Podcast appearances and mentions of vilas boas

Antônio Vilas-Boas was abducted from his family farm in 1952 by 5-foot-tall humanoids dressed in "...tight-fitting siren-suit, made of soft, thick, unevenly striped, gray material." He was stripped of his clothes, covered in clear gel, and used as a, "...good stallion to improve their own stock". The alleged aliens then gave him a tour of their UFO before placing him back at his home. This story contributed to the argument of what extraterrestrials wanted from earthlings... could it possibly be that they were investigating human reproduction and genetics?   Twitter and Instagram - @biarpodcast Facebook - Bug in a Rug Email us your ideas at biarpodcast@gmail.com   Sources: The alien abduction of Brazilian farmer Antônio Vilas-Boas, near São Francisco de Sales, 1957 9 Alien Abduction Stories That Seem Disturbingly True Antônio Vilas-Boas - Wikipedia Antonio Villas Boas Abduction (1957) – Unidentified Phenomena The Antônio Villas-Boas case | Gnosis Online - Your portal to esotericism Antonio Villas-Boas elrablása – TUDOMÁNYOS UFO Architects of the Underworld: Unriddling Atlantis, Anomalies of Mars, and ... - Bruce Rux - Google Books Conspiracy Films: A Tour of Dark Places in the American Conscious - Barna William Donovan - Google Books Ed Keffel | The UFO Database João Martins | The UFO Database The Lure of the Edge: Scientific Passions, Religious Beliefs, and the ... - Brenda Denzler - Google Books Phantoms and Monsters: Pulse of the Paranormal The Surprising Origin of Alien Abduction Stories | Live Science UFO sightings in Brazil - Wikipedia

Lis é do interior do estado do Rio de Janeiro onde o rio, literalmente, faz a curva. Além de escritora de fantasia e ficção científica, é também oceanógrafa e navega entre mares reais e imaginários. Vive com o marido entre o Rio de Janeiro e muitos lugares do Brasil, é uma grande apreciadora de café e jujubas vermelhas, e prefere ocupar as mãos para deixar a mente livre. =

2da Reunion 08 de Diciembre 2024. Este mensaje está basado en el libro de Efesios 2:19-22. En estos versículos podemos ver realmente cuál es la naturaleza de que es la Iglesia, tenemos que saber que esa naturaleza de la Iglesia es una familia que está envestida de autoridad de parte de Dios siendo el cuerpo de Cristo entre Judíos y Gentiles en aquellos que hemos creído en Jesús y su sacrificio ya que ha sido construida para que la presencia de Dios viva allí por medio de su Espíritu en comunión con Dios y entre nosotros mismos. 

In 1957 one of the strangest alien abductions in modern history occurred in Brazil. In 1957 Antonio Vilas-Boas reported being taken abord a spaceship and among other things have an encounter of the "Tinder" kind. Listen in to learn more. ko-fi.com/ufowarning

Celso Aguiar Vilas Boas, da Delegacia Regional Tributária de Ribeirão Preto (DRT-6), começou sua carreira como auditor fiscal trabalhando na antiga DI (Diretoria de Informações), onde pode exercer a sua formação superior em Comunicação Social, com habilitação em editoração, auxiliando na programação visual dos sistemas desenvolvidos pela Secretaria da Fazenda e Planejamento (Sefaz-SP). Naquela época também se envolveu com assuntos relacionados à Tecnologia da Informação como, por exemplo, Posto Fiscal Eletrônico, CADESP, DEC, GIA, entre outros. Hoje, o nosso convidado é coordenador de Equipe de Fiscalização da DRT-6, tendo também passado pela Fiscalização Direta de Tributos (FDT). “Eu realmente gosto de ser auditor fiscal, tenho orgulho do meu trabalho. Principalmente pelo papel fundamental que a Sefaz-SP, de forma geral, e a área de fiscalização, mais especificamente, desempenham na sociedade. É uma relação de causa e efeito muito direta, e isso é bastante satisfatório", explica Celso. Antes da Sefaz-SP, ele foi auxiliar administrativo na Assembleia Legislativa de São Paulo (Alesp), além de trabalhar em duas agências de mídia digital, na época do boom da internet, por volta do ano 2000. “Foi uma experiência muito interessante, eu fazia basicamente tratamento de imagens e a programação visual de websites e cd-ROMs (enquanto eles existiram)", diz. Além de cuidar do corpo e da mente, com atividade física, pilates, corrida e meditação, Celso também cuida dos dois filhos (Léo; 13 anos, e Rafa; de 11 anos) e ainda arruma um tempinho para se dedicar à fotografia e em especial à astrofotografia – a arte de fotografar corpos celestes durante a noite. "Foque no processo, e não no resultado. No final, tudo acaba dando certo", enaltece o convidado desta edição do Sefaz Conecta!

A Cátia é especialista em SKINCARE e hoje vem ao podcast para te ensinar a cuidares da tua pele! Ela explica este assunto como ninguém, de uma forma super fácil de compreender! Junta-te a nós nesta conversa sobre pele, que te vai ajudar a montar a tua rotina de skincare perfeita!

Celina é psicóloga,  esteve na criação do primeiro grupo de ouvidores de vozes em Portugal, um grupo que apoia pessoas que relatam experiências auditivas incomuns, como ouvir vozes que outras pessoas não ouvem, mas que não têm, muitas vezes, um quadro de saúde mental relacionado. Somos Todos Estranhos - o meu testemunho sincero sobre a ansiedade, os medos e as obsessões com as quais me deparei ao longo da vida. Mas não é um livro para o choradinho, é uma partilha às vezes difícil, mas bem-humorada e sem drama, porque para haver comédia é preciso haver tragédia. Links diretos para encomendas: - https://www.fnac.pt/Somos-Todos-Estranhos-Ate-Percebermos-que-isso-e-Normal-Antonio-Raminhos/a9300336#ficheResume - https://www.bertrand.pt/livro/somos-todos-estranhos-antonio-raminhos/24645877 - https://www.wook.pt/livro/somos-todos-estranhos-antonio-raminhos/24645877 Patreon: http://www.patreon.com/antonioraminhos

T.J., Burton, and Zuul cover the sexual abduction of Antônio Vilas-Boas. Antonio was a Brazilian farmer who claimed to have been abducted by extraterrestrials in 1957.  --- Send in a voice message: https://podcasters.spotify.com/pod/show/lunchpailboys/message Support this podcast: https://podcasters.spotify.com/pod/show/lunchpailboys/support

Welcome to Phantoms & Monsters 'Personal Reports' - cryptid & unexplained accounts directly from the archives of Phantoms & Monsters, and the Phantoms & Monster Fortean Research team. Narrated by Lon Strickler. Join us in the chat, discuss, and ask me questions about the accounts. Featured in this edition: An early and well-known alien abduction claim occurred in the mid-1950s with the Brazilian Antônio Vilas-Boas case, which did not receive much attention until several years later. Then in the 1960s, worldwide publicity was generated by the Betty and Barney Hill abduction case. The Hill incident became the prototypical abduction case, possibly the first in which the claimant described beings that later became widely known as the Greys. But abduction scenarios aren't confined to extraterrestrial beings. The story of Albert Ostman, a 64-year-old retired lumberman from British Columbia, went public in 1957 with his account of being snatched from his sleeping bag while camping on Vancouver Island. There have also been remarkable stories of kidnappings and involuntary relocations by other experiencers. So, please listen to the following accounts I have received from witnesses who recall their encounters, and then decide for yourself. I hope that you enjoy the presentation. Hi. My name is Lon Strickler. I hope that you enjoy listening to Phantoms & Monsters Personal Reports. I have a question for you. Have you ever had an unexplained sighting or encounter? Do you have photographic and/or video evidence of your experience? Would you like to share your unique story with our readers and listeners? Please feel free to forward your account to me, either through my email lonstrickler@phantomsandmonsters.com or call me at 410-241-5974. You can also go to my website at https://www.phantomsandmonsters.com and use the contact link on the homepage. Your personal information will be kept confidential if requested. I have been a paranormal and anomalies researcher & investigator for over 45 years. My reports & findings have been featured in hundreds of online media sources. Several of these published reports have been presented on various television segments, including The History Channel's 'Ancient Aliens,' Syfy's 'Paranormal Witness', 'Fact or Faked: Paranormal Files,' and Destination America's 'Monsters and Mysteries in America.' I have been interviewed on hundreds of radio & online broadcasts, including multiple guest appearances on 'Coast to Coast AM.' One of my encounters was featured on Destination America's 'Monsters and Mysteries in America' television show for 'The Sykesville Monster' episode. I am a published author of 9 books on various cryptid & supernatural subjects. In addition, I am an intuitive who has worked with hundreds of clients who sought help with their personal hauntings and unexplained activities. I never charge for my services. If you feel that I can help answer your questions, please feel free to contact me. Thanks for your consideration. Do you have a report or encounter that you would like to be read on 'Personal Reports' & featured on the Phantoms & Monsters blog? Contact me at lonstrickler@phantomsandmonsters.com Would you like to help us out? https://www.buymeacoffee.com/lonstrickl0 Phantoms & Monsters Homepage & Blog - https://www.phantomsandmonsters.com Books by Lon Strickler - https://www.amazon.com/~/e/B009JURSD4 Credits: All content licensed and/or used with permission. --- Support this podcast: https://podcasters.spotify.com/pod/show/lon-strickler/support

Abduction of Antônio Vilas-Boas, 1957 Youtube Think Anomalous Instagram @multiverse5dpodcast

Investigadores do Laboratório Internacional Ibérico de Nanotecnologia estão envolvidos num projeto para criar um sensor eletroquímico para avaliar os efeitos das nanopartículas na saúde.

It's hump day once again, Queerdos! And we're practically bursting through our jeans with excitement about our stories this week. First, in our True Crime Story, Edie takes us back to Melted Film School to talk about a golden age in North Korean film, and how far a young Kim Jong-il went to make it happen. Next, in our Spoopy Tale, we're getting beamed up once again! Miss brings us the story of one man's harrowing experience being nailed and bailed by the Grays. So organize your VHS tapes, oil yourself up from head to toe, and settle in for this week's show. Let's dive in! Shoutout: @GaySauna boardgame! 00:09:57 True Crime starts at 00:13:11 Spoopy Tale starts at 00:47:02 Source notes: www.creepyinqueeriespod.com Follow on Instagram: @CreepyInQueeriesPod Send Us an Email: creepyinqueeriespod@gmail.com Listen on Youtube: Creepy InQueeries Pod Follow on Facebook: @CreepyInQueeriesPod

SUSCRÍBETE al canal aquí

SUSCRÍBETE al canal aquí

Este episódio contou com a participação, em forma de relatos, de 7 importantes militantes da saúde pública brasileira, avaliando a 17ª Conferência Nacional de Saúde. Participaram do episódio: Sônia Fleury, pesquisadora do Centro de Estudos Estratégicos da Fiocruz; Lígia Giovanella, pesquisadora Sênior da FIOCRUZ e da RedeAPS; Rosana Onocko, presidenta da ABRASCO; Ana Luísa Vilas-Boas, professora e pesquisadora do Instituto de Saúde Coletiva da UFBA; Isabela Soares Santos, pesquisadora da ENSP – FIOCRUZ e vice-presidenta da ABRES; Beatriz Augusta, usuária e trabalhadora rural de Santa Luzia – MG; Túlio Franco, professor do Instituto de Saúde Coletiva da UFF e membro da Rede Unida. Contamos ainda com a participação de Luiz Paulo Rosa, pelo podcast Medicina em Debate As vinhetas deste episódio foram produzidas por Rubens Cavalcanti e a edição ficou com o Brasil de Fato. Música de encerramento: Apesar de Você, do Chico Buarque Siga o Medicina em Debate nas redes sociais: Twitter, Instagram e Facebook.

Rita Vilas Boas first connected with me on Linkedin. After a lot of online engagement, we finally met in person last year to find out we shared many passions. When she was a little girl, Rita wanted to dismantle things and figure out how things worked, but deep down, she wanted to be part of Fame, and dance on a Taxi roof in the streets of New York. Can you picture it? Different lives Rita studied biotechnology but soon found out about marketing, where she started her career. She threw herself into it and got a job at Loreal. For 20 years, she was a marketer in multinationals and large family businesses. Through social acquaintances Rita started investing on the side and, in the Covid era, thought this was something she could do full-time, supporting founders and thriving as an investor. Between these areas, Rita talks only about serendipity: "if we plan too much, it never happens, be ready to change and pivot." Rita believes we should have 3 careers in our lives. She is now onto the second one, but the future is open for the third phase. Perhaps that's when she will get to the dancing part! Becoming an investor Rita is a hands-on investor and puts her money where her efforts will also be. She is keen to be part of the journey and be there along the way for founders. "Instead of just saying the talk, I walk the talk" Rita is taking an increasing role in the ecosystem and going through the VC Lab to take her efforts as a business angel further. She wants to bring more transparency into the VC world and is keen to put the new ideas to life. She invests when she believes, and that energy and passion translate into her day-to-day actions. The day-to-day Rita has a structured approach to her day, reserving some focus time for due diligence on her potential investments, but also a lot of time out there to see pitches and attend conferences. The balance is hard to find, but it is important to be open to the flow of information constantly thrown your way. Common threads Rita claims the common thread in her life is "breaking ceilings". She chose a male-orientated sales environment over marketing, she chose the wine business as the first woman director in the family business, then start-ups in China and now an investor in Portugal. She wants people to hear her voice, and through that, also be inspired to find their own voice. She has become a player with a diverse background because she believes that is where her advantage lies. Rita is a strong believer in diverse teams and believes time will demonstrate the results. Rita's List Advice: You can't please everyone. Make space for: Learning Get rid of: all the people wanting to "pick your brains" Quote: "Work hard, play harder" AND "If I want to go faster, I will go alone, if I want to go far, I will go with others" Word: Achievement Stay connected Meet Rita on Linkedin Join the Make Space for Growth newsletter and newly launched Linkedin Group Follow me on Linkedin, Instagram or Twitter Coming back to the podcast after a long pause has been refreshing and inspiring. The next guest is already in the oven. Send feedback and enjoy!

In Episode 12 myself and my co-host Dean dive into Alien abductions!  We talk about multiple abduction cases such as Betty and Barney Hill, Vilas Boas sexual abduction encounter, possible types of aliens, the believability of these abduction stories and potential Alien agendas!SOCIAL MEDIATwitter: @TWRoadpodcastIG: twroadpodcastWant to be a guest or share your paranormal experiences? Email us!twroadpodcast@gmail.com

Site Oficial do The Good Villages: https://www.goodvillages.com/ Nos acompanhem também pelo Instagram: @thegoodvillages @alessandro_vilasboas @brunna_vilasboas Caso queiram ofertar em nossa missão & ministério este é o nosso pix: thegoodvillages@gmail.com Acessem nossos cursos: CURSO SOBRE AVIVAMENTO: https://sun.eduzz.com/1799713 CURSO DE COMPOSIÇÃO: https://composicao.goodvillages.com/ CURSO IGREJA APOSTÓLICA: https://igrejaapostolica.goodvillages

Site Oficial do The Good Villages: https://www.goodvillages.com/ Nos acompanhem também pelo Instagram: @thegoodvillages @alessandro_vilasboas @brunna_vilasboas Caso queiram ofertar em nossa missão & ministério este é o nosso pix: thegoodvillages@gmail.com Acessem nossos cursos: CURSO SOBRE AVIVAMENTO: https://sun.eduzz.com/1799713 CURSO DE COMPOSIÇÃO: https://composicao.goodvillages.com/ CURSO IGREJA APOSTÓLICA: https://igrejaapostolica.goodvillages

Site Oficial do The Good Villages: https://www.goodvillages.com/ Nos acompanhem também pelo Instagram: @thegoodvillages @alessandro_vilasboas @brunna_vilasboas Caso queiram ofertar em nossa missão & ministério este é o nosso pix: thegoodvillages@gmail.com Acessem nossos cursos: CURSO SOBRE AVIVAMENTO: https://sun.eduzz.com/1799713 CURSO DE COMPOSIÇÃO: https://composicao.goodvillages.com/ CURSO IGREJA APOSTÓLICA: https://igrejaapostolica.goodvillages

Seriah is joined by Red Pill Junkie and Wren Collier for a deep dive into the iconic UFO abduction story of Barney and Betty Hill and possible re-interpretations. Topics include government psyops, MK Ultra, Martin Cannon's “The Controllers”, missing time, Project Bluebook, Dr. Benjamin Simon, hypnotherapy, shared delusions, John G. Fuller's “Interrupted Journey”, Donald Keyhoe, Charles Douglas Jackson, Stanton T. Friedman and Kathleen Marden's “Captured”, hypnotic regression, milabs, Antonio Vilas-Boas, Bosco Nedelcovic, allegations of fake UFO events by the CIA, racism, the NAACP, Operation Midnight Climax, Project Paperclip, Nazis mentioned by Barney Hill, the “red-headed Irishman”, “The Outer Limits” TV show, Travis Walton, false memories, AI chatbots and inaccuracies, chatbot malfunctions as a marketing ploy, AI and Magick rituals, parapolitics, Whitley Strieber, bedroom invaders, OBEs, driving trance states, sleep deprivation, Charles Lindbergh, sleep paralysis, the Pascagoula abduction, Kit Green, Bud Hopkins, George Adamski, Allen Dulles, UFO contactees, space brothers, the “Mabel” podcast, cattle mutilations, radiation, “Body Snatchers in the Desert”, government experimentation on marginalized groups of people, the city of Montreal, differing levels of hypnosis susceptibility, Jacques Vallee and a bizarre experiment by the Hills, recurring abductions and bloodline abductions, Vilas-Boas's previous paranormal experiences, Rendlesham, Cash-Landrum incident, Peter Robbins, strange U.S. Navy patents and experiments, remote viewing, government experiments carried out through corporations, Robert Bigelow, and much more! This classic case still contains many unanswered questions!

VYS0020 | Messages of Deception - Vayse to Face with Mark Pilkington - Show Notes If you don't know Mark Pilkington by name, chances are you will be familiar with some of his work: he's the author of the seminal history of deception and misinformation throughout the history of the UFO phenomenon, Mirage Men, and producer of the documentary of the same name, he runs Strange Attractor Press, the diverse, beloved and well respected counterculture publisher, he's a journalist, having written for the Fortean Times, the Guardian and Bizarre Magazine amongst others, and he also records and performs music with Teleplamsiste, Luminous Foundation and the Begotten. In this episode Hine and Buckley chat to Mark about the legacy of Mirage Men, which is having a moment again with the tenth anniversary of the documentary falling this year, the recent release of the audiobook and continued favourable nods in the occultosphere and beyond. The conversation also takes turns into the way misinformation is now a pervasive part of our everyday lives, Mark's ideas about the nature of the phenomenon itself and his experiences as a crop circle hoaxer... recorded 7 March 2023 Mark Pilkington Links Mark Pilkington on Twitter (https://twitter.com/markopilkington?s=21&t=q2-c9hjD5sIXynDdaJB8PQ) Strange Attractor Press (http://strangeattractor.co.uk/) Mirage Men (https://uk.bookshop.org/p/books/mirage-men-a-journey-into-disinformation-paranoia-and-ufos-mark-pilkington/2148784?ean=9781845298579) by Mark Pilkington Mirage Men Audiobook (https://www.audible.co.uk/pd/Mirage-Men-Audiobook/1405549556?ipRedirectOverride=true&overrideBaseCountry=true&bp_o=true&source_code=M2M30DFT1Bk13010142102TD&gclid=CjwKCAjw0ZiiBhBKEiwA4PT9z66tMeWzeo6Ssu-yqAzST0IYPMPRoZlsodiZxbkIIX60WGah3c4xgBoCkq8QAvD_BwE&gclsrc=aw.ds) Mirage Men DVD (http://strangeattractor.co.uk/shoppe/mirage-men-dvd/) Mirage Men on Vimeo (https://vimeo.com/ondemand/miragemen) Mirage Men Blog (https://miragemen.wordpress.com/) Frequency is the New Ecstasy (https://teleplasmiste.bandcamp.com/album/frequency-is-the-new-ecstasy) by Teleplasmiste (https://teleplasmiste.bandcamp.com/album/science-religion) Other Links The Austin Osman Spare Tarot Deck (https://www.kickstarter.com/projects/strangeattractoruk/austin-osman-spare-occult-tarot-deck-and-book) High Weirdness (http://strangeattractor.co.uk/shoppe/high-weirdness/) by Erik Davis Purgatory (http://strangeattractor.co.uk/shoppe/purgatory/) by Ken Hollings North (http://strangeattractor.co.uk/shoppe/north/) by Gyrus The Pepsi-Cola Addict (http://strangeattractor.co.uk/shoppe/the-pepsi-cola-addict/) by June-Alison Gibbons David Tibet (https://www.davidtibet.com/) Current 93 (https://current931.bandcamp.com/) Jamie Sutcliffe (https://linktr.ee/jamierobertsutcliffe) An Overview of Project Serpo (https://nostradamus.fandom.com/wiki/Project_Serpo) The Haunted Objects Podcast (https://www.youtube.com/playlist?list=PLU4VP9oB7c9iKhby8HdRbwP0dF8O9eGt2) Parcast Unexplained Mysteries - UFOs and the Mirage Men pt.1 (https://open.spotify.com/episode/4heJWlPvOMTzGFKTyd2YGv?si=3f67b2e0848e48bf) Parcast Unexplained Mysteries - UFOs and the Mirage Men pt.2 (https://open.spotify.com/episode/3J3QTUh16JBmu0AWaFpOuy?si=093bcf5cc85e4a2c) HyperNormalisation (https://www.youtube.com/watch?v=thLgkQBFTPw) by Adam Curtis Wikipedia entry for John Lundberg (https://en.wikipedia.org/wiki/John_Lundberg) Laughlin UFO Mega Conference (https://www.facebook.com/events/141005227976051/) on Facebook IMDB entry for Richard Doty (https://www.imdb.com/name/nm3288913/) Wikipedia entry for Paul Bennewitz (https://en.wikipedia.org/wiki/Paul_Bennewitz) Wikipedia Entry for the Roswell Incident (https://en.wikipedia.org/wiki/Roswell_incident) Wikipedia Entry for George Adamski (https://en.wikipedia.org/wiki/George_Adamski) BBC News Article about the U-2 Bomber and Area 51 (https://www.bbc.co.uk/news/world-us-canada-23731759) History Channel Article on Black Triangle UFOs (https://www.history.com/news/black-triangle-ufos-facts) Wikipedia Article on Radar Spoofing (https://en.wikipedia.org/wiki/Radar_jamming_and_deception) Popular Science Article - The stealth helicopters used in the 2011 raid on Osama Bin Laden are still cloaked in mystery (https://www.popsci.com/story/technology/osama-bin-laden-raid-anniversary-stealth-helicopters/) Wikipedia Article on Cattle Mutilation (https://en.wikipedia.org/wiki/Cattle_mutilation) Close Encounters of the Third Kind Trailer (https://www.youtube.com/watch?v=dSpQ3G08k48) Wikipedia Article on the Famous Five (https://en.wikipedia.org/wiki/The_Famous_Five) War of the Worlds (https://uk.bookshop.org/p/books/the-war-of-the-worlds-h-g-wells/92913?ean=9780008590178)by HG Wells Dracula (https://uk.bookshop.org/p/books/dracula-bram-stoker/169855?ean=9780393871555) by Bram Stoker Usborne Guide to the Supernatural World (https://www.abebooks.co.uk/9780860202929/Supernatural-World-Mysterious-Powers-Strange-0860202925/plp)by E Maple - a steal at £300 Forbidden Planet (https://forbiddenplanet.com/) Fortean Times (https://subscribe.forteantimes.com/) Magonia Journal (https://www.encyclopedia.com/science/encyclopedias-almanacs-transcripts-and-maps/magonia-journal) Bizarre Magazine on Twitter (https://twitter.com/bizarremagazine?lang=en) Mark's Far Out Column for the Guardian (https://www.theguardian.com/science/series/farout) Wikipedia entry on Norman Tebbit (https://en.wikipedia.org/wiki/Norman_Tebbit) Wikipedia entry on David Icke (https://en.wikipedia.org/wiki/David_Icke) Circle Makers Website (http://www.circlemakers.org/) Wikipedia entry on Mandelbrot Fractals (https://en.wikipedia.org/wiki/Mandelbrot_set) Wikipedia Article on Discordianism (https://en.wikipedia.org/wiki/Discordianism#:~:text=Discordianism%20is%20centered%20on%20the,objectively%20true%20than%20the%20other.) How Stuff Works Article on the Maury Island UFO Incident (https://science.howstuffworks.com/space/aliens-ufos/maury-island-incident.htm) Wikipedia article on Antônio Vilas-Boas (https://en.wikipedia.org/wiki/Ant%C3%B4nio_Vilas-Boas) The Malingerer (https://www.psywarrior.com/malingering.html) Wikipedia entry on the 2023 Chinese Weather Balloon Incident (https://en.wikipedia.org/wiki/2023_Chinese_balloon_incident) NASA Echo 1 Balloon Picture (https://en.wikipedia.org/wiki/Project_Echo#/media/File:Echo-1.jpg) Time Magazine Article on Robert Bigelow and his donations to Ron DeSantis (https://time.com/6273585/ron-desantis-donor-robert-bigelow/) UFO's (It Has Begun) Past, Present, and Future Documentary (https://www.youtube.com/watch?v=6CJdUA8LQg0) Day the Earth Stood Still Trailer (https://www.youtube.com/watch?v=OfpSXI8_UpY) Independence Day Trailer (https://www.youtube.com/watch?v=B1E7h3SeMDk) Nolan's Dark Knight Trilogy (https://www.youtube.com/watch?v=yqzmFp20184) Into The Fringe: A True Story of Alien Abduction (https://www.abebooks.co.uk/9781495902758/Fringe-True-Story-Alien-Abduction-1495902757/plp) by Dr Karla Turner Wikipedia article on Siphonophorae (https://en.wikipedia.org/wiki/Siphonophorae) Wikipedia article on Pareidolia (https://en.wikipedia.org/wiki/Pareidolia) The Doors of Perception: And Heaven and Hell (https://uk.bookshop.org/p/books/the-doors-of-perception-and-heaven-and-hell-aldous-huxley/3650082?ean=9780099458203)by Aldous Huxley Flying Saucers: A Modern Myth of Things Seen in the Sky (https://www.abebooks.co.uk/servlet/BookDetailsPL?bi=31131631760&searchurl=an%3Djung%2Bc%2Bg%26sortby%3D17%26tn%3Dflying%2Bsaucers&cm_sp=snippet-_-srp1-_-title1) by CG Jung The Invisible College: What a Group of Scientists Has Discovered about UFO Influence on the Human Race (https://www.abebooks.co.uk/servlet/SearchResults?kn=the%20invisible%20college%20vallee&sts=t&cm_sp=SearchF-_-topnav-_-Results) by Jacques Vallee The Trickster and the Paranormal (https://uk.bookshop.org/p/books/the-trickster-and-the-paranormal-george-p-hansen/295067?ean=9781401000820) by George P Hansen Cosmic Trigger (https://www.abebooks.co.uk/servlet/BookDetailsPL?bi=31398934933&ref_=ps_ggl_2039220669&cm_mmc=ggl-_-UK_Shopp_Tradestandard-_-product_id=UK9781561840038USED-_-keyword=&gclid=CjwKCAjw0ZiiBhBKEiwA4PT9z2KTGnaWBzba3cnkHzKmX_8CBNLjptVGzflg2HkpajZuefq6BWzL7BoCSSoQAvD_BwE) by Robert Anton Wilson Hellier (https://www.youtube.com/watch?v=R1FwIuicx88) - you know the score The Mothman Prophecies (https://uk.bookshop.org/p/books/the-mothman-prophecies-john-a-keel/2074568?ean=9780765334985) by John Keel Communion: A True Story (https://uk.bookshop.org/p/books/communion-a-true-story-whitley-strieber/4479222?ean=9780285643543) by Whitley Strieber Communion Trailer (https://www.youtube.com/watch?v=JJ9SI7WShfU) The Report on Unidentified Flying Objects (https://www.abebooks.co.uk/Report-Unidentified-Flying-Objects-Edward-Ruppelt/13241019281/bd)by Edward J. Ruppelt The Greys Have Been Framed: Exploitation in the UFO Community (https://www.abebooks.co.uk/9781519579614/Greys-Been-Framed-Exploitation-UFO-1519579616/plp) by Jack Brewer The Secret Life of Puppets (https://uk.bookshop.org/p/books/the-secret-life-of-puppets-victoria-nelson/3860909?ean=9780674012448) by Victoria Nelson Mutants and Mystics (https://uk.bookshop.org/p/books/mutants-and-mystics-jeffrey-j-kripal/472638?ean=9780226271484) by Jeffrey J. Kripal Authors of the Impossible: The Paranormal and the Sacred (https://uk.bookshop.org/p/books/authors-of-the-impossible-the-paranormal-and-the-sacred-jeffrey-j-kripal/4385341?ean=9780226453873) by Jeffrey J. Kripal Chameleo (https://www.abebooks.co.uk/servlet/BookDetailsPL?bi=31026308577&searchurl=kn%3DChameleo%2BRobert%2BGuffey%26sortby%3D17&cm_sp=snippet-_-srp1-_-title1) by Robert Guffey Vision of The Hawk (http://strangeattractor.co.uk/shoppe/arik-roper-vision-of-the-hawk/) by The Art of Arik Moonhawk Roper Cabarets of Death by Mel Gordon - coming soon from Strange Attractor Press (http://strangeattractor.co.uk/) Music from Elsewhere by Doug Skinner - coming soon from Strange Attractor Press (http://strangeattractor.co.uk/) State51 (https://thestate51conspiracy.com/) Polypores on bandcamp (https://polypores.bandcamp.com/) The Wickerman (1973) Trailer (https://www.youtube.com/watch?v=a-tDnavDCwI) The Wickerman (2006) Trailer (https://www.youtube.com/watch?v=QITzuunu-SU) Luminous Foundation on bandcamp (https://urthona.bandcamp.com/) To The Stars (https://tothestars.media/en-gb) Blink 182 on bandcamp (https://blink182.bandcamp.com/album/buddha-2) Vayse on bandcamp (https://vayse.bandcamp.com/album/music-from-vayse-volume-1) Special Guest: Mark Pilkington.

visite nosso site: https://www.goodvillages.com/

Entrevista transmitida no dia 16/01/2023.

Visite nosso site: https://www.goodvillages.com/

Seriah is joined by Red Pill Junkie and Wren Collier for a deep dive into the iconic UFO abduction story of Barney and Betty Hill and possible re-interpretations. Topics include government psyops, MK Ultra, Martin Cannon's “The Controllers”, missing time, Project Bluebook, Dr. Benjamin Simon, hypnotherapy, shared delusions, John G. Fuller's “Interrupted Journey”, Donald Keyhoe, Charles Douglas Jackson, Stanton T. Friedman and Kathleen Marden's “Captured”, hypnotic regression, milabs, Antonio Vilas-Boas, Bosco Nedelcovic, allegations of fake UFO events by the CIA, racism, the NAACP, Operation Midnight Climax, Project Paperclip, Nazis mentioned by Barney Hill, the “red-headed Irishman”, “The Outer Limits” TV show, Travis Walton, false memories, AI chatbots and inaccuracies, chatbot malfunctions as a marketing ploy, AI and Magick rituals, parapolitics, Whitley Strieber, bedroom invaders, OBEs, driving trance states, sleep deprivation, Charles Lindbergh, sleep paralysis, the Pascagoula abduction, Kit Green, Bud Hopkins, George Adamski, Allen Dulles, UFO contactees, space brothers, the “Mabel” podcast, cattle mutilations, radiation, “Body Snatchers in the Desert”, government experimentation on marginalized groups of people, the city of Montreal, differing levels of hypnosis susceptibility, Jacques Vallee and a bizarre experiment by the Hills, recurring abductions and bloodline abductions, Vilas-Boas's previous paranormal experiences, Rendlesham, Cash-Landrum incident, Peter Robbins, strange U.S. Navy patents and experiments, remote viewing, government experiments carried out through corporations, Robert Bigelow, and much more! This classic case still contains many unanswered questions! - Recap by Vincent Treewell of The Weird Part Podcast Outro Music is Razorblade by Vrangvendt Download

ACESSE AO SITE: https://www.goodvillages.com/ Curso de composição: https://composicao.goodvillages.com/ Blog: https://www.goodvillages.com/blog/ Outros videos: https://youtu.be/ncWVp59_FcU Assista meus videos musicais: https://youtu.be/T79GuajbIiA ----------------------------------------------- INSTAGRAM: @IgrejaONE @alessandro_vilasboas @brunna_vilasboas @thegoodvillages Escute minhas músicas: https://open.spotify.com/track/7vbGO3...

ACESSE AO SITE: https://www.goodvillages.com/ Curso de composição: https://composicao.goodvillages.com/ Blog: https://www.goodvillages.com/blog/ Outros videos: https://youtu.be/ncWVp59_FcU Assista meus videos musicais: https://youtu.be/T79GuajbIiA ----------------------------------------------- INSTAGRAM: @IgrejaONE @alessandro_vilasboas @brunna_vilasboas @thegoodvillages Escute minhas músicas: https://open.spotify.com/track/7vbGO3...

ACESSE AO SITE: https://www.goodvillages.com/ Curso de composição: https://composicao.goodvillages.com/ Blog: https://www.goodvillages.com/blog/ Outros videos: https://youtu.be/ncWVp59_FcU Assista meus videos musicais: https://youtu.be/T79GuajbIiA ----------------------------------------------- INSTAGRAM: @IgrejaONE @alessandro_vilasboas @brunna_vilasboas @thegoodvillages Escute minhas músicas: https://open.spotify.com/track/7vbGO3...

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.03.17.533187v1?rss=1 Authors: De Miranda Ramos, V., Serna, J. D., Vilas-Boas, E. A., Cabral-Costa, J. V., da Cunha, F. M., Kowaltowski, A. J. Abstract: Autophagy is responsive to intracellular signals, including calcium (Ca2+) ions. Mitochondrial Ca2+ transporters such as the mitochondrial calcium uniporter (MCU, an uptake pathway) and Na+/Li+/Ca2+ exchanger (NCLX, an efflux pathway) are known to shape Ca2+ signals within the cell, thereby regulating Ca2+-sensitive cellular processes. However, the interplay between MCU, NCLX, and autophagy is unknown, and investigating the crosstalk between these important metabolic and signaling nodes was the aim of this study. We evaluated autophagic activity using a wide array of experimental approaches after siRNA-mediated MCU or NCLX knockdown. Under nutrient replete conditions, reduced expression of either NCLX or MCU led to decreased autophagic activity as well as altered expression of several autophagy-related genes, without affecting mitochondrial ATP synthesis. The knockdown of NCLX resulted in marked reduction of LC3 expression and of activation of the AMPK-UKL1 pathway. Interestingly, NCLX expression was increased under autophagy-promoting conditions in vitro and in vivo, demonstrating it is both regulatory of and regulated by autophagic stimuli. Also, genetic and pharmacological inhibition of NCLX caused impaired autophagosome formation and reduced autophagic flux after serum and amino acid starvation. In conclusion, our results uncover an important role for mitochondrial Ca2+ transport as a regulator of both basal and stimulated autophagic activity, modulating both autophagic initiation and autophagossome formation. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

ACESSE AO SITE: https://www.goodvillages.com/ Curso de composição: https://composicao.goodvillages.com/ Blog: https://www.goodvillages.com/blog/ Outros videos: https://youtu.be/ncWVp59_FcU Assista meus videos musicais: https://youtu.be/T79GuajbIiA ----------------------------------------------- INSTAGRAM: @IgrejaONE @alessandro_vilasboas @brunna_vilasboas @thegoodvillages Escute minhas músicas: https://open.spotify.com/track/7vbGO3...

On this episode of Mothboys, the boys discuss the scary and spooky, yet still very erotic abduction of Antônio Vilas-Boas.  We also do the lords work by deciding if Jimmy Buffet is Yacht rock or not! Follow along on our moth-journey on Instagram at @mothboyspodcast and on Facebook at Mothboys.

Hoje, recebemos uma convidada que já é familiar à comunidade bitalk e que voltou para pisar o palco do Bitalk Summit. Ela já esteve conosco no Bitalk #91, onde discutimos o empreendedorismo feminino em Portugal e volta para partilhar a sua história convosco. Rita Vilas Boas é uma mulher empreendedora multifacetada. Estudou Microbiologia e mudou-se para a Dinamarca para fazer investigação, onde percebeu que não era num laboratório que queria ficar. Atualmente, é investidora em vários negócios, como a KENCKO, que oferece uma forma melhor de consumir vegetais e frutas, a ANDY LIVING, que oferece a experiência universitária perfeita e a PHUNK, a primeira bebida hard seltzer portuguesa. Além disso, também é co-fundadora da Iberian Gourmet e LP Fundadora da Shilling, uma empresa de investimento em startups, como Uniplaces, Unbabel, Bizai, Casafari, e Barkyn. Em 2017, Rita também foi uma das criadoras do partido Iniciativa Liberal, acreditando que é preciso uma nova revolução de cidadania responsável para acabar com o Paradoxo de Lampedusa no país. Aos que faltaram, perderam a oportunidade de ter um NFT da Bitalk Summit Founders Edition! Os primeiros NFTs do Bitalk Summit foram criados em parceria com a equipa da Crowdclass, que se revelou incrivelmente dedicada e profissional ao longo de todo o processo para garantir que iriamos ter um recompensa para os nossos early adopters. Fred Antunes 7 Fev | 23h | Canal Q 8 Fev | 12h | Youtube e Plataformas de áudio Uma produção GAFFVisuals https://gaffvisuals.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/bitalk/message

Antonio Vilas-Boas, un joven brasileño se ve sorprendido por lo que parece una estrella de gran tamaño y especialmente luminosa. Antonio contempla cómo lo que parecía un astro en el cielo nocturno se ha convertido en un objeto extraño, un objeto que poco a poco desciende hasta tocar tierra. Unos seres extraños se hacen con él para subirlo a su nave. El miedo le invade por completo, estaba siendo secuestrado.

9 out of 10 startups die, and the first years of any startup existence are the most challenging to navigate. This is where business angels can offer invaluable support to founders along with so much needed capital.Rita Vilas-Boas is a marketing professional, entrepreneur and angel investor focusing on consumer-centric startups. She is particularly interested in impact and women-led startups.  In the last 20 years, she held top-tier roles at major global brands like Procter & Gamble and Coca-Cola as well as family businesses. Rita shares a moving story of fear, flight and growth that brought her to work and live in 7 countries across 3 continents. Topics that we cover in this episode:Who are angel investors? Which role do they play?How do you find an angel?How can founders and business angels build a mutually beneficial relationship? Which pitfalls should they avoid?Related episodes: Angel investment#3: Debunking the elitist image of startup investment – Svenja LassenVenture Capital#17: Who should or should not raise venture capital? And how? - Gesa MiczaikaMore about Rita Vilas-Boas:Rita is Limited Partner founder at Shilling - community-driven venture capital fund. She is also the founding member of the first Classic Liberal Party In Portugal. Born and raised in Porto, Portugal, Rita holds a bachelor degree in biotechnology and a post-graduation degree in bioethics. Rita is based in Lisbon, Portugal.About Darya Kamkalova:Darya is a data industry professional, a startup mentor, a co-founder of Manifest Taproom (a craft beer bar in Berlin), and a speaker. She is committed to narrowing the gender investment gap for female founders and diverse teams. Darya is based in Berlin, Germany.Venturing Women website:https://www.venturingwomen.org/Follow us on social media:Instagram - LinkedIn

Sejam bem-vindos ao 36º arquivo de áudio perdido que virou podcast da Biblioteca LeiaNovosBR! No episódio de hoje você tem acesso à entrevista da atarefada funcionária Carol Vidal (@carolvidal_) com a autora Lis Vilas Boas! Lis Vilas Boas é do interior do estado do Rio de Janeiro onde o rio, literalmente, faz a curva. Cresceu escrevendo histórias que ninguém podia ler e sonhando com o dia em que ia trabalhar com baleias, e atualmente é pesquisadora com doutorado em Oceanografia e escritora com PhD em histórias impossíveis enquanto mora ao mesmo tempo em diversos lugares do Brasil com o marido. Ao longo de sua vida de oceanógrafa, se dedicou ao estudo da bioacústica de mamíferos marinhos e de paisagens acústicas submarinas, tem artigos publicados em periódicos intern. Tenta encontrar na ficção especulativa o equilíbrio entre ciência e magia que permeiam suas ideias. Estamos aprendendo a organizar as coisas novamente, então aqui estão os links importantes comentados no episódio: Twitter: @lis_bitt Site da Autora Lis Vilas Boas A livraria LeiaNovosBR está aberta 6 horas por dia, 8 dias por semana, em turnos intermitentes com horário de almoço fixo, mas intervalos livres para cafezinhos. Você pode tentar entrar em contato conosco por sinais de fumaça (desde que originária de churrasco vegano), por cartas endereçadas à caixa postal ou, em casos extremos, tentar contato pelo nosso twitter ou no e-mail leianovosbr@gmail.com Créditos Nem só de duendes e sacis é feita a equipe da LeiaNovosBr! Esse capítulo da nossa livraria só foi possível pela ajuda dos nossos colaboradores incríveis. Pauta e gravação: Carol Vidal e Caio Amaro Arte da Vitrine: Daielyn Cris Bertelli Edição: Senhor Basso E pela ajuda das pessoas que nos apoiam: Rodrigo Leite Walisson Viana (Airechu) Melisa de Sá Cláudia Rodrigues Rosenilda Azevedo (Nilda) Lucas Roberto Arrais Domingos Carolina Soares Mendes Sidney Andrade (Deridevio) Caio Amaro Abner De Souza Igor Bajo Marina Jardim Carol Vidal Dayse Cristhina Priscilla Rubia Nielson Rocha Alessandra Rocha Leandro Gomes Francisco Faria Thiago Felipe Ruediger Marina Barbosa Kondratovich Luciana Bento Clecius Alexandre Duran Amauri Silva Lima Filho Ricardo Brunoro Contribua para o LeiaNovosBR  O LeiaNovosBR é um podcast quinzenal no qual dois funcionários de uma livraria mágica bagunçada entrevistam autores nacionais e ele faz parte do site Leitor Cabuloso. Contribua para o projeto, conheça as recompensas em  catarse.me/leitor_cabuloso ou no Picpay em https://picpay.me/leitorcabuloso. Banner do site Leitor Cabuloso em um fundo claro de uma imagem de livros empilhados. Na parte superior central há a frase "Literatura é resistência!" em azul. No centro do banner há a logo colorida do Leitor Cabuloso, composta pela imagem de um punho erguido amarelo saindo de um livro azul ao lado do nome 'Leitor Cabuloso'. Abaixo dessa logo há 4 ícones, o primeiro é de um papel e uma caneta com a legenda "Contos", o segundo é de uma estrela com a legenda "Resenhas", o terceiro é de várias estrelas com a legenda "Colunas" e o último é de um microfone com fones de ouvido com a legenda "Podcasts". Na parte inferior da imagem há a frase "Apoie em catarse.me/leitor_cabuloso" seguido do ícone colorido da plataforma Catarse.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Eric Vilas-Boas who wrote If Rotoscoping Isn't Animation, Nothing Is for Vulture. Here's what I wrote about it:This year director Richard Linklater released the film Apollo 10 ½: A Space Age Childhood, which is animated through rotoscoping. Essentially, live-action footage is painstakingly animated over using a technique that harkens back to the dawn of animation, a process that required a suite of about 200 2D animators for costs upwards of $20 million. The animated film, however, has been rejected by the animation committee of the Academy Awards, arguing it relies on live-action footage even though the film clearly surpasses the requirement 75 percent of running time must be animated. Linklater and company are ticked off, claiming that the branch has been captured by corporations and aimed at children, with 19 of the past 21 awards for Best Animated Feature going to CG-animated kids movies, and with just two independent studies winning.Eric is brilliant on the topic of animation, he was one of the founders of The Dot and Line animation blog and is one of the most plugged-in writers on the topic these days. We spoke about why the awards scene around animated film is chaotic, why it's a demoralizing moment to be in the field, and how streaming has upended the industry. Eric can be found at @e_vb_ and at Vulture.This interview has been condensed and edited. You wrote a really fascinating story about a new film that's coming out from director Richard Linklater. Before we dive into the whole concept of rotoscoping and whatnot, do you want to tell folks a little about your history with animation? You're currently at Vulture, you've got a long history of working in this space. What's been your journey in covering animation so far?I've been interested in this area of coverage for a long time. I always wanted to be an entertainment journalist. I always wanted to angle my career in that direction. A buddy of mine and I looked around at the space of magazine journalism a few years ago and we noticed, "Oh, there's no The New Yorker for animation coverage." No one covers cartoons with what we thought was a level of both consistency and seriousness.We started this website called The Dot and Line based off an iconic Chuck Jones short cartoon; that was in 2016. My friend and I, John Maher, started that site. That site was just our way of covering animation from a fan perspective and a magaziney perspective, a bloggy perspective, and also covering the business through the same lens.We never made any money. The Dot and Line shut down, we gave it a viking funeral in 2020, in the beginning of the pandemic, very lovingly.I always really loved cartoons and animation. I wanted to cover it more deeply and make sure that it had a place in the media ecosystem that I was working in. These days I've parleyed that experience into writing about animation for Vulture, for Thrillist in the past, for Hyperallergic, for The Observer. Now I'm currently in Vulture where I edit most of our streaming coverage, and then also work on the occasional animation and cartoons piece, which brings me to this topic today.I just wanted to make sure that we got that set up, because there's this idea that you've always been reporting on how there's tension in animation, how there aren't a lot of people who treat it seriously, that there's a tremendous amount of effort and art that goes into it but that mainstream sources oftentimes don't necessarily understand what some of the power and appeal of it is. That all really comes to a head in the story. Do you want to talk a little bit about Apollo 10 ½ and how it was made?It definitely hits a lot of points for me. Apollo 10 ½ is a rotoscoped movie directed by Richard Linklater, a very well-regarded indie filmmaker who has done both animated movies like A Scanner Darkly and Waking Life as well as live-action movies like the Before trilogy and Dazed and Confused, and a few other things that you might have seen before. Apollo 10 ½ is basically his latest animated effort. It was made by a large team of around 200 animators through a studio called Minnow Mountain, based in Austin, Texas, where Richard Linklater is also based. Apollo 10 ½ is essentially a coming-of-age fantasy story about a kid who gets to experience sitting in a NASA space mission.The opening hook of the movie is like, "Oh, we made the space capsule too small and now this preteen child must be signed up for a NASA mission." And it's a fantasy. It's meant to be fantastical in a way that live action can't be. Richard Linklater has talked about this, so that's all well and good. Apollo 10 ½ was released on Netflix earlier this year, over the summer. It was also submitted for Academy Award consideration for Best Animated Feature.Best Animated Feature is an interesting category and we can get into why. But long story short, the film was rejected from consideration over the summer on the grounds that it "did not meet the definition of animation" according to the Academy's feature animation committee.That's ticked a lot of folks off, because it is animated with a technique used called rotoscoping which as you wrote, goes back to some of the earliest days of not just animation but film, period. Do you want to talk about what the controversy is there?To give just a definition, rotoscoping is essentially you'll film something in live action. The tool that was invented was literally called the rotoscope, and it was invented by this animator Max Fleischer, who people might know from the Superman cartoons. These old 1940 Superman cartoons are some of the best cartoons of their kind even to this day; they're very well respected. He invented this thing in 1915 called the rotoscope. What the rotoscope is is essentially a multi-plane camera on steroids that allows you to film something in live action, and then to trace the images of what's been filmed into an animated form — to trace the outlines of something and create art out of it, essentially.The Fleischer brothers used this on a number of their animated cartoons. They had this series called Out of the Inkwell: They traced Cab Calloway, the jazz musician, dancing and doing some awesome moves in some of their cartoons. The upshot of all this is that it looks really good. It's an easy way to capture fluidity and a certain level of realism, without having to draw every single thing from nothing, essentially. It's a technique that's been used for decades upon decades by not just the Fleischers but also animators at Disney. Snow White heavily referenced a performer named Marge Belcher using similar techniques.It goes all the way to Ralph Bakshi's 1970s Lord of the Rings film, which famously uses rotoscoping. You can argue one way or another over whether Ralph Bakshi's rotoscoping looks good or not. I think a lot of it looks really good. Lord of the Rings is not a very good-looking movie, but it's interesting, I think.People feel a lot of different ways about rotoscoping. Part of the mystique of animation is that something is artistic and being delivered in front of you, in a moving way that literally tricks you to think that these images that are just layered on top of each other very, very fast are actually moving. That's the point. I think that it takes an element of the mystique out of it, or the artistry out of it, to hear later on, "Oh, that was traced," or something like that. But the reality is this is just a tool, it's just a technique that a lot of animators and a lot of your favorite movies have actually deployed over the years. A lot of movies that you might know.The crux here is that the animated film division of the Academy came to the determination that this wasn't an animated film, because it required rotoscoping as much as it did. And it's got a lot of people ticked off for a lot of different reasons.2D animators obviously have had a hell of a time just continuing their craft. Just in general, the category as you wrote has been really dominated by fairly colossal corporate interest for a while. Do you want to talk a little bit about what specifically this tempest is all about?I think it's really frustrating to anybody who knows about the history of animation to call a decades-old technique used in animation not animation. So that's one side of that argument.Another side of this argument is the corporate aspect of the specific animated feature award. It's not Best Picture, which has been around for forever. It's not as clear-cut as Best Actor or Best Actress or something like that. Best Animated Feature has been around since the year 2001, so it's newer. Ever since 2001, it's always been largely dominated by either 3D CGI movies and/or films that are owned or have been distributed by Disney-Pixar. To pull out some examples, I think Shrek won the first year, and last year Encanto won.I don't have the history in front of me, but every year it's an ongoing joke in the animation community like, "Oh, another CGI movie is going to win." And it's very rare that, number one, a 2D film wins, even more rare I think than that a film that's not owned by a large mega-conglomerate, either Disney or Dreamworks, wins.They've all been Disney, Pixar, Dreamworks, Sony, with the exception of one Aardman picture, and then Spirited Away.Two independent studios have won over the past 20 years, which is like, I personally don't like those numbers. A lot of folks can say otherwise.And then there's this other side of the argument, and I think the animator Phil Lord got into this a little bit when he tweeted last year and a lot of people tweeted: The larger cultural understanding of the animated feature category is that it's made for children. That animation is just for kids, and that this is a juvenile pursuit. I think that the presenters at last year's Academy Awards leaned into that.It was really patronizing, if I recall.Yeah. The tone of that is very patronizing. You look at the animator Richard Williams who passed away a few years ago, this is a person who is known for a hyper-realistic, very, very fluid animated style. He's the reason that Who Framed Roger Rabbit looks as good as it does, because he impressed upon his animators, "You have to make sure the eyelines match up between the cartoon characters and the actors on stage."You look at artists on his level or on a Miyazaki level, or to go back even further a Chuck Jones level, and to say that they are making stuff that's only for kids is, if it were me, if I were in their shoes, I would find it very offensive. I would find it very patronizing.It's an interesting category for a lot of reasons. I looked at it last year because I'm obsessed with the Oscars, and Pixar usually gets a bid, Disney usually gets a bid, Dreamworks usually gets a bid, one of the other biggies gets a bid. And then they'll usually get an international feature or one of the Ghibli, Aardman worlds.It's weird that there's clearly a degree to which the animators within the division have enough clout to get those nominees for those international features and those smaller indie features, but it does seem that the branch is dominated by the kind of folks who just want to give it to Pixar, Disney or Dreamworks.That's the story the numbers seem to tell us. I think one of the frustrations, and I understand why it has to be this way, is that you do want to know how these voting bodies work, but it raises a wide variety of complications if we knew exactly how everybody voted, but a lot of the stuff happens in a very opaque way. Richard Linklater, in my story, when I interviewed him for this Apollo 10 ½ thing, his words I think were, "We really just don't know who's behind this decision making." The only way that he can conceive of it is that like, they must have something against rotoscoping, or, against us, "us" speaking for the independent animators that he works with.To him, to them, it feels like a David and Goliath situation where I'm sure a film like the latest Disney-Pixar thing that is made for $150 or $200 million or whatever it is, they would probably have no trouble getting nominated for anything, for clearing through any of the rules that are stipulated. This film, which is made for $20 million and there's definitely an outsider feeling there on the part of him and his animators, they're running into trouble.It's a challenging category because again, the work is really fairly incredible coming out of even the larger houses, not to diminish any of that. It is just weird.That's the thing too. No value judgment, it's not an artistic judgment on the artistry of a film like Encanto or Turning Red which are stunning, beautiful animated movies. I cried during Encanto not quite like I'd cried in any movie that year that it came out. But I think the tension is really like, "Oh, why is animation only this?" I think that's the question that is on some of these other animators' minds and on Linklater's mind.It's almost entirely 3D animated stuff. Again, I'm a LAIKA stan, and it's just shocking to me that they occasionally get the nominations, but it's a little evident that the body is just going to be predisposed toward 3D computer-animated graphic stuff instead of the 2D stuff, instead of the anime stuff, instead of the rotoscoping and stop-motion stuff.Yeah. LAIKA is a perfect example; just everything that they put out is amazing, it just looks stunning and it feels like if they get a nomination, it's a good year.You also cover a lot about just how the business of animation and streaming has really fundamentally changed; a lot of that, whether it's Crunchyroll merging with Funimation, whether it's all these streaming services jumping directly into the world of animation and then some of them getting cold feet and then getting the hell out. It's been an interesting couple of years for the business itself. Do you maybe want to talk a little bit about streaming and how that's changed some of the math for animated stuff?I'm glad you asked about that because we're in this moment right now, this sense in the animated world that this idea that animation and animators are playing second fiddle constantly to the world of live action. It shouldn't really be that way. These movies and shows take a lot of effort to produce and they do connect with kids and with adults in very, very profound ways. But we're in this moment where it's like, "Oh, you have this corner of the entertainment industry that is doing all this stuff but it feels like it's not getting recognized."Even within that side of the entertainment industry, you have these aspects of it that are, like anything else, it feels like the big dogs are running the show, like the indie animators are doing their own thing, doing something different but then maybe they're being shut out of awards consideration.The same is happening on a macro level. In terms of what I've been covering, to take the streaming wars for example, part of the larger capitalist world in which we operate — for example, Warner Brothers Discovery, the company removed I think 36 titles off of HBO Max without warning over the summer as they were trying to carve down on overhead and slash $3 billion worth of debt which the merged company had inherited.A big part of that was animated shows. A lot of animated shows were in that mix. A few of them, like Infinity Train for example, an amazing show, a brilliant genius show, very not of the same mold as other programming like it, Infinity Train was spiked from the service and all their social media accounts were eliminated. I think the music on Apple Music was removed. This all happened within a span of a few days to a week.I don't know the status of Infinity Train's physical media, but the sense of it was that this show had disappeared off the internet, completely disappeared. And as a fan, you're kind of like, "What the f**k?" As a fan, you're like, "What just happened here?" Offhandedly, I talked to people who worked on the show, and they were also just confused like, "What's going on?" I think that they were all blindsided. The creator of the show, Owen Dennis, wrote a very good Substack post on that exact thing, that feeling of blindsidedness.You've got all these things going on and it's not helping. Animators, or people who are fans of animation, it doesn't help them that some movies are being treated with seemingly a different set of rules as other movies, debatable on whether those rules should exist or not as they pertain to the Academy Awards. It feels like they're being devalued by some of these large companies that own some of the titles that they worked on, either to slash them to just offload debt or to eliminate them entirely for no reason. It seems like the reason is money, which to me doesn't really seem a good reason at all.Then at the same time, something like the Academy Awards, and the award is presented, are we then going to be treated to some hacky line from the last year's best supporting actress or whatever saying, "Oh, animation is so good for kids. It's so great to watch when you grow up, this is what you do when you're a child, and that sense of wonder" or whatever.I don't know, man. If all this stuff is happening to you and you're an animator and you're already baseline underpaid, because everybody's underpaid in Hollywood or anywhere in media, you learn that your work is being devalued by the company you work for. You learn that, an opportunity that I have to go on stage and accept this award is being seen as this purely juvenile pursuit that only appeals to children. Again, we're speaking hypotheticals for all of this, but the multinational company worth billions upon billions of dollars that happens to have billions upon billions of dollars in debt, essentially disappears your cartoon from the service that it was running on?I would be demoralized. I'd be very demoralized.Demoralized is a really good word. It's also fascinating because it's objectively wrong. Adult animation, it's really hit a stride recently; demand is only going up.I alluded to Crunchyroll earlier, but again we've seen demand for anime go through the roof. It seems like it's very much a dated mentality that animated programming is exclusively for kids. It is just a separate art form in a way.You've written a lot in particular about how creatively we've been in a bit of a renaissance when it comes to what one can do with animation and who animation can be for.Yes, absolutely. I don't know, some of the best action filmmaking that I have ever seen has come from Genndy Tartakovsky, director and creator of Primal and Samurai Jack and Dexter's Laboratory. I interviewed him a few years ago and I can't remember the exact quote, I've got to pull it up in my notes. I think I asked him something on the level of, "Would you want to direct a live-action film?" or something like that. And for him, it's not about that. It's not about "graduating" from animation into live action. I can't remember the exact quote, but he told me, basically, it's all about filmmaking. It's all about composing shots, creating storyboards, getting the timing, getting the action and putting a film together.I just saw a tweet today, it's Steven Spielberg getting interviewed about something 30 or 40 years ago. He talks about how animation is the father of live-action filmmaking. The quote is like, "They need to know how a chipmunk rolls into a bank of snow or whatever, because they need to paint every motion of that chipmunk rolling over and over and over across 12 cells per second." This is Steven Spielberg. Steven Spielberg gets it. Why can't anybody else get it?I talk to folks in the comics world who say very similar things, where it's just, they're not trying to storyboard Marvel movies 10 years from now. They're trying to do something in a format that you can uniquely only accomplish in that. You can do things in animation that you cannot do in live action and that's what makes it very cool.It's not for nothing, but the conversations that are happening in the film and TV animated world are probably also happening at the same time in the VFX animation world. We're hearing a lot about these video effects workers on these Marvel movies talking about their labor issues, everything from increased workload leading to overly demanding schedules, and so the product resulting in it looking bad, the product looking not what a movie should look like and not adhering to some of these basic rules of filmmaking, framing and making sure what the stakes are. I think we're just in an interesting period where a lot of these big productions are coming out, you've got Star Wars, you've got all these Marvel movies, you've got the DC Extended Universe. All those require intense special effects like animators. And these two practices are very closely linked, even if they're not going after the same goals.Where can folks find you, Eric? Where can folks find your work and what are you working on these days?Yeah, I'm at Vulture. My Twitter handle is @e_vb_, and anything I write these days typically winds up at vulture.com.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips, or feedback at walt@numlock.news.  Get full access to Numlock News at www.numlock.com/subscribe

Four years before the more famous Hill Abduction, a Brazilian farmer had a hair-raising experience that is eerily reminiscent of the “alien abduction” stories brought to light in the 1980s and 90s. His case is now widely considered the first alien abduction of the post-war era, and the first to imply an agenda of alien-human hybridization. Support us on Patreon: https://patreon.com/user?u=3375417 Donate on Paypal: https://ThinkAnomalous.com/support.html Watch the video version: https://youtu.be/P6rAh6aZ5bo Website: https://ThinkAnomalous.com Full sources & transcript: https://ThinkAnomalous.com/vilas-boas-abduction.html Facebook: https://facebook.com/ThinkAnomalous Twitter: https://twitter.com/Think_Anomalous Instagram: https://instagram.com/Think.Anomalous Check out more from our illustrator, V.R. Laurence: https://vrlaurence.com Think Anomalous is created by Jason Charbonneau. Illustration by V.R. Laurence (https://vrlaurence.com). Researched and Co-written by Clark Murphy. Music by Josh Chamberland. Animation by Brendan Barr. Sound design by Will Mountain and Josh Chamberland. Sources: Bowen, “Interesting Comparisons: The Hills, A.V.B. and Valensole” in The Humanoids, edited by Charles Bowen. Chicago, IL, USA: Henry Regnery Company, 1969. 239 - 247. https://archive.org/details/humanoids00mich. Creighton, Gordon. “The Amazing Case of Antônio Villas Boas” in The Humanoids, edited by Charles Bowen. Chicago, IL, USA: Henry Regnery Company, 1969. 200 - 238. https://archive.org/details/humanoids00mich. Mack, John. Abductions: Human Encounters with Aliens, revised edition. New York, NY, USA: Ballantine Books, 1995. https://archive.org/details/abductionhumanen00mack/mode/2up. Redfern, Nicolas. Top Secret Alien Abduction Files: What the Government Doesn't Want You to Know. Newburyport, MA, USA: Disinformation Books, 2018. Ruppelt, Edward. The Report on Unidentified Flying Objects. Garden City, NY, USA: Doubleday & Co., 1956. Rutkowski, Chris A. A World of UFOs. Toronto, ON, Canada: Dundurn Press, 2008. https://books.google.ca/books?id=3toLKTqqlbIC&source=gbs_navlinks_s. This podcast uses sound effects downloaded from stockmusic.com. UFO Case Review contains sound design with elements downloaded from Freesound.org. Typewriter_2rows.wav, Uploaded by Fatson under the Attribution License.

Four years before the more famous Hill Abduction, a Brazilian farmer had a hair-raising experience that is eerily reminiscent of the “alien abduction” stories brought to light in the 1980s and 90s. His case is now widely considered the first alien abduction of the post-war era, and the first to imply an agenda of alien-human hybridization. Support us on Patreon: Patreon.com/user?u=3375417 Donate on Paypal: ThinkAnomalous.com/Support.html Website: ThinkAnomalous.com Watch the video version: https://youtu.be/P6rAh6aZ5bo Full transcript & audio: ThinkAnomalous.com/Jinn.html Facebook: Facebook.com/ThinkAnomalous Twitter: Twitter.com/Think_Anomalous Instagram: Instagram.com/Think.Anomalous Think Anomalous is created by Jason Charbonneau. Illustration by V.R. Laurence (https://vrlaurence.com) Researched & Cowritten by Clark Murphy. Music by Josh Chamberland. Animation by Brendan Barr. Sound design by Will Mountain and Josh Chamberland. Sources: Creighton, Gordon. “The Amazing Case of Antônio Villas Boas” in The Humanoids, edited by Charles Bowen. Chicago, IL, USA: Henry Regnery Company, 1969. 200 - 238. https://archive.org/details/humanoids00mich. Rutkowski, Chris A. A World of UFOs. Toronto, ON, Canada: Dundurn Press, 2008. Creighton, Gordon. “The Most Amazing Case of All: Part I—A Brazilian Farmer's Story.” January - February, 1965, Vol. 11, No. 1, Flying Saucer Review. 13 - 19. http://www.noufors.com/Documents/Books,%20Manuals%20and%20Published%20Papers/Specialty%20UFO%20Publications/Flying%20Saucer%20Review/FSR,1965,Jan-Feb,V%2011,N%201.pdf. Creighton, Gordon. “The Most Amazing Case of All: Part 2 - Analysis of the Brazilian Farmer's Story.” March - April, 1965, Vol. 11, No. 2, Flying Saucer Review. 5 - 8. This podcast uses sound effects downloaded from stockmusic.com. UFO Case Review contains sound design with elements downloaded from Freesound.org. Typewriter_2rows.wav, Uploaded by Fatson under the Attribution License.

Hoje é dia de episódio como Alessandro Vilas Boas Vocês pediram e nós trouxemos o primeiro convidado do HUB de novo! O Vilas é um grande amigo, pastor na Igreja One, atualmente está morando em Londres e compartilhou coisas incríveis com a gente.

Intervenção de Rita Vilas-Boas, Angel Investor e startup mentor, no debate sobre os 'Desafios de uma Democracia Liberal', realizado em colaboração com o Núcleo de Estudantes Liberais (NEL) da Faculdade de Direito de Lisboa. O debate pode ser visto na íntegra aqui: https://www.youtube.com/watch?v=DtIWnFpngCw 

In 1957, four years before the famous abduction of Betty and Barney Hill, a 23-year-old Brazilian man named Antonio Vilas-Boas claimed he was working on his family farm late one night when an alien spacecraft landed in front of his tractor. Soon, alien creatures grabbed Vilas-Boas and dragged him on board and removed his clothes. Before long, he found himself in a room alone with a strange naked alien woman. The woman latched onto Vilas-Boas like glue, and he had sex with the being. Extraterrestrial Reality • A podcast on Anchor Link to article about the incident: The abduction of Antonio Villas Boas - alien abduction (ufoac.com) Link to transcript of deposition: read://http_www.ignaciodarnaude.com/?url=http%3A%2F%2Fwww.ignaciodarnaude.com%2Fufologia%2FAbduction%2520Vilas%2520Boas%2CG.Creighton.htm Link to The Big Book of the Unexplained: https://amzn.to/3NoB7K5 Support this channel on Patreon: https://www.patreon.com/user?u=67716869&fan_landing=true --- Support this podcast: https://anchor.fm/james-quirk/support

In the first part of our alien race two parter... we know, another two parter but there was just too much info to fit into one episode! We chat about the most famous of all alien races... THE GREYS. We're talking Aleister Crowley and the mysterious entity Lam, Antônio Vilas-Boas and his alien sexcapades, alien/human hybrids and so much more. Support us on Patreon and join The Coven!https://www.patreon.com/QuiteUnusualPodHit us up on social mediaFacebook: https://www.facebook.com/QuiteUnusualPod/Facebook Group: https://www.facebook.com/groups/1349829115227754Instagram: https://www.instagram.com/quiteunusualpod/Twitter: https://twitter.com/quiteunusualpodSend us your listener lore to quiteunusualpod@gmail.comWanna send us something spooky?P.O. Box 1212Des Plaines, IL, 60017Sourceshttps://www.nationalgeographic.com/science/article/how-many-alien-civilizations-are-out-there-new-galactic-survey-holds-cluehttps://awolnews.weebly.com/aliens--ufos https://www.cs.mcgill.ca/~abatko/interests/conspiracy/mj12/https://www.quora.com/What-is-the-origin-of-grey-aliens https://en.wikipedia.org/wiki/Grey_alien https://www.vice.com/en/article/mvpvyn/magickal-stories-lam https://www.nbcnews.com/Rebel 4EverUnfiltered segments regarding unlimited topics such as sports, politics, religion,...Listen on: Apple Podcasts Spotify Love, Marriage & MayhemHilarious, heartfelt, embarrassing and brutally honest conversations.Listen on: Apple Podcasts Spotify Chiller Queen PodcastA podcast for all the weirdos who love true crime, conspiracies, and the bizarre...Listen on: Apple Podcasts Spotify Whiskey'd and UncensoredConversations & interviews drinking whiskeys, taboo talks, sex, relationships and life!Listen on: Apple Podcasts SpotifySupport the show

Join Kyle, Ardon, and Alec as they dive into one of the most peculiar alien accounts that has been documented; that of Antonio Villas Boas! Antônio Vilas-Boas (1934–1991) was a Brazilian farmer (later a lawyer) who claimed to have been abducted by extraterrestrials in 1957. Though similar stories had circulated for years beforehand, Vilas-Boas' claims were among the first alien abduction stories to receive wide attention. Some skeptics today consider the abduction story to be little more than a hoax, although Boas nonetheless reportedly stuck to his account throughout his life. At the time of his alleged abduction, Antônio Vilas-Boas was a 23-year-old Brazilian farmer who was working at night to avoid the hot temperatures of the day. On October 16, 1957, he was ploughing fields near São Francisco de Sales when he saw what he described as a "red star" in the night sky.  At that point, Boas decided to run from the scene. According to Boas, he first attempted to leave the scene on his tractor, but when its lights and engine died after traveling only a short distance, he decided to continue on foot. However, he was seized by a five-foot tall humanoid, who was wearing grey coveralls and a helmet. Its eyes were small and blue, and instead of speech it made noises like barks or yelps. Three similar beings then joined the first in subduing Boas, and they dragged him inside their craft. Hold on to your asses, because things are about to get backwards! https://linktr.ee/backasswardspod

No episódio #87 do podcast Na Mesa, recebemos nosso querido amigo ALESSANDRO VILAS BOAS, que compartilhou um pouco sobre seu chamado na Europa e tudo o que Deus tem feito em sua vida.

Curta Ficção #124 – Escreva sobre sua nerdice, com Lis Vilas Boas Ouvir Thiago Lee convida a escritora Lis Vilas Boas para conversar sobre utilizar as coisas que gostamos (e entendemos) como combustível para escrita. ONDE ENCONTRAR LIS? Twitter: https://twitter.com/Lis_Bitt APOIE NOSSO FINANCIAMENTO COLETIVO! Catarse Assinaturas: catarse.me/curtaficcao CONFIRAM NOSSOS TRABALHOS O mistério do carneiro de ouro … Continue reading Curta Ficção #124 – Escreva sobre sua nerdice, com Lis Vilas Boas →

Tuesday - 3/01/22 - People Who Claim To Have Had Sex With AliensPeople Who Claim To Have Had Sex With Aliens. -In 1957, Brazilian farmer Antônio Vilas-Boas claimed to have been abducted by aliens—one of whom he had sex with. -Chinese farmer Meng Zhaoguo claims to have had sex with an alien in 1994; he's shown here taking (and passing) a lie detector test about the encounter.Article: https://www.buzzfeed.com/katieheaney/6-people-who-claim-to-have-had-sex-with-aliensWe're LIVE tonight. Let's do this!!Join us LIVE weeknights at 7p CT/8p ET on YouTube, Facebook, OpsLens, Odysy Radio, Mojo 5-0 Radio, iHeartRadio, and Spreaker.com.###Follow Us:https://abnormalrealities.comhttps://twitter.com/abnormalshowhttps://instagram.com/abnormalrealitieshttps://facebook.com/abnormalrealitiesSupport our Show:https://www.abnormalrealities.com/shophttps://www.abnormalrealities.com/donatehttps://www.romikadesigns.com/?ref=abnormalrealitieshttps://www.insanecustomtumblers.com/abnormal?ref=Abnormal#OdysyRadio #UFO #Paranormal #UAP #SpiritBox #GhostVoices #AbnormalRealities #RonPhillips #RocciStucci #OpsLens #Bigfoot #Conspiracy #ConspiracyTheories #WhatTheHellIsThat

Le saviez-vous ? Toutes les informations qui nous parviennent ne sont pas vraies. Certaines sont créées et diffusées par des gens qui savent qu'elles sont fausses ; ce sont les Fake News (les Infox). Mais elles sont crues, ou du moins elles deviennent des outils narratifs de ceux qui voudraient qu'on y croit, qu'ils soient eux-mêmes convaincus ou non.   Pour prendre du recul sur le phénomène, une exposition nous propose des œuvres qui font sourire ou froncer les sourcils et nous questionnent sur notre rapport à l'information.  En direct depuis l'Espace Fondation EDF où se tient l'exposition "Fake News - Art, Fiction, Mensonge"    Invités : Filipe Vilas-Boas, Virginie Sassoon, Laurent Bigot  Lien Youtube de l'émission : https://www.youtube.com/watch?v=cReQPqjiWX0&t=4675s   Merci beaucoup à ceux qui soutiennent déjà le travail de la Tronche en Biais via les plateformes de financement :  - Helloasso : https://www.helloasso.com/associations/association-pour-la-science-et-la-transmission-de-l-esprit-critique - Tipeee : https://fr.tipeee.com/la-tronche-en-biais - Utip : https://utip.io/astec - La boutique de la TeB : https://shop.spreadshirt.fr/la-tronche-en-biais/   Production : ASTEC Animateur : Acermendax & Vled Tapas Réalisation : Lise Corsiglia, Corentin Savre Camera : Florian Dupas, Florian Greff Son : Corentin Savre Régie : Lise Corsiglia, Corentin Savre Générique réalisé par Loki Jackal, musique par Vled Tapas Modération : Elodie M, Francine Cordier, Luca Bobenrieth, Nashi, Patrice Seray, Valerian Editeur podcast : Corentin Savre

Recebemos o pastor e cantor Alessandro Vilas Boas pra trocar uma ideia e contar um pouco sobre sua vida e ministério