Podcasts about strummer

Episode 098 brings a double dose of low end theory, welcoming a pioneering pair of underground bass legends percolating on opposite coasts, both cats deep in the streets and boasting decades in the game, with the catalogues and collaborators to prove it. 0:00 - ep.098 preview 3:30 - High Sierra Music Festival 2026  6:30 - The Upful Update 12:00 - intro: Club d'Elf's MIKE RIVARD [aka Micro] 15:00 - INTERVIEW w/ MICRO [83m] 1:38:00 - introducing LONNIE MARSHALL 1:42:00 - INTERVIEW w/ LONNIE [43m] 2:24:30 - afterglow x ViBE Junkie Jamz   First up Mike Rivard [aka Micro] - bass/sintir/founder/visionary of Boston's jazz-trance-dub-hop institution known as Club d'Elf. Twas an honor and privilege to finally tap in with Micro after a quarter century of fandom and awe. We chop it up at length about his group's unicorn career, magnificent co-conspirators like the late Mark Sandman, John Medeski, Brahim Fribgane (RIP), Joe and Mat Maneri, Dave Tronzo, and (Friends Of The Pod) Mister Rourke, Adam Deitch, Ryan Zoidis, Jonny G, among several others. We learn about Moroccan sintir; the healing powers of Gnawa trance music; plant medicines and Terrence McKenna; Micro's personal trials and tribulations along the way; his perspective on the integral role of independent music venues; interpolating NOLA Second Line rhythms in tandem with Morrocan traditions; and revisiting his embryonic journeys with the Grateful Dead as a wide-eared, curious youngster. In April 2026, Club d'Elf unveiled their latest full-length LP Loon & Thrush, a positively magnificent affair in a deep, eclectic d'Elf canon brimming with brilliant configurations and bold adventuring. We chase that inspired dialog with another informative chat featuring LA-based bassist/badass Lonnie Marshall from pioneering underground funk/hip-hop squadron Weapon of Choice. Lonnie was kind enough to hop on the line and discuss his life of Nutmeg Music, his bombastic and eclectic history and colorful persona, lineage from the P-Funk family tree and his teenage era rolling with Bootsy Collins' Boot Camp, storytelling and dope collabs, daKAH hip-hop orchestra, recording/gigging with Joe Strummer's debut solo LP/group, reflections on his brother Arik Marshall's brief, chaotic moment with the Red Hot Chili Peppers and long-term run backing Macy Gray. Plus a whole lot more in this educational inspirational get down with the most mega-nutt mug to ever bless these podwaves! Bassist/sintir sorcerer Mike Rivard [aka MicroVard] defies any sort of rigid genre-specifics or generic categorization. The cat finds himself at home in a bewildering array of musical/cultural settings: from the good ol' Grateful Dead to the melancholic-rock of his late friend Mark Sandman and Morphine, to the mountains of Morocco with local Berber musicians, plus side trips into the Broadway pits, and tantric trance sessions with John Medeski and Joe Maneri. A "military brat" coming of adolescence in the wide expanses of Minnesota, he took in the local sounds of Prince, Husker Du, and the free-jazz coming out of the University of Minnesota milieu. Eventually a young Rivard would find himself while hitchiking on Dead tour, further opening up  nascent doors of perception. Later, Micro set about embarking on Boston's prestigious Berklee College of Music in 1981. After graduating, he studied with jazz legend Dave Holland. Inspired by North African gnawa music, he picked up a Moroccan sintir (three-stringed bass lute) and with guidance from Hassan Hakmoun and Maalem Mahmoud Gania, he has become one of a handful of Western musicians proficient on the instrument. He puts all of the shared sacred teachings and wisdom to good use in Club d'Elf, the jazz-world-dub-electronica squad he formed in 1998. Club d'Elf can be heard across more than 15 albums over the past 25 years; an eclectic, pioneering collective with a vast array of co-conspirators from around the world. Club d'Elf website  Instagram new album Loon & Thrush After years grinding it out on the LA scene with his brother Arik in Marshall Law, Lonnie Marshall founded Weapon of Choice in 1992, holding down bass and lead vocals. After a video directed by Geoff Moore for their song "Uppity, Yuppity Doolittle" came to the attention of Pearl Jam's Stone Gossard, the band was signed to Gossard‘s record label Loosegroove. They released three albums with Loosegroove before the company folded in 2000: "Nut-meg says Bozo the Town" (1994), Highperspice (1996), and Nutmeg Phantasy (1998). In 2001, the band dropped Illoominutty on Fishbone's Nuttsactor 5 record label, and in 2003, they released Color Me Funky. Since 1997, Lonnie has performed alongside members of P Funk and Fishbone, among others, as part of Trulio Disgracias - a constantly mutating funk-rock-jazz collective headed by by Norwood Fisher. Lonnie was an emcee, composer, and performer for daKAH, a 65 piece hip-hop orchestra which coalesced periodically in the Los Angeles area for many years. Before that, Marshall wrote, recorded and toured with the legendary Joe Strummer of The Clash, behind Strummer's dynamic 1989 solo debut Earthquake Weather. Lonnie has contributed/collaborated with Macy Gray, Snoop Dogg, Tone Loc, Ice Cube, George Clinton, Funkadelic, Perry Farrell, Les Claypool, Stone Gossard and his brother Arik Marshall. Lonnie Marshall Instagram Weapon of Choice on Bandcamp     recent B.Getz appearances: In Search of D'Angelo - Delta Bravo Observation Team w/BG [2/26]  Peace & Lovecast - Ode to Genius [D'Angelo ep w/ BG segment [2/26] Behind the Dopey - BG talks RHCP on Dopey Podcast - 4/26 CHECK OUT OUR SPONSORS High Sierra Music Festival 2026 BISS LIST  AARON SCHWARTZ ART LAZYMOON DESIGN for promo/poster art needs Bub and Pop Podcast Support the Upful LIFE Send B.G. a coupla' dollas 4 makin U holla! Upful LIFE Patreon EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen/Comment on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE

London in the mid-seventies was not a comfortable place to be young. Unemployment was climbing, the National Front was gaining ground on the streets, and the music coming out of the mainstream had nothing to say about any of it. Punk arrived as a reaction, detonated largely by the Sex Pistols, but if the Pistols were the bomb, The Clash were the politics that followed. Joe Strummer, born John Graham Mellor, had been fronting a pub rock outfit called the 101ers when he saw the Sex Pistols play in the spring of 1976 and understood immediately that everything had to change. He quit within days and joined guitarist Mick Jones and bassist Paul Simonon, who had been playing together in a pre-punk group called London SS. Simonon came up with the name after noticing it appearing constantly in British newspaper headlines: race clashes, class clashes, political clashes. It fit perfectly. With drummer Terry Chimes completing the lineup, they played their first show on 4 July 1976, supporting the Sex Pistols in Sheffield, having rehearsed for less than a month. The Clash signed to CBS Records in January 1977 for a reported £100,000 and immediately had to defend the deal against accusations of selling out. Their answer was their self-titled debut album, recorded in three weekends for roughly £4,000 and released in April 1977. It was raw, fast, and direct in a way the music press had rarely encountered: thirty-five minutes of songs about unemployment, police harassment, boredom, and the grinding weight of class. ‘Career Opportunities', ‘White Riot', and ‘Janie Jones' announced a band writing from lived experience rather than spectacle. Critically, the album also included a cover of Junior Murvin's reggae track ‘Police and Thieves', signalling from the outset that The Clash were listening beyond punk, that their cultural reference points stretched into the Jamaican community in London, a community living under the same conditions of poverty and institutional racism that Strummer was putting into lyrics. CBS's American division refused to release the album, deeming it too raw for US radio. In the UK it reached number twelve and announced the band as something serious and lasting. Their second album, Give ‘Em Enough Rope, released in 1978 with American producer Sandy Pearlman at CBS's insistence, had a bigger, more polished sound that sat uneasily with the band's instincts. It sold well but felt constrained. What mattered more that year was where The Clash were placing themselves politically. They headlined the Rock Against Racism concert in Victoria Park in east London in April 1978, drawing a crowd of over 80,000 people at a time when far-right parties were actively recruiting in British cities. They had also recorded the furious single ‘Complete Control' in 1977 with Lee ‘Scratch' Perry producing, a direct response to CBS releasing a track without the band's approval, and a signal of how seriously they took the connection between Jamaican music and the political fire in their own work. The band insisted their records be priced accessibly, refused to charge inflated ticket prices, and were chronically in debt to their label as a result. For The Clash, the politics were never separate from the music. They were the same thing. The impact The Clash left behind is difficult to overstate. Chuck D has credited them as the direct template for Public Enemy's approach to socially conscious lyrics and their relationship with the press. Tom Morello, who inducted the band into the Rock and Roll Hall of Fame in 2003, built the entire philosophy of Rage Against the Machine on the question The Clash asked first: what happens when you put radical politics inside music with real rhythmic weight and make people want to move to it? Their influence runs through Massive Attack, U2, the Beastie Boys, and virtually every artist who has ever believed that bass and conviction belong in the same room. Joe Strummer died on 22 December 2002, one month before that Hall of Fame induction, at the age of fifty. The music has not stopped mattering since. This mix pulls from the early years, the fury of the debut, the political fire of the singles, and the moment a band from west London decided that punk was only the beginning. Turn it up. PLAYLIST The Clash The Guns of Brixton - Remastered The Clash Remote Control - Remastered The Clash Know Your Rights - Remastered The Clash Police & Thieves - Remastered The Clash London Calling - Remastered The Clash Straight to Hell - Remastered The Clash Safe European Home - Remastered The Clash White Riot - Remastered The Clash Should I Stay or Should I Go - Remastered The Clash Train in Vain (Stand by Me) - Remastered The Clash London's Burning - Remastered The Clash Tommy Gun - Remastered The Clash Police On My Back - Remastered The Clash Drug-Stabbing Time - Remastered The Clash Red Angel Dragnet - Remastered The Clash Junco Partner - Remastered The Clash Rock the Casbah - Remastered The Clash Hateful - Remastered

This week on Enjoying Orange Slices with Jeff & Ian

Musical Journey Through the Final Week of December: This Week in Music History As the calendar year draws to a close, the week of December 22nd through December 28th stands as a powerful reminder that music history never sleeps—not even during the holidays. In this captivating episode of “This Week in Music History,” hosts Buzz Knight and Harry Jacobs take listeners on an extraordinary journey through decades of musical milestones, tragic losses, and triumphant achievements that have shaped the soundtrack of our lives. The conversation opens with a poignant reflection on the end of another year of exploring music’s rich tapestry. Buzz muses on how, despite covering similar calendar dates year after year, they continue to uncover new stories and perspectives. “When you think about it, you would think, well, if you do it year after year, you’re going to be talking about the same things,” Buzz observes. “And the truth is, we continue to uncover new and different things.” This sentiment perfectly captures the infinite depth of music history and the endless stories waiting to be told. The Clash’s Revolutionary Voice Falls Silent December 22nd marks the anniversary of one of punk rock’s most devastating losses—the death of Joe Strummer in 2002. Born John Meller, the Clash frontman passed away from pneumonia at a time when his influence on music and culture was still reverberating through generations of artists. The Clash represented more than just a band; they were a political and social force that challenged conventions and inspired countless musicians to use their platform for more than entertainment. Strummer’s legacy as a voice for the disenfranchised and his commitment to authentic, passionate rock and roll continues to inspire artists today. A Candle in the Wind That Lost Its Luster The hosts touch on Elton John’s iconic “Candle in the Wind,” originally written about Marilyn Monroe in 1967. While the song initially resonated as a beautiful tribute, its later reworking for Princess Diana’s funeral created what Buzz describes as “overkill.” The constant repetition following Diana’s tragic death in 1997 caused the song to lose some of its original emotional impact for many listeners. This phenomenon speaks to how even the most beautiful pieces of music can become dulled through overexposure, demonstrating the delicate balance between honoring memory and respecting the power of restraint. Cheap Trick’s Complex Family Dynamics A fascinating deep dive into the internal dynamics of Cheap Trick reveals the complicated nature of band relationships and business structures. Rick Nielsen, the legendary guitar player known for his collection of hundreds of guitars—including his famous five-neck Hamer guitar—represents the performative and creative heart of Cheap Trick. The band’s 2016 Rock and Roll Hall of Fame induction marked a peak moment, but beneath the surface lay complex tensions. The departure of bassist Bunny Carlos and the subsequent addition of Rick Nielsen’s son, Dax, initially appeared to follow the pattern of other famous rock family transitions, like Michael Anthony’s replacement by Wolfgang Van Halen in Van Halen. However, the reality proved far more nuanced. Buzz’s research uncovered ongoing strife within the band, though Carlos remains part of the Cheap Trick corporation—a business structure similar to Journey’s arrangement with Steve Perry. This setup ensures that founding members maintain ownership stakes even when they’re no longer actively touring, though it can also create lasting tension and legal complications. The hosts explore the darker side of band politics, touching on stories of sabotage and ego clashes. There are tales of Journey band members allegedly pulling on Steve Perry’s microphone cord during performances to make him trip—petty acts of revenge that reveal the intense pressures and personalities at play in successful rock bands. Yet they also note that time can heal wounds, pointing to Perry and Neal Schon’s apparently warm relationship at the Rock and Roll Hall of Fame induction, despite whatever conflicts may have existed in their past. The Therapeutic Approach: A New Model for Band Longevity In a refreshing counterpoint to tales of band dysfunction, Buzz shares insights from his conversation with The Head and the Heart on his “Music Saved Me” podcast. This indie pop alternative band has taken an innovative approach to managing interpersonal relationships: group therapy. Band members openly discuss how they’ve used professional counseling to navigate the challenges of creative collaboration, life on the road, and the inevitable conflicts that arise when passionate artists work together for years. This revelation prompts fascinating speculation about how many legendary bands might have avoided breakups, lawsuits, and lasting bitterness if they’d embraced therapy earlier. The deeply personal nature of musical creation—leaving your heart exposed in every performance, every recording—makes these relationships particularly vulnerable to conflict. As Harry notes, “even if it’s a drummer or a bass player, it’s still your piece of that performance of that song you left your heart out there.” The music exists forever as a testament to that vulnerability, creating permanent emotional stakes that can intensify disagreements and hurt feelings. Joe Cocker: A Voice That Couldn’t Be Contained The passing of Joe Cocker at age 70 in 2014 brings reflection on an artist whose expressive, explosive performances made him unforgettable. While 70 might not seem particularly old from our current vantage point—as Buzz and Harry, approaching 60 and 70 respectively, can attest—Cocker’s hard-living lifestyle took its toll. His performances were legendary, inspiring John Belushi’s spot-on “Saturday Night Live” impersonation that Cocker himself found hilarious. Cocker’s career highlights include his cover of The Beatles’ “With a Little Help from My Friends,” which became the theme for the television series “The Wonder Years,” and “Up Where We Belong,” his duet with Jennifer Warnes from the film “An Officer and a Gentleman.” The latter song became inextricably linked with that powerful film starring Richard Gere and Lou Gossett Jr., whose portrayal of a drill instructor was genuinely frightening and contributed to one of cinema’s most memorable moments—Gere’s character’s desperate declaration: “I got nowhere else to go.” Eddie Vedder: The Humble Superstar December 23rd celebrates the birthday of Eddie Vedder, born in 1964, whose appreciation for musical history and those who came before him sets him apart in an industry often dominated by ego. The hosts draw parallels to Dave Grohl, noting how both artists exhibit genuine humility and respect for their influences. Vedder’s collaborations with Neil Young, particularly their version of “Rockin’ in the Free World,” helped establish his credibility beyond Pearl Jam circles, while his passionate renditions of The Who’s classics—especially “Love, Reign o’er Me”—have become legendary in their own right. Vedder’s versatility shines through in his cover work, from The Waiting by Tom Petty and the Heartbreakers to The English Beat’s “Save It for Later,” featured in the television series “The Bear.” His interpretation of Tom Petty’s “Room at the Top” particularly resonates, described as “so beautiful” in its delicate handling of Petty’s original composition. The discussion of “The Bear” opens a tangent about the show’s exceptional soundtrack curation, featuring all Tom Petty covers including a barn-burning version of “Runnin’ Down the Dream” by Larkin Poe. Despite Pearl Jam’s reputation for deep cuts and extensive catalogs—which might intimidate casual fans—the hosts acknowledge being captivated whenever they hear Vedder sing anything. His voice and interpretive skills transcend the barrier of familiarity, making even unknown material compelling. The Unsung Guitar Legends of Country Music The conversation shifts to Glen Campbell, whose passing on December 24th prompts reflection on his extraordinary but often underappreciated guitar skills. Campbell represents a generation of country musicians whose technical prowess gets overshadowed by genre stereotypes. Like Roy Clark, Campbell could do virtually anything on guitar, yet many people don’t associate country music with virtuoso instrumentalists. Campbell’s session work tells the story of his versatility—he played on albums by The Monkees, The Beach Boys, Frank Sinatra, and soundtracks for Elvis films and Phil Spector productions. This breadth demonstrates how the Nashville studio system produced some of the most skilled musicians in any genre, even if they didn’t always receive recognition outside country music circles. The discussion of Campbell also touches on Brian Wilson’s 1964 breakdown, a tragic moment that had long-lasting consequences for the Beach Boys and Wilson himself. The psychological damage inflicted by Wilson’s abusive father Murry Wilson—compared to Joe Jackson’s treatment of his children—demonstrates how family trauma can derail even the most talented artists. Brian’s struggles with touring and performing were just the beginning of severe mental health challenges that would plague him throughout his career. The Police: Reunion Done Right In 2007, The Police earned recognition as the year’s highest-grossing tour, thirty years after the band’s inception and 24-25 years after their previous collaboration. The reunion tour, which Buzz witnessed in Las Vegas, comprised over 150 shows worldwide and generated nearly $400 million—not a bad payday for a comeback. This success demonstrated the enduring appeal of Sting, Andy Summers, and Stewart Copeland’s unique blend of rock, reggae, and new wave, proving that some artistic chemistry remains potent even after decades apart.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

It's the 24th Annual Joe Strummer show with DJ Jesse Luscious! In December 2002, Jesse Luscious was DJ ing on KALX Berkeley Radio when listeners started calling in saying that Joe Strummer had died. After confirming the shocking news on the station's computers, he immediately changed his show into the 1st annual celebration of Joe Strummer. On the 23rd anniversary of his death, celebrate Strummer's life & music with The 101ers, The Clash, The Pogues, The Mescaleros, Pearl Harbour, Jimmy Cliff, Long Beach Dub All-Stars, & more!  Jesse Luscious adds soundbites from an interview with Joe Strummer done by DJ Bikini Babs on KALX Berkeley on 14 Jan 1984 and an interview with Rudy Fernandez Jesse did in 2018, as well as soundbites from Strummer's late 90's "London Calling" BBC radio show. It all adds up to a wild ride through the music and words of Joe Strummer! * This podcast includes a BONUS 2 hours which means that this Joe Strummer celebration is over 4 hours long!  Clash- London's Burning Joe Strummer And The Mescaleros- All In A Day Joe Strummer And The Mescaleros- Arms Aloft Clash- Washington Bullets 101ers- Letsgetabitarockin' Clash- Brand New Cadillac Pearl Harbour- 2 Bullets Clash- White Riot Clash- Garageland (edit) Clash- Career Opportunities Clash- Protex Blue Clash- Cheat (edit) Pogues with Joe Strummer- Turkish Song Of The Damned Pogues with Joe Strummer- Dirty Old Town Clash- Pressure Drop (Lee Scratch Perry mix) Clash- Armagideon Time Joe Strummer And The Long Beach Dub All-Stars- The Harder They Come Jimmy Cliff And Joe Strummer- Over The Border Joe Strummer- Love Kills  Joe Strummer And The Latino Rockabilly War- Trash City Clash- The Magnificent Seven (edit) Clash- Police And Thieves Clash- Should I Stay Or Should I Go (Rat Patrol) Clash- Rudy Can't Fail Clash- Death Or Glory (edit) Joe Strummer And The Mescaleros- Silver And Gold *** BONUS TRACKS ***  Clash- Straight To Hell Clash- Know Your Rights Clash- Guns Of Brixton Joe Strummer And The Mescaleros- Coma Girl Pogues with Joe Strummer- Fiesta Pogues with Joe Strummer- Yeah Yeah Yeah Yeah Yeah Joe Strummer And The Mescaleros- 1969 Clash- Spanish Bombs Clash- Ghetto Defendant Clash- English Civil War Clash- Safe European Home Clash- I Fought The Law Joe Strummer And The Astro-Physicists- Astro Cuban Be-Bop (soundtrack version) Joe Strummer- Island Hopping 101ers- Keys To Your Heart Joe Strummer And The Mescaleros- Cool 'N' Out Clash- King Of The Road (edit) Clash- Tommy Gun Clash- Janie Jones Clash- London Calling Clash- Wrong 'Em Boyo Clash- Somebody Got Murdered Clash-  One More Time/One More Time Dub Clash with Mikey Dread- Rockers Galore…. UK Tour Joe Strummer And The Mescaleros- Bankrobber (feat. Mick Jones) Joe Strummer And The Mescaleros- White Riot (feat. Mick Jones) Joe Strummer And The Mescaleros- London Burning (feat. Mick Jones) Radar- Sandpaper Blues

Halloween mag dan wel al een week achter de rug zijn (sniff

Naundorf, Karen; Dominzain, Julia www.deutschlandfunk.de, Corso

Christopher & Jobst im Gespräch mit Stephan. Wir reden über Stoffhandel, Shiatsu & Schauspielschule, keine Europatouren mit No Means No & Pixies, Hass-Regen, Tipps zum Schneidern, total enge Anti-Schlaghosen, Samt & Seide, gute Nähmaschine, VHS-Nähkurse, Slade in der Musikhalle, "Musik für junge Leute" im Radio, Johnny Rotten war Gott, der Anfang von Janie Jones, unterm Michel geboren, die linkste Gesamtschule in ganz Hamburg, Leistungsmäßig im Schwimmclub, zusammen zu Weezer, die Sex Pistols Reunions, vierhändig Klavierspielen mit der Schwester, die erste Band Paranoia, "Right to Work" von Chelsea, E-Gitarre vom Konfirmationsgeld, mit Öl-Farbe angemalte Maler-Hosen, Sicherheitsnadeln in den Ohren, "Tolle" von Napalm, die Teddyboys waren wahnsinnige Schober, Razors im Krawall 2000, Bass bei Captain Scarlett, Die Bärbels, Besuch bei der Tante in London, Bones Club in Redding, der Film "Punk in London", die Clique um Slime, "Tour zum Untergang", die lyrischen Texte von Schweineherbst, der geniale Text von "Bullenschweine", der inspirierende Bill Stevenson, die einstündige Dosenschlacht im SO36, mitgenommen von den Anfeindungen, plötzlich nicht mehr Slime-Schlagzeuger, Ausstieg bei Torpedo Moskau, genug von Punk & Hardcore, Permanent Frozens mit Jens Rachut, George & Martha in der Spex, getrieben von dem Wunsch den Dingen auf den Grund zu gehen, Schwierigkeiten Gefühl zu realisieren, viel Hass auf das da Draussen, "Ich war der Märchenprinz", körper-therapeutischer Skan-Ansatz, der tief sitzende Wunsch sich zu befreien, LSD nach Stanislav Grof, mit 25 den Himmel & die Hölle gesehen, zum ersten Mal im Leben im Körper ankommen, Tausende pogen zu "Deutschland muss sterben", Anfeindungen aus der politischen Szene, etwas beenden müssen, das Ende von Belgrad, "Strummer & Devoto" mit Richy Fondermann, Kommando Sonne-nmilch immer noch zeitlos geil, eingeladen zur John-Peel-Session, das Heaven Shall Burn & Dyse von "Schweineherbst", seinen Frieden mit Slime haben, Dankbarkeit & Wertschätzung, "Zurück aus Berlin", der tolle Neuanfang von Slime, in den Stoffgroßhandel reingerutscht, die Stoffe lieben, Reputation im Netz ist piece of shit, alle zusammen, Punk is ne Jugendrevolte, "Ich war mal n Punk, damit ist jetzt Schluß" von Screamer, Adrianne Lenker, das dritte Album von Squid, der Sender Byte FM, ein neues Album von Billy Idol, der Song "Kaffee" von Tauben, uvm.Vier Songs für die Playlist: 1) Ein Lieblingssong vom 15jährigen Stephan: THE CURE - Boys Don´t Cry2) Der beste Pop-Song aus den 80ern ist: THE CURE - Close to Me3) Ein aktueller Song, den Stephan liebt: THE CURE - Alone4) Der beste THE CURE-Song aller Zeiten: One Hundred Years

Hello Playdate Community! This week, Nick, Ryan, and Don go real deep on NANOGRAMS! You'll also find our regular round-up of news, new releases, and more... Thanks for listening and joining us every other week! News/Links: Portal Pinball from Multimorphic/Gammagoat PlayJam 7 Results Refurbished Playdates now available Interview with Julie Bjornskov Uncrank'd 'Caption This' Voting is Open Uncrank'd TV Episode 15 is Coming Soon Uncrank'd Shopify Issue 5 Misprint Issue 5 Damaged Intro/Outro Music - Made with Boogie Loops on Playdate Destination Update Escape the Boardgame on Destination Playdate Indie Inventory: ( 00:17:15 ) Oquonie by Rek & Devine BOID FEEDER 9 BILLION by Redular Tetragon Stickyban by Aardvark Soup Scoundrel by Spellthorn Rocketpult mini by Parsenoire Escape the Boardgame by Julie and Anders Bjornskov Match-o-3000 by Yang Mann and YMGS Spaceshipment by ren Strummer by Steven Namson Horrified Hector by Alex Syiek Catalog Games Currently on Sale Pick of the Week: ( 00:41:30 ) Sketch, Share, Solve by RDK How to Share Puzzles Grid Glyphs on Catalog Our Next Selection: Lunorbit by Powerdive Games Contact: Hello Playdate on Discord Hello Playdate on Instagram Hello Playdate on Bluesky Hello Playdate on Threads Hello Playdate on YouTube Playdatepodcast.com Indie Game of the Week Collection on itch.io Helloplaydatepodcast (at) gmail dot com Voice Mail - 1-(724)-BINGOS-1  (1-724-246-4671) For Amusement Only Games Merch For Amusement Only Podcast, Nick's EM Bingo and Pinball Podcast Game and Cast, Ryan's Handheld Gaming Podcast Series Tags: video games, gaming, handheld, handhelds, panic, playdate, play, date, yellow, crank, gameboy, ds, pocket, videogames, nintendo, sega, xbox, playstation, sony, vita, psp, ngage, itch.io, Keita Takahashi, katamari, gamegear

Richard Dudanski in conversation with David Eastaugh https://www.amazon.co.uk/Squat-City-Rocks-protopunk-beyond This musical memoir traces the author's life in the corrugated-iron clad ruins of West London's Squat Land during the two years immediately prior to the Punk Explosion of '76, playing with Strummer's seminal garage band “The 101'ers” in the spit-and-sawdust music bars of the capital. The thrills and spills of a crazy, quirky, hand-to-mouth existence gives way to relative disenchantment with the oncoming of the Punk Uprising, which for the author represents, at least partly, a sell-out to the Machiavellian Managers, as much as the vaunted revolution in British popular culture. After an aborted venture with the iconoclastic “Tymon Dogg and the Fools”, a stint with Lydon's metal box period “Public Image Limited”, a term with the Dantesque-dub of “Basement Five”, Dudanski's tale relates the ups and downs of his involvement in a myriad of bands forming part of a fringe underground London scene through the late 70's and 80's - “Bank of Dresden”, “The Raincoats”, “The Tesco Bombers”, "Vincent Units", “The Decomposers”, and his eventual move from London to Granada...Forming an integral part of the book are the illustrations by Esperanza Romero (Richard's partner) many of which were drawn "in situ" back in time...

Join us for the 23rd Annual Joe Strummer Show with DJ Jesse Luscious! Celebrate with The 101ers, The Clash, Joe Strummer & The Pogues, Joe Strummer & The Mescaleros, Joe Strummer & Latino Rockabilly War, & much more! We add in rare & exclusive interviews with Joe & his friends along with soundbites from Strummer's “London Calling” BBC Radio show for a wild ride through the music & words of Joe Strummer! Clash- London Calling Clash- White Riot Clash- Cheat (Edit) Rudy Fernandez Interview- The Clash at Day On The Green 1982 Joe Strummer And The Mescaleros- Rudie Can't Fail (On Air Osaka, Osaka Japan on 5 Nov 2001) Joe Strummer And The Mescaleros- Arms Aloft 101ers- Keys To Your Heart Joe Strummer- It's A Rockin World Clash- Brand New Cadillac Clash- King Of The Road Johnny Cash & Joe Strummer- Redemption Song Joe Strummer And The Long Beach Dub All-Stars- The Harder They Come Joe Strummer And The Pogues- Turkish Song Of The Damned Bikini Babs & Joe Strummer KALX Interview- Conservatives (Edit) Clash- Clampdown (Lewisham Odeon 1980) Clash- Spanish Bombs Clash- Know Your Rights (The People's Hall) Clash- Guns On The Roof Bikini Babs & Joe Strummer KALX Interview- UK as America's aircraft carrier Clash- Washington Bullets Clash- Police And Thieves Joe Strummer- Love Kills Joe Strummer And The Latino Rockabilly War- Trash City Joe Strummer- 15th Brigade Joe Strummer And The Mescaleros- Johnny Appleseed Joe Strummer And The Mescaleros- Coma Girl Clash- Garageland (Edit) Bikini Babs & Joe Strummer KALX Interview- Sweden & Socialism Clash- Bankrobbers Galore w/ Mikey Dread Clash- Rock The Casbah w/ Ranking Roger Clash- Death Or Glory (Edit) Clash- Career Opportunities Clash- The Magnificent Seven (Edit)

Steve Rapport è un fotografo musicale che il 17 aprile 1983 è spedito da Rolling Stone a documentare l'impresa sportiva di un musicista di fama mondiale: Joe Strummer, leader dei Clash, in procinto di correre la Maratona di Londra, la terza della sua vita.Su Storie di Corsa raccontiamo la seconda vita da maratoneta di Joe Strummer. Tra protocolli di allenamento bizzarri, sparizioni, fughe rocambolesche, musica e politica il leader dei Clash corre tre maratone, tutte e tre con storie bizzarre, misteriose e divertienti alle spalle. Iscriviti alla mia Newsletter A cosa penso quando corro? (qui il link)Segui la pagina Instagram del progetto A cosa penso quando corro? | Storie di Corsa (qui il link)

Today's episode is about "Joe Strummer: The Future is Unwritten", from 2007, directed by Julien Temple. Our guest today is Elizabeth Nelson of the band The Paranoid Style. Check out their outstanding new album The Interrogator: https://theparanoidstyle.bandcamp.com/album/the-interrogator Joe Strummer: The Future is Unwritten is more of a wake for the then-recently departed punk rock legend than a by-the-books rock doc. Many of Joe's family, friends, musical compatriots, actor and director pals, and other partners in crime gather around various campfires to tell Strummer stories. The movie does go through his biography in a more or less linear fashion, but it's not an "everything you ever wanted to know about The Clash" kind of doc. You come away from the movie feeling like you know Joe Strummer, but that he was also unknowable even to those closest to him. Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod   Instagram: @RockDocsPod   Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt  

Episode 884 - Making his 5th appearance & the first creator to join our Five-Timers Club (smoking jacket TBD) Jason Interviews  Eric Palicki @ericpalicki Black's Myth The Key to His Heart - Ahoy ComicsA stylish noir tale featuring Janie "Strummer" Mercado, L.A.'s ONLY werewolf private investigator! Strummer tries to prevent a young girl from becoming a monster with the aid of her suave djinn assistant Ben Si'lat. But will Strummer gain an intern instead? And why is an old enemy sending mysterious packages to her house? Collects issues 1-5 of Black's Myth: The Key to His Heart. Buy It https://www.comicsahoy.com/comics/blacks-myth-key-his-heart More Erik Palicki www.ericpalicki.com - Seattle-based writer and editor Eric Palicki has been making comics for more than ten years. His work includes stories written for Black Mask Studios, Marvel Comics, Darby Pop Publishing, Ahoy Comics, Dark Horse, A Wave Blue World, and more. As an editor, Eric's work has been featured in the New York Times and nominated for a Ringo Award. Support Our Patreon at Any Tier to Win Prizes and Unlock More C4FaP Bonus Content https://www.patreon.com/comicsfunprofit Donations Keep Our Show Going, Please Give https://bit.ly/36s7YeL Get on the Kowabunga (Deep Discount Comics) FOC and Preorder list http://eepurl.com/dy2Z8D Email us at: Comicsforfunandprofit@gmail.com - questions, comments, gripes, we can't wait to hear what you have to say. Follow us on twitter.com/ComicsFunProfit & instagram.com/comicsforfunandprofit Like us on Facebook.com/ComicsForFunAndProfit Subscribe, rate, review on itunes, Spotify, Stitcher. Merch https://comicsfunprofit.threadless.com Thank you so much for listening and spreading the word about our little comic book podcast. All the C4FaP links you could ever need  https://beacons.ai/comicsfunprofit Listen To the Episode Here: https://comcsforfunandprofit.podomatic.com/ 

Join us for the 22nd Annual Joe Strummer Show with Jesse Luscious on Christmas Day! Celebrate with The 101ers, The Clash, Joe Strummer & The Pogues, Joe Strummer & The Mescaleros, Joe Strummer & Johnny Cash, & much more!  We add in rare & exclusive interviews with Joe & his friends along with soundbites from Strummer's "London Calling" BBC Radio show for a wild ride through the music & words of Joe Strummer! Clash- I'm So Bored With The USA Clash- White Riot (1977 Video Promo) Clash- Career Opportunities Bikini Babs & Joe Strummer KALX Interview- Musicians And Boy George Clash- Know Your Rights (People's Hall version) Joe Strummer- 15th Brigade Latino Rockabilly War- Plymouth Roadrunner Joe Strummer And The Astro Physicians- Afro-Cuban Be Bop Joe Strummer And The Mescaleros- London Is Burning Rudy Fernandez Interview- Taking The Clash To Monterey Clash- Rudie Can't Fail 101ers- Keys To Your Heart Clash- 1-2, Crush On You Clash- English Civil War Bikini Babs & Joe Strummer KALX Interview- Conservative Edit Clash- Washington Bullets Clash- Straight To Hell Joe Strummer And The Mescaleros- Coma Girl Joe Strummer And The Mescaleros- Pressure Drop (On Air, Osaka 2001) Joe Strummer And The Long Beach Dub All-Stars- The Harder They Come Johnny Cash & Joe Strummer- Redemption Song Clash- Police And Thieves Clash- Koka Kola Clash- Garageland Clash- Cheat Clash- Guns Of Brixton Clash- Bankrobber Joe Strummer- Junco Partner (Music Millenium 1999) Clash- Death Or Glory Clash- Brand New Cadillac Clash- London's Burning Clash- Janie Jones Pogues With Joe Strummer- Dirty Old Town

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Andréa is the founder of The Art of Circling: A group mindfulness practice that uses ancient ritual in a modern setting to empower individuals, strengthen communities and enhance group productivity.   Through sharing stories, deep listening and interconnected meditation, The Art of Circling empowers, heals and transforms lives. With the impact of the global pandemic, The Art of Circling shifted to virtual offerings with weekly Women's Empowerment Series and a monthly Community Connection Circle bringing Andréa's friends, personal healers, teachers and practitioners to women around the world. Today, Andréa reaches countless women from all over the world and continues to expand with in-person circles, retreats, private sessions, workshops and virtual offerings.  She has made it her lifelong mission to share The Art of Circling with as many women as possible as a way to bring peace, harmony, and divine balance to the world. She is also a certified council carrier from the Ojai Foundation in Ways of Council.   She has been featured in publications such as People, Hollywood Reporter, The New York Times, and Self Magazine, as well as numerous spiritual and self-help blogs, podcasts, and IG Lives.    She lives in Los Angeles with her two children, Tennessee and Strummer.   “When women gather, shift happens” In this episode Andréa and I discuss the significance and importance of the practice of circling, emphasizing its role in honoring experiences and seasons of life.  Andréa explained her concept of 'the art of circling', a group mindfulness practice that can be done virtually or in person and is accessible to everyone.  We also discussed the importance of self-care and women's circles for improving the lives of women. We discuss the equitable nature of a circle, where everyone is of equal importance and there is no hierarchy. We also touched on the benefits of women's circles, such as fostering connection, reducing isolation, and providing mental health benefits.  We chat about the significance of social connections. Andréa highlighted the importance of sharing stories and experiences in circles, leading to self-empowerment and self-awareness. IG @andreabendewald Website : https://theartofcircling.com/

Andréa is the founder of The Art of Circling: A group mindfulness practice that uses ancient ritual in a modern setting to empower individuals, strengthen communities and enhance group productivity.   Through sharing stories, deep listening and interconnected meditation, The Art of Circling empowers, heals and transforms lives. With the impact of the global pandemic, The Art of Circling shifted to virtual offerings with weekly Women's Empowerment Series and a monthly Community Connection Circle bringing Andréa's friends, personal healers, teachers and practitioners to women around the world. Today, Andréa reaches countless women from all over the world and continues to expand with in-person circles, retreats, private sessions, workshops and virtual offerings.  She has made it her lifelong mission to share The Art of Circling with as many women as possible as a way to bring peace, harmony, and divine balance to the world. She is also a certified council carrier from the Ojai Foundation in Ways of Council.   She has been featured in publications such as People, Hollywood Reporter, The New York Times, and Self Magazine, as well as numerous spiritual and self-help blogs, podcasts, and IG Lives.    She lives in Los Angeles with her two children, Tennessee and Strummer.   “When women gather, shift happens” In this episode Andréa and I discuss the significance and importance of the practice of circling, emphasizing its role in honoring experiences and seasons of life.  Andréa explained her concept of 'the art of circling', a group mindfulness practice that can be done virtually or in person and is accessible to everyone.  We also discussed the importance of self-care and women's circles for improving the lives of women. We discuss the equitable nature of a circle, where everyone is of equal importance and there is no hierarchy. We also touched on the benefits of women's circles, such as fostering connection, reducing isolation, and providing mental health benefits.  We chat about the significance of social connections. Andréa highlighted the importance of sharing stories and experiences in circles, leading to self-empowerment and self-awareness. IG @andreabendewald Website : https://theartofcircling.com/

For a tale of rock stars and camping, we're joined by Chris Wade from the awesome podcasts Chapo Trap House, And Introducing..., and Hell on Earth! Following a discussion of Taxicab Confessions, we see what aging rock stars were like 21 years ago, with Homer befriending a new group of extremely famous people. We reflect on the acting abilities of Mick Jagger, Keith Richards, Lenny Kravitz, and more, so grab some cheaper oatmeal and listen now! Support this podcast and get over 150 bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow the official Twitter, @TalkSimpsonsPod!

Episode 833 - Jason Interviews Eric Palicki - BLACK'S MYTH: THE KEY TO HIS HEART #1 Ahoy ComicsIt's back—the “moody tale that smartly blends familiar supernatural elements with the trappings of classic pulpy crime stories” (Comics Beat). In this new case, werewolf private eye Janie “Strummer” Mercado tries to prevent a young girl from becoming a monster, with the aid of her suave djinn assistant Ben Si'lat. But will Strummer gain an intern instead? And why is an old enemy sending mysterious packages to her house?Buy it: https://comicsahoy.com/comics/blacks-myth-key-his-heart-1Patreon https://www.patreon.com/comicsfunprofitOur Merch https://comicsfunprofit.threadless.comDonations Keep Our Show Going, Please Give https://bit.ly/36s7YeLThank you so much for listening and spreading the word about our little comic book podcast. All the C4FaP links you could ever need in one place https://beacons.ai/comicsfunprofit Listen To the Episode Here: https://comcsforfunandprofit.podomatic.com/

In this episode of The Blaze Podcast, we celebrate our local community and 4/20! We talk about PETA shaming Fresno State for using a real bulldog for their mascot because it is cruel to the breed. We always support our local music scene as BKR Raps dropped his latest project called “Underground Residency, ” and Ramses will have his album release party tonight at Strummer's. We talk about local sports, the NBA playoffs, and MLB NL Standings. Be sure to support all your local businesses, artists, and podcasts. Have a blazing week! --- Send in a voice message: https://podcasters.spotify.com/pod/show/theblazepodcast/message

On this week's episode, we celebrate MLK Day by paying tribute to one of our fallen heroes. We support our local events as Strummer's is hosting The Valley and Mac Dre Tribute Night this week. We support our Fresno State Men's and Women's Bulldog Basketball teams as they both are in action. We conclude the episode discussing the NFL Wildcard Weekend, and the Divisional Playoff matchups, and end with the NBA power rankings. Be sure to support all your local businesses, artists, and podcasts. Have a blazing week! --- Send in a voice message: https://podcasters.spotify.com/pod/show/theblazepodcast/message

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durée : 00:49:05 - Certains l'aiment Fip - Le charismatique leader du groupe punk-rock The Clash, mort il y a 20 ans, avait composé pour Jim Jarmusch, Martin Scorsese, Alex Cox, Aki Kaurismaki, Jack Hazan, Robert Frank ou F.J Ossang.

3 Part Series Celebrating the Life of Joe Strummer:  Part 1 of 3Join host Johnny Punish as he welcomes epic Strummer fan, Malcolm Lett from somewhere in the highlands of Scotland.  Malcolm shares his fan story when, after a local gig,  together they wandered the streets at night looking for a bar down some pints.John Graham Mellor (21 Aug. 1952 – 22 Dec. 2002), aka Joe Strummer, was a British singer, musician, songwriter, and lead vocalist of the punk rock band The Clash. The Clash's explosive political lyrics and rebellious attitude had a far-reaching influence on everyone incorporating reggae, ska, dub, funk, rap, and rockabilly.He played with the 101ers, the Latino Rockabilly War, the Mescaleros, and the Pogues.   He acted, scored TV shows, films, and hosted BBC Radio show London Calling.  The Clash were inducted into the Rock and Roll Hall of Fame in Jan. 2003. Support The Joe Strummer Foundation; a nonprofit giving opportunities to musicians and projects around the world that create empowerment through music.------------------------------------------------------------------SAINT JOE song by Douglas BalesBandcamp: Download SongYouTube Music VideoOfficial Douglas Bales WebsiteAvailable on all Streaming Platforms ie...Spotify, Apple Music ...THE MAGNIFICENT JOE STRUMMER song by Johnny PunishSoundcloud: Download SongYouTube Music VideoAvailable on all Streaming Platforms ie...Spotify, Apple Music ...COMMERORATIVE STRUMMER TEE-SHIRT and MUGDesigned especially for this podcastTee-ShirtCoffee MugSUPPORT VT RADIOPATREON MEMBERSHIP: Free Coffe Mug with Sign-UpDONATE VT on TwitterVT on FacebookVT RADIO Official Podcast siteVisit us at VT for more Alternative Foreign Policy MediaSupport the show Visit VT for more Uncenosred Alternative Foreign Policy Media

3 Part Series Celebrating the Life of Joe Strummer:  Part 3 of 3Host Johnny Punish welcomes super Strummer Fan Dennis Charles.  Dennis tells Punish all about the 28 times he saw the great Joe Strummer perform.John Graham Mellor (21 Aug. 1952 – 22 Dec. 2002), aka Joe Strummer, was a British singer, musician, songwriter, and lead vocalist of the punk rock band The Clash. The Clash's explosive political lyrics and rebellious attitude had far-reaching influence on everyone incorporating reggae, ska, dub, funk, rap, and rockabilly.He played with the 101ers, the Latino Rockabilly War, the Mescaleros, and the Pogues.   He acted, scored TV shows, films, and hosted BBC Radio show London Calling.  The Clash were inducted into the Rock and Roll Hall of Fame  (Jan. 2003). Support The Joe Strummer Foundation; a nonprofit giving opportunities to musicians and projects around the world that create empowerment through music.------------------------------------------------------------------SAINT JOE song by Douglas BalesBandcamp: Download SongYouTube Music VideoOfficial Douglas Bales WebsiteAvailable on all Streaming Platforms ie...Spotify, Apple Music ...THE MAGNIFICENT JOE STRUMMER song by Johnny PunishSoundcloud: Download SongYouTube Music VideoAvailable on all Streaming Platforms ie...Spotify, Apple Music ...COMMERORATIVE STRUMMER TEE-SHIRT and MUGDesigned especially for this podcastTee-ShirtCoffee MugSUPPORT VT RADIOPATREON MEMBERSHIP: Free Coffe Mug with Sign-UpDONATE VT on TwitterVT on FacebookVT RADIO Official Podcast siteVisit us at VT for more Alternative Foreign Policy MediaSupport the show Visit VT for more Uncenosred Alternative Foreign Policy Media

3 Part Series Celebrating the Amazing Life of Joe Strummer:  Part 1 of 3Host Johnny Punish welcomes songwriter and musician Douglas Bales.  Bales debuts 'SAINT JOE", his tribute anthem song for the great White Man in Hammersmith Palais.  Douglas tells how he came to write the song and how much Joe influenced his whole life. John Graham Mellor (21 Aug. 1952 – 22 Dec. 2002), aka Joe Strummer, was a British singer, musician, songwriter, and lead vocalist of the punk rock band The Clash. The Clash's explosive political lyrics and rebellious attitude had far-reaching influence on everyone incorporating reggae, ska, dub, funk, rap, and rockabilly.He played with the 101ers, the Latino Rockabilly War, the Mescaleros, and the Pogues.   He acted, scored TV shows, films, and hosted BBC Radio show London Calling.  The Clash were inducted into the Rock and Roll Hall of Fame  (Jan. 2003).  Support The Joe Strummer Foundation; a nonprofit giving opportunities to musicians and projects around the world that create empowerment through music.------------------------------------------------------------------SAINT JOE song by Douglas BalesBandcamp: Download SongYouTube Music VideoOfficial Douglas Bales WebsiteAvailable on all Streaming Platforms ie...Spotify, Apple Music ...THE MAGNIFICENT JOE STRUMMER song by Johnny PunishSoundcloud: Download SongYouTube Music VideoAvailable on all Streaming Platforms ie...Spotify, Apple Music ...COMMERORATIVE STRUMMER TEE-SHIRT and MUGDesigned especially for this podcastTee-ShirtCoffee MugSUPPORT VT RADIOPATREON MEMBERSHIP: Free Coffe Mug with Sign-UpDONATE VT on TwitterVT on FacebookVT RADIO Official Podcast siteVisit us at VT for more Alternative Foreign Policy MediaSupport the show Visit VT for more Uncenosred Alternative Foreign Policy Media

El 22 de diciembre de 2002 Joe Strummer salió a pasear con su perro en Bloomfield y cuando regresó a casa tuvo un fallo cardiaco fruto de una enfermedad congénita no diagnostica y murió. Tenía 50 años y tras una época oscura en la que el dinero no llegaba y los bolos escaseaban, Strummer volvía a sonreír junto a The Mescaleros. De la mano de su nueva banda había grabado dos buenos discos y uno más llegó en los meses posteriores a su muerte.Tras su muerte llegó a las tiendas Streetcore, álbum al que dedicamos el episodio de esta semana en compañía de Sara Morales. Aquel disco está formado por muchas primeras tomas, murió antes de repetir algunas, por una maravillosa versión de Bob Marley, por un tema que ofreció sin respuesta a Johnny Cash y por un tema instrumental que sus compañeros completaron usando trozos de la voz de Joe en su programa de la BBC. Streetcore no es un álbum imprescindible en la historia del rock and roll, pero es un buen disco de Joe Strummer, su testamento, y eso ya es más de lo que muchos podrán decir jamás.Escucha el programa dedicado a The Clash 

El 22 de diciembre de 2002 Joe Strummer salió a pasear con su perro en Bloomfield y cuando regresó a casa tuvo un fallo cardiaco fruto de una enfermedad congénita no diagnostica y murió. Tenía 50 años y tras una época oscura en la que el dinero no llegaba y los bolos escaseaban, Strummer volvía a sonreír junto a The Mescaleros. De la mano de su nueva banda había grabado dos buenos discos y uno más llegó en los meses posteriores a su muerte.Tras su muerte llegó a las tiendas Streetcore, álbum al que dedicamos el episodio de esta semana en compañía de Sara Morales. Aquel disco está formado por muchas primeras tomas, murió antes de repetir algunas, por una maravillosa versión de Bob Marley, por un tema que ofreció sin respuesta a Johnny Cash y por un tema instrumental que sus compañeros completaron usando trozos de la voz de Joe en su programa de la BBC. Streetcore no es un álbum imprescindible en la historia del rock and roll, pero es un buen disco de Joe Strummer, su testamento, y eso ya es más de lo que muchos podrán decir jamás.Escucha el programa dedicado a The Clash 

Joe Strummer was one of the twentieth century's iconic rock'n'roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The Punk Rock Politics of Joe Strummer: Radicalism, Resistance and Rebellion (Manchester UP, 2022) examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons. Gregor Gall is a Visiting Professor of Industrial Relations at the University of Glasgow. He is editor of the Scottish Left Review magazine, director of the Jimmy Reid Foundation and a regular contributor to various newspapers and magazines. Gregor Gall on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joe Strummer was one of the twentieth century's iconic rock'n'roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The Punk Rock Politics of Joe Strummer: Radicalism, Resistance and Rebellion (Manchester UP, 2022) examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons. Gregor Gall is a Visiting Professor of Industrial Relations at the University of Glasgow. He is editor of the Scottish Left Review magazine, director of the Jimmy Reid Foundation and a regular contributor to various newspapers and magazines. Gregor Gall on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Joe Strummer was one of the twentieth century's iconic rock'n'roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The Punk Rock Politics of Joe Strummer: Radicalism, Resistance and Rebellion (Manchester UP, 2022) examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons. Gregor Gall is a Visiting Professor of Industrial Relations at the University of Glasgow. He is editor of the Scottish Left Review magazine, director of the Jimmy Reid Foundation and a regular contributor to various newspapers and magazines. Gregor Gall on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Joe Strummer was one of the twentieth century's iconic rock'n'roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The Punk Rock Politics of Joe Strummer: Radicalism, Resistance and Rebellion (Manchester UP, 2022) examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons. Gregor Gall is a Visiting Professor of Industrial Relations at the University of Glasgow. He is editor of the Scottish Left Review magazine, director of the Jimmy Reid Foundation and a regular contributor to various newspapers and magazines. Gregor Gall on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Joe Strummer was one of the twentieth century's iconic rock'n'roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The Punk Rock Politics of Joe Strummer: Radicalism, Resistance and Rebellion (Manchester UP, 2022) examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons. Gregor Gall is a Visiting Professor of Industrial Relations at the University of Glasgow. He is editor of the Scottish Left Review magazine, director of the Jimmy Reid Foundation and a regular contributor to various newspapers and magazines. Gregor Gall on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Gregor Gall is well-known and respected for his written work, his views on geopolitics, and he happens to be a huge fan of The Clash. He separated his fandom from this look into the effects of Strummer's politics, and informs us of some of Joe's late-in-life changed points of view. The underlying theme is the music, which was Joe's (and the band's) way of speaking out. Inside his left-leaning views you can feel Gall's incredible admiration for Strummer. He informs deeply on the many facets of Joe and his life, which our previous episodes about "the only band that matters" could not. We highly recommend his book, the punk rock politics of Joe Strummer!  Also available at other outlets (just don't go to the "A place"!) Clash fans, please take notes and hit us with your feedback at imbalancedhistory@gmail.com!We have fantastic sponsors of our podcast, please visit their web sites, and support those who make the show go:Boldfoot Socks   https://boldfoot.comCrooked Eye Brewery   https://crookedeyebrewery.com/Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/

Gregor Gall is well-known and respected for his written work, his views on geopolitics, and he happens to be a huge fan of The Clash. He separated his fandom from this look into the effects of Strummer's politics, and informs us of some of Joe's late-in-life changed points of view. The underlying theme is the music, which was Joe's (and the band's) way of speaking out. Inside his left-leaning views you can feel Gall's incredible admiration for Strummer. He informs deeply on the many facets of Joe and his life, which our previous episodes about "the only band that matters" could not. We highly recommend his book, the punk rock politics of Joe Strummer!  Also available at other outlets (just don't go to the "A place"!) Clash fans, please take notes and hit us with your feedback at imbalancedhistory@gmail.com!We have fantastic sponsors of our podcast, please visit their web sites, and support those who make the show go:Boldfoot Socks   https://boldfoot.comCrooked Eye Brewery   https://crookedeyebrewery.com/Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/

This episode focuses on the last show to date that Pearl Jam has played in Ireland, taking us to Dublin for a performance from 2010. We thank our Patron, Clare O'Leary, for pitching a request from her one and only Pearl Jam show, and we'll tell her story on the episode. This show is widely known for one massive moment that takes precedent - the debut of a song called Of The Earth. Of The Earth is an epic, almost cinematic song that the band never seemed to figure out how to get it done in the studio. But the song's legacy mirrors something similar to Falling Down, a very rare track to be utilized solely for the live stage. We're gonna talk about why this song is so important, what makes this version special and why we may never see something like this again. As a tour leg opener, the band came out with the songs they were most familiarized with. Aside from two debuts and Long Road, every song played in this set was played at either the first or second night of MSG, the last shows of the US leg. The other pretty notable debut on this night was Arms Aloft, a song from late era Joe Strummer project, The Mescaleros. We'll get to hear a story about Strummer's connection with Pearl Jam, and how before he passed, some big plans were in motion for a tour with the two bands. Visit The Concertpedia - http://liveon4legs.com Donate to the Show - http://patreon.com/liveon4legs

Entre 1999 y 2002 Joe Strummer volvió a liderar una banda. Los Mescaleros fueron el último gran proyecto del otrora icono del punk, eternamente recordado al frente de The Clash. Trabajando con absoluta libertad Joe Strummer and The Mescaleros se rigieron por la máxima de la fusión de estilos y la creación colaborativa. El sello BMG lanza "Joe Strummer 002; The Mescalero Years", una impresionante caja de siete vinilos en donde se recogen, con sonido impecable, sus tres álbumes de estudio y un buen puñado de rarezas (demos de canciones, temas inéditos y algún single desperdigado). Todo ello acompañado por un delicioso libro de 36 páginas y tamaño LP, papel de calidad, con biografía, fotos, textos y memorabilia de los archivos de Strummer. Un objeto de colección para recordar a una banda que no merece ser olvidada. Playlist (todas las canciones de la caja "Joe Strummer 002; The Mescalero Years"); (sintonía) JOE STRUMMER and THE MESCALEROS “Tony Adams” (Rock art and the X ray style, 1999) JOE STRUMMER and THE MESCALEROS “Time and the tide” (EP “Yalla yalla”, 1999) JOE STRUMMER and THE MESCALEROS “Forbidden City” (demo) JOE STRUMMER and THE MESCALEROS “X-Ray style” (demo) JOE STRUMMER and THE MESCALEROS “Johnny Applessed” (Global a Go Go, 2001) JOE STRUMMER and THE MESCALEROS “Global a Go-Go” (demo) JOE STRUMMER and THE MESCALEROS “Cool’n’Out” (Global a Go Go, 2001) JOE STRUMMER and THE MESCALEROS “Secret agent man” (inédito) JOE STRUMMER and THE MESCALEROS “Coma girl” (Streetcore, 2003) JOE STRUMMER and THE MESCALEROS “All in a day” (demo) JOE STRUMMER and THE MESCALEROS “Fantastic” (inédito) Escuchar audio

Johnny Gaudreau wanted the Flyers. It was a case of unrequited love. The Blue Jackets decided that they were ready for a relationship, acquiring the best free agent available this off season.A tale of two cities and two General Managers.  What the hell happened?Also, did Calgary have a fine offseason despite the loss of two stars?Is speed really the only way to win in this league?Strummer has been a hockey man all his life, culminating in his turn as Director of Pro Scouting for the Columbus Blue Jackets.Joining Bob and me is Jody Shelley, former Blue Jacket and Flyer, and current Columbus NHL analyst.It's the Reload, how bad teams get good and good teams get better.

Super excited to announce new guest, John Flavin, to The Story!John Flavin is the lead singer and manager of The Ogham Stones, a 7-member Celtic Rock band in Lancaster, PA. The band formed in the Fall of 2010 and performed their first gigs on Saint Patrick's Day, 2011. They released an album “One, Two, Feck You,” in 2015. John is also a registered member of “One Of The Thousand,” the biggest rock band on Earth. On October 20, 2020, he participated in the Rockin' 1000 Global Gig, which set a Guinness World Record for “Most Videos In A Music Medley Video.”For most of the 1990s and early 2000s, John was a bartender and manager at The Chameleon Club and was lucky enough to meet and work with many of his favorite bands and performers. He continues to work with Rich Ruoff (Chameleon founder and owner) as a Stage Manager at Lancaster Roots & Blues festivals.John is also the organizer of Lancaster StrummerJam, a music event that celebrates the life, vision, and music of Joe Strummer of The Clash. This event benefits The Joe Strummer Foundation, an international charity that promotes music and musicianship around the world. This year, Lancaster StrummerJam. will be held on August 21 (Strummer's birthday) at Phantom Power in Millersville.Check out John and his projects here:Website: www.theoghamstones.com2022 Lancaster StrummerJam Event:https://www.facebook.com/events/2115510415268783The Joe Strummer Foundation:https://joestrummerfoundation.org/Spotify: https://open.spotify.com/artist/38XHS4ussKmXW0mkzLiYQkSupport this podcast at — https://redcircle.com/the-story/donations

"I don't think Hexy did as bad a job as people like to portray.""That decision probably cost me $30 Million."How bad teams get good. How good teams get better. It's not just a rebuild. It's a reload.Happy Draft Day.Strummer has been a hockey man all his life, culminating in his turn as Director of Pro Scouting for the Columbus Blue Jackets.Zak knows little.Joining us this draft day is Doug MacLean, former NHL GM, President and Head Coach.

This is the tale of The Spooky Strummer!When rats scurry all through the town of Hamelin, you won't expect who comes to lead them away...Based on a folk tale from Germany, adapted and written by Chip Colquhoun.Cover art: Heather Zeta Rose.To make sure you don't miss any of the fun, make sure you're subscribed to our podcast.And don't forget: if you become an Epic Explorer, you can enjoy every story all at once – to listen to, read with pictures from incredible artists, and even watch our storytellers tell them to you! There are two new stories every month, plus the stories never disappear – you can go there and devour over 30 stories right now.To become an Epic Explorer, just put on your sweetest voice, ask your grown-up to sit with you at a computer, and go to fablespodcast.co.uk Hosted on Acast. See acast.com/privacy for more information.

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Steve Sladkowski (@sladkow) of PUP (@puptheband) to discuss one of the most important albums of all time, The Clash's London Calling. Find out more about The Clash's slower path to a monstrous third-album success, how London Calling pulled from dozens of sounds to influence dozens more, and why it's so necessary to consume art with an appreciation of the context it was created within on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

This week the girls have a chat about Christmas parties.    The very best and worst parts of partying with your colleagues and the most embarrassing stories too. Oh and Fiona loses her mind!

Brian and Brian break down the newest episode of the Simpsons that appears on the Countdown. Plus a look into their thoughts on the Rolling Stones and The Olive Garden

Broken Records is often a painful experience, but it's made all the more painful when we're discussing a band as essential and admired as The Clash. Unfortunately, their sixth and final studio album, released on 4 November 1985 by CBS Records, is a record that is truly worthy of the prefix ‘broken'. Lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard, a line-up that Strummer, somewhat sneeringly, referred to as ‘The Clash 2'. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought with each other for control over the band's songwriting and musical direction. The band wrote 20 songs for the Cut the Crap sessions, 12 of which ended up on the finished album (God only knows how awful the other 8 are). The songwriting is far from The Clash's best but the real villain of the piece is manager Bernie Rhodes, who's cluttered and hideously unfocused production ruins and squanders whatever negligible integrity the songs might've had.   

Hay amigos que te cambian la vida. La de Paul Simon cambió gracias a la cantante Heidi Berg que le dejó una cinta de un grupo sudafricano llamado The Boyoyo Boys, esa cinta obsesionó de tal modo al compositor que hizo las maletas, cogió a un vuelo a Sudáfrica y grabó Graceland, el disco de nuestro episodio de esta semana.En 1986 llegó a las tiendas Graceland, séptimo álbum de estudio de Paul Simon tras sus días junto a Art Garfunkel. Un álbum con el que Simon no tenía nada que perder y mucho que descubrir. En Sudáfrica se enfrentó al veto de la ONU y la rebelión de quienes lo señalaron por saltarse el boicot cultural a la Sudáfrica del apartheid, pero Simon también encontró apoyos en el mundo de la cultura que valoraron lo que el músico quería hacer.Simon llegó a Sudáfrica sin ninguna idea en la cabeza y con ganas de dejarse llevar. Allí descubrió un nuevo mundo musical lleno de riqueza que captó de maravilla en unas pistas de sonido que fueron completadas a su regreso a EEUU con letras occidentales. “Estaba haciendo letras absurdas, muy neoyorquinas, que pensé que no encajarían con esos ritmos africanos pero finalmente encontraron su camino”, explicó el músico en una entrevista.Con Graceland, Paul Simon reflotó su carrera y dio un golpe encima de la mesa. Tras la separación de The Clash, Joe Strummer dio una entrevista, allí aseguró que solo debían hacer discos los adolescentes, que eran los jóvenes los que hacían los mejores álbumes. “Salvo Paul Simon, salvo Graceland”, dijo Strummer. Por ello hemos querido dedicarle este Sofá Sonoro que compartimos con Javier Márquez, Lucía Taboada e Igor Paskual.

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Steve Sladkowski (@sladkow) of PUP (@puptheband) to discuss one of the most important albums of all time, The Clash's London Calling. It wasn't technically Steve's first album purchase, but it's close enough for the purposes of this month's arc. Find out more about The Clash's slower path to a monstrous third-album success, how London Calling pulled from dozens of sounds to influence dozens more, and why it's so necessary to consume art with an appreciation of the context it was created within on this week's podcast.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement