Podcast appearances and mentions of Sylvia Massy

Jordon Beal is a songwriter, producer, and engineer based in Chicago, IL. He made the leap into audio full-time in 2010 after working with legendary producer Sylvia Massy on a series of singles with his former band. Although his position in the band was uncertain, the studio experience sparked a deeper passion—he realized he felt far more fulfilled behind the glass than on stage. That moment became the catalyst for his career in audio.Since then, Jordon has built an impressive portfolio, working on records for artists such as Intervals (including their Juno Award-winning album), Silverstein, The Devil Wears Prada, Architects, Conquer Divide, Veil of Maya, Divide The Fall, Cane Hill, Janus, and LIMBS. His behind-the-scenes collaborations have also connected him with top-tier producers and engineers, including Sam Guaiana, Adam “Nolly” Getgood, Joey Sturgis, Sylvia Massy, and Phil Pluskota. In addition to production, he's carved out a niche in editing and session prep work—an area that now makes up a significant portion of his schedule and showcases his precision and attention to detail.IN THIS EPISODE YOU'LL LEARN:Working with Sylvia Massy as an artistHow to eliminate “red-light syndrome”Going with your gut instinctRecording keeper takes while writing songsMaking moves with intentAdjusting your processes to fit the artist's preferencesWhy double tracking with the same guitar can be problematicThe secret to getting your guitars to sound massiveWhy good editing starts at the tracking stageEditing guitars: Where you should make your cuts if you want the best soundThe pros and cons of time-stretchingUsing different time-stretching algorithmsUsing drum trigger spikes: Why they're so helpful Using Soundflow to save time and work efficientlyTo learn more about Jordon Beal, visit: https://www.facebook.com/jordon.poppLooking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Download Waves Plugins here: https://waves.alzt.net/EK3G2K Subscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781 Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej Youtube:

Yes! Maxat avsnitt där vi nu bytt plattform och kör frånSpotify, nu också i din Playlist? Börja Prenumerera idag!Vi Recenserar musik från Daniel Fält och The FAT.Mycket innerligt och vackert och åttiotals-strålande utlovas.Men inte nog med det:Vem är multikonstnären Sylvia Massy som både Producerar Musik och målar tavlor? Vad är ett Robert Wells-anslag? Ochhur räknar Jeff Porcaro in sina låtar?Fick Tori Kelly, John Legend och Jacob Collier vara med på ettanalyshörn av like a bridge over troubled water också, som ändå gav en Grammy till den ende som kan vinna priset för bästa arrangemang?Javisst!Varmt välkomna!Vill du ha din låt uppspelad direktmed tillhörande analys.Maila oss låtlänk + info om projektet till: Musiksnacket@iwm.se#recension #analyser #musik #analys #spotify #Podcast #podd #musiksnacket #Artist #Musiker #scen #studio #AI

Carter Vail is a musician, producer, and video creator. His fast-paced, lighthearted short-form songs have garnered him hundreds of thousands of followers across social media. His new album, 100 Cowboys, combines upbeat music with emotional lyrics that document a difficult breakup. Carter shares his songwriting process, thoughts on collaboration, and why he chooses to work fast and be prolific in his creative process. This episode is sponsored by Baby Audio, makers of incredible music software. Use the code MPP15 to save 15%! https://babyaud.io  Listen on Apple, Spotify, YouTube Takeaways: Carter Vail's new album '100 Cowboys' strikes a balance between upbeat music and sad lyrics. Having fun with music is important and can bring joy to both the artist and the audience. Working in a simple studio setup can be beneficial, as it minimizes potential bottlenecks and allows for a seamless creative process. Carter believes in showing up and working consistently, rather than waiting for inspiration to strike. Simplicity in the creative process and studio setup can lead to faster and more efficient music-making.  Inspiration is fickle, and it's important to take action and create even when feeling uninspired. Having a concept and direction before diving into production is important for songwriting.  The proximity of instruments to the computer can affect the recording process.  Collaboration can bring fresh perspectives and ideas to the creative process.  Specific details in lyrics can create a personal connection with listeners.  Efficiency and consistency are key in managing social media presence. Links: Carter Vail Website - https://www.cartervail.com Carter's Instagram - https://www.instagram.com/cartervailmusic/?hl=en Carter's YouTube - https://www.youtube.com/@cartervailmusic Carter's TikTok - https://www.tiktok.com/@cartervailmusic?lang=en "Nashville" by Carter Vail - https://www.youtube.com/watch?v=eCQhCt4PcLc "It's Time for Shrimp" by Carter Vail - https://youtube.com/shorts/eZ-S2ZYYjL8?si=Z9__aqPrwYc-kbXl Recording Unhinged by Sylvia Massy - https://amzn.to/4cXACo5 Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Wir haben auf der NAMM Show spannende Einblicke in die internationale Musikwelt gewonnen und nehmen euch mit in das Getümmel. Im Convention Center von Anaheim führten wir Gespräche mit bekannten Herstellern wie Waves, Elysia und SoundRadix über ihre neuesten Produkte. Wir sammelten auch Eindrücke und Meinungen von guten Bekannten wie Benedikt Hain, die die lebhafte Atmosphäre der Messe schildern. Marc sprach auch über wichtige Themen wie Künstlerkooperationen und Networking mit Stefan Heger von Masteringworks und Rebecca von Blackpanthersystem. Zu den Highlights zählen aber die Gespräche mit Sylvia Massy, dem CEO von Neumann, Ralf Oehl, und Erce Kaslioglu, dem Mitbegründer und CEO von Telegrapher Loudspeakers, einem jungen Unternehmen, das Gemeinsamkeiten mit Luxusmarken wie Lamborghini und Aston Martin aufweist. Viel Spaß beim Hören! ➡️ (00:00:00) - Intro ➡️ (00:01:46) - Flughafen ➡️ (00:10:53) - Auf dem Weg zu Audiomovers ➡️ (00:14:36) - Audiomovers ➡️ (00:19:12) - NAMM Intro ➡️ (00:21:58) - Telegrapher ➡️ (00:28:16) - Waves ➡️ (00:31:42) - Soundradix ➡️ (00:34:05) - Stefan Heger ➡️ (00:41:30) - Recap Tag 1 / Preview Tag 2 ➡️ (00:52:50) - Rebecca Kimmig ➡️ (00:57:47) - Ruben Tilgner ➡️ (01:01:19) - Recap Tag 2 / Preview Tag 3 ➡️ (01:14:33) - Ralf Oehl ➡️ (01:24:47) - Sylvia Massy ➡️ (01:36:22) - Benedikt Hain ➡️ (01:43:45) - Fazit Shownotes: ➡️ Aktuelles Heft: www.soundandrecording.de/shop ➡️ Tonstudio-Guide: www.bitly.com/tonstudioguide ➡️ WhatsApp: https://bit.ly/3jFkmyh ➡️ LinkedIn: https://bit.ly/2RrBHzY ➡️ Facebook: https://bit.ly/3fGHgR2 ➡️ Instagram: https://www.instagram.com/sound.and.recording/ ➡️ Spotify: http://bit.ly/referenztracks ➡️ Apple Podcasts: https://apple.co/31Jp5VV ➡️ YouTube: https://bit.ly/2QUlL5K

Back by popular demand! While listening to our favorite music, we often overlook the unseen force, creativity and vast knowledge of the recording engineer. We repost this exciting episode of the Music History Project (with a special guest) as we discover the background and techniques of a true pioneer, Sylvia Massy!

We asked Sylvia Massy your questions after her MixCon Masterclass. Sylvia has worked with Tool, System of a Down, RHCP, Johnny Cash, Tom Petty, Jason Isbell an more. Catch the full masterclass here: https://www.youtube.com/watch?v=s1Ai-4SoIIg Thanks to Soundtoys https://Soundtoys.com Enter the MixCon Mega Giveaway here: https://delicious-audio.com/mixcon-mega-giveaway/

This week we've decided to revisit one of my favorite episodes from the early days of the Master Your Mix Podcast. Sylvia Massy is an American record producer, mixer, engineer, instructor and author. Massy is renowned for her multifaceted production/mixing and engineering skills, with her first major breakthrough occurring with 1993's Undertow, the full-length triple platinum-selling debut for Los Angeles alternative metal band Tool as well as her work with System of a Down, Johnny Cash, Red Hot Chili Peppers, and Brazilian band South Cry. She has been awarded over 25 gold and platinum records, including several Grammy nominated albums. IN THIS EPISODE, YOU'LL LEARN: Her hybrid mixing style Pre-production: What's involved, why you need it, and what to be focused on in this stage Wet vs. dry vocals: How to get the vocal to sit in front Rick Rubin's “Slippery Fader” technique Being creative in the studio The benefits of “adventure recording” Creating lasting memories for the artists you're working with Notable gear mentioned in this episode: GML8200: https://sweetwater.sjv.io/m5rAbX Neve 1073: https://sweetwater.sjv.io/rQeZbR Isotope Ozone: ​​https://sweetwater.sjv.io/JzoGD7 To learn more about Sylvia Massy, check out her website: https://shop.sylviamassy.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

ESQ, the musical brainchild of Larry Sager hailing from Detroit, MI, is back with a captivating and thought-provoking single and video titled "Can't Be Satisfied”. This release marks a delightful return for ESQ, known not only for his solo endeavors but also as a founding member of this well-established rock band. What sets this single apart is not just its catchy melody but also the collaboration with American record producer, mixer, and engineer Sylvia Massy, renowned for her work with music legends like Tool, Tom Petty, Prince, Johnny Cash, and Red Hot Chili Peppers. Massy not only lent her mixing expertise to "Can't Be Satisfied" but also contributed her vocals to the track, adding a unique dimension to the song. --- Support this podcast: https://podcasters.spotify.com/pod/show/wewriteaboutmusic/support

ICYMI, Join us for a live recording of our TEC Tracks panel at the #nammshow, "If I Knew Then (What I Know Now)," with the brain trust of Chuck Ainlay, Frank Filipetti, Sylvia Massy, and Ross Hogarth. It's a thoughtful, enlightening, and hilarious conversation. 

“F*ck fear! There's no death penalty for using the wrong compressor” - Frank Filipetti What does System of a Down, GML, George Strait, “SexyBack”, Acura's ELS surround system, Neil Young, and Tony Award-winning musical Aida have in common? An amazing super-group of multi-GRAMMY winning & nominated Engineers, Mixers, and Producers, that's what! In this special episode we sit down with Sylvia Massy, George Massenburg, Chuck Ainlay, Jimmy Douglass, Elliot Scheiner, Niko Bolas, and Frank Filipetti to discuss what METAlliance is & why it's important, the art of engineering, and their upcoming “In Session” event at Blackbird Studio in Nashville at the end of January. --- Support this podcast: https://anchor.fm/one-and-dunn/support

Adam Jaffe is the drummer for Pistols At Dawn, an exciting up and coming band.  The band recently booked an opening slot on the Alter Bridge & Mammoth WVH tour.   They just wrapped up an acoustic radio tour for their single "The Truth."  We discuss all this plus how Adam grew the band, working with producer Sylvia Massy, a crazy stage incident & more! 00:00 - Intro00:42 - Recent Radio Tour & Playing Acoustically 05:34 - Old Singer & New Singer 08:00 - New Guitarist & Bassist 09:40 - Growing the Band & Success 15:05 - Making the Tough Decisions & Going All In 17:50 - Tour with Mammoth & Alter Bridge 21:30 - Adam's Take Over The World Attitude 23:35 - Adam's Backstory 26:20 - Working with Producer Sylvia Massy 28:58 - Recording with Jesse James Dupree 30:23 - Guns 'N Roses & Stage Accidents 36:00 - Charity Show & World Central Kitchen 37:22 - Website, Social Media & Band Name 39:28 - Outro Pistols At Dawn website:https://www.pistolsatdawnband.com/World Central Kitchen website:https://wck.org/Chuck Shute website:http://chuckshute.com/Support the showThanks for Listening & Shute for the Moon!

Thank you for being a subscriber to this exclusive content! ⁠SUBSCRIBE TO YOUTUBE⁠ ⁠Join the ‘Mixing Music Podcast' Discord!⁠ ⁠HIRE DEE KEI⁠ ⁠HIRE JAMES⁠ Find Dee Kei Braeden, and Jame on Social Media: Instagram: ⁠@DeeKeiMixes⁠  ⁠@JamesDeanMixes⁠ Twitter: ⁠@DeeKeiMixes⁠  ⁠CHECK OUT OUR OTHER RESOURCES⁠ Join the ‘Mixing Music Podcast' Group: ⁠Discord⁠ & ⁠Facebook⁠ The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Spreaker⁠, ⁠Filepass⁠, & ⁠Canva⁠ The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like Keyshia Cole, Trey Songz, Ray J, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Phresher, Lucky Daye, DDG, Lil Xan, Masego, $SNOT, Kanye West, King Kanja, Dreamville, BET, Universal Music, Interscope Records, etc. This video podcast is meant to be used for educational purposes only. This show is filmed at IN THE MIX STUDIOS located in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.

Listen to the best podcast moments from episodes #44 - #48. #44 - Playback Engineering w/ Electronic Creatives Team In this special episode, the Electronic Creatives team shares their experiences setting up live performances for today's major touring artists. Listen as Laura Escude, AJ Ramirez, and Greg Somerville share stories and what it takes to be a high level playback engineer in the industry Follow below: Electroniccreatives.com instagram.com/lauraescude instagram.com/ajae___ instagram.com/gesisgrateful #45 - Hacking Ableton Live & Music Production w/ Azuki In this episode, Yan Zhu (Azuki) shares her experiences hacking software (including Ableton Live) and her approach to producing and performing music. Follow below: azuki.vip #46 - Vintage Microphones & Adventure Recording w/ Sylvia Massy In this episode, Sylvia Massy shares her experiences doing adventure recording, her collection of the world's oldest microphones, and deep insights on audio engineering...including how to properly mic a chicken. Follow below: instagram.com/sylvia_massy #47 - Making Music Using Machine Learning with J.J. Burred In this episode, J.J. Burred and Dan discuss the development of machine learning in today's music, how it's benefiting producers, and the future of music software with source separation. Follow below: jjburred.com #48 - Music Production & Live Performance w/ Daiza In this episode, Danielle Thwaites and Dan discuss setting up a live performance, favorite gear and plugins, and the music production process. Follow below: dai-za.com Episode sponsored by Genki. Wave is a ring that allows you to control sound, shape effects, and send commands using the motion of your hand. Use the discount code liveproducers and get 20% off this incredibly versatile tool to automate your music workflow. Visit the link below: Genkiinstruments.com/products/wave

Recently released, along with much more on the way soon, we got the chance to speak with Larry Sager of E.S.Q. all about his newest single, “At Night”. Originally from Detroit, Michigan, but now based out of San Francisco, California, Larry Sager is the lead man of E.S.Q., an incredibly underrated rock band cranking out wonderful tunes. On their latest track titled “At Night”, they've put together a blues rock inspired piece that tells a compelling story on top of an inspired instrumentation. With the help of Gabriel Shephard on engineering and Sylvia Massy on the mixing, all collaborators put their heart and soul into this beauty. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/wewriteaboutmusic/support

Maor Appelbaum is a mastering engineer and musician. After working as staff engineer (mixing, recording and mastering) for famed record producer Sylvia Massy Shivy at Radiostar Studios in Weed, California, Maor moved to Los Angeles where he opened his private mastering suite. Maor has had the pleasure of mastering recordings for major international acts such as: Rob Halford, Sepultura, Yngwie Malmsteen, Fates Warning, Cynic, The Prog Collective, Nekromantix, Armored Saint, Lita ford, Fight, Angra, Walter Trout, Treponem Pal, Seven The Hardway, Marco Mendoza, The Top Chops and more… He has mastered the works of well-known music producers such as: Toby Wright, Justin Gray, Roy Z, Sylvia Massy, Gilby Clark, Warren Riker, Ryan Greene, Ulrich Wild, Fabrizio Grossi, Greg Hampton , Logan Mader, Stan Katayama, Ben Schigel, Mark Lewis, Jacob Hansen, Tue Madsen, Eyal Levi, Jason Suecof, Thomas Lang and more… Also, he does mastering for unsigned artists of all genres from all over the world. IN THIS EPISODE, YOU'LL LEARN ABOUT: Should a mastering engineer offer constructive criticism to their clients? How to be tactful with client communication Working with Sylvia Massey How to be creative with mastering music Understanding how your gear affects your sound Remastering records: How to preserve the legacy of an artist Building custom gear Modeling hardware for plugins What makes a great master? How your portfolio helps you grow your career To learn more about Maor Appelbaum, visit: https://maorappelbaum.com/ To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Excited to have Producer, Mixer, Instructor, and Author - Sylvia Massy as our first guest for Season 2 of One and Dunn! Join us as we discuss her art, stories of "adventure" recording, and her ever expanding vintage mic collection. She does a little show and tell, so don't forget to check out the episode on our YouTube channel too! --- Support this podcast: https://anchor.fm/one-and-dunn/support

ICYMI: This episode features a rebroadcast of our TEC Tracks panel, live from NAMM 2022. Join me and Sylvia Massy, Ed Stasium, and Matt Wallace for a fun conversation on the role of the producer and the creative process.  

After learning about a severe lack of women and underrepresented producers in mainstream charts, Natalie and Tara embark on an exploration to learn about and highlight those producers that might not be household names. In today's episode, Suzanne Ciani and Sylvia Massy are the first highlighted in the series. 

While listening to our favorite music, we often overlook the unseen force, creativity and vast knowledge of the recording engineer. Join us for this exciting episode of the Music History Project (with a special guest) as we discover the background and techniques of a true pioneer, Sylvia Massy!

Petra Randewijk is an independent sound engineer from the Netherlands. She has been working in sound for over 20 years, mostly in live sound. Last year she toured in Europe, the UK and North America with Imogen Heap as FOH engineer and PM. When she is home she works at shows in Doornroosje in Nijmegen, and at some of the many Dutch festivals with awesome artists. Or for any other show that consists of good music, nice people, a technical challenge, or, even better, all three. Recording has always been quite a passion project for Petra, which she does mostly at her own studio. After taking a week-long seminar with Sylvia Massy, she got inspired to make her recording sessions more adventurous which resulted in a lot of exciting recording sessions, and still more to come.

Maor Appelbaum is a mastering engineer based out of LA, CA, USA. In this episode, Maor shares his journey; moving to the States from Israel, working with Sylvia Massy, and transitioning into full-time mastering. He talks about his approach to mastering, getting emotion out of a record, an inside look at some of his gear, being a part of the audio community, getting on the phone with clients, and so much more! Check it out!You can learn more about Maor at https://maorappelbaum.com/You can follow Maor on Social MediaFB - https://www.facebook.com/maorappelbaummasteringIG - https://www.instagram.com/maorappelbaummastering/Subscribe to the podcast and get my free guidebook "Music Production Essentials" here - https://mpe-ebook.benwallick.com/free-downloadJoin the Secret Sonics Facebook community here - https://www.facebook.com/groups/secretsonicsIf you'd like to help support Secret Sonics, you can do so by visiting https://www.buymeacoffee.com/benwallickReferencesSylvia Massy - https://en.wikipedia.org/wiki/Sylvia_MassyG3 - https://en.wikipedia.org/wiki/G3_(tour)The Oven - https://hendyamps.com/the-ovenMagic Death Eye Compressor - http://magicdeatheye.com/Maselec - http://www.maselec.com/Lynx Hilo - https://www.lynxstudio.com/products/hilo/Electronauts m97 - http://electronaut.info/m97/Waves abbey road mastering chain - https://www.waves.com/plugins/abbey-road-tg-mastering-chain#abbey-road-tg-mastering-chain-demoPete Lyman - https://www.benwallick.com/podcast-episodes/2021/7/11/secret-sonics-103-pete-lyman-how-to-cut-a-recordPMC ib1s passive - https://pmc-speakers.com/products/professional/passive/ib1s#:~:text=The%20IB1S%20is%20an%20extremely,and%20SB100%20sub%20bass%20system.Creative Mastering with Maor Appelbaum - https://proaudiomasterclasses.com/classes/creative-mastering-with-maor-appelbaumThanks for listening to this episode of Secret Sonics! I hope you enjoyed this episode :) Look out for new episodes weekly. Consider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.Thank you to Zvi Rodan, Mendy Portnoy, and Yakir Hyman for contributing to the new podcast theme music!You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.co***If you want the show to continue to improve, feel free to fill out a listener survey here: https://forms.gle/BWKmS4YmESYid5rh8 ***Follow along via social media here:Facebook: www.facebook.com/SecretSonicsPodInstagram: www.instagram.com/secretsonics/Feel free to email me at secretsonics@gmail.com with any questions and feedback you might have. I'm open to learning about what topics you'd like to hear about and which people you'd like to hear from. In pursuit of making this podcast truly helpful to anybody looking to improve at music production, all suggestions are truly welcome! Have a great week, stay safe, and dig in!-Ben

On this weeks episode we are joined by Swansea band Prosperina! We talk about midnight strolls bromancing with Soundgarden in your ears, broad music abilities, Sylvia Massy, techno viking Jamiroquai and trying to be a Bond villain by recording in a volcano ...?  Here's a link to all their stuff!https://linktr.ee/ProsperinabandBeen as you're here give us a little reviewhttps://www.podchaser.com/podcasts/listen2this-podcast-1253723Our StuffInstagramhttps://www.instagram.com/podcastlisten2this/Twitterhttps://twitter.com/Listen2This_Facebookhttps://www.facebook.com/Listen2ThisPodcastDiscordhttps://discord.gg/fPAYf2G3Spotify Playlisthttps://open.spotify.com/playlist/4FITfvqU9Ac2sYciLQ5zgU?si=ajcqJBJUSiOJZWUjrnAn_A

If you have ears, you have heard the work of engineer and producer Sylvia Massy. Prince, Johnny Cash and The Red Hot Chili Peppers are just a few of her clients. Sylvia also owns the largest collection of microphones in the world. In this episode of TIMI Podcast she discusses insights, her approach to a unique life in music, and that time she nearly killed Serj from System of A Down by hanging him upside down from the ceiling of a studio for a vocal take.

On top of being a ridiculously talented producer and engineer, Sylvia is a fearless and creative thinker and business woman. Sylvia's credits include: Johnny Cash, Turbonegro, Red Hot Chili Peppers, Powerman 5000, Patchy Sanders, System of a Down, and Thunderpussy.

In this week’s Podcast Julian Rodgers, James Ivey and Audrey Martinovich discuss microphones. Responding to an excellent video produced by Antelope Audio in which studio legend Sylvia Massy goes completely over the top miking Taylor Hawkins’ drums - Excellent!

Braeden "Pockets" Rangno is a music producer, recording and mixing engineer based out of Vancouver, BC, Canada! In this episode, discover how Braeden fosters relationships with artists and networks within his community, his approach to mixing and getting a deep low end, why he loves having the artist track in the same room as him (no vocal booths!), and so much more. Check it out!You can find out more about Braeden at http://www.bpockets.com/You can find Braeden on Social MediaIG: https://www.instagram.com/bpockets/FB: https://www.facebook.com/VibecaveYou can listen to the track that we discussed in the "Sauce" segment in its entirety here: "Missing Love" by Tissa Rahim - https://www.youtube.com/watch?v=AI2dMd1HlDkAs I mentioned in a previous episode, I've started a Whatsapp group community. If you're interested in joining, please email me at Secretsonics@gmail.com Please include your phone # and tell me a bit about what you do production-wise.If you'd like to help support Secret Sonics, you can do so by visiting https://www.buymeacoffee.com/benwallickReferencesMark Eckert - https://www.benwallick.com/podcast-episodes/2020/5/31/secret-sonics-048-mark-eckertBrandon Allshouse - https://www.benwallick.com/podcast-episodes/2020/9/13/secret-sonics-063-brandon-allshouseDominic Fricot track - https://www.youtube.com/watch?v=exC0BBYpxgoDevil and Daniel Johnston - https://www.imdb.com/title/tt0436231/William Bowser - https://www.benwallick.com/podcast-episodes/2020/10/18/secret-sonics-068-william-bowserDaniel Grimmet - http://danielgrimmett.com/Make Pop Music - https://www.facebook.com/groups/MAKEPOPMUSICSpace Queen - https://wearespacequeen.bandcamp.com/Mother Mother - O My Heart record - https://open.spotify.com/album/0X7S0TEZ5NJsSxmyTnfYi2?autoplay=trueHoward Redekopp - https://www.howardredekopp.com/Sylvia Massy - https://en.wikipedia.org/wiki/Sylvia_MassyDerek Difilippo - https://www.instagram.com/derekdifilippo/?hl=enTarrus Riley - https://en.wikipedia.org/wiki/Tarrus_RileyBilly Decker - http://www.billydecker.com/Noble bass DI - https://nobleamps.com/preamps/Little Labs VOG - https://www.uaudio.com/uad-plugins/special-processing/little-labs-voice-of-god.htmlDrumeo - Tim Proznick - https://www.facebook.com/watch/?v=921905371560636Elton John writing partner - https://en.wikipedia.org/wiki/Bernie_TaupinThanks for listening to this episode of Secret Sonics! I hope you enjoyed this episode :) Look out for new episodes weekly. Consider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.Thank you to Zvi Rodan, Mendy Portnoy, and Yakir Hyman for contributing to the new podcast theme music!You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.co***If you want the show to continue to improve, feel free to fill out a listener survey here: https://forms.gle/BWKmS4YmESYid5rh8 ***Follow along via social media here:Facebook: www.facebook.com/SecretSonicsPodInstagram: www.instagram.com/secretsonics/Feel free to email me at secretsonics@gmail.com with any questions and feedback you might have. I'm open to learning about what topics you'd like to hear about and which people you'd like to hear from. In pursuit of making this podcast truly helpful to anybody looking to improve at music production, all suggestions are truly welcome! Have a great week, stay safe, and dig in!-Ben

Born in Southern California and growing up in Southern Oregon, Nick Depew, while in high school would discover his drive to become a singer, songwriter and guitar player through the shocking death of legendary front man for Nirvana, Kurt Cobain. Influenced by the alternative movement of the mid to late nineties by bands like Nine Inch Nails, Nirvana and Bush, Nick would begin to write about his feelings and the lives and experiences of others who would cross his path. After deciding that anthropology was not going to be his future, Nick began to take classes in business while engineering and self producing his songs out of a demo studio in a friend's garage. Later, he would meet the infamous music producer Sylvia Massy who would provide him with a professional space to craft his music under the name Relevant Discord. Nick is still living in Klamath Falls, Oregon. Rich Rees is on the show!

This week CHIRP Radio is proud to present a conversation with electronic music producer Amon Tobin. We spoke with Amon about the international appeal of electronic and dance music, the conception of his new project Figueroa, his writing process and collaboration with veteran rock producer Sylvia Massy. It's a very warm and intimate conversation and we hope you'll enjoy it. Amon released his latest LP under the name Figueroa. It is titled The World As We Know It. You can find a copy via Nomark Records here. Interview by Mick R. Production by Brian Szpak. Photo by Amon Tobin.

Sylvia Massy is a legendary producer, mixer, and engineer who has worked with Prince, Johnny Cash, Tool, and many others. ON THIS EPISODE: 2:15 – COVID life 10:06 – Visual vs. auditory ideas 18:27 – Working with strong-willed artists 26:15 – Experimentation and scheduling 35:24 – Working with Rick Rubin 52:04 – Building trust in the early days 1:09:10 – ... Read More The post EP 294 | Sylvia Massy appeared first on Unstoppable Recording Machine.

This week we talk with Sylvia Massy! Sylvia is known for her production work with Tool, System of a Down, Johnny Cash, and Red Hot Chili Peppers. She also loves doing adventure recording and has recently acquired a microphone museum. Hear about it all in this episode! Music: "Wallee" by Kaz Editor: Bri Autrey Sponsor: York Music Group

Sylvia Massy's extensive recording resume includes Prince, Tool and Johnny Cash. Today she shares stories on creating the right environment to capture the best performances and deliver them to your record collection. If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related.

Debra Devi is a powerhouse guitarist and singer/songwriter with two feet firmly planted in blues/rock. Her new project, 'A Zillion Stars Overhead EP,' ventures into melodic rock territory and features Jorgen Carlsson of Gov't Mule on bass and drums by Amfibian drummer John Hummel. It was mixed by Sylvia Massy. Here we chatted with Devi about the creation of the project and musical life in this new world… Find out more at https://www.debradevi.com/

Rick Barnes is a music producer, audio engineer, musician, and owner of Rax Trax Recording Studios in Chicago, IL, USA!You can learn more about Rick here: https://www.raxtrax.com/staffYou can follow Rick on Social MediaInstagram: https://www.instagram.com/barnesrecording/ReferencesRax Trax Recording: https://www.raxtrax.com/Noam Wallenberg: https://www.benwallick.com/podcast-episodes/2020/4/21/secret-sonics-038-noam-wallenbergNicholas Tremulis: https://www.allmusic.com/artist/nicholas-tremulis-mn0000866115Studio Vision (early DAW): https://en.wikipedia.org/wiki/Opcode_SystemsPeven Everett (trumpet player): https://www.residentadvisor.net/dj/peveneverett/biographyColumbia College music technology course: https://www.colum.edu/academics/programs/music-technologyATC monitors: http://atcloudspeakers.co.uk/Russ Berger (acoustician): https://rbdg.com/team/#russMic Shop (Bill Bradley) u47 clone: https://www.micshop.com/microphonesNorman Druce (Atomic): https://www.gearslutz.com/board/for-those-we-have-lost-memorials-rips-and-obituaries/1282661-rip-norman-druce.htmlAtomic Power Supplies: https://www.atomicinstrument.com/Rachel Yamagata: https://en.wikipedia.org/wiki/Rachael_YamagataSteve Albini: https://en.wikipedia.org/wiki/Steve_AlbiniLakland Bass: https://www.lakland.com/Kahil El'Zabar: https://en.wikipedia.org/wiki/Kahil_El%27ZabarDavid Murray: https://en.wikipedia.org/wiki/David_Murray_(saxophonist)Dave Liebman (Sax player): http://davidliebman.com/home/Waves CLA Mixhub (SSL emulation): https://www.waves.com/plugins/cla-mixhubAndy Wallace: https://www.youtube.com/watch?v=bX6LcB-WObwGender Amplified: http://genderamplified.org/Sylvia Massy: http://www.sylviamassy.com/Some recent work to check outNicholas Tremulis - https://soundcloud.com/ntorchestra/sets/forthebabydollThe Circle View - https://open.spotify.com/album/48ZNDMibxUruK1LoAdB1ACThe Fold - https://open.spotify.com/album/2aQeLow9yOlXjUNJawjAy5Thanks for listening to this episode of Secret Sonics! I hope you enjoyed this episode :) Look out for new episodes weekly. Consider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.coFollow along via social media here:Facebook: www.facebook.com/SecretSonicsPodInstagram: www.instagram.com/secretsonics/Feel free to email me at secretsonics@gmail.com with any questions and feedback you might have. I'm open to learning about what topics you'd like to hear about and which people you'd like to hear from. In pursuit of making this podcast truly helpful to anybody looking to improve at music production, all suggestions are truly welcome! Have a great week, stay safe, and dig in!-Ben

ANNOUNCMENTS Recent live stream success - HSS Live-Artist Spotlights 006 https://youtu.be/GPT-_TGlt84   EAR TO THE GROUND 1 New music is no longer a thing, thanks to a pair of lawyers who created an algorithm to write every single musical melody that can possibly exist. Rather than claiming all music as their personal property, however, the duo have released their entire catalog of tunes into the public domain, in the hope that this will bring an end to copyright lawsuits.   Lawyer, musician, and programmer Damien Riehl came up with the idea after realizing that all singer-songwriters are essentially walking on a “melodic minefield”, because there are only a finite number of melodies that can exist. As such, with each new song that gets written, the chances of creating something genuinely unique decreases, and the possibility of writing a melody that has already been recorded by someone else increases.   In a recent Tedx Talk, Riehl explains that this wouldn't be a problem if it weren't for the ridiculous nature of copyright laws, which state that a piece of music becomes copyrighted the moment it is recorded. Even worse, it is possible to be sued for “subconscious infringement”, whereby an artist may have to pay a settlement to another artist even if they claim to have never heard the song that they are accused of copying. Riehl sites numerous such cases, revealing how George Harrison was found guilty of subconscious infringement after the chorus to his song My Sweet Lord was deemed to be too similar to a track called He's So Fine by The Chiffons. In another example, Radiohead were forced to name a group called The Hollies as co-writers of their song Creep, which apparently included a melody that also appears in one of the latter band's songs.   To try and bring an end to such cases, Riehl teamed up with Noah Rubin to create an algorithm that could produce every 12-note melody that has ever been written or can ever be written, using one octave of musical notes. The algorithm uses the same ‘brute force' technique that hackers use when attempting to steal passwords, by essentially generating every possible combination of characters. A total of 68 billion melodies were generated, which are now all available at allthemusic.info.    The pair argue that their algorithm highlights how musical melodies are essentially just numbers arranged in a particular order, and that since numbers can't be copyrighted, music should also not be constrained by infringement laws. "No song is new. Noah and I have exhausted the data set," explains Riehl. "Noah and I have made all the music to be able to allow future songwriters to make all of their music."   2 It's becoming clear that the Covid-19 coronavirus is going to have a significant impact on all of our lives for the foreseeable future and, sadly, it's likely that the music-making industry is going to suffer.    Of course, there are still plenty of ways that you can indulge your passion - a period of self-isolation might actually help you to finish that album you're been working on or even master a new instrument - but in the world of live events, the picture looks a little less rosy. Around the world gigs, trade shows and other music-focused gatherings are being cancelled on a daily basis and, unfortunately, this is a trend that's set to continue.  To help you keep abreast of developments, and to make you aware if you need to change your plans in any way, I've included a link in the description of this podcast to an ongoing list that Music Radar has put together for live show updates. This guide shows the current impact that the coronavirus is having, and they're committed to keep it updated as news comes in. This might be a webpage you need to bookmark for future reference. 3 Universal Audio (UA), a leading manufacturer of professional audio recording hardware and software, is proud to introduce LUNA Recording System, a full-featured music creation, recording, and analog-style production system shaped by over 60 years of analog audio exploration. LUNA transforms UA's industry-standard Apollo interfaces into the most inspiring and fully integrated recording systems available. LUNA Recording System consists of a UA Thunderbolt-equipped audio interface, the LUNA Application, LUNA Extensions, and LUNA Instruments. LUNA will be available as a free download for Apollo and Arrow Thunderbolt audio interface owners (Mac only) in Spring 2020 Deep Apollo Integration — Fast, Natural Workflow Unlike traditional DAW software, LUNA Recording System's tight hardware-software integration allows quickly routing and recording audio through DSP-powered UAD plug-ins with no discernable latency via the new Accelerated Realtime Monitoring feature. Accelerated Realtime Monitoring is poised to be a major revelation for those unaccustomed to working on a $10k+ DSP-assisted recording system; music production will instantly seem more robust, dependable, and intuitive, without latency or monitoring hassles.  Built-In Neve® Summing — Instant Classic Console Sound LUNA Recording System offers precisely emulated audio summing circuitry from the Neve 80-Series audio mixing consoles designed by Neve Electronics in the 1960s and early 1970s, featuring the harmonically rich sound of the Neve 1272 summing amplifier. Far beyond a “summing plug-in," Neve Summing is a LUNA Extension built-in to the fabric of LUNA's mixer — and can instantly transform a clean technical mix into a classic-sounding recording filled with energy and life. Integrated Multitrack Tape — Warmth and Punch on Demand LUNA's audio transport features integrated Multitrack Tape emulation via the included "Oxide" LUNA Extension — providing sonic qualities commonly described by audio engineers as "warmth" and "cohesion" on every desired audio or instrument track. LUNA Recording System users may choose to further explore various magnetic tape sounds with the optional Studer® A800 Tape Recorder Extension (sold separately). All-New LUNA Instruments — Incredible Realism to Fuel Inspiration LUNA is further distinguished by all-new software-based LUNA Instruments — bringing Universal Audio's expertise in electrical and acoustic modeling, sampling, synthesis, and signal processing to virtual instruments for the first time ever. The resulting software instruments are ultra-realistic, responsive, and “alive” with inspiration. At launch, available LUNA Instruments will include: Moog® Minimoog — developed in partnership with Moog Music, the Moog Minimoog is an incredibly accurate and inspiring emulation of the archetypal 1971 Moog synthesizer Ravel™ grand piano — a breathtaking model of a Steinway Model B grand piano based on UA's proprietary sampling, physical modeling, and new Ultra-Resonance technology — providing all the sonic nuance of this studio classic Shape™ — a complete creative toolkit with vintage keys, drums/percussion, guitar/bass, orchestral content, and realtime synthesis, courtesy of Universal Audio, Spitfire Audio, Orange Tree Samples, Loops de la Creme, and more — included free in LUNA. 3 FREE PLUGS  Xfer Records Dimension Expander - If you're looking to add unique and insane space and stereo width to your sound, Xfer Records Dimension Expander is a must. The four-voice chorus with extended delay times takes advantage of phasing to further enhance the "out of the speaker" width. Two of the chorus voices are out of phase from the other two, which tickles your brain and confuses it in enjoyable ways, creating an unbeatable stereo effect. It sounds great on pretty much anything but shines a bit extra on vocals and cleaner guitars. Try it and find out which other instruments love this plugin. Thrillseeker XTC - Sometimes you need to bring a sound back to life - you hear it has potential, but you know it can be so much more. Bringing back the mojo of a sound (or several) is what the exciter Thrillseeker XTC is all about. In the stylish analog interface, you have ultimate control over the low, mid, and high end with full respective EQ bands to dial it down even further. One of the more exciting features of the Thrillseeker XTC is the "mojo" knob. The Cambridge Dictionary defines mojo as "a quality that attracts people to you and makes you successful and full of energy." Switch out the "you" to "your track," there's your explanation to what the Thrillseeker XTC is all about. I really can't explain it better. It does magic on your track and makes it sound loads better. Krush - Who doesn't love an excellent, free bit crusher? Look no further than Krush. Krush is all about down-sampling, crushing, and driving your sound to insane levels – if you want. Hidden in this gem is a reliable filter and an LFO to manage all controls in the plugin fully. And with the separate dry and wet dial, you can add some exciting flavors to your drum loops, for example. Just a little bit can go a long way to liven up a dull 4/4 beat. It sounds like a bit crusher should and does everything you want, with a bit more to keep things interesting. If you want a free bit crusher, I recommend you check this one out right now.    MAIN THOUGHT   4 The McGurk Effect   Have you ever tweaked a knob on a compressor or an EQ plugin while looking at it on screen and hear an audible difference, only to find that it was in fact bypassed the whole time?   Well, if you've been mixing for very long, I'm sure at one point in time (knowingly or unknowingly) you've done this.    This audio/visual phenomenon is not only real, but it is scientifically proven. In fact it's got a rather Scottish name, it's called "The McGurk Effect" .    In 1976, Chief psychologist McGurk and his partner MacDonald, reported a powerful multisensory illusion occurring with audiovisual speech. They recorded a voice articulating a consonant and dubbed it with a face articulating another consonant. Even though the acoustic speech signal was well recognized alone, it was heard as another consonant after dubbing with incongruent visual speech. The illusion has been termed the McGurk effect. It has been replicated many times, and it has sparked an abundance of research. The reason for the great impact is because it is a striking demonstration of multisensory integration. It shows that auditory and visual information is merged into a unified, integrated percept.   The McGurk effect, in laymen terms, is a perceptual phenomenon that demonstrates an interaction between hearing and vision in auditory perception. The illusion occurs when the auditory component of one sound is paired with the visual component of another sound, leading to the perception of a third sound. (See it for yourself here)   So, what can we learn from this? Well, it demonstrates our brains ability to marry the audio world to the visual and also shows us that we can be easily tricked into hearing things that are not there. Arguably, this is why some say that analog mixing is better musically speaking. Because, tactile knobs and low visibility to the specific ranges found on the mixing board or outboard gear, forces an engineer to use their ears more than their eyes to makes subtle adjustments.    Because of this, some plug in companies have actually went as far as to create a sort of clean slate approach to audio alteration. For instance, one company (Audio Thing) released a FREE (yes FREE plugin), that you can download and try for yourself.  it's called the Blindfold EQ. The Blindfold EQ is a freeware EQ plugin inspired by a quote from Matt Wallace, found in the book Recording Unhinged by Sylvia Massy.  Matt states, “If I were King of the Universe, consoles would have no indication of frequency near the EQ knobs, because when you show the frequency, then most people EQ by eye. […] But seriously, you should have no idea of what frequency you are boosting or cutting. It doesn't matter what number is. It matters how it sounds and how it feels. That's it!” Matt Wallace   Ans so, the Blindfold EQ is created. The Blindfold EQ has 4 bands (LowShelf, LowMid, HighMid, HighShelf), but each knob is blind. Meaning, there are no indicators or numbers to show frequency values, gain values or Q values. You have to use your ears, and in turn you nullify the need for specific values when making adjustments.   Now, although this doesn't completely eliminate the McGurk effect (due to the fact that one could still make changes in bypass and hear audible differences) it does at least minimize the need to have values for everything and quantify music into a little box.    There you have it, a scientific explanation for the embarrassing moment when (Lord forbid) a client sees you adjust an EQ that is bypassed. But then, would they even notice it? Perhaps we could even utilize this as a means of not fiddling with the sound of something that we have painstakingly beat into submission at the artists request. Just simply duplicate the plugin, and then bypass the duplicate. Now show them your making a change and let the McGurk effect work for you instead of against you!    Sources/Links: 1  - 2 - 3 - 4

ANNOUNCMENTS Recent live stream success - HSS Live-Artist Spotlights 006 https://youtu.be/GPT-_TGlt84   EAR TO THE GROUND 1 New music is no longer a thing, thanks to a pair of lawyers who created an algorithm to write every single musical melody that can possibly exist. Rather than claiming all music as their personal property, however, the duo have released their entire catalog of tunes into the public domain, in the hope that this will bring an end to copyright lawsuits.   Lawyer, musician, and programmer Damien Riehl came up with the idea after realizing that all singer-songwriters are essentially walking on a “melodic minefield”, because there are only a finite number of melodies that can exist. As such, with each new song that gets written, the chances of creating something genuinely unique decreases, and the possibility of writing a melody that has already been recorded by someone else increases.   In a recent Tedx Talk, Riehl explains that this wouldn’t be a problem if it weren’t for the ridiculous nature of copyright laws, which state that a piece of music becomes copyrighted the moment it is recorded. Even worse, it is possible to be sued for “subconscious infringement”, whereby an artist may have to pay a settlement to another artist even if they claim to have never heard the song that they are accused of copying. Riehl sites numerous such cases, revealing how George Harrison was found guilty of subconscious infringement after the chorus to his song My Sweet Lord was deemed to be too similar to a track called He’s So Fine by The Chiffons. In another example, Radiohead were forced to name a group called The Hollies as co-writers of their song Creep, which apparently included a melody that also appears in one of the latter band’s songs.   To try and bring an end to such cases, Riehl teamed up with Noah Rubin to create an algorithm that could produce every 12-note melody that has ever been written or can ever be written, using one octave of musical notes. The algorithm uses the same ‘brute force’ technique that hackers use when attempting to steal passwords, by essentially generating every possible combination of characters. A total of 68 billion melodies were generated, which are now all available at allthemusic.info.    The pair argue that their algorithm highlights how musical melodies are essentially just numbers arranged in a particular order, and that since numbers can’t be copyrighted, music should also not be constrained by infringement laws. "No song is new. Noah and I have exhausted the data set," explains Riehl. "Noah and I have made all the music to be able to allow future songwriters to make all of their music."   2 It’s becoming clear that the Covid-19 coronavirus is going to have a significant impact on all of our lives for the foreseeable future and, sadly, it’s likely that the music-making industry is going to suffer.    Of course, there are still plenty of ways that you can indulge your passion - a period of self-isolation might actually help you to finish that album you’re been working on or even master a new instrument - but in the world of live events, the picture looks a little less rosy. Around the world gigs, trade shows and other music-focused gatherings are being cancelled on a daily basis and, unfortunately, this is a trend that’s set to continue.  To help you keep abreast of developments, and to make you aware if you need to change your plans in any way, I've included a link in the description of this podcast to an ongoing list that Music Radar has put together for live show updates. This guide shows the current impact that the coronavirus is having, and they're committed to keep it updated as news comes in. This might be a webpage you need to bookmark for future reference. 3 Universal Audio (UA), a leading manufacturer of professional audio recording hardware and software, is proud to introduce LUNA Recording System, a full-featured music creation, recording, and analog-style production system shaped by over 60 years of analog audio exploration. LUNA transforms UA's industry-standard Apollo interfaces into the most inspiring and fully integrated recording systems available. LUNA Recording System consists of a UA Thunderbolt-equipped audio interface, the LUNA Application, LUNA Extensions, and LUNA Instruments. LUNA will be available as a free download for Apollo and Arrow Thunderbolt audio interface owners (Mac only) in Spring 2020 Deep Apollo Integration — Fast, Natural Workflow Unlike traditional DAW software, LUNA Recording System's tight hardware-software integration allows quickly routing and recording audio through DSP-powered UAD plug-ins with no discernable latency via the new Accelerated Realtime Monitoring feature. Accelerated Realtime Monitoring is poised to be a major revelation for those unaccustomed to working on a $10k+ DSP-assisted recording system; music production will instantly seem more robust, dependable, and intuitive, without latency or monitoring hassles.  Built-In Neve® Summing — Instant Classic Console Sound LUNA Recording System offers precisely emulated audio summing circuitry from the Neve 80-Series audio mixing consoles designed by Neve Electronics in the 1960s and early 1970s, featuring the harmonically rich sound of the Neve 1272 summing amplifier. Far beyond a “summing plug-in," Neve Summing is a LUNA Extension built-in to the fabric of LUNA's mixer — and can instantly transform a clean technical mix into a classic-sounding recording filled with energy and life. Integrated Multitrack Tape — Warmth and Punch on Demand LUNA's audio transport features integrated Multitrack Tape emulation via the included "Oxide" LUNA Extension — providing sonic qualities commonly described by audio engineers as "warmth" and "cohesion" on every desired audio or instrument track. LUNA Recording System users may choose to further explore various magnetic tape sounds with the optional Studer® A800 Tape Recorder Extension (sold separately). All-New LUNA Instruments — Incredible Realism to Fuel Inspiration LUNA is further distinguished by all-new software-based LUNA Instruments — bringing Universal Audio's expertise in electrical and acoustic modeling, sampling, synthesis, and signal processing to virtual instruments for the first time ever. The resulting software instruments are ultra-realistic, responsive, and “alive” with inspiration. At launch, available LUNA Instruments will include: Moog® Minimoog — developed in partnership with Moog Music, the Moog Minimoog is an incredibly accurate and inspiring emulation of the archetypal 1971 Moog synthesizer Ravel™ grand piano — a breathtaking model of a Steinway Model B grand piano based on UA's proprietary sampling, physical modeling, and new Ultra-Resonance technology — providing all the sonic nuance of this studio classic Shape™ — a complete creative toolkit with vintage keys, drums/percussion, guitar/bass, orchestral content, and realtime synthesis, courtesy of Universal Audio, Spitfire Audio, Orange Tree Samples, Loops de la Creme, and more — included free in LUNA. 3 FREE PLUGS  Xfer Records Dimension Expander - If you're looking to add unique and insane space and stereo width to your sound, Xfer Records Dimension Expander is a must. The four-voice chorus with extended delay times takes advantage of phasing to further enhance the "out of the speaker" width. Two of the chorus voices are out of phase from the other two, which tickles your brain and confuses it in enjoyable ways, creating an unbeatable stereo effect. It sounds great on pretty much anything but shines a bit extra on vocals and cleaner guitars. Try it and find out which other instruments love this plugin. Thrillseeker XTC - Sometimes you need to bring a sound back to life - you hear it has potential, but you know it can be so much more. Bringing back the mojo of a sound (or several) is what the exciter Thrillseeker XTC is all about. In the stylish analog interface, you have ultimate control over the low, mid, and high end with full respective EQ bands to dial it down even further. One of the more exciting features of the Thrillseeker XTC is the "mojo" knob. The Cambridge Dictionary defines mojo as "a quality that attracts people to you and makes you successful and full of energy." Switch out the "you" to "your track," there's your explanation to what the Thrillseeker XTC is all about. I really can't explain it better. It does magic on your track and makes it sound loads better. Krush - Who doesn't love an excellent, free bit crusher? Look no further than Krush. Krush is all about down-sampling, crushing, and driving your sound to insane levels – if you want. Hidden in this gem is a reliable filter and an LFO to manage all controls in the plugin fully. And with the separate dry and wet dial, you can add some exciting flavors to your drum loops, for example. Just a little bit can go a long way to liven up a dull 4/4 beat. It sounds like a bit crusher should and does everything you want, with a bit more to keep things interesting. If you want a free bit crusher, I recommend you check this one out right now.    MAIN THOUGHT   4 The McGurk Effect   Have you ever tweaked a knob on a compressor or an EQ plugin while looking at it on screen and hear an audible difference, only to find that it was in fact bypassed the whole time?   Well, if you’ve been mixing for very long, I’m sure at one point in time (knowingly or unknowingly) you’ve done this.    This audio/visual phenomenon is not only real, but it is scientifically proven. In fact it's got a rather Scottish name, it's called "The McGurk Effect" .    In 1976, Chief psychologist McGurk and his partner MacDonald, reported a powerful multisensory illusion occurring with audiovisual speech. They recorded a voice articulating a consonant and dubbed it with a face articulating another consonant. Even though the acoustic speech signal was well recognized alone, it was heard as another consonant after dubbing with incongruent visual speech. The illusion has been termed the McGurk effect. It has been replicated many times, and it has sparked an abundance of research. The reason for the great impact is because it is a striking demonstration of multisensory integration. It shows that auditory and visual information is merged into a unified, integrated percept.   The McGurk effect, in laymen terms, is a perceptual phenomenon that demonstrates an interaction between hearing and vision in auditory perception. The illusion occurs when the auditory component of one sound is paired with the visual component of another sound, leading to the perception of a third sound. (See it for yourself here)   So, what can we learn from this? Well, it demonstrates our brains ability to marry the audio world to the visual and also shows us that we can be easily tricked into hearing things that are not there. Arguably, this is why some say that analog mixing is better musically speaking. Because, tactile knobs and low visibility to the specific ranges found on the mixing board or outboard gear, forces an engineer to use their ears more than their eyes to makes subtle adjustments.    Because of this, some plug in companies have actually went as far as to create a sort of clean slate approach to audio alteration. For instance, one company (Audio Thing) released a FREE (yes FREE plugin), that you can download and try for yourself.  it's called the Blindfold EQ. The Blindfold EQ is a freeware EQ plugin inspired by a quote from Matt Wallace, found in the book Recording Unhinged by Sylvia Massy.  Matt states, “If I were King of the Universe, consoles would have no indication of frequency near the EQ knobs, because when you show the frequency, then most people EQ by eye. […] But seriously, you should have no idea of what frequency you are boosting or cutting. It doesn’t matter what number is. It matters how it sounds and how it feels. That’s it!” Matt Wallace   Ans so, the Blindfold EQ is created. The Blindfold EQ has 4 bands (LowShelf, LowMid, HighMid, HighShelf), but each knob is blind. Meaning, there are no indicators or numbers to show frequency values, gain values or Q values. You have to use your ears, and in turn you nullify the need for specific values when making adjustments.   Now, although this doesn't completely eliminate the McGurk effect (due to the fact that one could still make changes in bypass and hear audible differences) it does at least minimize the need to have values for everything and quantify music into a little box.    There you have it, a scientific explanation for the embarrassing moment when (Lord forbid) a client sees you adjust an EQ that is bypassed. But then, would they even notice it? Perhaps we could even utilize this as a means of not fiddling with the sound of something that we have painstakingly beat into submission at the artists request. Just simply duplicate the plugin, and then bypass the duplicate. Now show them your making a change and let the McGurk effect work for you instead of against you!    Sources/Links: 1  - 2 - 3 - 4

In this episode, Sylvia Massy shares her experiences doing adventure recording, her collection of the world's oldest microphones, and deep insights on audio engineering...including how to properly mic a chicken. Sylvia is one of today's leading audio engineers and has worked with artists like Prince, Aerosmith, Tool, Johnny Cash, Red Hot Chili Peppers, Smashing Pumpkins, Tom Petty, and many others. She's famous for adventure recording in uncanny places like icebergs, caves, nuclear energy silos, and other wild places. Follow Sylvia Massy at the follow links: https://m.sylviamassy.com/ https://twitter.com/SylviaMassy https://www.instagram.com/sylvia_massy/ Purchase Ableton Live 10 at a discount: https://liveproducersonline.com/buyableton Learn Ableton Live & get help on your projects by Dan Giffin: https://liveproducersonline.com/change-membership-plan/

Sylvia Massy is a producer, mixer, recording engineer, educator, and author who has worked with everyone from Tool to Johnny Cash. In addition to hosting a Mix with the Masters workshop at AES 2019, Sylvia was part of a panel discussion with other women on their experiences working with Prince, hosted by the Women’s Audio Mission. At AES, she made time to come sit down with us at Sear Sound to talk about her studio in Ashland, Oregon, current work, mentors, mixing, and of course, a few Prince stories.

Bei der Rockband Silly spielt er seit fast 35 Jahren Bassgitarre: Jäckie Reznicek. Daneben ist er Dozent an der Dresdner Hochschule für Musik, hat mehrere Basslehrbücher veröffentlicht und macht Musik mit einem Erzgebirger, der seit über 20 Jahren in Kanada lebt: Driftwood Holly. Wie die beiden sich kennengelernt haben, welche Rolle in ihrer Musik eine der einflussreichsten Musikproduzentinnen der amerikanischen Rockszene spielt, ob der Klimawandel im Yukongebiet schon zu spüren ist und was wir alle von den Menschen in Kanada lernen können, erzählen Jäckie und Holly in dieser sehr spannenden Folge.

Christer-André Cederberg er en av landets mest opptatte mikseteknikere. For tre år siden bestemte han seg for å ta med sin lille familie tilbake til hjembyen Kristiansand. Mens han lette etter et sted å ha studioet sitt, kom han over et gammelt studio som sto og støva ned. En avlyst sommerferie og noen tusen arbeidstimer senere var ærverdige Cross lydstudio forvandlet til Cederberg studios.I «Bak spakene» forteller Christer om denne prosessen, om overgangen fra überfet analog signalkjede til å mikse «i boksen» for deretter å slutte med prosessering overhodet på masterbuss. For å kunne levere stems som fungerer. Samtalen penser innom fortiden med bandet Animal Alpha, innspilling med legendariske Sylvia Massy – og mye, mye mer. See acast.com/privacy for privacy and opt-out information.

We sat down with Salvation Jayne's very own Tor Charlesworth to talk big gigs, recording with Sylvia Massy, gender preconceptions in the industry and more!

Having a conversation with Jessica Gallegos about the music industry and music education.Website - jessicageee1.wixsite.com/jessgeeeSoundCloud - https://soundcloud.com/jessica-gallegos-201643286Island Time - https://soundcloud.com/jessica-gallegos-201643286/island-party

Working Class Audio #231 with Brendan Duffey!!! Brendan Duffey is a 3x Grammy nominated producer/engineer who lives in Davis, California. He has engineered, mixed, mastered and produced some of the largest names in music in Brazil, working with such artist such as Daniela Mercury, Caetano Veloso, Lulu Santos, Kiko Loureiro Angra,50 Cent, The Mission, and many others. Brendan owned  Norcal Studios in São Paulo, Brazil for a decade and now has a mixing and mastering facility in called Brendan Duffey Audio in Davis, CA. About this interview: Brendan joins me to chat about growing up in Davis, California, the impact of Sylvia Massy, the Banff Center, running a studio in Brazil, working with his wife, corruption, bureaucracy, violence, kidnapping, success, troubles with shipping & friends in the FBI.  Enjoy! -Matt Links and Show Notes: Working Class Audio Journal: https://amzn.to/2GN67TP Brendan's site: brendanduffeyaudio.com Current sponsors & promos : https://bit.ly/2WmKbFw Credits:Host: Matt Boudreau Guest: Brendan DuffeyWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau & Matt BoudreauAdditional Music: The License Lab

In this episode I talk to Nik Bruzzese about his work recording bands like Man Overboard, Transit, The Wonder Years, Handguns, Greyscale and tons more. I want to tell you about JZ Microphones The Black Hole Series, BH2 and BH1S which are the result of relentless improvement of technology, spanning more than 30 years. The mic wows you with clarity and richness. They incorporate a Golden Drop Capsule technology; using this innovation, the capsule’s diaphragm is lighter; therefore, it moves much faster and deliver more clarity, precision as well as reduce colourations and distortions. These handcrafted studio microphones are designed for producers and are already used by world-class producers like Rafa Sardina, Thom Russo, Marc Urselli, Sylvia Massy, Rob Chiarelli and many others. They incorporate a Golden Drop Capsule technology. Right now 50% off for Black Hole series microphones. Visit jzmic.com/blackhole/ Go To NoiseCreators To Get To Know The Producers Behind Your Favorite Records: NoiseCreators.com Hosted by Jesse Cannon: jessecannon.com Show Notes: http://bit.ly/1m8hoBG Subscribe on iTunes: http://apple.co/1Yluk3v and review us there! Overcast.FM http://bit.ly/1I9OPhE and recommend us there! Noise Creators on Twitter: @noisecreators Jesse Cannon on Twitter: @jessecannon

We're at Show#60!!! Holy cow!!! A legend in the music recording industry, Sylvia Massy has worked with the biggest names in the business (Prince, Aerosmith, Red Hot Chili Peppers, Johnny Cash) and would probably give Robert Crumb a run for his money in a drawing contest. From recording guitars through household blenders and pickles to recording an album on a submarine, her signature recordings are why she's requested to speak all over the world and share her unconventional recording techniques as well as help bands create that special something only Sylvia can bring. This show will air on my 57th birthday. www.sylviamassy.com Lot's of very nice folks call in to the show to wish me a Happy Birthday including my parents, sister, daughter, friends and one of my all-time comic heroes and co-star of the hit HBO series Curb Your Enthusiasm Richard Lewis. How the heck did I get legendary comedian Richard Lewis to call there show? Frankly, I think I pestered him into it. A real bro and a lucky guy I am that he hasn't blocked me on Twitter.

Sylvia Massy has worked with Prince, Tool, and Johnny Cash; Gil Norton has produced for The Pixies, Foo Fighters and Manic Street Preachers; and Clint Murphy has had his fingers on the faders for dozens of NZ albums since the beginning of the century. Kirsten Johnstone gets them around a table to talk about their craft.

In this week's Pocket Edition, Jana Whitta gets in the Fanau Spa with Big Fat Raro and Brown Boy Magic; Kirsten Johnstone speaks with producers Sylvia Massy, Gil Norton and Clint Murphy about their work on some of our most beloved albums of the last two decades; and Yadana Saw pays a visit to Wellington's newest supergroup, Congress of Animals.

On this episode I talk to Sam Pura about modern production and how the new The Story So Far record Proper Dose was made. I want to tell you about JZ Microphones The Black Hole Series, BH2 and BH1S which are the result of relentless improvement of technology, spanning more than 30 years. The mic wows you with clarity and richness. They incorporate a Golden Drop Capsule technology; using this innovation, the capsule’s diaphragm is lighter; therefore, it moves much faster and deliver more clarity, precision as well as reduce colourations and distortions. These handcrafted studio microphones are designed for producers and are already used by world-class producers like Rafa Sardina, Thom Russo, Marc Urselli, Sylvia Massy, Rob Chiarelli and many others. They incorporate a Golden Drop Capsule technology. Right now 50% off for Black Hole series microphones. Visit jzmic.com/blackhole/ Go To NoiseCreators To Get To Know The Producers Behind Your Favorite Records: NoiseCreators.com Hosted by Jesse Cannon: jessecannon.com Show Notes: http://bit.ly/1m8hoBG Subscribe on iTunes: http://apple.co/1Yluk3v and review us there! Overcast.FM http://bit.ly/1I9OPhE and recommend us there! Noise Creators on Twitter: @noisecreators Jesse Cannon on Twitter: @jessecannon

Sylvia Massy is an American producer and engineer known for her work with Johnny Cash, Prince, Red Hot Chili Peppers and Tool, as well as her unorthodox recording techniques. We invited her to The Famous Gold Watch studio in Berlin to talk about her unique experiences, which include recording in an abandoned nuclear cooling tower and using vegetables or cheese to filter audio signals.

Episode two starts with my latest beat and also ends with the beat so listen till the end as I forgot to mention it on the podcast! D'oh! I also talk about doing the Beat Battle with funds going to raise money for Today's Future Sound. I went to the Ableton Group where I got some inspiration from lash lash and I also went to SAE's Audio Trade Show and got some never before heard stories about Prince from producer Sylvia Massy. lash lash - https://soundcloud.com/lash_lash Elliot who runs the beat battles - https://soundcloud.com/phillipdrummond Today's Future Sound on Insta - @todaysfuturesound Insta - @sylvia_massy CHECK OUT MY MUSIC Spotify Artist Page: http://bit.ly/sianasspotify Itunes Artist Page: http://bit.ly/sianasitunes YouTube Channel: http://bit.ly/sianasyoutubechannel SoundCloud: https://soundcloud.com/sia-nas FOLLOW ME https://www.instagram.com/sianassongs https://twitter.com/sianassongs https://www.facebook.com/sianassongs https://www.snapchat.com/add/sianassongs

Maor talked about mastering for international clients, getting the tones and levels just right, and working with Sylvia Massey, William Shatner, Billy Sherwood, Mike Clink, and Ben Grosse. My guest today is Maor Appelbaum a mastering engineer and musician for major international acts such as: Faith No More, Yes, Walter Trout, Eric Gales, Meatloaf, William Shatner, Sepultura , Rob Halford and more. He has mastered the works of well-known music producers such as: Matt Wallace, Mike Clink, Mike Plotnikoff, Bob Horn, Ben Grosse, Roy Z, Sylvia Massy and more. To Maor, being a mastering engineer is the best way possible to combine his love and passion for music, with his various skills- objectivity, subjectivity, and technical & artistic prowess. He finds pleasure in his job, more than anything, thanks to the variety of music and sounds he gets to master from all over the world. 
It is a profession he takes pride in, and masters. Thanks to our sponsors! Roswell Pro Audio: https://RoswellProAudio.com Hear more on Youtube If you love the podcast then please Leave a review on iTunes here Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/153

Analizamos el disco debut de la banda Tool: Undertow. En el que el sonido del metal se encuentra completamente pulido bajo la mano de una de las únicas mujeres productoras en la industria de la música, y vaya que es una mujer que pone la bandera muy en alto, se trata de Sylvia Massy quien entrega un excelente disco. En este episodio participan Fernando Benavides y Carlos Ruíz desde la consola del productor.

- Sexism? What Sexism??? - Every Decade, Explained! - Extreme Gear Talk! - Just the Right Amount of Wrong! …and much, MUCH more!

Mix engineer extraordinaire Greg Wells is coming this month to the UBK Happy Funtime Hour podcast! (Sylvia Massy is coming too, in January!) Send us your questions for this grammy-winning, multi-instrumentalist engineer/composer, and you know us... nothing is too off-the-wall or inappropriate to be considered! Ask away!

Sylvia Massy made a good name for herself as a producer and engineer making records with artists like Tool, Red Hot Chili Peppers, Skunk Anansie, Love & Rockets, R.E.M., Johnny Cash, Tom Petty and the Heartbreakers, System of a Down, Smashing Pumpkins, Prince and my favorite, Big Elf.  She recently published "Recording Unhinged" a collection of left of center recording techniques and ideas accompanied by her artwork. Sylvia recently moved her studio operation from Weed, California to Ashland, Oregon which is where she took some time out from her schedule to chat with online publisher Geoff Stanfield. Enjoy! Sponsored by iZotope https://www.izotope.com

Sylvia Massy is one of the most creative engineer/producers in the world. Her fun, innovative and experimental approach to recording has led to her working with major artists such as Tool, System Of A Down, Prince, Johnny Cash, and more. She has been awarded over 25 gold and platinum records, including several Grammy nominated albums. […] The post EP 17: Sylvia Massy (Tool, Johnny Cash, System Of A Down, Prince) appeared first on MasterYourMix.

Sylvia Massy is coming to the UBK Happy Funtime Hour! Hurry and submit your questions for this Grammy winning engineer with scores of Platinum and Gold records and a distinctly creative approach to all things recording! http://www.ubkhappyfuntimehour.com/

            NEWS SoundExchange payout to artists and sideman Has VR flamed out? Look out for “Mixed Reality” GUEST Producer/engineer Sylvia Massy The post Episode #161 – SoundExchange Payout, VR Flameout, And Producer Sylvia Massy appeared first on Bobby Owsinski's Inner Circle Podcast.

            NEWS SoundExchange payout to artists and sideman Has VR flamed out? Look out for "Mixed Reality" GUEST Producer/engineer Sylvia Massy

Sylvia Massy has been producing, engineering and mixing popular music for decades. She's worked with Tool, System of a Down, Johnny Cash, Prince, Red Hot Chili Peppers, Tom Petty and more. She offers advice for prospective audio engineers and mixers from a women's perspective. You can learn more about Sylvia at http://www.sylviamassy.com/

Sylvia Massy has been producing, engineering and mixing popular music for decades. She's worked with Tool, System of a Down, Johnny Cash, Prince, Red Hot Chili Peppers, Tom Petty and more. She offers advice for prospective audio engineers and mixers from a women's perspective. You can learn more about Sylvia at http://www.sylviamassy.com/

In this show Ian talks to the fabulous Sylvia Massy about her fantastic new book, "Recording Unhinged" - and how perhaps mastering could be a little more unhinged sometimes, too. Topics include: - Ian's first ever mastering project (although he didn't know it at the time) - Recording underwater brass - Why gaffer-taping Peter Gabriel to a column wasn't such a bad idea - How to make a REALLY hidden track on CD - How to record like Harry Potter - What Sylvia does to prepare her music for mastering, and why Links www.sylviamassy.com http://www.sylviamassy.com/recording-unhinged/ http://shop.wbstudiotour.co.uk/product-categories/toys/info/extendable-ear/1232294.html

Episode #41: We know that producers are integral to the recording process, but even some in the industry are still confused as to exactly what producers do. While the scope of their role can vary, every music producer has their own approach. Renowned engineer, artist and educator Sylvia Massy prides herself on her unconventional production techniques. Massy has worked with artists from Prince to Tool, always bringing her unique perspective and creativity to producing. On this episode, we put the spotlight on Massy and her new book, Recording Unhinged: Creative and Unconventional Music Recording. We also talk to Grammy-nominated producer Tucker Martine about his methods. And stay tuned for our special interview with Libera Awards nominee Hugues Payen of Caravan Palace! GUESTS: Sylvia Massy (Producer / Author / Illustrator) Tucker Martine (Producer / Engineer) Hugues Payen (Caravan Palace) MUSIC: Panther “Latitudes for Centuries” Thao & the Get Down Stay Down “When We Swam” Shy Child “Drop the Phone” Delta 5 "Mind Your Own Business"

Maor Appelbaum is a mastering engineer and musician. After working as a staff engineer (mixing, recording, and mastering) for famed record producer Sylvia Massy Shivy at Radiostar Studios in Weed, California, Maor moved to Los Angeles where he opened his private mastering suite. Maor has had the pleasure of mastering recordings for major international acts such as Faith No More, Yes, Walter Trout, Eric Gales, Starset, Ill Nino, Dokken, Fates Warning, William Shatner, Gus G, Common Kings, Sepultura, Yngwie Malmsteen, Halford, Fight, Armored Saint, Lita Ford, Seven The Hardway , Marco Mendoza, Angra, Treponema Pal, Wayne Hussey, Therion, Cynic, Nekromantix, Butcher Babies, Billy Sherwood, The Top Chops and more… He has mastered the works of well-known music producers such as: Matt Wallace, Mike Clink, Mike Plotnikoff, Bob Horn, Ben Grosse, Bassy bob Brockmann, Toby Wright, Justin Gray, Roy Z, Sylvia Massy, Gilby Clark, Warren Riker, Ryan Greene, Ulrich Wild, Fabrizio Grossi, Logan Mader, Stan Katayama, Ben Schigel, Mark Lewis, Jacob Hansen, Tue Madsen, Eyal Levi, Jason Suecof, Thomas Lang and more… Also, he does mastering for unsigned artists of all genres from all over the world. Maor has an extensive background with the international music industry – He is well aware of the various music styles and sounds that are developing vastly as today’s technology develops. To Maor, being a mastering engineer is the best way possible to combine his love and passion for music, with his various skills- objectivity, subjectivity, and technical & artistic prowess. He finds pleasure in his job, more than anything, thanks to the variety of music and sounds he gets to master from all over the world. It is a profession he takes pride in and masters. Maor speaks with Matt about moving to the United States from Israel and the challenges he encountered in his economic philosophy and working with clients. http://www.maorappelbaum.com/ Articles by or about  Maor. EXPERT ADVICE: BOOST YOUR BUSINESS Faith No More’s New Album Mastered On PMC LoudspeakersCLOSE UP: MAOR APPELBAUM MASTERING

Do women music producers bring something different to the recording studio? Sylvia Massy thinks so. Cristen and Caroline ask the platinum-record-earning producer about her stellar career working with the likes of Prince and Tool and how gender has influenced her life in the control room. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Working Class Audio Session #014 with Sylvia Massy!!! Sylvia Massy has been Producing, Engineering and Mixing popular music for decades. She’s renowned for her work with Tool, System of a Down, Johnny Cash and Prince. She’s received over 25 gold and platinum records including awards for her work with the Red Hot Chili Peppers, Sevendust and […] The post WCA #014 with Sylvia Massy appeared first on Working Class Audio.