereign citizens pulled over on the side of the road and having a bomb removed by San Bernardino Sheriff's Department. It isn't a good sign when you start seeing these things in your daily life. Topics include: Chuck's autobiography audiobook, Yucca Valley, sovereign citizens pulled over on 62 highway with a bomb, Johnson Valley, sign guy on the corner of Old Woman Springs, Hi-Desert Star article, Russell brothers, fringe groups growing in numbers, right-wing extremism, post 9/11, War on Terror, DHS, searching every bag on the ground, militias, Proud Boys, Boogaloo Boys, DOJ instigations, one-world government vs hyper-nationalism, corruption, economic and social conditions getting worse, Jan 6, political insanity, actors as presidentsUTP #266Minor technical difficulties do nothing to prevent another fun episode of the Uncle show. Fun with MST punk rock songs and some good chatroom and caller audience participation. Topics include: technical difficulties with the graphics, computers, Apple, Palm Desert CA, Washington state, weathermen are wrong, gardening, new podcasting studio room, digital devices linked together, Uncle prefers PCs, relaxing, dollar stores, MST punk songs, Living Spaces is terrible, Christmas music, Macarena, Chuck's wedding cover band, messing with the knobs, Ed in chat, ACR contingent on Twitch, build a wall on the Canadian border, Pink Floyd, Black Sabbath, podcast and Livestream appsLIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/Special New Audiobook SeriesPayPal & Contact for special arrangements: blindjfkresearcher@gmail.comOchelli Effect Patreon https://www.patreon.com/ochelliSign-up on Ochelli.comhttps://ochelli.com/membership-account/membership-levels/

Manson Family Hippie ValuesI'm Looking Through You 6-27-2022 Dianne Lake and Ivor DavisBob Wilson welcomed Ivor Davis and Dianne Lake onto I'm Looking Through You.Ivor (author of, Manson Exposed & Five to Die), chats extensively with Dianne (Member of the Family: My Story of Charles Manson, Life Inside His Cult, & the Darkness that Ended the Sixties), about her experiences of being a Family member, and finally breaking free. At fourteen Dianne Lake—with little more than a note in her pocket from her hippie parents granting her permission to leave them—became one of "Charlie's girls," a devoted acolyte of cult leader Charles Manson. In this poignant and disturbing memoir of lost innocence, coercion, survival, and healing, Dianne Lake chronicles her years with Charles Manson, revealing for the first time how she became the youngest member of his Family and offering new insights into one of the twentieth century's most notorious criminals and life as one of his "girls."Over two years, the impressionable teenager endured manipulation, psychological control, and physical abuse as the harsh realities and looming darkness of Charles Manson's true nature revealed itself. From Spahn ranch and the group's acid trips to the Beatles' White Album and Manson's dangerous messiah complex, Dianne tells the riveting story of the group's descent into madness as she lived it.Though she never participated in any of the group's gruesome crimes and was purposely insulated from them, Dianne was arrested with the rest of the Manson Family, and eventually learned enough to join the prosecution's case against them. With the help of good Samaritans, including the cop who first arrested her and later took her into his home, the courageous young woman eventually found redemption and grew up to lead an ordinary life.While much has been written about Charles Manson, this riveting account from an actual Family member is a chilling portrait that recreates in vivid detail one of the most horrifying and fascinating chapters in modern American history.Lend us your ears, and we'll give you a show. LINKS:https://www.amazon.com/Member-Family-Charles-Darkness-Sixties/dp/0062695576https://www.amazon.com/Manson-Exposed-Reporters-50-Year-Journey/dp/0990371026https://www.facebook.com/groups/663743480404547/ Bob Wilson's Abbott & Costello Pagehttps://www.facebook.com/groups/1300490456985994 Bob Wilson's Beatles Page BOB WILSON: Check out The Show: https://ochelli.com/series/im-looking-through-you/The Beatles Tomorrow Never Knows https://www.facebook.com/thebeatlestomorrowneverknows/If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/Special New Audiobook SeriesPayPal & Contact for special arrangements: blindjfkresearcher@gmail.comOchelli Effect Patreon https://www.patreon.com/ochelliSign-up on Ochelli.comhttps://ochelli.com/membership-account/membership-levels/

Gas Guns Ghislane Gonzo GritThe Jack Blood Show 360 6-23-2022 NEWSJack Blood had no guests for his Thor's Day Broadcast and took calls while giving his takes on some news. Some odd rants on rights and wrongs in politics and other assorted sorted systemic issues ran long and short.The Replacement Governor in New York that took over for the gang that couldn't shoot Fredo Straight on CNN and couldn't stop feeling up the women around while covering up letting Grandma and grandpa did in the old folks' home, had some things to say about gun control.Jeff Epstein's accomplice is worried she might get whacked in Gen-Pop. The Gas is too damn high, and the guy falling off his bike can't smell the coffee despite always seizing an opportunity to sniff little girl's hair. Yeah, Jack covered that news. There were some insights on the ongoing oddball balls and strikes.There is only one Jack Blood!Jack Blood News: https://www.facebook.com/JackBloodNews/E-Mail and Paypal jackblood@hotmail.comGet ready for some new media from Ochelli.com.LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmGet M.A.D. with Chris Graves 5-6 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/Special New Audiobook SeriesPayPal & Contact for special arrangements: blindjfkresearcher@gmail.comOchelli Effect Patreon https://www.patreon.com/ochelliSign-up on Ochelli.comhttps://ochelli.com/membership-account/membership-levels/

Casino Economy JFK AssassinationThe Ochelli Effect 6-23-2022 Mike Swanson and Larry HancockThis podcast is slightly longer than our standard audio release.Mike and Chuck discussed the economic situation and took calls. and a handful of listeners drove most of the conversation.MICHAEL SWANSON ONLINE:BE IN THE KNOW: https://wallstreetwindow.comTWITTER: https://twitter.com/tradermike_1999FACEBOOK: https://www.facebook.com/tradermikeBOOKS BY MICHAEL SWANSON:The War State: The Cold War Origins Of The Military-Industrial Complex And The Power Elite, 1945-1963 https://www.amazon.com/gp/product/B00EWLGXHW/ref=dbs_a_def_rwt_bibl_vppi_i0Why The Vietnam War?: Nuclear Bombs and Nation Building in Southeast Asia, 1945-1961 By Michael Swanson https://www.amazon.com/Why-Vietnam-War-Southeast-1945-1961-ebook/dp/B08FHBS17KDanville, Virginia: And The Coming Of The Modern South: https://www.amazon.com/Danville-Virginia-Coming-Modern-South-ebook/dp/B007VCZLWW/Larry and Chuck had the Lee Harvey Oswald topic in mind, but with callers' questions, the discussion covered some JFK Assassination related topics that went well beyond LHO.LARRY CRAFORD THREAD: https://educationforum.ipbhost.com/topic/27635-impersonations-of-oswald-in-dallas-and-curtis-craford/#comment-454692LARRY HANCOCK: http://larry-hancock.com/ https://larryhancock.wordpress.com/ https://www.amazon.com/Larry-Hancock/e/B004FOXTAK/ref=dp_byline_cont_pop_book_1SOMEONE WOULD HAVE TALKED: https://www.goodreads.com/en/book/show/871694 https://www.barnesandnoble.com/w/someone-would-have-talked-larry-hancock/1102627247TIPPING POINT: https://m.facebook.com/jfklancer/posts/857927944797915 https://www.amazon.com/gp/product/173644090X/ref=dbs_a_def_rwt_bibl_vppi_i10(From The Editorial Reviews Section on Amazon.com)Tipping Point is the culmination of the consistent and coherent; it is a story as it should be written. Larry Hancock establishes concise timelines which plot a path through the labyrinthine details that have been collected by a diverse array of researchers and investigators over the past several decades, presenting a detailed picture of the tactical elements of the attack in Dallas Texas on November 22, 1963 – an attack which altered the future of the nation JFK had been elected to lead.Chuck Ochelli, The Ochelli EffectShould we bring the JFK Myths series back? Are you not entertained by the insane membranes on the WiFi inter-waves?Get ready for some new media from Ochelli.com.LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmGet M.A.D. with Chris Graves 5-6 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/Special New Audiobook SeriesPayPal & Contact for special arrangements: blindjfkresearcher@gmail.comOchelli Effect Patreon https://www.patreon.com/ochelliSign-up on Ochelli.comhttps://ochelli.com/membership-account/membership-levels/

Norio Hayakawa Marshall Terrill I'm Looking Through You 6-19-2022 Norio Hayakawa and Marshall Terrill Bob welcomed Norio Hayakawa onto I'm Looking Through You. Norio is from Yokohama, Japan, but calls New Mexico his home. Norio discusses how each of his parents had seen UFOs in the past in separate incidents, and how the crafts simply vanished. He describes his investigations into this phenomenon, and how it has become an urgent topic in this day and age for everyone to understand. He goes on to explain how this ties in with his studies of Scripture, and what it means for us today.Marshall Terrill joined Bob in the second half of the show, and they discussed his newest work: Lennon, Dylan, Alice, and Jesus. Marshall examines the wretched excess, self-absorption, and miraculous redemption; the book is a raw, sensitive, and unforgettable journey of sex, drugs, rock and roll, and sweet salvation. It traces the lives of rock stars, entertainment figures, and legends who wallowed in the decadence of both the high and low life, as they alternately experienced Heaven and Hell on Earth. He travels with them into their abysses and joyfully chronicles their ultimate ascension to their prodigal moments.Lennon, Dylan, Alice, and Jesus chronicles the birth of rock and roll from the mid-1950s to today, giving the book an all-encompassing study of pop music history. Through his memories, coupled with his carefully crafted observational research, the book not only looks deeply into the hearts and souls of these unusual people but bids the reader to join on a spiritual journey down the secluded halls of the music industry with the individuals who crafted modern-day masterpieces.Lend us your ears, and we'll give you a show. Norio Hayakawa: https://noriohayakawa.wordpress.com/ https://www.amazon.com/s?k=norio+hayakawa&i=stripbooks&crid=3IW0ESCDCJCP1&sprefix=norio+hayakawa%2Cstripbooks%2C183&ref=nb_sb_nossMarshall Terrill https://www.amazon.com/s?k=marshall+terrill&i=stripbooks&crid=ISSV8X3IPLJM&sprefix=marshall+terrill%2Cstripbooks%2C156&ref=nb_sb_noss_1 https://www.facebook.com/groups/663743480404547 BOB WILSON: Check out The Show: https://ochelli.com/series/im-looking-through-you/The Beatles Tomorrow Never Knows https://www.facebook.com/thebeatlestomorrowneverknows/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmGet M.A.D. with Chris Graves 5-6 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Chuck's PayPal: blindjfkresearcher@gmail.comOchelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/

AI consciousness Lost WrestlingThe Age of Transitions and Uncle LIVE 6-17-2022 No GuestsAOT #355A Google employee has claimed that a chatbot he was working on has attained sentience. This is an important story no matter what way you slice it. Topics include: Blake Lemoine, LaMDA chatbot, sentient AI, AGI, Google, PR, machine learning, truth or fiction, power of narrow AI systems, consciousness, Medium blog, meditation, automating society, Dalle Mini, AI text prompt image generators, influence of technology, Jacques Ellul, Sam Aydlette, simulacra, AGI not part of business model, mind space, Simulation Hypothesis, Dancing With My Fate, Trickster God, white rabbit, surveillance, intuition, virtual worlds, emulating reality, impirical truthUTP #265Uncle takes calls and talks wrestling. Topics include: eating peanuts, show reviews, Stranger Things, Top Gun, hidden agendas, sound of frogs, desert, Jesse Ventura, pro wrestling, Lost, horror movies, They Live, Rowdy Roddy Piper, fight scene, Piper's Pit with Jimmy Snuka, King of the Ring, Jerry Lawler heart attack, Owen Hart, Sting, NWO, WWE Attitude Era, Sting musician, Paul Bearer looks like he is wearing a mask, Big Show vs Andre the Giant, Bam Bam Bigelow, Mick FoleyLIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmGet M.A.D. with Chris Graves 5-6 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Chuck's PayPal: blindjfkresearcher@gmail.comOchelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/

Australian Update Plus RoundtableThe Ochelli Effect 6-16-2022 Roundtable and Australian BenIt seemed like a typical Friday despite it being a Thursday Night. What is happening in Australia? Ben brought clips and a report about the latest round of governmental controls put in place by the Australian government.The callers drove much of the conversation. How bad is the economy getting? Are the gas price and energy costs motivated by the greed of the corporations?B PETE: http://www.bpete1969.com/ https://www.facebook.com/bpete1969LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Chuck's PayPal: blindjfkresearcher@gmail.com

Two Weeks Later Later The Ochelli Effect 6-17-2022 RoundtableGlenn Viklund came on to settle a dispute with B Pete from two weeks ago. That did not go well. We did what we always do on Friday night, try to take over the world. Just Kidding. We opened the phone lines and had a wide-open discussion that ranged from petrol pricing to The TV crew that got busted on Capital Hill.GLENN VIKLUND:Reach out to Glenn online: https://www.facebook.com/glenn.viklund/ VIKLUND BLOG: https://glennviklund.blogspot.com/2014/04/a-message-to-english-speakers-this.html?view=classicB PETE: http://www.bpete1969.com/ https://www.facebook.com/bpete1969LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Chuck's PayPal: blindjfkresearcher@gmail.com

News Red Balloons Thursday BloodThe Jack Blood Show 360 6-16-2022 Andrew CrapuchettesJack Blood hit the news and propaganda trails on Thor's Day. A clip from a German reporter and a talk with Andrew Crapuchettesare heard during this show and Jack does the two hours in the style Jack Blood alone makes work.A rant on the FED and the strange land that used to have plenty were covered and Jack blew up some other news, touching on the January 6 committee and all the other silly games alleged liberals play.ANDREW CRAPUCHETTESFOUNDER & CEO Red BalloonAndrew Crapuchettes is the visionary behind RedBalloon. Mr. Crapuchettes has worked in the high-tech industry for over twenty years. https://www.redballoon.work/page/aboutThere is only one Jack Blood!Jack Blood News: https://www.facebook.com/JackBloodNews/E-Mail and Paypal jackblood@hotmail.comGet ready for some new media from Ochelli.com.If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Chuck's PayPal: blindjfkresearcher@gmail.comOchelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

Bobs Ivor Davis Hey JudeI'm Looking Through You 6-12-2022, Ivor Davis and Jude KesslerBob Wilson welcomed the legendary author & journalist Ivor Davis onto I'm Looking Through You. Ivor recounts his days on tour with the Beatles (as recounted in his book: The Beatles and Me On Tour).Ivor reflects on Paul McCartney's 80th birthday this June 18th, and how Sir Paul is currently blazing along the concert trail. Ivor also discusses his path crossing that of Bob Dylan, Sidney Poitier, Gregory Peck, Elvis Presley, and many other Hollywood luminaries. In Part 2 of the show, Bob Welcomed Jude Southerland Kessler. The author of the famous John Lennon Series joins in to discuss the Beatles album, Rubber Soul. The songwriting had grown to new heights, as did the band's overall sophistication. It seemed with each new album release, the Beatles raised the standard for the world of rock and roll to try and follow. Jude Kessler provides her usual insight, knowledge, and an inside view into the Beatle's Kingdom.Lend us your ears, and we'll bring you a show. Jude Southerland Kessler:***The Focal Points webinar is Tuesday, 21 June at 7:30 p.m. CentralTopic: The Beatles in Houston, 1965Guest: Kathryn DeMoss, who was a Student Reporter at the press conference and concert from Springhill, LA. She was 15 years old! She took a Greyhound bus to Houston to attend the press conference and the show!FREE webinar with great PowerPoint and music, guest interview, and trivia game with prizes!Link to register: https://us02web.zoom.us/webinar/register/WN_IYebYk5ETkaMIWwBiz1oPg https://www.johnlennonseries.com/ https://twitter.com/JudeKessler https://www.amazon.com/s?k=jude+kessler&i=stripbooks&crid=2LQ9N9IPODEAX&sprefix=jude+kessler%2Cstripbooks%2C201&ref=nb_sb_noss_1IVOR DAVIS: https://www.amazon.com/s?k=ivor+davis&i=stripbooks&crid=76CVRHAL5475&sprefix=ivor+davis%2Cstripbooks%2C173&ref=nb_sb_noss_1BOB WILSON: Check out The Show: https://ochelli.com/series/im-looking-through-you/The Beatles Tomorrow Never Knows https://www.facebook.com/thebeatlestomorrowneverknows/If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Chuck's PayPal: blindjfkresearcher@gmail.comLIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx

Fans Clubs Ideas HatersThe Ochelli Effect 6-10-2022 RoundtableThe Friday Night Open Mic went on as usual. Glenn Viklund was expected to join us and debate B Pete but did not. Jimmy wants to start a Hater Club.The Jimmy James Fan Club was discussed. Jimmy James, Vance, and Natureboy were the callers. B Pete talked about sports. We were lucky to have phone lines working.B PETE: http://www.bpete1969.com/ https://www.facebook.com/bpete1969LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random ReplaysIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Chuck's PayPal: blindjfkresearcher@gmail.com

A Little Help From My FriendsThe Jack Blood Show 360 6-9-2022 Jan Helfeld The language on this podcast is explicit. - NSFW - The Socratic Method and Problem, Reaction, Solution Loops? Jack is back after taking last week off. Are there any questions about all things related to January 6 or the Daily Mass Shooter Drilling programs?Are there bad words beyond Carlin's old list of seven? Can you defend yourself only when the powers that should not allow you to? Jan Helfeld was the guest in the second hour.In the second hour, Jan Helfeld and Jack recount a few stories of interviews that got some politicians bent out of shape.Jan Helfeld https://www.youtube.com/user/janhelfeldReid "Taxation Is Voluntary" https://www.youtube.com/watch?v=H6q0slMhDw8There is only one Jack Blood!Jack Blood News: https://www.facebook.com/JackBloodNews/E-Mail and Paypal jackblood@hotmail.comIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Chuck's PayPal: blindjfkresearcher@gmail.comLIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

Erotic Laundry Soap CampingThe Ochelli Effect 6-7-2022 Christie AphroditeThe two-hour conversation with Christie went in many directions. She explained how to make cheap and clean soap for your clothes. We took calls from Kevin, Chris, and Jimmy James. CHRISTIE: https://christieaphrodite.comreference: https://pubmed.ncbi.nlm.nih.gov/30332754/Homeless health care essentials https://youtu.be/0mt1_roAtPsINFORMATION: https://christieaphrodite.com/healing-simplified-101-with-christie-aphrodite/ https://christieaphrodite.com/getting-real-with-anxiety/Products: https://mytrueessence.net/shop/testimonials/ https://mytrueessence.net/product/pain-be-gone-dream-cream-4-oz/ https://mytrueessence.net/product/sweet-days-ease/The hardest part of Medicine Making https://youtu.be/cyC1hJwUKpcE-mail Christie: christieaphrodite@gmail.comIf You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Chuck's PayPal: blindjfkresearcher@gmail.comLIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

Top Gun Maverick Cruise PorkinsThe Age of Transitions and Uncle 6-3-2022 Pearse RedmondAOT #353Good friend, Pearse Redmond, returns to the show to talk about the new cinema sensation “Top Gun Maverick”. What military PR was present in this film, and what of Scientology? Find out what Pearse and Aaron have to say about these things on this podcast. Topics include: release dates, movie theaters, Tom Cruise, Covid delay, Memorial Day weekend, intro to the film, the enemy, military propaganda aspect, live filming fighter jets, homoeroticism of first film, 80s styling, uranium enrichment target, Iran, Tony Scott, fictionalized fighter jet mission, Star Wars scenario, Rooster character, Scientology benefit from film, PR, Navy ties to L Ron Hubbard, Sea Org, real-life bombing missions, Battle of Los AngelesUTP #63Perhaps even more anticipated than the release of Top Gun Maverick, was the coming of Uncle's review of the film. The day finally came, and Uncle welcomed back Pearse Redmond to help him break down this major movie event. Topics include: Porkiny Boy, the release of Top Gun Maverick, Mojave Desert, better than the first movie, Goose and Rooster, Jennifer Connelly, Kelly McGillis, YouTube premiere videos, F18 manual in the trash, Tom Cruise as the teacher, Ice Man, Val Kilmer, choosing wingman, Hang Man, San Diego, roof come off a building, emotional storyline better, original movie, 80s silliness, senior discount movie days, 1-10 ratingOCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

Bleach Painting Greenhouse Walls The Ochelli Effect 6-1-2022 Chris GravesThis podcast contains an unscripted discussion that ran without a plan and a lengthy examination of the death of Kurt Cobain. Chris Graves discusses what he's learned about the case and research that has been and can be done to clear up the many mysteries surrounding the death of The Nirvana frontman.What is the real story? Have all facts been made public? Is this death by fame or is there a motive for one or more people to stage or encourage what seemed to have ended with a 20 gauge round?There are a few other topics in the conversation. Some of this subject matter is dark and disturbing.Chris Graves on TWITTER: https://twitter.com/CGravesMassholeREFERENCE LINKS:https://covertactionmagazine.com/2021/07/21/u-s-intelligence-coverup-newly-declassified-fbi-file-on-nirvanas-kurt-cobain-compounds-evidence-implicating-his-wifes-role-in-his-murder/Soaked In Bleach Trailerhttps://www.youtube.com/watch?v=sEtwazus78Yhttps://cobaincase.com/proof.htmlhttps://cobaincase.com/audio.htmlhttps://www.goodreads.com/en/book/show/29870477-the-mysterious-death-of-kurt-cobainhttps://www.change.org/p/the-official-petition-seattle-pd-reopen-kurt-cobain-s-case?source_location=topic_pagehttps://somethingintheway272.wixsite.com/somethingintheway/post/release-the-autopsy-report-of-kurt-cobainhttps://www.goodreads.com/book/show/58551.Who_Killed_Kurt_Cobain_The_Mysterious_Death_of_an_Icon?ac=1&from_search=true&qid=kN6IQoRLRt&rank=1Kurt Cobain: A Lack Of Forensic Analysis Petition/Greenhouse Photos https://www.youtube.com/watch?v=YyYIJD_g8csKurt & Courtney: Trailer https://www.youtube.com/watch?v=XbZzzkkGYh0https://pdfcoffee.com/55298227-love-kills-the-assassination-of-kurt-cobain-pdf-free.htmlWEDNESDAY NIGHT PRODUCER NATUREBOY:https://twitter.com/Natureb72175180E-mail producer1@ochelli.comOCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

Salads Firearms Love NeighborsThe Ochelli Effect 5-31-2022 Christie Aphrodite What's in your salad? How can you use the information provided by lawn services to discover the identity of the weeds near you?Christie Aphrodite addressed the use of guns on a farm. She talked about the concept of working with your neighbors. The financial gains made by using what grows by itself are interesting. Christie gave us two hours on this broadcast, but she usually does just the one hour on Tuesdays.CHRISTIE APHRODITE:INFORMATION: https://christieaphrodite.com/healing-simplified-101-with-christie-aphrodite/ https://christieaphrodite.com/getting-real-with-anxiety/ https://christieaphrodite.com/depression/Products: https://mytrueessence.net/shop/testimonials/E-mail Christie: christieaphrodite@gmail.comRELATED LINKS TO CHRISTIE:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7142308/https://www.youtube.com/watch?v=7qZMkDosdZYhttps://www.youtube.com/watch?v=ggmt3kvENBQ https://twitter.com/Soul_Journeys/status/1531697943710941184end of the day salad https://twitter.com/Soul_Journeys/status/1531448933922263042https://www.youtube.com/watch?v=i9rCu6wqD5oOCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

Treat Few Irritate The RestThe Ochelli Effect 5-30-2022 The GreekIs it time for a review? The Greek returns to review the information that was contained in the Ochelli and The Greek presentations. There may be some new sonic events planned to continue the earlier education,The Container, Telling Time, and External Input are just a few of the topics addressed.PAST SONIC EVENTS: https://ochelli.com/down-loadable-content/ix-ochelli-the-greek/Inside The Ochelli Effect Studio: https://youtu.be/kkHxWlQUAO0OCHELLI LINKS:YOUR HELP TO KEEP US GOING IS CRITICAL AT THIS TIME: https://ochelli.com/donate/Ochelli Effect – Uncle – Age of Transitions – T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/If you wish to be added to our supporters' page, let us know. https://ochelli.com/about/supporters/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/RADDIO https://raddio.net/324242-ochellicom/ZENO https://zeno.fm/radio/ochelli-radio/TuneIn http://tun.in/sfxkxOCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMonday The Ochelli Effect 8-10 pm Tuesday The Ochelli Effect 8-10 pm Wednesday The Donald Jeffries Show 6-8 pm The Ochelli Effect 8-10 pm Thursday The Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm Friday The Ochelli Effect 8-10 pm The Age of Transitions 10-11 pm Uncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

Tony Peck Joseph BrutsmanI'm Looking Through You 5-29-2022 Joseph Brutsman and Tony PeckBob Wilson welcomed Tony Peck and Joseph Brutsman onto I'm Looking Through You. The talented actor, producer, director, and screenwriters, combined for a comprehensive discussion. From their days together at the Juilliard School, to make their way to Hollywood. Their journey is filled with memories and anecdotes up to the present day that offers a behind-the-scenes into the world of Hollywood.Bob asked the pair about Gregory Peck, and Marlon Brando. Few would be able to match the knowledge of the offspring of Gregory Peck, and an insider into the world of Marlon Brando. Join us in our look into Hollywood from the Golden Era until today, through the eyes of those who were there. Marlon & Greg: My Life and Filmmaking Adventures with Hollywood's Polar Opposites by Joseph Brutsman https://www.amazon.com/Marlon-Greg-Filmmaking-Adventures-Hollywoods/dp/1629338281BOB WILSON:-Bob Wilson's classic Abbott & Costello page:https://www.facebook.com/groups/663743480404547Check out The Show:https://ochelli.com/series/im-looking-through-you/OCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does:https://ochelli.com/donate/Ochelli Effect – Uncle – Age of Transitions – T-shirts and MORE:https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COMhttps://ochelli.com/listen-live/RADDIOhttps://raddio.net/324242-ochellicom/ZENOhttps://zeno.fm/radio/ochelli-radio/TuneInhttp://tun.in/sfxkx

  The Donald Jeffries Show 5-25-2022 Sally Kirkland Unscripted Actress Sally Kirkland The Donald Jeffries Show 5-25-2022 Sally Kirkland Actress Sally Kirkland has been in an astounding 220 films. Her mother was the fashion editor at Vogue and LIFE magazine, and friends with the likes of Jacqueline Kennedy, whom Sally would later portray in a play. Sally began her career on the off-Broadway circuit and trained under legendary acting coach Lee Strasberg. Her career in film, TV, and theater began in the 1960's and her first director was Andy Warhol. Sally is probably best known for the film “Anna,” for which she garnered the Best Actress Oscar nomination and won the Best Actress Golden Globe, the Independent Spirit Award, and the LA Film Critic's Circle Award. In 1968 she became the first nude actress on stage. Her 220 films “The Sting,” “The Way We Were,” “Coming Apart,” “Cold Feet,” “Best of the Best,” “Revenge,” “JFK,” “ED TV,” “Bruce Almighty”, “Coffee Date” and “Archaeology of a Woman”. In the past couple of years she has starred in “Buddy Solitaire”, “Gnaw” and “The Most Hated Woman in America” co-starring with Melissa Leo and Peter Fonda. And coming out soon, she has starred in “Sarah Q”, “Cuck”, “Invincible” and “The Talking Tree”. Her television credits include: guest starring on “Criminal Minds,” recurring on “Head Case” and “the Simple Life.” Sally had a recurring role on “Felicity”. She starred on the NBC movie, “Brave New World.” She had a recurring role as Barbara Healy in the original “Roseanne” series. She starred in the TV movie, “Heatwave” and recurred as Tracy on “Days of Our Lives.” Sally is also an exhibited painter, poet, renowned acting coach and ordained minister in the Church of The Movement of Spiritual Inner Awareness (MSIA). Don Jeffries and Sally talk about her fabulous career, including how she came to play Rose Cherami in Oliver Stone's “JFK,” her relationship with Bob Dylan, friendship with people like Robert DeNiro, and her legendary parties in Hollywood. Kirkland is an ordained minister in the church of Movement of Spiritual Inner Awareness: https://www.msia.org/ IMDB: https://www.imdb.com/name/nm0000476/ Sally in JFK Movie: https://www.jfk-online.com/jfk100cher.html DONALD JEFFRIES ONLINE: “I Protest” https://donaldjeffries.substack.com/ Amazon Author Page: https://www.amazon.com/Donald-Jeffries/e/B004T6NFAS%3Fref=dbs_a_mng_rwt_scns_share THE DONALD JEFFRIES SHOW: https://ochelli.com/series/the-donald-jeffries-show/ OCHELLI LINKS: If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/ Ochelli Effect – Uncle – Age of Transitions – T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/ Ochelli PayPal e-mail: blindjfkresearcher@gmail.com LIVE LISTENING OPTIONS: OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TuneIn http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times Eastern Sunday I'm Looking Through You 3-5 pm Monday The Ochelli Effect 8-10 pm Tuesday The Ochelli Effect 8-10 pm Wednesday The Donald Jeffries Show 6-8 pm The Ochelli Effect 8-10 pm Thursday The Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm Friday The Ochelli Effect 8-10 pm The Age of Transitions 10-11 pm Uncle The Podcast 11pm-Midnight Saturday + ALL Times ALL other days Random Replays Unscripted Actress Sally Kirkland

Unscripted Actress Sally KirklandThe Donald Jeffries Show 5-25-2022 Sally KirklandActress Sally Kirkland has been in an astounding 220 films. Her mother was the fashion editor at Vogue and LIFE magazine, and friends with the likes of Jacqueline Kennedy, whom Sally would later portray in a play. Sally began her career on the off-Broadway circuit and trained under legendary acting coach Lee Strasberg. Her career in film, TV, and theater began in the 1960's and her first director was Andy Warhol. Sally is probably best known for the film "Anna," for which she garnered the Best Actress Oscar nomination and won the Best Actress Golden Globe, the Independent Spirit Award, and the LA Film Critic's Circle Award. In 1968 she became the first nude actress on stage. Her 220 films "The Sting," "The Way We Were," "Coming Apart," "Cold Feet," "Best of the Best," "Revenge," "JFK," "ED TV," "Bruce Almighty", "Coffee Date" and "Archaeology of a Woman". In the past couple of years she has starred in "Buddy Solitaire", "Gnaw" and "The Most Hated Woman in America" co-starring with Melissa Leo and Peter Fonda. And coming out soon, she has starred in "Sarah Q", "Cuck", "Invincible" and "The Talking Tree".Her television credits include: guest starring on "Criminal Minds," recurring on "Head Case" and "the Simple Life." Sally had a recurring role on "Felicity". She starred on the NBC movie, "Brave New World." She had a recurring role as Barbara Healy in the original "Roseanne" series. She starred in the TV movie, "Heatwave" and recurred as Tracy on "Days of Our Lives."Sally is also an exhibited painter, poet, renowned acting coach and ordained minister in the Church of The Movement of Spiritual Inner Awareness (MSIA).Don Jeffries and Sally talk about her fabulous career, including how she came to play Rose Cherami in Oliver Stone's "JFK," her relationship with Bob Dylan, friendship with people like Robert DeNiro, and her legendary parties in Hollywood. Kirkland is an ordained minister in the church of Movement of Spiritual Inner Awareness: https://www.msia.org/IMDB: https://www.imdb.com/name/nm0000476/Sally in JFK Movie: https://www.jfk-online.com/jfk100cher.htmlDONALD JEFFRIES ONLINE:“I Protest”https://donaldjeffries.substack.com/Amazon Author Page:https://www.amazon.com/Donald-Jeffries/e/B004T6NFAS%3Fref=dbs_a_mng_rwt_scns_shareTHE DONALD JEFFRIES SHOW:https://ochelli.com/series/the-donald-jeffries-show/OCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/Ochelli PayPal e-mail: blindjfkresearcher@gmail.comLIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/RADDIO https://raddio.net/324242-ochellicom/ZENO https://zeno.fm/radio/ochelli-radio/TuneIn http://tun.in/sfxkxOCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

44 Caliber Realism Carl DenaroI'm Looking Through You 5-24-2022 Carl DenaroBob Welcomed Carl Denaro onto, I'm Looking Through You. In 1976, a killer who called himself “The Son of Sam” shot and killed a half dozen people and wounded as many more in New York City. During his crime spree, the madman left bizarre letters mocking the police and promising more deaths.After months of terrorizing the city while garnering front-page headlines and international attention, a man named David Berkowitz was arrested. He confessed to the shootings, claiming to be obeying a demon that resided in a dog belonging to his neighbor “Sam.”Among the alleged victims was Carl Denaro. On the night he was shot, Denaro was hanging out with some friends at a bar when he met up with a woman named Rosemary Keenan. The couple left the bar and went to Keenan's car for some privacy. However, a few minutes later, the windows of the car exploded as Denaro was shot in the head by an unseen assailant. Miraculously, Denaro survived the attack.When Berkowitz was arrested, he was charged with trying to kill Denaro. However, there was a twist. Although he confessed to the other shootings, after his conviction Berkowitz denied attacking Denaro. Now, after years of research, Denaro is convinced that Berkowitz was telling the truth, and that someone else tried to kill him . . .In “The Son of Sam” and Me, author Carl Denaro with co-author Brian Whitney (The “Supreme Gentleman” Killer) reveals his search for the truth and his shocking conclusion regarding the real shooter's identity. Denaro also discusses his friendship and investigative partnership with Maury Terry, the author of The Ultimate Evil, which is considered the definitive case study on the theory that Berkowitz did not act alone.RELATED LINKS:https://www.facebook.com/groups/TheUltimateEvilhttps://www.facebook.com/groups/1513741188845512https://www.amazon.com/Son-Sam-Me-Truth-Berkowitz-ebook/dp/B096Z7Q2FQOCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/Ochelli PayPal e-mail: blindjfkresearcher@gmail.com

White Album Bruce SpizerI'm Looking Through YOU 5-22-2022 Bruce SpizerBob welcomed author Bruce Spizer & Sir Warren Brown (of the Beatles Kingdom) onto I'm Looking Through You. Bruce discusses The Beatle's record that has become known as 'The White Album'.The double album rocked, rolled, gave a home to acoustic ballads, and gave a quarter of album space to the avant-garde, Revolution 9.Bruce's latest release will be The Beatles Rubber Soul to Revolver. Of course, we will have to ask the author all about this exciting new installment in his cannon. The prodigious output by the Fab Four leaves us with plenty of areas to explore. This was The White Album, and so very much more.Don Jeffries (On Borrowed Fame), and Chuck Ochelli also weigh in. They liven things up as only these two can.Lend us your ears, and we'll give you a show. LINKS:https://www.beatle.net/ https://www.youtube.com/c/WarrenBrownTheBeatlesKingdomhttps://www.facebook.com/groups/TheBeatlesKingdomhttps://www.facebook.com/groups/663743480404547

Through Oswalds Window Plus The Ochelli Effect 5-28-2022 Emir and Dave O'BrienIn the first hour, we heard from our friend Emir about his view and experiences in Ukraine. Chuck asked Emir a few questions and Emir informed us about Russian Government mouthpieces in the alleged alt. media.For the second hour, Chuck discussed the alleged Oswald Window and many other aspects of the JFK Assassination with author Dave O'Brien Dave's Website: https://throughtheoswaldwindow.com/Through The 'Oswald' Window: Reveals Stunning Fresh Insights, Three Assassins, Conspiracy & Cover-Up in the JFK Assassination! (FULL-COLOR EDITION) https://www.amazon.com/Through-oswald-Window-Conspiracy-Assassination/dp/098801873X/?tag=chatangocom-20Zapruder Film - How Jack and Jackie Debunk JFK Assassination Head Shot https://www.youtube.com/watch?v=qkobF6axwss&feature=emb_titleOCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/Ochelli on The Grassy Knoll: https://youtu.be/9T0eVUEfbO0LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

News Maybe Flower PowerThe Ochelli Effect 5-17-2022 News and Christie AphroditeChuck does some news and predicts a new propaganda scheme that is being prepared. Subway sandwiches suck. Mass shooters are only fake to some people when they are white. Does anyone care when two rich people are abusive to each other? Should we just cover politics? Is the abortion debate done with its 15 minutes of Hate? Is there any chance Asian on Asian crime is going to be a banner headline? Does anybody read these show notes? Related Links: https://lawandcrime.com/crime/laguna-woods-church-shooter-was-chinese-man-angry-about-political-tensions-between-china-and-taiwan-sheriff/ https://moderndiplomacy.eu/2022/05/17/new-isis-strategy-and-the-resurgence-of-islamic-state-khorasan/ https://local12.com/amp/news/offbeat/johnny-cash-mural-on-water-tower-leaking-from-curious-spot-after-being-shot-kingsland-arkansas-water-tower-shot-urinating-pee-looks-like-johnny-cash-is-peeing-folsom-prison-blues-walk-the-line-country-music-birthplace-of-johnny-cashHow is wisdom built? Do we gain anything by ignoring our pain? Is there power in flowers? The Christian Bible and nearly any spiritual philosophy encourage everyone to use and live with, yet most seem to ignore the gifts that are growing all around.Chuck and Christie answered questions and discussed the wide world of botanicals. You can eat and drink some pretty things.CHRISTIE APHRODITE:INFORMATION: https://christieaphrodite.com/healing-simplified-101-with-christie-aphrodite/ https://christieaphrodite.com/getting-real-with-anxiety/ https://christieaphrodite.com/depression/Products: https://mytrueessence.net/shop/testimonials/E-mail Christie: christieaphrodite@gmail.comRELATED LINKS TO CHRISTIE: https://www.foxnews.com/us/colonia-high-school-rare-cancer-link https://www.facebook.com/steven.dm.96 https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3108611/ https://www.sciencedirect.com/topics/biochemistry-genetics-and-molecular-biology/paeonia https://lawandcrime.com/crime/laguna-woods-church-shooter-was-chinese-man-angry-about-political-tensions-between-china-and-taiwan-sheriff/ OCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

Albert Lanier Journalist Youtuber The Ochelli Effect 5-13-2022 Albert LanierEarly Edition Ochelli Effect. Veteran Journalist, Albert Lanier breaks down the economic warfare already in progress. A journalist for 20+ years with bylines in publications such as Honolulu Weekly, Pacific Business News, and Hawaii Magazine, Albert Lanier is a freelance writer who has never been owned by anyone and has made several appearances on The Ochelli Effect. What is the MSM position in Ukraine about?Albert has a new YouTube channel and recent series on Tiktok that talks about being the Freelance Journalist. This is a special one-hour interview.ALBERT LANIER ONLINE:New Official Youtube Channel: https://www.youtube.com/channel/UCte71waA6uVAn4ZePCIX_Ig TWITTER: https://twitter.com/CriticInc This Is The Week That Is: https://albertlanier.substack.com/BLOG: https://medium.com/@TheDoctor50/ FACEBOOK: https://www.facebook.com/profile.php?id=100000020871660 OCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

False Paradigms Markets JFK AssassinationThe Ochelli Effect 5-12-2022 Mike Swanson and Larry HancockMike and Chuck discuss boondoggles in the Military-Industrial Complex and the inflation that is deflating us all.MICHAEL SWANSON ONLINE:BE IN THE KNOW: https://wallstreetwindow.comTWITTER: https://twitter.com/tradermike_1999FACEBOOK: https://www.facebook.com/tradermikeBOOKS BY MICHAEL SWANSON:The War State: The Cold War Origins Of The Military-Industrial Complex And The Power Elite, 1945-1963 https://www.amazon.com/gp/product/B00EWLGXHW/ref=dbs_a_def_rwt_bibl_vppi_i0Why The Vietnam War?: Nuclear Bombs and Nation Building in Southeast Asia, 1945-1961 By Michael Swanson https://www.amazon.com/Why-Vietnam-War-Southeast-1945-1961-ebook/dp/B08FHBS17KDanville, Virginia: And The Coming Of The Modern South: https://www.amazon.com/Danville-Virginia-Coming-Modern-South-ebook/dp/B007VCZLWW/Larry talked with Chuck about How Not To Assemble a JFK Assassination Theory. There are some terrible presenters out there who think surfing the internet for a few years qualifies them to solve the Kennedy Assassination.LARRY HANCOCK: http://larry-hancock.com/ https://larryhancock.wordpress.com/ https://www.amazon.com/Larry-Hancock/e/B004FOXTAK/ref=dp_byline_cont_pop_book_1SOMEONE WOULD HAVE TALKED: https://www.goodreads.com/en/book/show/871694 https://www.barnesandnoble.com/w/someone-would-have-talked-larry-hancock/1102627247TIPPING POINT: https://m.facebook.com/jfklancer/posts/857927944797915 https://www.amazon.com/gp/product/173644090X/ref=dbs_a_def_rwt_bibl_vppi_i10(From The Editorial Reviews Section on Amazon.com)Tipping Point is the culmination of the consistent and coherent; it is a story as it should be written. Larry Hancock establishes concise timelines which plot a path through the labyrinthine details that have been collected by a diverse array of researchers and investigators over the past several decades, presenting a detailed picture of the tactical elements of the attack in Dallas Texas on November 22, 1963 – an attack which altered the future of the nation JFK had been elected to lead. Chuck Ochelli, The Ochelli Effect Should we bring the JFK Myths series back? Are you not entertained by the insane membranes on the WiFi inter-waves?OCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

Marilyn Monroe Unheard AnalysisI'm Looking Through You 5-8-2022 Anthony Summers and Joan MellenBob Wilson welcomed the legendary researcher Anthony Summer onto, I'm Looking Through You. Summers did not disappoint, as he discussed the new Netflix documentary, The Mystery of Marilyn Monroe: The Unheard Tapes. The excellent detective has exhaustively delved into the case since 1982 when an article assignment turned into decades of interviews. His musings are powerful and insightful, as he searches the vaults of memories and materials. The case has fascinated America since 1962.In part two, Professor Joan Mellen brings her intelligence and wealth of knowledge into discussions. These range from Marilyn Monroe (Marilyn Monroe: Illustrated History of the Movies), to New Orleans District Attorney Garrison. Mellen is the authoritative biographer of Garrison and assisted with information in his prosecution of Clay Shaw. Her works, A Farewell to Justice and Jim Garrison: His Life & Times, The Early Years, stand as two of the finest books written concerning the murder of President John F. Kennedy.Lend us your ears, and will bring you a show. NETFLIX promo for The Mystery of Marilyn Monroe: The Unheard Tapes https://www.youtube.com/watch?v=f2OGhJoypPw Anthony Summers Book on Marilyn: https://www.amazon.com/Goddess-Secret-Lives-Marilyn-Monroe/dp/148043518X/ref=asc_df_148043518X/?tag=hyprod-20&linkCode=df0&hvadid=312543040920&hvpos=&hvnetw=g&hvrand=18400415988996893044&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9011249&hvtargid=pla-571435348697&psc=1Other Opinions on The latest Monroe Documentary: https://popculture.com/celebrity/news/netflixs-marilyn-monroe-documentary-leaves-fans-heartbroken/Netflix PR on The New Documentary: https://www.netflix.com/tudum/articles/the-story-behind-the-unreleased-marilyn-monroe-tapesSummers on AMAZON: https://www.amazon.com/Anthony-Summers/e/B001IU0MO0/ref=dp_byline_cont_book_1Joan Mellen's Book on Monroe: https://www.amazon.com/Marilyn-Monroe-Illustrated-History-Movies/dp/0352300590Author Joan Mellen: https://www.amazon.com/Joan-Mellen/e/B001H9RRCC?ref=sr_ntt_srch_lnk_1&qid=1652058952&sr=1-1Hollywood Press Opinion: https://www.vanityfair.com/hollywood/2022/04/marilyn-monroe-mystery-the-unheard-tapesMarilyn Wrote About Her Life: https://www.thriftbooks.com/w/my-story-illustrated-edition_marilyn-monroe_ben-hecht/310548/#edition=3263145&idiq=5454076BOB WILSON:-Bob Wilson's classic Abbott & Costello page:https://www.facebook.com/groups/663743480404547Check out The Show:https://ochelli.com/series/im-looking-through-you/OCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does:https://ochelli.com/donate/Ochelli Effect – Uncle – Age of Transitions – T-shirts and MORE:https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COMhttps://ochelli.com/listen-live/RADDIOhttps://raddio.net/324242-ochellicom/ZENOhttps://zeno.fm/radio/ochelli-radio/TuneInhttp://tun.in/sfxkx

Joe McBride Billy WilderI'm Looking Through You 5-1-2022 Joseph McBrideBob Wilson welcomed Joseph McBride onto I'm Looking Through You, to discuss his new work, Billy Wilder: Dancing on the Edge. Wilder has directed and co-written some of the world's most iconic films -including Double Indemnity, Sunset Blvd, Some Like It Hot, and The Apartment. Billy Wilder earned acclaim as American cinema's greatest social satirist. Though a fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and his work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society.Tune in as Joseph Mcbride offers new ways to understand Wilder's work, from start to finish. -Highlights include Ernst Lubitsch, Marilyn Monroe, Jack Lemmon, Tony Curtis, William Holden, and so much more. Joe McBride's Amazon page.https://amazon.com/s?k=Joseph+McBride&i=stripbooks&crid=2QYTZFVMEC0V&sprefix=joseph+mcbrid%2Cstripbooks%2C405&ref=nb_sb_noss_2 Joe McBride Billy Wilder Book Linkhttp://cup.columbia.edu/book/billy-wilder/9780231201469 BOB WILSON:-Bob Wilson's classic Abbott & Costello page: https://www.facebook.com/groups/663743480404547 Check out The Show: https://ochelli.com/series/im-looking-through-you/OCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx OCHELLI.COM Radio Schedule ALL Times EasternSundayI'm Looking Through You 3-5 pmMondayThe Ochelli Effect 8-10 pm TuesdayThe Ochelli Effect 8-10 pm WednesdayThe Donald Jeffries Show 6-8 pmThe Ochelli Effect 8-10 pm ThursdayThe Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm FridayThe Ochelli Effect 8-10 pm The Age of Transitions 10-11 pmUncle The Podcast 11pm-MidnightSaturday + ALL Times ALL other days Random Replays

Johnny Cairns Ivor Davis Brooke HalpinI'm Looking Through You 4-24-2022 Cairns - Davis - HalpinBob Wilson spoke with JFK researcher Johnny Cairns on I'm Looking Through You. JFK: Case Not Closed, is essential reading from Dave O'Brien and Johnny Cairns. Cairns exposes that the accusations made against Lee Harvey Oswald do not stand up, and he dismantles important aspects of the case before our eyes on the program. -Chuck Ochelli joins in and adds his expertise in exposing just how weak and unsustainable the case against Lee Harvey Oswald is. The legendary Ivor Davis (author of The Beatles & Me On Tour) lends his talents in interviewing musician, radio host, and author Brooke Halpin (Come Together with The Beatles and Brooke Halpin ~radio program). It's a mystery trip, with this two hashing out the career of George Harrison, and the rest of his bandmates. The duo talks about their experiences with the Fab Four, and so much more. Lend us your ears, and we will give you a show.https://www.facebook.com/Come-Together-with-The-Beatles-Brooke-Halpin-902306423141575/ -Brooke Halpin's Facebook page.https://www.amazon.com/s?k=brooke+halpin&i=stripbooks&crid=3DMK3W7E94QLI&sprefix=brooke+halpin%2Cstripbooks%2C181&ref=nb_sb_noss Brooke Halpin on Amazon https://www.fcoplaw.com/wp-content/uploads/2018/08/Ivor-and-Brooke_Beatles_EE-series-v8_For-Approval.pdfhttps://www.amazon.com/Ivor-Davis/e/B00LV1D3QU%3Fref=dbs_a_mng_rwt_scns_share -Books by Ivor Davishttps://www.facebook.com/groups/663743480404547 Bob Wilson's Abbott & Costello 4 Ever page.OCHELLI LINKS:If You Appreciate what Ochelli.com Radio Does: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkx

Joseph Brutsman Greg MarlonI'm Looking Through You 3-27-2022 Joseph BrutsmanBob Wilson welcomed author Joseph Brutsman onto I'm Looking Through You. Joseph was great friends with both Gregory Peck, and Marlon Brando, and worked on writing projects with them. These were to be the screenplays that would become their final starring roles. Marlon's was made because he was Marlon. Greg's film was another story entirely, just as Greg was. Marlon and Greg (Bear Manor Media) is the true story of two legends in their final years, told by someone who was there, in the families and the film industry.Joseph shares his memories of being in the middle of a pair of grand lions who lived and made their exits on their terms. https://www.imdb.com/name/nm0116783/Marlon & Greg: My Life and Filmmaking Adventures with Hollywood's Polar Opposites (paperback) https://bearmanor-digital.myshopify.com/products/marlon-greg-my-life-and-filmmaking-adventures-with-hollywood-s-polar-opposites-paperback-1Marlon & Greg: My Life and Filmmaking Adventures with Hollywood's Polar Opposites https://www.amazon.com/Marlon-Greg-Filmmaking-Adventures-Hollywoods/dp/1629338281BOB WILSON: Check out The Show: https://ochelli.com/series/im-looking-through-you/OCHELLI LINKS:HELP KEEP US GOING: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/

This week's episode looks at “Tomorrow Never Knows”, the making of Revolver by the Beatles, and the influence of Timothy Leary on the burgeoning psychedelic movement. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on "Keep on Running" by the Spencer Davis Group. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata A few things -- I say "Fairfield" at one point when I mean "Fairchild". While Timothy Leary was imprisoned in 1970 he wasn't actually placed in the cell next to Charles Manson until 1973. Sources differ on when Geoff Emerick started at EMI, and he *may* not have worked on "Sun Arise", though I've seen enough reliable sources saying he did that I think it's likely. And I've been told that Maureen Cleave denied having an affair with Lennon -- though note that I said it was "strongly rumoured" rather than something definite. Resources As usual, a mix of all the songs excerpted in this episode is available at Mixcloud.com. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. For information on Timothy Leary I used a variety of sources including The Most Dangerous Man in America by Bill Minutaglio and Steven L. Davis; Timothy Leary: Outside Looking In by Robert Forte; The Starseed Signals by Robert Anton Wilson; and especially The Harvard Psychedelic Club by Don Lattin. I also referred to both The Tibetan Book of the Dead and to The Psychedelic Experience. Leary's much-abridged audiobook version of The Psychedelic Experience can be purchased from Folkways Records. Sadly the first mono mix of "Tomorrow Never Knows" has been out of print since it was first issued. The only way to get the second mono mix is on this ludicrously-expensive out-of-print box set, but the stereo mix is easily available on Revolver. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start this episode, I'd like to note that it deals with a number of subjects some listeners might find upsetting, most notably psychedelic drug use, mental illness, and suicide. I think I've dealt with those subjects fairly respectfully, but you still may want to check the transcript if you have worries about these subjects. Also, we're now entering a period of music history with the start of the psychedelic era where many of the songs we're looking at are influenced by non-mainstream religious traditions, mysticism, and also increasingly by political ideas which may seem strange with nearly sixty years' hindsight. I'd just like to emphasise that when I talk about these ideas, I'm trying as best I can to present the thinking of the people I'm talking about, in an accurate and unbiased way, rather than talking about my own beliefs. We're going to head into some strange places in some of these episodes, and my intention is neither to mock the people I'm talking about nor to endorse their ideas, but to present those ideas to you the listener so you can understand the music, the history, and the mindset of the people involved, Is that clear? Then lets' turn on, tune in, and drop out back to 1955... [Opening excerpt from The Psychedelic Experience] There is a phenomenon in many mystical traditions, which goes by many names, including the dark night of the soul and the abyss. It's an experience that happens to mystics of many types, in which they go through unimaginable pain near the beginning of their journey towards greater spiritual knowledge. That pain usually involves a mixture of internal and external events -- some terrible tragedy happens to them, giving them a new awareness of the world's pain, at the same time they're going through an intellectual crisis about their understanding of the world, and it can last several years. It's very similar to the more common experience of the mid-life crisis, except that rather than buying a sports car and leaving their spouse, mystics going through this are more likely to found a new religion. At least, those who survive the crushing despair intact. Those who come out of the experience the other end often find themselves on a totally new path, almost like they're a different person. In 1955, when Dr. Timothy Leary's dark night of the soul started, he was a respected academic psychologist, a serious scientist who had already made several substantial contributions to his field, and was considered a rising star. By 1970, he would be a confirmed mystic, sentenced to twenty years in prison, in a cell next to Charles Manson, and claiming to different people that he was the reincarnation of Gurdjieff, Aleister Crowley, and Jesus Christ. In the fifties, Leary and his wife had an open relationship, in which they were both allowed to sleep with other people, but weren't allowed to form emotional attachments to them. Unfortunately, Leary *had* formed an emotional attachment to another woman, and had started spending so much time with her that his wife was convinced he was going to leave her. On top of that, Leary was an alcoholic, and was prone to get into drunken rows with his wife. He woke up on the morning of his thirty-fifth birthday, hung over after one of those rows, to find that she had died by suicide while he slept, leaving a note saying that she knew he was going to leave her and that her life would be meaningless without him. This was only months after Leary had realised that the field he was working in, to which he had devoted his academic career, was seriously broken. Along with a colleague, Frank Barron, he published a paper on the results of clinical psychotherapy, "Changes in psychoneurotic patients with and without psychotherapy" which analysed the mental health of a group of people who had been through psychotherapy, and found that a third of them improved, a third stayed the same, and a third got worse. The problem was that there was a control group, of people with the same conditions who were put on a waiting list and told to wait the length of time that the therapy patients were being treated. A third of them improved, a third stayed the same, and a third got worse. In other words, psychotherapy as it was currently practised had no measurable effect at all on patients' health. This devastated Leary, as you might imagine. But more through inertia than anything else, he continued working in the field, and in 1957 he published what was regarded as a masterwork -- his book Interpersonal Diagnosis of Personality: A Functional Theory and Methodology for Personality Evaluation. Leary's book was a challenge to the then-dominant idea in psychology, behaviourism, which claimed that it made no sense to talk about anyone's internal thoughts or feelings -- all that mattered was what could be measured, stimuli and responses, and that in a very real sense the unmeasurable thoughts people had didn't exist at all. Behaviourism looked at every human being as a mechanical black box, like a series of levers. Leary, by contrast, analysed human interactions as games, in which people took on usual roles, but were able, if they realised this, to change the role or even the game itself. It was very similar to the work that Eric Berne was doing at the same time, and which would later be popularised in Berne's book Games People Play. Berne's work was so popular that it led to the late-sixties hit record "Games People Play" by Joe South: [Excerpt: Joe South: "Games People Play"] But in 1957, between Leary and Berne, Leary was considered the more important thinker among his peers -- though some thought of him as more of a showman, enthralled by his own ideas about how he was going to change psychology, than a scientist, and some thought that he was unfairly taking credit for the work of lesser-known but better researchers. But by 1958, the effects of the traumas Leary had gone through a couple of years earlier were at their worst. He was starting to become seriously ill -- from the descriptions, probably from something stress-related and psychosomatic -- and he took his kids off to Europe, where he was going to write the great American novel. But he rapidly ran through his money, and hadn't got very far with the novel. He was broke, and ill, and depressed, and desperate, but then in 1959 his old colleague Frank Barron, who was on holiday in the area, showed up, and the two had a conversation that changed Leary's life forever in multiple ways. The first of the conversational topics would have the more profound effect, though that wouldn't be apparent at first. Barron talked to Leary about his previous holiday, when he'd visited Mexico and taken psilocybin mushrooms. These had been used by Mexicans for centuries, but the first publication about them in English had only been in 1955 -- the same year when Leary had had other things on his mind -- and they were hardly known at all outside Mexico. Barron talked about the experience as being the most profound, revelatory, experience of his life. Leary thought his friend sounded like a madman, but he humoured him for the moment. But Barron also mentioned that another colleague was on holiday in the same area. David McClelland, head of the Harvard Center for Personality Research, had mentioned to Barron that he had just read Diagnosis of Personality and thought it a work of genius. McClelland hired Leary to work for him at Harvard, and that was where Leary met Ram Dass. [Excerpt from "The Psychedelic Experience"] Ram Dass was not the name that Dass was going by at the time -- he was going by his birth name, and only changed his name a few years later, after the events we're talking about -- but as always, on this podcast we don't use people's deadnames, though his is particularly easy to find as it's still the name on the cover of his most famous book, which we'll be talking about shortly. Dass was another psychologist at the Centre for Personality Research, and he would be Leary's closest collaborator for the next several years. The two men would become so close that at several points Leary would go travelling and leave his children in Dass' care for extended periods of time. The two were determined to revolutionise academic psychology. The start of that revolution didn't come until summer 1960. While Leary was on holiday in Cuernavaca in Mexico, a linguist and anthropologist he knew, Lothar Knauth, mentioned that one of the old women in the area collected those magic mushrooms that Barron had been talking about. Leary decided that that might be a fun thing to do on his holiday, and took a few psilocybin mushrooms. The effect was extraordinary. Leary called this, which had been intended only as a bit of fun, "the deepest religious experience of my life". [Excerpt from "The Psychedelic Experience"] He returned to Harvard after his summer holiday and started what became the Harvard Psilocybin Project. Leary and various other experimenters took controlled doses of psilocybin and wrote down their experiences, and Leary believed this would end up revolutionising psychology, giving them insights unattainable by other methods. The experimenters included lecturers, grad students, and people like authors Allen Ginsberg and William Burroughs, jazz trumpeter Maynard Ferguson, and Alan Watts, who popularised Zen Buddhism in the West. Dass didn't join the project until early 1961 -- he'd actually been on the holiday with Leary, but had arrived a few days after the mushroom experiment, and nobody had been able to get hold of the old woman who knew where to find the mushrooms, so he'd just had to deal with Leary telling him about how great it was rather than try it himself. He then spent a semester as a visiting scholar at Berkeley, so he didn't get to try his first trip until February 1961. Dass, on his first trip, first had a revelation about the nature of his own true soul, then decided at three in the morning that he needed to go and see his parents, who lived nearby, and tell them the good news. But there was several feet of snow, and so he decided he must save his parents from the snow, and shovel the path to their house. At three in the morning. Then he saw them looking out the window at him, he waved, and then started dancing around the shovel. He later said “Until that moment I was always trying to be the good boy, looking at myself through other people's eyes. What did the mothers, fathers, teachers, colleagues want me to be? That night, for the first time, I felt good inside. It was OK to be me.” The Harvard Psilocybin Project soon became the Harvard Psychedelic Project. The term "psychedelic", meaning "soul revealing", was coined by the British psychiatrist Humphrey Osmond, who had been experimenting with hallucinogens for years, and had guided Aldous Huxley on the mescaline trip described in The Doors of Perception. Osmond and Huxley had agreed that the term "psychotomimetic", in use at the time, which meant "mimicking psychosis", wasn't right -- it was too negative. They started writing letters to each other, suggesting alternative terms. Huxley came up with "phanerothyme", the Greek for "soul revealing", and wrote a little couplet to Osmond: To make this trivial world sublime Take half a gramme of phanerothyme. Osmond countered with the Latin equivalent: To fathom hell or soar angelic Just take a pinch of psychedelic Osmond also inspired Leary's most important experimental work of the early sixties. Osmond had got to know Bill W., the founder of Alcoholics Anonymous, and had introduced W. to LSD. W. had become sober after experiencing a profound spiritual awakening and a vision of white light while being treated for his alcoholism using the so-called "belladonna cure" -- a mixture of various hallucinogenic and toxic substances that was meant to cure alcoholism. When W. tried LSD, he found it replicated his previous spiritual experience and became very evangelistic about its use by alcoholics, thinking it could give them the same kind of awakening he'd had. Leary became convinced that if LSD could work on alcoholics, it could also be used to help reshape the personalities of habitual criminals and lead them away from reoffending. His idea for how to treat people was based, in part, on the ideas of transactional analysis. There is always a hierarchical relationship between a therapist and their patient, and that hierarchical relationship itself, in Leary's opinion, forced people into particular game roles and made it impossible for them to relate as equals, and thus impossible for the therapist to truly help the patient. So his idea was that there needed to be a shared bonding experience between patient and doctor. So in his prison experiments, he and the other people involved, including Ralph Metzner, one of his grad students, would take psilocybin *with* the patients. In short-term follow-ups the patients who went through this treatment process were less depressed, felt better, and were only half as likely to reoffend as normal prisoners. But critics pointed out that the prisoners had been getting a lot of individual attention and support, and there was no control group getting that support without the psychedelics. [Excerpt: The Psychedelic Experience] As the experiments progressed, though, things were becoming tense within Harvard. There was concern that some of the students who were being given psilocybin were psychologically vulnerable and were being put at real risk. There was also worry about the way that Leary and Dass were emphasising experience over analysis, which was felt to be against the whole of academia. Increasingly it looked like there was a clique forming as well, with those who had taken part in their experiments on the inside and looking down on those outside, and it looked to many people like this was turning into an actual cult. This was simply not what the Harvard psychology department was meant to be doing. And one Harvard student was out to shut them down for good, and his name was Andrew Weil. Weil is now best known as one of the leading lights in alternative health, and has made appearances on Oprah and Larry King Live, but for many years his research interest was in mind-altering chemicals -- his undergraduate thesis was on the use of nutmeg to induce different states of consciousness. At this point Weil was an undergraduate, and he and his friend Ronnie Winston had both tried to get involved in the Harvard Psilocybin Project, but had been turned down -- while they were enthusiastic about it, they were also undergraduates, and Leary and Dass had agreed with the university that they wouldn't be using undergraduates in their project, and that only graduate students, faculty, and outsiders would be involved. So Weil and Winston had started their own series of experiments, using mescaline after they'd been unable to get any psilocybin -- they'd contacted Aldous Huxley, the author of The Doors of Perception and an influence on Leary and Dass' experiments, and asked him where they could get mescaline, and he'd pointed them in the right direction. But then Winston and Dass had become friends, and Dass had given Winston some psilocybin -- not as part of his experiments, so Dass didn't think he was crossing a line, but just socially. Weil saw this as a betrayal by Winston, who stopped hanging round with him once he became close to Dass, and also as a rejection of him by Dass and Leary. If they'd give Winston psilocybin, why wouldn't they give it to him? Weil was a writer for the Harvard Crimson, Harvard's newspaper, and he wrote a series of exposes on Leary and Dass for the Crimson. He went to his former friend Winston's father and told him "Your son is getting drugs from a faculty member. If your son will admit to that charge, we'll cut out your son's name. We won't use it in the article."  Winston did admit to the charge, under pressure from his father, and was brought to tell the Dean, saying to the Dean “Yes, sir, I did, and it was the most educational experience I've had at Harvard.” Weil wrote about this for the Crimson, and the story was picked up by the national media. Weil eventually wrote about Leary and Dass for Look magazine, where he wrote “There were stories of students and others using hallucinogens for seductions, both heterosexual and homosexual.” And this seems actually to have been a big part of Weil's motivation. While Dass and Winston always said that their relationship was purely platonic, Dass was bisexual, and Weil seems to have assumed his friend had been led astray by an evil seducer. This was at a time when homophobia and biphobia were even more prevalent in society than they are now, and part of the reason Leary and Dass fell out in the late sixties is that Leary started to see Dass' sexuality as evil and perverted and something they should be trying to use LSD to cure. The experiments became a national scandal, and one of the reasons that LSD was criminalised a few years later. Dass was sacked for giving drugs to undergraduates; Leary had gone off to Mexico to get away from the stress, leaving his kids with Dass. He would be sacked for going off without permission and leaving his classes untaught. As Leary and Dass were out of Harvard, they had to look for other sources of funding. Luckily, Dass turned William Mellon Hitchcock, the heir to the Mellon oil fortune, on to acid, and he and his brother Tommy and sister Peggy gave them the run of a sixty-four room mansion, named Millbrook. When they started there, they were still trying to be academics, but over the five years they were at Millbrook it became steadily less about research and more of a hippie commune, with regular visitors and long-term residents including Alan Ginsberg, William Burroughs, and the jazz musician Maynard Ferguson, who would later get a small amount of fame with jazz-rock records like his version of "MacArthur Park": [Excerpt: Maynard Ferguson, "MacArthur Park"] It was at Millbrook that Leary, Dass, and Metzner would write the book that became The Psychedelic Experience. This book was inspired by the Bardo Thödol, a book allegedly written by Padmasambhava, the man who introduced Buddhism to Tibet in the eighth century, though no copies of it are known to have existed before the fourteenth century, when it was supposedly discovered by Karma Lingpa. Its title translates as Liberation Through Hearing During the Intermediate State, but it was translated into English under the name The Tibetan Book of the Dead, as Walter Evans-Wentz, who compiled and edited the first English translation was, like many Westerners who studied Buddhism in the early part of the twentieth century, doing so because he was an occultist and a member of the Theosophical Society, which believes the secret occult masters of the world live in Tibet, but which also considered the Egyptian Book of the Dead -- a book which bears little relationship to the Bardo Thödol, and which was written thousands of years earlier on a different continent -- to be a major religious document. So it was through that lens that Evans-Wentz was viewing the Bardo Thödol, and he renamed the book to emphasise what he perceived as its similarities. Part of the Bardo Thödol is a description of what happens to someone between death and rebirth -- the process by which the dead person becomes aware of true reality, and then either transcends it or is dragged back into it by their lesser impulses -- and a series of meditations that can be used to help with that transcendence. In the version published as The Tibetan Book of the Dead, this is accompanied by commentary from Evans-Wentz, who while he was interested in Buddhism didn't actually know that much about Tibetan Buddhism, and was looking at the text through a Theosophical lens, and mostly interpreting it using Hindu concepts. Later editions of Evans-Wentz's version added further commentary by Carl Jung, which looked at Evans-Wentz's version of the book through Jung's own lens, seeing it as a book about psychological states, not about anything more supernatural (although Jung's version of psychology was always a supernaturalist one, of course). His Westernised, psychologised, version of the book's message became part of the third edition. Metzner later said "At the suggestion of Aldous Huxley and Gerald Heard we began using the Bardo Thödol ( Tibetan Book of the Dead) as a guide to psychedelic sessions. The Tibetan Buddhists talked about the three phases of experience on the “intermediate planes” ( bardos) between death and rebirth. We translated this to refer to the death and the rebirth of the ego, or ordinary personality. Stripped of the elaborate Tibetan symbolism and transposed into Western concepts, the text provided a remarkable parallel to our findings." Leary, Dass, and Metzner rewrote the book into a form that could be used to guide a reader through a psychedelic trip, through the death of their ego and its rebirth. Later, Leary would record an abridged audiobook version, and it's this that we've been hearing excerpts of during this podcast so far: [Excerpt: The Psychedelic Experience "Turn off your mind, relax, float downstream" about 04:15] When we left the Beatles, they were at the absolute height of their fame, though in retrospect the cracks had already begun to show.  Their second film had been released, and the soundtrack had contained some of their best work, but the title track, "Help!", had been a worrying insight into John Lennon's current mental state. Immediately after making the film and album, of course, they went back out touring, first a European tour, then an American one, which probably counts as the first true stadium tour. There had been other stadium shows before the Beatles 1965 tour -- we talked way back in the first episodes of the series about how Sister Rosetta Tharpe had a *wedding* that was a stadium gig. But of course there are stadiums and stadiums, and the Beatles' 1965 tour had them playing the kind of venues that no other musician, and certainly no other rock band, had ever played. Most famously, of course, there was the opening concert of the tour at Shea Stadium, where they played to an audience of fifty-five thousand people -- the largest audience a rock band had ever played for, and one which would remain a record for many years. Most of those people, of course, couldn't actually hear much of anything -- the band weren't playing through a public address system designed for music, just playing through the loudspeakers that were designed for commentating on baseball games. But even if they had been playing through the kind of modern sound systems used today, it's unlikely that the audience would have heard much due to the overwhelming noise coming from the crowd. Similarly, there were no live video feeds of the show or any of the other things that nowadays make it at least possible for the audience to have some idea what is going on on stage. The difference between this and anything that anyone had experienced before was so great that the group became overwhelmed. There's video footage of the show -- a heavily-edited version, with quite a few overdubs and rerecordings of some tracks was broadcast on TV, and it's also been shown in cinemas more recently as part of promotion for an underwhelming documentary about the Beatles' tours -- and you can see Lennon in particular becoming actually hysterical during the performance of "I'm Down", where he's playing the organ with his elbows. Sadly the audio nature of this podcast doesn't allow me to show Lennon's facial expression, but you can hear something of the exuberance in the performance. This is from what is labelled as a copy of the raw audio of the show -- the version broadcast on TV had a fair bit of additional sweetening work done on it: [Excerpt: The Beatles, "I'm Down (Live at Shea Stadium)"] After their American tour they had almost six weeks off work to write new material before going back into the studio to record their second album of the year, and one which would be a major turning point for the group. The first day of the recording sessions for this new album, Rubber Soul, started with two songs of Lennon's. The first of these was "Run For Your Life", a song Lennon never later had much good to say about, and which is widely regarded as the worst song on the album. That song was written off a line from Elvis Presley's version of "Baby Let's Play House", and while Lennon never stated this, it's likely that it was brought to mind by the Beatles having met with Elvis during their US tour. But the second song was more interesting. Starting with "Help!", Lennon had been trying to write more interesting lyrics. This had been inspired by two conversations with British journalists -- Kenneth Allsop had told Lennon that while he liked Lennon's poetry, the lyrics to his songs were banal in comparison and he found them unlistenable as a result, while Maureen Cleave, a journalist who was a close friend with Lennon, had told him that she hadn't noticed a single word in any of his lyrics with more than two syllables, so he made more of an effort with "Help!", putting in words like "independence" and "insecure". As he said in one of his last interviews, "I was insecure then, and things like that happened more than once. I never considered it before. So after that I put a few words with three syllables in, but she didn't think much of them when I played it for her, anyway.” Cleave may have been an inspiration for "Norwegian Wood (This Bird Has Flown)". There are very strong rumours that Lennon had an affair with Cleave in the mid-sixties, and if that's true it would definitely fit into a pattern. Lennon had many, many, affairs during his first marriage, both brief one-night stands and deeper emotional attachments, and those emotional attachments were generally with women who were slightly older, intellectual, somewhat exotic looking by the standards of 1960s Britain, and in the arts. Lennon later claimed to have had an affair with Eleanor Bron, the Beatles' co-star in Help!, though she always denied this, and it's fairly widely established that he did have an affair with Alma Cogan, a singer who he'd mocked during her peak of popularity in the fifties, but who would later become one of his closest friends: [Excerpt: Alma Cogan, "Why Do Fools Fall in Love?"] And "Norwegian Wood", the second song recorded for Rubber Soul, started out as a confession to one of these affairs, a way of Lennon admitting it to his wife without really admitting it. The figure in the song is a slightly aloof, distant woman, and the title refers to the taste among Bohemian British people at the time for minimalist decor made of Scandinavian pine -- something that would have been a very obvious class signifier at the time. [Excerpt: The Beatles, "Norwegian Wood (This Bird Has Flown)"] Lennon and McCartney had different stories about who wrote what in the song, and Lennon's own story seems to have changed at various times. What seems to have happened is that Lennon wrote the first couple of verses while on holiday with George Martin, and finished it off later with McCartney's help. McCartney seems to have come up with the middle eight melody -- which is in Dorian mode rather than the Mixolydian mode of the verses -- and to have come up with the twist ending, where the woman refuses to sleep with the protagonist and laughs at him, he goes to sleep in the bath rather than her bed, wakes up alone, and sets fire to the house in revenge. This in some ways makes "Norwegian Wood" the thematic centrepiece of the album that was to result, combining several of the themes its two songwriters came back to throughout the album and the single recorded alongside it. Like Lennon's "Run For Your Life" it has a misogynistic edge to it, and deals with taking revenge against a woman, but like his song "Girl", it deals with a distant, unattainable, woman, who the singer sees as above him but who has a slightly cruel edge -- the kind of girl who puts you down when friends are there,  you feel a fool, is very similar to the woman who tells you to sit down but has no chairs in her minimalist flat. A big teaser who takes you half the way there is likely to laugh at you as you crawl off to sleep in the bath while she goes off to bed alone. Meanwhile, McCartney's two most popular contributions to the album, "Michelle" and "Drive My Car", also feature unattainable women, but are essentially comedy songs -- "Michelle" is a pastiche French song which McCartney used to play as a teenager while pretending to be foreign to impress girls, dug up and finished for the album, while "Drive My Car" is a comedy song with a twist in the punchline, just like "Norwegian Wood", though "Norwegian Wood"s twist is darker. But "Norwegian Wood" is even more famous for its music than for its lyric. The basis of the song is Lennon imitating Dylan's style -- something that Dylan saw, and countered with "Fourth Time Around", a song which people have interpreted multiple ways, but one of those interpretations has always been that it's a fairly vicious parody of "Norwegian Wood": [Excerpt: Bob Dylan, "Fourth Time Around"] Certainly Lennon thought that at first, saying a few years later "I was very paranoid about that. I remember he played it to me when he was in London. He said, what do you think? I said, I don't like it. I didn't like it. I was very paranoid. I just didn't like what I felt I was feeling – I thought it was an out and out skit, you know, but it wasn't. It was great. I mean he wasn't playing any tricks on me. I was just going through the bit." But the aspect of "Norwegian Wood" that has had more comment over the years has been the sitar part, played by George Harrison: [Excerpt: The Beatles, "Norwegian Wood"] This has often been called the first sitar to be used on a rock record, and that may be the case, but it's difficult to say for sure. Indian music was very much in the air among British groups in September 1965, when the Beatles recorded the track. That spring, two records had almost simultaneously introduced Indian-influenced music into the pop charts. The first had been the Yardbirds' "Heart Full of Soul", released in June and recorded in April. In fact, the Yardbirds had actually used a sitar on their first attempt at recording the song, which if it had been released would have been an earlier example than the Beatles: [Excerpt: The Yardbirds, "Heart Full of Soul (first version)"] But in the finished recording they had replaced that with Jeff Beck playing a guitar in a way that made it sound vaguely like a sitar, rather than using a real one: [Excerpt: The Yardbirds, "Heart Full of Soul (single)"] Meanwhile, after the Yardbirds had recorded that but before they'd released it, and apparently without any discussion between the two groups, the Kinks had done something similar on their "See My Friends", which came out a few weeks after the Yardbirds record: [Excerpt: The Kinks, "See My Friends"] (Incidentally, that track is sometimes titled "See My Friend" rather than "See My Friends", but that's apparently down to a misprint on initial pressings rather than that being the intended title). As part of this general flowering of interest in Indian music, George Harrison had become fascinated with the sound of the sitar while recording scenes in Help! which featured some Indian musicians. He'd then, as we discussed in the episode on "Eight Miles High" been introduced by David Crosby on the Beatles' summer US tour to the music of Ravi Shankar. "Norwegian Wood" likely reminded Harrison of Shankar's work for a couple of reasons. The first is that the melody is very modal -- as I said before, the verses are in Mixolydian mode, while the middle eights are in Dorian -- and as we saw in the "Eight Miles High" episode Indian music is very modal. The second is that for the most part, the verse is all on one chord -- a D chord as Lennon originally played it, though in the final take it's capoed on the second fret so it sounds in E. The only time the chord changes at all is on the words "once had" in the phrase “she once had me” where for one beat each Lennon plays a C9 and a G (sounding as a D9 and A). Both these chords, in the fingering Lennon is using, feel to a guitarist more like "playing a D chord and lifting some fingers up or putting some down" rather than playing new chords, and this is a fairly common way of thinking about stuff particularly when talking about folk and folk-rock music -- you'll tend to get people talking about the "Needles and Pins" riff as being "an A chord where you twiddle your finger about on the D string" rather than changing between A, Asus2, and Asus4. So while there are chord changes, they're minimal and of a kind that can be thought of as "not really" chord changes, and so that may well have reminded Harrison of the drone that's so fundamental to Indian classical music. Either way, he brought in his sitar, and they used it on the track, both the version they cut on the first day of recording and the remake a week later which became the album track: [Excerpt: The Beatles, "Norwegian Wood (This Bird Has Flown)"] At the same time as the group were recording Rubber Soul, they were also working on two tracks that would become their next single -- released as a double A-side because the group couldn't agree which of the two to promote. Both of these songs were actual Lennon/McCartney collaborations, something that was increasingly rare at this point. One, "We Can Work it Out" was initiated by McCartney, and like many of his songs of this period was inspired by tensions in his relationship with his girlfriend Jane Asher -- two of his other songs for Rubber Soul were "I'm Looking Through You" and "You Won't See Me".  The other, "Day Tripper",  was initiated by Lennon, and had other inspirations: [Excerpt: The Beatles, "Day Tripper"] John Lennon and George Harrison's first acid trip had been in spring of 1965, around the time they were recording Help! The fullest version of how they came to try it I've read was in an interview George Harrison gave to Creem magazine in 1987, which I'll quote a bit of: "I had a dentist who invited me and John and our ex-wives to dinner, and he had this acid he'd got off the guy who ran Playboy in London. And the Playboy guy had gotten it off, you know, the people who had it in America. What's his name, Tim Leary. And this guy had never had it himself, didn't know anything about it, but he thought it was an aphrodisiac and he had this girlfriend with huge breasts. He invited us down there with our blonde wives and I think he thought he was gonna have a scene. And he put it in our coffee without telling us—he didn't take any himself. We didn't know we had it, and we'd made an arrangement earlier—after we had dinner we were gonna go to this nightclub to see some friends of ours who were playing in a band. And I was saying, "OK, let's go, we've got to go," and this guy kept saying, "No, don't go, finish your coffee. Then, 20 minutes later or something, I'm saying, "C'mon John, we'd better go now. We're gonna miss the show." And he says we shouldn't go 'cause we've had LSD." They did leave anyway, and they had an experience they later remembered as being both profound and terrifying -- nobody involved had any idea what the effects of LSD actually were, and they didn't realise it was any different from cannabis or amphetamines. Harrison later described feelings of universal love, but also utter terror -- believing himself to be in hell, and that world war III was starting. As he said later "We'd heard of it, but we never knew what it was about and it was put in our coffee maliciously. So it really wasn't us turning each other or the world or anything—we were the victims of silly people." But both men decided it was an experience they needed to have again, and one they wanted to share with their friends. Their next acid trip was the one that we talked about in the episode on "Eight Miles High", with Roger McGuinn, David Crosby, and Peter Fonda. That time Neil Aspinall and Ringo took part as well, but at this point Paul was still unsure about taking it -- he would later say that he was being told by everyone that it changed your worldview so radically you'd never be the same again, and he was understandably cautious about this. Certainly it had a profound effect on Lennon and Harrison -- Starr has never really talked in detail about his own experiences. Harrison would later talk about how prior to taking acid he had been an atheist, but his experiences on the drug gave him an unshakeable conviction in the existence of God -- something he would spend the rest of his life exploring. Lennon didn't change his opinions that drastically, but he did become very evangelistic about the effects of LSD. And "Day Tripper" started out as a dig at what he later described as weekend hippies, who took acid but didn't change the rest of their lives -- which shows a certain level of ego in a man who had at that point only taken acid twice himself -- though in collaboration with McCartney it turned into another of the rather angry songs about unavailable women they were writing at this point. The line "she's a big teaser, she took me half the way there" apparently started as "she's a prick teaser": [Excerpt: The Beatles, "Day Tripper"] In the middle of the recording of Rubber Soul, the group took a break to receive their MBEs from the Queen. Officially the group were awarded these because they had contributed so much to British exports. In actual fact, they received them because the Prime Minister, Harold Wilson, had a government with a majority of only four MPs and was thinking about calling an election to boost his majority. He represented a Liverpool constituency, and wanted to associate his Government and the Labour Party with the most popular entertainers in the UK. "Day Tripper" and "We Can Work it Out" got their TV premiere on a show recorded for Granada TV,  The Music of Lennon and McCartney, and fans of British TV trivia will be pleased to note that the harmonium Lennon plays while the group mimed "We Can Work it Out" in that show is the same one that was played in Coronation Street by Ena Sharples -- the character we heard last episode being Davy Jones' grandmother. As well as the Beatles themselves, that show included other Brian Epstein artists like Cilla Black and Billy J Kramer singing songs that Lennon and McCartney had given to them, plus Peter Sellers, the Beatles' comedy idol, performing "A Hard Day's Night" in the style of Laurence Olivier as Richard III: [Excerpt: Peter Sellers, "A Hard Day's Night"] Another performance on the show was by Peter and Gordon, performing a hit that Paul had given to them, one of his earliest songs: [Excerpt: Peter and Gordon, "A World Without Love"] Peter Asher, of Peter and Gordon, was the brother of Paul McCartney's girlfriend, the actor Jane Asher. And while the other three Beatles were living married lives in mansions in suburbia, McCartney at this point was living with the Asher family in London, and being introduced by them to a far more Bohemian, artistic, hip crowd of people than he had ever before experienced. They were introducing him to types of art and culture of which he had previously been ignorant, and while McCartney was the only Beatle so far who hadn't taken LSD, this kind of mind expansion was far more appealing to him. He was being introduced to art film, to electronic composers like Stockhausen, and to ideas about philosophy and art that he had never considered. Peter Asher was a friend of John Dunbar, who at the time was Marianne Faithfull's husband, though Faithfull had left him and taken up with Mick Jagger, and of Barry Miles, a writer, and in September 1965 the three men had formed a company, Miles, Asher and Dunbar Limited, or MAD for short, which had opened up a bookshop and art gallery, the Indica Gallery, which was one of the first places in London to sell alternative or hippie books and paraphernalia, and which also hosted art events by people like members of the Fluxus art movement. McCartney was a frequent customer, as you might imagine, and he also encouraged the other Beatles to go along, and the Indica Gallery would play an immense role in the group's history, which we'll look at in a future episode. But the first impact it had on the group was when John and Paul went to the shop in late 1965, just after the recording and release of Rubber Soul and the "Day Tripper"/"We Can Work It Out" single, and John bought a copy of The Psychedelic Experience by Leary, Dass, and Metzner. He read the book on a plane journey while going on holiday -- reportedly while taking his third acid trip -- and was inspired. When he returned, he wrote a song which became the first track to be recorded for the group's next album, Revolver: [Excerpt: The Beatles, "Tomorrow Never Knows"] The lyrics were inspired by the parts of The Psychedelic Experience which were in turn inspired by the Tibetan Book of the Dead. Now, it's important to put it this way because most people who talk about this record have apparently never read the book which inspired it. I've read many, many, books on the Beatles which claim that The Psychedelic Experience simply *is* the Tibetan Book of the Dead, slightly paraphrased. In fact, while the authors use the Tibetan Book of the Dead as a structure on which to base their book, much of the book is detailed descriptions of Leary, Dass, and Metzner's hypotheses about what is actually happening during a psychedelic trip, and their notes on the book -- in particular they provide commentaries to the commentaries, giving their view of what Carl Jung meant when he talked about it, and of Evans-Wentz's opinions, and especially of a commentary by Anagarika Govinda, a Westerner who had taken up Tibetan Buddhism seriously and become a monk and one of its most well-known exponents in the West. By the time it's been filtered through so many different viewpoints and perspectives, each rewriting and reinterpreting it to suit their own preconceived ideas, they could have started with a book on the habitat of the Canada goose and ended with much the same result. Much of this is the kind of mixture between religious syncretism and pseudoscience that will be very familiar to anyone who has encountered New Age culture in any way, statements like "The Vedic sages knew the secret; the Eleusinian Initiates knew it; the Tantrics knew it. In all their esoteric writings they whisper the message: It is possible to cut beyond ego-consciousness, to tune in on neurological processes which flash by at the speed of light, and to become aware of the enormous treasury of ancient racial knowledge welded into the nucleus of every cell in your body". This kind of viewpoint is one that has been around in one form or another since the nineteenth century religious revivals in America that led to Mormonism, Christian Science, and the New Thought. It's found today in books and documentaries like The Secret and the writings of people like Deepak Chopra, and the idea is always the same one -- people thousands of years ago had a lost wisdom that has only now been rediscovered through the miracle of modern science. This always involves a complete misrepresentation of both the lost wisdom and of the modern science. In particular, Leary, Dass, and Metzner's book freely mixes between phrases that sound vaguely scientific, like "There are no longer things and persons but only the direct flow of particles", things that are elements of Tibetan Buddhism, and references to ego games and "game-existence" which come from Leary's particular ideas of psychology as game interactions. All of this is intermingled, and so the claims that some have made that Lennon based the lyrics on the Tibetan Book of the Dead itself are very wrong. Rather the song, which he initially called "The Void", is very much based on Timothy Leary. The song itself was very influenced by Indian music. The melody line consists of only four notes -- E, G, C, and B flat, over a space of an octave: [Demonstrates] This sparse use of notes is very similar to the pentatonic scales in a lot of folk music, but that B-flat makes it the Mixolydian mode, rather than the E minor pentatonic scale our ears at first make it feel like. The B-flat also implies a harmony change -- Lennon originally sang the whole song over one chord, a C, which has the notes C, E, and G in it, but a B-flat note implies instead a chord of C7 -- this is another one of those occasions where you just put one finger down to change the chord while playing, and I suspect that's what Lennon did: [Demonstrates] Lennon's song was inspired by Indian music, but what he wanted was to replicate the psychedelic experience, and this is where McCartney came in. McCartney was, as I said earlier, listening to a lot of electronic composers as part of his general drive to broaden his mind, and in particular he had been listening to quite a bit of Karlheinz Stockhausen. Stockhausen was a composer who had studied with Olivier Messiaen in the 1940s, and had then become attached to the Groupe de Recherche de Musique Concrète along with Messiaen, Pierre Boulez, Edgard Varese and others, notably Pierre Schaeffer and Pierre Henry. These composers were interested in a specific style of music called musique concrète, a style that had been pioneered by Schaeffer. Musique concrète is music that is created from, or at least using, prerecorded sounds that have been electronically altered, rather than with live instruments. Often this would involve found sound -- music made not by instruments at all, but by combining recorded sounds of objects, like with the first major work of musique concrète, Pierre Schaeffer's Cinq études de bruits: [Excerpt: Pierre Schaeffer, "Etude aux Chemins de faire" (from Cinq études de bruits)] Early on, musique concrète composers worked in much the same way that people use turntables to create dance music today -- they would have multiple record players, playing shellac discs, and a mixing desk, and they would drop the needle on the record players to various points, play the records backwards, and so forth. One technique that Schaeffer had come up with was to create records with a closed groove, so that when the record finished, the groove would go back to the start -- the record would just keep playing the same thing over and over and over. Later, when magnetic tape had come into use, Schaeffer had discovered you could get the same effect much more easily by making an actual loop of tape, and had started making loops of tape whose beginnings were stuck to their ending -- again creating something that could keep going over and over. Stockhausen had taken up the practice of using tape loops, most notably in a piece that McCartney was a big admirer of, Gesang der Jeunglinge: [Excerpt: Karlheinz Stockhausen, "Gesang der Jeunglinge"] McCartney suggested using tape loops on Lennon's new song, and everyone was in agreement. And this is the point where George Martin really starts coming into his own as a producer for the group. Martin had always been a good producer, but his being a good producer had up to this point mostly consisted of doing little bits of tidying up and being rather hands-off. He'd scored the strings on "Yesterday", played piano parts, and made suggestions like speeding up "Please Please Me" or putting the hook of "Can't Buy Me Love" at the beginning. Important contributions, contributions that turned good songs into great records, but nothing that Tony Hatch or Norrie Paramor or whoever couldn't have done. Indeed, his biggest contribution had largely been *not* being a Hatch or Paramor, and not imposing his own songs on the group, letting their own artistic voices flourish. But at this point Martin's unique skillset came into play. Martin had specialised in comedy records before his work with the Beatles, and he had worked with Peter Sellers and Spike Milligan of the Goons, making records that required a far odder range of sounds than the normal pop record: [Excerpt: The Goons, "Unchained Melody"] The Goons' radio show had used a lot of sound effects created by the BBC Radiophonic Workshop, a department of the BBC that specialised in creating musique concrète, and Martin had also had some interactions with the Radiophonic Workshop. In particular, he had worked with Maddalena Fagandini of the Workshop on an experimental single combining looped sounds and live instruments, under the pseudonym "Ray Cathode": [Excerpt: Ray Cathode, "Time Beat"] He had also worked on a record that is if anything even more relevant to "Tomorrow Never Knows". Unfortunately, that record is by someone who has been convicted of very serious sex offences. In this case, Rolf Harris, the man in question, was so well-known in Britain before his arrest, so beloved, and so much a part of many people's childhoods, that it may actually be traumatic for people to hear his voice knowing about his crimes. So while I know that showing the slightest consideration for my listeners' feelings will lead to a barrage of comments from angry old men calling me a "woke snowflake" for daring to not want to retraumatise vulnerable listeners, I'll give a little warning before I play the first of two segments of his recordings in a minute. When I do, if you skip forward approximately ninety seconds, you'll miss that section out. Harris was an Australian all-round entertainer, known in Britain for his novelty records, like the unfortunately racist "Tie Me Kangaroo Down Sport" -- which the Beatles later recorded with him in a non-racist version for a BBC session. But he had also, in 1960, recorded and released in Australia a song he'd written based on his understanding of Aboriginal Australian religious beliefs, and backed by Aboriginal musicians on didgeridoo. And we're going to hear that clip now: [Excerpt. Rolf Harris, "Sun Arise" original] EMI, his British label, had not wanted to release that as it was, so he'd got together with George Martin and they'd put together a new version, for British release. That had included a new middle-eight, giving the song a tiny bit of harmonic movement, and Martin had replaced the didgeridoos with eight cellos, playing a drone: [Excerpt: Rolf Harris, "Sun Arise", 1962 version ] OK, we'll just wait a few seconds for anyone who skipped that to catch up... Now, there are some interesting things about that track. That is a track based on a non-Western religious belief, based around a single drone -- the version that Martin produced had a chord change for the middle eight, but the verses were still on the drone -- using the recording studio to make the singer's voice sound different, with a deep, pulsating, drum sound, and using a melody with only a handful of notes, which doesn't start on the tonic but descends to it. Sound familiar? Oh, and a young assistant engineer had worked with George Martin on that session in 1962, in what several sources say was their first session together, and all sources say was one of their first. That young assistant engineer was Geoff Emerick, who had now been promoted to the main engineer role, and was working his first Beatles session in that role on “Tomorrow Never Knows”. Emerick was young and eager to experiment, and he would become a major part of the Beatles' team for the next few years, acting as engineer on all their recordings in 1966 and 67, and returning in 1969 for their last album. To start with, the group recorded a loop of guitar and drums, heavily treated: [Excerpt: "Tomorrow Never Knows", loop] That loop was slowed down to half its speed, and played throughout: [Excerpt: "Tomorrow Never Knows", loop] Onto that the group overdubbed a second set of live drums and Lennon's vocal. Lennon wanted his voice to sound like the Dalai Lama singing from a mountaintop, or like thousands of Tibetan monks. Obviously the group weren't going to fly to Tibet and persuade monks to sing for them, so they wanted some unusual vocal effect. This was quite normal for Lennon, actually. One of the odd things about Lennon is that while he's often regarded as one of the greatest rock vocalists of all time, he always hated his own voice and wanted to change it in the studio. After the Beatles' first album there's barely a dry Lennon solo vocal anywhere on any record he ever made. Either he would be harmonising with someone else, or he'd double-track his vocal, or he'd have it drenched in reverb, or some other effect -- anything to stop it sounding quite so much like him. And Geoff Emerick had the perfect idea. There's a type of speaker called a Leslie speaker, which was originally used to give Hammond organs their swirling sound, but which can be used with other instruments as well. It has two rotating speakers inside it, a bass one and a treble one, and it's the rotation that gives the swirling sound. Ken Townsend, the electrical engineer working on the record, hooked up the speaker from Abbey Road's Hammond organ to Lennon's mic, and Lennon was ecstatic with the sound: [Excerpt: The Beatles, "Tomorrow Never Knows", take one] At least, he was ecstatic with the sound of his vocal, though he did wonder if it might be more interesting to get the same swirling effect by tying himself to a rope and being swung round the microphone The rest of the track wasn't quite working, though, and they decided to have a second attempt. But Lennon had been impressed enough by Emerick that he decided to have a chat with him about music -- his way of showing that Emerick had been accepted. He asked if Emerick had heard the new Tiny Tim record -- which shows how much attention Lennon was actually paying to music at this point. This was two years before Tim's breakthrough with "Tiptoe Through the Tulips", and his first single (unless you count a release from 1963 that was only released as a 78, in the sixties equivalent of a hipster cassette-only release), a version of "April Showers" backed with "Little Girl" -- the old folk song also known as "In the Pines" or "Where Did You Sleep Last Night?": [Excerpt: Tiny Tim, "Little Girl"] Unfortunately for Emerick, he hadn't heard the record, and rather than just say so he tried bluffing, saying "Yes, they're great". Lennon laughed at his attempt to sound like he knew what he was talking about, before explaining that Tiny Tim was a solo artist, though he did say "Nobody's really sure if it's actually a guy or some drag queen". For the second attempt, they decided to cut the whole backing track live rather than play to a loop. Lennon had had trouble staying in sync with the loop, but they had liked the thunderous sound that had been got from slowing the tape down. As Paul talked with Ringo about his drum part, suggesting a new pattern for him to play, Emerick went down into the studio from the control room and made some adjustments. He first deadened the sound of the bass drum by sticking a sweater in it -- it was actually a promotional sweater with eight arms, made when the film Help! had been provisionally titled Eight Arms to Hold You, which Mal Evans had been using as packing material. He then moved the mics much, much closer to the drums that EMI studio rules allowed -- mics can be damaged by loud noises, and EMI had very strict rules about distance, not allowing them within two feet of the drum kit. Emerick decided to risk his job by moving the mics mere inches from the drums, reasoning that he would probably have Lennon's support if he did this. He then put the drum signal through an overloaded Fairfield limiter, giving it a punchier sound than anything that had been recorded in a British studio up to that point: [Excerpt: The Beatles, "Tomorrow Never Knows", isolated drums] That wasn't the only thing they did to make the record sound different though.  As well as Emerick's idea for the Leslie speaker, Ken Townsend had his own idea of how to make Lennon's voice sound different. Lennon had often complained about the difficulty of double-tracking his voice, and so Townsend had had an idea -- if you took a normal recording, fed it to another tape machine a few milliseconds out of sync with the first, and then fed it back into the first, you could create a double-tracked effect without having to actually double-track the vocal. Townsend suggested this, and it was used for the first time on the first half of "Tomorrow Never Knows", before the Leslie speaker takes over. The technique is now known as "artificial double-tracking" or ADT, but the session actually gave rise to another term, commonly used for a similar but slightly different tape-manipulation effect that had already been used by Les Paul among others. Lennon asked how they'd got the effect and George Martin started to explain, but then realised Lennon wasn't really interested in the technical details, and said "we take the original image and we split it through a double-bifurcated sploshing flange". From that point on, Lennon referred to ADT as "flanging", and the term spread, though being applied to the other technique. (Just as a quick aside, some people have claimed other origins for the term "flanging", and they may be right, but I think this is the correct story). Over the backing track they added tambourine and organ overdubs -- with the organ changing to a B flat chord when the vocal hits the B-flat note, even though the rest of the band stays on C -- and then a series of tape loops, mostly recorded by McCartney. There's a recording that circulates which has each of these loops isolated, played first forwards and then backwards at the speed they were recorded, and then going through at the speed they were used on the record, so let's go through these. There's what people call the "seagull" sound, which is apparently McCartney laughing, very distorted: [Excerpt: Tomorrow Never Knows loop] Then there's an orchestral chord: [Excerpt: Tomorrow Never Knows loop] A mellotron on its flute setting: [Excerpt: Tomorrow Never Knows loop] And on its string setting: [Excerpt: Tomorrow Never Knows loop] And a much longer loop of sitar music supplied by George: [Excerpt: Tomorrow Never Knows loop] Each of these loops were played on a different tape machine in a different part of Abbey Road -- they commandeered the entire studio complex, and got engineers to sit with the tapes looped round pencils and wine-glasses, while the Beatles supervised Emerick and Martin in mixing the loops into a single track. They then added a loop of a tamboura drone played by George, and the result was one of the strangest records ever released by a major pop group: [Excerpt: The Beatles, "Tomorrow Never Knows"] While Paul did add some backwards guitar -- some sources say that this is a cut-up version of his solo from George's song "Taxman", but it's actually a different recording, though very much in the same style -- they decided that they were going to have a tape-loop solo rather than a guitar solo: [Excerpt: The Beatles, "Tomorrow Never Knows"] And finally, at the end, there's some tack piano playing from McCartney, inspired by the kind of joke piano parts that used to turn up on the Goon Show. This was just McCartney messing about in the studio, but it was caught on tape, and they asked for it to be included at the end of the track. It's only faintly audible on the standard mixes of the track, but there was actually an alternative mono mix which was only released on British pressings of the album pressed on the first day of its release, before George Martin changed his mind about which mix should have been used, and that has a much longer excerpt of the piano on it. I have to say that I personally like that mix more, and the extra piano at the end does a wonderful job of undercutting what could otherwise be an overly-serious track, in much the same way as the laughter at the end of "Within You, Without You", which they recorded the next year. The same goes for the title -- the track was originally called "The Void", and the tape boxes were labelled "Mark One", but Lennon decided to name the track after one of Starr's malapropisms, the same way they had with "A Hard Day's Night", to avoid the track being too pompous. [Excerpt: Beatles interview] A track like that, of course, had to end the album. Now all they needed to do was to record another thirteen tracks to go before it. But that -- and what they did afterwards, is a story for another time. [Excerpt, "Tomorrow Never Knows (alternate mono mix)" piano tag into theme music]

Len Osanic JFK Master ArchiveI'm Looking Through You 2-27-2022 Len OsanicBob Wilson welcomed Len Osanic to I'm Looking Through You. They discussed Len's Black Op Radio program and extensive archive. The conversation ran from Fletcher Prouty, Edward Lansdale, suppression of evidence in the case, to the overall cover-up. Len has put names such as Mark Lane, Jesse Ventura, Oliver Stone, Cyril Wecht, Robert Groden, and many more into the historical record. Listen in for a fascinating interview. Len OsanicBLACK OP RADIO: https://blackopradio.com/Prouty Reference Site: http://www.prouty.org/50 Reasons For 50 Years https://www.youtube.com/playlist?list=PLT8L13rH2ZvtyvDz01EuLznX0Bpz_0wwuBOB WILSON: Check out The Show: https://ochelli.com/series/im-looking-through-you/OCHELLI LINKS:HELP KEEP US GOING:https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/

Rubber Soul fans - this is your week, as two tracks go head to head to be this week's champion. I'm Looking Through You and You Won't See Me (erm... so that means they're both invisible right?) take on Because and Cry Baby Cry. Four songs. One winner. Much Moog.

Dick Russell Wesley FrazierI'm Looking Through You 2-13-2022 Dick Russell and Buell Wesley FrazierBob Wilson welcomed legendary author and researcher Dick Russell to the show. The topic of discussion is The Man Who Knew Too Much, Richard Case Nagell. Nagell was a Korean War hero, intel officer, and double agent assigned with the task of eliminating Lee Harvey Oswald before November 22nd, 1963 rolled around. The orders to do this were given to him by the Russians. Nagell sent registered letters to J. Edgar Hoover and Desmond Fitzgerald warning them of the plot against JFK. Instead of following through with the assignment, Nagell had himself placed in custody, having predicted that something was about to happen in Dallas to his arresting officer. In the second half of the show, JFK witnesses Buell Wesley Frazier (author of Steering Truth), and author Don Jeffries (On Borrowed Fame) discuss Lee Harvey Oswald and Frazier's encounters with him. It was Frazier who drove Oswald to work on 11/22/63 and worked with him at the Book Depository. Frazier found himself in the middle of these historic events that shook the world, in a way that still resounds loudly today. Chuck Ochelli joins in, as well. Chuck brings his wisdom and knowledge into the fray, in a way that only he can. DICK RUSSELL ONLINE:WEBSITE: http://dickrussell.org/The Man Who Knew Too Much: Hired to Kill Oswald and Prevent the Assassination of JFK: Richard Case Nagell: https://www.publishersweekly.com/978-0-88184-900-4NEW JFK FILES: http://dickrussell.org/2018/01/10/my-series-on-new-jfk-assassination-files/LAST BOOK with VENTURA: https://www.thriftbooks.com/w/they-killed-our-president-63-reasons-to-believe-there-was-a-conspiracy-to-assassinate-jfk_jesse-ventura_dick-russell/3015331/all-editions/?resultid=38873d82-aef9-4da3-ae7e-5cd244b5ad0bRUSSELL on AMAZON: https://www.amazon.com/Dick-Russell/e/B001JPBSKG/ref=dp_byline_cont_book_1BUELL WESLEY FRAZIER:Steering Truth: https://www.amazon.com/Steering-Truth-Eternal-Connection-Harvey/dp/1646289382Facebook: https://www.facebook.com/Wheelman1963/Buell Wesley Frazier (Steering Truth) at Sixth Floor Museum: https://store.jfk.org/products/steering-truth-by-buell-wesley-frazierEXTRA NOTES:Bob said something about Mort Sahl on the show. This should correct the record (Excerpt From Interview Bob mentioned Used with Bob's permission)As detailed in his autobiography 'Heartland' (Harcourt Brace Jovanovich Publishers, 1976), Sahl went to New Orleans and worked with Jim Garrison to bring the only trial in the murder of President Kennedy into an American Courtroom. 'We lost”, lamented Sahl. I had to interject that the American people lost, as we did not follow up their trial with a demand for answers. Much of the information we know today regarding JFK's murder stems from the work and sacrifice that Garrison, Sahl, and their team found at great personal risk. As witnesses died mysteriously and were outright murdered, the case became increasingly difficult, rather, impossible to win. Clay LaVerne Shaw was charged with conspiring to assassinate President John F. Kennedy by Garrison. Clay was a businessman in New Orleans, Louisiana. He was the only person prosecuted in connection with the assassination and was acquitted. Suspect and witness David Ferrie died leaving two typed unsigned suicide notes. He was found dead on February 22, 1967, less than a week after news of Garrison's investigation broke in the media. Within 24 hours, another witness, Cuban exile Eladio del Valle was found murdered, shot in the heart, and his head split open with a machete. Some would have you believe that these witness deaths were run of the mill. Possibly this would be so in a Lewis Carroll work, or in an episode of the Twilight Zone. (Hit List by Richard Belzer & David Wayne is a fine study of the mysterious deaths of witnesses involved in the overall case of JFK's murder for readers to follow up).Today Sahl feels that America is in trouble and that his priority is to inform us. “News is like a parody now, and there is no investigative reporting. They do not even mention this kid Snowden. And we are run by CFR guys like Zbigniew Brzezinski and Harold Brown.” Since the day Kennedy's killers escaped justice, we are being run by an illegitimate government.” Sahl points out that unless that case is re-opened and solved, we cannot begin to heal as a nation.Even the 'fair and balanced' Bill O'Reilly once reported truly regarding the infiltration of Jim Garrison's office when building a case against Clay Shaw. O'Reilly reported for Inside Edition in the 1970s that Garrison's office was infiltrated by at least nine agents to feed him false information, and to report on his case to Langley. O'Reilly also stated that there was a crucial link between Lee Harvey Oswald and the CIA. This is the same Oswald was cleared from having fired a rifle the day of Kennedy's murder. Now today, O'Reilly says that Oswald did it, with no basis on fact or evidence. It is this very media that draws the wrath of Mort Sahl, a media that obfuscates and confuses rather than digs deeply and shines a light on the truth.Following suit, Sahl adds that today's films are sub-par. “We do not have the quality of actors that we had in the day. We had Gregory Peck, Steve McQueen, and William Holden.” As for comedians today, Sahl states that “comedians are vulgar because they are not clever.” As for the current president, Mort wonders who he is with the murky background of his parents that seems to leave a trail back to the agency.“The killers of Kennedy are not interested in co-existing. I knew Bobby Kennedy well, and he was afraid that we were going to open the case on JFK prematurely. Bobby was surrounded by many agency people, such as Walter Sheridan. We could have saved Bobby's life. Garrison warned that the killers would not allow RFK to be elected. We certainly tried to warn him.”If you want to go back and understand the case, L. Fletcher Prouty's book, and Jim Garrison's are the two you should read first. “When we first spoke to Prouty, it was me who was sent to go to him. Prouty was a fascinating guy, to say the least.” People interested in learning about what happened should start there. And James Douglass' book was incredible”, added Sahl.As for his career taking a shot as he served as a deputy for Garrison, Mort views this simply as duty. Jim Garrison warned that “based on my own experience, that fascism will come to America in the name of national security.” Their careers suffered somewhat at times for their efforts, but they put up a noble fight. The people were left with many vital, unanswered questions from the House Select Committee on Assassinations, some demanded answers but their voices have not been heard in any meaningful way. The flow became Watergate, Iran-Contra, the Reagan shooting, the Patriot Act and its invasion into privacy and individual rights, and looting of our funds through the derivatives crisis worldwide. The total monies lost are estimated at 4 quadrillion dollars. It makes one wonder if we can recover from such a debt, merely by printing excess paper money based on nothing to pay the bills. At what point will that system crash far louder? The too big to fail banks are steadied by a Federal Reserve System that is a mixture of private and public ownership and pays billions to the US Government each year from its profits. The structure seems to have numerous conflict of interest problems but it's supposed to keep us from having another 'Great Depression. It relies on the cash printed by the US Treasury Department. This is a conundrum of such proportions that it's impossible to find anyone that knows for sure what's going on. When you get down to details you find none of the so-called experts agree and the financial collapses were surprises to all of them. One thing we know that it does allow is for the richest of us to keep getting richer on the backs of all the rest of us.Mort Sahl, Jim Garrison, and their team worked to bring justice to convict the murderers of John Kennedy in an open court Their efforts were followed by the debacle of the continuation of the Vietnam War. And as time has slid by, we are left with more wars wrapped in lies, less privacy, a bankrupt economy, and a neutered media. The Garrison Team's work gave the people the chance to pick up the gauntlet. Collectively, we reached out our arms and yawned in resignation. As we slide down the slope into endless war and erosion of rights, we must know it is time to wake up.(End Mort Sahl article Bob wrote 4-1-2015) EXTRA LINKS:SEN. Richard B. Russell Archives: https://www.georgiaencyclopedia.org/articles/education/richard-b-russell-library-for-political-research-and-studies/OCHELLI ON THE GRASSY KNOLL (Featuring Larry Hancock): https://vimeo.com/258970047The Donald Jeffries Show 9-15-2021 Buell Wesley Frazier https://ochelli.com/buell-wesley-frazier-riding/DON JEFFRIES: Facebook: https://www.facebook.com/donald.jeffriesOn Borrowed Fame: Money, Mysteries, and Corruption in the Entertainment World: https://www.amazon.com/gp/product/B09LR2R4Q3/ref=dbs_a_def_rwt_bibl_vppi_i0THE DONALD JEFFRIES SHOW: https://ochelli.com/series/the-donald-jeffries-show/BOB WILSON: Check out The Show: https://ochelli.com/series/im-looking-through-you/

#8-7Intro/Outro: Falling Through Your Clothes by The New Pornographers8. Rubber Soul by The Beatles (Rubber Soul - Andrew's Mix)7. Mylo Xyloto by Coldplay (Mylo Xyloto - Andrew's Mix)Vote on Today's Album ArtVote on Week 16 Round 2 Album Art (Episodes 376-380)Played previously on the podcast:From Rubber Soul: Drive My Car (#323 on the Songs list), I'm Looking Through You (#6 on the Songs list), In My Life (#188 on the Songs list)From Mylo Xyloto: Hurts Like Heaven (#37 on the Songs list), Paradise (#112 on the Songs list)

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Tim Davis discuss his book, I'm Looking Through You, recently published by Aperture. Tim and Sasha share some of their experiences from working in Los Angeles and Tim talks about some of the different modes of working he employed for this project. http://www.davistim.com https://aperture.org/books/coming-soon/tim-davis-im-looking-through-you/ Tim Davis (born in Blantyre, Malawi) lives and works in Tivoli, New York. He received a BA from Bard College, where he teaches, and an MFA from Yale University. He has presented solo exhibitions at the Samuel Dorsky Museum of Art, SUNY New Paltz, New York; White Cube, London; Knoxville Museum of Art, Tennessee; and Museum of Contemporary Photography at Columbia College Chicago. Several monographs have been published of his work, including The New Antiquity (2010) and My Life in Politics (Aperture, 2006). He is recipient of the 2007–8 Joseph H. Hazen Rome Prize and a 2005 Leopold Godowsky Jr. Color Photography Award. Find out more at https://photowork.pinecast.co

RUBBER SOUL é o sexto álbum dos Beatles e representa um amadurecimento na sonoridade da banda, formada por John Lennon, Paul McCartney, George Harrison e Ringo Starr. O RUBBER SOUL conta com as seguintes faixas: "Drive My Car", "Norwegian Wood (This Bird Has Flown)", "You Won't See Me", "Nowhere Man", "Think for Yourself", "The Word", "Michelle", "What Goes On", "Girl", "I'm Looking Through You", "In My Life", "Wait", "If I Needed Someone" e "Run for Your Life". Então, resolvermos tomar uma para falar sobre cada uma das faixas do RUBBER SOUL, dos BEATLES! ******************************************** SEJA MEMBRO DO CLUBE TUPFS E TENHA ACESSO A UMA SÉRIE DE VANTAGENS! Você pode escolher um dos planos abaixo: HEADBANGER (R$ 1,99 por mês) Acesso antecipado aos vídeos novos do canal, seu nome divulgado durante os vídeos em agradecimento e outros conteúdos exclusivos! Além disso, terá um selo de fidelidade ao lado do seu nome sempre que deixar um comentário e emojis exclusivos. ROCKSTAR (R$ 4,99 por mês) Além de todos os benefícios anteriores, você ganha acesso ao nosso grupo exclusivo no WhatsApp. Nele, você fará parte de uma incrível comunidade de aficcionados por música. Você também interage diretamente com os criadores, dá nota nas resenhas, deixa perguntas para as entrevistas e participa de várias outras maneiras da criação de conteúdo no canal. METAL GOD (R$ 7,99 por mês) Além de todos os benefícios anteriores e dar uma grande ajuda para a nossa criação de conteúdo, você pode ESCOLHER TEMA DE EPISÓDIO. Dentro da temática do canal, é claro. SEJA MEMBRO: https://www.youtube.com/channel/UCo1lgalkCBW9Uv3GyrzhhkA/join ******************************************** Nos siga nas redes sociais: Twitter: @iurimoreira / @rafael2099 Instagram: @iurimoreira / rafaelaraujo2099

#10-6Intro/Outro: Jump Around by House of Pain10. Like a Rolling Stone by Bob Dylan (7)9. Smells Like Teen Spirit by Nirvana (3)8. Imagine by John Lennon (3)7. Marching Bands of Manhattan by Death Cab For Cutie (15)6. I'm Looking Through You by The Beatles (31)Balderdash #33 answerSecond-Most-Played Decade update:90's - 8860's - 8800's - 86

This is technically episode #2 of the podcast originally released on April 30th, 2020. It was unfortunately removed because of copyright infringement. I've learned my lesson not to mess with The Beatles. But I didn't want a gap in my library of podcasts so I've removed the music from this episode and have included Spotify links if you want to follow along and listen to the music. Chances are though if you're as big a Beatles fan as I am you are already familiar with all of these songs. It's not like there is much that is classified as an "underrated" song in their catalogue. Follow the ABC's of rock on Facebook @abcofrockpodcast and on Twitter @abcrockpodcast, or email me directly at abcofrockpodcast@gmail.comTo follow along the episode Featured Songs:Do You Want To Know A Secret - https://open.spotify.com/track/7Aobt67JnaF7qN8jCCKvHq?si=7149691f0bf24183You Can't Do That - https://open.spotify.com/track/5b9G4dtK3Tdguuy9BO3Nwo?si=f25b2e9be57643e3Honey Don't - https://open.spotify.com/track/2d7GP7Fz1NrfPpo7MzWZgb?si=a7e6e342c7374685I've Just Seen a Face - https://open.spotify.com/track/788U1Sqej9M6c4iikuDGxO?si=e401f112ad214da0I'm Looking Through You - https://open.spotify.com/track/5E3BVY66TEDexFutOO5GeS?si=6887397f792b4533Lovely Rita - https://open.spotify.com/track/6h9W5FxX4E9lUFsyq8j1AD?si=90bf2e8405b14194Your Mother Should Know - https://open.spotify.com/track/1dxbAIfCASqv6jix2R1Taj?si=beac1245dafd4ec8Mother Nature's Son - https://open.spotify.com/track/6TjUg1cTUzWHbal6yQAi7c?si=cd2fcd365c4f492fI've Got A Feeling - https://open.spotify.com/track/3gwRWIbr5ycEVLIAXrWaw7?si=93a66e10bb854ec1I Want You (She's So Heavy) - https://open.spotify.com/track/3Z25k4ZF6QENy2d9YatsM5?si=6aa5ba5d446b4882

It's our 50th Episode! Thanks to everyone who's been along for the ride so far. We're so glad you're here! On to this week! Paul McCartney sometimes is (unfairly) criticized for not bearing himself in his songs in the more upfront ways John often did. While he usually wraps his emotions in bigger stories and concepts, there have been times he's been extremely candid about his life in song. Late 65-66 saw him bearing his thoughts on the struggles of his relationship with Jane Asher in a handful of tracks, especially on Rubber Soul, which is where we find ourselves this week with the song "I'm Looking Through You." The band worked on this song in several arrangement styles over the sessions, before landing on a somewhat loose, fun, folksy track featuring an absurdly great Paul melody, scorching organ in the chorus and some interesting percussion from Ringo (and George on tambourine!). And while the track is undoubtedly great (aren't they all), I sometimes wonder if the Anthology version may have been a bit more interesting and thought out? To get to the heart of this tune, we're joined by our old friend Mark Bryan, guitarist and songwriter of kajillion-times platinum selling band Hootie & The Blowfish. We chat about all manner of things, from Mark and the band's early songwriting and harmony influences, the Beatles material output speed versus the output in modern music, the unspoken language of the Beatles, and Paul's brilliance in writing songs that can be shaped to any style. Mark's new solo album, Midlife Priceless, is out know everywhere, and is a masterful rock and roll/pop album. Stream it everywhere, or buy a cd or record at https://www.markbryanmusic.com. Follow Mark on Facebook and Instagram @markbryanmusic. Songs in this episode from Midlife Priceless include: "Gotta Get Outta Town" "Wanna Make You Feel Something" "A Little More Rock and Roll" Also featured: "I'm Looking Through You" - Steve Earle What do you think? Too high? To low? Just right? Be sure to follow along, leave your comments, and join in on the discussion on the rankings at Facebook (facebook.com/rankingthebeatles), on Twitter @rankingbeatles, and on Instagram @rankingthebeatles. Enjoying the show and want to show your support? Check out https://anchor.fm/rankingthebeatles/support! --- Send in a voice message: https://anchor.fm/rankingthebeatles/message Support this podcast: https://anchor.fm/rankingthebeatles/support

Welcome to the Big Beatles Sort Out, a show in which I, author and musician Garry Abbott, attempt to finally decide my favourite Beatles recordings by scoring each and every one for lyrical content, musicality and production. I am assisted in this venture by my brother and resident Beatles expert, Paul Abbott, with a deep knowledge of the Beatles and the wider context in which they operated. Each episode we explore and score 5 songs from the Beatles full recording catalogue. The songs are drawn at random to try and avoid any album or era prejudices skewing the results. So please join us as we try and sort out, The Beatles. This Week's Songs: Piggies, The Word, Act Naturally, I'm Looking Through You, And Your Bird Can Sing PLUS RUTLES BONUS! It's Looking Good! Please let anyone know about this podcast who might be interested! You can contact me on Twitter @big_sort or @Garry_Abbott, or via my website www.garryabbott.co.uk. If you would like to support my music, please consider ordering my new EP 'Chapter And Multiverse' and/or listening to the singles here on Spotify. Please listen out for Paul's other Podcasts, 'The Head Ballet' - all about novelty music, and 'Hark! 87th Precinct Podcast' - all about Ed McBain's seminal police procedural novel series. You can listen along to the songs featured in this episode on this handy Spotify playlist: Episode 26 Playlist Keep up with the scoring charts, or start your own using the blank-master, with this handy google sheet: https://docs.google.com/spreadsheets/d/1Qc7mHMeBBM9LSPUV0L6zrYrF2Rib9eX-Xssua-Wox3g/edit?usp=sharing

El pasado 9 de Octubre se cumplía el 80º aniversario del nacimiento de John Lennon y por ello dedicamos nuestro programa a escuchar varias de sus composiciones en las voces de músicos incluidos en el gran paraguas de la Americana. El próximo martes será obligado recordar que 40 años atrás un loco asesino que no merece ni tan siquiera que se recuerde su nombre nos privó de su presencia a las puertas del edificio Dakota de Nueva York. Por eso, hoy nos adelantamos a esa fecha para recordar cómo los más significativos músicos de Americana han mirado en alguna ocasión las canciones que John Lennon creó para formar parte de la discografía de los Beatles.  El cuarteto de Liverpool grabó “One After 909” en su concierto de la terraza y esa versión en directo fue la que se incluyó en el álbum original. Era un tema de Lennon que compuso con 17 años y hacía referencia a un número, el 9, que parecía perseguirle. Nació el 9 de octubre y por entonces vivía en el 9 de Newcastle Road. Por entonces se escuchaban varias canciones que hablaban de trenes de carga como "Rock Island Line" o “Midnight Special” y John y PaulMcCartney decidieron ponerla un ritmo similar. El cuarteto llegó a grabar la canción en la primavera de 1963, durante las sesiones de "From Me to You" y "Thank You Girl”, que conformaron su tercer single, pero el resultado no les convenció y la desestimaron. Willie Nelson quiso homenajear al grupo con su propia versión. Los más veteranos artistas de country también han tenido un momento en su carrera para rememorar alguna canción de los Beatles. Kris Kristofferson también echó una mirada a los Fab 4 para versionar una canción claramente compuesta por John Lennon como fue “Paperback Writer” haciendo referencia a su faceta de escritor. Sería grabada por los Beatles cuando trabajaban en 1966 en Revolver, y aunque se editó en single en su momento, quedó fuera de sus álbumes oficiales. Se acaban de cumplir 55 años de la salida al mercado de Rubber Soul, uno de los discos más determinantes de la discografía de los Beatles y en el que las canciones de John Lennon tuvieron una significación relevante. Aquel trabajo lo cerraba “Run For Your Life”, que fue, por el contrario, la primera canción que grabaron para el disco. Para componer aquel tema sobre los celos con tonalidades de country, Lennon se basó en Elvis y su "Baby Let's Play House", utilizando incluso una frase completa de aquella canción de El Rey. John Cowan, una de las voces más potentes de la Americana, firmó en 2014 por el sello Compass para afrontar un proyecto que tituló Sixty, producido por su buen amigo y compañero de los Doobie Brothers, John McFee, y en el que pudimos encontrar una lista interminable de selectos invitados, desde Leon Russell, Alison Krauss y Rodney Crowell, hasta Bernie Leadon, Sam Bush o Chris Hillman, pasando por Huey Lewis, Bonnie Bramlett, Ray Benson y varios más. Su versión de “Run For Your Life” se convirtió en uno de los cortes de bonificación de la edición de lujo de Sixty, donde el artista de Ohio exhibió su poderío vocal. En Rubber Soul John Lennon compuso cuatro temas de forma independiente y otros tantos McCartney. También fueron cuatro en los que la pareja colaboró conjuntamente y dos los firmó George Harrison. “Norwegian Wood (This Bird Has Flown)” pasó a ser la primera canción de rock en la que aparecía un sitar y, como todo aquel álbum Rubber Soul al que pertenecía, marcó en música y letra un paso de gigante en la evolución de los Beatles. De hecho, John Lennon la creó como una carta a su mujer, Cynthia, admitiendo una aventura. Tim O’Brien aprovechó las tonalidades folkies para realizar una versión imponente que sirvió de cierre a su disco de 2011 Two Journeys. En realidad, escarbó en los antecedentes irlandeses del cuarteto de Liverpool, un importante puerto de entrada para tantos exiliados que buscaban trabajo. Una de las bandas míticas del bluegrass es Hot Rize, fundada en 1978 por Tim O'Brien, Pete Wernick, Charles Sawtelle y Mike Scap, aunque este último fue reemplazado muy pronto por Nick Forster. Además, tenían un divertido “alter ego” llamado Red Knuckles & The Trailblazers. En su álbum Shades In The Past incluyeron su particular versión de “Nowhere Man”, que también pertenece a Rubber Soul, el sexto álbum de los Beatles y que parece definir en un principio el carácter del propio John Lennon. Tras admitir posteriormente que consumía drogas, el personaje de esta canción fue analizado desde todos los puntos de vista posibles por los expertos. Como conclusión, aquél “hombre de ninguna parte” podía ser desde un “camello” al capitán del Submarino Amarillo. Rhett Miller, el nombre artístico de Stewart Ransom Miller II, siempre ha estado asociado a la banda Old 97’s como su líder y cantante solista. The Dreamer es el quinto álbum de estudio que graba al margen de su banda y un disco en el que se marca un cambio en sus exposiciones personales. Resultaba curioso que cuando Rhett Miller grababa en solitario tenía ciertas inclinaciones hacia el pop con cierto acento británico, mientras que con Old 97’s se manifestaba mucho más inclinado a las raíces. En 2005 se realizó un álbum dedicado al álbum Rubber Soul con motivo de su cumpleaños número 40, This Bird Has Flown – A 40th Anniversary Tribute to the Beatles' Rubber Soul, y en él participó el músico tejano con esta versión de “Girl”. El siglo XXI comenzó con una película llamada I Am Sam que protagonizaron Sean Penn y Michelle Pfeiffer. Los productores pretendieron que su banda sonora estuviera compuesta de grabaciones originales de los Beatles, pero ante su imposibilidad, optaron por reunir toda una serie de versiones de la banda de Liverpool realizadas por nombres tan sonoros como Rufus Wainwright, los Wallflowers, Sheryl Crow, Nick Cave, Ben Harper o los Black Crowes, entre otros. Poco antes de su disolución en 2002, la banda de los hermanos Robinson grabó “Lucy In The Sky With Diamonds”, una de las composiciones de Lennon siempre controvertida que formó parte en 1967 de Sgt. Pepper's Lonely Hearts Club Band, el disco que lo cambió todo. El tema de apertura del último álbum grabado por los Beatles, Abbey Road, aunque se publicara en 1969, antes que Let It Be, es uno de los más musculosos del grupo. En parte tiene que ver con la veneración de John Lennon por Chuck Berry y su entrega a las campañas en favor de la paz en las que estaba muy implicado por entonces. El tejano Delbert McClinton escogió “Come Together” para el álbum Come Together - America Salutes The Beatles de 1995, en el que participaron varios de los grandes nombres de la country music. Espléndido con la armónica, en una gira por Gran Bretaña a comienzos de los 60 con Bruce Channel, al que había acompañado en su clásico "Hey! Baby", enseñó a John Lennon algunos trucos con la armónica. Se notó mucho en “Love Me Do”. Cuando Rosanne Cash dejó el sello Columbia en 1965, la compañía publicó un recopilatorio titulado Retrospective, al que se añadió esta versión de “I’m Only Sleeping”, que John Lennon compuso para Revolver en 1966 en el reverso de una carta. Refleja a la perfección su estado de ánimo de entonces cuando no estaba de gira con los Beatles. Se pasaba el día en la cama bajo los efectos de las drogas durmiendo, escribiendo o leyendo… hasta que McCartney venía a interrumpirle para trabajar sobre las canciones. Los Beatles impulsaron el comienzo de diversas bandas del Merseybeat. Varias de sus composiciones sirvieron para que aquellos grupos empezaran a despuntar. En 1963 John Lennon entregó uno de esos temas a Billy J. Kramer & The Dakotas. Era “I Call Your Name”, que él mismo había escrito antes incluso de que se formaran los Beatles en casa de su tía Mimi, con la que se crió. Billy J. Kramer & The Dakotas la utilizaron como B de “Bad To Me”, otra composición del binomio Lennon/McCartney, pero no acabó de convencerlos, de tal forma que los Beatles hicieron su propia versión, apareciendo primeramente en Estados Unidos dentro del llamado Second Album y en 1964 en Gran Bretaña formando parte del EP Long Tall Sally. En 1966, The Mamas And The Papas, “la familia real de Laurel Canyon”, hicieron su debut con el álbum If You Can Believe Your Eyes and Ears y la dieron a conocer a nivel popular en Estados Unidos. “In My Life” se incluyó originalmente en un Lp tan imponente como Rubber Soul de los Beatles. En el texto, aunque la autoría fue compartida con McCartney, un John Lennon que acababa de cumplir 25 años recordaba con nostalgia a la gente y los lugares donde pasó una parte muy importante de sus años jóvenes. La canción tiene claras reminiscencias de “Penny Lane” y “Strawberry Fields Forever” y el músico exploraría la misma temática en los siguientes momentos de su carrera, de forma muy especial en el doble álbum del cuarteto, bien conocido como el Álbum Blanco. En 1994, Crosby, Stills & Nash editaron su álbum After The Storm coincidiendo con el 25º aniversario de su disco de debut, tras haber estado dedicados a ampliar su discografía en solitario, con dos nuevos álbumes por parte de Stills y Crosby, además de un recopilatorio de Nash. Todas las canciones de este disco que les llevó a hacer una larga gira, incluyendo el Woodstock ’94, pertenecían a los tres músicos, excepto una versión de “In My Life”.  John Lennon siempre admitió las más variadas experiencias, que se fueron ampliando con el paso de los años. El rock and roll de sus comienzos dio paso a una cierta fijación por figuras como las de Elvis, los Everly Brothers o Bob Dylan y su forma de crear canciones. Si ellos podían hacerlo, Lennon también. “You've Got To Hide Your Love Away” fue una de sus primeras reflexiones sobre su manera de escribir, que había comenzado con temas como "I'm a Loser" en el verano del 64. Lennon la compuso en casa, buscando un nuevo tema para la película Help!. Jackson Browne, que al versionar a los Beatles siempre se ha inclinado por las creaciones de John Lennon, la cantó así en uno de sus homenajes. Jonathan Edwards es un veterano artista de Aitkin, Minnesota, que empezó su carrera abriendo los conciertos de B.B. King y la Allman Brothers Band, fichando por Capricorn Records y lanzando su disco de debut hace 47 años. En 2011, Jonathan Edwards publicaba su álbum My Love Will Keep incluyendo una versión de “She Loves You”, muy alejada de como conocíamos aquella canción de los Beatles que a mediados de septiembre de 1963 se editaba como single en Estados Unidos en un pequeño sello discográfico llamado Swan Records. En este caso, “She Loves You” tiene que ver con una cierta fijación de Paul McCartney con una canción de Bobby Rydell titulada “Forget Him” (“Olvídale”) y pensó en crear una dónde preguntar “¿Ella te quiere?” y que los demás contestaran “Si”. Lo comentó con Lennon y la idea quedó flotando en el ambiente. Empezaron a trastear con las guitarras en el hotel mientras estaban de gira con Roy Orbison y Gerry and the Pacemakers y terminaron aquella composición en casa de Paul al día siguiente. Jim Lauderdale también se fijó en el álbum Rubber Soul del cuarteto de Liverpool y eligió “I’m Looking Through You”, llevándose el tema hasta el sonido de Bakersfield y las influencias de Buck Owens. Producido por Phil Madeira y grabado en la Music City, Nueva York y San Francisco, el álbum Let Us In Americana contaba entre los invitados con Buddy Miller, Will Hoge, Rodney Crowell, Ketch Secor de Old Crow Medicine Show, Steve Earle y Allison Moorer. Escuchar audio

Han pasado 80 años desde que el 9 de Octubre de 1940 viniera al mundo en la portuaria ciudad de Liverpool John Lennon, cantante, compositor, guitarrista y activista político. Un personaje indispensable para entender el desarrollo de la música popular en cuanto a sonido, estilo y actitud. Fue el más decidido y personal de los cuatro miembros de los Beatles, incansable buscador de nuevas sensaciones y un rebelde por naturaleza, lo que le llevó a situaciones comprometidas a lo largo de su vida. “Imagine” es, sin duda, la canción más representativa de toda la carrera musical de John Winston Lennon, a quien recordamos hoy, cuando se cumplen 70 años desde su nacimiento. Después de todo lo que se ha comentado en estas fechas tan solo nos queda escuchar una emocionante versión realizada por Emmylou Harris de este tema, que fue uno de los censurados por la Administración Bush tras los atentados del 11 de Septiembre de 2001 y que dejaba mensajes como: Imagina que no hay países. No es difícil de hacer. Nada por lo que matar o morir. Y tampoco ninguna religión… John Lennon incluyó originalmente “Grow Old With Me” en su álbum Milk And Honey. Una línea de la letra estaba tomada del poema “Rabbi Ben Ezra”, de Robery Browning, y la canción venía a expresar los sueños de John sobre que le hubiera gustado hacer cuando envejeciera. Sueños simples como los de vivir para siempre una vida sencilla con la persona querida. Mary Chapin Carpenter interpretó esta canción en el álbum Working Class Hero… A Tribute To John Lennon. “Nowhere Man”, que pertenecía a Rubber Soul, el sexto álbum de los Beatles editado en 1965, parece definir en un principio el carácter del propio John Lennon. Tras admitir posteriormente que consumía drogas, el personaje fue analizado desde todos los puntos de vista posibles por los expertos. Como conclusión, aquél “hombre de ninguna parte” podía ser desde un “camello” al capitán del Submarino Amarillo. De forma casi sorprendente, Randy Travis, uno de los baluartes de la mejor etapa de los neotradicionalistas del country, la incluyó en un álbum imprescindible de homenaje a los Fab 4 como fue Come Together:America Salutes The Beatles publicado hace 25 años.  Con Kris Kristofferson y Willie Nelson en los coros, Chris Stapleton realizó esta poderosa versión de “You’ve Got To Hide Your Love Away”, una canción que compuso y cantó como solista John Lennon en una etapa en la que el músico estaba especialmente influido por Bob Dylan. La canción es un ejemplo temprano de la autorreflexión de John en su escritura, que había comenzado con canciones como "I'm a Loser" en el verano de 1964. Esta canción, compuesta indudablemente por John Lennon, es uno de los cortes más sencillos del cuarteto al que solo se le añadió una flauta final en su versión original, incluida en la banda sonora de Help!. Los Beatles acababan de completar su segunda gran gira de conciertos por Estados Unidos cuando empezaron a grabar Beatles For Sale en pleno agosto de 1964. Cuando uno escucha con cierto detenimiento aquel disco es fácil de entender que el cuarteto estuviera exhausto en algunos de los cortes. Cuando John Lennon compuso “I’m A Loser” las influencias de Bob Dylan en su forma de escribir eran evidentes, como se demuestra en la utilización de ciertas expresiones y matices propios del genio de Minnesota en aquella época. En 1977, Doug Kershaw publicaba su álbum Flip, Flop & Fly con esta versión absolutamente campera. Help! fue uno de los momentos mágicos en la historia de los Beatles. Empezaron trabajando bajo el título de Beatles Phase II, pero muy pronto pasó a denominarse Eight Arms to Hold You (Ocho brazos para atraparte) hasta que se decidieron por Help!. Al parecer, la película está inspirada en el clásico de los Hermanos Marx Sopa de ganso, aunque en diferentes momentos encontramos alusiones satíricas de las series de James Bond como ocurre con el comienzo del tema central. De hecho, por entonces, Help! y las cintas de las aventuras del agente 007 tenían la misma distribuidora, United Artists, y llegaron a utilizar algunos sonidos muy característicos que no vieron la luz en el mercado europeo por entonces. Como canción, “Help!” fue una de las primeras canciones del cuarteto en que no se hablaba del chico que encuentra a la chica y la pierde después. Lennon súplica ayuda, comparando la situación en la que se encontró en los primeros tiempos, menos complicados. Dolly Parton nos sorprendió a todos llevándola al terreno del bluegrass. Lorrie Morgan, realizó hace años una extraordinaria versión de “Eight Days A Week”, que originalmente contaba con John Lennon como solista, abría la segunda cara del LP Beatles For Sale, que empezó a gestarse cuando habían terminado su segunda gran gira por los Estados Unidos. Se ha especulado sobre si el tema estaba dedicado a Brian Epstein, porque en aquellos tiempos tenía que dividirlo para atender como manager a multitud de grupos y solistas, de tal forma que trabajaba “ocho días a la semana”. La canción fue compuesta por John cuando el grupo estaba preparando su segunda película, que en principio iba a llamarse Eight Arms To Hold You y que, definitivamente, llevó el nombre de Help!. “I Feel Fine”  nos sirve también para recordar que esta canción se editó como single en 1964, con reservas de tres cuartos de millón de copias, como continuación de “A Hard Day’s Night”. Fue el octavo single del grupo y el sexto No.1 consecutivo y, sin embargo, no apareció en un álbum oficial hasta que vio la luz Past Masters. Volume One. Nativas de Manhattan Beach, al sur de California, y con una educación que mezclaba las tradiciones polacas y de Oklahoma, las hermanas Oliver, Kristine y Janis, empezaron a cantar juntas desde que tenían 7 y 9 años. Sus primeras apariciones musicales fueron en el coro de la iglesia local para llegar a la high school con un cierto sabor vaquero. Sus influencias incluyen a Dylan, Everly Brothers, Linda Ronstadt, Hank Williams, Bob Wills, el bluegrass y, como no, los Beatles. El segundo álbum de la familiar pareja con el nombre de Sweethearts Of The Rodeo, One Time, One Night, nos dejó esta versión de “I Feel Fine”, que fue editado en single en 1988, cinco años después de que Janis Oliver hubiera encontrado a Vince Gill, por entonces miembro de Pure Prairie League. Fue su primera mujer. “I Don’t Want To Spoil The Party” perteneció originalmente al álbum Beatles For Sale, editado en 1964. Estamos ante otra canción de Lennon con referencias a su infancia y sus relaciones familiares. En este caso tiene que ver con la alienación y un cierto sufrimiento. Ya que la chica a la que espera le da platón, decide dejar la fiesta para no estropearla a los demás. Tanto la letra como la música tienen claras reminiscencias de temas del estilo de "No Reply" y "I'm A Loser". En la versión original George Harrison fue solista junto a Lennon. Rosanne Cash incluyó esta espléndida versión en su recopilatorio Hits 1979-1989 logrando el primer puesto de las listas de singles de country… el último de su carrera por el momento. En el tiempo de TOMAUNO de hoy, nos visitan los más variopintos artistas de la escena de la Americana en sus distintas facetas. Así, Herb Pedersen recuerda un “Paperback Writer” que fue grabado durante las sesiones de Revolver  y se publicó como single en Junio de 1966, un par de meses antes de la edición del álbum, no publicándose en ningún Lp hasta la edición de Past Masters, Volume Two en el 88. La letra está inspirada por los dos libros de Lennon, “In His Own Write” y “Spaniard In The Works”, hablando del deseo de Paul McCartney de convertirse también en escritor. Steve Earle entendió la importancia del legado de los Beatles y llegó a realizar una versión muy particular de “I’m Looking Through You”, una canción que revelaba la influencia que Little Richard y Buddy Holly tuvieron en primeros escarceos del cuarteto de Liverpool, pero mantenidas durante el tiempo. Pertenecía a uno de sus álbumes más representativos, Rubber Soul, donde los llamados Fab 4 empezaron a tomar direcciones alternativas en su sonido. Los Lonely Boys es un trío de hermanos de San Angelo, Texas, que combinan elementos de rock and roll, blues, soul, country y música tejana siguiendo la tradición de su padre. Los hermanos Garza lo llaman Texican Rock’N’Roll. En la versión realizada originalmente por John Lennon estuvo acompañado de Elton John. “Whatever Gets You Thru The Night” está inspirada en una frase de un pastor evangelista durante un programa nocturno de televisión. En el álbum Instant Karma: The Amnesty International Campaign to Save Darfur, Jakob Dylan, hijo de Bob Dylan y líder de los Wallflowers, grababa una versión de “Gimme Some Truth” junto a Dhani Harrison, hijo de George Harrison, que tomó el lugar de su padre en la canción, tocando la guitarra solista. En "Gimme Some Truth" Lennon expresa su frustración con los políticos, especialmente con el entonces presidente de Estados Unidos, Richard Nixon, a quien llama "Tricky Dicky", un apodo que se utilizaría tras el escándalo Watergate. Fue compuesta tras de la Guerra de Vietnam e incluida en el álbum Imagine de 1971. Ayer mismo, conmemorando los 80 años del nacimiento de John Lennon, se editó Gimme Some Truth. The Ultimate Mixes. Bajo ese nombre, Yoko Ono y su hijo Sean han seleccionado 36 canciones de la carrera en solitario de Lennon por orden cronológico. El álbum Imagine es una referencia evidente en la discografía de John Lennon, por lo que versionar algunas de sus canciones ha sido especialmente atractivo. Aun siendo una de las interpretaciones más sólidas de la carrera de Lennon, "Oh My Love" es una de las menos conocidas. La compuso junto a Yoko Ono durante las sesiones de grabación del llamado White Album de los Beatles con el apoyo de George Harrison con su guitarra, como ocurrió en buena parte de los cortes de aquel disco. La canción tiene que ver con la terapia para superar sus traumas de la infancia. Jackson Browne la interpretó de esta forma en el proyecto Instant Karma: The Amnesty International Campaign to Save Darfur. Doug Dillard y Gene Clark unieron fuerzas para realizar dos aventuras discográficas que han pasado a la historia como referencias fundamentales de la combinación de géneros musicales apegados a la tradición, pero con una apuesta de futuro arriesgada y positiva. En aquella segunda entrega, titulada The Fantastic Expetion Of Dillard & Clark, escogieron para cerrarla un tema como “Don’t Let Me Down”, que fue la cara B de “Get Back”. Las dos canciones iban a aparecer en un disco titulado precisamente Get Back que los Beatles estaban intentando grabar en 1969 en los estudios de Apple en Savile Row. El disco se abandonó, pero el single se publicó en el mes de abril. Escuchar audio

In this episode I talk about the Beatles and put in a plug for Emmanuel Sikora's music. The five songs are:Eleanor RigbyBlackbirdI'm Only SleepingA Day in the LifeI'm Looking Through You and the link to this can be found here, for some of Emmanuel's music: https://www.pbs.org/video/expressions-emmanuel-sikora/Support the show (https://www.patreon.com/Famousmusicianspodcast)

Hello everyone! In this new (if troublesome with technical issues, but worth it) episode, we talk about a very short short story by an early 20th century Brazilian writer called "The Eyes Who Ate Flesh" (Frank's translation). In it we manage to get interesting insights into perspective, blindness and ableism as it can be portrayed, it's a good one! Unfortunately, my mic died midway through the recording and then my computer decided to troll me as a bonus (it still is), but, if slightly late, here's our latest, quite interesting episode, enjoy! Also! Here's the short story in full in Portuguese, if you're interested! http://www.biblio.com.br/defaultz.asp?link=http://www.biblio.com.br/conteudo/humbertodecampos/olhoscomiamcarne.htm  You can find us on Twitter @leftpagepod Please support our Patreon if you're interested and want to check out the Reading Corner and join the Poetry Club! https://www.patreon.com/leftpage  Intro Music: Gymnopédie Nº1, Erik Satie, 1888 Outro Music: I'm Looking Through You, The Beatles, Rubber Soul, 1965 ----------- We are a part of the Revolutionary Left Radio Federation so check them out here! @RevLeftRadio https://revolutionaryleftradio.libsyn.com/ -----------

On this week's The Drill Down podcast, Facebook CEO Mark Zuckerberg speaks out on freedom of speech and gets grilled in Congress, has Google achieved “quantum supremacy”?, a real working invisibility cloak, women walking in space, ...and much, much more. What We're Playing With Dwayne: Elvie Tosin: raise3d pro2 Andy: Watchmen on HBO Headlines Google confirms ‘quantum supremacy' breakthrough WeWork's had a terrible month, and now the company may be getting bailed out by SoftBank — here's everything that has happened since the embattled company filed to go public Audible Book of the Week The Food Lab: Better Home Cooking Through Science by J. Kenji Lopez-Alt Sign up at AudibleTrial.com/TheDrillDown Music Break: Cosmic Girl by Jamiroquai Hot Topics Defiant Zuckerberg Says Facebook Won't Police Political Speech Mark Zuckerberg doubles down on free speech Mark Zuckerberg took on China in a speech defending free expression The Internet and the Third Estate Congress isn't buying Mark Zuckerberg's pitch for Libra AOC Blasts Mark Zuckerberg in Testy House Hearing Music Break: I'm Looking Through You  by The Beatles Final Word NASA's all-female spacewalk makes history: ‘One giant leap for WOMANkind!' The Drill Down Video of the Week A Canadian company has developed a bloody full blown invisibility shield Subscribe! The Drill Down on iTunes (Subscribe now!) Add us on Stitcher! The Drill Down on Facebook The Drill Down on Twitter Geeks Of Doom's The Drill Down is a roundtable-style audio podcast where we discuss the most important issues of the week, in tech and on the web and how they affect us all. Hosts are Geeks of Doom contributor Andrew Sorcini (Mr. BabyMan), marketing research analyst Dwayne De Freitas, and Vudu product manager Tosin Onafowokan.

In celebration of the incredible 50th-anniversary edition of The White Album, we are bringing back Cover to Cover for The Fab Four. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ I Want To Hold Your Hand by Al Green on Love Ritual (Hi Records) 2′53″ Can't Buy Me Love by Scary Pockets on Kitsch Funk 4′26″ A Hard Day's Night by The Supremes on A Bit of Liverpool 6′54″ I Feel Fine by Chet Atkins on Picks On The Beatles 8′20″ Ticket to Ride by Vanilla Fudge on Vanilla Fudge 11′41″ Day Tripper by Otis Redding on Complete 15′14″ We Can Work It Out by Stevie Wonder on Signed, Sealed, and Delivered (Motown) 18′15″ Eleanor Rigby by The Four Tops on Four Tops Now (Motown) 21′08″ Come Together by The Meters on Kickback (Warner Bros) 24′32″ Strawberry Fields Forever by Richie Havens on 20th Century Masters 27′07″ Norwegian Wood by Waylon Jenning on Nashville Rebel (Sony) 30′40″ Fixing A Hole by The Wood Brothers on Up Above My Head (Indirecto) 33′19″ With A Little Help From My Friends by Steve Cropper on Dedicated 38′11″ Jealous Guy by Hurray For The Riff Raff on My Dearest Darkest Neighbor (This is American Music) 41′37″ Let Me Roll It by Lake Street Dive on Fun Machine 44′18″ All Things (Must) Pass by Billy Preston on Encouraging Words (Apple) 48′09″ Cold Turkey by The Soft Boys on A Can of Bees (Yep Roc) 51′54″ Instant Karma by Midnight Oil on King of the Mountain (Midnight Oil) 54′29″ Working Class Hero by Green Day on Instant Karma: The Amnesty International Campaign to Save Darfur (Warner Bros.) 60′02″ Happiness is a Warm Gun by The Breeders on Pod (Rough Trade) 64′19″ Mother Nature's Son by John Denver on Best Of 68′01″ Michelle by Ben Harper on This Bird Has Flown (Concord) 74′39″ Run For Your Life by Thee Headcoatees on The Kids Are All Square 77′16″ Help by The Damned on Damned Damned Damned (MCA Records) 80′04″ I'm Looking Through You by Mark Heard on Second Hand 84′43″ And Your Bird Can Sing by The Jam on Sound Affects (Polydor) 89′16″ She's Leaving Home by Billy Bragg on Reaching to the Converted (Cooking Vinyl) 94′40″ Got To Get You Into My Life by Daniel Johnston on 1990 99′14″ What Goes On by Sufjan Stevens on This Bird Has Flown (Concord) 103′44″ Sgt Pepper's Lonely Hearts Club Band by Jimi Hendrix on Atlanta Pop Festival (Sony) 107′12″ Taxman by Junior Parker on Funny How Time Slips Away (LRC Ltd.) 111′32″ In My Life by Johnny Cash on American VI: Ain't No Grave (American) 113′00″ Because by Elliott Smith on American Beauty (Geffen) 117′38″ Medley: Sun King / Mean Mister Mustard ... by Booker T. & The M.G.'s on McLemore Avenue (Stax)

Radiohead - "Exit Music (for a film) loops" Ken - "You are here" Radiohead - "Exit Music (for a film) layered loops forward and backward" Four Tet - "Hands (layered)" Anna Pacquin - "Hey hey hey hey, c'mon geese!" - Fly Away Home Airhead - "South Congress" The Residents - "The Festival of Death" Negativland / KROB - "Over the Edge 7/20/18 with Star Trek samples" [Spock! Spock....!] Dustin O'Halloran - "An Ending, A Beginning" Constant Smiles - "Sea of Birds" - Lost Shlohmo - "Places" [Very brief] The Beatles - "Flying (Take 8+ overdubs)" Constant Smiles - "Red Crest" - Lost [Brief] Constant Smiles - "Wood Sprites" - Lost [Brief] Letherette - "Gas Stations and Restaurants" [Briefish] The Beatles - "Revolution 1 take 20 (take your knickers off)" Hal Hartley - "Nobody told me, how should I know, it wasn't my fault, you know I would, if I could I would, you know that" - Ambition The Beatles - "Because (vocal only)" The Beatles - "Sexy Sadie RM5" The Beatles - "Across the Universe (take 2)" The Beatles - "All You Need is Love (warmup)" The Beatles - "Strawberry Fields Forever (rehearsals)" The Beatles - "When I'm 64 (take 4)" The Beatles - "Sgt Pepper's Lonely Hearts Club Band (vocals only)" The Beatles - "Sgt Pepper's Lonely Hearts Club Band (guitar only)" The Beatles - "Sgt Pepper's Lonely Hearts Club Band (horns only)" The Beatles - "She's Leaving Home (Instrumental Take 1)" The Beatles - "A Day in the Life (take unknown)" The Beatles - "A Day in the Life (track 2)" The Beatles - "A Day in the Life (track 3)" The Beatles - "A Day in the Life (track 4)" The Beatles - "She's Leaving Home (Instrumental Take 1)" Llewellyn ap Gruffydd - "The End" [Very brief] Noah Baumbach - "These are things we suggest you say to your father before it's too late" - The Meyerowitz Stories [I love you, I forgive you, forgive me, thank you, goodbye] The Beatles - "You've Got To Hide Your Love Away (takes 1, 2 and 5)" - Anthology 2 [Paul's broken a glass] The Beatles - "I'm Looking Through You (layers)" The War On Drugs - "You Don't Have to Go loops" Disc Image - "Coffee Cup at the Edge of Time" [Brief?] Tycho - "Cascade" [Brief?] Laura Dern - "Kayak scene (there is time)" - Enlightened, season 1 episode 4 A kid - "Have you ever had a dream you could do anything?" Harlan Ellison - "Yeah, everything makes me angry (I'd give anything to be mellow, I'd be one of the slaves and the walking dead, but I'd give anything...)" - Dreams With Sharp Teeth [Rest in anger] Laura Dern - "Somebody Else's Life" - Enlightened, season 1 episode 3 Ken - "Identification (just enough time, childhood Beatles mixing)" [With The Beatles-When I'm 64] The Beatles - "When I'm 64 (take 4)" Phone phreaking - "westwsh2" Anna Pacquin - "Hey hey hey hey, c'mon geese!" - Fly Away Home Moby - "Grace" Eumir Deodato - "Theme from Star Trek" Nickelback - "Gotta Be Somebody (sped up 20%)" [Written and produced by Mutt Lange (nobody wants to be the last one there)] Eumir Deodato - "Also Sprach Zarathustra" Rolling Stones - "Paint it Black" [Brief] Rolling Stones - "As Tears Go By" The Notwist - "Scoop" Julee Cruise / Angelo Badalamenti - "The World Spins" Khruang Bing - "A Calf is Born in Winter" - A Calf is Born in Winter The Police - "Every Breath You Take (Kenzo ambient guitar mix)" Live phone caller (possibilitywaves) - "So beautiful (thank you for the surprising beauty)" Procol Harum - "A Whiter Shade Of Pale (vocals and organ)" Avicii - "Fade Into Darkness (strings)" Avicii - "Fade Into Darkness (piano)" Ken - "Call in live" Avicii - "Fade Into Darkness (original mix)" Avicii - "Fade Into Darkness (Instrumental Club Mix)" Matthew Modine - "Leaving the city, things can change just like that" - Equinox - "Travel, why would you travel? You've never done it before! You were born here!" - Equinox - "I feel happy of myself! Everybody, I know you can believe in yourself!" Billy Bob Thornton - "I was the ghost. Everyone avoided looking at me. I didn't see anyone, and no one saw me" - The Man Who Wasn't There (movie) Four Tet - "Harmony One" Annie and cast - "It's a hard knock life loops" - Annie the musical Annie and cast - "It's a hard knock life loops" - Annie the movie Constant Smiles - "Out on Radar" - Lost Bibio - "Lovers' Carvings" Blind Pilot - "We Are the Tide" Shallou feat. Wales - "Begin" Headstrong feat. Tiff Lacey - "The Truth (Reuben Halsey Chillout Remix)" Land of Talk - "This Time" Orion and the Melted Crayons - "Breathe" - Breathe EP - "Wherever you go, people will love you, people are going to love you, they love you, everyone loves you" - Delivery Man movie Terry Gilliam - "Excerpts (making sense of the good things in life, bargains galore)" - The Zero Theorem Negativland / KROB - "Over the Edge 7/20/18" Harlan Ellison - "They seem imposed upon if you remove that giant tit from their mouth. People are stupid because TV gives you everything (radio is wonderful)" - Dreams With Sharp Teeth Nada Surf - "Blizzard of 77 loop" Ken - "Everybody Will Leave You monologue" https://www.wfmu.org/playlists/shows/80668

Back in the 1960s, courtesy of Capitol Records executive Dave Dexter, Jr., American Beatles fans bought different records and often heard very different mixes to those enjoyed by their British counterparts: ones bathed in reverb and converted into fake stereo “with the assistance” of Mr. Dexter. Those mixes have long since been eliminated from the catalogue, but they’re back with a vengeance in this show—and subjected to the scrutiny of Messrs. Taros, Buskin, Bartock and Kozinn as they discuss the pros, cons, and marketing strategies behind these alternately popular and egregious alterations to The Beatles’ music. What emerges is information that will enlighten listeners on both sides of the Atlantic—while jolting them with juxtaposed U.S. and U.K. mixes of some legendary tracks. The music: ‘Thank You Girl’ ‘I’ll Get You’ ‘I Call Your Name’ ‘You Can’t Do That’ ‘The Word’ ‘I’m Looking Through You’ ‘And I Love Her’ ‘She Loves You’ ‘Help!’ ‘She’s a Woman’ ‘I Feel Fine’ ‘I’m Only Sleeping’ ‘And Your Bird Can Sing’ ‘Doctor Robert’ ‘That Means a Lot’ ‘Long Tall Sally’ ‘Roll Over Beethoven’

A look back at a bad 2017. A look ahead to a frightening 2018. A hard look at what the Orioles neede. This one went long - we missed you. The post Episode 221: I'm Looking Through You appeared first on Bird's Eye View.

A look back at a bad 2017. A look ahead to a frightening 2018. A hard look at what the Orioles neede. This one went long - we missed you. The post Episode 221: I’m Looking Through You appeared first on Bird's Eye View.

A look back at a bad 2017. A look ahead to a frightening 2018. A hard look at what the Orioles neede. This one went long - we missed you. The post Episode 221: I’m Looking Through You appeared first on Bird's Eye View.

A look back at a bad 2017. A look ahead to a frightening 2018. A hard look at what the Orioles neede. This one went long - we missed you. The post Episode 221: I’m Looking Through You appeared first on Bird's Eye View.

Happy Halloween from the Cinema Beef Podcast. Now give us your candy!!!! Jamie and Gary are joined by Brian M. Sammons to celebrate the time when the hills ran red with children’s blood to discuss two family films. Kind of ironic, huh. We cover the first two films in the incredible Laika Studios catalog. First up, when a lonely girl is bored and ignored by her family, she discovers a secret world where all of her dreams seem to come true but at what cost. All this and old lady pasties in Coraline from 2009. Then, Norman is a kid who has a particular issue. He can see ghosts and this becomes a major issue when he’s tasked to hold back a town curse and accidentally releases a horde of zombies and hilarity in the great Paranorman from 2012. Treat yo self and watch both of these movies. Music credits “I’m Looking Through You” Performed by The Beatles from the album “Rubber Soul” “Heard Somebody Cry” Performed by Oingo Boingo from the album “Dead Man’s Party”

Un día como hoy pero de 1965, bajo la producción de George Martin, Los Beatles comenzaron a grabar la canción: "I'm Looking Through You".

The team celebrate 50 episodes with a look back at the pop culture of 50 years ago. With Guy Branum, Wynter Mitchell, Margaret Wappler and Oliver Wang. Jams:  Wynter Mitchell - Wooly Bully by Sam the Sham and the Pharaos and California Girls by The Beach Boys. Oliver Wang - A Change is Gonna to Comel by Sam Cooke Margaret Wappler - It’s Not Unusual by Tom Jones Guy Branum - I’m Looking Through You by The Beatles Each week we'll add everyone's jams to this handy Spotify Play List. You can let us know the media you consume when faced with difficult times in our Facebook or via @PopRocket on Twitter.

Fifty years ago this week, Rubber Soul was released in the UK and US. But the differences between the two editions were striking, and are worth a discussion. Robert and Richard examine the differences, as well as the context of the times and what might have been. Songs include: “I’m Looking Through You” and “The Word.” Christmas is coming and the Something About The Beatles 2016 calendar is here ATTENTION CHICAGO AREA SATB LISTENERS: With your support, we may be able to make possible something we can all be thankful for: Something About The Beatles on terrestrial radio (and regularly scheduled besides…). MeTV FM is a fabulous new radio station, playing loads of forgotten hits from back in the day. They’re also very Beatle-centric – that makes them the perfect radio home for Something About The Beatles. We have been advertising on them, but what would be fantastic is if we could get all of you to show your interest in such a venture. Do you want to hear Something About The Beatles weekly, on the radio? Then shoot them an email – let them know that you love the show, and that you appreciate the sponsorship of Rode Brothers Fine Wood Flooring. That’s the kind of support that makes things happen – can we count on you? The post 33: Rubber Soul at 50 appeared first on Something About The Beatles.

Fifty years ago this week, Rubber Soul was released in the UK and US. But the differences between the two editions were striking, and are worth a discussion. Robert and Richard examine the differences, as well as the context of the times and what might have been. Songs include: “I’m Looking Through You” and “The Word.” Christmas is coming and the Something About The Beatles 2016 calendar is here ATTENTION CHICAGO AREA SATB LISTENERS: With your support, we may be able to make possible something we can all be thankful for: Something About The Beatles on terrestrial radio (and regularly scheduled besides…). MeTV FM is a fabulous new radio station, playing loads of forgotten hits from back in the day. They’re also very Beatle-centric – that makes them the perfect radio home for Something About The Beatles. We have been advertising on them, but what would be fantastic is if we could get all of you to show your interest in such a venture. Do you want to hear Something About The Beatles weekly, on the radio? Then shoot them an email – let them know that you love the show, and that you appreciate the sponsorship of Rode Brothers Fine Wood Flooring. That’s the kind of support that makes things happen – can we count on you? The post 33: Rubber Soul at 50 appeared first on Something About The Beatles.

Gary Butterfield and Kole Ross offer some pointed praise for Star Fox and Pokémon Snap. In another one of our split EP episdes, we explore a foundational on-rails shooter, and an experimental on-rails shooter. Star Fox for the SNES will alway stick out in people’s minds as the game that introduced them to the term “polygons”. Pokémon Snap will always stick out in people’s minds as that really short game about making Pikachu surf. Let’s explore those preconceptions together, why don’t we? LINKS OF NOTE: RIP PSH: www.youtube.com/watch?v=gqUG9BSXgkE Millenium-Falcon: rview.reviewcentre.com/wp-content/up…um-falcon.gif Maus: en.wikipedia.org/wiki/Maus I’m a Loser: www.youtube.com/watch?v=qmxg0JnQX8U I’m Looking Through You: www.youtube.com/watch?v=KulSQjjQVPE HR Puffinstuff: www.youtube.com/watch?v=31Z8gMyI0F4 Space Harrier: www.youtube.com/watch?v=Hzgrb-mjLaM Rez: www.youtube.com/watch?v=b-UKCFT4tn4 Child of Eden: www.youtube.com/watch?v=TqpHp55032E 2600 Starfox: TURN UP DEM SPEAKERS: www.youtube.com/watch?v=64Fh6jbn1rE NESGlider: www.youtube.com/watch?v=aCNt8EAIWGM The worst line in Resident Evil History: www.youtube.com/watch?v=J5fow_gdV7w Polybius: en.wikipedia.org/wiki/Polybius(videogame) Stunt Race FX: www.youtube.com/watch?v=AXfmR0Ij8vA Robert Maplethorpe: www.youtube.com/watch?v=0DK4sGiMZjA Lorenzo’s Oil: www.youtube.com/watch?v=CxkylRxJxh8 Aegislash: bulbapedia.bulbagarden.net/wiki/Aegisl…k%C3%A9mon) Ghost Orbs: www.youtube.com/watch?v=In58Iqj71ao Greninja: bulbapedia.bulbagarden.net/wiki/Grenin…k%C3%A9mon)

This week's show is all about music games.  It's a big topic, so Jorge and I recruited a talented trio of musicians and video game writers to help us out: Dan Apczynski, David Carlton, and Kirk Hamilton were all kind enough to stop by to discuss the merits of music games.  We cover a huge swath of topics ranging from pedagogy, to musical philosophy, to Bon Jovi's genius.  We've known Dan, David, and Kirk for a long time and it was a blast to have an excuse to hang out with them and record the show.  Hopefully you all enjoy listening to our podcasting jam session as much as we enjoyed recording it.  Thanks again to all our guests and thank you for listening!And now, inspired by Kirk's reference, here's a kid playing Guitar Hero while solving Rubik's Cubes: Some discussion starters:- What is your take on the state of the music game genre?- What do games like Rock Band teach us, both about music and game design?- What are your hopes for the future of the genre?To listen to the podcast:- Subscribe to the EXP Podcast via iTunes here. Additionally, here is the stand-alone feed.- Listen to the podcast in your browser by left-clicking here. Or, right-click and select "save as link" to download the show in MP3 format.- Subscribe to this podcast and EXP's written content with the RSS link on the right.Show notes:- Run time: 1 hr 15 min 34 sec- "the beatles, rock band, and genre," by David Carlton, via malvasiabianca.org- "Rock Band, Guitar Hero, and Musical Convergence," by Kirk Hamilton, via Kirkhamilton.com- "Games of the decade: Rock Band," by Mitch Krpata, via insultswordfighting.blogspot.com- Shameless self-promotion: "A Day in the Life," "I'm Looking Through You," and "Yesterday," posts about The Beatles: Rock Band by Scott- Music provided by Brad Sucks

There's a lot of seeing and looking on Rubber Soul. These Macca songs bear a strong resemblance, both in music and lyrics. So here's a mash of You Won't See Me with I'm Looking Through You. Both songs express rather angry feelings towards Macca's (ex?) lover, a sentiment Lennon also used on various occasions. This mix is almost a 1 on 1 overlay of one over the other, just a semi-tone adjustment of the pitch. Co-incidence ?

Feminism and Child Care, Identification, Luck, Greece, Rome, Religion, Pope and Anti-Pope, Communist Religion, The Whirlpool, Mexicans, Eleanor Roosevelt, Unpredictability, Madison Avenue, Global Warming, Hype, One System Utopia, Blue Beams from Space, Cons, New Feudal System, The MOB, China, No Nations, (Song: "Watching You" by the Police, "I'm Looking Through You" by the Beatles, "Waiting For the Miracle" by Leonard Cohen)